Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some violent scenes and some scenes of a sexual nature from the start | 0:00:02 | 0:00:10 | |
HE SIGHS | 0:00:24 | 0:00:26 | |
SOLDIERS MARCH IN UNISON WITH LOUIS'S FOOTSTEPS | 0:00:28 | 0:00:31 | |
CREAKING | 0:00:44 | 0:00:45 | |
CRACKING | 0:00:45 | 0:00:47 | |
CRASHING | 0:00:48 | 0:00:50 | |
GLASS PATTERS | 0:00:50 | 0:00:51 | |
-BONTEMPS: -My king! | 0:00:53 | 0:00:55 | |
ALARMED SHOUTING | 0:00:55 | 0:00:56 | |
The Lord is making himself very clear to you, Your Majesty. | 0:01:03 | 0:01:06 | |
By throwing chandeliers at me? | 0:01:06 | 0:01:07 | |
By disturbing your sleep. | 0:01:07 | 0:01:09 | |
Compelling you to ruminate. | 0:01:09 | 0:01:11 | |
I see the crevices in the plaster, Sire. | 0:01:11 | 0:01:13 | |
This accident with the chandelier... | 0:01:13 | 0:01:15 | |
The facade is crumbling from within. | 0:01:17 | 0:01:19 | |
All of us require work inside, Your Majesty, | 0:01:19 | 0:01:22 | |
some of it more urgent than others. | 0:01:22 | 0:01:24 | |
I am in no need of refurbishment. | 0:01:24 | 0:01:27 | |
My concern is for your immortal soul. | 0:01:27 | 0:01:30 | |
I'm going to war with that heretic Protestant upstart. | 0:01:30 | 0:01:33 | |
Will that suffice? | 0:01:33 | 0:01:34 | |
Your campaign against Holland, Sire, is just, | 0:01:34 | 0:01:38 | |
but it is your moral conduct that stirs God to act. | 0:01:38 | 0:01:41 | |
Your Church and your God cannot condone a double adultery. | 0:01:41 | 0:01:45 | |
Your continued relations with a married woman are incurring a debt, | 0:01:45 | 0:01:49 | |
and the reckoning is not yet paid. | 0:01:49 | 0:01:51 | |
I do not respond well to threats, Bishop. | 0:01:52 | 0:01:55 | |
Neither does the Almighty. | 0:01:55 | 0:01:57 | |
Sire, the Lord is speaking to you as he spoke to Elijah, | 0:01:57 | 0:02:00 | |
in a still, small voice. | 0:02:00 | 0:02:02 | |
Abandon God, he will abandon you, | 0:02:02 | 0:02:05 | |
and you will fall into eternal darkness. | 0:02:05 | 0:02:08 | |
I'm marching 25,000 men to claim Holland | 0:02:08 | 0:02:11 | |
from the unbelievers in the name of the one true Church. | 0:02:11 | 0:02:15 | |
I've no doubt that God is on my side. | 0:02:15 | 0:02:17 | |
As for you, Bishop... | 0:02:17 | 0:02:19 | |
sometimes I wonder. | 0:02:19 | 0:02:21 | |
THEY MOAN | 0:02:45 | 0:02:47 | |
< MUFFLED MOANS | 0:02:49 | 0:02:52 | |
-Yes! Yes! -HE GROANS | 0:02:57 | 0:02:59 | |
Yes! Yes! Yes! | 0:02:59 | 0:03:01 | |
SHE SCREAMS | 0:03:01 | 0:03:03 | |
BOTH SCREAM | 0:03:03 | 0:03:04 | |
Yes! God in Heaven...! | 0:03:04 | 0:03:07 | |
DOOR OPENS | 0:03:09 | 0:03:11 | |
Madame. | 0:03:26 | 0:03:28 | |
Confine her. | 0:03:28 | 0:03:29 | |
If you compel her to a lying-in you protect both the child and her. | 0:03:30 | 0:03:35 | |
You also remove my daily ritual of public humiliation. | 0:03:36 | 0:03:40 | |
It stings to see her swollen stomach, | 0:03:41 | 0:03:44 | |
that bloated pride paraded. | 0:03:44 | 0:03:47 | |
You're visiting a great cruelty upon me and I'm begging you to stop. | 0:03:47 | 0:03:51 | |
-This is highly irregular, madame. -I talk as your WIFE. Hear me! | 0:03:52 | 0:03:56 | |
Every night, before retiring. You know my promise... | 0:03:56 | 0:03:59 | |
-The promise is empty. -The king must perform his duties, madame. | 0:03:59 | 0:04:02 | |
Did you not understand what it meant to marry one? | 0:04:02 | 0:04:05 | |
I understand deeply, | 0:04:08 | 0:04:09 | |
but as your wife | 0:04:09 | 0:04:10 | |
I don't like who you've become. | 0:04:10 | 0:04:13 | |
Who would that be, precisely? | 0:04:13 | 0:04:14 | |
You're changing and it scares me. | 0:04:14 | 0:04:16 | |
You may be the Sun King, but, of late, | 0:04:16 | 0:04:18 | |
when I look into your eyes, all I see is shadow. | 0:04:18 | 0:04:21 | |
# I'm the king of my own land | 0:04:29 | 0:04:34 | |
# Facing tempests of dust | 0:04:39 | 0:04:43 | |
# I'll fight until the end | 0:04:43 | 0:04:47 | |
# Creatures of my dreams | 0:04:51 | 0:04:54 | |
# Raise up and dance with me | 0:04:54 | 0:04:57 | |
# Now and forever | 0:05:06 | 0:05:08 | |
# I'm your king! # | 0:05:09 | 0:05:17 | |
Are you thinking what I'm thinking? | 0:05:43 | 0:05:45 | |
No. | 0:05:46 | 0:05:48 | |
Of course you are, | 0:05:48 | 0:05:49 | |
and I completely agree with you. It's self-evident. | 0:05:49 | 0:05:52 | |
Abbiamo bisogno di piu del vino. | 0:05:53 | 0:05:57 | |
CHEVALIER WHISTLES | 0:05:57 | 0:05:59 | |
We need more wine. | 0:05:59 | 0:06:00 | |
HE GRUNTS | 0:06:02 | 0:06:03 | |
Aah! | 0:06:03 | 0:06:04 | |
Now I'm home. | 0:06:04 | 0:06:06 | |
I missed you. | 0:06:08 | 0:06:10 | |
-HE KISSES -And I...mourned... | 0:06:12 | 0:06:15 | |
your...absence... | 0:06:15 | 0:06:17 | |
every...day. | 0:06:17 | 0:06:19 | |
SLAP! HE LAUGHS | 0:06:19 | 0:06:21 | |
And while I will admit there were others... | 0:06:25 | 0:06:28 | |
who vied for my affection... | 0:06:28 | 0:06:31 | |
I can assure you, I was utterly faithful and true. | 0:06:31 | 0:06:34 | |
Those Italians are persistent, though, I grant you. | 0:06:34 | 0:06:38 | |
HE SIGHS | 0:06:38 | 0:06:40 | |
I hear the King has finished the building work | 0:06:40 | 0:06:42 | |
and is finally doing something about that interior. | 0:06:42 | 0:06:45 | |
Imagine - new art, better chairs, | 0:06:45 | 0:06:47 | |
clocks that work, | 0:06:47 | 0:06:50 | |
frescoes all over the place, | 0:06:50 | 0:06:51 | |
and so much gold it looks like King Midas | 0:06:51 | 0:06:54 | |
went around fondling the entire palace. | 0:06:54 | 0:06:56 | |
-HE CLICKS FINGERS -Chamber pot! | 0:06:56 | 0:06:58 | |
Do you know there were even moments in Rome | 0:06:58 | 0:07:00 | |
when I actually missed the old place? | 0:07:00 | 0:07:03 | |
I'm not going back there, you know. | 0:07:03 | 0:07:05 | |
Quite right. Why would you? | 0:07:05 | 0:07:06 | |
He broke my heart and destroyed my life. | 0:07:09 | 0:07:12 | |
-CHEVALIER GROANS IN PAIN -My poor Henriette. | 0:07:12 | 0:07:14 | |
-TRICKLING -It was that palace that killed her, believe me. | 0:07:14 | 0:07:17 | |
AND poison, but, yes, | 0:07:17 | 0:07:20 | |
hardly acceptable behaviour. | 0:07:20 | 0:07:21 | |
You must never return. | 0:07:21 | 0:07:23 | |
Even if he is your only brother. | 0:07:23 | 0:07:25 | |
I'm simply saying...! | 0:07:26 | 0:07:28 | |
My own brother once challenged me to a duel. | 0:07:28 | 0:07:30 | |
I had to wound him in the clavicle to prevent him from firing on me. | 0:07:30 | 0:07:33 | |
Honestly, families! | 0:07:33 | 0:07:35 | |
THUNDER RUMBLES | 0:07:35 | 0:07:38 | |
There is a fashion in the salons for recreational powders, | 0:07:40 | 0:07:43 | |
substances to enhance and encourage amorous congress. | 0:07:43 | 0:07:46 | |
I believe that the death of Minister Reynaud | 0:07:46 | 0:07:49 | |
is connected to the use of these powders. | 0:07:49 | 0:07:51 | |
-He consumed too much, perhaps. -Not exactly, Sire. | 0:07:51 | 0:07:53 | |
His widow was seen to be placing powders in the Minister's wine. | 0:07:53 | 0:07:56 | |
-She is still under arrest, is she not? -She is. | 0:07:56 | 0:07:59 | |
And she may have inadvertently administered the dose to Reynaud, | 0:07:59 | 0:08:03 | |
but she is not, herself, the poisoner. | 0:08:03 | 0:08:05 | |
-That makes no sense. -She was the vessel. | 0:08:05 | 0:08:07 | |
Precisely, Sire. | 0:08:07 | 0:08:08 | |
The phial she used for the love powders was replaced | 0:08:08 | 0:08:11 | |
with another identical phial, containing a very powerful poison. | 0:08:11 | 0:08:15 | |
-She could have done this herself, of course. -She could. However, | 0:08:15 | 0:08:18 | |
she attempted to sample the powder to prove her innocence. | 0:08:18 | 0:08:21 | |
If I had not prevented her, she would now be dead. | 0:08:21 | 0:08:24 | |
What do you propose? | 0:08:24 | 0:08:25 | |
My forces have already commenced operations, Sire. | 0:08:25 | 0:08:28 | |
I will find the source of these powders | 0:08:28 | 0:08:30 | |
by first identifying how they are brought to Versailles. | 0:08:30 | 0:08:32 | |
Good. | 0:08:34 | 0:08:35 | |
HE SNORTS | 0:08:35 | 0:08:37 | |
HE SNIFFS | 0:08:37 | 0:08:38 | |
HE CLICKS FINGERS | 0:08:42 | 0:08:44 | |
So, it is settled. | 0:08:55 | 0:08:56 | |
We shall stay here. | 0:08:57 | 0:08:59 | |
It's perfectly lovely. | 0:09:01 | 0:09:03 | |
Just you and I. | 0:09:05 | 0:09:07 | |
We shall throw a party for all our friends. | 0:09:08 | 0:09:11 | |
All our friends are over there. | 0:09:11 | 0:09:13 | |
At the "centre of the world"(!) | 0:09:14 | 0:09:16 | |
Trust me, the world is really nothing special. | 0:09:16 | 0:09:19 | |
What I saw of it from prison, anyway... | 0:09:20 | 0:09:22 | |
You're lucky you kept your head on your shoulders. | 0:09:22 | 0:09:25 | |
-It's almost as if the King were punishing me for something. -Mm! | 0:09:25 | 0:09:28 | |
People conspire every day. It's hardly against the law. | 0:09:28 | 0:09:31 | |
It's called treason? | 0:09:31 | 0:09:33 | |
Well... | 0:09:33 | 0:09:34 | |
HE SCOFFS AND LAUGHS | 0:09:34 | 0:09:36 | |
Versailles can be the centre of whatever world it likes. | 0:09:36 | 0:09:39 | |
You are the centre of mine, mignonette. | 0:09:39 | 0:09:42 | |
We shall be just the two of us. | 0:09:44 | 0:09:46 | |
This is what he does it, you know? Piece by piece. | 0:09:48 | 0:09:50 | |
-Oh, God... -First, he took my wife... | 0:09:50 | 0:09:52 | |
-No... -..and now, he's taken all of my friends! | 0:09:52 | 0:09:54 | |
Stop it! | 0:09:54 | 0:09:55 | |
And, yes, very soon, your freedom. | 0:09:55 | 0:09:58 | |
He will marry you again, won't he? | 0:09:58 | 0:10:00 | |
-He can hardly compel you to... -He will find a way. | 0:10:03 | 0:10:06 | |
All right! | 0:10:06 | 0:10:08 | |
We should have the biggest party in the world... | 0:10:09 | 0:10:13 | |
..to welcome me back to civilisation. | 0:10:14 | 0:10:16 | |
Invite most of our best friends, | 0:10:17 | 0:10:19 | |
and all of our worst ones, too - we want it to be FUN after all! | 0:10:19 | 0:10:22 | |
-CHEVALIER LAUGHS -They won't come. | 0:10:22 | 0:10:24 | |
You know, I feared this would happen. | 0:10:24 | 0:10:26 | |
In my absence, you've become pathetic. | 0:10:26 | 0:10:29 | |
Does it really take me to tell you this? | 0:10:32 | 0:10:34 | |
Does your brother control you so strongly | 0:10:34 | 0:10:36 | |
that you cannot see it for yourself? | 0:10:36 | 0:10:38 | |
The King has filled that palace with every single one of YOUR admirers. | 0:10:39 | 0:10:43 | |
Louis might be their king, but the man they truly worship? | 0:10:43 | 0:10:47 | |
Hm? | 0:10:47 | 0:10:49 | |
Why, that would be you. | 0:10:49 | 0:10:51 | |
He might be... | 0:10:51 | 0:10:53 | |
the sun, my dear, | 0:10:53 | 0:10:55 | |
but you... | 0:10:55 | 0:10:56 | |
..are the star... | 0:10:57 | 0:10:58 | |
..and it is time you showed your brother | 0:10:59 | 0:11:01 | |
how brightly you can sparkle. | 0:11:01 | 0:11:03 | |
I don't know if you've ever noticed, | 0:11:04 | 0:11:06 | |
but while the sun rules the day, it is the stars that rule the night. | 0:11:06 | 0:11:11 | |
Hm. | 0:11:15 | 0:11:17 | |
I did miss you a great deal. | 0:11:19 | 0:11:21 | |
I know. | 0:11:21 | 0:11:23 | |
Tell me again. | 0:11:23 | 0:11:24 | |
ALL LAUGH AND GIGGLE | 0:11:29 | 0:11:31 | |
CHATTER | 0:11:31 | 0:11:33 | |
MAN GROWLS, THEY SQUEAL | 0:11:35 | 0:11:37 | |
PACING FOOTSTEPS | 0:11:37 | 0:11:38 | |
-You must sit. -I prefer to walk. | 0:11:39 | 0:11:42 | |
The child would benefit from your repose. | 0:11:42 | 0:11:44 | |
The child is running a country mile no matter what I do. | 0:11:44 | 0:11:48 | |
In any case, it will soon be out of me | 0:11:48 | 0:11:50 | |
and we shall hear no more about it. | 0:11:50 | 0:11:52 | |
I saw Gaston de Foix doing some pacing of his own earlier. | 0:11:55 | 0:11:58 | |
Most despondent. | 0:11:58 | 0:12:00 | |
You know, I think he's still has not overcome his disappointment. | 0:12:00 | 0:12:04 | |
I think he truly thought he had a chance of succeeding as a minister. | 0:12:04 | 0:12:08 | |
He DID have a chance, | 0:12:08 | 0:12:10 | |
but he was not the choice. | 0:12:10 | 0:12:11 | |
Still, I do wonder, if he might perform more energetically. | 0:12:11 | 0:12:15 | |
Cassel is, after all, rather decrepit, is he not? | 0:12:15 | 0:12:19 | |
You must know that I have been asked for my opinion on him | 0:12:21 | 0:12:24 | |
and his position, and I must tell you, Sire... | 0:12:24 | 0:12:26 | |
The Duc de Cassel is like a savage dog with a nose for danger. | 0:12:26 | 0:12:29 | |
Better to have him sniffing at my feet | 0:12:31 | 0:12:33 | |
than out there in the woods with my enemies. | 0:12:33 | 0:12:35 | |
Nevertheless, if his name or his face appears to me, | 0:12:35 | 0:12:39 | |
I must tell you it will be impossible for me to feign delight. | 0:12:39 | 0:12:42 | |
I understand that it is hard... | 0:12:46 | 0:12:48 | |
..but not impossible. | 0:12:51 | 0:12:52 | |
CHATTER | 0:12:55 | 0:12:57 | |
Madame de Reynaud is guilty, of course. | 0:13:00 | 0:13:02 | |
But what a tragedy for one so young. | 0:13:02 | 0:13:04 | |
What will the King do? | 0:13:04 | 0:13:06 | |
Have her executed. | 0:13:06 | 0:13:07 | |
And rightly so. | 0:13:07 | 0:13:09 | |
Murder will always receive its just reward. | 0:13:09 | 0:13:12 | |
INDISTICT SPEECH | 0:13:27 | 0:13:29 | |
WHISPERING: Are you sure you're ready? | 0:13:29 | 0:13:31 | |
INDISTICT SPEECH | 0:13:37 | 0:13:39 | |
What happens now? | 0:13:53 | 0:13:55 | |
He says to come back in an hour. | 0:13:55 | 0:13:57 | |
And...do I pay you? | 0:13:57 | 0:13:59 | |
No, the first one's on me, my dear. | 0:13:59 | 0:14:01 | |
HE EXHALES Crowded. | 0:14:08 | 0:14:11 | |
More nobles' families arrived last night, Sire. 22 in all. | 0:14:11 | 0:14:15 | |
Can we accommodate them? | 0:14:15 | 0:14:17 | |
We will make room. | 0:14:17 | 0:14:19 | |
The new lodgings on the approach should be completed by the spring. | 0:14:19 | 0:14:22 | |
Congratulations, Sire. | 0:14:22 | 0:14:24 | |
Your dream of Versailles is made flesh. | 0:14:26 | 0:14:28 | |
I had thought it standard to confine a woman | 0:14:44 | 0:14:47 | |
in the final weeks of pregnancy. | 0:14:47 | 0:14:49 | |
Are you trying to pay me a compliment, Gaston? | 0:14:49 | 0:14:53 | |
Because I fear you need a spot of practice. | 0:14:53 | 0:14:56 | |
My apologies! SHE CHUCKLES | 0:14:56 | 0:14:58 | |
It appears my son is...is drunk. | 0:14:58 | 0:15:00 | |
And you appear to be frustrated. | 0:15:02 | 0:15:04 | |
It pains me to say, I am, madame. | 0:15:05 | 0:15:07 | |
Since you, in the past, | 0:15:07 | 0:15:10 | |
assured me so clearly of your desire to help my family. | 0:15:10 | 0:15:13 | |
The desire was never lacking, madame. | 0:15:13 | 0:15:17 | |
In any case, I helped you as far as I was able. | 0:15:17 | 0:15:20 | |
I spoke highly of your son to the King. | 0:15:20 | 0:15:22 | |
It's not my fault your son cannot walk through an open door. | 0:15:22 | 0:15:26 | |
It's very simple, you know - | 0:15:26 | 0:15:27 | |
one foot in front of the other. | 0:15:27 | 0:15:29 | |
Perhaps you can give him a lesson. | 0:15:29 | 0:15:31 | |
Goodnight. | 0:15:32 | 0:15:33 | |
Are you completely without quality? | 0:15:35 | 0:15:38 | |
Go on like this, there's no future in politics. | 0:15:38 | 0:15:41 | |
Make an enemy of the most powerful woman in France | 0:15:41 | 0:15:44 | |
and I doubt you'll have any future at all. | 0:15:44 | 0:15:47 | |
You see him over there? | 0:15:48 | 0:15:50 | |
Beauregarde? | 0:15:50 | 0:15:51 | |
He fell foul of her and he's been sliding down the ranks ever since. | 0:15:53 | 0:15:56 | |
Three weeks ago he was holding the King's shoe and now look at him. | 0:15:56 | 0:16:00 | |
Removed from the cuffs. | 0:16:00 | 0:16:02 | |
You do what I tell you to do, | 0:16:07 | 0:16:10 | |
say what I tell you to say, and we will triumph! | 0:16:10 | 0:16:14 | |
But you must trust that I know what I'm doing. | 0:16:14 | 0:16:17 | |
Only if we work together we will prevail. | 0:16:17 | 0:16:19 | |
You have no idea how this place works, Mother. | 0:16:19 | 0:16:22 | |
I know a sight more than you do, let me tell you! | 0:16:22 | 0:16:25 | |
INDISTINCT SPEECH | 0:16:26 | 0:16:28 | |
HE SIGHS | 0:16:36 | 0:16:38 | |
Did you make a note of who delivered it? | 0:16:51 | 0:16:53 | |
A friend of the friend. | 0:16:53 | 0:16:55 | |
I do not know him...yet. | 0:16:55 | 0:16:57 | |
One step at a time. | 0:16:59 | 0:17:00 | |
They make it with a fly from Spain. | 0:17:06 | 0:17:09 | |
There's one called Desire which is wonderful. | 0:17:09 | 0:17:13 | |
-I don't believe I've ever had the pleasure. -Oh... | 0:17:13 | 0:17:15 | |
and if you mix it with one called Tranquility, it works very well. | 0:17:15 | 0:17:19 | |
It has willow bark and valerian. | 0:17:19 | 0:17:21 | |
We put it in our drink when we play Madame Scudery's stupid game. | 0:17:21 | 0:17:26 | |
I would love to try it. | 0:17:27 | 0:17:28 | |
Oh, well you have to. | 0:17:28 | 0:17:30 | |
You simply must! Come on. | 0:17:30 | 0:17:33 | |
CHATTER | 0:17:33 | 0:17:35 | |
It's just there. | 0:17:35 | 0:17:37 | |
-Hello... -Good evening. | 0:17:39 | 0:17:41 | |
-MAN: -The King! | 0:17:41 | 0:17:42 | |
-HUSH DESCENDS MAN: -Sire. | 0:17:42 | 0:17:45 | |
-I hope you're settling in. -Yes, Your Majesty. | 0:17:46 | 0:17:49 | |
Is it poison? SIZZLING | 0:18:18 | 0:18:20 | |
No. | 0:18:20 | 0:18:21 | |
This is the effect of the love potion in a larger dose. | 0:18:21 | 0:18:26 | |
The blistering is nearly instantaneous. | 0:18:26 | 0:18:29 | |
It's what causes the blood to rush to the organs. | 0:18:29 | 0:18:33 | |
The effect is that strong? | 0:18:33 | 0:18:35 | |
And very common. | 0:18:35 | 0:18:37 | |
You once cured me of certain ill effects. | 0:18:41 | 0:18:44 | |
I know their symptoms and how best to heal them. | 0:18:47 | 0:18:51 | |
And how to improve them, perhaps? | 0:18:51 | 0:18:54 | |
You're concerned I might use my knowledge to create | 0:18:55 | 0:18:57 | |
a more powerful poison? | 0:18:57 | 0:18:59 | |
The thought had crossed my mind. | 0:18:59 | 0:19:02 | |
That would make me a witch, would it not? | 0:19:04 | 0:19:07 | |
In my opinion, it would only make you useful. | 0:19:07 | 0:19:10 | |
You're not eating. | 0:19:14 | 0:19:17 | |
I can see it very clearly. | 0:19:17 | 0:19:18 | |
Stay for supper. | 0:19:18 | 0:19:20 | |
My soup is fresh and untainted by any tonic. | 0:19:20 | 0:19:24 | |
His Excellency, Envoy Zweibrucken from the Palatinate, Sire. | 0:19:44 | 0:19:49 | |
What are your terms? | 0:19:49 | 0:19:50 | |
The initial meeting shall take place on... | 0:19:51 | 0:19:54 | |
On sovereign territory within the Ile de France. | 0:19:54 | 0:19:56 | |
Acceptable, but not ideal, you see, on the side of the Palatinate, | 0:19:57 | 0:20:01 | |
we must insist on the adherence to our protocol. | 0:20:01 | 0:20:04 | |
She is marrying my brother. | 0:20:04 | 0:20:06 | |
It is a pairing, Sire, of two sides... | 0:20:08 | 0:20:11 | |
United in allegiance against the Dutch Republic in the north. | 0:20:11 | 0:20:15 | |
The initial meeting must proceed as follows - | 0:20:18 | 0:20:22 | |
the Princess will be accompanied by a retinue | 0:20:22 | 0:20:25 | |
of three ladies-in-waiting, four horse guards... | 0:20:25 | 0:20:28 | |
"..eight outriders, plus two in addition of her personal guards. | 0:20:28 | 0:20:33 | |
"The Prince will arrive first at the meeting point..." | 0:20:33 | 0:20:36 | |
-Very best of luck with that(!) -Stop it! | 0:20:36 | 0:20:39 | |
Oh, please(!) As if you've ever been early to anything in your life! | 0:20:39 | 0:20:43 | |
Blah-blah-blah - protocol, protocol, protocol! | 0:20:43 | 0:20:47 | |
"..with the introductions effected by the two retinues, | 0:20:47 | 0:20:50 | |
"at which point, the Princess and the Prince..." | 0:20:50 | 0:20:52 | |
That should be the other way round, surely? | 0:20:52 | 0:20:55 | |
"..will strip to the waist and wrestle in the filth | 0:20:55 | 0:20:57 | |
"and detritus of the forest floor." | 0:20:57 | 0:20:59 | |
It doesn't say that. | 0:20:59 | 0:21:00 | |
Um... No, it doesn't! | 0:21:00 | 0:21:02 | |
What about the end? | 0:21:02 | 0:21:04 | |
Um... | 0:21:04 | 0:21:06 | |
HE TUTS | 0:21:06 | 0:21:07 | |
At the end... | 0:21:07 | 0:21:09 | |
"You say greetings, she says good day, | 0:21:10 | 0:21:12 | |
"you both agree this is a ludicrous idea, | 0:21:12 | 0:21:14 | |
"make a plan never to see each other, | 0:21:14 | 0:21:16 | |
"and you and I get drunk for three days." | 0:21:16 | 0:21:18 | |
-GRUFFLY: -But look at her face! | 0:21:18 | 0:21:20 | |
She seems...handsome... | 0:21:20 | 0:21:22 | |
I hear she's fond of bratwurst. | 0:21:22 | 0:21:23 | |
Important for any married couple to share a common interest. | 0:21:23 | 0:21:27 | |
German food is very tasty. | 0:21:27 | 0:21:28 | |
At the end... | 0:21:30 | 0:21:32 | |
We ride together into Versailles. | 0:21:35 | 0:21:38 | |
Sounds nice. | 0:21:40 | 0:21:41 | |
Oh, Sire! | 0:21:50 | 0:21:51 | |
-What are you doing? -Spreading manure, Sire. | 0:21:54 | 0:21:57 | |
It's what gives the plants and flowers their strength and colour. | 0:21:57 | 0:22:02 | |
-HE CLAPS -Back to work! | 0:22:02 | 0:22:04 | |
Do you ever feel that no part of this life is worth the struggle, | 0:22:05 | 0:22:09 | |
since we all return to the same place? | 0:22:09 | 0:22:11 | |
Your father would say much the same thing, Sire. | 0:22:14 | 0:22:16 | |
In truth, I had not thought of my father for...a very long time. | 0:22:19 | 0:22:23 | |
May I ask a very delicate question, Sire? | 0:22:23 | 0:22:28 | |
Your father's hunting lodge once stood in these grounds. | 0:22:28 | 0:22:32 | |
To build your palace, you could have destroyed it. | 0:22:32 | 0:22:36 | |
Why, Sire? | 0:22:36 | 0:22:37 | |
Did you wish to preserve his memory? | 0:22:37 | 0:22:40 | |
He loved to come here. | 0:22:43 | 0:22:45 | |
Now, should his spirit seek to return, | 0:22:45 | 0:22:49 | |
all he will see... | 0:22:49 | 0:22:51 | |
will belong to me. | 0:22:51 | 0:22:53 | |
Who is that, Majesty? | 0:23:00 | 0:23:02 | |
Don't you know Father Pascal from Paris? | 0:23:02 | 0:23:05 | |
Only by reputation. Though from what I hear, quite a zealous soul... | 0:23:05 | 0:23:09 | |
He's a good friend. | 0:23:09 | 0:23:11 | |
I understand he is a passionate man of God. | 0:23:11 | 0:23:14 | |
I invited him here to deliver the sermon on Sunday. | 0:23:14 | 0:23:17 | |
I was not aware I required reinforcements, Majesty. | 0:23:17 | 0:23:21 | |
Well, now you are. | 0:23:21 | 0:23:22 | |
To fight the Devil requires not just a man, but an army. | 0:23:22 | 0:23:25 | |
CHATTER AND LAUGHTER | 0:23:29 | 0:23:32 | |
ALL GIGGLE | 0:23:47 | 0:23:49 | |
ALL MOAN | 0:23:51 | 0:23:53 | |
'Sin!' | 0:23:57 | 0:24:00 | |
We all know why we are here. | 0:24:00 | 0:24:01 | |
But where, exactly, are we going? | 0:24:02 | 0:24:05 | |
He that is without sin among you, let him first cast a stone at her. | 0:24:07 | 0:24:11 | |
That is what the Gospel of John has taught us. | 0:24:14 | 0:24:17 | |
When Jesus saw none but the woman, | 0:24:17 | 0:24:19 | |
he said unto her, "Woman, hath no man condemned thee?" | 0:24:19 | 0:24:23 | |
She said, "No man, Lord." | 0:24:24 | 0:24:27 | |
And Jesus said unto her, "Neither do I condemn thee. | 0:24:27 | 0:24:30 | |
"Go, but sin no more!" | 0:24:32 | 0:24:34 | |
We live under Almighty God | 0:24:36 | 0:24:39 | |
and under His eternal gaze. | 0:24:39 | 0:24:42 | |
Only He may be our judge. | 0:24:45 | 0:24:47 | |
(He's very good, isn't he?) | 0:24:48 | 0:24:50 | |
Father Pascal speaks from the heart. | 0:24:59 | 0:25:02 | |
A suitable choice of Gospel. | 0:25:02 | 0:25:04 | |
Spoken with a fresh voice means it's heard with fresh ears. | 0:25:04 | 0:25:08 | |
A fine sermon. | 0:25:09 | 0:25:11 | |
Very subtle. | 0:25:11 | 0:25:13 | |
Such a shame you didn't deliver it yourself, Bishop. | 0:25:13 | 0:25:17 | |
-Father Pascal is visiting us from Paris. -How convenient... | 0:25:17 | 0:25:21 | |
..don't you think? | 0:25:23 | 0:25:25 | |
It's so much easier to get to town now they're improving the road. | 0:25:25 | 0:25:28 | |
I would welcome your confession, madame, if you have time? | 0:25:29 | 0:25:33 | |
I always have time for a man in a dress. | 0:25:34 | 0:25:36 | |
-SHUTTER CLUNKS -Very well. Let's get this over with. | 0:25:38 | 0:25:42 | |
You must end this affair with His Majesty at once. | 0:25:42 | 0:25:45 | |
-And there we have it. -You expected a different subject? | 0:25:45 | 0:25:48 | |
You know, the world would run much more smoothly | 0:25:48 | 0:25:50 | |
if people like you weren't so uptight! | 0:25:50 | 0:25:52 | |
If only you didn't have this tiresome vow of chastity... | 0:25:52 | 0:25:55 | |
My vows are bonded to my soul. | 0:25:55 | 0:25:57 | |
I would suggest the holy pledges of your own spousal contract | 0:25:57 | 0:26:01 | |
might be treated with the same reverence. | 0:26:01 | 0:26:03 | |
My higher purpose lies with our king. | 0:26:03 | 0:26:06 | |
My greater calling is to lie with him and to grow his seed. | 0:26:06 | 0:26:10 | |
Perhaps it takes a man who has tasted temptation | 0:26:10 | 0:26:12 | |
to know whether God would smile upon it or not. | 0:26:12 | 0:26:15 | |
If we are all in his image, | 0:26:15 | 0:26:16 | |
does he not share our inclinations? | 0:26:16 | 0:26:18 | |
Father Pascal must be beating them off with a poleaxe. | 0:26:18 | 0:26:21 | |
-You are vexed, madame. -I am not vexed! | 0:26:21 | 0:26:23 | |
I just have a growing slug of a baby inside my belly | 0:26:23 | 0:26:26 | |
and it's pressing down on my bladder with considerable force. | 0:26:26 | 0:26:29 | |
Madame, if you please... I'm attempting to help you. | 0:26:29 | 0:26:32 | |
Au contraire, Bishop, you are attempting to coerce me! | 0:26:32 | 0:26:34 | |
And before I leak all over your cassock, I suggest you take a minute | 0:26:34 | 0:26:38 | |
to consider quite how appalling your life will become | 0:26:38 | 0:26:40 | |
if you continue in this manner. | 0:26:40 | 0:26:42 | |
Consider yourself warned. | 0:26:42 | 0:26:44 | |
Fetch me a chamber pot! Hurry! | 0:26:55 | 0:26:57 | |
SHE SIGHS | 0:26:57 | 0:26:59 | |
SHE GROANS | 0:27:00 | 0:27:02 | |
SHE EXHALES | 0:27:03 | 0:27:05 | |
TRICKLING | 0:27:09 | 0:27:11 | |
SHE SIGHS | 0:27:13 | 0:27:15 | |
Madame. | 0:27:20 | 0:27:22 | |
I saw you in the salon, | 0:27:22 | 0:27:23 | |
I thought you looked full of poise. | 0:27:23 | 0:27:26 | |
Turns out you were full of piss. | 0:27:26 | 0:27:28 | |
You are in my way. | 0:27:28 | 0:27:30 | |
-The King is waiting for me. -Hmm... | 0:27:30 | 0:27:33 | |
I wonder what he'd think if he knew that his little kitten | 0:27:33 | 0:27:35 | |
likes to urinate in the corners. | 0:27:35 | 0:27:38 | |
I'd imagine he couldn't care less. | 0:27:38 | 0:27:40 | |
-HE CHUCKLES -I remember this game. | 0:27:40 | 0:27:42 | |
The game has changed, dear heart, | 0:27:42 | 0:27:44 | |
-or have you not noticed?! -SLAP! | 0:27:44 | 0:27:46 | |
SCUFFLING | 0:27:46 | 0:27:48 | |
When he discards you like a bad oyster, and he will, | 0:27:48 | 0:27:52 | |
I shall be waiting for you, my dear! | 0:27:52 | 0:27:54 | |
SHE BREATHES RAGGEDLY | 0:28:01 | 0:28:03 | |
SHE STIFLES SOBS | 0:28:14 | 0:28:16 | |
INDISTINCT CONVERSATION | 0:28:19 | 0:28:21 | |
..One has to have lived through martyrdom to become... | 0:28:21 | 0:28:23 | |
DOOR OPENS | 0:28:23 | 0:28:25 | |
I noticed you've recently acquired a new piece of furniture. | 0:28:34 | 0:28:39 | |
What was your intention in bringing it to court? | 0:28:40 | 0:28:43 | |
It seemed to me we needed to make an important addition to our chapel. | 0:28:45 | 0:28:49 | |
Better to praise God. | 0:28:49 | 0:28:50 | |
I do not care for it. It clashes. | 0:28:50 | 0:28:53 | |
Any additions should be approved by me and me alone. | 0:28:53 | 0:28:56 | |
Perhaps you should not judge it so harshly, my king. | 0:28:57 | 0:29:00 | |
-Perhaps time... -I advise you to get rid of it. | 0:29:00 | 0:29:03 | |
It is valued very highly in Rome. | 0:29:06 | 0:29:08 | |
DOOR CLOSES | 0:29:12 | 0:29:13 | |
HE STAMPS | 0:29:22 | 0:29:24 | |
What on earth are you wearing? | 0:29:26 | 0:29:28 | |
-What am -I -wearing? | 0:29:28 | 0:29:29 | |
It's a little dull... | 0:29:29 | 0:29:31 | |
This is not. | 0:29:31 | 0:29:33 | |
Do you like it? | 0:29:33 | 0:29:35 | |
I designed it myself. | 0:29:35 | 0:29:37 | |
The Italians love silk, | 0:29:38 | 0:29:41 | |
and colour. | 0:29:41 | 0:29:42 | |
We have colours in France. | 0:29:42 | 0:29:44 | |
-NICE ones. -HE CHUCKLES | 0:29:45 | 0:29:47 | |
I was thinking. | 0:29:50 | 0:29:52 | |
Every year. | 0:29:53 | 0:29:54 | |
Every change of season. | 0:29:54 | 0:29:57 | |
We impose a new rule. | 0:29:57 | 0:30:01 | |
A new colour! | 0:30:01 | 0:30:03 | |
An accent, something fun. | 0:30:03 | 0:30:04 | |
If enough people join in - | 0:30:04 | 0:30:06 | |
other people will feel left out if they do not belong. | 0:30:06 | 0:30:09 | |
We could RULE by colour. | 0:30:09 | 0:30:10 | |
This winter will be blue! | 0:30:12 | 0:30:15 | |
-Not blue. -Why not? | 0:30:15 | 0:30:17 | |
It's the King's colour. | 0:30:17 | 0:30:19 | |
Red, then. | 0:30:22 | 0:30:23 | |
A rich crimson. | 0:30:23 | 0:30:25 | |
Fashion will be our standard, darling, | 0:30:28 | 0:30:30 | |
and the people will walk behind you. | 0:30:30 | 0:30:32 | |
And me. | 0:30:33 | 0:30:35 | |
I understand why you would want your friend to attend you, | 0:30:36 | 0:30:39 | |
but why here? | 0:30:39 | 0:30:40 | |
Madame Scarron is very fond of children, and she's extremely quiet. | 0:30:40 | 0:30:43 | |
Bontemps, do we have room in the nursery? | 0:30:43 | 0:30:46 | |
It might be feasible, Sire, | 0:30:46 | 0:30:48 | |
but Versailles is hardly a place for young children. | 0:30:48 | 0:30:52 | |
Well, then, that will change when they get here. | 0:30:52 | 0:30:55 | |
Only royal children may have a nurse or governess at Versailles. | 0:30:55 | 0:30:59 | |
My children are royal! | 0:30:59 | 0:31:01 | |
Or has their paternity escaped you?! | 0:31:01 | 0:31:03 | |
I am merely saying, madame, we must follow protocol. | 0:31:03 | 0:31:06 | |
It is the bedrock of our life here. | 0:31:06 | 0:31:09 | |
My children will be safe, | 0:31:09 | 0:31:10 | |
and there is no safer place in France than at Versailles! | 0:31:10 | 0:31:13 | |
Or would you not agree? | 0:31:13 | 0:31:15 | |
RETREATING FOOTSTEPS | 0:31:18 | 0:31:20 | |
Is there space for Scarron? | 0:31:22 | 0:31:24 | |
If it pleases Your Majesty. | 0:31:25 | 0:31:27 | |
See that it is done. | 0:31:28 | 0:31:30 | |
At once, Sire. | 0:31:30 | 0:31:31 | |
How big you are getting...! | 0:31:43 | 0:31:45 | |
STREET BUSTLE | 0:31:50 | 0:31:52 | |
SHE KNOCKS | 0:32:03 | 0:32:05 | |
My goodness, look at you, have you seen a ghost? | 0:32:10 | 0:32:14 | |
When a woman has a child, | 0:32:17 | 0:32:20 | |
her body changes. | 0:32:20 | 0:32:21 | |
I have seen women who were butchered by birth. | 0:32:23 | 0:32:26 | |
So much so that they never recover. | 0:32:27 | 0:32:29 | |
You are exhausted, dear. | 0:32:31 | 0:32:33 | |
The King is surrounded by beauty, | 0:32:35 | 0:32:37 | |
all day, every day. | 0:32:37 | 0:32:40 | |
I am still his favourite but one day, that will change. | 0:32:40 | 0:32:43 | |
This baby will only hasten the inevitable. | 0:32:43 | 0:32:46 | |
Mandrake. | 0:32:46 | 0:32:47 | |
Keep it with you, always. | 0:32:49 | 0:32:52 | |
She is...kicking you at night. | 0:33:00 | 0:33:04 | |
In the left rib with her heel. | 0:33:05 | 0:33:08 | |
So close to your heart, it sometimes feels like it could break. | 0:33:09 | 0:33:13 | |
She's... | 0:33:14 | 0:33:16 | |
compounding the hurt you already feel. | 0:33:16 | 0:33:19 | |
But the man you fear... | 0:33:22 | 0:33:24 | |
..is not the one who is going to harm you. | 0:33:25 | 0:33:28 | |
He's far away, no matter how close he gets. | 0:33:28 | 0:33:30 | |
The one you must truly fear is the one who is closest. | 0:33:31 | 0:33:37 | |
It is there... | 0:33:37 | 0:33:38 | |
..inside your guard, | 0:33:39 | 0:33:41 | |
that you lay yourself wide open. | 0:33:41 | 0:33:43 | |
But then, my dear... | 0:33:45 | 0:33:46 | |
..you already know that. | 0:33:47 | 0:33:49 | |
That is why you are still here. | 0:33:51 | 0:33:53 | |
HORSES WHINNY | 0:34:19 | 0:34:22 | |
Coo-ee! | 0:34:57 | 0:34:58 | |
Good morning! | 0:35:01 | 0:35:02 | |
Must be so easy to ming on the road if you're a man. | 0:35:02 | 0:35:05 | |
Don't even have to stop the coach moving, | 0:35:05 | 0:35:07 | |
you simply shove it out of the window and water the weeds. | 0:35:07 | 0:35:10 | |
You must be Philippe. | 0:35:10 | 0:35:12 | |
I'm Liselotte, Princess Palatine, nice to meet you. | 0:35:12 | 0:35:15 | |
You're late. | 0:35:15 | 0:35:16 | |
Delighted to make your acquaintance. | 0:35:18 | 0:35:20 | |
What happens now? | 0:35:24 | 0:35:25 | |
I'm not sure... | 0:35:27 | 0:35:29 | |
-What page are you on? -Um... | 0:35:29 | 0:35:31 | |
One. | 0:35:32 | 0:35:33 | |
How about, "Good morning"? | 0:35:35 | 0:35:36 | |
I brought some gifts for you and your children - | 0:35:39 | 0:35:41 | |
I hope that's acceptable - | 0:35:41 | 0:35:42 | |
I wasn't going to come all this way empty-handed. | 0:35:42 | 0:35:44 | |
My children...? | 0:35:45 | 0:35:47 | |
Are they here? Where are they? | 0:35:47 | 0:35:48 | |
HE CHOKES | 0:35:48 | 0:35:50 | |
They are in Saint Germain with their governess. | 0:35:50 | 0:35:54 | |
-Then when do you see them? -"See" them...? | 0:35:54 | 0:35:56 | |
Well, then... | 0:35:58 | 0:35:59 | |
Anyway... | 0:35:59 | 0:36:01 | |
THAT is for Marie Louise. I hear she enjoys writing letters | 0:36:01 | 0:36:03 | |
and I hope she might write one to me one day. | 0:36:03 | 0:36:05 | |
And the pony is for Anne Marie. | 0:36:05 | 0:36:09 | |
I hope it'll make her happy. | 0:36:09 | 0:36:10 | |
I used to love horses as a little girl, I hope she will, too. | 0:36:10 | 0:36:13 | |
You are very... | 0:36:13 | 0:36:15 | |
kind. | 0:36:15 | 0:36:17 | |
I cannot hide it, I adore children. | 0:36:17 | 0:36:19 | |
Talking of which, we should probably get going. | 0:36:19 | 0:36:21 | |
Shouldn't we...? | 0:36:22 | 0:36:24 | |
What? | 0:36:25 | 0:36:27 | |
Oh, no! Oh, goodness no! | 0:36:29 | 0:36:31 | |
I meant, your girls must be missing you, and you them. | 0:36:31 | 0:36:33 | |
Coming all the way out here to meet a strange woman. | 0:36:33 | 0:36:36 | |
We could visit them, if you like. | 0:36:36 | 0:36:39 | |
Please bring them down here to the country. Let them climb a few trees. | 0:36:39 | 0:36:42 | |
Good for girls to get their knees dirty! | 0:36:42 | 0:36:44 | |
Anyway, you're the prince of my life now, you make the rules. | 0:36:44 | 0:36:47 | |
Should we go? I'm so excited to meet your brother. | 0:36:47 | 0:36:50 | |
Good day. | 0:37:07 | 0:37:09 | |
I am not here. | 0:37:10 | 0:37:12 | |
-Yes, you are. -I can assure you I am not. However... | 0:37:12 | 0:37:15 | |
I thought you were in Italy. | 0:37:15 | 0:37:17 | |
I was. But now, I am here - | 0:37:17 | 0:37:19 | |
or rather, I am NOT here. | 0:37:19 | 0:37:21 | |
Since my friend is meeting his new bride in Versailles, | 0:37:21 | 0:37:23 | |
I thought I would press my advantage and NOT be here with you, | 0:37:23 | 0:37:28 | |
which I am currently...doing. | 0:37:28 | 0:37:30 | |
I hope I'm making myself clear. | 0:37:30 | 0:37:32 | |
I am NOT here | 0:37:32 | 0:37:34 | |
because I wish to speak with you urgently | 0:37:34 | 0:37:36 | |
concerning a confidential medical matter. | 0:37:36 | 0:37:40 | |
You're sick? | 0:37:40 | 0:37:42 | |
It's hard to explain. | 0:37:43 | 0:37:44 | |
So don't. | 0:37:44 | 0:37:46 | |
Perhaps... | 0:37:47 | 0:37:49 | |
Perhaps I might allude to it. | 0:37:51 | 0:37:52 | |
HE CLEARS HIS THROAT | 0:37:52 | 0:37:55 | |
Certain bodily functions... | 0:37:55 | 0:37:57 | |
..carry with them certain expectations, | 0:37:58 | 0:38:00 | |
inasmuch as when one opens one's eyes during the day, | 0:38:00 | 0:38:03 | |
one expects to...see. | 0:38:03 | 0:38:06 | |
Similarly, when one releases one's bladder, one expects to urinate. | 0:38:06 | 0:38:11 | |
Or rather, one is accustomed to the idea that the act of pissing | 0:38:11 | 0:38:15 | |
offers much in the way of relief and wellbeing, as opposed to... | 0:38:15 | 0:38:20 | |
excruciating torments of unbearable pain. | 0:38:20 | 0:38:23 | |
-It hurts when you piss? -Like a cascade of jagged tadpoles | 0:38:23 | 0:38:25 | |
thrashing downstream to spawn. I hope I am making myself clear. | 0:38:25 | 0:38:29 | |
May I see? | 0:38:30 | 0:38:31 | |
You may. | 0:38:31 | 0:38:32 | |
HE CLEARS HIS THROAT | 0:38:41 | 0:38:42 | |
-HE SHUDDERS -Does it hurt? -Cold hands. | 0:38:49 | 0:38:53 | |
Cold hands! | 0:38:53 | 0:38:54 | |
I can see no chancres. | 0:38:55 | 0:38:57 | |
The discomfort will pass. | 0:38:57 | 0:38:59 | |
And the pain? | 0:38:59 | 0:39:00 | |
I can give you a rosemary balm. | 0:39:02 | 0:39:04 | |
Am I to roast a spatchcock? What am I to do with that? | 0:39:04 | 0:39:06 | |
Rub it. The affected area. | 0:39:06 | 0:39:09 | |
Rubbing is what got me into this in the first place. | 0:39:09 | 0:39:11 | |
I can also give you a mercury tincture - | 0:39:11 | 0:39:13 | |
that should tackle the problem. | 0:39:13 | 0:39:15 | |
And if the edge were to remain? | 0:39:15 | 0:39:18 | |
Do you have something stronger? | 0:39:20 | 0:39:21 | |
Hm? | 0:39:21 | 0:39:22 | |
I do not. | 0:39:22 | 0:39:24 | |
Fine. | 0:39:24 | 0:39:25 | |
Just...hurry it up, will you? | 0:39:25 | 0:39:27 | |
LOW CONVERSATION | 0:39:29 | 0:39:30 | |
FIRE CRACKLES | 0:39:35 | 0:39:38 | |
Madame de Reynaud, was this the powder? | 0:39:59 | 0:40:03 | |
Mine came in silver phials. | 0:40:04 | 0:40:06 | |
For which I paid a premium, no doubt. | 0:40:06 | 0:40:09 | |
Tell me again how you came by it. | 0:40:09 | 0:40:11 | |
As I told you before. | 0:40:12 | 0:40:14 | |
I would speak to my friends, they would speak to theirs. | 0:40:14 | 0:40:17 | |
I would settle my account and the powders would arrive. | 0:40:17 | 0:40:20 | |
When will you release me? | 0:40:23 | 0:40:25 | |
I fear that giving you freedom now may place you at risk. | 0:40:26 | 0:40:29 | |
Monsieur Marchal! > | 0:40:51 | 0:40:52 | |
LOUD CHOKING | 0:40:54 | 0:40:56 | |
Move! | 0:40:56 | 0:40:58 | |
< GAGGING | 0:41:02 | 0:41:03 | |
SHE CHOKES | 0:41:03 | 0:41:05 | |
War is imminent. | 0:41:05 | 0:41:07 | |
And yet, Sire, I must report once again, | 0:41:07 | 0:41:09 | |
there are obstacles to a free and full assault on the Dutch. | 0:41:09 | 0:41:12 | |
Several of our key staging posts are refusing to garrison our men, | 0:41:13 | 0:41:18 | |
or feed or water them. | 0:41:18 | 0:41:20 | |
In the Spanish Netherlands, I presume. | 0:41:20 | 0:41:22 | |
In France, Sire. | 0:41:23 | 0:41:25 | |
France. | 0:41:27 | 0:41:28 | |
Is that so? | 0:41:29 | 0:41:31 | |
What is the nature of these staging posts? | 0:41:33 | 0:41:36 | |
Are they hamlets? | 0:41:37 | 0:41:38 | |
Towns? | 0:41:38 | 0:41:39 | |
Friaries and monasteries, Sire. | 0:41:40 | 0:41:42 | |
And what is happening to the men when they are turned away? | 0:41:44 | 0:41:48 | |
They sleep rough, forage, | 0:41:48 | 0:41:50 | |
go hungry. | 0:41:50 | 0:41:52 | |
An army marches on its stomach! | 0:41:55 | 0:41:58 | |
Bishop! | 0:42:09 | 0:42:11 | |
Here I am. | 0:42:17 | 0:42:18 | |
Have I not helped you gain power, and keep it? | 0:42:18 | 0:42:22 | |
You have, Sire. | 0:42:24 | 0:42:26 | |
Why, then, do you defy my will? | 0:42:26 | 0:42:27 | |
I do not defy you, Majesty. | 0:42:29 | 0:42:31 | |
Does the abbey at Nivelles stand in my kingdom? | 0:42:31 | 0:42:34 | |
It does, Sire. | 0:42:35 | 0:42:37 | |
And do the friars there take their holy direction through you, Bishop? | 0:42:37 | 0:42:41 | |
Through the Church, Sire, in Rome. | 0:42:41 | 0:42:44 | |
Running first through you, Bishop! | 0:42:44 | 0:42:46 | |
It was not my decision, Sire, but Rome's. | 0:42:46 | 0:42:49 | |
Then Rome must be made aware, | 0:42:49 | 0:42:51 | |
that they must keep their Roman noses out of our business! | 0:42:51 | 0:42:55 | |
Tighter. | 0:43:43 | 0:43:44 | |
Tighter. | 0:43:46 | 0:43:48 | |
I do not think that would be beneficial, madame, | 0:43:48 | 0:43:50 | |
to the child. | 0:43:50 | 0:43:52 | |
I do not recall asking your opinion on the matter. | 0:43:52 | 0:43:55 | |
Perhaps you should rest in bed for a while. | 0:43:57 | 0:43:59 | |
How, precisely, am I supposed to attend | 0:43:59 | 0:44:01 | |
one of the most important celebrations of the year | 0:44:01 | 0:44:03 | |
if I'm confined to my room? | 0:44:03 | 0:44:05 | |
That is not advisable at this stage. | 0:44:05 | 0:44:07 | |
It would be very tiring for you. | 0:44:07 | 0:44:09 | |
For you, perhaps. | 0:44:09 | 0:44:11 | |
Consider your health, madame. | 0:44:14 | 0:44:16 | |
I understand it must seem like simple common sense, | 0:44:16 | 0:44:18 | |
but this is far too tight. | 0:44:18 | 0:44:20 | |
For example, you may be constricting blood flow to your child... | 0:44:20 | 0:44:23 | |
You know, there is a reason our finest medical minds | 0:44:23 | 0:44:26 | |
treat only the noble families. | 0:44:26 | 0:44:28 | |
They understand what is expected of a person, what is required, | 0:44:28 | 0:44:31 | |
and what is to be done to achieve it. | 0:44:31 | 0:44:33 | |
Now, until you understand that, | 0:44:33 | 0:44:35 | |
you are no help to me whatsoever. | 0:44:35 | 0:44:37 | |
CHATTER NEARBY | 0:44:37 | 0:44:39 | |
DOOR OPENS | 0:44:40 | 0:44:41 | |
Princess Elisabeth Charlotte, | 0:45:13 | 0:45:17 | |
the Princess Palatine. | 0:45:17 | 0:45:19 | |
Welcome to Versailles. | 0:45:19 | 0:45:21 | |
Thank you, Majesty. | 0:45:21 | 0:45:23 | |
APPLAUSE | 0:45:23 | 0:45:27 | |
BAROQUE MUSIC PLAYS | 0:45:27 | 0:45:29 | |
TRICKLING | 0:45:50 | 0:45:52 | |
I was beginning to think you would never return. | 0:45:52 | 0:45:55 | |
You were correct. | 0:45:56 | 0:45:58 | |
What changed your mind? | 0:45:58 | 0:46:00 | |
I was spoken to. | 0:46:01 | 0:46:03 | |
From on high. | 0:46:04 | 0:46:05 | |
So... | 0:46:07 | 0:46:08 | |
You are here out of duty. | 0:46:10 | 0:46:11 | |
A blind obedience to a higher power, | 0:46:13 | 0:46:15 | |
just like everyone else. | 0:46:15 | 0:46:17 | |
They're here because... | 0:46:18 | 0:46:19 | |
you want them to be. | 0:46:19 | 0:46:21 | |
There is no other reason. | 0:46:21 | 0:46:23 | |
What you want, you get. | 0:46:24 | 0:46:26 | |
You must have realised that by now. | 0:46:29 | 0:46:31 | |
Tell me, are your jurisdictions able to take full advantage | 0:46:39 | 0:46:42 | |
of the current increase in the price of cereal crops? | 0:46:42 | 0:46:46 | |
Um... Yes? | 0:46:48 | 0:46:49 | |
Hm! | 0:46:50 | 0:46:52 | |
You know she has wooden teeth? | 0:46:58 | 0:47:00 | |
It's true. | 0:47:02 | 0:47:03 | |
Careful, Your Highness! That may be poisoned. | 0:47:04 | 0:47:07 | |
You're not eating? | 0:47:18 | 0:47:20 | |
Not like that. | 0:47:21 | 0:47:23 | |
Do you come here often? | 0:47:24 | 0:47:25 | |
Not in this room, no. | 0:47:26 | 0:47:28 | |
Oh, I saw some stains on the floor, I assumed one of them was you. | 0:47:30 | 0:47:33 | |
HE CHORTLES | 0:47:33 | 0:47:34 | |
Do you dance? | 0:47:35 | 0:47:37 | |
You will have to learn. | 0:47:37 | 0:47:39 | |
What for? | 0:47:39 | 0:47:40 | |
You shall look ridiculous if you do not participate. | 0:47:40 | 0:47:44 | |
I am standing here talking to my new husband's lover, | 0:47:44 | 0:47:46 | |
I am well aware of how ridiculous I look. | 0:47:46 | 0:47:49 | |
HORSE WHINNIES NEARBY | 0:47:55 | 0:47:57 | |
SCRAPING | 0:47:59 | 0:48:01 | |
I wouldn't do that if I were you. | 0:48:09 | 0:48:10 | |
-Who's there? -After you, young man. | 0:48:12 | 0:48:15 | |
My name is Pierre Dubois. And you? | 0:48:17 | 0:48:21 | |
Jacques. | 0:48:21 | 0:48:22 | |
Is that your family name? | 0:48:22 | 0:48:24 | |
I have no family. | 0:48:24 | 0:48:25 | |
I work for the King. | 0:48:25 | 0:48:27 | |
What, as a "tree guard"? | 0:48:27 | 0:48:28 | |
As a "guard-ener". | 0:48:28 | 0:48:30 | |
What on earth are you doing all the way out here? | 0:48:32 | 0:48:34 | |
Wild boar are eating my bulbs in the gardens. | 0:48:34 | 0:48:37 | |
I followed the tracks from the garden to here. | 0:48:37 | 0:48:39 | |
How about you? | 0:48:39 | 0:48:41 | |
I must confess, I'm a little lost. | 0:48:41 | 0:48:45 | |
Is that your initials you're carving in the King's tree? | 0:48:46 | 0:48:50 | |
To speak truthfully, Jacques... | 0:48:50 | 0:48:52 | |
..I'm supposed to meet a young lady out here. | 0:48:54 | 0:48:56 | |
I confess, for a moment, I thought you might be her husband. | 0:48:56 | 0:48:59 | |
I suppose I should be flattered. | 0:49:01 | 0:49:02 | |
Don't worry. | 0:49:03 | 0:49:05 | |
-Your secret's safe with me. -Thank you. | 0:49:06 | 0:49:09 | |
THEY GRUNT | 0:49:16 | 0:49:18 | |
METAL SCRAPES | 0:49:22 | 0:49:24 | |
JACQUES ROARS | 0:49:27 | 0:49:29 | |
WET SLICING, JACQUES YELLS | 0:49:41 | 0:49:44 | |
HE GROANS | 0:49:44 | 0:49:46 | |
< CHOKING AND COUGHING | 0:49:50 | 0:49:52 | |
BLADE SLICES, WET TRICKLING | 0:49:53 | 0:49:55 | |
HE RETCHES | 0:49:57 | 0:49:59 | |
BLADE CLATTERS | 0:49:59 | 0:50:01 | |
HE CHOKES | 0:50:11 | 0:50:13 | |
Not long now. | 0:50:21 | 0:50:23 | |
You will never win. | 0:50:25 | 0:50:26 | |
So far so good. | 0:50:29 | 0:50:31 | |
I see...new trees... | 0:50:34 | 0:50:37 | |
..marching in formation... | 0:50:39 | 0:50:42 | |
Well... | 0:50:44 | 0:50:46 | |
You will be food for them now. | 0:50:46 | 0:50:48 | |
I will make a damn... | 0:50:50 | 0:50:52 | |
..fine...tree... | 0:50:53 | 0:50:56 | |
BAROQUE MUSIC PLAYS | 0:51:05 | 0:51:08 | |
What a surprise to see you. | 0:51:17 | 0:51:19 | |
ALIVE, I mean... | 0:51:20 | 0:51:22 | |
SHE PANTS | 0:51:22 | 0:51:23 | |
Much water has passed under the bridge. | 0:51:23 | 0:51:26 | |
Careful you don't drown in it. | 0:51:26 | 0:51:28 | |
SHE EXHALES | 0:51:37 | 0:51:39 | |
IRRITABLY: What is the matter? | 0:51:40 | 0:51:43 | |
Nothing... Nothing, I'm fine. | 0:51:43 | 0:51:44 | |
SHE GASPS FOR BREATH | 0:51:44 | 0:51:47 | |
SHE BREATHES RAGGEDLY | 0:52:07 | 0:52:10 | |
-ALL EXCLAIM -Get away from me! | 0:52:10 | 0:52:12 | |
SHE PANTS | 0:52:12 | 0:52:13 | |
I am fine... A small slip is all. | 0:52:14 | 0:52:17 | |
SHE SCREAMS | 0:52:17 | 0:52:19 | |
Help her! | 0:52:21 | 0:52:22 | |
SHE CRIES IN PAIN | 0:52:22 | 0:52:24 | |
Hurry up! | 0:52:24 | 0:52:26 | |
SHE WHIMPERS | 0:52:27 | 0:52:29 | |
CONCERNED MURMURS | 0:52:29 | 0:52:31 | |
Is it always like this here? | 0:52:35 | 0:52:37 | |
I'm afraid so. | 0:52:39 | 0:52:40 | |
PAINED GROANS | 0:52:40 | 0:52:42 | |
MONTESPAN PANTS | 0:52:44 | 0:52:47 | |
SHE GROANS | 0:52:49 | 0:52:51 | |
-Push! -MONTESPAN SCREAMS | 0:52:59 | 0:53:02 | |
Push! | 0:53:02 | 0:53:04 | |
Yes, it's opening! Beautiful! | 0:53:04 | 0:53:05 | |
PANTING | 0:53:05 | 0:53:07 | |
And...yes... | 0:53:07 | 0:53:09 | |
Push! Push! | 0:53:09 | 0:53:11 | |
MONTESPAN SCREAMS | 0:53:11 | 0:53:14 | |
Keep breathing, keep breathing... | 0:53:14 | 0:53:16 | |
Breathe...breathe... | 0:53:17 | 0:53:19 | |
And push! | 0:53:19 | 0:53:21 | |
Push! | 0:53:21 | 0:53:22 | |
SHE SCREAMS | 0:53:22 | 0:53:24 | |
Keep pushing! You're doing wonderful! | 0:53:26 | 0:53:29 | |
SHE SCREAMS | 0:53:29 | 0:53:31 | |
Yes, just give me one last push! | 0:53:31 | 0:53:33 | |
Push! | 0:53:33 | 0:53:34 | |
SCREAMS ECHO | 0:53:34 | 0:53:36 | |
SCREAMS FADE | 0:53:36 | 0:53:40 | |
WIND WHOOSHES | 0:53:40 | 0:53:42 |