Browse content similar to An Event in Autumn. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:05 | |
and some scenes which some viewers may find upsetting. | 0:00:05 | 0:00:11 | |
WOMAN SCREAMS | 0:02:18 | 0:02:20 | |
ALARM SOUNDS | 0:02:28 | 0:02:30 | |
Yes? | 0:02:32 | 0:02:34 | |
Muster passengers and do a roll call. | 0:02:36 | 0:02:38 | |
You go and see if there's any more people down there. | 0:02:46 | 0:02:49 | |
-Right. Please answer yes to your name, Lucas Johansson? -Yes. | 0:02:49 | 0:02:53 | |
SHOUTING IN LATVIAN | 0:03:02 | 0:03:04 | |
We're not missing anyone. | 0:03:04 | 0:03:05 | |
I think he's been drinking. | 0:03:05 | 0:03:07 | |
Log it as a false alarm. | 0:03:09 | 0:03:11 | |
OK. | 0:03:11 | 0:03:12 | |
SHOUTING CONTINUES | 0:03:12 | 0:03:15 | |
Sluchaj, sluchaj. Sluchaj, ona wciaz tam. | 0:03:15 | 0:03:18 | |
Ej! | 0:03:20 | 0:03:21 | |
DOG BARKS | 0:04:01 | 0:04:04 | |
Jussi! Jussi! Come on! | 0:04:07 | 0:04:09 | |
MOBILE PHONE TINKLES | 0:04:21 | 0:04:24 | |
Phone! | 0:04:30 | 0:04:31 | |
Yep, leave it. | 0:04:31 | 0:04:33 | |
How many more? | 0:04:47 | 0:04:48 | |
It's just there's another couple, that's all. | 0:04:48 | 0:04:51 | |
Jussi, Jussi come on! Jussi! | 0:04:53 | 0:04:57 | |
Hey. | 0:05:13 | 0:05:14 | |
Oh, thanks. | 0:05:14 | 0:05:16 | |
New start. | 0:05:25 | 0:05:27 | |
MOBILE PHONE RINGS | 0:05:31 | 0:05:34 | |
How d'you fix the ringtones on those things? | 0:05:36 | 0:05:38 | |
It suits you. | 0:05:38 | 0:05:42 | |
Yeah, Wallander. | 0:05:45 | 0:05:46 | |
Hi, Stefan. | 0:06:12 | 0:06:14 | |
Kurt. | 0:06:14 | 0:06:16 | |
-Sorry, I know you're moving. -It's OK. | 0:06:16 | 0:06:18 | |
-Down there. -Right. | 0:06:21 | 0:06:24 | |
What do you think? | 0:06:40 | 0:06:42 | |
A ship's propeller? | 0:06:42 | 0:06:44 | |
We logged it as a false alarm, | 0:07:18 | 0:07:20 | |
21:16, January 9th - last Wednesday. | 0:07:20 | 0:07:24 | |
Yeah, and who reported that? | 0:07:24 | 0:07:25 | |
A trucker. Czerwinski. | 0:07:26 | 0:07:28 | |
One of our regulars, he comes back and forth with us most trips. | 0:07:28 | 0:07:31 | |
He was drunk. | 0:07:31 | 0:07:34 | |
You took a roll call? | 0:07:34 | 0:07:35 | |
Standard procedure. Cut the engines, Wilson's turn, | 0:07:35 | 0:07:38 | |
muster the passengers - 63 of them, mostly Poles, 78 staff. | 0:07:38 | 0:07:44 | |
Nobody was missing. | 0:07:44 | 0:07:45 | |
Stowaway? | 0:07:47 | 0:07:48 | |
It's very hard to stow away these days. | 0:07:48 | 0:07:50 | |
How far out were you? | 0:07:50 | 0:07:52 | |
12 nautical miles. Nearly home. | 0:07:52 | 0:07:54 | |
And that's the right place | 0:07:54 | 0:07:56 | |
for something to wash up where it did, yeah? | 0:07:56 | 0:07:58 | |
Yeah, it's about right. | 0:07:58 | 0:08:00 | |
This is round about where she would have been if... | 0:08:01 | 0:08:04 | |
You have CCTV up here? | 0:08:04 | 0:08:06 | |
We don't keep it. It's on a live feed. | 0:08:06 | 0:08:08 | |
I think the Polish customs keep theirs for a couple of months. | 0:08:10 | 0:08:13 | |
I can bring it over. We're back again tomorrow. | 0:08:13 | 0:08:16 | |
That'll be great. | 0:08:16 | 0:08:17 | |
I'll sort out authorisation. | 0:08:17 | 0:08:19 | |
Yeah, thanks. | 0:08:19 | 0:08:21 | |
Excuse me. | 0:08:44 | 0:08:46 | |
I knew it! | 0:08:47 | 0:08:48 | |
I said. You found her? | 0:08:48 | 0:08:51 | |
Yeah, we found her. | 0:08:51 | 0:08:52 | |
I heard a woman scream. | 0:08:54 | 0:08:56 | |
Something drop, | 0:08:56 | 0:08:59 | |
hit the side of the ship. Just there. | 0:08:59 | 0:09:01 | |
I was here, she was just there. | 0:09:02 | 0:09:04 | |
Let's get a photo of the bracelet into the papers and online. | 0:09:07 | 0:09:11 | |
-Someone will be missing her. -You'd hope. | 0:09:11 | 0:09:14 | |
Yeah, I'll see you later. | 0:09:14 | 0:09:15 | |
-Oh, congratulations on the house. -Thank you. | 0:09:15 | 0:09:18 | |
You OK? | 0:10:31 | 0:10:32 | |
Yeah. | 0:10:33 | 0:10:35 | |
Sure? | 0:10:38 | 0:10:40 | |
There was a girl died and... | 0:10:40 | 0:10:43 | |
she had this charm bracelet on. | 0:10:43 | 0:10:46 | |
Lots of little teddy bears on it. It just... | 0:10:46 | 0:10:49 | |
Come on, I'm improving. | 0:10:52 | 0:10:54 | |
SHE CHUCKLES | 0:10:54 | 0:10:56 | |
As long as you don't fall asleep in the armchair | 0:10:56 | 0:10:58 | |
with a bottle of wine any more, I'm happy. | 0:10:58 | 0:11:01 | |
-Another one? -No. | 0:11:04 | 0:11:05 | |
Thanks. | 0:11:05 | 0:11:07 | |
DOG WHIMPERS You better get that dog. | 0:11:07 | 0:11:10 | |
Yeah. | 0:11:10 | 0:11:11 | |
Yes, yes, I'm coming, I know, I know. Come on! | 0:11:11 | 0:11:15 | |
DOG BARKS | 0:11:15 | 0:11:17 | |
Jussi! | 0:11:32 | 0:11:33 | |
Jussi, come on. Beach! | 0:11:37 | 0:11:39 | |
-HE WHISTLES -Jussi! | 0:11:42 | 0:11:44 | |
Jussi, what have you got there? | 0:11:52 | 0:11:53 | |
What is it? Come here. | 0:11:57 | 0:11:58 | |
Drop it. Drop it. | 0:12:02 | 0:12:03 | |
Jussi, come here. | 0:12:22 | 0:12:23 | |
Stay here, stay here. | 0:12:23 | 0:12:25 | |
Come on, boy. | 0:12:34 | 0:12:36 | |
Your dog's mixed everything up a fair bit. | 0:12:56 | 0:12:59 | |
It's not a complete skeleton. | 0:12:59 | 0:13:01 | |
Probably been a few animals over the years... | 0:13:01 | 0:13:03 | |
Tell me it's Bronze Age, or plague, or something. | 0:13:04 | 0:13:08 | |
It's a rifle. Sorry. | 0:13:08 | 0:13:10 | |
Thought you were trying not to take your work home with you. | 0:13:13 | 0:13:16 | |
Can you tell me about the previous occupants? | 0:13:36 | 0:13:38 | |
Family from Estonia used to be here. | 0:13:38 | 0:13:41 | |
They'd run away from the Russians. | 0:13:41 | 0:13:43 | |
Ah, Fredrik. | 0:13:44 | 0:13:46 | |
Kurt. | 0:13:46 | 0:13:47 | |
Meant to drop by and say hello, but... | 0:13:47 | 0:13:50 | |
-Were they there for long? -Couple of years. | 0:13:51 | 0:13:54 | |
After that it's rentals mostly. | 0:13:55 | 0:13:57 | |
Summer people. Don't stick my nose in. | 0:13:57 | 0:13:59 | |
Do you know who it is? | 0:14:01 | 0:14:02 | |
-Thought you didn't stick your nose in. -Didn't need to. | 0:14:02 | 0:14:05 | |
Recognised you when you came up with your removals. | 0:14:16 | 0:14:20 | |
OK. | 0:14:23 | 0:14:24 | |
Seen you in the papers before. | 0:14:27 | 0:14:29 | |
Sorry about all this. | 0:14:33 | 0:14:35 | |
No. No, I'm sorry. | 0:14:35 | 0:14:37 | |
Lucky, though, eh? | 0:14:42 | 0:14:44 | |
You'll know how to deal with it, won't you? | 0:14:45 | 0:14:48 | |
OK, yeah. That's fine, thank you. | 0:15:01 | 0:15:04 | |
-What have you got, Kristina? -I've pulled up missing persons 1970 onwards. | 0:15:04 | 0:15:08 | |
I thought anything earlier than that's historical interest. | 0:15:08 | 0:15:11 | |
Have you got any idea of dates? | 0:15:11 | 0:15:12 | |
The bone analysis'll take a few days. | 0:15:12 | 0:15:14 | |
We should check out how old the blackcurrant bushes are. | 0:15:14 | 0:15:17 | |
They must've been planted after she was buried. | 0:15:17 | 0:15:19 | |
It is likely to be someone who lived here, the killer. | 0:15:19 | 0:15:21 | |
You know this was quite a low-rent on this place before it was | 0:15:21 | 0:15:25 | |
done up, so I think there were a lot of different tenants. | 0:15:25 | 0:15:29 | |
Sure. | 0:15:29 | 0:15:30 | |
We're all very sorry about this, Kurt. It's a great place. | 0:15:32 | 0:15:35 | |
It's just an unfortunate coincidence. | 0:15:35 | 0:15:37 | |
Lindeman's at the ferry terminal. The suicide, so... | 0:15:42 | 0:15:45 | |
Sure. | 0:15:45 | 0:15:46 | |
When... When you're ready. | 0:15:46 | 0:15:48 | |
-Sure. I'll just get changed. -Yeah. | 0:15:48 | 0:15:50 | |
-Oh! -Sorry! | 0:15:51 | 0:15:54 | |
We'll all be out of your hair in a few hours. | 0:15:55 | 0:15:58 | |
Yeah, yeah. | 0:15:58 | 0:16:00 | |
-I'm so sorry, Vanja. -No, no, no, it's fine. | 0:16:05 | 0:16:07 | |
No, it's all right, we'll sort it... | 0:16:07 | 0:16:09 | |
Is Peter OK? | 0:16:18 | 0:16:20 | |
God, are you kidding? He's loving all this! | 0:16:20 | 0:16:22 | |
-What are you looking for? Shirts? -Yeah. | 0:16:25 | 0:16:27 | |
-Oh here, this? -Yeah. That'll do. | 0:16:32 | 0:16:34 | |
You think this is fate? | 0:16:41 | 0:16:43 | |
Kurt, don't be so miserable! | 0:16:45 | 0:16:47 | |
It's a coincidence, like Lennart says. | 0:16:47 | 0:16:49 | |
Yeah, policemen aren't supposed to believe in coincidences. | 0:16:49 | 0:16:52 | |
Excuse me, the staff office? | 0:17:22 | 0:17:25 | |
-It's just over there. -Thanks. | 0:17:25 | 0:17:28 | |
Hi, Stefan. | 0:17:30 | 0:17:32 | |
Hi, Kurt. | 0:17:32 | 0:17:34 | |
So this is Poland, the terminal, | 0:17:34 | 0:17:36 | |
thought I'd count the passengers on and off. | 0:17:36 | 0:17:39 | |
What time did you set sail on the ninth, please? | 0:17:40 | 0:17:43 | |
15.45. | 0:17:43 | 0:17:44 | |
So, shall we start there and just go back? | 0:17:44 | 0:17:48 | |
Go back. | 0:18:03 | 0:18:04 | |
Slow down. | 0:18:07 | 0:18:08 | |
Hold on, hold on. Stop. | 0:18:09 | 0:18:10 | |
That's the bracelet. | 0:18:14 | 0:18:16 | |
That's her. | 0:18:19 | 0:18:20 | |
Do you have any more cameras on this? | 0:18:23 | 0:18:26 | |
Yes, there's one in the waiting room, the file names are in Polish. | 0:18:26 | 0:18:29 | |
Czekanie Sali. | 0:18:29 | 0:18:31 | |
There she is! | 0:18:35 | 0:18:36 | |
Oh, she was pregnant. | 0:18:44 | 0:18:47 | |
Oh, no. | 0:18:47 | 0:18:48 | |
That's us landing, disembarking at 11.40. | 0:18:55 | 0:18:59 | |
There she is again. | 0:18:59 | 0:19:00 | |
She must have come with us from Sweden. | 0:19:00 | 0:19:02 | |
So she came over, she waited, and she came back again? | 0:19:05 | 0:19:10 | |
There's no record of anyone doing that. | 0:19:10 | 0:19:12 | |
Was she Polish do you think? Or Swedish? | 0:19:17 | 0:19:20 | |
Who was she waiting for? | 0:19:20 | 0:19:21 | |
Father of the child? | 0:19:21 | 0:19:23 | |
He didn't turn up, she jumps on the way back. | 0:19:24 | 0:19:26 | |
Yeah, do you jump when you're... What? Seven, eight months pregnant? | 0:19:26 | 0:19:31 | |
I mean do you kill yourself? | 0:19:31 | 0:19:34 | |
If she was Swedish, she'd have been referred to maternity hospital, | 0:19:34 | 0:19:38 | |
-so let's start there, yeah? -Yeah. | 0:19:38 | 0:19:40 | |
-Hi. -Thanks. | 0:19:44 | 0:19:47 | |
-Hi. -Hello. | 0:19:47 | 0:19:48 | |
-Hi. -How are you? | 0:19:48 | 0:19:49 | |
-And we should check the manifests as well. -Sure. | 0:19:53 | 0:19:56 | |
-OK. -I'll see you. -Yeah. | 0:19:56 | 0:19:57 | |
-You all right? You're sure you're OK with this? -Yeah. No problem. | 0:19:58 | 0:20:01 | |
Right, lets do it then. | 0:20:01 | 0:20:02 | |
So how did you find the place? | 0:20:07 | 0:20:09 | |
One Sunday, we were taking Peter to his grandparents actually, | 0:20:09 | 0:20:13 | |
I remember and there was... | 0:20:13 | 0:20:16 | |
We saw the For Sale sign and it was... | 0:20:16 | 0:20:18 | |
His whole life, he's wanted a place, with a dog, by the sea. | 0:20:19 | 0:20:24 | |
A German Shepherd. | 0:20:24 | 0:20:27 | |
The only real specification was that it had to be a German Shepherd. | 0:20:27 | 0:20:31 | |
It's a black Labrador. | 0:20:31 | 0:20:32 | |
I don't know, | 0:20:33 | 0:20:35 | |
we'd been together a couple of years, and it's been... | 0:20:35 | 0:20:38 | |
Oh, you know, taking it slowly. | 0:20:38 | 0:20:42 | |
I've still got my flat though... | 0:20:45 | 0:20:46 | |
..for when its bad weather, | 0:20:49 | 0:20:51 | |
or it's winter. | 0:20:51 | 0:20:53 | |
You don't really need to know all this! | 0:20:53 | 0:20:55 | |
-I think this might have been in the machine all day. -Thanks. | 0:21:00 | 0:21:03 | |
Some of these don't fit the dates. | 0:21:03 | 0:21:06 | |
The girl in your garden was about 20. | 0:21:06 | 0:21:08 | |
She's been dead ten years or less. | 0:21:08 | 0:21:10 | |
And the people who lived in the house? | 0:21:11 | 0:21:14 | |
The woman who owned it before you was called Ekberg. | 0:21:14 | 0:21:16 | |
She died last year. | 0:21:16 | 0:21:18 | |
Always hired it out. | 0:21:18 | 0:21:19 | |
Her solicitors are sending the rental documents down from Stockholm. | 0:21:20 | 0:21:24 | |
Yeah. | 0:21:24 | 0:21:25 | |
-Where's Mum? -Kurt... | 0:21:31 | 0:21:33 | |
Oh, hi Peter, hang on... | 0:21:33 | 0:21:35 | |
You don't need me any more tonight, do you? | 0:21:36 | 0:21:39 | |
No, no you're fine. | 0:21:39 | 0:21:40 | |
She's just down here. | 0:21:41 | 0:21:42 | |
I thought when...it's sorted, | 0:22:07 | 0:22:11 | |
we could plant up, you know, where's she been. | 0:22:11 | 0:22:14 | |
Make it nice for her? | 0:22:14 | 0:22:16 | |
Yeah, a bit late to make it nice for her. | 0:22:16 | 0:22:18 | |
You know, this could have happened to anyone, Kurt. | 0:22:23 | 0:22:26 | |
It could have happened to the couple from Bromolla who were bidding on it as well. | 0:22:26 | 0:22:29 | |
Or the old lady who had it before. | 0:22:29 | 0:22:31 | |
Yeah, but it didn't, it happened to me. | 0:22:31 | 0:22:33 | |
Us. | 0:22:39 | 0:22:40 | |
I'm going to rescue the pot plants. There's going to be a frost. | 0:22:40 | 0:22:43 | |
Hold the dog. | 0:22:45 | 0:22:47 | |
And you should brush your teeth. | 0:22:47 | 0:22:49 | |
-Why? -All right then, don't brush your teeth. | 0:22:49 | 0:22:52 | |
Kurt! BUSHES RUSTLE AND BRANCH SNAPS | 0:23:38 | 0:23:40 | |
SHE SCREAMS | 0:23:40 | 0:23:41 | |
DOG BARKS | 0:23:41 | 0:23:42 | |
-Mum? -Peter, you stay there! | 0:23:42 | 0:23:44 | |
KURT! | 0:23:44 | 0:23:47 | |
Vanja? | 0:23:47 | 0:23:48 | |
-KURT! -Vanja? | 0:23:48 | 0:23:50 | |
-Are you OK?! -Yes! -You're sure? -Yes. Go on, go on! | 0:23:51 | 0:23:54 | |
Armed police! | 0:23:59 | 0:24:00 | |
I'm OK. I'm OK. Come here. | 0:24:00 | 0:24:02 | |
BIRDS' WINGS FLAP | 0:25:03 | 0:25:05 | |
GUN COCKS | 0:25:10 | 0:25:11 | |
Get out. | 0:25:12 | 0:25:14 | |
NOW!! | 0:25:14 | 0:25:16 | |
It's Kurt. | 0:25:19 | 0:25:21 | |
Put the gun down, please. | 0:25:23 | 0:25:25 | |
It's not loaded. | 0:25:28 | 0:25:30 | |
There's a man. | 0:25:31 | 0:25:33 | |
CRASHING | 0:25:33 | 0:25:34 | |
It was probably just a journalist or something, wasn't it? | 0:25:57 | 0:26:00 | |
Yeah. Yeah. | 0:26:00 | 0:26:02 | |
-Go and brush your teeth. -I have. | 0:26:03 | 0:26:06 | |
There's still half a hamburger stuck in there. Go on! | 0:26:06 | 0:26:09 | |
You OK? | 0:26:21 | 0:26:22 | |
It was him, wasn't it? | 0:26:24 | 0:26:26 | |
So did you see anyone nearby? | 0:26:40 | 0:26:43 | |
I would've said, don't you think? I'm not 100% thick. | 0:26:43 | 0:26:46 | |
MOBILE PHONE RINGS | 0:26:46 | 0:26:47 | |
Sorry. | 0:26:47 | 0:26:48 | |
Hoglund. | 0:26:51 | 0:26:52 | |
-ELECTRIC DRILL ROARS -Yeah, hold on, I can't hear you. | 0:26:52 | 0:26:56 | |
Hang on! | 0:26:56 | 0:26:57 | |
Hey, he doesn't have to do that, | 0:26:57 | 0:27:00 | |
I can do that. | 0:27:00 | 0:27:01 | |
OK, there's no prints. | 0:27:01 | 0:27:04 | |
Do you want me to do something about those birds? | 0:27:04 | 0:27:07 | |
No, leave 'em alone. | 0:27:07 | 0:27:09 | |
Just get finished and leave it as was, all right? | 0:27:09 | 0:27:12 | |
Sorry. | 0:27:14 | 0:27:16 | |
Coffee? | 0:27:17 | 0:27:18 | |
Thanks. | 0:27:18 | 0:27:19 | |
So was it him, do you think? | 0:27:34 | 0:27:35 | |
Saw it in the papers, came back to check? | 0:27:35 | 0:27:38 | |
No, I... | 0:27:39 | 0:27:41 | |
Just some journo... | 0:27:41 | 0:27:42 | |
Anyway, We're sorry we brought all this down on you. I know it's tough. | 0:27:42 | 0:27:46 | |
No. | 0:27:47 | 0:27:48 | |
How's the house? | 0:27:51 | 0:27:52 | |
Ah, it's great. | 0:27:54 | 0:27:57 | |
You've got a little lad, I see. | 0:27:59 | 0:28:01 | |
He's not mine. I've got a grown-up daughter, Linda. | 0:28:01 | 0:28:04 | |
You've got family I see in the pictures? | 0:28:06 | 0:28:08 | |
She's dead. | 0:28:10 | 0:28:11 | |
Boy and me don't talk. | 0:28:12 | 0:28:14 | |
Not since his mother... | 0:28:14 | 0:28:15 | |
They say girls are easier. | 0:28:20 | 0:28:21 | |
Well, my girl doesn't talk to me either. | 0:28:24 | 0:28:26 | |
Here. | 0:28:32 | 0:28:33 | |
Think I've excavated most of the cat hairs. | 0:28:33 | 0:28:37 | |
Thanks. | 0:28:37 | 0:28:38 | |
Not been a great new start for you, has it? | 0:28:41 | 0:28:44 | |
Kurt. | 0:28:44 | 0:28:45 | |
Excuse me. | 0:28:45 | 0:28:47 | |
The rent documents came. Your place has been unoccupied since 2007. | 0:28:49 | 0:28:54 | |
A man called Jon Tavori hired it in 2006. | 0:28:54 | 0:28:57 | |
-Family called Petrus were there from 96 to 2005. -Huh! | 0:28:57 | 0:29:00 | |
Petrus? He was a crook, that one. | 0:29:02 | 0:29:06 | |
Pervert. | 0:29:06 | 0:29:08 | |
Thanks for this. | 0:29:12 | 0:29:13 | |
How's Vanja doing? | 0:29:19 | 0:29:21 | |
She's er... | 0:29:21 | 0:29:22 | |
Well, I don't know actually. | 0:29:22 | 0:29:23 | |
Better than me, probably. | 0:29:25 | 0:29:26 | |
She thinks I should er... | 0:29:28 | 0:29:30 | |
You know, leave things at the door a bit more. | 0:29:32 | 0:29:34 | |
Stop carrying all this stuff around. | 0:29:35 | 0:29:40 | |
She wants me to go to counselling. | 0:29:43 | 0:29:44 | |
There's a confession for you. | 0:29:48 | 0:29:49 | |
It's got a name, your house. | 0:29:54 | 0:29:56 | |
-Yeah? -Black Heights. | 0:29:56 | 0:29:58 | |
Oh, you're joking? | 0:29:58 | 0:30:00 | |
Dunno. Seems pretty appropriate. | 0:30:00 | 0:30:02 | |
I'm basically quite a cheerful person. | 0:30:04 | 0:30:07 | |
-SHE LAUGHS -What?! | 0:30:07 | 0:30:10 | |
My promotion is through. | 0:30:17 | 0:30:19 | |
Inspector. | 0:30:19 | 0:30:21 | |
We're going to Gotland. Sanna and Henrik and me. | 0:30:21 | 0:30:24 | |
Well, that's great. Well done! | 0:30:31 | 0:30:33 | |
Most of the old team's broken up now anyway. | 0:30:36 | 0:30:39 | |
Yeah. | 0:30:39 | 0:30:42 | |
Yeah, well done. | 0:30:42 | 0:30:43 | |
Look. You're going to speak to those people, aren't you? | 0:30:53 | 0:30:56 | |
Do you mind if I come along? | 0:30:57 | 0:30:59 | |
Hoglund, Ystad Police. | 0:31:28 | 0:31:31 | |
-John Tavori? -Yeah? | 0:31:31 | 0:31:33 | |
We'd like to know about a house on the Svarte Road | 0:31:33 | 0:31:37 | |
that you rented in 2006. | 0:31:37 | 0:31:39 | |
Old one with the courtyard? Didn't have it for long. | 0:31:39 | 0:31:42 | |
What? What is it? | 0:31:44 | 0:31:46 | |
Did you live there on your own? | 0:31:46 | 0:31:48 | |
I'd had a nervous breakdown. Yeah. | 0:31:49 | 0:31:51 | |
What did you do last night, Jon? | 0:31:51 | 0:31:53 | |
Narcotics Anonymous. Malmo. | 0:31:53 | 0:31:56 | |
Did you have any girlfriends up there at the time? | 0:31:57 | 0:31:59 | |
It was a lonely house. | 0:31:59 | 0:32:01 | |
Not a good place. | 0:32:03 | 0:32:04 | |
OK, thanks. | 0:32:09 | 0:32:11 | |
DOGS BARK | 0:32:38 | 0:32:41 | |
-Jan Petrus? -Yeah? | 0:32:48 | 0:32:50 | |
Ystad Police. | 0:32:50 | 0:32:51 | |
We understand you rented a house on the Svarte Road? | 0:32:53 | 0:32:55 | |
Yeah. What do you want to ask about that place for? | 0:32:55 | 0:32:58 | |
We're looking for a girl who might have been there. Gone missing. | 0:32:58 | 0:33:01 | |
No girls there. Only these ones. | 0:33:01 | 0:33:04 | |
-How many daughters do you have? -Can you count? | 0:33:06 | 0:33:08 | |
There's Ellika as well. | 0:33:09 | 0:33:11 | |
Who's she? Is she another daughter? | 0:33:11 | 0:33:13 | |
She went to America. | 0:33:13 | 0:33:15 | |
When was that? | 0:33:15 | 0:33:16 | |
Years since. What d'you want to know that for? | 0:33:16 | 0:33:19 | |
-Do you have an address for her? -Yeah. America. | 0:33:21 | 0:33:23 | |
How many years since? | 0:33:23 | 0:33:25 | |
Just after September 11th. We didn't want her to fly. | 0:33:26 | 0:33:30 | |
But she did. | 0:33:30 | 0:33:32 | |
Where were you last night, please? | 0:33:34 | 0:33:35 | |
Here. | 0:33:37 | 0:33:39 | |
Do you have a picture of Ellika? | 0:33:43 | 0:33:45 | |
-No. -No photograph of your daughter? | 0:33:49 | 0:33:52 | |
No. | 0:33:52 | 0:33:53 | |
OK, thanks. | 0:34:00 | 0:34:01 | |
Ellika? | 0:34:10 | 0:34:12 | |
The Petrus family have three daughters. | 0:34:18 | 0:34:19 | |
Two of them have active personal numbers, they're on the system. They both have vice arrests. | 0:34:19 | 0:34:23 | |
-The third one was born in 1980. She dropped off the radar in 2001. -Yeah. | 0:34:23 | 0:34:27 | |
When they were living at your place. | 0:34:27 | 0:34:29 | |
-Yeah, that's Ellika. -Some outstanding court cases. | 0:34:29 | 0:34:31 | |
Prostitution in Malmo. She didn't show. | 0:34:31 | 0:34:34 | |
-She's not been heard of since for nearly ten years. -Ten years? | 0:34:34 | 0:34:36 | |
-She wasn't on the missing persons. -Her family didn't report her missing. | 0:34:36 | 0:34:40 | |
Who issued the... Who was in charge of the prostitution case? | 0:34:40 | 0:34:43 | |
Sandin. Malmo vice unit. | 0:34:43 | 0:34:45 | |
We know him. He says Jan Petrus fancied himself as a pimp. | 0:34:45 | 0:34:48 | |
He went round the ports and stations, looking for runaways. | 0:34:48 | 0:34:51 | |
If he got lucky, he'd run them as prostitutes until they moved on. | 0:34:51 | 0:34:54 | |
He ran his own daughters. | 0:34:54 | 0:34:57 | |
I'll talk to Lennart. | 0:34:59 | 0:35:01 | |
-Great, I'll want a copy of that. Well done, thanks. -Sure. | 0:35:01 | 0:35:04 | |
-Yep? -Lennart, have you got a minute? | 0:35:04 | 0:35:07 | |
Hi, Stefan, how did you get on with the maternity clinics? | 0:35:08 | 0:35:11 | |
Nowhere with the ones in town. | 0:35:11 | 0:35:13 | |
I've sent an email of the photo to the others. | 0:35:13 | 0:35:15 | |
We should check in Poland too. | 0:35:15 | 0:35:17 | |
This is what they use for the roll call lists. | 0:35:17 | 0:35:20 | |
The passengers fill them in, then they hand them in | 0:35:20 | 0:35:22 | |
when they get on board, the crew make a register from them. | 0:35:22 | 0:35:24 | |
Easiest thing in the world to lose a sheet of A4. | 0:35:24 | 0:35:27 | |
-Yeah, I suppose so. -But with the computer records... | 0:35:27 | 0:35:29 | |
Yeah, excuse me. | 0:35:29 | 0:35:30 | |
-Yeah? -We don't have proper grounds for an arrest. | 0:35:30 | 0:35:34 | |
We can ask him for a DNA sample, can't we? | 0:35:34 | 0:35:36 | |
And he's going to say no, isn't he? | 0:35:36 | 0:35:38 | |
Look, we need to establish whether Ellika is missing | 0:35:38 | 0:35:41 | |
or if she's moved to the States like they say. | 0:35:41 | 0:35:43 | |
-If she has disappeared, then we can get an order and make the arrest. -Right. | 0:35:43 | 0:35:47 | |
I'm sorry, I know you just want to get this out of your world. | 0:35:47 | 0:35:51 | |
No, it's OK. Thanks. | 0:35:51 | 0:35:52 | |
-Yeah, OK, good. I'll see you tomorrow. -Yeah. | 0:35:52 | 0:35:55 | |
There's no harm in going back and asking. | 0:35:58 | 0:36:00 | |
Kurt, they're not here. Come on! | 0:36:20 | 0:36:23 | |
Kurt! | 0:36:27 | 0:36:29 | |
-Kurt! -Stay in the car, I'll be five minutes. | 0:36:34 | 0:36:37 | |
Don't be patronising. | 0:36:37 | 0:36:38 | |
Give us your hand. | 0:36:40 | 0:36:41 | |
DOG BARKS | 0:36:47 | 0:36:50 | |
Watch the dog. | 0:36:58 | 0:37:00 | |
Yeah. It's chained up. | 0:37:00 | 0:37:01 | |
There were two! | 0:37:04 | 0:37:06 | |
Kurt! | 0:37:17 | 0:37:18 | |
GUN SHOTS | 0:37:22 | 0:37:23 | |
Don't, Ann-Britt. Just go! | 0:37:25 | 0:37:27 | |
Go! Go! Go! | 0:37:33 | 0:37:34 | |
GUN SHOTS | 0:37:34 | 0:37:36 | |
No! | 0:37:38 | 0:37:39 | |
OK, put it down, put it down. | 0:37:51 | 0:37:53 | |
SHE SOBS | 0:37:53 | 0:37:54 | |
Are you all right? | 0:37:57 | 0:37:58 | |
No! | 0:37:59 | 0:38:01 | |
Drop it. | 0:38:10 | 0:38:12 | |
Drop it! | 0:38:12 | 0:38:13 | |
Drop it! | 0:38:13 | 0:38:14 | |
Ann-Britt, come on. Come on, stay with me. | 0:38:21 | 0:38:25 | |
Come on Ann-Britt, come on. | 0:38:27 | 0:38:30 | |
Ambulance. | 0:38:38 | 0:38:40 | |
Do you want to talk? | 0:38:49 | 0:38:50 | |
I came out to the hospital. You'd gone. | 0:39:00 | 0:39:03 | |
I couldn't find you. | 0:39:03 | 0:39:04 | |
Go on. | 0:39:12 | 0:39:14 | |
MOBILE PHONE RINGS | 0:40:14 | 0:40:16 | |
Yeah? | 0:40:20 | 0:40:22 | |
'Hi Kurt, we've identified the girl from the ferry.' | 0:40:22 | 0:40:25 | |
Yeah. | 0:40:26 | 0:40:28 | |
She saw the photo of the charm bracelet in the papers. | 0:40:57 | 0:41:00 | |
What's her name? | 0:41:00 | 0:41:02 | |
The friend's called Snezna. | 0:41:02 | 0:41:03 | |
The girl on the ferry was called Marinka Nowak. | 0:41:03 | 0:41:06 | |
They're both Polish. | 0:41:06 | 0:41:08 | |
And did you get any more on... | 0:41:08 | 0:41:10 | |
Sorry. | 0:41:14 | 0:41:15 | |
Are you sure you want to do this now? | 0:41:16 | 0:41:18 | |
Yeah, yeah. | 0:41:21 | 0:41:22 | |
This is everything, yeah? | 0:41:26 | 0:41:28 | |
These are all her things? | 0:41:28 | 0:41:30 | |
Yeah, this is her stuff. Everything. | 0:41:30 | 0:41:32 | |
So, how well did you know her? | 0:41:34 | 0:41:36 | |
We came across here from Krakow together and we've been friends for a long time. | 0:41:36 | 0:41:40 | |
We were going to look after the baby together. | 0:41:40 | 0:41:42 | |
Do you know why she'd gone over, why she'd went back home? | 0:41:45 | 0:41:49 | |
She was going to Poland to get money, get some help. | 0:41:49 | 0:41:53 | |
From the father? | 0:41:53 | 0:41:55 | |
No, I don't know if from the father, | 0:41:55 | 0:41:57 | |
but she said she was going to get us money and buy the baby things. | 0:41:57 | 0:42:01 | |
Yeah, I understand. | 0:42:01 | 0:42:03 | |
Was the father from Poland too, do you know? | 0:42:03 | 0:42:06 | |
I don't know about the father, | 0:42:07 | 0:42:08 | |
she wouldn't tell me, she kept him secret. | 0:42:08 | 0:42:10 | |
I know she liked him very much. | 0:42:11 | 0:42:14 | |
But it went wrong. He made her sad. | 0:42:15 | 0:42:17 | |
Do you know where she might have met him? | 0:42:17 | 0:42:19 | |
She met him at work. | 0:42:19 | 0:42:21 | |
What kind of work did you um...? | 0:42:21 | 0:42:23 | |
What kind of work do you think? | 0:42:24 | 0:42:26 | |
I don't think she would've killed herself. Not with the baby. | 0:42:27 | 0:42:31 | |
Where did you get the bracelet from? | 0:42:31 | 0:42:33 | |
We bought for each other at Christmas. | 0:42:34 | 0:42:38 | |
Look she wouldn't keep me waiting for her to come back. | 0:42:40 | 0:42:43 | |
We had plans. | 0:42:45 | 0:42:47 | |
What are you going to do? Hmm? | 0:42:49 | 0:42:51 | |
We'll, we, er... | 0:42:51 | 0:42:53 | |
What are you going to do with her body? | 0:42:54 | 0:42:56 | |
When is her funeral? | 0:42:57 | 0:42:59 | |
RECORDING OF CHILD SINGING: # Incy Wincy spider went up the water spout | 0:43:42 | 0:43:47 | |
# Down came the rain and washed the spider out | 0:43:47 | 0:43:50 | |
# Out came the sunshine and dried up all the rain... # | 0:43:50 | 0:43:56 | |
Are you family. | 0:43:56 | 0:43:58 | |
Colleague. | 0:43:58 | 0:44:00 | |
TURNS OFF RECORDING | 0:44:00 | 0:44:02 | |
You don't have to. | 0:44:02 | 0:44:03 | |
Talk to her if you like, sit with her. | 0:44:05 | 0:44:07 | |
It does some good. | 0:44:07 | 0:44:09 | |
# Incy Wincy spider climbed up the water spout | 0:44:40 | 0:44:44 | |
# Down came the rain and washed the spider out | 0:44:44 | 0:44:49 | |
# Out came the sunshine and dried up all the rain... # | 0:44:49 | 0:44:54 | |
What happened to Ellika? | 0:45:08 | 0:45:10 | |
Your youngest daughter? | 0:45:12 | 0:45:13 | |
The girl you used to run as a prostitute? | 0:45:13 | 0:45:16 | |
She went to the States. Florida. | 0:45:22 | 0:45:26 | |
There's no record of her in Florida. | 0:45:28 | 0:45:31 | |
You're a liar, we know you killed her in 2001. | 0:45:31 | 0:45:34 | |
Ellika can look after herself. | 0:45:36 | 0:45:38 | |
She never let me lay a finger on her. | 0:45:38 | 0:45:40 | |
I think you shot her, I think you buried her in your garden because you're a violent man. | 0:45:40 | 0:45:44 | |
-That bitch shot my dogs. -Do you know what you've done? | 0:45:44 | 0:45:48 | |
Do you understand? | 0:45:48 | 0:45:50 | |
She's got a little daughter! A seven-year-old girl. | 0:45:50 | 0:45:53 | |
Fucking destroyed her! | 0:45:53 | 0:45:56 | |
You piece of shit! | 0:45:56 | 0:45:58 | |
She's going to live. | 0:46:07 | 0:46:09 | |
It won't be murder. | 0:46:09 | 0:46:11 | |
Why don't you tell us about Ellika, | 0:46:14 | 0:46:18 | |
make a clean breast of it? Co-operate? | 0:46:18 | 0:46:21 | |
Talk to my wife. | 0:46:25 | 0:46:26 | |
'Ellika lives in Arizona.' | 0:46:27 | 0:46:29 | |
Your husband said it was Florida. | 0:46:29 | 0:46:31 | |
He wouldn't know. He hasn't spoken to her since she went. | 0:46:32 | 0:46:36 | |
-I've been out to see her. -What airport did you fly to? | 0:46:36 | 0:46:39 | |
-What's the name of the airport in Arizona? -Ellika's fine. | 0:46:41 | 0:46:44 | |
There's a body under the blackcurrant bushes in the garden of the house where you lived. | 0:46:44 | 0:46:48 | |
-There weren't any blackcurrants. -Kurt! | 0:46:49 | 0:46:51 | |
Grand Canyon 2008. That's her. | 0:46:56 | 0:46:59 | |
No, it could be anybody. | 0:47:00 | 0:47:01 | |
Kurt! | 0:47:14 | 0:47:15 | |
Yeah. | 0:47:15 | 0:47:16 | |
Look for a hairbrush, anything that we can get DNA from. | 0:47:16 | 0:47:20 | |
Kurt! We arrested Petrus for the assault on Ann-Britt. | 0:47:20 | 0:47:24 | |
We're not authorised to take DNA evidence for that. | 0:47:24 | 0:47:27 | |
If you take it without proper permission, it's not admissible. | 0:47:27 | 0:47:29 | |
If there's nothing in this, | 0:47:29 | 0:47:31 | |
if this isn't the man who killed the girl in my garden, | 0:47:31 | 0:47:34 | |
then this whole thing is a stupid, pointless...! | 0:47:34 | 0:47:37 | |
CAR ENGINE STARTS | 0:49:24 | 0:49:25 | |
What do you think? | 0:50:10 | 0:50:11 | |
Could be. Could well be. | 0:50:12 | 0:50:15 | |
Take a look at this, will you? | 0:50:15 | 0:50:17 | |
-What's this? -Just for DNA. I got it from here. | 0:50:17 | 0:50:20 | |
Please, throw it away. | 0:50:20 | 0:50:22 | |
It won't be admissible, Kurt. | 0:50:22 | 0:50:24 | |
It'll affect the other case. | 0:50:24 | 0:50:27 | |
It'll affect Ann-Britt. | 0:50:29 | 0:50:30 | |
-Just go home, eh? -Yeah. | 0:50:33 | 0:50:35 | |
LEVEL CROSSING BELL RINGS | 0:51:05 | 0:51:08 | |
Oh, not now! | 0:51:17 | 0:51:20 | |
Hi, Fredrik. | 0:51:23 | 0:51:24 | |
I saw it in the paper, about your... | 0:51:24 | 0:51:26 | |
Is she all right? | 0:51:27 | 0:51:29 | |
No. | 0:51:30 | 0:51:31 | |
Ah. | 0:51:33 | 0:51:35 | |
That's terrible. | 0:51:35 | 0:51:37 | |
-I'm sorry. -Sorry, I can't really... Sorry. | 0:51:37 | 0:51:40 | |
MOBILE PHONE RINGS | 0:51:53 | 0:51:56 | |
'Good news, you found the murder weapon.' | 0:51:58 | 0:52:00 | |
Right. | 0:52:00 | 0:52:01 | |
'The rifle's the one that shot the girl in your garden.' | 0:52:01 | 0:52:04 | |
Good. That's great, thank you, thank you. Thanks. | 0:52:04 | 0:52:06 | |
MOBILE PHONE RINGS | 0:52:18 | 0:52:21 | |
Yeah, Wallander. | 0:52:21 | 0:52:22 | |
-WOMAN: -'The detective?' | 0:52:22 | 0:52:24 | |
Yeah. Who's this? | 0:52:25 | 0:52:27 | |
'My name's Ellika Petrus. | 0:52:28 | 0:52:30 | |
'I'm alive. | 0:52:30 | 0:52:33 | |
'I'm in the States. | 0:52:33 | 0:52:35 | |
'My dad's not a good man, but he's not a murderer.' | 0:52:35 | 0:52:39 | |
-I need... -PHONE HANGS UP | 0:52:39 | 0:52:41 | |
Hello? Hello? | 0:52:41 | 0:52:43 | |
WOMAN GROANS | 0:53:21 | 0:53:23 | |
PUNCHES LAND | 0:53:28 | 0:53:31 | |
WOMAN GASPS AND CRIES OUT | 0:53:31 | 0:53:34 | |
STRUGGLE CONTINUES | 0:53:39 | 0:53:41 | |
SHE CRIES OUT | 0:53:47 | 0:53:49 | |
Ellika Petrus is alive. She's living in Phoenix, Arizona. | 0:54:38 | 0:54:42 | |
She's got a vice record there as well. It checks. | 0:54:42 | 0:54:44 | |
We know the girl in my garden was killed with Petrus's gun. | 0:54:44 | 0:54:47 | |
She could be one of his prostitutes. | 0:54:47 | 0:54:50 | |
We should cross-reference missing persons | 0:54:51 | 0:54:54 | |
and vice arrests for that time. | 0:54:54 | 0:54:56 | |
Ellika was picked up by the Vice Unit in Malmo, maybe the others were too. | 0:54:56 | 0:54:59 | |
-I've done that. Nothing. -OK. | 0:54:59 | 0:55:01 | |
-We need to talk to her, can you arrange a phone call? -Sure. | 0:55:06 | 0:55:10 | |
Who was she? | 0:55:18 | 0:55:20 | |
It wasn't Ellika, right? | 0:55:20 | 0:55:23 | |
You got that wrong, didn't you? | 0:55:23 | 0:55:25 | |
Wasn't my daughter. Not mine. | 0:55:26 | 0:55:28 | |
We know that you used to drive around, | 0:55:28 | 0:55:31 | |
looking for lost little girls. | 0:55:31 | 0:55:33 | |
You used to see one, you used to take them home, have sex with them, | 0:55:34 | 0:55:38 | |
then try to turn them, so they might make money for you. | 0:55:38 | 0:55:40 | |
I don't know any girls like that. | 0:55:40 | 0:55:42 | |
Then you shot her with your rifle. I think you buried her in your garden, | 0:55:42 | 0:55:45 | |
-let weeds grow over her body. -You're dreaming. | 0:55:45 | 0:55:48 | |
Yeah. | 0:55:49 | 0:55:52 | |
You know you're dreaming. | 0:55:52 | 0:55:54 | |
-Who was she? -You've got nothing. | 0:55:54 | 0:55:56 | |
I didn't do it in the first place and you can't prove that I did. | 0:55:56 | 0:56:00 | |
Nothing. | 0:56:00 | 0:56:01 | |
And as for the other thing, the police...bitch. | 0:56:01 | 0:56:05 | |
She WAS trespassing. She shot my dogs. | 0:56:05 | 0:56:10 | |
She shot my dogs. | 0:56:10 | 0:56:12 | |
I'll get six months maximum for that. | 0:56:15 | 0:56:18 | |
Water off a duck's back to me. | 0:56:19 | 0:56:20 | |
This is Helena Ahlquist. | 0:56:33 | 0:56:35 | |
She walked out to get the bus into Gothenburg in 2006, | 0:56:35 | 0:56:39 | |
never been seen since. Do you recognise them? | 0:56:39 | 0:56:42 | |
Why would I? | 0:56:42 | 0:56:43 | |
Look at them. | 0:56:43 | 0:56:45 | |
I am. | 0:56:45 | 0:56:46 | |
This is a body, same age, same sex, | 0:56:48 | 0:56:51 | |
was found buried underneath the blackcurrant bushes | 0:56:51 | 0:56:54 | |
in what used to be your garden. | 0:56:54 | 0:56:56 | |
There weren't any blackcurrant bushes. | 0:56:56 | 0:56:58 | |
Eva, you knew something. | 0:56:58 | 0:57:00 | |
You must have some idea who this could have been, | 0:57:01 | 0:57:04 | |
cos it could have been one of your daughters. | 0:57:04 | 0:57:07 | |
Who is it? | 0:57:11 | 0:57:13 | |
-Kurt? -Hang on! | 0:57:13 | 0:57:15 | |
No, Kurt. | 0:57:15 | 0:57:16 | |
We've got a body. | 0:57:20 | 0:57:22 | |
Is this a coincidence? | 0:57:45 | 0:57:46 | |
There's no such thing as coincidence. | 0:57:46 | 0:57:49 | |
We need to get back to that ferry. | 0:57:53 | 0:57:56 | |
We're ready to go. I can't hold the ship up. | 0:58:13 | 0:58:15 | |
Those are the rosters. | 0:58:33 | 0:58:35 | |
It's the same crew today as it was when she... | 0:58:35 | 0:58:37 | |
Right, we'll talk to them all together first, | 0:58:37 | 0:58:40 | |
-and then we'll see them one by one. -You'll have to work it around their duties. | 0:58:40 | 0:58:43 | |
Is there any way that staff could tamper with the passenger lists? | 0:58:43 | 0:58:48 | |
-Delete names? -No. no, it's impossible. | 0:58:48 | 0:58:50 | |
-You sure? -Yes. | 0:58:50 | 0:58:52 | |
Where can we meet them please? | 0:58:54 | 0:58:56 | |
-The bar, level 5, is fine. -Thank you. | 0:58:56 | 0:58:58 | |
We want to talk to all of you about two girls. | 0:59:01 | 0:59:04 | |
One of whom, Snezna Botez, was killed last night in Ystad, | 0:59:04 | 0:59:08 | |
when this ferry was in port. | 0:59:08 | 0:59:10 | |
Her friend, Marinka Nowak, boarded this ship on the January 9th. | 0:59:11 | 0:59:14 | |
She travelled to Poland, | 0:59:14 | 0:59:16 | |
she waited in the terminal there, she came back. | 0:59:16 | 0:59:19 | |
Somewhere over the Baltic on that journey, she fell from the ship. | 0:59:19 | 0:59:22 | |
Or she was pushed. | 0:59:24 | 0:59:25 | |
She had some reason for being on this ferry | 0:59:25 | 0:59:28 | |
and for waiting in Poland. | 0:59:28 | 0:59:30 | |
And the records of her being here are missing. | 0:59:30 | 0:59:32 | |
We'll both be talking to you individually, thank you for your time. | 0:59:32 | 0:59:36 | |
January 9th, do you remember seeing this girl? | 0:59:47 | 0:59:50 | |
-No, I don't think so. -I understand that you work in the bar? | 0:59:50 | 0:59:53 | |
Occasionally. | 0:59:53 | 0:59:54 | |
Do you think you'd remember if she'd asked for a drink? | 0:59:54 | 0:59:57 | |
Yeah, I would've thought so. | 0:59:57 | 0:59:59 | |
I don't know, there's a lot of these kind of girls coming out | 0:59:59 | 1:00:02 | |
from the East. Too many of them. | 1:00:02 | 1:00:04 | |
-Maybe she was.. -Maybe she was what? | 1:00:05 | 1:00:07 | |
Maybe round the muster station, maybe. | 1:00:07 | 1:00:10 | |
Maybe not. | 1:00:10 | 1:00:11 | |
Could you have seen her with anyone? | 1:00:11 | 1:00:13 | |
Had you seen her before? | 1:00:14 | 1:00:15 | |
-No. -Can I ask you, | 1:00:15 | 1:00:17 | |
-can you access the passenger lists from these terminals? -Yeah. | 1:00:17 | 1:00:20 | |
Do you mind showing us? | 1:00:20 | 1:00:22 | |
Yeah, we need it for the duty free. | 1:00:22 | 1:00:24 | |
How does that work? | 1:00:24 | 1:00:25 | |
Well, it's open so we can enter in the purchase details, | 1:00:25 | 1:00:29 | |
there's staff terminals all around. | 1:00:29 | 1:00:31 | |
-So you could alter it? -Yes, easily. | 1:00:31 | 1:00:32 | |
You can just get into it like this. | 1:00:32 | 1:00:35 | |
It's a joke. | 1:00:36 | 1:00:38 | |
OK, thanks. | 1:00:40 | 1:00:41 | |
Can you operate the staff terminals, the computers, here? | 1:00:47 | 1:00:50 | |
I don't need to. | 1:00:50 | 1:00:51 | |
Do you recognise her? | 1:00:53 | 1:00:54 | |
I don't know her. | 1:00:57 | 1:00:59 | |
Recognise either of them? | 1:00:59 | 1:01:00 | |
Pretty girls, though. | 1:01:01 | 1:01:02 | |
You push her friend off the ferry? | 1:01:02 | 1:01:06 | |
Come on! | 1:01:06 | 1:01:07 | |
-All right, that's all, thanks. -Right. | 1:01:09 | 1:01:11 | |
Next. | 1:01:11 | 1:01:12 | |
HORN BLASTS | 1:01:14 | 1:01:16 | |
I'm going to go down and talk to the Polish police, get that working. | 1:01:21 | 1:01:25 | |
Do you want to take prints on the way back? | 1:01:25 | 1:01:27 | |
Yeah, it can't hurt. | 1:01:27 | 1:01:29 | |
Do you reckon we're going to get anyone for this? | 1:01:32 | 1:01:34 | |
Any of this? | 1:01:36 | 1:01:38 | |
Yes. | 1:01:40 | 1:01:41 | |
I do. | 1:01:44 | 1:01:45 | |
Good. | 1:01:47 | 1:01:48 | |
MOBILE PHONE BEEPS | 1:01:57 | 1:01:59 | |
-ANSWERPHONE: -'You have two new messages. New messages.' | 1:02:04 | 1:02:08 | |
PHONE BEEPS | 1:02:08 | 1:02:09 | |
VANJA: 'Kurt, it's me, it's after midnight. I hope you're OK.' | 1:02:09 | 1:02:15 | |
PHONE BEEPS | 1:02:15 | 1:02:17 | |
-ANSWERPHONE: -'Next message.' | 1:02:20 | 1:02:22 | |
'This is Thure Bergsson. I'm Jan Petrus's attorney. | 1:02:22 | 1:02:25 | |
'Please call me back. | 1:02:25 | 1:02:27 | |
'I'd like to discuss the charges with you as soon as we can.' | 1:02:27 | 1:02:31 | |
Kurt. Hi. | 1:04:31 | 1:04:32 | |
All OK? | 1:04:32 | 1:04:34 | |
Yeah, yeah. | 1:04:34 | 1:04:36 | |
Look, there's a pay phone near where Marinka would have gone out on deck. | 1:04:36 | 1:04:39 | |
Maybe she rang someone, there's no mobile signal at sea. | 1:04:39 | 1:04:42 | |
Maybe she would have called someone. So let's check the call records. | 1:04:42 | 1:04:45 | |
Worth a try. | 1:04:45 | 1:04:46 | |
Yeah. OK. | 1:04:46 | 1:04:48 | |
-Wallander? -Yeah? | 1:05:20 | 1:05:22 | |
Hi. I'm Jan Petrus's attorney. | 1:05:22 | 1:05:24 | |
-Did you get my message? -Yes, we're going to be charging your client with attempted murder. | 1:05:24 | 1:05:28 | |
Nobody'll prosecute that. | 1:05:28 | 1:05:30 | |
Really? | 1:05:30 | 1:05:31 | |
-I'll make a start tracing those phone records. -Yeah, yeah. | 1:05:31 | 1:05:35 | |
And on the police officer, Hoglund. | 1:05:35 | 1:05:37 | |
Yeah, Ann-Britt. 30. She's in a coma. | 1:05:37 | 1:05:40 | |
I've just spoken to her doctors. They say she'll recover. | 1:05:40 | 1:05:43 | |
It's bodily harm at worst. | 1:05:43 | 1:05:44 | |
Now, I realise this must be tough for you. Very tough. | 1:05:44 | 1:05:48 | |
I've spoken to Ellika Petrus this morning in Phoenix | 1:05:50 | 1:05:53 | |
and she's willing to talk to you, provided you... | 1:05:53 | 1:05:55 | |
..take a view on the charges against her father. | 1:05:57 | 1:05:59 | |
-Talk about what? -She says she knows who the victim is | 1:05:59 | 1:06:02 | |
and that she thinks she might know the man who did it. | 1:06:02 | 1:06:05 | |
Mr Bergsson... | 1:06:06 | 1:06:07 | |
Good to see you. | 1:06:07 | 1:06:08 | |
Kurt. Where have you been? | 1:07:59 | 1:08:02 | |
I've, I, I had to go to Poland. | 1:08:02 | 1:08:05 | |
Could you have called? | 1:08:05 | 1:08:07 | |
You disappear off the map for a day and a night. | 1:08:08 | 1:08:11 | |
Have you had something to eat? | 1:08:19 | 1:08:21 | |
I've got to go. I'm sorry. | 1:08:23 | 1:08:25 | |
It's just, I can't believe it didn't occur to you to phone. | 1:08:27 | 1:08:31 | |
I'm sorry. | 1:08:36 | 1:08:37 | |
It's very comfortable, isn't it? | 1:08:47 | 1:08:49 | |
Putting on your old clothes. | 1:08:51 | 1:08:53 | |
No, it's not. | 1:09:01 | 1:09:03 | |
I've got to go. | 1:09:06 | 1:09:08 | |
We'll talk about this later. | 1:09:13 | 1:09:15 | |
When you were living at that house, was there anything at the back of the garden? | 1:09:46 | 1:09:51 | |
-What kind of thing? -Fruit bushes? Blackcurrant bushes? | 1:09:51 | 1:09:53 | |
I don't know anything about plants. | 1:09:53 | 1:09:55 | |
Understood, but just try and picture. | 1:09:55 | 1:09:58 | |
Was there anything on the border between the garden and the farmland? | 1:09:58 | 1:10:02 | |
There was a flood there in 2006. Killed off pretty much everything. | 1:10:02 | 1:10:06 | |
You could see straight up to the trees. | 1:10:06 | 1:10:09 | |
There was nothing, nothing growing. | 1:10:09 | 1:10:11 | |
Right. Thanks. | 1:10:13 | 1:10:15 | |
The blackcurrant bushes weren't there when I bought the place. | 1:10:23 | 1:10:26 | |
Somebody dumped the body after I bought it! | 1:10:26 | 1:10:29 | |
They dumped it with the blackcurrant bush for me to find it. | 1:10:29 | 1:10:32 | |
Who would dump a body in your garden? Doesn't make sense. | 1:10:32 | 1:10:35 | |
I don't see that it's personal. The body's connected to the house. | 1:10:35 | 1:10:38 | |
She was shot with a gun | 1:10:38 | 1:10:39 | |
that belonged to the man that lived there at the time. | 1:10:39 | 1:10:42 | |
Either way, either way, Ellika says she knows who the girl was. | 1:10:42 | 1:10:47 | |
If she knows anything at all, we have to agree terms with the lawyer. | 1:10:47 | 1:10:51 | |
We'll have to bail the father anyway. | 1:10:51 | 1:10:53 | |
So, er... | 1:10:56 | 1:10:57 | |
When's Ellika Petrus calling? | 1:11:12 | 1:11:14 | |
2pm her time. | 1:11:14 | 1:11:15 | |
That's all right. She can call me at home at the house. | 1:11:15 | 1:11:19 | |
Yeah. | 1:11:19 | 1:11:20 | |
Hi. | 1:11:27 | 1:11:28 | |
It's pretty much ready. | 1:11:30 | 1:11:33 | |
Yeah, I can't have it right now. Sorry. | 1:11:33 | 1:11:36 | |
Half an hour? | 1:11:37 | 1:11:38 | |
Have you got a pen? | 1:11:38 | 1:11:40 | |
Thing is, I don't know what's going to happen with this. | 1:11:40 | 1:11:44 | |
Don't bother about me, you have it yourselves and I'll... | 1:11:44 | 1:11:47 | |
I can wait. I'm not that hungry. | 1:11:47 | 1:11:50 | |
PHONE RINGS | 1:11:50 | 1:11:51 | |
Yep, Wallander. | 1:12:01 | 1:12:04 | |
'This is Ellika Petrus.' | 1:12:04 | 1:12:06 | |
Peter! I can warm it up for you later if you... | 1:12:06 | 1:12:08 | |
Sssh! Sssh! | 1:12:08 | 1:12:10 | |
'The girl was called Lina. | 1:12:10 | 1:12:12 | |
'She was from Norrland.' | 1:12:13 | 1:12:15 | |
Did she have a last name? | 1:12:15 | 1:12:17 | |
'Not that we knew. | 1:12:17 | 1:12:19 | |
'She came down on one of the logging wagons, | 1:12:19 | 1:12:21 | |
'far as we could work out, from the North. | 1:12:21 | 1:12:24 | |
'Dad picked her up | 1:12:25 | 1:12:27 | |
'when she was floating around the hostels in Malmo. | 1:12:27 | 1:12:30 | |
'He brought her home. | 1:12:30 | 1:12:32 | |
'I, I'm not doing this for my father. I'm doing it for my mum.' | 1:12:34 | 1:12:38 | |
Did he send her out to make money? Like he did with... | 1:12:38 | 1:12:41 | |
'..She wouldn't go. | 1:12:41 | 1:12:42 | |
'He let her stay as a nanny. | 1:12:43 | 1:12:45 | |
'She was good with the babies and the dogs. | 1:12:46 | 1:12:48 | |
'We all went away for a weekend, one autumn. | 1:12:50 | 1:12:52 | |
'Just before I left. | 1:12:52 | 1:12:54 | |
'Lina stayed to look after the dogs. | 1:12:54 | 1:12:57 | |
'When we came home, she'd gone. Thought she'd gone home.' | 1:12:57 | 1:13:01 | |
Who do you think killed her? | 1:13:06 | 1:13:08 | |
'She was involved with someone. | 1:13:10 | 1:13:12 | |
'He'd got her pregnant. | 1:13:13 | 1:13:15 | |
'He was married, I think. I can't remember the name. | 1:13:15 | 1:13:21 | |
'But he lived on the next farm. | 1:13:21 | 1:13:22 | |
'Dad didn't like the man there. | 1:13:24 | 1:13:27 | |
'She used to sneak out, nights. | 1:13:27 | 1:13:29 | |
'The guy on the next farm, he was a creep. | 1:13:31 | 1:13:34 | |
'Always bothering the girls. | 1:13:34 | 1:13:36 | |
'Hello? Are you still there?' | 1:13:40 | 1:13:45 | |
Kurt? | 1:13:47 | 1:13:48 | |
DOOR SLAMS | 1:13:48 | 1:13:50 | |
CAR ENGINE STARTS | 1:13:54 | 1:13:56 | |
Fredrik? | 1:14:16 | 1:14:17 | |
Fredrik? | 1:14:25 | 1:14:27 | |
That's where she's been, all these years. | 1:15:13 | 1:15:15 | |
Just there. | 1:15:19 | 1:15:20 | |
What was her name? | 1:15:25 | 1:15:26 | |
-Lina. -Lina what? | 1:15:29 | 1:15:31 | |
I don't know. Never did. | 1:15:31 | 1:15:33 | |
She's just been there. | 1:15:37 | 1:15:39 | |
I planted the blackcurrants over her for remembrance. | 1:15:43 | 1:15:47 | |
Thought it was time she was she was dealt with. | 1:15:53 | 1:15:55 | |
By me? | 1:15:57 | 1:15:58 | |
Seemed like fate. | 1:16:01 | 1:16:02 | |
Fate? | 1:16:07 | 1:16:08 | |
Fate!? | 1:16:10 | 1:16:11 | |
I just couldn't stand looking at her little grave any more. | 1:16:11 | 1:16:14 | |
Neither of us could. | 1:16:19 | 1:16:21 | |
My wife hanged herself, Kurt. | 1:16:25 | 1:16:27 | |
She knew? | 1:16:29 | 1:16:30 | |
She just wanted to go on about it. | 1:16:30 | 1:16:32 | |
Bring it back up. | 1:16:33 | 1:16:34 | |
What did she used to go on about? About how you'd killed Lina? | 1:16:34 | 1:16:37 | |
It was an argument. | 1:16:42 | 1:16:44 | |
Over at your place. | 1:16:44 | 1:16:45 | |
Petrus was away. His gun went off. | 1:16:45 | 1:16:49 | |
Accident! | 1:16:50 | 1:16:51 | |
I never thought it could happen again. | 1:16:57 | 1:16:59 | |
(Happen again?) | 1:17:02 | 1:17:03 | |
What are you talking about, "happen again"? | 1:17:18 | 1:17:20 | |
Fredrik, what do you mean, "happen again"? | 1:17:20 | 1:17:23 | |
I just thought I'd put it right. | 1:17:23 | 1:17:25 | |
Not in the right way of course, but, the best way I could. | 1:17:27 | 1:17:32 | |
I'm sorry. | 1:17:36 | 1:17:38 | |
Who was that man I chased into the house? | 1:17:44 | 1:17:47 | |
Why did he run in here? | 1:17:52 | 1:17:53 | |
Who was he, Fredrik? | 1:17:55 | 1:17:57 | |
I don't know. | 1:18:01 | 1:18:02 | |
How old were you when Lina died? | 1:18:05 | 1:18:08 | |
55. | 1:18:10 | 1:18:11 | |
She was 20. | 1:18:12 | 1:18:13 | |
You made her pregnant? | 1:18:18 | 1:18:20 | |
(Pregnant?) | 1:18:24 | 1:18:26 | |
Didn't you know that she was pregnant? | 1:18:30 | 1:18:33 | |
PHONE RINGS | 1:18:33 | 1:18:34 | |
Coffee? | 1:18:44 | 1:18:46 | |
PHONE CONTINUES TO RING | 1:18:46 | 1:18:49 | |
GUNSHOT | 1:19:04 | 1:19:06 | |
CRASHING | 1:19:06 | 1:19:07 | |
PHONE CONTINUES RINGING | 1:19:07 | 1:19:09 | |
PHONE RINGS | 1:19:10 | 1:19:12 | |
Hello? | 1:19:53 | 1:19:54 | |
'Hello. This is Detective Officer Stefan Lindeman. | 1:19:54 | 1:19:58 | |
'I'm calling from Ystad Police. To whom am I speaking?' | 1:19:58 | 1:20:02 | |
What the hell are you talking about? | 1:20:02 | 1:20:05 | |
'This is Stefan Lindeman, from Ystad Police.' | 1:20:05 | 1:20:08 | |
Yeah, and this and this is Kurt Bloody Wallander. | 1:20:08 | 1:20:10 | |
'Kurt? | 1:20:10 | 1:20:11 | |
'Where are you? | 1:20:14 | 1:20:15 | |
'I'm going through the numbers from the phone on the ferry. | 1:20:17 | 1:20:21 | |
'This number was called from the ferry at 9.27pm on 9th January. | 1:20:21 | 1:20:25 | |
'Where are you?' | 1:20:25 | 1:20:27 | |
I'll call you back. | 1:20:29 | 1:20:31 | |
Stefan? | 1:21:23 | 1:21:24 | |
I need you to give me the name and address of my neighbour's son. | 1:21:24 | 1:21:28 | |
Jorgen Thorson. He works on the ferry. | 1:21:28 | 1:21:32 | |
DOORBELL RINGS | 1:22:05 | 1:22:06 | |
-Yes? -Your husband at home? | 1:22:12 | 1:22:13 | |
-He'll be sailing now. -Where, to Poland? | 1:22:15 | 1:22:18 | |
On his way back. | 1:22:18 | 1:22:19 | |
I want to talk to him about his father. | 1:22:21 | 1:22:23 | |
He doesn't speak to his father. | 1:22:23 | 1:22:25 | |
Not since his Mum... | 1:22:27 | 1:22:29 | |
His father killed himself today, too. | 1:22:29 | 1:22:32 | |
Your husband spoke to him the other night. | 1:22:33 | 1:22:35 | |
He called his father from the ferry. | 1:22:37 | 1:22:39 | |
He begged him for help because he was in serious trouble. | 1:22:40 | 1:22:43 | |
His father said enough was enough. | 1:22:43 | 1:22:45 | |
You know what I'm talking about? | 1:22:48 | 1:22:50 | |
PHONE RINGS | 1:22:50 | 1:22:51 | |
-That'll be him. He always calls when he gets in range. -Don't answer it! | 1:22:51 | 1:22:55 | |
We have reason to believe | 1:22:57 | 1:22:59 | |
your husband has killed at least one young woman. | 1:22:59 | 1:23:01 | |
Probably more. | 1:23:01 | 1:23:03 | |
Don't answer the phone, don't warn him. | 1:23:03 | 1:23:06 | |
'Hey, it's me. Hello? | 1:23:07 | 1:23:11 | |
'Hello? You pick up?' | 1:23:11 | 1:23:15 | |
Thank you. | 1:23:19 | 1:23:20 | |
Kurt's been having a very hard time at work. | 1:25:29 | 1:25:32 | |
He's... | 1:25:32 | 1:25:33 | |
Um, one of his colleagues was injured, | 1:25:36 | 1:25:38 | |
and... And we've just moved in together, finally, | 1:25:38 | 1:25:44 | |
and, um, he's found it very hard to talk about it. | 1:25:44 | 1:25:49 | |
Kurt? | 1:25:56 | 1:25:57 | |
So I've, I think I've made an effort to change. | 1:26:00 | 1:26:06 | |
Yes. | 1:26:06 | 1:26:08 | |
But, I think you can scrape away at the surface, you know, | 1:26:08 | 1:26:12 | |
the flesh, for so long, until you actually just get down to the bone. | 1:26:13 | 1:26:18 | |
The bit that's always going to be there. | 1:26:18 | 1:26:20 | |
-Kurt... -Just let him finish. | 1:26:20 | 1:26:21 | |
I've been trying to make it so you can take these kind of punches | 1:26:21 | 1:26:25 | |
without the rest of your life just... | 1:26:25 | 1:26:27 | |
Yes, I've seen three dead girls in the last week. | 1:26:27 | 1:26:30 | |
I've seen my colleague, um... | 1:26:30 | 1:26:33 | |
KURT GULPS AND EXHALES | 1:26:42 | 1:26:43 | |
I'm who I am because of what I do. | 1:26:45 | 1:26:47 | |
You can't, I don't think you can do what I do and not end up like this. | 1:26:47 | 1:26:51 | |
-Yes, you can. -Well, I can't! | 1:26:51 | 1:26:53 | |
I realise it's not fair. | 1:27:00 | 1:27:03 | |
I realise I can't expect anyone to be patient enough with... | 1:27:06 | 1:27:15 | |
I'm really sorry, but... | 1:27:20 | 1:27:22 | |
It's OK. | 1:27:25 | 1:27:27 | |
We're not making any decisions here. | 1:27:27 | 1:27:29 | |
We're just trying to solve problems. | 1:27:32 | 1:27:34 | |
I like the rules | 1:27:38 | 1:27:39 | |
that we don't talk about negative stuff outside the room. | 1:27:39 | 1:27:44 | |
I liked her. | 1:27:44 | 1:27:46 | |
I've been before. | 1:27:48 | 1:27:49 | |
To the same counsellor. | 1:27:49 | 1:27:52 | |
With Inga? | 1:27:52 | 1:27:53 | |
Yeah. | 1:27:55 | 1:27:57 | |
Before the divorce. | 1:27:57 | 1:27:59 | |
MUSIC: SOMBRE ACCOUSTIC GUITAR AND FEMALE VOCAL | 1:28:11 | 1:28:14 | |
Subtitles by Red Bee Media Ltd | 1:29:16 | 1:29:19 |