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HORSES WHINNY | 0:00:25 | 0:00:27 | |
HOOVES CLATTER ON COBBLES | 0:01:06 | 0:01:09 | |
GUESTS CHATTER | 0:01:18 | 0:01:20 | |
But, mon cher ami, how can you be so calm? | 0:01:32 | 0:01:35 | |
This monster, Bonaparte - he's crossed into Austria now, | 0:01:35 | 0:01:38 | |
and who's to say that Russia won't be next? | 0:01:38 | 0:01:40 | |
No, no, no. Our illustrious Emperor has it all in hand. | 0:01:40 | 0:01:44 | |
Our great army will stop this monster Napoleon in his tracks. | 0:01:44 | 0:01:48 | |
You must remember, dear Anna Pavlovna, | 0:01:48 | 0:01:50 | |
Russia hasn't lost a war in 100 years. | 0:01:50 | 0:01:52 | |
DRINK SPLASHES LADY YELPS | 0:01:52 | 0:01:53 | |
I do beg your pardon. I'm so sorry. | 0:01:53 | 0:01:56 | |
Who is that young man? I'm sure I didn't invite him. | 0:01:56 | 0:01:58 | |
Ah. My young relative, I regret to say. | 0:01:58 | 0:02:00 | |
Count Bezukhov's son. His natural son, of course. | 0:02:00 | 0:02:04 | |
-Did he have any other kind? -ANNA LAUGHS | 0:02:04 | 0:02:06 | |
Indeed. | 0:02:06 | 0:02:08 | |
But this one was something of a favourite, God knows why. | 0:02:08 | 0:02:11 | |
He's staying with me, now he's back in St Petersburg. | 0:02:11 | 0:02:14 | |
Well, please don't bring him again. He looks like a wild animal, | 0:02:16 | 0:02:19 | |
so unlike your own lovely children. Such beautiful creatures! | 0:02:19 | 0:02:24 | |
Look at Papa, scheming away. | 0:02:27 | 0:02:29 | |
I think he's negotiating to get you into a nunnery. | 0:02:29 | 0:02:32 | |
If he did, would you rescue me? | 0:02:32 | 0:02:34 | |
No. I'd say, "Thank God and good riddance." | 0:02:34 | 0:02:37 | |
Beast! | 0:02:37 | 0:02:38 | |
Please, Mother, it's embarrassing! | 0:02:38 | 0:02:41 | |
If you don't ask, you don't get. Prince Vassily! | 0:02:41 | 0:02:43 | |
Prince Vassily. | 0:02:45 | 0:02:46 | |
You know, I've never asked you for anything. | 0:02:47 | 0:02:50 | |
I've never reminded you of what my father did for you, | 0:02:50 | 0:02:54 | |
but now, I beg you, for my boy, Boris - | 0:02:54 | 0:02:57 | |
a word from you to the sovereign would be enough. | 0:02:57 | 0:03:01 | |
I'll do what I can. | 0:03:01 | 0:03:02 | |
What is it you wish for the boy, Anna Mikhailovna? | 0:03:02 | 0:03:05 | |
Get him a commission in the Guards and recommend him to the General. | 0:03:05 | 0:03:09 | |
You know a word from you would do it. | 0:03:09 | 0:03:11 | |
You know, my influence is nothing like what you imagine... | 0:03:11 | 0:03:15 | |
but I am seeing the sovereign later this evening. | 0:03:15 | 0:03:17 | |
Oh, thank you, thank you! | 0:03:17 | 0:03:19 | |
I know I can trust you. | 0:03:20 | 0:03:23 | |
And when you come into your inheritance, you will remember | 0:03:23 | 0:03:27 | |
Count Bezukhov promised a regular allowance for my poor boy? | 0:03:27 | 0:03:30 | |
I know nothing of that. | 0:03:30 | 0:03:33 | |
And don't you think you've had enough from the Bezukhov family? | 0:03:33 | 0:03:37 | |
Go and beg elsewhere. | 0:03:37 | 0:03:39 | |
Napoleon has utterly destroyed his own country. | 0:03:48 | 0:03:50 | |
No, no, that's not right! | 0:03:50 | 0:03:52 | |
France is no longer a place where civilised people can live. | 0:03:52 | 0:03:54 | |
Oui, oui, c'est vrai, c'est vrai, malheuresement. | 0:03:54 | 0:03:56 | |
-I say Napoleon is a great man, sir! -Outrageous! | 0:03:56 | 0:03:59 | |
You think so, monsieur? | 0:03:59 | 0:04:01 | |
Shall we go to that table over there? | 0:04:01 | 0:04:03 | |
No, no, I must say this. | 0:04:03 | 0:04:05 | |
Yes, of course Napoleon's a great man! | 0:04:05 | 0:04:07 | |
He stood above the revolution, he put an end to its abuses | 0:04:07 | 0:04:10 | |
and kept all that was good about it! | 0:04:10 | 0:04:12 | |
You see good in revolution, sir? | 0:04:12 | 0:04:14 | |
The equality of all citizens, freedom of speech, | 0:04:14 | 0:04:17 | |
liberty, equality, fraternity - | 0:04:17 | 0:04:18 | |
these are ideas we could learn from in Russia. | 0:04:18 | 0:04:21 | |
Our drawing rooms are full of overfed aristocrats | 0:04:21 | 0:04:24 | |
who have no idea what real life is, | 0:04:24 | 0:04:26 | |
who have even forgotten how to speak their own language! | 0:04:26 | 0:04:30 | |
By God, we could do with a revolution here! | 0:04:30 | 0:04:32 | |
I'm sorry. I shouldn't have... It was just... | 0:04:34 | 0:04:37 | |
Pierre, old friend. | 0:04:38 | 0:04:40 | |
Andrei! | 0:04:40 | 0:04:41 | |
It's so good to see you here. | 0:04:43 | 0:04:45 | |
Getting a taste of high society? | 0:04:47 | 0:04:49 | |
Yes. Making a fool of myself, as usual. | 0:04:49 | 0:04:52 | |
You will excuse me, my dear Anna Pavlovna. | 0:04:52 | 0:04:56 | |
We must take our leave now - | 0:04:56 | 0:04:57 | |
a reception I must attend at the ambassador's. | 0:04:57 | 0:05:00 | |
Goodnight, goodnight. | 0:05:00 | 0:05:02 | |
Having fun? | 0:05:07 | 0:05:08 | |
Listen, come round for a drink tonight - we'll make a night of it. | 0:05:10 | 0:05:14 | |
She's ravishing. | 0:05:21 | 0:05:22 | |
No hope for me, though. | 0:05:24 | 0:05:26 | |
I see her every day and she hardly notices I'm there. | 0:05:26 | 0:05:29 | |
But your lovely wife? Is she well? | 0:05:31 | 0:05:34 | |
See for yourself. | 0:05:34 | 0:05:36 | |
She's enchanting. | 0:05:36 | 0:05:37 | |
A woman like that spreads happiness wherever she goes. | 0:05:37 | 0:05:41 | |
You're a lucky dog, Andrei! | 0:05:41 | 0:05:43 | |
You think? | 0:05:43 | 0:05:44 | |
Has he told you? | 0:05:49 | 0:05:51 | |
He's going off to the war and sending me away to the country | 0:05:51 | 0:05:53 | |
to have my baby all alone. | 0:05:53 | 0:05:55 | |
-That's the sort of husband I've got! -Are you really? | 0:05:55 | 0:05:58 | |
She won't be alone, she'll be with my father and sister. | 0:05:58 | 0:06:00 | |
But to have my baby in that bleak place, with people I hardly know. | 0:06:00 | 0:06:04 | |
Lise, we have been through all this, you know it's for the best. | 0:06:04 | 0:06:07 | |
Now, take the carriage home. The doctor said you should rest. | 0:06:07 | 0:06:09 | |
-I'll walk with Pierre. -You see? He treats me like a child. -Lise... | 0:06:09 | 0:06:13 | |
No. I don't care if Monsieur Pierre hears it! | 0:06:13 | 0:06:16 | |
You have no pity for me. You were never like this before. | 0:06:16 | 0:06:19 | |
You see? | 0:06:23 | 0:06:24 | |
I don't believe he loves me any more! | 0:06:26 | 0:06:28 | |
Dear Princess, please don't be upset. | 0:06:28 | 0:06:30 | |
I understand how you feel. Although, how could I? | 0:06:30 | 0:06:33 | |
Not being a... But... Life is very... | 0:06:33 | 0:06:35 | |
No, this is all wrong. This is none of my business. I should go. | 0:06:35 | 0:06:39 | |
-I should leave you... -No, no, no, don't. I'll be good. | 0:06:39 | 0:06:42 | |
I know Andrei wants to talk to you. | 0:06:42 | 0:06:44 | |
-You won't be too long? -No, my love. | 0:06:48 | 0:06:50 | |
Goodnight, Pierre. | 0:06:52 | 0:06:54 | |
You're really going to the war? | 0:07:06 | 0:07:07 | |
You don't think Napoleon's the Antichrist, like the rest of them? | 0:07:07 | 0:07:10 | |
-It's got nothing to do with Napoleon. -Then why? | 0:07:10 | 0:07:12 | |
Because I can't bear any more of this life! | 0:07:12 | 0:07:14 | |
Drawing rooms, gossip, balls, vanity, night after night. | 0:07:14 | 0:07:18 | |
Don't look at me like that, it's the truth. | 0:07:20 | 0:07:22 | |
Never marry, Pierre. Don't make my mistake. | 0:07:22 | 0:07:25 | |
But Lise's not like that. She's the gentlest, sweetest... | 0:07:25 | 0:07:27 | |
Oh, I know, I know. | 0:07:27 | 0:07:29 | |
She's a wonderful woman and I love her dearly, | 0:07:29 | 0:07:31 | |
but I can't breathe here, Pierre. | 0:07:31 | 0:07:33 | |
I might as well get myself killed fighting Napoleon. | 0:07:34 | 0:07:37 | |
But you're the most brilliant man I know. You could do anything. | 0:07:37 | 0:07:40 | |
So they say. | 0:07:40 | 0:07:42 | |
And what about you? | 0:07:44 | 0:07:45 | |
Have you decided what you're going to do yet? | 0:07:45 | 0:07:47 | |
Can you imagine? I still don't know. | 0:07:47 | 0:07:49 | |
But I do think I could make something of my life - | 0:07:49 | 0:07:52 | |
do something extraordinary, even. | 0:07:52 | 0:07:54 | |
Lead the revolution, perhaps? | 0:07:54 | 0:07:56 | |
I know, I deserve to be mocked. | 0:07:56 | 0:07:58 | |
-If you could see how I waste my nights... -Ah, yes, well... | 0:07:58 | 0:08:01 | |
If you're asking for my advice, | 0:08:01 | 0:08:02 | |
I'd chuck Anatole Kuragin and that gang. | 0:08:02 | 0:08:06 | |
That sort of debauchery doesn't suit you. | 0:08:06 | 0:08:09 | |
Ah, but the women... The women and the wine... | 0:08:09 | 0:08:12 | |
But, yes, no, you're right. I've been thinking that myself, | 0:08:12 | 0:08:15 | |
I should stop going round there. I will stop. | 0:08:15 | 0:08:18 | |
There! | 0:08:18 | 0:08:20 | |
You promise? | 0:08:20 | 0:08:21 | |
Word of honour. | 0:08:21 | 0:08:22 | |
SCREAMING | 0:08:29 | 0:08:32 | |
PIERRE SIGHS | 0:08:32 | 0:08:33 | |
CATCALLS AND CHEERING | 0:08:33 | 0:08:35 | |
SHOUTING WOOD SPLITS | 0:08:42 | 0:08:45 | |
Anatole! Anatole! | 0:08:45 | 0:08:47 | |
Petrushka! | 0:08:55 | 0:08:56 | |
Now, my dear boy, get a drink! | 0:08:57 | 0:09:00 | |
Dolokhov! | 0:09:00 | 0:09:01 | |
CHEERING GLASS SHATTERS | 0:09:06 | 0:09:08 | |
PIERRE SIGHS What time is it? | 0:09:16 | 0:09:18 | |
Nearly noon. | 0:09:18 | 0:09:20 | |
Your behaviour, and my son's behaviour, | 0:09:20 | 0:09:22 | |
bring disgrace upon this house! | 0:09:22 | 0:09:24 | |
Your father is gravely ill in Moscow. | 0:09:24 | 0:09:27 | |
I am leaving immediately. | 0:09:27 | 0:09:28 | |
Yes, of course. Did he ask for me? | 0:09:28 | 0:09:30 | |
You're in trouble. | 0:09:37 | 0:09:38 | |
You've been a very bad boy. I'm really quite shocked. | 0:09:38 | 0:09:42 | |
I'm a damned soul. | 0:09:42 | 0:09:43 | |
Oh, I don't think it's quite that bad. | 0:09:43 | 0:09:46 | |
Give my regards to everyone in Moscow. | 0:09:46 | 0:09:48 | |
CHEERING | 0:10:30 | 0:10:32 | |
BEAR GROWLS | 0:10:33 | 0:10:35 | |
You are thinking of your father. | 0:11:19 | 0:11:22 | |
Of course you are. | 0:11:22 | 0:11:23 | |
We must be prepared for the worst. | 0:11:23 | 0:11:25 | |
He has had two severe strokes | 0:11:25 | 0:11:27 | |
and may have had another by the time we arrive. | 0:11:27 | 0:11:30 | |
As an illegitimate son, you mustn't expect to inherit anything. | 0:11:30 | 0:11:35 | |
No. No, no, of course. | 0:11:35 | 0:11:37 | |
To think what your poor cousin Catiche has sacrificed - | 0:11:37 | 0:11:40 | |
what a saint she is - while you... | 0:11:40 | 0:11:43 | |
However, I'll do what I can to see you're not left destitute. | 0:11:44 | 0:11:49 | |
God knows you've done little but deserve it. | 0:11:49 | 0:11:52 | |
-Stop here! -What's the matter with you? Where are you going? | 0:12:11 | 0:12:14 | |
I'll just call in on the Rostovs. It's Natasha's name day! | 0:12:14 | 0:12:16 | |
I will come to the house, it's just that... | 0:12:16 | 0:12:19 | |
I won't be long, I promise! | 0:12:19 | 0:12:20 | |
Poor Count Bezukhov. He was ill enough, | 0:12:28 | 0:12:31 | |
but now this dreadful story about his son Pierre will surely kill him. | 0:12:31 | 0:12:35 | |
Pierre? What's he done now? | 0:12:35 | 0:12:38 | |
He and Anatole Kuragin and that dreadful Dolokhov, | 0:12:38 | 0:12:41 | |
-they found a bear somewhere... -LAUGHTER | 0:12:41 | 0:12:43 | |
-A bear? -That Pierre! | 0:12:43 | 0:12:45 | |
..and put it in a carriage and went to...to the actresses, you know, | 0:12:45 | 0:12:49 | |
and the bear got out. And when the police came... Oh. | 0:12:49 | 0:12:53 | |
It's too shocking to say. | 0:12:53 | 0:12:54 | |
No, say it, please, Aunt Anna! | 0:12:54 | 0:12:56 | |
They tied the bear to the policeman, back-to-back, | 0:12:56 | 0:13:00 | |
-and threw them into the river! -LAUGHTER | 0:13:00 | 0:13:02 | |
-Oh! -Was the bear all right? | 0:13:02 | 0:13:04 | |
Oh, he was very well! | 0:13:04 | 0:13:05 | |
He went swimming about with the policeman on his back! | 0:13:05 | 0:13:07 | |
How I would've loved to have seen that! That poor policeman! | 0:13:07 | 0:13:11 | |
LAUGHTER | 0:13:11 | 0:13:13 | |
No, no, you're quite right. You shouldn't laugh, Natasha! | 0:13:15 | 0:13:17 | |
You were laughing too. | 0:13:17 | 0:13:19 | |
Yes, but you mustn't take me as a model of behaviour. | 0:13:19 | 0:13:21 | |
So, what happened with the young men? | 0:13:21 | 0:13:23 | |
Dolokhov has been reduced to the ranks | 0:13:23 | 0:13:25 | |
and Monsieur Pierre has left Petersburg in disgrace. | 0:13:25 | 0:13:29 | |
Thank God my dear boy Boris has stayed away from Anatole | 0:13:29 | 0:13:32 | |
and his drunken clique! | 0:13:32 | 0:13:33 | |
Your son does you great credit, Anna Mikhailovna! | 0:13:33 | 0:13:36 | |
He looks so elegant in his Guards' uniform! | 0:13:36 | 0:13:40 | |
I think Nikolai looks just as nice! | 0:13:40 | 0:13:42 | |
COUNT ROSTOV GIGGLES | 0:13:43 | 0:13:45 | |
Thank you, Julie! | 0:13:46 | 0:13:48 | |
It's all right, all friends here. | 0:14:08 | 0:14:10 | |
I've just come to see Natasha. It's her name day, you know. | 0:14:10 | 0:14:14 | |
You be good girls now. | 0:14:15 | 0:14:17 | |
Monsieur Pierre? | 0:14:18 | 0:14:21 | |
Yes. I thought I'd... come in the back way. | 0:14:21 | 0:14:25 | |
-LAUGHTER -Monsieur Bezukhov. | 0:14:28 | 0:14:31 | |
-Oh! -Pierre, my dear fellow! | 0:14:31 | 0:14:34 | |
We've just been hearing all about you and your dear bear friend. | 0:14:34 | 0:14:37 | |
Oh, please, please, don't mention it. | 0:14:37 | 0:14:39 | |
I'm so ashamed of myself. | 0:14:39 | 0:14:40 | |
I just wanted to come and see Natasha on her name day. | 0:14:40 | 0:14:43 | |
But surely you should be with your poor father? | 0:14:43 | 0:14:45 | |
Yes, I'm on my way there. I thought I'd look in on you all first. | 0:14:45 | 0:14:48 | |
I'm so glad you did, dear Pierre! | 0:14:48 | 0:14:50 | |
-Was the bear all right? -I think so. | 0:14:50 | 0:14:52 | |
That's all I wanted to know. | 0:14:52 | 0:14:54 | |
What's the matter with Sonya? | 0:15:02 | 0:15:04 | |
Natasha, go and see! | 0:15:04 | 0:15:07 | |
-Don't go. Promise? -I promise. | 0:15:07 | 0:15:09 | |
Champagne? | 0:15:12 | 0:15:13 | |
-Oh, I probably shouldn't. -Please. | 0:15:13 | 0:15:15 | |
SONYA SOBS | 0:15:25 | 0:15:28 | |
What is it? What's the matter? | 0:15:29 | 0:15:32 | |
He doesn't love me any more. | 0:15:34 | 0:15:36 | |
He loves Julie Karagina. | 0:15:36 | 0:15:38 | |
No, he doesn't! | 0:15:39 | 0:15:41 | |
He was just being polite to her. | 0:15:41 | 0:15:43 | |
He thinks she's ugly and she is! | 0:15:43 | 0:15:46 | |
But now he's going to war and he'll forget all about me. | 0:15:46 | 0:15:50 | |
I know I'm just the poor relation | 0:15:50 | 0:15:52 | |
and your mother will never let him marry me. | 0:15:52 | 0:15:54 | |
Anything's possible. And he does love you, I know it. | 0:15:56 | 0:15:59 | |
(Wait there.) | 0:16:00 | 0:16:01 | |
Nikolai, you're wanted. | 0:16:04 | 0:16:05 | |
Come on. | 0:16:06 | 0:16:08 | |
Excuse me. | 0:16:08 | 0:16:09 | |
Cousins. | 0:16:13 | 0:16:14 | |
I know, but what can one do? | 0:16:14 | 0:16:16 | |
(Look.) | 0:16:18 | 0:16:20 | |
You've made her all upset. | 0:16:20 | 0:16:22 | |
Go on, go to her. Make her better. | 0:16:22 | 0:16:25 | |
(Go on.) | 0:16:25 | 0:16:26 | |
Here, let me dry your eye. | 0:16:34 | 0:16:35 | |
(Look.) | 0:16:59 | 0:17:00 | |
Would you like to kiss me, Boris? | 0:17:10 | 0:17:12 | |
Er... I'm a little old for you, don't you think? | 0:17:13 | 0:17:16 | |
There. Now we're engaged. | 0:17:25 | 0:17:27 | |
Don't look so horrified! | 0:17:28 | 0:17:30 | |
DOOR SHUTS | 0:17:46 | 0:17:47 | |
How do you feel, Count? | 0:18:04 | 0:18:05 | |
Are you free from pain? | 0:18:07 | 0:18:08 | |
I came to ask you if there's anything that you want... | 0:18:11 | 0:18:14 | |
..any way I can be of service to you. | 0:18:15 | 0:18:18 | |
I understand, Your Excellency. | 0:18:30 | 0:18:33 | |
You need have no fear. | 0:18:35 | 0:18:36 | |
JAUNTY MUSIC PLAYS | 0:18:40 | 0:18:43 | |
Right, let's show them how it's done. | 0:18:56 | 0:18:58 | |
He always does this every year. | 0:19:07 | 0:19:08 | |
I'll never give you up. Never. | 0:19:16 | 0:19:18 | |
We'll be married, no matter what anyone says. | 0:19:20 | 0:19:23 | |
Monsieur Pierre. | 0:19:47 | 0:19:49 | |
Should you still be here? | 0:19:49 | 0:19:51 | |
Why aren't you at your father's bedside? | 0:19:51 | 0:19:53 | |
You're quite right. I know I should be there. | 0:19:53 | 0:19:57 | |
Somehow, I'm afraid to go. | 0:19:57 | 0:19:58 | |
You know, I never really knew him, not properly. | 0:20:00 | 0:20:02 | |
-Pierre, will you dance? -No, no, I'm too clumsy. | 0:20:05 | 0:20:07 | |
No, you're not. Come, I'll teach you! | 0:20:07 | 0:20:09 | |
-Natasha, I can't dance. -You can. Follow me. | 0:20:12 | 0:20:14 | |
All right, so what do I do? | 0:20:16 | 0:20:18 | |
MUSIC FINISHES APPLAUSE | 0:20:35 | 0:20:37 | |
Dear Pierre, I'm so glad you came! | 0:20:37 | 0:20:39 | |
Monsieur Bezukhov. | 0:20:42 | 0:20:43 | |
What is it? | 0:20:50 | 0:20:52 | |
My father - he's had another stroke. | 0:20:52 | 0:20:55 | |
We'll go together. | 0:20:56 | 0:20:57 | |
Quickly, now! It's a matter of life or death! | 0:21:04 | 0:21:07 | |
You must be a man now. You have to look after your own interests - | 0:21:17 | 0:21:20 | |
don't expect your cousin Vassily to. | 0:21:20 | 0:21:22 | |
You need to let the old Count see you before he dies. | 0:21:22 | 0:21:26 | |
He might give a little sign, you know? | 0:21:26 | 0:21:29 | |
In any case, it'll be so much better for your soul | 0:21:29 | 0:21:31 | |
if you can kiss him before he goes. He always loved you. | 0:21:31 | 0:21:34 | |
Yes, yes. I've been a poor sort of son to him. | 0:21:34 | 0:21:37 | |
The Count has asked for Pierre. | 0:21:45 | 0:21:47 | |
At times like this, Catiche, one must think of everything. | 0:21:51 | 0:21:54 | |
We must think about the future. | 0:21:54 | 0:21:56 | |
Ah, cousin Vassily, I think nothing of such things. | 0:21:56 | 0:22:00 | |
There's only one thing I pray for - | 0:22:02 | 0:22:04 | |
that his soul may peacefully depart this world... | 0:22:04 | 0:22:07 | |
Yes, yes, that goes without saying. | 0:22:07 | 0:22:09 | |
But do you have his will in safekeeping? | 0:22:09 | 0:22:11 | |
-His true will, I mean. -Yes, of course. | 0:22:11 | 0:22:14 | |
And that other will he made, when his mind was disturbed... | 0:22:14 | 0:22:18 | |
naming Pierre - that was destroyed? | 0:22:18 | 0:22:21 | |
He still has it. | 0:22:21 | 0:22:23 | |
He's made many wills over the years, | 0:22:23 | 0:22:26 | |
but he cannot leave the estate to Pierre. | 0:22:26 | 0:22:28 | |
I know you think I'm stupid, but I know this - | 0:22:30 | 0:22:34 | |
an illegitimate son cannot inherit. | 0:22:34 | 0:22:37 | |
-Un batard! -But didn't the Count write to the Emperor | 0:22:37 | 0:22:40 | |
to say he recognised Pierre as his son? | 0:22:40 | 0:22:43 | |
Yes, yes, but it was never sent. And what does it matter, anyway? | 0:22:43 | 0:22:45 | |
Don't you see? If it's discovered in his papers, | 0:22:45 | 0:22:48 | |
Pierre will be Count Bezukhov and inherit everything! | 0:22:48 | 0:22:51 | |
But what about our share? | 0:22:51 | 0:22:52 | |
My God, don't you understand what I'm saying to you?! | 0:22:52 | 0:22:54 | |
We will have nothing! | 0:22:54 | 0:22:57 | |
Nothing at all! | 0:22:57 | 0:22:58 | |
Catiche... | 0:23:02 | 0:23:03 | |
..listen to me carefully. | 0:23:04 | 0:23:06 | |
Our duty, my dear, is to correct the Count's mistake. | 0:23:09 | 0:23:12 | |
We can't let him die | 0:23:13 | 0:23:15 | |
having disinherited his nearest and dearest, can we? | 0:23:15 | 0:23:18 | |
He wouldn't want that. | 0:23:18 | 0:23:20 | |
In any case, he surely has forgotten about it by now | 0:23:20 | 0:23:23 | |
and he'd want that false will to be destroyed. | 0:23:23 | 0:23:27 | |
-Destroyed? -Yes, destroyed. | 0:23:27 | 0:23:29 | |
Where is it? You must know. | 0:23:31 | 0:23:33 | |
FOOTSTEPS APPROACH | 0:23:50 | 0:23:52 | |
So, at last, you deign to turn up at your father's deathbed. | 0:23:53 | 0:23:56 | |
Am I too late? | 0:23:56 | 0:23:58 | |
-We saw the undertakers outside and I thought... -Just touting for business. | 0:23:58 | 0:24:02 | |
The Count still lives. | 0:24:02 | 0:24:04 | |
But, really, what were you thinking of? | 0:24:04 | 0:24:07 | |
I'm so... | 0:24:07 | 0:24:08 | |
-You have no business here, I think. -I have a perfect right to be here. | 0:24:11 | 0:24:14 | |
You know very well the Count is my near relation | 0:24:14 | 0:24:16 | |
and poor Boris, his dear godson, | 0:24:16 | 0:24:18 | |
who has more claim than us to be here at this sad time. | 0:24:18 | 0:24:21 | |
Yes, yes, very well, but you must expect nothing. | 0:24:21 | 0:24:24 | |
-How is my father? -Very ill. | 0:24:24 | 0:24:27 | |
After this last stroke he's not expected to last the night. | 0:24:27 | 0:24:30 | |
Truly? | 0:24:30 | 0:24:31 | |
Can I see him? | 0:24:32 | 0:24:34 | |
Would he wish to see you? | 0:24:35 | 0:24:37 | |
Well, perhaps later. He's sleeping now. | 0:24:39 | 0:24:41 | |
Is there any hope? Has he been given extreme unction? | 0:24:43 | 0:24:47 | |
How precious these last moments are. | 0:24:47 | 0:24:50 | |
I must go to him. | 0:24:50 | 0:24:52 | |
We women understand what to say, | 0:24:52 | 0:24:54 | |
how to bring comfort at such a terrible time. | 0:24:54 | 0:24:56 | |
He's not to be disturbed at present. Do take a seat... | 0:24:56 | 0:24:59 | |
Of course he will wish to see his son. Come, quickly. | 0:24:59 | 0:25:02 | |
DOOR SHUTS | 0:25:38 | 0:25:39 | |
Sit by him. | 0:25:42 | 0:25:44 | |
HE STRUGGLES TO SPEAK | 0:25:47 | 0:25:49 | |
Take his hand. | 0:25:52 | 0:25:54 | |
Come. He'll sleep now. | 0:26:29 | 0:26:32 | |
DOOR OPENS | 0:26:58 | 0:26:59 | |
DOOR SHUTS | 0:27:04 | 0:27:05 | |
I don't know what it was. | 0:27:23 | 0:27:24 | |
It's like it sometimes is with a dog, you know? | 0:27:26 | 0:27:29 | |
He couldn't speak, but he was trying to tell me something. | 0:27:29 | 0:27:33 | |
And he had such a strange little smile... | 0:27:34 | 0:27:37 | |
..as if to say, "Death's not so bad after all." | 0:27:39 | 0:27:42 | |
And I thought, "I've been such a bad son." | 0:27:42 | 0:27:45 | |
God sees everything and understands. | 0:27:47 | 0:27:50 | |
-You think? -I'm sure of it. | 0:27:51 | 0:27:53 | |
DOOR OPENS | 0:27:56 | 0:27:57 | |
Ah, Princess. What do you have there? | 0:27:59 | 0:28:02 | |
Nothing. Just some old papers. I don't even know what's in there. | 0:28:02 | 0:28:05 | |
It just needs to be in safekeeping. | 0:28:05 | 0:28:06 | |
I'll look after it for you, dear Princess. Here, let me! | 0:28:06 | 0:28:09 | |
Ladies, ladies, remember where you are! | 0:28:09 | 0:28:10 | |
-Pierre, come here! This concerns you! -Let go! How dare you! | 0:28:10 | 0:28:13 | |
What has this to do with you?! | 0:28:13 | 0:28:14 | |
Cousin, why do you stand there?! Help me! | 0:28:14 | 0:28:17 | |
Really! This is ridiculous! | 0:28:17 | 0:28:18 | |
Let go, the pair of you, and give it to me! Now! | 0:28:18 | 0:28:20 | |
What are you doing?! | 0:28:20 | 0:28:22 | |
You leave me all alone with him and now he's gone! | 0:28:22 | 0:28:25 | |
This...is your future. | 0:28:35 | 0:28:37 | |
I know you'll remember what I did for you this night | 0:28:39 | 0:28:43 | |
and remember Boris - he was his godson. | 0:28:43 | 0:28:46 | |
I don't understand. | 0:28:48 | 0:28:50 | |
You are Count Bezukhov now, my dear friend! | 0:28:50 | 0:28:53 | |
My friend. | 0:29:10 | 0:29:12 | |
We sin so much and deceive so much... | 0:29:13 | 0:29:18 | |
and all for what? | 0:29:18 | 0:29:19 | |
Everything ends in death. | 0:29:21 | 0:29:23 | |
Everything. | 0:29:25 | 0:29:26 | |
But it's like a palace! | 0:29:58 | 0:30:00 | |
The Prince has just woken from his afternoon nap, Your Excellency. | 0:30:00 | 0:30:03 | |
Of course. Regular as clockwork. | 0:30:03 | 0:30:05 | |
You're looking older, Tikhon. | 0:30:05 | 0:30:07 | |
Mademoiselle Bourienne! | 0:30:11 | 0:30:12 | |
Oh, quel bonheur for the Princess! I will tell her you're here. | 0:30:12 | 0:30:15 | |
Oh, no, please don't. Let's surprise her! | 0:30:15 | 0:30:18 | |
MUSIC STOPS ABRUPTLY | 0:30:20 | 0:30:21 | |
Oh, Marya, it's so wonderful to see you! | 0:30:24 | 0:30:26 | |
LAUGHTER | 0:30:26 | 0:30:28 | |
Of course I am. I'm very happy to see you. | 0:30:31 | 0:30:33 | |
Marya, little sister, how are you? | 0:30:38 | 0:30:40 | |
Andrei! | 0:30:40 | 0:30:41 | |
Still the same - a little cry baby! | 0:30:45 | 0:30:48 | |
Are you really going straight to war? | 0:30:48 | 0:30:50 | |
-You're not even staying the night? -Better not to hang about. | 0:30:50 | 0:30:52 | |
He's abandoning me here and going to get himself killed. | 0:30:52 | 0:30:56 | |
God knows why. | 0:30:56 | 0:30:57 | |
I'm so frightened, Marya! | 0:30:58 | 0:31:00 | |
There is nothing to be frightened about. | 0:31:00 | 0:31:02 | |
She needs rest - the journey was tiring for her. | 0:31:04 | 0:31:07 | |
You take her to your rooms, I'll go and see father. | 0:31:07 | 0:31:11 | |
How is he? Still the same? | 0:31:11 | 0:31:13 | |
The daily walk, the lathe, the geometry lessons? | 0:31:13 | 0:31:17 | |
Oh, especially them! | 0:31:17 | 0:31:19 | |
I am so stupid and he gets so angry with me. | 0:31:19 | 0:31:22 | |
Only because he loves you, you know that. | 0:31:22 | 0:31:25 | |
Now you have someone else to think of. | 0:31:25 | 0:31:27 | |
Take care of Lise, won't you? | 0:31:29 | 0:31:31 | |
Of course I will. | 0:31:31 | 0:31:33 | |
KNOCKS AT DOOR | 0:31:40 | 0:31:42 | |
DOOR OPENS Ah! The warrior! | 0:31:42 | 0:31:44 | |
So, you're going to beat Napoleon, are you? | 0:31:45 | 0:31:48 | |
About time somebody did. Come here, then. | 0:31:48 | 0:31:51 | |
Kiss me. | 0:31:51 | 0:31:52 | |
How are you, Father? Are you well? | 0:31:56 | 0:31:58 | |
Only fools and degenerates can be unwell. | 0:31:58 | 0:32:01 | |
You know me, I'm busy from morning till night. | 0:32:01 | 0:32:05 | |
-So, you're joining Kutuzov? -Yes, I'm on his staff. | 0:32:05 | 0:32:08 | |
He's about the only man in Russia who knows what war's about | 0:32:08 | 0:32:11 | |
and that includes our glorious Emperor! | 0:32:11 | 0:32:14 | |
So, you're leaving your little wife with us? | 0:32:14 | 0:32:16 | |
You are very kind to receive her, Father. | 0:32:16 | 0:32:19 | |
Nonsense. Best place for her. We'll take care of her, don't worry! | 0:32:19 | 0:32:22 | |
And she'll be company for Marya. | 0:32:23 | 0:32:25 | |
They can be foolish together! | 0:32:25 | 0:32:27 | |
-And Mademoiselle Bourienne. -What about her? | 0:32:27 | 0:32:30 | |
Is she the best companion for my wife and sister? | 0:32:31 | 0:32:34 | |
Don't tell me how to run my own household! | 0:32:34 | 0:32:36 | |
Am I to turn her out to starve? There's no harm in her. | 0:32:36 | 0:32:39 | |
Besides, it does me good to see a pretty face around the place. | 0:32:39 | 0:32:43 | |
Anything else? | 0:32:43 | 0:32:44 | |
Will you do one other thing for me, Father? | 0:32:46 | 0:32:49 | |
What? What is it? Go on. Say what you want! | 0:32:49 | 0:32:51 | |
When the time comes for my wife to give birth, | 0:32:51 | 0:32:54 | |
will you send to Moscow for a doctor? | 0:32:54 | 0:32:56 | |
A Moscow doctor? | 0:32:56 | 0:32:58 | |
I know no-one can help if nature doesn't help, | 0:32:58 | 0:33:00 | |
and very few cases end badly, but... | 0:33:00 | 0:33:02 | |
You know, people have said things to her and she's afraid... | 0:33:04 | 0:33:08 | |
and I have a little anxiety myself. | 0:33:08 | 0:33:10 | |
All right, I'll do it. | 0:33:10 | 0:33:13 | |
PRINCE BOLKONSKY CHUCKLES It's a bad business, isn't it? | 0:33:13 | 0:33:16 | |
What is, father? | 0:33:16 | 0:33:17 | |
Women. Marriage. | 0:33:17 | 0:33:20 | |
They're all the same, nothing to be done about it. | 0:33:20 | 0:33:22 | |
No use unmarrying them. | 0:33:22 | 0:33:24 | |
But don't worry, I won't tell anyone. | 0:33:24 | 0:33:26 | |
But we'll take care of her. She'll want for nothing. | 0:33:28 | 0:33:31 | |
She's a pretty little thing. | 0:33:31 | 0:33:33 | |
Now, listen, take this to Kutuzov. | 0:33:33 | 0:33:35 | |
Tell him I remember him and love him. | 0:33:35 | 0:33:37 | |
Stay with him, learn from him and you won't go far wrong. | 0:33:37 | 0:33:40 | |
Thank you, Father. | 0:33:40 | 0:33:42 | |
Very well. Goodbye, then. | 0:33:42 | 0:33:44 | |
And remember, if you are killed, I shall be pained. | 0:33:46 | 0:33:49 | |
But if I learn that you have not behaved | 0:33:49 | 0:33:52 | |
like the son of Nikolai Bolkonsky, I shall be ashamed. | 0:33:52 | 0:33:55 | |
You had no need to tell me that. | 0:33:55 | 0:33:57 | |
Yes, well, we've said our goodbyes. Off with you. | 0:33:57 | 0:34:00 | |
Off with you, I say! | 0:34:03 | 0:34:04 | |
What is it? What's wrong? | 0:34:15 | 0:34:17 | |
Nothing's wrong. It's just his way. You know what he's like. | 0:34:17 | 0:34:20 | |
Andrei, one thing, before you go... | 0:34:20 | 0:34:23 | |
I know... I know you don't believe | 0:34:24 | 0:34:27 | |
but, for my sake, will you wear it? | 0:34:27 | 0:34:29 | |
Father's father wore it all through the wars | 0:34:30 | 0:34:34 | |
and it'll help me not to worry too much, if I know you were wearing it. | 0:34:34 | 0:34:37 | |
Please, Andrei... | 0:34:37 | 0:34:40 | |
..for me. | 0:34:41 | 0:34:43 | |
Well, for you. | 0:34:52 | 0:34:53 | |
Thank you. | 0:34:59 | 0:35:00 | |
LISE SOBS IN THE NEXT ROOM | 0:35:02 | 0:35:05 | |
I'd better say my farewell to her. | 0:35:05 | 0:35:07 | |
Be kind to her, Andrei. | 0:35:07 | 0:35:09 | |
-Why would I be anything else? -SHE SIGHS | 0:35:09 | 0:35:11 | |
Andrei, if you had faith, you would have turned to God | 0:35:11 | 0:35:14 | |
and asked him for the love you don't feel. | 0:35:14 | 0:35:16 | |
Yes, if only it were that simple. | 0:35:16 | 0:35:18 | |
Already? | 0:35:26 | 0:35:27 | |
Can't be helped, I'm afraid. | 0:35:27 | 0:35:29 | |
Stay, please. | 0:35:47 | 0:35:50 | |
No! | 0:35:50 | 0:35:52 | |
No! No, please, no! | 0:35:52 | 0:35:55 | |
LISE WEEPS | 0:35:57 | 0:36:00 | |
Take care of her. | 0:36:02 | 0:36:03 | |
Oh, Nikolai. | 0:36:16 | 0:36:18 | |
Be careful, my dear. | 0:36:18 | 0:36:21 | |
Don't put yourself in any danger! | 0:36:21 | 0:36:22 | |
Mama, please don't fuss. I am a man now...so is Boris. | 0:36:22 | 0:36:25 | |
Don't they look fine in their uniforms? | 0:36:31 | 0:36:34 | |
I can't bear to look for fear of thinking what may happen to them. | 0:36:34 | 0:36:37 | |
Don't say that. They'll come home safe, I'm sure of it. | 0:36:37 | 0:36:41 | |
I wish I could come with you. | 0:36:44 | 0:36:46 | |
I'd chop old Bonaparte down, like this! | 0:36:46 | 0:36:48 | |
I bet you would! | 0:36:48 | 0:36:49 | |
-Will we ever see our boy again? -There, there, my dear. | 0:36:49 | 0:36:52 | |
-War is a terrible thing! -What has to be must be... | 0:36:52 | 0:36:55 | |
and boys will be boys. | 0:36:55 | 0:36:56 | |
I'm going to make you proud of me, Papa. | 0:36:56 | 0:36:59 | |
I know you will, my son. I know. | 0:36:59 | 0:37:01 | |
Let's go. | 0:37:41 | 0:37:43 | |
Bye! | 0:37:51 | 0:37:52 | |
They've marched a thousand miles, but are in excellent shape. | 0:38:09 | 0:38:13 | |
-You issued my order? -Yes, your Grace. | 0:38:15 | 0:38:17 | |
We march tomorrow to join with General Mack's army at Ulm. | 0:38:17 | 0:38:20 | |
And that's where we'll stop Napoleon in his tracks... | 0:38:20 | 0:38:24 | |
God willing. | 0:38:24 | 0:38:25 | |
General Mack and the Austrian army will be defending this approach. | 0:38:26 | 0:38:30 | |
We will attack the French from the East, here. | 0:38:30 | 0:38:33 | |
I tell you, I must see the General! | 0:38:33 | 0:38:35 | |
-I tell you, he is busy! -I insist... | 0:38:35 | 0:38:37 | |
Go and see what that row is about. | 0:38:37 | 0:38:39 | |
As soon as he is available, I will let him know you are here. | 0:38:39 | 0:38:42 | |
-Until then, you will have to wait. -I must see General Kutuzov. | 0:38:42 | 0:38:44 | |
As soon as he is available, I... | 0:38:44 | 0:38:47 | |
What is it? You may give your message to me. | 0:38:47 | 0:38:50 | |
With respect, are you General Kutuzov? | 0:38:50 | 0:38:53 | |
I am Kutuzov. | 0:38:54 | 0:38:56 | |
Your Grace, you see before you the unfortunate General Mack. | 0:38:59 | 0:39:04 | |
What are you doing here? We were to join forces at Ulm. | 0:39:04 | 0:39:08 | |
Napoleon outflanked us. We suffered terrible losses. | 0:39:08 | 0:39:12 | |
I was obliged to offer him our surrender. | 0:39:12 | 0:39:15 | |
What? | 0:39:15 | 0:39:16 | |
The whole army? | 0:39:21 | 0:39:22 | |
70,000 men? | 0:39:24 | 0:39:25 | |
With regret, your Grace. | 0:39:27 | 0:39:28 | |
Might I ask, sir, what are we going to do now? | 0:39:37 | 0:39:40 | |
A good question. | 0:39:40 | 0:39:42 | |
We will retreat, of course. | 0:39:43 | 0:39:45 | |
Is that really all we can do, sir? | 0:39:45 | 0:39:47 | |
Our reinforcements are on their way. | 0:39:47 | 0:39:49 | |
We will retreat until we can join up with them | 0:39:49 | 0:39:51 | |
and the other Austrian divisions. | 0:39:51 | 0:39:53 | |
This has been a bad set-back, | 0:39:54 | 0:39:56 | |
but the way to survive it is to be prudent. | 0:39:56 | 0:39:58 | |
They call me the general who doesn't like to fight... | 0:39:59 | 0:40:02 | |
..but only a fool would sacrifice good men for a bit of glory. | 0:40:05 | 0:40:10 | |
So, what's the matter with you, young Rostov? | 0:40:18 | 0:40:21 | |
Nothing at all, Captain, | 0:40:21 | 0:40:22 | |
-except retreat isn't what I went to war for. -I know. | 0:40:22 | 0:40:25 | |
You want to put that fine young horse of yours through his paces, eh? | 0:40:25 | 0:40:28 | |
Well, you'll get your chance, by and by, | 0:40:28 | 0:40:30 | |
and you may not care for it when you do. | 0:40:30 | 0:40:33 | |
-What's it like, Denisov? -What's what like? | 0:40:34 | 0:40:36 | |
Actually, you know, being in combat. | 0:40:36 | 0:40:39 | |
Bloody awful, if you're on the losing side. | 0:40:39 | 0:40:42 | |
But seriously, it's one of those things no-one can tell you about. | 0:40:43 | 0:40:46 | |
You have to experience it for yourself, | 0:40:46 | 0:40:49 | |
like being with a woman for the first time. | 0:40:49 | 0:40:51 | |
Can be wonderful. Can be terrifying. | 0:40:51 | 0:40:54 | |
-DENISOV CHUCKLES -You'll find out. | 0:40:54 | 0:40:57 | |
No word from Nikki yet. | 0:41:04 | 0:41:06 | |
Do you think they've forgotten all about us? | 0:41:06 | 0:41:09 | |
I wouldn't be surprised if they had. | 0:41:09 | 0:41:11 | |
It's all right for them - they get to do things. | 0:41:11 | 0:41:13 | |
-We just have to sit about and wait. -Mmm. | 0:41:13 | 0:41:15 | |
But to think of Nikolai in danger - I can't bear it. | 0:41:16 | 0:41:19 | |
He used to cry when he fell over and hurt his knee, | 0:41:21 | 0:41:24 | |
and now he has to face bullets... | 0:41:24 | 0:41:25 | |
Don't. | 0:41:25 | 0:41:27 | |
Do you think about him all the time? | 0:41:28 | 0:41:31 | |
Of course I do. | 0:41:31 | 0:41:32 | |
Do you remember him really well? | 0:41:32 | 0:41:35 | |
Remember exactly how he looks and everything he said to you? | 0:41:35 | 0:41:38 | |
Yes, of course. | 0:41:38 | 0:41:39 | |
I do too - Nikolai, I mean. | 0:41:39 | 0:41:41 | |
When I think of Boris, I can't really remember him at all, | 0:41:44 | 0:41:48 | |
even though he kissed me. | 0:41:48 | 0:41:50 | |
I try to remember him, but somehow his face doesn't come. | 0:41:50 | 0:41:53 | |
No, nothing. | 0:41:55 | 0:41:57 | |
Isn't that terrible? | 0:41:57 | 0:41:59 | |
That's because you don't really love him, | 0:41:59 | 0:42:01 | |
not in the way I love Nikolai. | 0:42:01 | 0:42:03 | |
I just know that I'll always love Nikolai. | 0:42:03 | 0:42:06 | |
Whatever happens to him, whatever happens to me, | 0:42:06 | 0:42:09 | |
whether he loves me or not, | 0:42:09 | 0:42:11 | |
I shall be in love with him all my life. | 0:42:11 | 0:42:14 | |
Will you write to him and tell him how much you love him? | 0:42:14 | 0:42:17 | |
He knows. | 0:42:17 | 0:42:19 | |
-Will you write to Boris? -No. | 0:42:19 | 0:42:22 | |
No, I'd be ashamed to. | 0:42:22 | 0:42:24 | |
Ashamed? Why? | 0:42:24 | 0:42:26 | |
I don't know - it would just feel awkward. False. | 0:42:26 | 0:42:30 | |
That's because you really love that funny one with the glasses! | 0:42:31 | 0:42:35 | |
Pierre? | 0:42:35 | 0:42:37 | |
I do not! | 0:42:37 | 0:42:39 | |
-Where did you get that from? -Seeing you dance with him. | 0:42:39 | 0:42:42 | |
What strange ideas you have. | 0:42:43 | 0:42:45 | |
I just can't get used to the idea of it - | 0:42:49 | 0:42:51 | |
that, suddenly, I own so much. | 0:42:51 | 0:42:53 | |
All these houses, all these estates, | 0:42:53 | 0:42:55 | |
so much land - plantations, forests... | 0:42:55 | 0:42:59 | |
Surely it's wrong that one man should own so much? | 0:42:59 | 0:43:02 | |
Well, you know, Count Bezukhov, | 0:43:02 | 0:43:05 | |
the saying is that we don't own our earthly possessions, | 0:43:05 | 0:43:09 | |
we merely curate them for our heirs, for the generations to come. | 0:43:09 | 0:43:13 | |
Looked at that way, it's an honour and a duty. | 0:43:13 | 0:43:17 | |
Yes, but I'd like to share this wealth, | 0:43:17 | 0:43:19 | |
not simply hoard it for my children. | 0:43:19 | 0:43:21 | |
I want to change the way things are run - | 0:43:21 | 0:43:23 | |
not that I've any experience managing anything - | 0:43:23 | 0:43:26 | |
but I want to do something useful, something good. | 0:43:26 | 0:43:30 | |
You have a noble heart, Count, | 0:43:30 | 0:43:33 | |
but I'd advise you not to rush into things. | 0:43:33 | 0:43:35 | |
It'd be my privilege to look after all those business matters for you. | 0:43:36 | 0:43:40 | |
Your priority now must be to ensure your own happiness. | 0:43:42 | 0:43:46 | |
How? | 0:43:47 | 0:43:49 | |
DOOR OPENS | 0:43:56 | 0:43:57 | |
Oh, it's you. | 0:43:58 | 0:44:00 | |
What a lazy sister I have. | 0:44:00 | 0:44:03 | |
I was out riding at dawn. | 0:44:03 | 0:44:04 | |
Get out, you smell all horsey. | 0:44:06 | 0:44:08 | |
Mmm, what lovely smooth skin. | 0:44:08 | 0:44:12 | |
-Stop that, Anatole. -You know you love it. | 0:44:12 | 0:44:14 | |
Listen, has Papa spoken to you? | 0:44:15 | 0:44:18 | |
-What about? -He wants to marry us both off. | 0:44:18 | 0:44:21 | |
HELENE GIGGLES | 0:44:21 | 0:44:22 | |
Me to Andrei Bolkonsky's churchy little country-mouse sister... | 0:44:22 | 0:44:25 | |
-Oh, she'd suit you perfectly. -..and you, darling..... -Who? | 0:44:25 | 0:44:28 | |
-Guess. -I can't. | 0:44:28 | 0:44:30 | |
What do you say to... | 0:44:30 | 0:44:34 | |
Pierre Bezukhov? | 0:44:34 | 0:44:35 | |
You're joking. | 0:44:35 | 0:44:37 | |
I am... | 0:44:37 | 0:44:38 | |
not. | 0:44:38 | 0:44:40 | |
Oh, he's such a buffoon, Anatole. | 0:44:40 | 0:44:43 | |
Stop doing that! | 0:44:43 | 0:44:45 | |
He's a very wealthy buffoon and he worships you. | 0:44:45 | 0:44:48 | |
He'd make a very docile, adoring husband. | 0:44:49 | 0:44:52 | |
Hardly cramp your style at all. | 0:44:52 | 0:44:54 | |
But honestly, Pierre Bezukhov... | 0:44:55 | 0:44:58 | |
Oh, that feels nice, do that again. | 0:44:58 | 0:45:02 | |
You'd better make up your mind to it - | 0:45:02 | 0:45:04 | |
Papa is determined. | 0:45:04 | 0:45:06 | |
It's not a bad situation, you know? | 0:45:08 | 0:45:10 | |
Just think of all those houses, all that land and all that money. | 0:45:12 | 0:45:16 | |
What a lot of jewels you could buy. | 0:45:18 | 0:45:20 | |
It's all very well for you - you won't have to sleep with him. | 0:45:20 | 0:45:24 | |
So, you're considering it? | 0:45:27 | 0:45:29 | |
I suppose I shall have to consider it. | 0:45:30 | 0:45:33 | |
Lucky Pierre. | 0:45:33 | 0:45:34 | |
My dear Count Bezukhov, | 0:45:38 | 0:45:40 | |
how very good of you to come along to my little salon, | 0:45:40 | 0:45:44 | |
when you must still be feeling so acutely the death of your poor father. | 0:45:44 | 0:45:48 | |
Well, yes, but I hardly knew him. | 0:45:48 | 0:45:50 | |
Mostly, I feel embarrassed by my good luck | 0:45:50 | 0:45:52 | |
in inheriting such a great fortune - I've done nothing to deserve it. | 0:45:52 | 0:45:55 | |
Ah, now, Count. There you are, too modest. | 0:45:55 | 0:45:58 | |
The very fact that your father singled you out for greatness | 0:45:58 | 0:46:01 | |
shows that you must have exceptional qualities, | 0:46:01 | 0:46:04 | |
which I discovered for myself long since. | 0:46:04 | 0:46:07 | |
Really? I had no idea. | 0:46:07 | 0:46:09 | |
And Prince Vassily is advising you? | 0:46:09 | 0:46:12 | |
Yes, yes, he's been very kind. | 0:46:12 | 0:46:14 | |
You couldn't do better. | 0:46:14 | 0:46:16 | |
May I ask - what has been his advice? | 0:46:16 | 0:46:19 | |
Well, he thinks I should get married. | 0:46:19 | 0:46:21 | |
And so you should - a man in your exalted position. | 0:46:21 | 0:46:25 | |
The Prince is absolutely right! | 0:46:25 | 0:46:27 | |
The trouble is, though, women don't care for me - | 0:46:27 | 0:46:29 | |
society women, that is - | 0:46:29 | 0:46:31 | |
I don't seem to have the knack of talking to them. | 0:46:31 | 0:46:34 | |
Believe me, my dear Count, | 0:46:34 | 0:46:36 | |
it is not for you to concern yourself. | 0:46:36 | 0:46:39 | |
It is for the young ladies to make themselves pleasing to you now, | 0:46:39 | 0:46:43 | |
rather than the other way round, | 0:46:43 | 0:46:46 | |
as you can see for yourself. | 0:46:46 | 0:46:47 | |
I will leave you with the Princess Helene. | 0:46:54 | 0:46:57 | |
Such a bore, these things, aren't they? | 0:47:01 | 0:47:04 | |
No, not exactly. | 0:47:04 | 0:47:06 | |
I like to listen and talk about the big things - | 0:47:06 | 0:47:09 | |
politics, ideas, the war and how to live | 0:47:09 | 0:47:12 | |
and what life really means and so on - | 0:47:12 | 0:47:14 | |
but I always seem to say the wrong thing and upset people. | 0:47:14 | 0:47:17 | |
You speak from the heart - | 0:47:17 | 0:47:19 | |
of course that frightens people. | 0:47:19 | 0:47:21 | |
Does it frighten you? | 0:47:23 | 0:47:25 | |
Not a bit. | 0:47:25 | 0:47:26 | |
I love it. | 0:47:27 | 0:47:29 | |
Ah, Bolkonsky, there you are. | 0:47:40 | 0:47:42 | |
We're in trouble. | 0:47:43 | 0:47:45 | |
Napoleon's armies have moved so fast we're in danger of being outflanked. | 0:47:45 | 0:47:50 | |
Prince Bagration has very nobly volunteered to lead a detachment | 0:47:50 | 0:47:54 | |
and engage the French in battle, | 0:47:54 | 0:47:56 | |
whilst we continue to retreat with the bulk of the army. | 0:47:56 | 0:47:59 | |
Goodbye, General. | 0:48:01 | 0:48:02 | |
God bless you for a great deed. | 0:48:03 | 0:48:06 | |
I thank you for the honour. | 0:48:06 | 0:48:08 | |
May Christ be with you, dear boy. | 0:48:11 | 0:48:13 | |
Your Grace, I request permission to join Prince Bagration in this action. | 0:48:24 | 0:48:29 | |
It's 7,000 men against 45,000. | 0:48:29 | 0:48:32 | |
If one quarter of them come back tomorrow, I'll thank God. | 0:48:33 | 0:48:37 | |
That's why I'm asking to be with them. | 0:48:37 | 0:48:39 | |
Death or glory, eh? | 0:48:42 | 0:48:43 | |
Well, I won't stop you. | 0:48:45 | 0:48:47 | |
GUNFIRE SCREAMING | 0:49:22 | 0:49:26 | |
For God's sake, pull back! | 0:49:36 | 0:49:38 | |
We can't hold them, Your Excellency, it's not safe! | 0:49:38 | 0:49:41 | |
Cease fire and reform. We need the Pavlograd Hussars. | 0:49:41 | 0:49:45 | |
-You, take the message! -Sir. | 0:49:45 | 0:49:47 | |
It's all right. He's one of ours. | 0:50:18 | 0:50:20 | |
Captain Denisov? | 0:50:22 | 0:50:23 | |
Over here! | 0:50:23 | 0:50:24 | |
HE MUTTERS | 0:50:26 | 0:50:27 | |
This is it, boys! | 0:50:29 | 0:50:30 | |
We're needed on the front line. | 0:50:33 | 0:50:34 | |
We need to break through to get there. | 0:50:34 | 0:50:36 | |
Yah! | 0:50:36 | 0:50:37 | |
This is it now. Stay close, do what I do. | 0:50:50 | 0:50:52 | |
God be with us, boys! | 0:50:59 | 0:51:01 | |
Forward! | 0:51:01 | 0:51:03 | |
Hold it! | 0:51:08 | 0:51:10 | |
There they are. | 0:51:12 | 0:51:14 | |
Hold it! | 0:51:15 | 0:51:16 | |
Here we go! Charge! | 0:51:20 | 0:51:24 | |
Let them have it, lads! | 0:51:29 | 0:51:30 | |
GUNFIRE | 0:51:35 | 0:51:39 | |
NIKOLAI PANTS FOR BREATH | 0:52:03 | 0:52:05 | |
All right, boy, all right. You'll soon be up again. | 0:52:15 | 0:52:18 | |
Little Rook, what have they done to you? | 0:52:21 | 0:52:24 | |
Over here! | 0:52:42 | 0:52:43 | |
FRENCH VOICES SHOUT | 0:52:49 | 0:52:51 | |
GUNFIRE | 0:53:07 | 0:53:09 | |
Don't kill me! Don't kill me! Please, please! | 0:53:16 | 0:53:19 | |
S'il vous plait, ne me tuez pas! | 0:53:19 | 0:53:20 | |
All right, my little bunny rabbit. No-one's going to hurt you here. | 0:53:20 | 0:53:24 | |
Where did you come from? | 0:53:24 | 0:53:25 | |
My name is Count Nikolai Ilyich Rostov of the Pavlograd Hussars. | 0:53:25 | 0:53:28 | |
My horse was shot from under me | 0:53:28 | 0:53:31 | |
and I've hurt my arm. | 0:53:31 | 0:53:33 | |
SHELLS EXPLODE CANNON FIRE | 0:53:34 | 0:53:38 | |
Tushin! | 0:53:43 | 0:53:45 | |
Tushin! | 0:53:45 | 0:53:46 | |
Tushin! | 0:53:49 | 0:53:50 | |
Pull the guns back, now! | 0:53:50 | 0:53:52 | |
You've done all you can. | 0:53:52 | 0:53:54 | |
This is madness, the guns are lost! We should get out of this! | 0:53:58 | 0:54:01 | |
You go if you want to, I'm staying. | 0:54:01 | 0:54:03 | |
Just follow what I do. | 0:54:55 | 0:54:56 | |
It's a bit smoother over here. | 0:54:58 | 0:55:00 | |
You'll have to hold me. | 0:55:00 | 0:55:01 | |
Charmant! | 0:55:04 | 0:55:05 | |
It's going well. | 0:55:07 | 0:55:09 | |
Yes, yes. | 0:55:09 | 0:55:11 | |
But he seems unable to make up his mind. | 0:55:11 | 0:55:14 | |
I may have to force the issue. | 0:55:14 | 0:55:16 | |
What's the matter? | 0:55:31 | 0:55:32 | |
Oh... | 0:55:34 | 0:55:36 | |
you know. | 0:55:36 | 0:55:37 | |
What? | 0:55:37 | 0:55:38 | |
-Come on. -Oh... Sorry. | 0:55:41 | 0:55:43 | |
It's just, I feel... | 0:55:45 | 0:55:47 | |
All this, what's happened, it's wrong. | 0:55:47 | 0:55:51 | |
It isn't what was meant for me. | 0:55:52 | 0:55:54 | |
That's just silly. | 0:55:55 | 0:55:57 | |
Come on, concentrate. | 0:55:59 | 0:56:01 | |
Touch me. | 0:56:43 | 0:56:44 | |
Come on, touch me. | 0:56:46 | 0:56:49 | |
DOOR SLAMS | 0:56:49 | 0:56:50 | |
GENTLE MURMUR OF CONVERSATION | 0:57:05 | 0:57:08 | |
Pierre? | 0:57:24 | 0:57:25 | |
Yes? | 0:57:25 | 0:57:27 | |
Was there something you wanted to say to me? | 0:57:27 | 0:57:30 | |
The goose was very good. | 0:57:32 | 0:57:34 | |
Oh, don't tease me. | 0:57:34 | 0:57:35 | |
It's not fair. | 0:57:36 | 0:57:38 | |
After all of our conversations? | 0:57:38 | 0:57:40 | |
The thing is, it's complicated. | 0:57:40 | 0:57:44 | |
GENTLE LAUGHTER | 0:57:57 | 0:57:59 | |
Pierre, Helene... | 0:58:08 | 0:58:10 | |
-..congratulations! -APPLAUSE | 0:58:12 | 0:58:15 | |
-What? -Take your glasses off. | 0:58:15 | 0:58:17 | |
What's happened? | 0:58:26 | 0:58:28 | |
We're engaged! | 0:58:28 | 0:58:30 |