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Your father is gravely ill in Moscow. | 0:00:03 | 0:00:05 | |
You are Count Bezukhov now, my dear friend! | 0:00:05 | 0:00:09 | |
'You're the most brilliant man I know! You could do anything!' | 0:00:09 | 0:00:12 | |
He's going off to the war and sending me away to the country | 0:00:12 | 0:00:15 | |
to have my baby all alone. | 0:00:15 | 0:00:16 | |
No, please!! | 0:00:16 | 0:00:18 | |
I just wanted to come and see Natasha on her name day. | 0:00:19 | 0:00:21 | |
I know I'm just the poor relation and your mother | 0:00:24 | 0:00:27 | |
-would never let him marry me. -Anything's possible. | 0:00:27 | 0:00:30 | |
And he does love you, I know it. | 0:00:30 | 0:00:31 | |
Russia hasn't lost a war in 100 years. | 0:00:31 | 0:00:33 | |
This monster, Bonaparte, he's crossed into Austria now | 0:00:33 | 0:00:37 | |
and who's to say that Russia won't be next? | 0:00:37 | 0:00:39 | |
-Don't put yourself in danger! -Mamma, please don't fuss. I am a man now. | 0:00:39 | 0:00:42 | |
I request permission to join Prince Bagration in this action. | 0:00:42 | 0:00:45 | |
If one quarter of them come back tomorrow, I'll thank God. | 0:00:45 | 0:00:48 | |
Has Papa spoken to you? | 0:00:53 | 0:00:55 | |
What about? | 0:00:55 | 0:00:56 | |
He wants to marry us both off. | 0:00:56 | 0:00:57 | |
Pierre, Helene - congratulations! | 0:00:57 | 0:01:02 | |
-What's happened? -We're engaged! | 0:01:02 | 0:01:04 | |
PRIEST READS WEDDING VOWS IN RUSSIAN | 0:01:59 | 0:02:02 | |
I have to tell you that the Minister of War is very busy | 0:02:44 | 0:02:46 | |
and may not be able to see you this evening. | 0:02:46 | 0:02:48 | |
It's imperative that he does. | 0:02:48 | 0:02:50 | |
I've come directly from the battlefield. | 0:02:50 | 0:02:52 | |
My orders were to report to the Austrian Emperor himself. | 0:02:52 | 0:02:54 | |
No, no, this is not how we do things here, your Excellency. | 0:02:54 | 0:02:57 | |
I'll have to have a word with the Minister. | 0:02:57 | 0:02:59 | |
(He's asked to see the Emperor.) | 0:03:01 | 0:03:02 | |
THEY SPEAK IN GERMAN | 0:03:02 | 0:03:03 | |
He will see you now. Please, come in. | 0:03:08 | 0:03:11 | |
So? You are from General Kutuzov? And the reason for your visit? | 0:03:26 | 0:03:30 | |
To report the success of the action at Schongrabern. | 0:03:30 | 0:03:34 | |
Here is the dispatch. | 0:03:34 | 0:03:35 | |
You call it a success, do you? | 0:03:38 | 0:03:40 | |
It seems of little consequence, now the French have taken Vienna. | 0:03:40 | 0:03:44 | |
Coming after the defeat of the Austrian army at Ulm, yes, | 0:03:44 | 0:03:47 | |
it was a success. | 0:03:47 | 0:03:49 | |
The French advance was stopped long enough to allow our armies | 0:03:50 | 0:03:53 | |
to regroup. | 0:03:53 | 0:03:54 | |
But there were terrible casualties on our side, too. | 0:03:54 | 0:03:58 | |
We await Napoleon's next move. | 0:03:58 | 0:04:00 | |
Well, this is a war, you know. One must expect some bloodshed. | 0:04:00 | 0:04:05 | |
General Kutuzov thought that | 0:04:07 | 0:04:09 | |
you'd like to hear some good news, for a change. | 0:04:09 | 0:04:11 | |
Thank you. His Majesty will be informed. | 0:04:13 | 0:04:16 | |
And now, if you would excuse me, I have work to do. | 0:04:16 | 0:04:19 | |
Or was there something else? | 0:04:20 | 0:04:22 | |
What are you looking at? | 0:04:58 | 0:04:59 | |
My lovely wife! I was just thinking what a treasure I have. | 0:05:02 | 0:05:07 | |
Am I a treasure, then? | 0:05:07 | 0:05:08 | |
Oh, Lord, you are. You are an inexhaustible treasure. | 0:05:08 | 0:05:14 | |
Full of wonderful, wonderful secrets and delights. | 0:05:14 | 0:05:18 | |
The more I discover, the more it seems is left to be discovered. | 0:05:18 | 0:05:23 | |
More secrets, more delights - does that make sense? | 0:05:23 | 0:05:26 | |
Mmm. | 0:05:26 | 0:05:28 | |
Actually, I don't think I am inexhaustible. | 0:05:28 | 0:05:32 | |
One can get a bit tired of having one's secrets and delights | 0:05:32 | 0:05:34 | |
discovered all the time, over and over. | 0:05:34 | 0:05:37 | |
My love, forgive me. What an inconsiderate brute I am. | 0:05:37 | 0:05:41 | |
You're not so bad. | 0:05:41 | 0:05:42 | |
But there are more things to life, aren't there? | 0:05:44 | 0:05:47 | |
You are Count Bezukhov, after all. | 0:05:47 | 0:05:50 | |
Yes, I have been thinking about that. | 0:05:50 | 0:05:52 | |
And taking advice and so on. | 0:05:52 | 0:05:54 | |
I think one of the first things we should do is make a tour | 0:05:56 | 0:05:59 | |
of all my estates in the country. | 0:05:59 | 0:06:01 | |
Well... | 0:06:01 | 0:06:03 | |
The thing is... | 0:06:04 | 0:06:06 | |
I'm not really awfully good at coping with peasants and farms | 0:06:06 | 0:06:10 | |
and all that country life, sort of thing. | 0:06:10 | 0:06:12 | |
And I have rather a lot of engagements in the city. | 0:06:12 | 0:06:15 | |
I think it would be better if you went on your own. | 0:06:16 | 0:06:19 | |
I'd only be a distraction, anyway. | 0:06:19 | 0:06:21 | |
Yes, but a wonderful, wonderful distraction... | 0:06:21 | 0:06:24 | |
No, I think you should start as you mean to go on. | 0:06:24 | 0:06:27 | |
Duty before pleasure. | 0:06:27 | 0:06:28 | |
Don't you think it'll do us good to spend a little time apart? | 0:06:31 | 0:06:34 | |
If you say so. | 0:06:36 | 0:06:38 | |
Don't they say that absence sharpens the appetite? | 0:06:38 | 0:06:41 | |
Mine doesn't really need any sharpening, Helene. | 0:06:41 | 0:06:43 | |
You are a wicked, wicked man! | 0:06:43 | 0:06:46 | |
MAN SOBBING | 0:07:11 | 0:07:14 | |
What is it, Papa? | 0:07:20 | 0:07:21 | |
Is it from Nikolai? | 0:07:22 | 0:07:24 | |
Yes, dear Nikki... | 0:07:24 | 0:07:26 | |
He... | 0:07:26 | 0:07:28 | |
He was wounded, but it's all better now, he says. | 0:07:28 | 0:07:31 | |
And he's been promoted! | 0:07:31 | 0:07:33 | |
He's an officer now! | 0:07:33 | 0:07:34 | |
An officer of the line! | 0:07:34 | 0:07:36 | |
My little Nikki, an officer! | 0:07:36 | 0:07:38 | |
But wounded! | 0:07:39 | 0:07:41 | |
I know... What will I tell your mother? | 0:07:41 | 0:07:45 | |
Tell her about the promotion first. | 0:07:45 | 0:07:47 | |
Yes... Yes. | 0:07:47 | 0:07:49 | |
And he's really quite recovered? | 0:07:49 | 0:07:50 | |
So he writes. | 0:07:50 | 0:07:52 | |
Oh, thank God! | 0:07:52 | 0:07:53 | |
HE GIGGLES | 0:07:53 | 0:07:55 | |
He says he's short of money. That's our Nikki! | 0:07:55 | 0:07:58 | |
I'll send him some. | 0:07:58 | 0:08:00 | |
Nikolai was wounded in battle, but it's all right | 0:08:00 | 0:08:02 | |
and he's been promoted! | 0:08:02 | 0:08:04 | |
Hurrah! | 0:08:04 | 0:08:05 | |
Did he kill many Frenchmen? | 0:08:06 | 0:08:08 | |
I don't know. Papa didn't say. | 0:08:08 | 0:08:10 | |
If I were him, I'd have killed hundreds of them! | 0:08:10 | 0:08:14 | |
Petya! Petya! | 0:08:14 | 0:08:15 | |
You knew, didn't you? | 0:08:21 | 0:08:23 | |
-Yes. -He writes to you? | 0:08:24 | 0:08:27 | |
He must really be in love with you. | 0:08:28 | 0:08:31 | |
CHURCH BELLS TOLL IN THE DISTANCE | 0:08:38 | 0:08:42 | |
I have to go. | 0:08:53 | 0:08:54 | |
What time is it? Parade's not till noon. | 0:08:57 | 0:09:01 | |
No, I've got an appointment. My cousin, Boris Drubetskoy, | 0:09:01 | 0:09:05 | |
he's in the Guards. | 0:09:05 | 0:09:06 | |
Oh, very grand(!) | 0:09:06 | 0:09:07 | |
Can you take care of the bill for... | 0:09:13 | 0:09:17 | |
-I'll pay you back! -Off you go, my boy. Think nothing of it! | 0:09:18 | 0:09:21 | |
Come on... Come in with me and get warm! | 0:09:26 | 0:09:29 | |
Move up. | 0:09:30 | 0:09:31 | |
DOOR OPENS | 0:09:49 | 0:09:51 | |
Rostov! I didn't expect you so soon! | 0:09:53 | 0:09:56 | |
Sorry, you know Captain Berg? He's in our company. | 0:09:58 | 0:10:00 | |
Happy to make your acquaintance. | 0:10:00 | 0:10:02 | |
Well. You look - I don't know... you look like a real cavalryman now. | 0:10:02 | 0:10:07 | |
And you look like the cat that's got the cream. | 0:10:07 | 0:10:10 | |
You Guards get the best of everything, don't you? | 0:10:10 | 0:10:12 | |
We do, we do - the receptions, the dinners, the balls - | 0:10:12 | 0:10:17 | |
but you've been in action. Come and sit and tell us all about it. | 0:10:17 | 0:10:21 | |
You were at Schongrabern? That must have been some affair! | 0:10:22 | 0:10:26 | |
Yes. We, um, we were cut off, | 0:10:26 | 0:10:30 | |
so there was nothing for it but to charge, head-on, sabres drawn. | 0:10:30 | 0:10:34 | |
There's no feeling like it, Boris. Nothing in the world. | 0:10:34 | 0:10:37 | |
You have bullets flying around your ears and you feel no fear, at all, | 0:10:37 | 0:10:42 | |
just a strange mixture of joy and fury... | 0:10:42 | 0:10:46 | |
Don't get up. Please don't let me interrupt you, sir. | 0:10:46 | 0:10:49 | |
Count Nikolai Rostov, Prince Andrei Bolkonsky. | 0:10:49 | 0:10:52 | |
Please go on. | 0:10:52 | 0:10:54 | |
You were in the cavalry charge in Schongrabern, you say? | 0:10:54 | 0:10:57 | |
Yes, I was there. | 0:10:57 | 0:10:59 | |
Yes. There are many stories told of that action. | 0:10:59 | 0:11:02 | |
Perhaps, but the stories told by the men who were actually there, | 0:11:02 | 0:11:05 | |
under enemy fire, in the thick of it, | 0:11:05 | 0:11:07 | |
are a different thing to the stories told by fellows on the staff, | 0:11:07 | 0:11:11 | |
who get rewards for doing nothing. | 0:11:11 | 0:11:13 | |
And you consider me one of those, do you? | 0:11:13 | 0:11:16 | |
I'm not talking about you! | 0:11:16 | 0:11:18 | |
I don't know you and I don't wish to. | 0:11:18 | 0:11:20 | |
I speak of the staff in general! | 0:11:20 | 0:11:22 | |
Let me tell you this... | 0:11:25 | 0:11:27 | |
You wish to insult me? I'd be glad to teach you a lesson. | 0:11:27 | 0:11:30 | |
But this is hardly the time or the place for duelling. | 0:11:32 | 0:11:34 | |
Very soon, we shall all be engaged in something much greater | 0:11:34 | 0:11:37 | |
and more terrible than Schongrabern. | 0:11:37 | 0:11:40 | |
You save your valour for that, Count Rostov. | 0:11:42 | 0:11:44 | |
I won't stay. We can settle our business tomorrow. | 0:11:45 | 0:11:49 | |
I wish you all good day. | 0:11:50 | 0:11:51 | |
Damn him. | 0:11:54 | 0:11:55 | |
-He as good as called me a liar! -Come, come. Drink up. | 0:11:57 | 0:12:00 | |
Some of us know a hero when we meet one. | 0:12:00 | 0:12:04 | |
THEY CHUCKLE | 0:12:06 | 0:12:07 | |
"To Prince Nikolai Andreyich Bolkonsky. | 0:12:09 | 0:12:12 | |
"My dear Prince, I shall shortly be in your neighbourhood. | 0:12:12 | 0:12:16 | |
"I am going to an inspection and my son Anatole is keeping me company | 0:12:16 | 0:12:20 | |
"on his way to the army. I hope you will allow me to introduce him | 0:12:20 | 0:12:24 | |
"to you and to your daughter, the Princess Marya." | 0:12:24 | 0:12:28 | |
Damned impudence! | 0:12:28 | 0:12:29 | |
Papa, is she really very ugly? | 0:12:45 | 0:12:46 | |
No, of course not! She's said to be a little on the plain side, | 0:12:46 | 0:12:50 | |
but perfectly acceptable. | 0:12:50 | 0:12:52 | |
More to the point, she has impeccable breeding | 0:12:52 | 0:12:55 | |
and she'll bring a considerable fortune to the marriage. | 0:12:55 | 0:12:58 | |
I need you to be on your very best behaviour | 0:12:58 | 0:13:00 | |
and to treat the Princess and her father with the utmost respect. | 0:13:00 | 0:13:04 | |
-Understood? -Yes, Papa. | 0:13:05 | 0:13:07 | |
This is an innocent girl who knows nothing of the world. | 0:13:07 | 0:13:11 | |
You must appear to her as utterly pure and honourable. | 0:13:11 | 0:13:13 | |
I AM utterly pure and honourable. | 0:13:14 | 0:13:16 | |
I've never cared for Vassily Kuragin. | 0:13:18 | 0:13:21 | |
He's a schemer and a ladies' man. | 0:13:21 | 0:13:23 | |
No doubt his son's the same - or worse! | 0:13:24 | 0:13:27 | |
Of course, they're after Marya for her money! | 0:13:28 | 0:13:31 | |
Well, no-one's going to take her for her looks! | 0:13:31 | 0:13:33 | |
HE CHUCKLES | 0:13:33 | 0:13:35 | |
What? | 0:13:35 | 0:13:36 | |
Nothing, your Excellency. | 0:13:36 | 0:13:37 | |
What, I say? | 0:13:37 | 0:13:39 | |
Begging your pardon, Excellency. I don't think you want to lose her. | 0:13:40 | 0:13:44 | |
What?! | 0:13:44 | 0:13:45 | |
Don't you presume to tell me what I want or don't want! | 0:13:45 | 0:13:48 | |
She can marry if she likes! | 0:13:48 | 0:13:51 | |
Though she'll be unhappy, if she does. | 0:13:51 | 0:13:53 | |
There's no need for girls to marry. No need at all. | 0:13:53 | 0:13:55 | |
They'd be much better off staying at home. | 0:13:55 | 0:13:57 | |
It's a bad business, Tikhon! | 0:13:57 | 0:14:01 | |
Well, better get it over with. | 0:14:01 | 0:14:03 | |
What do you think? | 0:14:05 | 0:14:07 | |
Perhaps with her hair done up high like this? | 0:14:07 | 0:14:09 | |
Oui, peut-etre... Ooh, and with a silk ribbon to tie it up... | 0:14:09 | 0:14:14 | |
Katya! Go and fetch us a ribbon to match with the dress! | 0:14:14 | 0:14:17 | |
Courage! We are going to make you look fit for a prince! | 0:14:17 | 0:14:22 | |
You know you have to make a little effort, dear Marya. | 0:14:23 | 0:14:27 | |
Everybody does at these times. | 0:14:27 | 0:14:29 | |
What you do now could change your whole life! | 0:14:29 | 0:14:32 | |
And try to smile, just a little bit! | 0:14:32 | 0:14:34 | |
This is your big day! | 0:14:34 | 0:14:36 | |
Ah, yes! That will look so sweet! | 0:14:36 | 0:14:38 | |
Now, let's see... | 0:14:38 | 0:14:39 | |
Oui, comme ca! Voila. | 0:14:41 | 0:14:43 | |
C'est... | 0:14:49 | 0:14:50 | |
..charmant. | 0:14:51 | 0:14:52 | |
DOOR OPENS | 0:14:56 | 0:14:58 | |
Ah! Ah! Here she is! | 0:14:58 | 0:15:00 | |
Well, come in, girl! | 0:15:03 | 0:15:05 | |
Do you remember me at all, Princess? | 0:15:09 | 0:15:12 | |
Yes, very well, Prince Vassily. | 0:15:12 | 0:15:14 | |
This is my son, Anatole. | 0:15:15 | 0:15:17 | |
So, you've tarted yourself up for our guests, have you? | 0:15:23 | 0:15:27 | |
Very fine, very fine! | 0:15:27 | 0:15:28 | |
You put your hair up in that stupid fashion for our guests, | 0:15:28 | 0:15:31 | |
but I say to you, in front of our guests, I don't care for it! | 0:15:31 | 0:15:36 | |
Mon pere, you mustn't blame her. It was all my doing! | 0:15:36 | 0:15:38 | |
Well, there was no reason to make herself look ugly. | 0:15:38 | 0:15:40 | |
-She's plain enough as it is! -On the contrary, this hairstyle | 0:15:40 | 0:15:43 | |
is most becoming to the Princess. | 0:15:43 | 0:15:46 | |
Indeed, quite...charming. | 0:15:46 | 0:15:47 | |
Nonsense. So, you're off to war, are you? Horse Guards? | 0:15:47 | 0:15:51 | |
-No, sir, I've been transferred to the Infantry. -Excellent. Very good. | 0:15:51 | 0:15:54 | |
-To serve your Tsar and country. What regiment? -Ah, I'm enlisted in... | 0:15:54 | 0:15:59 | |
What am I enlisted in, Papa? | 0:16:00 | 0:16:02 | |
"What am I enlisted in?"! | 0:16:03 | 0:16:05 | |
Ha! A fine warrior! | 0:16:05 | 0:16:07 | |
Doesn't know his own regiment! | 0:16:07 | 0:16:09 | |
I know, I know, it's a scandal. | 0:16:09 | 0:16:12 | |
-You're more for the ladies, I take it. -I suppose I am, sir. -Yes. | 0:16:12 | 0:16:16 | |
Yes, well, I'll leave you to it. | 0:16:16 | 0:16:19 | |
(Impudent puppy.) | 0:16:19 | 0:16:21 | |
Quite shy-making, all this, isn't it? | 0:16:33 | 0:16:36 | |
But you're not shy. | 0:16:36 | 0:16:38 | |
Indeed I am. I'm petrified of your father. He's so fierce. | 0:16:38 | 0:16:42 | |
He has a quick temper. | 0:16:42 | 0:16:44 | |
Does he beat you? | 0:16:45 | 0:16:47 | |
No! | 0:16:47 | 0:16:48 | |
Well, that's...something, isn't it? | 0:16:48 | 0:16:51 | |
Does your father beat you? | 0:16:54 | 0:16:55 | |
Only when I've been very naughty. | 0:16:58 | 0:16:59 | |
I don't believe you! | 0:17:03 | 0:17:05 | |
SHE LAUGHS | 0:17:05 | 0:17:07 | |
SHE SINGS IN ITALIAN | 0:17:13 | 0:17:17 | |
SINGING FADES | 0:17:33 | 0:17:37 | |
You must know what it is I am hoping for, my dear friend - | 0:18:16 | 0:18:20 | |
an alliance between our families. My son and your lovely daughter... | 0:18:20 | 0:18:25 | |
Pish! | 0:18:25 | 0:18:27 | |
But I know how dear the Princess is to you. | 0:18:27 | 0:18:32 | |
I could understand if you couldn't bear to part with her... | 0:18:32 | 0:18:35 | |
Part with her? She can marry tomorrow! | 0:18:35 | 0:18:37 | |
But I won't have her taken advantage of! | 0:18:37 | 0:18:40 | |
You know my rules - everything in the open! | 0:18:40 | 0:18:43 | |
I'll ask her tomorrow, in your presence. | 0:18:43 | 0:18:46 | |
If she wants him, let him stay a while, and I'll see. | 0:18:46 | 0:18:48 | |
I'll be frank with you. I know you see straight through people. | 0:18:51 | 0:18:55 | |
Anatole's not the brightest button in the box... | 0:18:57 | 0:19:01 | |
..but he's a good boy, an excellent son and... | 0:19:02 | 0:19:05 | |
..he's one of us, you know. | 0:19:07 | 0:19:09 | |
I said I'll see, didn't I? | 0:19:09 | 0:19:11 | |
Let her marry him if she wants. It's all the same to me. | 0:19:11 | 0:19:13 | |
Very good. I'm most grateful. | 0:19:16 | 0:19:18 | |
Goodnight, Princess. | 0:19:26 | 0:19:27 | |
Mademoiselle Bourienne. | 0:19:34 | 0:19:35 | |
(When?) | 0:19:36 | 0:19:38 | |
No! | 0:19:41 | 0:19:43 | |
When I've heard from your father | 0:19:43 | 0:19:45 | |
that you've learnt to behave yourself, | 0:19:45 | 0:19:47 | |
then I'll give you my hand to kiss! | 0:19:47 | 0:19:48 | |
Well, then, I shall wish you ladies goodnight. | 0:19:48 | 0:19:51 | |
How did it go? | 0:20:04 | 0:20:05 | |
She's damnably dull looking, isn't she, poor little thing! | 0:20:06 | 0:20:10 | |
But did she like you? | 0:20:10 | 0:20:12 | |
Oh, yes, I think so. | 0:20:12 | 0:20:13 | |
And could you put up with her, do you think? | 0:20:13 | 0:20:15 | |
To please you, Papa? Yes, I could. | 0:20:15 | 0:20:18 | |
After all, we wouldn't always be together. | 0:20:18 | 0:20:21 | |
She'd be off praying and doing good works, I imagine. | 0:20:22 | 0:20:27 | |
The other one, though, that French one... | 0:20:29 | 0:20:31 | |
Don't you dare! | 0:20:31 | 0:20:32 | |
No, no, of course not. | 0:20:32 | 0:20:35 | |
I was just saying. | 0:20:35 | 0:20:36 | |
How was it with the old man? | 0:20:39 | 0:20:40 | |
Hard going. But he wants the best for his daughter. | 0:20:40 | 0:20:45 | |
And she wants me. | 0:20:47 | 0:20:49 | |
Oh, blessed Jesus. | 0:20:56 | 0:20:58 | |
Is it wrong to think a man so beautiful, | 0:20:58 | 0:21:00 | |
to...long for him to touch me? | 0:21:00 | 0:21:03 | |
Though I fear it, tell me if that is what you want for me, | 0:21:05 | 0:21:08 | |
let me simply be the instrument of your will. | 0:21:08 | 0:21:11 | |
KNOCK AT DOOR | 0:21:14 | 0:21:16 | |
DOOR OPENS | 0:21:16 | 0:21:18 | |
Come in, come in, sit down. | 0:21:18 | 0:21:19 | |
Something to say to you. | 0:21:20 | 0:21:22 | |
Now, Miss, a proposal has been made to me, concerning you. | 0:21:23 | 0:21:29 | |
And since you know my rules, I'm referring it to you. | 0:21:29 | 0:21:34 | |
How might I understand you, Papa? | 0:21:34 | 0:21:36 | |
What I mean is, | 0:21:36 | 0:21:39 | |
Prince Vassily finds you to his taste as a daughter-in-law, | 0:21:39 | 0:21:42 | |
so he's proposing to you, on behalf of his son. What do you say to that? | 0:21:42 | 0:21:47 | |
Oh... I don't know what to say. | 0:21:48 | 0:21:52 | |
What do you think about it? | 0:21:52 | 0:21:53 | |
What do I think about it? It's nothing to do with me! | 0:21:53 | 0:21:56 | |
No-one's proposing to me! | 0:21:56 | 0:21:57 | |
It's what you think, Miss, that's the issue! | 0:21:57 | 0:22:00 | |
But I only want what you want for me, Father. | 0:22:01 | 0:22:03 | |
But if you ask me, I do like him. | 0:22:05 | 0:22:08 | |
Oh, splendid! | 0:22:08 | 0:22:10 | |
So, he'll get you and your dowry | 0:22:11 | 0:22:12 | |
and he'll take her as well. You'll be the wife and she'll be the... | 0:22:12 | 0:22:16 | |
Come, come, I'm only joking. | 0:22:19 | 0:22:21 | |
Perhaps you should go to your room and think it over. | 0:22:21 | 0:22:24 | |
And in an hour, come to the drawing room and say yes or no. | 0:22:24 | 0:22:28 | |
Yes or no, do you understand? | 0:22:28 | 0:22:30 | |
All right. Off with you! | 0:22:31 | 0:22:32 | |
Go on, off with you! | 0:22:36 | 0:22:37 | |
WOMAN GIGGLES IN THE DISTANCE | 0:23:03 | 0:23:05 | |
GIGGLING AND WHISPERING | 0:23:10 | 0:23:14 | |
Oh! | 0:23:20 | 0:23:21 | |
Ah! Princess! It's not what you think! | 0:23:21 | 0:23:24 | |
Ah, here she is! Come in, girl. | 0:23:37 | 0:23:40 | |
My dear little Princess Marya, | 0:23:49 | 0:23:52 | |
I have always loved you like my own daughter. | 0:23:52 | 0:23:55 | |
And now, the fate of my son is in your hands. | 0:23:55 | 0:24:00 | |
There, you see. | 0:24:00 | 0:24:01 | |
The Prince is proposing to you, on behalf of his son. | 0:24:01 | 0:24:04 | |
So, I ask you, do you or do you not | 0:24:04 | 0:24:08 | |
want to be the wife of Prince Anatole Kuragin? | 0:24:08 | 0:24:11 | |
Answer yes or no and I retain my right to express my opinion as well. | 0:24:11 | 0:24:16 | |
So, what is it, yes or no? | 0:24:16 | 0:24:17 | |
Father, my wish is never to leave you. | 0:24:19 | 0:24:22 | |
I don't want to marry at all. | 0:24:22 | 0:24:24 | |
What nonsense is this? Come here, girl! | 0:24:26 | 0:24:29 | |
There, there! | 0:24:29 | 0:24:31 | |
My dear Princess, this is a moment I shall never forget. | 0:24:31 | 0:24:35 | |
Will you not give me a little hope of touching so great, | 0:24:35 | 0:24:38 | |
so generous a heart? | 0:24:38 | 0:24:40 | |
Say that, perhaps... | 0:24:40 | 0:24:43 | |
the future is so large... Say, perhaps? | 0:24:43 | 0:24:46 | |
Princess Marya, I do hope I haven't offended you in any way? | 0:24:47 | 0:24:51 | |
May I not return and try again? | 0:24:51 | 0:24:54 | |
Prince Vassily, er... | 0:24:54 | 0:24:56 | |
I have said all that I feel in my heart. | 0:24:57 | 0:24:59 | |
I thank you for the honour, but I shall never be your son's wife. | 0:24:59 | 0:25:02 | |
Yes, well, that's the end of that, then! | 0:25:03 | 0:25:06 | |
Very good to see you, Kuragin, and your boy | 0:25:06 | 0:25:08 | |
and I wish you both a safe journey. | 0:25:08 | 0:25:10 | |
Marya, go to your room. All done. | 0:25:10 | 0:25:12 | |
Very, very glad to see you, old friend, and no hard feelings. | 0:25:12 | 0:25:15 | |
All done! Ha! Very good! | 0:25:15 | 0:25:17 | |
Well, that's done. Excellent! Very good. | 0:25:17 | 0:25:20 | |
CHEERING | 0:25:28 | 0:25:30 | |
Is it really him? | 0:25:37 | 0:25:38 | |
Hurrah for the Tsar! Hurrah! | 0:25:39 | 0:25:42 | |
Hurrah! | 0:25:42 | 0:25:43 | |
CHEERING | 0:25:43 | 0:25:47 | |
Fine men. Makes my heart glad to see their eager faces. | 0:25:47 | 0:25:51 | |
I think we should have a great victory tomorrow. | 0:25:52 | 0:25:55 | |
With respect, your Majesty, we should not engage with Napoleon | 0:25:55 | 0:25:58 | |
at all tomorrow, or any time soon. | 0:25:58 | 0:26:01 | |
Bonaparte has withdrawn his troops. He's asked for talks. | 0:26:01 | 0:26:04 | |
He's desperate to avoid a battle. All my generals are in agreement | 0:26:04 | 0:26:08 | |
except for you. | 0:26:08 | 0:26:09 | |
Again, with respect, your Majesty, that doesn't make them right. | 0:26:09 | 0:26:12 | |
And what would you do? | 0:26:14 | 0:26:16 | |
Retreat. | 0:26:16 | 0:26:17 | |
Retreat! I never hear anything else from you. | 0:26:17 | 0:26:20 | |
Any more retreat would be humiliation. | 0:26:20 | 0:26:22 | |
I think you may be getting too old for this game, Kutuzov. | 0:26:22 | 0:26:26 | |
My mind is made up. | 0:26:26 | 0:26:28 | |
We'll engage with him here - and defeat him! | 0:26:28 | 0:26:30 | |
The die is cast. | 0:26:35 | 0:26:36 | |
What do you think will happen tomorrow, your Grace? | 0:26:38 | 0:26:40 | |
I think we will lose this battle and a great many men will die. | 0:26:40 | 0:26:43 | |
You're a married man, Bolkonsky? | 0:26:45 | 0:26:47 | |
Yes, my Lise is with child. | 0:26:47 | 0:26:50 | |
Ah. | 0:26:50 | 0:26:51 | |
I should have better kept in touch with her. | 0:26:51 | 0:26:53 | |
I haven't been a very affectionate husband. | 0:26:54 | 0:26:56 | |
But no use saying that now. | 0:26:58 | 0:26:59 | |
Write to her before you sleep tonight, my boy. | 0:27:01 | 0:27:04 | |
It might be the last chance you get. | 0:27:04 | 0:27:06 | |
"My dearest Lise. | 0:27:11 | 0:27:13 | |
"Forgive me for not having written before. | 0:27:14 | 0:27:18 | |
"I have been a neglectful husband. | 0:27:18 | 0:27:20 | |
"But now I think of you with nothing but tenderness and remorse. | 0:27:20 | 0:27:24 | |
"Marya, I wear your icon and think of you every day, my dear sister. | 0:27:27 | 0:27:31 | |
"Papa..." | 0:27:33 | 0:27:34 | |
And yet, I give them all up for one moment of glory. | 0:27:40 | 0:27:42 | |
Sire. | 0:28:10 | 0:28:12 | |
Madness. | 0:28:23 | 0:28:24 | |
Do we join the attack, your Grace? | 0:28:24 | 0:28:26 | |
-Hold your ground! -But the orders are to advance and engage the enemy | 0:28:26 | 0:28:30 | |
on their right flank, your Grace! | 0:28:30 | 0:28:31 | |
-Do you take your orders from me or not? -Of course, your Grace. | 0:28:31 | 0:28:35 | |
Then, hold your ground! At least we won't make fools of ourselves. | 0:28:35 | 0:28:38 | |
To hold this hill is vital. Let them come to us. | 0:28:40 | 0:28:43 | |
Sir. | 0:28:45 | 0:28:47 | |
Ah...our glorious leader. | 0:28:47 | 0:28:49 | |
Your Majesty. | 0:28:50 | 0:28:52 | |
Kutuzov! Why have you not advanced? | 0:28:52 | 0:28:55 | |
Because that's what Napoleon wants us to do, your Majesty. | 0:28:55 | 0:28:58 | |
But you understand the disposition, do you not? | 0:28:58 | 0:29:00 | |
Perfectly, your Majesty. However, if you order me to advance... | 0:29:00 | 0:29:04 | |
I do! Kindly give the order! | 0:29:04 | 0:29:06 | |
Forward! | 0:29:13 | 0:29:14 | |
Excellent. | 0:29:29 | 0:29:30 | |
I can't see a thing. | 0:29:40 | 0:29:41 | |
Where are we? | 0:29:41 | 0:29:43 | |
More to the point, where are the French? | 0:29:43 | 0:29:46 | |
Sir, look there. | 0:29:51 | 0:29:52 | |
Even worse than I thought. | 0:30:10 | 0:30:12 | |
SCREAMING | 0:30:14 | 0:30:17 | |
Forward, at the double! | 0:30:19 | 0:30:21 | |
Rostov, ride over to Kutuzov. Are we to advance or stand our ground? | 0:30:45 | 0:30:49 | |
Well, go on, man! Quick as you like! | 0:30:49 | 0:30:52 | |
It's all up, lads. Run for it! | 0:31:05 | 0:31:08 | |
Stop those men! | 0:31:18 | 0:31:20 | |
My God, Bolkonsky, what a shambles! | 0:31:20 | 0:31:22 | |
Forward, lads! Hurrah! | 0:31:33 | 0:31:36 | |
Where's General Kutuzov? | 0:32:12 | 0:32:15 | |
Answer me, damn you! Where is the Tsar? | 0:32:15 | 0:32:18 | |
I don't know, Excellency. They say the Tsar's dead, and Kutuzov, too. | 0:32:18 | 0:32:22 | |
Wounded! Taken away on a cart! | 0:32:22 | 0:32:24 | |
Where? | 0:32:24 | 0:32:25 | |
That way, Excellency! | 0:32:25 | 0:32:27 | |
That'll do. | 0:32:44 | 0:32:45 | |
How beautiful. | 0:34:14 | 0:34:15 | |
How is it I've never seen this before? | 0:34:18 | 0:34:20 | |
We are all nothing, compared to this clear, blue, infinite sky. | 0:34:22 | 0:34:27 | |
He looks like a fine young man. | 0:34:31 | 0:34:33 | |
Good way to die, you see. Carrying the standard. | 0:34:34 | 0:34:37 | |
Oh, it's you. What do you want? | 0:35:15 | 0:35:17 | |
Are you going out this evening? | 0:35:17 | 0:35:19 | |
Yes. Why? | 0:35:19 | 0:35:21 | |
I was thinking we could go out together. Or stay at home together. | 0:35:21 | 0:35:27 | |
Are you perfectly well, Pierre? | 0:35:27 | 0:35:29 | |
I've been thinking we should... | 0:35:31 | 0:35:34 | |
We should have a child, Helene. | 0:35:34 | 0:35:36 | |
Don't be silly. You know I'm not the motherly type. | 0:35:39 | 0:35:43 | |
We get along all right, don't we? Don't spoil things. | 0:35:43 | 0:35:46 | |
I'm not jealous, you can have other women, as many as you like, | 0:35:46 | 0:35:49 | |
have children with them, like your father. Why not? | 0:35:49 | 0:35:51 | |
I don't want other women. I want us to be a proper husband and wife! | 0:35:51 | 0:35:56 | |
We are a proper husband and wife! | 0:35:56 | 0:35:58 | |
Now, stop fussing me. You'll make me late. | 0:35:58 | 0:36:01 | |
Oh, by the way, I ran into Dolokhov today. They're all back from war. | 0:36:06 | 0:36:10 | |
The poor fellow's penniless, | 0:36:10 | 0:36:11 | |
I said he could come and stay here as long as he likes. | 0:36:11 | 0:36:14 | |
That brute? | 0:36:15 | 0:36:16 | |
He's my friend, Helene, and a war hero. | 0:36:16 | 0:36:18 | |
He's an insolent brute, with no respect for women. | 0:36:18 | 0:36:21 | |
He is my friend, Helene, and you will treat him as an honoured guest. | 0:36:21 | 0:36:24 | |
All right... Whatever you say. | 0:36:26 | 0:36:28 | |
DOOR OPENS AND CLOSES | 0:36:35 | 0:36:37 | |
Look! Those lights! That's our house! | 0:36:47 | 0:36:49 | |
Wake up! We're here! | 0:36:52 | 0:36:54 | |
Already? | 0:36:54 | 0:36:55 | |
Nikki!! | 0:37:08 | 0:37:10 | |
Nikki! My darling boy! | 0:37:11 | 0:37:14 | |
I didn't know you'd be here so soon! | 0:37:14 | 0:37:16 | |
Well, I wanted to surprise you! | 0:37:16 | 0:37:18 | |
Dear Mama! | 0:37:19 | 0:37:21 | |
Vassily Denisov, friend of your son. | 0:37:24 | 0:37:26 | |
Yes, yes, I know, I know! You're very welcome! | 0:37:26 | 0:37:29 | |
This man taught me all I know about soldiering! | 0:37:29 | 0:37:31 | |
Looked after him, as best I could. | 0:37:31 | 0:37:33 | |
Well then, you are doubly welcome, my dear Denisov! Are you hungry? | 0:37:33 | 0:37:36 | |
Yes. | 0:37:36 | 0:37:37 | |
Let's find you something to eat! | 0:37:37 | 0:37:39 | |
Is this one yours, Nikolai? | 0:37:43 | 0:37:45 | |
That one's mine. | 0:37:45 | 0:37:46 | |
KNOCK AT DOOR | 0:37:46 | 0:37:47 | |
Nikolai, are you awake? Come out, I want to talk to you! | 0:37:47 | 0:37:49 | |
Look, Denisov's sabre! He killed four Frenchmen with this! | 0:37:49 | 0:37:52 | |
Close the door, Petya! | 0:37:52 | 0:37:55 | |
Come out, Nikki, I want to talk to you! | 0:37:55 | 0:37:57 | |
All right! | 0:37:57 | 0:37:59 | |
I wanted to talk to you. About Sonya. | 0:38:00 | 0:38:04 | |
What about her? | 0:38:05 | 0:38:06 | |
How do you really feel about her? | 0:38:08 | 0:38:11 | |
Is she the only one for you? | 0:38:11 | 0:38:12 | |
Why do you ask that now? | 0:38:14 | 0:38:15 | |
Because it's very important. For her, if not for you. | 0:38:15 | 0:38:19 | |
Of course she's important to me. | 0:38:19 | 0:38:21 | |
Well, then? | 0:38:21 | 0:38:22 | |
Well, it's simple. | 0:38:23 | 0:38:24 | |
I gave her my word and I never go back on my word. | 0:38:24 | 0:38:27 | |
No, no, that's duty, not love. | 0:38:27 | 0:38:29 | |
I do love her, Tasha, | 0:38:29 | 0:38:31 | |
but how can I say that I'll never fall in love with anyone else? | 0:38:31 | 0:38:35 | |
Hmm? | 0:38:36 | 0:38:37 | |
What does she say? | 0:38:40 | 0:38:41 | |
She adores you, but she doesn't want you to be bound by your word. | 0:38:43 | 0:38:48 | |
She wants you to be free. | 0:38:48 | 0:38:50 | |
She's so good. | 0:38:50 | 0:38:51 | |
Yes, she is, but if you keep her hanging on | 0:38:51 | 0:38:53 | |
and then break your word, you'll break her heart. | 0:38:53 | 0:38:56 | |
I could never do that, Tasha. | 0:38:56 | 0:38:58 | |
Well, remember you said that. | 0:39:00 | 0:39:02 | |
PIANO PLAYS | 0:39:07 | 0:39:09 | |
DOOR OPENS | 0:39:09 | 0:39:11 | |
Good morning, good morning, good morning! | 0:39:11 | 0:39:14 | |
Prince Bolkonsky, has there been any news from the front? | 0:39:14 | 0:39:17 | |
Not as far as I know. Tikhon, any post today? | 0:39:17 | 0:39:20 | |
Yes, your Excellency, you remember, | 0:39:20 | 0:39:22 | |
about the disposition of the local militia. | 0:39:22 | 0:39:25 | |
-Nothing else? -No, your Excellency. | 0:39:25 | 0:39:26 | |
Well, go on, then, don't hang about! And you would do much better to | 0:39:26 | 0:39:30 | |
occupy yourself with something useful, | 0:39:30 | 0:39:32 | |
instead of making yourself miserable with apprehension! | 0:39:32 | 0:39:34 | |
Oh yes, yes, we're all worried. No need to make a show of it. | 0:39:34 | 0:39:38 | |
Here he is! | 0:39:45 | 0:39:46 | |
Countess. | 0:39:47 | 0:39:48 | |
Your wife is even more beautiful than I remember, Bezukhov. | 0:39:53 | 0:39:55 | |
-Thank you, Dolokhov. -I understand you're a war hero now. | 0:39:55 | 0:39:59 | |
Well, you know, there are three things I love to do - fight, drink | 0:39:59 | 0:40:03 | |
and... I can't remember the other one. | 0:40:03 | 0:40:05 | |
I think you are an absolute ruffian. | 0:40:05 | 0:40:08 | |
-I can't deny it. -I hope you will make yourself at home here. | 0:40:08 | 0:40:13 | |
Thank you! I shall! | 0:40:13 | 0:40:16 | |
Don't, don't...! | 0:40:16 | 0:40:19 | |
Let's have a drink! | 0:40:19 | 0:40:21 | |
THEY CHUCKLE | 0:40:21 | 0:40:22 | |
Helene! | 0:40:37 | 0:40:38 | |
I just want to say thank you for making poor Dolokhov so welcome. | 0:40:43 | 0:40:47 | |
Oh, Pierre. | 0:40:47 | 0:40:48 | |
-What? -Can't you see he's making a fool out of you? | 0:40:49 | 0:40:53 | |
Hell of a woman, that. | 0:40:58 | 0:40:59 | |
You think so? | 0:41:00 | 0:41:02 | |
Yes... Yes, she is, isn't she? | 0:41:03 | 0:41:07 | |
For the Master. | 0:41:18 | 0:41:19 | |
KNOCK AT THE DOOR | 0:41:25 | 0:41:26 | |
Yes? | 0:41:28 | 0:41:29 | |
Is that the letter that came this morning? | 0:41:31 | 0:41:34 | |
Yes, it is. | 0:41:36 | 0:41:37 | |
Is it about Andrei? | 0:41:39 | 0:41:40 | |
Yes, it is about your brother. | 0:41:41 | 0:41:43 | |
General Kutuzov writes that he died a hero. | 0:41:44 | 0:41:49 | |
Kutuzov saw him fall, | 0:41:51 | 0:41:54 | |
carrying the standard and leading an attack. | 0:41:54 | 0:41:57 | |
Unfortunately, his name doesn't appear amongst the dead. | 0:41:59 | 0:42:02 | |
Kutuzov gives that as a reason to hope, but what hope is there? | 0:42:03 | 0:42:08 | |
Of course, he is dead. | 0:42:08 | 0:42:09 | |
Papa, don't turn away from me. Let's weep together! | 0:42:21 | 0:42:26 | |
Villains! Scoundrels! | 0:42:26 | 0:42:29 | |
The army is led by blockheads, who don't know how to fight. | 0:42:29 | 0:42:32 | |
All they know is how to lead fine Russian men to be slaughtered! | 0:42:32 | 0:42:36 | |
And now your brother's dead! He's dead! | 0:42:36 | 0:42:38 | |
Leave me alone. Go and tell his wife. Go on! Go on! | 0:42:41 | 0:42:44 | |
DOOR OPENS AND CLOSES | 0:42:46 | 0:42:48 | |
Marie! Come here. Give me your hand. | 0:43:34 | 0:43:38 | |
There. There, do you feel it? | 0:43:44 | 0:43:47 | |
Yes. | 0:43:47 | 0:43:49 | |
It's so strange. As if he's talking to us! | 0:43:49 | 0:43:52 | |
I am going to love him so much. I love him already! | 0:43:55 | 0:43:59 | |
What is it, Masha? | 0:44:03 | 0:44:04 | |
I'm just sad. Sad about Andrei, that's all. | 0:44:11 | 0:44:14 | |
Why? Have you heard something? | 0:44:14 | 0:44:17 | |
Oh, no! | 0:44:17 | 0:44:19 | |
No, no, no, no. It's too early for any news, | 0:44:19 | 0:44:22 | |
it's just Papa worries and I'm frightened. That's all. | 0:44:22 | 0:44:25 | |
Are you sure? You frightened me! | 0:44:25 | 0:44:28 | |
Lise. There's no news. | 0:44:28 | 0:44:30 | |
I must go back to Papa. | 0:44:33 | 0:44:35 | |
WHIRRING | 0:44:46 | 0:44:49 | |
I didn't tell her. | 0:44:59 | 0:45:00 | |
And you must not tell her, either. | 0:45:04 | 0:45:06 | |
She is in such a delicate state, | 0:45:06 | 0:45:08 | |
and so close to her confinement, I... | 0:45:08 | 0:45:10 | |
All right. | 0:45:10 | 0:45:11 | |
Do you agree? | 0:45:13 | 0:45:14 | |
I said all right! Thank you! That's the end of it! | 0:45:14 | 0:45:16 | |
WHIRRING RESUMES | 0:45:16 | 0:45:19 | |
Mm! | 0:45:52 | 0:45:53 | |
Dolokhov, really! | 0:45:57 | 0:46:00 | |
Funny how it always tastes better from another fellow's plate. | 0:46:00 | 0:46:03 | |
-Hello! -Hello. | 0:47:31 | 0:47:33 | |
All right, remember me? | 0:47:35 | 0:47:37 | |
You're a fine fellow! | 0:47:37 | 0:47:39 | |
You've all grown. I'd have hardly recognised you! | 0:47:39 | 0:47:43 | |
HARPSICHORD PLAYS | 0:47:43 | 0:47:46 | |
HE LAUGHS | 0:47:48 | 0:47:50 | |
Look who's come to visit us! | 0:47:53 | 0:47:56 | |
Oh, Pierre! We haven't seen you in ages! | 0:47:56 | 0:48:01 | |
Now I see you, I wish I'd come sooner. How are you all? | 0:48:01 | 0:48:04 | |
Nikolai! You're a real man now, I can tell. | 0:48:04 | 0:48:09 | |
Something's changed in you, I think. | 0:48:09 | 0:48:11 | |
For the good, I hope. | 0:48:11 | 0:48:12 | |
Yes, yes, of course! | 0:48:12 | 0:48:14 | |
My friend Captain Vassily Denisov, of the Pavlograd Hussars. | 0:48:14 | 0:48:17 | |
I'm privileged to meet you, sir. | 0:48:17 | 0:48:18 | |
I feel ashamed of my lazy life when I see men like you and Nikolai. | 0:48:18 | 0:48:22 | |
Heroes. I should have been with you. | 0:48:22 | 0:48:24 | |
I used to think of Napoleon as a hero, you see. | 0:48:24 | 0:48:27 | |
And perhaps he was, once, but not now. He seems to think of nothing | 0:48:27 | 0:48:29 | |
but conquest and glory. He had to be stopped! | 0:48:29 | 0:48:32 | |
I was wrong. | 0:48:33 | 0:48:34 | |
Papa's hosting a banquet for our returning soldiers! | 0:48:37 | 0:48:40 | |
I hope you will come, Pierre? | 0:48:40 | 0:48:42 | |
Yes, yes, indeed. It will be an honour to drink to their health! | 0:48:42 | 0:48:44 | |
Talking of heroes, isn't Dolokhov making his home with you? | 0:48:44 | 0:48:47 | |
Yes. Yes, he is. | 0:48:47 | 0:48:48 | |
It was so kind of you to take him in. | 0:48:48 | 0:48:50 | |
Well, one does what one can. | 0:48:51 | 0:48:53 | |
Splendid fellow. | 0:48:53 | 0:48:55 | |
It's so good to be here with you all again. | 0:48:57 | 0:49:00 | |
What is it, Pierre? Why are you sad? | 0:49:02 | 0:49:05 | |
It's nothing. I'm not sad. | 0:49:05 | 0:49:08 | |
Just happy to see you. | 0:49:08 | 0:49:09 | |
I thought you might have brought the Countess. | 0:49:11 | 0:49:14 | |
Sadly, she's otherwise engaged. | 0:49:14 | 0:49:16 | |
MOANING | 0:49:17 | 0:49:19 | |
What a vile creature you are, Dolokhov. | 0:49:19 | 0:49:21 | |
And don't you love it?! | 0:49:21 | 0:49:22 | |
I hate you. You're an animal. | 0:49:24 | 0:49:27 | |
Ah! | 0:49:49 | 0:49:51 | |
What is it, dearest? | 0:49:51 | 0:49:53 | |
I don't know. | 0:49:53 | 0:49:55 | |
I think something in my breakfast must have disagreed with me. | 0:49:55 | 0:49:58 | |
Look at her. She's very pale! | 0:49:58 | 0:49:59 | |
SHE GASPS | 0:49:59 | 0:50:01 | |
Hadn't we better send for Maria Bogdanovna? | 0:50:01 | 0:50:03 | |
Yes, I think you're right, I'll go and see to it. | 0:50:03 | 0:50:06 | |
Courage, mon ange! | 0:50:06 | 0:50:08 | |
No! Can it be, so soon? | 0:50:08 | 0:50:11 | |
But surely it's just a stomach ache? | 0:50:11 | 0:50:13 | |
It's best to be on the safe side, ma cherie. | 0:50:13 | 0:50:16 | |
When did this come? | 0:50:23 | 0:50:25 | |
-Just now, your Excellency. -Thank you. | 0:50:25 | 0:50:27 | |
"Perhaps you should get some new spectacles, Count Bezukhov, | 0:50:33 | 0:50:36 | |
"then you might see what everyone sees but you - | 0:50:36 | 0:50:39 | |
"your wife's affair with Dolokhov." | 0:50:39 | 0:50:42 | |
What's the matter? | 0:51:12 | 0:51:13 | |
Nothing. | 0:51:13 | 0:51:15 | |
I'm going out. | 0:51:16 | 0:51:17 | |
Are you going to the men's dinner this evening? | 0:51:19 | 0:51:22 | |
Yes. No! I don't know! I suppose I might, as well. | 0:51:22 | 0:51:25 | |
Why not? Your disgusting friend Dolokhov's going. | 0:51:25 | 0:51:28 | |
Try not to drink too much, the pair of you! | 0:51:31 | 0:51:33 | |
SHE PRAYS QUIETLY | 0:52:09 | 0:52:12 | |
WOMAN MOANS | 0:52:12 | 0:52:14 | |
WINDOW FLIES OPEN | 0:52:20 | 0:52:22 | |
Princess, someone's come down the avenue. A coach, with lanterns! | 0:52:29 | 0:52:32 | |
Oh, thank God. The doctor, at last! | 0:52:32 | 0:52:36 | |
Quickly! Are you the doctor? | 0:52:49 | 0:52:51 | |
Andrei! | 0:52:53 | 0:52:54 | |
Dear Masha! | 0:52:56 | 0:52:57 | |
Is it really you? | 0:52:57 | 0:52:58 | |
SHE WHIMPERS | 0:53:01 | 0:53:02 | |
Come inside, quickly! | 0:53:03 | 0:53:06 | |
SHE YELLS IN PAIN | 0:53:10 | 0:53:12 | |
I can't... I can't bear it! | 0:53:16 | 0:53:18 | |
There, there. Not long now. | 0:53:18 | 0:53:21 | |
Courage, ma petite. | 0:53:21 | 0:53:22 | |
My darling! | 0:53:27 | 0:53:29 | |
SHE GROANS IN PAIN | 0:53:31 | 0:53:33 | |
If you would wait outside, your Excellency. I must insist, | 0:53:35 | 0:53:37 | |
it's for the best. | 0:53:37 | 0:53:38 | |
SHE YELLS | 0:53:44 | 0:53:47 | |
WOMAN MOANS | 0:53:47 | 0:53:50 | |
No, no, you mustn't come in! | 0:54:06 | 0:54:08 | |
MOANING GETS LOUDER | 0:54:24 | 0:54:27 | |
MOANING STOPS | 0:54:28 | 0:54:29 | |
BABY CRIES | 0:54:37 | 0:54:39 | |
DOOR OPENS | 0:54:42 | 0:54:44 | |
Your son, Your Excellency? | 0:55:47 | 0:55:49 | |
BABY CRIES | 0:55:58 | 0:56:01 | |
CHATTER FADES IN | 0:56:23 | 0:56:26 | |
Come, Prince Bagration, cheer up. | 0:56:40 | 0:56:42 | |
You're our guest of honour, you know. | 0:56:42 | 0:56:44 | |
Yes, that's Russia for you. Suffer a terrible defeat, | 0:56:44 | 0:56:47 | |
and they praise you to the skies. | 0:56:47 | 0:56:48 | |
No, no, we'll have none of that! | 0:56:48 | 0:56:50 | |
All our commanders are first-class men. We'll thrash Napoleon yet. | 0:56:50 | 0:56:53 | |
HE CLEARS THROAT | 0:56:53 | 0:56:55 | |
To the health of our sovereign Emperor | 0:56:57 | 0:56:59 | |
and to our fearless Prince Bagration! | 0:56:59 | 0:57:02 | |
Bezukhov, the Emperor! | 0:57:02 | 0:57:03 | |
ALL: Hurrah! | 0:57:03 | 0:57:05 | |
The choir will now sing a cantata in praise of our great General | 0:57:07 | 0:57:11 | |
and souvenir copies of the music will be distributed. | 0:57:11 | 0:57:15 | |
CHOIR START SINGING | 0:57:15 | 0:57:19 | |
To the husbands of pretty women! | 0:57:26 | 0:57:29 | |
Hear, hear! | 0:57:29 | 0:57:30 | |
To the health of beautiful women! | 0:57:30 | 0:57:33 | |
Eh? To the health of beautiful women, Petrushka, | 0:57:34 | 0:57:37 | |
and their lovers! | 0:57:37 | 0:57:39 | |
Don't you dare take what is mine! | 0:57:48 | 0:57:50 | |
Really, Petrushka, what is the matter? | 0:57:52 | 0:57:55 | |
Scoundrel! I challenge you! | 0:57:55 | 0:57:57 | |
I challenge you! | 0:57:58 | 0:58:00 | |
I accept. | 0:58:05 | 0:58:07 |