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I think we will lose this battle, and a great many men will die. | 0:00:02 | 0:00:04 | |
My God, Bolkonsky, what a shambles! | 0:00:04 | 0:00:08 | |
SHE SQUEALS | 0:00:08 | 0:00:09 | |
How do you really feel about Sonya? | 0:00:09 | 0:00:11 | |
I do love her, Tasha. | 0:00:11 | 0:00:13 | |
SHOUTS OF PAIN | 0:00:13 | 0:00:14 | |
I haven't been a very affectionate husband... | 0:00:14 | 0:00:16 | |
but it's no use saying that now. | 0:00:16 | 0:00:19 | |
BABY CRIES | 0:00:19 | 0:00:21 | |
Here he is! | 0:00:21 | 0:00:23 | |
Your wife is even more beautiful than I remember, Bezukhov. | 0:00:23 | 0:00:25 | |
To the health of beautiful women, Petrushka - | 0:00:25 | 0:00:28 | |
and their lovers. | 0:00:28 | 0:00:29 | |
I challenge you! | 0:00:29 | 0:00:31 | |
Count Bezukhov? | 0:01:23 | 0:01:25 | |
If I might... | 0:01:28 | 0:01:30 | |
Look here, you don't want to be fighting a duel with this fellow. | 0:01:31 | 0:01:36 | |
Apologise, say you lost your temper. | 0:01:36 | 0:01:38 | |
No-one will think any the worse of you. | 0:01:38 | 0:01:40 | |
No. No, we're here now. Just show me where I have to go. | 0:01:40 | 0:01:44 | |
-Captain Dolokhov? -Let's get on with it, shall we? | 0:01:44 | 0:01:47 | |
If you could just remind me how, um... | 0:02:00 | 0:02:03 | |
You point it, and...? | 0:02:03 | 0:02:05 | |
Oh, Lord. | 0:02:06 | 0:02:07 | |
Hold out your arm straight in front of you, as steady as you can. | 0:02:07 | 0:02:10 | |
And squeeze the trigger, don't pull it. | 0:02:10 | 0:02:13 | |
Turn sideways on - show him your shoulder, not your chest. | 0:02:13 | 0:02:17 | |
Don't give him an easy target. | 0:02:17 | 0:02:19 | |
Thank you, I'd forgotten. It's very kind of you. | 0:02:19 | 0:02:22 | |
-There's still time to call it off. -No. | 0:02:22 | 0:02:25 | |
No, I know it's stupid, but I think I must go through with it. | 0:02:25 | 0:02:29 | |
GUN CLICKS | 0:02:31 | 0:02:33 | |
Good luck, then. | 0:02:35 | 0:02:36 | |
As the adversaries have refused a reconciliation, we shall proceed. | 0:02:41 | 0:02:46 | |
At the count of three, you may advance towards each other. | 0:02:47 | 0:02:51 | |
You may not go further than the swords marking the barrier. | 0:02:51 | 0:02:54 | |
After the count of three, you may fire at any time. | 0:02:54 | 0:02:58 | |
One. | 0:03:10 | 0:03:12 | |
Two. | 0:03:14 | 0:03:15 | |
Three. | 0:03:17 | 0:03:18 | |
GUNSHOT | 0:03:31 | 0:03:32 | |
-Fedya! -Get back! -Dolokhov! | 0:03:50 | 0:03:53 | |
No! Get back behind the barrier, damn you! | 0:03:53 | 0:03:58 | |
It's not over yet. | 0:03:58 | 0:04:00 | |
Turn! Cover yourself! | 0:04:21 | 0:04:23 | |
GUNSHOT | 0:04:28 | 0:04:30 | |
Missed! | 0:04:31 | 0:04:33 | |
Stupid, stupid, stupid! | 0:04:37 | 0:04:42 | |
Death, lies! | 0:04:42 | 0:04:44 | |
How bad is it? | 0:04:48 | 0:04:50 | |
-If she sees me dying, it'll kill her. -Who? | 0:04:51 | 0:04:55 | |
My mother. My angel. | 0:04:55 | 0:04:58 | |
She and my poor sister, they're the only good things | 0:04:58 | 0:05:01 | |
in my life, Rostov. | 0:05:01 | 0:05:02 | |
HE GRUNTS | 0:05:02 | 0:05:04 | |
The only ones I care for. | 0:05:04 | 0:05:05 | |
I have to live, for them. You understand? | 0:05:08 | 0:05:11 | |
Yes, I understand. | 0:05:11 | 0:05:12 | |
Move, man! | 0:05:12 | 0:05:13 | |
Stop it. You're not getting anything. | 0:05:28 | 0:05:33 | |
Ah. | 0:05:35 | 0:05:37 | |
Pierre. | 0:05:37 | 0:05:39 | |
Well...I'll just... | 0:05:44 | 0:05:46 | |
What have you done now? | 0:05:53 | 0:05:55 | |
-What have -I -done? | 0:05:57 | 0:05:59 | |
You've made an exhibition of yourself, and of me. | 0:06:00 | 0:06:04 | |
Someone told you that Dolokhov was my lover, and you believed them. | 0:06:04 | 0:06:08 | |
Now you've made us the talk of all Moscow. | 0:06:08 | 0:06:11 | |
Are you asking me to believe that you're innocent? | 0:06:11 | 0:06:13 | |
Of course I am innocent! | 0:06:13 | 0:06:15 | |
Though no-one would blame me if I had taken a lover. | 0:06:15 | 0:06:18 | |
It's not much fun being married to a drunken oaf like you, you know. | 0:06:18 | 0:06:22 | |
Most people think you're half out of your wits. | 0:06:22 | 0:06:24 | |
-Don't speak to me like that! -Why shouldn't I speak? | 0:06:24 | 0:06:27 | |
I am the injured party here, after all, not you. | 0:06:27 | 0:06:30 | |
How am I to go into society after all this? | 0:06:32 | 0:06:34 | |
I never interfered with your pleasures. | 0:06:36 | 0:06:38 | |
It's better that we part. | 0:06:41 | 0:06:43 | |
What did you say? | 0:06:44 | 0:06:45 | |
I said it's better that we part! I'm leaving for Petersburg tomorrow. | 0:06:45 | 0:06:49 | |
All right. | 0:06:52 | 0:06:53 | |
If that's what you really want. | 0:06:55 | 0:06:56 | |
You'll only expose yourself to more ridicule. | 0:06:59 | 0:07:02 | |
You know you'll have to give me a fortune, don't you? | 0:07:02 | 0:07:04 | |
I'll kill you! | 0:07:04 | 0:07:06 | |
HE HOWLS | 0:07:06 | 0:07:07 | |
Out! Get out! | 0:07:07 | 0:07:10 | |
HE BREATHES HEAVILY | 0:07:19 | 0:07:21 | |
DOOR OPENS | 0:07:54 | 0:07:56 | |
A thousand apologies, Your Excellency, | 0:08:00 | 0:08:02 | |
there will be a little wait for fresh horses. | 0:08:02 | 0:08:05 | |
It's nice and warm in the parlour, | 0:08:05 | 0:08:07 | |
if you don't mind sharing it with another gentleman. | 0:08:07 | 0:08:09 | |
No, no - I don't suppose I have any choice, do I? | 0:08:09 | 0:08:12 | |
Good evening. | 0:08:20 | 0:08:22 | |
Evening. | 0:08:22 | 0:08:24 | |
HE SIGHS | 0:08:37 | 0:08:39 | |
What? | 0:08:45 | 0:08:47 | |
I believe I have the pleasure of speaking with Count Bezukhov? | 0:08:49 | 0:08:53 | |
I have heard about the misfortune that has befallen you, sir, | 0:08:56 | 0:08:59 | |
and I am very sorry for it. | 0:08:59 | 0:09:00 | |
I should like to help you, if I can. | 0:09:01 | 0:09:04 | |
But if for any reason | 0:09:04 | 0:09:06 | |
you find conversation with me unpleasant, please say so. | 0:09:06 | 0:09:09 | |
No. | 0:09:11 | 0:09:13 | |
No, I'm glad to make your acquaintance. | 0:09:13 | 0:09:15 | |
Then let me offer you a brotherly handshake. | 0:09:15 | 0:09:18 | |
You're a Mason? | 0:09:22 | 0:09:24 | |
Yes, I belong to the brotherhood of Freemasons. | 0:09:24 | 0:09:28 | |
I'm afraid my way of thinking is very different from yours. | 0:09:29 | 0:09:32 | |
I don't believe in God. | 0:09:34 | 0:09:35 | |
Of course you don't. | 0:09:35 | 0:09:37 | |
You don't believe in God because you don't know him. | 0:09:37 | 0:09:40 | |
And that's why you're so unhappy. | 0:09:40 | 0:09:42 | |
I am unhappy - I should think anyone could see that - | 0:09:42 | 0:09:47 | |
but what am I to do about it? | 0:09:47 | 0:09:49 | |
How can I know God, | 0:09:49 | 0:09:51 | |
if all my powers of reasoning tell me he cannot exist? | 0:09:51 | 0:09:56 | |
God is not apprehended by reason, my son, | 0:09:56 | 0:09:59 | |
but by life. | 0:09:59 | 0:10:01 | |
I don't understand you, sir. | 0:10:02 | 0:10:04 | |
Well... | 0:10:04 | 0:10:05 | |
..you are young, you are rich, you are educated. | 0:10:07 | 0:10:12 | |
What have you done with all these good things | 0:10:12 | 0:10:15 | |
that have been given you? | 0:10:15 | 0:10:17 | |
Very little, so far. | 0:10:18 | 0:10:20 | |
You need to purify yourself, listen to your conscience. | 0:10:21 | 0:10:25 | |
Look at yourself. Ask yourself, | 0:10:26 | 0:10:30 | |
are you content with yourself? With your life? | 0:10:30 | 0:10:34 | |
No, I hate my life. | 0:10:36 | 0:10:39 | |
I hate myself. | 0:10:39 | 0:10:42 | |
Good. | 0:10:42 | 0:10:44 | |
You have taken the first step. | 0:10:44 | 0:10:46 | |
RECITES BAPTISM CEREMONY | 0:10:57 | 0:11:00 | |
BABY CRIES | 0:11:11 | 0:11:12 | |
Your wound still troubles you? | 0:11:27 | 0:11:29 | |
Yes, a little. | 0:11:29 | 0:11:31 | |
-You still keep up a good pace, Father. -Why would I not? | 0:11:31 | 0:11:34 | |
I never vary! | 0:11:34 | 0:11:36 | |
Work, exercise, a good night's sleep - that's all a man needs. | 0:11:36 | 0:11:40 | |
What next for you? Back to the army? | 0:11:41 | 0:11:44 | |
No. I've had enough for now of dreams of glory. | 0:11:44 | 0:11:49 | |
And Napoleon's wars seem like nothing to do with us. | 0:11:49 | 0:11:52 | |
-I'd like to make myself useful here. -Good! Glad to hear it. | 0:11:52 | 0:11:56 | |
Plenty here to keep you occupied. | 0:11:56 | 0:11:57 | |
Build yourself a house on the Bogucharovo estate. | 0:11:57 | 0:12:01 | |
A man needs his own place. | 0:12:01 | 0:12:03 | |
What do you say to that? | 0:12:03 | 0:12:04 | |
-I think it's an excellent idea. -Good! | 0:12:04 | 0:12:07 | |
INDISTINCT CHATTER | 0:12:09 | 0:12:11 | |
I've drawn up a list of economies | 0:12:16 | 0:12:18 | |
I strongly recommend to Your Excellency. | 0:12:18 | 0:12:20 | |
Yes, yes, but one doesn't care to penny-pinch. | 0:12:20 | 0:12:22 | |
One has to entertain the odd guest now and then. | 0:12:22 | 0:12:24 | |
-The position is really quite serious... -All right, all right, | 0:12:24 | 0:12:28 | |
austerity shall be our watchword from now on, thank you. | 0:12:28 | 0:12:31 | |
Thank you for your meticulous accounting. | 0:12:31 | 0:12:33 | |
-I'll be good, I promise. -Your Excellency. | 0:12:35 | 0:12:38 | |
FOOTSTEPS APPROACH | 0:12:38 | 0:12:40 | |
Well, what is it, my dear boy, as if I couldn't guess? | 0:12:41 | 0:12:44 | |
I'm sorry to have to ask, Father, but I do find myself a little short. | 0:12:44 | 0:12:48 | |
I've been helping Dolokhov with his medical expenses, you see. | 0:12:48 | 0:12:50 | |
-Ah, yes, how is the poor fellow? -Oh, he's very much better. | 0:12:50 | 0:12:53 | |
But he and his mother and sister, they live in such a poor way, | 0:12:53 | 0:12:56 | |
-they can barely afford to heat their rooms. -And you've been helping them. | 0:12:56 | 0:13:01 | |
You're a generous-hearted boy. | 0:13:01 | 0:13:03 | |
Now, I can't spare you very much just at the moment. | 0:13:03 | 0:13:06 | |
Bakshin was very strict with me just now. | 0:13:06 | 0:13:08 | |
Will 2,000 roubles be sufficient for your needs? | 0:13:08 | 0:13:11 | |
That will be ample, Father - you're very good. | 0:13:11 | 0:13:13 | |
See if you can make it last till Spring. | 0:13:13 | 0:13:15 | |
I give you my word that it will. | 0:13:15 | 0:13:17 | |
And, Father, I should like to invite Dolokhov | 0:13:17 | 0:13:20 | |
to come and stay here for a little while. May I do that? | 0:13:20 | 0:13:23 | |
-My dear boy, any friend of yours is welcome here! -Thank you. | 0:13:23 | 0:13:27 | |
HE SIGHS | 0:13:31 | 0:13:32 | |
To the health and happiness of all, | 0:13:34 | 0:13:37 | |
and the splendid recovery of our young friend here! | 0:13:37 | 0:13:39 | |
I can't thank you enough, Count Rostov, | 0:13:39 | 0:13:41 | |
and you, Countess, for your kindness to me. | 0:13:41 | 0:13:43 | |
Nonsense - it's our pleasure. | 0:13:43 | 0:13:45 | |
You're one of the heroes of Austerlitz. | 0:13:45 | 0:13:47 | |
Nothing to be proud of, sir - I'm just a man who loves to fight. | 0:13:47 | 0:13:49 | |
It's all I know, to my shame. | 0:13:49 | 0:13:51 | |
Don't disparage yourself, Fedya - none of us will believe it anyway. | 0:13:51 | 0:13:55 | |
Then I'd better say nothing about myself at all. | 0:13:55 | 0:13:58 | |
How is your mazurka coming along, Natasha? | 0:14:00 | 0:14:03 | |
Well, we thought we were doing very well, | 0:14:05 | 0:14:07 | |
until Denisov told us we were doing it all wrong. | 0:14:07 | 0:14:11 | |
LAUGHTER | 0:14:11 | 0:14:13 | |
-You did. -What do you know about it, Denisov? | 0:14:13 | 0:14:16 | |
Oh, I was dancing the mazurka in Poland | 0:14:16 | 0:14:18 | |
-when you were still in petticoats, my boy! -Really? | 0:14:18 | 0:14:21 | |
The way they used to teach us in Poland... | 0:14:21 | 0:14:24 | |
Have you always lived with the family, Sonya? | 0:14:24 | 0:14:27 | |
Yes, since I was a little girl. | 0:14:27 | 0:14:29 | |
Nikolai speaks so warmly of you, and now I can see why. | 0:14:29 | 0:14:33 | |
I should like to know you better, Sonya. | 0:14:35 | 0:14:38 | |
-DOLOKHOV: -..It was the footman! | 0:14:38 | 0:14:40 | |
Dolokhov watches you all the time. | 0:14:40 | 0:14:43 | |
Doesn't it make you feel uncomfortable? | 0:14:43 | 0:14:46 | |
Yes. But there's no harm in it. | 0:14:46 | 0:14:50 | |
He can look all he likes. It won't change anything. | 0:14:50 | 0:14:54 | |
You're so sure of yourself. | 0:14:54 | 0:14:57 | |
Mama says that girls are like mayflies. | 0:14:57 | 0:15:01 | |
That they have their day in the sun, and then it's over. | 0:15:01 | 0:15:04 | |
It's more than a day. | 0:15:04 | 0:15:06 | |
But how long? A year or two? | 0:15:06 | 0:15:09 | |
To choose or be chosen. | 0:15:09 | 0:15:11 | |
And then, that's our lives settled...for ever. | 0:15:11 | 0:15:17 | |
It's frightening. | 0:15:17 | 0:15:19 | |
You just have to choose right, that's all. | 0:15:19 | 0:15:22 | |
But how will I know? | 0:15:22 | 0:15:24 | |
You will. | 0:15:24 | 0:15:26 | |
But will I? | 0:15:26 | 0:15:28 | |
I'm sorry, Nikki, I just don't like him. | 0:15:31 | 0:15:33 | |
Why on Earth not? Everyone else does. | 0:15:33 | 0:15:35 | |
-There's something cruel about him. -Now you're just being ridiculous. | 0:15:35 | 0:15:39 | |
-No, I'm not! -He's the kindest, gentlest... | 0:15:39 | 0:15:42 | |
If you could see him at home with his mother and sister... | 0:15:42 | 0:15:44 | |
Well, I don't know about that. All I know is what I feel. | 0:15:44 | 0:15:48 | |
And I'm sure Pierre was in the right when he challenged him. | 0:15:48 | 0:15:53 | |
Oh, Pierre! He's an idiot. | 0:15:53 | 0:15:55 | |
No, he's not. I'd trust him with my life. | 0:15:55 | 0:15:57 | |
Whereas, that one... | 0:15:57 | 0:15:59 | |
..can't you see he's trying to take Sonya from you? | 0:16:00 | 0:16:03 | |
He's just being nice to her. He likes you, too. | 0:16:03 | 0:16:06 | |
No, he doesn't. | 0:16:06 | 0:16:08 | |
And I'm not sure he likes you, either - not really. | 0:16:08 | 0:16:13 | |
HE SNORTS | 0:16:13 | 0:16:15 | |
SWORDS CLASH | 0:16:23 | 0:16:25 | |
You sure you're up to this, Fedya? | 0:16:32 | 0:16:34 | |
Come again. | 0:16:35 | 0:16:37 | |
Whoa! | 0:16:47 | 0:16:49 | |
You'll have to show me how to do that one! | 0:16:52 | 0:16:54 | |
Trade secret, my boy. | 0:16:55 | 0:16:56 | |
WATER SPLASHING | 0:16:59 | 0:17:00 | |
Your cousin is a lovely girl, Rostov. | 0:17:00 | 0:17:03 | |
And your sister, of course. | 0:17:03 | 0:17:05 | |
I thought you were the man that despised all women, | 0:17:06 | 0:17:09 | |
-except his own mother and sister. -I changed my mind, very recently. | 0:17:09 | 0:17:13 | |
Innocence and purity are very rare. | 0:17:13 | 0:17:15 | |
You've known these girls all your life, | 0:17:17 | 0:17:19 | |
you take their qualities for granted. | 0:17:19 | 0:17:21 | |
I suppose you're right. I've never really thought about it. | 0:17:21 | 0:17:24 | |
You see and feel very deeply, don't you, Dolokhov? | 0:17:25 | 0:17:28 | |
Some things. | 0:17:28 | 0:17:30 | |
Some things. | 0:17:31 | 0:17:33 | |
A-ha! A mazurka! | 0:17:36 | 0:17:38 | |
-A-ha! -I knew we had one somewhere! Come on, Denisov. | 0:17:38 | 0:17:43 | |
We've heard you boasting, now you can show us what you can do! | 0:17:43 | 0:17:46 | |
-No, no, no. -Yes! Make him, Father! | 0:17:46 | 0:17:48 | |
No excuse, Denisov, you might as well submit. | 0:17:48 | 0:17:50 | |
-Best idea all night. -Oh, no! | 0:17:50 | 0:17:52 | |
SHE LAUGHS | 0:17:52 | 0:17:54 | |
MUSIC STARTS | 0:17:57 | 0:17:58 | |
SHE SQUEALS | 0:18:45 | 0:18:47 | |
APPLAUSE | 0:18:53 | 0:18:55 | |
Denisov, you're a wonderful dancer! I had no idea. | 0:18:57 | 0:19:01 | |
For you - all for you. | 0:19:01 | 0:19:04 | |
Oh, thank you. | 0:19:04 | 0:19:05 | |
Now this, you absolutely deserve! | 0:19:05 | 0:19:07 | |
-Yes! -Thank you. -Shall we sit down? | 0:19:07 | 0:19:10 | |
PIANO PLAYS | 0:19:14 | 0:19:16 | |
HE SINGS IN RUSSIAN | 0:19:18 | 0:19:21 | |
Countess. | 0:19:22 | 0:19:23 | |
Natasha. | 0:19:25 | 0:19:27 | |
If I don't speak now, I'm afraid I never will. | 0:19:27 | 0:19:29 | |
I adore you. | 0:19:32 | 0:19:33 | |
I have never felt this way about any woman or girl. | 0:19:34 | 0:19:37 | |
I think about you all day and dream of you at night. | 0:19:37 | 0:19:40 | |
-Oh, dear. -I know I have no hope, but I must ask you. | 0:19:40 | 0:19:45 | |
Will you make me the happiest man on earth | 0:19:45 | 0:19:47 | |
and consent to be my wife? | 0:19:47 | 0:19:48 | |
Oh...er... | 0:19:50 | 0:19:53 | |
I wish you hadn't said that. | 0:19:54 | 0:19:56 | |
I beg your pardon. | 0:19:57 | 0:19:59 | |
-I couldn't help it. -Dear Denisov. | 0:20:00 | 0:20:02 | |
I'm so fond of you, but... | 0:20:02 | 0:20:06 | |
I can't say it. | 0:20:06 | 0:20:09 | |
Please. | 0:20:11 | 0:20:12 | |
Forget about it. | 0:20:12 | 0:20:14 | |
A moment of madness. | 0:20:14 | 0:20:16 | |
All over now. | 0:20:17 | 0:20:19 | |
Now, if you will excuse me... | 0:20:23 | 0:20:25 | |
CONTINUES SINGING | 0:20:27 | 0:20:30 | |
DOOR OPENS | 0:20:56 | 0:20:57 | |
Now you must be blindfolded. | 0:20:58 | 0:21:00 | |
Why is that? | 0:21:02 | 0:21:04 | |
If you wish to join our brotherhood, | 0:21:04 | 0:21:06 | |
you must be willing to submit to our rituals without question. | 0:21:06 | 0:21:09 | |
Are you willing? | 0:21:11 | 0:21:13 | |
Yes. | 0:21:15 | 0:21:16 | |
Yes. | 0:21:18 | 0:21:19 | |
I will leave you now. | 0:21:28 | 0:21:29 | |
When you hear knocking, | 0:21:31 | 0:21:33 | |
you may remove the blindfold. | 0:21:33 | 0:21:35 | |
RECEDING FOOTSTEPS | 0:21:36 | 0:21:38 | |
LOUD BANGING | 0:21:53 | 0:21:54 | |
Why have you come here? | 0:21:58 | 0:22:01 | |
For wisdom? | 0:22:01 | 0:22:03 | |
For virtue? | 0:22:03 | 0:22:04 | |
For enlightenment? | 0:22:04 | 0:22:06 | |
For renewal. | 0:22:08 | 0:22:09 | |
I want renewal. | 0:22:10 | 0:22:12 | |
MEN: Sic transit gloria mundi! | 0:22:13 | 0:22:17 | |
Always aid your brother man. | 0:22:17 | 0:22:19 | |
Raise up the fallen. | 0:22:19 | 0:22:22 | |
Forgive your enemy. | 0:22:22 | 0:22:24 | |
Take no revenge upon him, unless it be but to do him good. | 0:22:24 | 0:22:28 | |
Go out into the world now. | 0:22:28 | 0:22:32 | |
Live not for yourself, but for others. | 0:22:32 | 0:22:37 | |
You must be so happy that he has decided to turn his back on society. | 0:22:39 | 0:22:44 | |
Well, I won't say a word against my husband, Anna Pavlovna, | 0:22:44 | 0:22:47 | |
but truly it has been a bit of a trial the last few months. | 0:22:47 | 0:22:50 | |
I'm very glad to be back in Petersburg. | 0:22:50 | 0:22:53 | |
And the Emperor himself has taken an interest in your affairs, I hear. | 0:22:53 | 0:22:57 | |
Yes, he's been kind. More than kind, really. | 0:22:57 | 0:23:01 | |
Vraiment? | 0:23:01 | 0:23:02 | |
All the old crowd here, I see. | 0:23:02 | 0:23:05 | |
-Bilibin! -Enchanting as ever, Comtesse. | 0:23:05 | 0:23:09 | |
Well, I should hope so. But tell me, who is that young man over there? | 0:23:09 | 0:23:14 | |
Ah. Boris Drubestkoy. | 0:23:14 | 0:23:16 | |
A very promising young man. | 0:23:16 | 0:23:18 | |
Since Austerlitz, he's been attached to the Prussian staff. | 0:23:18 | 0:23:21 | |
Our oldest allies. | 0:23:21 | 0:23:23 | |
They've only betrayed us four times in the last three years, | 0:23:23 | 0:23:26 | |
but now they're supposed to be the solution to the eternal... | 0:23:26 | 0:23:29 | |
Stop talking politics to me, Bilibin, I can't bear it. | 0:23:29 | 0:23:32 | |
Just introduce me to your little friend | 0:23:32 | 0:23:35 | |
and make yourself scarce, hmm? | 0:23:35 | 0:23:36 | |
Drubetskoy? | 0:23:36 | 0:23:38 | |
Over here. | 0:23:38 | 0:23:39 | |
Countess Bezukhova, may I present Boris Drubetskoy, | 0:23:40 | 0:23:43 | |
one of our most promising young diplomats? | 0:23:43 | 0:23:46 | |
-Enchante. -And you're with the Prussian High Command? | 0:23:46 | 0:23:49 | |
How exciting, to be so close to all the decision-makers. | 0:23:49 | 0:23:52 | |
Do tell me about it. | 0:23:52 | 0:23:54 | |
Are you interested in politics, Countess Bezukhova? | 0:23:54 | 0:23:57 | |
I adore politics. | 0:23:57 | 0:23:58 | |
It's all so fascinating! | 0:24:00 | 0:24:02 | |
Ah, Dolokhov, you'll never guess who I just ran into! | 0:24:03 | 0:24:06 | |
Dolokhov? | 0:24:06 | 0:24:08 | |
What's the matter? What's going on? | 0:24:08 | 0:24:10 | |
-Did he tell you? -No, he told me nothing. What's this all about? | 0:24:10 | 0:24:13 | |
There's been a bit of a scene. | 0:24:13 | 0:24:14 | |
He's proposed to Sonya and she refused him. | 0:24:14 | 0:24:16 | |
She told him she was in love with someone else. | 0:24:16 | 0:24:18 | |
You, of course, though she didn't say so. | 0:24:18 | 0:24:20 | |
-He actually proposed to her? -Yes! Couldn't you see it coming? | 0:24:20 | 0:24:23 | |
Sometimes I don't think you see anything. | 0:24:23 | 0:24:25 | |
Mamma's not pleased. | 0:24:25 | 0:24:27 | |
She told Sonya that Dolokhov's a very good match | 0:24:27 | 0:24:30 | |
for a girl with no prospects. But I'm glad she refused him. | 0:24:30 | 0:24:32 | |
-Aren't you? -Yes, yes, of course I am. | 0:24:32 | 0:24:35 | |
But I should talk to her about it. | 0:24:35 | 0:24:37 | |
Yes, I'll get her to come down. | 0:24:37 | 0:24:38 | |
So, he really proposed to you? | 0:24:54 | 0:24:56 | |
Yes. I didn't want him to. | 0:24:56 | 0:25:00 | |
You know, as Mamma said, it would be a good match for you. | 0:25:00 | 0:25:03 | |
He's such a good fellow and a dear friend. | 0:25:03 | 0:25:06 | |
I'd hate for you to feel as though you'd missed an opportunity. | 0:25:06 | 0:25:09 | |
I've already refused him. Nothing could make me change my mind. | 0:25:09 | 0:25:13 | |
He's been very kind to me, but I could never love him, | 0:25:13 | 0:25:15 | |
-and I told him so. -Sonya, if you've refused him for my sake, | 0:25:15 | 0:25:18 | |
-then I'm afraid... -No, don't say that to me! | 0:25:18 | 0:25:20 | |
No, but I must tell you the whole truth. Look. | 0:25:20 | 0:25:22 | |
I love you, I think, more than anyone I've ever known. | 0:25:22 | 0:25:26 | |
Well, that's enough for me. | 0:25:26 | 0:25:27 | |
Yes, but I've fallen in love before and I expect that I will again. | 0:25:27 | 0:25:30 | |
I can't help it, it's the way I am. | 0:25:30 | 0:25:32 | |
And then when Mamma refuses to give her consent, | 0:25:33 | 0:25:37 | |
you see, I'm not in a position to promise you anything. | 0:25:37 | 0:25:40 | |
-I don't ask you to, I never have. -Yes, but I think you should consider | 0:25:40 | 0:25:44 | |
Dolokhov's proposal. | 0:25:44 | 0:25:45 | |
I'd rather not marry at all than marry him. | 0:25:48 | 0:25:50 | |
I love you and I always will. | 0:25:52 | 0:25:55 | |
But I don't ask anything of you. I don't expect anything more. | 0:25:55 | 0:26:01 | |
I don't deserve you. | 0:26:03 | 0:26:05 | |
You're an angel. | 0:26:07 | 0:26:09 | |
HE SIGHS | 0:26:21 | 0:26:23 | |
Good day, good day, I've come to see how you're all getting along. | 0:26:23 | 0:26:27 | |
These cottages look very bad, Grigori. | 0:26:29 | 0:26:31 | |
They need new roofs, at the very least. | 0:26:31 | 0:26:34 | |
Yes, indeed, your Excellency. See you make a note of that. | 0:26:34 | 0:26:36 | |
And here would be a good place for a school. | 0:26:36 | 0:26:39 | |
A school, your Excellency? | 0:26:39 | 0:26:40 | |
Yes, indeed. Every boy should have the chance to learn | 0:26:40 | 0:26:43 | |
to read and write. And the girls, too. | 0:26:43 | 0:26:45 | |
But where will the teacher come from, your Excellency? | 0:26:45 | 0:26:48 | |
Oh, there are teachers everywhere. | 0:26:48 | 0:26:50 | |
Just build the school and the teachers will come! | 0:26:50 | 0:26:53 | |
Now! Grain stores. | 0:26:53 | 0:26:56 | |
Hello. | 0:26:59 | 0:27:00 | |
Grain stores. | 0:27:05 | 0:27:07 | |
CLOCK BELLS RING | 0:27:09 | 0:27:11 | |
FOOTSTEPS APPROACH | 0:27:13 | 0:27:15 | |
Oh, it's you. | 0:27:15 | 0:27:17 | |
I'm so sorry, but did I mistake the day? Or the time? | 0:27:19 | 0:27:25 | |
No, I don't think so. | 0:27:26 | 0:27:28 | |
It's just...where is everybody? | 0:27:28 | 0:27:32 | |
Don't you think there are enough of us? | 0:27:33 | 0:27:36 | |
Well, yes, of course. | 0:27:36 | 0:27:39 | |
What did you think all this was about? | 0:27:40 | 0:27:43 | |
Well... | 0:27:45 | 0:27:47 | |
Are you hungry? | 0:27:49 | 0:27:50 | |
Um...not particularly. | 0:27:51 | 0:27:55 | |
Come on, then. | 0:27:58 | 0:27:59 | |
All right, gentlemen, who's in? | 0:28:41 | 0:28:43 | |
Ah, Rostov! The very man! | 0:28:43 | 0:28:46 | |
Thank you for inviting me, Dolokhov. You've been a stranger lately. | 0:28:46 | 0:28:49 | |
I've been busy. | 0:28:49 | 0:28:51 | |
But you're still my... I mean, everything's all right between us? | 0:28:51 | 0:28:55 | |
Why wouldn't it be? Why don't you join us at the table? | 0:28:55 | 0:28:57 | |
Or are you afraid of playing with me? | 0:28:57 | 0:28:59 | |
-HE LAUGHS NERVOUSLY -I haven't any money with me. | 0:28:59 | 0:29:02 | |
That's all right, I trust you. | 0:29:02 | 0:29:04 | |
Play or not, it's all the same to me. | 0:29:04 | 0:29:06 | |
But I tell you, if you play with me, you'll lose. | 0:29:06 | 0:29:08 | |
ALL: Ooh! | 0:29:08 | 0:29:09 | |
Well, you don't know that. | 0:29:09 | 0:29:11 | |
You know what they say about me? | 0:29:11 | 0:29:12 | |
Dolokhov makes his own luck. | 0:29:12 | 0:29:14 | |
-I'll play. -Good man! Make some room for him. | 0:29:18 | 0:29:21 | |
Stake your bets, gentlemen. | 0:29:22 | 0:29:24 | |
Five roubles on the five. | 0:29:27 | 0:29:28 | |
Three of hearts the soda. | 0:29:30 | 0:29:32 | |
Ten wins. | 0:29:32 | 0:29:33 | |
And five loses. | 0:29:34 | 0:29:36 | |
All right, Rostov, I'm keeping tally. | 0:29:36 | 0:29:39 | |
Stake your bets, gentlemen. | 0:29:39 | 0:29:40 | |
Ten on the ace. | 0:29:42 | 0:29:44 | |
Any more? | 0:29:47 | 0:29:49 | |
All right. | 0:29:50 | 0:29:52 | |
Seven... | 0:29:52 | 0:29:53 | |
King... | 0:29:53 | 0:29:54 | |
..and ace loses. | 0:29:56 | 0:29:57 | |
Bad luck, Rostov. | 0:29:57 | 0:29:59 | |
Maybe it's not your night. Stake your bets, gentlemen. | 0:29:59 | 0:30:02 | |
20 on the seven. | 0:30:04 | 0:30:05 | |
AUDIENCE GROANS | 0:30:14 | 0:30:16 | |
That's how it goes sometimes. | 0:30:17 | 0:30:19 | |
Perhaps you'd like to quit, Rostov? | 0:30:20 | 0:30:23 | |
40 on the King. | 0:30:29 | 0:30:30 | |
Place your bets. | 0:30:33 | 0:30:34 | |
-1,000 on the ace. -Any more? | 0:30:36 | 0:30:39 | |
Jack of diamonds. | 0:30:40 | 0:30:42 | |
Three of spades. | 0:30:42 | 0:30:44 | |
Ace of diamonds. | 0:30:44 | 0:30:45 | |
So, how much do I owe you now? | 0:30:49 | 0:30:51 | |
CHICKENS SQUAWK | 0:30:57 | 0:30:59 | |
PIGS GRUNT | 0:31:03 | 0:31:05 | |
NATASHA SINGS | 0:31:08 | 0:31:10 | |
NIKOLAI HUMS ALONG | 0:31:22 | 0:31:24 | |
HE SINGS | 0:31:36 | 0:31:38 | |
BOTH SING | 0:31:43 | 0:31:45 | |
SONYA CLAPS | 0:32:18 | 0:32:20 | |
You have a lovely voice, Nikki - we should sing together more often! | 0:32:20 | 0:32:24 | |
I have to go and speak to Father. | 0:32:25 | 0:32:27 | |
KNOCK AT DOOR Ah, the night bird! | 0:32:31 | 0:32:34 | |
Home at last! Well, did you have a good time? | 0:32:34 | 0:32:38 | |
Not especially. | 0:32:38 | 0:32:40 | |
-Father, I'm afraid I'm going to need some more money. -Already? | 0:32:40 | 0:32:44 | |
I had a feeling it wouldn't last you, | 0:32:44 | 0:32:45 | |
but I didn't think it would be so soon! | 0:32:45 | 0:32:48 | |
Well, you're only young once. How much do you need, my boy? | 0:32:48 | 0:32:52 | |
Well, it's rather a lot. | 0:32:52 | 0:32:53 | |
Um, I lost a bit at cards, you see... | 0:32:53 | 0:32:57 | |
That is, a good deal, a very great deal actually. | 0:32:58 | 0:33:00 | |
-How much? -43,000. | 0:33:00 | 0:33:02 | |
What? | 0:33:03 | 0:33:05 | |
To whom? | 0:33:06 | 0:33:08 | |
43,000?! Are you joking? | 0:33:08 | 0:33:10 | |
And I promised to pay tomorrow. | 0:33:10 | 0:33:12 | |
Tomorrow. | 0:33:17 | 0:33:18 | |
I suppose it happens to everyone, at some point. | 0:33:19 | 0:33:22 | |
Yes. | 0:33:22 | 0:33:23 | |
Yes, I suppose these things do happen. | 0:33:25 | 0:33:27 | |
It's a little difficult. | 0:33:29 | 0:33:30 | |
We shall have to close up the Moscow house and go to Otradnoe. | 0:33:32 | 0:33:35 | |
Well... | 0:33:35 | 0:33:36 | |
Well, it can't be helped. | 0:33:38 | 0:33:41 | |
Can't be helped. | 0:33:41 | 0:33:43 | |
Oh, Papa! Please forgive me - I'm so sorry! | 0:33:44 | 0:33:47 | |
Forgive me, I'm sorry...I didn't mean.. | 0:33:47 | 0:33:50 | |
There, there. | 0:33:50 | 0:33:52 | |
There, there. | 0:33:52 | 0:33:53 | |
Well, here we are. | 0:33:59 | 0:34:01 | |
We didn't exactly enhance our reputations on leave, did we? | 0:34:02 | 0:34:06 | |
I certainly didn't. | 0:34:06 | 0:34:08 | |
When the leave's too long, the soldier goes wrong. | 0:34:08 | 0:34:11 | |
At least we know what we have to do now - kill Frenchmen. | 0:34:12 | 0:34:16 | |
We can do that. | 0:34:16 | 0:34:17 | |
By the order of the Emperor Alexander, | 0:34:19 | 0:34:22 | |
and by the grace of God, | 0:34:22 | 0:34:24 | |
it is announced that a peace treaty | 0:34:24 | 0:34:27 | |
has been ratified with the Emperor of France, | 0:34:27 | 0:34:31 | |
who will now be our gallant ally. | 0:34:31 | 0:34:35 | |
HUBBUB | 0:34:35 | 0:34:37 | |
The Emperor Napoleon has been awarded the Order of St Andrew, | 0:34:37 | 0:34:41 | |
as a mark of our nations' amity and accord. | 0:34:41 | 0:34:47 | |
Thank you. | 0:34:47 | 0:34:49 | |
Oh, excellent. | 0:34:51 | 0:34:53 | |
What was that all about? | 0:34:53 | 0:34:55 | |
The usual thing. We've changed sides. | 0:34:55 | 0:34:58 | |
Our enemies are our friends now. | 0:34:58 | 0:34:59 | |
-So we're friends with the French? -I know, I know. | 0:34:59 | 0:35:03 | |
It's a mad world. No use trying to understand. | 0:35:03 | 0:35:06 | |
HE GRUNTS | 0:35:12 | 0:35:14 | |
BUZZING | 0:35:21 | 0:35:23 | |
WATER PATTERS | 0:35:23 | 0:35:25 | |
BIRDS CALL | 0:35:27 | 0:35:28 | |
ICE CRACKLES | 0:35:32 | 0:35:34 | |
HORSES' HOOVES | 0:36:11 | 0:36:13 | |
Is Prince Andrei at home? I'm an old friend. | 0:36:21 | 0:36:24 | |
Yes, your Excellency. Shall I tell him you're here? | 0:36:24 | 0:36:26 | |
No, no, let me surprise him. | 0:36:26 | 0:36:28 | |
Pierre! | 0:36:42 | 0:36:44 | |
How unexpected! | 0:36:44 | 0:36:46 | |
I'm delighted to see you! What brings you to these parts? | 0:36:48 | 0:36:51 | |
I've been making a tour of my estates, | 0:36:51 | 0:36:53 | |
trying to make conditions better for my serfs | 0:36:53 | 0:36:55 | |
and my tenant farmers, make my farms more efficient, and so on. | 0:36:55 | 0:36:58 | |
Really, I've no idea what I'm doing. | 0:37:00 | 0:37:03 | |
How are you? I've been thinking about you so much, | 0:37:03 | 0:37:06 | |
wondering what you've been up to! | 0:37:06 | 0:37:08 | |
Not very much, is the short answer. | 0:37:09 | 0:37:11 | |
Come, let's have something to eat and drink. | 0:37:11 | 0:37:14 | |
Yes, this is the life - bread and cheese, | 0:37:16 | 0:37:19 | |
and wine, in moderation. | 0:37:19 | 0:37:21 | |
To hell with high society! | 0:37:21 | 0:37:23 | |
You know, you're exactly the same. You haven't changed a bit! | 0:37:25 | 0:37:28 | |
Do you think so? | 0:37:30 | 0:37:31 | |
In myself, I believe I've changed a great deal - and for the better. | 0:37:31 | 0:37:36 | |
I heard about your marriage. | 0:37:38 | 0:37:40 | |
And how it ended? | 0:37:41 | 0:37:43 | |
You heard about the duel? | 0:37:43 | 0:37:45 | |
Yes, you had to go through that, too. | 0:37:45 | 0:37:48 | |
The one thing I thank God for is that I didn't kill that man. | 0:37:48 | 0:37:51 | |
Why so? If a dog is vicious, he's better off dead. | 0:37:51 | 0:37:54 | |
But to take a man's life, that must always be wrong. | 0:37:54 | 0:37:57 | |
Why must it always be wrong? For you, perhaps. | 0:37:57 | 0:38:00 | |
For me, there are only two evils - | 0:38:00 | 0:38:04 | |
sickness and remorse. | 0:38:04 | 0:38:07 | |
Since Lise died, I have been wracked with remorse. | 0:38:09 | 0:38:13 | |
I treated her unkindly and now she's gone. | 0:38:16 | 0:38:19 | |
Disappeared into nowhere. | 0:38:20 | 0:38:22 | |
No way for me to make amends. | 0:38:24 | 0:38:26 | |
I've been staring into the abyss, Pierre. | 0:38:31 | 0:38:34 | |
So now, my sole aim is to live for myself. | 0:38:38 | 0:38:42 | |
To do as little harm as possible | 0:38:42 | 0:38:43 | |
and to have as little to do with other people as I can. | 0:38:43 | 0:38:46 | |
No, I can't agree. That wouldn't be enough. | 0:38:46 | 0:38:49 | |
I used to live for myself and I ruined my life. | 0:38:49 | 0:38:52 | |
Now, I try to think of others, actively try to help them, | 0:38:52 | 0:38:56 | |
and I'm much happier for it. | 0:38:56 | 0:38:58 | |
Anyway, you don't live just for yourself! | 0:38:58 | 0:39:01 | |
What about your sister, your father, your little son? | 0:39:01 | 0:39:04 | |
They are a part of myself. | 0:39:04 | 0:39:06 | |
All right, I concede, one can't avoid the world entirely, | 0:39:06 | 0:39:09 | |
but I do my best. | 0:39:09 | 0:39:11 | |
I look after my estate, I take care of my sister and my son, | 0:39:11 | 0:39:14 | |
I serve in the local militia with my father. | 0:39:14 | 0:39:16 | |
-And that is enough for me. -You won't go back to the army? | 0:39:16 | 0:39:19 | |
After Austerlitz? No, thanks. | 0:39:19 | 0:39:21 | |
The pursuit of military glory disgusts me now. | 0:39:21 | 0:39:25 | |
And besides, Kutuzov was our last good man, | 0:39:26 | 0:39:28 | |
and now the Tsar's demoted him. | 0:39:28 | 0:39:29 | |
And what about yourself? | 0:39:29 | 0:39:31 | |
You have so much to give. Marry again, why not? | 0:39:31 | 0:39:35 | |
And make some other poor girl unhappy? | 0:39:35 | 0:39:38 | |
I'm surprised to hear you recommend marriage, Pierre. | 0:39:38 | 0:39:40 | |
We neither of us distinguished ourselves there, did we? | 0:39:42 | 0:39:45 | |
Look, I must say this to you. We've had all these conversations | 0:39:53 | 0:39:56 | |
and you've been talking as if your life is over, | 0:39:56 | 0:39:58 | |
but you're a young man still. | 0:39:58 | 0:40:00 | |
You know, so many good things can happen for you. | 0:40:00 | 0:40:02 | |
Since I became a Mason and started to live a good life, | 0:40:02 | 0:40:05 | |
I feel capable of anything! | 0:40:05 | 0:40:07 | |
We must live. | 0:40:07 | 0:40:10 | |
You know, we must love. | 0:40:10 | 0:40:12 | |
And we must believe | 0:40:12 | 0:40:15 | |
that there's more to it all than our lives on this scrap of earth. | 0:40:15 | 0:40:18 | |
There's something else out there - it is true, Andrei. | 0:40:18 | 0:40:21 | |
You must believe it. | 0:40:22 | 0:40:24 | |
Yes, if only it were so. | 0:40:32 | 0:40:34 | |
Pierre, I'd like you to meet my son. | 0:40:40 | 0:40:45 | |
And it must be years since my father and my sister set eyes on you. | 0:40:45 | 0:40:49 | |
Can you spare the time? | 0:40:50 | 0:40:52 | |
For you, I've all the time in the world. | 0:40:52 | 0:40:54 | |
-MAN WHISPERS: -He's a funny fish. | 0:41:07 | 0:41:09 | |
-BOY WHISPERS: -He makes a funny face! | 0:41:12 | 0:41:14 | |
LAUGHS | 0:41:14 | 0:41:15 | |
How do you find Andrei? | 0:41:15 | 0:41:18 | |
He worries me so much. | 0:41:19 | 0:41:21 | |
Today, he's merry and lively, | 0:41:21 | 0:41:23 | |
but that's just your effect on him. | 0:41:23 | 0:41:26 | |
He is unhappy. | 0:41:26 | 0:41:27 | |
But it's not as though he's doing nothing, Princess. | 0:41:29 | 0:41:32 | |
I know. | 0:41:32 | 0:41:33 | |
He does everything well. | 0:41:34 | 0:41:36 | |
But it's as if the soul has gone out of him. | 0:41:38 | 0:41:41 | |
DOOR OPENS | 0:41:43 | 0:41:45 | |
My father's home. | 0:41:45 | 0:41:46 | |
Oh! Do you want to go and say hello to your grandfather? | 0:41:46 | 0:41:49 | |
'No more war?' | 0:42:02 | 0:42:04 | |
This peace treaty with France won't last. Mark my words, | 0:42:04 | 0:42:07 | |
we'll be fighting Napoleon again before you're much older! | 0:42:07 | 0:42:09 | |
No, sir! We must believe the man is capable of evolving. | 0:42:09 | 0:42:13 | |
Evolving? | 0:42:13 | 0:42:15 | |
Men don't change! | 0:42:15 | 0:42:16 | |
If you could drain the blood from their veins and put in water, | 0:42:16 | 0:42:19 | |
there might be no war! | 0:42:19 | 0:42:21 | |
You're talking old women's nonsense, sir, | 0:42:21 | 0:42:24 | |
but I'm happy to see that there are still a few idealists left on Earth. | 0:42:24 | 0:42:28 | |
I want you to go to Otradnoe. | 0:42:29 | 0:42:31 | |
The marshal there, Count Rostov, | 0:42:31 | 0:42:33 | |
has failed to produce half the men required of him. | 0:42:33 | 0:42:36 | |
The army still needs to be maintained, | 0:42:36 | 0:42:38 | |
even in this time of so-called peace. | 0:42:38 | 0:42:41 | |
Rostov needs someone to ginger him up a bit. | 0:42:41 | 0:42:43 | |
Do you know the man, at all? | 0:42:43 | 0:42:45 | |
-No, I don't. -I do. | 0:42:45 | 0:42:47 | |
He's a very good man. Not practical, I suppose, | 0:42:47 | 0:42:50 | |
but who am I to talk of such things? | 0:42:50 | 0:42:53 | |
I'm very fond of him. The whole family are delightful. | 0:42:53 | 0:42:56 | |
Well, there you are. You can mix business with pleasure! | 0:42:56 | 0:42:59 | |
CHATTERING AND LAUGHING | 0:43:09 | 0:43:11 | |
PIANO PLAYS | 0:43:22 | 0:43:25 | |
Do tell your father that I shall do my very best to | 0:43:26 | 0:43:29 | |
make my contribution to the militia. I've been very lax. | 0:43:29 | 0:43:32 | |
Do you know, I moved the family to the country to save money, | 0:43:32 | 0:43:36 | |
but somehow, I've been doing more entertaining here | 0:43:36 | 0:43:38 | |
than I ever did in Moscow - hunts, theatricals, dinners, musicians, | 0:43:38 | 0:43:41 | |
endless guests coming to stay... | 0:43:41 | 0:43:42 | |
Well, I shan't be any further burden to you... | 0:43:42 | 0:43:44 | |
Oh, no, no, no, my dear fellow, I didn't mean you. | 0:43:44 | 0:43:47 | |
Of course, you must stay the night. | 0:43:47 | 0:43:48 | |
And as long as you wish! | 0:43:48 | 0:43:51 | |
And you needn't be talking to boring old men like me, | 0:43:52 | 0:43:54 | |
I've seen you looking at those lovely girls. | 0:43:54 | 0:43:57 | |
Natasha! Stop that, my darling, and come over here. | 0:43:57 | 0:44:01 | |
My daughter, Natalia. | 0:44:06 | 0:44:08 | |
Natasha, this is Prince Andrei Bolkonsky, | 0:44:08 | 0:44:10 | |
one of the great heroes of Austerlitz. | 0:44:10 | 0:44:13 | |
I'm happy to make your acquaintance, sir. | 0:44:13 | 0:44:15 | |
I think I saw you before, didn't I? | 0:44:20 | 0:44:22 | |
Yes. | 0:44:22 | 0:44:24 | |
Yes, you looked at me so severely! | 0:44:24 | 0:44:27 | |
No, not at all. | 0:44:27 | 0:44:28 | |
Not severely. At least, I hope not. | 0:44:28 | 0:44:31 | |
Go and take him away and talk to him, Natasha. He's had enough of me. | 0:44:32 | 0:44:36 | |
SHE LAUGHS | 0:44:36 | 0:44:38 | |
Are you the Prince Andrei that Pierre Bezukhov talks about? | 0:44:45 | 0:44:48 | |
He is my greatest friend. | 0:44:48 | 0:44:49 | |
He loves you very dearly. I think you're his hero. | 0:44:51 | 0:44:54 | |
Have you seen him lately? | 0:44:56 | 0:44:57 | |
He's had so much trouble, I think, and none of it his fault. | 0:44:57 | 0:45:01 | |
I saw him just before I came here. | 0:45:01 | 0:45:04 | |
I believe he's put his sorrows behind him now - | 0:45:04 | 0:45:07 | |
he's full of great plans and love for his fellow man. | 0:45:07 | 0:45:12 | |
Yes. Yes, that's just like him. | 0:45:12 | 0:45:16 | |
I so want him to be happy. | 0:45:16 | 0:45:18 | |
Like you. | 0:45:19 | 0:45:21 | |
You seem to have the gift of happiness. | 0:45:21 | 0:45:25 | |
Don't we all have it? | 0:45:27 | 0:45:29 | |
Somewhere within us? | 0:45:29 | 0:45:31 | |
-NATASHA: -Come on, please? One more time! | 0:45:45 | 0:45:49 | |
SONYA: Yes, all right, but then I'm blowing the candles out. | 0:45:49 | 0:45:52 | |
NATASHA AND SONYA SING | 0:45:55 | 0:45:57 | |
That's it - I'm going to sleep now. | 0:46:39 | 0:46:41 | |
Oh, Sonya, how can you sleep? | 0:46:41 | 0:46:43 | |
I feel as if I'm going to stay awake till dawn. | 0:46:43 | 0:46:46 | |
Look at that lovely moon. | 0:46:48 | 0:46:49 | |
I don't think it's the moon that's keeping you awake. | 0:46:49 | 0:46:53 | |
What, then? | 0:46:53 | 0:46:55 | |
Do you like him very much? | 0:46:57 | 0:46:59 | |
More than Boris? | 0:46:59 | 0:47:01 | |
Yes, much more. | 0:47:01 | 0:47:03 | |
There's something so sad about him, | 0:47:04 | 0:47:06 | |
and that frightens me a little. | 0:47:06 | 0:47:08 | |
But he's going away, and we're leaving for Petersburg - | 0:47:08 | 0:47:11 | |
I don't suppose I'll ever see him again. | 0:47:11 | 0:47:13 | |
Oh, Sonya, I wish I could fly away. | 0:47:14 | 0:47:17 | |
Shall I try? Would the air carry me? | 0:47:17 | 0:47:20 | |
Don't be a fool! | 0:47:20 | 0:47:21 | |
-Come to bed now. -Oh, if you insist. | 0:47:21 | 0:47:26 | |
DOG BARKS | 0:48:08 | 0:48:10 | |
I understand you have made a great effort to change your life. | 0:48:15 | 0:48:19 | |
That's very commendable. | 0:48:19 | 0:48:21 | |
How do you feel about yourself? | 0:48:21 | 0:48:24 | |
Well, I can look at myself without disgust now. | 0:48:24 | 0:48:27 | |
But...still not happy. | 0:48:27 | 0:48:30 | |
Not at all. | 0:48:32 | 0:48:34 | |
I sleep badly, I wake with fearful thoughts. | 0:48:34 | 0:48:37 | |
What's the matter with me? | 0:48:39 | 0:48:41 | |
Perhaps you are changing your world, | 0:48:44 | 0:48:48 | |
and forgetting to change yourself. | 0:48:48 | 0:48:50 | |
Do you try to forgive those who have wounded you? | 0:48:52 | 0:48:56 | |
"My dear Helene, I believe we should resume married life together, | 0:49:00 | 0:49:04 | |
"if that is agreeable to you." | 0:49:04 | 0:49:06 | |
"I ask you to forgive me for hurting your feelings, | 0:49:08 | 0:49:11 | |
"and for any damage to your reputation | 0:49:11 | 0:49:13 | |
"that my conduct may have caused." | 0:49:13 | 0:49:15 | |
Thank you, dear Pierre. | 0:49:15 | 0:49:17 | |
"I am a better person now, I hope, than I was when we last spoke." | 0:49:17 | 0:49:22 | |
I can't believe you're back with Bezukhov. | 0:49:22 | 0:49:25 | |
No need to sound so shocked. It makes perfect sense. | 0:49:27 | 0:49:32 | |
We're not sharing a bed, it's just for appearance's sake. | 0:49:32 | 0:49:35 | |
So, nothing needs to change. | 0:49:35 | 0:49:37 | |
Come back to bed. | 0:49:37 | 0:49:38 | |
No, I've got too much on this morning. | 0:49:38 | 0:49:40 | |
Did you know the Rostovs are back in town? | 0:49:40 | 0:49:42 | |
I had heard, yes. | 0:49:42 | 0:49:44 | |
Aren't you supposed to be engaged to the daughter? | 0:49:44 | 0:49:46 | |
That was just a childish thing. | 0:49:46 | 0:49:48 | |
Does she know that? | 0:49:48 | 0:49:50 | |
I should make it clear if I were you - | 0:49:50 | 0:49:52 | |
you can't afford to be engaged to a girl with no money. | 0:49:52 | 0:49:54 | |
You're not jealous, by any chance, are you? | 0:49:54 | 0:49:56 | |
Me? Jealous? | 0:49:56 | 0:49:58 | |
Of the little Rostov girl? | 0:49:58 | 0:50:00 | |
You're very sweet. | 0:50:00 | 0:50:02 | |
You can see yourself out. | 0:50:02 | 0:50:04 | |
Wait! | 0:50:04 | 0:50:05 | |
I'll see you at the Tsar's ball? | 0:50:05 | 0:50:08 | |
Well, you shall see me, but you're not to talk to me, | 0:50:08 | 0:50:10 | |
much less touch me. | 0:50:10 | 0:50:12 | |
I shall be otherwise engaged, and you need to find yourself | 0:50:12 | 0:50:15 | |
a pretty little heiress to charm out of her petticoat. | 0:50:15 | 0:50:18 | |
-Think you can do that? -I don't want to do that. | 0:50:18 | 0:50:20 | |
I want you. | 0:50:20 | 0:50:21 | |
Sweet boy. | 0:50:21 | 0:50:23 | |
DOOR OPENS | 0:50:30 | 0:50:32 | |
I'm so nervous! | 0:50:43 | 0:50:45 | |
I've been awake for hours, thinking about the Tsar's ball tonight. | 0:50:45 | 0:50:48 | |
Oh, but you've got nothing to be nervous about. | 0:50:48 | 0:50:53 | |
It is important, my darling, for you and for Sonya - | 0:50:53 | 0:50:57 | |
the first time you'll be seen in Petersburg society. | 0:50:57 | 0:51:01 | |
Everyone's eyes will be on you. | 0:51:01 | 0:51:03 | |
So, keep a clear head, | 0:51:05 | 0:51:07 | |
and don't fall for the first boy who asks you to dance. | 0:51:07 | 0:51:10 | |
-Do you think he might be there? -Who? | 0:51:11 | 0:51:14 | |
-SHE LAUGHS -You know, Mamma! | 0:51:14 | 0:51:17 | |
Prince Andrei Bolkonsky. | 0:51:17 | 0:51:19 | |
If God wills it, he'll be there, | 0:51:19 | 0:51:23 | |
and you'll dance with him. | 0:51:23 | 0:51:25 | |
Now, close your eyes. | 0:51:26 | 0:51:29 | |
SHE SINGS A LULLABY | 0:51:36 | 0:51:40 | |
LULLABY MERGES INTO BALLROOM MUSIC | 0:51:40 | 0:51:44 | |
INDISTINCT CHATTER | 0:52:09 | 0:52:11 | |
-Look at those two. -Ah! | 0:52:20 | 0:52:23 | |
Charmantes! | 0:52:23 | 0:52:25 | |
There's so many French here. | 0:52:27 | 0:52:29 | |
-As if nothing ever changed. -It won't last. | 0:52:29 | 0:52:32 | |
Napoleon won't be able to resist the temptation to invade Russia | 0:52:32 | 0:52:35 | |
-for much longer. -Oh! Bilibin, don't say that. | 0:52:35 | 0:52:38 | |
Well, it's his nature. He's like the scorpion - he has to sting, | 0:52:38 | 0:52:41 | |
he can't help it. | 0:52:41 | 0:52:43 | |
Ah! The Queen of Petersburg! | 0:52:43 | 0:52:46 | |
His Imperial Majesty, The Tsar. | 0:52:47 | 0:52:50 | |
Old friend! Pierre! | 0:53:31 | 0:53:33 | |
How are you? | 0:53:33 | 0:53:35 | |
I'm very well. | 0:53:35 | 0:53:37 | |
Yes - I see something's changed in you. | 0:53:37 | 0:53:40 | |
I keep hearing reports you're making waves in the court circles, | 0:53:40 | 0:53:43 | |
reforming the army. | 0:53:43 | 0:53:45 | |
The old spark's burning bright again, isn't it? | 0:53:45 | 0:53:47 | |
You could put it like that. | 0:53:48 | 0:53:50 | |
And what about you? | 0:53:50 | 0:53:52 | |
Oh, you don't want to hear about me. | 0:53:54 | 0:53:57 | |
I'm very happy to see you again. | 0:53:57 | 0:54:00 | |
May I have this dance? | 0:54:15 | 0:54:17 | |
-May I take your hand for this dance? -Of course. | 0:54:28 | 0:54:30 | |
Countess Rostova. | 0:54:47 | 0:54:49 | |
May I request the pleasure of a dance with your daughter, Natalia? | 0:54:50 | 0:54:54 | |
Of course! She'll be delighted. | 0:54:54 | 0:54:57 | |
MUSIC STARTS | 0:55:09 | 0:55:12 | |
PIANO MUSIC PLAYS | 0:56:12 | 0:56:16 | |
It's him! | 0:56:51 | 0:56:53 | |
LAUGHTER AND CHATTER | 0:57:08 | 0:57:11 | |
THEY LAUGH | 0:57:20 | 0:57:23 | |
I had no idea, Pierre. I've never experienced anything like it before. | 0:57:38 | 0:57:43 | |
Like what, exactly? | 0:57:43 | 0:57:45 | |
I'm in love, my friend! | 0:57:45 | 0:57:47 | |
Yes. With Natasha Rostova, yes? | 0:57:47 | 0:57:49 | |
Yes, who else? I feel like I've never been properly alive before. | 0:57:49 | 0:57:54 | |
I feel I can't live without her, Pierre! | 0:57:54 | 0:57:58 | |
But could she love me? Might she think I'm too old. | 0:57:58 | 0:58:00 | |
I am too old! What do you think? | 0:58:00 | 0:58:02 | |
Why don't you speak? | 0:58:04 | 0:58:06 | |
The girl is a treasure, Andrei. | 0:58:08 | 0:58:10 | |
She's one of a kind. She's a treasure. | 0:58:11 | 0:58:13 | |
Look, if you truly love her, don't hesitate, | 0:58:15 | 0:58:19 | |
don't think about it. Follow your heart, marry her. | 0:58:19 | 0:58:21 | |
Marry her tomorrow - you'll never regret it! | 0:58:21 | 0:58:24 | |
-But could she love me, Pierre? -She loves you all right. | 0:58:24 | 0:58:26 | |
-She hardly knows me... -She loves you! I know it! All right? | 0:58:26 | 0:58:29 | |
I could see it in her face when she was dancing with you. | 0:58:30 | 0:58:32 | |
I've never seen her look like that before, | 0:58:32 | 0:58:35 | |
and I've known her since she was a child. | 0:58:35 | 0:58:37 | |
She loves you, Andrei. | 0:58:38 | 0:58:40 | |
And you're the luckiest man on Earth. | 0:58:40 | 0:58:43 | |
So, what are you doing talking to me? | 0:58:44 | 0:58:47 | |
Go to her! | 0:58:47 | 0:58:48 | |
Go to her, don't let her get away. | 0:58:50 | 0:58:52 | |
Propose to her. | 0:58:52 | 0:58:54 | |
I will. | 0:58:57 | 0:58:59 | |
DOOR CLOSES | 0:59:10 | 0:59:12 |