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I believe I have the pleasure of speaking with Count Bezukhov? | 0:00:02 | 0:00:04 | |
You're a Mason? | 0:00:04 | 0:00:06 | |
Sic transit gloria mundi! | 0:00:06 | 0:00:08 | |
I love you, more than anyone I've ever known. | 0:00:08 | 0:00:11 | |
Well, that's enough for me. | 0:00:11 | 0:00:12 | |
Yes, but I'm not in a position to promise you anything. | 0:00:12 | 0:00:14 | |
Father, I'm afraid I'm going to need some more money. | 0:00:14 | 0:00:17 | |
-How much? -43,000. -What? | 0:00:17 | 0:00:19 | |
Natasha, this is Prince Andrei Bolkonsky. | 0:00:20 | 0:00:23 | |
May I request the pleasure of a dance with your daughter Natalia? | 0:00:23 | 0:00:28 | |
Of course. | 0:00:28 | 0:00:29 | |
Go to her, don't let her get away! Propose to her. | 0:00:29 | 0:00:33 | |
I will. | 0:00:33 | 0:00:34 | |
Why doesn't he come? | 0:01:27 | 0:01:28 | |
It's been three weeks. | 0:01:28 | 0:01:30 | |
Did he say he would? | 0:01:30 | 0:01:32 | |
No... | 0:01:33 | 0:01:35 | |
but he loves me, I am sure of it. | 0:01:35 | 0:01:38 | |
Did he say so? | 0:01:38 | 0:01:40 | |
Not in so many words. But how could he look at me as he did | 0:01:41 | 0:01:45 | |
and not mean it? | 0:01:45 | 0:01:47 | |
And you? | 0:01:47 | 0:01:48 | |
Do you love him? | 0:01:50 | 0:01:52 | |
I do. I think I've loved him | 0:01:53 | 0:01:57 | |
since the first time I saw him at Otradnoe. | 0:01:57 | 0:02:00 | |
It's not like it was with Boris, or anyone. It's... | 0:02:00 | 0:02:03 | |
It's so deep, it frightens me. | 0:02:03 | 0:02:07 | |
So it must be true love, mustn't it? | 0:02:07 | 0:02:09 | |
I suppose it must, my dear. | 0:02:09 | 0:02:11 | |
Well then, why doesn't he come? | 0:02:11 | 0:02:14 | |
I don't know, my darling. | 0:02:15 | 0:02:18 | |
If it's meant to happen, it will happen. | 0:02:18 | 0:02:20 | |
There's nothing we can do about it. | 0:02:20 | 0:02:22 | |
Go to bed, and see what the morning will bring. | 0:02:22 | 0:02:24 | |
-I can't, Mama. -No more talk. | 0:02:24 | 0:02:26 | |
Bed. | 0:02:26 | 0:02:28 | |
Firstly, this marriage would not be ideal in terms of family, | 0:02:34 | 0:02:37 | |
wealth and distinction. | 0:02:37 | 0:02:38 | |
The Rostovs are a perfectly good family, Father. | 0:02:38 | 0:02:40 | |
That may be, but you could do better in that respect, and you know it. | 0:02:40 | 0:02:43 | |
Secondly, you are not in early youth and your health is not strong. | 0:02:43 | 0:02:47 | |
You have never fully recovered from the wound you took at Austerlitz. | 0:02:47 | 0:02:51 | |
And you're in love with this girl, you say. | 0:02:52 | 0:02:55 | |
Very deeply, Father. | 0:02:55 | 0:02:57 | |
Hah! | 0:02:57 | 0:02:58 | |
Triumph of hope over experience. All right. | 0:02:58 | 0:03:02 | |
Will you do this for me? | 0:03:04 | 0:03:06 | |
Take a year, go abroad, take a cure, find a tutor for Nikolushka, | 0:03:06 | 0:03:12 | |
and if, after this year, your passion for this girl | 0:03:12 | 0:03:15 | |
is still so irresistible, marry her then. | 0:03:15 | 0:03:18 | |
Can you do this? To please me? | 0:03:20 | 0:03:24 | |
HOOFBEATS | 0:03:46 | 0:03:50 | |
SHE SIGHS | 0:03:53 | 0:03:54 | |
HORSE WHINNIES | 0:03:54 | 0:03:55 | |
-Mama! -Natasha. -Mama! | 0:04:09 | 0:04:10 | |
-It's him! -What? -It's him. What am I going to do? | 0:04:10 | 0:04:13 | |
Prince Andrei Bolkonsky. | 0:04:13 | 0:04:15 | |
Oh! Prince Andrei, it's a pleasure to welcome you here. | 0:04:16 | 0:04:21 | |
It seems so long since we last saw you. | 0:04:21 | 0:04:25 | |
Countess Rostova, may I request your permission | 0:04:29 | 0:04:33 | |
for a private conversation with your daughter? | 0:04:33 | 0:04:36 | |
Of course, Prince. | 0:04:38 | 0:04:40 | |
Come with me. | 0:04:44 | 0:04:46 | |
I loved you at the moment I saw you. | 0:05:02 | 0:05:05 | |
May I hope... | 0:05:09 | 0:05:11 | |
..you love me? | 0:05:14 | 0:05:15 | |
Yes, yes! Yes, I love you. | 0:05:15 | 0:05:19 | |
SHE SOBS | 0:05:33 | 0:05:34 | |
I have to tell you that my father made it a condition of his consent | 0:05:37 | 0:05:40 | |
that the marriage not take place for a year. | 0:05:40 | 0:05:43 | |
I have some business to conduct in Switzerland. | 0:05:45 | 0:05:47 | |
Oh! | 0:05:47 | 0:05:49 | |
It cannot be otherwise. | 0:05:49 | 0:05:51 | |
I know a year seems like a long time, | 0:05:53 | 0:05:56 | |
but it will give you the chance to test your love. | 0:05:56 | 0:05:59 | |
Our engagement will remain a secret. | 0:06:00 | 0:06:02 | |
I consider myself bound, but you should not. | 0:06:03 | 0:06:06 | |
I want you to feel perfectly free to change your mind. | 0:06:07 | 0:06:10 | |
So long... | 0:06:13 | 0:06:14 | |
No... | 0:06:20 | 0:06:21 | |
I'll do it. | 0:06:21 | 0:06:22 | |
I'll wait. | 0:06:23 | 0:06:25 | |
THEY CHUCKLE | 0:06:25 | 0:06:27 | |
SHE LAUGHS | 0:06:30 | 0:06:32 | |
Thank you again. | 0:06:42 | 0:06:44 | |
Goodbye. | 0:06:44 | 0:06:45 | |
SHE GASPS | 0:06:54 | 0:06:56 | |
DOG PANTS | 0:07:26 | 0:07:29 | |
HOUNDS BARK | 0:07:29 | 0:07:31 | |
BARKING | 0:07:35 | 0:07:38 | |
THUNDERING HOOVES | 0:07:39 | 0:07:42 | |
Come on, Rostov, keep up! | 0:07:45 | 0:07:47 | |
Yah! | 0:07:47 | 0:07:48 | |
Yah! | 0:07:48 | 0:07:49 | |
BARKING | 0:07:51 | 0:07:52 | |
DOGS BARK AND WHINE | 0:07:56 | 0:07:57 | |
Dammit, lost him! | 0:07:57 | 0:07:59 | |
HORSES WHINNY | 0:07:59 | 0:08:01 | |
You, quick! Go around the side. | 0:08:01 | 0:08:03 | |
Cut him off. | 0:08:03 | 0:08:05 | |
Find him! Find the wolf! | 0:08:05 | 0:08:07 | |
You heard him! Search over there! | 0:08:07 | 0:08:10 | |
Come on! | 0:08:10 | 0:08:11 | |
HORSE WHINNIES | 0:08:11 | 0:08:12 | |
BARKING AND SHOUTING IN DISTANCE | 0:08:17 | 0:08:18 | |
SHE GASPS | 0:08:22 | 0:08:24 | |
(Whoa, whoa, whoa!) | 0:08:24 | 0:08:26 | |
WOLF PANTS | 0:08:29 | 0:08:32 | |
SHE GASPS | 0:08:34 | 0:08:35 | |
SHE GASPS | 0:08:49 | 0:08:51 | |
BUGLE SOUNDS | 0:08:51 | 0:08:53 | |
BARKING, HOOFBEATS | 0:08:54 | 0:08:56 | |
Cut them off! | 0:08:56 | 0:08:58 | |
Quick! Cut them off! | 0:08:58 | 0:08:59 | |
MEN SING | 0:09:01 | 0:09:02 | |
You rode well. | 0:09:04 | 0:09:06 | |
Thank you, I love to ride. | 0:09:06 | 0:09:08 | |
-You weren't in at the finish, though. -No. | 0:09:08 | 0:09:11 | |
God, he was a big one. | 0:09:13 | 0:09:15 | |
Yes, he was. | 0:09:15 | 0:09:17 | |
I'm glad I didn't see the end. | 0:09:18 | 0:09:19 | |
So, what's this engagement all about, then? | 0:09:21 | 0:09:24 | |
Well, I'm engaged, that's all, and I'm very happy. | 0:09:24 | 0:09:27 | |
He's a wonderful man, Nikki. | 0:09:27 | 0:09:29 | |
Is he? I met him once. | 0:09:29 | 0:09:31 | |
Seemed a bit of a cold fish to me. | 0:09:31 | 0:09:33 | |
Oh, no, you're wrong, he isn't! No, he's very... | 0:09:33 | 0:09:37 | |
-He's intense, and deep. -And he loves you? | 0:09:39 | 0:09:42 | |
-Yes, of course, he loves me! -Well, then, why did he go away for a year? | 0:09:42 | 0:09:45 | |
Why not announce the betrothal? | 0:09:45 | 0:09:46 | |
-It's as if he's ashamed of our family! -No. You don't understand, | 0:09:46 | 0:09:49 | |
-and I don't want to talk about it with you any more! -Suit yourself. | 0:09:49 | 0:09:52 | |
HE CLICKS HORSE ON | 0:09:52 | 0:09:53 | |
Nikki, my dear, | 0:10:05 | 0:10:07 | |
you must know that things are very serious with our finances. | 0:10:07 | 0:10:11 | |
As a woman, your sister has no claim over Prince Andrei's estate | 0:10:11 | 0:10:13 | |
and nothing your father tries ever seems to work out, | 0:10:13 | 0:10:17 | |
and he has such a generous nature | 0:10:17 | 0:10:18 | |
that everybody takes advantage of him. | 0:10:18 | 0:10:21 | |
And you, my dear Nikki... | 0:10:23 | 0:10:26 | |
with all that business about the card game and your friend Dolokhov, | 0:10:26 | 0:10:30 | |
that was a terrible blow to the family fortunes. | 0:10:30 | 0:10:32 | |
I know, Mama, and I'm sorry. | 0:10:32 | 0:10:34 | |
I know you're sorry, and I know you'll be very glad to hear | 0:10:34 | 0:10:39 | |
that you have it in your power to make all things well again. | 0:10:39 | 0:10:42 | |
How can I do that? | 0:10:43 | 0:10:44 | |
You remember Julie Karagina? | 0:10:49 | 0:10:51 | |
-You used to be playmates together. -Er, yes... | 0:10:51 | 0:10:54 | |
She has grown into a lovely young woman. | 0:10:54 | 0:10:57 | |
And now that her brothers are all sadly...dead... | 0:10:57 | 0:11:02 | |
she is an heiress of a great fortune. | 0:11:02 | 0:11:06 | |
Would you really demand that I sacrifice my honour | 0:11:06 | 0:11:09 | |
-and my feelings for the sake of money? -No, no, of course not! | 0:11:09 | 0:11:13 | |
You've misunderstood me. Of course, we wish for your happiness. | 0:11:13 | 0:11:17 | |
But you could be happy with Julie Karagina, | 0:11:18 | 0:11:21 | |
you could manage to fall in love with her, | 0:11:21 | 0:11:24 | |
there's nothing wrong with her at all! | 0:11:24 | 0:11:26 | |
Really, Mama, I can't just command my feelings! | 0:11:26 | 0:11:29 | |
I do understand, of course I do - and I hate having to ask this... | 0:11:29 | 0:11:34 | |
but our situation is desperate, | 0:11:34 | 0:11:37 | |
and, as our son, you are the only one who can help. | 0:11:37 | 0:11:41 | |
I'll think about it, Mama. | 0:11:42 | 0:11:44 | |
That's all I can say. | 0:11:46 | 0:11:48 | |
These things have a way of working out, my dear. | 0:11:55 | 0:11:58 | |
Don't be cast down - Christmas is coming! | 0:12:01 | 0:12:04 | |
-SHE GROANS -More expense! | 0:12:04 | 0:12:07 | |
This is what we need - forget our troubles | 0:12:12 | 0:12:15 | |
and get out to see the real old Russia. | 0:12:15 | 0:12:18 | |
Uncle Mikhail lives the way we used to in the old days, | 0:12:20 | 0:12:23 | |
-everyone together! -Oh! | 0:12:23 | 0:12:26 | |
Welcome, welcome! | 0:12:26 | 0:12:27 | |
-Uncle Mikhail! -We are honoured! | 0:12:27 | 0:12:31 | |
-Hello! -Countess Natasha, Cousin Sonya! | 0:12:31 | 0:12:35 | |
There we are! | 0:12:35 | 0:12:36 | |
Petya, how you've grown! | 0:12:36 | 0:12:39 | |
Come on, come on, out of the cold, come inside! | 0:12:39 | 0:12:43 | |
-Sit, sit, make yourselves comfortable! -Thank you! | 0:12:43 | 0:12:46 | |
Anisya, our guests are here! | 0:12:46 | 0:12:48 | |
Don't worry, we saw you coming. | 0:12:49 | 0:12:52 | |
-Look at this! -Lovely! | 0:12:52 | 0:12:54 | |
You are welcome - please, sit, eat, drink... | 0:12:54 | 0:12:57 | |
-Oh, delicious! -What a spread! | 0:12:57 | 0:12:59 | |
I'm so happy you're here. | 0:12:59 | 0:13:01 | |
MIKHAIL CHUCKLES | 0:13:01 | 0:13:03 | |
-I didn't know Uncle was married! -Well, he isn't. | 0:13:03 | 0:13:06 | |
QUIET CHATTER | 0:13:08 | 0:13:10 | |
SHE SINGS IN RUSSIAN | 0:13:12 | 0:13:15 | |
HUSHED CHATTER | 0:13:20 | 0:13:22 | |
ALL CHATTER | 0:13:25 | 0:13:27 | |
ALL BEGIN TO SING | 0:13:36 | 0:13:40 | |
ALL SING | 0:13:47 | 0:13:50 | |
ALL SING LOUDLY | 0:14:00 | 0:14:04 | |
ALL CLAP IN TIME | 0:14:07 | 0:14:10 | |
-How does she know what to do? -It's in the blood. | 0:14:44 | 0:14:47 | |
SHE YELLS | 0:15:08 | 0:15:10 | |
MUSIC GETS FASTER | 0:15:10 | 0:15:12 | |
ALL CHEER | 0:15:16 | 0:15:18 | |
CHEERING AND APPLAUSE | 0:15:18 | 0:15:21 | |
SHE PANTS | 0:15:26 | 0:15:27 | |
He looked just like an ordinary man, like an officer, but it was him! | 0:15:29 | 0:15:34 | |
Now, what she should have done was keep him talking, | 0:15:34 | 0:15:38 | |
but she got so frightened and she tried to run away, | 0:15:38 | 0:15:41 | |
and he grabbed her! | 0:15:41 | 0:15:43 | |
THEY GASP | 0:15:43 | 0:15:45 | |
You don't need to worry about him here now. | 0:15:49 | 0:15:51 | |
But you can tell your fortune.. | 0:15:51 | 0:15:53 | |
-..if you go out to the barn at night. -How? What do you do? | 0:15:54 | 0:15:58 | |
You stand and you listen... | 0:15:58 | 0:16:00 | |
and if you hear knocking, that's bad, | 0:16:00 | 0:16:03 | |
but if you hear grain pouring, | 0:16:03 | 0:16:06 | |
it's good. | 0:16:06 | 0:16:08 | |
But I don't suppose any of you would go out there. | 0:16:08 | 0:16:11 | |
I would. | 0:16:12 | 0:16:14 | |
I'm not scared. | 0:16:14 | 0:16:16 | |
Show me the way? | 0:16:19 | 0:16:21 | |
Yes, miss. Follow me. | 0:16:21 | 0:16:22 | |
That's the barn there, miss. | 0:16:30 | 0:16:32 | |
Don't look back. | 0:16:32 | 0:16:34 | |
DOOR CREAKS | 0:17:07 | 0:17:08 | |
SHE GASPS | 0:17:10 | 0:17:12 | |
Sonya. | 0:17:16 | 0:17:17 | |
Nikolai. | 0:17:19 | 0:17:20 | |
Are you cold? | 0:17:46 | 0:17:47 | |
Not a bit. | 0:17:48 | 0:17:49 | |
Tasha? | 0:17:51 | 0:17:52 | |
No, I'm perfect. | 0:17:53 | 0:17:56 | |
We could live like this, in the country, all the time. | 0:17:57 | 0:18:00 | |
I wish! | 0:18:00 | 0:18:02 | |
Do you? Do you really? | 0:18:03 | 0:18:05 | |
Of course, I love Andrei. Of course, I do. | 0:18:09 | 0:18:11 | |
And I miss him and I long for him, | 0:18:11 | 0:18:14 | |
-but at the same time... -Look! The comet! | 0:18:14 | 0:18:16 | |
You know, people say it means a great change is coming. | 0:18:18 | 0:18:21 | |
I sometimes wish nothing would ever change... | 0:18:22 | 0:18:25 | |
..it could be just you and me and Sonya, like this. | 0:18:26 | 0:18:29 | |
Stay like children. | 0:18:29 | 0:18:31 | |
Not possible. | 0:18:32 | 0:18:33 | |
Tonight, it is. | 0:18:34 | 0:18:36 | |
Mother, Father... | 0:18:48 | 0:18:49 | |
I have something I want to say to you before I return to my regiment. | 0:18:50 | 0:18:55 | |
-TEACUPS CLATTER -I must tell you... | 0:18:55 | 0:18:57 | |
..that I am in love with Sonya... | 0:18:58 | 0:19:00 | |
..and I want us to be married. | 0:19:01 | 0:19:03 | |
I know it's not what you want for me, but my feelings can't be denied | 0:19:04 | 0:19:08 | |
and I want Sonya to hear this, too. | 0:19:08 | 0:19:10 | |
I love her. | 0:19:10 | 0:19:12 | |
I've never loved anyone else, I could never marry anyone else. | 0:19:13 | 0:19:16 | |
And that's all there is to it. I'm sorry. | 0:19:18 | 0:19:20 | |
Nevertheless, you go against your parents' wishes. | 0:19:20 | 0:19:23 | |
Well, you are of age, Nikolai, | 0:19:23 | 0:19:25 | |
so you can marry anyone you choose, | 0:19:25 | 0:19:28 | |
but neither I nor your father will give you our blessing! | 0:19:28 | 0:19:30 | |
-Please, don't let us quarrel over this, Mama... -Ilya! Speak to him. | 0:19:30 | 0:19:34 | |
My dear boy, if it weren't for the circumstances, | 0:19:34 | 0:19:37 | |
we couldn't wish for a better match than Sonya. | 0:19:37 | 0:19:39 | |
-She's a dear girl and we're very fond of her... -What circumstances? | 0:19:39 | 0:19:43 | |
You know the circumstances very well! | 0:19:43 | 0:19:45 | |
Our family affairs are in disorder | 0:19:45 | 0:19:48 | |
and we've been expecting you to help put them right! | 0:19:48 | 0:19:51 | |
Your conduct so far has had the opposite effect, as you well know. | 0:19:51 | 0:19:55 | |
Besides, Sonya is your cousin. | 0:19:55 | 0:19:57 | |
How you could have let her wheedle her way... | 0:19:57 | 0:20:00 | |
My feelings are my own, Mother, | 0:20:00 | 0:20:03 | |
and I can't go back on my word. | 0:20:03 | 0:20:05 | |
Then you'd better know that I can never recognise | 0:20:05 | 0:20:07 | |
-that intriguer as my daughter! -"Intriguer"?! | 0:20:07 | 0:20:10 | |
How can you use such a word | 0:20:11 | 0:20:12 | |
about a girl who's always loved you like a daughter?! | 0:20:12 | 0:20:15 | |
Sonya is not to blame for this in any way! | 0:20:15 | 0:20:17 | |
Have you no feelings for her at all? | 0:20:17 | 0:20:19 | |
I have nothing else to say to you! | 0:20:19 | 0:20:21 | |
Mama, I...! | 0:20:21 | 0:20:22 | |
SONYA SOBS | 0:20:25 | 0:20:27 | |
Perhaps I should go after her. | 0:20:27 | 0:20:29 | |
No, no, let me - I can explain to her. | 0:20:29 | 0:20:31 | |
It will be all right, I...I...I know it will. | 0:20:31 | 0:20:34 | |
FOOTSTEPS RETREAT | 0:20:34 | 0:20:36 | |
'That ungrateful girl!' | 0:20:41 | 0:20:42 | |
-After everything we've done for her! -SHE SNIFFLES | 0:20:42 | 0:20:45 | |
She's not ungrateful, Mama, you know that, really. | 0:20:45 | 0:20:47 | |
None of this is her fault, | 0:20:47 | 0:20:50 | |
she didn't know that Nikolai was going to speak out. | 0:20:50 | 0:20:52 | |
Truly, she's never expected anything from him. | 0:20:52 | 0:20:55 | |
-And now, my son hates me! -SHE SOBS | 0:20:55 | 0:20:57 | |
He doesn't! | 0:20:57 | 0:20:59 | |
Oh, he doesn't! | 0:20:59 | 0:21:01 | |
He wants your blessing. | 0:21:01 | 0:21:03 | |
Listen, if I can get him to promise he won't do anything in secret. | 0:21:05 | 0:21:09 | |
He'll go back to his regiment, and who knows, | 0:21:09 | 0:21:11 | |
-perhaps his feelings will cool down. -Oh, now you know so much of love. | 0:21:11 | 0:21:15 | |
SHE SOBS AND GASPS | 0:21:15 | 0:21:17 | |
Don't let him go with any bad feeling between you. | 0:21:17 | 0:21:20 | |
Because who knows what may happen. | 0:21:20 | 0:21:22 | |
Nothing I ever think, or do, or say | 0:21:22 | 0:21:25 | |
ever seems to make any difference. | 0:21:25 | 0:21:28 | |
Our family is in ruin! | 0:21:28 | 0:21:29 | |
I'm the only one who cares. | 0:21:32 | 0:21:33 | |
SHE SIGHS | 0:21:33 | 0:21:35 | |
Oh, Mama. | 0:21:35 | 0:21:37 | |
THEY SIGH | 0:21:38 | 0:21:40 | |
Take care, Petya. | 0:21:42 | 0:21:43 | |
-I love you! -I love you, too. | 0:21:49 | 0:21:51 | |
Look after yourself. | 0:22:11 | 0:22:12 | |
I will, Papa, I will. | 0:22:12 | 0:22:14 | |
THEY SNIFF | 0:22:14 | 0:22:16 | |
Yah! Yah! | 0:22:37 | 0:22:38 | |
PRINCE BOLKONSKY: That's it! That's it! Make haste! | 0:23:01 | 0:23:05 | |
-Is this our house, too? -Mm-hm, this is our Moscow house. | 0:23:05 | 0:23:09 | |
It smells funny. | 0:23:09 | 0:23:11 | |
It just needs airing, darling, that's all. | 0:23:11 | 0:23:14 | |
I expect your grandpapa will be redecorating it in cheerful colours. | 0:23:14 | 0:23:17 | |
He certainly will not! It's perfectly fine as it is. | 0:23:17 | 0:23:20 | |
We will dine at six. | 0:23:20 | 0:23:21 | |
I am going to my study and will not to be disturbed until then. | 0:23:21 | 0:23:23 | |
I have much work to do, important political work of the kind | 0:23:23 | 0:23:27 | |
that women and children CANNOT BEGIN TO UNDERSTAND! | 0:23:27 | 0:23:30 | |
Forgive me, Mademoiselle Bourienne. | 0:23:34 | 0:23:37 | |
Oh, dear Prince, I quite understand... | 0:23:37 | 0:23:39 | |
Do you? Do you? | 0:23:39 | 0:23:41 | |
Oh, you dear little thing! | 0:23:41 | 0:23:44 | |
When I talk of the stupidity of women, | 0:23:44 | 0:23:46 | |
I refer to THAT one, not you. | 0:23:46 | 0:23:48 | |
Really! | 0:23:57 | 0:23:59 | |
What? | 0:23:59 | 0:24:00 | |
How can you take advantage of his weakness like that? | 0:24:00 | 0:24:03 | |
You play up to him! | 0:24:03 | 0:24:05 | |
You make a fool of him and yourself and me! | 0:24:05 | 0:24:08 | |
RETREATING FOOTSTEPS | 0:24:08 | 0:24:11 | |
Do you think Prince Andrei will be in Moscow by the time we get there? | 0:24:19 | 0:24:23 | |
Has he said anything definite? | 0:24:23 | 0:24:25 | |
No, not absolutely definite. | 0:24:25 | 0:24:27 | |
Don't get your hopes up too high. | 0:24:28 | 0:24:30 | |
He'll come when he comes. | 0:24:32 | 0:24:33 | |
Oh! | 0:24:49 | 0:24:51 | |
What is it, my love? | 0:24:51 | 0:24:52 | |
-Andrei's not coming after all! -Oh! -COUNT ROSTOV SIGHS | 0:24:54 | 0:24:57 | |
He says his wound has reopened, | 0:24:57 | 0:24:59 | |
and his doctors have insisted he have rest and treatment for it. | 0:24:59 | 0:25:03 | |
He sends his respects to you, | 0:25:03 | 0:25:05 | |
and his...his love to me, and his disappointment, et cetera. | 0:25:05 | 0:25:09 | |
SHE SOBS | 0:25:09 | 0:25:11 | |
But why couldn't he come and have his treatment for it here? | 0:25:11 | 0:25:14 | |
He has to respect his doctors' advice, my dear. | 0:25:14 | 0:25:17 | |
A long journey might have a very bad effect on his health. | 0:25:17 | 0:25:20 | |
Take heart, | 0:25:20 | 0:25:22 | |
I'm sure you'll see him before too long. | 0:25:22 | 0:25:25 | |
But I want to see him now! | 0:25:25 | 0:25:26 | |
Before long I'll have forgotten what he looks like! | 0:25:27 | 0:25:30 | |
RETREATING FOOTSTEPS | 0:25:30 | 0:25:31 | |
SHE SIGHS | 0:25:31 | 0:25:33 | |
CHATTERING | 0:25:33 | 0:25:36 | |
That's the daughter. | 0:25:36 | 0:25:37 | |
Oh, so, that's why we're here. Not a beauty. | 0:25:37 | 0:25:40 | |
But a prize, Boris. A prize. Best behaviour. | 0:25:40 | 0:25:44 | |
-Prince Bolkonsky. -Madam. | 0:25:44 | 0:25:47 | |
An honour to be invited on your name day - many felicitations - | 0:25:47 | 0:25:50 | |
may I present my son, Boris? | 0:25:50 | 0:25:52 | |
Honoured, Your Excellency. | 0:25:52 | 0:25:53 | |
Yes, well, you're very welcome. | 0:25:53 | 0:25:56 | |
Ah, Rostopchin! | 0:25:56 | 0:25:58 | |
It's Count Rostopchin, Mother! He's the Governor of Moscow! | 0:26:00 | 0:26:03 | |
Talk to the Princess! | 0:26:03 | 0:26:05 | |
HE SIGHS | 0:26:05 | 0:26:06 | |
Princess Marya. | 0:26:09 | 0:26:10 | |
Boris Drubetskoy. | 0:26:13 | 0:26:15 | |
Such a pleasure to meet you at last. | 0:26:16 | 0:26:18 | |
May I ask, | 0:26:18 | 0:26:20 | |
how are you enjoying Moscow? | 0:26:20 | 0:26:22 | |
I have seen very little of it, sir. | 0:26:22 | 0:26:24 | |
Then perhaps you will allow me to show you some of its finer points? | 0:26:25 | 0:26:28 | |
I believe you know my friend Bezukhov? | 0:26:33 | 0:26:35 | |
Bonaparte behaves in Europe like a pirate on a captured ship. | 0:26:43 | 0:26:47 | |
And his ambition knows no bounds! | 0:26:47 | 0:26:49 | |
-It'll come to war again, mark my words! -No, no, Prince. | 0:26:49 | 0:26:52 | |
Our Tsar has the wisdom and courage to hold him in check. | 0:26:52 | 0:26:54 | |
But I tell you this - | 0:26:54 | 0:26:55 | |
our wars with the French will be unsuccessful | 0:26:55 | 0:26:59 | |
as long as we meddle in Europe. | 0:26:59 | 0:27:02 | |
Let us keep our borders safe and strong, | 0:27:02 | 0:27:05 | |
and then we have no need to fear Bonaparte. | 0:27:05 | 0:27:07 | |
Let him venture into Russia, and we'll send him home - | 0:27:07 | 0:27:10 | |
squealing, with his tail between his legs! Eh?! | 0:27:10 | 0:27:12 | |
-THUMPING ON TABLE -Well said, Prince! Well said! | 0:27:12 | 0:27:15 | |
ANIMATED MURMURS | 0:27:15 | 0:27:17 | |
May I sit with you? | 0:27:18 | 0:27:20 | |
Oh, yes. I was hoping you would. | 0:27:20 | 0:27:23 | |
HE SIGHS | 0:27:25 | 0:27:26 | |
So, how did you like the young man? | 0:27:26 | 0:27:28 | |
Who? | 0:27:28 | 0:27:30 | |
Boris Drubetskoy. | 0:27:30 | 0:27:32 | |
He was making himself very agreeable to you. | 0:27:32 | 0:27:35 | |
Oh! | 0:27:35 | 0:27:37 | |
Yes. I suppose he was. | 0:27:37 | 0:27:38 | |
Would you consider marrying him? | 0:27:39 | 0:27:41 | |
Well, I sometimes think I'd marry anyone to get away... | 0:27:43 | 0:27:46 | |
I don't think he means to be cruel. | 0:27:50 | 0:27:52 | |
I know, I know, forget what I said. | 0:27:52 | 0:27:54 | |
SHE SWALLOWS A SOB | 0:27:54 | 0:27:57 | |
Will you tell me truly, Count, | 0:27:57 | 0:27:58 | |
what's she like, this Natasha Rostova? | 0:27:58 | 0:28:01 | |
It's only... | 0:28:01 | 0:28:03 | |
Andrei is risking so much in opposing our father. | 0:28:03 | 0:28:07 | |
Is she really worth it? | 0:28:08 | 0:28:10 | |
How can I answer a question like that? | 0:28:11 | 0:28:13 | |
For myself... | 0:28:16 | 0:28:18 | |
I would say, there's no-one like her. | 0:28:18 | 0:28:21 | |
She's enchanting. | 0:28:22 | 0:28:24 | |
I...I don't know. | 0:28:24 | 0:28:25 | |
But to me, yes, she'd be worth anything. | 0:28:26 | 0:28:29 | |
Everything. | 0:28:29 | 0:28:31 | |
SHE CHUCKLES | 0:28:32 | 0:28:34 | |
Honestly, Mother, I tried my best, but it was hopeless. | 0:28:37 | 0:28:41 | |
She hardly seemed to notice I was there. | 0:28:41 | 0:28:44 | |
There's something clearly wrong with her. | 0:28:44 | 0:28:46 | |
Perhaps she's mentally deficient. | 0:28:46 | 0:28:48 | |
There's always Julie Karagina. | 0:28:49 | 0:28:51 | |
She likes me, and she's quite as rich as the other one. | 0:28:51 | 0:28:54 | |
-She has other suitors, Boris. -I know how to handle her. | 0:28:54 | 0:28:57 | |
She likes romantic poetry, anything melancholy, | 0:28:58 | 0:29:01 | |
weeping willows and so on. | 0:29:01 | 0:29:03 | |
Plenty of sighing, you know? | 0:29:03 | 0:29:05 | |
She imagines she's had a tragic life. | 0:29:06 | 0:29:10 | |
God knows why... | 0:29:10 | 0:29:11 | |
Well, there you are, then. | 0:29:11 | 0:29:13 | |
The thing is, could I bear to be married to her? | 0:29:14 | 0:29:16 | |
HE SIGHS | 0:29:22 | 0:29:23 | |
What a sad face. | 0:29:25 | 0:29:27 | |
I can tell that you have suffered... | 0:29:28 | 0:29:30 | |
as I have. | 0:29:30 | 0:29:31 | |
Yes. | 0:29:33 | 0:29:34 | |
You and I, Julie, | 0:29:34 | 0:29:36 | |
-sometimes I think we are both too sensitive for this cruel world. -Yes. | 0:29:36 | 0:29:40 | |
The blind, uncaring masses... | 0:29:40 | 0:29:42 | |
But you're actually getting on quite well, aren't you? | 0:29:45 | 0:29:47 | |
Ah, Julie, I play their games because I have to. | 0:29:47 | 0:29:53 | |
But in my heart... | 0:29:53 | 0:29:54 | |
I... | 0:29:59 | 0:30:01 | |
I so love the drawing and the verse | 0:30:01 | 0:30:03 | |
you put in my album, Boris. | 0:30:03 | 0:30:05 | |
"Ah, rustic trees, your shade conceals my sorrow... | 0:30:10 | 0:30:14 | |
"Ah, cloudy sky, will I find light tomorrow?" | 0:30:15 | 0:30:20 | |
Do you know, I believe you will! | 0:30:21 | 0:30:23 | |
-Is your son not with you? -Boris? | 0:30:27 | 0:30:30 | |
No, he spends all his time at Julie Karagina's these days. | 0:30:30 | 0:30:33 | |
Of course, you haven't heard! | 0:30:33 | 0:30:35 | |
He's the accepted suitor, they're going to be married! | 0:30:35 | 0:30:38 | |
Oh! What...wonderful news! | 0:30:38 | 0:30:42 | |
Your former admirer, Natasha. | 0:30:42 | 0:30:44 | |
Don't tease me, Papa, we were just children, then. | 0:30:44 | 0:30:47 | |
I'm very happy for Boris, Anna Mikhailovna. | 0:30:48 | 0:30:50 | |
Yes, he's done very well for himself, but who deserves it better? | 0:30:50 | 0:30:54 | |
He was always such a good boy. | 0:30:54 | 0:30:56 | |
LAUGHING He was! | 0:30:56 | 0:30:57 | |
And your fiance is coming soon? | 0:30:57 | 0:30:59 | |
Yes... Yes, that is... | 0:31:02 | 0:31:04 | |
Such a long time to be separated, you must feel it. | 0:31:04 | 0:31:08 | |
But his father, you know, he's a very difficult old man, | 0:31:08 | 0:31:12 | |
and getting worse by the day - we dined there a little while ago... | 0:31:12 | 0:31:16 | |
-Very strong opinions! -Oh, dear... | 0:31:17 | 0:31:20 | |
Oh, but the little Princess Marya's very, um... | 0:31:20 | 0:31:23 | |
soft and sweet. | 0:31:23 | 0:31:25 | |
A sister-in-law can be a sharp claw, | 0:31:25 | 0:31:27 | |
but this one wouldn't hurt a fly. | 0:31:27 | 0:31:29 | |
If I were you, I'd go and call on them tomorrow with your father. | 0:31:29 | 0:31:32 | |
What do you think, Papa? | 0:31:32 | 0:31:34 | |
I suppose we should, yes... | 0:31:36 | 0:31:38 | |
I'm a little frightened of the Prince. | 0:31:38 | 0:31:40 | |
He gave me a terrible roasting not so long ago | 0:31:40 | 0:31:42 | |
over my failings with the militia. | 0:31:42 | 0:31:44 | |
-WOMEN LAUGH -I'm sure all that's forgotten, Ilya! | 0:31:44 | 0:31:47 | |
I think Anna's idea is a good one. | 0:31:47 | 0:31:49 | |
When Prince Andrei returns, | 0:31:49 | 0:31:51 | |
you'll be already acquainted with his sister and his father. | 0:31:51 | 0:31:54 | |
-I suppose so. -Well, that's settled, then. | 0:31:54 | 0:31:57 | |
Now, then. | 0:32:04 | 0:32:06 | |
DOOR BELL RINGS | 0:32:06 | 0:32:07 | |
Would you be so good as to wait here, sir? | 0:32:16 | 0:32:18 | |
Hm... | 0:32:20 | 0:32:21 | |
STAFF WHISPER INDISTINCTLY | 0:32:28 | 0:32:30 | |
-Well, bless my soul, this is odd. -DOOR SLAMS | 0:32:30 | 0:32:32 | |
Is someone ill, I wonder? | 0:32:32 | 0:32:34 | |
BOLKONSKY, FROM INSIDE: What?! I don't want them in my house! | 0:32:35 | 0:32:37 | |
-I never asked for them! You can see them if you like! -Papa! | 0:32:37 | 0:32:41 | |
-NATASHA GASPS -Perhaps we should go... | 0:32:41 | 0:32:43 | |
My dear Count Rostov, I'm so sorry you have been kept waiting. | 0:32:43 | 0:32:47 | |
The Prince is indisposed, but Princess Marya will receive you. | 0:32:47 | 0:32:51 | |
I am her companion. | 0:32:51 | 0:32:53 | |
Please, come this way. | 0:32:53 | 0:32:54 | |
Dear Princess, you see, I brought my little... | 0:33:09 | 0:33:12 | |
singing bird. | 0:33:12 | 0:33:14 | |
-I'm so sorry my father can't receive you. -Well, another time. | 0:33:14 | 0:33:18 | |
But for now, it gives the two of you the chance to get acquainted. | 0:33:18 | 0:33:21 | |
How do you like Moscow, Countess Rostova? | 0:33:24 | 0:33:27 | |
Well enough, thank you. I grew up here, it's my home. | 0:33:27 | 0:33:30 | |
Oh, but of course! | 0:33:30 | 0:33:31 | |
It is we who are the country mice. | 0:33:31 | 0:33:34 | |
And I must say, I love the shops and the theatre so very much. | 0:33:34 | 0:33:38 | |
But the Princess is not such a one | 0:33:41 | 0:33:43 | |
for the pleasures of the city, are you? | 0:33:43 | 0:33:46 | |
No. | 0:33:47 | 0:33:48 | |
How delightful this is! You two must have so much to say to each other! | 0:33:50 | 0:33:54 | |
Um... | 0:33:58 | 0:33:59 | |
Perhaps, mademoiselle, we should leave them together? | 0:33:59 | 0:34:03 | |
DOOR OPENS | 0:34:03 | 0:34:05 | |
Ah! Rostov! I didn't know! | 0:34:05 | 0:34:08 | |
As God's my witness, I didn't know! | 0:34:08 | 0:34:10 | |
And this is the young countess? | 0:34:11 | 0:34:13 | |
Uh... | 0:34:15 | 0:34:16 | |
Uh...! | 0:34:17 | 0:34:19 | |
Well, you see, I know nothing of this, you must forgive me. | 0:34:19 | 0:34:21 | |
As God's my witness, I didn't know! | 0:34:21 | 0:34:24 | |
And no-one said anything to me ABOUT IT! | 0:34:24 | 0:34:27 | |
Good morning. | 0:34:28 | 0:34:30 | |
DOOR SLAMS | 0:34:33 | 0:34:35 | |
Natasha, I think we should be going. We've come at a bad time. | 0:34:35 | 0:34:37 | |
You must come to us for the day, Princess. | 0:34:37 | 0:34:40 | |
A pleasure to meet you, mademoiselle. | 0:34:40 | 0:34:43 | |
Oh, wait! | 0:34:43 | 0:34:45 | |
Dearest Natasha... | 0:34:46 | 0:34:48 | |
Please know that I'm... | 0:34:48 | 0:34:50 | |
..glad my brother has found happiness... | 0:34:52 | 0:34:54 | |
I think perhaps this is not the time to speak of it, Princess. | 0:34:54 | 0:34:57 | |
Goodbye. | 0:34:57 | 0:34:59 | |
DOOR SLAMS | 0:35:02 | 0:35:03 | |
NATASHA: 'Oh, it was horrible!' | 0:35:06 | 0:35:07 | |
I was horrible to her! SHE SOBS | 0:35:09 | 0:35:11 | |
But she was so cold and stiff with me! And the old prince... | 0:35:11 | 0:35:14 | |
SHE SOBS They don't like me. | 0:35:16 | 0:35:18 | |
They don't want me in their family. | 0:35:18 | 0:35:21 | |
SHE WEEPS | 0:35:21 | 0:35:22 | |
Oh, if only Andrei would come! | 0:35:25 | 0:35:27 | |
SHE CRIES | 0:35:27 | 0:35:29 | |
-Three and a six... -DICE ROLLS | 0:35:35 | 0:35:37 | |
Good afternoon, Count! | 0:35:40 | 0:35:41 | |
Good afternoon. | 0:35:43 | 0:35:45 | |
Boris was just telling me he's very keen | 0:35:46 | 0:35:48 | |
to be initiated into the mysteries of the Freemasons. | 0:35:48 | 0:35:51 | |
-You could arrange that for him, couldn't you? -Really? | 0:35:51 | 0:35:55 | |
-You're truly interested? -Of course I am. | 0:35:55 | 0:35:57 | |
It would be so good for his career, wouldn't it, Pierre? | 0:35:58 | 0:36:00 | |
That is not the true purpose of the Order! | 0:36:00 | 0:36:02 | |
To become a Mason, you have to vow to purify yourself | 0:36:02 | 0:36:05 | |
and dedicate yourself to building a better world - | 0:36:05 | 0:36:08 | |
you have to live for your fellow man. | 0:36:08 | 0:36:09 | |
Yes, that, too, of course! Absolutely! | 0:36:10 | 0:36:14 | |
You'll help him, won't you, Pierre? | 0:36:14 | 0:36:15 | |
Pierre's awfully high up in the Masons - | 0:36:15 | 0:36:17 | |
-I think he might be Grand Master by now! -Helene! | 0:36:17 | 0:36:19 | |
-These things are not to be spoken of outside the house. -I keep forgetting! | 0:36:19 | 0:36:23 | |
You will help him, won't you? | 0:36:23 | 0:36:25 | |
You are truly serious? | 0:36:28 | 0:36:31 | |
As serious as any man can be, Count Bezukhov. | 0:36:31 | 0:36:34 | |
-BAZDEEV: -'What have you done with all these good things | 0:36:48 | 0:36:51 | |
'that have been given you? | 0:36:51 | 0:36:53 | |
'You need to purify yourself. | 0:36:56 | 0:36:58 | |
'Listen to your conscience. | 0:37:00 | 0:37:01 | |
'Look at yourself.' | 0:37:03 | 0:37:05 | |
ALL: Sic transit gloria mundi! | 0:37:05 | 0:37:09 | |
'Ask yourself...' | 0:37:09 | 0:37:11 | |
THEY MOAN | 0:37:11 | 0:37:13 | |
'..are you content with yourself? | 0:37:14 | 0:37:16 | |
'With your life?' | 0:37:19 | 0:37:20 | |
HE COUGHS | 0:37:20 | 0:37:22 | |
We just won't go, Natalya. | 0:37:27 | 0:37:29 | |
Nonsense! | 0:37:29 | 0:37:30 | |
It's only a little turn. | 0:37:30 | 0:37:32 | |
Go to the opera, enjoy yourself, my dear! | 0:37:32 | 0:37:35 | |
And you can tell me all about it. | 0:37:35 | 0:37:37 | |
-It'll take your mind off things, you'll see. -I don't want to go. | 0:37:37 | 0:37:40 | |
I don't want to see anybody. | 0:37:40 | 0:37:42 | |
Let me stay and keep you company. | 0:37:42 | 0:37:44 | |
I don't need company. I just need a little rest, that's all. | 0:37:44 | 0:37:47 | |
Come and kiss me. | 0:37:48 | 0:37:50 | |
There. | 0:37:54 | 0:37:55 | |
Now, go. | 0:37:55 | 0:37:57 | |
GO! | 0:37:58 | 0:37:59 | |
..next time you'll have to be better... | 0:38:18 | 0:38:20 | |
I'm not nagging, but I do think it would be nice | 0:38:29 | 0:38:31 | |
if you tried a little harder... | 0:38:31 | 0:38:32 | |
Just popped in to say what a pleasure it is | 0:38:32 | 0:38:35 | |
to see you back in Moscow, Count Rostov. | 0:38:35 | 0:38:37 | |
Very good of you, dear boy. | 0:38:37 | 0:38:39 | |
I say! Look there! Isn't that young Dolokhov? | 0:38:39 | 0:38:42 | |
And why is he dressed like a Persian? | 0:38:42 | 0:38:44 | |
Ah, yes, he was in the Caucasus, | 0:38:44 | 0:38:46 | |
and then he became minister to some prince in Persia, | 0:38:46 | 0:38:48 | |
and killed the Shah's brother there. | 0:38:48 | 0:38:50 | |
That's Anatole Kuragin, the Countess's brother. | 0:38:52 | 0:38:55 | |
Very attractive, no? | 0:38:56 | 0:38:58 | |
Ah, here's the Countess herself. | 0:38:59 | 0:39:02 | |
Fine woman, isn't she? | 0:39:04 | 0:39:06 | |
She's as beautiful as everybody says. | 0:39:06 | 0:39:08 | |
HUSH DESCENDS | 0:39:13 | 0:39:15 | |
SHE SINGS ARIA | 0:39:17 | 0:39:22 | |
Count Rostov, you must introduce me to your lovely daughters. | 0:39:38 | 0:39:42 | |
Of course. Here's Natasha, | 0:39:42 | 0:39:45 | |
and this is my niece, Sonya. | 0:39:45 | 0:39:47 | |
I'm so happy to meet you. | 0:39:47 | 0:39:49 | |
My husband has talked of you often. I should so like to know you better. | 0:39:50 | 0:39:54 | |
Count, may I invite your daughter to sit with us? | 0:39:54 | 0:39:57 | |
I'm sure she'd be delighted. | 0:39:57 | 0:39:58 | |
Go on, Natasha, we shan't be far away. | 0:39:58 | 0:40:01 | |
Come and sit by me. | 0:40:08 | 0:40:10 | |
Not you, Bilibin, off you go. | 0:40:12 | 0:40:14 | |
-Merci, bien. -De rien. | 0:40:14 | 0:40:17 | |
That's such a pretty dress. | 0:40:19 | 0:40:21 | |
I wish I could still wear something like that. | 0:40:21 | 0:40:23 | |
You know I have no-one to talk about clothes - | 0:40:25 | 0:40:27 | |
-would you come and advise me? -Advise you? | 0:40:27 | 0:40:30 | |
-I wouldn't dare! -Well, you can come and tell me what you like then. | 0:40:31 | 0:40:34 | |
We can try things on together, would you like that? | 0:40:34 | 0:40:37 | |
Yes, very much. | 0:40:37 | 0:40:39 | |
Then we'll be friends. | 0:40:39 | 0:40:40 | |
Now that I've found you I won't let you go. | 0:40:41 | 0:40:44 | |
NATASHA CHUCKLES | 0:40:44 | 0:40:46 | |
Ah! My brother Anatole. | 0:40:51 | 0:40:53 | |
Well... | 0:40:59 | 0:41:00 | |
..here we are. | 0:41:01 | 0:41:03 | |
This is very nice, isn't it? | 0:41:04 | 0:41:06 | |
Yes, it is... | 0:41:06 | 0:41:08 | |
-You mean the opera? -Not just the opera. | 0:41:10 | 0:41:13 | |
You know... | 0:41:14 | 0:41:15 | |
..all of it. | 0:41:16 | 0:41:18 | |
Yes. | 0:41:22 | 0:41:23 | |
You're so lovely. | 0:41:27 | 0:41:28 | |
-You mustn't say that! -Whyever not? | 0:41:30 | 0:41:33 | |
It's the truth. | 0:41:33 | 0:41:34 | |
And I was brought up to tell the truth at all times. | 0:41:34 | 0:41:37 | |
OPERA SINGING FADES | 0:41:37 | 0:41:39 | |
Listen, we're having a little party tomorrow evening. | 0:41:39 | 0:41:43 | |
Just a few friends. | 0:41:43 | 0:41:45 | |
Please, do come. | 0:41:48 | 0:41:50 | |
Vous serez la plus jolie. | 0:41:53 | 0:41:55 | |
Venez, et comme gage donnez-moi cette fleur. | 0:41:56 | 0:41:59 | |
HE CHUCKLES | 0:42:06 | 0:42:07 | |
SHE GASPS | 0:42:07 | 0:42:09 | |
SHE BREATHES RAGGEDLY | 0:42:13 | 0:42:14 | |
SHE GASPS | 0:42:22 | 0:42:24 | |
MUSIC DROWNS CONVERSATION | 0:42:35 | 0:42:40 | |
Oh! No, no, no, Countess! Keep still. | 0:43:04 | 0:43:07 | |
Everything must be perfect for when the Prince returns! | 0:43:07 | 0:43:10 | |
I'll only be a minute. | 0:43:12 | 0:43:14 | |
Yes, miss. | 0:43:14 | 0:43:15 | |
They said you weren't decent, but I told them you wouldn't mind - | 0:43:15 | 0:43:17 | |
-and you don't, do you? -No. | 0:43:17 | 0:43:19 | |
You look adorable. | 0:43:21 | 0:43:22 | |
Well, the word has gone round, you've conquered Moscow already. | 0:43:22 | 0:43:26 | |
It's quite funny, my brother came for breakfast this morning, | 0:43:26 | 0:43:30 | |
but he couldn't eat a thing. Can you guess why? | 0:43:30 | 0:43:32 | |
No, why? | 0:43:32 | 0:43:33 | |
Oh, look at you blushing! | 0:43:36 | 0:43:38 | |
I'm sure you know very well the effect you've had on the poor boy. | 0:43:38 | 0:43:41 | |
Anyway, you're to come to us this evening. | 0:43:41 | 0:43:44 | |
Just a little party. Mademoiselle George will be there - | 0:43:44 | 0:43:47 | |
she's promised us a recitation, and she's dying to meet you. | 0:43:47 | 0:43:50 | |
I've already asked your papa's permission. | 0:43:50 | 0:43:53 | |
Will Pierre... Will your husband be there? | 0:43:53 | 0:43:56 | |
No, he's had to go away on business, otherwise I'd send him to fetch you. | 0:43:56 | 0:43:59 | |
Oh, I don't know. No, I think I should stay at home. | 0:44:00 | 0:44:03 | |
But that would be such a shame - | 0:44:03 | 0:44:04 | |
to deprive Moscow of your charms when you've only just arrived! | 0:44:04 | 0:44:07 | |
Prince Andrei wouldn't want you to shut yourself away, would he? | 0:44:07 | 0:44:11 | |
No, perhaps not. | 0:44:12 | 0:44:13 | |
-Oh, it's just a little family party! -THEY LAUGH | 0:44:13 | 0:44:16 | |
You will come, won't you? Just to please me? | 0:44:16 | 0:44:19 | |
Just for an hour? | 0:44:19 | 0:44:20 | |
With your dear papa - he's such delightful company! | 0:44:20 | 0:44:23 | |
Oh, you won't refuse me, will you? | 0:44:23 | 0:44:25 | |
No. | 0:44:26 | 0:44:27 | |
Well, that's settled, then! | 0:44:27 | 0:44:29 | |
A ce soir! | 0:44:30 | 0:44:32 | |
DOOR CLOSES | 0:44:37 | 0:44:39 | |
-Countess Bezukhova, good evening! -You're very welcome. | 0:44:50 | 0:44:53 | |
You came. | 0:44:57 | 0:44:59 | |
"J'ai concu pour mon crime une juste terreur - | 0:45:01 | 0:45:03 | |
"J'ai pris la vie en haine, et ma flamme en horreur. | 0:45:03 | 0:45:08 | |
"Je voulais en mourant prendre soin de ma gloire, | 0:45:09 | 0:45:13 | |
"Et derober au jour une flamme si noire: | 0:45:13 | 0:45:17 | |
"Je n'ai pu soutenir tes larmes, tes combats - | 0:45:17 | 0:45:20 | |
"Je t'ai tout avoue - je ne m'en repens pas, | 0:45:20 | 0:45:24 | |
"Pourvu que de ma mort respectant les approches, | 0:45:24 | 0:45:27 | |
"Tu ne m'affliges plus par d'injustes reproches, | 0:45:27 | 0:45:30 | |
"Et que tes vains secours cessent de rappeler | 0:45:30 | 0:45:34 | |
"Un reste de chaleur tout pret a s'exhaler." | 0:45:34 | 0:45:39 | |
APPLAUSE | 0:45:41 | 0:45:44 | |
There's dancing in the other room. Come and dance with me. | 0:45:47 | 0:45:50 | |
-No, I don't think I should. -Just one dance. | 0:45:50 | 0:45:52 | |
I think we really should be going. My wife's not very well, you know? | 0:45:52 | 0:45:55 | |
Oh, please don't deprive us of your lovely daughter, Count. | 0:45:55 | 0:45:59 | |
Come and sit with me and watch the dancing for half an hour. | 0:45:59 | 0:46:01 | |
Well... | 0:46:01 | 0:46:03 | |
Half an hour? | 0:46:04 | 0:46:06 | |
Very well, why not? | 0:46:06 | 0:46:08 | |
Wonderful! | 0:46:08 | 0:46:09 | |
I haven't been able to think of a single thing except for you. | 0:46:17 | 0:46:20 | |
I'm in love with you. | 0:46:23 | 0:46:25 | |
-I've been in complete torment... -Please! You mustn't say such things. | 0:46:26 | 0:46:30 | |
-I'm engaged... I'm in love with someone else. -What is that to me? | 0:46:33 | 0:46:36 | |
Don't you understand, I'm madly in love with you? | 0:46:37 | 0:46:40 | |
You feel something, too. I know it. | 0:46:41 | 0:46:44 | |
Don't leave me. Dance the next. | 0:46:46 | 0:46:48 | |
SHE GASPS | 0:46:50 | 0:46:52 | |
I can't! | 0:46:52 | 0:46:53 | |
SHE PANTS | 0:47:05 | 0:47:07 | |
You make such a lovely couple. | 0:47:10 | 0:47:13 | |
I'm sorry you have to go so soon. | 0:47:13 | 0:47:15 | |
FOOTSTEPS APPROACH | 0:47:17 | 0:47:19 | |
SHE GASPS | 0:47:19 | 0:47:20 | |
Ana...Anatole! | 0:47:27 | 0:47:28 | |
SHE GASPS | 0:47:59 | 0:48:00 | |
No... | 0:48:07 | 0:48:08 | |
-No, no, please...! -What can we do? | 0:48:08 | 0:48:11 | |
I can't call on you openly. Am I never to see you? | 0:48:13 | 0:48:16 | |
I'll get word to you somehow. We have to be together. | 0:48:19 | 0:48:22 | |
No... | 0:48:26 | 0:48:28 | |
No. | 0:48:28 | 0:48:29 | |
Say yes. | 0:48:30 | 0:48:32 | |
Give me your word! | 0:48:32 | 0:48:33 | |
No, no! | 0:48:33 | 0:48:36 | |
Ah! Well, there you are! | 0:48:36 | 0:48:38 | |
I thought I'd lost you. We really must go. | 0:48:39 | 0:48:42 | |
If you please, miss... | 0:48:59 | 0:49:01 | |
..a man asked me to give you this. | 0:49:03 | 0:49:06 | |
-Thank you. -You're welcome, miss. | 0:49:08 | 0:49:11 | |
-ANATOLE: -'Since last evening my fate is sealed - | 0:49:14 | 0:49:17 | |
'to be loved by you, or die.' | 0:49:17 | 0:49:19 | |
So, she's the love of your life and you want to elope with her? | 0:49:36 | 0:49:39 | |
-Are you going to tell her about the Polish girl? -Good God, no! | 0:49:39 | 0:49:42 | |
Because you're still married to that one, aren't you? | 0:49:42 | 0:49:45 | |
-Who else knows about her? -No-one. Just you... | 0:49:45 | 0:49:48 | |
..and Pierre Bezukhov. | 0:49:49 | 0:49:51 | |
Well. We'd better hope the little Rostov girl | 0:49:51 | 0:49:53 | |
-isn't going to confide in him, then. -Why would she? | 0:49:53 | 0:49:56 | |
Look here, Dolokhov, are you going to help me or not? | 0:49:56 | 0:49:58 | |
Did you read it? | 0:50:09 | 0:50:10 | |
Yes, I couldn't help it. | 0:50:11 | 0:50:14 | |
Sonya, he loves me! | 0:50:14 | 0:50:16 | |
And I...I love him! | 0:50:17 | 0:50:18 | |
-But what about Prince Andrei? -Oh, that's... That's all over. | 0:50:20 | 0:50:24 | |
-What? You're refusing him? -I just told you, that's all over! | 0:50:24 | 0:50:26 | |
I can't believe it. You've loved him for a whole year, | 0:50:26 | 0:50:29 | |
-and then, in three days... -I know, I know... | 0:50:29 | 0:50:32 | |
I know, but I feel as if I've always loved Anatole. | 0:50:32 | 0:50:35 | |
I know now that I've never really loved anybody before, | 0:50:35 | 0:50:38 | |
not even Andrei. | 0:50:38 | 0:50:40 | |
I have no will when I'm with Anatole, | 0:50:40 | 0:50:42 | |
it's like I'm his slave, I'd do anything for him. | 0:50:42 | 0:50:44 | |
Oh, God! | 0:50:44 | 0:50:45 | |
Oh...what am I going to do? | 0:50:45 | 0:50:47 | |
Well, I don't understand, how could you let it go so far? | 0:50:48 | 0:50:53 | |
Sonya, you don't know what it feels like to be in love like this. | 0:50:53 | 0:50:56 | |
I do know what it feels like to be in love, Natasha. | 0:50:56 | 0:50:59 | |
And SUFFER for it. But... | 0:50:59 | 0:51:01 | |
this feels strange and wrong. | 0:51:01 | 0:51:04 | |
What's stopping this man from asking for your hand properly? | 0:51:04 | 0:51:06 | |
If that's what he wants, why can't he come to the house? | 0:51:06 | 0:51:09 | |
Why doesn't he ask your parents' consent? | 0:51:09 | 0:51:12 | |
What if he just wants to...seduce you? | 0:51:12 | 0:51:14 | |
How can you say that, after you've read his letter? | 0:51:16 | 0:51:18 | |
He loves me, Sonya! | 0:51:18 | 0:51:21 | |
I'd do anything. I'd... I'd run away with him! | 0:51:21 | 0:51:24 | |
-But you'll ruin yourself! -I don't care if I ruin myself, | 0:51:24 | 0:51:26 | |
I WANT to ruin myself! | 0:51:26 | 0:51:29 | |
The sooner the better. | 0:51:29 | 0:51:30 | |
And this is...this is none of your business! | 0:51:32 | 0:51:34 | |
Just leave me alone! Just go! | 0:51:34 | 0:51:35 | |
Well, I won't let it happen. | 0:51:37 | 0:51:38 | |
I'll tell. | 0:51:40 | 0:51:41 | |
Sonya! | 0:51:41 | 0:51:42 | |
-If you do, you're my enemy forever! -I'm not your enemy. | 0:51:43 | 0:51:47 | |
Don't you see that what you're doing is wrong? | 0:51:47 | 0:51:49 | |
You don't understand anything! | 0:51:49 | 0:51:51 | |
Oh, just go! Just... I hate you! | 0:51:52 | 0:51:54 | |
DOOR CLOSES | 0:52:02 | 0:52:03 | |
PEN SCRATCHES | 0:52:03 | 0:52:05 | |
KNOCK AT DOOR | 0:52:08 | 0:52:10 | |
If you please, miss, there's a lady to see you. | 0:52:10 | 0:52:13 | |
SHE SIGHS | 0:52:17 | 0:52:18 | |
Princess Marya, I wasn't expecting... | 0:52:22 | 0:52:24 | |
I have been in despair | 0:52:24 | 0:52:25 | |
because of the misunderstanding that happened between us. | 0:52:25 | 0:52:28 | |
My brother loves you and I will love you, too. | 0:52:28 | 0:52:31 | |
I'm so sorry you weren't properly received the other day. | 0:52:31 | 0:52:34 | |
And Papa, too, he's not against you, he's old and crotchety with us all. | 0:52:34 | 0:52:38 | |
Can you forgive us? | 0:52:38 | 0:52:40 | |
Of course. There's nothing to forgive. | 0:52:41 | 0:52:44 | |
But... | 0:52:45 | 0:52:47 | |
But... | 0:52:48 | 0:52:49 | |
I have something to ask you. | 0:52:50 | 0:52:52 | |
Will you tell Prince Andrei when he comes | 0:52:54 | 0:52:56 | |
that our engagement is at an end, and I cannot be his wife? | 0:52:56 | 0:53:00 | |
Oh, dear, we must have offended you deeply... | 0:53:02 | 0:53:05 | |
No, it's nothing to do with that, it's...it's me. | 0:53:05 | 0:53:08 | |
I'm the one who's at fault. | 0:53:09 | 0:53:11 | |
I made a mistake. | 0:53:12 | 0:53:14 | |
But tell him, please, that he is released from the engagement, | 0:53:14 | 0:53:18 | |
and ask his forgiveness. | 0:53:18 | 0:53:20 | |
I'm sorry, that's all I can say. | 0:53:20 | 0:53:22 | |
NIGHT-TIME BUSTLE | 0:54:00 | 0:54:03 | |
Yah! | 0:54:05 | 0:54:07 | |
Come on! | 0:54:07 | 0:54:08 | |
SHE GASPS | 0:54:13 | 0:54:16 | |
HORSES WHINNY | 0:54:16 | 0:54:18 | |
Come with me, quickly. She'll be out directly. | 0:54:22 | 0:54:24 | |
You're to come with us, sir, to the Countess. | 0:54:48 | 0:54:51 | |
No, that's not right, she's to... | 0:54:51 | 0:54:53 | |
-What do you mean? What Countess? -You're to come with us, sir. | 0:54:53 | 0:54:56 | |
GRUNTING | 0:54:56 | 0:54:58 | |
CLATTERING | 0:54:58 | 0:54:59 | |
Dolokhov! | 0:55:01 | 0:55:02 | |
Let me through, damn you! | 0:55:02 | 0:55:04 | |
We've been betrayed! | 0:55:04 | 0:55:06 | |
GATE CLATTERS | 0:55:07 | 0:55:08 | |
SHE SOBS | 0:55:14 | 0:55:16 | |
SHE CRIES OUT | 0:55:18 | 0:55:21 | |
Better that they should get away. | 0:55:25 | 0:55:28 | |
It'll be a long time before he shows his face in Moscow again, surely. | 0:55:28 | 0:55:31 | |
Nevertheless, we have to face it, Ilya, | 0:55:31 | 0:55:34 | |
she's ruined. | 0:55:34 | 0:55:35 | |
But, my love, | 0:55:35 | 0:55:37 | |
nothing happened. | 0:55:37 | 0:55:38 | |
Her reputation is ruined - | 0:55:38 | 0:55:41 | |
do you think it's possible to keep a thing like this quiet? | 0:55:41 | 0:55:43 | |
What will Prince Andrei think when he hears about it? | 0:55:43 | 0:55:46 | |
He'll throw her over and then everyone will know why...! | 0:55:46 | 0:55:48 | |
-Poor, poor girl... -"Poor girl"? | 0:55:48 | 0:55:50 | |
SHE brought it upon herself! | 0:55:50 | 0:55:52 | |
BOTH SIGH | 0:55:53 | 0:55:55 | |
I think... | 0:55:55 | 0:55:56 | |
I think I must challenge him, Natalya. | 0:55:59 | 0:56:01 | |
And get yourself killed? | 0:56:01 | 0:56:03 | |
Oh! How's that going to help?! | 0:56:03 | 0:56:06 | |
SHE SOBS AND SNIFFLES | 0:56:06 | 0:56:08 | |
Has she got anything to say for herself? | 0:56:08 | 0:56:10 | |
Nothing. Except she has asked for Pierre Bezukhov. | 0:56:12 | 0:56:15 | |
Oh! | 0:56:15 | 0:56:16 | |
SHE SOBS | 0:56:16 | 0:56:18 | |
Ah, Pierre! Such a silly situation... | 0:56:26 | 0:56:28 | |
Wherever you are, there's depravity and evil! You, come with me. | 0:56:28 | 0:56:31 | |
Yes, yes, yes. | 0:56:31 | 0:56:33 | |
What was your intention with regard to the Countess Rostova? | 0:56:36 | 0:56:39 | |
-My dear fellow, you needn't take that tone... -Answer me! | 0:56:39 | 0:56:41 | |
You couldn't marry her - you're married already! | 0:56:41 | 0:56:43 | |
-Was your plan to ruin her? -I love her! -You liar! | 0:56:43 | 0:56:46 | |
Scoundrel! I'll smash your head and spill your brains! | 0:56:46 | 0:56:49 | |
Pierre, for God's sake! | 0:56:49 | 0:56:51 | |
-Have you letters from her? -One. One note. | 0:56:51 | 0:56:54 | |
Hand it over. | 0:56:54 | 0:56:55 | |
HE PANTS | 0:56:55 | 0:56:57 | |
Now, you are never to make contact with her again, | 0:57:00 | 0:57:02 | |
never to SPEAK her name in society, | 0:57:02 | 0:57:05 | |
and if I find you in Moscow after midnight tonight, I WILL kill you. | 0:57:05 | 0:57:09 | |
-Do you understand? -Yes. | 0:57:11 | 0:57:13 | |
HE PANTS | 0:57:13 | 0:57:14 | |
ORNAMENT CLUNKS | 0:57:26 | 0:57:28 | |
RETREATING FOOTSTEPS | 0:57:28 | 0:57:29 | |
FOOTSTEPS APPROACH | 0:57:35 | 0:57:37 | |
-Have you seen him? -Yes, I've seen him. | 0:57:45 | 0:57:47 | |
What did he say? | 0:57:49 | 0:57:50 | |
He's left Moscow. | 0:57:51 | 0:57:53 | |
TEARFULLY: Was that your doing? | 0:57:58 | 0:58:00 | |
I will go to him, wherever he is! | 0:58:02 | 0:58:05 | |
I don't care what anybody thinks! | 0:58:05 | 0:58:07 | |
Natasha, he could never be with you honestly. He's a married man! | 0:58:07 | 0:58:10 | |
He has a wife in Poland! | 0:58:10 | 0:58:12 | |
No, I don't believe you! | 0:58:12 | 0:58:14 | |
It's true. | 0:58:16 | 0:58:17 | |
SHE SNIFFLES | 0:58:21 | 0:58:23 | |
SHE SOBS | 0:58:25 | 0:58:27 | |
No... | 0:58:27 | 0:58:28 | |
SHE CRIES | 0:58:30 | 0:58:32 | |
No... | 0:58:38 | 0:58:39 | |
Pierre... | 0:58:39 | 0:58:40 | |
Please, no... | 0:58:42 | 0:58:44 | |
All right. | 0:58:44 | 0:58:45 | |
All right. | 0:58:48 | 0:58:50 | |
SHE SOBS BITTERLY | 0:58:52 | 0:58:54 | |
It's all right. | 0:58:56 | 0:58:58 | |
SHE WEEPS | 0:58:58 | 0:59:00 | |
(It's all right.) | 0:59:00 | 0:59:02 | |
Shh... | 0:59:02 | 0:59:03 | |
-ANDREI: -'My dearest Natasha... | 0:59:05 | 0:59:08 | |
'I have been thinking of you constantly these past few months, | 0:59:08 | 0:59:11 | |
'and now I am recovering, our separation will at last be over. | 0:59:11 | 0:59:14 | |
'I shall come to you as soon as I arrive in Moscow.' | 0:59:16 | 0:59:19 |