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-Kevin, you're a wimp. -Are you finishing with me? -Yeah, I am. | 0:00:02 | 0:00:05 | |
Do you know who the biggest investor in Nox Pharmaceuticals is? | 0:00:05 | 0:00:08 | |
Lorraine Donnegan. | 0:00:08 | 0:00:09 | |
I'd like to formally offer you the Head of Year 12 post, here. | 0:00:09 | 0:00:15 | |
-I'm with Audrey now. -But she's an old woman - why would you choose her over me? | 0:00:15 | 0:00:21 | |
-If I've led you on I'm dead sorry... -Stop saying sorry - you're not sorry! | 0:00:21 | 0:00:27 | |
I am - I mean it. | 0:00:27 | 0:00:28 | |
Just got a bit of business with Connor Mulgrew. | 0:00:29 | 0:00:32 | |
Imogen! | 0:00:50 | 0:00:51 | |
Imogen! | 0:00:58 | 0:00:59 | |
Imogen! | 0:01:02 | 0:01:04 | |
Imogen! | 0:01:10 | 0:01:11 | |
Imogen! Imogen! | 0:01:19 | 0:01:21 | |
HE GASPS AND PANTS | 0:01:25 | 0:01:28 | |
CAR ENGINE REVS | 0:01:30 | 0:01:32 | |
Get in. | 0:02:06 | 0:02:08 | |
Did you hear me? | 0:02:08 | 0:02:10 | |
# Love'll get you like a case of anthrax | 0:02:15 | 0:02:17 | |
# And that's something I don't want to catch... # | 0:02:17 | 0:02:20 | |
Got a little job for you later. | 0:02:22 | 0:02:24 | |
Shouldn't be too difficult to find a way in. | 0:02:25 | 0:02:28 | |
-You want me to go burgling? -Don't worry. It's just some old biddy who lives here. | 0:02:28 | 0:02:32 | |
Worst she'll do if she catches you is swing her handbag. | 0:02:32 | 0:02:34 | |
We'll work us way up from here to something a bit more challenging. | 0:02:34 | 0:02:38 | |
No. No way. I'm not... | 0:02:38 | 0:02:40 | |
Thought you were a bright lad. | 0:02:40 | 0:02:42 | |
You don't you get it, do ya? You're mine. | 0:02:42 | 0:02:46 | |
If I tell you to do something, you do it. | 0:02:46 | 0:02:48 | |
-I'm not doing this. I'm not going robbing for you. -Why don't you think about this? | 0:02:48 | 0:02:52 | |
What's the one thing you care about the most? Your precious wife? | 0:02:52 | 0:02:58 | |
I could break yous up in a heartbeat. | 0:02:58 | 0:03:01 | |
Trust me, I'm a man who gets what he wants. | 0:03:01 | 0:03:05 | |
-Morning. -Hi, sir. | 0:03:16 | 0:03:18 | |
Why don't we take a seat over here? | 0:03:18 | 0:03:20 | |
That's for you. | 0:03:23 | 0:03:25 | |
Oh, thank you, and thanks for getting up at stupid o'clock to come and help me. | 0:03:25 | 0:03:28 | |
Ah, no, no, don't thank me. It's my pleasure. | 0:03:28 | 0:03:31 | |
I'm just scared I'll get nervous and mess it up today. | 0:03:31 | 0:03:33 | |
Well, that's exactly how I felt at my university interview. It's normal. | 0:03:33 | 0:03:38 | |
Now... | 0:03:39 | 0:03:41 | |
despite everything I told you about interview technique, | 0:03:41 | 0:03:45 | |
I think the real key to success here is to just be yourself. | 0:03:45 | 0:03:48 | |
-I think I can do that. -Good. | 0:03:48 | 0:03:50 | |
And, you know, a few nerves sometimes can be a good thing. | 0:03:50 | 0:03:54 | |
So, I think we'll start with a few mock questions, I think. Here you go. | 0:03:54 | 0:03:59 | |
Grab a pen. | 0:03:59 | 0:04:00 | |
Stop animal cruelty! Blood on your hands! | 0:04:03 | 0:04:06 | |
Stop animal cruelty! | 0:04:06 | 0:04:08 | |
Blood on your hands! | 0:04:08 | 0:04:10 | |
Stop animal cruelty! Blood on your hands! | 0:04:10 | 0:04:13 | |
How can you work here? Don't you realise what you are doing? | 0:04:13 | 0:04:16 | |
-You're torturing animals. -Yeah, it's sick. | 0:04:16 | 0:04:18 | |
Where's your conscience? | 0:04:18 | 0:04:20 | |
There's blood on your hands! | 0:04:20 | 0:04:22 | |
Why don't you get off to school and learn a few facts? | 0:04:22 | 0:04:24 | |
Here's a fact. You work in a concentration camp. | 0:04:24 | 0:04:28 | |
Wrong. We're here to help save lives. | 0:04:28 | 0:04:31 | |
Have you any idea how many diseases we're trying to cure in there? | 0:04:31 | 0:04:34 | |
Lies. | 0:04:34 | 0:04:35 | |
One day you'll grow up. | 0:04:35 | 0:04:36 | |
What's wrong? | 0:04:38 | 0:04:40 | |
I know her. She's my next-door neighbour. | 0:04:40 | 0:04:42 | |
Jack? Don't tell me you're involved with this lot? | 0:04:42 | 0:04:47 | |
Er...sort of. | 0:04:47 | 0:04:48 | |
What's wrong with you? | 0:04:52 | 0:04:54 | |
Nothing. | 0:04:55 | 0:04:56 | |
It's just that you've been acting quite weird these last few days. | 0:04:57 | 0:05:01 | |
I'm fine. | 0:05:01 | 0:05:02 | |
Not had a fight with Steve-O? | 0:05:02 | 0:05:04 | |
-No. -Good. Cos we need to keep him sweet. | 0:05:04 | 0:05:07 | |
You don't want to go upsetting him. | 0:05:07 | 0:05:09 | |
And you don't want to go sticking your nose in where it's not wanted. | 0:05:09 | 0:05:12 | |
-I'm just saying... -Yeah, well, don't. | 0:05:12 | 0:05:15 | |
All right, babes? | 0:05:15 | 0:05:16 | |
-Yeah. -I've not seen you for ages. | 0:05:17 | 0:05:20 | |
Not playing hard to get, are ya? | 0:05:22 | 0:05:24 | |
-Just keeping you keen. -It's working. So you coming round to my place tonight? | 0:05:24 | 0:05:28 | |
Maybe. I've got a lot of work to do. | 0:05:30 | 0:05:32 | |
You can find time for me, though? | 0:05:32 | 0:05:35 | |
-We'll see. -Come here. | 0:05:35 | 0:05:37 | |
Can we help you, pal? | 0:05:43 | 0:05:45 | |
No. | 0:05:45 | 0:05:47 | |
So what are you staring at us for? | 0:05:48 | 0:05:51 | |
I wasn't. | 0:05:51 | 0:05:52 | |
I think he's proper heart-broke. | 0:05:52 | 0:05:54 | |
It's not my problem. See ya. | 0:05:56 | 0:05:58 | |
She's mine now, you got it? | 0:06:00 | 0:06:03 | |
In every way. | 0:06:03 | 0:06:05 | |
Good luck, Liberty. | 0:06:09 | 0:06:11 | |
You've got everything it takes for this, believe me. | 0:06:11 | 0:06:13 | |
Thank you, sir. | 0:06:13 | 0:06:14 | |
Very best of luck. | 0:06:14 | 0:06:15 | |
What time were you out this morning? You never switch off. | 0:06:16 | 0:06:20 | |
Well, I have a finance meeting with Lorraine. | 0:06:20 | 0:06:23 | |
As for Liberty, it goes with the territory. | 0:06:23 | 0:06:25 | |
It's a privilege, never a chore. | 0:06:25 | 0:06:26 | |
Morning. I'm not too early, am I? | 0:06:26 | 0:06:28 | |
No, no. Shall we? | 0:06:28 | 0:06:29 | |
-See you later. -So, I've asked Sonya to print out... | 0:06:31 | 0:06:35 | |
-Morning. -Spreadsheets. -Thank you. -Morning. -Hiya. | 0:06:37 | 0:06:40 | |
So where'd you like to start...? Staffing? | 0:06:44 | 0:06:49 | |
-There's something I need to tell you. -That sounds ominous. | 0:06:49 | 0:06:54 | |
-I've decided to close the PRU. -Haven't we been through all that before? | 0:06:54 | 0:06:58 | |
I know, but it's a question of tough choices. | 0:06:58 | 0:07:01 | |
I really wish we could keep it, but the truth is we just can't afford to. | 0:07:01 | 0:07:05 | |
We've introduced the setting tests in order to better establish | 0:07:05 | 0:07:08 | |
individual pupil needs - surely the PRU complements that? | 0:07:08 | 0:07:11 | |
Believe me, Michael, I wish there were another way. | 0:07:11 | 0:07:14 | |
There is. There has to be. | 0:07:14 | 0:07:18 | |
Lorraine, the PRU is central to what we planned to achieve here. | 0:07:18 | 0:07:21 | |
It costs too much. The training courses, the one on one tutoring. | 0:07:21 | 0:07:25 | |
It eats up resources. | 0:07:25 | 0:07:26 | |
Unless we look at that, we could end up with no school at all. | 0:07:26 | 0:07:30 | |
Our job is to find the most hard-working | 0:07:31 | 0:07:33 | |
and intelligent kids we can and get them into the school. | 0:07:33 | 0:07:36 | |
I want us to move forward together. | 0:07:36 | 0:07:39 | |
I've got a few ideas I'd love to bounce off you. | 0:07:39 | 0:07:41 | |
Of course, but perhaps not right now. | 0:07:41 | 0:07:44 | |
After we've got through this lot, there are setting exams to oversee | 0:07:44 | 0:07:48 | |
and a full school day to get through. | 0:07:48 | 0:07:50 | |
How about dinner - tonight? | 0:07:50 | 0:07:53 | |
Sounds good. | 0:07:54 | 0:07:55 | |
-KNOCK ON DOOR -Yeah? | 0:07:55 | 0:07:58 | |
The setting papers are ready - you wanted to double check them? | 0:07:58 | 0:08:00 | |
-OK. Give me a sec? -OK. | 0:08:00 | 0:08:02 | |
So, if you could do that, Steven, I'd really appreciate it. | 0:08:07 | 0:08:09 | |
OK? Thanks a lot, Steven. | 0:08:09 | 0:08:11 | |
Lula? How did it go? | 0:08:12 | 0:08:15 | |
They ignored us. Told us to go back to school. | 0:08:15 | 0:08:18 | |
They just won't listen! | 0:08:18 | 0:08:19 | |
Are you surprised? | 0:08:19 | 0:08:21 | |
It's hard for them to admit that they spill blood for a living. | 0:08:21 | 0:08:24 | |
We need to target Lorraine Donnegan. | 0:08:25 | 0:08:27 | |
She's the one who's putting money into the company! | 0:08:27 | 0:08:30 | |
That would be going too far. | 0:08:30 | 0:08:31 | |
What you need to do is think of a way to make them listen. | 0:08:31 | 0:08:35 | |
Get to class. | 0:08:35 | 0:08:37 | |
Imogen. Or should I call you Mrs Mulgrew? That's between us, though. | 0:08:43 | 0:08:50 | |
-What do you want? -Do I not get a thank you, | 0:08:52 | 0:08:54 | |
for keeping it quiet about your secret wedding? | 0:08:54 | 0:08:56 | |
Thanks for not saying anything. When can I get the certificate back? | 0:08:58 | 0:09:02 | |
You can have it back later if you want. | 0:09:02 | 0:09:05 | |
OK. | 0:09:05 | 0:09:06 | |
We should meet for a coffee or something? | 0:09:06 | 0:09:09 | |
I don't think so. | 0:09:09 | 0:09:11 | |
I meant because I don't have it with me. | 0:09:11 | 0:09:13 | |
But if you're being like that, like you're too good to be seen with me, maybe I'll just leave it. | 0:09:13 | 0:09:18 | |
OK, I'll meet you. If it's just for coffee. | 0:09:18 | 0:09:21 | |
OK, cool. I'll pick you up here. Lunchtime? | 0:09:21 | 0:09:24 | |
It's just a short drive to mine and you'll have your precious piece of paper. | 0:09:24 | 0:09:28 | |
OK. | 0:09:28 | 0:09:29 | |
-What did he want? -Don't get mad. I'm meeting him later to get our marriage certificate back. | 0:09:36 | 0:09:40 | |
-You're going nowhere with him. -For God's sake, calm down. | 0:09:40 | 0:09:42 | |
-We need to get out of here. Let's leave. Today. -Go where? We've been over this. | 0:09:42 | 0:09:45 | |
-What about your dad's? -No way. You know we don't get on. | 0:09:45 | 0:09:48 | |
-It's our only option. -Connor, you're not talking sense. We can't just leave. | 0:09:48 | 0:09:51 | |
Imogen, I'm begging you - please. Let's get enough money together. | 0:09:51 | 0:09:54 | |
At least enough for our train fares. Steve-O is dangerous, believe me. | 0:09:54 | 0:09:58 | |
-She's serious? -I'm having dinner with her tonight to discuss it. | 0:10:01 | 0:10:04 | |
-What's the point, if she's decided to close it? -The point is I'm going armed with everything I need | 0:10:04 | 0:10:09 | |
to win the PRU argument. | 0:10:09 | 0:10:10 | |
I want you to put together a report, outlining our attainment | 0:10:10 | 0:10:13 | |
and performance, on how well we've done at Waterloo Road, | 0:10:13 | 0:10:15 | |
specifically with the PRU. | 0:10:15 | 0:10:17 | |
Will it be enough to sway her? She already knows what we've done. | 0:10:17 | 0:10:20 | |
It's worth a try. I need the PRU at the very centre of it. | 0:10:20 | 0:10:24 | |
It might help me combat whatever other ideas | 0:10:24 | 0:10:26 | |
she tries to throw at me later on. | 0:10:26 | 0:10:28 | |
Get me comparison figures on truancy | 0:10:28 | 0:10:30 | |
and exclusions with other schools in the area that don't have | 0:10:30 | 0:10:33 | |
referral units - so she can see how well we're doing. | 0:10:33 | 0:10:36 | |
Nikki would have all this info but I'm guessing you don't want me to go to her. | 0:10:36 | 0:10:39 | |
Just keep it between us for now. | 0:10:39 | 0:10:41 | |
Morning. | 0:10:51 | 0:10:53 | |
Is it? I'm way behind with my year 13 marking. | 0:10:53 | 0:10:56 | |
I've got two exams to invigilate this morning. | 0:10:56 | 0:10:58 | |
Because free periods don't happen any more, I don't know when I'll manage to catch up with it. | 0:10:58 | 0:11:02 | |
I don't want to whinge, but I was up past midnight. | 0:11:02 | 0:11:05 | |
Free time of any kind is a thing of the past. | 0:11:05 | 0:11:07 | |
I've been up marking since half past five this morning. | 0:11:07 | 0:11:10 | |
I don't know how much longer we can go on like this. | 0:11:10 | 0:11:13 | |
Look, I'm well aware of the extra work everyone's putting in. | 0:11:13 | 0:11:16 | |
And we're grateful for it. | 0:11:16 | 0:11:18 | |
We're all having to go that little bit further at the moment. | 0:11:18 | 0:11:20 | |
But it's the price to pay for the school we want. | 0:11:20 | 0:11:22 | |
Can I have a word? | 0:11:22 | 0:11:24 | |
They're grateful? | 0:11:28 | 0:11:30 | |
Look, just to let you know, I had a discussion with Michael this morning and his back's up. | 0:11:34 | 0:11:39 | |
What about? | 0:11:39 | 0:11:41 | |
I'm closing the PRU. | 0:11:41 | 0:11:42 | |
Your mind's made up on that, is it? | 0:11:43 | 0:11:45 | |
Yeah. | 0:11:45 | 0:11:47 | |
He was never going to be happy about it. | 0:11:47 | 0:11:49 | |
Nope. And he'll be even less happy when I tell him | 0:11:49 | 0:11:51 | |
that I've decided to start charging fees. | 0:11:51 | 0:11:53 | |
How? I mean, Most of our kids won't be able to afford that, will they? | 0:11:53 | 0:11:57 | |
I want to change that. Most of the kids taking the setting exams today could. | 0:11:57 | 0:12:01 | |
-Haven't you told him? -I'm going to talk him into it over dinner tonight. | 0:12:01 | 0:12:04 | |
-He'll have to see it's the most sensible way to save the school. -All right. | 0:12:04 | 0:12:07 | |
Nikki. Look, Tom and I will be taken up with the setting tests for most of the day. | 0:12:09 | 0:12:13 | |
-Any problems, staff report to you. -No problem. | 0:12:13 | 0:12:16 | |
Oh, Christine? | 0:12:19 | 0:12:21 | |
I haven't had your head of year report for last week yet. | 0:12:21 | 0:12:24 | |
Don't you check your e-mails first thing? | 0:12:26 | 0:12:29 | |
I haven't had time this morning. | 0:12:29 | 0:12:32 | |
Well, I realise you're a very busy woman but I sent them over last night. | 0:12:32 | 0:12:35 | |
Any questions, don't hesitate to ask. | 0:12:35 | 0:12:37 | |
Mum? | 0:12:40 | 0:12:43 | |
You OK, Connor? | 0:12:43 | 0:12:44 | |
Bit worried about Imogen. | 0:12:44 | 0:12:46 | |
She's a bit down after everything that's gone on. | 0:12:46 | 0:12:48 | |
I'd like to take her to the cinema. | 0:12:48 | 0:12:51 | |
I hope you're not asking me for money after Michael paying off your debt last week. | 0:12:51 | 0:12:55 | |
But Imogen's more than welcome to come over. | 0:12:55 | 0:12:58 | |
We can all watch a movie or something? | 0:12:58 | 0:12:59 | |
Please, Mum. You know I'm sorry. | 0:12:59 | 0:13:01 | |
Can you and Mr Byrne get off my case for one night? | 0:13:01 | 0:13:04 | |
Please? | 0:13:04 | 0:13:05 | |
OK. But I want you home by ten. | 0:13:09 | 0:13:12 | |
Thanks. | 0:13:12 | 0:13:14 | |
Sonya. I need your advice. | 0:13:22 | 0:13:26 | |
Where would be the best place to order a wedding cake? | 0:13:26 | 0:13:30 | |
Hang about, you're telling me you ain't even ordered it yet? | 0:13:30 | 0:13:33 | |
Well, no, with the workload I've got to get | 0:13:33 | 0:13:35 | |
through at the moment, I'm falling way behind on all the preparations. | 0:13:35 | 0:13:38 | |
-You have had your dress fitted, haven't you? -Not as yet, no. | 0:13:38 | 0:13:40 | |
Ordered flowers? Sent out wedding invitations? | 0:13:40 | 0:13:44 | |
Listen, why don't you make a list and give it to me later. | 0:13:46 | 0:13:52 | |
I think I've just become your official wedding planner. | 0:13:52 | 0:13:55 | |
Are you sure? Thank you so much! | 0:13:55 | 0:13:57 | |
Of course. You'll never get it all done otherwise. | 0:13:57 | 0:14:00 | |
You leave it to Sonya. | 0:14:03 | 0:14:05 | |
Are you OK? | 0:14:26 | 0:14:27 | |
Can you help me at lunchtime? There's something I need to do. | 0:14:29 | 0:14:32 | |
-What is it? -Can you help me? | 0:14:32 | 0:14:34 | |
On with your work, please, Lula. | 0:14:34 | 0:14:36 | |
BELL RINGS | 0:14:44 | 0:14:47 | |
Dynasty. | 0:14:49 | 0:14:52 | |
Come here. | 0:14:52 | 0:14:53 | |
What do you want? | 0:15:00 | 0:15:01 | |
Look, I know we're over | 0:15:02 | 0:15:06 | |
and that you don't care about me the way you did. | 0:15:06 | 0:15:12 | |
But I still care about you. | 0:15:13 | 0:15:15 | |
Why can't you stop hanging around like some sad case? | 0:15:15 | 0:15:18 | |
I'm not being a sad case. I love you. | 0:15:18 | 0:15:20 | |
Just leave me alone, Kevin. | 0:15:24 | 0:15:25 | |
I'll leave you alone if you tell me that you're actually happy. | 0:15:25 | 0:15:29 | |
Cos I saw how you were with him today. | 0:15:29 | 0:15:32 | |
Something's not right between you. I'm trying to help you. | 0:15:32 | 0:15:35 | |
I don't need any help. | 0:15:35 | 0:15:37 | |
I don't believe you. Tell me what it is. | 0:15:37 | 0:15:41 | |
-Just leave it Kevin. -Has he done something to you? | 0:15:42 | 0:15:45 | |
Are you stupid or something? How many times have I got to tell you? | 0:15:45 | 0:15:50 | |
He has. | 0:15:50 | 0:15:51 | |
It was just the two of us in Chalky's flat. | 0:15:58 | 0:16:02 | |
And he... | 0:16:02 | 0:16:04 | |
I mean, we... | 0:16:08 | 0:16:10 | |
I led him on, all right? | 0:16:12 | 0:16:15 | |
I made him think that I wanted to. | 0:16:16 | 0:16:19 | |
-So you can't go blaming Steve-O. -He raped you. | 0:16:19 | 0:16:22 | |
Don't say that. Don't say that word. | 0:16:24 | 0:16:27 | |
He did. | 0:16:27 | 0:16:28 | |
It's all sorted, now? So just leave it. | 0:16:33 | 0:16:36 | |
-Steve-O will hurt you. -I don't care. | 0:16:38 | 0:16:40 | |
Kevin, please. I don't want anything to happen to you. | 0:16:40 | 0:16:44 | |
-Don't mess with him. -He can't get away with this! | 0:16:44 | 0:16:48 | |
There's nothing you can do. You can't tell anyone. Just drop it. | 0:16:48 | 0:16:53 | |
Cos I have. | 0:16:54 | 0:16:55 | |
Christine? Thanks for the report. | 0:17:19 | 0:17:22 | |
-You look busy? -When aren't we? | 0:17:24 | 0:17:26 | |
-Anything I can help with? -I doubt it. | 0:17:27 | 0:17:31 | |
One nil to you. | 0:17:35 | 0:17:37 | |
Is there no one else Ndale could ask? | 0:17:38 | 0:17:40 | |
I mean he must have a mate that he'd want to be best man? | 0:17:40 | 0:17:43 | |
Not really, no. | 0:17:43 | 0:17:44 | |
He would have asked you himself, but he felt awkward. | 0:17:44 | 0:17:46 | |
Of course, look, I'd love to. | 0:17:46 | 0:17:49 | |
Tom, thank you so much, that means a great deal to us. | 0:17:49 | 0:17:53 | |
-Sorry to disturb you. -What is it, Audrey? | 0:17:53 | 0:17:56 | |
Well, you know | 0:17:56 | 0:17:57 | |
I'm up to my eyes with all manner of arrangements for this wedding. | 0:17:57 | 0:18:01 | |
Sonya's very kindly doing the dress and the flowers. | 0:18:01 | 0:18:04 | |
I haven't asked anyone to be my bridesmaid. | 0:18:04 | 0:18:07 | |
I wondered if you'd do me the honour? | 0:18:07 | 0:18:09 | |
Why wouldn't you want someone in your own family to be bridesmaid? | 0:18:11 | 0:18:15 | |
They're not coming. | 0:18:15 | 0:18:16 | |
And why is that? | 0:18:20 | 0:18:21 | |
They don't even know I'm getting married. | 0:18:21 | 0:18:23 | |
Why haven't you told them, Audrey? Worried about what they might say? | 0:18:24 | 0:18:29 | |
Worried that they might tell you it's ridiculous? I mean come on! | 0:18:29 | 0:18:32 | |
You're entitled to your own opinion. | 0:18:35 | 0:18:37 | |
You all are. | 0:18:40 | 0:18:41 | |
I know what you're all thinking. | 0:18:41 | 0:18:43 | |
That I'm preying on a younger man, making an old fool of myself. | 0:18:43 | 0:18:47 | |
Audrey, no one's saying anything. | 0:18:47 | 0:18:49 | |
Maybe not to my face, Tom. | 0:18:49 | 0:18:50 | |
Well, you're all wrong. | 0:18:52 | 0:18:54 | |
And Ndale and I will take particular pleasure in proving it. | 0:18:54 | 0:18:58 | |
I would have thought we could have relied on support | 0:18:59 | 0:19:03 | |
from at least some of you. | 0:19:03 | 0:19:04 | |
We love each other. | 0:19:08 | 0:19:09 | |
Why can't you accept that? | 0:19:14 | 0:19:16 | |
VOICES OUTSIDE | 0:19:35 | 0:19:37 | |
What do you think you are doing in here? | 0:19:37 | 0:19:40 | |
I was just looking for a bucket and a mop. | 0:19:40 | 0:19:42 | |
I spilt something in the English corridors. | 0:19:42 | 0:19:45 | |
Well, I will do it in a few minutes. Go on, you can go. | 0:19:45 | 0:19:47 | |
Oh no, it was my fault. Let me do it. | 0:19:47 | 0:19:49 | |
Liberty gave me ten and I already had 20. | 0:20:00 | 0:20:03 | |
-You're sure we're doing the right thing? -There's no other option. | 0:20:03 | 0:20:06 | |
We need to act normal till the end of the day or they'll figure something's up. | 0:20:06 | 0:20:11 | |
I'll catch up later. | 0:20:11 | 0:20:12 | |
What's wrong? | 0:20:15 | 0:20:16 | |
It's Dynasty. | 0:20:19 | 0:20:20 | |
Right, mate, you need to get over her. | 0:20:22 | 0:20:25 | |
Steve-O... Steve-O raped her. | 0:20:27 | 0:20:31 | |
You should go to the police. | 0:20:37 | 0:20:39 | |
I can't. She doesn't want anyone to know. | 0:20:40 | 0:20:43 | |
The guy's a psycho. That's why me and Imogen are leaving. | 0:20:43 | 0:20:47 | |
Steve-O raped Dynasty. Who knows what he'll do next - he's unhinged. | 0:20:48 | 0:20:52 | |
-And you're running away? -What else can I do? | 0:20:52 | 0:20:54 | |
-We can deal with him ourselves. -What? Like fight him? | 0:20:56 | 0:21:00 | |
-No. -Well what then? -I mean take him out. | 0:21:00 | 0:21:03 | |
-You're mad. -Yeah, I am. And you would be too! | 0:21:08 | 0:21:12 | |
-There must be someone we can go to about this! -No. Are you going to help me or not? | 0:21:12 | 0:21:15 | |
-Mr Byrne, or my mum or just someone. -Did you hear what I said? We're dealing with a thug, a criminal. | 0:21:15 | 0:21:20 | |
-Kevin, listen to me... -No! | 0:21:20 | 0:21:22 | |
You've got people sorting your problems for you | 0:21:22 | 0:21:25 | |
and you're still leaving. | 0:21:25 | 0:21:27 | |
I'll take care of this myself. | 0:21:27 | 0:21:29 | |
-We talk to Dynasty. Get her help. -He's totally broken her. | 0:21:29 | 0:21:32 | |
He's not scared of us, what can we do? | 0:21:32 | 0:21:35 | |
He's made her feel like it's her fault. | 0:21:36 | 0:21:39 | |
And look what he's done to you. | 0:21:40 | 0:21:41 | |
He's turned you into a little coward. Hiding away in corners, | 0:21:41 | 0:21:45 | |
and snivelling into his hanky. | 0:21:45 | 0:21:48 | |
He enjoys it, Connor. Making you feel scared. | 0:21:48 | 0:21:51 | |
He gets off on it. | 0:21:51 | 0:21:53 | |
You said it yourself, he's going to get away with this again and again. | 0:21:53 | 0:21:56 | |
I don't know about you, but I couldn't live with myself knowing that's going to happen. | 0:21:56 | 0:21:59 | |
BELL RINGS This is insane. | 0:21:59 | 0:22:02 | |
Forget it. I don't know why I asked. | 0:22:02 | 0:22:04 | |
Wait! | 0:22:04 | 0:22:06 | |
Remember these exams are setting tests, | 0:22:06 | 0:22:08 | |
they are not entrance examinations. | 0:22:08 | 0:22:10 | |
They just to help us determine the most appropriate | 0:22:10 | 0:22:12 | |
classes for you to go into, should you choose to come to us. | 0:22:12 | 0:22:16 | |
There's a place for all of you at Waterloo Road if you want one. | 0:22:16 | 0:22:19 | |
This is just part of a process that will allow you to make the most of your time. | 0:22:19 | 0:22:23 | |
Can I introduce you to Lorraine Donnegan? | 0:22:24 | 0:22:26 | |
She provides the funding for the school. | 0:22:26 | 0:22:29 | |
You've all been highly recommended to us and I'm sure you'll make | 0:22:29 | 0:22:32 | |
a fantastic contribution to our school. | 0:22:32 | 0:22:34 | |
I think we'd both like to thank you all very much for being here, | 0:22:34 | 0:22:36 | |
so just relax and try and do your best. | 0:22:36 | 0:22:39 | |
OK. You can start. | 0:22:40 | 0:22:42 | |
Just say that... I was to go through with this stupid idea. Which I'm not. | 0:22:48 | 0:22:54 | |
How are you actually going to do it, eh? | 0:22:54 | 0:22:56 | |
How are you actually going to kill him? | 0:22:56 | 0:22:58 | |
Yeah - you didn't like the sound of that, did you? | 0:22:58 | 0:23:01 | |
I'll think of something, don't worry. | 0:23:01 | 0:23:02 | |
And then what? You end up in prison? | 0:23:02 | 0:23:04 | |
If we do it properly, we'll make sure nobody catches us. | 0:23:04 | 0:23:07 | |
There is no "we". And how do you "properly" murder someone anyway? | 0:23:07 | 0:23:10 | |
We give each other an alibi. | 0:23:10 | 0:23:12 | |
When it happened, I was with you and were with me. | 0:23:12 | 0:23:15 | |
We get rid of the body. We throw him in the river. | 0:23:15 | 0:23:18 | |
Imagine how many people want to see him dead? | 0:23:18 | 0:23:22 | |
The police won't know who to come looking for. | 0:23:22 | 0:23:25 | |
Tell me the truth, Connor, yes or no? | 0:23:25 | 0:23:28 | |
After everything he's put you through, | 0:23:28 | 0:23:30 | |
-do you really want him on your case forever? -No. | 0:23:30 | 0:23:32 | |
-Then you'll never have to look over your shoulder again. -Kevin you can't... | 0:23:32 | 0:23:36 | |
Hello? Shouldn't you two be somewhere? | 0:23:36 | 0:23:39 | |
Yeah. | 0:23:40 | 0:23:42 | |
Thank you. | 0:23:42 | 0:23:43 | |
Things without all remedy should be done without regard. | 0:23:45 | 0:23:49 | |
What's done is done. | 0:23:49 | 0:23:51 | |
Ah, decided to join us? | 0:23:51 | 0:23:53 | |
-Where did you get to? -Sorry. | 0:23:55 | 0:23:58 | |
Right. Lady Macbeth. A nasty manipulator? | 0:24:00 | 0:24:06 | |
Or a loyal wife who wants what's best for her man? Dynasty? | 0:24:06 | 0:24:11 | |
I don't know, Miss. | 0:24:19 | 0:24:21 | |
Come on, she's got a right gob on her. | 0:24:21 | 0:24:24 | |
Like somebody else I know. | 0:24:24 | 0:24:25 | |
Imogen? | 0:24:31 | 0:24:32 | |
I think she comes across as dead strong and supportive. | 0:24:32 | 0:24:35 | |
She ends up a nervous wreck, though. Why? | 0:24:35 | 0:24:38 | |
-Guilt? -Or maybe fear of getting caught? | 0:24:38 | 0:24:41 | |
She didn't murder Duncan, Macbeth did. | 0:24:41 | 0:24:43 | |
But he'd never have done it if she hadn't goaded him in to it. | 0:24:43 | 0:24:46 | |
-Exactly. -She totally wound him up from the start, told him | 0:24:46 | 0:24:49 | |
-he wasn't a proper man if he didn't do it. -She was wrong. | 0:24:49 | 0:24:53 | |
Because all she ever wanted was money and power. | 0:24:53 | 0:24:56 | |
Supposing Duncan had it coming to him? Like he deserved it? | 0:24:56 | 0:25:01 | |
I think you're writing another play there, Kevin. | 0:25:01 | 0:25:04 | |
BELL RINGS | 0:25:04 | 0:25:07 | |
Dynasty? | 0:25:10 | 0:25:12 | |
Are you OK? You don't seem your usual self. | 0:25:12 | 0:25:15 | |
I'm just tired, Miss. Our Barry was playing his music till, like, three in the morning. | 0:25:15 | 0:25:19 | |
I'm always here. | 0:25:19 | 0:25:20 | |
-Why don't you tell her? -Like I said... | 0:25:24 | 0:25:25 | |
-Dynasty, you need to talk to someone about what's happened to you. -Just leave it! | 0:25:25 | 0:25:30 | |
I think it was the weak men around Lady Macbeth that led to her downfall. | 0:25:34 | 0:25:38 | |
-Do you think so? -Naw, I agree. | 0:25:38 | 0:25:40 | |
Connor! | 0:25:42 | 0:25:44 | |
You're not bottling out on me are you, mate? | 0:25:44 | 0:25:46 | |
We need to decide how we're going to do this, and it's got to be a gun. | 0:25:46 | 0:25:49 | |
-Don't be stupid. -No, no, I've been thinking about it, and it's the only way. | 0:25:49 | 0:25:53 | |
You can't just buy a gun in the supermarket. | 0:25:53 | 0:25:57 | |
Barry could get us one. | 0:25:57 | 0:25:59 | |
OK. OK, but let me talk to him. | 0:25:59 | 0:26:01 | |
He's not going to sort a gun out for you. | 0:26:01 | 0:26:04 | |
Especially if he sees you in this state. I'll talk to him, OK? | 0:26:04 | 0:26:08 | |
-I'll see yous later. -See you. -All right? | 0:26:14 | 0:26:18 | |
It's almost lunchtime. | 0:26:18 | 0:26:19 | |
Are you sure I shouldn't just go meet Steve-O, like he wants? | 0:26:19 | 0:26:23 | |
Of course I'm sure. I'll sort it. I don't want you anywhere near him. | 0:26:23 | 0:26:26 | |
You wanted to see me? | 0:26:40 | 0:26:42 | |
Kevin's going to ask you to do something for him. | 0:26:44 | 0:26:46 | |
And he thinks I'm just going to say yes? | 0:26:46 | 0:26:49 | |
He wants you to get hold of a gun. | 0:26:51 | 0:26:53 | |
No, no, no, no. This is just some kind of wind up? | 0:26:59 | 0:27:02 | |
You can't help him. | 0:27:02 | 0:27:04 | |
What is he going to do with it? | 0:27:04 | 0:27:07 | |
He's...going to kill Steve-O. | 0:27:07 | 0:27:09 | |
You better tell me everything. | 0:27:11 | 0:27:13 | |
Right, now, in your groups I'd like you to come up with | 0:27:18 | 0:27:23 | |
three examples of how the history of Ireland influenced | 0:27:23 | 0:27:27 | |
the writing of these stories. | 0:27:27 | 0:27:29 | |
Better late than never, Mr Mulgrew. | 0:27:34 | 0:27:36 | |
Sorry. | 0:27:37 | 0:27:38 | |
-He won't do it. Said no way. -Did you tell him we'd pay? | 0:27:44 | 0:27:47 | |
Yeah, and he's not interested. So drop it. | 0:27:47 | 0:27:50 | |
-Give up? Just like that? -Yes. | 0:27:50 | 0:27:53 | |
Not only do you show great discourtesy by arriving late, | 0:27:53 | 0:27:56 | |
Connor, but now you proceed to disrupt the class. | 0:27:56 | 0:27:59 | |
Find another group, please. | 0:27:59 | 0:28:00 | |
Do we have to do it like this? | 0:28:06 | 0:28:09 | |
Can't we just ring on the door later and talk to her? | 0:28:09 | 0:28:11 | |
Explain our views? | 0:28:11 | 0:28:13 | |
Talking does no good. We tried that this morning. | 0:28:13 | 0:28:16 | |
Is this the house Jack said? | 0:28:17 | 0:28:18 | |
Think so. Isn't this just going to make them mad? | 0:28:18 | 0:28:21 | |
Mad? Are you not mad at what Nox Pharmaceuticals are doing to animals? | 0:28:21 | 0:28:26 | |
This is war. | 0:28:26 | 0:28:27 | |
And in a war you must take action against your enemies. | 0:28:27 | 0:28:30 | |
So let's do this, come on. Come on! | 0:28:30 | 0:28:32 | |
-Look out! -Where are you going?! -Get out of here! | 0:28:58 | 0:29:02 | |
-Lula! Come on! -I'm not finished! | 0:29:02 | 0:29:04 | |
We've got to go! | 0:29:04 | 0:29:06 | |
Come on! | 0:29:07 | 0:29:09 | |
Is says "sha" that doesn't mean anything! | 0:29:09 | 0:29:11 | |
-It was supposed to say "shame"! -Come on! | 0:29:11 | 0:29:14 | |
Hey. | 0:29:33 | 0:29:34 | |
Have you got anything you want to tell me? | 0:29:43 | 0:29:45 | |
It's just that Connor said Steve-O did something to you? | 0:29:48 | 0:29:53 | |
Like what? | 0:29:54 | 0:29:56 | |
Well, he said he... | 0:29:57 | 0:30:00 | |
He said he raped you. | 0:30:01 | 0:30:03 | |
What? That's sick. | 0:30:04 | 0:30:06 | |
-So it's not true? -No. | 0:30:06 | 0:30:08 | |
I just wanted to hear it from you. | 0:30:10 | 0:30:13 | |
Audrey? I've got everything under control. | 0:30:32 | 0:30:35 | |
I've ordered your flowers, chosen the menus | 0:30:35 | 0:30:37 | |
and I've arranged a fitting for your dress. | 0:30:37 | 0:30:39 | |
Sonya, I really can't thank you enough, | 0:30:39 | 0:30:41 | |
and I'm so sorry about my outburst in the staff room this morning. | 0:30:41 | 0:30:45 | |
Oh, it's just pre-wedding nerves. Everyone gets 'em. | 0:30:45 | 0:30:49 | |
So, you sorted your bridesmaids and that? | 0:30:49 | 0:30:52 | |
No, not exactly. | 0:30:52 | 0:30:55 | |
I've never been a bridesmaid. I've always quite fancied it, myself. | 0:30:55 | 0:30:59 | |
Well, I wouldn't want you to do it out of pity. | 0:30:59 | 0:31:01 | |
You're joking, aren't you? | 0:31:01 | 0:31:03 | |
In which case I would be delighted and honoured. | 0:31:03 | 0:31:06 | |
Brilliant! | 0:31:06 | 0:31:07 | |
Thanks. | 0:31:08 | 0:31:09 | |
-Sonya is looking very happy. -She is a dear soul. | 0:31:16 | 0:31:19 | |
I thought maybe we could have lunch together. | 0:31:19 | 0:31:22 | |
Who cares what the rest of them think. We have each other. | 0:31:23 | 0:31:28 | |
And with Tom and Sonya at our side we'll have a beautiful day. | 0:31:28 | 0:31:31 | |
Tom and Sonya? | 0:31:31 | 0:31:33 | |
They've agreed to be our best man and bridesmaid, our witnesses. | 0:31:33 | 0:31:36 | |
Oh! | 0:31:36 | 0:31:37 | |
I'll see you later | 0:31:38 | 0:31:39 | |
Harley and Kacey made me run away. | 0:31:42 | 0:31:44 | |
But those people will know. They can't ignore us. | 0:31:44 | 0:31:47 | |
It felt so good, you know? Knowing that I was actually doing something. | 0:31:48 | 0:31:53 | |
And what exactly did you write? | 0:31:53 | 0:31:55 | |
I was going to write "shame." But I couldn't finish. | 0:31:55 | 0:31:59 | |
So it just says "sha". But she's going to get the message. | 0:31:59 | 0:32:02 | |
You think? | 0:32:02 | 0:32:04 | |
I thought you would be pleased? | 0:32:05 | 0:32:07 | |
Pleased because you redecorated someone's garage door | 0:32:07 | 0:32:10 | |
and got paint all over your uniform without communicating anything? | 0:32:10 | 0:32:14 | |
It's going to be wiped off in no time anyway. | 0:32:14 | 0:32:17 | |
No impact, no effect. | 0:32:17 | 0:32:20 | |
I wanted to do something. | 0:32:20 | 0:32:21 | |
You start by thinking. And getting a clear message out there. | 0:32:21 | 0:32:27 | |
So, you're going to be Audrey's bridesmaid? What are you doing? | 0:32:34 | 0:32:38 | |
-Are you trying to destroy the wedding? -No. | 0:32:38 | 0:32:41 | |
I just wanted to be part of your special day, that's all. | 0:32:42 | 0:32:45 | |
You're not going to tell Audrey about us? | 0:32:45 | 0:32:47 | |
I don't know! | 0:32:49 | 0:32:51 | |
Sonya! We have spoken about this. I am marrying Audrey, OK? | 0:32:51 | 0:32:56 | |
Look, besides, it's the only way that I can stay in the country. | 0:32:57 | 0:33:02 | |
My visa will be expiring soon. You understand? | 0:33:03 | 0:33:07 | |
-Marry me instead, then? -All the paperwork is complete. | 0:33:08 | 0:33:12 | |
And if we change it now, how is that going to look to the authorities? | 0:33:12 | 0:33:15 | |
Then I've got no choice, I suppose. | 0:33:17 | 0:33:19 | |
I'm going to have to tell her. | 0:33:22 | 0:33:24 | |
Look, maybe... Maybe we can still see each other, you know? | 0:33:29 | 0:33:34 | |
Just from time to time? | 0:33:34 | 0:33:35 | |
I didn't think you wanted me anymore? | 0:33:36 | 0:33:38 | |
Oh, come on, of course I want you! | 0:33:38 | 0:33:41 | |
You are extremely hard to resist. | 0:33:41 | 0:33:43 | |
But what about Audrey? | 0:33:43 | 0:33:45 | |
As long as Audrey never finds out, you and I, we can still be together. | 0:33:48 | 0:33:53 | |
Really? | 0:33:54 | 0:33:55 | |
Get off me, Barry! What do you want? | 0:34:04 | 0:34:06 | |
Speak to me like that again and I won't get you what you want. | 0:34:06 | 0:34:10 | |
Connor told me you wouldn't get it. | 0:34:10 | 0:34:13 | |
Yeah, well, that was before I spoke to my sister. | 0:34:13 | 0:34:15 | |
Look, go into the old Maddiston warehouse on the river. | 0:34:16 | 0:34:21 | |
There's a lift shaft at the back. | 0:34:21 | 0:34:23 | |
I'll leave it in a box there for you by the pillar. | 0:34:23 | 0:34:25 | |
This afternoon. | 0:34:25 | 0:34:27 | |
Oi! Have you got that? | 0:34:27 | 0:34:29 | |
-Yeah. -Right. | 0:34:31 | 0:34:33 | |
This should be everything you need. | 0:34:49 | 0:34:51 | |
If I do say so myself, it's a pretty persuasive argument. | 0:34:51 | 0:34:54 | |
Thank you so much for this. | 0:34:55 | 0:34:57 | |
Will it be enough to change Lorraine's mind? | 0:34:58 | 0:35:01 | |
She won't be able to deny evidence presented to her in black and white. | 0:35:01 | 0:35:05 | |
Is that more hope than expectation? | 0:35:05 | 0:35:07 | |
I'll do everything I can. | 0:35:08 | 0:35:11 | |
I know you will. | 0:35:11 | 0:35:12 | |
-Miss? -Yes, Lula? | 0:35:32 | 0:35:34 | |
Can I please be excused from the class? | 0:35:34 | 0:35:36 | |
I need to go to the library | 0:35:36 | 0:35:38 | |
and do some research on bacterial infections. | 0:35:38 | 0:35:40 | |
-What about this lesson? -I'll copy up the notes later. | 0:35:40 | 0:35:43 | |
-Just make sure you do. -Thank you, Miss. | 0:35:43 | 0:35:45 | |
KNOCK AT DOOR | 0:35:51 | 0:35:53 | |
I've got the completed exam papers. | 0:35:54 | 0:35:56 | |
Thank you, Sonya. Just put them over there for now, please. | 0:35:56 | 0:36:00 | |
-They were a nice crowd of kids. -Seemed to be, yes. | 0:36:00 | 0:36:04 | |
Very polite. Mind you, that's what you'd expect, I suppose. | 0:36:04 | 0:36:08 | |
-Mmm? -With them all coming from private schools. | 0:36:08 | 0:36:12 | |
-What do you mean? -You know, good manners and that. | 0:36:12 | 0:36:14 | |
No, I mean how do you know they all came from private schools? | 0:36:14 | 0:36:17 | |
There was a list. I'm pretty sure they was all private. | 0:36:17 | 0:36:20 | |
And none of them from around here, either. | 0:36:22 | 0:36:25 | |
Can you tell Lorraine I'd like to see her, please? | 0:36:30 | 0:36:33 | |
Now! | 0:36:33 | 0:36:34 | |
What's so important? | 0:36:48 | 0:36:49 | |
How did we even get to this point? | 0:36:54 | 0:36:57 | |
I need parents who shop around for the best school for their kids to come to us. | 0:36:57 | 0:37:01 | |
Or we're not going to be here for very long. | 0:37:01 | 0:37:04 | |
To come to us and pay? | 0:37:04 | 0:37:06 | |
That was one of the great ideas you were going to bounce off me? We're to be a fee paying school? | 0:37:06 | 0:37:10 | |
-There's no other way. -Parents who can't afford to pay also want the best for their kids. | 0:37:10 | 0:37:14 | |
I can't believe I'm even telling you that. Have you forgotten where you came from? | 0:37:14 | 0:37:17 | |
I'm talking about the reality. | 0:37:17 | 0:37:20 | |
It's either this, or no school at all. | 0:37:20 | 0:37:22 | |
Right, well then let me ask you this. | 0:37:22 | 0:37:24 | |
How far do you think you would have got in school in the face of an attitude like that? | 0:37:26 | 0:37:30 | |
Emotional blackmail doesn't make you right. | 0:37:30 | 0:37:33 | |
-You really are about the money aren't you?, -You sound surprised. | 0:37:33 | 0:37:36 | |
So much for your reason for closing down the PRU. | 0:37:36 | 0:37:39 | |
Don't worry Lorraine, there's plenty of your cash left over now. | 0:37:39 | 0:37:43 | |
The PRU doesn't fit in with your shiny vision, does it? | 0:37:43 | 0:37:46 | |
These wealthy parents you'll be courting would run a mile | 0:37:46 | 0:37:49 | |
if they thought there was a referral unit here, | 0:37:49 | 0:37:52 | |
and they'll take all their money with them. | 0:37:52 | 0:37:54 | |
The PRU was a drain on time, money and energy. | 0:37:54 | 0:37:57 | |
Michael, I want us to refocus. | 0:37:57 | 0:37:59 | |
From now on, we measure ourselves on how the kids who leave us | 0:37:59 | 0:38:03 | |
compete in the job market. | 0:38:03 | 0:38:04 | |
-On how we can prepare them to make a difference. -Oh come on! | 0:38:04 | 0:38:08 | |
Liberty Gordon's got an interview for Edinburgh University today! | 0:38:08 | 0:38:12 | |
She's had her eyes opened up in terms of what she can achieve. | 0:38:13 | 0:38:17 | |
And the work we have done for her here HAS made a difference. | 0:38:17 | 0:38:20 | |
-Liberty is not most kids. -She is. That's the whole point! | 0:38:20 | 0:38:22 | |
Either you accept the changes we are trying to make here or you don't! | 0:38:22 | 0:38:26 | |
I would rather there was no school at all, than one that reinforces | 0:38:32 | 0:38:34 | |
inequality and denies a fair and equal chance to the children | 0:38:34 | 0:38:38 | |
and families out there, Lorraine, that we are trying to serve. | 0:38:38 | 0:38:42 | |
I'd sooner see it close than let it damage this community. | 0:38:42 | 0:38:46 | |
In which case you have a problem. | 0:38:46 | 0:38:49 | |
So what are you going to do? | 0:38:49 | 0:38:50 | |
What can I do? | 0:38:50 | 0:38:52 | |
I'm faced with a woman who has turned her back on all her principles. | 0:38:52 | 0:38:56 | |
Answer me. What are you going to do? | 0:38:56 | 0:39:00 | |
-There's only one thing I can do. -Say it, then. Tell me. | 0:39:00 | 0:39:05 | |
I resign. | 0:39:05 | 0:39:06 | |
And I accept your resignation. | 0:39:08 | 0:39:10 | |
-You all right? -Yeah. I'm fine. | 0:39:25 | 0:39:28 | |
He's not serious, is he? | 0:40:06 | 0:40:07 | |
Yeah. So am I. | 0:40:07 | 0:40:11 | |
Michael can't be our head teacher anymore. So I need a new one. | 0:40:11 | 0:40:15 | |
One who shares my vision and wants to take the school forward. | 0:40:15 | 0:40:19 | |
-Me? -Are you up for it? | 0:40:22 | 0:40:24 | |
-Lorraine, I... I'm not ready. -So when will you be ready? | 0:40:24 | 0:40:27 | |
How are you ever going to know if you don't just jump in and do it? | 0:40:27 | 0:40:31 | |
-OK. -That's more like it. | 0:40:32 | 0:40:34 | |
Hey, Dynasty. | 0:40:58 | 0:40:59 | |
Is she OK? | 0:41:03 | 0:41:05 | |
I'm sorting it. | 0:41:05 | 0:41:06 | |
Turns out Barry can help. | 0:41:08 | 0:41:10 | |
So, I'm going to go down to the docks and Steve-O's going to pay. | 0:41:10 | 0:41:14 | |
Kevin. You can't. | 0:41:14 | 0:41:16 | |
BELL RINGS | 0:41:16 | 0:41:18 | |
Kevin. | 0:41:18 | 0:41:19 | |
We heading now, then? To the station? | 0:41:22 | 0:41:26 | |
-Erm, I'll meet you there at four. -Why aren't we going together? | 0:41:26 | 0:41:30 | |
I can't. My mum wants to see me. | 0:41:30 | 0:41:31 | |
-She'll get suspicious if I don't turn up. -OK. | 0:41:31 | 0:41:35 | |
-I'll go out the back way so Steve-O doesn't see me. -Yeah. Course. | 0:41:35 | 0:41:38 | |
Hey, it's going to be OK. It'll all be over soon. | 0:41:38 | 0:41:42 | |
Once we're away from here we won't have to worry about Steve-O anymore. | 0:41:42 | 0:41:46 | |
Look, if I'm late, don't wait for me, I'll just catch you up. | 0:41:46 | 0:41:49 | |
I wanted this to work, Michael. | 0:42:47 | 0:42:49 | |
I wanted us to make it all happen. Together. | 0:42:51 | 0:42:54 | |
I know. | 0:42:56 | 0:42:57 | |
Still, I don't regret coming up here and trying. | 0:42:59 | 0:43:03 | |
-I have to do what I think is right. -I wouldn't expect anything less of you. | 0:43:03 | 0:43:08 | |
I just wish there was something I could say to you that would make you understand how I feel. | 0:43:08 | 0:43:12 | |
-I'm sorry it's come to this. -Me too. | 0:43:17 | 0:43:20 | |
Imogen. Are you leaving? I heard you and Connor. | 0:43:40 | 0:43:45 | |
I have to. | 0:43:46 | 0:43:48 | |
You were just going to go and you weren't going to tell me? | 0:43:48 | 0:43:50 | |
I wasn't going to tell anyone. | 0:43:50 | 0:43:53 | |
I'm supposed to be your mate. | 0:43:53 | 0:43:55 | |
Maybe you should be asking why we're leaving? | 0:43:55 | 0:43:58 | |
It's because of Steve-O, your boyfriend. | 0:43:58 | 0:44:00 | |
He wants Connor to burgle houses for him and who knows what else. He's a headcase. | 0:44:02 | 0:44:06 | |
-I didn't know. -You didn't know what he was like? Do me a favour. | 0:44:06 | 0:44:09 | |
You can lie to yourself, but it won't wash with anyone else. | 0:44:09 | 0:44:11 | |
-I mean it, I didn't know -You've made your choice, Dynasty. | 0:44:11 | 0:44:14 | |
No one's making you go out with him. | 0:44:14 | 0:44:16 | |
SHE SOBS | 0:44:23 | 0:44:26 | |
I'm sorry. I didn't mean what I said. | 0:44:31 | 0:44:34 | |
-I was just really... -It's not you. It's Steve-O. | 0:44:34 | 0:44:39 | |
Why? What has he done? | 0:44:40 | 0:44:43 | |
SHE SOBS | 0:44:43 | 0:44:46 | |
-Hey, Mr Byrne! -Liberty, Come back, come back. So how did it go? | 0:44:58 | 0:45:02 | |
It was brilliant. Had such a great day. I definitely want to go there. | 0:45:02 | 0:45:06 | |
Good. That's great news. | 0:45:06 | 0:45:08 | |
And thank you for everything you've done. | 0:45:08 | 0:45:11 | |
I wouldn't have been there if it weren't for you. | 0:45:11 | 0:45:13 | |
No, no, it was a total pleasure. Well done, you. | 0:45:13 | 0:45:16 | |
-You deserve every success. -Thank you, Sir. | 0:45:17 | 0:45:20 | |
Robert. It's Michael Byrne. | 0:45:36 | 0:45:38 | |
Yeah, I did want to talk to you. Quite urgently, in fact. | 0:45:40 | 0:45:44 | |
It's about the future of Waterloo Road. | 0:45:44 | 0:45:46 | |
I'll Speak to Tom. Well, it's the end of the day now so... | 0:45:52 | 0:45:56 | |
Have you seen Michael? | 0:45:56 | 0:45:58 | |
Actually, he's left. | 0:45:59 | 0:46:01 | |
He's resigned as head teacher of Waterloo Road. | 0:46:01 | 0:46:05 | |
Why? | 0:46:09 | 0:46:10 | |
There are changes I need to implement here which he felt he couldn't live with. | 0:46:10 | 0:46:14 | |
After everything Michael has given this school... | 0:46:16 | 0:46:18 | |
It was his choice, Christine. | 0:46:18 | 0:46:20 | |
OK, Nikki, what do you have to say about this? | 0:46:23 | 0:46:26 | |
I've asked Nikki to take over as Head, with immediate effect. And she's said yes. | 0:46:26 | 0:46:30 | |
This is a joke. You are no head teacher. | 0:46:33 | 0:46:36 | |
Except I am, aren't I? From this moment and for a long time to come. | 0:46:36 | 0:46:39 | |
And I'm going to make something of this school. | 0:46:39 | 0:46:41 | |
So I suggest you go away and think about how you plan on contributing here. | 0:46:41 | 0:46:45 | |
Then come and tell me about it. I'll be all ears. | 0:46:45 | 0:46:48 | |
-Mrs Mulgrew! Mrs Mulgrew! -Not now, Imogen. | 0:46:57 | 0:46:59 | |
You have to come. It's Dynasty. Please! She's in the toilets. | 0:46:59 | 0:47:03 | |
-What's happened? -She's a mess. It's because of Steve-O. | 0:47:03 | 0:47:07 | |
-Steve-O? -He just keeps on ruining people's lives. | 0:47:07 | 0:47:10 | |
-You've no idea what he's done. -No, no, Michael sorted all that? | 0:47:10 | 0:47:13 | |
Connor doesn't owe him anything anymore. | 0:47:13 | 0:47:15 | |
It's not about money anymore. He's blackmailing us. | 0:47:15 | 0:47:17 | |
-How is he blackmailing you? -With our marriage certificate. | 0:47:17 | 0:47:22 | |
I know, and I'm sorry. He's dangerous. | 0:47:24 | 0:47:28 | |
I don't know what he's done to Dynasty, but I've never seen her like this before. Please! | 0:47:28 | 0:47:33 | |
Dynasty? | 0:47:41 | 0:47:42 | |
Tell me what happened. | 0:47:49 | 0:47:51 | |
I can't. | 0:47:51 | 0:47:54 | |
Yes you can. | 0:47:54 | 0:47:56 | |
Whatever it is. | 0:47:56 | 0:47:58 | |
I'm going to stay right here. | 0:48:00 | 0:48:02 | |
And you take all the time you need. | 0:48:02 | 0:48:06 | |
It's Steve-O. SHE SOBS | 0:48:07 | 0:48:10 | |
-QUIETLY: -Right. | 0:48:12 | 0:48:13 | |
He made me... | 0:48:13 | 0:48:16 | |
Made you what? | 0:48:19 | 0:48:21 | |
Have sex. | 0:48:21 | 0:48:23 | |
SHE SOBS | 0:48:23 | 0:48:26 | |
Oh, come here. | 0:48:26 | 0:48:28 | |
Why didn't you say anything? | 0:48:36 | 0:48:38 | |
Cos it was all my fault. | 0:48:38 | 0:48:39 | |
No. | 0:48:43 | 0:48:44 | |
No, it wasn't. | 0:48:46 | 0:48:47 | |
-We have to go to the police. -Imogen! | 0:48:50 | 0:48:53 | |
We are going to wait until you're ready... | 0:49:00 | 0:49:04 | |
..before we do anything. | 0:49:06 | 0:49:08 | |
I know how much courage it took you just to tell us. | 0:49:13 | 0:49:16 | |
But Dynasty, you can't let this break you. | 0:49:18 | 0:49:22 | |
SHE SOBS | 0:49:22 | 0:49:25 | |
I was scared that no one would believe me. | 0:49:25 | 0:49:27 | |
Well, I do. But you listen to me, listen. | 0:49:31 | 0:49:36 | |
Imogen is right. You have to report him. | 0:49:39 | 0:49:43 | |
What if he just denies it? And says he's my boyfriend? | 0:49:46 | 0:49:50 | |
Well, whether he's your boyfriend or not, he... He assaulted you. | 0:49:50 | 0:49:56 | |
You have the strength to do this. I know you do. | 0:49:58 | 0:50:01 | |
And I will be with you... | 0:50:04 | 0:50:06 | |
..every step of the way. | 0:50:07 | 0:50:09 | |
OK. | 0:50:15 | 0:50:16 | |
I think you handled it really well. | 0:50:22 | 0:50:24 | |
It's going to take time for them to accept me | 0:50:27 | 0:50:29 | |
and some of them never will. | 0:50:29 | 0:50:32 | |
Which is their decision and their problem. | 0:50:34 | 0:50:37 | |
You are now the head teacher of Waterloo Road. | 0:50:39 | 0:50:41 | |
And I have absolutely no doubt in my mind that you are the right person for the job. | 0:50:41 | 0:50:45 | |
Thank you. | 0:50:46 | 0:50:48 | |
I'll admit, I'm a little bit apprehensive. | 0:50:50 | 0:50:54 | |
But...it means everything that you have put your faith in me. | 0:50:55 | 0:50:59 | |
I won't let you down. | 0:51:01 | 0:51:03 | |
I know you won't. | 0:51:05 | 0:51:06 | |
Kevin! Look, don't do it. | 0:51:32 | 0:51:35 | |
If you're not here to help me, just go. | 0:51:35 | 0:51:38 | |
-You could get arrested or killed. Do you think that's what Dynasty wants? -I mean it, Connor. Leave me alone! | 0:51:38 | 0:51:44 | |
Cos I'm telling you now, it isn't. So you're not doing this for her. | 0:51:44 | 0:51:48 | |
Go away! Or I swear if you try to stop me, I'll... | 0:51:48 | 0:51:52 | |
You'll what? Eh? Shoot me as well? | 0:51:52 | 0:51:54 | |
Listen to yourself! | 0:51:58 | 0:52:00 | |
-I can't let you do it. -What are you doing? | 0:52:17 | 0:52:19 | |
-Whatever it takes to make you stop. -Get out of my way. I mean it. | 0:52:19 | 0:52:22 | |
So do I. Look, Kevin... | 0:52:22 | 0:52:24 | |
-It's not even here. -You looking for something, lads? | 0:52:29 | 0:52:33 | |
Why don't you tell me about your little plan? | 0:52:33 | 0:52:36 | |
So you were going to kill me, and then throw away the gun? | 0:52:36 | 0:52:39 | |
That's what I've been told! | 0:52:40 | 0:52:43 | |
What do you mean, that's what you've been told? | 0:52:43 | 0:52:45 | |
How could you? After what he did to your sister? | 0:52:50 | 0:52:54 | |
-You're going to let him do this? -You was going to do it to him. | 0:52:54 | 0:52:56 | |
Pays to know who your friends are. | 0:52:58 | 0:53:00 | |
Go on then, do it! | 0:53:07 | 0:53:09 | |
Cos if you think I'm going to stand here and beg, you're wrong. | 0:53:10 | 0:53:14 | |
I wouldn't give you the satisfaction! | 0:53:14 | 0:53:17 | |
Do something, then. You going to let him shoot him?! | 0:53:17 | 0:53:19 | |
-It's not my fight, mate. -You raped Dynasty. | 0:53:19 | 0:53:22 | |
That's going to get out, whether you shoot me or not, | 0:53:22 | 0:53:24 | |
everyone is going to know exactly who you are! | 0:53:24 | 0:53:27 | |
-Is that right? -You might think you can take whatever you want, | 0:53:27 | 0:53:30 | |
but you could never make her like you or respect you, Steve-O. | 0:53:30 | 0:53:34 | |
-Dynasty hates you, do you realise that? -Kevin! | 0:53:34 | 0:53:37 | |
She wants you gone as much as we do. | 0:53:37 | 0:53:39 | |
Nobody one would miss you if you disappeared, Steve-O. | 0:53:39 | 0:53:42 | |
-Especially not Dynasty. -Shut up! | 0:53:42 | 0:53:45 | |
-Her life would be better if she'd never met you! -I said shut it! -GUN CLICKS EMPTY | 0:53:45 | 0:53:48 | |
You set me up! It's empty! | 0:53:51 | 0:53:54 | |
Dynasty said you never did anything to her. But I know her. | 0:53:54 | 0:53:57 | |
And I know when she's lying. | 0:53:57 | 0:53:59 | |
Did you think I'm was going to let you get away with it? Eh? | 0:54:04 | 0:54:08 | |
You raped my sister. | 0:54:11 | 0:54:13 | |
You think I was going to let you get away with that? | 0:54:13 | 0:54:17 | |
SIRENS APPROACHING | 0:54:17 | 0:54:19 | |
I was never here. This stays between us three. | 0:54:19 | 0:54:22 | |
Armed police! On your knees! On your knees! On your knees! | 0:54:24 | 0:54:28 | |
Hands in front of you! Look at me! | 0:54:28 | 0:54:30 | |
Look at me! | 0:54:30 | 0:54:32 | |
Are you OK? | 0:54:50 | 0:54:51 | |
What's happening? That's my son. | 0:54:54 | 0:54:56 | |
Excuse me, Madam. This way son. | 0:54:56 | 0:54:58 | |
Have you seen the others? | 0:55:27 | 0:55:29 | |
No, not yet. Have you been released on bail? | 0:55:30 | 0:55:35 | |
What did you say? | 0:55:39 | 0:55:40 | |
That Steve-O's been on at us since he moved here. | 0:55:45 | 0:55:48 | |
He followed us and pulled a gun. | 0:55:48 | 0:55:50 | |
Good. | 0:55:50 | 0:55:52 | |
I can't believe this whole thing was a set up, | 0:55:53 | 0:55:55 | |
just so Barry could get back at Steve-O. | 0:55:55 | 0:55:57 | |
I can't believe I thought shooting him would fix things. | 0:55:57 | 0:55:59 | |
I'm sorry for bringing you into this. | 0:56:03 | 0:56:06 | |
And thank you for trying...trying to stop me. | 0:56:09 | 0:56:13 | |
It's OK. | 0:56:15 | 0:56:17 | |
I guess it's Dynasty we need to think about now. | 0:56:18 | 0:56:22 | |
I don't think she'll want anything to do with me after what I've done. | 0:56:22 | 0:56:25 | |
I don't even know if I should wait for her. | 0:56:25 | 0:56:28 | |
No, you should. | 0:56:29 | 0:56:30 | |
I'll...leave you guys alone. | 0:56:38 | 0:56:39 | |
I was just going. | 0:56:45 | 0:56:47 | |
I don't know what you think you were doing, but you're an idiot. | 0:56:47 | 0:56:51 | |
-I know. -You could have gotten hurt. I never would've forgiven myself. | 0:56:52 | 0:56:56 | |
I'm so sorry. | 0:56:56 | 0:56:58 | |
Fees are against everything we've worked for Michael. | 0:57:29 | 0:57:32 | |
Well, it hasn't happened yet. | 0:57:32 | 0:57:34 | |
-Nox Pharmaceuticals are criminals. -Change the record, Lula. | 0:57:34 | 0:57:38 | |
-She'll kick you out. -She's profiting from murder! | 0:57:38 | 0:57:41 | |
I'm leaving. I'm done with you. | 0:57:41 | 0:57:42 | |
-We're going for good. -You're leaving? | 0:57:42 | 0:57:45 | |
-I need to move on. -What about us? | 0:57:45 | 0:57:47 | |
Please, Audrey, please don't cancel the wedding. | 0:57:47 | 0:57:51 | |
There's a strike! What are we going to do? | 0:57:51 | 0:57:52 | |
No teachers! We rule the school! | 0:57:52 | 0:57:55 | |
CHEERING Yes! | 0:57:55 | 0:57:57 | |
I need to see the head. | 0:57:57 | 0:57:59 | |
You're speaking to her. | 0:57:59 | 0:58:01 | |
Mmm. | 0:58:01 | 0:58:02 | |
Subtitles by Red Bee Media Ltd | 0:58:08 | 0:58:11 |