Browse content similar to Episode 27. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
ALL: Stop animal cruelty! Blood is on your hands! | 0:00:02 | 0:00:04 | |
You're like my little secret weapon - my eyes and my ears. | 0:00:04 | 0:00:08 | |
-He raped you. -Don't say that word. | 0:00:08 | 0:00:11 | |
I've had some good news. I found out earlier... | 0:00:11 | 0:00:14 | |
They said I'd make an ideal donor. | 0:00:14 | 0:00:17 | |
What are you going to do? | 0:00:18 | 0:00:19 | |
-I resign. -And I accept your resignation. | 0:00:19 | 0:00:22 | |
I'm delighted to announce we're engaged to be married. | 0:00:22 | 0:00:26 | |
Congratulations. | 0:00:26 | 0:00:27 | |
MILD APPLAUSE | 0:00:27 | 0:00:29 | |
-I am marrying Audrey. -I'm going to have to tell her. | 0:00:29 | 0:00:32 | |
# Have you ever loved someone | 0:00:50 | 0:00:56 | |
# With all of your heart? | 0:00:59 | 0:01:03 | |
# Sharing all the joy | 0:01:03 | 0:01:07 | |
# Giving from the start | 0:01:07 | 0:01:09 | |
# Have you ever loved someone | 0:01:09 | 0:01:13 | |
# Deep down in your heart? | 0:01:13 | 0:01:18 | |
# Oh-oh-oh | 0:01:18 | 0:01:20 | |
-# In your heart -In your heart, in your heart... # | 0:01:20 | 0:01:24 | |
KNOCK ON DOOR | 0:01:24 | 0:01:26 | |
Good morning. | 0:01:27 | 0:01:29 | |
Morning. We need to talk. | 0:01:29 | 0:01:31 | |
You're going to cancel the wedding. | 0:01:33 | 0:01:34 | |
Audrey, of course I'm not going to cancel the wedding, | 0:01:34 | 0:01:37 | |
you're my future. | 0:01:37 | 0:01:39 | |
It's just that, I'm not sure our future is here, you know? | 0:01:39 | 0:01:45 | |
How do you feel about moving to London? | 0:01:47 | 0:01:49 | |
London? | 0:01:49 | 0:01:51 | |
My cousin is there, you know. He has his own business. | 0:01:51 | 0:01:53 | |
He's asked me to come and work with him. | 0:01:53 | 0:01:55 | |
This could be a great opportunity for us! | 0:01:55 | 0:01:57 | |
For both of us! | 0:01:57 | 0:01:59 | |
Yes, but London? I mean, that's a huge move! | 0:01:59 | 0:02:02 | |
Sure, but isn't that what today is all about? | 0:02:02 | 0:02:06 | |
Making these big moves? Together. | 0:02:06 | 0:02:09 | |
I suppose so. | 0:02:10 | 0:02:12 | |
It's too much, it's too much for you. I understand. | 0:02:16 | 0:02:21 | |
This is your home, you know. | 0:02:21 | 0:02:23 | |
Audrey, forget I even said anything. | 0:02:25 | 0:02:27 | |
Ndale! Wait, no. This is important to you. | 0:02:27 | 0:02:30 | |
Well, I've always liked London. | 0:02:32 | 0:02:37 | |
Why not? | 0:02:37 | 0:02:39 | |
Let's talk about this later, yes? | 0:02:39 | 0:02:42 | |
Keep it between us, | 0:02:42 | 0:02:44 | |
just until we can finalise all of the arrangements? | 0:02:44 | 0:02:46 | |
OK. | 0:02:46 | 0:02:48 | |
# Deep in your heart | 0:02:49 | 0:02:53 | |
# Have you ever loved someone? | 0:02:53 | 0:02:57 | |
# Well, so have I | 0:02:59 | 0:03:07 | |
# So-o have I | 0:03:07 | 0:03:11 | |
# Have you ever loved someone? # | 0:03:11 | 0:03:17 | |
-Have you got a job interview? -No. Just a meeting. | 0:03:23 | 0:03:27 | |
I can't believe you're going to let her get away with this. | 0:03:27 | 0:03:30 | |
Fees are against everything we've worked for, Michael. | 0:03:30 | 0:03:33 | |
Well, it hasn't happened yet. | 0:03:33 | 0:03:35 | |
What's going to stop it happening now you've resigned? | 0:03:35 | 0:03:38 | |
You've resigned? But what about the school? | 0:03:38 | 0:03:42 | |
And the pupils? | 0:03:42 | 0:03:43 | |
I am not abandoning them. I have to go, I'm late. | 0:03:43 | 0:03:46 | |
Good luck with that ship jumping! | 0:03:46 | 0:03:47 | |
So what do you think? | 0:03:52 | 0:03:55 | |
It looks a bit real. | 0:03:55 | 0:03:58 | |
That's because it is real. | 0:03:58 | 0:04:00 | |
As of today, you're the head teacher at Waterloo Road. | 0:04:00 | 0:04:04 | |
It's going to take a bit of getting used to. | 0:04:04 | 0:04:06 | |
Well, you've got half an hour. | 0:04:06 | 0:04:08 | |
I want to tell the staff before first period. | 0:04:08 | 0:04:10 | |
I don't know what to say to them. | 0:04:11 | 0:04:13 | |
There's nothing to say. You're the new boss, end of. | 0:04:13 | 0:04:16 | |
Stop looking so worried, you're going to be fine. | 0:04:16 | 0:04:19 | |
-OK. -OK. -Yeah. | 0:04:19 | 0:04:21 | |
-Sorry. I was here to see Michael? -Nikki can deal with it. | 0:04:24 | 0:04:28 | |
Oh, then are you ready to deal with this? | 0:04:28 | 0:04:31 | |
Yep. Let's get started. | 0:04:31 | 0:04:33 | |
Are you really going to tell Imogen's mum? | 0:04:41 | 0:04:44 | |
About the wedding? The fact that you got married? Yes! | 0:04:44 | 0:04:47 | |
I'm going to speak to her today. | 0:04:47 | 0:04:48 | |
OK. But I was thinking. I should do it. | 0:04:48 | 0:04:50 | |
We should be the ones that tell her. | 0:04:50 | 0:04:52 | |
And what, I can trust you to do that, can I? After last week? | 0:04:52 | 0:04:54 | |
Yeah, you can. It's time it was all out in the open. | 0:04:54 | 0:04:57 | |
SHE SCOFFS | 0:04:57 | 0:04:58 | |
Every morning I call and every day the same nurse | 0:05:01 | 0:05:03 | |
tells me the same thing. | 0:05:03 | 0:05:04 | |
Well, least he's not getting any worse. | 0:05:04 | 0:05:07 | |
I suppose. | 0:05:07 | 0:05:08 | |
It just seems to be all I'm living for at the minute. | 0:05:08 | 0:05:11 | |
-Well, maybe you need a distraction. -It'd have to be a pretty big one. | 0:05:11 | 0:05:14 | |
Well, why don't you get involved with the school more? | 0:05:14 | 0:05:17 | |
You're always going on about how much you'd love to teach. | 0:05:17 | 0:05:19 | |
I wouldn't know where to start, man! | 0:05:19 | 0:05:21 | |
Start by sitting in on one of my lessons. Get a taste for it. | 0:05:21 | 0:05:25 | |
Come on, let the master show you how it shouldn't be done. | 0:05:25 | 0:05:28 | |
Well, suppose it can't hurt. | 0:05:28 | 0:05:31 | |
-Good luck today, Miss. -Oh, thank you. | 0:05:31 | 0:05:33 | |
Hey! Here they are. The happy couple. | 0:05:33 | 0:05:36 | |
I can't believe she's making you work on your wedding day. | 0:05:36 | 0:05:38 | |
Ah, well, getting married isn't enough to warrant a holiday, apparently. | 0:05:38 | 0:05:42 | |
And they say my country is harsh. | 0:05:42 | 0:05:44 | |
We did try to get a Saturday, didn't we? | 0:05:44 | 0:05:46 | |
But the church is booked up for months. | 0:05:46 | 0:05:48 | |
Well, true love can't wait, eh? | 0:05:48 | 0:05:50 | |
You couldn't give us a hand, could you? | 0:05:50 | 0:05:52 | |
Is that the cake? Can I take a peek? | 0:05:52 | 0:05:54 | |
No way. Tom. Will you put this in the office, please? | 0:05:54 | 0:05:57 | |
Thanks. | 0:05:58 | 0:05:59 | |
Maggie, button holes and bouquets are in the fridge. | 0:05:59 | 0:06:02 | |
Right. | 0:06:02 | 0:06:03 | |
Try not to drop that, Tom, eh? | 0:06:03 | 0:06:06 | |
-I can't do this. -Of course you can. | 0:06:09 | 0:06:11 | |
I can't stand by and watch you marry her. | 0:06:13 | 0:06:16 | |
It's hard. OK. I know. | 0:06:16 | 0:06:18 | |
But you can get through this, do it for Audrey's sake. | 0:06:18 | 0:06:22 | |
Have you any idea how irresponsible your actions were? | 0:06:29 | 0:06:33 | |
Sorry, Miss. | 0:06:33 | 0:06:34 | |
She did it, Miss, not us! | 0:06:34 | 0:06:36 | |
Putting poison pen letters on people's cars? | 0:06:37 | 0:06:40 | |
And threatening violence? | 0:06:40 | 0:06:42 | |
The distress you caused the workers at Nox. | 0:06:42 | 0:06:45 | |
That was my protest. | 0:06:45 | 0:06:47 | |
It was a criminal act. | 0:06:47 | 0:06:48 | |
-Nox Pharmaceuticals are criminals. -Change the record, Lula. | 0:06:48 | 0:06:52 | |
Nox is vital to this community. | 0:06:54 | 0:06:56 | |
Nox kills animals. But no! | 0:06:56 | 0:06:58 | |
Nobody cares about their distress, do they? | 0:06:58 | 0:07:01 | |
That's enough. | 0:07:01 | 0:07:03 | |
Right, I'm not sure what your punishment will be yet, | 0:07:07 | 0:07:10 | |
but it will be severe. | 0:07:10 | 0:07:12 | |
Get to your classes. | 0:07:12 | 0:07:14 | |
Not sure about the others, but that girl needs kicking out. | 0:07:22 | 0:07:26 | |
That's a little bit extreme, isn't it? | 0:07:26 | 0:07:27 | |
So what, then? Suspension? | 0:07:27 | 0:07:30 | |
I was thinking maybe she should talk to the educational psychologist. | 0:07:30 | 0:07:34 | |
-Therapy? -Yeah, I think it could be good for her. | 0:07:34 | 0:07:37 | |
Nikki, you're being soft. | 0:07:37 | 0:07:38 | |
We need to be seen to be imposing discipline. | 0:07:38 | 0:07:41 | |
I'm not being soft. It's necessary. And I think it'd do her good. | 0:07:41 | 0:07:46 | |
Fine. You're the boss. | 0:07:46 | 0:07:48 | |
Look, if you want to put a stop in the campaign, | 0:07:52 | 0:07:54 | |
-I totally understand. -I'm not stopping. | 0:07:54 | 0:07:57 | |
Lula, what you did at Nox was brave and admirable, but you got caught. | 0:07:57 | 0:08:00 | |
So what? I really don't care. | 0:08:00 | 0:08:02 | |
Well, I do. Lorraine's invested a lot of money in Nox. | 0:08:02 | 0:08:05 | |
She'll kick you out in... | 0:08:05 | 0:08:06 | |
She's profiting from murder. We have to stop her. | 0:08:06 | 0:08:09 | |
No. I don't want to get you in any more trouble. | 0:08:09 | 0:08:11 | |
Then tell me a way that won't get me into trouble. | 0:08:11 | 0:08:14 | |
I don't know. Maybe a petition? | 0:08:14 | 0:08:16 | |
Demanding Lorraine sever all ties with Nox? | 0:08:16 | 0:08:19 | |
Yeah, I can get everyone to sign the petition | 0:08:19 | 0:08:21 | |
and that way Donnegan will have to listen. | 0:08:21 | 0:08:24 | |
-Shh! -< Have you seen her today? -Yeah, I spoke to her. | 0:08:24 | 0:08:26 | |
Well, what did your mum say? | 0:08:26 | 0:08:28 | |
She thinks I'm going to phone your mum, do the grown up thing. | 0:08:28 | 0:08:30 | |
You volunteered to do it? | 0:08:30 | 0:08:32 | |
To buy us some time. I'm not actually going through with it. | 0:08:32 | 0:08:35 | |
-You've lied to your mum? -Look who's talking. | 0:08:35 | 0:08:37 | |
Dynasty! Would you just calm it? | 0:08:37 | 0:08:39 | |
Calm it? Mum's calling Steve-O's mum to apologise for me. | 0:08:39 | 0:08:43 | |
What was she thinking? Her own daughter. | 0:08:43 | 0:08:45 | |
She's just trying to keep the peace. | 0:08:45 | 0:08:47 | |
Yeah, well, screw the peace. What about me, Barry? | 0:08:47 | 0:08:50 | |
I was the one that got raped. | 0:08:50 | 0:08:52 | |
Yeah, I know. And then you went to the police. | 0:08:52 | 0:08:54 | |
And what? You just expect me to let him get away with it? | 0:08:54 | 0:08:57 | |
No, but if you'd let me handle it, | 0:08:57 | 0:08:58 | |
then we wouldn't have a rep for grassing. | 0:08:58 | 0:09:01 | |
Mum's just doing what's best. | 0:09:01 | 0:09:03 | |
How can you defend her? | 0:09:03 | 0:09:04 | |
We're family and family stick together. | 0:09:04 | 0:09:08 | |
Yeah? And I'm out. | 0:09:08 | 0:09:11 | |
What do you mean you're out? | 0:09:11 | 0:09:12 | |
I'm leaving. I'm done with you. | 0:09:12 | 0:09:15 | |
You're staying put. | 0:09:16 | 0:09:17 | |
Dynasty, you all right? | 0:09:18 | 0:09:20 | |
We're just talking. | 0:09:20 | 0:09:22 | |
Yeah, and now we're done. | 0:09:22 | 0:09:23 | |
BELL RINGS | 0:09:26 | 0:09:28 | |
Thank you for getting me this meeting, Robert, I do appreciate it. | 0:09:33 | 0:09:36 | |
No problem. I haven't told the board yet what this is about. | 0:09:36 | 0:09:39 | |
I thought it best to keep this under wraps. | 0:09:39 | 0:09:41 | |
-I trust you felt the same. -No-one knows I'm here. | 0:09:41 | 0:09:43 | |
This is politically delicate and if the press get a hold of it... | 0:09:43 | 0:09:46 | |
I understand. | 0:09:46 | 0:09:47 | |
I have to say I'm surprised that you're bringing this to us. | 0:09:47 | 0:09:50 | |
Taking Waterloo Road back under LA control is good for everyone. | 0:09:50 | 0:09:52 | |
It's a win-win situation... | 0:09:52 | 0:09:54 | |
Michael, I said I was surprised, I didn't say I wasn't interested. | 0:09:54 | 0:09:57 | |
-You won't regret it. -There's a way to go yet. | 0:09:57 | 0:10:00 | |
We still have to get through the committee. | 0:10:00 | 0:10:02 | |
Well, I think they'll come round, once they see my proposal. | 0:10:02 | 0:10:05 | |
Martin Johnson is going to be in there. | 0:10:05 | 0:10:08 | |
He's got it in for Waterloo Road, so you've got a fight on your hands. | 0:10:08 | 0:10:11 | |
Well, it's one I can't afford to lose. | 0:10:11 | 0:10:13 | |
Look, look. No arguments. | 0:10:20 | 0:10:22 | |
You're coming to live with me in the flat and that's that. | 0:10:22 | 0:10:25 | |
You sure it'll be OK? | 0:10:25 | 0:10:26 | |
It'll be better than OK. It'll be great. | 0:10:26 | 0:10:28 | |
Seeing you all the time. | 0:10:28 | 0:10:30 | |
-Yeah. -Yeah? | 0:10:33 | 0:10:35 | |
No idea. No-one tells me anything any more. | 0:10:39 | 0:10:42 | |
Staff meeting. Any idea what it's about? | 0:10:42 | 0:10:44 | |
We're not short of issues, are we, Esther? | 0:10:44 | 0:10:46 | |
Morning. Please tell me you two are still coming to the wedding? | 0:10:46 | 0:10:50 | |
-I'm not sure I can. -I've got to sort out Connor. | 0:10:50 | 0:10:52 | |
Oh, come on, she's not going to have anybody there! | 0:10:52 | 0:10:55 | |
Tom. It'll never last. I give it two years, tops. | 0:10:55 | 0:10:57 | |
Don't be like that. | 0:10:57 | 0:10:58 | |
Or at least until Ndale gets his hands on his passport. | 0:10:58 | 0:11:01 | |
What's that about his passport? | 0:11:01 | 0:11:02 | |
For the honeymoon. You'll need passports if you're going abroad. | 0:11:02 | 0:11:06 | |
-We're not going on honeymoon. -What? | 0:11:09 | 0:11:11 | |
Ndale doesn't want to waste money. | 0:11:11 | 0:11:13 | |
-That was very considerate of him. -That's a shame. | 0:11:13 | 0:11:16 | |
Why don't we chip in for a few nights in a hotel as a wedding present? | 0:11:16 | 0:11:19 | |
No gifts. | 0:11:19 | 0:11:22 | |
But if you'd like to make a donation to our Malawi charity fund, | 0:11:22 | 0:11:25 | |
-we'd be very grateful. -That's a lovely idea. | 0:11:25 | 0:11:27 | |
Sonya? Help us convince Audrey | 0:11:27 | 0:11:28 | |
that we should chip in for a honeymoon, will you? | 0:11:28 | 0:11:31 | |
Really, Tom, there is no need. | 0:11:31 | 0:11:32 | |
I know of a lovely caravan going spare. | 0:11:32 | 0:11:34 | |
-Connor's got a tent. -Actually, we're going to London. | 0:11:34 | 0:11:39 | |
So you are going on honeymoon? | 0:11:39 | 0:11:41 | |
No. We're going for good. | 0:11:41 | 0:11:44 | |
You're leaving? | 0:11:44 | 0:11:45 | |
Yes. Ndale has a chance of a job down there. | 0:11:45 | 0:11:49 | |
And we want to make a fresh start. | 0:11:49 | 0:11:51 | |
Why didn't you tell me? | 0:12:13 | 0:12:15 | |
Tell you what? | 0:12:15 | 0:12:17 | |
-That you were moving to London. -It was just an idea, you know. | 0:12:20 | 0:12:23 | |
Really? Because Audrey's seems to think it's a done deal. | 0:12:23 | 0:12:26 | |
Sonya, I need to move on. | 0:12:26 | 0:12:28 | |
What about us? What about me? You just going to leave me behind? | 0:12:28 | 0:12:33 | |
Listen, look, I know the situation is not ideal, OK? | 0:12:33 | 0:12:36 | |
It's not what I want, but I'm making a life with Audrey now. | 0:12:36 | 0:12:39 | |
And I'm supposed to just step aside? | 0:12:39 | 0:12:42 | |
Sonya, look, I care about you, OK, very much. | 0:12:42 | 0:12:47 | |
Sonya? Please, come on! Wait! | 0:12:47 | 0:12:50 | |
FOOTSTEPS FADE | 0:12:50 | 0:12:52 | |
Thanks for coming, everyone. | 0:13:15 | 0:13:17 | |
Now, some of you may know already but for those who don't, | 0:13:17 | 0:13:21 | |
Michael Byrne resigned on Friday. | 0:13:21 | 0:13:24 | |
MURMURING | 0:13:24 | 0:13:25 | |
We'll miss him. | 0:13:25 | 0:13:27 | |
Personally, I think it's time we went in a new direction. | 0:13:28 | 0:13:31 | |
So, with that in mind, I'd like to introduce Nikki as our new head. | 0:13:31 | 0:13:35 | |
Thank you. I will keep it brief. We all admired Michael. | 0:13:38 | 0:13:44 | |
His commitment and passion, but it is time for fresh ideas. | 0:13:44 | 0:13:51 | |
Now, in the short term, I don't expect there to be many changes. | 0:13:51 | 0:13:56 | |
That's not exactly true, though, is it? | 0:13:56 | 0:13:59 | |
Lorraine is planning to charge fees next term. | 0:14:01 | 0:14:04 | |
What? | 0:14:04 | 0:14:05 | |
You're taking the school private? | 0:14:05 | 0:14:08 | |
-SHE SIGHS -We're already private. | 0:14:08 | 0:14:11 | |
Just that, up until now, I was paying the bill. | 0:14:11 | 0:14:13 | |
As you all know, the school has a funding problem. | 0:14:13 | 0:14:15 | |
Introducing fees will solve it. | 0:14:15 | 0:14:17 | |
What about the kids that are already here? | 0:14:17 | 0:14:19 | |
Obviously, they'll still keep their place | 0:14:19 | 0:14:21 | |
but eventually we'll have to employ some form of means testing, right? | 0:14:21 | 0:14:24 | |
-Yeah. -You make the school fee-paying and you will kill this community. | 0:14:24 | 0:14:28 | |
I understand that this is hard for some of you. | 0:14:28 | 0:14:31 | |
No. No, it's not. Cos we won't let it happen. | 0:14:31 | 0:14:35 | |
And just how are you going to stop it? | 0:14:35 | 0:14:38 | |
Whoa! Wait! Look, you can't just walk out. | 0:14:40 | 0:14:43 | |
-I think you'll find we can. -This is ridiculous. | 0:14:43 | 0:14:47 | |
Standing by and watching you wreck this school. That's ridiculous. | 0:14:47 | 0:14:50 | |
Are you with us, Audrey? | 0:14:50 | 0:14:51 | |
In spirit only, Tom. I'm sorry, it would be unprofessional. | 0:14:51 | 0:14:54 | |
-You joining them? -It's not my style. -You're in favour of charging fees? | 0:14:55 | 0:14:59 | |
I'm in favour of the pupils. Striking's not going to help them. | 0:14:59 | 0:15:01 | |
Go on, Miss! Let them know who's boss! | 0:15:01 | 0:15:03 | |
-That's enough, Rhiannon. -I'm just supporting you, Miss. | 0:15:03 | 0:15:06 | |
Well, I'd rather you handed in your homework. | 0:15:06 | 0:15:08 | |
-How long you striking for, Sir? -As long as it takes. | 0:15:08 | 0:15:11 | |
Yes! Go on! | 0:15:11 | 0:15:13 | |
No teachers. We rule the school! | 0:15:13 | 0:15:16 | |
CROWD CHEER | 0:15:16 | 0:15:18 | |
All right, thanks. | 0:15:22 | 0:15:24 | |
They're so predictable. | 0:15:27 | 0:15:29 | |
That's half of the staff out. | 0:15:29 | 0:15:31 | |
Lorraine, we're going to have to close the school. | 0:15:31 | 0:15:33 | |
We are not closing the school. | 0:15:33 | 0:15:35 | |
What choice have we got unless you want the kids to teach themselves? | 0:15:35 | 0:15:38 | |
I'm calling in supply teachers. They'll be here soon. | 0:15:38 | 0:15:41 | |
-Are they any good? -Can't be any worse than this lot. | 0:15:41 | 0:15:44 | |
Lorraine, can I have a word? | 0:15:44 | 0:15:46 | |
-Yeah? -Just giving you a heads up. | 0:15:46 | 0:15:48 | |
I took this off a Year 12 this morning. | 0:15:48 | 0:15:50 | |
They're going round the school and, apparently, there's a petition. | 0:15:50 | 0:15:53 | |
A petition for what? | 0:15:53 | 0:15:54 | |
I don't know, but from what I've heard | 0:15:54 | 0:15:56 | |
it's something about you and your relationship with Nox? | 0:15:56 | 0:16:00 | |
See this? This is Lula Tsibi. | 0:16:00 | 0:16:03 | |
We should have come down hard on her this morning. | 0:16:03 | 0:16:05 | |
STUDENTS CHATTER | 0:16:05 | 0:16:08 | |
Oi! Walk! | 0:16:08 | 0:16:09 | |
The more you try to fight them, the more they'll resist. | 0:16:13 | 0:16:15 | |
-Why not try a more subtle approach? -How? | 0:16:15 | 0:16:17 | |
Why not arrange for Lula | 0:16:17 | 0:16:19 | |
and the kids to go on a tour of the Nox facilities? | 0:16:19 | 0:16:22 | |
-You want me to send Lula to Nox? -I'll supervise them. And who knows? | 0:16:22 | 0:16:25 | |
Once they see the good work Nox does, | 0:16:25 | 0:16:27 | |
they'll maybe change their views. It's got to be worth a try. | 0:16:27 | 0:16:30 | |
OK. I'll make some calls. And thanks. | 0:16:32 | 0:16:36 | |
Taking over Waterloo Road will give you the opportunity to | 0:16:58 | 0:17:01 | |
inherit a flagship school in a struggling area. | 0:17:01 | 0:17:06 | |
We're already established. | 0:17:06 | 0:17:08 | |
We have an excellent staff and a dedicated referral unit | 0:17:08 | 0:17:12 | |
and, furthermore, we're performing well. | 0:17:12 | 0:17:16 | |
Strong results. High grade averages. | 0:17:16 | 0:17:20 | |
Low absentee rate. | 0:17:20 | 0:17:22 | |
Tables and graphs are all very well, but they don't tell the whole story. | 0:17:22 | 0:17:26 | |
We all know what's going on at your school. | 0:17:26 | 0:17:28 | |
Martin's right. Some of our problems have been very serious. | 0:17:31 | 0:17:36 | |
You said it. | 0:17:36 | 0:17:38 | |
But we haven't overcome them by shouting the odds. | 0:17:38 | 0:17:41 | |
We've worked hard, we got through them. | 0:17:41 | 0:17:46 | |
And we will continue to do so. | 0:17:46 | 0:17:49 | |
For every negative you can point out about my school, | 0:17:49 | 0:17:51 | |
I can provide you with a positive. | 0:17:51 | 0:17:54 | |
But in the end, | 0:17:54 | 0:17:55 | |
the only question you have to ask yourselves is this - | 0:17:55 | 0:18:00 | |
will taking over this school benefit the community that you serve? | 0:18:00 | 0:18:04 | |
Now, in my opinion, there is only one answer to that question. | 0:18:06 | 0:18:10 | |
Hey, Audrey. | 0:18:32 | 0:18:35 | |
Is this true? | 0:18:35 | 0:18:37 | |
Audrey, it was a mistake. A moment of weakness. That's all. | 0:18:48 | 0:18:52 | |
I tried to stop it. | 0:18:52 | 0:18:54 | |
I tried to tell her it couldn't happen again, you know. | 0:18:54 | 0:18:57 | |
She wouldn't listen to me. Sonya is obsessed with me. | 0:18:57 | 0:19:02 | |
-I can't believe this... -Audrey, please. | 0:19:02 | 0:19:04 | |
-Ndale... -You don't know what she's like. | 0:19:04 | 0:19:07 | |
Look, look, at this, see. Look at the handwriting. You see? | 0:19:07 | 0:19:10 | |
This is her doing. This is Sonya. She's trying to break us up. | 0:19:10 | 0:19:14 | |
Look, Audrey, I know I have hurt you. | 0:19:16 | 0:19:18 | |
I have done a terrible thing. | 0:19:18 | 0:19:19 | |
Please, please, Audrey, please don't cancel the wedding. | 0:19:19 | 0:19:23 | |
Audrey, please! Come on, wait! | 0:19:29 | 0:19:31 | |
Robert. | 0:19:39 | 0:19:42 | |
Well, we'll know in the next few hours, | 0:19:42 | 0:19:43 | |
-but I think you should be positive. -Easy for you to say. | 0:19:43 | 0:19:46 | |
Martin will come round to the idea. | 0:19:46 | 0:19:47 | |
As long as the school keeps its head down, we'll be fine. | 0:19:47 | 0:19:51 | |
OK? | 0:19:51 | 0:19:53 | |
Yeah, sorry, what were you were saying? | 0:19:55 | 0:19:58 | |
The school, it'll need to run smoothly the next coming weeks. | 0:19:58 | 0:20:01 | |
Don't worry. It will. Thanks. | 0:20:01 | 0:20:04 | |
APPROACHING SINGING | 0:20:13 | 0:20:15 | |
Here come the subs. | 0:20:15 | 0:20:17 | |
# Unite the human race | 0:20:17 | 0:20:19 | |
# Arise ye workers from your slumbers, arise... # | 0:20:19 | 0:20:22 | |
George Windsor. | 0:20:22 | 0:20:24 | |
Christine Mulgrew. | 0:20:26 | 0:20:29 | |
-I'm surprised you're not dead. -I'm surprised you're not drunk. | 0:20:29 | 0:20:33 | |
What happened to China? | 0:20:33 | 0:20:35 | |
Did they kick you out for being too right wing? | 0:20:35 | 0:20:37 | |
On the contrary, they took me to their hearts. | 0:20:37 | 0:20:39 | |
Especially the women. | 0:20:39 | 0:20:42 | |
Please. I've just eaten. | 0:20:42 | 0:20:44 | |
So? You're going to cross our picket line? | 0:20:44 | 0:20:47 | |
Is that what it is? | 0:20:47 | 0:20:50 | |
We are fighting a very good cause. | 0:20:50 | 0:20:52 | |
Then I'm sure you'll win. We should have a drink sometime. | 0:20:52 | 0:20:58 | |
First strychnine's on me. | 0:20:58 | 0:21:00 | |
Friend of yours, is he? | 0:21:01 | 0:21:03 | |
Yeah. Actually. He is. | 0:21:03 | 0:21:06 | |
Sign this. | 0:21:08 | 0:21:10 | |
OK? John Windsor? | 0:21:10 | 0:21:13 | |
It's George. | 0:21:13 | 0:21:14 | |
George. Right. And you're maths? | 0:21:14 | 0:21:17 | |
Modern languages. | 0:21:17 | 0:21:18 | |
Oh, right, sorry. It says here's you're... | 0:21:18 | 0:21:21 | |
Oi! Stop right there! | 0:21:21 | 0:21:24 | |
Glad to see everything is under control. | 0:21:24 | 0:21:26 | |
Yeah, well, today's not really been... | 0:21:26 | 0:21:29 | |
Well, no, no, please no. | 0:21:29 | 0:21:31 | |
I really don't care. I need to see the head. | 0:21:31 | 0:21:35 | |
You're speaking to her. | 0:21:35 | 0:21:36 | |
Been in the job long? | 0:21:36 | 0:21:38 | |
Actually, it's my first day...today. | 0:21:40 | 0:21:44 | |
Good God. | 0:21:44 | 0:21:46 | |
Audrey? Audrey? | 0:21:47 | 0:21:50 | |
Look, let me tell you how this is going to work. | 0:21:50 | 0:21:53 | |
I'm basically here to keep the school open and the kids occupied. | 0:21:53 | 0:21:56 | |
I don't do marking and I don't do discipline. | 0:21:56 | 0:21:59 | |
First hint of trouble from any child and I'll send them straight to you. | 0:21:59 | 0:22:02 | |
Anything else? | 0:22:02 | 0:22:04 | |
Yes. When the bell goes, I go. | 0:22:04 | 0:22:07 | |
Right. | 0:22:09 | 0:22:11 | |
That was a cowardly thing to do. | 0:22:16 | 0:22:18 | |
-I wanted you to know the truth. -And you couldn't tell me to my face? | 0:22:18 | 0:22:21 | |
All this time, playing the friend, | 0:22:21 | 0:22:23 | |
when really you were just trying to steal him away from me. | 0:22:23 | 0:22:26 | |
I didn't steal Ndale. What happened just happened. | 0:22:26 | 0:22:29 | |
Think what you're saying, Sonya! You're supposed to be my bridesmaid. | 0:22:29 | 0:22:34 | |
-You needed to know. -On my wedding day! | 0:22:34 | 0:22:36 | |
How could you? | 0:22:44 | 0:22:46 | |
I'm sorry. | 0:22:46 | 0:22:48 | |
I know this must be hard, but can't you see it's for the best? | 0:22:48 | 0:22:51 | |
How? How is it for the best? | 0:22:51 | 0:22:54 | |
Because this way, you see him for what he really is. | 0:22:54 | 0:23:01 | |
He's my fiance. | 0:23:01 | 0:23:02 | |
He's more like your lodger. Oh, come on, Audrey! | 0:23:02 | 0:23:07 | |
I can give Ndale what he wants. I know what he needs! | 0:23:07 | 0:23:12 | |
Oh, I see what this is all about. | 0:23:18 | 0:23:20 | |
LOUD MUSIC | 0:23:29 | 0:23:31 | |
Oh. That was a close one. | 0:23:39 | 0:23:41 | |
All right, Miss? Lost or something? | 0:23:50 | 0:23:52 | |
Have you not got a teacher? | 0:23:52 | 0:23:54 | |
They're all on strike, Miss. | 0:23:54 | 0:23:55 | |
MUSIC STOPS | 0:23:57 | 0:23:58 | |
Yes, I know that, but didn't they get someone to cover the class? | 0:23:58 | 0:24:02 | |
Have you not got something you could be getting on with? Reading maybe? | 0:24:02 | 0:24:05 | |
No, Miss. We've read everything. | 0:24:05 | 0:24:07 | |
STUDENTS LAUGH | 0:24:07 | 0:24:09 | |
How about we all take turns reading this? | 0:24:09 | 0:24:12 | |
What for? | 0:24:12 | 0:24:13 | |
Well, this is an English class and reading books is part of English. | 0:24:13 | 0:24:16 | |
Yeah, but you're not an English teacher. | 0:24:16 | 0:24:18 | |
Yeah, but I can read, Jack. | 0:24:18 | 0:24:20 | |
But you can't take us for a subject you know nothing about. | 0:24:20 | 0:24:24 | |
He's right, Miss. | 0:24:24 | 0:24:25 | |
Get your things and line up at the door. | 0:24:28 | 0:24:31 | |
Why? | 0:24:31 | 0:24:32 | |
Because I said so, that's why, now come on, chop-chop! | 0:24:32 | 0:24:35 | |
Come on, get a rocket up you! | 0:24:35 | 0:24:39 | |
So what languages are you learning? | 0:24:41 | 0:24:43 | |
French and Gaelic. | 0:24:43 | 0:24:45 | |
Spanish. | 0:24:45 | 0:24:46 | |
God. 6,000 languages on the planet and they teach you Spanish. | 0:24:46 | 0:24:50 | |
Most of Europe will be speaking English by 2050. | 0:24:50 | 0:24:54 | |
Well, what should we be learning? | 0:24:54 | 0:24:56 | |
Well, how about we look to the future? | 0:24:56 | 0:24:59 | |
Embrace the new century and study the enigma that is Mandarin? | 0:24:59 | 0:25:03 | |
What? You speak Chinese? | 0:25:03 | 0:25:05 | |
Kou xiang tang. Le se xiang. | 0:25:05 | 0:25:08 | |
What does that mean? | 0:25:08 | 0:25:09 | |
Chewing gum. Bin. Thank you. | 0:25:09 | 0:25:15 | |
So what is it that's so fascinating? | 0:25:15 | 0:25:17 | |
It's a petition, Sir. | 0:25:17 | 0:25:19 | |
We want Lorraine Donnegan to stop investing in pharmaceuticals. | 0:25:19 | 0:25:22 | |
So you have a problem with her helping companies to cure diseases? | 0:25:22 | 0:25:25 | |
Nox Pharmaceuticals test their drugs on animals. | 0:25:25 | 0:25:29 | |
Well, I would hope so. | 0:25:29 | 0:25:31 | |
Those animals suffer. | 0:25:31 | 0:25:34 | |
-Well, rather them than me. -So you do not respect animal rights? | 0:25:34 | 0:25:38 | |
Absolutely. I respect their right to taste nice. | 0:25:38 | 0:25:41 | |
STUDENTS GASP, MURMUR | 0:25:41 | 0:25:42 | |
One of the best meals I ever had was in China. | 0:25:42 | 0:25:45 | |
A delicious plate of curried dog. Then, of course, there's veal. | 0:25:45 | 0:25:48 | |
You have all seen enough cookery programmes on telly, | 0:25:50 | 0:25:53 | |
so I'm expecting great things. | 0:25:53 | 0:25:55 | |
Oh, my... | 0:25:55 | 0:25:57 | |
Maggie. | 0:25:58 | 0:25:59 | |
What on earth is going on? | 0:26:03 | 0:26:05 | |
Well, the teachers are on strike, so, I stepped in. | 0:26:05 | 0:26:07 | |
-You stepped in? -Yeah. | 0:26:07 | 0:26:10 | |
You can't just decide to teach a class. | 0:26:10 | 0:26:14 | |
A sponge cake is hardly teaching, is it? | 0:26:14 | 0:26:16 | |
Rhiannon, go easy on that sugar! | 0:26:16 | 0:26:18 | |
No, no, no, I mean, | 0:26:18 | 0:26:20 | |
you're not qualified to supervise an entire class full of kids. | 0:26:20 | 0:26:23 | |
Well, I'm very sorry, but they obviously needed supervising. | 0:26:23 | 0:26:26 | |
They were creating merry hell up there. | 0:26:26 | 0:26:29 | |
Jack, back to your station. | 0:26:29 | 0:26:30 | |
Even so, I can't allow it. I just can't. | 0:26:30 | 0:26:32 | |
Fine. | 0:26:32 | 0:26:34 | |
-CLAPS HANDS -Everybody. | 0:26:34 | 0:26:36 | |
I need you to stop what you're doing and pack up. | 0:26:36 | 0:26:41 | |
STUDENTS GROAN | 0:26:41 | 0:26:42 | |
That's crap, that is. | 0:26:42 | 0:26:44 | |
Rhiannon, you will not use language like that in my kitchen. | 0:26:44 | 0:26:46 | |
But my cake's not even in the oven yet! | 0:26:46 | 0:26:48 | |
-I don't care. No excuse. -Sorry, Miss. | 0:26:48 | 0:26:51 | |
Right, what would you like me to do with them? | 0:26:51 | 0:26:54 | |
Actually, scrap that. What are you doing the rest of the afternoon? | 0:26:55 | 0:27:01 | |
You see, if humankind thought like you, | 0:27:02 | 0:27:05 | |
we'd all still be living in caves. | 0:27:05 | 0:27:06 | |
Fact is, we've been exploiting animals since the dawn of time. | 0:27:06 | 0:27:10 | |
We've eaten them, we've worn them, we've worked them, | 0:27:10 | 0:27:14 | |
we've ridden them and it's been mutually beneficial. | 0:27:14 | 0:27:18 | |
How has it been mutual? | 0:27:18 | 0:27:19 | |
Well, take the cow for example. Big, slow, dumb. Easy prey. | 0:27:19 | 0:27:24 | |
Left to its own devices, it probably would have died out years ago. | 0:27:24 | 0:27:28 | |
But by allowing itself to be exploited by humans, | 0:27:28 | 0:27:32 | |
the cow survives. | 0:27:32 | 0:27:33 | |
Only until we kill it for meat. | 0:27:33 | 0:27:35 | |
Individual cows die, yes, but the species continues. | 0:27:35 | 0:27:40 | |
It's a bilateral transaction. | 0:27:40 | 0:27:42 | |
We get milk and meat and leather and they get food and shelter | 0:27:42 | 0:27:47 | |
and protection from their predators. | 0:27:47 | 0:27:49 | |
That still doesn't give Nox the right to experiment on animals. | 0:27:49 | 0:27:53 | |
Easy for you to say now. | 0:27:53 | 0:27:55 | |
But 30 years down the line, when the doctors find... | 0:27:55 | 0:27:57 | |
I will never touch their drugs. | 0:27:57 | 0:27:59 | |
Well, then, you're just a dumb as the fat rabbits they keep at Nox. | 0:27:59 | 0:28:03 | |
STUDENTS GASP | 0:28:03 | 0:28:04 | |
Intelligent point. Well made | 0:28:04 | 0:28:06 | |
Out. | 0:28:11 | 0:28:13 | |
I said, out! | 0:28:13 | 0:28:15 | |
FOOTSTEPS APPROACH | 0:28:30 | 0:28:32 | |
Do you want to marry me? | 0:28:41 | 0:28:43 | |
Yes, of course. | 0:28:43 | 0:28:46 | |
I need you to swear that there is nothing else I should know. | 0:28:46 | 0:28:50 | |
Audrey, I swear. | 0:28:50 | 0:28:52 | |
I mean it, Ndale, no more lies. | 0:28:52 | 0:28:55 | |
I swear to you. There's no more lies. | 0:28:57 | 0:29:01 | |
Then I'll see you at the church. | 0:29:05 | 0:29:07 | |
Thank you. | 0:29:14 | 0:29:16 | |
Michael. You've come to give us some moral support. | 0:29:17 | 0:29:20 | |
Not really, no. | 0:29:20 | 0:29:21 | |
Can I have a word with you, in private? | 0:29:23 | 0:29:25 | |
-You need to call them back to work. -Why? | 0:29:28 | 0:29:32 | |
You're putting the pupils at risk. It's unprofessional, Christine. | 0:29:32 | 0:29:35 | |
Unprofessional? I see. So we should just give up like you did? | 0:29:35 | 0:29:40 | |
I haven't given up. | 0:29:40 | 0:29:41 | |
Look, I have a plan to save this school. | 0:29:42 | 0:29:45 | |
But the strike isn't helping my case. | 0:29:45 | 0:29:47 | |
So what's the plan? | 0:29:47 | 0:29:49 | |
I can't tell you. | 0:29:49 | 0:29:51 | |
Then we're staying out. | 0:29:52 | 0:29:54 | |
Was it worth it? Telling her? | 0:30:06 | 0:30:09 | |
What was I supposed to do? You're planning on leaving me! | 0:30:09 | 0:30:12 | |
How can I leave you, Sonya? I was never with you. | 0:30:12 | 0:30:14 | |
-I was always with Audrey. -You weren't always with Audrey. | 0:30:14 | 0:30:17 | |
What happened between us was a mistake, and now it's over. | 0:30:17 | 0:30:20 | |
-We can still make this work. -Stop this! | 0:30:20 | 0:30:23 | |
Listen, London's isn't that far. It's just a few hours on the train. | 0:30:23 | 0:30:27 | |
Give it a couple of months, maybe I could come and visit. | 0:30:27 | 0:30:29 | |
We are finished. Do you understand? I do not want to see you any more. | 0:30:29 | 0:30:35 | |
BELL RINGS | 0:30:35 | 0:30:37 | |
All right, everybody! That's lunch. | 0:30:37 | 0:30:38 | |
You can't just drop me, Ndale. | 0:30:38 | 0:30:40 | |
I am marrying Audrey! | 0:30:40 | 0:30:42 | |
I've just taught a class! | 0:30:47 | 0:30:49 | |
Hey, hey! What's the matter? | 0:30:51 | 0:30:55 | |
SHE SOBS | 0:30:55 | 0:30:56 | |
We have every right to be here. | 0:30:56 | 0:30:58 | |
Of course you have. But would you listen to what I have to say? | 0:30:58 | 0:31:01 | |
You think you're all out here fighting for the school | 0:31:01 | 0:31:04 | |
-but you're wrong. -Someone has to stand up to her. | 0:31:04 | 0:31:06 | |
But not like this, Tom. This is not the way. | 0:31:06 | 0:31:08 | |
And how would you do it? | 0:31:08 | 0:31:09 | |
By going back inside. By sitting down and negotiating a compromise. | 0:31:09 | 0:31:12 | |
Lorraine doesn't do compromise, you know that. | 0:31:12 | 0:31:16 | |
Says the man who abandoned his pupils this morning. | 0:31:16 | 0:31:19 | |
Tell me, Tom, did you notify the school of your intention to strike? | 0:31:19 | 0:31:23 | |
Did any of you set any work for the pupils to be | 0:31:23 | 0:31:25 | |
getting on with in your absence? | 0:31:25 | 0:31:27 | |
Did you try to explain to any of them what this was about? | 0:31:27 | 0:31:30 | |
Don't talk to me about compromise. | 0:31:30 | 0:31:32 | |
We're trying to put up some kind of a fight, Michael. That's all. | 0:31:32 | 0:31:37 | |
Yeah, but there's a bigger fight at stake here, | 0:31:37 | 0:31:39 | |
the fight for the kids' hearts and minds. | 0:31:39 | 0:31:41 | |
I mean, what kind of lesson are you giving them | 0:31:41 | 0:31:43 | |
standing around out here? | 0:31:43 | 0:31:44 | |
That sometimes you have to stand up and be counted. | 0:31:44 | 0:31:47 | |
Yeah, but you're not being counted, Tom. | 0:31:47 | 0:31:48 | |
You're standing outside here while your kids are in there being taught by strangers. | 0:31:48 | 0:31:52 | |
Y'know, I woke up this morning and realised something, | 0:31:54 | 0:31:57 | |
OK, you all have a distinct advantage over me. | 0:31:57 | 0:32:01 | |
You still have the privilege of coming here, every day | 0:32:01 | 0:32:06 | |
and teaching these kids. | 0:32:06 | 0:32:08 | |
Now to me, walking out is an abuse of that privilege. | 0:32:10 | 0:32:17 | |
You should all be ashamed of yourselves. | 0:32:20 | 0:32:22 | |
What were you thinking? | 0:32:29 | 0:32:30 | |
The girl is out of control. | 0:32:30 | 0:32:33 | |
Lula says you provoked her. | 0:32:33 | 0:32:34 | |
We were having a perfectly rational deb... | 0:32:34 | 0:32:36 | |
Well, rational until she started throwing the furniture around. | 0:32:36 | 0:32:39 | |
Well, she's claiming that was an accident. | 0:32:39 | 0:32:41 | |
-Yeah, well, she would, wouldn't she? -Look, she's a special case. | 0:32:41 | 0:32:44 | |
She's quick to anger and she needs handling. | 0:32:44 | 0:32:46 | |
Handling? What is she, a bomb? | 0:32:46 | 0:32:49 | |
I think you deliberately set out to incite her by attacking her beliefs. | 0:32:51 | 0:32:55 | |
And then she attacked me. | 0:32:55 | 0:32:56 | |
Do you not think you should be disciplining her for that? | 0:32:56 | 0:32:59 | |
-Don't tell me how to do my job. -Why not? Someone has to. | 0:32:59 | 0:33:02 | |
George, can you give us a minute? | 0:33:02 | 0:33:05 | |
Thanks. | 0:33:06 | 0:33:08 | |
Look, I don't know where you found him, | 0:33:10 | 0:33:12 | |
-but he is an obnoxious, sexist... -He has a point. | 0:33:12 | 0:33:16 | |
Nikki, what is Lula still doing at this school? | 0:33:16 | 0:33:19 | |
What? He provoked her. | 0:33:19 | 0:33:22 | |
I'm sorry, but you had the chance to deal with her this morning. | 0:33:22 | 0:33:25 | |
Right. I see. So, this is all my fault, is it? | 0:33:25 | 0:33:29 | |
Don't take this personally. | 0:33:29 | 0:33:30 | |
Lorraine, it's quite hard not to | 0:33:30 | 0:33:32 | |
when you're questioning every decision. | 0:33:32 | 0:33:34 | |
You might want to come and have a look at this. | 0:33:36 | 0:33:39 | |
Surprised to see you here. | 0:33:48 | 0:33:49 | |
I heard you were having some problems. | 0:33:49 | 0:33:51 | |
It's nothing we couldn't handle. | 0:33:51 | 0:33:53 | |
The staff will return to work if you agree to listen to their concerns. | 0:33:56 | 0:34:00 | |
This is where you nod, Lorraine. | 0:34:03 | 0:34:05 | |
Right. | 0:34:08 | 0:34:10 | |
Well, you've wasted most of the day, so get back to work. | 0:34:10 | 0:34:13 | |
It's lunchtime, Nikki. | 0:34:13 | 0:34:15 | |
OK, back to business as usual. | 0:34:18 | 0:34:20 | |
Straight back into classes after lunch. | 0:34:20 | 0:34:22 | |
I need you now. | 0:34:27 | 0:34:29 | |
-Are you drunk? -I realise it's short notice. | 0:34:37 | 0:34:40 | |
-What about Sonya? -Sonya isn't bridesmaid material. | 0:34:40 | 0:34:43 | |
OK, you're going to have to give me a little bit more than that. | 0:34:45 | 0:34:48 | |
She's been sleeping with Ndale. | 0:34:48 | 0:34:50 | |
OK, Audrey, listen to me. | 0:34:53 | 0:34:55 | |
You have to get out of this wedding now. | 0:34:55 | 0:34:57 | |
I don't want to get out of it. | 0:34:57 | 0:34:58 | |
Why not? He's been sleeping with Sonya! | 0:34:58 | 0:35:00 | |
And I've forgiven him. So now I need a bridesmaid. | 0:35:00 | 0:35:02 | |
-Will you do it? -Absolutely not! | 0:35:02 | 0:35:04 | |
I'm not going to stand beside you and watch you make a huge, | 0:35:04 | 0:35:06 | |
no strike that, titanic, mistake. | 0:35:06 | 0:35:08 | |
It's so easy for you, isn't it? You're young, relatively speaking. | 0:35:08 | 0:35:11 | |
You're attractive. Men are drawn to you. | 0:35:11 | 0:35:13 | |
Well, men are not drawn to me, they never have been. | 0:35:13 | 0:35:16 | |
Even when I was young, I wasn't a beauty queen. | 0:35:16 | 0:35:18 | |
And I am, I know I am, something of a cold fish. | 0:35:18 | 0:35:23 | |
Which means I have been alone for a long time. | 0:35:23 | 0:35:27 | |
I'm not stupid, Christine. I know Ndale doesn't love me. | 0:35:27 | 0:35:30 | |
Not the way you think he should anyway. | 0:35:30 | 0:35:32 | |
Then why marry him? | 0:35:32 | 0:35:34 | |
Because he's kind and he's gentle. And he's a good friend. | 0:35:34 | 0:35:37 | |
And at this stage in my life, that's what I need. | 0:35:37 | 0:35:41 | |
And who knows? Maybe in time, love will grow. | 0:35:41 | 0:35:44 | |
Taking a big chance though. | 0:35:44 | 0:35:46 | |
Yes. | 0:35:46 | 0:35:48 | |
I've got nothing to wear. | 0:35:53 | 0:35:55 | |
What you've got on will be fine. | 0:35:55 | 0:35:57 | |
She's moving out, then. | 0:36:10 | 0:36:12 | |
It's what she wants. | 0:36:14 | 0:36:15 | |
So, I was thinking, it's about time you and me called a truce. | 0:36:19 | 0:36:23 | |
What do you mean, a truce? | 0:36:25 | 0:36:27 | |
Look, you and Dynasty are clearly seeing each other. I get that. | 0:36:27 | 0:36:31 | |
Right. Good. | 0:36:31 | 0:36:33 | |
And if you think about it, you and me have something in common now. | 0:36:33 | 0:36:36 | |
We both want to take care of her. | 0:36:36 | 0:36:39 | |
Yeah. I guess. | 0:36:39 | 0:36:41 | |
Right. That's settled then. | 0:36:41 | 0:36:43 | |
So now we need to talk about how we're going to deal with all this. | 0:36:48 | 0:36:53 | |
Dynasty can't move in with you. | 0:36:53 | 0:36:55 | |
Look, Barry, it's happening. You just have to deal with it. | 0:36:55 | 0:36:58 | |
No. See, things are pretty unsettled at home. | 0:36:58 | 0:37:02 | |
I'm trying to make things better, but it's not easy. | 0:37:02 | 0:37:05 | |
-That's not my problem. -No. It's Dynasty's problem. It's her family. | 0:37:05 | 0:37:10 | |
And right now, we need her to be at home. | 0:37:10 | 0:37:13 | |
-Do you understand? -She's made her choice. | 0:37:13 | 0:37:15 | |
Yeah, but you could talk to her, tell her that you couldn't do it. | 0:37:15 | 0:37:18 | |
No, I don't think staying at home with you lot is good for her. | 0:37:18 | 0:37:22 | |
Well, what if I won't let her go? | 0:37:22 | 0:37:26 | |
Then I'll tell the police about the gun. Your gun. | 0:37:27 | 0:37:31 | |
First you shake my hand and then you threaten me? | 0:37:33 | 0:37:36 | |
PANTING: It wasn't a threat. It was a promise | 0:37:36 | 0:37:40 | |
Forgetting something, are we? You're in this as deep as I am. | 0:37:40 | 0:37:44 | |
I don't care. I'll do whatever it takes to help Dynasty. | 0:37:44 | 0:37:48 | |
Leave him alone! | 0:37:48 | 0:37:50 | |
It's his fault. You. Steve-O's family. Mum. | 0:37:51 | 0:37:56 | |
No, Barry. You're wrong. | 0:37:56 | 0:37:57 | |
This is our mess caused by our messed up family. | 0:37:57 | 0:38:00 | |
If you leave with him tonight, then you are nothing to me. | 0:38:00 | 0:38:04 | |
Fine. | 0:38:04 | 0:38:05 | |
You all right? | 0:38:08 | 0:38:10 | |
Yeah. | 0:38:11 | 0:38:13 | |
I know it sounds stupid, but I really did think he liked me. | 0:38:15 | 0:38:21 | |
And the fact that he was marrying Audrey didn't tell you otherwise? | 0:38:21 | 0:38:24 | |
-But he doesn't love her, Maggie! -Sounds like wishful thinking to me. | 0:38:24 | 0:38:28 | |
Come on. | 0:38:28 | 0:38:29 | |
Can you really see Ndale spending the rest of his life with her? | 0:38:29 | 0:38:33 | |
Seems like he's willing to give it a try. | 0:38:35 | 0:38:37 | |
I'm such an idiot. | 0:38:40 | 0:38:42 | |
No. You made a bad choice, that's all. | 0:38:42 | 0:38:46 | |
All my choices are bad. Especially when it comes to men. | 0:38:46 | 0:38:50 | |
-I'm sure that's not true. -It is. | 0:38:50 | 0:38:53 | |
Well... Maybe it's time you went for a different type. | 0:38:53 | 0:38:57 | |
Can't help who you're attracted to. | 0:38:58 | 0:39:01 | |
What's the point, right, of running around, playing the other woman, | 0:39:01 | 0:39:05 | |
always being second best? | 0:39:05 | 0:39:07 | |
It's exciting, I suppose. | 0:39:07 | 0:39:09 | |
Sonya, man. Love is a gift. | 0:39:09 | 0:39:13 | |
It should be shouted from the rooftops. | 0:39:13 | 0:39:15 | |
Not kept hidden like a dirty secret. | 0:39:15 | 0:39:18 | |
-He's got a phone. -What? | 0:39:21 | 0:39:24 | |
Ndale. He's got another phone. | 0:39:24 | 0:39:28 | |
Sonya! What are you doing? | 0:39:34 | 0:39:37 | |
It's not in here. | 0:39:45 | 0:39:47 | |
What? | 0:39:51 | 0:39:52 | |
APPLAUSE AND CHEERING | 0:39:58 | 0:40:00 | |
-You look beautiful, Miss. -Oh, thank you, Rhiannon. | 0:40:06 | 0:40:09 | |
-That's a disaster waiting to happen. -Maybe not. Maybe it's love. | 0:40:24 | 0:40:29 | |
Yeah, because young African men always fall for | 0:40:29 | 0:40:32 | |
-white women middle-aged, don't they? -Now you're just being cynical. | 0:40:32 | 0:40:35 | |
Do you need a seat, Sir? | 0:40:35 | 0:40:37 | |
STUDENTS LAUGH | 0:40:37 | 0:40:40 | |
What was all that about? | 0:40:40 | 0:40:41 | |
A child threw a chair at me. | 0:40:41 | 0:40:43 | |
Does that happen often? | 0:40:43 | 0:40:45 | |
You'd be surprised. | 0:40:45 | 0:40:46 | |
Who was it? | 0:40:46 | 0:40:47 | |
Some maniac called Lula. | 0:40:47 | 0:40:49 | |
-We don't know who she is. -Oh, I think we do. | 0:40:54 | 0:40:58 | |
Maybe she's a friend. Or a sister. | 0:40:58 | 0:41:00 | |
Come on. Unbelievable. He played us both. | 0:41:00 | 0:41:05 | |
Me and Audrey, like a pair of fiddles. | 0:41:05 | 0:41:08 | |
We need to stop the wedding. | 0:41:08 | 0:41:11 | |
OK. I'll get me stuff. | 0:41:11 | 0:41:13 | |
That man is a pig. | 0:41:22 | 0:41:23 | |
In fact, calling him that is an insult to pigs. | 0:41:23 | 0:41:26 | |
-You threw a chair at him. -I didn't! | 0:41:26 | 0:41:29 | |
-You need to apologise. -No. | 0:41:29 | 0:41:32 | |
Yes, Lula. You need to do whatever it takes to make that right. | 0:41:32 | 0:41:35 | |
-Why should I? -Because I've convinced Lorraine to give us | 0:41:35 | 0:41:38 | |
-a tour of Nox Pharmaceuticals. -Why would I want to go to there? | 0:41:38 | 0:41:41 | |
Think about it. If we get in there, scope the factory. | 0:41:41 | 0:41:45 | |
Security, CCTV. Everything. | 0:41:45 | 0:41:48 | |
With intelligence like that, we can make bigger plans | 0:41:48 | 0:41:51 | |
than a few poison pen letters. | 0:41:51 | 0:41:53 | |
FOOTSTEPS APPROACH | 0:41:53 | 0:41:55 | |
Right. Lula, let's do this. | 0:41:56 | 0:41:59 | |
I want to apologise to Mr Windsor for my actions. | 0:42:05 | 0:42:08 | |
OK. | 0:42:10 | 0:42:12 | |
BELLS RING | 0:42:15 | 0:42:17 | |
OK? Still time to change your mind. | 0:42:30 | 0:42:35 | |
ORGAN PLAYS | 0:42:37 | 0:42:39 | |
Well? | 0:42:45 | 0:42:47 | |
No. This is what I want. | 0:42:47 | 0:42:50 | |
DOOR OPENS | 0:43:15 | 0:43:17 | |
Audrey! | 0:43:27 | 0:43:29 | |
-What are you doing here? -You've got to stop the wedding. | 0:43:29 | 0:43:31 | |
-How dare you. -You can't marry him, Audrey. | 0:43:31 | 0:43:34 | |
I can. And I will. | 0:43:34 | 0:43:36 | |
You can't, Audrey. He's already married. | 0:43:36 | 0:43:39 | |
I'm so sorry. | 0:43:41 | 0:43:42 | |
Hey, Audrey, are you OK? What's wrong? | 0:43:42 | 0:43:45 | |
I think you know exactly what's wrong. | 0:43:45 | 0:43:47 | |
What is this? What...what...what is it? | 0:43:55 | 0:43:58 | |
-Audrey, first of all... -No more lies! | 0:44:02 | 0:44:05 | |
Everybody out. Everybody's got to go. Everybody go! | 0:44:09 | 0:44:13 | |
Move! | 0:44:14 | 0:44:16 | |
Audrey, please... | 0:44:27 | 0:44:29 | |
-How could you humiliate me like this? -I'm sorry. | 0:44:29 | 0:44:32 | |
-How could you do it? -I'm sorry, I'm sorry! | 0:44:32 | 0:44:34 | |
Sorry?! Were you marrying me for citizenship? | 0:44:34 | 0:44:39 | |
Audrey, please, I can explain. Please listen. | 0:44:39 | 0:44:41 | |
And then what? Bring the family over and just surprise me? | 0:44:41 | 0:44:45 | |
We'd rub along happily together ever after? | 0:44:45 | 0:44:48 | |
Oh, no, it was a quick divorce. Toss me to one side. | 0:44:49 | 0:44:52 | |
Oh, God, how stupid am I? | 0:44:52 | 0:44:56 | |
Audrey, you are not stupid, don't say that. | 0:44:56 | 0:44:58 | |
Look at me! | 0:44:58 | 0:45:00 | |
All I wanted was a chance to work. | 0:45:00 | 0:45:03 | |
To make money and provide for my family. That's all I wanted. | 0:45:03 | 0:45:08 | |
I was just a means to an end. | 0:45:08 | 0:45:10 | |
No, Audrey, you are a good woman. I admire you so much. | 0:45:10 | 0:45:15 | |
But you don't love me. | 0:45:15 | 0:45:16 | |
Why is everyone in this country so obsessed with this word love? | 0:45:18 | 0:45:22 | |
Do you know, for some people in Malawi it's a luxury | 0:45:22 | 0:45:25 | |
for them to have this, this, love? | 0:45:25 | 0:45:27 | |
Then tell me, Ndale. Do you love your wife? | 0:45:27 | 0:45:30 | |
You can dress this up whatever way you want, but you're a liar | 0:45:33 | 0:45:37 | |
and cheat and you used me and that's the truth. | 0:45:37 | 0:45:41 | |
You were happy to be used. | 0:45:42 | 0:45:44 | |
You knew something wasn't right. That first day, in Malawi, you knew. | 0:45:49 | 0:45:55 | |
I didn't know you were married! | 0:45:56 | 0:45:58 | |
But you suspected something. | 0:45:58 | 0:46:01 | |
And yet you still invited me here, even with your doubts. | 0:46:01 | 0:46:04 | |
Yes. It was too good to be true. | 0:46:06 | 0:46:10 | |
I'm naive, Ndale. | 0:46:10 | 0:46:11 | |
So, Audrey, why didn't you say anything? | 0:46:13 | 0:46:15 | |
Because I wanted it to be true. | 0:46:18 | 0:46:20 | |
Shouldn't one of us go in there, make sure everything is all right? | 0:46:28 | 0:46:31 | |
No, I'd just leave them to it if I were you. | 0:46:31 | 0:46:34 | |
I can't believe he'd do this to her. | 0:46:34 | 0:46:36 | |
Yeah, well, you should, cos he's a snake. | 0:46:36 | 0:46:39 | |
The police? | 0:46:43 | 0:46:44 | |
Sonya... | 0:46:48 | 0:46:50 | |
What's her name? | 0:46:54 | 0:46:56 | |
Mesi. | 0:46:57 | 0:47:00 | |
And the boys? | 0:47:00 | 0:47:02 | |
Chatha and Thombo. | 0:47:03 | 0:47:06 | |
How old? | 0:47:06 | 0:47:08 | |
Chatha is seven and Thombo will be ten at the end of the next month. | 0:47:09 | 0:47:13 | |
Audrey, I never meant to hurt you. | 0:47:17 | 0:47:20 | |
What will you do now? | 0:47:23 | 0:47:25 | |
FOOTSTEPS APPROACH | 0:47:28 | 0:47:30 | |
Please, please, just...give them a minute. | 0:47:33 | 0:47:38 | |
It's OK. | 0:47:45 | 0:47:48 | |
Audrey, I'm tired, I'm tired of all of this. | 0:47:48 | 0:47:52 | |
I'm ready to go home. | 0:47:53 | 0:47:55 | |
I miss my family. | 0:47:58 | 0:48:00 | |
Audrey McFall. | 0:48:09 | 0:48:10 | |
Ndale? | 0:48:12 | 0:48:14 | |
Hey. You all right? | 0:48:42 | 0:48:46 | |
Not a great start to my job, eh? | 0:48:46 | 0:48:48 | |
I think you managed OK. School's still open. Strike's off. | 0:48:48 | 0:48:55 | |
It was Michael that stopped the strike. | 0:48:55 | 0:48:58 | |
Look, it'll be better tomorrow. | 0:48:58 | 0:49:00 | |
No. No, it won't, Lorraine. | 0:49:03 | 0:49:08 | |
I'm not ready for this. | 0:49:11 | 0:49:12 | |
You can't just quit after one day. | 0:49:12 | 0:49:14 | |
Sometimes one day is all you need. I'm out of my depth. | 0:49:14 | 0:49:20 | |
I'm sorry. I'm sorry it didn't work out. | 0:49:24 | 0:49:29 | |
Yeah. Me too. | 0:49:29 | 0:49:31 | |
I am right about Lula though. | 0:49:34 | 0:49:36 | |
Ah, Lorraine. | 0:49:44 | 0:49:47 | |
Must admit, I didn't expect them to call off the strike so quickly. | 0:49:47 | 0:49:51 | |
Well, I think the staff came to realise | 0:49:51 | 0:49:53 | |
they were putting the kids at risk. | 0:49:53 | 0:49:55 | |
You mean, you made them realise. | 0:49:55 | 0:49:56 | |
It's easier to point these things out when you're on the outside. | 0:49:56 | 0:50:00 | |
Yeah. And how's that working out for you, being on the outside? | 0:50:00 | 0:50:05 | |
I'm keeping busy. | 0:50:05 | 0:50:07 | |
Too busy to take your old job back? | 0:50:12 | 0:50:14 | |
Are you OK? | 0:50:20 | 0:50:22 | |
Not really, no. | 0:50:22 | 0:50:23 | |
I'm sorry, Audrey. I really am. | 0:50:25 | 0:50:28 | |
I think it's best if we get Audrey home. | 0:50:28 | 0:50:31 | |
-Maggie, can you drive us? -No, I don't want to go home. | 0:50:31 | 0:50:34 | |
We still have a buffet at the pub and we need to not waste that. | 0:50:34 | 0:50:38 | |
Are you sure? | 0:50:38 | 0:50:40 | |
Yes. Yes. | 0:50:40 | 0:50:42 | |
I'm technically a bride for the day, so you have to do what I say, please. | 0:50:42 | 0:50:47 | |
OK, Audrey, why not? | 0:50:47 | 0:50:50 | |
Couple of drinks can't hurt, can it? | 0:50:50 | 0:50:53 | |
I'm really sorry. | 0:51:05 | 0:51:07 | |
Ah, Michael, there you are. | 0:51:17 | 0:51:21 | |
How did it go with the committee? | 0:51:21 | 0:51:23 | |
They're interested. They were very impressed with your presentation. | 0:51:23 | 0:51:27 | |
Still a long way to go, but we could be up and running by next term. | 0:51:27 | 0:51:30 | |
And when Waterloo Road's back in the body of the kirk, | 0:51:30 | 0:51:33 | |
you can sit back and relax. | 0:51:33 | 0:51:34 | |
How so? | 0:51:34 | 0:51:36 | |
You won't have to try so hard, will you? | 0:51:36 | 0:51:39 | |
No more educational experiments or pioneering schemes. | 0:51:39 | 0:51:44 | |
The council will dictate policy, all you have to do is implement it. | 0:51:44 | 0:51:50 | |
Goodnight, Michael. Well done. | 0:51:50 | 0:51:53 | |
Here we go. | 0:52:07 | 0:52:08 | |
A toast. | 0:52:11 | 0:52:12 | |
To Audrey. | 0:52:15 | 0:52:18 | |
She may not have a husband, but she still has her family. Us. | 0:52:18 | 0:52:22 | |
Audrey. | 0:52:22 | 0:52:24 | |
-Thank you for today. -Ah, don't mention it. | 0:52:30 | 0:52:33 | |
No, no. You had your reservations, but you were there for me. | 0:52:33 | 0:52:37 | |
Oh, look out, it's the boss. | 0:52:37 | 0:52:39 | |
Not any more. I quit. | 0:52:39 | 0:52:43 | |
What is it with head teachers and quitting these days? | 0:52:43 | 0:52:46 | |
-I better get going. Visiting time. -You want me to come with you? | 0:52:46 | 0:52:50 | |
No, you're all right, Tom, thanks. | 0:52:50 | 0:52:51 | |
I like to sit with him on my own, tell him about me day. | 0:52:51 | 0:52:54 | |
You can tell him he's got some competition now that you're teaching. | 0:52:54 | 0:52:58 | |
Folks. Where's Ndale? | 0:52:59 | 0:53:03 | |
It's a long story. | 0:53:03 | 0:53:05 | |
Get a round in and we'll tell you. | 0:53:06 | 0:53:08 | |
OK, Lula, now you come along this corridor here and then what? | 0:53:14 | 0:53:19 | |
And I'll leave through the service doors here. | 0:53:19 | 0:53:23 | |
Are you sure you want to go through with this? | 0:53:23 | 0:53:26 | |
Nox are in a for a surprise. | 0:53:26 | 0:53:28 | |
I tell you what. I'll do you a deal. | 0:53:29 | 0:53:32 | |
If you haven't been snapped up in five years, I'll marry you. | 0:53:32 | 0:53:35 | |
I don't think that would work, Tom. | 0:53:35 | 0:53:38 | |
Why not? | 0:53:38 | 0:53:39 | |
I'm too much woman for you. | 0:53:40 | 0:53:42 | |
HE CHUCKLES | 0:53:42 | 0:53:44 | |
I know I was put in an impossible position, | 0:53:44 | 0:53:46 | |
so why do I feel like I failed? | 0:53:46 | 0:53:49 | |
Is the school still standing? Did anyone try to burn it down? | 0:53:49 | 0:53:52 | |
No. | 0:53:52 | 0:53:54 | |
What's she doing here? Do you think I should go say something? | 0:53:54 | 0:53:58 | |
If you want me to go, I'll go. | 0:54:00 | 0:54:05 | |
Tom, could you get Sonya a drink, please? | 0:54:09 | 0:54:14 | |
-What would you like? -A G&T please, Tom. | 0:54:24 | 0:54:27 | |
-Audrey's a better woman than I am. -Forgiveness is a wonderful thing. | 0:54:32 | 0:54:36 | |
So am I forgiven for today? | 0:54:39 | 0:54:40 | |
The strike was a stupid idea. | 0:54:42 | 0:54:45 | |
OK, but I was only doing it for you. | 0:54:45 | 0:54:48 | |
I don't need a cheerleader. | 0:54:48 | 0:54:51 | |
Well, that's a shame, because I've just gone and bought the outfit. | 0:54:51 | 0:54:54 | |
Pom-poms and everything. | 0:54:54 | 0:54:57 | |
Oh, come on, Michael, we're going to have lots of arguments | 0:54:57 | 0:55:00 | |
in the future, we've got to learn to laugh them off. | 0:55:00 | 0:55:02 | |
Got the future all mapped out, have you? | 0:55:02 | 0:55:05 | |
Well, I don't know. I had a few thoughts in the church today. | 0:55:05 | 0:55:09 | |
SHE LAUGHS | 0:55:11 | 0:55:13 | |
Don't panic. | 0:55:13 | 0:55:14 | |
You've got a couple of years yet before we get to that stage. | 0:55:14 | 0:55:18 | |
You all right, Michael? | 0:55:19 | 0:55:21 | |
Yeah. | 0:55:23 | 0:55:24 | |
CLOCK TICKS | 0:55:30 | 0:55:33 | |
SHE SOBS | 0:56:18 | 0:56:20 | |
Something weird's going on, and I just thought you should know. | 0:56:23 | 0:56:26 | |
I'm still surprised she agreed to this take over. | 0:56:26 | 0:56:28 | |
You leave my daughter alone. | 0:56:28 | 0:56:30 | |
Get lost! | 0:56:30 | 0:56:32 | |
I'm going to take my phone in so I can film inside. | 0:56:32 | 0:56:34 | |
It's just so rare to be handed a school that's doing so well | 0:56:34 | 0:56:38 | |
and knows exactly where it's going. | 0:56:38 | 0:56:40 | |
He wants me to give the school to the council. | 0:56:40 | 0:56:42 | |
Let our kids keep their school. | 0:56:42 | 0:56:44 | |
This is no longer Waterloo Road, | 0:56:44 | 0:56:45 | |
-but the Lorraine Donnegan Institute of Excellence. -What? | 0:56:45 | 0:56:48 | |
You can either sign up, or collect your P45s. | 0:56:48 | 0:56:52 | |
-It's disaster. -This is my school, and I want you out of it. | 0:56:52 | 0:56:54 | |
Are you happy now? | 0:56:54 | 0:56:56 | |
This time next year the school's going to be paying for itself. | 0:56:56 | 0:56:59 | |
THEY CHANT | 0:56:59 | 0:57:01 | |
Subtitles by Red Bee Media Ltd | 0:57:19 | 0:57:22 |