Browse content similar to Episode 16. Check below for episodes and series from the same categories and more!
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Argh! | 0:00:01 | 0:00:02 | |
You just wanted to see me with my kit off, didn't you? | 0:00:02 | 0:00:05 | |
-You? In the police? -Why not? | 0:00:07 | 0:00:09 | |
You, Miss Barry, can be anything you want to be. | 0:00:09 | 0:00:12 | |
We have a little secret, don't we, Mr Reid? | 0:00:12 | 0:00:15 | |
Stop this. Please. | 0:00:15 | 0:00:17 | |
We've had Edinburgh on the blower | 0:00:17 | 0:00:18 | |
and they want to bring your bursary interview forward. | 0:00:18 | 0:00:22 | |
What? | 0:00:22 | 0:00:23 | |
Thank you, Sonya. | 0:00:23 | 0:00:24 | |
I can be trusted with a bag of cheap wine. | 0:00:24 | 0:00:26 | |
Have you any idea how much damage you have caused? | 0:00:30 | 0:00:33 | |
ALARM DRONES | 0:01:18 | 0:01:21 | |
What time is it? | 0:01:29 | 0:01:30 | |
Mm...we should probably get up. | 0:01:30 | 0:01:32 | |
Oh, my God! | 0:01:36 | 0:01:38 | |
Hector's in early - maybe he's trying to get in your good books? | 0:01:38 | 0:01:41 | |
He'll have to try very hard. | 0:01:41 | 0:01:43 | |
I thought we had a thing, you know? A shared mindset. | 0:01:43 | 0:01:46 | |
Can't you two just kiss and make up? He said sorry. | 0:01:46 | 0:01:50 | |
We can't all be superhuman, Twinkle. | 0:01:50 | 0:01:51 | |
Nah, I'm happy to let him stew. | 0:01:51 | 0:01:54 | |
You think I'm superhuman? | 0:01:54 | 0:01:55 | |
No. I was talking about me. | 0:01:55 | 0:01:57 | |
What do you think, Dynasty? One of my Grantly's favourites. | 0:02:01 | 0:02:04 | |
Oh, yeah, it's lovely. | 0:02:04 | 0:02:05 | |
Not sure Kevin's that keen. | 0:02:05 | 0:02:07 | |
-You don't have to wear it if you don't want to, pet. -I said, didn't I? | 0:02:07 | 0:02:10 | |
He had a bit of style, did my Grantly. | 0:02:10 | 0:02:13 | |
Are you not dead nervous? | 0:02:13 | 0:02:15 | |
The thought of all those people asking questions? | 0:02:15 | 0:02:17 | |
They're going to be asking me things about my favourite subject. | 0:02:17 | 0:02:21 | |
And what's that? Me? | 0:02:21 | 0:02:22 | |
Look who's here. | 0:02:26 | 0:02:28 | |
Hey! Oh! You all right? | 0:02:28 | 0:02:31 | |
Did you drive up this morning? | 0:02:31 | 0:02:32 | |
Couldn't let you face that bursary panel all on your own, could I? | 0:02:32 | 0:02:35 | |
What? You're coming with me to Edinburgh? | 0:02:35 | 0:02:37 | |
-Ready to roll. -Awesome! | 0:02:37 | 0:02:40 | |
I was so nervous this morning, I just jumped in the car and drove straight up. | 0:02:40 | 0:02:44 | |
Ta-da! This. What do you think? | 0:02:48 | 0:02:51 | |
A flat? | 0:02:51 | 0:02:53 | |
-You've got to have somewhere to live in Edinburgh? -No way! | 0:02:53 | 0:02:56 | |
You and Dynasty, if you want. My little investment. | 0:02:56 | 0:02:59 | |
There's a spare room as well, so I can always pop by for a visit. | 0:02:59 | 0:03:04 | |
PHONE RINGS | 0:03:04 | 0:03:05 | |
You'd better answer that. | 0:03:05 | 0:03:07 | |
Hi, Vix. | 0:03:16 | 0:03:17 | |
Yeah, I'm just leaving the house now. | 0:03:19 | 0:03:21 | |
Yeah. Do you know what? Sorry, I think it's bust. | 0:03:23 | 0:03:26 | |
It's going to answerphone. | 0:03:26 | 0:03:29 | |
Yeah, yeah, I can meet you in the car park at 11. | 0:03:29 | 0:03:33 | |
All right, I'll see you later. | 0:03:33 | 0:03:35 | |
I love you too. | 0:03:36 | 0:03:38 | |
I'll stay out of your way. She won't even see me. | 0:03:40 | 0:03:43 | |
Chalky's here, so me and Kevin will probably go for dinner with him tonight. | 0:03:44 | 0:03:48 | |
If that's all right with you? | 0:03:48 | 0:03:49 | |
Yeah, of course. | 0:03:49 | 0:03:51 | |
Stick with that lad. Five years' time, he'll be minted. | 0:03:51 | 0:03:54 | |
-What do you mean? -If you can't have the man of your dreams, go for the man of your means. | 0:03:54 | 0:03:57 | |
-That's what my mother always said. -Mum! I've got ambitions of my own. | 0:03:57 | 0:04:00 | |
I'm not just with Kevin for his brains. | 0:04:00 | 0:04:03 | |
All right. I'm just saying. | 0:04:03 | 0:04:04 | |
Dynasty! | 0:04:04 | 0:04:06 | |
Dynasty! Your letter's arrived. | 0:04:06 | 0:04:08 | |
-Media studies course. -Oh, no. That's from... | 0:04:08 | 0:04:11 | |
-It's all right, to be honest. I'm not really bothered. -Oh, yeah. | 0:04:11 | 0:04:16 | |
Right. | 0:04:16 | 0:04:17 | |
Sorry. | 0:04:19 | 0:04:20 | |
She's a couple of butties short, that one. | 0:04:23 | 0:04:24 | |
Right, I'll see you later. | 0:04:24 | 0:04:26 | |
Don't I get a kiss? | 0:04:36 | 0:04:37 | |
I'm late. | 0:04:37 | 0:04:38 | |
HORN BEEPS | 0:04:41 | 0:04:43 | |
You are going to have to wait until later. | 0:04:45 | 0:04:48 | |
HORN BEEPS | 0:04:48 | 0:04:49 | |
Honestly! | 0:04:50 | 0:04:52 | |
Oh, my God. I'm dead nervous. | 0:05:18 | 0:05:20 | |
Well? What's it say? | 0:05:26 | 0:05:29 | |
They want to see me. I've got to go for a fitness assessment. | 0:05:29 | 0:05:31 | |
See! What did I tell you? That's brilliant. | 0:05:31 | 0:05:34 | |
You should be pleased. | 0:05:34 | 0:05:35 | |
I can think of two people that won't be. | 0:05:35 | 0:05:37 | |
Me mum and our Barry. | 0:05:37 | 0:05:40 | |
Sir, don't tell my mum. I want to tell Kevin first. | 0:05:40 | 0:05:43 | |
I won't say a word. It'll all work out, Dynasty. | 0:05:43 | 0:05:47 | |
-Si. -You're late - both of you. | 0:05:52 | 0:05:54 | |
Still in the bad books, it seems. | 0:05:54 | 0:05:56 | |
Hi, I'm Daniel Chalk, Kevin's dad. | 0:06:01 | 0:06:03 | |
Of course. Nice to meet you. Simon, Simon Lowsley. | 0:06:03 | 0:06:06 | |
Oh, he's mentioned you loads. | 0:06:06 | 0:06:09 | |
Listen, do you mind if I sit in on the practice interview? | 0:06:09 | 0:06:12 | |
No, no, not at all. | 0:06:13 | 0:06:14 | |
Right. Let's start with a few formalities. | 0:06:14 | 0:06:17 | |
Sorry, I thought you were going to shake my hand again. Sorry. | 0:06:17 | 0:06:20 | |
Sorry. | 0:06:20 | 0:06:21 | |
Right, so...nice and firm. | 0:06:21 | 0:06:24 | |
Eye contact all the time - "Kevin Chalk - nice to meet you." | 0:06:24 | 0:06:26 | |
And you really should stand when someone shakes your hand. | 0:06:26 | 0:06:29 | |
Right, yeah. Sorry. | 0:06:29 | 0:06:31 | |
Uh-uh, one life lost. | 0:06:31 | 0:06:32 | |
He's a bit nervous, you know. Big day and all that. | 0:06:34 | 0:06:37 | |
He'll be fine when he gets there. | 0:06:37 | 0:06:38 | |
I'm sure. OK, right, let's outline... | 0:06:38 | 0:06:42 | |
Should I make some notes, or...? | 0:06:42 | 0:06:44 | |
Right, OK, I tell you what, I wonder if it's better | 0:06:44 | 0:06:48 | |
if I conduct this interview with Kevin on my own? | 0:06:48 | 0:06:51 | |
I don't mind sitting in. I think Kevin wants me here. | 0:06:51 | 0:06:55 | |
Sorry, I'm interfering. | 0:07:01 | 0:07:03 | |
No, it's not that. | 0:07:03 | 0:07:06 | |
I'll wait outside. | 0:07:06 | 0:07:07 | |
We'll be an hour or so. | 0:07:07 | 0:07:10 | |
Wouldn't it be better if I just got the train myself? | 0:07:10 | 0:07:13 | |
Mr Lowsley said he'll drop me at the station. | 0:07:13 | 0:07:15 | |
No, I'll take you, it's not a problem. | 0:07:15 | 0:07:17 | |
Right. I'll just scout ahead. | 0:07:21 | 0:07:25 | |
I need to see the flat, anyway. | 0:07:27 | 0:07:28 | |
OK, thanks. I'll text you when I get there. | 0:07:28 | 0:07:31 | |
You just give it your best. | 0:07:33 | 0:07:35 | |
I will. | 0:07:35 | 0:07:36 | |
And thanks again for everything. | 0:07:38 | 0:07:40 | |
I'm so sorry about that. | 0:07:47 | 0:07:49 | |
Don't be. He wants what's best for you. | 0:07:49 | 0:07:52 | |
Right, let's crack on, yeah? | 0:07:52 | 0:07:53 | |
Good morning! | 0:07:56 | 0:07:57 | |
Did you get in trouble for being late, Mr Reid? | 0:07:58 | 0:08:01 | |
You and Miss Boston? | 0:08:01 | 0:08:02 | |
No, Gabi, we didn't. Right, everyone, come on. Let's get going! | 0:08:02 | 0:08:06 | |
A flat? You are so jammy. | 0:08:06 | 0:08:08 | |
It's all about what's good for Kevin. | 0:08:08 | 0:08:10 | |
What about what I want to do? | 0:08:10 | 0:08:12 | |
Men need to be told how you're feeling. | 0:08:12 | 0:08:13 | |
They don't do telepathy very well. | 0:08:13 | 0:08:15 | |
OK, girls, let's get started! | 0:08:15 | 0:08:17 | |
Today we're focusing on the three Ps - power, passion and play! | 0:08:17 | 0:08:22 | |
-'Do you know what it stands for?' -'NATO? | 0:08:22 | 0:08:26 | |
'The National Association of Teachers'...Organisations?' | 0:08:26 | 0:08:31 | |
'Good guess, but no.' | 0:08:31 | 0:08:33 | |
'The national association of terrible organisations?' | 0:08:33 | 0:08:37 | |
Well, I can't be expected to get every question right. | 0:08:42 | 0:08:45 | |
You didn't answer any of them right. | 0:08:45 | 0:08:47 | |
Yeah, but you didn't ask me | 0:08:47 | 0:08:49 | |
anything about physics, which is what I'm going to study, so end of. | 0:08:49 | 0:08:52 | |
You're going to be up against 20 or 30 students that all want the same, | 0:08:52 | 0:08:56 | |
all bright, all with A-grade physics. | 0:08:56 | 0:08:59 | |
Who's your favourite artist? | 0:09:01 | 0:09:03 | |
Um, well, I don't really have a favourite. | 0:09:03 | 0:09:05 | |
I listen to a lot of music. | 0:09:05 | 0:09:08 | |
No, Kevin. I mean, painter. | 0:09:08 | 0:09:10 | |
Picasso, Rembrandt? | 0:09:12 | 0:09:13 | |
It's going to help you if you show a knowledge of the world, | 0:09:15 | 0:09:19 | |
the ability to discuss different topics, like art, history... | 0:09:19 | 0:09:22 | |
I don't know anything about art... or history. | 0:09:24 | 0:09:27 | |
Don't worry, you'll be fine. They'll make allowances for the odd slip-up. | 0:09:27 | 0:09:32 | |
And, anyway, remember that the interview doesn't account | 0:09:32 | 0:09:35 | |
for 100% of the final decision. | 0:09:35 | 0:09:38 | |
That's a relief. | 0:09:38 | 0:09:39 | |
Just take your time, yeah, and consider your answers carefully. | 0:09:39 | 0:09:45 | |
Right...well...thanks, sir. | 0:09:45 | 0:09:49 | |
OK, I'll meet you at the car. | 0:09:51 | 0:09:53 | |
Vix is really excited about her jewellery workshop. | 0:09:57 | 0:10:00 | |
The kids are going to love her. | 0:10:00 | 0:10:03 | |
You know I had my doubts about you two | 0:10:03 | 0:10:05 | |
but you're exactly on the same wavelength, aren't you? | 0:10:05 | 0:10:08 | |
Miss Boston, could you do me a favour? Start my class off after break? | 0:10:08 | 0:10:11 | |
-I've got to take Kevin to the station. -No, no. I'm with Vix. | 0:10:11 | 0:10:15 | |
Come on! It'll only be ten minutes. They know what they're doing. | 0:10:15 | 0:10:17 | |
Simon, don't be such a spoilsport. She wants to be with Vix. | 0:10:17 | 0:10:20 | |
-Yes. -Thanks! | 0:10:22 | 0:10:25 | |
You just want to spend every single second you can with them, don't you? | 0:10:25 | 0:10:28 | |
Come on, Nikki, you're just like me. | 0:10:28 | 0:10:31 | |
When you're in love, you just can't hide it. | 0:10:31 | 0:10:34 | |
Good afternoon. | 0:10:38 | 0:10:40 | |
-I'm sorry? -I wish you'd told me you were going to be late. | 0:10:40 | 0:10:43 | |
I had to do briefing this morning. | 0:10:43 | 0:10:45 | |
You're the deputy head. | 0:10:45 | 0:10:46 | |
I'm pretty sure covering in my absence is part of the job description. | 0:10:46 | 0:10:50 | |
Looks like someone got out of bed the wrong side this morning. | 0:10:50 | 0:10:54 | |
Just looking for a heads-up, that's all. | 0:10:54 | 0:10:58 | |
I had a last-minute doctor's appointment. I should have told you. | 0:10:58 | 0:11:01 | |
Thank you for covering the briefing, I appreciate it. | 0:11:01 | 0:11:04 | |
Nothing wrong, I hope? | 0:11:04 | 0:11:05 | |
Nothing to worry about. | 0:11:09 | 0:11:12 | |
I should get to my office. | 0:11:12 | 0:11:13 | |
Well? | 0:11:18 | 0:11:20 | |
It's a conditional offer from Strathclyde University. | 0:11:20 | 0:11:23 | |
-Yes! -That's great, Lula. Well done. | 0:11:23 | 0:11:25 | |
I need three As and a B. | 0:11:26 | 0:11:29 | |
You'll do that easy. Why don't you just chill here for the next year, go to uni when I do? | 0:11:29 | 0:11:34 | |
Because I want to do this as soon as possible. | 0:11:34 | 0:11:36 | |
Where I'm from, chances like this don't come very often, Harley. | 0:11:36 | 0:11:39 | |
Well said, Lula. | 0:11:39 | 0:11:40 | |
Thank you so much, Miss. I couldn't have done it without you. | 0:11:40 | 0:11:45 | |
It is things like this that make teaching worthwhile. | 0:11:45 | 0:11:47 | |
But the really hard work starts now. | 0:11:47 | 0:11:50 | |
Yeah, the interview went well. | 0:11:51 | 0:11:53 | |
Mr Lowsley was asking me some really hard questions, | 0:11:53 | 0:11:55 | |
but it was nothing I couldn't handle. | 0:11:55 | 0:11:58 | |
So, um... you going to wish me luck? | 0:11:58 | 0:12:01 | |
I'll see you later. Good luck, Kevin. | 0:12:06 | 0:12:08 | |
See ya. | 0:12:08 | 0:12:10 | |
Dynasty? | 0:12:10 | 0:12:11 | |
I've got an interview for the police. | 0:12:12 | 0:12:15 | |
Well. That's great. That's exactly what you wanted. | 0:12:15 | 0:12:21 | |
I might not be able to come to Edinburgh. | 0:12:21 | 0:12:24 | |
-Dynasty, why are you telling me this now? -I don't know. I just... | 0:12:24 | 0:12:27 | |
-I've got an interview in two hours. -It's all about you, isn't it? | 0:12:27 | 0:12:30 | |
I've got a future too, you know. | 0:12:30 | 0:12:32 | |
You said you wanted to do media studies just two weeks ago. | 0:12:32 | 0:12:35 | |
Yeah. Well, I don't now. | 0:12:35 | 0:12:37 | |
This morning, you agreed to come to Edinburgh with me. | 0:12:37 | 0:12:40 | |
No. You and Chalky agreed for me! I never. | 0:12:40 | 0:12:43 | |
I don't get it. I thought you wanted to stay with me. | 0:12:48 | 0:12:50 | |
I do. I just really want this. | 0:12:50 | 0:12:53 | |
Come on, come on, you'll see each other when you get back. | 0:12:53 | 0:12:56 | |
So you've had a little tiff. It's not the first. | 0:13:37 | 0:13:40 | |
She thinks I don't take her seriously. | 0:13:40 | 0:13:42 | |
Focus on this interview, right. | 0:13:42 | 0:13:44 | |
When it's over, give her a call and convince her you do. | 0:13:44 | 0:13:48 | |
Mr Lowsley will be waiting for you. | 0:13:48 | 0:13:50 | |
It felt different this time. | 0:13:50 | 0:13:52 | |
Oh, hark at him - different. | 0:13:52 | 0:13:54 | |
You and Dynasty are just one of those couples, | 0:13:54 | 0:13:58 | |
like me and Grantly, you're meant to be together. | 0:13:58 | 0:14:01 | |
-Thanks, Mrs B. -Go get 'em. | 0:14:03 | 0:14:04 | |
Hey, nice tie! Where did you get it? | 0:14:20 | 0:14:23 | |
Mrs Budgen. | 0:14:23 | 0:14:24 | |
Well, they'll remember you, at least. You OK? | 0:14:24 | 0:14:29 | |
No. | 0:14:29 | 0:14:30 | |
Um, can you just give me two minutes, sir? | 0:14:30 | 0:14:34 | |
-What for? -Two minutes. -Kevin! | 0:14:34 | 0:14:38 | |
Come on, lads, the bell's gone! | 0:15:06 | 0:15:08 | |
INDISTINCT SPEECH | 0:15:14 | 0:15:16 | |
Now, Reece, I want you to take the lads through an explosive | 0:15:16 | 0:15:19 | |
stretch warm-up, OK, focusing on the glutes, | 0:15:19 | 0:15:21 | |
and I'll see you at the bottom of Lyle Hill in two minutes. | 0:15:21 | 0:15:24 | |
Sorry I'm late. | 0:15:38 | 0:15:40 | |
Right. Mr Lowsley's going to be about ten minutes. | 0:15:42 | 0:15:45 | |
He says you guys know what you're doing. | 0:15:45 | 0:15:47 | |
So...I just need to nip out somewhere. | 0:15:47 | 0:15:50 | |
Anyone we know? | 0:15:51 | 0:15:53 | |
It's like when I opened that letter. | 0:15:54 | 0:15:58 | |
I knew what I wanted. In that split second. | 0:15:59 | 0:16:02 | |
Nice timing! | 0:16:06 | 0:16:07 | |
Dynasty, I'm sorry, I didn't want to leave it like this. | 0:16:10 | 0:16:13 | |
You were right. I was just thinking about what I wanted. | 0:16:13 | 0:16:16 | |
Kevin, go to your interview. I'll speak to you later. | 0:16:16 | 0:16:19 | |
I love you, you know that, and if there's anything you want to do, | 0:16:20 | 0:16:25 | |
I want to support you. You can do anything you want. | 0:16:25 | 0:16:28 | |
Go to your interview. You're going to be late. | 0:16:28 | 0:16:30 | |
Yeah, but I love you and I want to support you. | 0:16:30 | 0:16:34 | |
Kevin, just do one! | 0:16:34 | 0:16:35 | |
Kevin? Are you all right? Kevin? | 0:16:38 | 0:16:41 | |
Kevin! | 0:16:41 | 0:16:43 | |
Kevin, are you all right? Can you hear me? | 0:16:43 | 0:16:45 | |
Kevin! Get help now! | 0:16:45 | 0:16:47 | |
Kevin! Kevin! Kevin, can you hear me? | 0:16:47 | 0:16:52 | |
Sorry I'm a bit late. | 0:16:55 | 0:16:56 | |
That's all right. Thanks for doing this. | 0:16:56 | 0:16:59 | |
No problem. So what did you get up to last night, you dirty stop-out? I kept phoning. | 0:16:59 | 0:17:02 | |
Don't ask. | 0:17:02 | 0:17:03 | |
My phone, problems with my car. Did I say don't ask? | 0:17:05 | 0:17:09 | |
-Right, shall we get you set up? -There's just one more box outside. | 0:17:09 | 0:17:13 | |
Vix is here. | 0:17:17 | 0:17:18 | |
-Gabriella knows about us. -What? | 0:17:18 | 0:17:21 | |
My office, the text you sent had been opened. | 0:17:21 | 0:17:23 | |
I'm sure it was her. | 0:17:23 | 0:17:25 | |
-Hector. -Hey, Vix, how are you? | 0:17:25 | 0:17:27 | |
Not bad. Feeling like a lamb heading to the abattoir. | 0:17:27 | 0:17:30 | |
Miss, Miss! Kevin Chalk's collapsed! I think he's dying! | 0:17:30 | 0:17:34 | |
You've got to come now! | 0:17:34 | 0:17:36 | |
Quick! | 0:17:36 | 0:17:38 | |
Kevin? Can you hear me? Kevin? | 0:17:39 | 0:17:43 | |
Everyone back, please. Right back, now. | 0:17:44 | 0:17:47 | |
-Is he breathing? -I don't know what happened. He's breathing. | 0:17:47 | 0:17:50 | |
He just started talking funny, then collapsed. | 0:17:50 | 0:17:52 | |
-Is he allergic to anything? -No. | 0:17:52 | 0:17:54 | |
-Kevin? Can you hear me? -Why isn't he talking? | 0:17:54 | 0:17:57 | |
-Has someone phoned an ambulance? -I did, yes. | 0:17:57 | 0:17:59 | |
-Can you hear me? -Everyone out. Come on, we need to clear this room. | 0:17:59 | 0:18:03 | |
-What happened? -I don't know, but we've called an ambulance. | 0:18:03 | 0:18:06 | |
-Didn't you see it? -No. I had to... | 0:18:06 | 0:18:08 | |
She got called away to help out with Vix. | 0:18:08 | 0:18:11 | |
Right. I'll guide the paramedics in. | 0:18:11 | 0:18:13 | |
I'll come with you. | 0:18:13 | 0:18:14 | |
Can you grab me that jacket, please? | 0:18:14 | 0:18:16 | |
Kevin, please! | 0:18:16 | 0:18:17 | |
It's all right, he's having a spasm. Keep his airways clear. | 0:18:17 | 0:18:20 | |
He seems to have had some sort of seizure. The paramedics are here. | 0:18:20 | 0:18:24 | |
He's in the recovery position. | 0:18:25 | 0:18:27 | |
They're here. | 0:18:35 | 0:18:37 | |
He's had some sort of seizure, but he's breathing | 0:18:41 | 0:18:44 | |
and he's conscious, but... | 0:18:44 | 0:18:45 | |
What caused it? | 0:18:45 | 0:18:47 | |
I don't know. He was just acting funny. | 0:18:47 | 0:18:49 | |
One minute he was all right, the next he wasn't. | 0:18:49 | 0:18:51 | |
-Kevin? -Was he feeling ill? Did something happen? | 0:18:51 | 0:18:54 | |
No, we were just talking and he... | 0:18:54 | 0:18:56 | |
Kevin? Can you open your eyes, please, Kevin? | 0:18:56 | 0:18:59 | |
We're going to the hospital, Kevin. | 0:19:20 | 0:19:22 | |
It's going to be all right. | 0:19:25 | 0:19:26 | |
Don't worry, pet. As soon as I hear anything, I'll let you know. | 0:19:33 | 0:19:36 | |
Maggie's got to go, love. She's his guardian. | 0:19:36 | 0:19:38 | |
I'll take you after lunch, OK? Is that all right? | 0:19:38 | 0:19:41 | |
Yeah, of course. | 0:19:41 | 0:19:42 | |
Are you all right? | 0:19:45 | 0:19:46 | |
-That didn't look good, did it? -No. | 0:19:47 | 0:19:50 | |
17-year-old boys don't keel over for nothing. | 0:19:50 | 0:19:52 | |
Maybe keep our fears under wraps until we know a little bit more. | 0:19:54 | 0:19:57 | |
I'll call Chalky. I'll have to ring Connor as well. | 0:19:59 | 0:20:02 | |
What happened? I don't get it. | 0:20:06 | 0:20:08 | |
Did he fall or something? | 0:20:08 | 0:20:09 | |
No, he just collapsed and started fitting. It was horrible. | 0:20:09 | 0:20:13 | |
He's on his way to the hospital now. | 0:20:13 | 0:20:16 | |
What should we do? They look a bit shell-shocked. | 0:20:16 | 0:20:19 | |
I think we should get everyone back to class. | 0:20:20 | 0:20:24 | |
Right, lessons, everyone. We'll bring you any news as we have it. | 0:20:24 | 0:20:27 | |
Miss? | 0:20:28 | 0:20:29 | |
Could Kevin still die? | 0:20:32 | 0:20:33 | |
Um, we don't really know what's happening, | 0:20:37 | 0:20:39 | |
but the hospital will take good care of him. | 0:20:39 | 0:20:42 | |
It's not your fault. I was late, remember? | 0:20:46 | 0:20:49 | |
-Yeah, you weren't to know, Nikki. -I should have been in the classroom. | 0:20:49 | 0:20:53 | |
Come on. We've got a group waiting. | 0:20:54 | 0:20:56 | |
Miss Spark, is your jewellery class still on? | 0:20:59 | 0:21:02 | |
I know I haven't signed up, but I love crafty, knick-knacky things | 0:21:02 | 0:21:06 | |
and I can't go back to Mr Lowsley's class, not after what happened. | 0:21:06 | 0:21:10 | |
Absolutely. Go and grab a seat. | 0:21:10 | 0:21:12 | |
Calm down. | 0:21:17 | 0:21:18 | |
Thanks. | 0:21:25 | 0:21:26 | |
PHONE RINGS | 0:21:31 | 0:21:34 | |
What if me having a go set him off? | 0:21:34 | 0:21:35 | |
I doubt it. | 0:21:35 | 0:21:37 | |
But you don't know that, do you? | 0:21:37 | 0:21:38 | |
What a coincidence, isn't it? Me practically dumping him | 0:21:40 | 0:21:43 | |
and then he collapses. | 0:21:43 | 0:21:45 | |
I just want to know what's going on. | 0:21:46 | 0:21:48 | |
Why hasn't Mrs Budgen called? | 0:21:48 | 0:21:50 | |
They probably have to assess him first. | 0:21:50 | 0:21:53 | |
-I never should have said anything about the police. -You don't know what caused it. | 0:21:53 | 0:21:57 | |
It could've been anything - a medical condition. | 0:21:57 | 0:21:59 | |
But what if it wasn't? | 0:22:01 | 0:22:02 | |
How long have you and Miss Boston been partners? | 0:22:10 | 0:22:14 | |
Not long. | 0:22:14 | 0:22:16 | |
Do you trust her? | 0:22:16 | 0:22:17 | |
Hey! Keep your mind on your work and your nose out of other people's business. | 0:22:17 | 0:22:22 | |
Sorry. | 0:22:22 | 0:22:24 | |
Steady, girl. She's only a kid. | 0:22:27 | 0:22:29 | |
Mr Reid, what do you want? | 0:22:54 | 0:22:56 | |
Nothing. Just nosy, you know me. | 0:22:56 | 0:22:58 | |
You're more than welcome to have a go. | 0:22:58 | 0:23:00 | |
You can come and sit here, Mr Reid. | 0:23:00 | 0:23:02 | |
It's OK, thanks, Gabi. I'm not very creative, I'm afraid. | 0:23:02 | 0:23:05 | |
I think you are creative. | 0:23:05 | 0:23:07 | |
In fact, I'd love to hear what you and Miss Boston got up to last night. | 0:23:07 | 0:23:10 | |
Oh, man. She is off the scale. | 0:23:13 | 0:23:15 | |
I think you should leave. | 0:23:17 | 0:23:19 | |
It's true - they spent the night together. | 0:23:19 | 0:23:22 | |
I saw the text she sent him. | 0:23:22 | 0:23:24 | |
You're such a freak. | 0:23:26 | 0:23:29 | |
She tells lies, Miss. Don't listen to a word she says. | 0:23:29 | 0:23:31 | |
I'm not lying. They arrived together this morning, late. | 0:23:31 | 0:23:36 | |
They're having an affair behind your back. LAUGHTER | 0:23:36 | 0:23:39 | |
Oh, Gabi, that's a good one. Yes, very funny, bravo! | 0:23:39 | 0:23:43 | |
Oh, no, Miss Boston, you sent me a text! | 0:23:43 | 0:23:45 | |
We must be madly in love with each other. | 0:23:45 | 0:23:47 | |
My bike broke down, you gave me a lift, but...will you marry me? | 0:23:47 | 0:23:51 | |
I heard she dumped him before he collapsed. | 0:23:58 | 0:24:00 | |
What's that got to do with anything? | 0:24:00 | 0:24:02 | |
I'm just saying Dynasty probably stressed him out or something. | 0:24:02 | 0:24:06 | |
-Ow! -Oh, sorry, love, great big fly there. You OK? | 0:24:06 | 0:24:09 | |
That really hurt. | 0:24:09 | 0:24:11 | |
Well, maybe you should watch where you put your hands. And your gob! | 0:24:11 | 0:24:14 | |
Mum? | 0:24:14 | 0:24:15 | |
Not long, love. Ten more minutes. Right, come on. Hurry up! What do you want? | 0:24:17 | 0:24:21 | |
You had absolutely no right to go into Mr Reid's office, | 0:24:22 | 0:24:27 | |
let alone reading his private texts. | 0:24:27 | 0:24:30 | |
Just for that, we could get you excluded. | 0:24:31 | 0:24:33 | |
What would your parents feel about that? | 0:24:33 | 0:24:37 | |
Right. You'll be spending the rest of the day in the cooler. | 0:24:37 | 0:24:40 | |
Then we'll decide what to do. Now, move. | 0:24:40 | 0:24:42 | |
Hang on, is this all necessary? | 0:24:44 | 0:24:46 | |
Isn't it better just to solve a problem and move on? | 0:24:48 | 0:24:51 | |
I've been in your position. | 0:24:55 | 0:24:57 | |
The outsider, feeling like everyone hates you. | 0:24:59 | 0:25:03 | |
Acting like this isn't going to help. | 0:25:03 | 0:25:07 | |
I think you owe Miss Boston and Mr Reid an apology. | 0:25:07 | 0:25:10 | |
I'm sorry. | 0:25:12 | 0:25:13 | |
OK, apology accepted. | 0:25:18 | 0:25:21 | |
Yes, let's move on. | 0:25:22 | 0:25:24 | |
We're trusting you to have the maturity to let everyone else know | 0:25:24 | 0:25:27 | |
that you got the wrong end of the stick, OK? | 0:25:27 | 0:25:30 | |
Right, off you go. | 0:25:30 | 0:25:31 | |
Where did that come from? | 0:25:38 | 0:25:39 | |
Well done, Vix. I think that was the best thing to do. | 0:25:39 | 0:25:42 | |
Yes, nip it in the bud. | 0:25:42 | 0:25:43 | |
Vix? | 0:25:46 | 0:25:47 | |
I'll catch you later. | 0:25:49 | 0:25:50 | |
Vix, what's wrong? | 0:25:59 | 0:26:02 | |
I've got to hand it to Hector - he's good. | 0:26:02 | 0:26:04 | |
You didn't believe him? | 0:26:07 | 0:26:09 | |
Yeah, Nikki. | 0:26:11 | 0:26:12 | |
But I didn't believe you. | 0:26:13 | 0:26:15 | |
I can't believe all that. | 0:26:18 | 0:26:20 | |
I hope he's all right. | 0:26:20 | 0:26:23 | |
Isn't that your mum? | 0:26:26 | 0:26:27 | |
Yes, it is. | 0:26:29 | 0:26:31 | |
Gabriella has had it in for Hector since the day she got here. | 0:26:35 | 0:26:39 | |
She's got a crush on him. I mean, you saw her. | 0:26:39 | 0:26:41 | |
It's obvious she's just looking for attention. | 0:26:41 | 0:26:44 | |
Enough, Nikki. Stop lying. | 0:26:44 | 0:26:48 | |
Hector's good at it, but you're not. | 0:26:48 | 0:26:51 | |
You can't seriously believe... | 0:26:51 | 0:26:55 | |
-Me and Hector? -Yes, you and Hector. | 0:26:55 | 0:26:58 | |
I'd have to be blind and stupid not to notice. | 0:26:59 | 0:27:03 | |
Vix, it just happened. | 0:27:12 | 0:27:14 | |
But there is nothing happening. | 0:27:15 | 0:27:19 | |
There's no big affair going on. | 0:27:19 | 0:27:23 | |
You're just physically attracted to him? That makes it so much better. | 0:27:23 | 0:27:26 | |
It was a mistake. | 0:27:26 | 0:27:27 | |
It? God, you make it sound like a departmental meeting. | 0:27:27 | 0:27:31 | |
I'm sorry. | 0:27:35 | 0:27:37 | |
I'm really, really, really sorry. | 0:27:38 | 0:27:41 | |
You know I love you. | 0:27:43 | 0:27:44 | |
I love you. | 0:27:46 | 0:27:47 | |
You don't betray people that you love. | 0:27:55 | 0:27:57 | |
Oh! You've packed up already. I was hoping to take a squiz. | 0:28:00 | 0:28:04 | |
How did it go? Vix? | 0:28:04 | 0:28:07 | |
Ooh! Bit of a domestic? | 0:28:07 | 0:28:10 | |
I think you should go. I can see myself out. | 0:28:10 | 0:28:12 | |
Let's talk... | 0:28:12 | 0:28:14 | |
Yeah. I'm sure it can't be that bad. | 0:28:14 | 0:28:16 | |
Nikki's been screwing Hector. | 0:28:16 | 0:28:17 | |
HECTOR, Hector? | 0:28:19 | 0:28:20 | |
Yes. Disgusting, isn't it? | 0:28:20 | 0:28:22 | |
Vix, just let me explain. | 0:28:28 | 0:28:29 | |
Just go! I can't even look at you! | 0:28:29 | 0:28:31 | |
You have to come home with me now. | 0:28:42 | 0:28:44 | |
I can't just walk out of school. | 0:28:44 | 0:28:47 | |
Harley, Lula has to come home with me now. | 0:28:47 | 0:28:49 | |
I don't want to go home. | 0:28:49 | 0:28:51 | |
-Lula - reviennes! -Non, maman. Je veux pas! | 0:28:51 | 0:28:54 | |
What's happened? | 0:28:55 | 0:28:56 | |
Tell her I'll see her tonight. | 0:28:57 | 0:28:59 | |
Mrs Budgen? | 0:29:15 | 0:29:16 | |
Any news? | 0:29:20 | 0:29:21 | |
Yeah. Sit down. | 0:29:21 | 0:29:22 | |
What have the doctors said? | 0:29:24 | 0:29:26 | |
They're with him now. | 0:29:27 | 0:29:29 | |
He's had a stroke. | 0:29:31 | 0:29:33 | |
Is it bad? | 0:29:34 | 0:29:35 | |
Yes, love. I'm afraid it is. | 0:29:35 | 0:29:37 | |
I knew he was a player - wandering eyes, in love with himself. | 0:29:44 | 0:29:49 | |
God, that aftershave... | 0:29:49 | 0:29:52 | |
I can't believe she fell for it. I mean, how shallow is that? | 0:29:52 | 0:29:55 | |
Maybe I've been too busy with all this. | 0:29:56 | 0:29:59 | |
Don't make excuses for her. She deceived you... She deceived me. | 0:29:59 | 0:30:04 | |
Is she gay? Is she bi? | 0:30:04 | 0:30:07 | |
Is she a total bitch?! | 0:30:07 | 0:30:08 | |
It's a large blood clot in one of the main arteries in his brain. | 0:30:10 | 0:30:14 | |
Oh, my God. | 0:30:14 | 0:30:15 | |
I'm afraid the clot isn't responding with normal medication | 0:30:15 | 0:30:19 | |
and we don't have a lot of time. | 0:30:19 | 0:30:20 | |
We'd like to try a procedure called clot retrieval surgery. | 0:30:22 | 0:30:26 | |
An operation? | 0:30:26 | 0:30:27 | |
We would feed a wire through an artery in the groin | 0:30:27 | 0:30:31 | |
up into the brain and then pull the clot out. | 0:30:31 | 0:30:34 | |
Through his groin? | 0:30:34 | 0:30:36 | |
It is... Well, it's experimental and does carry an element of risk. | 0:30:36 | 0:30:39 | |
What could go wrong? | 0:30:39 | 0:30:41 | |
The clot could be pushed further into the brain | 0:30:41 | 0:30:45 | |
or the artery might be damaged. | 0:30:45 | 0:30:47 | |
We'll have to wait for his dad. He should be here in about an hour. | 0:30:47 | 0:30:50 | |
The longer we delay, | 0:30:50 | 0:30:52 | |
the more likely Kevin's long-term recovery's likely to be. | 0:30:52 | 0:30:56 | |
I was under the impression you were also his guardian. | 0:30:56 | 0:30:59 | |
Mrs Budgen? | 0:31:02 | 0:31:05 | |
-Mrs Budgen? -OK. OK, do it. You've got my permission. | 0:31:06 | 0:31:12 | |
I'll have the forms sent through. | 0:31:12 | 0:31:15 | |
I hope you know what you're doing. | 0:31:15 | 0:31:18 | |
A massive blood clot. | 0:31:23 | 0:31:25 | |
Even if they can clear it, it doesn't look good, love. | 0:31:25 | 0:31:29 | |
What do you mean? | 0:31:29 | 0:31:30 | |
He might not wake up. You hear about these things. | 0:31:30 | 0:31:33 | |
He could be in a coma for years. | 0:31:33 | 0:31:35 | |
Mum, don't say that. | 0:31:35 | 0:31:37 | |
He's going to be all right. No-one knows what's going to happen. | 0:31:37 | 0:31:43 | |
Kevin's going to be all right, I know he is. | 0:31:43 | 0:31:46 | |
You just need to prepare yourself, that's all I'm saying. | 0:31:46 | 0:31:50 | |
Yeah? | 0:31:50 | 0:31:51 | |
Come on. | 0:31:53 | 0:31:55 | |
What's wrong? | 0:32:06 | 0:32:07 | |
-Is it Kevin? -It's not Kevin. | 0:32:07 | 0:32:09 | |
Then what? Your mum? | 0:32:09 | 0:32:11 | |
Lula, is everything OK? | 0:32:13 | 0:32:15 | |
Will everyone just stop asking me questions? I'm fine. | 0:32:15 | 0:32:20 | |
I think it's Kevin, Miss. Can I go after her? | 0:32:23 | 0:32:26 | |
Yes, of course. All right, quiet, settle down, please. | 0:32:26 | 0:32:30 | |
We need to talk. | 0:32:41 | 0:32:42 | |
Stay away from me. No, just stay away from me. | 0:32:42 | 0:32:46 | |
I'm sorry, really sorry. | 0:32:48 | 0:32:49 | |
Just forget it. | 0:32:49 | 0:32:52 | |
-I need to speak to her before she leaves. You should go. -This is all Gabriella Wark's fault. | 0:32:52 | 0:32:56 | |
No. It's nothing to do with her. It was my mistake. | 0:32:56 | 0:33:00 | |
-I don't think it was a mistake. I think it was worth it. -What? | 0:33:00 | 0:33:04 | |
Kevin Chalk is fighting for his life | 0:33:06 | 0:33:08 | |
and I'm running around covering my backside. | 0:33:08 | 0:33:12 | |
It was NOT worth it. | 0:33:12 | 0:33:14 | |
-You need to go, Hector. -Vix, please let me explain what happened. It wasn't her fault. | 0:33:16 | 0:33:22 | |
She was just... | 0:33:22 | 0:33:25 | |
-Can I talk to you? -Telling more lies, Nikki? I'm taking her home. She doesn't want to see you again. | 0:33:25 | 0:33:29 | |
Vix, please. I pushed and pushed for this. Nikki was just... | 0:33:29 | 0:33:32 | |
I can speak for myself. Get lost! | 0:33:32 | 0:33:34 | |
Nikki was just what? Swept off her feet by your good looks and charm? | 0:33:34 | 0:33:37 | |
-Poor Nikki, it must have been really terrible for her. -Don't go, please. Vix, please... | 0:33:37 | 0:33:44 | |
Goodbye, Nikki. | 0:33:44 | 0:33:45 | |
Get off. | 0:33:54 | 0:33:55 | |
I know what you're thinking, Carol. I don't need to hear it again. | 0:34:09 | 0:34:13 | |
I'm worried about how this affects our Dynasty. | 0:34:13 | 0:34:15 | |
Obviously I'm worried about Kevin as well, but she's got her life to live | 0:34:15 | 0:34:20 | |
-and I'm not sure what sort of life that's going to be. -What is it you're trying to say? | 0:34:20 | 0:34:23 | |
What if he ends up not being able to look after himself? | 0:34:25 | 0:34:29 | |
Boy, you really are a piece of work! | 0:34:29 | 0:34:32 | |
-I'm only saying what we're all thinking. -I'm only thinking one thing. | 0:34:32 | 0:34:36 | |
That young lad, getting back up on his own two feet | 0:34:36 | 0:34:39 | |
and walking back through them school gates. | 0:34:39 | 0:34:42 | |
Let's hope you're right. | 0:34:44 | 0:34:46 | |
What did your mum say to you? You can speak to me. | 0:34:54 | 0:34:59 | |
I'm supposed to be your best mate, remember? | 0:34:59 | 0:35:01 | |
I'm getting deported. | 0:35:09 | 0:35:11 | |
Me and my mum, we have to leave the country. | 0:35:12 | 0:35:15 | |
Deported? How can they deport YOU? | 0:35:15 | 0:35:19 | |
They have rules and we have to go. | 0:35:23 | 0:35:27 | |
Even though this is my home now. | 0:35:29 | 0:35:33 | |
I have... | 0:35:33 | 0:35:35 | |
I have... My family is here, my friends are here. | 0:35:35 | 0:35:39 | |
But you've got a place in uni. | 0:35:39 | 0:35:41 | |
I'm not going to be here to sit the exams. | 0:35:41 | 0:35:43 | |
But there must be something you can do. | 0:35:46 | 0:35:48 | |
Get a lawyer or speak to an MP. | 0:35:49 | 0:35:52 | |
My dad did that once for his business. | 0:35:52 | 0:35:54 | |
I don't think a politician will help us. | 0:35:57 | 0:36:00 | |
I'm just another foreigner in an overcrowded country. | 0:36:00 | 0:36:04 | |
What about Miss McFall? She knows loads about politics and stuff. | 0:36:04 | 0:36:09 | |
At least speak to her. You've nothing to lose. | 0:36:10 | 0:36:13 | |
Please, Lula. Just see what she says. | 0:36:15 | 0:36:18 | |
-Maggie! -Oh, Daniel, thank God you're here. | 0:36:26 | 0:36:30 | |
-How is he? Any news? -No, but listen... | 0:36:30 | 0:36:32 | |
-You can't see him just yet. -Why? What's happened? | 0:36:32 | 0:36:35 | |
He's...he's in surgery. | 0:36:35 | 0:36:37 | |
They wanted to do some experimental procedure | 0:36:38 | 0:36:42 | |
because the drugs weren't working. | 0:36:42 | 0:36:44 | |
But they have to ask me before they do an operation. I'm his dad. | 0:36:44 | 0:36:48 | |
I gave them permission. | 0:36:48 | 0:36:50 | |
I made the decision because they had to go right away. | 0:36:50 | 0:36:54 | |
-You should've phoned me. -There wasn't time. -You had no right. | 0:36:54 | 0:36:57 | |
He's my son, not yours. | 0:36:57 | 0:36:58 | |
What happened with you and Kevin this morning? | 0:37:09 | 0:37:11 | |
Were you going to split up? | 0:37:11 | 0:37:13 | |
No. Who told you that? | 0:37:13 | 0:37:14 | |
I heard some girls gossiping. | 0:37:14 | 0:37:16 | |
Yes, well...you shouldn't listen to gossip. | 0:37:17 | 0:37:20 | |
-Was it about that letter you got off Sonya bird-brain this morning? -No. | 0:37:21 | 0:37:25 | |
Listen, no-one would blame you if you decided that you didn't want to be with Kevin. | 0:37:25 | 0:37:30 | |
You could always say you finished it before, you know, | 0:37:30 | 0:37:33 | |
what happened. You've got witnesses. | 0:37:33 | 0:37:35 | |
I never finished with Kevin, all right? | 0:37:37 | 0:37:39 | |
-Just think about this. Think about what's ahead of you. That's all I'm saying. -He's here! | 0:37:39 | 0:37:45 | |
Who's in charge? Where's the doctor? | 0:37:45 | 0:37:47 | |
There's a nurse there. | 0:37:47 | 0:37:49 | |
Chalky, they're still operating. | 0:37:49 | 0:37:51 | |
-Didn't take the news well? -No, and I don't blame him. | 0:37:51 | 0:37:54 | |
I'm Kevin Chalk's dad, I want to know what's going on. | 0:38:02 | 0:38:05 | |
How can someone else give permission for my son to have an operation? | 0:38:05 | 0:38:09 | |
Look, can you find out? He's having an operation as we speak. | 0:38:09 | 0:38:13 | |
Take a seat, both of you. | 0:38:15 | 0:38:17 | |
Well, my mother has already appealed. | 0:38:17 | 0:38:20 | |
She didn't tell me cos she didn't want me to worry | 0:38:20 | 0:38:23 | |
about solicitors and stuff, but now some judge say we can't stay. | 0:38:23 | 0:38:28 | |
But they must have given her a reason. | 0:38:28 | 0:38:30 | |
When we first arrived, my mother was scared and they asked her | 0:38:31 | 0:38:36 | |
so many questions. | 0:38:36 | 0:38:38 | |
And now they say she changed her story, | 0:38:38 | 0:38:41 | |
but that's impossible - my mother would never tell lies. | 0:38:41 | 0:38:46 | |
And we've been here for almost two years, Miss, | 0:38:46 | 0:38:49 | |
and they decide to tell us now? | 0:38:49 | 0:38:52 | |
Well, it's not fair, is it, Miss? Lula's mum's done nothing wrong. | 0:38:52 | 0:38:56 | |
It's the system. It's just crap. | 0:38:56 | 0:38:58 | |
Thank you, Harley. | 0:38:58 | 0:39:01 | |
We need to consider this rationally and sensibly. | 0:39:01 | 0:39:04 | |
The process is there for a reason, but there's always a way through. | 0:39:04 | 0:39:07 | |
See, I told you. | 0:39:07 | 0:39:10 | |
I will do everything in my power to ensure you remain | 0:39:10 | 0:39:13 | |
a pupil at this school | 0:39:13 | 0:39:15 | |
and to see you take up that place at university. | 0:39:15 | 0:39:18 | |
I think we should call an assembly, update the older pupils. | 0:39:23 | 0:39:25 | |
I don't think we need to startle the horses. | 0:39:25 | 0:39:27 | |
Yeah, but, George, a teenage pupil has had a massive stroke. | 0:39:27 | 0:39:30 | |
A much-loved pupil. If he dies... | 0:39:30 | 0:39:33 | |
I'm just saying we need to prepare them properly. | 0:39:33 | 0:39:35 | |
-Let's see what happens in the next hour. -Christine, can I have a quick word? | 0:39:35 | 0:39:39 | |
You need to hear this as well. Lula Tsibi's being deported. | 0:39:39 | 0:39:45 | |
I thought she'd been given indefinite leave to stay? | 0:39:45 | 0:39:47 | |
It seems not. | 0:39:47 | 0:39:49 | |
And I dare say you'll be recommending a school-backed | 0:39:49 | 0:39:52 | |
campaign to help her remain in the country? | 0:39:52 | 0:39:54 | |
Yes, George, I will. | 0:39:54 | 0:39:57 | |
Fine. Audrey, handle it any way you see fit. Just keep me posted. | 0:39:57 | 0:40:01 | |
Right. I will. | 0:40:01 | 0:40:04 | |
I think she's more affected by this than she's letting on. | 0:40:06 | 0:40:09 | |
Well, Kevin is Connor's best friend. It can't be easy. | 0:40:09 | 0:40:12 | |
Gabi? | 0:40:18 | 0:40:19 | |
You feeling pretty pleased with yourself? | 0:40:25 | 0:40:28 | |
I told the truth. | 0:40:28 | 0:40:29 | |
Yeah, and now it's my turn. | 0:40:29 | 0:40:31 | |
If you ever come into my office or mention me and Miss Boston again | 0:40:31 | 0:40:36 | |
or even think about spreading a rumour about this, you will regret it. | 0:40:36 | 0:40:41 | |
And that's not a threat, it's a cast-iron promise. | 0:40:41 | 0:40:46 | |
Do you understand? | 0:40:46 | 0:40:48 | |
Good. You see, there is no us, never will be us. That's all in there. | 0:40:48 | 0:40:54 | |
You know, I should thank you for what you did. | 0:40:57 | 0:41:01 | |
Now that Miss Boston's single again... | 0:41:01 | 0:41:04 | |
Miss Boston says you can't always trust what you read on the internet. | 0:41:14 | 0:41:17 | |
Sir said he could die. It's a massive clot. | 0:41:17 | 0:41:20 | |
"One really big clot can cut off the blood supply to a large part of the brain and kill you." | 0:41:21 | 0:41:28 | |
Oh, my God. He's going to die. | 0:41:28 | 0:41:30 | |
Don't say that! You don't know that. | 0:41:30 | 0:41:31 | |
Yeah, I do, actually. It's in the brain, Lise. | 0:41:31 | 0:41:34 | |
If anything goes wrong in there then that's it. | 0:41:34 | 0:41:36 | |
Can you get back to your seats, please? | 0:41:36 | 0:41:40 | |
Kevin has a massive blood clot, Miss. | 0:41:40 | 0:41:42 | |
Lenny heard Mr Lowsley talking about it. | 0:41:42 | 0:41:45 | |
I did, Miss. They said that they should prepare for him dying. | 0:41:47 | 0:41:52 | |
He's out of theatre. | 0:41:59 | 0:42:01 | |
The operation passed without incident, but we won't be able | 0:42:01 | 0:42:05 | |
to evaluate Kevin's condition until he regains consciousness. | 0:42:05 | 0:42:08 | |
Did everything go OK? I mean, there were no complications or anything? | 0:42:08 | 0:42:12 | |
None so far, but we'll have to wait to be sure. | 0:42:12 | 0:42:15 | |
Can we see him? | 0:42:15 | 0:42:17 | |
Of course. Two at a time. | 0:42:17 | 0:42:19 | |
You would have made that decision for one of yours, wouldn't you? | 0:42:29 | 0:42:32 | |
I'm here. | 0:43:12 | 0:43:14 | |
90 miles an hour all the way. | 0:43:16 | 0:43:18 | |
Dynasty's here. | 0:43:24 | 0:43:25 | |
All right, babes? | 0:43:33 | 0:43:34 | |
The Government are evil, man. | 0:43:46 | 0:43:48 | |
Don't give up. All of us are going to be supporting you. | 0:43:49 | 0:43:53 | |
Hold on a sec. Can I have a quick...? | 0:43:53 | 0:43:55 | |
-Go ahead. -Guys, I just wanted to give you an update on Kevin Chalk. | 0:43:55 | 0:43:59 | |
He has had a stroke | 0:44:01 | 0:44:03 | |
and they've had to operate to remove a blood clot from his brain. | 0:44:03 | 0:44:09 | |
He is out of surgery, but they're still waiting for him | 0:44:13 | 0:44:17 | |
to regain consciousness. | 0:44:17 | 0:44:19 | |
Could he still die, sir? | 0:44:22 | 0:44:23 | |
No-one's thinking that, Harley, but we'll just have to wait and see. | 0:44:29 | 0:44:32 | |
Can you tell us as soon as he wakes up? | 0:44:32 | 0:44:33 | |
Of course. | 0:44:33 | 0:44:35 | |
We'll be in the library after school, if anyone wants an update, | 0:44:35 | 0:44:38 | |
and hopefully it'll be good news, yeah? | 0:44:38 | 0:44:40 | |
OK, you lot, go and get changed. | 0:44:40 | 0:44:42 | |
Come on, we've got to be positive, haven't we, hey? | 0:44:53 | 0:44:57 | |
You know, I'm going to get you two that flat. | 0:44:59 | 0:45:02 | |
When you're up on your feet, you're going to move straight in. | 0:45:02 | 0:45:06 | |
He loves you, you know. Always going on about you. | 0:45:11 | 0:45:15 | |
I love him. | 0:45:15 | 0:45:17 | |
And when he wakes up, he'll want to hear that. | 0:45:20 | 0:45:23 | |
Give him something to fight for. | 0:45:23 | 0:45:25 | |
I'm glad you're here. | 0:45:29 | 0:45:32 | |
Me and him, we... | 0:45:34 | 0:45:35 | |
..we're a bit short on family, so it's nice to have you about. | 0:45:38 | 0:45:43 | |
I'm not going anywhere. | 0:45:46 | 0:45:47 | |
I'm so angry with myself. | 0:45:54 | 0:45:56 | |
Hey, don't you be hogging all the guilt. | 0:45:56 | 0:45:58 | |
I could have let his dad take him through to Edinburgh | 0:45:58 | 0:46:01 | |
but, no, I wanted to push him all the way. | 0:46:01 | 0:46:03 | |
Look, Sue told me about you and Vix. I'm sorry. | 0:46:07 | 0:46:10 | |
I should have warned you about Hector. | 0:46:12 | 0:46:15 | |
It's too late now. | 0:46:15 | 0:46:17 | |
She's a one-off, you know. | 0:46:17 | 0:46:19 | |
I really hope you can sort it out. | 0:46:19 | 0:46:21 | |
KNOCK ON DOOR | 0:46:40 | 0:46:42 | |
-I brought you some coffee. -No, thanks. | 0:46:44 | 0:46:46 | |
-Chalky, please... -Don't want one. | 0:46:46 | 0:46:48 | |
Lula has filled me in on your plight. | 0:47:04 | 0:47:07 | |
I'm so sorry. I didn't want to burden you. | 0:47:10 | 0:47:13 | |
I'm here to help, Mrs Tsibi. | 0:47:13 | 0:47:15 | |
Thank you, you're so very kind. | 0:47:18 | 0:47:22 | |
Lula's my pupil. I'll do anything I can to help her. | 0:47:22 | 0:47:27 | |
Now, let's talk strategy. | 0:47:27 | 0:47:30 | |
You should go and take a break. | 0:47:35 | 0:47:36 | |
I want to be here if he wakes up. | 0:47:39 | 0:47:40 | |
If? When. He is going to wake up, Chalky. | 0:47:42 | 0:47:45 | |
Yeah, I'll go for a breath of air. | 0:47:52 | 0:47:54 | |
-I'll get you if there's any change. -Thanks. | 0:47:57 | 0:48:00 | |
Oh, my God! Chalky! He's awake! | 0:48:06 | 0:48:07 | |
Kevin? Kevin? | 0:48:11 | 0:48:12 | |
We love you. Can you hear that? We love you? | 0:48:14 | 0:48:18 | |
Any news, sir? | 0:48:31 | 0:48:32 | |
Come in, come on in. | 0:48:34 | 0:48:36 | |
Lula, I thought you were going home. | 0:48:39 | 0:48:41 | |
I want to make sure Kevin is OK, sir. | 0:48:41 | 0:48:43 | |
OK. | 0:48:46 | 0:48:47 | |
-Have you heard anything? -No. Not yet. | 0:48:49 | 0:48:53 | |
OK, I'll call the hospital. | 0:48:53 | 0:48:54 | |
Have you spoken to Connor? | 0:48:54 | 0:48:56 | |
Yeah, he's really upset. He wanted to come straight home. | 0:48:57 | 0:49:00 | |
I really miss him, George. | 0:49:02 | 0:49:03 | |
Perfectly understandable. | 0:49:08 | 0:49:10 | |
-I'll be in my office if you need me. -Sure. | 0:49:11 | 0:49:14 | |
-What's happened? -He's awake. | 0:49:36 | 0:49:39 | |
He can hear us. He was blinking. | 0:49:39 | 0:49:41 | |
That's amazing. | 0:49:41 | 0:49:43 | |
Come on, you can see him. | 0:49:44 | 0:49:46 | |
That's great news. | 0:49:52 | 0:49:53 | |
You were in an impossible situation. | 0:50:01 | 0:50:05 | |
It's OK, I understand. I would have been exactly the same. | 0:50:05 | 0:50:08 | |
He's all I've got, Maggie. I thought I'd lost him. | 0:50:12 | 0:50:16 | |
Must be tough for you, coming back here, seeing all this. | 0:50:22 | 0:50:27 | |
There was nothing they could do for Grantly by the time they got him back here. | 0:50:27 | 0:50:31 | |
I didn't want you to have to go through the same thing. | 0:50:31 | 0:50:34 | |
And where do you think you're going? | 0:50:49 | 0:50:52 | |
-Barry! -Ready to go? | 0:50:52 | 0:50:54 | |
No, I'm not, actually. | 0:50:54 | 0:50:55 | |
Don't tell me you've got yourself detention? You naughty little girl! | 0:50:55 | 0:50:59 | |
I've had a really stressful day. | 0:50:59 | 0:51:01 | |
Aw, Gabs, what wrong? | 0:51:01 | 0:51:03 | |
That PE teacher I told you about. | 0:51:03 | 0:51:06 | |
He humiliated me in front of the entire class. | 0:51:06 | 0:51:08 | |
Right, well, where is he? I'll sort him out. | 0:51:10 | 0:51:13 | |
He's a PE teacher, Barry. Take a wild guess. | 0:51:13 | 0:51:16 | |
Right. | 0:51:18 | 0:51:20 | |
Wait, you can't just go in there and punch him on the nose. | 0:51:20 | 0:51:25 | |
-Yeah, I can. -And risk getting in trouble with the police? | 0:51:25 | 0:51:28 | |
I'm not bothered about that. I would do anything for you. | 0:51:28 | 0:51:33 | |
Well, I was thinking of something equally lacking in subtlety, | 0:51:33 | 0:51:37 | |
but with the added benefit of us not getting caught. | 0:51:37 | 0:51:41 | |
What is that? | 0:51:41 | 0:51:43 | |
You'll see. Come on, you can keep a lookout. | 0:51:43 | 0:51:45 | |
You are a bad influence. | 0:51:49 | 0:51:51 | |
Care to do the honours? | 0:51:51 | 0:51:54 | |
AIR HISSES | 0:52:00 | 0:52:02 | |
A petty act of vandalism, but somehow deeply satisfying. | 0:52:02 | 0:52:06 | |
I love the way you talk. | 0:52:07 | 0:52:09 | |
You two have got a tough road ahead of you. | 0:52:21 | 0:52:23 | |
-Mum, I know. -I'm just saying. This lad's going to need a lot of support. | 0:52:24 | 0:52:29 | |
Hiya, pet. | 0:52:32 | 0:52:34 | |
You gave us all a bit of a scare. | 0:52:35 | 0:52:37 | |
Listen, don't you worry about a thing. | 0:52:39 | 0:52:42 | |
All your plans for uni and Edinburgh, they're just on hold. | 0:52:42 | 0:52:47 | |
Isn't that right, Chalky? | 0:52:47 | 0:52:48 | |
Absolutely. Dynasty's going to make a start on the decorating. | 0:52:48 | 0:52:52 | |
As if. I can't paint. | 0:52:52 | 0:52:54 | |
You both need to look after each other now | 0:52:54 | 0:52:56 | |
and we will give you all the support that you need. | 0:52:56 | 0:52:59 | |
He's conscious. | 0:53:16 | 0:53:18 | |
Early signs are positive. | 0:53:20 | 0:53:21 | |
He should make a full recovery. | 0:53:23 | 0:53:25 | |
-Hey, Sue, can I have a word? -You can have more than just a word, Nikki. | 0:53:36 | 0:53:39 | |
What you and that dog on heat did to my sister is despicable. | 0:53:39 | 0:53:43 | |
She doesn't want to see you again, ever. | 0:53:43 | 0:53:46 | |
Don't listen to her. Speak to Vix tonight. | 0:53:46 | 0:53:48 | |
So you're going to head over to the hospital? | 0:53:50 | 0:53:52 | |
No, I'll wait and see what happens tomorrow. | 0:53:52 | 0:53:54 | |
Maggie and Chalky are there. I'd just be getting in the way. | 0:53:54 | 0:53:59 | |
Sure, you look a bit tired. Perhaps you could do with a rest. | 0:53:59 | 0:54:02 | |
Well, I'm going to get one. I'm off next week. | 0:54:02 | 0:54:05 | |
I've had a word with Simon | 0:54:06 | 0:54:08 | |
and we both thought you should be in charge - I hope you don't mind. | 0:54:08 | 0:54:12 | |
No, of course. | 0:54:12 | 0:54:13 | |
Look, I know I've been caught up recently with, um... | 0:54:14 | 0:54:18 | |
-Carol? -Yes. But I am here... if you need any help. | 0:54:18 | 0:54:23 | |
Or a distraction. | 0:54:25 | 0:54:27 | |
Any time. | 0:54:29 | 0:54:31 | |
You only have to ask. | 0:54:31 | 0:54:32 | |
I'll, um... | 0:54:34 | 0:54:37 | |
see you tomorrow. | 0:54:37 | 0:54:38 | |
Well, I hope you're on Vix's side in all this. | 0:54:43 | 0:54:45 | |
I'm not on anyone's side. It's for Vix and Nikki to sort out. | 0:54:45 | 0:54:48 | |
Not if I've got anything to do with it. | 0:54:48 | 0:54:50 | |
What's that? | 0:55:19 | 0:55:20 | |
Nothing. It's just junk mail I got this morning. | 0:55:20 | 0:55:24 | |
You going to be OK with all this? | 0:55:28 | 0:55:31 | |
Yeah, I'll be fine. | 0:55:31 | 0:55:33 | |
I mean, you'd let me know if it all got too much for you? | 0:55:33 | 0:55:37 | |
Mum, me and Kevin, we're going to be all right. | 0:55:37 | 0:55:40 | |
I just want to go home. | 0:55:40 | 0:55:42 | |
Do you fancy a burger? | 0:55:45 | 0:55:47 | |
Yeah, go on. | 0:55:47 | 0:55:49 | |
The police? What's our Barry going to think? | 0:55:57 | 0:56:01 | |
-I couldn't care less what Barry thinks. -This is the big job. | 0:56:01 | 0:56:05 | |
Good lad. | 0:56:05 | 0:56:07 | |
What is this job? | 0:56:07 | 0:56:08 | |
It's an international business with people at its heart. | 0:56:08 | 0:56:11 | |
KNOCK ON DOOR | 0:56:13 | 0:56:14 | |
DOORBELL | 0:56:14 | 0:56:16 | |
-Run! -Declan Pierce? Immigration and Asylum Office. | 0:56:16 | 0:56:20 | |
If push comes to shove, fix them immigration fellas good and proper. | 0:56:20 | 0:56:23 | |
-Fix them? -Break their legs, take them out. | 0:56:23 | 0:56:26 | |
-Prepared for battle. -ALL: Yes! | 0:56:26 | 0:56:29 | |
-ALL CHANT: -Lula must stay. Lula must stay. | 0:56:29 | 0:56:31 | |
Great. | 0:56:31 | 0:56:32 |