Browse content similar to Episode 17. Check below for episodes and series from the same categories and more!
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It's true, they spent the night together. | 0:00:03 | 0:00:05 | |
I saw the text she sent him. | 0:00:05 | 0:00:07 | |
-You in the police? -Why not? | 0:00:08 | 0:00:10 | |
Oh my god, I'm dead nervous. | 0:00:10 | 0:00:12 | |
I've got to go for a fitness assessment. | 0:00:13 | 0:00:15 | |
I love you and I want to support you. | 0:00:15 | 0:00:17 | |
Kevin, you're all right? Kevin? | 0:00:18 | 0:00:21 | |
He's had a stroke. | 0:00:22 | 0:00:23 | |
I'm off next week. | 0:00:23 | 0:00:24 | |
I've had a word with Simon | 0:00:25 | 0:00:27 | |
and we both thought you should be in charge. | 0:00:27 | 0:00:29 | |
I'm getting deported. | 0:00:29 | 0:00:31 | |
Me and my mum, we have to leave the country. | 0:00:31 | 0:00:35 | |
I will do everything in my power to ensure you remain | 0:00:35 | 0:00:38 | |
a pupil at this school. | 0:00:38 | 0:00:40 | |
KNOCK AT DOOR | 0:01:11 | 0:01:13 | |
DOORBELL | 0:01:13 | 0:01:14 | |
Immigration. Please open the door. | 0:01:16 | 0:01:18 | |
Vite! La fenetre. | 0:01:18 | 0:01:20 | |
-No. Mum!? I'm not leaving you. -Listen to me. You have to go. | 0:01:23 | 0:01:27 | |
They can not remove us if we are split up. It's the rules. | 0:01:27 | 0:01:29 | |
DOORBELL | 0:01:29 | 0:01:30 | |
Come on. Trust me. Go. | 0:01:30 | 0:01:33 | |
Cecile Tsibi. | 0:01:36 | 0:01:37 | |
Go now. Please, Lula. | 0:01:37 | 0:01:40 | |
Come on, Lula, please. | 0:01:40 | 0:01:42 | |
SHE GASPS | 0:01:47 | 0:01:48 | |
DOORBELL | 0:01:50 | 0:01:52 | |
Cours, Lula! Run! | 0:02:00 | 0:02:02 | |
# I was feeling sad | 0:02:12 | 0:02:14 | |
# Can't help looking back | 0:02:14 | 0:02:16 | |
# Highways flew by | 0:02:17 | 0:02:21 | |
# Run run away | 0:02:23 | 0:02:25 | |
# No sense of time | 0:02:25 | 0:02:28 | |
# Like you to stay | 0:02:28 | 0:02:30 | |
# Want to keep you inside | 0:02:30 | 0:02:34 | |
# Run, run, runaway | 0:02:34 | 0:02:37 | |
# Lost, lost, lost my mind | 0:02:37 | 0:02:40 | |
# Like you to stay | 0:02:40 | 0:02:42 | |
# Want you to be my prize | 0:02:42 | 0:02:45 | |
# Run, run, runaway | 0:02:45 | 0:02:48 | |
# Lost, lost, lost my mind | 0:02:48 | 0:02:51 | |
# Like you to stay... # | 0:02:52 | 0:02:53 | |
Nice to see with a spring in your step, Nikki. | 0:02:56 | 0:02:59 | |
Wish I could say the same for Vix. | 0:02:59 | 0:03:01 | |
Come on, Sue, leave it out. | 0:03:01 | 0:03:02 | |
Why should I? | 0:03:02 | 0:03:03 | |
Look, I've tried to contact her. She's not taking my calls. | 0:03:03 | 0:03:08 | |
You cheated on her. What do you expect? | 0:03:08 | 0:03:11 | |
Sorry you copped for that. | 0:03:18 | 0:03:21 | |
I deserved it. | 0:03:21 | 0:03:23 | |
God, why did I do it? | 0:03:25 | 0:03:26 | |
Because you wanted to? | 0:03:26 | 0:03:28 | |
I was drunk. | 0:03:30 | 0:03:31 | |
Thanks very much(!) | 0:03:31 | 0:03:32 | |
Maybe, you know, you and Vix aren't the perfect couple? | 0:03:34 | 0:03:38 | |
Maybe you don't know what you want. | 0:03:38 | 0:03:40 | |
Would you get over yourself? I know exactly what I want. | 0:03:40 | 0:03:43 | |
Well, it didn't seem like that to me. | 0:03:43 | 0:03:45 | |
Hey, just shut up, right? | 0:03:45 | 0:03:46 | |
Because I haven't eaten or slept in days. I've messed everything up. | 0:03:46 | 0:03:51 | |
All for the sake of a quick thrill. | 0:03:51 | 0:03:54 | |
Wasn't that quick. | 0:03:54 | 0:03:55 | |
I'm sorry. I never thought our little, um... | 0:03:57 | 0:04:01 | |
fling...if that's the right word... | 0:04:01 | 0:04:04 | |
would end up like this. | 0:04:04 | 0:04:06 | |
If you want Vix back so much, | 0:04:06 | 0:04:09 | |
maybe you're going to have to try a little bit harder. | 0:04:09 | 0:04:11 | |
Yes, you're not seeing things, Sonya. | 0:04:17 | 0:04:19 | |
If I'm going to be King for the Day, | 0:04:19 | 0:04:21 | |
it's important that I make an effort. | 0:04:21 | 0:04:23 | |
"Obviously, I... Obviously, I... | 0:04:27 | 0:04:31 | |
"Obviously, I take the responsibility of Acting Head extremely seriously. | 0:04:31 | 0:04:36 | |
-"So..." -Mr Windsor! | 0:04:36 | 0:04:38 | |
Grief, you nearly gave me a coronary! | 0:04:38 | 0:04:40 | |
I'm looking for Mrs Mulgrew. | 0:04:40 | 0:04:42 | |
You'll have to wait. She's not back till next week. | 0:04:42 | 0:04:44 | |
-What? Next week?! -Mm-hm. | 0:04:44 | 0:04:48 | |
Oh, my god. But I'm in trouble! | 0:04:48 | 0:04:50 | |
Is it...personal? | 0:04:51 | 0:04:53 | |
Immigration, they've come for us. They've taken my mother. | 0:04:53 | 0:04:57 | |
Ah. | 0:04:57 | 0:04:58 | |
And Ms McFall and Mrs Mulgrew, they promised to help me. | 0:04:58 | 0:05:01 | |
Don't worry, Lula, we'll protect you. Won't we, Mr Windsor? | 0:05:01 | 0:05:06 | |
Er, yes, no, now - well, look, | 0:05:06 | 0:05:08 | |
we have a very strict procedure in this country... | 0:05:08 | 0:05:11 | |
and what I would suggest | 0:05:11 | 0:05:13 | |
is that your mother consults her lawyers straight away. | 0:05:13 | 0:05:18 | |
Call our lawyer?! | 0:05:18 | 0:05:19 | |
Well, um, the truth is only he - or she these days - can really help you. | 0:05:19 | 0:05:25 | |
Er, not us. | 0:05:25 | 0:05:27 | |
So you and your mother need to have a serious sit-down chat | 0:05:27 | 0:05:31 | |
with a qualified professional. | 0:05:31 | 0:05:33 | |
-Where you going? -Away from him. | 0:05:35 | 0:05:36 | |
I'm going to see if Ms McFall can help me. | 0:05:36 | 0:05:39 | |
Think she understood. | 0:05:41 | 0:05:43 | |
I should go after her. | 0:05:43 | 0:05:44 | |
Well, it sounds like Audrey's on the case, so I'd leave it with her. | 0:05:44 | 0:05:47 | |
"Obviously, I take the responsibility of Acting Head extremely seriously..." | 0:05:52 | 0:05:56 | |
And I'd like to, how shall I put this, repay Christine's faith in me. | 0:05:56 | 0:06:02 | |
So I'd like to start, as all great leaders do, with delegating. | 0:06:02 | 0:06:07 | |
Surprise, surprise(!) | 0:06:07 | 0:06:08 | |
Maggie, I'm relying on you to be in charge of playground duty this week. | 0:06:08 | 0:06:13 | |
Simon, the Gideon's Bible people are coming today. | 0:06:15 | 0:06:17 | |
So if you could head them off at the pass, as it were? | 0:06:17 | 0:06:21 | |
Round up some senior pupils and say all the right things. | 0:06:21 | 0:06:24 | |
Nikki, I notice you're class-light today, | 0:06:25 | 0:06:28 | |
so you're in charge of the cooler. | 0:06:28 | 0:06:30 | |
Right, I'll just do my lesson planning at home, shall I? | 0:06:30 | 0:06:33 | |
Sometimes we have to make sacrifices in this line of work. | 0:06:33 | 0:06:36 | |
And I wonder what sacrifices George is making? | 0:06:36 | 0:06:39 | |
Audrey - did Lula Tsibi catch up with you? | 0:06:41 | 0:06:44 | |
No, not as yet, but speaking of Lula. | 0:06:44 | 0:06:47 | |
You haven't signed the petition yet. Against her deportation. | 0:06:47 | 0:06:51 | |
Well, a headteacher has to remain above the fray at all times. | 0:06:51 | 0:06:54 | |
-Sadly. -What nonsense. | 0:06:54 | 0:06:56 | |
Surely you have a view on whether a pupil at this school should | 0:06:56 | 0:06:59 | |
have her life chances cut short just like that? | 0:06:59 | 0:07:02 | |
Of course I have a view, Audrey. | 0:07:02 | 0:07:03 | |
But, like a constitutional monarch, I'm unable to share it. | 0:07:03 | 0:07:06 | |
Anyway, it all may be academic | 0:07:08 | 0:07:09 | |
as the authorities have detained her mother. | 0:07:09 | 0:07:12 | |
What? Why didn't you say? | 0:07:12 | 0:07:15 | |
Well, I think ... | 0:07:15 | 0:07:16 | |
It's a disgrace. That poor girl. She must be scared to death. | 0:07:16 | 0:07:21 | |
Anyway, we are not going to give up just yet. | 0:07:21 | 0:07:24 | |
Sue, I noticed that you haven't signed the petition yet. | 0:07:26 | 0:07:30 | |
Oh, I won't be signing it. | 0:07:30 | 0:07:31 | |
Simon has. | 0:07:31 | 0:07:33 | |
Well, he's Simon. I'm Sue. We're two different people. | 0:07:33 | 0:07:36 | |
Yeah, and the school will be losing a clever young girl. | 0:07:36 | 0:07:39 | |
I'm sure Africa is in need of clever young girls. | 0:07:39 | 0:07:42 | |
Well, half the world wants to be British! | 0:07:42 | 0:07:45 | |
-Try asking an Afghan women where she'd rather live. -Sue! | 0:07:45 | 0:07:47 | |
We're talking about one of our own here. | 0:07:47 | 0:07:50 | |
Fine - invite the whole world. | 0:07:50 | 0:07:52 | |
Then see how hard it is to get a GP's appointment. | 0:07:52 | 0:07:55 | |
Oh, that is absolutely nothing to do with Lula. | 0:07:55 | 0:07:57 | |
What is it with you, Sue? Are you, like, some secret fascist? | 0:07:57 | 0:08:01 | |
I just trust in the British legal system, that's all. | 0:08:01 | 0:08:04 | |
If you don't, then try seek asylum in another country. | 0:08:04 | 0:08:07 | |
Oh, and by the way, there aren't many that allow gay marriage. | 0:08:07 | 0:08:11 | |
Unlike here. | 0:08:11 | 0:08:12 | |
They're only asking for a judicial review of their case, Sue. | 0:08:16 | 0:08:19 | |
More taxpayers' money? | 0:08:19 | 0:08:20 | |
Have you got any idea what Lula and her mum have been through? | 0:08:20 | 0:08:23 | |
We can't sort out the whole world's problems, Simon. | 0:08:23 | 0:08:25 | |
-Her dad got sent back, they haven't heard from him since. Who knows what happened to him? -I'm sorry, | 0:08:25 | 0:08:29 | |
but I'm entitled to my own opinions. | 0:08:29 | 0:08:31 | |
Shaznay, have you seen Lula this morning? | 0:08:46 | 0:08:48 | |
Why you asking me? Is it because I is black? | 0:08:48 | 0:08:52 | |
Just answer the question. | 0:08:52 | 0:08:53 | |
No, Miss. | 0:08:53 | 0:08:54 | |
# Right foot followed by your left foot | 0:09:08 | 0:09:11 | |
# We'll guide you home before your curfew | 0:09:11 | 0:09:15 | |
# And into your bed | 0:09:15 | 0:09:17 | |
# Standing on our tip-toes | 0:09:19 | 0:09:22 | |
# Peering through open windows | 0:09:22 | 0:09:25 | |
# I swear I heard my name | 0:09:25 | 0:09:28 | |
# Sit tight with the lights off | 0:09:42 | 0:09:45 | |
# Waiting for my brain to start | 0:09:45 | 0:09:48 | |
# Trying to work things out | 0:09:48 | 0:09:50 | |
# It's thunder and it's lightning | 0:09:53 | 0:09:56 | |
# And it's all things too frightening | 0:09:56 | 0:09:59 | |
# I could barely see outside... # | 0:09:59 | 0:10:01 | |
Bye, Kev. I'll see you later, all right? | 0:10:10 | 0:10:13 | |
Any idea where you get best reception in this room? | 0:10:23 | 0:10:26 | |
I've confirmed your charity lunch for you. | 0:10:26 | 0:10:30 | |
Thank you. If you could book me a car for 12.15? | 0:10:30 | 0:10:33 | |
I might be able to squeeze in a small aperitif before the charity-wallahs arrive. | 0:10:33 | 0:10:39 | |
-KNOCK AT DOOR -Mrs Mulgrew? The Head? | 0:10:39 | 0:10:41 | |
I'm her stand-in. | 0:10:41 | 0:10:43 | |
My Deputy, Mr Lowsley, has everything prepared for you. | 0:10:44 | 0:10:49 | |
You're the Gideon's Bible people, are you? | 0:10:49 | 0:10:53 | |
Declan Pierce, Immigration and Asylum Office. | 0:10:53 | 0:10:56 | |
Want to talk to one of your pupils. | 0:10:56 | 0:10:59 | |
-Lula Tsibi? -Yeah, well, she ain't here. | 0:10:59 | 0:11:01 | |
-I'm new to the case. I'm not familiar with the family, but... -You ain't sending her away. | 0:11:01 | 0:11:05 | |
-Thank you, Sonya. -The Tsibis were never granted leave to remain here indefinitely. | 0:11:05 | 0:11:09 | |
There are doubts as to the validity of Mrs Tsibi's statements, | 0:11:09 | 0:11:12 | |
her reasons for claiming asylum. | 0:11:12 | 0:11:14 | |
Are you saying they lied to get in? | 0:11:14 | 0:11:17 | |
Their appeal has failed, therefore they have to return home. | 0:11:17 | 0:11:21 | |
Sonya, perhaps you'd like to fetch Ms McFall and Lula for us? | 0:11:21 | 0:11:24 | |
I haven't seen Lula and now she's absent from my class. | 0:11:45 | 0:11:48 | |
How could you just let her run off like that? | 0:11:48 | 0:11:51 | |
-You've seen her this morning, have you? -Briefly, but I assumed that she was still in school. | 0:11:51 | 0:11:56 | |
Well, clearly she isn't and now she's all alone, heaven knows where. | 0:11:56 | 0:12:00 | |
Are you planning on locking her up as well? A child? | 0:12:00 | 0:12:03 | |
Who wants only to contribute to this country? | 0:12:03 | 0:12:06 | |
Mrs Tsibi is at the reception centre. | 0:12:06 | 0:12:08 | |
We need to re-unite her with her daughter as quickly as possible. | 0:12:08 | 0:12:11 | |
-It's my job to implement the removal. -I've heard everything. | 0:12:11 | 0:12:14 | |
Audrey. I suggest you refrain from any further involvement | 0:12:14 | 0:12:18 | |
and let the professionals take over from here on in, | 0:12:18 | 0:12:21 | |
which is also, incidentally, what I told Lula. | 0:12:21 | 0:12:23 | |
I hope we can rely on your cooperation in this? | 0:12:23 | 0:12:27 | |
We are concerned for her welfare. | 0:12:27 | 0:12:29 | |
She was perfectly well until you started persecuting her. | 0:12:29 | 0:12:34 | |
And you're no better. | 0:12:34 | 0:12:36 | |
Well. You get used to it after a while. | 0:12:41 | 0:12:44 | |
Being a hate figure. | 0:12:47 | 0:12:48 | |
Her phone's switched off, Miss. | 0:12:51 | 0:12:53 | |
Keep trying, Harley. | 0:12:53 | 0:12:55 | |
She must be a very frightened girl at the moment. | 0:12:55 | 0:12:58 | |
She appealed against her deportation months ago. | 0:12:58 | 0:13:01 | |
Well, that appeal has failed, | 0:13:01 | 0:13:03 | |
but we're not going to let that stand in the way of our campaign. | 0:13:03 | 0:13:07 | |
We are going to get out there with our petitions | 0:13:07 | 0:13:10 | |
and start knocking on doors. | 0:13:10 | 0:13:12 | |
We are going to get creative with posters, placards and banners. | 0:13:12 | 0:13:18 | |
Lula is staying in Britain. | 0:13:18 | 0:13:20 | |
Hiya, love, you should have rung, could have given you a lift. | 0:13:26 | 0:13:30 | |
How was he? | 0:13:30 | 0:13:31 | |
Good. | 0:13:31 | 0:13:33 | |
What are you doing with this? | 0:13:33 | 0:13:35 | |
I borrowed it. I'm taking Gabriella for a spin at lunch. | 0:13:35 | 0:13:37 | |
Ha! She's taking you for a ride, you mean. | 0:13:37 | 0:13:40 | |
Nah, she's well into me. I rock her world. | 0:13:40 | 0:13:43 | |
You wish. Gobby's just using you for a bit of rough. | 0:13:43 | 0:13:46 | |
Once the novelty wears off, she'll kick you straight into touch. | 0:13:46 | 0:13:49 | |
Leave the lad alone - he's in love. | 0:13:49 | 0:13:51 | |
Your funeral. | 0:13:52 | 0:13:53 | |
-See you later, babes. -See you later. | 0:13:53 | 0:13:56 | |
I can't stand the stuck-up cow either, but she's got our Barry lit up like a Christmas tree. | 0:13:56 | 0:14:01 | |
Is that yours? | 0:14:04 | 0:14:05 | |
D'you think I nicked it or something? | 0:14:05 | 0:14:07 | |
This is for our date, Princess. | 0:14:07 | 0:14:09 | |
Where are you taking me? | 0:14:11 | 0:14:12 | |
Well, I've booked us a nice table at that posh hotel. | 0:14:14 | 0:14:17 | |
The Ashmont. | 0:14:17 | 0:14:18 | |
And you can afford that? | 0:14:18 | 0:14:20 | |
I told you. I'm moving up in the world, Gabs. | 0:14:20 | 0:14:22 | |
-Going after the big money with this new job. -Oh, yeah? | 0:14:22 | 0:14:25 | |
Yeah, so shall I pick you up at half 12? | 0:14:25 | 0:14:28 | |
Fine. | 0:14:28 | 0:14:29 | |
I just want everything to be perfect. | 0:14:29 | 0:14:31 | |
Good food. Bottle of champagne... | 0:14:31 | 0:14:34 | |
-You sound like you're going to propose or something. -HE LAUGHS | 0:14:34 | 0:14:37 | |
See you later, then. | 0:14:42 | 0:14:44 | |
# I am the blank page before you | 0:14:46 | 0:14:49 | |
# I am the fine idea you crave | 0:14:51 | 0:14:55 | |
# I live and breathe under the moon | 0:14:57 | 0:15:01 | |
# And when you cross that bridge I'll come find you | 0:15:02 | 0:15:08 | |
# Stay awake with me | 0:15:11 | 0:15:14 | |
# You know I can't just let you be | 0:15:17 | 0:15:20 | |
# Stay awake with me | 0:15:23 | 0:15:26 | |
# Take your hand and come and find me... # | 0:15:28 | 0:15:31 | |
Lula. | 0:15:46 | 0:15:47 | |
Lula. | 0:15:48 | 0:15:49 | |
Lula. | 0:15:51 | 0:15:53 | |
Harley! | 0:15:53 | 0:15:54 | |
I'm so sorry, I just didn't know what to do. | 0:15:58 | 0:16:01 | |
You should have called me as soon as possible. | 0:16:01 | 0:16:03 | |
-You know I'll always help you. -I know. I have to get away. | 0:16:03 | 0:16:07 | |
Where to? The campaign's in overdrive. | 0:16:07 | 0:16:11 | |
Everyone wants to help. | 0:16:11 | 0:16:13 | |
Ms McFall says that we still have got a chance. | 0:16:13 | 0:16:15 | |
It's not going to work. They want us out. | 0:16:15 | 0:16:18 | |
It will work. | 0:16:18 | 0:16:19 | |
I need you to do something for me, OK? | 0:16:19 | 0:16:21 | |
Please lend me some money. Just to get on a bus somewhere. | 0:16:21 | 0:16:24 | |
Please, Lula. You can't just run away. | 0:16:24 | 0:16:27 | |
-You've got nowhere to go. -I'll find somewhere, anywhere. | 0:16:27 | 0:16:30 | |
I can not stay here. | 0:16:31 | 0:16:33 | |
Are you going to help me or not? | 0:16:35 | 0:16:37 | |
Sue. | 0:16:45 | 0:16:46 | |
Would you be so good as to give this to Vix? | 0:16:51 | 0:16:54 | |
What is it? | 0:16:54 | 0:16:56 | |
It's, um... | 0:16:56 | 0:16:59 | |
an apology. | 0:16:59 | 0:17:01 | |
Could you just put it in her hand and ask her to read it, please? | 0:17:01 | 0:17:06 | |
Vix needs to move on with her own life. | 0:17:06 | 0:17:09 | |
Not be reminded of all the hurt that you've caused her. | 0:17:09 | 0:17:12 | |
Thanks for nothing. | 0:17:13 | 0:17:15 | |
Flaming cheek. Wants me to give Vix a soppy "I'm sorry" letter! | 0:17:19 | 0:17:23 | |
As if that's going to make everything all right. | 0:17:23 | 0:17:25 | |
Look, Nikki made a mistake but she seems sorry to me. | 0:17:25 | 0:17:27 | |
Can't we just let them sort it out between them? | 0:17:27 | 0:17:29 | |
Vix is better off without her. | 0:17:29 | 0:17:31 | |
I mean, Nikki's already done the dirty once, | 0:17:31 | 0:17:33 | |
which means she'll do the same again. | 0:17:33 | 0:17:35 | |
I hear you've written Vix a letter. | 0:17:50 | 0:17:52 | |
I had. | 0:17:54 | 0:17:55 | |
Well, if you want to write another one, I'll give it to her. | 0:17:57 | 0:17:59 | |
I'll be in to see him myself after school. | 0:18:05 | 0:18:07 | |
Yeah, he'll like that. | 0:18:07 | 0:18:08 | |
I know it feels like it's the end of the world. | 0:18:10 | 0:18:12 | |
But you're not alone, you just remember that. | 0:18:12 | 0:18:15 | |
You all set for your fitness test? | 0:18:17 | 0:18:19 | |
What is this? | 0:18:19 | 0:18:21 | |
Oh, sorry, is it still a secret? | 0:18:21 | 0:18:23 | |
Doesn't matter any more. | 0:18:23 | 0:18:25 | |
I was thinking of joining the police. But I've binned it off now. | 0:18:25 | 0:18:28 | |
What? Why? | 0:18:28 | 0:18:30 | |
I'm a bit busy at the moment. Me boyfriend's in hospital. | 0:18:30 | 0:18:34 | |
Look, I know it's hard, but this is your future. | 0:18:34 | 0:18:37 | |
Kevin's me future. | 0:18:38 | 0:18:40 | |
-Yeah, Dynasty... -Simon, leave it. | 0:18:40 | 0:18:43 | |
I just want her to make the right decision. | 0:18:43 | 0:18:45 | |
Yeah, I know. But there's a time and a place. | 0:18:45 | 0:18:47 | |
Rhiannon, how would you like to come for lunch today at The Ashmont? | 0:18:56 | 0:19:01 | |
The Ashmont? The posh place? | 0:19:01 | 0:19:03 | |
Oh, but it's shepherd's pie day. | 0:19:03 | 0:19:05 | |
This is a great opportunity for you to move up in the world, Rhiannon. | 0:19:05 | 0:19:08 | |
It's trying new experiences that make us grow as women. | 0:19:08 | 0:19:10 | |
Can't we just grow as women tomorrow? | 0:19:10 | 0:19:12 | |
Plus I'll never be able to afford a place like that. | 0:19:12 | 0:19:15 | |
Well, you don't have to. Barry'll take care of it. | 0:19:15 | 0:19:18 | |
Isn't three a crowd? | 0:19:18 | 0:19:19 | |
I'm trying to include you. | 0:19:19 | 0:19:21 | |
I'm not just one of those girls that dumps her mates as soon as she gets a boyfriend. | 0:19:21 | 0:19:25 | |
You sure I won't be in the way, though, if you two want to get romantic? | 0:19:25 | 0:19:28 | |
Course not. I want you two to get on, and so does Barry. | 0:19:28 | 0:19:32 | |
As if! | 0:19:32 | 0:19:33 | |
I want you to see the real Barry. | 0:19:33 | 0:19:35 | |
Us having lunch is a great opportunity to spend time together. | 0:19:35 | 0:19:39 | |
Come on, please, for me? It'll be fun. | 0:19:39 | 0:19:42 | |
All right, see you later. | 0:19:44 | 0:19:46 | |
Keep trying Lula's mobile. | 0:19:55 | 0:19:56 | |
We hit the town centre at lunchtime, we spread out, | 0:19:56 | 0:20:00 | |
we search for her and we rally as much support as we possibly can. | 0:20:00 | 0:20:04 | |
-Get more names on the petitions. -Yeah, and make a banner for the school gates. -Great idea, Lenny. | 0:20:04 | 0:20:08 | |
-Can you get us on telly, Miss? On the news? -I will try. But we start in the library. | 0:20:08 | 0:20:13 | |
Now you get your social networking sites buzzing, | 0:20:13 | 0:20:16 | |
fire off as many e-mails as you can. | 0:20:16 | 0:20:18 | |
Local councillors, local MPs, anybody who you think could help. | 0:20:18 | 0:20:22 | |
Lula goes viral! | 0:20:22 | 0:20:24 | |
Exactly. | 0:20:24 | 0:20:25 | |
And we make sure everyone knows that Waterloo Road | 0:20:25 | 0:20:29 | |
is not going to just stand by and see such monstrous injustice | 0:20:29 | 0:20:33 | |
done to one of its own. | 0:20:33 | 0:20:35 | |
We want the world and its wife to know the name Lula Tsibi. | 0:20:35 | 0:20:38 | |
So no history today, then? | 0:20:38 | 0:20:39 | |
Oh, there will be history, Lenny. | 0:20:39 | 0:20:41 | |
But we'll be making it, not studying it. Prepared for battle? | 0:20:41 | 0:20:46 | |
THEY CHEER | 0:20:46 | 0:20:48 | |
What's all the commotion? | 0:20:55 | 0:20:56 | |
Lula Tsibi. | 0:20:56 | 0:20:58 | |
Well, looks like you've got everybody organised! | 0:20:58 | 0:21:00 | |
We have got to find her. And we have got to stop this deportation. | 0:21:00 | 0:21:04 | |
Lula's told me about her country. | 0:21:04 | 0:21:06 | |
Lawless, gang warfare - friends and family disappeared, dead. | 0:21:06 | 0:21:10 | |
And they'd send them back to that? | 0:21:10 | 0:21:12 | |
All those terrible memories, staring her in the face. | 0:21:12 | 0:21:14 | |
-How's she supposed to cope with that at her age? -I don't know. | 0:21:14 | 0:21:17 | |
All I know it's a very dangerous place for women and girls. | 0:21:17 | 0:21:21 | |
Miss, Lula's going to kill me, but she's hiding in the school. | 0:21:23 | 0:21:28 | |
She wants to run away. | 0:21:28 | 0:21:29 | |
But she doesn't know anyone, | 0:21:29 | 0:21:31 | |
and she can't just stay on the streets, can she? | 0:21:31 | 0:21:34 | |
Please, Miss, can you help her? | 0:21:34 | 0:21:36 | |
Look, you keep fighting the good fight. We'll go and get her. | 0:21:38 | 0:21:43 | |
Lula? | 0:21:45 | 0:21:47 | |
Lula? | 0:21:49 | 0:21:50 | |
You tricked me, Harley! | 0:21:52 | 0:21:56 | |
You said you were going to help me! | 0:21:56 | 0:21:58 | |
-I trusted you! -I'm sorry! | 0:21:58 | 0:22:01 | |
He did what he thought was best, love. | 0:22:01 | 0:22:02 | |
And do not worry, because we're on your side. | 0:22:02 | 0:22:05 | |
I need to get out! | 0:22:06 | 0:22:07 | |
No, no, hang on, hang on a minute. | 0:22:07 | 0:22:09 | |
Look, the only people that know, OK, is me, Harley and Ms McFall, | 0:22:09 | 0:22:13 | |
and we're not going to tell anybody else for now. | 0:22:13 | 0:22:15 | |
OK? We need to buy you some time. | 0:22:15 | 0:22:18 | |
Ms McFall is on the case and she wants you to be strong. | 0:22:19 | 0:22:23 | |
And to trust us. | 0:22:23 | 0:22:25 | |
They took my mum. | 0:22:26 | 0:22:27 | |
SHE SOBS | 0:22:27 | 0:22:28 | |
I know, love. I know. | 0:22:31 | 0:22:33 | |
I can't imagine what you must be going through. | 0:22:33 | 0:22:37 | |
Harley, can you just give me a few minutes with Lula? | 0:22:37 | 0:22:40 | |
I promise I'll take good care of her. | 0:22:42 | 0:22:44 | |
I will certainly keep you fully informed of any developments. | 0:22:52 | 0:22:56 | |
I realise you must have a very busy schedule, | 0:22:56 | 0:22:59 | |
but, as you must appreciate, this is an emergency. | 0:22:59 | 0:23:02 | |
Yes, could you put me through to the news desk, please? | 0:23:03 | 0:23:06 | |
Thank you. | 0:23:06 | 0:23:07 | |
Miss McFall's right, we can't let them get away with this. We've got to stick it to the man! | 0:23:07 | 0:23:12 | |
Since when did you get so political? | 0:23:12 | 0:23:14 | |
Well, I didn't, but anything that gets me out of next period, | 0:23:14 | 0:23:17 | |
I'm up for. Plus it might get us on the TV. | 0:23:17 | 0:23:19 | |
Teacher! Teacher! Teacher! Teacher! | 0:23:19 | 0:23:21 | |
What you lot doing? | 0:23:22 | 0:23:24 | |
Getting tooled up. Ready to fight for Lula. | 0:23:24 | 0:23:25 | |
Them immigration pigs come back, we'll knock their blocks off! | 0:23:25 | 0:23:29 | |
Whoa! I don't think so! | 0:23:29 | 0:23:31 | |
Violence is never the answer, Shaznay. Why aren't you lot in class? | 0:23:31 | 0:23:35 | |
Ms McFall said it was all right. In fact, she told us to come and do it. | 0:23:35 | 0:23:39 | |
Did she now? SCHOOL BELL RINGS | 0:23:39 | 0:23:41 | |
Well, I'm telling you to get to your next lesson. Move it! | 0:23:41 | 0:23:44 | |
It was like coming face to face with Genghis Khan. | 0:23:50 | 0:23:53 | |
Yes, well, I did warn Audrey. | 0:23:53 | 0:23:54 | |
Now you're telling me that she's leading... | 0:23:54 | 0:23:57 | |
CRICKET COMMENTARY ON RADIO | 0:23:57 | 0:23:58 | |
..that she's leading them on some sort of crusade? | 0:24:00 | 0:24:02 | |
Yeah, and they're getting pretty stirred up down there. | 0:24:02 | 0:24:05 | |
You're in charge - a few calming words wouldn't go amiss. | 0:24:05 | 0:24:09 | |
Young people have a natural sense of justice, George, | 0:24:09 | 0:24:11 | |
and it's great everyone's rallying around Lula, but they need clear boundaries. | 0:24:11 | 0:24:15 | |
Can't you deal with it? | 0:24:15 | 0:24:16 | |
No! I'm too busy doing all your donkey work. | 0:24:16 | 0:24:19 | |
-Yes! -CRICKET COMMENTARY CONTINUES | 0:24:19 | 0:24:21 | |
KNOCK AT DOOR | 0:24:21 | 0:24:23 | |
Lula's missing and you're holed up in here listening to the cricket. | 0:24:23 | 0:24:28 | |
Well, it's in the hands of the authorities, isn't it? | 0:24:28 | 0:24:30 | |
And if they don't find her, it becomes a police matter. | 0:24:30 | 0:24:33 | |
Either way, Lula is one student in a school of hundreds | 0:24:33 | 0:24:36 | |
so let's keep a sense of proportion. | 0:24:36 | 0:24:39 | |
'Scuse I. You can, er, see your face in them now, Mr Windsor. | 0:24:40 | 0:24:47 | |
And...your car's here. | 0:24:47 | 0:24:49 | |
Thank you. | 0:24:49 | 0:24:51 | |
Charity lunch. | 0:24:51 | 0:24:53 | |
Official school business, you know, | 0:24:55 | 0:24:57 | |
forging those links between school and community. | 0:24:57 | 0:25:01 | |
I was going to ask you to go, actually, but I decided | 0:25:02 | 0:25:05 | |
that Christine and the school both deserved the very best ambassador. | 0:25:05 | 0:25:09 | |
And if I say so myself, I'm gold medal... | 0:25:09 | 0:25:11 | |
CRICKET COMMENTARY CONTINUES | 0:25:11 | 0:25:13 | |
I am gold medal standard when it comes to schmoozing the great and the good. | 0:25:13 | 0:25:17 | |
George, I am very concerned about this Lula situation | 0:25:17 | 0:25:21 | |
spiralling out of control. | 0:25:21 | 0:25:23 | |
Yes, well, I have every confidence that you can nip that little rebellion in the bud. | 0:25:23 | 0:25:29 | |
Will you be quiet! Settle down! | 0:25:35 | 0:25:38 | |
Not only do you turn up late to my class without an excuse, | 0:25:43 | 0:25:46 | |
but you don't even have the decency to keep your mouths shut. | 0:25:46 | 0:25:49 | |
-What's wrong with you today? -It's Lula's campaign, Miss. | 0:25:49 | 0:25:52 | |
It's a shame for Lula, | 0:25:52 | 0:25:53 | |
but the Home Office can't go making exceptions just because you want them to. | 0:25:53 | 0:25:57 | |
If she broke the rules, she has to go. | 0:25:57 | 0:25:59 | |
Oh, so we just chuck people out who've been living here for years? | 0:25:59 | 0:26:02 | |
Well, if they're not here legally, then yes. | 0:26:02 | 0:26:04 | |
What, you think everyone who lands here should be allowed to stay? | 0:26:04 | 0:26:07 | |
Yeah, if they're in danger. | 0:26:07 | 0:26:09 | |
And what danger might that be? | 0:26:09 | 0:26:11 | |
See? You don't even know what you're talking about. | 0:26:12 | 0:26:15 | |
We're already a very overcrowded country, yet we're seen | 0:26:15 | 0:26:18 | |
as a meal ticket, an easy target, | 0:26:18 | 0:26:20 | |
and there's not enough jobs to go round as it is. | 0:26:20 | 0:26:22 | |
I mean, immigration, asylum seekers - they're just adding to the pressure. | 0:26:22 | 0:26:26 | |
Crime is on the up, and don't get me started on the NHS. | 0:26:26 | 0:26:29 | |
I am just stating an opinion. | 0:26:31 | 0:26:33 | |
Are you a racist, Miss? | 0:26:33 | 0:26:36 | |
Being concerned about immigration does not make me a racist. | 0:26:36 | 0:26:41 | |
You're confusing the two. | 0:26:41 | 0:26:43 | |
And you're confusing immigration with asylum. | 0:26:43 | 0:26:45 | |
Just-just get on with your work. | 0:26:47 | 0:26:49 | |
You don't like foreigners, but you don't think that's racist? | 0:26:49 | 0:26:54 | |
Sounds pretty racist to me, Miss. | 0:26:54 | 0:26:55 | |
All I'm saying is that not everyone who wants to stay here can. | 0:26:55 | 0:26:59 | |
We are full up. | 0:26:59 | 0:27:01 | |
The UK is a teeny, tiny little island. | 0:27:01 | 0:27:04 | |
Africa - great big continent. | 0:27:04 | 0:27:06 | |
Do the maths. | 0:27:06 | 0:27:07 | |
Hold up, there's lots of people that come here from different countries, | 0:27:07 | 0:27:10 | |
not just Africa. | 0:27:10 | 0:27:11 | |
You're defo a racialist! | 0:27:11 | 0:27:14 | |
-LAUGHTER -Stop that! | 0:27:14 | 0:27:16 | |
Well, this isn't helping Lula. Come on. Let's go! | 0:27:16 | 0:27:20 | |
Sit down! I said sit down! | 0:27:20 | 0:27:22 | |
I will not stand for this! | 0:27:23 | 0:27:25 | |
My home is here now, my life is here. | 0:27:29 | 0:27:32 | |
My friends, my books. How am I going to study? | 0:27:32 | 0:27:36 | |
Get my exams? | 0:27:36 | 0:27:38 | |
You'll get your exams and you'll go to uni, just like you planned. | 0:27:38 | 0:27:43 | |
Because you're not going anywhere. I promise you. | 0:27:43 | 0:27:48 | |
I'm scared, Mrs Budgen. | 0:27:49 | 0:27:51 | |
SCHOOL BELL RINGS | 0:27:55 | 0:27:57 | |
Come on, Ms McFall will be wondering where we are. | 0:27:57 | 0:28:00 | |
We've got to get out there, show them we mean business. | 0:28:00 | 0:28:04 | |
How can we beat the law? | 0:28:04 | 0:28:06 | |
Well, she's mobilising the troops. | 0:28:06 | 0:28:09 | |
All your pals. | 0:28:09 | 0:28:11 | |
That immigration lot will run a mile | 0:28:11 | 0:28:14 | |
when they see the strength of feeling in this school. | 0:28:14 | 0:28:16 | |
By the time we've finished, you're going to be so famous | 0:28:16 | 0:28:19 | |
that they won't dare deport you! | 0:28:19 | 0:28:22 | |
You're looking good, Gabs. You hungry? | 0:28:28 | 0:28:30 | |
Why don't you take this afternoon off | 0:28:33 | 0:28:35 | |
and we can drive round the bay, have a smooch in the back? | 0:28:35 | 0:28:38 | |
I can't. I've got lessons. | 0:28:38 | 0:28:39 | |
Well, let's go. | 0:28:41 | 0:28:42 | |
Eh, get out of it. What do you think you're doing? | 0:28:43 | 0:28:47 | |
-What's she doing? -Rhiannon's coming with us. | 0:28:47 | 0:28:49 | |
What? Forget it. | 0:28:49 | 0:28:51 | |
Fine - if I'm not wanted. There's shepherd's pie and chips on. | 0:28:51 | 0:28:55 | |
Rhiannon, wait. | 0:28:55 | 0:28:56 | |
She more or less begged me to come with us. | 0:28:59 | 0:29:01 | |
She's never eaten at a posh restaurant before. | 0:29:01 | 0:29:03 | |
I'm sorry, but I don't want her spoiling things. | 0:29:03 | 0:29:06 | |
Are you saying you can't afford to pay for her lunch? | 0:29:07 | 0:29:10 | |
Of course I can afford it. | 0:29:10 | 0:29:11 | |
But don't you think she needs to be, like, skipping lunches? | 0:29:13 | 0:29:16 | |
Look at the state of her! | 0:29:16 | 0:29:18 | |
Oh, please, Barry, let her come. | 0:29:18 | 0:29:20 | |
I'll look stupid if you say no. | 0:29:20 | 0:29:22 | |
I promised her you'd be OK with it. | 0:29:22 | 0:29:24 | |
OK, but only if you promise that she leaves | 0:29:28 | 0:29:31 | |
as soon as she's stuffed her face? | 0:29:31 | 0:29:33 | |
And that we can enjoy the rest of the champagne alone? | 0:29:34 | 0:29:37 | |
Hop in. | 0:29:45 | 0:29:46 | |
Nice one. | 0:29:46 | 0:29:47 | |
Audrey! What have you been doing with your class? | 0:29:58 | 0:30:01 | |
Sue's just had a total nightmare with them. | 0:30:01 | 0:30:03 | |
Like animals. Totally out of control. | 0:30:03 | 0:30:05 | |
A bit of fire in the belly's no bad thing and it's in a very good cause. | 0:30:05 | 0:30:08 | |
The only cause they're bothered about is skiving off lessons | 0:30:08 | 0:30:11 | |
and causing trouble. | 0:30:11 | 0:30:12 | |
-They wouldn't know what asylum meant if it smacked them in the face. -You underestimate them. | 0:30:12 | 0:30:16 | |
I'm all for empowering pupils, Audrey, | 0:30:16 | 0:30:18 | |
but we can't have them running riot through the school. | 0:30:18 | 0:30:20 | |
Everyone's concerned about Lula, but we need to tread carefully, OK? | 0:30:20 | 0:30:24 | |
I presume there's still no word? | 0:30:25 | 0:30:26 | |
Nothing as yet. | 0:30:28 | 0:30:29 | |
Look, I'm very sorry the pupils gave you trouble. | 0:30:29 | 0:30:33 | |
But I'm sure you'll both agree, this is a very unusual situation | 0:30:33 | 0:30:36 | |
and one that requires sensitivity. | 0:30:36 | 0:30:38 | |
I'm starving. Can I just grab something to eat first? | 0:30:44 | 0:30:48 | |
No, you can't. We're going to the precinct, get more signatures. | 0:30:48 | 0:30:51 | |
Anyone says no, they get a slap. | 0:30:51 | 0:30:53 | |
No aggro from you, OK? | 0:30:53 | 0:30:54 | |
Don't be too hard on Harley. | 0:30:55 | 0:30:57 | |
He's got a soft spot for you a mile wide. | 0:30:57 | 0:30:59 | |
SHE CLEARS THROAT | 0:30:59 | 0:31:01 | |
-Lula! -Lula! | 0:31:01 | 0:31:05 | |
See, what did I tell you? You are not on your own. | 0:31:05 | 0:31:09 | |
I can't believe it. | 0:31:11 | 0:31:14 | |
Thank you. | 0:31:14 | 0:31:15 | |
Mates again? | 0:31:15 | 0:31:16 | |
Sorry, Harley. For shouting. | 0:31:18 | 0:31:21 | |
It's OK. It's just... | 0:31:21 | 0:31:23 | |
I love you. I love you loads. | 0:31:25 | 0:31:27 | |
CHANTING: What do we want? Justice! When do we want it? Now! | 0:31:34 | 0:31:38 | |
What do we want? Justice! When do we want it? Now! | 0:31:38 | 0:31:41 | |
Thank you. | 0:31:45 | 0:31:47 | |
Aren't you eating that? | 0:31:53 | 0:31:55 | |
I don't like it. | 0:31:55 | 0:31:56 | |
Why did you order it, then? That's 15 quids' worth. | 0:31:56 | 0:32:00 | |
You want one? | 0:32:03 | 0:32:04 | |
As if she's going to like oysters. | 0:32:04 | 0:32:06 | |
How do you know that? | 0:32:06 | 0:32:08 | |
I love oysters. | 0:32:08 | 0:32:09 | |
Just tip it down the back of your throat. | 0:32:12 | 0:32:14 | |
SHE RETCHES LOUDLY | 0:32:20 | 0:32:23 | |
Oh, my god! How can you eat one of those things? Like snotters! | 0:32:35 | 0:32:40 | |
Why don't you just go back to school and get your shepherd's pie? | 0:32:40 | 0:32:43 | |
Don't be rude to my friend like that. | 0:32:43 | 0:32:45 | |
I'm only joking, Rhiannon. | 0:32:52 | 0:32:54 | |
Get yourself a new starter. | 0:32:54 | 0:32:56 | |
Menu, please. Thank you. | 0:32:56 | 0:32:58 | |
This is nice, isn't it? | 0:33:01 | 0:33:03 | |
-Have we got enough pens for the petition? -I need a pen. | 0:33:12 | 0:33:15 | |
I need a pen. | 0:33:17 | 0:33:19 | |
That's them from this morning! | 0:33:19 | 0:33:21 | |
What? Has Windsor grassed up on us? | 0:33:21 | 0:33:22 | |
Leg it. Quick. | 0:33:22 | 0:33:24 | |
Stay calm, don't give yourself away. There's only two of them, there's loads of us. | 0:33:24 | 0:33:27 | |
We won't let them get you. | 0:33:27 | 0:33:29 | |
We're looking for Lula Tsibi. | 0:33:29 | 0:33:30 | |
Are you, now? Why's that, then? | 0:33:30 | 0:33:33 | |
She's a missing child. We need to get her back to her mother. | 0:33:33 | 0:33:36 | |
-No-one's seen her. -Not got a clue where she is. | 0:33:36 | 0:33:39 | |
Right, you're obviously friends of hers? | 0:33:41 | 0:33:45 | |
All of this, it won't help, | 0:33:45 | 0:33:47 | |
so if you could just tell us where she is... | 0:33:47 | 0:33:49 | |
You should be ashamed of yourself, a grown man hunting down little kiddies for a living. | 0:33:49 | 0:33:54 | |
-Yeah - destroying families. -Sending people to camps! | 0:33:54 | 0:33:57 | |
To their deaths! | 0:33:57 | 0:33:59 | |
THEY START CHANTING ABUSE | 0:33:59 | 0:34:03 | |
CHANTING: We love Lula! We love Lula! | 0:34:05 | 0:34:08 | |
I'd advise you to calm down and get your facts straight. | 0:34:08 | 0:34:11 | |
Or we will involve the police, and you will be arrested and charged with assault. | 0:34:11 | 0:34:16 | |
Go on, then. But you'll have to arrest the lot of us. | 0:34:16 | 0:34:19 | |
She's not here, I'm telling you. Look somewhere else. | 0:34:22 | 0:34:25 | |
One step further and I swear... | 0:34:28 | 0:34:30 | |
It's all right, Mrs Budgen. I can't hide for ever. | 0:34:33 | 0:34:36 | |
What? No, wait... | 0:34:36 | 0:34:37 | |
Je m'appelle Lula Tsibi. | 0:34:37 | 0:34:39 | |
Archie, Archie, will you go and get Ms McFall, please? | 0:34:57 | 0:35:00 | |
I can't believe she did that! | 0:35:00 | 0:35:02 | |
Can you imagine Shaz in a mud hut with no nail varnish? | 0:35:02 | 0:35:06 | |
They're going to go crazy when they find out they got the wrong person. | 0:35:06 | 0:35:10 | |
I feel so bad. She's going to get in trouble. All because of me. | 0:35:10 | 0:35:14 | |
Nobody forced her do it. | 0:35:14 | 0:35:16 | |
And if anyone can look after themselves, it's Shaznay. | 0:35:16 | 0:35:19 | |
It just goes to prove how much she cares. | 0:35:19 | 0:35:22 | |
Yeah - we all do. And we're all up for a fight, whatever it takes. | 0:35:22 | 0:35:25 | |
Yeah, good ole Shaz, I wouldn't mind visiting her - in prison. | 0:35:25 | 0:35:30 | |
What do we do now? | 0:35:30 | 0:35:31 | |
We've got to get you out of here. | 0:35:31 | 0:35:33 | |
In a fast car and across the border! | 0:35:33 | 0:35:36 | |
Darren, thank you, I don't think that will be necessary. | 0:35:36 | 0:35:39 | |
Lula, such a relief to see you. | 0:35:39 | 0:35:42 | |
Now, the bell for lunch went some time ago. | 0:35:44 | 0:35:47 | |
So, I suggest you all observe that | 0:35:47 | 0:35:50 | |
while Mrs Budgen and I discuss what to do next. | 0:35:50 | 0:35:53 | |
Go on, off you go. | 0:35:53 | 0:35:55 | |
Lula, stay with Harley, I'll come and find you. | 0:35:55 | 0:35:58 | |
How could you let Shaznay do that?! | 0:36:10 | 0:36:12 | |
It all happened so fast... | 0:36:14 | 0:36:15 | |
One minute she was with us, the next... | 0:36:15 | 0:36:17 | |
She's a child! You should have said something. | 0:36:17 | 0:36:19 | |
You're going to have to call them right now and explain. | 0:36:19 | 0:36:23 | |
Just wait a minute. | 0:36:23 | 0:36:25 | |
I feel sick about this, trust me, but Shaznay has bought us some time. | 0:36:25 | 0:36:29 | |
We need to regroup. Figure out what we're doing next. | 0:36:31 | 0:36:35 | |
And then I'll-I'll talk to Simon. | 0:36:35 | 0:36:38 | |
Maggie, you could actually lose your job over this. | 0:36:38 | 0:36:41 | |
I'm starving. Wish I'd never come. | 0:36:45 | 0:36:48 | |
Yeah? Well...likewise. | 0:36:48 | 0:36:51 | |
Now, I'm sorry but that lot that she has just wasted | 0:36:53 | 0:36:55 | |
-has cost me nearly a hundred quid. -And I thought you said you could afford it. | 0:36:55 | 0:36:59 | |
-Yeah, but... -RHIANNON RETCHES | 0:36:59 | 0:37:02 | |
Great, not embarrassing at all(!) | 0:37:02 | 0:37:05 | |
You've really upset her. | 0:37:05 | 0:37:06 | |
Look, I'm really sorry. I just wanted some time for us. | 0:37:08 | 0:37:13 | |
You're not getting this, are you? | 0:37:14 | 0:37:17 | |
I don't want time for us. There is no "us". | 0:37:17 | 0:37:20 | |
Well, I want there to be. There, I've said it. | 0:37:20 | 0:37:26 | |
You're not being serious? | 0:37:26 | 0:37:28 | |
Yeah, very serious - after this big job. Me and you. | 0:37:28 | 0:37:33 | |
We can be together. | 0:37:33 | 0:37:35 | |
What is this job? | 0:37:35 | 0:37:36 | |
It's an international business with...people at its heart. | 0:37:39 | 0:37:43 | |
It's going mega. | 0:37:43 | 0:37:45 | |
Which means that... that I can look after you, Gabs. | 0:37:45 | 0:37:50 | |
How do you propose to look after me | 0:37:52 | 0:37:55 | |
when you can barely use a knife and fork? | 0:37:55 | 0:37:57 | |
Look, this was nice while it lasted, | 0:37:57 | 0:38:00 | |
but I'm the heiress to a multinational clothing company, | 0:38:00 | 0:38:05 | |
you're the son of a dinner lady and an armed robber. | 0:38:05 | 0:38:09 | |
Not even a very good armed robber at that. | 0:38:09 | 0:38:11 | |
I'm way out of your league. | 0:38:12 | 0:38:13 | |
Hang on a minute. You can't talk to me like that. | 0:38:17 | 0:38:22 | |
I just did. | 0:38:22 | 0:38:23 | |
Gabs! | 0:38:24 | 0:38:26 | |
My name is Gabriella. | 0:38:30 | 0:38:33 | |
Mrs Tsibi, we picked up your daughter. | 0:38:42 | 0:38:44 | |
Is she all right? | 0:38:44 | 0:38:47 | |
Bonjour, Maman. | 0:38:47 | 0:38:49 | |
Who is this girl? This is not my daughter. | 0:38:49 | 0:38:53 | |
We are going to have to tell Simon, you know that. | 0:38:56 | 0:38:59 | |
Yeah, I still think we should wait till we've got some sort of a plan. | 0:38:59 | 0:39:02 | |
I mean what's Simon going to do, eh? Wave his magic wand and... | 0:39:02 | 0:39:05 | |
Audrey. Will you please explain to me why I've just had a reporter | 0:39:05 | 0:39:08 | |
on the phone asking for a statement about Lula's deportation? | 0:39:08 | 0:39:12 | |
-The press was my call but... -But what? | 0:39:12 | 0:39:14 | |
But events have moved on a bit, unfortunately. | 0:39:14 | 0:39:16 | |
-Events? -Maggie? | 0:39:16 | 0:39:20 | |
Yeah, Shaznay has been taken away by the immigration services. | 0:39:20 | 0:39:24 | |
It was a case of mistaken identity. She made them think she was Lula. | 0:39:24 | 0:39:27 | |
What?! How could this happen? | 0:39:27 | 0:39:31 | |
This isn't Audrey's fault, actually. The guy was up in my face, I was just so angry... | 0:39:31 | 0:39:35 | |
Hold on, you were there? | 0:39:35 | 0:39:38 | |
-This is crazy. -She just needs somewhere safe to stay for a bit. | 0:39:39 | 0:39:43 | |
The School House, it's just too obvious. | 0:39:43 | 0:39:45 | |
She could have our Kacey's room, couldn't she, Mum? | 0:39:45 | 0:39:48 | |
Don't think so, love. | 0:39:48 | 0:39:50 | |
Look, it's rotten and I feel for you, I really do. | 0:39:50 | 0:39:54 | |
But I do know people if push comes to shove. | 0:39:54 | 0:39:57 | |
Fix them immigration fellas good and proper. | 0:39:57 | 0:40:00 | |
-Fix them? -Break their legs. Take 'em out. | 0:40:00 | 0:40:03 | |
Mum! Lula's in enough trouble without you roping in your gangster mates. | 0:40:03 | 0:40:07 | |
Well, excuse me! I was only trying to help. | 0:40:07 | 0:40:09 | |
Take no notice. Don't worry. The teachers'll sort it the right way. | 0:40:09 | 0:40:14 | |
Hark at you, Snow White! | 0:40:14 | 0:40:16 | |
I'm starting to think you must be the milkman's cos that is not Barry blood talking. | 0:40:16 | 0:40:19 | |
She's a right goody two shoes. | 0:40:19 | 0:40:21 | |
Yeah, well, better than being a criminal. | 0:40:21 | 0:40:23 | |
Tell you what, why don't you get yourself some handcuffs and a truncheon | 0:40:23 | 0:40:26 | |
if you're that bothered about upholding the law? | 0:40:26 | 0:40:28 | |
Everyone! Shaz is back! She's outside - it's crazy! | 0:40:30 | 0:40:33 | |
It took a lot of guts to do what Shaznay did. | 0:40:34 | 0:40:36 | |
We need to phone immigration services now and explain. | 0:40:36 | 0:40:39 | |
SHOUTING | 0:40:39 | 0:40:40 | |
What now? | 0:40:42 | 0:40:44 | |
Look, I know it was wrong, but we have to help her. | 0:40:51 | 0:40:54 | |
Lula is one of us. | 0:40:54 | 0:40:55 | |
Oh, my days! They had me in a cell. | 0:40:58 | 0:41:00 | |
Tortured me, worse than waxing, but I swear I didn't give nothing away. | 0:41:00 | 0:41:04 | |
We should stay back. Come on. | 0:41:06 | 0:41:08 | |
Simon Lowsley. I'm currently in charge. I'm sorry about this. | 0:41:10 | 0:41:13 | |
I'm afraid feelings are running pretty high round here. | 0:41:13 | 0:41:16 | |
I'm sick to death of being given the runaround by the likes of her | 0:41:16 | 0:41:19 | |
-and her. -You are in detention tonight and every night | 0:41:19 | 0:41:21 | |
for the rest of the week. And that's just for starters. | 0:41:21 | 0:41:24 | |
Mrs Budgen, Ms McFall, take these pupils to their classes. | 0:41:24 | 0:41:27 | |
If you'd like to come to the office, we can discuss the best way forward. | 0:41:27 | 0:41:31 | |
All right, everyone, inside. | 0:41:31 | 0:41:32 | |
Let's leave Mr Lowsley to deal with this gentleman. | 0:41:32 | 0:41:36 | |
You're crazy, you know that? | 0:41:36 | 0:41:38 | |
Your mum's fine, it's just like offices. | 0:41:38 | 0:41:40 | |
-She's not chained up or anything. -Are you sure? | 0:41:40 | 0:41:42 | |
She was a bit upset. I reckon she's missing you. | 0:41:42 | 0:41:45 | |
But I told her you're fine and that we're sorting things. | 0:41:45 | 0:41:48 | |
See? We'll get her back. It's going to be fine. | 0:41:48 | 0:41:51 | |
Isn't it, Mrs B? | 0:41:51 | 0:41:52 | |
Yes. | 0:41:52 | 0:41:53 | |
So what we going to do next? | 0:41:53 | 0:41:55 | |
OK, everybody, | 0:41:55 | 0:41:57 | |
what we do next is... | 0:41:57 | 0:42:00 | |
we show 'em we're not scared. | 0:42:00 | 0:42:02 | |
ALL: Yes! | 0:42:02 | 0:42:03 | |
What? You got any nuggets left? | 0:42:06 | 0:42:08 | |
-No. -Pizza? | 0:42:08 | 0:42:09 | |
-No. -Chips? | 0:42:09 | 0:42:10 | |
-It's ten to two. We've stopped serving. -I haven't eaten! | 0:42:10 | 0:42:14 | |
Look, do us a chip butty | 0:42:14 | 0:42:16 | |
and I'll tell you all about Barry's lunch with Gabriella. | 0:42:16 | 0:42:19 | |
Pleasure doing business with you. | 0:42:21 | 0:42:23 | |
Oh, you know, the old Windsor one-two, full-on charm offensive. | 0:42:25 | 0:42:29 | |
HE LAUGHS | 0:42:29 | 0:42:30 | |
What? It doesn't seem to have burned down in your absence, Mrs Mulgrew. | 0:42:30 | 0:42:35 | |
Tell you what, though, Christine, tell you what, | 0:42:35 | 0:42:37 | |
you want to watch out. There's a new head around... | 0:42:37 | 0:42:40 | |
ALL: Lula stays! Lula stays! | 0:42:41 | 0:42:44 | |
-Lula stays! -I'll call you back. | 0:42:44 | 0:42:46 | |
Lula stays! Lula stays! | 0:42:46 | 0:42:48 | |
Lula stays! Lula stays! | 0:42:48 | 0:42:52 | |
Do you have a clue what's going on out there? There's a... | 0:42:53 | 0:42:56 | |
There's a problem outside. What are you doing hiding away in here? | 0:42:57 | 0:43:01 | |
What problem? | 0:43:01 | 0:43:02 | |
There's a riot on the roof of the school! | 0:43:02 | 0:43:05 | |
-What? -This place is out of control. | 0:43:05 | 0:43:07 | |
Nice lunch, was it? For nearly three hours. | 0:43:09 | 0:43:11 | |
Hang on, you lot, I told you, no violence. | 0:43:16 | 0:43:18 | |
Put that down - right now. | 0:43:18 | 0:43:20 | |
HE SNORTS | 0:43:21 | 0:43:22 | |
And it's not funny! | 0:43:22 | 0:43:23 | |
Right, you lot, this is meant to be a peaceful protest, OK? | 0:43:23 | 0:43:28 | |
We are doing this, right, for Lula. Remember that? | 0:43:28 | 0:43:32 | |
The last thing she needs is for somebody down there to get hurt. | 0:43:32 | 0:43:35 | |
Please! Mrs Budgen is right. Throwing things won't help. | 0:43:35 | 0:43:39 | |
Mrs Budgen! | 0:43:42 | 0:43:44 | |
All you protestors need to come down right now. | 0:43:44 | 0:43:46 | |
Lula must stay! | 0:43:48 | 0:43:50 | |
-ALL: -Lula must stay! Lula must stay! Lula must stay! | 0:43:50 | 0:43:54 | |
Lula must stay! Lula must stay! | 0:43:54 | 0:43:57 | |
Lula must stay! Lula must stay! | 0:43:57 | 0:44:00 | |
-Lula must stay! Lula must stay! -Great. | 0:44:00 | 0:44:03 | |
It's all kicking off out there, you know. | 0:44:05 | 0:44:07 | |
Isn't it always? | 0:44:07 | 0:44:09 | |
-You got my text. -Yeah. What's up? | 0:44:10 | 0:44:13 | |
-I just wanted to see you. -Mum... | 0:44:13 | 0:44:16 | |
I'm a busy man, you know. | 0:44:16 | 0:44:18 | |
Listen, I know that hard-faced cow's given you the elbow. | 0:44:18 | 0:44:22 | |
Yeah, well, I was going to chuck her anyway. | 0:44:23 | 0:44:26 | |
Good riddance to bad rubbish, that's what I say. | 0:44:26 | 0:44:29 | |
You keep your eye on this big job you've got brewing | 0:44:29 | 0:44:31 | |
and when you've made your millions, you can have any girl you like. | 0:44:31 | 0:44:34 | |
PHONE RINGS | 0:44:34 | 0:44:36 | |
Eh, I'm trying to have a deep and meaningful here. | 0:44:36 | 0:44:38 | |
Yeah, I can be there. | 0:44:39 | 0:44:40 | |
Is that this big job? | 0:44:40 | 0:44:42 | |
Uh-huh? | 0:44:42 | 0:44:44 | |
Can you give me a minute, mate? | 0:44:45 | 0:44:47 | |
Yeah, ta. | 0:44:47 | 0:44:49 | |
I'll see you later, Mum. | 0:44:50 | 0:44:52 | |
And yeah, this is the big job. | 0:44:52 | 0:44:54 | |
Good lad. | 0:44:54 | 0:44:55 | |
I'm all yours. | 0:44:57 | 0:44:58 | |
ALL: Lula must stay. Lula must stay! | 0:44:58 | 0:45:01 | |
SIMON: Look, I know you're all very upset about Lula | 0:45:01 | 0:45:03 | |
but I promise this school is going to do everything in its power | 0:45:03 | 0:45:06 | |
-to help her and her mother. -Oh, yeah? How's that? | 0:45:06 | 0:45:10 | |
By putting all our energy into Ms McFall's campaign. | 0:45:10 | 0:45:13 | |
I personally will work day and night on the Tsibis' behalf. | 0:45:13 | 0:45:17 | |
OK, OK, you heard Mr Lowsley. | 0:45:17 | 0:45:20 | |
-That's good enough for me. -What? | 0:45:20 | 0:45:23 | |
Get lost! | 0:45:23 | 0:45:24 | |
CHILDREN JEER | 0:45:24 | 0:45:27 | |
You are seriously, seriously going to get it when we get off this roof. | 0:45:28 | 0:45:32 | |
Come on, everybody, come on, we're getting down now. | 0:45:32 | 0:45:34 | |
If you don't come down right now, I'm calling the police. | 0:45:34 | 0:45:37 | |
You can all spend the night in a police cell for all I care. | 0:45:37 | 0:45:40 | |
THEY BOO AND LAUGH | 0:45:40 | 0:45:41 | |
Are you happy now? Look at the chaos you've created. | 0:45:44 | 0:45:47 | |
Totally out of control. | 0:45:47 | 0:45:48 | |
They should be locked up! All of them! | 0:45:48 | 0:45:51 | |
-Harley, no! -Sue! | 0:45:51 | 0:45:52 | |
Harley! What have you done? | 0:45:56 | 0:45:59 | |
SUE WHIMPERS | 0:45:59 | 0:46:00 | |
Simon, do something! | 0:46:03 | 0:46:05 | |
Right, I'm calling the police. | 0:46:05 | 0:46:08 | |
Wait. | 0:46:08 | 0:46:09 | |
Lula, what are you doing? | 0:46:09 | 0:46:11 | |
I'm Lula Tsibi. | 0:46:13 | 0:46:15 | |
I'm coming down. | 0:46:18 | 0:46:19 | |
What are you doing? We can make them listen. | 0:46:26 | 0:46:29 | |
Harley, you almost hit Mrs Lowsley. | 0:46:29 | 0:46:31 | |
She could have been really hurt. | 0:46:31 | 0:46:34 | |
And you're going to get in trouble because of me. | 0:46:34 | 0:46:36 | |
All of you guys will. | 0:46:36 | 0:46:38 | |
That's not right. | 0:46:39 | 0:46:41 | |
This has got to end. | 0:46:42 | 0:46:43 | |
Are you sure? | 0:46:44 | 0:46:46 | |
Yeah. | 0:46:46 | 0:46:47 | |
Thank you, Mrs Budgen, for your help. | 0:46:47 | 0:46:51 | |
For all of your help. | 0:46:53 | 0:46:55 | |
It's time. | 0:46:56 | 0:46:58 | |
-I'm going to sue over this. -Come on, don't upset yourself. | 0:46:58 | 0:47:01 | |
I could've been killed, Simon. Maggie Budgen should be fired. | 0:47:01 | 0:47:05 | |
Mrs Lowsley, are you OK? | 0:47:05 | 0:47:07 | |
-This cost two weeks' wages. -She's fine. | 0:47:07 | 0:47:10 | |
I'm so sorry, Miss. | 0:47:11 | 0:47:13 | |
Me, too. I accept full responsibility. | 0:47:13 | 0:47:17 | |
No. I shouldn't have run this morning. | 0:47:17 | 0:47:19 | |
Look, Lula, if you have to go, | 0:47:21 | 0:47:24 | |
then your country will be lucky to have you. | 0:47:24 | 0:47:27 | |
You'll be a credit to them. | 0:47:27 | 0:47:29 | |
I want to go to my mother. | 0:47:32 | 0:47:34 | |
We'll take you straight there. | 0:47:34 | 0:47:36 | |
What does that mean? Are you sending her back to Africa, then? | 0:47:37 | 0:47:41 | |
Running away hasn't worked, Harley, | 0:47:41 | 0:47:44 | |
so I need to be brave and face my situation. | 0:47:44 | 0:47:48 | |
AUDREY: Lula. | 0:47:49 | 0:47:51 | |
You are an example to us all. | 0:47:53 | 0:47:55 | |
A wonderful, wonderful, courageous girl. | 0:47:56 | 0:48:00 | |
MUSIC: "Interlude" by London Grammar | 0:48:02 | 0:48:06 | |
I'm so sorry, love. I know I promised you. | 0:48:07 | 0:48:11 | |
You've all done so much. | 0:48:11 | 0:48:12 | |
Whatever happens, I know I am lucky to have such good friends. | 0:48:13 | 0:48:18 | |
And you always will have. | 0:48:20 | 0:48:22 | |
# And there you'll be, there you'll be inside my head | 0:48:25 | 0:48:30 | |
Harley. | 0:48:38 | 0:48:40 | |
# I will dream of you | 0:48:40 | 0:48:41 | |
You are the best friend anyone could ever ask for. | 0:48:50 | 0:48:53 | |
I love you too. | 0:48:57 | 0:48:58 | |
# You'll dream of me too | 0:49:02 | 0:49:05 | |
# Your hands there on my face | 0:49:10 | 0:49:14 | |
# There would be no better place. # | 0:49:17 | 0:49:21 | |
I suggest you write a report for Christine and the governors | 0:49:32 | 0:49:36 | |
explaining exactly how things spiralled out of your control today. | 0:49:36 | 0:49:39 | |
Don't worry. It'll be on that desk waiting when she gets back. | 0:49:39 | 0:49:42 | |
-She should have you for this. -No need to get heated, Simon. | 0:49:42 | 0:49:46 | |
I was off campus and you simply couldn't deal with the situation. | 0:49:46 | 0:49:49 | |
No, you were there when the pupils were on the roof. | 0:49:49 | 0:49:52 | |
And what did you do? Nothing. | 0:49:52 | 0:49:54 | |
Where are you off to? Are you not going to talk to Maggie? | 0:49:55 | 0:49:58 | |
I'm sure she can wait till tomorrow. | 0:49:58 | 0:50:00 | |
I don't believe this. George, you are meant to be in charge. | 0:50:00 | 0:50:03 | |
Good night, Simon. | 0:50:03 | 0:50:04 | |
I, uh, thought we were going for something to eat? | 0:50:15 | 0:50:17 | |
Actually, I'd struggle to keep anything down. Terrible indigestion. | 0:50:17 | 0:50:22 | |
Or maybe you just can't handle being headmaster, eh? | 0:50:22 | 0:50:25 | |
Sorry, Carol. I'm not really in the mood. | 0:50:25 | 0:50:28 | |
Mum? You walking home? | 0:50:33 | 0:50:35 | |
Looks like I am now. Just let me get changed. | 0:50:35 | 0:50:37 | |
I'm sorry, Audrey. | 0:50:46 | 0:50:48 | |
I don't know what came over me. | 0:50:49 | 0:50:51 | |
It was that immigration bloke, just made me so angry! | 0:50:51 | 0:50:55 | |
It was a reckless move, Maggie. | 0:50:55 | 0:50:57 | |
You gambled with Lula, and you lost. | 0:50:58 | 0:51:01 | |
Going up there with the kids? I think you're a hero. | 0:51:01 | 0:51:05 | |
Well, I don't. | 0:51:05 | 0:51:07 | |
What happened out there could have had tragic consequences. | 0:51:07 | 0:51:11 | |
As it is, my wife had a very near miss | 0:51:11 | 0:51:13 | |
and you could've made Lula's position much worse, | 0:51:13 | 0:51:15 | |
not to mention what you allowed to happen with Shaznay. | 0:51:15 | 0:51:18 | |
Now, since George seems to be swerving all responsibility, | 0:51:18 | 0:51:22 | |
Maggie, I'm afraid I'm going to have to suspend you as of now | 0:51:22 | 0:51:25 | |
until Christine's return. | 0:51:25 | 0:51:27 | |
Let's get you home. | 0:51:28 | 0:51:29 | |
Let's try and have a calmer, quieter day tomorrow, shall we? | 0:51:35 | 0:51:38 | |
Sorry. | 0:51:42 | 0:51:43 | |
I'm not bothered about me. It's Lula. | 0:51:43 | 0:51:46 | |
Audrey, I promised her. | 0:51:47 | 0:51:49 | |
I let her down. | 0:51:50 | 0:51:51 | |
Not sure about the new look. | 0:51:54 | 0:51:56 | |
See you in the car. | 0:51:59 | 0:52:01 | |
I just want to say I think ditching the police is a big mistake. | 0:52:03 | 0:52:06 | |
Oh, leave it, sir. | 0:52:06 | 0:52:07 | |
Look, I know you're going through a difficult time. | 0:52:07 | 0:52:10 | |
Difficult? And how would you know? | 0:52:10 | 0:52:12 | |
You're right. | 0:52:14 | 0:52:15 | |
I can't pretend to know what you're going through, but I do know you, | 0:52:15 | 0:52:20 | |
and I know Kevin. | 0:52:20 | 0:52:21 | |
Do you really think he'd want you to give up now? | 0:52:22 | 0:52:25 | |
No, he wouldn't, but... | 0:52:25 | 0:52:27 | |
No buts. | 0:52:27 | 0:52:28 | |
You can do this. | 0:52:29 | 0:52:31 | |
And you should do it. For both of you. | 0:52:31 | 0:52:34 | |
Thanks, sir. | 0:52:40 | 0:52:41 | |
Go get 'em, girl. | 0:52:41 | 0:52:43 | |
-There's something I need to do first. -Yeah, what's that? | 0:52:44 | 0:52:47 | |
Tell me mum that her daughter wants to be a copper. | 0:52:47 | 0:52:50 | |
Good luck. | 0:52:51 | 0:52:52 | |
You did the right thing back there, | 0:52:56 | 0:52:58 | |
you know, with Maggie, I mean. | 0:52:58 | 0:53:00 | |
Thanks. Feel like the bad guy, though. | 0:53:00 | 0:53:02 | |
It's tough at the top. Christine should've left you in charge. | 0:53:02 | 0:53:06 | |
Right, um... | 0:53:07 | 0:53:08 | |
Sure you won't get it in the neck from Sue? | 0:53:10 | 0:53:12 | |
Nah. She's already seeing red. | 0:53:14 | 0:53:16 | |
HE CHUCKLES | 0:53:16 | 0:53:17 | |
The police?! | 0:53:19 | 0:53:21 | |
After all they've done to this family? No way. | 0:53:21 | 0:53:23 | |
You haven't got a choice. | 0:53:23 | 0:53:25 | |
What I said before, I was only joking. | 0:53:25 | 0:53:27 | |
-I didn't mean you to take it literally. -I applied ages ago. | 0:53:27 | 0:53:31 | |
What's our Barry going to think? He's going to kill you. | 0:53:31 | 0:53:34 | |
I couldn't care less what Barry thought. Barry's a loser. | 0:53:34 | 0:53:37 | |
Always was. Always will be. | 0:53:37 | 0:53:40 | |
I'm doing this for me. | 0:53:40 | 0:53:41 | |
MUSIC: "Do I Wanna Know" by Arctic Monkeys | 0:53:44 | 0:53:47 | |
# Have you got colour in your cheeks? | 0:54:11 | 0:54:15 | |
# Do you ever get the fear that you can't shift the tide | 0:54:17 | 0:54:20 | |
# That sticks around like summat's in your teeth? # | 0:54:20 | 0:54:24 | |
Thanks. | 0:54:24 | 0:54:25 | |
# Are there some aces up your sleeve? | 0:54:25 | 0:54:28 | |
# Have you no idea that you're in deep? | 0:54:28 | 0:54:31 | |
# I've dreamt about you nearly every night this week | 0:54:31 | 0:54:35 | |
# How many secrets can you keep? # | 0:54:35 | 0:54:38 | |
-You did your best. -And it wasn't good enough. | 0:54:39 | 0:54:42 | |
No, no, you mustn't blame yourself. | 0:54:42 | 0:54:45 | |
Seeing what happened with Kevin, | 0:54:45 | 0:54:47 | |
you know, and not being able to do anything, I just thought | 0:54:47 | 0:54:51 | |
if I could save Lula, it might make up for it. | 0:54:51 | 0:54:53 | |
Maggie. You did all you could for Kevin, | 0:54:55 | 0:54:58 | |
and for Lula. | 0:54:58 | 0:55:00 | |
I mean, you're a bit like me - | 0:55:00 | 0:55:02 | |
you don't always think through the consequences of your actions | 0:55:02 | 0:55:05 | |
but nobody can say you didn't try. | 0:55:05 | 0:55:07 | |
Lula's a strong girl. She's a fighter. | 0:55:08 | 0:55:11 | |
We've both played a part | 0:55:13 | 0:55:15 | |
-in some of the most formative years of her life. Remember that. -Yeah. | 0:55:15 | 0:55:19 | |
We can only do our best by our pupils, by all of them, | 0:55:19 | 0:55:23 | |
hope they realise that, | 0:55:23 | 0:55:25 | |
and take it with them. | 0:55:25 | 0:55:27 | |
MUSIC: "Get Home" by Bastille | 0:55:32 | 0:55:35 | |
# We are the last people standing | 0:55:45 | 0:55:48 | |
# At the end of the night | 0:55:48 | 0:55:53 | |
# We are the greatest pretenders | 0:55:53 | 0:55:57 | |
# In the cold morning light... # | 0:55:57 | 0:56:01 | |
KNOCKING | 0:56:01 | 0:56:03 | |
Lula! | 0:56:05 | 0:56:07 | |
-Are you OK? -Yeah. | 0:56:09 | 0:56:11 | |
I tried to run away like you said, Mum. | 0:56:12 | 0:56:15 | |
But I realised running away won't solve anything. | 0:56:15 | 0:56:18 | |
Whatever happens, | 0:56:20 | 0:56:22 | |
wherever we end up, | 0:56:22 | 0:56:24 | |
I want us to face things together. | 0:56:24 | 0:56:26 | |
# How am I gonna get myself back home? | 0:56:28 | 0:56:32 | |
# Aye, aye, a-a-aye | 0:56:32 | 0:56:36 | |
# Oh, how am I gonna get myself back home? | 0:56:36 | 0:56:40 | |
# Aye, aye, a-a-aye... # | 0:56:40 | 0:56:44 | |
Yeah, I think I am better off with just one deputy for now. | 0:56:47 | 0:56:51 | |
I'm getting interviewed by the police. What if I mess up? | 0:56:51 | 0:56:54 | |
You're a good liar, | 0:56:54 | 0:56:55 | |
just like your father. | 0:56:55 | 0:56:57 | |
I'll see you at the docks, then? | 0:56:57 | 0:56:59 | |
Warehouse 47. Sound. | 0:56:59 | 0:57:02 | |
The docks? What are you going there for? | 0:57:02 | 0:57:05 | |
Have I shown you that one? | 0:57:05 | 0:57:06 | |
You're sick, Darren, man. | 0:57:08 | 0:57:10 | |
These images are poison. | 0:57:10 | 0:57:11 | |
What's your mother going to say when she finds out about this? | 0:57:11 | 0:57:14 | |
Stop looking at my mum like she's dirt. You're no better yourself. | 0:57:14 | 0:57:17 | |
Connor couldn't get away from you fast enough. | 0:57:17 | 0:57:19 |