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After the drugs charge, he lost his candidacy. | 0:00:02 | 0:00:05 | |
-What do you want us to do? -Help us detox him. | 0:00:05 | 0:00:07 | |
It's like a light's gone out. The only pregnancy I'll ever have. | 0:00:07 | 0:00:11 | |
I told myself hit-and-run sex is where it's at. | 0:00:11 | 0:00:14 | |
No ties or trauma. Maybe it's just another place to hide. | 0:00:14 | 0:00:17 | |
Some kind of fire safe, look. I can't find a key for it. | 0:00:17 | 0:00:21 | |
-Do we know what's in it? -Must be important. Else why have a safe? | 0:00:21 | 0:00:25 | |
-Jack! Stop it! -I just want out! | 0:00:25 | 0:00:28 | |
I'm pregnant. | 0:00:29 | 0:00:31 | |
Our mercy mission with Jack. | 0:00:31 | 0:00:32 | |
Oh no, not Jack. Does Victor know? | 0:00:32 | 0:00:35 | |
-If I tell Victor, I'll lose him. -Tell him it's someone else's. | 0:00:35 | 0:00:38 | |
-Someone you work with? -It could still be yours. | 0:00:38 | 0:00:41 | |
-There's no way of knowing until... -Until we see what colour it is? | 0:00:41 | 0:00:45 | |
-Is this it for us, Victor? -Tell me, does it make it easier? | 0:00:45 | 0:00:48 | |
Punishing me rather of yourself? | 0:00:48 | 0:00:50 | |
If so, knock yourself out. | 0:00:50 | 0:00:51 | |
This programme contains some strong language | 0:00:57 | 0:01:00 | |
Skip or...? | 0:01:53 | 0:01:54 | |
Charity. | 0:01:54 | 0:01:56 | |
I've dibs on that. | 0:01:56 | 0:01:58 | |
We can scan it - make copies. | 0:01:58 | 0:02:00 | |
Good plan. | 0:02:01 | 0:02:02 | |
What do you want done with these? | 0:02:02 | 0:02:06 | |
Sally Army, I guess. | 0:02:08 | 0:02:09 | |
Lilly said... | 0:02:28 | 0:02:29 | |
..that your marriage didn't work out. | 0:02:31 | 0:02:34 | |
I'm really sorry to hear that. | 0:02:34 | 0:02:36 | |
My heart wasn't in it. | 0:02:39 | 0:02:41 | |
She knew it. | 0:02:41 | 0:02:43 | |
'So much for quitting.' | 0:03:15 | 0:03:17 | |
'January first, I said.' | 0:03:17 | 0:03:20 | |
'Yeah.' | 0:03:20 | 0:03:21 | |
Put that to music, I'll hum it. | 0:03:21 | 0:03:23 | |
PHONE RINGS | 0:03:32 | 0:03:35 | |
Hello, Alan Harper. | 0:03:35 | 0:03:37 | |
Hello, pet. How are you? | 0:03:38 | 0:03:40 | |
Orla. | 0:03:41 | 0:03:43 | |
Right, well, I'll square it with Lil and get back to you. | 0:03:45 | 0:03:48 | |
No, I will today, don't worry. | 0:03:50 | 0:03:52 | |
OK. All right, then. Ta-ra. | 0:03:52 | 0:03:55 | |
The get-together before the flat's sold is this weekend. | 0:03:56 | 0:04:00 | |
Will Charlotte be there? | 0:04:00 | 0:04:02 | |
Yeah. | 0:04:02 | 0:04:03 | |
And Victor. | 0:04:03 | 0:04:04 | |
You're up for it, aren't you? | 0:04:06 | 0:04:07 | |
Seeing everyone? | 0:04:07 | 0:04:09 | |
Why not? Oi. | 0:04:09 | 0:04:11 | |
Oi! | 0:04:11 | 0:04:13 | |
One scratch on that, | 0:04:13 | 0:04:15 | |
I'll hunt you down! Go on. | 0:04:15 | 0:04:17 | |
Something's different. | 0:04:20 | 0:04:21 | |
Mmm. | 0:04:21 | 0:04:23 | |
The scar from the bomb, I had it seen to. | 0:04:23 | 0:04:26 | |
Plastic surgery? | 0:04:28 | 0:04:30 | |
And you used to blather how your looks were a curse, not a blessing. | 0:04:31 | 0:04:35 | |
We need to talk about something, Mum. | 0:04:39 | 0:04:41 | |
Dad? | 0:04:41 | 0:04:43 | |
A word? | 0:04:43 | 0:04:44 | |
You know they brought in that thing about buying council houses? | 0:04:51 | 0:04:55 | |
How you said you'd be six foot under before that day ever dawned for you? | 0:04:55 | 0:04:59 | |
That day is here. | 0:05:05 | 0:05:06 | |
I rang a local estate agent, got a few valuations out of them. | 0:05:07 | 0:05:11 | |
It's too much. We can't. | 0:05:15 | 0:05:17 | |
No, no, look. We made a packet selling our own place | 0:05:17 | 0:05:20 | |
and Lilly's business has taken off like a bloody Exocet. | 0:05:20 | 0:05:23 | |
I've got a few irons in the fire, as it were, so... | 0:05:23 | 0:05:26 | |
you know, "bosh bosh," as Mr Enfield would say. | 0:05:26 | 0:05:30 | |
It's not like we've got children to share it with, is it? | 0:05:30 | 0:05:34 | |
Appreciated. Thank you. | 0:05:47 | 0:05:49 | |
-Hey, come here. -Thank you. | 0:05:51 | 0:05:53 | |
It's bollocks what they say, isn't it? | 0:06:03 | 0:06:05 | |
"Money can't buy you happiness." | 0:06:05 | 0:06:07 | |
Woo! | 0:06:14 | 0:06:16 | |
'Here west was meeting east in one huge whoop of joy.' | 0:06:16 | 0:06:19 | |
CHEERING, APPLAUSE | 0:06:19 | 0:06:23 | |
More narration here. | 0:06:23 | 0:06:25 | |
"Few commentators predicted such seismic change | 0:06:25 | 0:06:28 | |
"would spread through Europe." And dig out the Thatcher piece | 0:06:28 | 0:06:31 | |
-on how a single Germany will distort the power balance. -PHONE RINGS | 0:06:31 | 0:06:35 | |
Charlotte Pugh? | 0:06:35 | 0:06:36 | |
'Hello, Miss Pugh.' | 0:06:36 | 0:06:37 | |
Hello. | 0:06:37 | 0:06:39 | |
Listen. Orla called. The farewell do for the flat is this weekend. | 0:06:39 | 0:06:43 | |
We'll need to sort childcare for Emma. | 0:06:44 | 0:06:46 | |
'Why don't we take her with us?' | 0:06:46 | 0:06:48 | |
'We haven't seen anyone since the move up north.' | 0:06:48 | 0:06:51 | |
She can finally meet everyone. | 0:06:51 | 0:06:53 | |
'She'll be bored silly.' | 0:06:53 | 0:06:54 | |
She can stay with a friend. I'll make some calls. See you later. | 0:06:54 | 0:06:57 | |
GENERAL CHATTER | 0:07:07 | 0:07:09 | |
I'll get back to you. | 0:07:18 | 0:07:20 | |
Any joy? | 0:07:25 | 0:07:26 | |
Oh, I'm the man of the moment. They're bloody queuing up. | 0:07:26 | 0:07:31 | |
What have we got? | 0:07:31 | 0:07:32 | |
A no from Denis Healey. | 0:07:32 | 0:07:34 | |
And Roy Hattersley says he has no vacancies for an SDP refugee. | 0:07:34 | 0:07:38 | |
Unforgiving bloody bunch. | 0:07:39 | 0:07:41 | |
You want me to try Gordon Brown? See if he's an opening? | 0:07:41 | 0:07:45 | |
I'd as soon have root canal. | 0:07:45 | 0:07:46 | |
You've got a visitor. | 0:07:46 | 0:07:49 | |
She said you were expecting her. | 0:07:51 | 0:07:53 | |
Copies of the bills you were after. | 0:08:00 | 0:08:02 | |
Rates, utilities, and the tenancy agreement. | 0:08:02 | 0:08:05 | |
You are coming this weekend, Jack? It's important we're all there. | 0:08:07 | 0:08:10 | |
Do the others know yet? | 0:08:10 | 0:08:12 | |
-I said it's a get-together to say goodbye to the flat. -And Jay? | 0:08:12 | 0:08:15 | |
The same. | 0:08:15 | 0:08:17 | |
If he won't listen to you, why would he to us? | 0:08:17 | 0:08:19 | |
Because we're the closest thing to a family he's got. | 0:08:19 | 0:08:22 | |
If enough of us say the same thing, he has to listen. | 0:08:22 | 0:08:24 | |
He won't thank you for ambushing him. | 0:08:24 | 0:08:26 | |
I'll not sit by and do nothing | 0:08:26 | 0:08:28 | |
while he does a kamikaze on his entire life! | 0:08:28 | 0:08:31 | |
Jack! | 0:08:31 | 0:08:34 | |
I'll let you get on. | 0:08:34 | 0:08:35 | |
Will you and he look for somewhere together or...? | 0:08:37 | 0:08:40 | |
If he's still speaking to me after the weekend. | 0:08:40 | 0:08:43 | |
Things as they are now... | 0:08:43 | 0:08:45 | |
I had no choice but to sell, Orla. | 0:08:47 | 0:08:49 | |
I have to move on. | 0:08:49 | 0:08:51 | |
'I no longer believe it possible | 0:08:58 | 0:09:00 | |
'to resolve that conflict from within this Government. | 0:09:00 | 0:09:03 | |
'That is why I have resigned.' | 0:09:03 | 0:09:05 | |
KNOCK AT THE DOOR | 0:09:05 | 0:09:06 | |
'In doing so...' | 0:09:06 | 0:09:07 | |
Do you have any washing that needs doing? | 0:09:07 | 0:09:10 | |
Oh, yeah. | 0:09:10 | 0:09:11 | |
One second. | 0:09:11 | 0:09:13 | |
Off out tonight? | 0:09:13 | 0:09:14 | |
-Yeah. -..'the conflict of loyalties with which I have myself wrestled | 0:09:14 | 0:09:18 | |
-'for perhaps too long.' -Thank you very much. -Thanks. | 0:09:18 | 0:09:22 | |
Not too late, Jay. | 0:09:22 | 0:09:23 | |
They're getting here before lunch tomorrow, remember. | 0:09:23 | 0:09:27 | |
Oi. | 0:09:35 | 0:09:36 | |
Sleeping beauty. | 0:09:38 | 0:09:40 | |
LAUGHTER | 0:09:40 | 0:09:42 | |
Stop it! | 0:09:42 | 0:09:44 | |
LAUGHTER CONTINUES | 0:10:00 | 0:10:04 | |
Oh, God! | 0:10:06 | 0:10:07 | |
It's heavy. | 0:10:08 | 0:10:10 | |
PHONE RINGS | 0:10:14 | 0:10:16 | |
Hello? | 0:10:17 | 0:10:19 | |
Ah. | 0:10:19 | 0:10:20 | |
We're all here, | 0:10:22 | 0:10:23 | |
except for you. See you then. | 0:10:23 | 0:10:25 | |
Stuck in traffic. | 0:10:28 | 0:10:29 | |
'What's with the facial hair, Alan?' | 0:10:40 | 0:10:42 | |
'He's going through a Tom Selleck phase.' | 0:10:42 | 0:10:44 | |
'Who says it was a phase?' | 0:10:44 | 0:10:47 | |
Cheers, everyone! | 0:10:47 | 0:10:49 | |
ALL: Cheers! | 0:10:49 | 0:10:51 | |
Is Victor not joining us, Charlie? | 0:10:51 | 0:10:53 | |
He's dropping Emma off at her cousins in Clapham. | 0:10:53 | 0:10:56 | |
Pity. I was looking forward to meeting her finally. | 0:10:56 | 0:10:59 | |
Seven years now, Charlie? | 0:10:59 | 0:11:01 | |
Eight, surely. | 0:11:01 | 0:11:03 | |
Orla told me about your mother. | 0:11:05 | 0:11:07 | |
How it was you who found her. | 0:11:09 | 0:11:12 | |
So, | 0:11:15 | 0:11:16 | |
now the SDP's folded, what's next? Throw your lot in with Labour again? | 0:11:16 | 0:11:20 | |
There'll be snowploughs in Hell | 0:11:20 | 0:11:22 | |
before Kinnock lets us lot back in the fold. | 0:11:22 | 0:11:24 | |
He blames us for his humiliation at the polls. By splitting the vote | 0:11:24 | 0:11:28 | |
we let Thatcher back in. | 0:11:28 | 0:11:29 | |
What exactly does a Special Adviser do? | 0:11:29 | 0:11:31 | |
They're the ghosts in the political machine, Jay. | 0:11:31 | 0:11:34 | |
The power behind the throne. | 0:11:34 | 0:11:36 | |
Or the fall guy when things go down the pan. | 0:11:36 | 0:11:39 | |
Charlotte, how's life in the North? | 0:11:39 | 0:11:42 | |
Still keeping coal in t'bath, are they? | 0:11:42 | 0:11:45 | |
They have to keep it somewhere. | 0:11:45 | 0:11:47 | |
We're still waiting on our invite. | 0:11:47 | 0:11:49 | |
Join the club. | 0:11:49 | 0:11:50 | |
Oh, give the poor bitch a break. | 0:11:50 | 0:11:52 | |
Oh, I caught your credit on the box again the other night. | 0:11:53 | 0:11:57 | |
Felt absurdly... | 0:11:59 | 0:12:01 | |
proud of you, actually. | 0:12:01 | 0:12:02 | |
And motherhood? | 0:12:04 | 0:12:07 | |
How's that been? | 0:12:07 | 0:12:08 | |
Best thing that's ever happened to me. | 0:12:08 | 0:12:10 | |
Bar none. | 0:12:10 | 0:12:12 | |
And you? | 0:12:14 | 0:12:15 | |
What's with you on the home front? | 0:12:15 | 0:12:18 | |
-Well, as it happens... -What's with Heseltine's leadership bid, Jack? | 0:12:18 | 0:12:22 | |
Think Maggie will survive it? | 0:12:22 | 0:12:23 | |
If she can survive the debacle of the Poll Tax, | 0:12:23 | 0:12:26 | |
she can survive Tarzan doing his worst, I'm sure. | 0:12:26 | 0:12:29 | |
-No, I think she'll manage. -Oh, here he is! | 0:12:29 | 0:12:32 | |
Come on. Good girl. | 0:12:32 | 0:12:34 | |
Sorry, sorry we're late. | 0:12:34 | 0:12:36 | |
Why did you not take her to Clapham? | 0:12:36 | 0:12:38 | |
-Their youngest had chicken pox. -ORLA: This must be Emma. | 0:12:38 | 0:12:42 | |
Yes, and this is Lilly, Alan's wife. | 0:12:42 | 0:12:44 | |
-This is Jay the doctor. -Hello, Emma. | 0:12:44 | 0:12:47 | |
And this is Jack, he used to share a house with Mummy and Daddy too. | 0:12:47 | 0:12:51 | |
-Jesus, Jay! -I'm on it, I'm on it. | 0:12:53 | 0:12:55 | |
I'm fine, I'm fine. | 0:12:57 | 0:12:59 | |
It's all right, darling, it's only a nose bleed. | 0:13:00 | 0:13:03 | |
Shall we get you some crisps? | 0:13:04 | 0:13:06 | |
Just this once though. What would you like? | 0:13:06 | 0:13:09 | |
Rrrr! | 0:13:12 | 0:13:15 | |
Rrryeow! | 0:13:15 | 0:13:17 | |
EMMA GIGGLES | 0:13:17 | 0:13:19 | |
He's really bought into it. Fatherhood. | 0:13:19 | 0:13:22 | |
She made us complete. | 0:13:22 | 0:13:25 | |
Is that why you didn't have any more? | 0:13:25 | 0:13:27 | |
Victor says it's like his colour is invisible to her. | 0:13:27 | 0:13:31 | |
If we had our own, she'd always be reminded she's not his. | 0:13:31 | 0:13:35 | |
I tell myself deceiving him is a necessary lie. | 0:13:36 | 0:13:39 | |
For the greater good. | 0:13:39 | 0:13:42 | |
So you didn't move to Manchester to hide her from everyone? | 0:13:42 | 0:13:46 | |
Your so-called best friend cuts you out of her life for years. | 0:13:47 | 0:13:51 | |
What did you expect, a red carpet? | 0:13:51 | 0:13:53 | |
I had no choice. | 0:13:54 | 0:13:56 | |
If I'd stayed in London, stayed in touch, | 0:13:58 | 0:14:00 | |
I would have made you complicit in the lie. | 0:14:00 | 0:14:03 | |
Or reminded you of it. | 0:14:04 | 0:14:06 | |
JACK: When do we do the deed? | 0:14:19 | 0:14:21 | |
When we get back to the flat. | 0:14:21 | 0:14:24 | |
Make it sooner rather than later. | 0:14:25 | 0:14:28 | |
My father's had another turn. | 0:14:28 | 0:14:31 | |
I have to pop up and see him tonight. | 0:14:31 | 0:14:34 | |
Had enough. | 0:14:34 | 0:14:35 | |
-Orla. -Oh, my go? | 0:14:35 | 0:14:38 | |
A stitch. | 0:14:39 | 0:14:40 | |
Karl Marx came here when he was cranking up his theory of Communism. | 0:14:45 | 0:14:50 | |
Must be turning in his bloody grave, | 0:14:50 | 0:14:52 | |
seeing the whole edifice come crashing down. | 0:14:52 | 0:14:55 | |
Still, he got summat right. | 0:14:55 | 0:14:56 | |
If Communism is about owning the means of production, | 0:14:56 | 0:14:59 | |
the Information Super Highway is where it's at. | 0:14:59 | 0:15:02 | |
-(ECHOES, FADING) -You can forget your industrial revolution, Jack. | 0:15:02 | 0:15:05 | |
This is the electronic revolution. A global game changer. | 0:15:05 | 0:15:08 | |
I'm talking about entire nations electronically connected. | 0:15:08 | 0:15:12 | |
Very exciting. I've come up with this consortium with some others. | 0:15:12 | 0:15:17 | |
We're looking for venture capital. A chance to come in at ground level. | 0:15:17 | 0:15:21 | |
Jack? | 0:15:21 | 0:15:23 | |
Jack? | 0:15:23 | 0:15:25 | |
Ah, sorry... | 0:15:25 | 0:15:27 | |
The Information, what is it? | 0:15:28 | 0:15:30 | |
On Saturday morning | 0:15:32 | 0:15:34 | |
I had ballet class and Mummy and I went shopping. | 0:15:34 | 0:15:38 | |
Two "p"s in shopping. | 0:15:38 | 0:15:39 | |
'The contest for the leadership of the Conservative Party | 0:15:55 | 0:15:59 | |
'has become increasingly bitter as we edge closer to tomorrow's vote. | 0:15:59 | 0:16:03 | |
-'Mrs Thatcher said Mr Heseltine has jeopardised...' -Dig in, guys. | 0:16:03 | 0:16:07 | |
Bloody hell, Orla. Have you made enough? | 0:16:07 | 0:16:09 | |
She still cooks for an army, though it's only two of us here. | 0:16:09 | 0:16:12 | |
You get through it, don't you? Cheers, everyone. | 0:16:12 | 0:16:15 | |
-Cheers. -Chin-chin. | 0:16:15 | 0:16:17 | |
-You've still got a gin on the go. -I'm multi-tasking. | 0:16:18 | 0:16:21 | |
Truth be told, I've got you all here under false pretences. | 0:16:22 | 0:16:29 | |
You want to tell them what's been going on with you, Jay? | 0:16:29 | 0:16:32 | |
You say I'm overreacting, fine. | 0:16:33 | 0:16:36 | |
Let's see what people think when they find out what you're doing. | 0:16:36 | 0:16:39 | |
I...I'm afraid you've had a wasted trip, guys. | 0:16:47 | 0:16:50 | |
Tonight's floor show is cancelled. Indefinitely. | 0:16:50 | 0:16:53 | |
JACK: He's HIV. | 0:16:53 | 0:16:55 | |
He was diagnosed six months ago. | 0:16:57 | 0:17:00 | |
You're in on this as well, are you, Jack? | 0:17:00 | 0:17:03 | |
It's under control. | 0:17:06 | 0:17:09 | |
I'm on AZT. I'm doing fine. | 0:17:09 | 0:17:11 | |
Except for the side effects. | 0:17:11 | 0:17:12 | |
-Is that what the nosebleed was about? -And there's more. | 0:17:12 | 0:17:16 | |
He hasn't said anything to anyone at work about it. | 0:17:16 | 0:17:21 | |
Are you allowed to do that? | 0:17:21 | 0:17:23 | |
Operate when you've got AIDS? | 0:17:23 | 0:17:26 | |
HIV is not AIDS. | 0:17:26 | 0:17:28 | |
-But it's the virus that leads to it. -Not in every case it's not. | 0:17:28 | 0:17:31 | |
You can't catch it from a handshake! Even Princess Di gets that. | 0:17:34 | 0:17:37 | |
-What if you have a nosebleed while operating? -Or cut yourself? | 0:17:37 | 0:17:41 | |
-I've never cut myself in an operation! Not once! -Before you operate on a child | 0:17:41 | 0:17:45 | |
you make sure the parents have the relevant information | 0:17:45 | 0:17:47 | |
so they can make an informed decision? | 0:17:47 | 0:17:49 | |
Don't they have the right to know? | 0:17:49 | 0:17:51 | |
A surgeon can go home, hit the bottle, do a line of coke. | 0:17:51 | 0:17:54 | |
That affects his performance. | 0:17:54 | 0:17:56 | |
Patients don't know about that, do they? | 0:17:56 | 0:17:58 | |
There is not one recorded case of HIV being transmitted by a doctor. | 0:18:01 | 0:18:04 | |
How about off the record? | 0:18:04 | 0:18:06 | |
You can still practice medicine. There's radiography, research... | 0:18:06 | 0:18:09 | |
I'm a surgeon! | 0:18:09 | 0:18:11 | |
It's what I do. | 0:18:11 | 0:18:13 | |
It's what I am! | 0:18:13 | 0:18:15 | |
Jesus, why do none of you bloody get that? | 0:18:15 | 0:18:18 | |
Someone should go and talk to him. | 0:18:55 | 0:18:56 | |
Let him cool off awhile. | 0:18:56 | 0:18:58 | |
Someone has to tell him what it would do to him, | 0:18:58 | 0:19:00 | |
living with a lie like that year after year. | 0:19:00 | 0:19:03 | |
LILLY LAUGHS | 0:19:03 | 0:19:06 | |
I'm sorry, that's just so rich coming from you. | 0:19:06 | 0:19:10 | |
Oh, come on. | 0:19:11 | 0:19:12 | |
Glass houses and stones. | 0:19:14 | 0:19:15 | |
I mean, I am to blame too. | 0:19:15 | 0:19:18 | |
I said to her, when she told me about Jack and the baby, | 0:19:18 | 0:19:23 | |
I said she should tell you it was someone else's, | 0:19:23 | 0:19:26 | |
a one-night stand. | 0:19:26 | 0:19:27 | |
She said... What was it you said, Charlotte? | 0:19:31 | 0:19:33 | |
"What kind of a person would that make me?" | 0:19:36 | 0:19:40 | |
Someone who wants it all ways, apparently. | 0:19:43 | 0:19:46 | |
Lilly! | 0:19:46 | 0:19:47 | |
Hey, | 0:19:54 | 0:19:56 | |
I was in the dark too. | 0:19:56 | 0:19:58 | |
Finally. | 0:20:39 | 0:20:40 | |
For Pete's bloody sake! Jack, how are you? | 0:20:44 | 0:20:46 | |
There he is! Tardy bugger. | 0:20:48 | 0:20:50 | |
Lilly. | 0:20:51 | 0:20:52 | |
Bit of a grisly job, eh? | 0:21:01 | 0:21:03 | |
You could say that. | 0:21:04 | 0:21:06 | |
And she was alone when it happened. | 0:21:06 | 0:21:08 | |
Two weeks before they found her. | 0:21:09 | 0:21:12 | |
Maybe... | 0:21:12 | 0:21:13 | |
Jack should take a look at the safe. | 0:21:13 | 0:21:15 | |
She had a fire safe and we can't find the keys. | 0:21:17 | 0:21:20 | |
I'll be there. | 0:21:20 | 0:21:21 | |
I'll make a start on the bathroom. | 0:21:45 | 0:21:47 | |
We could take it to a locksmith, let them have a go at it? | 0:22:29 | 0:22:33 | |
Best not let it out of our sight until we know what's in it. | 0:22:33 | 0:22:37 | |
I'll get a locksmith to come here. | 0:22:38 | 0:22:40 | |
We need to talk about her ashes, | 0:22:45 | 0:22:49 | |
what to do with them. | 0:22:49 | 0:22:50 | |
Nothing in the will? | 0:22:50 | 0:22:51 | |
No. | 0:22:51 | 0:22:53 | |
I'll sort it. | 0:22:57 | 0:22:59 | |
IT WHIRRS | 0:23:22 | 0:23:24 | |
HE SOBS | 0:23:51 | 0:23:55 | |
It was while we were doing the detox for him. | 0:24:32 | 0:24:36 | |
He was hurting. | 0:24:36 | 0:24:38 | |
A pity shag. | 0:24:38 | 0:24:40 | |
Before she was born, | 0:24:46 | 0:24:48 | |
-when we were waiting to see... -What colour she was? | 0:24:48 | 0:24:51 | |
I'd made up my mind... | 0:24:51 | 0:24:53 | |
..if it turned out she was his, I'd tell you the truth. | 0:24:55 | 0:24:59 | |
Even if it meant losing you. | 0:24:59 | 0:25:00 | |
But then you held her... | 0:25:09 | 0:25:11 | |
And it wasn't just about what I'd lose any more. | 0:25:13 | 0:25:16 | |
So you did it for her. | 0:25:16 | 0:25:18 | |
Well, then you're in the clear, Charlie. | 0:25:20 | 0:25:24 | |
I won't pretend that the thought never crossed my mind. | 0:25:28 | 0:25:32 | |
I dismissed it, on the grounds you were incapable of such deception. | 0:25:33 | 0:25:38 | |
You know when a witness lies in court, they're held in contempt. | 0:25:38 | 0:25:42 | |
I never understood what that meant until just now. | 0:25:44 | 0:25:48 | |
I can't actually look at you right now. | 0:25:50 | 0:25:53 | |
I beg you, I'm begging you, Victor. Forgive me, please try. | 0:25:56 | 0:26:00 | |
Please. | 0:26:00 | 0:26:01 | |
I must be off, Orla. | 0:27:19 | 0:27:21 | |
Tell Charlie I'll... | 0:27:23 | 0:27:24 | |
I'll be in touch. | 0:27:26 | 0:27:28 | |
Sure. | 0:27:28 | 0:27:30 | |
You go, Jack. | 0:27:30 | 0:27:32 | |
Leave someone else to pick up the pieces after you as usual. | 0:27:32 | 0:27:36 | |
A trick I never quite mastered. | 0:27:37 | 0:27:40 | |
MARGARET THATCHER: 'Good evening, good evening, gentleman.' | 0:27:53 | 0:27:57 | |
'I'm naturally pleased I got more than half the parliamentary party, | 0:27:57 | 0:28:02 | |
'and disappointed it's not quite enough to win on the first ballot | 0:28:02 | 0:28:05 | |
'so I confirm that it is my intention | 0:28:05 | 0:28:08 | |
'to let my name go forward for the second ballot.' | 0:28:08 | 0:28:11 | |
Did he come back yet? | 0:28:20 | 0:28:21 | |
Victor? | 0:28:22 | 0:28:24 | |
How anyone comes back from something like that, God only knows. | 0:28:25 | 0:28:29 | |
I thought you'd given up on all things godly. | 0:28:29 | 0:28:32 | |
Oh, | 0:28:32 | 0:28:33 | |
I've occasion to call on Him now and then. | 0:28:33 | 0:28:38 | |
Say one for me while you're at it. | 0:28:38 | 0:28:40 | |
I always do. | 0:28:40 | 0:28:41 | |
OK. | 0:28:45 | 0:28:47 | |
You win. | 0:28:47 | 0:28:48 | |
I'll tell them. | 0:28:49 | 0:28:51 | |
It's the right thing, Jay. | 0:28:52 | 0:28:53 | |
-One day you'll... -You've struck oil, Orla. | 0:28:53 | 0:28:57 | |
No need to keep drilling. | 0:28:57 | 0:28:59 | |
So on a scale of one to ten, how mad are you at me? | 0:29:01 | 0:29:04 | |
Off the bloody scale. | 0:29:06 | 0:29:08 | |
"This too shall pass." | 0:29:16 | 0:29:18 | |
Is he here? | 0:29:40 | 0:29:41 | |
Mystery solved. | 0:29:56 | 0:29:58 | |
The move up north, | 0:30:00 | 0:30:01 | |
dropping out of sight all this time? | 0:30:01 | 0:30:04 | |
I get it now. | 0:30:05 | 0:30:06 | |
What exactly do you want me to do about this, Charlie? | 0:30:14 | 0:30:18 | |
Step up, | 0:30:18 | 0:30:19 | |
do the father thing? | 0:30:19 | 0:30:21 | |
Or step back? | 0:30:22 | 0:30:24 | |
I mean, she already has a father, I get that too. | 0:30:29 | 0:30:32 | |
-I don't want to complicate things any... -Jack? | 0:30:34 | 0:30:37 | |
The car's round the corner. I couldn't find the damn house. | 0:30:37 | 0:30:41 | |
This is Alicia. | 0:30:45 | 0:30:47 | |
And James. | 0:30:47 | 0:30:48 | |
-Charlotte. -Hi. | 0:30:50 | 0:30:51 | |
Ready? | 0:30:53 | 0:30:54 | |
Go to Daddy. | 0:30:57 | 0:30:59 | |
Good boy. | 0:30:59 | 0:31:00 | |
God knows, we wouldn't want to complicate anything. | 0:31:02 | 0:31:06 | |
Come on, Alan. | 0:31:41 | 0:31:43 | |
If you were in Victor's place, you'd want to know the truth. | 0:31:43 | 0:31:47 | |
Bloody hellfire, Lilly! | 0:31:47 | 0:31:50 | |
Have you have any idea of the damage you've done? | 0:31:50 | 0:31:53 | |
What possessed you to say such a thing? | 0:31:53 | 0:31:55 | |
Alan, just take me home. | 0:31:55 | 0:31:57 | |
Oh, no, you're staying, | 0:31:57 | 0:31:59 | |
you face the music. | 0:31:59 | 0:32:01 | |
Something made you say that, Lilly. | 0:32:01 | 0:32:04 | |
It wasn't just the booze talking. | 0:32:04 | 0:32:06 | |
All yours. | 0:32:10 | 0:32:12 | |
The day after we met that time in the pub, | 0:32:25 | 0:32:28 | |
I rang, remember? | 0:32:28 | 0:32:30 | |
I told you I couldn't bring myself to tell him. | 0:32:31 | 0:32:34 | |
If you felt it was so reprehensible, | 0:32:37 | 0:32:40 | |
why not say something then? | 0:32:40 | 0:32:42 | |
Or were you just biding your time? | 0:32:45 | 0:32:47 | |
For fuck's sake, say something! | 0:32:52 | 0:32:55 | |
I'm not the only one with a secret, am I? | 0:33:02 | 0:33:04 | |
Alan doesn't know about Jack and the abortion, does he? | 0:33:06 | 0:33:10 | |
That's the reason you can't have children. | 0:33:12 | 0:33:15 | |
As you reap, love. | 0:33:17 | 0:33:19 | |
Are you all right? | 0:33:32 | 0:33:34 | |
Victor will come round. | 0:33:41 | 0:33:44 | |
There's no way he'd want to lose you. Either of you. | 0:33:44 | 0:33:48 | |
In his place, could you come round? | 0:33:51 | 0:33:53 | |
I'd like to think so. | 0:33:57 | 0:33:59 | |
Alan? | 0:34:06 | 0:34:07 | |
She doesn't deserve you. | 0:34:18 | 0:34:20 | |
Can we go home now, please? | 0:34:47 | 0:34:50 | |
Come on. | 0:34:58 | 0:34:59 | |
I'm looking for a minister who is dull, totally loyal, | 0:35:34 | 0:35:39 | |
and above all, someone who'll stand by me... | 0:35:39 | 0:35:42 | |
Owen's apparatchiks claim it was their relentless piss-take of him | 0:35:42 | 0:35:46 | |
which put us on the scrap heap. | 0:35:46 | 0:35:48 | |
Thatcher seemed to ride the same beast without too much trouble. | 0:35:48 | 0:35:52 | |
She's bullet proof, isn't she? | 0:35:52 | 0:35:54 | |
Bed-time reading? | 0:35:54 | 0:35:56 | |
Did you do all this? | 0:36:06 | 0:36:08 | |
Your mother. | 0:36:08 | 0:36:10 | |
She was...boring the doctor with it just now. | 0:36:10 | 0:36:14 | |
Anyone who sets foot inside the house gets it. | 0:36:16 | 0:36:19 | |
Your handwriting, Dad. | 0:36:19 | 0:36:22 | |
Well, I helped round the edges. | 0:36:22 | 0:36:24 | |
"Vote for us and break the mould of British politics." | 0:36:34 | 0:36:38 | |
"Challenge the tribal factions in Westminster." | 0:36:38 | 0:36:41 | |
Came quite close there for a while. | 0:36:41 | 0:36:46 | |
It's the First Past the Post thing which did for you. | 0:36:46 | 0:36:49 | |
And the timing. | 0:36:49 | 0:36:50 | |
Which in my case sucked. As ever. | 0:36:50 | 0:36:53 | |
It's not too late to follow the others, join the Liberal Alliance. | 0:36:53 | 0:36:57 | |
It was a revolution I wanted to be part of, | 0:36:57 | 0:37:00 | |
not some hybrid coalition born out of political necessity. | 0:37:00 | 0:37:05 | |
When the Gang of Four started, | 0:37:05 | 0:37:07 | |
they toyed with the name "The New Labour Party," did you know that? | 0:37:07 | 0:37:11 | |
They should have gone with it, | 0:37:11 | 0:37:13 | |
if only to show the red card to Labour. "Modernise or die." | 0:37:13 | 0:37:18 | |
Maybe Labour will have its own velvet revolution. | 0:37:18 | 0:37:22 | |
That's a sort of legacy. | 0:37:23 | 0:37:25 | |
Perhaps it's a generation thing. | 0:37:30 | 0:37:32 | |
There's just no causes worth fighting for now. | 0:37:32 | 0:37:36 | |
Your lot did all that for us, didn't you? | 0:37:36 | 0:37:38 | |
That's a convenient excuse. | 0:37:38 | 0:37:40 | |
Oh, Jack... | 0:37:44 | 0:37:46 | |
I think I've worked out what it was all about. | 0:37:50 | 0:37:53 | |
All those years of your sacrificing yourself on the altar of rebellion. | 0:37:53 | 0:37:59 | |
It wasn't about fighting me, was it? | 0:37:59 | 0:38:02 | |
It was about fighting all of this, waiting for you. | 0:38:02 | 0:38:06 | |
And you were right. | 0:38:06 | 0:38:08 | |
Success isn't the same as succession. | 0:38:08 | 0:38:11 | |
BIRDS FLUTTER AND CHIRP | 0:38:31 | 0:38:36 | |
Mum? | 0:38:40 | 0:38:41 | |
Mum! | 0:38:43 | 0:38:44 | |
FLUTTERING GETS LOUDER | 0:39:03 | 0:39:05 | |
Sweetheart. | 0:39:28 | 0:39:29 | |
Time to go. | 0:39:30 | 0:39:32 | |
Come on. | 0:39:37 | 0:39:38 | |
Can I watch a video? | 0:39:49 | 0:39:51 | |
Mm-hmm. | 0:39:51 | 0:39:52 | |
Victor? | 0:40:01 | 0:40:03 | |
Whose property is it? | 0:41:03 | 0:41:04 | |
She's deceased. | 0:41:04 | 0:41:06 | |
Someone's been messing with this. | 0:41:06 | 0:41:09 | |
That's why we called in the services of a professional. | 0:41:09 | 0:41:12 | |
I need authorisation before I can touch it. | 0:41:14 | 0:41:16 | |
I'm the executor of her will. That's all the authorisation you need. | 0:41:16 | 0:41:20 | |
ID? | 0:41:31 | 0:41:32 | |
Cup of tea wouldn't go amiss. | 0:41:40 | 0:41:42 | |
Lapsang if you have it. | 0:41:42 | 0:41:44 | |
Don't let me keep you. | 0:41:50 | 0:41:52 | |
DRILL WHIRRS, MUFFLED | 0:42:03 | 0:42:05 | |
What are we going to do with the computer? | 0:42:21 | 0:42:24 | |
That's down to Charlotte. | 0:42:25 | 0:42:27 | |
It's OK, I can manage. | 0:42:34 | 0:42:36 | |
No, no. Well, many hands, etc, etc. | 0:42:36 | 0:42:40 | |
So how does one address a viscount? | 0:42:40 | 0:42:43 | |
Well, in a letter, it's "Dear Lord." | 0:42:46 | 0:42:48 | |
Paradoxically, on the envelope, it's "Viscount". | 0:42:48 | 0:42:51 | |
On official documents I'm "The Right Honourable Viscount" | 0:42:51 | 0:42:54 | |
but verbally I'm just plain "My Lord." | 0:42:54 | 0:42:56 | |
You'd have a more appropriate mode of address, | 0:42:58 | 0:43:00 | |
"hypocrite" being in pole position, I'd imagine. | 0:43:00 | 0:43:04 | |
How's Emma? | 0:43:12 | 0:43:14 | |
She's in New York. | 0:43:16 | 0:43:18 | |
Research project, Columbia. | 0:43:18 | 0:43:20 | |
She and I did meet. I assume she told you that? | 0:43:24 | 0:43:27 | |
Summer of '05. She'd have been... | 0:43:27 | 0:43:29 | |
23. | 0:43:29 | 0:43:30 | |
Yeah. | 0:43:30 | 0:43:32 | |
I mean... | 0:43:33 | 0:43:34 | |
Her initiative. She made it very clear from the start. | 0:43:34 | 0:43:38 | |
Coffee, not lunch or dinner. | 0:43:38 | 0:43:39 | |
Just the one meeting, not looking for anything ongoing. | 0:43:39 | 0:43:42 | |
She asked me a load of questions about my family, | 0:43:42 | 0:43:45 | |
my sons, her half-brothers, | 0:43:45 | 0:43:47 | |
about how Charlie and I had, um... | 0:43:47 | 0:43:50 | |
Yeah, well... | 0:43:55 | 0:43:57 | |
That was it. | 0:43:57 | 0:43:59 | |
She thanked me for my time, shook my hand and left. | 0:43:59 | 0:44:01 | |
No recriminations. No reproaches about how I'd failed as a father. | 0:44:01 | 0:44:05 | |
In fact, a triumph... | 0:44:05 | 0:44:08 | |
..of nurture over nature. | 0:44:09 | 0:44:11 | |
Perhaps we both failed her. | 0:44:16 | 0:44:18 | |
-JAY: -Safe's open, guys! | 0:44:21 | 0:44:22 | |
She was carrying your picture in her wallet. | 0:44:28 | 0:44:32 | |
Which is a damn sight more than my kids do with mine. | 0:44:32 | 0:44:36 | |
So, | 0:44:51 | 0:44:53 | |
premium bonds, | 0:44:53 | 0:44:56 | |
bank stuff. | 0:44:56 | 0:44:58 | |
Oh, title deeds to the flat - copy of. | 0:44:58 | 0:45:02 | |
When was it she bought the flat. '93 was it? | 0:45:02 | 0:45:06 | |
No, end of '90. I made a deal with when my first buyer dropped out. | 0:45:06 | 0:45:10 | |
Oh, my God. | 0:45:10 | 0:45:11 | |
She had a brother called Conor, didn't she? | 0:45:11 | 0:45:15 | |
Christ. | 0:45:22 | 0:45:23 | |
"Dear Orla... " Oh. | 0:45:23 | 0:45:26 | |
From her mum. Dated 1973. | 0:45:26 | 0:45:28 | |
"In the circumstances, your father and I do not think it appropriate | 0:45:30 | 0:45:34 | |
"that you come to your brother's funeral". | 0:45:34 | 0:45:39 | |
"Conor told us that he came to you for..." | 0:45:39 | 0:45:43 | |
something... "Sanctuary in London. | 0:45:43 | 0:45:47 | |
"That you sent him away. | 0:45:47 | 0:45:49 | |
"That you chose your friends over your flesh and blood." | 0:45:49 | 0:45:55 | |
Oh, my God. | 0:46:03 | 0:46:04 | |
Let me see. | 0:46:05 | 0:46:07 | |
"I just hope they never turn their backs on you when you need them | 0:46:13 | 0:46:17 | |
"as you did on Conor. | 0:46:17 | 0:46:19 | |
"As far as your father and I are concerned, | 0:46:20 | 0:46:23 | |
"they're your family now, Orla. | 0:46:23 | 0:46:26 | |
"We want no part of you". | 0:46:28 | 0:46:30 | |
I didn't know he'd ever been to the flat, did you? | 0:46:42 | 0:46:45 | |
Someone did. | 0:46:45 | 0:46:47 | |
I can't remember if it was him. | 0:46:49 | 0:46:52 | |
She was always on the phone to her family, wasn't she? Remember? | 0:46:52 | 0:46:55 | |
Then those phone calls and the visits home just...stopped. | 0:46:55 | 0:47:01 | |
And we never thought to ask why, did we? | 0:47:02 | 0:47:06 | |
We never gave it a second thought. | 0:47:06 | 0:47:08 | |
We're not mind-readers. | 0:47:08 | 0:47:10 | |
She didn't confide in us, did she? | 0:47:10 | 0:47:12 | |
If the IRA were after him, she'd have thought that put us at risk. | 0:47:12 | 0:47:16 | |
-Given what happened to him, she was right. -She made the right choice. | 0:47:16 | 0:47:20 | |
For us or her? | 0:47:20 | 0:47:23 | |
There's no booze in the place, is there? | 0:47:28 | 0:47:31 | |
What's next? | 0:47:48 | 0:47:49 | |
Hang on. | 0:47:58 | 0:47:59 | |
"To Orla... | 0:47:59 | 0:48:00 | |
"..From the gang on your retirement, | 0:48:02 | 0:48:06 | |
"with love and... | 0:48:06 | 0:48:08 | |
.."respect." | 0:48:10 | 0:48:11 | |
"November 2010." | 0:48:13 | 0:48:16 | |
Is there anything to play this on? | 0:48:16 | 0:48:18 | |
APPLAUSE | 0:48:25 | 0:48:27 | |
'So, glasses charged, guys?' | 0:48:27 | 0:48:30 | |
'And this is just a little something from everyone.' | 0:48:30 | 0:48:34 | |
Oh. | 0:48:34 | 0:48:35 | |
Oh, my goodness. | 0:48:35 | 0:48:37 | |
'That's beautiful. I don't know what to say.' | 0:48:40 | 0:48:44 | |
-'Speech! -Come on!' | 0:48:44 | 0:48:47 | |
Um... | 0:48:48 | 0:48:50 | |
There's a... | 0:48:52 | 0:48:55 | |
There's a forest in Japan. | 0:48:55 | 0:48:57 | |
So vast, it's the size of a small ocean. | 0:48:58 | 0:49:01 | |
And it's so dense | 0:49:01 | 0:49:04 | |
no compass can work there. | 0:49:04 | 0:49:07 | |
They call it the Sea of Trees... | 0:49:09 | 0:49:12 | |
..and for generations people in trouble have gone there | 0:49:12 | 0:49:16 | |
in...well, in despair | 0:49:16 | 0:49:19 | |
to end their lives. | 0:49:19 | 0:49:22 | |
Only... | 0:49:23 | 0:49:24 | |
sometimes they're uncertain about what they intend doing | 0:49:24 | 0:49:30 | |
so they leave markers on trees | 0:49:30 | 0:49:34 | |
in case they change their mind | 0:49:34 | 0:49:36 | |
and want to find their way home. | 0:49:36 | 0:49:38 | |
And I think our job as therapists is like that. | 0:49:39 | 0:49:43 | |
We're like compasses. | 0:49:43 | 0:49:45 | |
People come to us in despair, and... | 0:49:46 | 0:49:51 | |
we try and help them find their way through it, | 0:49:51 | 0:49:56 | |
make peace with the past. | 0:49:56 | 0:49:57 | |
And so if I succeeded even just once | 0:49:59 | 0:50:03 | |
in doing that, then, well... | 0:50:03 | 0:50:06 | |
I really think our job is... | 0:50:06 | 0:50:10 | |
a job well done. | 0:50:10 | 0:50:12 | |
So, thank you. | 0:50:14 | 0:50:16 | |
-To Orla. -To Orla. | 0:50:20 | 0:50:22 | |
To Orla. | 0:50:50 | 0:50:52 | |
-Orla. -Orla. | 0:50:54 | 0:50:56 | |
To Orla. | 0:50:56 | 0:50:58 | |
She did it for me, you know, | 0:51:24 | 0:51:26 | |
buying this flat. | 0:51:26 | 0:51:28 | |
So if I ever got sick... | 0:51:28 | 0:51:31 | |
..I'd always have a roof over my head. | 0:51:33 | 0:51:35 | |
Two years later, I met someone. | 0:51:39 | 0:51:41 | |
Upped sticks to Edinburgh with him... | 0:51:43 | 0:51:46 | |
..without a backward glance. | 0:51:48 | 0:51:50 | |
What was it she said? | 0:51:56 | 0:51:58 | |
"Hindsight is knowing where you've been. | 0:51:59 | 0:52:03 | |
"Foresight is knowing where you're going". | 0:52:03 | 0:52:06 | |
"Insight is knowing you've gone too far." | 0:52:06 | 0:52:09 | |
Maybe that should come under hindsight too. | 0:52:12 | 0:52:15 | |
Have you had any thoughts about scattering the ashes? | 0:52:25 | 0:52:30 | |
Just a minute. | 0:54:11 | 0:54:13 | |
Where's that going? | 0:54:15 | 0:54:17 | |
It's going in the games room. | 0:54:17 | 0:54:19 | |
-Oh, yeah? -See if I can improve my aim. | 0:54:19 | 0:54:21 | |
Let's not leave it so long next time. | 0:54:25 | 0:54:27 | |
Seconded. | 0:54:27 | 0:54:28 | |
Soon, yes? | 0:54:55 | 0:54:57 | |
Charlie? | 0:55:38 | 0:55:40 | |
I go to Washington tomorrow, | 0:55:41 | 0:55:43 | |
human rights case. | 0:55:43 | 0:55:45 | |
I'll be back in a fortnight. | 0:55:45 | 0:55:47 | |
Maybe we could have lunch sometime? | 0:55:48 | 0:55:51 | |
My cup runneth over. | 0:55:56 | 0:55:57 | |
Subtitles by Red Bee Media Ltd | 0:57:02 | 0:57:05 |