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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE. | 0:00:02 | 0:00:06 | |
THIS PROGRAMME CONTAINS SCENES WHICH SOME VIEWERS MAY FIND DISTURBING. | 0:00:06 | 0:00:11 | |
THIS PROGRAMME CONTAINS SCENES OF A SEXUAL NATURE. | 0:00:11 | 0:00:15 | |
HORSE WHINNIES | 0:00:18 | 0:00:21 | |
BIRDSONG | 0:00:33 | 0:00:35 | |
SOFT STEPS APPROACHING | 0:00:37 | 0:00:39 | |
HORSE SNORTS | 0:00:39 | 0:00:41 | |
SHE MOANS | 0:00:52 | 0:00:55 | |
BUZZING | 0:01:06 | 0:01:09 | |
BIRDS FLAPPING WINGS | 0:01:18 | 0:01:20 | |
OWL HOOTS | 0:01:22 | 0:01:24 | |
Yes, we are swept up | 0:01:31 | 0:01:35 | |
in a sea of scientific and technical innovation. | 0:01:35 | 0:01:38 | |
The automobile, the electric light, the aeroplane, the x-ray. | 0:01:38 | 0:01:44 | |
On all sides, our genius cries out | 0:01:44 | 0:01:47 | |
and seems to underline Mr Darwin's assertion | 0:01:47 | 0:01:49 | |
that we are, indeed, the cleverest of an evolutionary bunch. | 0:01:49 | 0:01:54 | |
Yet I would say to him, as I say to all those in this house, | 0:01:55 | 0:02:00 | |
look to the workings of a timepiece. | 0:02:00 | 0:02:03 | |
Each ratchet and spring and cog and lever, | 0:02:04 | 0:02:08 | |
all coming together in one sublime whole. | 0:02:08 | 0:02:11 | |
And tell me if you think that could happen by accident? | 0:02:13 | 0:02:16 | |
Of course not. | 0:02:18 | 0:02:20 | |
There is always design in brilliance. And purpose, too. | 0:02:20 | 0:02:24 | |
And in knowing that, we know that in each new discovery we daily make, | 0:02:24 | 0:02:29 | |
we witness no more or less than the work of the greatest creator of all, | 0:02:29 | 0:02:33 | |
God Himself! | 0:02:33 | 0:02:35 | |
The Bible was given to us for a reason, | 0:02:35 | 0:02:38 | |
as the instruction manual for our own intricate mechanism. | 0:02:38 | 0:02:43 | |
For, when all is said and done, | 0:02:43 | 0:02:46 | |
and we lie inert on the mortician's slab, | 0:02:46 | 0:02:49 | |
no matter the x-rays that will reveal our hidden bones, | 0:02:49 | 0:02:53 | |
it is our souls that will then require attention! | 0:02:53 | 0:02:57 | |
-MAN: -Hear, hear! | 0:02:57 | 0:02:58 | |
APPLAUSE | 0:02:58 | 0:03:02 | |
That...was magnificent. | 0:03:28 | 0:03:32 | |
-You were like a god! -Hermione, you romanticise everything. | 0:03:32 | 0:03:36 | |
You were! I merely describe what I saw - | 0:03:36 | 0:03:39 | |
a god. | 0:03:39 | 0:03:41 | |
And as your priestess, | 0:03:41 | 0:03:43 | |
I knew I must hurry across to serve you. | 0:03:43 | 0:03:46 | |
Let me get you a drink. | 0:03:49 | 0:03:50 | |
Thank you. | 0:03:50 | 0:03:52 | |
CHILDREN CHATTER NEARBY | 0:03:58 | 0:04:00 | |
BABY CRIES | 0:04:08 | 0:04:10 | |
-MAN: -Mum? | 0:04:13 | 0:04:15 | |
BABY WAILS | 0:04:15 | 0:04:16 | |
Mum. | 0:04:16 | 0:04:17 | |
BABY WAILS | 0:04:19 | 0:04:20 | |
She keeps grizzling. | 0:04:20 | 0:04:23 | |
I've give her some water but... I told Conk I'd see him at three. | 0:04:23 | 0:04:27 | |
Go on, then, go on. | 0:04:27 | 0:04:30 | |
Shush, shush, shush. Shush, shush, shush. | 0:04:30 | 0:04:32 | |
OTHER CHILDREN SHOUT | 0:04:32 | 0:04:33 | |
Quiet, you two! | 0:04:33 | 0:04:35 | |
Your sister. | 0:04:35 | 0:04:37 | |
NEEDLE SCRATCHES | 0:04:50 | 0:04:51 | |
MUSIC: "Sprach Zarathustra" by Richard Strauss | 0:04:51 | 0:04:55 | |
Are you serious? | 0:04:57 | 0:04:59 | |
-I thought it would cheer you up. -That? | 0:04:59 | 0:05:02 | |
MUSIC STOPS | 0:05:02 | 0:05:03 | |
Well, inspire you, then. Father only put this thing in here... | 0:05:03 | 0:05:07 | |
Gudrun! I don't need any musical palliatives. Really. | 0:05:07 | 0:05:11 | |
I'm quite well. | 0:05:11 | 0:05:12 | |
Good. I'm glad you are. | 0:05:16 | 0:05:18 | |
I'm going back to London. | 0:05:21 | 0:05:24 | |
-What? -I have to. | 0:05:24 | 0:05:26 | |
I've fallen behind on my course. | 0:05:26 | 0:05:28 | |
-And there's a gallery that wants to see some of my work. -Gudrun! | 0:05:28 | 0:05:32 | |
Do me the courtesy. | 0:05:32 | 0:05:34 | |
You're going back for your trip, after all. Aren't you? | 0:05:35 | 0:05:39 | |
It's none of your business. And... | 0:05:39 | 0:05:42 | |
I don't want to talk about it. | 0:05:42 | 0:05:43 | |
Then why did you mention it when you first came home? | 0:05:43 | 0:05:46 | |
-I beg your pardon? -It was the first thing you said, | 0:05:46 | 0:05:49 | |
your great adventure with your artist friend. | 0:05:49 | 0:05:52 | |
I thought you were going to tell Father over the dinner table. | 0:05:52 | 0:05:55 | |
-Don't be ridiculous. -He's a married man. | 0:05:55 | 0:05:57 | |
His marriage is over. In everything... | 0:05:57 | 0:06:00 | |
Except actuality. | 0:06:00 | 0:06:02 | |
I'm sorry. I don't... | 0:06:04 | 0:06:05 | |
It's concern for you, you know that. | 0:06:07 | 0:06:11 | |
-If other people found out... -I don't care what other people think. | 0:06:11 | 0:06:14 | |
You should. We live in a world full of other people. | 0:06:14 | 0:06:17 | |
Oh, God! Even ill, you manage to sound so superior. | 0:06:17 | 0:06:21 | |
-I don't want you to be hurt. -I won't be hurt! | 0:06:21 | 0:06:23 | |
The world's changed, Ursula. | 0:06:23 | 0:06:25 | |
It's grown up. And I'm a modern woman in it. | 0:06:25 | 0:06:29 | |
More than you are, in fact, who's chosen to stay here. | 0:06:29 | 0:06:32 | |
-Prune. -No. I refuse to dip only in the stagnant, fetid pool | 0:06:32 | 0:06:37 | |
that gathers in my own back yard. | 0:06:37 | 0:06:38 | |
That's the path to disaster. Not my way. | 0:06:38 | 0:06:41 | |
Enough! | 0:06:41 | 0:06:43 | |
You've said enough. | 0:06:43 | 0:06:46 | |
I've got my just desserts. | 0:06:50 | 0:06:52 | |
-That's not what I meant. -Yes, it is. | 0:06:54 | 0:06:57 | |
I'm glad I lost the baby. | 0:06:59 | 0:07:01 | |
I should have loved it, I'm sure, when it was born. | 0:07:03 | 0:07:06 | |
But really, I'm glad. | 0:07:07 | 0:07:10 | |
That mother will no longer be able to look over at me, | 0:07:10 | 0:07:15 | |
sitting in the parlour while I dangle the infant on me knee | 0:07:15 | 0:07:18 | |
and think, "At last, she's made something of herself." | 0:07:18 | 0:07:22 | |
THEY CHUCKLE | 0:07:22 | 0:07:24 | |
Live your life, Prune, as you see fit. | 0:07:26 | 0:07:30 | |
But it's yours. Remember that. | 0:07:30 | 0:07:33 | |
Men cannot define you. | 0:07:33 | 0:07:35 | |
-I don't... -Yes, you do. | 0:07:35 | 0:07:37 | |
Because... | 0:07:41 | 0:07:43 | |
..no matter how modern you are, | 0:07:44 | 0:07:46 | |
how much...variety you enjoy... | 0:07:46 | 0:07:50 | |
..you still orbit them, | 0:07:51 | 0:07:53 | |
make them the light by which you are illuminated. | 0:07:53 | 0:07:57 | |
And if you continue on that track, Prune, then I fear that... | 0:07:58 | 0:08:02 | |
..for all your freedoms... | 0:08:03 | 0:08:05 | |
..you might as well climb into this bed with me now. | 0:08:08 | 0:08:11 | |
CHILDREN'S VOICES OUTSIDE | 0:08:32 | 0:08:34 | |
SOBS | 0:08:45 | 0:08:47 | |
Hey! | 0:08:59 | 0:09:00 | |
Bye. | 0:09:02 | 0:09:03 | |
Bye, love. Oh. Hang on! Hang on! | 0:09:03 | 0:09:05 | |
There you go. | 0:09:06 | 0:09:07 | |
-You ready, then? -Yes. | 0:09:08 | 0:09:11 | |
Gudrun. | 0:09:15 | 0:09:17 | |
-What? -Your sister. Is she all right? | 0:09:17 | 0:09:21 | |
She says she's much better. | 0:09:22 | 0:09:24 | |
Oh. Right. | 0:09:26 | 0:09:28 | |
Good. | 0:09:28 | 0:09:31 | |
I'll just fetch my valise. | 0:09:31 | 0:09:34 | |
It's a "bag". | 0:09:34 | 0:09:35 | |
Bad do, Anna. | 0:09:39 | 0:09:41 | |
Bad bloody do all round. | 0:09:41 | 0:09:42 | |
ENGINE HUMS | 0:09:51 | 0:09:53 | |
Set? | 0:09:57 | 0:09:59 | |
Oh! | 0:10:35 | 0:10:37 | |
'It's thick. The snow.' | 0:10:52 | 0:10:54 | |
'Me dad said the mummers might come by later. | 0:10:58 | 0:11:02 | |
'Carol us, under the window.' | 0:11:02 | 0:11:06 | |
'That would be nice.' | 0:11:06 | 0:11:08 | |
'They probably won't. | 0:11:11 | 0:11:12 | |
'Because of the snow.' | 0:11:14 | 0:11:15 | |
-I locked it. -Well, you wouldn't want anyone to steal it, would you? | 0:11:24 | 0:11:28 | |
Sherbet lemons. They've opened a kiosk. | 0:11:32 | 0:11:35 | |
Do you want one? | 0:11:36 | 0:11:38 | |
Here, have the bag. | 0:11:47 | 0:11:49 | |
Go on. | 0:11:49 | 0:11:51 | |
I needed to speak to you, actually. | 0:11:57 | 0:12:00 | |
Yes? | 0:12:01 | 0:12:03 | |
You know well enough. | 0:12:03 | 0:12:05 | |
This crowd in London you hang about with. | 0:12:08 | 0:12:10 | |
-I most certainly do not "hang about" with anyone. -Don't split hairs. | 0:12:10 | 0:12:13 | |
-You know what I mean. -I am a fine artist, Father! | 0:12:13 | 0:12:16 | |
I'm living and studying in one of the world's great capitals. | 0:12:16 | 0:12:19 | |
I mix with people that you cannot understand. | 0:12:19 | 0:12:22 | |
Then help me! Help me understand 'em. I want to. | 0:12:22 | 0:12:25 | |
I just... | 0:12:25 | 0:12:27 | |
Otherwise... | 0:12:27 | 0:12:28 | |
-..I think things. -Well, don't. | 0:12:33 | 0:12:36 | |
TRAIN WHISTLE IN DISTANCE | 0:12:36 | 0:12:38 | |
I'm getting on splendidly. Really. | 0:12:38 | 0:12:41 | |
GUARD BLOWS WHISTLE | 0:12:43 | 0:12:45 | |
Why are you doing this? | 0:12:45 | 0:12:47 | |
You're a good girl, Gudrun. | 0:12:48 | 0:12:51 | |
TRAIN WHISTLE TOOTS | 0:12:51 | 0:12:53 | |
-MAN: -Oh, bugger. | 0:13:06 | 0:13:08 | |
Ooh, sorry. | 0:13:09 | 0:13:12 | |
Ah, Miss Brangwen. | 0:13:12 | 0:13:13 | |
Mr Birkin. | 0:13:13 | 0:13:16 | |
What a nice surprise. | 0:13:16 | 0:13:17 | |
-I didn't know you were back. -No. No, no, no, indeed. | 0:13:19 | 0:13:21 | |
It's a flying visit. | 0:13:21 | 0:13:23 | |
A birthday party. Gerald Crich. Do you know him? | 0:13:23 | 0:13:25 | |
No, no. I know of him, obviously. All the Crichs. We've never met. | 0:13:25 | 0:13:29 | |
Oh, he's a splendid fellow. | 0:13:29 | 0:13:31 | |
I ran into him in Switzerland over Easter. | 0:13:31 | 0:13:33 | |
I was visiting a friend, a mutual friend as it turned out. | 0:13:33 | 0:13:37 | |
Since then, we've rather become an item. | 0:13:37 | 0:13:39 | |
I should introduce you. | 0:13:39 | 0:13:41 | |
That would be nice. | 0:13:41 | 0:13:43 | |
And how are you? I heard you'd been unwell. | 0:13:43 | 0:13:46 | |
Influenza. But... | 0:13:46 | 0:13:49 | |
-You still look a little pale. You don't think that... -No, I'm fine! | 0:13:51 | 0:13:54 | |
Really, I'm over the worst. | 0:13:54 | 0:13:57 | |
Sorry. | 0:13:57 | 0:13:58 | |
I'm a dreadful hypochondriac. | 0:13:58 | 0:14:00 | |
Part of a general predisposition to naval gaze rather too much, I think! | 0:14:00 | 0:14:05 | |
Gerald says I should be a character in a novel. | 0:14:05 | 0:14:07 | |
Interesting, as he's never actually read one. | 0:14:07 | 0:14:10 | |
Essentially, he's right. I should. One of those gloomy Russian affairs. | 0:14:10 | 0:14:13 | |
Tolstoy or Dostoyevsky. | 0:14:13 | 0:14:15 | |
400 pages being ill and bemoaning my inability to fit in with the world. | 0:14:15 | 0:14:19 | |
Have you come to practise? | 0:14:21 | 0:14:23 | |
-I assume you'll be giving us one of your thunderous readings this Sunday? -Oh. No. No, no. | 0:14:26 | 0:14:31 | |
I'm not sure I'll be around. | 0:14:31 | 0:14:32 | |
I'm just erm... returning these, actually. | 0:14:32 | 0:14:35 | |
I really have had them a lifetime. It suddenly occurred to me that I... | 0:14:35 | 0:14:39 | |
Would you like a lift? | 0:14:44 | 0:14:45 | |
Back to Beldover? I've borrowed a gig. | 0:14:45 | 0:14:48 | |
I could quite easily run you. | 0:14:48 | 0:14:51 | |
Oh, or were you having, er... | 0:14:51 | 0:14:53 | |
having a moment? | 0:14:53 | 0:14:55 | |
THEY BOTH LAUGH | 0:14:55 | 0:14:57 | |
It's good to see you. Of all people. | 0:15:00 | 0:15:03 | |
It's been a little while. | 0:15:03 | 0:15:04 | |
Yes. Yes, I did mean to write. | 0:15:04 | 0:15:07 | |
You've been busy. I understand. | 0:15:07 | 0:15:09 | |
I thought perhaps you might have visited the school. | 0:15:09 | 0:15:12 | |
How is Miss Roddice, by the way? | 0:15:12 | 0:15:15 | |
Oh, she's, um... She's very well. Thank you. | 0:15:15 | 0:15:18 | |
I'll tell her we bumped into each other. | 0:15:18 | 0:15:20 | |
You are still in regular contact, then? | 0:15:20 | 0:15:22 | |
Er... Yes, you know. On and off. | 0:15:23 | 0:15:26 | |
-And what of Mr Skrebensky? I imagine, he's... -I wouldn't know. | 0:15:27 | 0:15:31 | |
He's been posted abroad. | 0:15:31 | 0:15:33 | |
We are definitely off. | 0:15:33 | 0:15:34 | |
I beg your pardon. I'm being rather forceful. | 0:15:37 | 0:15:40 | |
No, not at all. No. You're being... | 0:15:40 | 0:15:43 | |
refreshingly honest. As you always are. | 0:15:43 | 0:15:46 | |
Ursula, where you been? | 0:15:49 | 0:15:51 | |
-Mr Brangwen. -Mr Birkin. | 0:15:51 | 0:15:54 | |
-Your mother's been having kittens, fretting where you'd gone. -I... | 0:15:54 | 0:15:57 | |
You shouldn't even be out. You should be in bed still, not striding hither and yon. | 0:15:57 | 0:16:02 | |
Is that yours? Sorry. | 0:16:02 | 0:16:05 | |
Well, I just see you have the gauntlets. | 0:16:05 | 0:16:07 | |
The motorcycle is mine, Mr Birkin. | 0:16:08 | 0:16:12 | |
I apologise. | 0:16:13 | 0:16:16 | |
-Would you like to touch it? -May I? | 0:16:16 | 0:16:18 | |
Yeah. | 0:16:18 | 0:16:20 | |
Good Lord! | 0:16:22 | 0:16:24 | |
Aye. It's the way forward. | 0:16:24 | 0:16:26 | |
Them have the smell of glue in their nostrils, every one of them, if they've any sense. | 0:16:26 | 0:16:31 | |
Anyway. I thank you for bringing my daughter back. | 0:16:32 | 0:16:36 | |
I was going to ask Mr Birkin if he'd like to come in, Father. | 0:16:37 | 0:16:40 | |
Would that be all right? | 0:16:40 | 0:16:42 | |
Er, no. I don't think so, not today. | 0:16:42 | 0:16:45 | |
I mean... | 0:16:45 | 0:16:48 | |
Billy's not very well and... | 0:16:48 | 0:16:51 | |
Cassie, she's sick n'all. | 0:16:51 | 0:16:53 | |
It's like a plague house, really. | 0:16:53 | 0:16:55 | |
I quite understand. | 0:16:55 | 0:16:58 | |
Honestly. Gerald's promised me a special supper, | 0:16:58 | 0:17:00 | |
so I shouldn't be too late back, anyway. | 0:17:00 | 0:17:03 | |
But please, do keep in contact. | 0:17:03 | 0:17:05 | |
-I will. -Good day. | 0:17:06 | 0:17:08 | |
Walk on. | 0:17:16 | 0:17:17 | |
Father? | 0:17:21 | 0:17:23 | |
You've got a visitor. | 0:17:23 | 0:17:25 | |
I've no doubt you'd rather keep it private. | 0:17:25 | 0:17:27 | |
Anton. | 0:17:31 | 0:17:33 | |
Ursula. | 0:17:34 | 0:17:35 | |
I tried wiring. | 0:17:40 | 0:17:42 | |
But it's all still in its infancy over there. | 0:17:42 | 0:17:45 | |
Then I drafted a letter but couldn't express my thoughts exactly. | 0:17:45 | 0:17:48 | |
Why have you come? | 0:17:48 | 0:17:49 | |
Because I received your letter. | 0:17:49 | 0:17:51 | |
And it affected me greatly. I knew I must see you. | 0:17:53 | 0:17:57 | |
The child is gone. | 0:17:57 | 0:18:00 | |
Yes, I know. | 0:18:00 | 0:18:02 | |
Mother. | 0:18:03 | 0:18:04 | |
She told me only the barest of details. | 0:18:11 | 0:18:13 | |
Horses in a field... | 0:18:13 | 0:18:15 | |
-bolted. -It is gone! | 0:18:15 | 0:18:18 | |
And I am sorry for you. | 0:18:18 | 0:18:19 | |
For us, it would have been wonderful. | 0:18:23 | 0:18:27 | |
But we will try again. | 0:18:27 | 0:18:29 | |
I can't believe I can say that! | 0:18:29 | 0:18:31 | |
Because...after you left me, | 0:18:32 | 0:18:35 | |
I couldn't imagine ever even speaking to you again. I felt most slighted. | 0:18:35 | 0:18:41 | |
-Yes. And I am sorry. -I was when I read what you wrote, | 0:18:41 | 0:18:44 | |
-I knew you felt remorse and... -I cannot remember what I said. | 0:18:44 | 0:18:47 | |
You said there were things you had imagined you could not have with me. | 0:18:47 | 0:18:51 | |
A different kind of love. | 0:18:51 | 0:18:53 | |
But you saw that was all illusory at last. | 0:18:53 | 0:18:56 | |
And you wanted me. | 0:18:58 | 0:19:01 | |
You wanted what you could have. | 0:19:01 | 0:19:03 | |
Well, you can, Ursula. | 0:19:05 | 0:19:07 | |
And you must have this back. | 0:19:09 | 0:19:11 | |
I should go now. | 0:19:38 | 0:19:40 | |
It's shock enough, my turning up unannounced. | 0:19:40 | 0:19:42 | |
I'll call tomorrow. | 0:19:44 | 0:19:46 | |
In the afternoon. | 0:19:46 | 0:19:49 | |
Yes. | 0:19:49 | 0:19:50 | |
Lots of the men at the barracks have lovers. | 0:20:14 | 0:20:17 | |
-Most, in fact. -Do they? | 0:20:17 | 0:20:19 | |
They're always mentioning some amazing fine woman or other. | 0:20:19 | 0:20:23 | |
And most dash off to London the moment they finish their work. | 0:20:23 | 0:20:27 | |
-What for? -To see them! | 0:20:27 | 0:20:31 | |
One fellow has a suitcase always at the ready | 0:20:33 | 0:20:36 | |
and the moment he is at liberty, he whips off his spurs and runs to the train. | 0:20:36 | 0:20:40 | |
It must be quite a welcome which awaits him. | 0:20:40 | 0:20:43 | |
I think it is. | 0:20:43 | 0:20:45 | |
Don't you like me tonight? | 0:20:47 | 0:20:48 | |
-We kissed. -Like children! | 0:20:48 | 0:20:51 | |
I want to kiss properly. | 0:20:51 | 0:20:53 | |
See? Not so bad? | 0:21:15 | 0:21:17 | |
SHE MOANS | 0:21:30 | 0:21:33 | |
SHE LAUGHS | 0:21:49 | 0:21:51 | |
There you are. Anton Skrebensky. | 0:22:04 | 0:22:07 | |
-I thought we should not see him again. -Mother, please. | 0:22:07 | 0:22:10 | |
It was an observation. I wasn't... | 0:22:10 | 0:22:13 | |
He told me | 0:22:14 | 0:22:17 | |
that you wrote of me. | 0:22:17 | 0:22:18 | |
In asking for his forgiveness... | 0:22:18 | 0:22:22 | |
you wrote that since you'd become pregnant, | 0:22:22 | 0:22:25 | |
you saw me suddenly in a new and true light. | 0:22:25 | 0:22:30 | |
That I was radically true, | 0:22:33 | 0:22:35 | |
having your father and my children and my place here under the sun. | 0:22:35 | 0:22:39 | |
And what was enough for me, must surely be enough for you? | 0:22:39 | 0:22:42 | |
Is that what you said? | 0:22:44 | 0:22:46 | |
I must have, if that is what he remembers. What of it? | 0:22:48 | 0:22:52 | |
Be careful what you wish for. | 0:22:52 | 0:22:55 | |
-Anna. -I'm tired. -And I'm awake. | 0:23:23 | 0:23:28 | |
-Why must you? -Because I must! | 0:23:29 | 0:23:33 | |
-You're sheathed over. -What? | 0:23:46 | 0:23:48 | |
You don't need me. | 0:23:48 | 0:23:50 | |
You're self-sufficient, you are. | 0:23:50 | 0:23:52 | |
You belong elsewhere. You don't belong with me. | 0:23:52 | 0:23:55 | |
-But I am your wife. -In name you are, but not in the dark. | 0:23:55 | 0:24:01 | |
Ooh, bugger, bugger, bugger! | 0:24:08 | 0:24:12 | |
Everything all right? | 0:24:12 | 0:24:14 | |
What do you think? No. | 0:24:14 | 0:24:17 | |
Clearly. | 0:24:17 | 0:24:19 | |
You need to be careful with those hammers. | 0:24:19 | 0:24:21 | |
-Do you practise? -You're like something from the Varieties. -I'm merely trying to help. | 0:24:21 | 0:24:26 | |
Then grab a rope. | 0:24:26 | 0:24:27 | |
Gosh. | 0:24:31 | 0:24:33 | |
Gosh? | 0:24:33 | 0:24:35 | |
-You did give me the impression you wanted the party to happen modestly. If at all. -I do! It's Father. | 0:24:35 | 0:24:40 | |
-When he sets his mind to something, he doesn't bother with half measures. -Your father? | 0:24:40 | 0:24:45 | |
Oh, I mentioned some improvements to the collieries. He wants me to get on with it. | 0:24:45 | 0:24:49 | |
Quid pro quo. | 0:24:49 | 0:24:51 | |
His side of the bargain. | 0:24:51 | 0:24:55 | |
You know, what would be really helpful, would be if you pulled on that rope, | 0:24:55 | 0:24:59 | |
thus lifting your edge of the tent. | 0:24:59 | 0:25:02 | |
Oh. Would you like gloves? | 0:25:10 | 0:25:12 | |
If it's not too much trouble. | 0:25:12 | 0:25:15 | |
-Couldn't you get the men to do it? -Of course I could. | 0:25:15 | 0:25:18 | |
Except this is the only bit of the whole event I'll actually enjoy. | 0:25:18 | 0:25:25 | |
You really are the thing itself. | 0:25:25 | 0:25:29 | |
I tell all of my friends that. | 0:25:29 | 0:25:31 | |
In education. Generally! | 0:25:31 | 0:25:32 | |
I know a man who is the spirit of the age. | 0:25:32 | 0:25:35 | |
I'm putting up a tent, Rupert! | 0:25:35 | 0:25:37 | |
It's an ethos, you clod! | 0:25:37 | 0:25:40 | |
Energy. Speed. | 0:25:40 | 0:25:43 | |
What about all the modernising at the pits? The electricity! | 0:25:43 | 0:25:47 | |
Anyone would have done that. | 0:25:47 | 0:25:48 | |
No. It's you. | 0:25:48 | 0:25:51 | |
"Like an exploding shell shot from a gun which fragments into a million different pieces, | 0:25:51 | 0:25:58 | |
"he evolves new systems, new beliefs, even." | 0:25:58 | 0:26:01 | |
Ah! You can stop there. | 0:26:01 | 0:26:04 | |
I know where you're going now. | 0:26:04 | 0:26:05 | |
All that... Futurist gumph. | 0:26:05 | 0:26:08 | |
The pointy pictures. | 0:26:08 | 0:26:10 | |
Do you know, I said to one of the buttys the other day, | 0:26:10 | 0:26:14 | |
I've never been led round an art gallery to the point of actual sickness, until you took me. | 0:26:14 | 0:26:19 | |
And not a single breast. I mean, normally, there is at least that to fall back on. | 0:26:19 | 0:26:23 | |
Not with your friends! | 0:26:23 | 0:26:25 | |
I am an industrialist! | 0:26:25 | 0:26:28 | |
I like to get things done. There's an end to it. | 0:26:28 | 0:26:33 | |
Anyway, should you even be saying that sort of stuff? | 0:26:34 | 0:26:37 | |
New beliefs and... Get you into terrible trouble upstairs, won't it? | 0:26:37 | 0:26:41 | |
I was merely observing the way you are, Gerald. I keep my own beliefs quite separate. | 0:26:41 | 0:26:46 | |
Abby. | 0:26:46 | 0:26:47 | |
Don't you just like to get things done! | 0:26:50 | 0:26:53 | |
-Oh, for goodness sake! I was smiling. That's all. -Of course. | 0:26:53 | 0:26:56 | |
Just here on the left, please. | 0:26:59 | 0:27:01 | |
How much is that? | 0:27:03 | 0:27:06 | |
One and six, please, love. | 0:27:06 | 0:27:08 | |
Thank you. | 0:27:10 | 0:27:11 | |
Thank you. | 0:27:25 | 0:27:27 | |
-Gudrun! -She's back. All hail the Queen! | 0:27:37 | 0:27:42 | |
# Lately I just spent a week with my old Aunt Brown... # | 0:27:42 | 0:27:46 | |
You're too kind. | 0:27:46 | 0:27:48 | |
See you, Percy. | 0:27:48 | 0:27:51 | |
-Who's that? -Percy Lewis. Prefers Wyndham these days. -He knows of your paintings. | 0:27:51 | 0:27:56 | |
I know of his. I would have liked to have talked to him. | 0:27:56 | 0:27:59 | |
He's best friends with Edith Sitwell. You'll bump into her, she's from up north. | 0:27:59 | 0:28:04 | |
I'm from the Midlands, Halliday. | 0:28:04 | 0:28:06 | |
Hello! | 0:28:06 | 0:28:08 | |
Freddy! | 0:28:08 | 0:28:10 | |
Freddy Von Such and Such. | 0:28:10 | 0:28:13 | |
Doesn't she have stacks of money? | 0:28:13 | 0:28:16 | |
Edith Sitwell. I think she does. | 0:28:16 | 0:28:18 | |
Money is nothing, Pussum. Class... | 0:28:18 | 0:28:22 | |
Is everything! | 0:28:22 | 0:28:23 | |
THEY LAUGH | 0:28:23 | 0:28:25 | |
# Oh, Mr Porter, what a silly girl I am... # | 0:28:25 | 0:28:29 | |
-More champagne! -So. | 0:28:29 | 0:28:32 | |
How was it? At home. | 0:28:34 | 0:28:36 | |
It was terribly earnest, as always. | 0:28:36 | 0:28:41 | |
I spoke to Tommy Craig earlier. | 0:28:41 | 0:28:43 | |
He knows of your little adventure this weekend. | 0:28:43 | 0:28:49 | |
Does anyone else? | 0:28:49 | 0:28:51 | |
Anyone who cares to ask me. | 0:28:51 | 0:28:53 | |
Ha! You are splendid! | 0:28:53 | 0:28:55 | |
I refuse to be bound by the weary sickness of pedantry and tradition! | 0:28:55 | 0:28:59 | |
That, I can drink to. | 0:28:59 | 0:29:01 | |
But... | 0:29:05 | 0:29:08 | |
But will you really do it? | 0:29:08 | 0:29:10 | |
It's just a fuck. | 0:29:14 | 0:29:16 | |
You are magnificent. | 0:29:27 | 0:29:29 | |
Am I? | 0:29:30 | 0:29:32 | |
I'm old, Anna. | 0:30:11 | 0:30:13 | |
What you on about? You're not yet 50. | 0:30:13 | 0:30:16 | |
That's old. | 0:30:18 | 0:30:21 | |
I'm died out from the hot life, that's for sure. | 0:30:21 | 0:30:24 | |
They'll be all right, won't they? | 0:30:30 | 0:30:32 | |
The girls, they'll be all right? | 0:30:33 | 0:30:39 | |
SHOUTING AND CHEERING | 0:30:44 | 0:30:46 | |
INDISTINCT CONVERSATION | 0:30:52 | 0:30:55 | |
Oh, I thought you'd gone. | 0:30:58 | 0:31:00 | |
I forgot something. | 0:31:00 | 0:31:02 | |
You wouldn't have me beg, surely? | 0:31:04 | 0:31:07 | |
I will, of course, if I must. | 0:31:07 | 0:31:10 | |
Darling, nothing excites me more than a man in extremis, but on this occasion, I must decline. | 0:31:18 | 0:31:25 | |
I must reserve all my strength for tomorrow, after all. | 0:31:25 | 0:31:29 | |
You have the strength of ten. | 0:31:29 | 0:31:32 | |
Let me be the hors d'oeuvre. | 0:31:32 | 0:31:35 | |
Really, I can't. | 0:31:39 | 0:31:40 | |
-But Halliday said you were a good sport. -What? | 0:31:43 | 0:31:47 | |
-He said you were a good sport. -I heard what you said. Um... | 0:31:47 | 0:31:50 | |
Talk to me next week, Freddy. I might be a little freer then. | 0:31:57 | 0:32:01 | |
Or we'll see each other at your mother's party, won't we? | 0:32:01 | 0:32:04 | |
We can talk then. | 0:32:06 | 0:32:08 | |
What? | 0:32:09 | 0:32:11 | |
I meant to mention. | 0:32:11 | 0:32:14 | |
It's nothing personal, | 0:32:14 | 0:32:16 | |
but she says the numbers will be wrong, apparently, if... | 0:32:16 | 0:32:21 | |
I'm not even sure I'll go myself. | 0:32:21 | 0:32:23 | |
Fine. Well, I'll see you in class, then. | 0:32:25 | 0:32:31 | |
RAUCOUS CHEERING AND LAUGHTER | 0:32:34 | 0:32:36 | |
KNOCK AT DOOR | 0:32:46 | 0:32:49 | |
Oh! I was coming down. | 0:32:52 | 0:32:55 | |
Oh. | 0:32:55 | 0:32:56 | |
I thought you might prefer it up here. | 0:32:56 | 0:32:59 | |
I will. Now you've brought it. Thank you. | 0:32:59 | 0:33:04 | |
Your father's motorcycle won't start. | 0:33:09 | 0:33:12 | |
He's late for work. | 0:33:12 | 0:33:15 | |
I said to him, you don't get that with a horse. | 0:33:15 | 0:33:18 | |
Less it's dead, of course. | 0:33:18 | 0:33:21 | |
When he sold the farm, I remember, I told him, there's much to recommend | 0:33:21 | 0:33:26 | |
this life, Will, over a town, and you'll come to see it one day. | 0:33:26 | 0:33:31 | |
Are you all right? | 0:33:33 | 0:33:35 | |
He loves you very much, you know. | 0:33:35 | 0:33:39 | |
Your father. | 0:33:39 | 0:33:42 | |
Oh, Mother. | 0:33:42 | 0:33:43 | |
-Oh, Mother. -Stop fussing. | 0:33:43 | 0:33:46 | |
I'm not fussing. You're upset. | 0:33:46 | 0:33:50 | |
You were upset yesterday after Anton's visit. What's going on, Mother? | 0:33:50 | 0:33:55 | |
Please! | 0:33:55 | 0:33:58 | |
He held you so close to the flame. | 0:33:58 | 0:34:00 | |
So young. | 0:34:00 | 0:34:02 | |
What? Who did? | 0:34:02 | 0:34:06 | |
You think I don't approve of how you live. And... | 0:34:06 | 0:34:10 | |
Well, it's true. What's happened now with you and Anton Skrebensky, | 0:34:10 | 0:34:14 | |
I doubt I should've allowed myself to get in the same position. | 0:34:14 | 0:34:18 | |
All this need for independence, too. Wanting to work and... | 0:34:18 | 0:34:24 | |
That's not something I can understand either. | 0:34:24 | 0:34:27 | |
But... I'm not sour. | 0:34:27 | 0:34:31 | |
We are not so different, Ursula, you and I. That's what I mean. | 0:34:35 | 0:34:40 | |
And I realise, | 0:34:42 | 0:34:44 | |
it maybe isn't all your fault. How things have turned out. | 0:34:46 | 0:34:49 | |
And perhaps if I had been less... | 0:34:49 | 0:34:52 | |
certain after we were married... | 0:34:53 | 0:34:57 | |
With Father? | 0:34:58 | 0:35:00 | |
I knew where his love would go. | 0:35:03 | 0:35:04 | |
And I knew, too, the dangers of making so young a heart swell, | 0:35:04 | 0:35:09 | |
of how a person receiving such devotion might grow, | 0:35:09 | 0:35:14 | |
live their whole lives yearning for that same fierce passion | 0:35:14 | 0:35:20 | |
and how that might, one day, | 0:35:20 | 0:35:22 | |
cause that person to suffer somehow. | 0:35:22 | 0:35:29 | |
I knew all that | 0:35:31 | 0:35:34 | |
and I did nothing. | 0:35:34 | 0:35:35 | |
But I'm not sour. | 0:35:44 | 0:35:46 | |
I'm sorry. | 0:35:48 | 0:35:50 | |
MOTORCYCLE STARTS OUTSIDE | 0:35:55 | 0:35:57 | |
-What about Mother? -She's got little Billy and your sister to look after. | 0:36:01 | 0:36:05 | |
-She'll not mind. -So why are we whispering? | 0:36:05 | 0:36:08 | |
Cos we don't want to wake her, do we? Ursula, it's gala day. | 0:36:08 | 0:36:12 | |
Do you know how many gala days you get in a year? | 0:36:12 | 0:36:14 | |
Few, my duck. Very few. Now come on! | 0:36:14 | 0:36:18 | |
Geronimo! | 0:36:18 | 0:36:20 | |
-Go on, have a swing. You know you want to. -No! | 0:36:23 | 0:36:27 | |
-But there's the thrill of the drop. Run out, let go and drop. -I'm scared. | 0:36:27 | 0:36:33 | |
Go-o-o-o! | 0:36:33 | 0:36:35 | |
SHE SCREAMS EXCITEDLY | 0:36:35 | 0:36:37 | |
Ursula! | 0:36:38 | 0:36:40 | |
Ursula! | 0:36:43 | 0:36:46 | |
SHE GASPS FOR BREATH | 0:36:46 | 0:36:48 | |
It's all right. It's all right. It's all right. I've got you. | 0:36:50 | 0:36:53 | |
Well done. You did it, didn't you? | 0:36:53 | 0:36:55 | |
You swung in from that great, high rope. There's a good girl! | 0:36:55 | 0:37:00 | |
Fair now. I'll win you a goldfish and we can go on the swing boats. | 0:37:00 | 0:37:06 | |
Good girl. | 0:37:06 | 0:37:07 | |
-Hello, Robert. -Gudrun. | 0:37:25 | 0:37:29 | |
Are you ready? | 0:37:31 | 0:37:33 | |
Yes. | 0:37:33 | 0:37:36 | |
I was just... looking at your work. | 0:37:36 | 0:37:39 | |
It's Eadweard Muybridge. | 0:37:39 | 0:37:41 | |
I merely photographed the photographs. | 0:37:43 | 0:37:46 | |
All photography is theft, Robert! That's the point. | 0:37:48 | 0:37:51 | |
And the more we writhe for the camera, the more the soul remains obscured. | 0:37:51 | 0:37:56 | |
-Another one of your paintings sold yesterday, at the Serpentine. -Another! | 0:37:58 | 0:38:04 | |
The painting of the street light. | 0:38:04 | 0:38:06 | |
Ah-ha! | 0:38:06 | 0:38:08 | |
Were any of yours? | 0:38:08 | 0:38:10 | |
I'm not a real artist, Gudrun. | 0:38:12 | 0:38:15 | |
That is why I teach. | 0:38:15 | 0:38:18 | |
But I have my moments of optimism. Like anyone else. | 0:38:18 | 0:38:22 | |
And now is one such moment. | 0:38:22 | 0:38:24 | |
Our very own adventure! | 0:38:24 | 0:38:26 | |
The Isle of Wight! | 0:38:26 | 0:38:27 | |
GUARD WHISTLES | 0:38:29 | 0:38:31 | |
Et voila! The connection is at midday, the boat at two. | 0:38:33 | 0:38:37 | |
-I can't. -What? -I can't do it. I'm sorry. | 0:38:37 | 0:38:42 | |
But... | 0:38:46 | 0:38:47 | |
I thought I could. | 0:38:47 | 0:38:49 | |
I want to. | 0:38:49 | 0:38:51 | |
But I'm not like you. | 0:38:51 | 0:38:54 | |
-I'm a married man. -But we have to go, Robert. We've announced it. | 0:38:55 | 0:39:00 | |
In our hearts... | 0:39:00 | 0:39:03 | |
There, we have already made the commitment. | 0:39:03 | 0:39:07 | |
We have to have our time away together, Robert. | 0:39:07 | 0:39:09 | |
We're artists. It is our duty to rise above the crowd. | 0:39:09 | 0:39:15 | |
I know my limitations, Gudrun. | 0:39:15 | 0:39:18 | |
I am a middle-aged man who plays at painting, but what am I? Actually? | 0:39:18 | 0:39:23 | |
Someone who stands at the front of a classroom, in order to support a wife and two small children. | 0:39:23 | 0:39:29 | |
Oh, very well, Robert. If you insist. | 0:39:31 | 0:39:35 | |
But you can't leave it like this, here. | 0:39:36 | 0:39:39 | |
At least come away with me for an afternoon. | 0:39:41 | 0:39:44 | |
We can go to Brighton, we can see the sea, and then we can return home this evening. | 0:39:44 | 0:39:48 | |
SHE LAUGHS | 0:39:53 | 0:39:55 | |
Come on. | 0:39:55 | 0:39:57 | |
WATER BIRDS CALLING | 0:40:15 | 0:40:17 | |
'Look at Nottingham. Look at the lights. | 0:40:33 | 0:40:36 | |
'Aren't they an abomination?' | 0:40:36 | 0:40:38 | |
-Polluting the dark. -At the same time, they do help you to see. | 0:40:38 | 0:40:42 | |
'They do, though. It would be hell without them. I must go back tomorrow. | 0:40:42 | 0:40:47 | |
'My leave has expired. | 0:40:47 | 0:40:50 | |
'Oh, Anton. You should have said.' | 0:40:50 | 0:40:53 | |
-I would have arranged something special. -Perhaps I have. | 0:40:53 | 0:40:58 | |
Aah! | 0:41:18 | 0:41:20 | |
-I'm sorry. -No. No. It's fine. It's fine. | 0:41:21 | 0:41:26 | |
Aah! Aah! Aah! Aah! Aah! | 0:41:26 | 0:41:33 | |
What's the matter? | 0:41:33 | 0:41:34 | |
Nothing. Nothing. It's fine. | 0:41:37 | 0:41:42 | |
SHALLOW BREATHING | 0:42:01 | 0:42:04 | |
BREATHING GETTING FASTER | 0:42:10 | 0:42:12 | |
BREATHING SLOWING DOWN | 0:42:19 | 0:42:22 | |
You are wrong, Mother! | 0:42:32 | 0:42:34 | |
What's the matter? What is it, child? | 0:42:34 | 0:42:36 | |
You think you have damaged me. You... | 0:42:36 | 0:42:39 | |
What has happened with Anton is because of Father and... | 0:42:39 | 0:42:42 | |
And you are right. | 0:42:42 | 0:42:44 | |
When I recall, we did have some times. | 0:42:44 | 0:42:46 | |
-And I have said... -No! Wait. | 0:42:46 | 0:42:49 | |
I've always known. | 0:42:53 | 0:42:55 | |
I felt, rather than thought. | 0:42:57 | 0:43:01 | |
And you are right, probably. About father. His role. | 0:43:01 | 0:43:05 | |
But that is not why Anton and I... | 0:43:05 | 0:43:09 | |
The problem is sex, Mother. | 0:43:10 | 0:43:14 | |
Sex, love. | 0:43:14 | 0:43:16 | |
I broke with Anton because... | 0:43:16 | 0:43:19 | |
he did not feed that animal side of me. | 0:43:19 | 0:43:22 | |
The felt life. | 0:43:22 | 0:43:25 | |
And I wrote to get back together because I was pregnant and I was scared. | 0:43:25 | 0:43:29 | |
But now, with the baby gone, | 0:43:29 | 0:43:33 | |
I was certain once more I am meant to be free. | 0:43:33 | 0:43:37 | |
To indulge my passion in this life. | 0:43:37 | 0:43:41 | |
But it is not passion, Mother, | 0:43:41 | 0:43:42 | |
which drives me on. It is lust. | 0:43:42 | 0:43:47 | |
And insatiable desire. | 0:43:47 | 0:43:51 | |
And that is what stood between me and Anton. | 0:43:51 | 0:43:54 | |
It's the same thing. | 0:43:54 | 0:43:56 | |
What? | 0:43:56 | 0:43:58 | |
The passion that you talk of. | 0:43:58 | 0:44:00 | |
For life and... | 0:44:02 | 0:44:04 | |
all that's out there and the other thing. | 0:44:04 | 0:44:06 | |
They're the same. | 0:44:06 | 0:44:09 | |
We must keep ourselves warm, Ursula. | 0:44:09 | 0:44:11 | |
We must. There is no shame in it, what happens between people, | 0:44:11 | 0:44:15 | |
between them as love each other. | 0:44:15 | 0:44:18 | |
And so we must keep the flame burning, crackling in the grate. | 0:44:18 | 0:44:22 | |
Otherwise, we're cold on the earth, when soon enough we're going to be cold beneath it. | 0:44:22 | 0:44:26 | |
Do you see? | 0:44:26 | 0:44:28 | |
You are lucky. You have felt the truth of it. | 0:44:28 | 0:44:32 | |
That some do not, or cannot, for whatever reason. | 0:44:32 | 0:44:34 | |
Some choose to be cold. They choose the gone-out world. | 0:44:34 | 0:44:38 | |
Because it offers less danger, less shame, perhaps. | 0:44:38 | 0:44:42 | |
But no-one should choose it. | 0:44:44 | 0:44:47 | |
Find love that burns your very soul. | 0:44:47 | 0:44:52 | |
And know this, that it will burn your body, too. | 0:44:52 | 0:44:55 | |
And if it does not, | 0:44:55 | 0:44:58 | |
then you're not in love. | 0:44:59 | 0:45:01 | |
It's Mr Skrebensky. | 0:45:13 | 0:45:15 | |
Good afternoon. | 0:45:24 | 0:45:26 | |
It's my uncle's. I thought it would cheer Ursula up. | 0:45:26 | 0:45:29 | |
So...where to? | 0:45:37 | 0:45:40 | |
-Southwell, I thought. Or, um... -Could we go to the sea? | 0:45:40 | 0:45:43 | |
-What? -Would it get us to the coast? -Of course. | 0:45:43 | 0:45:46 | |
< Ursula! | 0:45:48 | 0:45:50 | |
LAUGHING | 0:45:56 | 0:45:58 | |
Gudrun! | 0:45:58 | 0:45:59 | |
Oh, it really is a frightful drop! | 0:45:59 | 0:46:01 | |
-Please... -Come. Come and see. -Be careful. | 0:46:01 | 0:46:04 | |
Come here! | 0:46:04 | 0:46:06 | |
-Oh, my Lord! -Look! | 0:46:08 | 0:46:10 | |
No... I don't like this at all. | 0:46:10 | 0:46:12 | |
-You laugh, but one slip and you'll be over, all snuffed out. -Good! | 0:46:14 | 0:46:18 | |
We must pass beyond life, Robert. | 0:46:18 | 0:46:20 | |
And a little way into death if we are ever to feel truly alive. | 0:46:20 | 0:46:23 | |
You are so beautiful. | 0:46:30 | 0:46:32 | |
Why are you with me? | 0:46:32 | 0:46:33 | |
Because I can be. | 0:46:40 | 0:46:42 | |
Feel that. | 0:46:45 | 0:46:47 | |
What can you feel? | 0:46:47 | 0:46:50 | |
Tell me. | 0:46:50 | 0:46:51 | |
I feel...happiness. | 0:46:55 | 0:46:58 | |
First time in my life. | 0:46:59 | 0:47:01 | |
Real happiness. | 0:47:03 | 0:47:04 | |
See? You're a poet as well as a painter. | 0:47:04 | 0:47:08 | |
I am flesh and blood. | 0:47:13 | 0:47:15 | |
That's why cliffs scare me. | 0:47:15 | 0:47:18 | |
I would break if I fell. | 0:47:18 | 0:47:20 | |
But you... | 0:47:20 | 0:47:22 | |
..you're eternal. | 0:47:23 | 0:47:25 | |
So you can look. | 0:47:25 | 0:47:26 | |
Lunch in ten minutes. | 0:47:41 | 0:47:44 | |
Lovely. Thank you. | 0:47:44 | 0:47:45 | |
And have you seen the book? | 0:47:47 | 0:47:49 | |
-On Mont Blanc. I'm sure it'll remind you of the holiday. -No, um... | 0:47:50 | 0:47:55 | |
You weren't terribly precise. | 0:47:55 | 0:47:57 | |
Right at the top. | 0:47:57 | 0:47:59 | |
Why do you keep it up there? Don't you look at it very often? | 0:48:00 | 0:48:03 | |
It's a book on mountaineering, Rupert. | 0:48:03 | 0:48:06 | |
Gerald, Christ! | 0:48:08 | 0:48:11 | |
It gets hard around the Thesauruses. | 0:48:12 | 0:48:15 | |
They and I have a natural aversion to one another. | 0:48:15 | 0:48:18 | |
-Be careful. -I'm... | 0:48:18 | 0:48:21 | |
I'm fine. | 0:48:21 | 0:48:23 | |
Never in doubt. | 0:48:23 | 0:48:24 | |
Ta-ra! | 0:48:26 | 0:48:27 | |
-Rupert. -Miss Roddice. | 0:48:28 | 0:48:30 | |
-Good afternoon. -Gerald. -Hermione. | 0:48:30 | 0:48:33 | |
You're five hours early. | 0:48:36 | 0:48:38 | |
I thought I might be able to assist in the preparations. | 0:48:38 | 0:48:42 | |
And failing that, | 0:48:42 | 0:48:44 | |
a chance to catch up with Mr Birkin on one of his ever rarer trips | 0:48:44 | 0:48:48 | |
-outside of Nottingham. -Ooh, that reminds me - | 0:48:48 | 0:48:51 | |
are we going to try and take in the county game? | 0:48:51 | 0:48:53 | |
-We could still get back in time. -I'm sure you've loads to tell me. | 0:48:53 | 0:48:57 | |
Actually, it's rather unfortunate. | 0:48:57 | 0:48:59 | |
But if I'd known you were coming earlier, I'd have been able to... | 0:48:59 | 0:49:03 | |
But as it is, I have some business to attend to. | 0:49:03 | 0:49:07 | |
I meant to mention. It won't take too long. | 0:49:07 | 0:49:10 | |
There is a tent I've got to finish putting up, actually. | 0:49:15 | 0:49:18 | |
You don't fancy...? | 0:49:20 | 0:49:22 | |
You will not even fuck me. | 0:49:37 | 0:49:39 | |
-Your cock. Would that excite you? -Hermione! | 0:49:39 | 0:49:42 | |
SHE LAUGHS | 0:49:42 | 0:49:43 | |
You cannot fuck me! | 0:49:43 | 0:49:46 | |
I know you can get aroused. You're not a real man. You're a boy. | 0:49:47 | 0:49:50 | |
-You want... -Stop it. | 0:49:50 | 0:49:53 | |
-It's happening. -Hermione! -You needed words. | 0:49:54 | 0:49:57 | |
I knew you needed words. | 0:49:57 | 0:49:58 | |
I warn you! | 0:49:58 | 0:50:00 | |
So, will this man stand up in church on Sunday and read the Gospel? | 0:50:00 | 0:50:05 | |
You hypocrite! Is not marriage and union with a woman | 0:50:05 | 0:50:09 | |
at the very heart of the Christian community? | 0:50:09 | 0:50:12 | |
Rupert? Rupert? | 0:50:12 | 0:50:13 | |
So, even if you cannot do your duty by me as a man, | 0:50:13 | 0:50:17 | |
you should come to me hard and ready as a disciple of Jesus. | 0:50:17 | 0:50:21 | |
And if you cannot do that, | 0:50:21 | 0:50:23 | |
what are you doing in the Church? | 0:50:23 | 0:50:27 | |
Mmm. | 0:50:34 | 0:50:36 | |
Mmm! | 0:50:38 | 0:50:39 | |
Oh, lovely, ta. | 0:50:39 | 0:50:41 | |
Good. | 0:50:41 | 0:50:42 | |
Where are the children? | 0:50:45 | 0:50:47 | |
Billy took them out. He was desperate. | 0:50:48 | 0:50:50 | |
Gone over to Cossell. | 0:50:50 | 0:50:52 | |
Will you go out later? | 0:50:54 | 0:50:56 | |
Yeah, I might. | 0:50:57 | 0:51:00 | |
Up the church. Practise a bit. | 0:51:00 | 0:51:02 | |
-Why? -I wondered. It is a Saturday afternoon. | 0:51:03 | 0:51:07 | |
It's your time. | 0:51:07 | 0:51:08 | |
You do not want to be with me any more. | 0:51:22 | 0:51:24 | |
-You what? -I understand. -Hang on. | 0:51:30 | 0:51:32 | |
You think you have not enough of me and maybe you don't, except... | 0:51:32 | 0:51:37 | |
maybe, too, you don't make it good between us any more. | 0:51:37 | 0:51:40 | |
You're not interested. | 0:51:40 | 0:51:42 | |
What in God's name are you talking about, Anna? | 0:51:42 | 0:51:45 | |
Would you like to have another woman? | 0:51:45 | 0:51:47 | |
-What? -Would you? | 0:51:48 | 0:51:50 | |
I can't believe... | 0:51:52 | 0:51:54 | |
-Why would you say such a thing? -I think you would. | 0:51:55 | 0:51:58 | |
-Now, you listen to me, Anna. I don't know where... -You must do what you have to. | 0:51:58 | 0:52:02 | |
I want you to. | 0:52:02 | 0:52:04 | |
But you're mine, Will Brangwen. You're my man, and I'll never let you go. | 0:52:04 | 0:52:09 | |
And if I have ever wronged you, it was fear. You must understand that. | 0:52:09 | 0:52:13 | |
I understand you've gone mad! | 0:52:13 | 0:52:15 | |
No, now I have my sanity. | 0:52:15 | 0:52:16 | |
And you must do whatever it takes, but then you must come back to me. | 0:52:16 | 0:52:20 | |
Cos we cannot just whiten into ash. We have to find a way. | 0:52:20 | 0:52:24 | |
That's enough! Just... stop with all your... | 0:52:24 | 0:52:28 | |
your "make it good again". | 0:52:28 | 0:52:30 | |
What's come over you? | 0:52:30 | 0:52:32 | |
What are you doing? | 0:52:33 | 0:52:35 | |
I'm going out. You want me out, don't you? | 0:52:35 | 0:52:37 | |
-I'm not interested in you any more. -Not like this! | 0:52:37 | 0:52:40 | |
I must mend me ways. Well, bugger you! If I'm that bad, you'll not miss me, will you? | 0:52:40 | 0:52:45 | |
DOOR SLAMS | 0:52:48 | 0:52:49 | |
You don't understand me. | 0:52:51 | 0:52:53 | |
I'll have a bitter. | 0:52:57 | 0:52:59 | |
And a port. | 0:53:00 | 0:53:02 | |
Oh, God! | 0:53:18 | 0:53:20 | |
-That's the spirit. -I thought you'd cleared off. | 0:53:20 | 0:53:24 | |
-I'm back. -Apparently. | 0:53:24 | 0:53:27 | |
It's the small talk I can't bear. | 0:53:28 | 0:53:30 | |
It's a black art, don't you agree? | 0:53:30 | 0:53:33 | |
-DOOR OPENS -Has anyone seen my purse? | 0:53:33 | 0:53:37 | |
Good Lord, Diana! What have you come as? A Christmas tree? | 0:53:37 | 0:53:40 | |
If the world were ending, my sister would merely ask, "Does the molten sun go with my sash, do you think?" | 0:53:42 | 0:53:49 | |
Ah, present. | 0:53:50 | 0:53:52 | |
-What? -It is today, isn't it? The actual birthday. | 0:53:52 | 0:53:55 | |
I haven't given you a present yet. | 0:53:55 | 0:53:57 | |
Did you wrap it yourself? | 0:53:59 | 0:54:01 | |
-Yes. -You should have left the light on. | 0:54:01 | 0:54:04 | |
It's a cigarette lighter. It's called a Wonderlite. | 0:54:08 | 0:54:12 | |
It stays on until you shut the lid. | 0:54:12 | 0:54:14 | |
Ha! | 0:54:17 | 0:54:18 | |
That is...marvellous. | 0:54:18 | 0:54:20 | |
Thank you. | 0:54:22 | 0:54:23 | |
Oh, bugger! Ha-ha! | 0:54:24 | 0:54:26 | |
-It's fine. -Sorry. | 0:54:26 | 0:54:28 | |
-All set? -I hope you are. | 0:54:35 | 0:54:38 | |
Plenty here already. | 0:54:38 | 0:54:40 | |
-And I shall attend to them, every one. -Good. | 0:54:40 | 0:54:44 | |
You're a Crich, Gerald. Never forget that. | 0:54:44 | 0:54:46 | |
We can be relied upon. | 0:54:46 | 0:54:48 | |
Yes, we can. | 0:54:48 | 0:54:50 | |
Good boy. | 0:54:53 | 0:54:54 | |
Yes. | 0:54:56 | 0:54:58 | |
< Rupert. | 0:55:09 | 0:55:11 | |
At last. | 0:55:12 | 0:55:14 | |
Hm. | 0:55:15 | 0:55:17 | |
I, um... | 0:55:18 | 0:55:20 | |
I have some Wagner. | 0:55:20 | 0:55:23 | |
I wanted to tell you. I know you like to listen. | 0:55:23 | 0:55:25 | |
Yes, yes. I should, um... I should like that. | 0:55:25 | 0:55:28 | |
You could come back after church tomorrow. | 0:55:28 | 0:55:32 | |
Er...I don't think I'll be going. | 0:55:33 | 0:55:35 | |
Why not? | 0:55:35 | 0:55:36 | |
Oh, I, um... I just, I have... | 0:55:36 | 0:55:39 | |
I have some things to do. | 0:55:39 | 0:55:42 | |
I'll ring you to arrange a time. | 0:55:42 | 0:55:44 | |
If Gerald can spare you, of course. | 0:55:45 | 0:55:48 | |
I just... | 0:55:50 | 0:55:52 | |
..don't want your brain to atrophy, Rupert. That's all. | 0:55:52 | 0:55:56 | |
You are one of our great minds, | 0:55:57 | 0:56:01 | |
and spending time with Gerald Crich... | 0:56:01 | 0:56:04 | |
Unless of course you want to know all the new ways of getting coal from the ground? | 0:56:04 | 0:56:11 | |
You cannot speak to me like that any more. | 0:56:11 | 0:56:14 | |
We are just friends now. | 0:56:14 | 0:56:16 | |
Rupert... | 0:56:18 | 0:56:20 | |
no matter what you tell yourself, you know the truth as well as I. | 0:56:20 | 0:56:25 | |
We will never just be friends because you need me too much. | 0:56:25 | 0:56:29 | |
I am your spiritual bride | 0:56:29 | 0:56:33 | |
and that...is why I find it so objectionable... | 0:56:33 | 0:56:37 | |
..to discover that I am overlooked | 0:56:39 | 0:56:41 | |
for the attentions of a dull, boorish oaf. | 0:56:41 | 0:56:45 | |
You are such a snob. | 0:56:45 | 0:56:47 | |
No. | 0:56:48 | 0:56:49 | |
I am honest about who I am. | 0:56:51 | 0:56:54 | |
I do not go slumming for entertainment. | 0:56:55 | 0:56:59 | |
Excuse me. One moment. | 0:57:05 | 0:57:06 | |
We should probably set off quite soon. | 0:57:30 | 0:57:33 | |
You've had quite a look now. | 0:57:33 | 0:57:35 | |
I think Skegness might have been better. | 0:57:41 | 0:57:44 | |
-More to do. -Here is perfect. | 0:57:45 | 0:57:48 | |
Oh, no. Absolutely. I've loved it. All those... | 0:57:48 | 0:57:51 | |
All the sand, water. | 0:57:52 | 0:57:54 | |
I have to give you this. | 0:58:04 | 0:58:06 | |
-What have I done wrong? -Nothing. | 0:58:10 | 0:58:13 | |
So... | 0:58:13 | 0:58:14 | |
You do not accompany me... into the unknown. | 0:58:19 | 0:58:24 | |
You do not...set off with me... | 0:58:25 | 0:58:29 | |
through life, into...wonder. | 0:58:30 | 0:58:34 | |
-It's just words. -Oh! | 0:58:34 | 0:58:36 | |
Words. | 0:58:38 | 0:58:39 | |
Now tell me why you cannot be with me so I can understand. | 0:58:41 | 0:58:46 | |
-You don't satisfy me. -What? | 0:58:48 | 0:58:51 | |
Physically, you... | 0:58:51 | 0:58:53 | |
The other things, they are... | 0:58:55 | 0:58:58 | |
..a journey which lovers must take. | 0:58:59 | 0:59:01 | |
So they may feel the earth between their toes. | 0:59:01 | 0:59:05 | |
But the journey must first be ignited... | 0:59:06 | 0:59:10 | |
and you don't. | 0:59:10 | 0:59:11 | |
I don't satisfy you? | 0:59:13 | 0:59:15 | |
You've never satisfied me. | 0:59:16 | 0:59:18 | |
I'm sorry. I'm so sorry. | 0:59:26 | 0:59:28 | |
SEAGULLS CAW | 1:00:24 | 1:00:27 | |
LAUGHTER AND CLAPPING | 1:00:51 | 1:00:53 | |
Thank you. Thank you. | 1:00:55 | 1:00:57 | |
Madam, could you wake the man up next to you? We need the seat for the eight o'clock house. | 1:00:57 | 1:01:02 | |
LAUGHTER | 1:01:02 | 1:01:05 | |
-Cheers! -Cheers! | 1:01:05 | 1:01:06 | |
That was the best turn we've had. | 1:01:14 | 1:01:16 | |
I've a good mind to go up Rollins... for a cup of their best coffee | 1:01:22 | 1:01:27 | |
and some of their pastry fancies. | 1:01:27 | 1:01:31 | |
If anyone would care to be treated. | 1:01:31 | 1:01:33 | |
BABY CRIES Oh, come here. | 1:01:37 | 1:01:39 | |
No, he's not coming. | 1:01:52 | 1:01:54 | |
PANTING AND GROANING | 1:01:54 | 1:01:56 | |
I can still taste that cake on you. | 1:02:03 | 1:02:05 | |
Weren't it lovely? | 1:02:05 | 1:02:08 | |
-Not as lovely as you. -All right, then. | 1:02:08 | 1:02:10 | |
Give us your jacket. | 1:02:10 | 1:02:13 | |
This is me best frock. | 1:02:15 | 1:02:18 | |
I'm not getting grass up it. | 1:02:18 | 1:02:20 | |
Right. | 1:02:26 | 1:02:28 | |
Yeah. | 1:02:28 | 1:02:30 | |
HE MOANS | 1:02:43 | 1:02:46 | |
No. | 1:02:47 | 1:02:49 | |
What? | 1:02:53 | 1:02:55 | |
Ah... | 1:02:55 | 1:02:56 | |
No. | 1:02:56 | 1:02:58 | |
What you on about? I said you could. | 1:02:58 | 1:03:01 | |
Yeah, I know. I know and I... | 1:03:01 | 1:03:04 | |
I can't. | 1:03:05 | 1:03:06 | |
What do you mean, you can't? | 1:03:06 | 1:03:09 | |
-What's wrong with me? -Oh, there's nowt wrong with you! | 1:03:09 | 1:03:14 | |
You're beautiful. You're... | 1:03:14 | 1:03:17 | |
I had a girl like you. | 1:03:24 | 1:03:25 | |
And her skin were like yours. | 1:03:28 | 1:03:30 | |
Only now it in't. | 1:03:32 | 1:03:34 | |
But that's all right, cos... | 1:03:36 | 1:03:38 | |
..it got like that with me. | 1:03:40 | 1:03:42 | |
Do you see? | 1:03:43 | 1:03:45 | |
A young lad needs to look on you. | 1:03:47 | 1:03:51 | |
Not some old bugger like me. | 1:03:53 | 1:03:56 | |
A young lad... | 1:03:57 | 1:03:59 | |
..who knows nowt else but you. | 1:04:01 | 1:04:03 | |
Isn't that better? | 1:04:23 | 1:04:25 | |
You must have me, Robert, | 1:04:27 | 1:04:29 | |
or else you are incomplete. | 1:04:29 | 1:04:31 | |
I know you better than you know yourself. | 1:04:33 | 1:04:37 | |
People make such a fuss about sex. | 1:04:41 | 1:04:43 | |
But it really is the most natural thing in the world. | 1:04:43 | 1:04:46 | |
Why mightn't we do it when we please? | 1:04:48 | 1:04:51 | |
Robert? | 1:04:53 | 1:04:55 | |
Yes. | 1:04:56 | 1:04:57 | |
What are you doing? | 1:04:59 | 1:05:01 | |
I'm going to get dressed. | 1:05:04 | 1:05:05 | |
There's a train in about 25 minutes. | 1:05:09 | 1:05:12 | |
We could still... | 1:05:12 | 1:05:14 | |
-I can still... -Go back? | 1:05:14 | 1:05:16 | |
Please, don't say anything. | 1:05:16 | 1:05:19 | |
Robert. | 1:05:19 | 1:05:21 | |
You don't have to come. You can stay here, enjoy the place. | 1:05:21 | 1:05:24 | |
I already paid the bill, er...any extras. | 1:05:24 | 1:05:29 | |
Breakfast. There's a carriage ride along the front. I think that's included. | 1:05:29 | 1:05:34 | |
Are you insane? | 1:05:34 | 1:05:35 | |
Was this your plan all along? | 1:05:38 | 1:05:40 | |
Once the ship was breached, to desert it like a bloated rat? | 1:05:40 | 1:05:44 | |
-How can you say that? -How can I? | 1:05:44 | 1:05:47 | |
It's not I, who seconds after emptying myself of my precious seed, runs for the station! | 1:05:47 | 1:05:54 | |
It's my own fault. | 1:05:58 | 1:05:59 | |
You warned me. | 1:06:01 | 1:06:03 | |
You warned me at the station that you hadn't the stomach for it. | 1:06:04 | 1:06:07 | |
This is not that! I swear. | 1:06:12 | 1:06:15 | |
-What is it then? -It's... | 1:06:15 | 1:06:18 | |
I cannot ever feel... | 1:06:23 | 1:06:26 | |
better than this. | 1:06:26 | 1:06:29 | |
I know that for a certainty. | 1:06:30 | 1:06:32 | |
This is my summit... | 1:06:34 | 1:06:36 | |
..and all that remains from here on in is an approximation of life with Beatrice. | 1:06:37 | 1:06:43 | |
-Don't say her name. -Ah, sorry. | 1:06:43 | 1:06:46 | |
I just want you to know why I have to leave. | 1:06:46 | 1:06:50 | |
Because now that we have had... | 1:06:52 | 1:06:55 | |
You will tire of me. | 1:06:59 | 1:07:01 | |
I am your experiment... | 1:07:03 | 1:07:05 | |
..and I know it. It's fine. | 1:07:07 | 1:07:09 | |
But you will move on | 1:07:12 | 1:07:14 | |
and I cannot allow that... | 1:07:14 | 1:07:18 | |
decay... | 1:07:18 | 1:07:20 | |
..not between us. | 1:07:21 | 1:07:23 | |
I am complete, | 1:07:34 | 1:07:36 | |
forever, | 1:07:36 | 1:07:38 | |
like this. | 1:07:38 | 1:07:40 | |
DOOR SHUTS | 1:07:43 | 1:07:45 | |
FAIRGROUND MUSIC | 1:07:49 | 1:07:52 | |
JOLLITY AND LAUGHTER | 1:07:52 | 1:07:56 | |
Ah! | 1:08:07 | 1:08:08 | |
I've been looking all over for you. | 1:08:09 | 1:08:12 | |
Sorry, I'm not much company. | 1:08:12 | 1:08:14 | |
It's worse than before. | 1:08:16 | 1:08:18 | |
-I thought I'd better enjoy things in absentia. -What is wrong? | 1:08:18 | 1:08:21 | |
I told you, I hate parties, | 1:08:23 | 1:08:25 | |
especially birthdays. Somebody always drags me down. | 1:08:25 | 1:08:28 | |
-I try to get to the bottom of it, but... -Don't do that. | 1:08:28 | 1:08:31 | |
That is called introspection. It's terribly destructive, | 1:08:31 | 1:08:34 | |
especially if you're not the sort. | 1:08:34 | 1:08:36 | |
Get in. Have a plank. | 1:08:39 | 1:08:41 | |
Whoops. | 1:08:46 | 1:08:48 | |
You have been enjoying yourself. | 1:08:51 | 1:08:54 | |
We're fine. | 1:09:00 | 1:09:02 | |
We can drift a bit. | 1:09:02 | 1:09:04 | |
Get down. | 1:09:19 | 1:09:20 | |
What? | 1:09:23 | 1:09:25 | |
Get out of the car. | 1:09:27 | 1:09:28 | |
-It is another 18 miles. -Walk it. | 1:09:31 | 1:09:34 | |
Give me your shoes. | 1:09:47 | 1:09:48 | |
Give them to me. | 1:09:49 | 1:09:52 | |
Now you may feel the earth between your toes. | 1:09:57 | 1:10:00 | |
Feel it until they bleed! | 1:10:00 | 1:10:02 | |
Do you know of Blutbruderschaft? | 1:10:39 | 1:10:40 | |
-Blood brothers? -Yes. | 1:10:41 | 1:10:43 | |
I mean, originally, it was German knights. | 1:10:43 | 1:10:47 | |
They made a cut in their arms and then they rubbed each other's blood into the cut. | 1:10:47 | 1:10:51 | |
Doesn't sound awfully hygienic. | 1:10:51 | 1:10:53 | |
I think the idea was... | 1:10:56 | 1:10:58 | |
..when a man found another man that he admired | 1:10:59 | 1:11:04 | |
and that feeling was reciprocated, it was a, kind of, way of showing | 1:11:04 | 1:11:08 | |
a sort of... | 1:11:08 | 1:11:09 | |
..loyalty or commitment or... | 1:11:10 | 1:11:12 | |
..almost a love. | 1:11:14 | 1:11:15 | |
You'd need to love someone to carve yourself open. | 1:11:15 | 1:11:20 | |
All the same... | 1:11:21 | 1:11:22 | |
..I think where we are now in history... | 1:11:24 | 1:11:26 | |
..perhaps Nietzsche is right. | 1:11:29 | 1:11:31 | |
The world does spin of its own accord. | 1:11:33 | 1:11:35 | |
Not divinely, but just... because it does. | 1:11:35 | 1:11:41 | |
As we do here, | 1:11:42 | 1:11:44 | |
drifting on the water... | 1:11:44 | 1:11:46 | |
..randomly... | 1:11:47 | 1:11:49 | |
straying through an infinite nothing. | 1:11:49 | 1:11:51 | |
Rupert... | 1:11:54 | 1:11:55 | |
I haven't got a solitary clue what you're on about. | 1:11:55 | 1:11:58 | |
Good old Gerald. | 1:12:02 | 1:12:04 | |
Perhaps God is dead. | 1:12:07 | 1:12:09 | |
-What?! -I think He is. | 1:12:10 | 1:12:14 | |
Or surely He'd look after those who looked after Him a little bit better, don't you think? | 1:12:14 | 1:12:18 | |
Give them the odd sign, leg up. Keep fighting the good fight. | 1:12:19 | 1:12:23 | |
And if there is no | 1:12:25 | 1:12:29 | |
Deus ex machina forming our future and... | 1:12:29 | 1:12:32 | |
Well, where does the answer to tomorrow lie? | 1:12:33 | 1:12:37 | |
It's with us, Gerald, with manity. | 1:12:37 | 1:12:40 | |
So we must declare ourselves, if there is but this one life... | 1:12:40 | 1:12:45 | |
..we must not waste it in hesitation! | 1:12:47 | 1:12:50 | |
HEAVY SPLASH | 1:12:58 | 1:13:00 | |
-What's that? -Di! | 1:13:00 | 1:13:01 | |
There's somebody in the water. | 1:13:01 | 1:13:03 | |
-Di! -Christ, row up, quickly! -Diana! | 1:13:04 | 1:13:07 | |
Stay out of the water. Nobody else go in! | 1:13:07 | 1:13:11 | |
It's your sister, Gerald. It's Diana. | 1:13:11 | 1:13:14 | |
-It's Di, Gerald! Diana fell in. -I know. Who's gone in after her? | 1:13:14 | 1:13:18 | |
-Young Dr Brindell. -I am responsible. -Gerald, you can't go in there. | 1:13:18 | 1:13:22 | |
-Gerald! -Di! Diana! | 1:13:22 | 1:13:27 | |
Gerald! | 1:13:44 | 1:13:45 | |
-Will? -Aye. | 1:14:02 | 1:14:06 | |
Anna? | 1:14:20 | 1:14:21 | |
Is it done? | 1:14:25 | 1:14:26 | |
-Turn the lamp on. -What? | 1:14:26 | 1:14:28 | |
Let me see you. | 1:14:30 | 1:14:31 | |
See you as you are. | 1:14:33 | 1:14:34 | |
I could never be unfaithful to you. | 1:14:54 | 1:14:56 | |
You have my soul, Anna Brangwen. | 1:14:59 | 1:15:02 | |
-I tried... -Sshh. | 1:15:05 | 1:15:08 | |
Undress, come to bed. Be with me. | 1:15:08 | 1:15:11 | |
I don't understand, Anna. What happened? | 1:15:28 | 1:15:31 | |
I mistrusted you and that is an end to it. | 1:15:31 | 1:15:35 | |
But I never... | 1:15:35 | 1:15:36 | |
You're unfettered, Will, | 1:15:43 | 1:15:45 | |
and I am not. | 1:15:45 | 1:15:48 | |
You scare me sometimes. | 1:15:48 | 1:15:50 | |
I will risk everything, I promise. | 1:15:54 | 1:15:58 | |
So must you, again, with me. | 1:15:58 | 1:16:00 | |
-Come. -Where? | 1:16:20 | 1:16:22 | |
To your bed. | 1:16:22 | 1:16:23 | |
I can't go to sleep when they're still in the water. | 1:16:23 | 1:16:25 | |
Gerald. | 1:16:27 | 1:16:28 | |
-Father. -Do you have them, yet? | 1:16:29 | 1:16:31 | |
Are they safe? | 1:16:31 | 1:16:32 | |
No, I...fear it's too late. | 1:16:35 | 1:16:38 | |
Get back to it. You are in charge! | 1:16:41 | 1:16:44 | |
They're gone! | 1:16:45 | 1:16:46 | |
The currents are too strong, I'm sorry. | 1:16:47 | 1:16:50 | |
Father, there's nothing we can do. | 1:16:51 | 1:16:54 | |
They're dead, Gerald. Gerald! | 1:16:56 | 1:16:58 | |
They're dead. | 1:16:59 | 1:17:01 | |
She killed him, as he tried to save her. | 1:18:42 | 1:18:46 | |
Thank you for staying. | 1:18:50 | 1:18:51 | |
You have to go to London today, don't you? | 1:18:52 | 1:18:55 | |
I'm there myself later in the week. | 1:18:55 | 1:18:58 | |
We should perhaps meet up. | 1:18:58 | 1:19:00 | |
Gerald. | 1:19:00 | 1:19:03 | |
What? | 1:19:03 | 1:19:04 | |
Your sister. | 1:19:05 | 1:19:07 | |
What? | 1:19:07 | 1:19:08 | |
Nothing. Just... | 1:19:11 | 1:19:13 | |
You think we should discuss it, don't you? | 1:19:13 | 1:19:15 | |
No, not discuss. Just... | 1:19:18 | 1:19:20 | |
I'm getting on, Rupert. | 1:19:22 | 1:19:24 | |
Spirit of the age. Isn't that what you said? | 1:19:24 | 1:19:27 | |
Like an exploding shell? | 1:19:29 | 1:19:31 | |
A machine. | 1:19:31 | 1:19:32 | |
'It was strange, you know... | 1:19:37 | 1:19:40 | |
'under the water. | 1:19:40 | 1:19:43 | |
'It's so black and vast down there. | 1:19:43 | 1:19:45 | |
'A man...could be consumed. | 1:19:49 | 1:19:51 | |
'But on the surface? In the air? | 1:19:52 | 1:19:54 | |
'I am a machine, Rupert. | 1:19:54 | 1:19:56 | |
'I need fuelling, | 1:19:58 | 1:20:00 | |
'certain things to keep me oiled but... | 1:20:00 | 1:20:02 | |
'..that's it.' | 1:20:04 | 1:20:05 | |
After that... | 1:20:07 | 1:20:09 | |
I just carry on... | 1:20:09 | 1:20:11 | |
..through everything. | 1:20:14 | 1:20:16 | |
Did you see? | 1:20:20 | 1:20:21 | |
He died trying to save her. | 1:20:21 | 1:20:23 | |
Yes, you said. | 1:20:26 | 1:20:28 | |
She would not have overpowered me. | 1:20:32 | 1:20:34 | |
Lass, come here. Oh, come here. | 1:21:13 | 1:21:18 | |
SHE CRIES | 1:21:18 | 1:21:21 | |
I never liked him. | 1:21:22 | 1:21:23 | |
Thick as pig shit. | 1:21:24 | 1:21:26 | |
SHE LAUGHS | 1:21:26 | 1:21:27 | |
-And not half your wit. -No! | 1:21:27 | 1:21:30 | |
-Take care. -You, too. | 1:21:41 | 1:21:43 | |
Mr Gerald. | 1:21:59 | 1:22:00 | |
Abby... I didn't expect to see you here. | 1:22:01 | 1:22:05 | |
My mother lives here. Arkwright Street. | 1:22:05 | 1:22:07 | |
Ah. | 1:22:07 | 1:22:09 | |
I'm so sorry...about Miss Diana. | 1:22:10 | 1:22:13 | |
Yes. Thank you. | 1:22:13 | 1:22:15 | |
Dreadful business. | 1:22:15 | 1:22:17 | |
Would you care for a drink? | 1:22:18 | 1:22:19 | |
Yates's is, er... | 1:22:21 | 1:22:23 | |
I think I could do with a... | 1:22:23 | 1:22:25 | |
a little something. | 1:22:25 | 1:22:27 | |
Only if you have time. | 1:22:27 | 1:22:28 | |
No, I should like that. | 1:22:28 | 1:22:31 | |
Thank you. | 1:22:38 | 1:22:39 | |
GUARD'S WHISTLE | 1:23:01 | 1:23:03 | |
APPROACHING TRAIN | 1:23:03 | 1:23:07 | |
Like a panther, she comes! | 1:23:26 | 1:23:28 | |
Champagne, Charlie. Put it on Maxim's account. | 1:23:29 | 1:23:33 | |
I thought you weren't back until tomorrow. | 1:23:33 | 1:23:35 | |
-She's worn the poor bugger out. -There were some difficulties. | 1:23:37 | 1:23:42 | |
You didn't go! | 1:23:42 | 1:23:43 | |
Oh, no, we went. We stayed in a wonderful hotel, in Brighton. | 1:23:43 | 1:23:49 | |
Huzzah! | 1:23:49 | 1:23:51 | |
Then we came back this morning. | 1:23:51 | 1:23:52 | |
You lying bitch. | 1:23:55 | 1:23:56 | |
He was back in my bed last night, after having had his fill with you. | 1:23:59 | 1:24:03 | |
-Excuse me! -No, I won't. | 1:24:05 | 1:24:09 | |
But he's gone now, dear Robert. | 1:24:09 | 1:24:12 | |
He left me a note to say how happy you made him. | 1:24:12 | 1:24:15 | |
He realised he could no longer continue his dull, sterile life, | 1:24:17 | 1:24:21 | |
so he was leaving for a new start. | 1:24:21 | 1:24:25 | |
This, dear children, is the whore who stole your father. | 1:24:27 | 1:24:32 | |
-Madam, if you were a lady... -Oh, I am a lady. | 1:24:32 | 1:24:35 | |
I was brought up properly, with manners and decency and loyalty. | 1:24:35 | 1:24:39 | |
-Not to fuck my way into society. -How dare you! | 1:24:39 | 1:24:41 | |
Oh, yes, I am a lady, which you, despite your fine clothes | 1:24:41 | 1:24:45 | |
and bottles of champagne, clearly, are not. | 1:24:45 | 1:24:48 | |
You're a common slut! | 1:24:48 | 1:24:50 | |
And judging by these faces staring at you, they know it, too. | 1:24:52 | 1:24:57 | |
SHE WHISPERS | 1:25:08 | 1:25:09 | |
# Young girl, and I've just come over | 1:25:14 | 1:25:20 | |
# Over from the country where they do things big | 1:25:20 | 1:25:27 | |
# And amongst the boys I've got a lover... # | 1:25:27 | 1:25:33 | |
Dirty fucking queer! | 1:28:09 | 1:28:10 | |
Break, you bastard. Fucking break! | 1:28:30 | 1:28:33 | |
Break, you bastard. Fucking break! | 1:28:41 | 1:28:46 | |
Is that the best you can do? | 1:29:02 | 1:29:04 | |
Show me something else. | 1:29:07 | 1:29:09 | |
Something better! | 1:29:10 | 1:29:11 | |
Subtitles by Red Bee Media Ltd | 1:29:50 | 1:29:53 | |
E-mail [email protected] | 1:29:53 | 1:29:56 |