Episode 1 Women in Love


Episode 1

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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE.

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THIS PROGRAMME CONTAINS SCENES WHICH SOME VIEWERS MAY FIND DISTURBING.

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THIS PROGRAMME CONTAINS SCENES OF A SEXUAL NATURE.

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HORSE WHINNIES

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BIRDSONG

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SOFT STEPS APPROACHING

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HORSE SNORTS

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SHE MOANS

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BUZZING

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BIRDS FLAPPING WINGS

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OWL HOOTS

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Yes, we are swept up

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in a sea of scientific and technical innovation.

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The automobile, the electric light, the aeroplane, the x-ray.

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On all sides, our genius cries out

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and seems to underline Mr Darwin's assertion

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that we are, indeed, the cleverest of an evolutionary bunch.

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Yet I would say to him, as I say to all those in this house,

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look to the workings of a timepiece.

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Each ratchet and spring and cog and lever,

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all coming together in one sublime whole.

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And tell me if you think that could happen by accident?

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Of course not.

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There is always design in brilliance. And purpose, too.

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And in knowing that, we know that in each new discovery we daily make,

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we witness no more or less than the work of the greatest creator of all,

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God Himself!

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The Bible was given to us for a reason,

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as the instruction manual for our own intricate mechanism.

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For, when all is said and done,

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and we lie inert on the mortician's slab,

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no matter the x-rays that will reveal our hidden bones,

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it is our souls that will then require attention!

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-MAN:

-Hear, hear!

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APPLAUSE

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That...was magnificent.

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-You were like a god!

-Hermione, you romanticise everything.

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You were! I merely describe what I saw -

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a god.

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And as your priestess,

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I knew I must hurry across to serve you.

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Let me get you a drink.

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Thank you.

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CHILDREN CHATTER NEARBY

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BABY CRIES

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-MAN:

-Mum?

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BABY WAILS

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Mum.

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BABY WAILS

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She keeps grizzling.

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I've give her some water but... I told Conk I'd see him at three.

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Go on, then, go on.

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Shush, shush, shush. Shush, shush, shush.

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OTHER CHILDREN SHOUT

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Quiet, you two!

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Your sister.

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NEEDLE SCRATCHES

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MUSIC: "Sprach Zarathustra" by Richard Strauss

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Are you serious?

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-I thought it would cheer you up.

-That?

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MUSIC STOPS

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Well, inspire you, then. Father only put this thing in here...

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Gudrun! I don't need any musical palliatives. Really.

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I'm quite well.

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Good. I'm glad you are.

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I'm going back to London.

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-What?

-I have to.

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I've fallen behind on my course.

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-And there's a gallery that wants to see some of my work.

-Gudrun!

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Do me the courtesy.

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You're going back for your trip, after all. Aren't you?

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It's none of your business. And...

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I don't want to talk about it.

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Then why did you mention it when you first came home?

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-I beg your pardon?

-It was the first thing you said,

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your great adventure with your artist friend.

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I thought you were going to tell Father over the dinner table.

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-Don't be ridiculous.

-He's a married man.

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His marriage is over. In everything...

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Except actuality.

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I'm sorry. I don't...

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It's concern for you, you know that.

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-If other people found out...

-I don't care what other people think.

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You should. We live in a world full of other people.

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Oh, God! Even ill, you manage to sound so superior.

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-I don't want you to be hurt.

-I won't be hurt!

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The world's changed, Ursula.

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It's grown up. And I'm a modern woman in it.

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More than you are, in fact, who's chosen to stay here.

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-Prune.

-No. I refuse to dip only in the stagnant, fetid pool

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that gathers in my own back yard.

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That's the path to disaster. Not my way.

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Enough!

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You've said enough.

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I've got my just desserts.

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-That's not what I meant.

-Yes, it is.

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I'm glad I lost the baby.

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I should have loved it, I'm sure, when it was born.

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But really, I'm glad.

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That mother will no longer be able to look over at me,

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sitting in the parlour while I dangle the infant on me knee

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and think, "At last, she's made something of herself."

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THEY CHUCKLE

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Live your life, Prune, as you see fit.

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But it's yours. Remember that.

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Men cannot define you.

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-I don't...

-Yes, you do.

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Because...

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..no matter how modern you are,

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how much...variety you enjoy...

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..you still orbit them,

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make them the light by which you are illuminated.

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And if you continue on that track, Prune, then I fear that...

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..for all your freedoms...

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..you might as well climb into this bed with me now.

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CHILDREN'S VOICES OUTSIDE

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SOBS

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Hey!

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Bye.

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Bye, love. Oh. Hang on! Hang on!

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There you go.

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-You ready, then?

-Yes.

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Gudrun.

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-What?

-Your sister. Is she all right?

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She says she's much better.

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Oh. Right.

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Good.

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I'll just fetch my valise.

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It's a "bag".

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Bad do, Anna.

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Bad bloody do all round.

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ENGINE HUMS

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Set?

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Oh!

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'It's thick. The snow.'

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'Me dad said the mummers might come by later.

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'Carol us, under the window.'

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'That would be nice.'

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'They probably won't.

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'Because of the snow.'

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-I locked it.

-Well, you wouldn't want anyone to steal it, would you?

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Sherbet lemons. They've opened a kiosk.

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Do you want one?

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Here, have the bag.

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Go on.

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I needed to speak to you, actually.

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Yes?

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You know well enough.

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This crowd in London you hang about with.

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-I most certainly do not "hang about" with anyone.

-Don't split hairs.

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-You know what I mean.

-I am a fine artist, Father!

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I'm living and studying in one of the world's great capitals.

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I mix with people that you cannot understand.

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Then help me! Help me understand 'em. I want to.

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I just...

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Otherwise...

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-..I think things.

-Well, don't.

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TRAIN WHISTLE IN DISTANCE

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I'm getting on splendidly. Really.

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GUARD BLOWS WHISTLE

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Why are you doing this?

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You're a good girl, Gudrun.

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TRAIN WHISTLE TOOTS

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-MAN:

-Oh, bugger.

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Ooh, sorry.

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Ah, Miss Brangwen.

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Mr Birkin.

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What a nice surprise.

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-I didn't know you were back.

-No. No, no, no, indeed.

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It's a flying visit.

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A birthday party. Gerald Crich. Do you know him?

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No, no. I know of him, obviously. All the Crichs. We've never met.

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Oh, he's a splendid fellow.

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I ran into him in Switzerland over Easter.

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I was visiting a friend, a mutual friend as it turned out.

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Since then, we've rather become an item.

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I should introduce you.

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That would be nice.

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And how are you? I heard you'd been unwell.

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Influenza. But...

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-You still look a little pale. You don't think that...

-No, I'm fine!

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Really, I'm over the worst.

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Sorry.

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I'm a dreadful hypochondriac.

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Part of a general predisposition to naval gaze rather too much, I think!

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Gerald says I should be a character in a novel.

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Interesting, as he's never actually read one.

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Essentially, he's right. I should. One of those gloomy Russian affairs.

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Tolstoy or Dostoyevsky.

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400 pages being ill and bemoaning my inability to fit in with the world.

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Have you come to practise?

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-I assume you'll be giving us one of your thunderous readings this Sunday?

-Oh. No. No, no.

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I'm not sure I'll be around.

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I'm just erm... returning these, actually.

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I really have had them a lifetime. It suddenly occurred to me that I...

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Would you like a lift?

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Back to Beldover? I've borrowed a gig.

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I could quite easily run you.

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Oh, or were you having, er...

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having a moment?

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THEY BOTH LAUGH

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It's good to see you. Of all people.

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It's been a little while.

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Yes. Yes, I did mean to write.

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You've been busy. I understand.

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I thought perhaps you might have visited the school.

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How is Miss Roddice, by the way?

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Oh, she's, um... She's very well. Thank you.

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I'll tell her we bumped into each other.

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You are still in regular contact, then?

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Er... Yes, you know. On and off.

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-And what of Mr Skrebensky? I imagine, he's...

-I wouldn't know.

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He's been posted abroad.

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We are definitely off.

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I beg your pardon. I'm being rather forceful.

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No, not at all. No. You're being...

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refreshingly honest. As you always are.

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Ursula, where you been?

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-Mr Brangwen.

-Mr Birkin.

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-Your mother's been having kittens, fretting where you'd gone.

-I...

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You shouldn't even be out. You should be in bed still, not striding hither and yon.

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Is that yours? Sorry.

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Well, I just see you have the gauntlets.

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The motorcycle is mine, Mr Birkin.

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I apologise.

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-Would you like to touch it?

-May I?

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Yeah.

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Good Lord!

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Aye. It's the way forward.

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Them have the smell of glue in their nostrils, every one of them, if they've any sense.

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Anyway. I thank you for bringing my daughter back.

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I was going to ask Mr Birkin if he'd like to come in, Father.

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Would that be all right?

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Er, no. I don't think so, not today.

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I mean...

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Billy's not very well and...

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Cassie, she's sick n'all.

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It's like a plague house, really.

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I quite understand.

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Honestly. Gerald's promised me a special supper,

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so I shouldn't be too late back, anyway.

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But please, do keep in contact.

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-I will.

-Good day.

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Walk on.

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Father?

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You've got a visitor.

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I've no doubt you'd rather keep it private.

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Anton.

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Ursula.

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I tried wiring.

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But it's all still in its infancy over there.

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Then I drafted a letter but couldn't express my thoughts exactly.

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Why have you come?

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Because I received your letter.

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And it affected me greatly. I knew I must see you.

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The child is gone.

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Yes, I know.

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Mother.

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She told me only the barest of details.

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Horses in a field...

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-bolted.

-It is gone!

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And I am sorry for you.

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For us, it would have been wonderful.

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But we will try again.

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I can't believe I can say that!

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Because...after you left me,

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I couldn't imagine ever even speaking to you again. I felt most slighted.

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-Yes. And I am sorry.

-I was when I read what you wrote,

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-I knew you felt remorse and...

-I cannot remember what I said.

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You said there were things you had imagined you could not have with me.

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A different kind of love.

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But you saw that was all illusory at last.

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And you wanted me.

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You wanted what you could have.

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Well, you can, Ursula.

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And you must have this back.

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I should go now.

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It's shock enough, my turning up unannounced.

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I'll call tomorrow.

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In the afternoon.

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Yes.

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Lots of the men at the barracks have lovers.

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-Most, in fact.

-Do they?

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They're always mentioning some amazing fine woman or other.

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And most dash off to London the moment they finish their work.

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-What for?

-To see them!

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One fellow has a suitcase always at the ready

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and the moment he is at liberty, he whips off his spurs and runs to the train.

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It must be quite a welcome which awaits him.

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I think it is.

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Don't you like me tonight?

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-We kissed.

-Like children!

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I want to kiss properly.

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See? Not so bad?

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SHE MOANS

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SHE LAUGHS

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There you are. Anton Skrebensky.

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-I thought we should not see him again.

-Mother, please.

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It was an observation. I wasn't...

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He told me

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that you wrote of me.

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In asking for his forgiveness...

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you wrote that since you'd become pregnant,

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you saw me suddenly in a new and true light.

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That I was radically true,

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having your father and my children and my place here under the sun.

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And what was enough for me, must surely be enough for you?

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Is that what you said?

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I must have, if that is what he remembers. What of it?

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Be careful what you wish for.

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-Anna.

-I'm tired.

-And I'm awake.

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-Why must you?

-Because I must!

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-You're sheathed over.

-What?

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You don't need me.

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You're self-sufficient, you are.

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You belong elsewhere. You don't belong with me.

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-But I am your wife.

-In name you are, but not in the dark.

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Ooh, bugger, bugger, bugger!

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Everything all right?

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What do you think? No.

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Clearly.

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You need to be careful with those hammers.

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-Do you practise?

-You're like something from the Varieties.

-I'm merely trying to help.

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Then grab a rope.

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Gosh.

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Gosh?

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-You did give me the impression you wanted the party to happen modestly. If at all.

-I do! It's Father.

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-When he sets his mind to something, he doesn't bother with half measures.

-Your father?

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Oh, I mentioned some improvements to the collieries. He wants me to get on with it.

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Quid pro quo.

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His side of the bargain.

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You know, what would be really helpful, would be if you pulled on that rope,

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thus lifting your edge of the tent.

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Oh. Would you like gloves?

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If it's not too much trouble.

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-Couldn't you get the men to do it?

-Of course I could.

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Except this is the only bit of the whole event I'll actually enjoy.

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You really are the thing itself.

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I tell all of my friends that.

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In education. Generally!

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I know a man who is the spirit of the age.

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I'm putting up a tent, Rupert!

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It's an ethos, you clod!

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Energy. Speed.

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What about all the modernising at the pits? The electricity!

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Anyone would have done that.

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No. It's you.

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"Like an exploding shell shot from a gun which fragments into a million different pieces,

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"he evolves new systems, new beliefs, even."

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Ah! You can stop there.

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I know where you're going now.

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All that... Futurist gumph.

0:26:050:26:08

The pointy pictures.

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Do you know, I said to one of the buttys the other day,

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I've never been led round an art gallery to the point of actual sickness, until you took me.

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And not a single breast. I mean, normally, there is at least that to fall back on.

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Not with your friends!

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I am an industrialist!

0:26:250:26:28

I like to get things done. There's an end to it.

0:26:280:26:33

Anyway, should you even be saying that sort of stuff?

0:26:340:26:37

New beliefs and... Get you into terrible trouble upstairs, won't it?

0:26:370:26:41

I was merely observing the way you are, Gerald. I keep my own beliefs quite separate.

0:26:410:26:46

Abby.

0:26:460:26:47

Don't you just like to get things done!

0:26:500:26:53

-Oh, for goodness sake! I was smiling. That's all.

-Of course.

0:26:530:26:56

Just here on the left, please.

0:26:590:27:01

How much is that?

0:27:030:27:06

One and six, please, love.

0:27:060:27:08

Thank you.

0:27:100:27:11

Thank you.

0:27:250:27:27

-Gudrun!

-She's back. All hail the Queen!

0:27:370:27:42

# Lately I just spent a week with my old Aunt Brown... #

0:27:420:27:46

You're too kind.

0:27:460:27:48

See you, Percy.

0:27:480:27:51

-Who's that?

-Percy Lewis. Prefers Wyndham these days.

-He knows of your paintings.

0:27:510:27:56

I know of his. I would have liked to have talked to him.

0:27:560:27:59

He's best friends with Edith Sitwell. You'll bump into her, she's from up north.

0:27:590:28:04

I'm from the Midlands, Halliday.

0:28:040:28:06

Hello!

0:28:060:28:08

Freddy!

0:28:080:28:10

Freddy Von Such and Such.

0:28:100:28:13

Doesn't she have stacks of money?

0:28:130:28:16

Edith Sitwell. I think she does.

0:28:160:28:18

Money is nothing, Pussum. Class...

0:28:180:28:22

Is everything!

0:28:220:28:23

THEY LAUGH

0:28:230:28:25

# Oh, Mr Porter, what a silly girl I am... #

0:28:250:28:29

-More champagne!

-So.

0:28:290:28:32

How was it? At home.

0:28:340:28:36

It was terribly earnest, as always.

0:28:360:28:41

I spoke to Tommy Craig earlier.

0:28:410:28:43

He knows of your little adventure this weekend.

0:28:430:28:49

Does anyone else?

0:28:490:28:51

Anyone who cares to ask me.

0:28:510:28:53

Ha! You are splendid!

0:28:530:28:55

I refuse to be bound by the weary sickness of pedantry and tradition!

0:28:550:28:59

That, I can drink to.

0:28:590:29:01

But...

0:29:050:29:08

But will you really do it?

0:29:080:29:10

It's just a fuck.

0:29:140:29:16

You are magnificent.

0:29:270:29:29

Am I?

0:29:300:29:32

I'm old, Anna.

0:30:110:30:13

What you on about? You're not yet 50.

0:30:130:30:16

That's old.

0:30:180:30:21

I'm died out from the hot life, that's for sure.

0:30:210:30:24

They'll be all right, won't they?

0:30:300:30:32

The girls, they'll be all right?

0:30:330:30:39

SHOUTING AND CHEERING

0:30:440:30:46

INDISTINCT CONVERSATION

0:30:520:30:55

Oh, I thought you'd gone.

0:30:580:31:00

I forgot something.

0:31:000:31:02

You wouldn't have me beg, surely?

0:31:040:31:07

I will, of course, if I must.

0:31:070:31:10

Darling, nothing excites me more than a man in extremis, but on this occasion, I must decline.

0:31:180:31:25

I must reserve all my strength for tomorrow, after all.

0:31:250:31:29

You have the strength of ten.

0:31:290:31:32

Let me be the hors d'oeuvre.

0:31:320:31:35

Really, I can't.

0:31:390:31:40

-But Halliday said you were a good sport.

-What?

0:31:430:31:47

-He said you were a good sport.

-I heard what you said. Um...

0:31:470:31:50

Talk to me next week, Freddy. I might be a little freer then.

0:31:570:32:01

Or we'll see each other at your mother's party, won't we?

0:32:010:32:04

We can talk then.

0:32:060:32:08

What?

0:32:090:32:11

I meant to mention.

0:32:110:32:14

It's nothing personal,

0:32:140:32:16

but she says the numbers will be wrong, apparently, if...

0:32:160:32:21

I'm not even sure I'll go myself.

0:32:210:32:23

Fine. Well, I'll see you in class, then.

0:32:250:32:31

RAUCOUS CHEERING AND LAUGHTER

0:32:340:32:36

KNOCK AT DOOR

0:32:460:32:49

Oh! I was coming down.

0:32:520:32:55

Oh.

0:32:550:32:56

I thought you might prefer it up here.

0:32:560:32:59

I will. Now you've brought it. Thank you.

0:32:590:33:04

Your father's motorcycle won't start.

0:33:090:33:12

He's late for work.

0:33:120:33:15

I said to him, you don't get that with a horse.

0:33:150:33:18

Less it's dead, of course.

0:33:180:33:21

When he sold the farm, I remember, I told him, there's much to recommend

0:33:210:33:26

this life, Will, over a town, and you'll come to see it one day.

0:33:260:33:31

Are you all right?

0:33:330:33:35

He loves you very much, you know.

0:33:350:33:39

Your father.

0:33:390:33:42

Oh, Mother.

0:33:420:33:43

-Oh, Mother.

-Stop fussing.

0:33:430:33:46

I'm not fussing. You're upset.

0:33:460:33:50

You were upset yesterday after Anton's visit. What's going on, Mother?

0:33:500:33:55

Please!

0:33:550:33:58

He held you so close to the flame.

0:33:580:34:00

So young.

0:34:000:34:02

What? Who did?

0:34:020:34:06

You think I don't approve of how you live. And...

0:34:060:34:10

Well, it's true. What's happened now with you and Anton Skrebensky,

0:34:100:34:14

I doubt I should've allowed myself to get in the same position.

0:34:140:34:18

All this need for independence, too. Wanting to work and...

0:34:180:34:24

That's not something I can understand either.

0:34:240:34:27

But... I'm not sour.

0:34:270:34:31

We are not so different, Ursula, you and I. That's what I mean.

0:34:350:34:40

And I realise,

0:34:420:34:44

it maybe isn't all your fault. How things have turned out.

0:34:460:34:49

And perhaps if I had been less...

0:34:490:34:52

certain after we were married...

0:34:530:34:57

With Father?

0:34:580:35:00

I knew where his love would go.

0:35:030:35:04

And I knew, too, the dangers of making so young a heart swell,

0:35:040:35:09

of how a person receiving such devotion might grow,

0:35:090:35:14

live their whole lives yearning for that same fierce passion

0:35:140:35:20

and how that might, one day,

0:35:200:35:22

cause that person to suffer somehow.

0:35:220:35:29

I knew all that

0:35:310:35:34

and I did nothing.

0:35:340:35:35

But I'm not sour.

0:35:440:35:46

I'm sorry.

0:35:480:35:50

MOTORCYCLE STARTS OUTSIDE

0:35:550:35:57

-What about Mother?

-She's got little Billy and your sister to look after.

0:36:010:36:05

-She'll not mind.

-So why are we whispering?

0:36:050:36:08

Cos we don't want to wake her, do we? Ursula, it's gala day.

0:36:080:36:12

Do you know how many gala days you get in a year?

0:36:120:36:14

Few, my duck. Very few. Now come on!

0:36:140:36:18

Geronimo!

0:36:180:36:20

-Go on, have a swing. You know you want to.

-No!

0:36:230:36:27

-But there's the thrill of the drop. Run out, let go and drop.

-I'm scared.

0:36:270:36:33

Go-o-o-o!

0:36:330:36:35

SHE SCREAMS EXCITEDLY

0:36:350:36:37

Ursula!

0:36:380:36:40

Ursula!

0:36:430:36:46

SHE GASPS FOR BREATH

0:36:460:36:48

It's all right. It's all right. It's all right. I've got you.

0:36:500:36:53

Well done. You did it, didn't you?

0:36:530:36:55

You swung in from that great, high rope. There's a good girl!

0:36:550:37:00

Fair now. I'll win you a goldfish and we can go on the swing boats.

0:37:000:37:06

Good girl.

0:37:060:37:07

-Hello, Robert.

-Gudrun.

0:37:250:37:29

Are you ready?

0:37:310:37:33

Yes.

0:37:330:37:36

I was just... looking at your work.

0:37:360:37:39

It's Eadweard Muybridge.

0:37:390:37:41

I merely photographed the photographs.

0:37:430:37:46

All photography is theft, Robert! That's the point.

0:37:480:37:51

And the more we writhe for the camera, the more the soul remains obscured.

0:37:510:37:56

-Another one of your paintings sold yesterday, at the Serpentine.

-Another!

0:37:580:38:04

The painting of the street light.

0:38:040:38:06

Ah-ha!

0:38:060:38:08

Were any of yours?

0:38:080:38:10

I'm not a real artist, Gudrun.

0:38:120:38:15

That is why I teach.

0:38:150:38:18

But I have my moments of optimism. Like anyone else.

0:38:180:38:22

And now is one such moment.

0:38:220:38:24

Our very own adventure!

0:38:240:38:26

The Isle of Wight!

0:38:260:38:27

GUARD WHISTLES

0:38:290:38:31

Et voila! The connection is at midday, the boat at two.

0:38:330:38:37

-I can't.

-What?

-I can't do it. I'm sorry.

0:38:370:38:42

But...

0:38:460:38:47

I thought I could.

0:38:470:38:49

I want to.

0:38:490:38:51

But I'm not like you.

0:38:510:38:54

-I'm a married man.

-But we have to go, Robert. We've announced it.

0:38:550:39:00

In our hearts...

0:39:000:39:03

There, we have already made the commitment.

0:39:030:39:07

We have to have our time away together, Robert.

0:39:070:39:09

We're artists. It is our duty to rise above the crowd.

0:39:090:39:15

I know my limitations, Gudrun.

0:39:150:39:18

I am a middle-aged man who plays at painting, but what am I? Actually?

0:39:180:39:23

Someone who stands at the front of a classroom, in order to support a wife and two small children.

0:39:230:39:29

Oh, very well, Robert. If you insist.

0:39:310:39:35

But you can't leave it like this, here.

0:39:360:39:39

At least come away with me for an afternoon.

0:39:410:39:44

We can go to Brighton, we can see the sea, and then we can return home this evening.

0:39:440:39:48

SHE LAUGHS

0:39:530:39:55

Come on.

0:39:550:39:57

WATER BIRDS CALLING

0:40:150:40:17

'Look at Nottingham. Look at the lights.

0:40:330:40:36

'Aren't they an abomination?'

0:40:360:40:38

-Polluting the dark.

-At the same time, they do help you to see.

0:40:380:40:42

'They do, though. It would be hell without them. I must go back tomorrow.

0:40:420:40:47

'My leave has expired.

0:40:470:40:50

'Oh, Anton. You should have said.'

0:40:500:40:53

-I would have arranged something special.

-Perhaps I have.

0:40:530:40:58

Aah!

0:41:180:41:20

-I'm sorry.

-No. No. It's fine. It's fine.

0:41:210:41:26

Aah! Aah! Aah! Aah! Aah!

0:41:260:41:33

What's the matter?

0:41:330:41:34

Nothing. Nothing. It's fine.

0:41:370:41:42

SHALLOW BREATHING

0:42:010:42:04

BREATHING GETTING FASTER

0:42:100:42:12

BREATHING SLOWING DOWN

0:42:190:42:22

You are wrong, Mother!

0:42:320:42:34

What's the matter? What is it, child?

0:42:340:42:36

You think you have damaged me. You...

0:42:360:42:39

What has happened with Anton is because of Father and...

0:42:390:42:42

And you are right.

0:42:420:42:44

When I recall, we did have some times.

0:42:440:42:46

-And I have said...

-No! Wait.

0:42:460:42:49

I've always known.

0:42:530:42:55

I felt, rather than thought.

0:42:570:43:01

And you are right, probably. About father. His role.

0:43:010:43:05

But that is not why Anton and I...

0:43:050:43:09

The problem is sex, Mother.

0:43:100:43:14

Sex, love.

0:43:140:43:16

I broke with Anton because...

0:43:160:43:19

he did not feed that animal side of me.

0:43:190:43:22

The felt life.

0:43:220:43:25

And I wrote to get back together because I was pregnant and I was scared.

0:43:250:43:29

But now, with the baby gone,

0:43:290:43:33

I was certain once more I am meant to be free.

0:43:330:43:37

To indulge my passion in this life.

0:43:370:43:41

But it is not passion, Mother,

0:43:410:43:42

which drives me on. It is lust.

0:43:420:43:47

And insatiable desire.

0:43:470:43:51

And that is what stood between me and Anton.

0:43:510:43:54

It's the same thing.

0:43:540:43:56

What?

0:43:560:43:58

The passion that you talk of.

0:43:580:44:00

For life and...

0:44:020:44:04

all that's out there and the other thing.

0:44:040:44:06

They're the same.

0:44:060:44:09

We must keep ourselves warm, Ursula.

0:44:090:44:11

We must. There is no shame in it, what happens between people,

0:44:110:44:15

between them as love each other.

0:44:150:44:18

And so we must keep the flame burning, crackling in the grate.

0:44:180:44:22

Otherwise, we're cold on the earth, when soon enough we're going to be cold beneath it.

0:44:220:44:26

Do you see?

0:44:260:44:28

You are lucky. You have felt the truth of it.

0:44:280:44:32

That some do not, or cannot, for whatever reason.

0:44:320:44:34

Some choose to be cold. They choose the gone-out world.

0:44:340:44:38

Because it offers less danger, less shame, perhaps.

0:44:380:44:42

But no-one should choose it.

0:44:440:44:47

Find love that burns your very soul.

0:44:470:44:52

And know this, that it will burn your body, too.

0:44:520:44:55

And if it does not,

0:44:550:44:58

then you're not in love.

0:44:590:45:01

It's Mr Skrebensky.

0:45:130:45:15

Good afternoon.

0:45:240:45:26

It's my uncle's. I thought it would cheer Ursula up.

0:45:260:45:29

So...where to?

0:45:370:45:40

-Southwell, I thought. Or, um...

-Could we go to the sea?

0:45:400:45:43

-What?

-Would it get us to the coast?

-Of course.

0:45:430:45:46

< Ursula!

0:45:480:45:50

LAUGHING

0:45:560:45:58

Gudrun!

0:45:580:45:59

Oh, it really is a frightful drop!

0:45:590:46:01

-Please...

-Come. Come and see.

-Be careful.

0:46:010:46:04

Come here!

0:46:040:46:06

-Oh, my Lord!

-Look!

0:46:080:46:10

No... I don't like this at all.

0:46:100:46:12

-You laugh, but one slip and you'll be over, all snuffed out.

-Good!

0:46:140:46:18

We must pass beyond life, Robert.

0:46:180:46:20

And a little way into death if we are ever to feel truly alive.

0:46:200:46:23

You are so beautiful.

0:46:300:46:32

Why are you with me?

0:46:320:46:33

Because I can be.

0:46:400:46:42

Feel that.

0:46:450:46:47

What can you feel?

0:46:470:46:50

Tell me.

0:46:500:46:51

I feel...happiness.

0:46:550:46:58

First time in my life.

0:46:590:47:01

Real happiness.

0:47:030:47:04

See? You're a poet as well as a painter.

0:47:040:47:08

I am flesh and blood.

0:47:130:47:15

That's why cliffs scare me.

0:47:150:47:18

I would break if I fell.

0:47:180:47:20

But you...

0:47:200:47:22

..you're eternal.

0:47:230:47:25

So you can look.

0:47:250:47:26

Lunch in ten minutes.

0:47:410:47:44

Lovely. Thank you.

0:47:440:47:45

And have you seen the book?

0:47:470:47:49

-On Mont Blanc. I'm sure it'll remind you of the holiday.

-No, um...

0:47:500:47:55

You weren't terribly precise.

0:47:550:47:57

Right at the top.

0:47:570:47:59

Why do you keep it up there? Don't you look at it very often?

0:48:000:48:03

It's a book on mountaineering, Rupert.

0:48:030:48:06

Gerald, Christ!

0:48:080:48:11

It gets hard around the Thesauruses.

0:48:120:48:15

They and I have a natural aversion to one another.

0:48:150:48:18

-Be careful.

-I'm...

0:48:180:48:21

I'm fine.

0:48:210:48:23

Never in doubt.

0:48:230:48:24

Ta-ra!

0:48:260:48:27

-Rupert.

-Miss Roddice.

0:48:280:48:30

-Good afternoon.

-Gerald.

-Hermione.

0:48:300:48:33

You're five hours early.

0:48:360:48:38

I thought I might be able to assist in the preparations.

0:48:380:48:42

And failing that,

0:48:420:48:44

a chance to catch up with Mr Birkin on one of his ever rarer trips

0:48:440:48:48

-outside of Nottingham.

-Ooh, that reminds me -

0:48:480:48:51

are we going to try and take in the county game?

0:48:510:48:53

-We could still get back in time.

-I'm sure you've loads to tell me.

0:48:530:48:57

Actually, it's rather unfortunate.

0:48:570:48:59

But if I'd known you were coming earlier, I'd have been able to...

0:48:590:49:03

But as it is, I have some business to attend to.

0:49:030:49:07

I meant to mention. It won't take too long.

0:49:070:49:10

There is a tent I've got to finish putting up, actually.

0:49:150:49:18

You don't fancy...?

0:49:200:49:22

You will not even fuck me.

0:49:370:49:39

-Your cock. Would that excite you?

-Hermione!

0:49:390:49:42

SHE LAUGHS

0:49:420:49:43

You cannot fuck me!

0:49:430:49:46

I know you can get aroused. You're not a real man. You're a boy.

0:49:470:49:50

-You want...

-Stop it.

0:49:500:49:53

-It's happening.

-Hermione!

-You needed words.

0:49:540:49:57

I knew you needed words.

0:49:570:49:58

I warn you!

0:49:580:50:00

So, will this man stand up in church on Sunday and read the Gospel?

0:50:000:50:05

You hypocrite! Is not marriage and union with a woman

0:50:050:50:09

at the very heart of the Christian community?

0:50:090:50:12

Rupert? Rupert?

0:50:120:50:13

So, even if you cannot do your duty by me as a man,

0:50:130:50:17

you should come to me hard and ready as a disciple of Jesus.

0:50:170:50:21

And if you cannot do that,

0:50:210:50:23

what are you doing in the Church?

0:50:230:50:27

Mmm.

0:50:340:50:36

Mmm!

0:50:380:50:39

Oh, lovely, ta.

0:50:390:50:41

Good.

0:50:410:50:42

Where are the children?

0:50:450:50:47

Billy took them out. He was desperate.

0:50:480:50:50

Gone over to Cossell.

0:50:500:50:52

Will you go out later?

0:50:540:50:56

Yeah, I might.

0:50:570:51:00

Up the church. Practise a bit.

0:51:000:51:02

-Why?

-I wondered. It is a Saturday afternoon.

0:51:030:51:07

It's your time.

0:51:070:51:08

You do not want to be with me any more.

0:51:220:51:24

-You what?

-I understand.

-Hang on.

0:51:300:51:32

You think you have not enough of me and maybe you don't, except...

0:51:320:51:37

maybe, too, you don't make it good between us any more.

0:51:370:51:40

You're not interested.

0:51:400:51:42

What in God's name are you talking about, Anna?

0:51:420:51:45

Would you like to have another woman?

0:51:450:51:47

-What?

-Would you?

0:51:480:51:50

I can't believe...

0:51:520:51:54

-Why would you say such a thing?

-I think you would.

0:51:550:51:58

-Now, you listen to me, Anna. I don't know where...

-You must do what you have to.

0:51:580:52:02

I want you to.

0:52:020:52:04

But you're mine, Will Brangwen. You're my man, and I'll never let you go.

0:52:040:52:09

And if I have ever wronged you, it was fear. You must understand that.

0:52:090:52:13

I understand you've gone mad!

0:52:130:52:15

No, now I have my sanity.

0:52:150:52:16

And you must do whatever it takes, but then you must come back to me.

0:52:160:52:20

Cos we cannot just whiten into ash. We have to find a way.

0:52:200:52:24

That's enough! Just... stop with all your...

0:52:240:52:28

your "make it good again".

0:52:280:52:30

What's come over you?

0:52:300:52:32

What are you doing?

0:52:330:52:35

I'm going out. You want me out, don't you?

0:52:350:52:37

-I'm not interested in you any more.

-Not like this!

0:52:370:52:40

I must mend me ways. Well, bugger you! If I'm that bad, you'll not miss me, will you?

0:52:400:52:45

DOOR SLAMS

0:52:480:52:49

You don't understand me.

0:52:510:52:53

I'll have a bitter.

0:52:570:52:59

And a port.

0:53:000:53:02

Oh, God!

0:53:180:53:20

-That's the spirit.

-I thought you'd cleared off.

0:53:200:53:24

-I'm back.

-Apparently.

0:53:240:53:27

It's the small talk I can't bear.

0:53:280:53:30

It's a black art, don't you agree?

0:53:300:53:33

-DOOR OPENS

-Has anyone seen my purse?

0:53:330:53:37

Good Lord, Diana! What have you come as? A Christmas tree?

0:53:370:53:40

If the world were ending, my sister would merely ask, "Does the molten sun go with my sash, do you think?"

0:53:420:53:49

Ah, present.

0:53:500:53:52

-What?

-It is today, isn't it? The actual birthday.

0:53:520:53:55

I haven't given you a present yet.

0:53:550:53:57

Did you wrap it yourself?

0:53:590:54:01

-Yes.

-You should have left the light on.

0:54:010:54:04

It's a cigarette lighter. It's called a Wonderlite.

0:54:080:54:12

It stays on until you shut the lid.

0:54:120:54:14

Ha!

0:54:170:54:18

That is...marvellous.

0:54:180:54:20

Thank you.

0:54:220:54:23

Oh, bugger! Ha-ha!

0:54:240:54:26

-It's fine.

-Sorry.

0:54:260:54:28

-All set?

-I hope you are.

0:54:350:54:38

Plenty here already.

0:54:380:54:40

-And I shall attend to them, every one.

-Good.

0:54:400:54:44

You're a Crich, Gerald. Never forget that.

0:54:440:54:46

We can be relied upon.

0:54:460:54:48

Yes, we can.

0:54:480:54:50

Good boy.

0:54:530:54:54

Yes.

0:54:560:54:58

< Rupert.

0:55:090:55:11

At last.

0:55:120:55:14

Hm.

0:55:150:55:17

I, um...

0:55:180:55:20

I have some Wagner.

0:55:200:55:23

I wanted to tell you. I know you like to listen.

0:55:230:55:25

Yes, yes. I should, um... I should like that.

0:55:250:55:28

You could come back after church tomorrow.

0:55:280:55:32

Er...I don't think I'll be going.

0:55:330:55:35

Why not?

0:55:350:55:36

Oh, I, um... I just, I have...

0:55:360:55:39

I have some things to do.

0:55:390:55:42

I'll ring you to arrange a time.

0:55:420:55:44

If Gerald can spare you, of course.

0:55:450:55:48

I just...

0:55:500:55:52

..don't want your brain to atrophy, Rupert. That's all.

0:55:520:55:56

You are one of our great minds,

0:55:570:56:01

and spending time with Gerald Crich...

0:56:010:56:04

Unless of course you want to know all the new ways of getting coal from the ground?

0:56:040:56:11

You cannot speak to me like that any more.

0:56:110:56:14

We are just friends now.

0:56:140:56:16

Rupert...

0:56:180:56:20

no matter what you tell yourself, you know the truth as well as I.

0:56:200:56:25

We will never just be friends because you need me too much.

0:56:250:56:29

I am your spiritual bride

0:56:290:56:33

and that...is why I find it so objectionable...

0:56:330:56:37

..to discover that I am overlooked

0:56:390:56:41

for the attentions of a dull, boorish oaf.

0:56:410:56:45

You are such a snob.

0:56:450:56:47

No.

0:56:480:56:49

I am honest about who I am.

0:56:510:56:54

I do not go slumming for entertainment.

0:56:550:56:59

Excuse me. One moment.

0:57:050:57:06

We should probably set off quite soon.

0:57:300:57:33

You've had quite a look now.

0:57:330:57:35

I think Skegness might have been better.

0:57:410:57:44

-More to do.

-Here is perfect.

0:57:450:57:48

Oh, no. Absolutely. I've loved it. All those...

0:57:480:57:51

All the sand, water.

0:57:520:57:54

I have to give you this.

0:58:040:58:06

-What have I done wrong?

-Nothing.

0:58:100:58:13

So...

0:58:130:58:14

You do not accompany me... into the unknown.

0:58:190:58:24

You do not...set off with me...

0:58:250:58:29

through life, into...wonder.

0:58:300:58:34

-It's just words.

-Oh!

0:58:340:58:36

Words.

0:58:380:58:39

Now tell me why you cannot be with me so I can understand.

0:58:410:58:46

-You don't satisfy me.

-What?

0:58:480:58:51

Physically, you...

0:58:510:58:53

The other things, they are...

0:58:550:58:58

..a journey which lovers must take.

0:58:590:59:01

So they may feel the earth between their toes.

0:59:010:59:05

But the journey must first be ignited...

0:59:060:59:10

and you don't.

0:59:100:59:11

I don't satisfy you?

0:59:130:59:15

You've never satisfied me.

0:59:160:59:18

I'm sorry. I'm so sorry.

0:59:260:59:28

SEAGULLS CAW

1:00:241:00:27

LAUGHTER AND CLAPPING

1:00:511:00:53

Thank you. Thank you.

1:00:551:00:57

Madam, could you wake the man up next to you? We need the seat for the eight o'clock house.

1:00:571:01:02

LAUGHTER

1:01:021:01:05

-Cheers!

-Cheers!

1:01:051:01:06

That was the best turn we've had.

1:01:141:01:16

I've a good mind to go up Rollins... for a cup of their best coffee

1:01:221:01:27

and some of their pastry fancies.

1:01:271:01:31

If anyone would care to be treated.

1:01:311:01:33

BABY CRIES Oh, come here.

1:01:371:01:39

No, he's not coming.

1:01:521:01:54

PANTING AND GROANING

1:01:541:01:56

I can still taste that cake on you.

1:02:031:02:05

Weren't it lovely?

1:02:051:02:08

-Not as lovely as you.

-All right, then.

1:02:081:02:10

Give us your jacket.

1:02:101:02:13

This is me best frock.

1:02:151:02:18

I'm not getting grass up it.

1:02:181:02:20

Right.

1:02:261:02:28

Yeah.

1:02:281:02:30

HE MOANS

1:02:431:02:46

No.

1:02:471:02:49

What?

1:02:531:02:55

Ah...

1:02:551:02:56

No.

1:02:561:02:58

What you on about? I said you could.

1:02:581:03:01

Yeah, I know. I know and I...

1:03:011:03:04

I can't.

1:03:051:03:06

What do you mean, you can't?

1:03:061:03:09

-What's wrong with me?

-Oh, there's nowt wrong with you!

1:03:091:03:14

You're beautiful. You're...

1:03:141:03:17

I had a girl like you.

1:03:241:03:25

And her skin were like yours.

1:03:281:03:30

Only now it in't.

1:03:321:03:34

But that's all right, cos...

1:03:361:03:38

..it got like that with me.

1:03:401:03:42

Do you see?

1:03:431:03:45

A young lad needs to look on you.

1:03:471:03:51

Not some old bugger like me.

1:03:531:03:56

A young lad...

1:03:571:03:59

..who knows nowt else but you.

1:04:011:04:03

Isn't that better?

1:04:231:04:25

You must have me, Robert,

1:04:271:04:29

or else you are incomplete.

1:04:291:04:31

I know you better than you know yourself.

1:04:331:04:37

People make such a fuss about sex.

1:04:411:04:43

But it really is the most natural thing in the world.

1:04:431:04:46

Why mightn't we do it when we please?

1:04:481:04:51

Robert?

1:04:531:04:55

Yes.

1:04:561:04:57

What are you doing?

1:04:591:05:01

I'm going to get dressed.

1:05:041:05:05

There's a train in about 25 minutes.

1:05:091:05:12

We could still...

1:05:121:05:14

-I can still...

-Go back?

1:05:141:05:16

Please, don't say anything.

1:05:161:05:19

Robert.

1:05:191:05:21

You don't have to come. You can stay here, enjoy the place.

1:05:211:05:24

I already paid the bill, er...any extras.

1:05:241:05:29

Breakfast. There's a carriage ride along the front. I think that's included.

1:05:291:05:34

Are you insane?

1:05:341:05:35

Was this your plan all along?

1:05:381:05:40

Once the ship was breached, to desert it like a bloated rat?

1:05:401:05:44

-How can you say that?

-How can I?

1:05:441:05:47

It's not I, who seconds after emptying myself of my precious seed, runs for the station!

1:05:471:05:54

It's my own fault.

1:05:581:05:59

You warned me.

1:06:011:06:03

You warned me at the station that you hadn't the stomach for it.

1:06:041:06:07

This is not that! I swear.

1:06:121:06:15

-What is it then?

-It's...

1:06:151:06:18

I cannot ever feel...

1:06:231:06:26

better than this.

1:06:261:06:29

I know that for a certainty.

1:06:301:06:32

This is my summit...

1:06:341:06:36

..and all that remains from here on in is an approximation of life with Beatrice.

1:06:371:06:43

-Don't say her name.

-Ah, sorry.

1:06:431:06:46

I just want you to know why I have to leave.

1:06:461:06:50

Because now that we have had...

1:06:521:06:55

You will tire of me.

1:06:591:07:01

I am your experiment...

1:07:031:07:05

..and I know it. It's fine.

1:07:071:07:09

But you will move on

1:07:121:07:14

and I cannot allow that...

1:07:141:07:18

decay...

1:07:181:07:20

..not between us.

1:07:211:07:23

I am complete,

1:07:341:07:36

forever,

1:07:361:07:38

like this.

1:07:381:07:40

DOOR SHUTS

1:07:431:07:45

FAIRGROUND MUSIC

1:07:491:07:52

JOLLITY AND LAUGHTER

1:07:521:07:56

Ah!

1:08:071:08:08

I've been looking all over for you.

1:08:091:08:12

Sorry, I'm not much company.

1:08:121:08:14

It's worse than before.

1:08:161:08:18

-I thought I'd better enjoy things in absentia.

-What is wrong?

1:08:181:08:21

I told you, I hate parties,

1:08:231:08:25

especially birthdays. Somebody always drags me down.

1:08:251:08:28

-I try to get to the bottom of it, but...

-Don't do that.

1:08:281:08:31

That is called introspection. It's terribly destructive,

1:08:311:08:34

especially if you're not the sort.

1:08:341:08:36

Get in. Have a plank.

1:08:391:08:41

Whoops.

1:08:461:08:48

You have been enjoying yourself.

1:08:511:08:54

We're fine.

1:09:001:09:02

We can drift a bit.

1:09:021:09:04

Get down.

1:09:191:09:20

What?

1:09:231:09:25

Get out of the car.

1:09:271:09:28

-It is another 18 miles.

-Walk it.

1:09:311:09:34

Give me your shoes.

1:09:471:09:48

Give them to me.

1:09:491:09:52

Now you may feel the earth between your toes.

1:09:571:10:00

Feel it until they bleed!

1:10:001:10:02

Do you know of Blutbruderschaft?

1:10:391:10:40

-Blood brothers?

-Yes.

1:10:411:10:43

I mean, originally, it was German knights.

1:10:431:10:47

They made a cut in their arms and then they rubbed each other's blood into the cut.

1:10:471:10:51

Doesn't sound awfully hygienic.

1:10:511:10:53

I think the idea was...

1:10:561:10:58

..when a man found another man that he admired

1:10:591:11:04

and that feeling was reciprocated, it was a, kind of, way of showing

1:11:041:11:08

a sort of...

1:11:081:11:09

..loyalty or commitment or...

1:11:101:11:12

..almost a love.

1:11:141:11:15

You'd need to love someone to carve yourself open.

1:11:151:11:20

All the same...

1:11:211:11:22

..I think where we are now in history...

1:11:241:11:26

..perhaps Nietzsche is right.

1:11:291:11:31

The world does spin of its own accord.

1:11:331:11:35

Not divinely, but just... because it does.

1:11:351:11:41

As we do here,

1:11:421:11:44

drifting on the water...

1:11:441:11:46

..randomly...

1:11:471:11:49

straying through an infinite nothing.

1:11:491:11:51

Rupert...

1:11:541:11:55

I haven't got a solitary clue what you're on about.

1:11:551:11:58

Good old Gerald.

1:12:021:12:04

Perhaps God is dead.

1:12:071:12:09

-What?!

-I think He is.

1:12:101:12:14

Or surely He'd look after those who looked after Him a little bit better, don't you think?

1:12:141:12:18

Give them the odd sign, leg up. Keep fighting the good fight.

1:12:191:12:23

And if there is no

1:12:251:12:29

Deus ex machina forming our future and...

1:12:291:12:32

Well, where does the answer to tomorrow lie?

1:12:331:12:37

It's with us, Gerald, with manity.

1:12:371:12:40

So we must declare ourselves, if there is but this one life...

1:12:401:12:45

..we must not waste it in hesitation!

1:12:471:12:50

HEAVY SPLASH

1:12:581:13:00

-What's that?

-Di!

1:13:001:13:01

There's somebody in the water.

1:13:011:13:03

-Di!

-Christ, row up, quickly!

-Diana!

1:13:041:13:07

Stay out of the water. Nobody else go in!

1:13:071:13:11

It's your sister, Gerald. It's Diana.

1:13:111:13:14

-It's Di, Gerald! Diana fell in.

-I know. Who's gone in after her?

1:13:141:13:18

-Young Dr Brindell.

-I am responsible.

-Gerald, you can't go in there.

1:13:181:13:22

-Gerald!

-Di! Diana!

1:13:221:13:27

Gerald!

1:13:441:13:45

-Will?

-Aye.

1:14:021:14:06

Anna?

1:14:201:14:21

Is it done?

1:14:251:14:26

-Turn the lamp on.

-What?

1:14:261:14:28

Let me see you.

1:14:301:14:31

See you as you are.

1:14:331:14:34

I could never be unfaithful to you.

1:14:541:14:56

You have my soul, Anna Brangwen.

1:14:591:15:02

-I tried...

-Sshh.

1:15:051:15:08

Undress, come to bed. Be with me.

1:15:081:15:11

I don't understand, Anna. What happened?

1:15:281:15:31

I mistrusted you and that is an end to it.

1:15:311:15:35

But I never...

1:15:351:15:36

You're unfettered, Will,

1:15:431:15:45

and I am not.

1:15:451:15:48

You scare me sometimes.

1:15:481:15:50

I will risk everything, I promise.

1:15:541:15:58

So must you, again, with me.

1:15:581:16:00

-Come.

-Where?

1:16:201:16:22

To your bed.

1:16:221:16:23

I can't go to sleep when they're still in the water.

1:16:231:16:25

Gerald.

1:16:271:16:28

-Father.

-Do you have them, yet?

1:16:291:16:31

Are they safe?

1:16:311:16:32

No, I...fear it's too late.

1:16:351:16:38

Get back to it. You are in charge!

1:16:411:16:44

They're gone!

1:16:451:16:46

The currents are too strong, I'm sorry.

1:16:471:16:50

Father, there's nothing we can do.

1:16:511:16:54

They're dead, Gerald. Gerald!

1:16:561:16:58

They're dead.

1:16:591:17:01

She killed him, as he tried to save her.

1:18:421:18:46

Thank you for staying.

1:18:501:18:51

You have to go to London today, don't you?

1:18:521:18:55

I'm there myself later in the week.

1:18:551:18:58

We should perhaps meet up.

1:18:581:19:00

Gerald.

1:19:001:19:03

What?

1:19:031:19:04

Your sister.

1:19:051:19:07

What?

1:19:071:19:08

Nothing. Just...

1:19:111:19:13

You think we should discuss it, don't you?

1:19:131:19:15

No, not discuss. Just...

1:19:181:19:20

I'm getting on, Rupert.

1:19:221:19:24

Spirit of the age. Isn't that what you said?

1:19:241:19:27

Like an exploding shell?

1:19:291:19:31

A machine.

1:19:311:19:32

'It was strange, you know...

1:19:371:19:40

'under the water.

1:19:401:19:43

'It's so black and vast down there.

1:19:431:19:45

'A man...could be consumed.

1:19:491:19:51

'But on the surface? In the air?

1:19:521:19:54

'I am a machine, Rupert.

1:19:541:19:56

'I need fuelling,

1:19:581:20:00

'certain things to keep me oiled but...

1:20:001:20:02

'..that's it.'

1:20:041:20:05

After that...

1:20:071:20:09

I just carry on...

1:20:091:20:11

..through everything.

1:20:141:20:16

Did you see?

1:20:201:20:21

He died trying to save her.

1:20:211:20:23

Yes, you said.

1:20:261:20:28

She would not have overpowered me.

1:20:321:20:34

Lass, come here. Oh, come here.

1:21:131:21:18

SHE CRIES

1:21:181:21:21

I never liked him.

1:21:221:21:23

Thick as pig shit.

1:21:241:21:26

SHE LAUGHS

1:21:261:21:27

-And not half your wit.

-No!

1:21:271:21:30

-Take care.

-You, too.

1:21:411:21:43

Mr Gerald.

1:21:591:22:00

Abby... I didn't expect to see you here.

1:22:011:22:05

My mother lives here. Arkwright Street.

1:22:051:22:07

Ah.

1:22:071:22:09

I'm so sorry...about Miss Diana.

1:22:101:22:13

Yes. Thank you.

1:22:131:22:15

Dreadful business.

1:22:151:22:17

Would you care for a drink?

1:22:181:22:19

Yates's is, er...

1:22:211:22:23

I think I could do with a...

1:22:231:22:25

a little something.

1:22:251:22:27

Only if you have time.

1:22:271:22:28

No, I should like that.

1:22:281:22:31

Thank you.

1:22:381:22:39

GUARD'S WHISTLE

1:23:011:23:03

APPROACHING TRAIN

1:23:031:23:07

Like a panther, she comes!

1:23:261:23:28

Champagne, Charlie. Put it on Maxim's account.

1:23:291:23:33

I thought you weren't back until tomorrow.

1:23:331:23:35

-She's worn the poor bugger out.

-There were some difficulties.

1:23:371:23:42

You didn't go!

1:23:421:23:43

Oh, no, we went. We stayed in a wonderful hotel, in Brighton.

1:23:431:23:49

Huzzah!

1:23:491:23:51

Then we came back this morning.

1:23:511:23:52

You lying bitch.

1:23:551:23:56

He was back in my bed last night, after having had his fill with you.

1:23:591:24:03

-Excuse me!

-No, I won't.

1:24:051:24:09

But he's gone now, dear Robert.

1:24:091:24:12

He left me a note to say how happy you made him.

1:24:121:24:15

He realised he could no longer continue his dull, sterile life,

1:24:171:24:21

so he was leaving for a new start.

1:24:211:24:25

This, dear children, is the whore who stole your father.

1:24:271:24:32

-Madam, if you were a lady...

-Oh, I am a lady.

1:24:321:24:35

I was brought up properly, with manners and decency and loyalty.

1:24:351:24:39

-Not to fuck my way into society.

-How dare you!

1:24:391:24:41

Oh, yes, I am a lady, which you, despite your fine clothes

1:24:411:24:45

and bottles of champagne, clearly, are not.

1:24:451:24:48

You're a common slut!

1:24:481:24:50

And judging by these faces staring at you, they know it, too.

1:24:521:24:57

SHE WHISPERS

1:25:081:25:09

# Young girl, and I've just come over

1:25:141:25:20

# Over from the country where they do things big

1:25:201:25:27

# And amongst the boys I've got a lover... #

1:25:271:25:33

Dirty fucking queer!

1:28:091:28:10

Break, you bastard. Fucking break!

1:28:301:28:33

Break, you bastard. Fucking break!

1:28:411:28:46

Is that the best you can do?

1:29:021:29:04

Show me something else.

1:29:071:29:09

Something better!

1:29:101:29:11

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1:29:501:29:53

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1:29:531:29:56

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