Episode 2 Women in Love


Episode 2

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This programme contains some strong language, scenes which some viewers may find disturbing and scenes of a sexual nature.

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DISTANT EXPLOSIONS

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HE RETCHES

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EXPLOSION NEARBY

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Never even used the bloody thing.

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Good luck.

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EXPLOSIONS CONTINUE

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Oh, God.

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Fix bayonets!

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Fix bayonets!

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Ready, men?

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THEY YELL

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GUNSHOTS

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HEAVY BREATHING

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Halt!

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Come on!

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Come on!

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HE CHUCKLES

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Kill me!

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Whoa! Whoa! Whoa!

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HORSE NEIGHS >

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Easy, girl. Easy!

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I think we should get rid of her, Mr Gerald. She's uncontrollable.

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Nothing is uncontrollable.

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It's just a matter of will.

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I'll tame her.

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How's your father, sir?

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I hope you don't mind me asking, but is he any better?

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He's alive, Mr Sutton.

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Or he was when I left him half an hour ago.

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I've no doubt he'll hang on for my sister's wedding.

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He's paying for it, after all.

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FOOTSTEPS APPROACH, DOOR OPENS >

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Gudrun. What are you doing?

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I have a train to catch.

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-But the opening?

-Will be a triumph.

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Really, Maurice. The exhibits are ready,

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the gallery looks wonderful.

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-Mightn't we at least go for a drink? The Pompadour's...

-I don't go in there, Maurice. You know that.

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It's full of frauds.

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Anyway, I'm expected.

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And I mustn't disappoint.

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For goodness' sake, Gerald. Sit still.

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He does it deliberately. He knows I hate waiting.

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-He's got a wooden leg.

-He could hop.

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Gerald, it's a night out at the theatre.

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-It's Hamlet - it's not torture.

-Well, we'll see about that, won't we?

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CHILDREN SING # Ring a ring o'roses

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# A pocket full of posies

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# Atishoo, atishoo, we all fall down. #

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BABY CRIES

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I was surprised when you said you were coming home.

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Well, I was bored. That's all.

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I wanted to see if the situation was merely geographical.

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Such a long time, this last one, though.

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I think we'd rather given up on you.

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What happened, Prune?

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Nothing happened.

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Nothing at all. I was becoming an artist and...

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And surviving a war. Like everybody else.

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Well, you're here now.

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That's the main thing. C'est bon!

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What a moaner.

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I was going to wave my handkerchief halfway. Hope they'd take me out and shoot me.

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-I know you only say it to irritate me.

-Let's go and have supper - rescue the evening.

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Just let me say hello.

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Well, don't expect me to lie on your behalf. I won't pretend I enjoyed it.

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Relation or otherwise.

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-Rupert.

-Hello, Sam!

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How good of you to come.

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Not at all. It was wonderful.

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Samantha, this is Gerald Crich.

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-Pleased to meet you, Mr Crich.

-And I you.

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Excellent.

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Best I've seen.

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SHE CHUCKLES

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Mm!

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Oysters.

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In Nottingham. Apparently it's the most landlocked place in the country.

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If Gerald wants something he usually gets it.

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How do you two know each other, then? Did you fight together?

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Hard to say. I tended to keep my eyes shut most of the time.

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He won a medal.

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We knew each other before the war.

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Then we took up again after I resigned my commission.

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I worked as a nurse at Dover. Did Rupert tell you?

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You know, he was incredibly vague about his...theatrical cousin.

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Especially in certain key areas. SHE GIGGLES

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I don't normally do this.

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Never kid a kidder.

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This is a nice surprise.

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I need a change.

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I can't walk through town like this.

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Listen, you couldn't do me a favour, could you?

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I left in a bit of a hurry this morning.

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-I didn't have time to give anything.

-Money?

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What else? RUPERT SCOFFS >

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-Sam won't want money. She...

-I think I'd rather close the account all the same.

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-£10, say.

-No!

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No. Do your own dirty work.

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I'm merely trying to behave like a gentleman, Rupert.

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Maintain a...

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-few standards.

-Christ, Gerald!

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Where have you been for the past four years?

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The old ideas are as dead as nails.

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We must find a new way of existing.

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Rupert, I want you to drop some money off for me,

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not open a bloody vein.

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What do you live for?

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-To make things go, to move forwards.

-Still?!

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Oh! And you would have us go backwards, would you?

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Or sideways, perhaps? I mean, one never knows with you, Rupert.

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You've revoked God, you've revoked humanity -

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-should the bunnies be quaking now? I mean, what the bloody hell's left?

-Love!

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The more I think about it, it's...

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so blindingly obvious. Love is...

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the antithesis of death - of negation.

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It's the purest positive form.

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And it is meant to be the centre and core of our lives.

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Meaningful union.

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With a member of the opposite sex.

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As nature intended.

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That has to be the be-all and end-all of our existence and anything else...

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Meaningless...

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sating of a body - a corrupt body - which rots.

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Rupert, I slept with the woman - I didn't fuck her in the grave!

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Besides which, when it comes to behaving correctly with a lady,

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perhaps you should take a little look in the mirror.

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You're not exactly blemish-free there yourself, are you?

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-Saddle her up.

-But Mr Gerald. She's not ready.

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-Just do it.

-Yes, sir.

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< TRAIN WHISTLE BLOWS

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Good day.

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Gerald Crich. And you are?

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Gudrun Brangwen.

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Our schoolteacher's sister.

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The artist.

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You should really let her back until the train has passed.

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She's fine.

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-You're hurting her.

-I'm teaching her.

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-She doesn't like it!

-I don't care.

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Hurry up!

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-You've made her bleed.

-Miss Brangwen, she is no use to me

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if she shies and whinnies every time she hears a train. In addition,

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you must understand that deep down, she wants to be ridden.

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That's how horses are.

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They have two wills.

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With the one, they want to be wild and free.

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But with the other, they want to put themselves in the human power completely.

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And that is a fact of life.

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Oh, aren't you a proud man, Mr Crich!

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Aren't you a proud man!

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Prune, there you are.

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-Hello.

-Ooh, may I?

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I can't settle. I'm out of my rhythm.

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I'll walk home with you.

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I'm not going. There's a wedding.

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Father's playing, I...

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I thought I'd like to hear how he sounds.

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-All right! Rupert Birkin will be there. It's a chance to see him.

-Really?

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-Prune, I've told you - we are friends, nothing more.

-Of course.

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Try not to look quite so famished.

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There! There's Rupert Birkin in the green.

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That's Rupert Birkin?

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Oh! I'm sorry - in your letters, you...

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I just thought there'd be more of him.

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That's Hermione Roddice.

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Come. There's nothing more to see.

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Winnie!

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Miss Brangwen. I thought it was you.

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-How do you do?

-Very well, thank you.

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And your sister. How nice to see you again.

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-Er...?

-We bumped into each other, this morning.

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You should have come into the church. There was room at the back.

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Well, I did not mean to come at all but Ursula wanted to hear our father play.

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It was first class. As ever.

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Rupert, don't slink off. Miss...

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-Miss Brangwen is here.

-Really...

-Nonsense!

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He'd be mortified to think he missed you.

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-Rupert.

-We did wave.

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I was just about to say so.

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Well, that's a start.

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Do you know Miss Brangwen's sister?

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-No, I think you'd moved to London before...

-You are Gudrun Brangwen?

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I have two of your pieces.

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-Hermione Roddice.

-Oh! How nice.

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Whenever I see Miss Brangwen, I always remind her what a talented sister she has.

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You must bring your genius to see me at Breadalby.

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Of course, we're hugely proud of what Ursula has achieved, too, at the school.

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How do you two know each other?

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Oh, We had a row this morning.

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But it's all forgotten now.

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How is the animal?

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Gudrun. What is the matter?

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What do you think?

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Crich. Behaving as if he owns the very ground upon which I walk.

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Well, he does, for the most part.

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"Room at the back." In the public pews - how dare he?

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'Father...

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'I was thinking -

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'Do you suppose Winnie might benefit from some extra tuition?

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'She seems to have a particular talent for drawing.

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'Perhaps we should...'

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encourage her rather more in that direction.

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I think it's...

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I think it's an excellent idea, Gerald. Do you have anyone in mind?

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I think there may be someone.

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Leave it to me.

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Sorry. Sorry. Didn't mean to alarm you.

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You didn't.

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Oh, it's so dark.

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I think it's going to rain.

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The children don't return until tomorrow.

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Yes, I know, I, er...

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I'm not here officially.

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I...thought I ought to come.

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Seeing you at the church the other day, I realised I hadn't been in touch for some time and...

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I didn't want you to think that I was behaving...improperly with you.

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Rupert!

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It IS you.

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Hermione. What are you doing here?

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Well, I was driving. I saw your car.

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SHE CHUCKLES

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Miss Brangwen.

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Twice in as many days.

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-How delightful.

-Hermione.

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Do remind your sister, won't you?

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My, er...invitation.

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I do so want to discuss her work, Rupert.

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It's full of a primitive passion. I think that you would really...

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I'm well aware of Miss Branwgen's oeuvre. Thank you.

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I will call again when term has started.

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Though, as I say, everything here seems exemplary.

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Is it, though, Rupert?

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Is Miss Brangwen really helping our children?

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She teaches them to understand the flower -

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to know all its functions and its biology -

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but in so doing, doesn't she condemn them to miss the most important thing of all...

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the flower's essential scent?

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Knowing is everything to you, Hermione.

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-It is all your life.

-You must leave Miss Brangwen alone, Rupert.

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She will want her tea.

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She cannot sit around listening to your theories all day.

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Please...

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don't take any notice of her.

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What you do here is wonderful.

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Mr Birkin.

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-Rupert!

-Yes?

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-Is there something the matter?

-Yes.

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Yes, there is.

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I'm confused, I confess.

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You see...

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we've known each other for some time now -

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especially since I broke off my engagement - and...

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we have become friends, I think.

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You certainly treat me warmly.

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More than you might a friend, I suspect, and yet...

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That is all we are - friends. Still.

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And people have started to comment.

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They wonder at our relationship and I defend it...

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But what do you want of me, Mr Birkin?

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I don't understand.

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Winnie, this is Miss Brangwen.

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-How do you do?

-I'll leave you to get to know each other.

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So...

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-..how shall we begin?

-We can draw Bismarck!

-Bismarck?

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He's through there.

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Mr Crich.

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I'm here.

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See? He looks so splendid.

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He's almost as big as a lion.

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-Shall we take him out?

-He's a fearful kicker.

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We'll try, shall we?

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Come on. There we go...

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-Ooh... Ow! Ow!

-You should get one of the men to do that for you.

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-Bismarck! You're behaving terribly.

-Oh, you...

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I know these beggars of old.

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-He's not hurt, is he?

-No.

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But he ought to be.

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-They do scratch so, don't they?

-Oh, how vile. Mine's nothing...

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What a devil.

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I love the water.

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Well, you know we may treat it as our own from now on.

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I wonder if dear Gerald holds the rest of his employees in the same regard.

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-I do think he's quite in awe of me.

-SHE CHUCKLES

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It's...rather wonderful.

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I hope you don't encourage him.

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Oh, Ursula, Gerald's a man.

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They think it's their right to have you.

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You don't need to encourage them.

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So tired... Very tired...

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Just...

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concentrate on getting better.

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Look to the long game.

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Did you have many men?

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-What?

-In London. I...

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You seem to have grown up such a lot and...sometimes in your letters...

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Ursula! Really.

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I'm curious. I'm not...

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I have so little experience, you see. Apart from Anton.

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That's your own business.

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Do you think love needs sex?

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That is why I ask.

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What?

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I mean... when you are in love, and there is

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a physical relationship, I know that sex must burn at the very core of it.

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I just wonder whether...

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in the way that some can seem to have sex totally outside of love and enjoy it...

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can others, perhaps, find love outside of sex?

0:25:150:25:20

Where does sex fit...

0:25:200:25:22

in relation to love, do you think?

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Sex is power.

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It's where we have power, and...

0:25:300:25:33

-beyond that I don't go.

-BIRDS SQUAWK AND FLUTTER

0:25:330:25:36

Huh! You see? You're a man, you want to do a thing, you do it.

0:25:380:25:43

Seriously, Gudrun.

0:25:430:25:45

The men I've slept with in town,

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the Bohemian crowd, they're Bohemian because they can afford to be.

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They're rich and they're lazy and they're spoilt and...

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..sex is all they're good for.

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Love's never really an issue. So I...

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don't trouble myself with thoughts of it.

0:26:050:26:08

-GUDRUN GASPS

-Winifred! I'm late for our lesson.

0:26:080:26:12

'Right.

0:26:160:26:18

'Music...'

0:26:180:26:20

and...

0:26:200:26:22

cigarettes.

0:26:220:26:24

LAUGHTER AND MUSIC

0:26:240:26:25

No more witticisms, please. I shall commit murder.

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I think you'd get away with it.

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No-one would blame you.

0:26:300:26:32

(He keeps staring at me.)

0:26:340:26:37

That's good, surely?

0:26:380:26:40

-Salsie!

-Sorry, I'm late.

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This is my brother, everyone.

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Just down from The Lords.

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Have you met my driver?

0:26:520:26:54

My God, Gerald! Are you all right?

0:26:540:26:57

Don't indulge him. He could've waited for Roberts. Let him fix it.

0:26:570:27:00

-I did fix it!

-Mmmm.

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Allow me.

0:27:050:27:06

I'm sorry, is it not clean?

0:27:140:27:16

It's fine.

0:27:160:27:18

Thank you.

0:27:180:27:20

Forgive me. HE POURS

0:27:210:27:24

-I didn't expect to see you here.

-Oh, I do apologise.

0:27:240:27:27

It's my artistic bent, you see.

0:27:300:27:32

It gets me into the poshest of places.

0:27:320:27:35

I'm going for a walk.

0:27:410:27:44

Will you come with me?

0:27:440:27:46

Ursula. Don't speak. Just listen to me, please.

0:27:460:27:50

-Please, don't doubt my feelings for you.

-Rupert!

0:27:500:27:54

I need to see you.

0:27:570:27:59

-Actually, I'm rather busy.

-It won't wait...I'm afraid.

0:27:590:28:03

I really must insist.

0:28:040:28:06

-Are you ready?

-Yes.

0:28:180:28:20

-Yes. A walk would be good.

-WHOOPING

0:28:200:28:23

Come on.

0:28:240:28:25

It's beautiful.

0:28:320:28:34

And worth the money?

0:28:340:28:36

If you have it, yes. It's a first edition.

0:28:380:28:40

Well, I've bought it for you.

0:28:400:28:42

-Hermione, please...

0:28:430:28:46

What?

0:28:460:28:47

I had hoped that we could remain friends, but I see now...

0:28:500:28:53

I know she is my rival.

0:28:530:28:55

Miss Brrrrangwen.

0:28:570:28:59

She is not your rival.

0:28:590:29:01

-No-one is your rival because there is nothing between us, you and me.

-SHE LAUGHS

0:29:010:29:07

How plain must I be? We are done, Hermione.

0:29:070:29:10

And yet here you are.

0:29:110:29:12

You asked me to look at a book.

0:29:120:29:15

Isn't there always...a reason?

0:29:150:29:19

I'm leaving.

0:29:200:29:21

No!

0:29:210:29:23

Kiss me.

0:29:270:29:29

What?

0:29:290:29:30

-Kiss me.

-What? Stop it.

0:29:310:29:33

Stop it! Stop it!

0:29:330:29:36

Why would you do that, of all things?

0:29:360:29:39

We are dead in the ground! Don't...dig the corpse up.

0:29:390:29:44

No, you don't.

0:29:560:29:57

I don't let you.

0:29:570:29:59

JAZZ PLAYS IN DISTANCE

0:30:160:30:19

Oh, it's so much more magical at night.

0:31:000:31:04

Let's bathe.

0:31:040:31:06

-But we haven't any costumes.

-Oh, Gudrun!

0:31:070:31:09

THEY SQUEAL

0:31:090:31:12

Oh, I do sometimes entertain fantasies of being utterly kept, you know.

0:31:220:31:27

-Having this sort of thing on tap.

-You'd be bored witless in a week.

0:31:270:31:31

That's why the rich all intermarry.

0:31:310:31:33

You are too cruel.

0:31:330:31:35

It's why you behave as you do with Gerald Crich, isn't it?

0:31:370:31:40

The rich can't be universally dismissed.

0:31:400:31:43

Some of them are just like us.

0:31:430:31:45

They bleed, too, Gudrun.

0:31:450:31:47

Oh, yes, Gerald Crich has suffered much!

0:31:470:31:50

He lost his brother.

0:31:510:31:54

What? When?

0:31:550:31:57

Mother told me. He was killed. When they were both quite young.

0:31:570:32:02

No-one knows the details.

0:32:020:32:04

Apparently the whole town was gossiping about it.

0:32:040:32:07

I think it all got hushed up, in truth. My point being...

0:32:070:32:10

he is quite worthy of your attention, if you only thought fit to give it.

0:32:100:32:15

Let's get out.

0:32:150:32:17

I'm cold.

0:32:170:32:19

# You are my honey, honeysuckle

0:32:250:32:29

# I am the bee

0:32:290:32:34

# I'd like to sip the honey sweet

0:32:340:32:39

# From those red lips, you see

0:32:390:32:42

# I love you dearly, dear And I want...

0:32:440:32:49

I wish I could draw you.

0:32:490:32:51

Sorry. I...

0:32:530:32:55

It's all right, I was... I was miles away.

0:32:550:32:58

COWS LOW

0:33:080:33:11

I'm sure they won't do anything.

0:33:170:33:19

Careful.

0:33:190:33:22

Hue! Hi-ee! Hi-ee! Hi-ee!!

0:33:280:33:30

What do you think you're doing?

0:33:320:33:34

-Why have you come?

-You were so long, you... It's not safe.

0:33:340:33:39

The bull gored one of the farmer's cows to death the other day.

0:33:390:33:43

What do I care of that?

0:33:430:33:44

What do you care?

0:33:470:33:50

Of his cattle?

0:33:500:33:52

Nothing. I imagine. Have you any idea how much money they are worth?

0:33:520:33:56

-Money. You've been waiting for this moment, haven't you? To feel safe.

-What are you talking about?

0:33:560:34:00

Since you invited me to Shortlands, you've wanted me in this position! I'm your equal, Gerald Crich.

0:34:000:34:06

You have struck the first blow.

0:34:060:34:07

And I shall strike the last.

0:34:070:34:10

It's no good being angry with me.

0:34:120:34:15

It is you who makes me behave like this.

0:34:150:34:17

I'm not angry with you.

0:34:180:34:20

Miss Brangwen.

0:35:020:35:03

I wasn't sure you were in today.

0:35:030:35:06

Couldn't you see me from the attic?

0:35:080:35:10

The line of sight was perfect for me.

0:35:110:35:14

You were away all of yesterday. That's why I was uncertain.

0:35:170:35:21

Indeed.

0:35:210:35:24

I feared a cold.

0:35:240:35:26

But it seems I'm quite well...

0:35:260:35:28

Was there anything the matter?

0:35:280:35:30

Would you...

0:35:300:35:32

care to join me for dinner this evening?

0:35:320:35:34

I should be delighted if you would.

0:35:370:35:39

Of course.

0:35:420:35:44

-Ursula.

-Oh, my God!

-I knew you came this way back from school.

0:35:570:36:02

-What happened?

-Oh...

0:36:020:36:04

It's nothing. I fell.

0:36:040:36:06

-Where have you been? You disappeared from the party.

-I want you to be with me!

0:36:060:36:11

You asked me what I wanted from you. And, erm, that's it.

0:36:110:36:15

It's over between me and Hermione.

0:36:150:36:18

Finally. I want you to be with me.

0:36:180:36:24

But...it's not love that I offer you.

0:36:240:36:30

Well, not in the usual sense.

0:36:300:36:33

Nor do I want it returned in that form either.

0:36:330:36:37

Do you understand?

0:36:370:36:38

That you don't love me? Except in some...

0:36:420:36:45

-strange, obscure way which requires a lot of hand wringing.

-No...

0:36:450:36:49

Do you find me good-looking, even?

0:36:490:36:52

-Or attractive?

-It's not a question of looks!

0:36:520:36:56

I want a woman that I don't see.

0:36:560:36:59

I want...

0:36:590:37:01

a union where nothing that is already known applies!

0:37:010:37:05

You think I'm raving, don't you?

0:37:060:37:08

Bash on the bonce and then the ramblings start.

0:37:080:37:12

I'm done with this world, Ursula.

0:37:120:37:15

It's let me down.

0:37:170:37:20

God and man.

0:37:200:37:21

Now I want to explore...

0:37:230:37:25

another way of living...

0:37:250:37:27

And what do you hope to find at the end of this great...

0:37:270:37:32

expedition of yours?

0:37:320:37:34

Peace.

0:37:370:37:38

A lasting peace.

0:37:420:37:44

Do you always dress for dinner?

0:38:430:38:45

I believe in good manners.

0:38:460:38:49

Then I apologise if I'm lowering the tone somewhat.

0:38:510:38:54

Of course, if you'd warned me.

0:38:560:38:57

Miss Brangwen...

0:38:570:39:00

why do you tease me so?

0:39:000:39:03

I don't care what you wear.

0:39:030:39:05

I do care that you haven't spoken a single word of the other night.

0:39:050:39:09

You talk to me of good manners, Mr Crich?

0:39:110:39:14

It happened.

0:39:140:39:16

And it was delightful. And now we move on.

0:39:180:39:24

KNOCK ON DOOR

0:39:280:39:30

Dr Oxley is leaving, Sir.

0:39:320:39:35

Excuse me.

0:39:420:39:44

Oh, Gerald.

0:40:070:40:08

What is it?

0:40:080:40:11

Yes.

0:40:110:40:12

Sorry.

0:40:120:40:15

-The doctor wanted to get off.

-What did he say?

0:40:150:40:18

There was some medicine.

0:40:180:40:20

New medicine.

0:40:200:40:22

Yes. You told me.

0:40:220:40:24

Right...

0:40:240:40:26

But it hasn't worked.

0:40:260:40:28

Was always a long shot.

0:40:280:40:30

So, that's it.

0:40:300:40:33

More or less.

0:40:330:40:36

Just have to wait now.

0:40:360:40:39

Continue to wait.

0:40:390:40:40

-What are you doing?

-I must go.

0:40:440:40:47

And...

0:40:470:40:49

Yes. You should be alone anyway.

0:40:510:40:54

-Let me drive you.

-No, I... No, I'd rather walk.

0:40:540:40:57

Then I'll walk with you.

0:40:570:40:59

It's so strange, in our old age, we become like children again...

0:41:020:41:06

That's how Father is now.

0:41:080:41:11

I'm everything to him...

0:41:110:41:12

he could be my son.

0:41:140:41:17

You mustn't give up hope.

0:41:200:41:22

In our family... once anything goes wrong, it can never be put right again.

0:41:220:41:26

You know I killed my brother?

0:41:290:41:31

Oh, er...

0:41:310:41:33

Ursula said that there was an accident when...

0:41:330:41:37

When you were both very little.

0:41:370:41:39

I shot him.

0:41:390:41:40

We found a gun... in the gamekeeper's lodge.

0:41:440:41:47

We played with it, as boys do.

0:41:470:41:50

It went off.

0:41:530:41:55

And I killed him.

0:41:570:41:59

Gerald.

0:42:090:42:10

Gerald.

0:42:100:42:12

TRAIN HORN BLASTS

0:42:190:42:21

Oh! Ah.

0:42:400:42:42

-Ursula...

-You didn't think to tell me?

-What?

0:43:470:43:52

I went to your Nottingham townhouse.

0:43:520:43:54

-They said you no longer resided there.

-Oh, well!

0:43:540:43:58

It was to be a surprise.

0:43:580:43:59

So...don't you think it wonderful?

0:44:010:44:04

And it's not only the rooms I've given up.

0:44:040:44:07

But my job, too...

0:44:070:44:09

I've some savings I can draw on and...

0:44:090:44:12

I want to write. Perhaps I'll be able to sell that.

0:44:120:44:16

What matters is...

0:44:160:44:18

finding one's own way, Ursula...

0:44:180:44:20

Refusing to conform. Hm?

0:44:200:44:22

Rupert?

0:44:220:44:24

Oh! She's just arrived.

0:44:260:44:28

Rupert...

0:44:280:44:29

Where do you want this?

0:44:310:44:33

Er, just one minute...

0:44:330:44:35

She came to apologise.

0:44:350:44:38

-Take me home.

-Ursula.

0:44:380:44:39

-Ursula.

-Take me home!

0:44:410:44:44

I ran into her.

0:45:070:45:09

In town. She was contrite.

0:45:090:45:12

And to show it, she thought she might help you re-arrange your furniture?

0:45:120:45:16

I was being decent. Why must I hate her?

0:45:160:45:19

She tried to bludgeon you to death.

0:45:190:45:22

If you weren't so jealous you'd understand.

0:45:220:45:24

Jealous!? Of Hermione Roddice?

0:45:240:45:27

She is nothing to me. Not that... It is you I despise.

0:45:270:45:30

And your lies!

0:45:300:45:32

You're like a dog who must return to his own vomit.

0:45:320:45:35

-You're a fool.

-Yes! I am a fool.

0:45:350:45:38

And thank God for it. I'm too big a fool to swallow your cleverness.

0:45:380:45:41

So go to your soul mate.

0:45:410:45:43

Since I am common and fleshly, aren't I?

0:45:430:45:46

-What?

-I lust after physical things.

0:45:460:45:50

-I showed you my love and you were repulsed!

-Afternoon.

0:45:500:45:53

-No.

-Yes.

0:45:560:45:58

I would have done it, Rupert. There, in the church yard.

0:45:580:46:01

I wanted to do it, sex.

0:46:010:46:03

Because sex is important to me and I am not ashamed to say so.

0:46:030:46:06

I wanted to be with you as I understand it.

0:46:060:46:11

-Except, when you felt my need, you pulled away.

-No.

0:46:110:46:14

-You did! It turned your stomach!

-It did not! It did not.

0:46:140:46:17

Forgive me, I...

0:46:210:46:22

I don't know...

0:46:250:46:26

I don't know how... I don't know how I should live any more.

0:46:290:46:34

Every, single breath comes with such

0:46:370:46:41

responsibility now.

0:46:410:46:43

It's something of a burden.

0:46:450:46:47

All the more reason not to hide away.

0:46:470:46:50

To engage fully.

0:46:500:46:52

Life is savage, Rupert.

0:46:550:46:57

Or it is not life at all.

0:46:570:47:01

HE SOBS

0:47:050:47:08

Letter for you, Mr Crich.

0:48:090:48:11

Thank you, Albert.

0:48:110:48:13

TRAIN WHISTLES

0:48:240:48:26

Gerald!

0:48:330:48:34

There! Can't expect to move into a new place

0:48:390:48:41

without a few house warming presents, can you?

0:48:410:48:44

What?

0:48:440:48:45

-What are you doing?

-I came to see you.

0:48:450:48:49

Gerald, you're not yourself despite any avowals to the contrary.

0:48:490:48:52

LAUGHS: Good old Rupert. Like a mind-reader sometimes.

0:48:530:48:57

All right. I want you to come to Africa with me.

0:48:570:49:01

-Africa?

-I've bought a mine!

0:49:010:49:04

Diamonds this time. Got it off a German chap, believe it or not.

0:49:040:49:07

I need to go and see it. So...

0:49:070:49:09

Your father...

0:49:090:49:10

Of course... I don't mean right away, go, but... soon, I think.

0:49:110:49:14

And obviously, from your point of view, there'll be no cost. I'll...

0:49:160:49:20

Why! Why would I just leave?

0:49:200:49:22

Why wouldn't you?!

0:49:220:49:23

There's...

0:49:230:49:26

There's Ursula.

0:49:260:49:28

She and I seem to have found a decent understanding lately.

0:49:280:49:33

Even better! I hoped she'd come.

0:49:330:49:35

-In fact, I've already...

-Gerald!

0:49:350:49:38

Tell me the truth, Gerald.

0:49:380:49:40

All this, this trouble and expense. What's the real reason?

0:49:400:49:45

I want Gudrun to accompany me.

0:49:460:49:48

-And I think if her sister and you...

-What?

0:49:510:49:55

I haven't actually been able to ask her myself.

0:49:550:49:59

She's in London, she took off.

0:49:590:50:02

She's uncertain of me, I think.

0:50:020:50:05

But I do know that if she were to spend some proper time with me,

0:50:050:50:08

then she'd see that I'm serious.

0:50:080:50:10

About Gudrun?

0:50:100:50:12

You're serious about her?

0:50:120:50:14

I enjoy her company.

0:50:160:50:18

-We've become close.

-But she's not your sort at all.

0:50:180:50:21

What do you mean "my sort"?

0:50:210:50:23

Look, I bought you a bloody pineapple.

0:50:230:50:25

-I'm expecting some support over this!

-Yes, but...

0:50:250:50:28

It's not love though.

0:50:280:50:30

What?

0:50:300:50:32

You're not in love with her?

0:50:320:50:34

Why do you say that?

0:50:350:50:38

I mean... Why do you assume?

0:50:380:50:40

Well, I assume because, as I'm sure you'd be the first to admit,

0:50:400:50:44

it is sex which usually binds you to a woman.

0:50:440:50:48

And I can only say that for Gudrun, I do have feelings.

0:50:480:50:50

Oh, I'm sure you have feelings, Gerald.

0:50:500:50:54

But where do they start? And where do they end? Hmmm?

0:50:540:50:57

All the same, the four of us.

0:50:570:51:00

On an adventure. I think it would be a wonderful tonic, don't you?

0:51:000:51:03

No.

0:52:100:52:13

You must...

0:52:160:52:19

You must put it down.

0:52:190:52:23

You must put it down.

0:52:240:52:28

Be careful.

0:52:290:52:32

No. Father!

0:52:370:52:41

Father, I've had words!

0:52:410:52:44

Father, please! Father, please!

0:52:440:52:48

GUNSHOT!

0:53:230:53:24

I want you to write a letter to Miss Brangwen.

0:53:340:53:38

Tell her to come back, immediately.

0:53:390:53:43

Say that you're sick.

0:53:430:53:46

But she is already here. She called this afternoon.

0:53:460:53:51

My lessons resume tomorrow.

0:53:510:53:55

DOOR OPENS

0:53:590:54:01

Jesus!

0:54:120:54:13

Jesus!

0:54:130:54:17

Is he...?

0:54:190:54:20

There.

0:54:470:54:49

He looks better now.

0:54:490:54:50

I'll give you a minute.

0:54:500:54:52

HE BREATHES DEEPLY

0:55:090:55:14

HE WHIMPERS

0:55:290:55:32

HE WAILS

0:55:320:55:37

Why have you come?

0:57:000:57:01

Because I must.

0:57:010:57:03

Why do you ask?

0:57:060:57:08

I must ask.

0:57:100:57:13

Slow down. You're going to kill me.

0:58:080:58:10

There's a rather lovely simplicity to Gerald, isn't there?

0:58:100:58:14

He's a doer. He'll tell anyone that!

0:58:140:58:15

Oh, sweets.

0:58:150:58:19

I would like a pennyworth of those, please.

0:58:190:58:24

Hurry up!

0:58:240:58:26

For goodness sake! It's going in two minutes. You need to get on board.

0:58:260:58:31

-And where are you going?

-To get some cigarettes and a paper.

0:58:310:58:34

SHE CHUCKLES

0:58:340:58:37

-Rupert! Gerald.

-Samantha!

0:58:370:58:42

-How are you?

-Very well, I...

0:58:440:58:46

I came to see Rupert off.

0:58:460:58:48

SHE WHISPERS

0:58:480:58:51

WHISTLE BLOWS

0:58:510:58:52

Prune! Give me a hand with my case, will you?

0:58:520:58:55

WHISTLE BLOWS

0:58:550:58:58

God, what a mess.

0:59:130:59:15

It's a different world.

0:59:550:59:57

My God, Gerry.

0:59:571:00:00

-You've done it now.

-Do we have to ride?

1:00:001:00:03

After a journey like that? I want to stretch my legs a little.

1:00:031:00:05

By all means, Rupert. It's 120 degrees.

1:00:051:00:09

You take Shank's. I'll take the pony.

1:00:101:00:14

It's about two hours, apparently.

1:00:161:00:18

I've reached my place, Gerald!

1:00:531:00:56

-Finally.

-Our place. You've reached our place.

1:00:561:01:02

What? What?

1:01:321:01:34

I don't have to. Every time.

1:01:341:01:38

But I want to.

1:01:401:01:43

The settlers just went.

1:01:541:01:56

As soon as the next haul of diamonds or gold was discovered,

1:01:561:02:00

they just upped and offed.

1:02:001:02:02

Why couldn't they be satisfied?

1:02:021:02:05

Because people never are.

1:02:051:02:07

SHOUTING AND LAUGHTER

1:02:141:02:17

MUSIC PLAYS

1:02:171:02:19

What did I do wrong?

1:02:271:02:29

WHISTLES AND APPLAUSE

1:02:481:02:52

Encore!

1:02:521:02:54

See? A question...

1:03:001:03:03

MUSIC STARTS UP AGAIN

1:03:121:03:15

-Ah! Come on. Let's try again.

-OK.

1:03:151:03:19

Gluttons! HE LAUGHS

1:03:211:03:24

What?

1:03:291:03:30

You've convinced me, finally. I surrender to my heritage.

1:03:301:03:36

To the visceral, sodden, Midlands and their dirty, dirty, men.

1:03:361:03:41

MAN CLEARS HIS THROAT

1:03:481:03:52

They are getting it, your friends, the Schuhplattern.

1:03:521:03:55

Bless you!

1:03:551:03:57

I mean the dance. That is its name, Schuhplattern.

1:03:571:04:00

Bloody exhausting, that's what we'd call it in England.

1:04:001:04:03

-Gerald Crich.

-I'm Wolfgang Loerke.

1:04:031:04:06

-And I'm...

-Gudrun Brangwen.

1:04:061:04:08

I saw your name in the register. I am an artist, too.

1:04:081:04:11

Your work is in Berlin.

1:04:111:04:14

-No!

-A private collection in the Altes Museum.

1:04:141:04:18

Good heavens...

1:04:181:04:21

Please, sit down.

1:04:241:04:27

So. which one...

1:04:271:04:31

The Altes Museum. A private collection on loan.

1:04:311:04:34

Mein Herr? My niece would be most pleased to dance with you.

1:04:341:04:39

Ah, I see.

1:04:391:04:42

Isn't her English very good?

1:04:421:04:44

My English is perfect.

1:04:441:04:46

But one would hate to give the impression that German girls

1:04:461:04:50

do not know how to behave in polite company.

1:04:501:04:52

In that case, the pleasure is all mine.

1:04:521:04:56

The young woman is, how do you say it?

1:05:011:05:04

She is Von Bluuten.

1:05:061:05:08

It's, er, like a lady.

1:05:081:05:11

From one of the oldest families in Bavaria.

1:05:111:05:14

THEY MOAN AND GRUNT

1:05:421:05:45

-Rupert.

-Hmm?

1:06:071:06:10

We have something, don't we?

1:06:101:06:15

What?

1:06:181:06:21

How can you say that? We love each other.

1:06:211:06:25

We can go anywhere.

1:06:251:06:27

We can do anything. We make our own rules.

1:06:271:06:34

Yes, of course.

1:06:361:06:39

Gerald, what a fine game you played tonight.

1:06:491:06:52

-Hmm?

-Isn't she in love with you?

-What?

1:06:521:06:54

That girl, what was her name?

1:06:541:06:56

-The one you danced with?

-God knows. She was, er...

1:06:561:06:59

I assure you, I addressed her quite formally all night.

1:06:591:07:01

Well, it obviously did the trick.

1:07:011:07:03

Gudrun. I don't...

1:07:061:07:08

I can picture her, Gerald, even now, lying there, overwhelmed with love for you.

1:07:081:07:14

It really was too shameful, the way you swept her off her feet.

1:07:141:07:17

-That was the Schuhplattern.

-It's not a criticism.

1:07:171:07:22

It's just an observation.

1:07:231:07:26

She was very confident.

1:07:281:07:29

On the other hand, it would make a perfect marriage.

1:07:291:07:32

The upper classes uniting across Europe.

1:07:331:07:36

Stop it.

1:07:361:07:38

For God's sake, what's the matter with you?

1:07:401:07:42

Tell me you weren't hard when you held her against you...

1:07:421:07:45

and I'll cease this instant.

1:07:451:07:47

Race you.

1:07:561:07:58

See!

1:08:181:08:20

-What?

-You're done.

1:08:201:08:23

You've no strength.

1:08:231:08:24

Whoo-hoo!

1:08:341:08:35

Winner!

1:08:351:08:37

See - you're as weak as a baby.

1:08:421:08:44

What are you talking about?

1:08:441:08:47

-The walls aren't terribly thick, you know, Gerald.

-What?

1:08:511:08:54

The night-time, since you got here.

1:08:551:08:57

No wonder you're tired.

1:08:571:09:00

And I'm the only one indulging in that particular pleasure, am I?

1:09:031:09:07

I suspect you're the only one

1:09:071:09:08

-who's been indulging in it quite so vigorously.

-Enough!

1:09:081:09:12

What? Ah.

1:09:121:09:14

-All the...fucking time!

-What are you talking about?!

1:09:151:09:18

You never fucking stop! Sex is what brings a man to a woman.

1:09:181:09:24

What?

1:09:241:09:25

-But that doesn't mean...

-What are you talking about?

1:09:311:09:34

..meaningful union... that you speak of.

1:09:341:09:39

That happens... That happens...

1:09:471:09:50

..once the ardour is played out.

1:09:521:09:54

Love is special!

1:09:591:10:02

You're right.

1:10:031:10:04

I do know that.

1:10:061:10:08

Where sex is...

1:10:091:10:11

earth and sea and water and air.

1:10:111:10:15

It's commonplace.

1:10:151:10:16

As long as we admit it.

1:10:201:10:22

That it makes machines of all of us for a while...

1:10:231:10:26

then we pass through it to the other side where you sit so proudly...

1:10:261:10:33

I know about love!

1:10:331:10:35

Don't fucking lecture me!

1:10:351:10:38

Love, come and have some food.

1:11:081:11:10

I want to finish this.

1:11:111:11:12

Prune, you must have something. You'll make yourself ill.

1:11:121:11:16

A drink at least.

1:11:161:11:18

It's very good. It's a local dish.

1:11:421:11:45

Curry.

1:11:471:11:49

God, this place is wonderful!

1:11:551:11:58

I could live here forever.

1:11:581:12:00

-You should, then.

-Just like that?

1:12:011:12:04

Why not? If you desire something, you should make it happen.

1:12:051:12:10

There speaks a man who has wanted for nothing his entire life.

1:12:101:12:14

I'm going.

1:12:211:12:23

-What?

-You're right.

1:12:231:12:25

-I'm here to get things done.

-It's too hot now! Don't be ridiculous.

1:12:251:12:28

Gerald!

1:12:281:12:30

Wait!

1:12:311:12:32

I know I've made you like this.

1:12:391:12:43

But I have to be.

1:12:431:12:44

Perhaps if you weren't so...

1:12:441:12:46

I have to be true to myself...

1:12:461:12:48

And Rupert's right. You come from a different world.

1:12:481:12:51

What?

1:12:511:12:53

The rules that you apply to living are... They're yours.

1:12:551:12:58

They're yours alone, and I can't be with somebody like that.

1:12:581:13:01

I think we should have separate rooms.

1:13:031:13:05

What are you talking about? This is...

1:13:061:13:08

You can say that you need a dressing room. Or I am ill.

1:13:081:13:11

Gudrun, this is nonsense.

1:13:111:13:15

All over some dance.

1:13:151:13:18

I don't give two ha'pennies for the bloody girl!

1:13:191:13:22

-She is nothing to me.

-She's not the point. It's your whole attitude.

1:13:231:13:27

It's who you are.

1:13:271:13:29

If you face facts, Gerald... Please be sensible.

1:13:291:13:33

It's best to stop this now before...

1:13:331:13:36

before it becomes serious.

1:13:361:13:37

-Before?

-What?

1:13:391:13:40

-Jesus!

-I took pity on you because of the dreadful state you were in.

1:13:401:13:44

It was never love.

1:13:461:13:48

You don't think you love me, do you?

1:13:501:13:52

Not really.

1:13:521:13:54

It's always been perfectly clear what this relationship's about.

1:13:561:13:59

I...

1:14:021:14:03

I feel strongly for you.

1:14:061:14:09

And that's not the same thing, is it?

1:14:101:14:12

Not really.

1:14:151:14:17

Not proper love.

1:14:171:14:19

Because you don't feel like that, do you?

1:14:191:14:22

And you never will. You'll...

1:14:221:14:24

You'll never love me as a man should.

1:14:261:14:30

Because you're not capable.

1:14:301:14:31

Of loving me like that. Are you?

1:14:331:14:36

No.

1:14:401:14:42

Well, then...

1:14:441:14:45

Let's be kind to ourselves. We should be friends.

1:14:471:14:50

And nothing more.

1:14:521:14:53

Gerald is like the richest food in the world. He's...

1:15:041:15:07

He's delicious at first, but he's deadening finally.

1:15:071:15:11

It's lack of subtlety.

1:15:111:15:13

-Gudrun!

-It's best that we're honest about these things.

1:15:131:15:15

Life's too short for compromise.

1:15:171:15:20

Now, if you'll excuse me...

1:15:211:15:23

I'm ravenous.

1:15:231:15:24

Jesus!

1:16:061:16:07

What happened to you?

1:16:081:16:11

My beautiful companion...

1:16:111:16:14

..prefers the company of some...

1:16:171:16:19

hideous portrait pedlar.

1:16:191:16:22

And I am getting drunk. That's it.

1:16:241:16:27

For God's sake, Gerald. Pull yourself to together. Go and talk to her.

1:16:271:16:31

What are you doing?

1:16:341:16:35

I'm giving this young woman the eye.

1:16:371:16:40

Couldn't you just take her outside and ride her

1:16:411:16:45

until the sweat sat in puddles on her collarbone?

1:16:451:16:49

I could.

1:16:511:16:52

I could.

1:16:541:16:55

GUDRUN LAUGHS

1:16:591:17:01

I do like her, though.

1:17:011:17:03

You'll write?

1:17:301:17:32

Of course.

1:17:321:17:33

You really must go?

1:17:361:17:38

We must. I think Rupert's right.

1:17:381:17:40

We're not helping.

1:17:401:17:42

And you will manage here with Gerald?

1:17:441:17:46

Perhaps not together.

1:17:481:17:51

But we'll manage.

1:17:511:17:52

I want you to have these.

1:17:551:17:57

Sweets for my sweet.

1:18:001:18:02

The most beautiful things I possess...

1:18:041:18:08

for the most beautiful woman I know.

1:18:081:18:12

Come with us.

1:18:141:18:16

We could travel together.

1:18:161:18:18

No. I'm perfectly fine.

1:18:181:18:19

-You shouldn't stay. You say that, but you're not.

-Really.

1:18:191:18:22

Really, I am.

1:18:221:18:25

You're pretending.

1:18:251:18:27

You never tell the truth, ever,

1:18:271:18:29

where it concerns your heart, and it will be the end of you!

1:18:291:18:33

And you do. You always tell the truth. And you always have.

1:18:331:18:37

And I've been so envious of that all my life.

1:18:391:18:41

I daren't love him.

1:18:441:18:45

Gerald is...

1:18:491:18:50

He's a hundred men. He's a thousand men.

1:18:501:18:53

How can I keep him?

1:18:581:19:00

Prune, no. You...

1:19:001:19:03

Ursula...

1:19:031:19:04

-Please, come.

-No. Go.

1:19:041:19:06

Go.

1:19:061:19:08

Ah... I forgot my wash bag.

1:20:041:20:06

Does this mean you'll be coming for dinner this evening?

1:20:101:20:13

No. I shouldn't think so.

1:20:131:20:15

Do you wish to humiliate me?

1:20:231:20:26

Isn't it enough that...

1:20:261:20:28

Mightn't we at least keep up the appearance of civility?

1:20:321:20:36

I'm being perfectly civil, Gerald.

1:20:361:20:38

It's you who's rapidly forgetting his manners.

1:20:381:20:40

-What are you doing?

-I'm getting ready.

1:20:441:20:47

That's your way, isn't it?

1:21:111:21:13

You are confronted by a problem and you overcome it, don't you?

1:21:141:21:17

You just have to grasp the nature and then you bring to pass

1:21:191:21:22

the inevitable conclusion, at the colliery or in the war.

1:21:221:21:26

You make order out of chaos by imposing your will, don't you?

1:21:261:21:30

Well...

1:21:351:21:37

..not with me.

1:21:381:21:40

I bow to no man.

1:21:411:21:43

I said I'd strike the last blow.

1:21:441:21:46

-And I will.

-Why him? Hmmm?

1:21:501:21:52

Why the vermin?

1:21:521:21:54

-Don't be ridiculous.

-It's clear you want him, not me.

1:21:541:21:57

That's what this is about.

1:21:571:21:58

I want nothing of him!

1:22:031:22:05

Why do men reduce everything to a matter of sex?

1:22:081:22:11

Because everything IS a matter of sex!

1:22:111:22:14

I'll make my own way to England.

1:22:201:22:22

And I'm leaving on Friday.

1:22:241:22:26

If it's to England that I go...

1:22:291:22:31

Let me go!

1:22:391:22:40

You are... You are going away, then?

1:23:241:23:27

Yes.

1:23:271:23:30

Day after tomorrow.

1:23:331:23:34

-Where?

-I don't know.

1:23:341:23:36

You won't tell me where you will go?

1:23:371:23:40

Really, I don't know.

1:23:401:23:41

Maria!

1:23:411:23:43

You come like a ghost.

1:23:431:23:45

Some schnapps?

1:23:511:23:53

Perhaps the lady would care for another sip?

1:23:531:23:58

Gerald!

1:23:591:24:00

Gerald!

1:24:001:24:02

Stop it!

1:24:021:24:04

Stop it! Stop it!

1:24:041:24:07

Stop it.

1:24:081:24:09

Gaaahh!

1:24:121:24:14

Uh...

1:24:141:24:15

Oh, Gudrun.

1:25:511:25:53

I loved him so much.

1:26:141:26:16

I know...

1:26:161:26:17

I...

1:26:171:26:19

I know.

1:26:191:26:20

SHE WAILS

1:26:201:26:23

Oh, God!

1:27:021:27:04

SOBBING

1:27:271:27:30

I'm sorry.

1:28:411:28:42

I'm sorry.

1:28:461:28:47

I've had enough.

1:28:501:28:52

I want to go to sleep.

1:28:581:28:59

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1:29:501:29:54

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