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This programme contains some strong language, scenes which some viewers may find disturbing and scenes of a sexual nature. | 0:00:02 | 0:00:12 | |
DISTANT EXPLOSIONS | 0:00:15 | 0:00:17 | |
HE RETCHES | 0:00:17 | 0:00:18 | |
EXPLOSION NEARBY | 0:00:18 | 0:00:21 | |
Never even used the bloody thing. | 0:00:25 | 0:00:27 | |
Good luck. | 0:00:31 | 0:00:32 | |
EXPLOSIONS CONTINUE | 0:00:33 | 0:00:36 | |
Oh, God. | 0:00:43 | 0:00:44 | |
Fix bayonets! | 0:00:54 | 0:00:56 | |
Fix bayonets! | 0:00:57 | 0:01:00 | |
Ready, men? | 0:01:02 | 0:01:05 | |
THEY YELL | 0:01:10 | 0:01:12 | |
GUNSHOTS | 0:01:12 | 0:01:15 | |
HEAVY BREATHING | 0:01:31 | 0:01:33 | |
Halt! | 0:01:37 | 0:01:38 | |
Come on! | 0:02:16 | 0:02:18 | |
Come on! | 0:02:20 | 0:02:22 | |
HE CHUCKLES | 0:02:26 | 0:02:28 | |
Kill me! | 0:02:30 | 0:02:32 | |
Whoa! Whoa! Whoa! | 0:03:43 | 0:03:44 | |
HORSE NEIGHS > | 0:03:44 | 0:03:47 | |
Easy, girl. Easy! | 0:03:47 | 0:03:49 | |
I think we should get rid of her, Mr Gerald. She's uncontrollable. | 0:03:49 | 0:03:53 | |
Nothing is uncontrollable. | 0:03:53 | 0:03:55 | |
It's just a matter of will. | 0:03:55 | 0:03:57 | |
I'll tame her. | 0:04:00 | 0:04:02 | |
How's your father, sir? | 0:04:05 | 0:04:06 | |
I hope you don't mind me asking, but is he any better? | 0:04:06 | 0:04:11 | |
He's alive, Mr Sutton. | 0:04:11 | 0:04:13 | |
Or he was when I left him half an hour ago. | 0:04:13 | 0:04:15 | |
I've no doubt he'll hang on for my sister's wedding. | 0:04:15 | 0:04:18 | |
He's paying for it, after all. | 0:04:18 | 0:04:20 | |
FOOTSTEPS APPROACH, DOOR OPENS > | 0:04:42 | 0:04:44 | |
Gudrun. What are you doing? | 0:04:46 | 0:04:48 | |
I have a train to catch. | 0:04:48 | 0:04:50 | |
-But the opening? -Will be a triumph. | 0:04:50 | 0:04:53 | |
Really, Maurice. The exhibits are ready, | 0:04:53 | 0:04:56 | |
the gallery looks wonderful. | 0:04:56 | 0:04:58 | |
-Mightn't we at least go for a drink? The Pompadour's... -I don't go in there, Maurice. You know that. | 0:04:58 | 0:05:03 | |
It's full of frauds. | 0:05:03 | 0:05:05 | |
Anyway, I'm expected. | 0:05:09 | 0:05:12 | |
And I mustn't disappoint. | 0:05:12 | 0:05:14 | |
For goodness' sake, Gerald. Sit still. | 0:05:25 | 0:05:28 | |
He does it deliberately. He knows I hate waiting. | 0:05:28 | 0:05:30 | |
-He's got a wooden leg. -He could hop. | 0:05:30 | 0:05:33 | |
Gerald, it's a night out at the theatre. | 0:05:33 | 0:05:36 | |
-It's Hamlet - it's not torture. -Well, we'll see about that, won't we? | 0:05:36 | 0:05:39 | |
CHILDREN SING # Ring a ring o'roses | 0:05:43 | 0:05:45 | |
# A pocket full of posies | 0:05:45 | 0:05:48 | |
# Atishoo, atishoo, we all fall down. # | 0:05:48 | 0:05:52 | |
BABY CRIES | 0:05:54 | 0:05:56 | |
I was surprised when you said you were coming home. | 0:06:09 | 0:06:12 | |
Well, I was bored. That's all. | 0:06:13 | 0:06:15 | |
I wanted to see if the situation was merely geographical. | 0:06:17 | 0:06:21 | |
Such a long time, this last one, though. | 0:06:21 | 0:06:24 | |
I think we'd rather given up on you. | 0:06:24 | 0:06:26 | |
What happened, Prune? | 0:06:28 | 0:06:31 | |
Nothing happened. | 0:06:31 | 0:06:33 | |
Nothing at all. I was becoming an artist and... | 0:06:33 | 0:06:38 | |
And surviving a war. Like everybody else. | 0:06:38 | 0:06:40 | |
Well, you're here now. | 0:06:42 | 0:06:44 | |
That's the main thing. C'est bon! | 0:06:44 | 0:06:47 | |
What a moaner. | 0:06:56 | 0:06:58 | |
I was going to wave my handkerchief halfway. Hope they'd take me out and shoot me. | 0:06:58 | 0:07:02 | |
-I know you only say it to irritate me. -Let's go and have supper - rescue the evening. | 0:07:02 | 0:07:06 | |
Just let me say hello. | 0:07:06 | 0:07:07 | |
Well, don't expect me to lie on your behalf. I won't pretend I enjoyed it. | 0:07:09 | 0:07:12 | |
Relation or otherwise. | 0:07:12 | 0:07:14 | |
-Rupert. -Hello, Sam! | 0:07:16 | 0:07:18 | |
How good of you to come. | 0:07:18 | 0:07:21 | |
Not at all. It was wonderful. | 0:07:21 | 0:07:22 | |
Samantha, this is Gerald Crich. | 0:07:22 | 0:07:24 | |
-Pleased to meet you, Mr Crich. -And I you. | 0:07:25 | 0:07:28 | |
Excellent. | 0:07:29 | 0:07:30 | |
Best I've seen. | 0:07:30 | 0:07:32 | |
SHE CHUCKLES | 0:07:32 | 0:07:35 | |
Mm! | 0:07:44 | 0:07:46 | |
Oysters. | 0:07:46 | 0:07:47 | |
In Nottingham. Apparently it's the most landlocked place in the country. | 0:07:47 | 0:07:51 | |
If Gerald wants something he usually gets it. | 0:07:51 | 0:07:54 | |
How do you two know each other, then? Did you fight together? | 0:07:54 | 0:07:57 | |
Hard to say. I tended to keep my eyes shut most of the time. | 0:07:57 | 0:08:00 | |
He won a medal. | 0:08:00 | 0:08:02 | |
We knew each other before the war. | 0:08:02 | 0:08:04 | |
Then we took up again after I resigned my commission. | 0:08:04 | 0:08:08 | |
I worked as a nurse at Dover. Did Rupert tell you? | 0:08:08 | 0:08:11 | |
You know, he was incredibly vague about his...theatrical cousin. | 0:08:11 | 0:08:15 | |
Especially in certain key areas. SHE GIGGLES | 0:08:17 | 0:08:20 | |
I don't normally do this. | 0:08:29 | 0:08:31 | |
Never kid a kidder. | 0:08:33 | 0:08:36 | |
This is a nice surprise. | 0:09:19 | 0:09:21 | |
I need a change. | 0:09:28 | 0:09:30 | |
I can't walk through town like this. | 0:09:31 | 0:09:34 | |
Listen, you couldn't do me a favour, could you? | 0:10:00 | 0:10:04 | |
I left in a bit of a hurry this morning. | 0:10:04 | 0:10:07 | |
-I didn't have time to give anything. -Money? | 0:10:07 | 0:10:10 | |
What else? RUPERT SCOFFS > | 0:10:10 | 0:10:13 | |
-Sam won't want money. She... -I think I'd rather close the account all the same. | 0:10:13 | 0:10:18 | |
-£10, say. -No! | 0:10:18 | 0:10:20 | |
No. Do your own dirty work. | 0:10:20 | 0:10:22 | |
I'm merely trying to behave like a gentleman, Rupert. | 0:10:29 | 0:10:34 | |
Maintain a... | 0:10:34 | 0:10:37 | |
-few standards. -Christ, Gerald! | 0:10:37 | 0:10:40 | |
Where have you been for the past four years? | 0:10:41 | 0:10:44 | |
The old ideas are as dead as nails. | 0:10:46 | 0:10:48 | |
We must find a new way of existing. | 0:10:48 | 0:10:52 | |
Rupert, I want you to drop some money off for me, | 0:10:54 | 0:10:57 | |
not open a bloody vein. | 0:10:57 | 0:10:59 | |
What do you live for? | 0:10:59 | 0:11:01 | |
-To make things go, to move forwards. -Still?! | 0:11:02 | 0:11:06 | |
Oh! And you would have us go backwards, would you? | 0:11:06 | 0:11:09 | |
Or sideways, perhaps? I mean, one never knows with you, Rupert. | 0:11:09 | 0:11:13 | |
You've revoked God, you've revoked humanity - | 0:11:13 | 0:11:16 | |
-should the bunnies be quaking now? I mean, what the bloody hell's left? -Love! | 0:11:16 | 0:11:20 | |
The more I think about it, it's... | 0:11:24 | 0:11:26 | |
so blindingly obvious. Love is... | 0:11:26 | 0:11:29 | |
the antithesis of death - of negation. | 0:11:29 | 0:11:33 | |
It's the purest positive form. | 0:11:33 | 0:11:36 | |
And it is meant to be the centre and core of our lives. | 0:11:36 | 0:11:41 | |
Meaningful union. | 0:11:41 | 0:11:44 | |
With a member of the opposite sex. | 0:11:44 | 0:11:48 | |
As nature intended. | 0:11:48 | 0:11:49 | |
That has to be the be-all and end-all of our existence and anything else... | 0:11:50 | 0:11:55 | |
Meaningless... | 0:11:55 | 0:11:57 | |
sating of a body - a corrupt body - which rots. | 0:11:57 | 0:12:01 | |
Rupert, I slept with the woman - I didn't fuck her in the grave! | 0:12:01 | 0:12:05 | |
Besides which, when it comes to behaving correctly with a lady, | 0:12:08 | 0:12:13 | |
perhaps you should take a little look in the mirror. | 0:12:13 | 0:12:16 | |
You're not exactly blemish-free there yourself, are you? | 0:12:16 | 0:12:20 | |
-Saddle her up. -But Mr Gerald. She's not ready. | 0:12:31 | 0:12:33 | |
-Just do it. -Yes, sir. | 0:12:33 | 0:12:35 | |
< TRAIN WHISTLE BLOWS | 0:12:59 | 0:13:01 | |
Good day. | 0:13:09 | 0:13:10 | |
Gerald Crich. And you are? | 0:13:11 | 0:13:13 | |
Gudrun Brangwen. | 0:13:14 | 0:13:16 | |
Our schoolteacher's sister. | 0:13:17 | 0:13:20 | |
The artist. | 0:13:20 | 0:13:22 | |
You should really let her back until the train has passed. | 0:13:22 | 0:13:25 | |
She's fine. | 0:13:25 | 0:13:26 | |
-You're hurting her. -I'm teaching her. | 0:13:30 | 0:13:33 | |
-She doesn't like it! -I don't care. | 0:13:33 | 0:13:36 | |
Hurry up! | 0:13:38 | 0:13:40 | |
-You've made her bleed. -Miss Brangwen, she is no use to me | 0:13:41 | 0:13:44 | |
if she shies and whinnies every time she hears a train. In addition, | 0:13:44 | 0:13:48 | |
you must understand that deep down, she wants to be ridden. | 0:13:48 | 0:13:52 | |
That's how horses are. | 0:13:52 | 0:13:53 | |
They have two wills. | 0:13:53 | 0:13:55 | |
With the one, they want to be wild and free. | 0:13:55 | 0:13:58 | |
But with the other, they want to put themselves in the human power completely. | 0:13:58 | 0:14:02 | |
And that is a fact of life. | 0:14:02 | 0:14:03 | |
Oh, aren't you a proud man, Mr Crich! | 0:14:07 | 0:14:10 | |
Aren't you a proud man! | 0:14:10 | 0:14:13 | |
Prune, there you are. | 0:14:31 | 0:14:32 | |
-Hello. -Ooh, may I? | 0:14:32 | 0:14:34 | |
I can't settle. I'm out of my rhythm. | 0:14:40 | 0:14:44 | |
I'll walk home with you. | 0:14:44 | 0:14:45 | |
I'm not going. There's a wedding. | 0:14:45 | 0:14:48 | |
Father's playing, I... | 0:14:48 | 0:14:50 | |
I thought I'd like to hear how he sounds. | 0:14:50 | 0:14:53 | |
-All right! Rupert Birkin will be there. It's a chance to see him. -Really? | 0:14:54 | 0:14:58 | |
-Prune, I've told you - we are friends, nothing more. -Of course. | 0:14:58 | 0:15:02 | |
Try not to look quite so famished. | 0:15:06 | 0:15:08 | |
There! There's Rupert Birkin in the green. | 0:15:09 | 0:15:13 | |
That's Rupert Birkin? | 0:15:13 | 0:15:15 | |
Oh! I'm sorry - in your letters, you... | 0:15:16 | 0:15:20 | |
I just thought there'd be more of him. | 0:15:20 | 0:15:22 | |
That's Hermione Roddice. | 0:15:24 | 0:15:26 | |
Come. There's nothing more to see. | 0:15:26 | 0:15:28 | |
Winnie! | 0:15:28 | 0:15:30 | |
Miss Brangwen. I thought it was you. | 0:15:36 | 0:15:39 | |
-How do you do? -Very well, thank you. | 0:15:39 | 0:15:40 | |
And your sister. How nice to see you again. | 0:15:40 | 0:15:43 | |
-Er...? -We bumped into each other, this morning. | 0:15:43 | 0:15:47 | |
You should have come into the church. There was room at the back. | 0:15:47 | 0:15:51 | |
Well, I did not mean to come at all but Ursula wanted to hear our father play. | 0:15:51 | 0:15:55 | |
It was first class. As ever. | 0:15:55 | 0:15:58 | |
Rupert, don't slink off. Miss... | 0:15:59 | 0:16:01 | |
-Miss Brangwen is here. -Really... -Nonsense! | 0:16:01 | 0:16:04 | |
He'd be mortified to think he missed you. | 0:16:04 | 0:16:07 | |
-Rupert. -We did wave. | 0:16:07 | 0:16:09 | |
I was just about to say so. | 0:16:09 | 0:16:11 | |
Well, that's a start. | 0:16:11 | 0:16:14 | |
Do you know Miss Brangwen's sister? | 0:16:14 | 0:16:16 | |
-No, I think you'd moved to London before... -You are Gudrun Brangwen? | 0:16:16 | 0:16:21 | |
I have two of your pieces. | 0:16:21 | 0:16:24 | |
-Hermione Roddice. -Oh! How nice. | 0:16:24 | 0:16:27 | |
Whenever I see Miss Brangwen, I always remind her what a talented sister she has. | 0:16:27 | 0:16:33 | |
You must bring your genius to see me at Breadalby. | 0:16:33 | 0:16:37 | |
Of course, we're hugely proud of what Ursula has achieved, too, at the school. | 0:16:37 | 0:16:41 | |
How do you two know each other? | 0:16:41 | 0:16:43 | |
Oh, We had a row this morning. | 0:16:43 | 0:16:45 | |
But it's all forgotten now. | 0:16:45 | 0:16:48 | |
How is the animal? | 0:16:48 | 0:16:50 | |
Gudrun. What is the matter? | 0:16:57 | 0:16:59 | |
What do you think? | 0:16:59 | 0:17:01 | |
Crich. Behaving as if he owns the very ground upon which I walk. | 0:17:01 | 0:17:06 | |
Well, he does, for the most part. | 0:17:06 | 0:17:08 | |
"Room at the back." In the public pews - how dare he? | 0:17:08 | 0:17:12 | |
'Father... | 0:17:19 | 0:17:21 | |
'I was thinking - | 0:17:21 | 0:17:22 | |
'Do you suppose Winnie might benefit from some extra tuition? | 0:17:22 | 0:17:27 | |
'She seems to have a particular talent for drawing. | 0:17:27 | 0:17:33 | |
'Perhaps we should...' | 0:17:33 | 0:17:34 | |
encourage her rather more in that direction. | 0:17:34 | 0:17:38 | |
I think it's... | 0:17:40 | 0:17:41 | |
I think it's an excellent idea, Gerald. Do you have anyone in mind? | 0:17:41 | 0:17:46 | |
I think there may be someone. | 0:17:46 | 0:17:48 | |
Leave it to me. | 0:17:51 | 0:17:53 | |
Sorry. Sorry. Didn't mean to alarm you. | 0:17:56 | 0:17:59 | |
You didn't. | 0:17:59 | 0:18:00 | |
Oh, it's so dark. | 0:18:02 | 0:18:04 | |
I think it's going to rain. | 0:18:05 | 0:18:07 | |
The children don't return until tomorrow. | 0:18:09 | 0:18:12 | |
Yes, I know, I, er... | 0:18:12 | 0:18:14 | |
I'm not here officially. | 0:18:14 | 0:18:17 | |
I...thought I ought to come. | 0:18:17 | 0:18:20 | |
Seeing you at the church the other day, I realised I hadn't been in touch for some time and... | 0:18:21 | 0:18:27 | |
I didn't want you to think that I was behaving...improperly with you. | 0:18:27 | 0:18:32 | |
Rupert! | 0:18:33 | 0:18:35 | |
It IS you. | 0:18:35 | 0:18:36 | |
Hermione. What are you doing here? | 0:18:36 | 0:18:39 | |
Well, I was driving. I saw your car. | 0:18:39 | 0:18:42 | |
SHE CHUCKLES | 0:18:44 | 0:18:46 | |
Miss Brangwen. | 0:18:46 | 0:18:49 | |
Twice in as many days. | 0:18:49 | 0:18:51 | |
-How delightful. -Hermione. | 0:18:51 | 0:18:54 | |
Do remind your sister, won't you? | 0:18:54 | 0:18:55 | |
My, er...invitation. | 0:18:55 | 0:18:58 | |
I do so want to discuss her work, Rupert. | 0:19:00 | 0:19:04 | |
It's full of a primitive passion. I think that you would really... | 0:19:04 | 0:19:08 | |
I'm well aware of Miss Branwgen's oeuvre. Thank you. | 0:19:08 | 0:19:10 | |
I will call again when term has started. | 0:19:13 | 0:19:16 | |
Though, as I say, everything here seems exemplary. | 0:19:17 | 0:19:21 | |
Is it, though, Rupert? | 0:19:21 | 0:19:24 | |
Is Miss Brangwen really helping our children? | 0:19:24 | 0:19:27 | |
She teaches them to understand the flower - | 0:19:28 | 0:19:31 | |
to know all its functions and its biology - | 0:19:31 | 0:19:35 | |
but in so doing, doesn't she condemn them to miss the most important thing of all... | 0:19:35 | 0:19:40 | |
the flower's essential scent? | 0:19:40 | 0:19:43 | |
Knowing is everything to you, Hermione. | 0:19:47 | 0:19:50 | |
-It is all your life. -You must leave Miss Brangwen alone, Rupert. | 0:19:50 | 0:19:55 | |
She will want her tea. | 0:19:55 | 0:19:56 | |
She cannot sit around listening to your theories all day. | 0:19:56 | 0:20:00 | |
Please... | 0:20:09 | 0:20:11 | |
don't take any notice of her. | 0:20:11 | 0:20:13 | |
What you do here is wonderful. | 0:20:16 | 0:20:18 | |
Mr Birkin. | 0:20:32 | 0:20:35 | |
-Rupert! -Yes? | 0:20:35 | 0:20:36 | |
-Is there something the matter? -Yes. | 0:20:36 | 0:20:39 | |
Yes, there is. | 0:20:39 | 0:20:41 | |
I'm confused, I confess. | 0:20:41 | 0:20:43 | |
You see... | 0:20:43 | 0:20:45 | |
we've known each other for some time now - | 0:20:45 | 0:20:48 | |
especially since I broke off my engagement - and... | 0:20:48 | 0:20:50 | |
we have become friends, I think. | 0:20:50 | 0:20:53 | |
You certainly treat me warmly. | 0:20:53 | 0:20:55 | |
More than you might a friend, I suspect, and yet... | 0:20:55 | 0:20:59 | |
That is all we are - friends. Still. | 0:20:59 | 0:21:03 | |
And people have started to comment. | 0:21:03 | 0:21:07 | |
They wonder at our relationship and I defend it... | 0:21:07 | 0:21:09 | |
But what do you want of me, Mr Birkin? | 0:21:12 | 0:21:15 | |
I don't understand. | 0:21:16 | 0:21:18 | |
Winnie, this is Miss Brangwen. | 0:21:48 | 0:21:50 | |
-How do you do? -I'll leave you to get to know each other. | 0:21:50 | 0:21:53 | |
So... | 0:21:56 | 0:21:57 | |
-..how shall we begin? -We can draw Bismarck! -Bismarck? | 0:21:59 | 0:22:03 | |
He's through there. | 0:22:03 | 0:22:04 | |
Mr Crich. | 0:22:07 | 0:22:09 | |
I'm here. | 0:22:13 | 0:22:14 | |
See? He looks so splendid. | 0:22:23 | 0:22:24 | |
He's almost as big as a lion. | 0:22:24 | 0:22:26 | |
-Shall we take him out? -He's a fearful kicker. | 0:22:26 | 0:22:30 | |
We'll try, shall we? | 0:22:30 | 0:22:32 | |
Come on. There we go... | 0:22:33 | 0:22:36 | |
-Ooh... Ow! Ow! -You should get one of the men to do that for you. | 0:22:36 | 0:22:39 | |
-Bismarck! You're behaving terribly. -Oh, you... | 0:22:39 | 0:22:42 | |
I know these beggars of old. | 0:22:47 | 0:22:50 | |
-He's not hurt, is he? -No. | 0:22:50 | 0:22:52 | |
But he ought to be. | 0:22:53 | 0:22:56 | |
-They do scratch so, don't they? -Oh, how vile. Mine's nothing... | 0:22:57 | 0:23:02 | |
What a devil. | 0:23:13 | 0:23:15 | |
I love the water. | 0:23:22 | 0:23:24 | |
Well, you know we may treat it as our own from now on. | 0:23:24 | 0:23:28 | |
I wonder if dear Gerald holds the rest of his employees in the same regard. | 0:23:28 | 0:23:33 | |
-I do think he's quite in awe of me. -SHE CHUCKLES | 0:23:33 | 0:23:37 | |
It's...rather wonderful. | 0:23:37 | 0:23:39 | |
I hope you don't encourage him. | 0:23:40 | 0:23:42 | |
Oh, Ursula, Gerald's a man. | 0:23:42 | 0:23:44 | |
They think it's their right to have you. | 0:23:44 | 0:23:46 | |
You don't need to encourage them. | 0:23:46 | 0:23:49 | |
So tired... Very tired... | 0:24:06 | 0:24:09 | |
Just... | 0:24:09 | 0:24:11 | |
concentrate on getting better. | 0:24:11 | 0:24:13 | |
Look to the long game. | 0:24:14 | 0:24:16 | |
Did you have many men? | 0:24:28 | 0:24:29 | |
-What? -In London. I... | 0:24:29 | 0:24:32 | |
You seem to have grown up such a lot and...sometimes in your letters... | 0:24:33 | 0:24:37 | |
Ursula! Really. | 0:24:37 | 0:24:39 | |
I'm curious. I'm not... | 0:24:39 | 0:24:41 | |
I have so little experience, you see. Apart from Anton. | 0:24:44 | 0:24:48 | |
That's your own business. | 0:24:48 | 0:24:50 | |
Do you think love needs sex? | 0:24:50 | 0:24:53 | |
That is why I ask. | 0:24:53 | 0:24:54 | |
What? | 0:24:56 | 0:24:58 | |
I mean... when you are in love, and there is | 0:24:59 | 0:25:01 | |
a physical relationship, I know that sex must burn at the very core of it. | 0:25:01 | 0:25:07 | |
I just wonder whether... | 0:25:07 | 0:25:09 | |
in the way that some can seem to have sex totally outside of love and enjoy it... | 0:25:09 | 0:25:15 | |
can others, perhaps, find love outside of sex? | 0:25:15 | 0:25:20 | |
Where does sex fit... | 0:25:20 | 0:25:22 | |
in relation to love, do you think? | 0:25:22 | 0:25:25 | |
Sex is power. | 0:25:26 | 0:25:27 | |
It's where we have power, and... | 0:25:30 | 0:25:33 | |
-beyond that I don't go. -BIRDS SQUAWK AND FLUTTER | 0:25:33 | 0:25:36 | |
Huh! You see? You're a man, you want to do a thing, you do it. | 0:25:38 | 0:25:43 | |
Seriously, Gudrun. | 0:25:43 | 0:25:45 | |
The men I've slept with in town, | 0:25:46 | 0:25:48 | |
the Bohemian crowd, they're Bohemian because they can afford to be. | 0:25:48 | 0:25:53 | |
They're rich and they're lazy and they're spoilt and... | 0:25:53 | 0:25:55 | |
..sex is all they're good for. | 0:25:58 | 0:26:00 | |
Love's never really an issue. So I... | 0:26:02 | 0:26:05 | |
don't trouble myself with thoughts of it. | 0:26:05 | 0:26:08 | |
-GUDRUN GASPS -Winifred! I'm late for our lesson. | 0:26:08 | 0:26:12 | |
'Right. | 0:26:16 | 0:26:18 | |
'Music...' | 0:26:18 | 0:26:20 | |
and... | 0:26:20 | 0:26:22 | |
cigarettes. | 0:26:22 | 0:26:24 | |
LAUGHTER AND MUSIC | 0:26:24 | 0:26:25 | |
No more witticisms, please. I shall commit murder. | 0:26:25 | 0:26:28 | |
I think you'd get away with it. | 0:26:28 | 0:26:30 | |
No-one would blame you. | 0:26:30 | 0:26:32 | |
(He keeps staring at me.) | 0:26:34 | 0:26:37 | |
That's good, surely? | 0:26:38 | 0:26:40 | |
-Salsie! -Sorry, I'm late. | 0:26:44 | 0:26:47 | |
This is my brother, everyone. | 0:26:47 | 0:26:50 | |
Just down from The Lords. | 0:26:50 | 0:26:52 | |
Have you met my driver? | 0:26:52 | 0:26:54 | |
My God, Gerald! Are you all right? | 0:26:54 | 0:26:57 | |
Don't indulge him. He could've waited for Roberts. Let him fix it. | 0:26:57 | 0:27:00 | |
-I did fix it! -Mmmm. | 0:27:00 | 0:27:03 | |
Allow me. | 0:27:05 | 0:27:06 | |
I'm sorry, is it not clean? | 0:27:14 | 0:27:16 | |
It's fine. | 0:27:16 | 0:27:18 | |
Thank you. | 0:27:18 | 0:27:20 | |
Forgive me. HE POURS | 0:27:21 | 0:27:24 | |
-I didn't expect to see you here. -Oh, I do apologise. | 0:27:24 | 0:27:27 | |
It's my artistic bent, you see. | 0:27:30 | 0:27:32 | |
It gets me into the poshest of places. | 0:27:32 | 0:27:35 | |
I'm going for a walk. | 0:27:41 | 0:27:44 | |
Will you come with me? | 0:27:44 | 0:27:46 | |
Ursula. Don't speak. Just listen to me, please. | 0:27:46 | 0:27:50 | |
-Please, don't doubt my feelings for you. -Rupert! | 0:27:50 | 0:27:54 | |
I need to see you. | 0:27:57 | 0:27:59 | |
-Actually, I'm rather busy. -It won't wait...I'm afraid. | 0:27:59 | 0:28:03 | |
I really must insist. | 0:28:04 | 0:28:06 | |
-Are you ready? -Yes. | 0:28:18 | 0:28:20 | |
-Yes. A walk would be good. -WHOOPING | 0:28:20 | 0:28:23 | |
Come on. | 0:28:24 | 0:28:25 | |
It's beautiful. | 0:28:32 | 0:28:34 | |
And worth the money? | 0:28:34 | 0:28:36 | |
If you have it, yes. It's a first edition. | 0:28:38 | 0:28:40 | |
Well, I've bought it for you. | 0:28:40 | 0:28:42 | |
-Hermione, please... | 0:28:43 | 0:28:46 | |
What? | 0:28:46 | 0:28:47 | |
I had hoped that we could remain friends, but I see now... | 0:28:50 | 0:28:53 | |
I know she is my rival. | 0:28:53 | 0:28:55 | |
Miss Brrrrangwen. | 0:28:57 | 0:28:59 | |
She is not your rival. | 0:28:59 | 0:29:01 | |
-No-one is your rival because there is nothing between us, you and me. -SHE LAUGHS | 0:29:01 | 0:29:07 | |
How plain must I be? We are done, Hermione. | 0:29:07 | 0:29:10 | |
And yet here you are. | 0:29:11 | 0:29:12 | |
You asked me to look at a book. | 0:29:12 | 0:29:15 | |
Isn't there always...a reason? | 0:29:15 | 0:29:19 | |
I'm leaving. | 0:29:20 | 0:29:21 | |
No! | 0:29:21 | 0:29:23 | |
Kiss me. | 0:29:27 | 0:29:29 | |
What? | 0:29:29 | 0:29:30 | |
-Kiss me. -What? Stop it. | 0:29:31 | 0:29:33 | |
Stop it! Stop it! | 0:29:33 | 0:29:36 | |
Why would you do that, of all things? | 0:29:36 | 0:29:39 | |
We are dead in the ground! Don't...dig the corpse up. | 0:29:39 | 0:29:44 | |
No, you don't. | 0:29:56 | 0:29:57 | |
I don't let you. | 0:29:57 | 0:29:59 | |
JAZZ PLAYS IN DISTANCE | 0:30:16 | 0:30:19 | |
Oh, it's so much more magical at night. | 0:31:00 | 0:31:04 | |
Let's bathe. | 0:31:04 | 0:31:06 | |
-But we haven't any costumes. -Oh, Gudrun! | 0:31:07 | 0:31:09 | |
THEY SQUEAL | 0:31:09 | 0:31:12 | |
Oh, I do sometimes entertain fantasies of being utterly kept, you know. | 0:31:22 | 0:31:27 | |
-Having this sort of thing on tap. -You'd be bored witless in a week. | 0:31:27 | 0:31:31 | |
That's why the rich all intermarry. | 0:31:31 | 0:31:33 | |
You are too cruel. | 0:31:33 | 0:31:35 | |
It's why you behave as you do with Gerald Crich, isn't it? | 0:31:37 | 0:31:40 | |
The rich can't be universally dismissed. | 0:31:40 | 0:31:43 | |
Some of them are just like us. | 0:31:43 | 0:31:45 | |
They bleed, too, Gudrun. | 0:31:45 | 0:31:47 | |
Oh, yes, Gerald Crich has suffered much! | 0:31:47 | 0:31:50 | |
He lost his brother. | 0:31:51 | 0:31:54 | |
What? When? | 0:31:55 | 0:31:57 | |
Mother told me. He was killed. When they were both quite young. | 0:31:57 | 0:32:02 | |
No-one knows the details. | 0:32:02 | 0:32:04 | |
Apparently the whole town was gossiping about it. | 0:32:04 | 0:32:07 | |
I think it all got hushed up, in truth. My point being... | 0:32:07 | 0:32:10 | |
he is quite worthy of your attention, if you only thought fit to give it. | 0:32:10 | 0:32:15 | |
Let's get out. | 0:32:15 | 0:32:17 | |
I'm cold. | 0:32:17 | 0:32:19 | |
# You are my honey, honeysuckle | 0:32:25 | 0:32:29 | |
# I am the bee | 0:32:29 | 0:32:34 | |
# I'd like to sip the honey sweet | 0:32:34 | 0:32:39 | |
# From those red lips, you see | 0:32:39 | 0:32:42 | |
# I love you dearly, dear And I want... | 0:32:44 | 0:32:49 | |
I wish I could draw you. | 0:32:49 | 0:32:51 | |
Sorry. I... | 0:32:53 | 0:32:55 | |
It's all right, I was... I was miles away. | 0:32:55 | 0:32:58 | |
COWS LOW | 0:33:08 | 0:33:11 | |
I'm sure they won't do anything. | 0:33:17 | 0:33:19 | |
Careful. | 0:33:19 | 0:33:22 | |
Hue! Hi-ee! Hi-ee! Hi-ee!! | 0:33:28 | 0:33:30 | |
What do you think you're doing? | 0:33:32 | 0:33:34 | |
-Why have you come? -You were so long, you... It's not safe. | 0:33:34 | 0:33:39 | |
The bull gored one of the farmer's cows to death the other day. | 0:33:39 | 0:33:43 | |
What do I care of that? | 0:33:43 | 0:33:44 | |
What do you care? | 0:33:47 | 0:33:50 | |
Of his cattle? | 0:33:50 | 0:33:52 | |
Nothing. I imagine. Have you any idea how much money they are worth? | 0:33:52 | 0:33:56 | |
-Money. You've been waiting for this moment, haven't you? To feel safe. -What are you talking about? | 0:33:56 | 0:34:00 | |
Since you invited me to Shortlands, you've wanted me in this position! I'm your equal, Gerald Crich. | 0:34:00 | 0:34:06 | |
You have struck the first blow. | 0:34:06 | 0:34:07 | |
And I shall strike the last. | 0:34:07 | 0:34:10 | |
It's no good being angry with me. | 0:34:12 | 0:34:15 | |
It is you who makes me behave like this. | 0:34:15 | 0:34:17 | |
I'm not angry with you. | 0:34:18 | 0:34:20 | |
Miss Brangwen. | 0:35:02 | 0:35:03 | |
I wasn't sure you were in today. | 0:35:03 | 0:35:06 | |
Couldn't you see me from the attic? | 0:35:08 | 0:35:10 | |
The line of sight was perfect for me. | 0:35:11 | 0:35:14 | |
You were away all of yesterday. That's why I was uncertain. | 0:35:17 | 0:35:21 | |
Indeed. | 0:35:21 | 0:35:24 | |
I feared a cold. | 0:35:24 | 0:35:26 | |
But it seems I'm quite well... | 0:35:26 | 0:35:28 | |
Was there anything the matter? | 0:35:28 | 0:35:30 | |
Would you... | 0:35:30 | 0:35:32 | |
care to join me for dinner this evening? | 0:35:32 | 0:35:34 | |
I should be delighted if you would. | 0:35:37 | 0:35:39 | |
Of course. | 0:35:42 | 0:35:44 | |
-Ursula. -Oh, my God! -I knew you came this way back from school. | 0:35:57 | 0:36:02 | |
-What happened? -Oh... | 0:36:02 | 0:36:04 | |
It's nothing. I fell. | 0:36:04 | 0:36:06 | |
-Where have you been? You disappeared from the party. -I want you to be with me! | 0:36:06 | 0:36:11 | |
You asked me what I wanted from you. And, erm, that's it. | 0:36:11 | 0:36:15 | |
It's over between me and Hermione. | 0:36:15 | 0:36:18 | |
Finally. I want you to be with me. | 0:36:18 | 0:36:24 | |
But...it's not love that I offer you. | 0:36:24 | 0:36:30 | |
Well, not in the usual sense. | 0:36:30 | 0:36:33 | |
Nor do I want it returned in that form either. | 0:36:33 | 0:36:37 | |
Do you understand? | 0:36:37 | 0:36:38 | |
That you don't love me? Except in some... | 0:36:42 | 0:36:45 | |
-strange, obscure way which requires a lot of hand wringing. -No... | 0:36:45 | 0:36:49 | |
Do you find me good-looking, even? | 0:36:49 | 0:36:52 | |
-Or attractive? -It's not a question of looks! | 0:36:52 | 0:36:56 | |
I want a woman that I don't see. | 0:36:56 | 0:36:59 | |
I want... | 0:36:59 | 0:37:01 | |
a union where nothing that is already known applies! | 0:37:01 | 0:37:05 | |
You think I'm raving, don't you? | 0:37:06 | 0:37:08 | |
Bash on the bonce and then the ramblings start. | 0:37:08 | 0:37:12 | |
I'm done with this world, Ursula. | 0:37:12 | 0:37:15 | |
It's let me down. | 0:37:17 | 0:37:20 | |
God and man. | 0:37:20 | 0:37:21 | |
Now I want to explore... | 0:37:23 | 0:37:25 | |
another way of living... | 0:37:25 | 0:37:27 | |
And what do you hope to find at the end of this great... | 0:37:27 | 0:37:32 | |
expedition of yours? | 0:37:32 | 0:37:34 | |
Peace. | 0:37:37 | 0:37:38 | |
A lasting peace. | 0:37:42 | 0:37:44 | |
Do you always dress for dinner? | 0:38:43 | 0:38:45 | |
I believe in good manners. | 0:38:46 | 0:38:49 | |
Then I apologise if I'm lowering the tone somewhat. | 0:38:51 | 0:38:54 | |
Of course, if you'd warned me. | 0:38:56 | 0:38:57 | |
Miss Brangwen... | 0:38:57 | 0:39:00 | |
why do you tease me so? | 0:39:00 | 0:39:03 | |
I don't care what you wear. | 0:39:03 | 0:39:05 | |
I do care that you haven't spoken a single word of the other night. | 0:39:05 | 0:39:09 | |
You talk to me of good manners, Mr Crich? | 0:39:11 | 0:39:14 | |
It happened. | 0:39:14 | 0:39:16 | |
And it was delightful. And now we move on. | 0:39:18 | 0:39:24 | |
KNOCK ON DOOR | 0:39:28 | 0:39:30 | |
Dr Oxley is leaving, Sir. | 0:39:32 | 0:39:35 | |
Excuse me. | 0:39:42 | 0:39:44 | |
Oh, Gerald. | 0:40:07 | 0:40:08 | |
What is it? | 0:40:08 | 0:40:11 | |
Yes. | 0:40:11 | 0:40:12 | |
Sorry. | 0:40:12 | 0:40:15 | |
-The doctor wanted to get off. -What did he say? | 0:40:15 | 0:40:18 | |
There was some medicine. | 0:40:18 | 0:40:20 | |
New medicine. | 0:40:20 | 0:40:22 | |
Yes. You told me. | 0:40:22 | 0:40:24 | |
Right... | 0:40:24 | 0:40:26 | |
But it hasn't worked. | 0:40:26 | 0:40:28 | |
Was always a long shot. | 0:40:28 | 0:40:30 | |
So, that's it. | 0:40:30 | 0:40:33 | |
More or less. | 0:40:33 | 0:40:36 | |
Just have to wait now. | 0:40:36 | 0:40:39 | |
Continue to wait. | 0:40:39 | 0:40:40 | |
-What are you doing? -I must go. | 0:40:44 | 0:40:47 | |
And... | 0:40:47 | 0:40:49 | |
Yes. You should be alone anyway. | 0:40:51 | 0:40:54 | |
-Let me drive you. -No, I... No, I'd rather walk. | 0:40:54 | 0:40:57 | |
Then I'll walk with you. | 0:40:57 | 0:40:59 | |
It's so strange, in our old age, we become like children again... | 0:41:02 | 0:41:06 | |
That's how Father is now. | 0:41:08 | 0:41:11 | |
I'm everything to him... | 0:41:11 | 0:41:12 | |
he could be my son. | 0:41:14 | 0:41:17 | |
You mustn't give up hope. | 0:41:20 | 0:41:22 | |
In our family... once anything goes wrong, it can never be put right again. | 0:41:22 | 0:41:26 | |
You know I killed my brother? | 0:41:29 | 0:41:31 | |
Oh, er... | 0:41:31 | 0:41:33 | |
Ursula said that there was an accident when... | 0:41:33 | 0:41:37 | |
When you were both very little. | 0:41:37 | 0:41:39 | |
I shot him. | 0:41:39 | 0:41:40 | |
We found a gun... in the gamekeeper's lodge. | 0:41:44 | 0:41:47 | |
We played with it, as boys do. | 0:41:47 | 0:41:50 | |
It went off. | 0:41:53 | 0:41:55 | |
And I killed him. | 0:41:57 | 0:41:59 | |
Gerald. | 0:42:09 | 0:42:10 | |
Gerald. | 0:42:10 | 0:42:12 | |
TRAIN HORN BLASTS | 0:42:19 | 0:42:21 | |
Oh! Ah. | 0:42:40 | 0:42:42 | |
-Ursula... -You didn't think to tell me? -What? | 0:43:47 | 0:43:52 | |
I went to your Nottingham townhouse. | 0:43:52 | 0:43:54 | |
-They said you no longer resided there. -Oh, well! | 0:43:54 | 0:43:58 | |
It was to be a surprise. | 0:43:58 | 0:43:59 | |
So...don't you think it wonderful? | 0:44:01 | 0:44:04 | |
And it's not only the rooms I've given up. | 0:44:04 | 0:44:07 | |
But my job, too... | 0:44:07 | 0:44:09 | |
I've some savings I can draw on and... | 0:44:09 | 0:44:12 | |
I want to write. Perhaps I'll be able to sell that. | 0:44:12 | 0:44:16 | |
What matters is... | 0:44:16 | 0:44:18 | |
finding one's own way, Ursula... | 0:44:18 | 0:44:20 | |
Refusing to conform. Hm? | 0:44:20 | 0:44:22 | |
Rupert? | 0:44:22 | 0:44:24 | |
Oh! She's just arrived. | 0:44:26 | 0:44:28 | |
Rupert... | 0:44:28 | 0:44:29 | |
Where do you want this? | 0:44:31 | 0:44:33 | |
Er, just one minute... | 0:44:33 | 0:44:35 | |
She came to apologise. | 0:44:35 | 0:44:38 | |
-Take me home. -Ursula. | 0:44:38 | 0:44:39 | |
-Ursula. -Take me home! | 0:44:41 | 0:44:44 | |
I ran into her. | 0:45:07 | 0:45:09 | |
In town. She was contrite. | 0:45:09 | 0:45:12 | |
And to show it, she thought she might help you re-arrange your furniture? | 0:45:12 | 0:45:16 | |
I was being decent. Why must I hate her? | 0:45:16 | 0:45:19 | |
She tried to bludgeon you to death. | 0:45:19 | 0:45:22 | |
If you weren't so jealous you'd understand. | 0:45:22 | 0:45:24 | |
Jealous!? Of Hermione Roddice? | 0:45:24 | 0:45:27 | |
She is nothing to me. Not that... It is you I despise. | 0:45:27 | 0:45:30 | |
And your lies! | 0:45:30 | 0:45:32 | |
You're like a dog who must return to his own vomit. | 0:45:32 | 0:45:35 | |
-You're a fool. -Yes! I am a fool. | 0:45:35 | 0:45:38 | |
And thank God for it. I'm too big a fool to swallow your cleverness. | 0:45:38 | 0:45:41 | |
So go to your soul mate. | 0:45:41 | 0:45:43 | |
Since I am common and fleshly, aren't I? | 0:45:43 | 0:45:46 | |
-What? -I lust after physical things. | 0:45:46 | 0:45:50 | |
-I showed you my love and you were repulsed! -Afternoon. | 0:45:50 | 0:45:53 | |
-No. -Yes. | 0:45:56 | 0:45:58 | |
I would have done it, Rupert. There, in the church yard. | 0:45:58 | 0:46:01 | |
I wanted to do it, sex. | 0:46:01 | 0:46:03 | |
Because sex is important to me and I am not ashamed to say so. | 0:46:03 | 0:46:06 | |
I wanted to be with you as I understand it. | 0:46:06 | 0:46:11 | |
-Except, when you felt my need, you pulled away. -No. | 0:46:11 | 0:46:14 | |
-You did! It turned your stomach! -It did not! It did not. | 0:46:14 | 0:46:17 | |
Forgive me, I... | 0:46:21 | 0:46:22 | |
I don't know... | 0:46:25 | 0:46:26 | |
I don't know how... I don't know how I should live any more. | 0:46:29 | 0:46:34 | |
Every, single breath comes with such | 0:46:37 | 0:46:41 | |
responsibility now. | 0:46:41 | 0:46:43 | |
It's something of a burden. | 0:46:45 | 0:46:47 | |
All the more reason not to hide away. | 0:46:47 | 0:46:50 | |
To engage fully. | 0:46:50 | 0:46:52 | |
Life is savage, Rupert. | 0:46:55 | 0:46:57 | |
Or it is not life at all. | 0:46:57 | 0:47:01 | |
HE SOBS | 0:47:05 | 0:47:08 | |
Letter for you, Mr Crich. | 0:48:09 | 0:48:11 | |
Thank you, Albert. | 0:48:11 | 0:48:13 | |
TRAIN WHISTLES | 0:48:24 | 0:48:26 | |
Gerald! | 0:48:33 | 0:48:34 | |
There! Can't expect to move into a new place | 0:48:39 | 0:48:41 | |
without a few house warming presents, can you? | 0:48:41 | 0:48:44 | |
What? | 0:48:44 | 0:48:45 | |
-What are you doing? -I came to see you. | 0:48:45 | 0:48:49 | |
Gerald, you're not yourself despite any avowals to the contrary. | 0:48:49 | 0:48:52 | |
LAUGHS: Good old Rupert. Like a mind-reader sometimes. | 0:48:53 | 0:48:57 | |
All right. I want you to come to Africa with me. | 0:48:57 | 0:49:01 | |
-Africa? -I've bought a mine! | 0:49:01 | 0:49:04 | |
Diamonds this time. Got it off a German chap, believe it or not. | 0:49:04 | 0:49:07 | |
I need to go and see it. So... | 0:49:07 | 0:49:09 | |
Your father... | 0:49:09 | 0:49:10 | |
Of course... I don't mean right away, go, but... soon, I think. | 0:49:11 | 0:49:14 | |
And obviously, from your point of view, there'll be no cost. I'll... | 0:49:16 | 0:49:20 | |
Why! Why would I just leave? | 0:49:20 | 0:49:22 | |
Why wouldn't you?! | 0:49:22 | 0:49:23 | |
There's... | 0:49:23 | 0:49:26 | |
There's Ursula. | 0:49:26 | 0:49:28 | |
She and I seem to have found a decent understanding lately. | 0:49:28 | 0:49:33 | |
Even better! I hoped she'd come. | 0:49:33 | 0:49:35 | |
-In fact, I've already... -Gerald! | 0:49:35 | 0:49:38 | |
Tell me the truth, Gerald. | 0:49:38 | 0:49:40 | |
All this, this trouble and expense. What's the real reason? | 0:49:40 | 0:49:45 | |
I want Gudrun to accompany me. | 0:49:46 | 0:49:48 | |
-And I think if her sister and you... -What? | 0:49:51 | 0:49:55 | |
I haven't actually been able to ask her myself. | 0:49:55 | 0:49:59 | |
She's in London, she took off. | 0:49:59 | 0:50:02 | |
She's uncertain of me, I think. | 0:50:02 | 0:50:05 | |
But I do know that if she were to spend some proper time with me, | 0:50:05 | 0:50:08 | |
then she'd see that I'm serious. | 0:50:08 | 0:50:10 | |
About Gudrun? | 0:50:10 | 0:50:12 | |
You're serious about her? | 0:50:12 | 0:50:14 | |
I enjoy her company. | 0:50:16 | 0:50:18 | |
-We've become close. -But she's not your sort at all. | 0:50:18 | 0:50:21 | |
What do you mean "my sort"? | 0:50:21 | 0:50:23 | |
Look, I bought you a bloody pineapple. | 0:50:23 | 0:50:25 | |
-I'm expecting some support over this! -Yes, but... | 0:50:25 | 0:50:28 | |
It's not love though. | 0:50:28 | 0:50:30 | |
What? | 0:50:30 | 0:50:32 | |
You're not in love with her? | 0:50:32 | 0:50:34 | |
Why do you say that? | 0:50:35 | 0:50:38 | |
I mean... Why do you assume? | 0:50:38 | 0:50:40 | |
Well, I assume because, as I'm sure you'd be the first to admit, | 0:50:40 | 0:50:44 | |
it is sex which usually binds you to a woman. | 0:50:44 | 0:50:48 | |
And I can only say that for Gudrun, I do have feelings. | 0:50:48 | 0:50:50 | |
Oh, I'm sure you have feelings, Gerald. | 0:50:50 | 0:50:54 | |
But where do they start? And where do they end? Hmmm? | 0:50:54 | 0:50:57 | |
All the same, the four of us. | 0:50:57 | 0:51:00 | |
On an adventure. I think it would be a wonderful tonic, don't you? | 0:51:00 | 0:51:03 | |
No. | 0:52:10 | 0:52:13 | |
You must... | 0:52:16 | 0:52:19 | |
You must put it down. | 0:52:19 | 0:52:23 | |
You must put it down. | 0:52:24 | 0:52:28 | |
Be careful. | 0:52:29 | 0:52:32 | |
No. Father! | 0:52:37 | 0:52:41 | |
Father, I've had words! | 0:52:41 | 0:52:44 | |
Father, please! Father, please! | 0:52:44 | 0:52:48 | |
GUNSHOT! | 0:53:23 | 0:53:24 | |
I want you to write a letter to Miss Brangwen. | 0:53:34 | 0:53:38 | |
Tell her to come back, immediately. | 0:53:39 | 0:53:43 | |
Say that you're sick. | 0:53:43 | 0:53:46 | |
But she is already here. She called this afternoon. | 0:53:46 | 0:53:51 | |
My lessons resume tomorrow. | 0:53:51 | 0:53:55 | |
DOOR OPENS | 0:53:59 | 0:54:01 | |
Jesus! | 0:54:12 | 0:54:13 | |
Jesus! | 0:54:13 | 0:54:17 | |
Is he...? | 0:54:19 | 0:54:20 | |
There. | 0:54:47 | 0:54:49 | |
He looks better now. | 0:54:49 | 0:54:50 | |
I'll give you a minute. | 0:54:50 | 0:54:52 | |
HE BREATHES DEEPLY | 0:55:09 | 0:55:14 | |
HE WHIMPERS | 0:55:29 | 0:55:32 | |
HE WAILS | 0:55:32 | 0:55:37 | |
Why have you come? | 0:57:00 | 0:57:01 | |
Because I must. | 0:57:01 | 0:57:03 | |
Why do you ask? | 0:57:06 | 0:57:08 | |
I must ask. | 0:57:10 | 0:57:13 | |
Slow down. You're going to kill me. | 0:58:08 | 0:58:10 | |
There's a rather lovely simplicity to Gerald, isn't there? | 0:58:10 | 0:58:14 | |
He's a doer. He'll tell anyone that! | 0:58:14 | 0:58:15 | |
Oh, sweets. | 0:58:15 | 0:58:19 | |
I would like a pennyworth of those, please. | 0:58:19 | 0:58:24 | |
Hurry up! | 0:58:24 | 0:58:26 | |
For goodness sake! It's going in two minutes. You need to get on board. | 0:58:26 | 0:58:31 | |
-And where are you going? -To get some cigarettes and a paper. | 0:58:31 | 0:58:34 | |
SHE CHUCKLES | 0:58:34 | 0:58:37 | |
-Rupert! Gerald. -Samantha! | 0:58:37 | 0:58:42 | |
-How are you? -Very well, I... | 0:58:44 | 0:58:46 | |
I came to see Rupert off. | 0:58:46 | 0:58:48 | |
SHE WHISPERS | 0:58:48 | 0:58:51 | |
WHISTLE BLOWS | 0:58:51 | 0:58:52 | |
Prune! Give me a hand with my case, will you? | 0:58:52 | 0:58:55 | |
WHISTLE BLOWS | 0:58:55 | 0:58:58 | |
God, what a mess. | 0:59:13 | 0:59:15 | |
It's a different world. | 0:59:55 | 0:59:57 | |
My God, Gerry. | 0:59:57 | 1:00:00 | |
-You've done it now. -Do we have to ride? | 1:00:00 | 1:00:03 | |
After a journey like that? I want to stretch my legs a little. | 1:00:03 | 1:00:05 | |
By all means, Rupert. It's 120 degrees. | 1:00:05 | 1:00:09 | |
You take Shank's. I'll take the pony. | 1:00:10 | 1:00:14 | |
It's about two hours, apparently. | 1:00:16 | 1:00:18 | |
I've reached my place, Gerald! | 1:00:53 | 1:00:56 | |
-Finally. -Our place. You've reached our place. | 1:00:56 | 1:01:02 | |
What? What? | 1:01:32 | 1:01:34 | |
I don't have to. Every time. | 1:01:34 | 1:01:38 | |
But I want to. | 1:01:40 | 1:01:43 | |
The settlers just went. | 1:01:54 | 1:01:56 | |
As soon as the next haul of diamonds or gold was discovered, | 1:01:56 | 1:02:00 | |
they just upped and offed. | 1:02:00 | 1:02:02 | |
Why couldn't they be satisfied? | 1:02:02 | 1:02:05 | |
Because people never are. | 1:02:05 | 1:02:07 | |
SHOUTING AND LAUGHTER | 1:02:14 | 1:02:17 | |
MUSIC PLAYS | 1:02:17 | 1:02:19 | |
What did I do wrong? | 1:02:27 | 1:02:29 | |
WHISTLES AND APPLAUSE | 1:02:48 | 1:02:52 | |
Encore! | 1:02:52 | 1:02:54 | |
See? A question... | 1:03:00 | 1:03:03 | |
MUSIC STARTS UP AGAIN | 1:03:12 | 1:03:15 | |
-Ah! Come on. Let's try again. -OK. | 1:03:15 | 1:03:19 | |
Gluttons! HE LAUGHS | 1:03:21 | 1:03:24 | |
What? | 1:03:29 | 1:03:30 | |
You've convinced me, finally. I surrender to my heritage. | 1:03:30 | 1:03:36 | |
To the visceral, sodden, Midlands and their dirty, dirty, men. | 1:03:36 | 1:03:41 | |
MAN CLEARS HIS THROAT | 1:03:48 | 1:03:52 | |
They are getting it, your friends, the Schuhplattern. | 1:03:52 | 1:03:55 | |
Bless you! | 1:03:55 | 1:03:57 | |
I mean the dance. That is its name, Schuhplattern. | 1:03:57 | 1:04:00 | |
Bloody exhausting, that's what we'd call it in England. | 1:04:00 | 1:04:03 | |
-Gerald Crich. -I'm Wolfgang Loerke. | 1:04:03 | 1:04:06 | |
-And I'm... -Gudrun Brangwen. | 1:04:06 | 1:04:08 | |
I saw your name in the register. I am an artist, too. | 1:04:08 | 1:04:11 | |
Your work is in Berlin. | 1:04:11 | 1:04:14 | |
-No! -A private collection in the Altes Museum. | 1:04:14 | 1:04:18 | |
Good heavens... | 1:04:18 | 1:04:21 | |
Please, sit down. | 1:04:24 | 1:04:27 | |
So. which one... | 1:04:27 | 1:04:31 | |
The Altes Museum. A private collection on loan. | 1:04:31 | 1:04:34 | |
Mein Herr? My niece would be most pleased to dance with you. | 1:04:34 | 1:04:39 | |
Ah, I see. | 1:04:39 | 1:04:42 | |
Isn't her English very good? | 1:04:42 | 1:04:44 | |
My English is perfect. | 1:04:44 | 1:04:46 | |
But one would hate to give the impression that German girls | 1:04:46 | 1:04:50 | |
do not know how to behave in polite company. | 1:04:50 | 1:04:52 | |
In that case, the pleasure is all mine. | 1:04:52 | 1:04:56 | |
The young woman is, how do you say it? | 1:05:01 | 1:05:04 | |
She is Von Bluuten. | 1:05:06 | 1:05:08 | |
It's, er, like a lady. | 1:05:08 | 1:05:11 | |
From one of the oldest families in Bavaria. | 1:05:11 | 1:05:14 | |
THEY MOAN AND GRUNT | 1:05:42 | 1:05:45 | |
-Rupert. -Hmm? | 1:06:07 | 1:06:10 | |
We have something, don't we? | 1:06:10 | 1:06:15 | |
What? | 1:06:18 | 1:06:21 | |
How can you say that? We love each other. | 1:06:21 | 1:06:25 | |
We can go anywhere. | 1:06:25 | 1:06:27 | |
We can do anything. We make our own rules. | 1:06:27 | 1:06:34 | |
Yes, of course. | 1:06:36 | 1:06:39 | |
Gerald, what a fine game you played tonight. | 1:06:49 | 1:06:52 | |
-Hmm? -Isn't she in love with you? -What? | 1:06:52 | 1:06:54 | |
That girl, what was her name? | 1:06:54 | 1:06:56 | |
-The one you danced with? -God knows. She was, er... | 1:06:56 | 1:06:59 | |
I assure you, I addressed her quite formally all night. | 1:06:59 | 1:07:01 | |
Well, it obviously did the trick. | 1:07:01 | 1:07:03 | |
Gudrun. I don't... | 1:07:06 | 1:07:08 | |
I can picture her, Gerald, even now, lying there, overwhelmed with love for you. | 1:07:08 | 1:07:14 | |
It really was too shameful, the way you swept her off her feet. | 1:07:14 | 1:07:17 | |
-That was the Schuhplattern. -It's not a criticism. | 1:07:17 | 1:07:22 | |
It's just an observation. | 1:07:23 | 1:07:26 | |
She was very confident. | 1:07:28 | 1:07:29 | |
On the other hand, it would make a perfect marriage. | 1:07:29 | 1:07:32 | |
The upper classes uniting across Europe. | 1:07:33 | 1:07:36 | |
Stop it. | 1:07:36 | 1:07:38 | |
For God's sake, what's the matter with you? | 1:07:40 | 1:07:42 | |
Tell me you weren't hard when you held her against you... | 1:07:42 | 1:07:45 | |
and I'll cease this instant. | 1:07:45 | 1:07:47 | |
Race you. | 1:07:56 | 1:07:58 | |
See! | 1:08:18 | 1:08:20 | |
-What? -You're done. | 1:08:20 | 1:08:23 | |
You've no strength. | 1:08:23 | 1:08:24 | |
Whoo-hoo! | 1:08:34 | 1:08:35 | |
Winner! | 1:08:35 | 1:08:37 | |
See - you're as weak as a baby. | 1:08:42 | 1:08:44 | |
What are you talking about? | 1:08:44 | 1:08:47 | |
-The walls aren't terribly thick, you know, Gerald. -What? | 1:08:51 | 1:08:54 | |
The night-time, since you got here. | 1:08:55 | 1:08:57 | |
No wonder you're tired. | 1:08:57 | 1:09:00 | |
And I'm the only one indulging in that particular pleasure, am I? | 1:09:03 | 1:09:07 | |
I suspect you're the only one | 1:09:07 | 1:09:08 | |
-who's been indulging in it quite so vigorously. -Enough! | 1:09:08 | 1:09:12 | |
What? Ah. | 1:09:12 | 1:09:14 | |
-All the...fucking time! -What are you talking about?! | 1:09:15 | 1:09:18 | |
You never fucking stop! Sex is what brings a man to a woman. | 1:09:18 | 1:09:24 | |
What? | 1:09:24 | 1:09:25 | |
-But that doesn't mean... -What are you talking about? | 1:09:31 | 1:09:34 | |
..meaningful union... that you speak of. | 1:09:34 | 1:09:39 | |
That happens... That happens... | 1:09:47 | 1:09:50 | |
..once the ardour is played out. | 1:09:52 | 1:09:54 | |
Love is special! | 1:09:59 | 1:10:02 | |
You're right. | 1:10:03 | 1:10:04 | |
I do know that. | 1:10:06 | 1:10:08 | |
Where sex is... | 1:10:09 | 1:10:11 | |
earth and sea and water and air. | 1:10:11 | 1:10:15 | |
It's commonplace. | 1:10:15 | 1:10:16 | |
As long as we admit it. | 1:10:20 | 1:10:22 | |
That it makes machines of all of us for a while... | 1:10:23 | 1:10:26 | |
then we pass through it to the other side where you sit so proudly... | 1:10:26 | 1:10:33 | |
I know about love! | 1:10:33 | 1:10:35 | |
Don't fucking lecture me! | 1:10:35 | 1:10:38 | |
Love, come and have some food. | 1:11:08 | 1:11:10 | |
I want to finish this. | 1:11:11 | 1:11:12 | |
Prune, you must have something. You'll make yourself ill. | 1:11:12 | 1:11:16 | |
A drink at least. | 1:11:16 | 1:11:18 | |
It's very good. It's a local dish. | 1:11:42 | 1:11:45 | |
Curry. | 1:11:47 | 1:11:49 | |
God, this place is wonderful! | 1:11:55 | 1:11:58 | |
I could live here forever. | 1:11:58 | 1:12:00 | |
-You should, then. -Just like that? | 1:12:01 | 1:12:04 | |
Why not? If you desire something, you should make it happen. | 1:12:05 | 1:12:10 | |
There speaks a man who has wanted for nothing his entire life. | 1:12:10 | 1:12:14 | |
I'm going. | 1:12:21 | 1:12:23 | |
-What? -You're right. | 1:12:23 | 1:12:25 | |
-I'm here to get things done. -It's too hot now! Don't be ridiculous. | 1:12:25 | 1:12:28 | |
Gerald! | 1:12:28 | 1:12:30 | |
Wait! | 1:12:31 | 1:12:32 | |
I know I've made you like this. | 1:12:39 | 1:12:43 | |
But I have to be. | 1:12:43 | 1:12:44 | |
Perhaps if you weren't so... | 1:12:44 | 1:12:46 | |
I have to be true to myself... | 1:12:46 | 1:12:48 | |
And Rupert's right. You come from a different world. | 1:12:48 | 1:12:51 | |
What? | 1:12:51 | 1:12:53 | |
The rules that you apply to living are... They're yours. | 1:12:55 | 1:12:58 | |
They're yours alone, and I can't be with somebody like that. | 1:12:58 | 1:13:01 | |
I think we should have separate rooms. | 1:13:03 | 1:13:05 | |
What are you talking about? This is... | 1:13:06 | 1:13:08 | |
You can say that you need a dressing room. Or I am ill. | 1:13:08 | 1:13:11 | |
Gudrun, this is nonsense. | 1:13:11 | 1:13:15 | |
All over some dance. | 1:13:15 | 1:13:18 | |
I don't give two ha'pennies for the bloody girl! | 1:13:19 | 1:13:22 | |
-She is nothing to me. -She's not the point. It's your whole attitude. | 1:13:23 | 1:13:27 | |
It's who you are. | 1:13:27 | 1:13:29 | |
If you face facts, Gerald... Please be sensible. | 1:13:29 | 1:13:33 | |
It's best to stop this now before... | 1:13:33 | 1:13:36 | |
before it becomes serious. | 1:13:36 | 1:13:37 | |
-Before? -What? | 1:13:39 | 1:13:40 | |
-Jesus! -I took pity on you because of the dreadful state you were in. | 1:13:40 | 1:13:44 | |
It was never love. | 1:13:46 | 1:13:48 | |
You don't think you love me, do you? | 1:13:50 | 1:13:52 | |
Not really. | 1:13:52 | 1:13:54 | |
It's always been perfectly clear what this relationship's about. | 1:13:56 | 1:13:59 | |
I... | 1:14:02 | 1:14:03 | |
I feel strongly for you. | 1:14:06 | 1:14:09 | |
And that's not the same thing, is it? | 1:14:10 | 1:14:12 | |
Not really. | 1:14:15 | 1:14:17 | |
Not proper love. | 1:14:17 | 1:14:19 | |
Because you don't feel like that, do you? | 1:14:19 | 1:14:22 | |
And you never will. You'll... | 1:14:22 | 1:14:24 | |
You'll never love me as a man should. | 1:14:26 | 1:14:30 | |
Because you're not capable. | 1:14:30 | 1:14:31 | |
Of loving me like that. Are you? | 1:14:33 | 1:14:36 | |
No. | 1:14:40 | 1:14:42 | |
Well, then... | 1:14:44 | 1:14:45 | |
Let's be kind to ourselves. We should be friends. | 1:14:47 | 1:14:50 | |
And nothing more. | 1:14:52 | 1:14:53 | |
Gerald is like the richest food in the world. He's... | 1:15:04 | 1:15:07 | |
He's delicious at first, but he's deadening finally. | 1:15:07 | 1:15:11 | |
It's lack of subtlety. | 1:15:11 | 1:15:13 | |
-Gudrun! -It's best that we're honest about these things. | 1:15:13 | 1:15:15 | |
Life's too short for compromise. | 1:15:17 | 1:15:20 | |
Now, if you'll excuse me... | 1:15:21 | 1:15:23 | |
I'm ravenous. | 1:15:23 | 1:15:24 | |
Jesus! | 1:16:06 | 1:16:07 | |
What happened to you? | 1:16:08 | 1:16:11 | |
My beautiful companion... | 1:16:11 | 1:16:14 | |
..prefers the company of some... | 1:16:17 | 1:16:19 | |
hideous portrait pedlar. | 1:16:19 | 1:16:22 | |
And I am getting drunk. That's it. | 1:16:24 | 1:16:27 | |
For God's sake, Gerald. Pull yourself to together. Go and talk to her. | 1:16:27 | 1:16:31 | |
What are you doing? | 1:16:34 | 1:16:35 | |
I'm giving this young woman the eye. | 1:16:37 | 1:16:40 | |
Couldn't you just take her outside and ride her | 1:16:41 | 1:16:45 | |
until the sweat sat in puddles on her collarbone? | 1:16:45 | 1:16:49 | |
I could. | 1:16:51 | 1:16:52 | |
I could. | 1:16:54 | 1:16:55 | |
GUDRUN LAUGHS | 1:16:59 | 1:17:01 | |
I do like her, though. | 1:17:01 | 1:17:03 | |
You'll write? | 1:17:30 | 1:17:32 | |
Of course. | 1:17:32 | 1:17:33 | |
You really must go? | 1:17:36 | 1:17:38 | |
We must. I think Rupert's right. | 1:17:38 | 1:17:40 | |
We're not helping. | 1:17:40 | 1:17:42 | |
And you will manage here with Gerald? | 1:17:44 | 1:17:46 | |
Perhaps not together. | 1:17:48 | 1:17:51 | |
But we'll manage. | 1:17:51 | 1:17:52 | |
I want you to have these. | 1:17:55 | 1:17:57 | |
Sweets for my sweet. | 1:18:00 | 1:18:02 | |
The most beautiful things I possess... | 1:18:04 | 1:18:08 | |
for the most beautiful woman I know. | 1:18:08 | 1:18:12 | |
Come with us. | 1:18:14 | 1:18:16 | |
We could travel together. | 1:18:16 | 1:18:18 | |
No. I'm perfectly fine. | 1:18:18 | 1:18:19 | |
-You shouldn't stay. You say that, but you're not. -Really. | 1:18:19 | 1:18:22 | |
Really, I am. | 1:18:22 | 1:18:25 | |
You're pretending. | 1:18:25 | 1:18:27 | |
You never tell the truth, ever, | 1:18:27 | 1:18:29 | |
where it concerns your heart, and it will be the end of you! | 1:18:29 | 1:18:33 | |
And you do. You always tell the truth. And you always have. | 1:18:33 | 1:18:37 | |
And I've been so envious of that all my life. | 1:18:39 | 1:18:41 | |
I daren't love him. | 1:18:44 | 1:18:45 | |
Gerald is... | 1:18:49 | 1:18:50 | |
He's a hundred men. He's a thousand men. | 1:18:50 | 1:18:53 | |
How can I keep him? | 1:18:58 | 1:19:00 | |
Prune, no. You... | 1:19:00 | 1:19:03 | |
Ursula... | 1:19:03 | 1:19:04 | |
-Please, come. -No. Go. | 1:19:04 | 1:19:06 | |
Go. | 1:19:06 | 1:19:08 | |
Ah... I forgot my wash bag. | 1:20:04 | 1:20:06 | |
Does this mean you'll be coming for dinner this evening? | 1:20:10 | 1:20:13 | |
No. I shouldn't think so. | 1:20:13 | 1:20:15 | |
Do you wish to humiliate me? | 1:20:23 | 1:20:26 | |
Isn't it enough that... | 1:20:26 | 1:20:28 | |
Mightn't we at least keep up the appearance of civility? | 1:20:32 | 1:20:36 | |
I'm being perfectly civil, Gerald. | 1:20:36 | 1:20:38 | |
It's you who's rapidly forgetting his manners. | 1:20:38 | 1:20:40 | |
-What are you doing? -I'm getting ready. | 1:20:44 | 1:20:47 | |
That's your way, isn't it? | 1:21:11 | 1:21:13 | |
You are confronted by a problem and you overcome it, don't you? | 1:21:14 | 1:21:17 | |
You just have to grasp the nature and then you bring to pass | 1:21:19 | 1:21:22 | |
the inevitable conclusion, at the colliery or in the war. | 1:21:22 | 1:21:26 | |
You make order out of chaos by imposing your will, don't you? | 1:21:26 | 1:21:30 | |
Well... | 1:21:35 | 1:21:37 | |
..not with me. | 1:21:38 | 1:21:40 | |
I bow to no man. | 1:21:41 | 1:21:43 | |
I said I'd strike the last blow. | 1:21:44 | 1:21:46 | |
-And I will. -Why him? Hmmm? | 1:21:50 | 1:21:52 | |
Why the vermin? | 1:21:52 | 1:21:54 | |
-Don't be ridiculous. -It's clear you want him, not me. | 1:21:54 | 1:21:57 | |
That's what this is about. | 1:21:57 | 1:21:58 | |
I want nothing of him! | 1:22:03 | 1:22:05 | |
Why do men reduce everything to a matter of sex? | 1:22:08 | 1:22:11 | |
Because everything IS a matter of sex! | 1:22:11 | 1:22:14 | |
I'll make my own way to England. | 1:22:20 | 1:22:22 | |
And I'm leaving on Friday. | 1:22:24 | 1:22:26 | |
If it's to England that I go... | 1:22:29 | 1:22:31 | |
Let me go! | 1:22:39 | 1:22:40 | |
You are... You are going away, then? | 1:23:24 | 1:23:27 | |
Yes. | 1:23:27 | 1:23:30 | |
Day after tomorrow. | 1:23:33 | 1:23:34 | |
-Where? -I don't know. | 1:23:34 | 1:23:36 | |
You won't tell me where you will go? | 1:23:37 | 1:23:40 | |
Really, I don't know. | 1:23:40 | 1:23:41 | |
Maria! | 1:23:41 | 1:23:43 | |
You come like a ghost. | 1:23:43 | 1:23:45 | |
Some schnapps? | 1:23:51 | 1:23:53 | |
Perhaps the lady would care for another sip? | 1:23:53 | 1:23:58 | |
Gerald! | 1:23:59 | 1:24:00 | |
Gerald! | 1:24:00 | 1:24:02 | |
Stop it! | 1:24:02 | 1:24:04 | |
Stop it! Stop it! | 1:24:04 | 1:24:07 | |
Stop it. | 1:24:08 | 1:24:09 | |
Gaaahh! | 1:24:12 | 1:24:14 | |
Uh... | 1:24:14 | 1:24:15 | |
Oh, Gudrun. | 1:25:51 | 1:25:53 | |
I loved him so much. | 1:26:14 | 1:26:16 | |
I know... | 1:26:16 | 1:26:17 | |
I... | 1:26:17 | 1:26:19 | |
I know. | 1:26:19 | 1:26:20 | |
SHE WAILS | 1:26:20 | 1:26:23 | |
Oh, God! | 1:27:02 | 1:27:04 | |
SOBBING | 1:27:27 | 1:27:30 | |
I'm sorry. | 1:28:41 | 1:28:42 | |
I'm sorry. | 1:28:46 | 1:28:47 | |
I've had enough. | 1:28:50 | 1:28:52 | |
I want to go to sleep. | 1:28:58 | 1:28:59 | |
Subtitles by Red Bee Media Ltd | 1:29:46 | 1:29:50 | |
E-mail [email protected] | 1:29:50 | 1:29:54 |