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You want to get your priorities right, Detective. | 0:00:02 | 0:00:05 | |
-He's a married man. -It was just a drink. | 0:00:05 | 0:00:07 | |
It's enough to ruin your reputation. | 0:00:07 | 0:00:09 | |
-You said you were working. -We were talking about a case. | 0:00:09 | 0:00:12 | |
Please, don't let them hurt me any more. | 0:00:12 | 0:00:14 | |
SHE SCREAMS | 0:00:14 | 0:00:17 | |
I said stop! | 0:00:17 | 0:00:19 | |
I can do what I want. | 0:00:20 | 0:00:23 | |
Hurt her again and I'll have you thrown into a cell. | 0:00:23 | 0:00:25 | |
If George Stern is Stanley Collins, where is he now? | 0:00:25 | 0:00:29 | |
WHISTLE BLOWS | 0:00:32 | 0:00:35 | |
Are you ready, Reverend? | 0:01:09 | 0:01:11 | |
Yes, that's Patricia. | 0:01:26 | 0:01:28 | |
HE SOBS | 0:01:31 | 0:01:33 | |
What in God's name happened to her hair? | 0:01:37 | 0:01:39 | |
She was found with it cut like that. | 0:01:41 | 0:01:44 | |
How did she die? | 0:01:45 | 0:01:47 | |
She was...strangled. | 0:01:47 | 0:01:50 | |
I'm so sorry, Reverend. | 0:01:52 | 0:01:54 | |
No! | 0:02:05 | 0:02:06 | |
WOMAN SOBS | 0:02:06 | 0:02:09 | |
No! | 0:02:09 | 0:02:11 | |
SHE SOBS | 0:02:11 | 0:02:15 | |
We have confirmation, Sir, it was Patricia Buckley. | 0:02:30 | 0:02:33 | |
Good, Always better to announce a name. Lets them think we're making progress. | 0:02:33 | 0:02:37 | |
Were there any signs of sexual assault? | 0:02:37 | 0:02:38 | |
Yes, Sir. And her hair was cut, like the others. | 0:02:38 | 0:02:41 | |
Yes, well, let's keep the sordid details to ourselves for now. | 0:02:41 | 0:02:45 | |
But you'll announce that this is the fourth. | 0:02:45 | 0:02:47 | |
Fourth what? | 0:02:47 | 0:02:48 | |
Victim, sir. Sylvia Stewart, Anna Pearce, Mary Cook... | 0:02:48 | 0:02:51 | |
Were all assaulted. This is murder. Entirely different. | 0:02:51 | 0:02:54 | |
Sir, the public has a right to know there's a madman on the loose. | 0:02:54 | 0:02:57 | |
I fail to see what that would achieve. | 0:02:57 | 0:03:00 | |
Well, they could make precautions, Sir, | 0:03:00 | 0:03:02 | |
make sure women don't go out alone at night. | 0:03:02 | 0:03:05 | |
No, we say nothing for the time being. | 0:03:05 | 0:03:07 | |
Inspector Nelson agrees with me on this. | 0:03:07 | 0:03:10 | |
It's probably best not to cause a panic. | 0:03:10 | 0:03:11 | |
I'm not about to go out and advertise your incompetence, Detective Burns, | 0:03:11 | 0:03:15 | |
it reflects badly on all of us. | 0:03:15 | 0:03:16 | |
Excuse me? | 0:03:16 | 0:03:18 | |
Correct me if I'm wrong, | 0:03:18 | 0:03:19 | |
but so far you've failed to find a single lead on this case! | 0:03:19 | 0:03:22 | |
Which is why I've decided it's time for you to step aside. | 0:03:24 | 0:03:27 | |
Sergeant Fenton has been seconded into CID. | 0:03:27 | 0:03:30 | |
From now on he'll be in charge of the investigation. | 0:03:30 | 0:03:33 | |
You can't do that. | 0:03:33 | 0:03:34 | |
I think you'll find that I have. | 0:03:34 | 0:03:37 | |
They're ready for you, Sir. | 0:03:37 | 0:03:38 | |
Thank you. | 0:03:38 | 0:03:39 | |
Whoever is responsible for this heinous act, we will find him. | 0:03:52 | 0:03:56 | |
Patricia Buckley's death will not go unpunished. | 0:03:56 | 0:03:59 | |
I appeal to the good men and women of our community | 0:03:59 | 0:04:02 | |
to assist the police in any way they can. | 0:04:02 | 0:04:06 | |
If you have seen or heard anything suspicious, | 0:04:06 | 0:04:08 | |
contact us immediately. | 0:04:08 | 0:04:11 | |
Together we will restore order and safety to our streets. | 0:04:11 | 0:04:15 | |
Is it true the girl's hair had been cut? | 0:04:15 | 0:04:18 | |
I will not disclose any detail that could harm our investigation. | 0:04:18 | 0:04:22 | |
You will be kept informed of our progress in due course. | 0:04:22 | 0:04:25 | |
Thank you all for coming. | 0:04:25 | 0:04:27 | |
I've heard there were other, similar attacks. | 0:04:27 | 0:04:29 | |
Should women be concerned for their safety? | 0:04:29 | 0:04:31 | |
Mr Sullivan! A man in your position should know better | 0:04:31 | 0:04:34 | |
than to peddle rumours. | 0:04:34 | 0:04:37 | |
The police force is here to protect its citizens. | 0:04:39 | 0:04:41 | |
The people of Brinford must feel free to go about their business as normal. | 0:04:41 | 0:04:44 | |
Inspector Nelson! | 0:04:44 | 0:04:46 | |
Consorting with the top brass I see. | 0:04:46 | 0:04:49 | |
A step up for you isn't it, Sergeant? | 0:04:49 | 0:04:50 | |
Nothing I can't handle. | 0:04:50 | 0:04:52 | |
Glad to see you're so confident. Any suspects yet? | 0:04:52 | 0:04:54 | |
Tick-tock, Sergeant. | 0:04:58 | 0:05:01 | |
# Well, be-bop-a-Lula | 0:05:01 | 0:05:04 | |
# She's my baby | 0:05:04 | 0:05:06 | |
# Be-bop-a-Lula, I don't mean maybe | 0:05:06 | 0:05:10 | |
# Be-bop-a-Lula, she's my baby... # | 0:05:10 | 0:05:14 | |
What do you want? | 0:05:14 | 0:05:16 | |
Told you it'd be worth the wait. | 0:05:16 | 0:05:18 | |
-Where you going? -Work. | 0:05:18 | 0:05:20 | |
Let me drive you. | 0:05:20 | 0:05:22 | |
I'll take the bus, thanks. | 0:05:22 | 0:05:23 | |
Come on, Cathy, don't be like that. | 0:05:23 | 0:05:25 | |
We can work it out, can't we? | 0:05:28 | 0:05:30 | |
No, Bill, we can't because I'm not your girlfriend anymore. | 0:05:30 | 0:05:33 | |
But what about our trip? | 0:05:33 | 0:05:34 | |
Cathy, Cathy! | 0:05:37 | 0:05:39 | |
# Loves me so safe | 0:05:39 | 0:05:41 | |
# Be-bop-a Lula, she's my baby | 0:05:41 | 0:05:44 | |
# Be-bop-a-Lula, I don't mean maybe | 0:05:44 | 0:05:49 | |
# Be-bop-a-Lula, she's my baby love, my baby love... # | 0:05:49 | 0:05:52 | |
Leave it on there. | 0:05:55 | 0:05:56 | |
Burns, bring me up to speed, | 0:06:04 | 0:06:07 | |
what did the pathologist say? | 0:06:07 | 0:06:09 | |
I left a note on your desk. | 0:06:11 | 0:06:12 | |
Indulge me. | 0:06:12 | 0:06:14 | |
They took samples from under Patricia's fingernails. | 0:06:16 | 0:06:19 | |
They're still examining her clothes at the lab. | 0:06:19 | 0:06:21 | |
So, she was covered in muck from the park. | 0:06:21 | 0:06:24 | |
Doesn't take a genius to work that out. | 0:06:24 | 0:06:26 | |
There's still no harm in waiting for the results. | 0:06:26 | 0:06:29 | |
Yeah, yeah. Sure it'll crack the case wide open. | 0:06:29 | 0:06:31 | |
Sir. | 0:06:40 | 0:06:41 | |
After you left, Mrs Buckley remembered a few more details, | 0:06:44 | 0:06:47 | |
about her conversation with Patricia. | 0:06:47 | 0:06:49 | |
It's nothing significant but... | 0:06:49 | 0:06:51 | |
I'll be the judge of that. | 0:06:51 | 0:06:53 | |
Right, as you know I've been asked to head up this investigation, | 0:06:55 | 0:06:58 | |
which means that any and all information comes to me first. | 0:06:58 | 0:07:03 | |
Now, down to business. | 0:07:04 | 0:07:06 | |
We'll split into two groups. | 0:07:07 | 0:07:10 | |
Team A, search the area for any evidence. | 0:07:10 | 0:07:14 | |
Team B, gather statements from any potential witnesses. | 0:07:14 | 0:07:18 | |
Dawson, we'll be getting lots of calls from the public on this, | 0:07:18 | 0:07:21 | |
so I want you to write everything down. | 0:07:21 | 0:07:24 | |
And I mean...everything. | 0:07:24 | 0:07:28 | |
Yes, Sergeant. | 0:07:28 | 0:07:30 | |
Right, gentlemen to the vans, | 0:07:32 | 0:07:35 | |
on the double! | 0:07:35 | 0:07:37 | |
Jack. | 0:07:44 | 0:07:45 | |
I'm sorry for yesterday, | 0:07:47 | 0:07:50 | |
what I said. | 0:07:50 | 0:07:51 | |
Forget it. | 0:07:51 | 0:07:53 | |
I never meant to hurt you. | 0:07:54 | 0:07:56 | |
You didn't, you were right. | 0:07:56 | 0:08:00 | |
What I have with Deborah actually means something. | 0:08:00 | 0:08:02 | |
Why would I throw it all away over a bit of skirt? | 0:08:02 | 0:08:05 | |
PHONE RINGS | 0:08:05 | 0:08:08 | |
Hello, Brinford Police. | 0:08:16 | 0:08:18 | |
-You emptied the bins around five? -That's right. | 0:08:18 | 0:08:21 | |
And you saw nothing unusual? | 0:08:21 | 0:08:22 | |
-No suspicious characters hanging around? -No. | 0:08:22 | 0:08:26 | |
Sergeant Fenton! | 0:08:26 | 0:08:27 | |
Ray! Get a shot of those. | 0:08:33 | 0:08:35 | |
Both sides. | 0:08:39 | 0:08:40 | |
Oh, am I glad to see you! | 0:08:49 | 0:08:52 | |
I started my day in a hospital morgue, | 0:08:52 | 0:08:53 | |
and things didn't really get much better after that. | 0:08:53 | 0:08:57 | |
Don't worry, I'm not going to talk about work. | 0:08:57 | 0:09:01 | |
I've done nothing but talk, people calling up, | 0:09:01 | 0:09:04 | |
worried about going out, thinking that everybody's an axe murderer. | 0:09:04 | 0:09:08 | |
I am talking about it, aren't I? | 0:09:09 | 0:09:11 | |
Sorry. | 0:09:11 | 0:09:12 | |
So you're not enjoying it, then? Work I mean? | 0:09:12 | 0:09:16 | |
Well, it gets me down sometimes. | 0:09:16 | 0:09:20 | |
Then this might cheer you up. I went to the bank today. | 0:09:22 | 0:09:26 | |
They said I've got enough to make the payments on a place of our own. | 0:09:26 | 0:09:30 | |
Think about it. No more parents telling us what to do. | 0:09:30 | 0:09:33 | |
You can decorate it just the way you like it. | 0:09:33 | 0:09:36 | |
You wouldn't have to work anymore. | 0:09:37 | 0:09:39 | |
Could we have a couple of minutes? | 0:09:43 | 0:09:45 | |
Aren't you going to say anything? | 0:09:47 | 0:09:48 | |
Isn't it a bit soon to be talking about mortgages? | 0:09:50 | 0:09:53 | |
I mean... We should... | 0:09:53 | 0:09:55 | |
We've been courting a couple of years, Gina. | 0:09:55 | 0:09:57 | |
Aren't you tired of waiting for our lives to begin? I know I am. | 0:09:57 | 0:10:01 | |
You know, every day when I go through those factory gates, | 0:10:02 | 0:10:06 | |
the one thing that keeps me going is the thought of you. | 0:10:06 | 0:10:09 | |
I love you, Gina. | 0:10:12 | 0:10:13 | |
I want to spend the rest of my life with you. | 0:10:13 | 0:10:17 | |
Frank... | 0:10:20 | 0:10:22 | |
Gina Dawson, will you make me the happiest man in the world? | 0:10:22 | 0:10:27 | |
Will you marry me? | 0:10:29 | 0:10:31 | |
I'm sorry, I can't. | 0:10:36 | 0:10:38 | |
Enjoy that, did you? Making a show of me? | 0:10:47 | 0:10:49 | |
Sorry, I didn't know what to say. | 0:10:49 | 0:10:53 | |
Did you ever love me? | 0:10:55 | 0:10:57 | |
Of course I have, but... | 0:10:58 | 0:11:02 | |
Good luck finding another man who'll put up with you. | 0:11:02 | 0:11:05 | |
SHE SOBS | 0:11:14 | 0:11:16 | |
Bacon on a weekday? Have we won the pools? | 0:11:20 | 0:11:24 | |
It's for a certain young lady who'll be making a certain announcement | 0:11:24 | 0:11:27 | |
about a certain young man! | 0:11:27 | 0:11:29 | |
Oh, Gina? | 0:11:29 | 0:11:31 | |
Frank and I broke up. | 0:11:31 | 0:11:33 | |
MUSIC: "Don't Be Cruel" by Elvis Presley | 0:11:33 | 0:11:36 | |
What have you done, you stupid girl? | 0:11:36 | 0:11:38 | |
-Brenda. -I have to go to work. | 0:11:38 | 0:11:41 | |
No, you'll stay here and tell me exactly what happened! | 0:11:41 | 0:11:43 | |
It would never have worked, Mum! I'm too selfish, remember? | 0:11:43 | 0:11:47 | |
Yes, you are. | 0:11:47 | 0:11:49 | |
I'm sorry I let you down. | 0:11:50 | 0:11:52 | |
That's right, you go off to work(!) | 0:11:54 | 0:11:56 | |
But don't blame me if you end up all alone! | 0:11:56 | 0:12:00 | |
You've got all our men on this Fenton, not to mention the team | 0:12:06 | 0:12:09 | |
from Birmingham, and all you have to show me is evidence of a leaky van? | 0:12:09 | 0:12:12 | |
We think it's a Ford Eight, sir. | 0:12:12 | 0:12:13 | |
Do you even know if it's connected to the case? | 0:12:13 | 0:12:16 | |
-Well, not till we find... -Then pull your finger out, Sergeant! | 0:12:16 | 0:12:18 | |
If this is your only lead, it had better amount to something. | 0:12:18 | 0:12:21 | |
I've got Divisional breathing down my neck on this. | 0:12:21 | 0:12:23 | |
Dawson. | 0:12:35 | 0:12:38 | |
You want to help us catch this killer, right? | 0:12:43 | 0:12:46 | |
Yes, Sergeant. | 0:12:48 | 0:12:50 | |
You'll do whatever it takes? | 0:12:50 | 0:12:52 | |
Of course, Sergeant. | 0:12:52 | 0:12:54 | |
MUSIC: "I Want You, I Need You, I Love You" by Elvis Presley | 0:12:56 | 0:12:58 | |
# Hold me close, hold me tight Make me thrill with delight | 0:12:58 | 0:13:02 | |
# Let me know where I stand from the start | 0:13:02 | 0:13:09 | |
# I want you, I need you, I love you... # | 0:13:09 | 0:13:13 | |
Eddie! | 0:13:13 | 0:13:15 | |
-Hello? -I didn't know you were back today. | 0:13:15 | 0:13:17 | |
Did you miss me? | 0:13:17 | 0:13:19 | |
Maybe. | 0:13:19 | 0:13:21 | |
Thanks for coming to the hospital. | 0:13:21 | 0:13:23 | |
Any time. | 0:13:23 | 0:13:25 | |
Cathy...? | 0:13:28 | 0:13:29 | |
D'you fancy a spin? | 0:13:32 | 0:13:34 | |
Just round the courtyard. | 0:13:34 | 0:13:37 | |
Go on, I'll go slow, I promise. | 0:13:38 | 0:13:40 | |
All right. | 0:13:40 | 0:13:42 | |
Yeah? | 0:13:42 | 0:13:43 | |
All right. Hop on, then. | 0:13:44 | 0:13:46 | |
Told you I'd get you on my bike some day, didn't I? | 0:13:47 | 0:13:50 | |
BIKE ENGINE REVS | 0:13:50 | 0:13:52 | |
SHE LAUGHS | 0:13:52 | 0:13:54 | |
All right, hold on tight. | 0:13:54 | 0:13:56 | |
Ah, ow! | 0:13:56 | 0:13:58 | |
Not that tight. | 0:14:00 | 0:14:01 | |
I'm sorry. | 0:14:01 | 0:14:03 | |
Are you OK? | 0:14:03 | 0:14:04 | |
It was worth it. | 0:14:05 | 0:14:06 | |
I'll see you in there. | 0:14:08 | 0:14:10 | |
I was right about you and him, weren't I? | 0:14:20 | 0:14:22 | |
I don't know what you're talking about. | 0:14:22 | 0:14:24 | |
I won't be taken for a fool, not by anyone. | 0:14:24 | 0:14:27 | |
Bill, you're hurting me! | 0:14:27 | 0:14:28 | |
Oi! What d'you think you're doing? | 0:14:28 | 0:14:31 | |
-Just stay out of this. -Get off her. | 0:14:31 | 0:14:33 | |
STOP it! | 0:14:33 | 0:14:36 | |
Worried about lover boy, are you? | 0:14:36 | 0:14:37 | |
-Oi! -Get up! | 0:14:37 | 0:14:41 | |
Come on, you, get here. | 0:14:42 | 0:14:45 | |
If you ever go near Cathy again, | 0:14:45 | 0:14:47 | |
I'll have you banged up so fast you won't know what hit you. | 0:14:47 | 0:14:50 | |
For what? I never did nothing to her. | 0:14:50 | 0:14:52 | |
You just assaulted a police officer. | 0:14:52 | 0:14:54 | |
How long can you get for that, Sergeant Pratt? | 0:14:54 | 0:14:56 | |
About three to five? | 0:14:56 | 0:14:58 | |
Now you apologise to the lady. | 0:14:58 | 0:15:00 | |
Sorry. | 0:15:02 | 0:15:03 | |
Get in there. Go on. Go on. | 0:15:05 | 0:15:08 | |
You OK? | 0:15:08 | 0:15:11 | |
Cos if he hurt you I swear to God I'll... | 0:15:11 | 0:15:13 | |
-Tart her up and use her to catch him. -Absolutely not. | 0:15:25 | 0:15:27 | |
None of your business, Burns. | 0:15:27 | 0:15:29 | |
I'm making it my business. | 0:15:29 | 0:15:30 | |
What's the point of having a woman copper, | 0:15:30 | 0:15:32 | |
-if you can't use her as bait? -It could get her killed. | 0:15:32 | 0:15:35 | |
We have to do something, don't we? | 0:15:35 | 0:15:37 | |
Otherwise he's just going to keep going. | 0:15:37 | 0:15:39 | |
See? She knows what she's talking about. | 0:15:39 | 0:15:41 | |
Are you really going to stand by and let this happen? | 0:15:41 | 0:15:43 | |
Just simmer down, all of you. | 0:15:43 | 0:15:45 | |
It's a risky strategy. But if we stage it right | 0:15:45 | 0:15:47 | |
-we can guarantee her safety. -We can't guarantee anything. | 0:15:47 | 0:15:50 | |
Nonetheless, I'll authorise it if Dawson is willing to take the risk. | 0:15:50 | 0:15:54 | |
Yes sir, I am. | 0:15:54 | 0:15:56 | |
That's decided then. We'll do it tonight. | 0:16:00 | 0:16:03 | |
When it gets dark. | 0:16:03 | 0:16:04 | |
I've lost a whole day's work stuck in here. | 0:16:08 | 0:16:11 | |
You don't say? | 0:16:11 | 0:16:12 | |
And I didn't get any lunch. | 0:16:12 | 0:16:14 | |
You're lucky you didn't get my boot up your arse, | 0:16:15 | 0:16:18 | |
and five years inside for what you did today. | 0:16:18 | 0:16:21 | |
Now are you going to keep your nose clean, | 0:16:22 | 0:16:24 | |
or are me and you going to have to have words? | 0:16:24 | 0:16:26 | |
All right. | 0:16:28 | 0:16:30 | |
I can't hear you. | 0:16:30 | 0:16:31 | |
I said, "all right." No more trouble. | 0:16:32 | 0:16:35 | |
We spread ourselves out along the route, hiding in twos. | 0:16:50 | 0:16:54 | |
Not too close, but close enough to come running if anything happens. | 0:16:54 | 0:16:58 | |
Dawson will start our route here, at the south entrance, | 0:16:58 | 0:17:02 | |
passing through here, here and here, until she reaches the north gate. | 0:17:02 | 0:17:08 | |
What if nothing happens, Sarge? | 0:17:08 | 0:17:10 | |
Then she turns around and does the same route back again. | 0:17:10 | 0:17:12 | |
All night if she has to. | 0:17:12 | 0:17:13 | |
Until we catch the sicko. Questions? | 0:17:13 | 0:17:16 | |
What are you doing? | 0:17:18 | 0:17:20 | |
If you're doing this to get back at me, you win, OK? | 0:17:20 | 0:17:22 | |
I'm begging you, please, don't do this. | 0:17:22 | 0:17:24 | |
You two want us to clear off? Give you some privacy? | 0:17:24 | 0:17:27 | |
No, Sergeant. | 0:17:27 | 0:17:28 | |
Right, let's think about getting you tarted up. | 0:17:28 | 0:17:31 | |
Just had a call from Birmingham. | 0:17:31 | 0:17:33 | |
Woman called Bessie something - says she lives next door to George Stern. | 0:17:33 | 0:17:37 | |
-Has she seen him? -No-one has, apparently. | 0:17:37 | 0:17:40 | |
Which is why his landlord's chucking his stuff out tomorrow. | 0:17:40 | 0:17:43 | |
She thought you would like to know. | 0:17:43 | 0:17:44 | |
Thanks. | 0:17:44 | 0:17:46 | |
Oh, and your wife called. | 0:17:46 | 0:17:47 | |
At least I think it was your wife. | 0:17:47 | 0:17:49 | |
She asked for you, and then hung up. | 0:17:49 | 0:17:51 | |
Everything all right? | 0:17:51 | 0:17:54 | |
Yeah, fine. | 0:17:54 | 0:17:55 | |
High heels. Bit of skirt, that should do the job. | 0:17:55 | 0:17:59 | |
We're forgetting one thing. | 0:17:59 | 0:18:01 | |
He likes blondes. | 0:18:02 | 0:18:03 | |
Excuse me, do you have the time? | 0:18:22 | 0:18:25 | |
Yes. | 0:18:25 | 0:18:26 | |
-It's just gone seven. -Thank you. | 0:18:28 | 0:18:30 | |
I wasted three weeks' wages on that poxy ring, | 0:18:40 | 0:18:42 | |
and they won't take it back. | 0:18:42 | 0:18:44 | |
I tell you what I won't miss - I won't miss her in that horrible, | 0:18:44 | 0:18:48 | |
ugly uniform all the time. | 0:18:48 | 0:18:50 | |
Women, eh? Who'd have them? | 0:18:50 | 0:18:52 | |
I mean, it's not too much to ask, is it? | 0:18:53 | 0:18:55 | |
For your girlfriend to actually dress like a woman sometimes. | 0:18:55 | 0:18:59 | |
Cathy turned heads. And didn't she know it. | 0:18:59 | 0:19:02 | |
What I will miss is her Mum's puddings. | 0:19:03 | 0:19:06 | |
Course, Gina couldn't cook to save her life. | 0:19:06 | 0:19:09 | |
Yeah, I've made a lucky escape there, I know that much. | 0:19:09 | 0:19:12 | |
And she was lippy and all. | 0:19:12 | 0:19:14 | |
Eh? | 0:19:15 | 0:19:16 | |
Your Gina. I bet it was her stirring things up between me and Cathy. | 0:19:16 | 0:19:21 | |
It didn't need much stirring though, did it, Bill? | 0:19:21 | 0:19:24 | |
-You what? -Well, you didn't have to go belt her one did you? | 0:19:24 | 0:19:28 | |
You saying it's my fault? | 0:19:30 | 0:19:31 | |
You have to admit, you've crossed a line there. | 0:19:31 | 0:19:34 | |
She was two-timing me. | 0:19:35 | 0:19:37 | |
All right. | 0:19:38 | 0:19:39 | |
Maybe if you gave Gina a good slap once in a | 0:19:41 | 0:19:43 | |
while, she'd have had some respect for you. | 0:19:43 | 0:19:45 | |
-Hey now, I'm not having that! -Having what?! | 0:19:45 | 0:19:48 | |
The truth?! | 0:19:48 | 0:19:51 | |
She was a stuck up cow and you know it. | 0:19:51 | 0:19:53 | |
You'll take that back. | 0:19:53 | 0:19:54 | |
-Or what? -Cool it, lads. | 0:19:54 | 0:19:57 | |
Come on! Or what! | 0:19:57 | 0:19:58 | |
Oi, you're barred. Sling your hook. | 0:19:58 | 0:20:00 | |
Don't worry, I'm going. | 0:20:00 | 0:20:02 | |
ENGINE STALLS | 0:20:17 | 0:20:19 | |
ENGINE STALLS | 0:20:22 | 0:20:24 | |
ENGINE STALLS | 0:20:28 | 0:20:31 | |
# I'm going to rock it up At the ball tonight. # | 0:20:44 | 0:20:49 | |
I wouldn't do that if I were you. | 0:21:07 | 0:21:10 | |
How dare you tie her down! | 0:21:10 | 0:21:12 | |
It's for her own safety. | 0:21:12 | 0:21:14 | |
I want to know what's been going on here? | 0:21:14 | 0:21:16 | |
She broke into my office. | 0:21:16 | 0:21:18 | |
We found her trying to make an unauthorised phone call. | 0:21:18 | 0:21:20 | |
She was calling me. She obviously needed my help. | 0:21:20 | 0:21:23 | |
Mr Burns, I understand you're upset. | 0:21:23 | 0:21:25 | |
Upset? Look at her. | 0:21:25 | 0:21:27 | |
You were supposed to be making her better. | 0:21:27 | 0:21:30 | |
Come on, darling, I'm taking you home. | 0:21:30 | 0:21:32 | |
I'm afraid there's no question of her to leaving. | 0:21:32 | 0:21:34 | |
What are you talking about? She's my wife. | 0:21:34 | 0:21:37 | |
She is also a very sick woman. | 0:21:37 | 0:21:39 | |
And until I'm satisfied she's no longer a danger to herself, | 0:21:39 | 0:21:42 | |
or anyone else, she will remain in my care. | 0:21:42 | 0:21:45 | |
HE WOLF WHISTLES | 0:22:00 | 0:22:01 | |
Oh, no. | 0:22:01 | 0:22:02 | |
-Sarge, I know him. -Hey good looking. | 0:22:02 | 0:22:05 | |
-Not now, Bill, OK? -You? | 0:22:05 | 0:22:08 | |
What... What are you up to? | 0:22:08 | 0:22:10 | |
You look like a right tart dressed like that. | 0:22:11 | 0:22:13 | |
-Ta very much. -Kind of suits you actually. Hair and everything. | 0:22:13 | 0:22:17 | |
All this time I thought you were dead square. | 0:22:19 | 0:22:22 | |
And here you are, out on the prowl, eh? | 0:22:22 | 0:22:24 | |
Maybe I picked the wrong woman. | 0:22:24 | 0:22:26 | |
Is this all part of your plan? | 0:22:28 | 0:22:30 | |
What plan? | 0:22:30 | 0:22:31 | |
Break me and Cathy up. Dump Frank. | 0:22:31 | 0:22:34 | |
So you could have me for yourself. | 0:22:34 | 0:22:37 | |
Bill. | 0:22:37 | 0:22:38 | |
I wouldn't go out with you if you were the last man on earth. | 0:22:38 | 0:22:41 | |
See, now that's what I'm talking about. | 0:22:41 | 0:22:44 | |
Just wait a minute. | 0:22:44 | 0:22:45 | |
Nothing but lip. It's because nobody's given you what for. | 0:22:45 | 0:22:49 | |
-Get off me! -Wait. -He's hurting her! | 0:22:49 | 0:22:51 | |
Stop, police! | 0:22:53 | 0:22:54 | |
HE BLOWS POLICE WHISTLE | 0:22:54 | 0:22:56 | |
Get OFF me! Get off! | 0:22:58 | 0:23:00 | |
You OK? | 0:23:00 | 0:23:01 | |
Yeah. | 0:23:01 | 0:23:03 | |
Get up. | 0:23:05 | 0:23:06 | |
I knew he was bad news, but... | 0:23:07 | 0:23:10 | |
-Dawson, what are you still doing here? -Sergeant? | 0:23:10 | 0:23:13 | |
Go with the others. | 0:23:13 | 0:23:14 | |
I've told you, it was her that came on to me. | 0:23:24 | 0:23:28 | |
It was nothing. | 0:23:28 | 0:23:30 | |
The sergeant told you to shut up! | 0:23:30 | 0:23:32 | |
Wait! | 0:23:48 | 0:23:50 | |
Hold on! Wait! | 0:23:50 | 0:23:52 | |
MUFFLED SCREAM | 0:24:01 | 0:24:03 | |
How many times? | 0:24:07 | 0:24:09 | |
My car wouldn't start, so I was walking home. | 0:24:09 | 0:24:12 | |
And you just happened to assault a woman on the way? | 0:24:12 | 0:24:16 | |
Look, I know Gina's one of your lot... | 0:24:16 | 0:24:19 | |
That's Officer Dawson to you. | 0:24:19 | 0:24:20 | |
All right. She's not as innocent as she looks. | 0:24:20 | 0:24:23 | |
Yeah, I roughed her up a bit but, | 0:24:25 | 0:24:27 | |
she broke my best mate's heart. | 0:24:27 | 0:24:29 | |
Ah, well, that's very sweet. And what's your excuse for this morning, | 0:24:29 | 0:24:32 | |
when you were attacking Miss Sinclair? | 0:24:32 | 0:24:34 | |
Now that was a misunderstanding. | 0:24:34 | 0:24:36 | |
I'd never lay a finger on Cathy. | 0:24:38 | 0:24:40 | |
You're a liar! | 0:24:40 | 0:24:42 | |
Whoa, take it easy! | 0:24:42 | 0:24:44 | |
Cool it, Coulson. | 0:24:46 | 0:24:47 | |
All right? | 0:24:49 | 0:24:50 | |
Take a walk. | 0:24:52 | 0:24:53 | |
Yes, Sergeant. | 0:24:55 | 0:24:56 | |
He's got a screw loose, that one. | 0:25:02 | 0:25:04 | |
Watch your mouth. | 0:25:04 | 0:25:05 | |
So, let's talk about your relationship with Miss Sinclair. | 0:25:11 | 0:25:15 | |
You made her dye her hair blonde, is that right? | 0:25:15 | 0:25:18 | |
So what? | 0:25:18 | 0:25:19 | |
Is that why you chose the others? | 0:25:19 | 0:25:21 | |
I told you, there were no others. | 0:25:21 | 0:25:24 | |
Don't play innocent with me, son. | 0:25:24 | 0:25:26 | |
-I don't know what you're talking about. -I'm talking about you, | 0:25:26 | 0:25:28 | |
hanging - for murder. | 0:25:28 | 0:25:31 | |
Is that clear enough for you, is it? | 0:25:32 | 0:25:34 | |
Eddie, have you seen Dawson? | 0:25:35 | 0:25:38 | |
She got a lift back in the van. | 0:25:38 | 0:25:39 | |
Yeah, well, the lads said she was with you. | 0:25:39 | 0:25:41 | |
What? No, she was told to go back with the others. | 0:25:41 | 0:25:44 | |
Well she's not here. | 0:25:44 | 0:25:46 | |
Oh, my God. | 0:25:46 | 0:25:49 | |
PHONE RINGS | 0:25:49 | 0:25:52 | |
Hello? Brinford 683. | 0:25:55 | 0:25:59 | |
Speaking. | 0:25:59 | 0:26:00 | |
Joe? Who is it? | 0:26:00 | 0:26:01 | |
No, she hasn't come home yet. | 0:26:03 | 0:26:05 | |
Has something happened? | 0:26:07 | 0:26:08 | |
What do you mean something went wrong? | 0:26:11 | 0:26:14 | |
What, I don't... | 0:26:14 | 0:26:15 | |
Joe, who is it? | 0:26:15 | 0:26:17 | |
It's Sergeant Pratt from the station. | 0:26:19 | 0:26:21 | |
He says Gina's gone missing. | 0:26:22 | 0:26:24 | |
THEY CALL OUT FOR HER | 0:26:27 | 0:26:30 | |
It's no use. I'm telling you she's not here. | 0:26:34 | 0:26:37 | |
Well, let's just keep looking, we're got to find her. | 0:26:37 | 0:26:41 | |
Sergeant Fenton. | 0:26:41 | 0:26:43 | |
Oil. | 0:26:53 | 0:26:54 | |
SHE GASPS | 0:27:01 | 0:27:04 | |
SHE SOBS | 0:27:09 | 0:27:11 | |
You promise you'll be quiet? | 0:27:15 | 0:27:17 | |
Well, what's your name, angel? | 0:27:34 | 0:27:37 | |
Gina. | 0:27:38 | 0:27:39 | |
Gina. | 0:27:41 | 0:27:42 | |
SHE GASPS | 0:27:52 | 0:27:53 | |
What is this? | 0:27:55 | 0:27:57 | |
I know you. | 0:28:02 | 0:28:04 | |
You're that policewoman. | 0:28:06 | 0:28:07 | |
They'll be looking for me. | 0:28:10 | 0:28:11 | |
They'll be here any minute. | 0:28:13 | 0:28:15 | |
No. No, no, no, no, they can't be. | 0:28:15 | 0:28:18 | |
They don't know where you are. | 0:28:18 | 0:28:19 | |
They'll work it out. | 0:28:19 | 0:28:21 | |
They always do, when it's one of their own. | 0:28:21 | 0:28:23 | |
-It's just a matter of time. -Shut up! | 0:28:23 | 0:28:25 | |
They know you killed Patricia Buckley. | 0:28:29 | 0:28:32 | |
I never meant to kill her. I just wanted her to stop screaming. | 0:28:35 | 0:28:37 | |
If you give yourself up now, | 0:28:42 | 0:28:45 | |
they'll make it easier for you. | 0:28:45 | 0:28:47 | |
I'll make sure of it. | 0:28:47 | 0:28:49 | |
No. No, no. | 0:28:52 | 0:28:54 | |
SHE CRIES OUT | 0:28:54 | 0:28:56 | |
PHONE RINGS | 0:28:56 | 0:28:58 | |
HE COUGHS | 0:29:06 | 0:29:09 | |
How could you have let this happen? | 0:29:32 | 0:29:34 | |
You people are supposed to protect her, | 0:29:34 | 0:29:36 | |
not send her out alone to let God knows what happened to her. | 0:29:36 | 0:29:40 | |
I'm so sorry, Mr and Mrs Dawson. I take full responsibility. | 0:29:40 | 0:29:43 | |
If I know our Gina, she'd have insisted on going. | 0:29:43 | 0:29:47 | |
Isn't that right, Chief Inspector? | 0:29:47 | 0:29:49 | |
Here you are Mrs Dawson. | 0:29:50 | 0:29:51 | |
Sir, still no answer from Burns' house. | 0:29:51 | 0:29:54 | |
Get someone over there now. We need him here. | 0:29:54 | 0:29:56 | |
Still nothing in the park, sir, | 0:29:59 | 0:30:01 | |
but I've left some men to continue the search. | 0:30:01 | 0:30:03 | |
Oh, and I've compared the second set of tyre tracks with the first. | 0:30:03 | 0:30:06 | |
And are they a match? | 0:30:06 | 0:30:07 | |
Yes sir, it's a Ford 8. And the oil stain's identical | 0:30:07 | 0:30:10 | |
to where he dumped the last girl's body. | 0:30:10 | 0:30:13 | |
Sergeant Fenton, these are Constable Dawson's parents. | 0:30:16 | 0:30:20 | |
Mr Dawson. | 0:30:22 | 0:30:25 | |
Mrs Dawson. | 0:30:25 | 0:30:28 | |
I'd like to join the search if I may. I was in Special Ops. | 0:30:28 | 0:30:32 | |
Mr Dawson, we appreciate the offer, but it's probably best for you | 0:30:32 | 0:30:35 | |
and your wife to return home. | 0:30:35 | 0:30:37 | |
Should Gina get in touch, you'll want to be there. | 0:30:37 | 0:30:40 | |
Oh, Joe! The last time I spoke to her, I said some awful things. | 0:30:42 | 0:30:46 | |
-What if..? -They'll find her. | 0:30:46 | 0:30:49 | |
I won't be long. | 0:30:57 | 0:31:00 | |
-Is this Sarah Stern? -Yes, that's her. | 0:31:06 | 0:31:10 | |
Excuse me. | 0:31:50 | 0:31:52 | |
'I have to keep you safe.' | 0:31:58 | 0:32:01 | |
You do whatever it takes. | 0:32:05 | 0:32:08 | |
Please! Please. Let go of me. | 0:32:26 | 0:32:30 | |
Shut up. | 0:32:30 | 0:32:32 | |
What are you going to do? | 0:32:33 | 0:32:35 | |
Don't make this worse than it needs to be. | 0:32:35 | 0:32:38 | |
You don't have to do this. | 0:32:38 | 0:32:40 | |
Yes, I do. | 0:32:40 | 0:32:42 | |
I know why you came down here, Stanley. | 0:32:44 | 0:32:47 | |
This is where it all began, isn't it? | 0:32:49 | 0:32:52 | |
What did you call me? | 0:32:52 | 0:32:55 | |
That's your real name, isn't it? Stanley Collins. | 0:32:55 | 0:33:00 | |
That was before. You're to call me George. | 0:33:01 | 0:33:05 | |
You don't have to pretend to be someone else any more, Stanley. | 0:33:05 | 0:33:10 | |
Sarah's gone. | 0:33:10 | 0:33:13 | |
You don't know anything about my mother. | 0:33:13 | 0:33:16 | |
I know she took you away from your real family. | 0:33:18 | 0:33:21 | |
They never loved me like she did. | 0:33:24 | 0:33:27 | |
Who wants a gingerbread man? Who's going to be a good boy? Stanley! | 0:33:28 | 0:33:33 | |
William. | 0:33:33 | 0:33:36 | |
She was an angel, sent from Heaven to save me. | 0:33:36 | 0:33:41 | |
-Mm. -Mm. | 0:33:41 | 0:33:45 | |
I'm glad Sarah loved you. | 0:33:47 | 0:33:50 | |
Every little boy deserves to be loved. | 0:33:50 | 0:33:52 | |
But what about William? | 0:33:54 | 0:33:57 | |
-Stanley! -William! | 0:33:59 | 0:34:03 | |
-Go home! -Where are you going? | 0:34:03 | 0:34:06 | |
He was your friend. | 0:34:06 | 0:34:08 | |
Did William deserve what happened to him? | 0:34:08 | 0:34:12 | |
Mother had to keep me safe. | 0:34:12 | 0:34:16 | |
She said she didn't hurt him. She just gave him back to God. | 0:34:16 | 0:34:20 | |
Do you really believe that? | 0:34:20 | 0:34:24 | |
Stay there! | 0:34:27 | 0:34:30 | |
Sarah. William's dropped his glasses. | 0:34:40 | 0:34:44 | |
I should have helped him. | 0:34:46 | 0:34:49 | |
What could you have done? | 0:34:51 | 0:34:53 | |
You were just a little boy. | 0:34:53 | 0:34:56 | |
-You don't care about me. -Of course I do. | 0:34:57 | 0:35:00 | |
I know how much you've suffered. | 0:35:02 | 0:35:05 | |
You loved Sarah | 0:35:05 | 0:35:08 | |
but you were frightened of her too, weren't you? | 0:35:08 | 0:35:12 | |
Because she killed your friend and she took you away. | 0:35:12 | 0:35:18 | |
And there was no-one in the world who could help. | 0:35:18 | 0:35:21 | |
No, Buckley. Patricia. | 0:35:47 | 0:35:50 | |
Just read it out to me, will you? | 0:35:50 | 0:35:52 | |
Right. They found fibres, most likely from a woollen coat, | 0:35:52 | 0:35:57 | |
and traces of iron ore under her fingernails. | 0:35:57 | 0:35:59 | |
Iron ore? Could she have got that from the park? | 0:35:59 | 0:36:02 | |
No, they cross checked it with a soil sample. | 0:36:02 | 0:36:04 | |
So, she got it off him then. Maybe in the struggle? | 0:36:04 | 0:36:06 | |
So, where would he have been to have come into contact with iron ore? | 0:36:06 | 0:36:09 | |
-The foundry. -Or the mine, next to it. | 0:36:09 | 0:36:12 | |
Wait, isn't that where William Parker's body was found? | 0:36:12 | 0:36:16 | |
Well, what are you waiting for? Go! | 0:36:16 | 0:36:19 | |
Hello? | 0:36:42 | 0:36:45 | |
Mr Stern? | 0:36:45 | 0:36:50 | |
DOG CONTINUES TO BARK | 0:36:50 | 0:36:54 | |
Police! | 0:36:54 | 0:36:56 | |
DOG BARKS | 0:36:56 | 0:37:00 | |
Gina! | 0:37:22 | 0:37:24 | |
Run, run, as fast as you can. | 0:38:06 | 0:38:09 | |
Agh! | 0:38:09 | 0:38:12 | |
Agh! | 0:38:12 | 0:38:15 | |
Agh! | 0:38:15 | 0:38:18 | |
Aaagh! | 0:38:18 | 0:38:21 | |
BELLS RING | 0:38:21 | 0:38:24 | |
No. Please! You don't want to kill me. | 0:38:28 | 0:38:32 | |
-Stanley! -I told you. Stanley's gone. -Let her go! | 0:38:32 | 0:38:37 | |
-Stay back. -Just put the knife down. It's over. | 0:38:37 | 0:38:40 | |
POLICE BELLS RING | 0:39:10 | 0:39:13 | |
I want every inch of this place searched! | 0:39:15 | 0:39:17 | |
You three start with the mine, we'll take the foundry. | 0:39:19 | 0:39:21 | |
Move it, get out! | 0:39:21 | 0:39:24 | |
Um, Sarge! | 0:39:24 | 0:39:25 | |
I'm arresting you on suspicion of the rape | 0:39:25 | 0:39:27 | |
and murder of Patricia Buckley. | 0:39:27 | 0:39:29 | |
You are not obliged to say anything | 0:39:29 | 0:39:31 | |
but anything you do say may be given in evidence. | 0:39:31 | 0:39:33 | |
-Put him in the van. -Did he hurt you? -No. | 0:39:33 | 0:39:36 | |
See? What did I tell you? There's not a scratch on her. | 0:39:36 | 0:39:40 | |
The tragic case of two missing boys, | 0:39:50 | 0:39:52 | |
snatched from our community in 1926, was never officially closed. | 0:39:52 | 0:39:57 | |
In all these years, the Brinford Police never stopped | 0:39:57 | 0:40:00 | |
searching for answers. | 0:40:00 | 0:40:03 | |
Today we have those answers, | 0:40:03 | 0:40:05 | |
and they are sobering indeed. | 0:40:05 | 0:40:09 | |
They lead us to the very heart of what it means to create a monster. | 0:40:09 | 0:40:13 | |
But such reflections are for another time. | 0:40:15 | 0:40:17 | |
Right now we must rejoice in the fact that the streets of Brinford | 0:40:17 | 0:40:21 | |
are a safer place tonight, thanks to the bravery of my officers. | 0:40:21 | 0:40:26 | |
JOURNALISTS ALL SPEAK AT ONCE | 0:40:26 | 0:40:28 | |
Chief Superintendent Coulson? | 0:40:28 | 0:40:30 | |
When can we expect you to announce your promotion to Assistant Chief Constable? | 0:40:30 | 0:40:34 | |
Any announcements will be made in good time. | 0:40:34 | 0:40:37 | |
Thank you all for coming. | 0:40:37 | 0:40:39 | |
Are you coming back with us? | 0:40:44 | 0:40:45 | |
I think I'll stay for a bit. | 0:40:45 | 0:40:48 | |
It's OK, Mum. I'll be home soon, I promise. | 0:40:54 | 0:40:58 | |
-How are you holding up? -You know me. | 0:41:46 | 0:41:50 | |
Takes more than a knife-wielding maniac to get me down. | 0:41:50 | 0:41:54 | |
I've never been so scared. | 0:42:00 | 0:42:02 | |
Don't ever scare me like that again. | 0:42:15 | 0:42:18 | |
I'll try. | 0:42:20 | 0:42:22 | |
You should go. | 0:42:28 | 0:42:30 | |
Please don't report DI Burns. I'll go quietly. | 0:42:46 | 0:42:51 | |
And how would it look if my star officer were to suddenly leave, hm? | 0:42:51 | 0:42:56 | |
Look at you, you're a mess! | 0:42:58 | 0:43:03 | |
Why don't you run along and freshen up? | 0:43:07 | 0:43:11 | |
Yes, sir. | 0:43:11 | 0:43:14 | |
-Where is everyone? -Out celebrating with the Chief, I think. -Oh! | 0:44:16 | 0:44:21 | |
I'll walk out with you. | 0:44:21 | 0:44:24 | |
Tell you what, how about you and me go out for a drink? | 0:44:24 | 0:44:28 | |
-I should get going myself really. -Go on, just the one. | 0:44:28 | 0:44:32 | |
Who says the men should have all the fun? | 0:44:32 | 0:44:35 | |
# Bop bopa-a-lu a whop bam boo | 0:44:35 | 0:44:37 | |
# Tutti frutti, oh Rudy | 0:44:37 | 0:44:40 | |
# Tutti frutti, oh Rudy | 0:44:40 | 0:44:42 | |
# Tutti frutti, oh Rudy | 0:44:42 | 0:44:44 | |
There she is! | 0:44:44 | 0:44:47 | |
CHEERING AND APPLAUSE | 0:44:47 | 0:44:49 | |
Did you know about this? | 0:44:49 | 0:44:51 | |
Well, it ain't a party without girls, is it? | 0:44:51 | 0:44:53 | |
Now that our guest of honour's here, I'd like to say a few words. | 0:44:55 | 0:44:59 | |
No doubt there were one or two of you who thought that having | 0:44:59 | 0:45:02 | |
a woman in our midst might be a waste of time. | 0:45:02 | 0:45:06 | |
That she might not be able to match up to the men. | 0:45:06 | 0:45:10 | |
Well, I think we can all agree that Officer Dawson | 0:45:10 | 0:45:13 | |
well and truly proved her mettle today. | 0:45:13 | 0:45:16 | |
-Here, here! -Here, here! | 0:45:16 | 0:45:18 | |
Which is why I shall be commending her for a bravery award. | 0:45:18 | 0:45:22 | |
So, let's all raise our glasses | 0:45:23 | 0:45:26 | |
to our very own Woman Police Constable WPC 56. | 0:45:26 | 0:45:31 | |
ALL: WPC 56! | 0:45:31 | 0:45:33 | |
# Boy, I don't know what you're doing to me | 0:45:36 | 0:45:39 | |
# Tutti frutti, oh Rudy | 0:45:39 | 0:45:42 | |
# Tutti frutti, oh Rudy | 0:45:42 | 0:45:44 | |
# Tutti frutti, oh Rudy | 0:45:44 | 0:45:47 | |
# Tutti frutti, oh Rudy | 0:45:47 | 0:45:50 | |
# Tutti frutti, oh Rudy | 0:45:50 | 0:45:52 | |
# A whop bop-a-lu whop A whop bam boom! # | 0:45:52 | 0:45:55 | |
Subtitles by Red Bee Media Ltd | 0:45:57 | 0:46:00 |