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You're eagle-eyed, bright as a button, and carry a notepad and pencil wherever you go. | 0:00:02 | 0:00:05 | |
You're either a very nosey neighbour or the perfect person for this series. | 0:00:05 | 0:00:09 | |
Welcome to the TV show with only one question - whodunnit? | 0:00:09 | 0:00:13 | |
Welcome to Armchair Detectives, | 0:00:28 | 0:00:29 | |
the show where these Sherlock Holmes wannabes will try | 0:00:29 | 0:00:32 | |
and solve a fictional crime. | 0:00:32 | 0:00:35 | |
Our amateur sleuths will watch the evidence unfold from a case | 0:00:35 | 0:00:38 | |
set in Mortcliff, | 0:00:38 | 0:00:39 | |
the quiet village where you should have an alibi ready at all times. | 0:00:39 | 0:00:44 | |
They'll watch Mortcliff's top coppers uncover the suspects. | 0:00:44 | 0:00:47 | |
There they are. | 0:00:47 | 0:00:48 | |
DI Knight, DC Slater, and Scene of Crime Officer Simmons. | 0:00:48 | 0:00:52 | |
Before we head to Mortcliff for the first time, | 0:00:52 | 0:00:55 | |
let's meet our armchair detectives. | 0:00:55 | 0:00:56 | |
Hello, armchair detectives. | 0:00:56 | 0:00:58 | |
-ALL: -Hi! -Always cheerful, always ready to go. | 0:00:58 | 0:01:01 | |
Now, only three of you play each day, | 0:01:01 | 0:01:03 | |
so please take your armchairs, | 0:01:03 | 0:01:05 | |
Charley, Krystyna and Kathryn. Come on up. | 0:01:05 | 0:01:07 | |
The detectives who guess the killer correctly will win one of these - | 0:01:15 | 0:01:18 | |
the glorious golden magnifying glass trophy. | 0:01:18 | 0:01:22 | |
-AUDIENCE: -Ooh! | 0:01:22 | 0:01:24 | |
Now, Charley, you're chasing a second win, | 0:01:24 | 0:01:26 | |
which would put you on par with your girlfriend, Laura. | 0:01:26 | 0:01:30 | |
What tactic are you going to employ today? | 0:01:30 | 0:01:32 | |
Well, on the basis of previous performance, | 0:01:32 | 0:01:34 | |
I'm expecting a crossword clue carefully engraved inside | 0:01:34 | 0:01:37 | |
a wooden leg held by an identical twin with a squinty tattoo. | 0:01:37 | 0:01:41 | |
So... | 0:01:41 | 0:01:42 | |
I am prepared for anything. | 0:01:42 | 0:01:44 | |
Now, Kathryn, you and James are the only detectives who could end | 0:01:46 | 0:01:49 | |
up with a 100% record. | 0:01:49 | 0:01:51 | |
Do you think you're going to make it? | 0:01:51 | 0:01:53 | |
I'm going to leave it to providence. | 0:01:53 | 0:01:56 | |
I think I've got the three | 0:01:56 | 0:01:57 | |
so far through a combination of | 0:01:57 | 0:01:59 | |
a benevolent providence and dumb luck. | 0:01:59 | 0:02:01 | |
OK. And, Krystyna, do you need some dumb luck today? | 0:02:01 | 0:02:03 | |
-How are you going to do it? -Employ my formula. | 0:02:03 | 0:02:05 | |
Your formula. Remind everyone what your formula is. | 0:02:05 | 0:02:08 | |
-K = FMC. -Which is? | 0:02:08 | 0:02:11 | |
Killer equals forensics, motive, connection. | 0:02:11 | 0:02:14 | |
Let's see if that works out. Time for round one. | 0:02:14 | 0:02:17 | |
The Crime Scene. | 0:02:17 | 0:02:19 | |
Knight and Slater are called out to meet Simmons at St Barnaby's Church. | 0:02:19 | 0:02:22 | |
Notepads at the ready. | 0:02:22 | 0:02:24 | |
For the first time today, let's head over to Mortcliff. | 0:02:24 | 0:02:27 | |
Reverend Tranton, I believe there's been a fatality. | 0:02:39 | 0:02:44 | |
It's Father McRay. | 0:02:44 | 0:02:45 | |
He was a reverend here at St Barnaby's before me. | 0:02:46 | 0:02:48 | |
We heard the bell ring out at five, which was unexpected. | 0:02:49 | 0:02:53 | |
Reverend Willis went up to investigate and... | 0:02:53 | 0:02:56 | |
..that's when we found him. | 0:02:57 | 0:02:58 | |
Yes. Terrible, shocking. | 0:02:58 | 0:03:01 | |
It's just up there. | 0:03:03 | 0:03:04 | |
Thank you. | 0:03:06 | 0:03:07 | |
Could I ask you all to remain here while we take a look? | 0:03:07 | 0:03:11 | |
Please don't touch anything - this is now an active crime scene. | 0:03:11 | 0:03:14 | |
Bruising around the neck, so it's very likely he was strangled. | 0:03:31 | 0:03:35 | |
The reverends say they heard the bell ring at five o'clock. | 0:03:37 | 0:03:40 | |
Well, it appears he pulled the rope to attract attention, | 0:03:40 | 0:03:44 | |
which would suggest the time of death was around five. | 0:03:44 | 0:03:49 | |
I'll confirm that as soon as. We're dusting for prints now. | 0:03:49 | 0:03:52 | |
Any chance this is anything other than a murder? | 0:03:52 | 0:03:55 | |
With those bruises, | 0:03:57 | 0:03:58 | |
it's unlikely. | 0:03:58 | 0:04:00 | |
You said you heard the bell ring at five o'clock. | 0:04:05 | 0:04:09 | |
Do you know if anyone was with Father McRay at that time? | 0:04:09 | 0:04:13 | |
There were the three of us having a meeting about tonight's service. | 0:04:13 | 0:04:18 | |
The front door was still locked. | 0:04:18 | 0:04:21 | |
There's only one entrance to the bell tower, am I correct? | 0:04:21 | 0:04:23 | |
Yes, only one. | 0:04:23 | 0:04:25 | |
That's my key to the bell tower. | 0:04:27 | 0:04:29 | |
What are you doing with it? | 0:04:29 | 0:04:31 | |
No idea at all. | 0:04:31 | 0:04:33 | |
Thank you for your time. | 0:04:38 | 0:04:39 | |
When we have more information we'll be in touch. | 0:04:39 | 0:04:42 | |
Reverend Tranton? | 0:04:47 | 0:04:48 | |
I suppose all the other celebrations will need to be cancelled now. | 0:04:48 | 0:04:51 | |
I'm afraid so. | 0:04:51 | 0:04:52 | |
Was there something you wanted to say to us? | 0:04:55 | 0:04:57 | |
It's just that Father McRay wasn't, well... | 0:04:57 | 0:05:01 | |
the most popular of men, I'm afraid to say. | 0:05:01 | 0:05:04 | |
Can you elaborate? | 0:05:04 | 0:05:05 | |
He was rude to me. Dictatorial and an unsupportive colleague. | 0:05:05 | 0:05:10 | |
Indeed. | 0:05:10 | 0:05:11 | |
Reverend Reese didn't have much time for him, nor does Reverend Willis. | 0:05:11 | 0:05:15 | |
I see. | 0:05:15 | 0:05:17 | |
Father McRay was always very critical of Reverend Reese, and | 0:05:17 | 0:05:22 | |
Reverend Willis was always the butt of his horrible practical jokes. | 0:05:22 | 0:05:25 | |
Since we've been planning the special celebrations we've | 0:05:28 | 0:05:30 | |
spent the entire time arguing. | 0:05:30 | 0:05:33 | |
About? | 0:05:33 | 0:05:34 | |
Everything, really. | 0:05:34 | 0:05:36 | |
From who would lead the sermon to one another's delivery style. | 0:05:36 | 0:05:39 | |
Honestly, I think when it comes to suspects you're spoilt for choice. | 0:05:41 | 0:05:48 | |
Thank you for your insights, Reverend Tranton. | 0:05:48 | 0:05:50 | |
My pleasure. Anything else, just give me a call. | 0:05:50 | 0:05:53 | |
I've never known anyone so keen to give us their insights, sir. | 0:05:59 | 0:06:03 | |
OK. | 0:06:06 | 0:06:07 | |
Now, armchair detectives, | 0:06:07 | 0:06:09 | |
there are a lot of reverends in this particular mystery. | 0:06:09 | 0:06:13 | |
So, if you don't mind, I'm going to give you the victim profile and | 0:06:13 | 0:06:17 | |
we'll get the suspects up so we know exactly who we're talking about. | 0:06:17 | 0:06:20 | |
So, let's deal with the victim first of all. | 0:06:20 | 0:06:23 | |
Today, we're investigating the death of Reverend McRay. | 0:06:23 | 0:06:26 | |
He was 60 years old. | 0:06:26 | 0:06:28 | |
He was a former reverend at St Barnaby's Church. | 0:06:28 | 0:06:31 | |
In his personal life, Reverend McRay was a fundraiser. | 0:06:31 | 0:06:35 | |
The cause of death is suspected strangulation, | 0:06:35 | 0:06:37 | |
and the time of death is approximately 5pm. | 0:06:37 | 0:06:40 | |
Let's take a look at the suspects board | 0:06:40 | 0:06:42 | |
so we know who we're talking about. | 0:06:42 | 0:06:44 | |
We've got Reverend Tranton, | 0:06:44 | 0:06:45 | |
the current reverend of St Barnaby's Church, Reverend Willis, | 0:06:45 | 0:06:49 | |
the former reverend, and Reverend Reese, also a former reverend. | 0:06:49 | 0:06:54 | |
She is helping the police with their enquiries with an ungodly | 0:06:54 | 0:06:58 | |
degree of enthusiasm. | 0:06:58 | 0:07:00 | |
-And what about the Reverend Reese? -He has an unfortunate expression... | 0:07:00 | 0:07:05 | |
-Yes. -..in there, which would seem to indicate that | 0:07:05 | 0:07:07 | |
the joy of the Lord does not run particularly fast in his veins. | 0:07:07 | 0:07:11 | |
Also looked a bit shifty when he was sitting down, the two of them together. | 0:07:11 | 0:07:14 | |
-There was a wee bit of... -There was a little bit, yes, exactly. | 0:07:14 | 0:07:17 | |
Here's your first piece of evidence to interrogate. | 0:07:17 | 0:07:21 | |
Pictures of the bell rope at the crime scene. | 0:07:21 | 0:07:23 | |
Two's crossed over with three, but also it's a different knot. | 0:07:23 | 0:07:27 | |
And that knot is a... | 0:07:27 | 0:07:28 | |
Oh, God, what's it called? | 0:07:28 | 0:07:30 | |
It's like a sort of whatever knot. | 0:07:31 | 0:07:33 | |
The bell ringers or whoever's responsible for ringing | 0:07:33 | 0:07:36 | |
the bell would never have left them like that. | 0:07:36 | 0:07:37 | |
-No, they wouldn't. -An experienced bell ringer wouldn't leave them like that. | 0:07:37 | 0:07:41 | |
And the other question is he's been strangled, | 0:07:41 | 0:07:43 | |
and when we focused in on the photo of Father McRay's right | 0:07:43 | 0:07:45 | |
hand, his pinkie finger was bent away from the rope. | 0:07:45 | 0:07:48 | |
If he's been strangled from behind with a rope or something it's | 0:07:48 | 0:07:51 | |
going to be the smallest finger to try and get through. | 0:07:51 | 0:07:53 | |
So if we can identify one of the those ropes, which may or may | 0:07:53 | 0:07:56 | |
not be broken, then we'll know which rope was used to strangle. | 0:07:56 | 0:07:59 | |
Yeah, because whoever did it put it back in the wrong position and the wrong knot, so... | 0:07:59 | 0:08:03 | |
So, do you think it's number two that he's been strangled with | 0:08:03 | 0:08:06 | |
-and put back in the wrong way? -Yes. | 0:08:06 | 0:08:08 | |
But why are those two ropes crossed? | 0:08:08 | 0:08:10 | |
Because I think in a hurry maybe he didn't notice that | 0:08:10 | 0:08:13 | |
the person that killed him didn't notice that. | 0:08:13 | 0:08:16 | |
Interesting. | 0:08:16 | 0:08:17 | |
Make sure you make a note of that, cos that might come up later on. | 0:08:17 | 0:08:19 | |
Time for round two, Last Movements. | 0:08:19 | 0:08:21 | |
We'll now see what happened to Reverend McRay on the day | 0:08:21 | 0:08:24 | |
of his death. | 0:08:24 | 0:08:26 | |
Let's head to bell ringing practice at St Barnaby's Church. | 0:08:26 | 0:08:29 | |
So, we have six bells. | 0:09:18 | 0:09:19 | |
This rope leads to the number two bell, which is | 0:09:19 | 0:09:21 | |
the second lightest bell. | 0:09:21 | 0:09:22 | |
-It still weighs several hundred kilograms. -Indeed. | 0:09:22 | 0:09:25 | |
I do hope I don't have to go over the dangers of unsupervised | 0:09:25 | 0:09:29 | |
bell ringing. | 0:09:29 | 0:09:30 | |
BELL RINGS | 0:09:35 | 0:09:36 | |
Thank you. | 0:09:49 | 0:09:50 | |
The bell we'll give you some practice on is the treble, | 0:09:52 | 0:09:55 | |
which is the lightest bell, | 0:09:55 | 0:09:57 | |
and we've tied it off at the clapper so it won't make any noise. | 0:09:57 | 0:09:59 | |
Quite useful if things go wrong when you're practising. | 0:09:59 | 0:10:02 | |
It makes an awful din. | 0:10:02 | 0:10:04 | |
Reverend Willis here is an expert bell ringer, | 0:10:04 | 0:10:06 | |
so he'll be able to give you some pointers. | 0:10:06 | 0:10:09 | |
So, who would you like to go first? Reverend Reese? | 0:10:10 | 0:10:13 | |
Oh, no, no, no, no. No, thanks. | 0:10:13 | 0:10:16 | |
I'm just here to watch. | 0:10:16 | 0:10:18 | |
Father McRay? | 0:10:18 | 0:10:19 | |
Bells are not my thing. | 0:10:19 | 0:10:21 | |
The peal of God's loveliness doesn't move you? | 0:10:21 | 0:10:24 | |
Awful din, really. | 0:10:25 | 0:10:26 | |
Reverend Tranton, please. Thank you. | 0:10:28 | 0:10:33 | |
OK. So just bend at the knees and pull straight down. | 0:10:38 | 0:10:41 | |
The bell will do the work. | 0:10:41 | 0:10:42 | |
No need for a gym membership now. | 0:10:44 | 0:10:46 | |
-Nothing quite like a good bell ring. -Yeah? | 0:10:47 | 0:10:50 | |
-Keeps you physically fit. -So I see. | 0:10:50 | 0:10:52 | |
Thank you, Lee. I'm going to be stiff in the morning. | 0:10:54 | 0:10:57 | |
A nice hot bath will sort you out, and I've locked up as well. | 0:10:57 | 0:11:00 | |
-Great. See you later. -Bye-bye. -Bye. | 0:11:00 | 0:11:03 | |
Should we all reconvene at 4.30? I've had a few thoughts. | 0:11:05 | 0:11:08 | |
And hopefully this discussion won't be as heated as last night's. | 0:11:08 | 0:11:13 | |
Nothing wrong with a bit of debate. | 0:11:13 | 0:11:14 | |
If all parties listen as well as pontificate. | 0:11:14 | 0:11:18 | |
Absolutely. | 0:11:18 | 0:11:19 | |
Thank you all. | 0:11:20 | 0:11:21 | |
Hello, Reverend. | 0:11:23 | 0:11:25 | |
Never known one so young keen to spend so much time reading. | 0:11:26 | 0:11:29 | |
Here you go. | 0:11:30 | 0:11:31 | |
How's the archive research going? | 0:11:33 | 0:11:34 | |
Incredibly well. Yesterday, I found all the designs to the bell tower. | 0:11:34 | 0:11:38 | |
Lovely. So glad the archives are doing something useful. | 0:11:38 | 0:11:42 | |
Let's chat later, shall we? | 0:11:42 | 0:11:44 | |
Yes, of course. | 0:11:44 | 0:11:45 | |
Anything I can do to help? | 0:11:51 | 0:11:53 | |
Just tell me where you want the arrangements to go. | 0:11:53 | 0:11:56 | |
Do the usual as well as a few extras. | 0:11:56 | 0:11:59 | |
Did you bring roses? | 0:11:59 | 0:12:00 | |
I've got some lovely peach-coloured ones that | 0:12:00 | 0:12:02 | |
I got this morning from Davey Clarke. | 0:12:02 | 0:12:04 | |
They're in the van. You have no idea what he told me. | 0:12:04 | 0:12:07 | |
If this is gossip, I'm really busy. | 0:12:08 | 0:12:10 | |
Not at all. | 0:12:10 | 0:12:12 | |
You know me, Reverend, the last thing I do is gossip. | 0:12:12 | 0:12:14 | |
Indeed. | 0:12:14 | 0:12:16 | |
Davey said that Reverend Reese wanted to refurbish | 0:12:16 | 0:12:18 | |
the vestry in the church residence when he lived there, | 0:12:18 | 0:12:21 | |
and he did lots of fundraising, but somehow the funds went missing. | 0:12:21 | 0:12:25 | |
-Margot! -Not gossip, Reverend, fact. | 0:12:25 | 0:12:28 | |
Where's Father McRay? Are we to begin without him? | 0:12:36 | 0:12:39 | |
I'm sure he'll be along presently. | 0:12:39 | 0:12:41 | |
Look, we've got a lot to get through. | 0:12:41 | 0:12:43 | |
I suggest we just carry on. | 0:12:43 | 0:12:44 | |
So, Father McRay will discuss the nativity. | 0:12:46 | 0:12:50 | |
Reverend Willis, you will cover the Ascension. | 0:12:50 | 0:12:53 | |
And, Reverend Reese, you will do the Holy Trinity. | 0:12:53 | 0:12:57 | |
Or... Or I could. | 0:12:57 | 0:12:59 | |
-I'm sorry? -Honestly. Not this again? | 0:12:59 | 0:13:02 | |
You always get to do the good bits. | 0:13:03 | 0:13:05 | |
All right. Reverend Willis, you can do the Holy Trinity. | 0:13:05 | 0:13:10 | |
BELL RINGS | 0:13:10 | 0:13:11 | |
I thought Lee had gone. | 0:13:14 | 0:13:15 | |
I'll go take a look. | 0:13:17 | 0:13:18 | |
Wow. A lot going on there. | 0:13:29 | 0:13:31 | |
There is a huge amount going on there. | 0:13:31 | 0:13:33 | |
So, let's just take it bit by bit. | 0:13:33 | 0:13:38 | |
It struck me that Jeanette is very fussy and careful. | 0:13:38 | 0:13:42 | |
When she came into the church she walked up, | 0:13:42 | 0:13:45 | |
she straightened, she stuck the poster down. | 0:13:45 | 0:13:47 | |
She's very fastidious, isn't she? Yeah. | 0:13:47 | 0:13:49 | |
So she's fastidious about what she did, | 0:13:49 | 0:13:51 | |
so it's unlikely that she would have done something, even though she'd | 0:13:51 | 0:13:55 | |
just been introduced to the bells, like tie them up the wrong way. | 0:13:55 | 0:13:58 | |
Tie them up the wrong way or cross them over or any of those things. | 0:13:58 | 0:14:01 | |
But I think probably the most relevant bit was | 0:14:01 | 0:14:03 | |
Peter, Tenge his name was, saying that the archives had | 0:14:03 | 0:14:07 | |
-discovered the original plans for the bell tower. -Yes. | 0:14:07 | 0:14:10 | |
And I would be very surprised if that schematic doesn't perhaps | 0:14:10 | 0:14:13 | |
-have another way in and out that nobody knows about. -Oh. | 0:14:13 | 0:14:15 | |
Let's get the suspect board up, | 0:14:15 | 0:14:17 | |
cos we've got some more people to add to the suspect board. | 0:14:17 | 0:14:19 | |
We've adding a further three names. | 0:14:19 | 0:14:21 | |
Lee Brewer, the bell ringer, Margot Babbage, best name ever, | 0:14:21 | 0:14:25 | |
a florist, and Peter Henge, a research student. | 0:14:25 | 0:14:28 | |
The Reverend Reese was looking for... | 0:14:28 | 0:14:30 | |
He'd been raising funds to redo the vestry | 0:14:30 | 0:14:33 | |
in the living accommodation and that money had disappeared. | 0:14:33 | 0:14:36 | |
-And obviously... -Yeah, the funds had gone, yeah. | 0:14:36 | 0:14:39 | |
-Peter Henge. What did we find out from Peter? -We didn't find out much about him. | 0:14:39 | 0:14:43 | |
He's a young man who's very interested in the archives. | 0:14:43 | 0:14:46 | |
Never seen a young man who's so interested in reading before. | 0:14:46 | 0:14:49 | |
I'm glad those archives are getting some sort of use. | 0:14:49 | 0:14:51 | |
And he may or may not have found another way into the belfry. | 0:14:51 | 0:14:55 | |
-Yeah. -Yeah. -Yeah, that's what I wondered, whether he did or not. | 0:14:55 | 0:14:57 | |
Yeah. Well, now's your chance to pick a piece of evidence to | 0:14:57 | 0:15:00 | |
interrogate further. | 0:15:00 | 0:15:01 | |
We have a forensic report on a vase from St Barnaby's Church, | 0:15:01 | 0:15:06 | |
or a CD from St Barnaby's Church, | 0:15:06 | 0:15:09 | |
and, finally, the amended order of proceedings. | 0:15:09 | 0:15:13 | |
Let's go for the vase. | 0:15:13 | 0:15:14 | |
Yeah, I was going to say, I'm not sure why it's there, | 0:15:14 | 0:15:16 | |
so if I'm not sure why it's there, let's find out. | 0:15:16 | 0:15:18 | |
Yeah, because it's odd that it's suddenly come up and all I saw her do was move it. | 0:15:18 | 0:15:22 | |
-She just picked it up. -Picked it up and... -Yeah, I think we should go for the vase. | 0:15:22 | 0:15:25 | |
Let's have a look at that then, yeah. Vase forensics, please. | 0:15:25 | 0:15:28 | |
So, we have a sample found on the vase, | 0:15:28 | 0:15:30 | |
and it matches no-one on that list. | 0:15:30 | 0:15:35 | |
The DNA doesn't match anybody's. | 0:15:35 | 0:15:37 | |
It is quite close to Reverend Willis. | 0:15:37 | 0:15:39 | |
But the DNA is very close to E. | 0:15:39 | 0:15:41 | |
Yeah. | 0:15:41 | 0:15:43 | |
So would that, I wonder | 0:15:43 | 0:15:44 | |
if the person on that is related to Reverend Willis. | 0:15:44 | 0:15:49 | |
Is there anyone on that list that's on the suspect board? | 0:15:49 | 0:15:52 | |
Young Peter Henge is there, | 0:15:53 | 0:15:55 | |
and if that DNA is as close to the Reverend Willis as we think, | 0:15:55 | 0:15:59 | |
and we have a young man around about the right sort of age, | 0:15:59 | 0:16:02 | |
I have a narrative forming. | 0:16:02 | 0:16:04 | |
Do you have a narrative forming? We'll find out in a wee minute. | 0:16:04 | 0:16:06 | |
It's time to lock in your prime suspect, armchair detectives. | 0:16:06 | 0:16:09 | |
Who do you think is most likely to be the killer so far? | 0:16:09 | 0:16:13 | |
Please write the name down in your notebooks now. | 0:16:13 | 0:16:15 | |
Charley, tell me who your prime suspect is and why. | 0:16:21 | 0:16:24 | |
I've gone for the angriest beard in Mortcliff, Reverend Willis. | 0:16:24 | 0:16:26 | |
-Why? -He's an expert bell ringer, he has the keys to the place. | 0:16:26 | 0:16:30 | |
He has means, he has that kind of deep-seated rage, | 0:16:30 | 0:16:34 | |
it's quavering through his eyebrows. | 0:16:34 | 0:16:36 | |
I can see him killing McRay. | 0:16:36 | 0:16:37 | |
One joke too far and he snaps. | 0:16:37 | 0:16:40 | |
He snaps like a psychological twig, | 0:16:40 | 0:16:42 | |
and this is only going to be the first body, I think. | 0:16:42 | 0:16:44 | |
We're looking for a full-blown rampage from him. | 0:16:44 | 0:16:48 | |
Krystyna, who have you chosen as your prime suspect and why? | 0:16:48 | 0:16:50 | |
-Peter Henge. -Why? | 0:16:50 | 0:16:52 | |
A, he wasn't tested for DNA. | 0:16:52 | 0:16:54 | |
B, I really do think his DNA's remarkably similar to Willis. | 0:16:56 | 0:17:00 | |
I think he's found out that Willis was his father and didn't know that. | 0:17:00 | 0:17:04 | |
And he's angry about something and he's decided to top him off. | 0:17:04 | 0:17:08 | |
Who have you gone for and why, Kathryn? | 0:17:08 | 0:17:10 | |
I have gone for the Reverend Reese. | 0:17:10 | 0:17:13 | |
There's something buttoned-up about his demeanour, | 0:17:13 | 0:17:18 | |
and we've heard that he is widely suspected by people apparently | 0:17:18 | 0:17:22 | |
outside the church that he raised money for the refurbishment | 0:17:22 | 0:17:26 | |
of the manse and the living quarters, and that it vanished. | 0:17:26 | 0:17:30 | |
And I think that because he is actually holding everything in, | 0:17:30 | 0:17:34 | |
whereas I think the other minister would just blow up and confess. | 0:17:34 | 0:17:38 | |
Willis just kind of... | 0:17:38 | 0:17:39 | |
Well, Willis would confess the moment the police arrived. | 0:17:39 | 0:17:42 | |
OK. | 0:17:42 | 0:17:43 | |
So, in summary, | 0:17:43 | 0:17:45 | |
our armchair detectives have suspected as follows. | 0:17:45 | 0:17:48 | |
Charley has gone for Reverend Willis, Krystyna has | 0:17:48 | 0:17:51 | |
gone for Peter Henge, and Kathryn has gone for Reverend Reese. | 0:17:51 | 0:17:55 | |
Well, it's on to round three now, the Police Interviews. | 0:17:55 | 0:17:58 | |
DI Knight receives a very interesting phone call. | 0:17:58 | 0:18:02 | |
Notepads at the ready, let's go to Mortcliff Police Station. | 0:18:02 | 0:18:06 | |
Turns out time of death was around 3.30. | 0:18:18 | 0:18:21 | |
Not five, as Simmons originally summarised. | 0:18:21 | 0:18:24 | |
It's interesting, that. Changes everything. | 0:18:26 | 0:18:29 | |
Were you alone Friday evening? | 0:18:33 | 0:18:36 | |
No. | 0:18:36 | 0:18:37 | |
I had Reverend Willis staying, as he's from out of town. | 0:18:40 | 0:18:43 | |
Reverend Reese and Father McRay both joined us for dinner | 0:18:44 | 0:18:47 | |
so we could all plan the sermon together. | 0:18:47 | 0:18:49 | |
You know, Margot is pretty busy when there's a death, | 0:18:51 | 0:18:54 | |
given she runs both the flower shop and funeral parlour. | 0:18:54 | 0:18:58 | |
At 3.30, I was in the vault under the church, finishing some | 0:19:03 | 0:19:06 | |
research that I was going to present as part of Sunday's celebration. | 0:19:06 | 0:19:10 | |
I discovered some really interesting stuff on how the bells were made. | 0:19:10 | 0:19:14 | |
Reverend Reese had asked me | 0:19:14 | 0:19:15 | |
if I could find out anything about the collection plate we use. | 0:19:15 | 0:19:18 | |
I didn't find anything particularly interesting, just a newsletter | 0:19:18 | 0:19:23 | |
with a picture of Reverend Reese and Father McRay | 0:19:23 | 0:19:26 | |
from the early '90s. | 0:19:26 | 0:19:27 | |
Did you see or hear anything out of the ordinary? | 0:19:27 | 0:19:30 | |
I heard people arguing. It was around half three. | 0:19:31 | 0:19:34 | |
And then I heard something break shortly after that. | 0:19:35 | 0:19:38 | |
Did you recognise the voices? | 0:19:38 | 0:19:40 | |
No idea at all. | 0:19:42 | 0:19:43 | |
Male or female voices? | 0:19:43 | 0:19:44 | |
Sorry, no. | 0:19:46 | 0:19:47 | |
I was sitting in the gardens at the back of the church relaxing. | 0:19:48 | 0:19:51 | |
Around a quarter to four I came back inside to inspect the church, | 0:19:51 | 0:19:55 | |
assessing its wear and tear, | 0:19:55 | 0:19:57 | |
looking at the new things they've put in since I've left. | 0:19:57 | 0:20:00 | |
Margot was there. She was trimming flowers. | 0:20:01 | 0:20:04 | |
Did you notice anything unusual? | 0:20:04 | 0:20:06 | |
She was wearing gloves. | 0:20:07 | 0:20:10 | |
Is that unusual? | 0:20:10 | 0:20:12 | |
In my day she never used to. Struck me as rather odd. | 0:20:12 | 0:20:16 | |
But then she's always been an odd woman. | 0:20:17 | 0:20:19 | |
Margot takes such delights in other's misfortunes, | 0:20:20 | 0:20:23 | |
a deeply unappealing trait. | 0:20:23 | 0:20:25 | |
He was a misogynist in my honest opinion. Very rude to women. | 0:20:28 | 0:20:32 | |
Particularly obnoxious to Jeanette. | 0:20:32 | 0:20:35 | |
The woman was a saint for tolerating him. | 0:20:35 | 0:20:37 | |
Reverend Willis, what were you doing at 3.30 yesterday afternoon? | 0:20:39 | 0:20:43 | |
I... I can't remember. | 0:20:44 | 0:20:48 | |
Do you have memory issues, Reverend? | 0:20:49 | 0:20:52 | |
Not at all. | 0:20:52 | 0:20:54 | |
Let's see, I... Oh, well, I was involved in the peal in the morning. | 0:20:55 | 0:21:01 | |
I love a good bell ring. A peal lasts about three hours. | 0:21:01 | 0:21:06 | |
It's quite a workout - that's why I'm still so strong. | 0:21:07 | 0:21:10 | |
I think I was reading through my part of the sermon for that | 0:21:13 | 0:21:20 | |
evening, but I'm not entirely sure. | 0:21:20 | 0:21:23 | |
You were the one who discovered the body. | 0:21:25 | 0:21:27 | |
Did you move or touch anything? | 0:21:29 | 0:21:31 | |
I'm not sure. Quite shocking seeing a dead body. | 0:21:33 | 0:21:37 | |
Indeed. | 0:21:40 | 0:21:41 | |
Do you recognise this at all? | 0:21:43 | 0:21:45 | |
No. I don't think so. | 0:21:47 | 0:21:51 | |
I mean, apart from the fact that it's a key. | 0:21:52 | 0:21:54 | |
Yes, it's the key to the bell tower. | 0:21:54 | 0:21:56 | |
When we arrived at the church you had it in your pocket. | 0:21:56 | 0:21:59 | |
Do you know why? | 0:21:59 | 0:22:00 | |
Did I? | 0:22:01 | 0:22:02 | |
Well, I don't know how it got there. | 0:22:04 | 0:22:06 | |
LAUGHTER | 0:22:09 | 0:22:10 | |
What's going on? Oh, my goodness! | 0:22:11 | 0:22:15 | |
Let's start at the very beginning. | 0:22:15 | 0:22:16 | |
We've found out some very important information in that film. | 0:22:16 | 0:22:19 | |
What did we find out? | 0:22:19 | 0:22:21 | |
Time of death had been altered. It wasn't the same. | 0:22:21 | 0:22:23 | |
-Is that right? -What's the time of death, apparently? | 0:22:23 | 0:22:27 | |
-3.30. -3.30. | 0:22:27 | 0:22:28 | |
So we initially thought it was... | 0:22:28 | 0:22:30 | |
-Five o'clock. -Five o'clock. -Why did we think it was five o'clock? | 0:22:30 | 0:22:33 | |
Because that was the time the body was discovered | 0:22:33 | 0:22:35 | |
and we thought it must be close to then. | 0:22:35 | 0:22:37 | |
But why has the time changed? | 0:22:37 | 0:22:38 | |
But also didn't the bell go at five? | 0:22:38 | 0:22:40 | |
The bell went at five. | 0:22:40 | 0:22:41 | |
-Yeah. But if he was dead at 3.30... -Yeah. | 0:22:41 | 0:22:43 | |
So a bell went at five, which made everyone go, | 0:22:43 | 0:22:45 | |
"Oh, why is the bell going?" | 0:22:45 | 0:22:47 | |
-Yeah. -And we know that the bell rope that was in McRay's hand could not | 0:22:47 | 0:22:51 | |
have been the bell ringing, because that was the tenor bell. | 0:22:51 | 0:22:54 | |
It was muffled. | 0:22:54 | 0:22:55 | |
So it would have to be at the very minimum either three or four, | 0:22:55 | 0:22:58 | |
which were crossed over. | 0:22:58 | 0:22:59 | |
The second bell had the changed knot and three | 0:22:59 | 0:23:02 | |
and four were crossed over. | 0:23:02 | 0:23:04 | |
Hold on a second, Kathryn's just sat up like a bolt of lightning... | 0:23:04 | 0:23:06 | |
-Inspiration. -..has hit her. | 0:23:06 | 0:23:08 | |
Come on, Kathryn. | 0:23:09 | 0:23:10 | |
Whoever tried ringing the bell to call attention | 0:23:10 | 0:23:14 | |
wasn't at the meeting, because if he'd been at the meeting | 0:23:14 | 0:23:17 | |
they would have known that the bell was tied...it was tied off. | 0:23:17 | 0:23:21 | |
So who was supposed to be at the meeting and then wasn't? | 0:23:21 | 0:23:23 | |
There was somebody, wasn't there? | 0:23:23 | 0:23:25 | |
Well, here's the suspect board. | 0:23:25 | 0:23:26 | |
All the reverends were at the meeting, weren't they? | 0:23:26 | 0:23:29 | |
-Was Margot there? -Nope. | 0:23:29 | 0:23:31 | |
What about Peter? Was Peter there? | 0:23:31 | 0:23:32 | |
No, he came with Margot later on. | 0:23:32 | 0:23:34 | |
Yeah. So Peter and Margot were not at the meeting. | 0:23:34 | 0:23:37 | |
Yeah. Let's take a look at another piece of evidence, | 0:23:37 | 0:23:40 | |
-see if it can help you out. -Excellent. | 0:23:40 | 0:23:42 | |
A CD from St Barnaby's Church, the amended order of proceedings, | 0:23:42 | 0:23:46 | |
or the new piece of evidence, an old church newsletter. | 0:23:46 | 0:23:48 | |
Yeah, let's gamble on the newsletter. | 0:23:48 | 0:23:50 | |
-The newsletter? -Sounds good to me. Why not? | 0:23:50 | 0:23:52 | |
-The newsletter? -The newsletter, please. | 0:23:52 | 0:23:54 | |
All right. They're so decisive today, it's excellent. | 0:23:54 | 0:23:56 | |
Newsletter, please. | 0:23:56 | 0:23:57 | |
Let's have a look at it. So, January meeting of the board. | 0:23:59 | 0:24:03 | |
"Thank you for the donations, | 0:24:03 | 0:24:04 | |
"this week's collection totalled £20." | 0:24:04 | 0:24:07 | |
That's two Scottish £10 notes and a Scottish £5 note. | 0:24:07 | 0:24:11 | |
-Or is it? -No. -No, it's 20, isn't it? -Mm. | 0:24:11 | 0:24:12 | |
So it's 40 up there rather than 20 quid. | 0:24:12 | 0:24:15 | |
So somebody's been skimming the plate, haven't they? | 0:24:16 | 0:24:18 | |
Somebody's had half of it. | 0:24:18 | 0:24:19 | |
-So that's not... -He did say that funds were being missing. | 0:24:19 | 0:24:22 | |
-Yes. -Who was it that said... -That was the flower lady. | 0:24:22 | 0:24:25 | |
-Margot. -Didn't the flower lady... | 0:24:25 | 0:24:26 | |
Yeah, Margot's gossip was that funds had gone | 0:24:26 | 0:24:28 | |
-missing for the refurbishment. -OK, but who's noticed the picture? | 0:24:28 | 0:24:32 | |
That was noticed by Peter. | 0:24:32 | 0:24:33 | |
And if the rumour and scuttlebutt around the town from Margot | 0:24:33 | 0:24:38 | |
is that Reese is the one responsible for skimming stuff, | 0:24:38 | 0:24:40 | |
and that happened before he took over from McRay, | 0:24:40 | 0:24:44 | |
maybe he's been searching for evidence to clear his name. | 0:24:44 | 0:24:47 | |
He was never the thief, our victim was. | 0:24:47 | 0:24:49 | |
OK, guys, it's time to pick your prime suspect again. | 0:24:49 | 0:24:52 | |
Are you going to change your mind? | 0:24:52 | 0:24:54 | |
Are you going to stick with who you had? | 0:24:54 | 0:24:56 | |
Please write down the name of your prime suspect now. | 0:24:56 | 0:24:59 | |
-So, Charley. -Yes. | 0:25:05 | 0:25:07 | |
Last time, your prime suspect was the Reverend Willis. | 0:25:07 | 0:25:09 | |
Have you changed your mind? | 0:25:09 | 0:25:10 | |
I absolutely have. I've gone for Peter Henge instead. | 0:25:10 | 0:25:13 | |
-All right, why? -Well, Peter Henge was obviously downstairs underneath the belfry. | 0:25:13 | 0:25:16 | |
He's come up via the secret passage, opened by twitching | 0:25:16 | 0:25:19 | |
one of the rope stanchions, murdered him. He's done this | 0:25:19 | 0:25:23 | |
because he's discovered he's the illegitimate son of Reverend Reese. | 0:25:23 | 0:25:27 | |
Krystyna, last time you went for Peter. Have you changed your mind? | 0:25:27 | 0:25:30 | |
-No. -Why Peter? | 0:25:30 | 0:25:31 | |
I do think it's something to with lineage, | 0:25:32 | 0:25:36 | |
but, yeah, there's something... My gut instinct says him. | 0:25:36 | 0:25:40 | |
-I'm staying with my gut instinct. -Often going with your gut is the best thing to do. | 0:25:40 | 0:25:44 | |
Kathryn, last time you went for Reverend Reese. | 0:25:44 | 0:25:47 | |
Have you changed your mind? | 0:25:47 | 0:25:48 | |
No, I'm still sticking with the Reverend Reese, | 0:25:48 | 0:25:51 | |
though I don't have a huge amount of conviction about it. | 0:25:51 | 0:25:55 | |
But there's something about his buttoned-upness that makes me | 0:25:55 | 0:26:00 | |
feel he's keeping quiet on a lot. | 0:26:00 | 0:26:02 | |
Yeah. Here's your suspect round up. | 0:26:02 | 0:26:05 | |
Charley has gone for Peter, Krystyna has gone for Peter, | 0:26:05 | 0:26:07 | |
and Kathryn has gone for the Reverend Reese. | 0:26:07 | 0:26:10 | |
Well, now it's time for round four, Dig Deeper. | 0:26:10 | 0:26:14 | |
It's time for tea at St Barnaby's. | 0:26:14 | 0:26:16 | |
This arrived for you. | 0:26:34 | 0:26:35 | |
Reverend Willis, what's in your pocket? | 0:26:41 | 0:26:43 | |
Gosh, who put it there? | 0:26:46 | 0:26:48 | |
My dear, I'm so sorry. | 0:26:50 | 0:26:52 | |
It's fine, Reverend. Try not to do it again. | 0:26:52 | 0:26:54 | |
Good grief, you don't think it was me, do you? | 0:26:54 | 0:26:57 | |
Of course not. | 0:26:59 | 0:27:01 | |
Right, down to business. | 0:27:03 | 0:27:05 | |
For tomorrow's sermon, I'll go first, | 0:27:05 | 0:27:08 | |
then hand over to you, Reverend Reese, | 0:27:08 | 0:27:11 | |
and then you, Reverend Willis, | 0:27:11 | 0:27:13 | |
and then I thought you could finish things off, Father McRay. | 0:27:13 | 0:27:16 | |
It makes more sense that it's the other way around, don't you think? | 0:27:16 | 0:27:20 | |
As the oldest and the first father, surely I should start. | 0:27:20 | 0:27:22 | |
Well, since I am the current reverend. | 0:27:22 | 0:27:25 | |
Well, I think it's fair to say that I'm the most popular one. | 0:27:25 | 0:27:27 | |
Fair how? | 0:27:27 | 0:27:29 | |
My dear, no-one can deny the drop in attendance since your tenure. | 0:27:29 | 0:27:32 | |
And I bet you have a theory on why that is. | 0:27:32 | 0:27:35 | |
The thing with women is how quickly they become emotional. | 0:27:35 | 0:27:38 | |
It's not ideal in positions of responsibility. | 0:27:38 | 0:27:42 | |
Oh, dear. Are we going to fight? | 0:27:43 | 0:27:45 | |
Absolutely not. I invited you, I didn't have to. | 0:27:45 | 0:27:49 | |
Oh, but you did, my dear. | 0:27:49 | 0:27:51 | |
With dwindling numbers you couldn't afford not to invite me. | 0:27:51 | 0:27:55 | |
Why don't you introduce McRay, Jeanette, | 0:27:56 | 0:27:59 | |
and then McRay can do the beginning of the sermon? | 0:27:59 | 0:28:02 | |
Sounds like a good idea to me. | 0:28:02 | 0:28:04 | |
Although you don't want too much on your plate, McRay. | 0:28:04 | 0:28:07 | |
Fine. | 0:28:10 | 0:28:12 | |
BELLS RING | 0:28:21 | 0:28:22 | |
Have you heard what Reverend McRay said? | 0:28:24 | 0:28:26 | |
Hold on. | 0:28:26 | 0:28:27 | |
CD PLAYER CLICKS, BELLS STOP | 0:28:30 | 0:28:31 | |
Sorry about that, I can barely hear myself think. | 0:28:31 | 0:28:34 | |
What were you saying, Margot? | 0:28:34 | 0:28:36 | |
McRay, he was at the Post Office and Davey overheard him | 0:28:36 | 0:28:38 | |
complaining about how you've made a mess of the church. | 0:28:38 | 0:28:41 | |
Every time that man comes all he does is undermine me. | 0:28:41 | 0:28:45 | |
I'm going to have to speak to him. | 0:28:45 | 0:28:47 | |
Davey also said that Reese is living well, way beyond his means. | 0:28:47 | 0:28:52 | |
-Some say... -Margot, that's enough gossip. | 0:28:52 | 0:28:54 | |
Hi, Lee. | 0:28:58 | 0:29:00 | |
I would have gone up to sort out the bell tower but I've lost my key. | 0:29:00 | 0:29:04 | |
That's strange for a Post-it Note organisational genius like yourself. | 0:29:04 | 0:29:07 | |
Most strange. I'll see you at two for the bell ringing session. | 0:29:07 | 0:29:11 | |
I'm glad you're coming. | 0:29:11 | 0:29:12 | |
I wouldn't miss it for the world. | 0:29:12 | 0:29:14 | |
Well, there was clearly a very significant dig about "you've | 0:29:18 | 0:29:20 | |
-got too much on your plate". -Yes. | 0:29:20 | 0:29:22 | |
-Yes. -Subtle. Subtle, that was. -Wasn't it? | 0:29:22 | 0:29:24 | |
One reverend clearly suspects the other one of having skimmed | 0:29:24 | 0:29:27 | |
Father McRay of... | 0:29:27 | 0:29:28 | |
I think it's more than suspects, because Father McRay was | 0:29:28 | 0:29:31 | |
giving it the big I am all the way through, and the only thing that | 0:29:31 | 0:29:33 | |
put him in his place and shut him up was, "Bit much on your plate, eh?" | 0:29:33 | 0:29:37 | |
-And it was Reverend Reese who said that. -Bingo. Yes. | 0:29:37 | 0:29:40 | |
-To Reverend McRay. -I think Reese might be holding that over him | 0:29:40 | 0:29:43 | |
and using that as a stick to beat McRay. | 0:29:43 | 0:29:45 | |
And the other one, they have an electric bell chime. | 0:29:45 | 0:29:49 | |
My church, one of my old churches used to have one of those. | 0:29:49 | 0:29:52 | |
Oh, really? | 0:29:52 | 0:29:53 | |
It had a lightweight hammer, and it just played, like, a little chime. | 0:29:53 | 0:29:57 | |
-The CD. -And the CD. | 0:29:57 | 0:30:00 | |
Let's just work out the timing. | 0:30:00 | 0:30:01 | |
So, what's the significance of having the bells ringing | 0:30:01 | 0:30:05 | |
electronically? What's the significance of that? | 0:30:05 | 0:30:08 | |
Then all our wonderful theories about which rope was pulled, | 0:30:08 | 0:30:10 | |
which was muted could be completely moot, | 0:30:10 | 0:30:12 | |
-cos the bell could simply have been a press button on the CD. -Yeah. | 0:30:12 | 0:30:15 | |
-Yeah. -Well, let's look at the evidence, | 0:30:15 | 0:30:18 | |
see if we can take you forward in the investigation. | 0:30:18 | 0:30:20 | |
A CD from St Barnaby's Church, the amended order of proceedings, | 0:30:20 | 0:30:25 | |
and the new item, a postcard given to Father McRay, which we saw | 0:30:25 | 0:30:29 | |
being handed over whilst they were having their meeting in that film. | 0:30:29 | 0:30:33 | |
Which one would you like to see? | 0:30:33 | 0:30:34 | |
I'm entranced by the postcard on the grounds that that's obviously | 0:30:34 | 0:30:37 | |
shut McRay up a little bit. He's a fairly odious human being. | 0:30:37 | 0:30:40 | |
It did, because when she passed it over. | 0:30:40 | 0:30:42 | |
-Yeah. -I think the postcard. | 0:30:42 | 0:30:43 | |
-Yeah, I think so too. -I think the postcard. -Yeah? Postcard? | 0:30:43 | 0:30:46 | |
Let's have a look at it, then. | 0:30:46 | 0:30:47 | |
-It was completely weird, wasn't it, when he looked at it? -Yes. Agreed. -Let's see the postcard. | 0:30:47 | 0:30:51 | |
Alcatraz Island, San Francisco Bay. And it reads, "I'm travelling AGAIN. | 0:30:51 | 0:30:56 | |
"I'm in San Francisco going UP lots of hills. | 0:30:56 | 0:30:59 | |
"Enjoyed Alcatraz but had to PAY. | 0:30:59 | 0:31:02 | |
"Come and you WILL not regret it. Wish YOU were here." | 0:31:02 | 0:31:05 | |
To the Reverend McRay, Vicarage, St Barnaby's Church. | 0:31:05 | 0:31:08 | |
Subtle. | 0:31:08 | 0:31:09 | |
Or, if we go from the capitalised words bottom to top, | 0:31:09 | 0:31:12 | |
"you will pay up again." | 0:31:12 | 0:31:13 | |
-Yeah. -Do you think it's a code? | 0:31:13 | 0:31:16 | |
I suspect it may be, Susan. | 0:31:16 | 0:31:18 | |
What else can you spot? | 0:31:18 | 0:31:20 | |
-There's no stamp on the postcard. -Which means? | 0:31:20 | 0:31:22 | |
-Very good point. -That the person actually handed it over. | 0:31:22 | 0:31:26 | |
-Great point, Krystyna. -Yeah. | 0:31:26 | 0:31:27 | |
OK, armchair detectives, prime suspect time again. | 0:31:27 | 0:31:31 | |
Who you going to go for? Write it down now. | 0:31:31 | 0:31:33 | |
Charley, last time, your prime suspect was Peter. | 0:31:40 | 0:31:43 | |
-Yes. -Have you changed your mind? -Absolutely. | 0:31:43 | 0:31:45 | |
Of course you have! Who have you gone for this time? | 0:31:45 | 0:31:47 | |
-I've gone for Jeanette Tranton, the Reverend. -Why? | 0:31:47 | 0:31:50 | |
Because she has been extraordinarily tolerant in dealing with | 0:31:50 | 0:31:53 | |
the odious, odious Reverend McRay and his misogyny unpleasantness. | 0:31:53 | 0:31:57 | |
I think she's finally snapped. | 0:31:57 | 0:31:59 | |
Krystyna, last time your prime suspect was Peter. | 0:31:59 | 0:32:01 | |
Who have you gone for this time? | 0:32:01 | 0:32:03 | |
Peter. | 0:32:03 | 0:32:04 | |
Peter again? Why have you stuck with him? | 0:32:04 | 0:32:07 | |
It's just my gut instinct. | 0:32:07 | 0:32:09 | |
Kathryn, last time you went for the Reverend Reese. | 0:32:09 | 0:32:11 | |
Have you changed your mind? | 0:32:11 | 0:32:13 | |
Yes, I have. | 0:32:13 | 0:32:14 | |
Who have you gone for? | 0:32:14 | 0:32:15 | |
I've gone for Peter. | 0:32:15 | 0:32:17 | |
Why? | 0:32:17 | 0:32:18 | |
We came to the conclusion earlier that we thought it was | 0:32:18 | 0:32:23 | |
-possibly one of the people who wasn't at the meeting. -Yes. | 0:32:23 | 0:32:27 | |
And Peter is one of those people. | 0:32:27 | 0:32:30 | |
So, in summary, the prime suspects as it stands are... Charley has | 0:32:30 | 0:32:34 | |
gone for the Reverend Tranton, Krystyna has gone for Peter, | 0:32:34 | 0:32:37 | |
and Kathryn has gone for Peter as well. | 0:32:37 | 0:32:40 | |
It's round five, the Final Clues. | 0:32:40 | 0:32:42 | |
Knight and Slater are praying for a quick conclusion to this case. | 0:32:42 | 0:32:46 | |
Notepads at the ready, let's head back to Mortcliff. | 0:32:46 | 0:32:49 | |
-SIMMONS: -I've officially determined the cause of death. | 0:32:55 | 0:32:58 | |
-McRay was strangled. -Is that with the bell rope? | 0:32:58 | 0:33:02 | |
No. This is interesting. | 0:33:02 | 0:33:04 | |
He was strangled by someone wearing gloves. | 0:33:04 | 0:33:07 | |
He had a few fresh bruises on his chest like he'd been punched. | 0:33:07 | 0:33:11 | |
Hello, I'm Mrs McRay. | 0:33:17 | 0:33:19 | |
DI Knight. Thank you so much for coming in. | 0:33:19 | 0:33:22 | |
When I heard that he'd been sent a postcard | 0:33:22 | 0:33:24 | |
I had to come right away and show you these. | 0:33:24 | 0:33:28 | |
He received more than one of these? | 0:33:33 | 0:33:35 | |
Every six months or so a postcard would arrive, and he'd say, | 0:33:35 | 0:33:39 | |
"That cursed reverend." | 0:33:39 | 0:33:41 | |
No idea who sent them, though. They don't sign their name. | 0:33:42 | 0:33:46 | |
It's happened for donkey's years now. | 0:33:47 | 0:33:49 | |
So you've no idea who sent them? | 0:33:51 | 0:33:53 | |
None at all. | 0:33:53 | 0:33:54 | |
Well. | 0:33:58 | 0:33:59 | |
OK. Fairly important discovery in that film, which was? | 0:33:59 | 0:34:03 | |
That he's been blackmailed for a significantly longer period of time. | 0:34:03 | 0:34:06 | |
-Been blackmailed for some years. -Yes. | 0:34:06 | 0:34:08 | |
And he said, "A cursed reverend," so he knows it's Reese, essentially. | 0:34:08 | 0:34:11 | |
And what else did we find out? | 0:34:11 | 0:34:13 | |
That he was strangled by somebody wearing gloves. | 0:34:13 | 0:34:17 | |
They didn't tell you what he was strangled with. | 0:34:17 | 0:34:19 | |
-Someone wearing gloves. -But it was someone wearing gloves. | 0:34:19 | 0:34:21 | |
The person wearing gloves was Margot Babbage, wearing green gloves. | 0:34:21 | 0:34:24 | |
OK, armchair detectives, let's move on to your final evidence pick. | 0:34:24 | 0:34:28 | |
You can have either | 0:34:28 | 0:34:30 | |
a CD from St Barnaby's Church or the amended order of proceedings. | 0:34:30 | 0:34:34 | |
I'm not sold on the CD track listing, | 0:34:34 | 0:34:38 | |
but if there is not the sound of | 0:34:38 | 0:34:40 | |
that single, fairly deep-toned bell... | 0:34:40 | 0:34:44 | |
Then we have to go back to... | 0:34:44 | 0:34:46 | |
We have to go back to somebody having pulled the bell rope. | 0:34:46 | 0:34:48 | |
-Pulled the bell. -Yes. -Yeah. | 0:34:48 | 0:34:51 | |
-Go for the CD. -The CD. -I'm convinced. -I think so. | 0:34:51 | 0:34:54 | |
Let's have a look at the CD track listing, then. | 0:34:54 | 0:34:56 | |
-One bell was the Funeral Call. -Track three, Funeral Call. | 0:35:03 | 0:35:07 | |
-Track three. -It could be, it could be that. | 0:35:07 | 0:35:09 | |
Could well be. | 0:35:09 | 0:35:11 | |
And I think also more critically is the fact there is a remote control. | 0:35:11 | 0:35:13 | |
So somebody could have done that.. | 0:35:13 | 0:35:15 | |
Somebody could have quite comfortably taken | 0:35:15 | 0:35:17 | |
the gloves from the vase, which is why we got the vase | 0:35:17 | 0:35:19 | |
mentioned in the first place, strangled our victim, McRay, | 0:35:19 | 0:35:24 | |
come back and whilst at the meeting gone "bong" underneath the table. | 0:35:24 | 0:35:28 | |
OK. Armchair detectives, I'm afraid the moment has come to us again. | 0:35:28 | 0:35:32 | |
-No! -No! | 0:35:32 | 0:35:33 | |
You're about to make your final accusation for the chance | 0:35:33 | 0:35:36 | |
of winning a golden magnifying glass. | 0:35:36 | 0:35:38 | |
-AUDIENCE: -Ooh! | 0:35:38 | 0:35:39 | |
It's time to answer the only question that matters - whodunnit? | 0:35:41 | 0:35:46 | |
Congratulations to Prestonpans Ladies Rugby Team, | 0:35:48 | 0:35:50 | |
who have guessed every killer so far this series. | 0:35:50 | 0:35:53 | |
Well done. Clever ladies. | 0:35:53 | 0:35:54 | |
It's the big moment. | 0:36:00 | 0:36:01 | |
I need you to tell me who you're accusing and why. Charley. | 0:36:01 | 0:36:05 | |
Right, I have gone for Peter. | 0:36:05 | 0:36:08 | |
The only people who weren't at the campanology lesson were | 0:36:08 | 0:36:12 | |
Margot and Peter. | 0:36:12 | 0:36:14 | |
And only someone who wasn't at the campanology would have put | 0:36:14 | 0:36:17 | |
the muted bell into his hand, cos he's tried to say, you know, | 0:36:17 | 0:36:21 | |
our victim McRay has pulled it. | 0:36:21 | 0:36:24 | |
And so it has to be someone who didn't know that bell was muted, | 0:36:24 | 0:36:27 | |
-so that has to be one of those two. -So Peter. | 0:36:27 | 0:36:29 | |
I think it's Peter. | 0:36:29 | 0:36:30 | |
Krystyna, who are you accusing and why? | 0:36:30 | 0:36:32 | |
-Peter. -Why? | 0:36:32 | 0:36:33 | |
Something in my head. | 0:36:33 | 0:36:34 | |
There's all the little things that have gone on have led me to him. | 0:36:34 | 0:36:38 | |
Kathryn, who are you accusing and why? | 0:36:38 | 0:36:40 | |
I'm sticking with Peter. | 0:36:40 | 0:36:43 | |
There's something a bit too perfect about his evidence. | 0:36:43 | 0:36:46 | |
He said he was in the archive room in the crypt | 0:36:46 | 0:36:49 | |
and that he heard voices, | 0:36:49 | 0:36:51 | |
but not enough so that he could even tell that it was a man or a woman. | 0:36:51 | 0:36:54 | |
-Yes. -And then he says he heard broken glass. | 0:36:54 | 0:36:57 | |
But we've never seen any broken glass. | 0:36:57 | 0:37:00 | |
There's none in church, the vase is still there, | 0:37:00 | 0:37:03 | |
and I think that's the sort of incidental detail that he's | 0:37:03 | 0:37:06 | |
just thrown in to make it sound as if he's... | 0:37:06 | 0:37:08 | |
-To kind of muddy the water. -..heard in evidence. | 0:37:08 | 0:37:11 | |
So I think it's... I think it's him. | 0:37:11 | 0:37:14 | |
Just leads me to him. | 0:37:14 | 0:37:15 | |
So, our armchair detectives are all accusing | 0:37:15 | 0:37:19 | |
Peter of the murder of Reverend McRay. | 0:37:19 | 0:37:22 | |
You have a final piece of evidence left, though, armchair detectives. | 0:37:22 | 0:37:26 | |
It is the amended order of proceedings. | 0:37:26 | 0:37:29 | |
Let's have a look at it. | 0:37:29 | 0:37:30 | |
"St Barnaby's 750th celebration sermon. | 0:37:32 | 0:37:35 | |
"10am, live bell ringing demonstration. | 0:37:35 | 0:37:37 | |
"2pm, bell ringing workshop. | 0:37:37 | 0:37:39 | |
"6pm, evening service." | 0:37:39 | 0:37:41 | |
As you can see, things are scrawled out. Reverend Reese, etc, etc. | 0:37:41 | 0:37:46 | |
The person who did those changes was the Reverend Willis, | 0:37:46 | 0:37:49 | |
cos we saw him scribbling. | 0:37:49 | 0:37:50 | |
That looks suspiciously similar to the handwriting in the postcards. | 0:37:50 | 0:37:54 | |
Let's find out what happened. | 0:37:55 | 0:37:56 | |
Well, drat. | 0:37:56 | 0:37:58 | |
So, what really happened in today's story, White Collar Crime? | 0:37:58 | 0:38:01 | |
Who killed Reverend McRay? Let's find out whodunnit. | 0:38:01 | 0:38:07 | |
All of these postcards are pictures of prisons, sir. | 0:38:18 | 0:38:21 | |
What's the symbolism? | 0:38:21 | 0:38:22 | |
A threat, warning. | 0:38:24 | 0:38:26 | |
Look at how each message has capitalised words in it. | 0:38:26 | 0:38:31 | |
Again, up, pay, will, you. | 0:38:31 | 0:38:34 | |
-You will pay up again. -Blackmail. | 0:38:36 | 0:38:39 | |
Blackmail for what, though, sir? | 0:38:39 | 0:38:41 | |
That's the question. No stamps, though, on any of them. | 0:38:41 | 0:38:46 | |
Hand-delivered. | 0:38:46 | 0:38:48 | |
So, that means it must be from someone local - that's everyone. | 0:38:48 | 0:38:52 | |
If the blackmail's been going on for years, that's definitely | 0:38:52 | 0:38:54 | |
a motive for murder. | 0:38:54 | 0:38:56 | |
The time frame suggests a long grievance. | 0:38:56 | 0:38:58 | |
Look at this. | 0:39:01 | 0:39:02 | |
McRay hands over church duties to Reese. 1990 - that's 27 years ago. | 0:39:04 | 0:39:12 | |
Yeah, but look at the caption. | 0:39:12 | 0:39:13 | |
"Thank you for your donations. | 0:39:14 | 0:39:16 | |
"This week's collection totalled £20." | 0:39:16 | 0:39:18 | |
If you look at the photo of the collection plate there's | 0:39:18 | 0:39:22 | |
clearly £40 on there. | 0:39:22 | 0:39:23 | |
Right, but Margot said that Reese only had enough money to | 0:39:23 | 0:39:27 | |
refurbish the pulpit. | 0:39:27 | 0:39:28 | |
I think McRay was taking money from the collection. | 0:39:29 | 0:39:32 | |
Reese found out, was furious, and blackmailed him for years, it seems. | 0:39:32 | 0:39:37 | |
Yeah. Could have been Willis, though. | 0:39:37 | 0:39:40 | |
I mean, the man had the key in his pocket. | 0:39:41 | 0:39:43 | |
That's my key to the bell tower. | 0:39:45 | 0:39:47 | |
What are you doing with it? | 0:39:47 | 0:39:48 | |
No idea at all. | 0:39:48 | 0:39:51 | |
There's one way to find out. | 0:39:52 | 0:39:54 | |
Willis's handwriting, see how he changed the order of the sermon. | 0:39:54 | 0:39:57 | |
Now compare the two. | 0:39:57 | 0:39:59 | |
Yeah, he didn't write the postcards. | 0:39:59 | 0:40:01 | |
Exactly. | 0:40:01 | 0:40:03 | |
Jeanette Tranton spoke of the disagreement she had with | 0:40:03 | 0:40:07 | |
McRay at the church residence the night before the murder. | 0:40:07 | 0:40:10 | |
-I think it's fair to say that I'm the most popular one. -Fair how? | 0:40:10 | 0:40:14 | |
My dear, no-one can deny the drop in attendance since your tenure. | 0:40:14 | 0:40:18 | |
And I bet you have a theory on why that is. | 0:40:18 | 0:40:20 | |
The thing with women is how quickly they become emotional. | 0:40:20 | 0:40:24 | |
SLATER: Reese was there too. | 0:40:24 | 0:40:25 | |
That's when he must have taken the bell tower key. | 0:40:25 | 0:40:29 | |
Margot said she saw him at the gardens around 3pm, | 0:40:29 | 0:40:32 | |
he then wasn't seen again until 4.30, at the meeting. | 0:40:32 | 0:40:36 | |
Where's Father McRay? Are we to begin without him? | 0:40:38 | 0:40:42 | |
I'm sure he'll be along presently. | 0:40:42 | 0:40:44 | |
Look, we've got a lot to get through. | 0:40:44 | 0:40:45 | |
I suggest we just carry on. | 0:40:45 | 0:40:47 | |
SLATER: By which time, McRay was already dead. | 0:40:47 | 0:40:48 | |
Margot Babbage and Peter Henge both said they heard people arguing | 0:40:48 | 0:40:53 | |
but neither of them could identify the voices. | 0:40:53 | 0:40:56 | |
Did you recognise the voices? | 0:40:56 | 0:40:58 | |
No idea at all. | 0:40:59 | 0:41:01 | |
Perhaps McRay had had enough of the blackmail, challenged Reese, | 0:41:01 | 0:41:04 | |
they argued, Reese then strangled him, then he made it look as | 0:41:04 | 0:41:07 | |
though it happened at five by using the remote to play a ringing bell. | 0:41:07 | 0:41:11 | |
BELL RINGS | 0:41:11 | 0:41:12 | |
I thought Lee had gone. | 0:41:14 | 0:41:17 | |
I'll go take a look. | 0:41:17 | 0:41:19 | |
SLATER: In order to give himself an alibi, the meeting. | 0:41:19 | 0:41:23 | |
Reese had motive, means, and opportunity. | 0:41:26 | 0:41:28 | |
I think it's time we paid the Reverend a visit. | 0:41:31 | 0:41:34 | |
For whom the bell tolls, sir. | 0:41:34 | 0:41:36 | |
Indeed, Slater. It tolls for he. | 0:41:36 | 0:41:39 | |
Come on. | 0:41:39 | 0:41:40 | |
I can confirm that the killer was the Reverend Reese. | 0:41:44 | 0:41:48 | |
Charley, you look desperately upset. | 0:41:48 | 0:41:50 | |
Well, he was in the meeting where he knew that that was a muffled | 0:41:50 | 0:41:53 | |
-bell pull. -Mm. | 0:41:53 | 0:41:55 | |
So he'll have known that his alibi wouldn't have worked, | 0:41:55 | 0:41:58 | |
because he's basically put a muted bell rope into the guy's hand. | 0:41:58 | 0:42:01 | |
"Ah, he obviously pulled that so the murder must have been at five | 0:42:01 | 0:42:04 | |
"o'clock, when I was obviously in a room with two other people." | 0:42:04 | 0:42:07 | |
It's a muted bell rope and he knew it was a muted bell rope. | 0:42:07 | 0:42:09 | |
It's entirely possible that killers sometimes make mistakes, | 0:42:09 | 0:42:12 | |
Charley, in the heat of the moment, and that the killers are not | 0:42:12 | 0:42:15 | |
always perfect, as we think they possibly are. | 0:42:15 | 0:42:18 | |
-Right. -You became slightly fixated on Peter early on | 0:42:18 | 0:42:21 | |
because of the DNA evidence, | 0:42:21 | 0:42:23 | |
and I'm afraid to tell you that the vase was just a red herring. | 0:42:23 | 0:42:28 | |
And there was no paternity issues, there was nothing going on. | 0:42:29 | 0:42:32 | |
I enjoyed it immensely, | 0:42:32 | 0:42:34 | |
but I'm afraid you've failed to pick today's killer. | 0:42:34 | 0:42:37 | |
Give them a round of applause. | 0:42:37 | 0:42:39 | |
Well done, all of you. | 0:42:39 | 0:42:40 | |
Armchair detectives, hands up, how many of you got the Reverend Reese? | 0:42:44 | 0:42:48 | |
Oh, first time! | 0:42:48 | 0:42:49 | |
That is the first time ever nobody correctly identified the killer. | 0:42:50 | 0:42:55 | |
That's all from Armchair Detectives. | 0:42:55 | 0:42:57 | |
Tomorrow, we'll see Knight and Slater tread the boards | 0:42:57 | 0:42:59 | |
and they investigate a deadly crime at a theatre. | 0:42:59 | 0:43:03 | |
-AUDIENCE: -Ooh! | 0:43:03 | 0:43:04 | |
And remember, no-one gets away with murder in Mortcliff. Goodbye. | 0:43:05 | 0:43:12 | |
Never mind. | 0:43:12 | 0:43:13 |