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Dear Santa, I've been a very good girl. This Christmas, | 0:00:02 | 0:00:04 | |
please could you deliver the best evidence, | 0:00:04 | 0:00:06 | |
prime suspects galore and help me catch the killer? | 0:00:06 | 0:00:09 | |
Welcome to the TV show with only one question, whodunnit? | 0:00:09 | 0:00:12 | |
Welcome to a very festive Armchair Detectives, | 0:00:27 | 0:00:31 | |
the show where these 15 murder mystery enthusiasts will be | 0:00:31 | 0:00:35 | |
hoping to solve a fictional deadly crime. | 0:00:35 | 0:00:38 | |
Our detectives will sift through the evidence from a case | 0:00:38 | 0:00:41 | |
set in Mortcliff, | 0:00:41 | 0:00:42 | |
the village with its fair share of nightmares before Christmas. | 0:00:42 | 0:00:45 | |
Helping them solve the crime is Mortcliff's dream police team - | 0:00:45 | 0:00:49 | |
DI Knight, DC Slater, and Scene of Crimes Officer Simmons. | 0:00:49 | 0:00:54 | |
Before we head to Mortcliff for the first time, | 0:00:54 | 0:00:56 | |
let's meet our Armchair Detectives. | 0:00:56 | 0:00:59 | |
Hello, and happy festive season. | 0:00:59 | 0:01:01 | |
-DETECTIVES: -Hi! -Hello. Oh, they're so Christmassy. | 0:01:01 | 0:01:04 | |
Only three of you play each day, so please take your armchairs, | 0:01:04 | 0:01:08 | |
Bola, Dipak and Ellouise. | 0:01:08 | 0:01:12 | |
The detectives who guess the killer correctly will add another | 0:01:18 | 0:01:21 | |
one of these to their collection. | 0:01:21 | 0:01:22 | |
Yes, it's the golden magnifying glass. | 0:01:22 | 0:01:25 | |
-DETECTIVES: -Ooh! | 0:01:25 | 0:01:26 | |
Never gets any less exciting. | 0:01:26 | 0:01:28 | |
Bola, tell me, | 0:01:28 | 0:01:30 | |
what have you loved about appearing on Armchair Detectives? | 0:01:30 | 0:01:32 | |
I think my ultimate moment was getting my magnifying glass. | 0:01:32 | 0:01:36 | |
Mm-hm, mm-hm. | 0:01:36 | 0:01:37 | |
Yeah, it's just been great all round. | 0:01:37 | 0:01:39 | |
And I have loved your shoes every time. | 0:01:39 | 0:01:41 | |
-Thank you. -Dipak, tell me, how have you enjoyed appearing | 0:01:41 | 0:01:44 | |
on Armchair Detectives? What have you enjoyed? | 0:01:44 | 0:01:46 | |
There are places in Scotland that I don't want to live, | 0:01:46 | 0:01:48 | |
even if they are fictional. | 0:01:48 | 0:01:49 | |
Yes. Yes, although it is balmy weather at times, | 0:01:49 | 0:01:52 | |
as we've discovered. | 0:01:52 | 0:01:54 | |
Ellouise, you've been a fantastic contestant due to | 0:01:54 | 0:01:56 | |
changing your strategy every single time you've appeared on the show. | 0:01:56 | 0:02:00 | |
Have you enjoyed Armchair Detectives? | 0:02:00 | 0:02:02 | |
I have. I like the fact that you just never know | 0:02:02 | 0:02:05 | |
what's going to happen. | 0:02:05 | 0:02:07 | |
-You never know at all. -Never. | 0:02:07 | 0:02:09 | |
Never know. Are you going to take notes today or not take notes? | 0:02:09 | 0:02:11 | |
-No. So today, we're going to work as a team. -OK. | 0:02:11 | 0:02:15 | |
I'm going to... I'm going to watch. | 0:02:15 | 0:02:18 | |
-Right. -I'm going to be the eyes on the prize. | 0:02:18 | 0:02:20 | |
OK. And? | 0:02:20 | 0:02:22 | |
I'm going to be the detail detective, | 0:02:22 | 0:02:24 | |
so I'm going to take the notes and take specific details down. | 0:02:24 | 0:02:28 | |
And Dipak? | 0:02:28 | 0:02:29 | |
I'm supposed to bring comedy, but I think I'm going to bring | 0:02:29 | 0:02:32 | |
another angle, which is tying the observations, the detail together, | 0:02:32 | 0:02:35 | |
and seeing if we can link things together, get that motive, so... | 0:02:35 | 0:02:38 | |
-Right. -Kind of what we've learnt | 0:02:38 | 0:02:39 | |
-what we are good at throughout this, yeah. -Yeah. | 0:02:39 | 0:02:42 | |
Let's see if this strategy works. | 0:02:42 | 0:02:44 | |
It's time for round one, the Crime Scene. | 0:02:44 | 0:02:47 | |
Knight and Slater meet Simmons at the Mortcliff Training Company | 0:02:47 | 0:02:50 | |
after their annual Christmas party. | 0:02:50 | 0:02:52 | |
Off we go. | 0:02:52 | 0:02:53 | |
MUSIC: Silent Night | 0:03:02 | 0:03:05 | |
Silent Night. | 0:03:05 | 0:03:07 | |
In Mortcliff? Hardly think that's likely. | 0:03:08 | 0:03:11 | |
LIFT DOORS OPEN | 0:03:11 | 0:03:13 | |
Merry Christmas to you both. | 0:03:15 | 0:03:17 | |
Have you got us here under false pretences, Simmons? | 0:03:17 | 0:03:19 | |
Yeah, is this a surprise Christmas party, Simmons? | 0:03:19 | 0:03:22 | |
No, sorry, it's neither. | 0:03:22 | 0:03:24 | |
Yeah, the victim was taken to hospital | 0:03:24 | 0:03:26 | |
and pronounced dead on arrival. | 0:03:26 | 0:03:29 | |
Glynnis Wainthorn, late 50s. | 0:03:29 | 0:03:32 | |
Managing director of the Mortcliff Training Company, | 0:03:32 | 0:03:35 | |
they specialise in training financial institutions. | 0:03:35 | 0:03:38 | |
Much needed service, some may say. | 0:03:38 | 0:03:41 | |
She'd come back to the office during the company Christmas party. | 0:03:41 | 0:03:44 | |
Cause of death? | 0:03:46 | 0:03:47 | |
Looks like a heart attack. | 0:03:47 | 0:03:49 | |
There's one witness, though, | 0:03:49 | 0:03:51 | |
that says it appeared she just went to sleep. | 0:03:51 | 0:03:53 | |
I've never heard of a peaceful heart attack. | 0:03:53 | 0:03:57 | |
There was an attempt to resuscitate but no use. | 0:03:57 | 0:04:01 | |
There's just something about this death | 0:04:01 | 0:04:03 | |
that doesn't sit right with me. | 0:04:03 | 0:04:04 | |
This witness? | 0:04:04 | 0:04:06 | |
Oh, she's waiting for you over there, HR manager. | 0:04:06 | 0:04:09 | |
OK, we'll speak to her now. | 0:04:09 | 0:04:11 | |
Oh, wait, we found this list by the victim. | 0:04:11 | 0:04:15 | |
You'd better hang onto it, Simmons, might be worth checking. | 0:04:15 | 0:04:19 | |
What, worth checking it twice? | 0:04:19 | 0:04:21 | |
Yeah, maybe it'll let us know who's been naughty or nice. | 0:04:21 | 0:04:24 | |
You'd better watch out, you'd better take care, Slater. | 0:04:24 | 0:04:27 | |
Good evening, I'm DI Knight this is DC Slater. | 0:04:30 | 0:04:34 | |
I'm Marianne Rogers, IT manager. Well, assistant. | 0:04:34 | 0:04:37 | |
I'm Josephine. I saw what happened. I didn't know what to do. | 0:04:39 | 0:04:45 | |
I've never seen someone die. | 0:04:45 | 0:04:48 | |
Oh, God, it was meant to be fun! | 0:04:48 | 0:04:51 | |
What was? | 0:04:51 | 0:04:52 | |
We were all at our Christmas party at the Mortcliff Inn. | 0:04:52 | 0:04:55 | |
That's around a five-minute walk from here, isn't it? | 0:04:57 | 0:04:59 | |
It's the last day before the Christmas holidays, we always | 0:04:59 | 0:05:02 | |
do a secret Santa, and Glynnis's present had been left behind. | 0:05:02 | 0:05:06 | |
Josephine offered to come back with her to collect it. | 0:05:06 | 0:05:09 | |
I just came back from the loo. | 0:05:09 | 0:05:12 | |
And she was sitting in her chair. | 0:05:12 | 0:05:14 | |
I thought she'd fallen asleep. | 0:05:14 | 0:05:17 | |
After a few minutes, I realised she wasn't breathing. | 0:05:18 | 0:05:22 | |
I got a phone call from Jo to come over immediately. | 0:05:22 | 0:05:25 | |
We rushed over to try and do CPR, but none of us were trained. | 0:05:25 | 0:05:28 | |
Who is the trained first aider in the office? | 0:05:28 | 0:05:31 | |
-BOTH: -Glynnis. | 0:05:33 | 0:05:34 | |
-DETECTIVES: -Oooh! -Hmm. OK. | 0:05:37 | 0:05:40 | |
The lady that was the HR assistant quoted herself as the HR manager. | 0:05:40 | 0:05:46 | |
-Was that the IT...? -IT, sorry. | 0:05:46 | 0:05:47 | |
-Yes, yeah. -IT, yeah. | 0:05:47 | 0:05:49 | |
What I also thought about, we do secret Santa at my work | 0:05:49 | 0:05:53 | |
and we do it in the office, we wouldn't take it to the | 0:05:53 | 0:05:56 | |
Christmas party because it'd get lost, someone would leave it there. | 0:05:56 | 0:06:00 | |
That's interesting, so whoever was in charge of the secret Santa | 0:06:00 | 0:06:04 | |
might have had a means to make sure they knew whose present needs | 0:06:04 | 0:06:08 | |
to be left behind, to get the opportunity to commit the murder. | 0:06:08 | 0:06:11 | |
Yeah. Possibly. | 0:06:11 | 0:06:12 | |
Cos it's a bit suspicious that your vic, as in victim, | 0:06:12 | 0:06:15 | |
is the only person who had to have their present left behind, | 0:06:15 | 0:06:18 | |
-to go and get it or something else like that was going on? -Yeah. | 0:06:18 | 0:06:21 | |
And just so happened that that was the first aider. | 0:06:21 | 0:06:23 | |
-Yeah. -Convenient. Can't save yourself. | 0:06:23 | 0:06:26 | |
Let me tell you a bit more about the victim. | 0:06:26 | 0:06:28 | |
Today, we're investigating the death of Glynnis Wainthorn. | 0:06:28 | 0:06:31 | |
Glynnis was aged 57, | 0:06:31 | 0:06:33 | |
she was the managing director of the Mortcliff Training Company. | 0:06:33 | 0:06:36 | |
In her personal life, Glynnis was married. | 0:06:36 | 0:06:38 | |
Glynnis was taken to hospital with suspected heart failure and her | 0:06:38 | 0:06:42 | |
time of death was approximately between 10.30 and 11pm. | 0:06:42 | 0:06:47 | |
Suspected heart failure, so it's not confirmed just yet. | 0:06:47 | 0:06:51 | |
-Yeah. -Yeah, Simmons said something about it looked like it was more | 0:06:51 | 0:06:54 | |
peaceful rather than an actual heart attack. | 0:06:54 | 0:06:56 | |
Yes, there's a bit of confusion about what actually caused | 0:06:56 | 0:06:58 | |
the death, I think, just now. | 0:06:58 | 0:06:59 | |
And Glynnis was DOA as well, so she died on scene. | 0:06:59 | 0:07:02 | |
Yeah. | 0:07:02 | 0:07:03 | |
Let's take a look at the suspects board. | 0:07:03 | 0:07:05 | |
There are two names just now. | 0:07:05 | 0:07:06 | |
We have Josephine Monroe, who's the HR manager, | 0:07:06 | 0:07:09 | |
and Marianne Rogers, who's the IT assistant. | 0:07:09 | 0:07:11 | |
One thing that I wasn't sure of, what I captured, | 0:07:11 | 0:07:14 | |
so the party was at a different location. | 0:07:14 | 0:07:17 | |
-Yep. -And Josephine found her, | 0:07:17 | 0:07:19 | |
but she said, "I'd just come back from the loo." | 0:07:19 | 0:07:21 | |
-Yeah. -So had you been there already, left and come back from the loo? | 0:07:21 | 0:07:25 | |
That's the bit I didn't understand. | 0:07:25 | 0:07:27 | |
If she'd been in the same building, that was more understandable. | 0:07:27 | 0:07:30 | |
-Yes. -In the first place. | 0:07:30 | 0:07:32 | |
But also, if they went together, why did Marianne feel | 0:07:32 | 0:07:36 | |
the need to join them? | 0:07:36 | 0:07:37 | |
So I think... Didn't one of them come because the secret Santa | 0:07:37 | 0:07:40 | |
-had been left? -Yeah. -Realised she wasn't there... | 0:07:40 | 0:07:42 | |
-Said, "I'll come with you". -One present had been left behind. | 0:07:42 | 0:07:44 | |
Yes. | 0:07:44 | 0:07:46 | |
OK, here's the first piece of evidence for you to look at. | 0:07:46 | 0:07:49 | |
This is the list of names. | 0:07:49 | 0:07:52 | |
It says on the top of it "donors" | 0:07:52 | 0:07:54 | |
and then "randomise". | 0:07:54 | 0:07:56 | |
And then randomise 16 numbers against each | 0:07:56 | 0:08:00 | |
of their names, which is numbers. | 0:08:00 | 0:08:01 | |
Yes. | 0:08:01 | 0:08:02 | |
So does Tim need to get a present for Jasper? | 0:08:02 | 0:08:05 | |
Ah, yeah, so it's... | 0:08:05 | 0:08:07 | |
It's a bit of a strange... | 0:08:07 | 0:08:09 | |
Because Glynnis is buying her own present | 0:08:09 | 0:08:11 | |
if it is a secret Santa list, so not sure what "donors" mean. | 0:08:11 | 0:08:15 | |
OK. Time for round two, Last Movements. | 0:08:15 | 0:08:18 | |
We'll start piecing together Glynnis Wainthorn's final hours. | 0:08:18 | 0:08:22 | |
Notepads at the ready. | 0:08:22 | 0:08:23 | |
Let's see what happened at the office Christmas party. | 0:08:23 | 0:08:27 | |
Stop working so hard, come and have a drink with us. | 0:08:35 | 0:08:38 | |
I will later. Where's me old ball and chain? | 0:08:38 | 0:08:41 | |
What do you call a bunch of chess players | 0:08:43 | 0:08:45 | |
bragging about their games in a hotel lobby? | 0:08:45 | 0:08:48 | |
Chess nuts boasting in an open foyer! | 0:08:49 | 0:08:53 | |
Chess reminds me of that bloke in Moscow, the chess board killer. | 0:08:53 | 0:08:57 | |
He wanted to kill 64 people, one for every square of a chess board, | 0:08:57 | 0:09:03 | |
but before he could, the police got him, he only killed 63. | 0:09:03 | 0:09:08 | |
He must have been gutted. | 0:09:08 | 0:09:11 | |
Must you really mention serial killers tonight? | 0:09:11 | 0:09:14 | |
Number four! | 0:09:16 | 0:09:18 | |
I want that! | 0:09:23 | 0:09:25 | |
Number two. | 0:09:25 | 0:09:27 | |
Oh. | 0:09:29 | 0:09:30 | |
Now that is something truly novel. | 0:09:36 | 0:09:39 | |
Thanks for helping out, Brian, I couldn't believe | 0:09:45 | 0:09:48 | |
when the caterers pulled out at the last minute. | 0:09:48 | 0:09:50 | |
We'd no chance of getting anyone else. | 0:09:50 | 0:09:52 | |
It's great to be appreciated for something in a 32-year marriage, | 0:09:52 | 0:09:56 | |
even if it's rearranging vol-au-vents. | 0:09:56 | 0:09:58 | |
Really? You're going to do this tonight? | 0:09:58 | 0:10:01 | |
When else do I ever see you? | 0:10:01 | 0:10:02 | |
Sorry, all, for being late. | 0:10:05 | 0:10:07 | |
I couldn't get out of my meeting | 0:10:08 | 0:10:10 | |
in the afternoon and then there was the trains as usual. | 0:10:10 | 0:10:13 | |
Oh, Glynnis, you don't stop working. | 0:10:13 | 0:10:15 | |
It's not going to stop in January. | 0:10:15 | 0:10:17 | |
Guys, where's the last one? | 0:10:18 | 0:10:21 | |
I'm sorry, I didn't know Glynnis would be here. | 0:10:23 | 0:10:25 | |
I was told to put it on her desk. | 0:10:25 | 0:10:27 | |
It really doesn't matter. | 0:10:27 | 0:10:29 | |
It absolutely does matter. | 0:10:29 | 0:10:31 | |
I'll go back and get it, | 0:10:31 | 0:10:32 | |
I've got a couple of things to get before lock up anyway. | 0:10:32 | 0:10:35 | |
I'll come with you. I could do with a walk. | 0:10:38 | 0:10:40 | |
You'll regret this, I promise you, you'll regret this. | 0:10:43 | 0:10:48 | |
Oh, there it is. | 0:10:52 | 0:10:53 | |
Oh, thanks, Jo. | 0:10:53 | 0:10:55 | |
-Back in a mo. -Sure. | 0:10:55 | 0:10:57 | |
Honestly, this must have cost more than a tenner. | 0:11:09 | 0:11:12 | |
CAMERA SHUTTER CLICKS | 0:11:40 | 0:11:41 | |
PHONE BEEPS | 0:11:51 | 0:11:54 | |
Well, she's going to have to work hard to live this one down. | 0:11:58 | 0:12:01 | |
Brian, Brian, come and have a look at this. | 0:12:01 | 0:12:04 | |
No, Tim. | 0:12:04 | 0:12:05 | |
PHONE VIBRATES | 0:12:05 | 0:12:07 | |
Hi, Jo, we got your picture! | 0:12:07 | 0:12:09 | |
-Oooh! -Ouch. | 0:12:17 | 0:12:20 | |
Josephine is an interesting one for me. | 0:12:20 | 0:12:22 | |
She's an HR manager but comes across a little bit unprofessional, | 0:12:22 | 0:12:25 | |
taking pictures of her boss possibly asleep. | 0:12:25 | 0:12:28 | |
Let's bring up the new suspects, actually, | 0:12:28 | 0:12:30 | |
so you can talk about them. | 0:12:30 | 0:12:31 | |
So we can now add two more names. | 0:12:31 | 0:12:33 | |
Tim Alteron, head of IT, and Brian Wainthorn, | 0:12:33 | 0:12:38 | |
who's Glynnis's husband. | 0:12:38 | 0:12:39 | |
That's four names, the board is full. | 0:12:39 | 0:12:41 | |
So, guys, have we got a situation here where the murder | 0:12:41 | 0:12:44 | |
didn't happen at 10.25, | 0:12:44 | 0:12:47 | |
the murderer set this up, so the position of | 0:12:47 | 0:12:50 | |
these peoples during her death isn't the point. There's something about | 0:12:50 | 0:12:53 | |
that necklace or maybe something on her desk, that is premeditated. | 0:12:53 | 0:12:58 | |
I wrote down, "Is there an allergy to some metal in...?" | 0:12:58 | 0:13:01 | |
Yeah, that's what I thought. | 0:13:01 | 0:13:02 | |
Let's see if we can help you out with some more evidence. | 0:13:02 | 0:13:04 | |
We have Josephine's selfie, | 0:13:04 | 0:13:07 | |
or Glynnis's meeting schedule, | 0:13:07 | 0:13:09 | |
and finally the contents of Tim's desk. | 0:13:09 | 0:13:12 | |
If we're saying that the murder happened by it being | 0:13:12 | 0:13:15 | |
planted on the desk, who decided that she wasn't | 0:13:15 | 0:13:18 | |
going to come to the party and she needed to go back to her desk? | 0:13:18 | 0:13:21 | |
So who had Glynnis's meeting schedule, | 0:13:21 | 0:13:23 | |
knew that she can't make the party. | 0:13:23 | 0:13:25 | |
Do you know what, from what you're saying, I'm edging towards | 0:13:25 | 0:13:28 | |
-the meeting schedule... -Yeah. | 0:13:28 | 0:13:30 | |
..but also from the perspective of she's rushed to get there... | 0:13:30 | 0:13:33 | |
Back. | 0:13:33 | 0:13:34 | |
And then from landing there, realising her present wasn't | 0:13:34 | 0:13:38 | |
there, then going straight back to the office, so something could have | 0:13:38 | 0:13:41 | |
happened during that meeting and I'd like to know who was at the meeting. | 0:13:41 | 0:13:45 | |
-Yeah, cool. -Do you want to see the meeting schedule? | 0:13:45 | 0:13:47 | |
-Sounds good. -Yeah, I'm happy with that. -These are her January appointments. | 0:13:47 | 0:13:50 | |
OK, so she's interviewing new staff members. | 0:13:50 | 0:13:53 | |
It'd be great if they said what the job roles were, | 0:13:53 | 0:13:55 | |
but this is what we've got. | 0:13:55 | 0:13:57 | |
Just... We've got some movement going on, haven't we? | 0:13:57 | 0:14:00 | |
There's kind of like a re-org going on - | 0:14:00 | 0:14:02 | |
people are being interviewed for their own jobs? | 0:14:02 | 0:14:05 | |
-Yeah. -Yeah. Oh, but then again, there's no familiar names on there. | 0:14:05 | 0:14:09 | |
But at this point, I need to ask you to lock in your prime suspect. | 0:14:09 | 0:14:12 | |
Please write a name down in your detective's notebook now. | 0:14:12 | 0:14:15 | |
Tell me who is your prime suspect and why, Bola. | 0:14:21 | 0:14:24 | |
Right, so I've gone for Brian. | 0:14:24 | 0:14:25 | |
For me, he just seemed a little bit shifty. | 0:14:25 | 0:14:27 | |
How he spoke about his wife as the ball and chain. He... | 0:14:27 | 0:14:32 | |
He prepared the food, | 0:14:32 | 0:14:34 | |
and also there was a hint that he didn't feel appreciated by her. | 0:14:34 | 0:14:38 | |
Dipak, who's your prime suspect and why? | 0:14:38 | 0:14:40 | |
-So, I have gone for Brian. -Right. | 0:14:40 | 0:14:42 | |
The only thing I can grasp hold of which Brian fits for, | 0:14:42 | 0:14:45 | |
somebody knows her well enough to do something not obvious to kill her. | 0:14:45 | 0:14:50 | |
OK. So it's really down to cause of death in a lot of ways, isn't it? | 0:14:50 | 0:14:53 | |
Possibly at this stage, yeah. | 0:14:53 | 0:14:54 | |
Ellouise, who's your prime suspect and why? | 0:14:54 | 0:14:56 | |
At this stage, I've gone for Josephine. | 0:14:56 | 0:14:58 | |
-OK. -Just purely because she walked back with her, she's... | 0:14:58 | 0:15:02 | |
-She was there. -She was the one that said, "No, let's go back | 0:15:02 | 0:15:04 | |
"and get your present" as if it was really vital. | 0:15:04 | 0:15:07 | |
Well, in summary, our Armchair Detectives' | 0:15:07 | 0:15:09 | |
prime suspects are... Bola has gone for Brian, | 0:15:09 | 0:15:13 | |
Dipak has gone for Brian | 0:15:13 | 0:15:14 | |
and Ellouise has gone for Josephine. | 0:15:14 | 0:15:17 | |
It's on to round three now, the Police Interviews. | 0:15:17 | 0:15:19 | |
Knight and Slater are about to question Brian, Josephine and Tim. | 0:15:19 | 0:15:24 | |
Who's been naughty and who's been nice? | 0:15:24 | 0:15:27 | |
Notepads at the ready, it's off to Mortcliff Police Station. | 0:15:27 | 0:15:30 | |
We're sorry for your loss, Mr Wainthorn. | 0:15:38 | 0:15:41 | |
It's all right. | 0:15:42 | 0:15:44 | |
That must have come as quite a shock to you. | 0:15:44 | 0:15:46 | |
Death is a part of life. | 0:15:47 | 0:15:49 | |
Right. | 0:15:51 | 0:15:53 | |
Um, can you think of any reason why Glynnis was under stress or | 0:15:53 | 0:15:58 | |
strain that might have caused her death? | 0:15:58 | 0:16:00 | |
Had a major heart operation, so she was looking to retire fairly soon. | 0:16:00 | 0:16:04 | |
Your wife's medical records show that she was fitted with | 0:16:06 | 0:16:10 | |
a pacemaker. | 0:16:10 | 0:16:12 | |
Yes, she was. | 0:16:12 | 0:16:13 | |
You were the only one who had knowledge of her operation, | 0:16:13 | 0:16:17 | |
you and the doctors? | 0:16:17 | 0:16:18 | |
I guess. | 0:16:19 | 0:16:20 | |
According to the medical examiner, your wife's pacemaker malfunctioned, | 0:16:21 | 0:16:25 | |
it seems it powered down. | 0:16:25 | 0:16:27 | |
The power pack it uses doesn't need to be replaced for five years. | 0:16:28 | 0:16:32 | |
According to the photo that you took of the deceased, | 0:16:36 | 0:16:39 | |
she was clearly wearing that necklace at the time of her death. | 0:16:39 | 0:16:43 | |
I'm sorry, I don't understand. | 0:16:44 | 0:16:47 | |
Where is it? | 0:16:47 | 0:16:49 | |
How am I supposed to know? | 0:16:49 | 0:16:51 | |
Well, it looks quite expensive. | 0:16:51 | 0:16:53 | |
Are you accusing me of stealing? | 0:16:55 | 0:16:57 | |
We have your record, Josephine. | 0:16:59 | 0:17:01 | |
Shoplifting, stealing from your previous employer. | 0:17:01 | 0:17:04 | |
Did you take the necklace? | 0:17:06 | 0:17:07 | |
I can't remember. | 0:17:09 | 0:17:10 | |
Look, this is embarrassing. | 0:17:12 | 0:17:14 | |
I can become a bit of a magpie when I'm drunk. | 0:17:14 | 0:17:17 | |
I could have taken it, but I don't think I did. | 0:17:18 | 0:17:22 | |
We've been told that you organised the secret Santa | 0:17:23 | 0:17:26 | |
and you determined who gets which present? | 0:17:26 | 0:17:28 | |
No, it's random. | 0:17:28 | 0:17:30 | |
I'm not great with computers, | 0:17:30 | 0:17:33 | |
I just draw up a list of names on a spreadsheet. | 0:17:33 | 0:17:36 | |
Ask Marianne, she'll tell you. | 0:17:36 | 0:17:38 | |
Oh, we will, but she's on leave. | 0:17:38 | 0:17:41 | |
I didn't know she was going away. | 0:17:43 | 0:17:44 | |
She's not, she's just had an emergency at home. | 0:17:44 | 0:17:47 | |
Really? | 0:17:47 | 0:17:49 | |
Yeah, it's something about a runaway cat and a broken cat flap. | 0:17:49 | 0:17:52 | |
A few witnesses saw you arguing with a barmaid at the night of the party. | 0:17:56 | 0:18:00 | |
That's Ellie, my girlfriend. | 0:18:00 | 0:18:03 | |
What was the fight about? | 0:18:05 | 0:18:07 | |
I told her I'd resigned. | 0:18:07 | 0:18:09 | |
And she wasn't happy about that? | 0:18:10 | 0:18:11 | |
She was angry about the new job. | 0:18:11 | 0:18:14 | |
Which is? | 0:18:16 | 0:18:18 | |
I'm going to work for a charity in Russia. | 0:18:18 | 0:18:22 | |
Why's that? | 0:18:22 | 0:18:23 | |
It has the most interesting serial killers. | 0:18:23 | 0:18:26 | |
Right. | 0:18:28 | 0:18:29 | |
Now, just to confirm, the IT hacks you had recently... | 0:18:31 | 0:18:36 | |
They weren't hacks. The breaches were internal. | 0:18:36 | 0:18:40 | |
We've had a problem with colleagues snooping into each others' files. | 0:18:40 | 0:18:44 | |
And how did you deal with that? | 0:18:44 | 0:18:47 | |
Everyone with mid level or lower security clearance | 0:18:47 | 0:18:50 | |
had cross-user access privileges denied. | 0:18:50 | 0:18:53 | |
And what did a high level security clearance give you? | 0:18:53 | 0:18:57 | |
Access to CVs, salaries, | 0:18:57 | 0:19:01 | |
meetings, minutes, | 0:19:01 | 0:19:04 | |
health records even. | 0:19:04 | 0:19:05 | |
Everything. | 0:19:05 | 0:19:07 | |
And who had high level security clearance? | 0:19:07 | 0:19:11 | |
Glynnis... | 0:19:11 | 0:19:12 | |
..and me, of course. | 0:19:14 | 0:19:17 | |
Well, now! | 0:19:20 | 0:19:21 | |
A malfunctioning pacemaker that allegedly only Brian or Tim | 0:19:21 | 0:19:27 | |
could have known about, or somebody who had Tim's access. | 0:19:27 | 0:19:33 | |
But he said that there was a problem with people | 0:19:33 | 0:19:35 | |
-getting into the files, so in theory... -That's right. | 0:19:35 | 0:19:38 | |
..anyone in that office could have seen it at any given point until | 0:19:38 | 0:19:41 | |
-fixed it. -Yeah, even Josephine and Marianne funnily enough. | 0:19:41 | 0:19:44 | |
Yeah, funny enough. | 0:19:44 | 0:19:45 | |
My thoughts around the pacemaker is that the power pack needs | 0:19:45 | 0:19:49 | |
replacing every five years. | 0:19:49 | 0:19:51 | |
-Yeah. -Correct. -That's one thing that stood out for me, | 0:19:51 | 0:19:53 | |
and Brian knew that. | 0:19:53 | 0:19:55 | |
-Yeah. -And possibly Tim may know that and possibly Marianne may know that. | 0:19:55 | 0:20:00 | |
The other thing that stood out for me, | 0:20:02 | 0:20:03 | |
the pacemaker how does it malfunction, did it malfunction? | 0:20:03 | 0:20:07 | |
-And if so, could it have been the necklace? -The locket. | 0:20:07 | 0:20:12 | |
Yeah, the locket, the metal. | 0:20:12 | 0:20:13 | |
That's what I mean in terms of does certain metals react with | 0:20:13 | 0:20:17 | |
other metals? | 0:20:17 | 0:20:18 | |
I'm guessing the pacemaker works by sending a small electrical | 0:20:18 | 0:20:22 | |
pulse to your heart to keep it regular | 0:20:22 | 0:20:23 | |
cos you've got a irregular heart thing, so a magnet or something | 0:20:23 | 0:20:27 | |
too close to the mechanism, cos it's all concealed in the chest. | 0:20:27 | 0:20:30 | |
I don't think you've got a battery pack | 0:20:30 | 0:20:32 | |
-on your back Ghostbusters style. -No, no, no. | 0:20:32 | 0:20:33 | |
Who had access to swipe the necklace away as well | 0:20:33 | 0:20:36 | |
is a question that I keep... | 0:20:36 | 0:20:37 | |
-Evidence. -Let's see if the evidence can help you. | 0:20:37 | 0:20:39 | |
Josephine's selfie, the contents of Tim's desk | 0:20:39 | 0:20:43 | |
or the new piece of evidence, Glynnis's login history. | 0:20:43 | 0:20:48 | |
So I think when it comes to the login history, at the moment | 0:20:48 | 0:20:53 | |
I'm not ruling out that everybody's been able to get in there. | 0:20:53 | 0:20:56 | |
I'd like to see the desk. | 0:20:56 | 0:20:58 | |
What do you want? | 0:20:58 | 0:20:59 | |
-Tim's desk. -Tim's desk? -Let's go with Tim's desk, | 0:20:59 | 0:21:02 | |
-just to see where we are. -OK, let's look at the contents of Tim's desk. | 0:21:02 | 0:21:06 | |
-So.. -Interesting. | 0:21:06 | 0:21:07 | |
So he's addicted to crime, he's a bit of a psycho when it comes to it. | 0:21:07 | 0:21:12 | |
He's got serial killers books on there, crime scenes, obviously... | 0:21:12 | 0:21:16 | |
How To Get Away With Murder, completely obvious. | 0:21:16 | 0:21:19 | |
He's got an interest in killing. | 0:21:19 | 0:21:21 | |
-Yeah. -Yes, he has. | 0:21:21 | 0:21:23 | |
And I think we kind of knew that already because he talks about it | 0:21:23 | 0:21:26 | |
all the time, he's going to Russia because it's full of serial killers. | 0:21:26 | 0:21:30 | |
OK, guys, it's time again to pick your prime suspect. | 0:21:30 | 0:21:35 | |
Write it down now. | 0:21:35 | 0:21:36 | |
Time's up, Armchair Detectives, notepads down. | 0:21:41 | 0:21:44 | |
Last time, Bola, you chose Brian, who have you picked this time? | 0:21:44 | 0:21:47 | |
Josephine. | 0:21:47 | 0:21:49 | |
Josephine, why? | 0:21:49 | 0:21:50 | |
She's a criminal, number one. | 0:21:50 | 0:21:52 | |
-Yes. -She also possibly steals, she's a bit of a magpie | 0:21:52 | 0:21:55 | |
when she drinks, maybe she kills too once she's had a drink. | 0:21:55 | 0:21:57 | |
Maybe she kills too. That's the name of my autobiography. | 0:21:57 | 0:22:00 | |
LAUGHTER | 0:22:00 | 0:22:02 | |
Dipak, last time you chose Brian, who have you gone for this time? | 0:22:02 | 0:22:06 | |
Marianne, there's something about the access to removing | 0:22:06 | 0:22:11 | |
the necklace, is it convenient | 0:22:11 | 0:22:12 | |
you work with a kleptomaniac ex thief who's now an IT manager? | 0:22:12 | 0:22:16 | |
Last time, Ellouise, you went for Josephine, | 0:22:16 | 0:22:18 | |
-have you changed your mind? -Yes, I've gone for Brian. | 0:22:18 | 0:22:21 | |
Brian. | 0:22:21 | 0:22:22 | |
I get that he's got a rocky relationship with his wife, | 0:22:22 | 0:22:26 | |
I get that. | 0:22:26 | 0:22:27 | |
Even if your marriage is bad... | 0:22:27 | 0:22:30 | |
-Yeah. -..surely you'd at least fake that you're upset. | 0:22:30 | 0:22:33 | |
LAUGHTER | 0:22:33 | 0:22:34 | |
So let's round up on the suspects. Bola has gone for Josephine. | 0:22:34 | 0:22:39 | |
Dipak has gone for Marianne. And Ellouise has gone for Brian. | 0:22:39 | 0:22:43 | |
Well, now it's on to round four, Big Deeper. | 0:22:43 | 0:22:46 | |
Time to delve into what happened at the Mortcliff Training Company | 0:22:46 | 0:22:50 | |
a day before Glynnis's death. | 0:22:50 | 0:22:53 | |
Notepads at the ready, let's head back to Mortcliff. | 0:22:53 | 0:22:56 | |
That's very odd. | 0:23:03 | 0:23:04 | |
RECORDING: Merry Christmas from MTC. | 0:23:09 | 0:23:11 | |
All our operators are currently busy, please hold the line. | 0:23:11 | 0:23:17 | |
CHRISTMAS MUSIC PLAYS | 0:23:17 | 0:23:19 | |
Having a good day? | 0:23:28 | 0:23:29 | |
I can't escape the stupid Christmas music. | 0:23:29 | 0:23:33 | |
Marianne thought it would be festive. Hmm, that bad? | 0:23:33 | 0:23:38 | |
I don't mean to sound alarmist, | 0:23:38 | 0:23:40 | |
but I think somebody's been accessing my files. | 0:23:40 | 0:23:43 | |
I thought I was imagining things. | 0:23:43 | 0:23:45 | |
I'm pretty sure my appointments list for January has been accessed too. | 0:23:45 | 0:23:49 | |
There's been another breach in security, Tim. | 0:23:54 | 0:23:57 | |
Happens all the time, I'm afraid. | 0:23:57 | 0:23:59 | |
Get it sorted, will you? | 0:23:59 | 0:24:01 | |
As I've already explained, the only way to do it.. | 0:24:01 | 0:24:04 | |
We're not buying any computers this year, Tim. | 0:24:04 | 0:24:06 | |
Don't ask me that again. | 0:24:06 | 0:24:08 | |
Remove all cross-department privileges, | 0:24:08 | 0:24:10 | |
and implement it immediately. | 0:24:10 | 0:24:12 | |
That means the only people who can access documents are those | 0:24:12 | 0:24:16 | |
who create them, or you or me, are you sure? | 0:24:16 | 0:24:20 | |
Yes, I'm sure. | 0:24:20 | 0:24:22 | |
Marianne? | 0:24:22 | 0:24:24 | |
Yes. | 0:24:24 | 0:24:25 | |
Can you send an e-mail to everyone to change their passwords | 0:24:25 | 0:24:28 | |
immediately? | 0:24:28 | 0:24:29 | |
And this time tell them not to write them on a sticky note. | 0:24:29 | 0:24:33 | |
I'll make sure they pick safe passwords, don't worry. | 0:24:33 | 0:24:35 | |
I know a trick where... | 0:24:35 | 0:24:37 | |
Get on with it, will you? | 0:24:37 | 0:24:40 | |
Right, it's time for our board meeting, what's on the agenda? | 0:24:40 | 0:24:43 | |
The new benefits package for next year. | 0:24:43 | 0:24:45 | |
Yeah, thanks. | 0:24:45 | 0:24:46 | |
Should I join you after I've sent this? | 0:24:46 | 0:24:48 | |
No, it's for management only. You're fine to get on with that. | 0:24:48 | 0:24:51 | |
But next year.. | 0:24:51 | 0:24:53 | |
Does she realise how rude she can be? | 0:24:58 | 0:25:00 | |
It's not a big deal. | 0:25:00 | 0:25:01 | |
To be honest, it makes more sense | 0:25:02 | 0:25:04 | |
for you to attend this meeting than me. | 0:25:04 | 0:25:06 | |
How so? | 0:25:06 | 0:25:08 | |
Glynnis is on a mission to maximise profit | 0:25:08 | 0:25:11 | |
so that our share price increases. | 0:25:11 | 0:25:13 | |
I think she's looking to sell some of her options soon. | 0:25:13 | 0:25:16 | |
How does that affect you? | 0:25:16 | 0:25:18 | |
Are you kidding? The squeezing budgets is driving me crazy. | 0:25:18 | 0:25:22 | |
These computers are ancient, slow, bug ridden, | 0:25:22 | 0:25:26 | |
difficult to protect from hacks. | 0:25:26 | 0:25:28 | |
Tell me about it, I'm either asleep or at work, | 0:25:28 | 0:25:31 | |
I haven't seen the outside world for a month. | 0:25:31 | 0:25:34 | |
Ellie's probably wondering who you are. | 0:25:34 | 0:25:36 | |
Yeah, she's not going to be happy when she hears I've resigned. | 0:25:36 | 0:25:40 | |
You've got another job to go to? | 0:25:40 | 0:25:41 | |
I'm going to follow my passion. | 0:25:43 | 0:25:46 | |
Write about serial killers? | 0:25:46 | 0:25:48 | |
You don't think there are far too many people doing that already? | 0:25:48 | 0:25:51 | |
There are, none of them come from my perspective. It's unique. | 0:25:51 | 0:25:57 | |
Ho-ho-ho, okey dokey! | 0:26:00 | 0:26:03 | |
Josephine again, on the phone, pretty angry, | 0:26:03 | 0:26:07 | |
she actually made me jump when she slammed that phone down. | 0:26:07 | 0:26:10 | |
-So again, she's got a bit of a temper. -Yeah. | 0:26:10 | 0:26:12 | |
She was looking at something on the computer screen and she said, | 0:26:13 | 0:26:17 | |
"Mm, that's interesting", I wonder what that was. | 0:26:17 | 0:26:20 | |
Has she got access to something? | 0:26:20 | 0:26:22 | |
But it's been blocked. | 0:26:22 | 0:26:24 | |
Possibly. | 0:26:24 | 0:26:25 | |
But also Marianne then made a reference to people | 0:26:25 | 0:26:29 | |
writing their passwords down on post-it notes, which | 0:26:29 | 0:26:31 | |
kind of said like we thought before, it was a bit of a free for all. | 0:26:31 | 0:26:34 | |
-Maybe, maybe. -Yeah. | 0:26:34 | 0:26:36 | |
Marianne herself, she's got big ideas for herself, hasn't she? | 0:26:36 | 0:26:41 | |
-Yeah. She's.. -Yeah. | 0:26:41 | 0:26:43 | |
I mean, if we're following what motives are, | 0:26:43 | 0:26:46 | |
does she want to be bigger than she is? | 0:26:46 | 0:26:48 | |
I feel like she doesn't feel valued. | 0:26:48 | 0:26:50 | |
Yes. Let's look at some evidence, see if we can help you out. | 0:26:50 | 0:26:54 | |
You can have Josephine's selfie, Glynnis's log in history | 0:26:54 | 0:26:58 | |
or the new item of evidence - | 0:26:58 | 0:27:00 | |
the IT department's password security poster. | 0:27:00 | 0:27:04 | |
I feel like we're forgetting about the selfie, and for me, | 0:27:04 | 0:27:07 | |
are we going to see something behind the selfie | 0:27:07 | 0:27:11 | |
that has set off her pacemaker? | 0:27:11 | 0:27:14 | |
Could we maybe go for the selfie cos it was there initially? | 0:27:14 | 0:27:16 | |
-Yeah, yeah, yeah. -Put it to bed | 0:27:16 | 0:27:18 | |
-and then possibly go for the login history afterwards? -Yeah. -Yeah? | 0:27:18 | 0:27:20 | |
Let's have a look at the selfie. | 0:27:20 | 0:27:22 | |
What's that? So... Oh. | 0:27:22 | 0:27:25 | |
So the necklace is there. | 0:27:25 | 0:27:27 | |
I'm just going to jump in on this one, you put a necklace on, | 0:27:27 | 0:27:29 | |
-pendant's going to make it dangle down the middle. -Yeah. | 0:27:29 | 0:27:32 | |
It has been specifically positioned a couple of inches to the left. | 0:27:32 | 0:27:36 | |
Technically, that's where you think your heart is, | 0:27:36 | 0:27:38 | |
but it should be down in the middle anyway, so someone's touched it. | 0:27:38 | 0:27:41 | |
That's what I'm trying to say. There's... | 0:27:41 | 0:27:43 | |
So then, who removed it between that selfie and SOCO getting there? | 0:27:43 | 0:27:47 | |
And do we now believe that that's... | 0:27:47 | 0:27:49 | |
..that was used as the murder weapon? | 0:27:49 | 0:27:52 | |
Armchair Detectives, it's prime suspect time again. | 0:27:52 | 0:27:55 | |
Never... | 0:27:55 | 0:27:56 | |
I need you to write down who you think your prime suspect is... | 0:27:56 | 0:27:59 | |
..now. | 0:27:59 | 0:28:00 | |
Bola, last time you picked Josephine. | 0:28:05 | 0:28:07 | |
-Who have you gone for this time? -Stuck. -Josephine? -Yeah. | 0:28:07 | 0:28:11 | |
Gosh, this is a tough one, but I'm going back to the beginning of | 0:28:11 | 0:28:15 | |
when she was intent on going with her to get the... | 0:28:15 | 0:28:18 | |
..the gift. I was thinking, "What's the motive, though?" | 0:28:18 | 0:28:21 | |
And they mentioned that Glynnis was... | 0:28:21 | 0:28:24 | |
-Am I right in she was going to sell off some of the business? -Yep. | 0:28:24 | 0:28:27 | |
So maybe she was worried for her job, quite possibly. | 0:28:27 | 0:28:30 | |
Maybe. Maybe. | 0:28:30 | 0:28:31 | |
-So that's where I'm at. -OK. | 0:28:31 | 0:28:33 | |
Dipak, last time you picked Marianne, | 0:28:33 | 0:28:35 | |
have you changed your mind? | 0:28:35 | 0:28:36 | |
I've moved on. | 0:28:36 | 0:28:37 | |
Who have you moved on to? | 0:28:37 | 0:28:39 | |
I've moved on to Josephine. | 0:28:39 | 0:28:41 | |
Why? | 0:28:41 | 0:28:43 | |
There's a hook there, with that lingering look. | 0:28:43 | 0:28:45 | |
I keep coming back to it, I wrote a note and I read it again | 0:28:45 | 0:28:48 | |
and reminded myself, | 0:28:48 | 0:28:49 | |
"Why would you bother looking about what someone's opening?" | 0:28:49 | 0:28:52 | |
Ellouise, last time you went for Brian, have you changed your mind? | 0:28:52 | 0:28:56 | |
Yeah. | 0:28:56 | 0:28:57 | |
-Who have you gone for? -I've gone for Marianne. -OK. | 0:28:57 | 0:29:00 | |
Just because she sits opposite Tim, | 0:29:00 | 0:29:03 | |
who's obviously very much interested in serial killers and the way | 0:29:03 | 0:29:07 | |
they kill, and she did say to him "So you're following your passion?" | 0:29:07 | 0:29:11 | |
So they've obviously had a lot of conversations, as you do with | 0:29:11 | 0:29:14 | |
colleagues, and the fact that she felt underappreciated, | 0:29:14 | 0:29:18 | |
and obviously she... | 0:29:18 | 0:29:21 | |
..she was there to remove the necklace. | 0:29:21 | 0:29:23 | |
-Yes. -And get rid of the evidence. -Yeah. OK. | 0:29:23 | 0:29:27 | |
Bola has gone for Josephine, Dipak has gone for Josephine, | 0:29:27 | 0:29:30 | |
and Ellouise has gone for Marianne. | 0:29:30 | 0:29:33 | |
Well, now it's time for round five, the Final Clues. | 0:29:33 | 0:29:36 | |
Will Knight and Slater find enough clues to cancel someone's Christmas? | 0:29:36 | 0:29:40 | |
Notepads at the ready. Let's head back to Mortcliff. | 0:29:40 | 0:29:44 | |
HE WHISTLES CAROLS | 0:29:51 | 0:29:54 | |
Wonder if it will snow in Mortcliff this year, sir. | 0:30:01 | 0:30:04 | |
I don't do small talk, Slater, you should know that by now. | 0:30:04 | 0:30:07 | |
Let me know if you get visited by three ghosts tonight, sir. | 0:30:09 | 0:30:12 | |
No, Scott, I don't know why the cat flap's still not working. | 0:30:16 | 0:30:20 | |
Can't you just open the door? | 0:30:20 | 0:30:22 | |
Yes, I know he's faster than Usain Bolt. You chose him. | 0:30:23 | 0:30:27 | |
I have to go, bye. | 0:30:27 | 0:30:28 | |
Sorry to interrupt your call. | 0:30:30 | 0:30:32 | |
It's no problem. Just domestic admin. | 0:30:32 | 0:30:36 | |
Excuse the mess. | 0:30:36 | 0:30:38 | |
Here it is. | 0:30:38 | 0:30:40 | |
Sorry, takes a while. | 0:30:47 | 0:30:49 | |
Slow computers. | 0:30:49 | 0:30:51 | |
Doesn't really help when you're trying to be time efficient. | 0:30:51 | 0:30:54 | |
Well, thanks for coming in to take us through the system. | 0:30:54 | 0:30:56 | |
Our SOCO lead officer showed us a list of names? | 0:30:56 | 0:31:00 | |
Oh, that. It's nothing, really. Is it the donor or recipient list? | 0:31:00 | 0:31:04 | |
There's two? | 0:31:04 | 0:31:05 | |
Yes, the donor list is the one I do, | 0:31:05 | 0:31:07 | |
then Josephine makes up | 0:31:07 | 0:31:09 | |
the recipient side. | 0:31:09 | 0:31:10 | |
It's random. The computer decides. | 0:31:10 | 0:31:12 | |
We break it into two parts | 0:31:12 | 0:31:14 | |
so no-one can rig it. | 0:31:14 | 0:31:15 | |
I draw up a list of names, | 0:31:15 | 0:31:16 | |
then assign them numbers, | 0:31:16 | 0:31:18 | |
then on Jo's side, she assigns | 0:31:18 | 0:31:19 | |
those numbers to random recipients. | 0:31:19 | 0:31:21 | |
Didn't realise you were in today, Marianne. | 0:31:21 | 0:31:23 | |
The detectives asked me. | 0:31:23 | 0:31:26 | |
So what's this all about? | 0:31:26 | 0:31:27 | |
Oh, we wanted to see Josephine's secret Santa list. | 0:31:27 | 0:31:31 | |
Ah. Marianne doesn't have clearance, let me log into my account. | 0:31:31 | 0:31:36 | |
Tim, about the other night with Ellie. | 0:31:37 | 0:31:40 | |
Here you are, detectives, this is the spreadsheet. | 0:31:40 | 0:31:42 | |
If you press F9 several times, you'll see that the spreadsheet | 0:31:45 | 0:31:48 | |
randomises everything, | 0:31:48 | 0:31:49 | |
that's how she did it. | 0:31:49 | 0:31:51 | |
Thank you, Marianne. | 0:31:51 | 0:31:52 | |
Can you show us log-in attempts by Glynnis over the past week? | 0:31:52 | 0:31:57 | |
Sure. | 0:31:57 | 0:31:58 | |
They seem normal, apart from that day. | 0:32:00 | 0:32:04 | |
HE WHISTLES JINGLE BELLS | 0:32:08 | 0:32:11 | |
You're in the Christmas spirit, Slater. | 0:32:11 | 0:32:13 | |
It's the most wonderful time of the year, sir. | 0:32:15 | 0:32:18 | |
Even for us detectives. | 0:32:18 | 0:32:20 | |
Well, I'll have that tune going round my head all day now, | 0:32:20 | 0:32:23 | |
along with your terrible whistling. | 0:32:23 | 0:32:25 | |
It's not terrible. | 0:32:27 | 0:32:28 | |
Clever. | 0:32:31 | 0:32:33 | |
What? | 0:32:33 | 0:32:35 | |
Very clever. | 0:32:35 | 0:32:37 | |
What is? | 0:32:37 | 0:32:38 | |
-DETECTIVES: -Ooooh! -What? | 0:32:42 | 0:32:45 | |
So he was singing... | 0:32:45 | 0:32:47 | |
He was whistling along to the song and he said, | 0:32:47 | 0:32:49 | |
"It's going to get stuck in my head all day, along with your whistling," | 0:32:49 | 0:32:55 | |
and then he had a light bulb moment. | 0:32:55 | 0:32:57 | |
I don't get it, but you're the connection guy, I'm the watcher. | 0:32:57 | 0:33:00 | |
What was the song what was being whistled? | 0:33:00 | 0:33:02 | |
-ELLOUISE WHISTLES JINGLE BELLS -# Jingle all the way... # | 0:33:02 | 0:33:05 | |
Right, one thing I am going to say, and this might be relevant, | 0:33:05 | 0:33:09 | |
when it came to talking about the secret Santa list... | 0:33:09 | 0:33:13 | |
-Yes. -..Marianne was talking about how she randomises the numbers | 0:33:13 | 0:33:18 | |
and then Josephine randomises the numbers, | 0:33:18 | 0:33:21 | |
so they both get involved in it, and it's a computer-generated list... | 0:33:21 | 0:33:25 | |
-Yes. -Yes. -But what Josephine actually said way back when she was | 0:33:25 | 0:33:29 | |
talking about the secret Santa, she said she draws up a list of names. | 0:33:29 | 0:33:33 | |
-Yes. -Now, she doesn't draw up a list of names, does she? | 0:33:33 | 0:33:36 | |
Because Marianne inputs the names... | 0:33:36 | 0:33:38 | |
-Yes. -She then sends it across to Josephine... | 0:33:38 | 0:33:40 | |
-Yes. -..and she puts the numbers in and randomises it. | 0:33:40 | 0:33:43 | |
-So she wasn't drawing anything. -Yes. | 0:33:43 | 0:33:45 | |
Or it that just an expression? | 0:33:45 | 0:33:46 | |
OK. OK. | 0:33:46 | 0:33:48 | |
And pregnancy test. | 0:33:48 | 0:33:50 | |
-Is that what it was? -Oh, was that what was on the desk? | 0:33:50 | 0:33:52 | |
Marianne is learning things by repetition. | 0:33:52 | 0:33:55 | |
That Jingle Bells has stuck in your head because Marianne has been | 0:33:55 | 0:33:59 | |
sitting there, she's been learning about F9 how to... | 0:33:59 | 0:34:02 | |
how to change the list until she gets what she wants. | 0:34:02 | 0:34:04 | |
She's been watching Tim and nicking passwords | 0:34:04 | 0:34:07 | |
and being able to access where she needs to be. | 0:34:07 | 0:34:10 | |
Let me see if the evidence backs you up, | 0:34:10 | 0:34:12 | |
cos you've got one more evidence pick. | 0:34:12 | 0:34:14 | |
You can have either Glynnis's log-in history or the IT department's | 0:34:14 | 0:34:18 | |
password security poster. | 0:34:18 | 0:34:20 | |
I actually think the poster's going to possibly give us | 0:34:20 | 0:34:22 | |
more than the log-in history cos we've kind of been given | 0:34:22 | 0:34:25 | |
a clue that we've seen that someone logged in when somebody | 0:34:25 | 0:34:27 | |
wasn't there, so the MD wasn't there and yet a log-in happened with them. | 0:34:27 | 0:34:31 | |
Right, let's hit that poster cos I didn't want it last time. | 0:34:31 | 0:34:33 | |
-I'm going for the log-in history. -The problem I've got right now is I've not ruled out anyone. | 0:34:33 | 0:34:37 | |
Ellouise, tell me now. | 0:34:37 | 0:34:39 | |
The log-in. | 0:34:39 | 0:34:41 | |
Let's see Glynnis's log-in history. This is the day before her death. | 0:34:41 | 0:34:46 | |
-So someone has been trying to access her computer. -Yeah. | 0:34:46 | 0:34:51 | |
And finally got access to it at 10.58.51. OK. | 0:34:51 | 0:34:55 | |
Yeah, why would they want to see it the day before? | 0:34:55 | 0:34:58 | |
Cos that doesn't tie into the whole idea of premeditated | 0:34:58 | 0:35:00 | |
murder and knowing about the medical history and doing this in a timely | 0:35:00 | 0:35:05 | |
fashion, this is someone rushing for some reason to look in there. | 0:35:05 | 0:35:08 | |
OK. Armchair Detectives, the big moment has come. | 0:35:08 | 0:35:13 | |
Will you have an early Christmas present by guessing today's killer? | 0:35:13 | 0:35:17 | |
You're about to make your final accusation for the chance | 0:35:17 | 0:35:19 | |
of winning another golden magnifying glass. | 0:35:19 | 0:35:23 | |
It's time to answer the only question that matters. | 0:35:23 | 0:35:26 | |
Whodunnit? | 0:35:26 | 0:35:28 | |
Let's find out who you've accused. Bola, who are you accusing? | 0:35:34 | 0:35:37 | |
-Josephine. -Why? | 0:35:37 | 0:35:40 | |
All the evidence that I've got - her shiftiness, | 0:35:40 | 0:35:43 | |
her looking at the computer, wanting to see her put the necklace on... | 0:35:43 | 0:35:47 | |
Dipak, who are you accusing? | 0:35:47 | 0:35:48 | |
OK, I'm accusing Marianne. There's.. | 0:35:48 | 0:35:52 | |
She's got the opportunity to get around, she's involved with IT, | 0:35:52 | 0:35:56 | |
but I'm sticking with her, she knows too much. | 0:35:56 | 0:35:59 | |
OK. Ellouise who are you going for? | 0:35:59 | 0:36:01 | |
I've gone back to Josephine. | 0:36:01 | 0:36:03 | |
Right. | 0:36:03 | 0:36:04 | |
Why did she seem to look and wait as if to say, "Put it on and die!" | 0:36:04 | 0:36:08 | |
LAUGHTER | 0:36:08 | 0:36:11 | |
-Don't you do that with all your gifts? -No. -Absolutely. | 0:36:11 | 0:36:13 | |
So Bola is accusing Josephine, Dipak is accusing Marianne | 0:36:13 | 0:36:18 | |
and Ellouise is accusing Josephine. | 0:36:18 | 0:36:21 | |
You've left a final piece of evidence like leftover | 0:36:21 | 0:36:24 | |
turkey on Boxing Day. Let's take a look if this could have helped you. | 0:36:24 | 0:36:28 | |
It is the IT department's password security poster. | 0:36:28 | 0:36:30 | |
Let's have a look at it. | 0:36:30 | 0:36:32 | |
Does that assist you at all? | 0:36:32 | 0:36:35 | |
No. | 0:36:35 | 0:36:37 | |
So let's find out what really happened in today's story, | 0:36:37 | 0:36:40 | |
Mistletoe And Crime. | 0:36:40 | 0:36:41 | |
Who killed Glynnis Wainthorn? Let's find out whodunnit. | 0:36:41 | 0:36:47 | |
Tim, he had an abnormal interest in murder | 0:36:58 | 0:37:01 | |
and had ultimate access to everyone's information. | 0:37:01 | 0:37:04 | |
He could have easily found out about Glynnis's pacemaker. | 0:37:04 | 0:37:07 | |
He'd already resigned though, and there's no evidence to link him. | 0:37:09 | 0:37:12 | |
He had means and opportunity, but no motive. | 0:37:12 | 0:37:17 | |
SIGHING | 0:37:17 | 0:37:19 | |
Brian? | 0:37:19 | 0:37:20 | |
Didn't seem to like his wife very much, did he? | 0:37:22 | 0:37:25 | |
Hm. Yeah, no, he wasn't that upset when he found out about her death. | 0:37:27 | 0:37:30 | |
Yeah. | 0:37:31 | 0:37:33 | |
He knew about the pacemaker and he was at the pub five minutes | 0:37:34 | 0:37:37 | |
away, he could easily have made it back to the office. | 0:37:37 | 0:37:40 | |
So he had motive, means and opportunity. | 0:37:41 | 0:37:44 | |
But where's the evidence? | 0:37:47 | 0:37:49 | |
Marianne? | 0:37:49 | 0:37:50 | |
Yes, and her pregnancy test. | 0:37:51 | 0:37:54 | |
Two lines, it was positive. | 0:37:54 | 0:37:56 | |
Yeah, and they've been trying for ages. | 0:37:56 | 0:37:59 | |
She was due a big promotion which would have made her life | 0:37:59 | 0:38:02 | |
so much easier. | 0:38:02 | 0:38:03 | |
And she didn't have the same unlimited access as Tim had. | 0:38:03 | 0:38:08 | |
She had enough, though. | 0:38:09 | 0:38:10 | |
You had access to all the confidential | 0:38:13 | 0:38:16 | |
information for the employees for MTC, don't you? | 0:38:16 | 0:38:19 | |
Medium level access only. | 0:38:19 | 0:38:21 | |
Which you used very efficiently to discover that Glynnis was | 0:38:21 | 0:38:25 | |
doing interviews for new jobs. | 0:38:25 | 0:38:27 | |
A job you wanted. | 0:38:27 | 0:38:29 | |
Well... | 0:38:29 | 0:38:30 | |
It's also how you found out Glynnis had a pacemaker fitted a few | 0:38:30 | 0:38:34 | |
years ago. | 0:38:34 | 0:38:35 | |
Your colleagues started to notice that on certain documents, | 0:38:35 | 0:38:40 | |
the timestamps had been changed. | 0:38:40 | 0:38:42 | |
Now, we know you had control of one half of the secret Santa list, | 0:38:42 | 0:38:48 | |
but how to rig the other half that was in Josephine's computer, | 0:38:48 | 0:38:52 | |
bearing in mind that your security level had been downgraded | 0:38:52 | 0:38:56 | |
so you couldn't get in? | 0:38:56 | 0:38:58 | |
When Tim sent advice around the company for people to change | 0:38:58 | 0:39:01 | |
their passwords, you encouraged them to use memorable phrases. | 0:39:01 | 0:39:05 | |
This was especially helpful to | 0:39:07 | 0:39:09 | |
Josephine who was a self-confessed technophobe. | 0:39:09 | 0:39:12 | |
So if you're a fan of Beauty and the Beast, say, | 0:39:12 | 0:39:16 | |
you could take the first letters of each word and use the password | 0:39:16 | 0:39:21 | |
of BATB, couldn't you? | 0:39:21 | 0:39:23 | |
It's too short, it's got to be eight characters minimum. | 0:39:23 | 0:39:26 | |
We looked at a list of failed log-in attempts. | 0:39:26 | 0:39:29 | |
WWYAMCAAHNY. | 0:39:29 | 0:39:36 | |
The first lines of a song. Right? | 0:39:36 | 0:39:40 | |
We wish you a Merry Christmas and a Happy New Year. | 0:39:40 | 0:39:43 | |
And this one, DDMOHIHTBAR - | 0:39:43 | 0:39:49 | |
Ding dong, merrily on high, et cetera. | 0:39:49 | 0:39:51 | |
So with a few failed attempts, you finally hit on the right | 0:39:53 | 0:39:56 | |
password, so you were able to access Josephine's user account. | 0:39:56 | 0:40:00 | |
They could have chosen anything. | 0:40:00 | 0:40:02 | |
Yes, but you arranged for Christmas music to be played throughout | 0:40:02 | 0:40:05 | |
the company. In the lift, | 0:40:05 | 0:40:06 | |
the music when you're on hold for the IT help desk. | 0:40:06 | 0:40:09 | |
The staff had been complaining of the same music being played | 0:40:09 | 0:40:14 | |
repetitively until it lodged into their brains. | 0:40:14 | 0:40:17 | |
You got lucky, and Josephine used one of the songs to generate | 0:40:17 | 0:40:21 | |
a password for her account. | 0:40:21 | 0:40:23 | |
With this access, you were able to rig the other | 0:40:23 | 0:40:26 | |
half of the secret Santa list, so that Glynnis always got | 0:40:26 | 0:40:30 | |
present number three, and you donated that present. | 0:40:30 | 0:40:34 | |
You have no proof, just crazy Christmas songs. | 0:40:36 | 0:40:39 | |
Well, there is one thing that pacemakers are vulnerable to. | 0:40:39 | 0:40:43 | |
The pendant was hanging rather unnaturally on the left | 0:40:43 | 0:40:46 | |
side of her body, you know why that is, don't you? | 0:40:46 | 0:40:49 | |
The pendant was a magnet. | 0:40:49 | 0:40:52 | |
A magnet strong enough to play havoc with a pacemaker. | 0:40:52 | 0:40:55 | |
She put it on, and a few minutes later she was dead. | 0:40:56 | 0:40:58 | |
You rushed over to give her CPR, | 0:40:58 | 0:41:02 | |
perfect opportunity to reclaim present number three. | 0:41:02 | 0:41:07 | |
You knew Josephine would be blamed for theft, you checked her files. | 0:41:07 | 0:41:13 | |
Where on earth would I get a magnet like that from? | 0:41:13 | 0:41:15 | |
How's your cat? | 0:41:15 | 0:41:17 | |
I wonder if we examined its collar | 0:41:17 | 0:41:19 | |
if we'd find a heart-shaped magnet's missing. | 0:41:19 | 0:41:22 | |
No, Scott, I don't know why the cat flap's still not working. | 0:41:22 | 0:41:26 | |
After all the work, all the loyalty. | 0:41:26 | 0:41:30 | |
Glynnis had back-to-back interviews, people less skilled than me | 0:41:30 | 0:41:34 | |
with less experience. | 0:41:34 | 0:41:35 | |
She was going to veto my promotion | 0:41:35 | 0:41:37 | |
and replace Tim with an outside candidate. | 0:41:37 | 0:41:40 | |
She didn't deserve to live. | 0:41:40 | 0:41:42 | |
That doesn't give you the right to take her life, though, does it? | 0:41:42 | 0:41:45 | |
Congratulations, Dipak, you caught today's killer | 0:41:56 | 0:41:59 | |
and win another golden magnifying glass. | 0:41:59 | 0:42:02 | |
I'm so sorry, Bola and Ellouise, not this time. | 0:42:05 | 0:42:09 | |
How many of you got that right, Armchair Detectives? | 0:42:09 | 0:42:12 | |
Quite a lot of you. How many worked out it was the cat? | 0:42:12 | 0:42:15 | |
-Yes! -Of course. -It's always the cat. | 0:42:15 | 0:42:17 | |
Now, throughout the series, all of you detectives have won at least | 0:42:17 | 0:42:22 | |
one golden magnifying glass, but you haven't received them yet. | 0:42:22 | 0:42:25 | |
So I'm going to give them to you now, | 0:42:25 | 0:42:27 | |
and I've got some special guests to help me with that. | 0:42:27 | 0:42:30 | |
Come on in, bring in the golden magnifying glasses. | 0:42:30 | 0:42:33 | |
CHEERING | 0:42:33 | 0:42:35 | |
How are you both? | 0:42:43 | 0:42:44 | |
Very well, thank you. | 0:42:44 | 0:42:45 | |
Very well, where's Slater? | 0:42:45 | 0:42:47 | |
Oh, he's off getting me a coffee. | 0:42:47 | 0:42:48 | |
Right, he does like coffee. We know that, don't we? | 0:42:48 | 0:42:52 | |
Well, thank you for coming in. I'm going to ask you to hand out | 0:42:52 | 0:42:54 | |
the trophies in just a moment, but first, that's all for this | 0:42:54 | 0:42:58 | |
series of Armchair Detectives, we hope to see you again soon. | 0:42:58 | 0:43:01 | |
Have a Merry Christmas. | 0:43:01 | 0:43:03 | |
And remember, no-one gets away with murder in Mortcliff. | 0:43:03 | 0:43:08 | |
Goodbye. Hand out those trophies, go on, hand them out. | 0:43:08 | 0:43:11 | |
Well done. Well done, well done, well done. | 0:43:11 | 0:43:15 | |
Well done to all of you. | 0:43:15 | 0:43:17 |