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Betty in the office has stolen the biscuits. | 0:00:02 | 0:00:04 | |
Everyone's clueless that she's done it. | 0:00:04 | 0:00:06 | |
But you were onto her from the beginning, weren't you? | 0:00:06 | 0:00:08 | |
This is the programme for you. | 0:00:08 | 0:00:10 | |
Welcome to the TV show with only one question - | 0:00:10 | 0:00:14 | |
whodunnit? | 0:00:14 | 0:00:16 | |
Welcome to Armchair Detectives. | 0:00:31 | 0:00:33 | |
We've got 15 murder mystery enthusiasts | 0:00:33 | 0:00:36 | |
all dying to solve today's crime. | 0:00:36 | 0:00:38 | |
We'll watch the drama play out in our fictional town of Mortcliff, | 0:00:38 | 0:00:43 | |
the place with more murders than you could shake a brush at. | 0:00:43 | 0:00:46 | |
And here's Mortcliff's crack investigations team - | 0:00:46 | 0:00:49 | |
DI Knight, DC Slater and Scene of Crimes Officer Simmons. | 0:00:49 | 0:00:54 | |
And there's our Armchair Detectives, | 0:00:54 | 0:00:57 | |
all eager to play today's show. | 0:00:57 | 0:00:59 | |
-Hello, Armchair Detectives. ALL: -Hello! | 0:00:59 | 0:01:02 | |
Even more chipper today. | 0:01:02 | 0:01:03 | |
Only three of you play each day, so please take your armchairs, | 0:01:03 | 0:01:07 | |
Ashley, Roger and Bola. Come on up. | 0:01:07 | 0:01:11 | |
As you know by now, the detective guessing the killer correctly | 0:01:18 | 0:01:22 | |
wins one of these - our golden magnifying glass trophy. | 0:01:22 | 0:01:27 | |
-ALL: -Whoo! -I know, the excitement builds. | 0:01:27 | 0:01:30 | |
You've all played before, Armchair Detectives, | 0:01:30 | 0:01:33 | |
but none of you guessed the killer correctly. | 0:01:33 | 0:01:36 | |
What are you going to do differently this time, Ashley? | 0:01:36 | 0:01:39 | |
Well, I think I'm going to keep the same play, yeah, | 0:01:39 | 0:01:43 | |
but I think I'm going to let the ladies | 0:01:43 | 0:01:45 | |
actually make the decision this time. | 0:01:45 | 0:01:47 | |
LAUGHTER | 0:01:47 | 0:01:50 | |
Way to take responsibility, Ashley! | 0:01:50 | 0:01:53 | |
Roger, what are you going to do differently this time? | 0:01:54 | 0:01:57 | |
I'm going to try and pay even closer attention | 0:01:57 | 0:02:00 | |
and not let any weird thoughts creep in from sideways. | 0:02:00 | 0:02:04 | |
And Bola, what are you going to do differently this time? | 0:02:04 | 0:02:07 | |
I'm going to stick to my gut instinct | 0:02:07 | 0:02:09 | |
and also use my notes, cos I had everything there. | 0:02:09 | 0:02:13 | |
You did last time. | 0:02:13 | 0:02:14 | |
-You were so close last time, you really were. -Ridiculously. | 0:02:14 | 0:02:17 | |
Well, have a lovely time. | 0:02:17 | 0:02:19 | |
Now, at home and in the studio, I don't know who the killer is either. | 0:02:19 | 0:02:23 | |
I'm as much in the dark as you are, | 0:02:23 | 0:02:25 | |
so I'll be playing along, as the show goes. | 0:02:25 | 0:02:28 | |
Time for round one, the crime scene. | 0:02:28 | 0:02:31 | |
Knight and Slater meet Simmons at a church. | 0:02:31 | 0:02:34 | |
Are they praying for an open-and-shut case? | 0:02:34 | 0:02:37 | |
Notepads at the ready. | 0:02:37 | 0:02:39 | |
For the first time today, let's head over to Mortcliff. | 0:02:39 | 0:02:43 | |
The deceased is Johnny Owens, | 0:02:53 | 0:02:55 | |
27 years old, lived in Mortcliff, sir. | 0:02:55 | 0:02:57 | |
Morning, Simmons. What happened here? | 0:02:57 | 0:03:00 | |
-He was crushed to death beneath the van. -Vicious. -I'll say. | 0:03:00 | 0:03:05 | |
Time of death between one and four this morning. | 0:03:05 | 0:03:08 | |
A local dog walker called it in. | 0:03:08 | 0:03:10 | |
There's a flat tyre on the rear driver's side of the van. | 0:03:12 | 0:03:14 | |
It's been slashed. | 0:03:14 | 0:03:16 | |
We found a jack nearby, so it may have been propped up to change it. | 0:03:16 | 0:03:19 | |
Oh, we found this by the body, so we'll process for prints. | 0:03:19 | 0:03:24 | |
And that's his car, so we'll check that for evidence. | 0:03:24 | 0:03:28 | |
There's also some footprints over there that you may find interesting. | 0:03:29 | 0:03:32 | |
-Anything in the van? -A set of golf clubs. | 0:03:32 | 0:03:36 | |
Fancy playing around later, Simmons? | 0:03:36 | 0:03:39 | |
Sorry, Slater. Golf, not my bag. | 0:03:39 | 0:03:42 | |
Johnny Owens, where have I heard that name before? | 0:03:45 | 0:03:48 | |
-Next of kin for Johnny? -Hayley Owens, his wife. | 0:03:49 | 0:03:52 | |
-I'll call family liaison, get her brought into the station. -Thanks. | 0:03:52 | 0:03:56 | |
-Sorry for your loss, Mrs Owens. -Stupid, stupid man. | 0:04:01 | 0:04:06 | |
I bet that moron Alex Osmond did it. | 0:04:08 | 0:04:10 | |
Alex Osmond... That name rings a bell too. | 0:04:10 | 0:04:14 | |
I told him time and time again, be careful, stay away. | 0:04:14 | 0:04:19 | |
You can't trust anyone, especially Alex Osmond. | 0:04:19 | 0:04:24 | |
-Where was your husband last night? -I don't know. | 0:04:25 | 0:04:29 | |
He was still watching telly when I went to bed. | 0:04:29 | 0:04:32 | |
When I woke in the morning, his car was gone. | 0:04:32 | 0:04:36 | |
Can you think of any reason why he'd go out | 0:04:36 | 0:04:38 | |
in the middle of the night to a graveyard? | 0:04:38 | 0:04:40 | |
It was no secret Johnny had a bit of a past. | 0:04:42 | 0:04:45 | |
But he was a good man. He reformed. | 0:04:45 | 0:04:48 | |
Got in with the wrong crowd. | 0:04:49 | 0:04:51 | |
Now... | 0:04:53 | 0:04:54 | |
-Alex Osmond. -Alex Osmond is a no-good lowlife. | 0:04:55 | 0:05:00 | |
A few years ago, Johnny, Alex and a few others robbed a jewellery shop. | 0:05:01 | 0:05:06 | |
Johnny got two years, Alex got four. He got out this week. | 0:05:06 | 0:05:12 | |
Alex dragged Johnny into all these crazy, harebrained, | 0:05:14 | 0:05:17 | |
get-rich-quick schemes. | 0:05:17 | 0:05:19 | |
The Hawaii Five-0 gang. | 0:05:19 | 0:05:21 | |
Let's get Alex Osmond picked up. | 0:05:23 | 0:05:25 | |
The Hawaii Five-0 gang. Remember reading about them? | 0:05:28 | 0:05:33 | |
What I thought was very interesting | 0:05:36 | 0:05:38 | |
is that the detective remembered two of the names straightaway, | 0:05:38 | 0:05:43 | |
so it would be great to know who was in this gang. | 0:05:43 | 0:05:46 | |
Yeah, the Hawaii Five-0 gang. Not the Hawaiian pizza gang. | 0:05:46 | 0:05:50 | |
They are very different. | 0:05:50 | 0:05:52 | |
What about Simmons and what she brought to light on the crime scene? | 0:05:52 | 0:05:56 | |
I couldn't see what was in that evidence bag. | 0:05:56 | 0:06:00 | |
-It's a good question. -Absolutely. -Could you see what it was? | 0:06:00 | 0:06:02 | |
No, looking forward to seeing more about that, | 0:06:02 | 0:06:04 | |
-but there was the golf clubs, there was the slashed tyre. -Yeah. | 0:06:04 | 0:06:08 | |
-There was the jack. -Yeah. -So, yeah, quite a bit. -Quite a lot. | 0:06:08 | 0:06:12 | |
-And the footprint, I think that's a bloke's footprint. -Possibly. | 0:06:12 | 0:06:15 | |
Let's go through the victim just now, | 0:06:15 | 0:06:17 | |
just to give you some more information. | 0:06:17 | 0:06:19 | |
Today's victim is Johnny Owens. | 0:06:19 | 0:06:21 | |
Johnny was 27 and unemployed. | 0:06:21 | 0:06:24 | |
In his personal life, | 0:06:24 | 0:06:26 | |
he joined the Army at 17 | 0:06:26 | 0:06:28 | |
but dropped out after two years. | 0:06:28 | 0:06:31 | |
Johnny did have previous convictions. | 0:06:31 | 0:06:34 | |
The cause of death is suspected crushing by a heavy object, | 0:06:34 | 0:06:38 | |
causing major internal injury. | 0:06:38 | 0:06:40 | |
The time of death is approximately between 1 and 4am. | 0:06:40 | 0:06:46 | |
I'm getting from that, he dropped out after two years... | 0:06:46 | 0:06:48 | |
Yeah, I was going to say, dropped out of the Army after two years, | 0:06:48 | 0:06:52 | |
no sticking power. Was it too tough for him? | 0:06:52 | 0:06:55 | |
-Or couldn't take orders maybe. -Mm-hmm. | 0:06:55 | 0:06:58 | |
Did he fancy an easier way of making a living? | 0:06:58 | 0:07:00 | |
But he's unemployed, | 0:07:00 | 0:07:02 | |
so, obviously, he must be doing something to make money. | 0:07:02 | 0:07:05 | |
So, let's take a look at our suspects board. | 0:07:05 | 0:07:07 | |
Now, there are two names on there, | 0:07:07 | 0:07:09 | |
and they are Hayley Owens, Johnny's wife, | 0:07:09 | 0:07:12 | |
and Alex Osmond, the Hawaii Five-0 member who we've not met yet. | 0:07:12 | 0:07:19 | |
What are you thinking? | 0:07:19 | 0:07:21 | |
Personally, if my husband was leaving | 0:07:21 | 0:07:23 | |
in the middle of the night, | 0:07:23 | 0:07:25 | |
I'd know where he was going. | 0:07:25 | 0:07:27 | |
-Just saying. -Yeah. -Yeah, don't trust it. | 0:07:27 | 0:07:32 | |
Well, this is all about evidence, the show, | 0:07:32 | 0:07:34 | |
so let's take a look at the first piece of evidence. | 0:07:34 | 0:07:37 | |
It is the forensic report on the car jack. | 0:07:37 | 0:07:41 | |
And, as you can see, Johnny Owens' fingerprints. | 0:07:41 | 0:07:45 | |
Have they tried to remove something valuable from the church | 0:07:45 | 0:07:48 | |
or tried to attempt a robbery and, in that, | 0:07:48 | 0:07:52 | |
the tyre has either been slashed or they've been disturbed? | 0:07:52 | 0:07:56 | |
And whilst one person is trying to sort out the tyre, | 0:07:56 | 0:08:01 | |
-somebody else has tried to drive off. -OK. -Possibly. | 0:08:01 | 0:08:05 | |
-I've got an idea... -And driven off the jack, and the van has collapsed. | 0:08:05 | 0:08:10 | |
-Yeah. -Oh, possibly. | 0:08:10 | 0:08:11 | |
Or Hayley stabbed the tyre because she didn't want him to go off. | 0:08:11 | 0:08:15 | |
Even though she said she didn't know, | 0:08:15 | 0:08:17 | |
she would know where he was going so, yeah... | 0:08:17 | 0:08:20 | |
Let's see if we can find out a little bit more | 0:08:20 | 0:08:22 | |
about what happened in this case. | 0:08:22 | 0:08:24 | |
It's time for round two, last movements. | 0:08:24 | 0:08:28 | |
Notepads at the ready, | 0:08:28 | 0:08:30 | |
as we're heading over to the Mortcliff Inn. | 0:08:30 | 0:08:33 | |
Evening, lads. | 0:08:41 | 0:08:43 | |
Well, well, well, look who's here. | 0:08:43 | 0:08:46 | |
Just like old times, eh? | 0:08:48 | 0:08:50 | |
-When did you get out? -Last week, mate. | 0:08:56 | 0:09:00 | |
What brings you here? | 0:09:00 | 0:09:01 | |
-£100,000-worth of hidden jewels. -What? | 0:09:04 | 0:09:08 | |
But first, say hello to an old friend. | 0:09:10 | 0:09:13 | |
-What's HE doing here? -I don't want any trouble, OK? | 0:09:15 | 0:09:18 | |
Calm down. We need him. I needed all of us here. | 0:09:19 | 0:09:24 | |
-Sit down, Roy. -What do we need with him? | 0:09:24 | 0:09:27 | |
The day I get back from prison, | 0:09:30 | 0:09:32 | |
I come home to find this letter from Mark. | 0:09:32 | 0:09:35 | |
Mark didn't run off with all of the jewels. | 0:09:39 | 0:09:42 | |
He took our cut and hid it. | 0:09:42 | 0:09:45 | |
I believe he sent us individual clues whilst we were inside | 0:09:46 | 0:09:49 | |
that, together, reveal where he's stashed the goods. | 0:09:49 | 0:09:53 | |
He sent me this, week after I was convicted. | 0:09:54 | 0:09:59 | |
Mid-July. Strange time to send a happy Halloween card. | 0:10:00 | 0:10:05 | |
I believe he's buried it beside a gravestone. | 0:10:06 | 0:10:10 | |
Oh, first month into my sentence, | 0:10:11 | 0:10:14 | |
he sent me a card with a picture from an old cup match on the front. | 0:10:14 | 0:10:18 | |
What was the cup match being played? | 0:10:18 | 0:10:20 | |
It could be the date we need to look for on a gravestone. Graham? | 0:10:22 | 0:10:27 | |
He sent me nothing, just a picture of his kid, Peter. | 0:10:27 | 0:10:30 | |
And you're sure it was Peter? | 0:10:32 | 0:10:33 | |
St Peter's Church, ten minutes from here. | 0:10:35 | 0:10:37 | |
We know it's buried, we know it's in a graveyard. | 0:10:37 | 0:10:40 | |
-I'll run home and fetch the cup match photo. -We meet tonight. | 0:10:40 | 0:10:44 | |
-St Peter's Church at 3am. -What about me? | 0:10:44 | 0:10:48 | |
-He sent me nothing. -And why would he? | 0:10:51 | 0:10:54 | |
I thought we'd need you too, but Mark cut you out. | 0:10:54 | 0:10:57 | |
Looks like we weren't the only ones to smell a rat. | 0:10:58 | 0:11:01 | |
So, clear off and count yourself lucky you're still breathing. | 0:11:03 | 0:11:07 | |
I have as much right to get my cut as you. I'll see you tonight. | 0:11:08 | 0:11:12 | |
3am. | 0:11:14 | 0:11:16 | |
Hey, we leave early at midnight. Roy gets nothing. | 0:11:19 | 0:11:24 | |
No messing or mucking about. You got that, Johnny boy? | 0:11:25 | 0:11:28 | |
Hey, come on. We need to get in and out before Roy appears. | 0:11:30 | 0:11:33 | |
-It's easy for you to say. -What do we say to Roy? -Say to Roy? | 0:11:33 | 0:11:39 | |
I've never trusted him. | 0:11:39 | 0:11:41 | |
If I can ever prove my suspicions, he's a dead man. | 0:11:41 | 0:11:44 | |
Sure, but don't we need to throw him off the...? | 0:11:44 | 0:11:47 | |
THEY CHUCKLE | 0:11:49 | 0:11:51 | |
-Yes! -JOHNNY LAUGHS | 0:11:51 | 0:11:53 | |
Mark, you clever, clever man! | 0:11:53 | 0:11:56 | |
Slow down, pal. That's got to be split three ways. | 0:11:59 | 0:12:02 | |
I spent four years in jail. I get the biggest share. | 0:12:02 | 0:12:05 | |
-We've all made sacrifices. We all deserve the jewels. -Not a chance. | 0:12:05 | 0:12:09 | |
The more the time, the more the jewels. | 0:12:09 | 0:12:12 | |
Four years because of YOU, Johnny! | 0:12:12 | 0:12:14 | |
-He's right. I'm with Alex. -You're still putting that on me? | 0:12:17 | 0:12:20 | |
-I want my share. -I get double, or you get nothing. | 0:12:22 | 0:12:26 | |
Ooh... | 0:12:31 | 0:12:33 | |
So much testosterone flying about in that graveyard! | 0:12:35 | 0:12:39 | |
What I'd like to know, is Mark dead or alive, | 0:12:39 | 0:12:41 | |
or have I missed a point? We've not seen Mark yet, have we? | 0:12:41 | 0:12:44 | |
OK, that would be interesting, actually, | 0:12:44 | 0:12:46 | |
if he's left them the clues to get the jewels or whatever. | 0:12:46 | 0:12:50 | |
Is he involved? | 0:12:50 | 0:12:51 | |
Yeah, I think, for me, it threw up the fact | 0:12:51 | 0:12:54 | |
that there's a few people involved in this gang. | 0:12:54 | 0:12:57 | |
The initial interaction was cold | 0:12:57 | 0:13:00 | |
and there's quite a bit of animosity amongst them. | 0:13:00 | 0:13:03 | |
-There is no honour among thieves. -No. | 0:13:03 | 0:13:05 | |
Let's take a look at the suspects board | 0:13:05 | 0:13:07 | |
and add some people in that we've met. | 0:13:07 | 0:13:09 | |
Exciting developments in the case. | 0:13:09 | 0:13:11 | |
We've now met Alex Osmond, a Hawaii Five-0 member. | 0:13:11 | 0:13:16 | |
We're adding three new suspects as well - | 0:13:16 | 0:13:18 | |
Graham O'Brien and Roy Oxlade, both members of the Hawaii Five-0s, | 0:13:18 | 0:13:23 | |
Mark Ogilvie, who we've not met yet. | 0:13:23 | 0:13:27 | |
My suspicions were with Hayley. | 0:13:27 | 0:13:29 | |
At the moment, they're sitting with Roy. I think... | 0:13:29 | 0:13:34 | |
-Because he was cut out of the deal? -Yeah, absolutely. | 0:13:34 | 0:13:38 | |
And also, he was going to be back there at three to four, | 0:13:38 | 0:13:40 | |
and that's when the murder was done. | 0:13:40 | 0:13:42 | |
You can now pick a piece of evidence, | 0:13:42 | 0:13:44 | |
Armchair Detectives, from this list of three. | 0:13:44 | 0:13:48 | |
We have a forensics photograph, taken at St Peter's graveyard, | 0:13:48 | 0:13:52 | |
the contents of the back of the white van from the crime scene | 0:13:52 | 0:13:57 | |
and, finally, police forensics | 0:13:57 | 0:13:59 | |
of prints found in the mud at the crime scene. | 0:13:59 | 0:14:03 | |
I think I'm more interested in the graveyard photo at this point | 0:14:03 | 0:14:07 | |
because there has to be some intervening event | 0:14:07 | 0:14:12 | |
between digging up the jewels | 0:14:12 | 0:14:14 | |
and the dispersal of the gang leaving a dead body. | 0:14:14 | 0:14:18 | |
The contents of the van photo - would that give us anything extra? | 0:14:18 | 0:14:21 | |
No, because we've already seen there was golf clubs in there, haven't we? | 0:14:21 | 0:14:25 | |
-Yeah. -I'd be edging towards the graveyard photo. | 0:14:25 | 0:14:29 | |
That's what I'd like to see. | 0:14:29 | 0:14:30 | |
-I'm going to go with the graveyard photo. -OK. -Good. | 0:14:30 | 0:14:33 | |
We're going for the graveyard photo. | 0:14:33 | 0:14:35 | |
This is a forensics photograph, | 0:14:35 | 0:14:38 | |
taken at St Peter's graveyard. | 0:14:38 | 0:14:40 | |
What's that on the floor? | 0:14:40 | 0:14:42 | |
-Is that a rag? -Yeah. -Or is that a bag? | 0:14:42 | 0:14:46 | |
The jewellery was wrapped up | 0:14:46 | 0:14:48 | |
in something, wasn't it? | 0:14:48 | 0:14:50 | |
Is the fact that, around that, | 0:14:50 | 0:14:51 | |
there's an area where there isn't grass, | 0:14:51 | 0:14:54 | |
would that suggest that had been dug up recently? | 0:14:54 | 0:14:57 | |
-Could do, yeah. -Take a note of it, see if it comes up later on. -OK. | 0:14:57 | 0:15:02 | |
But, Armchair Detectives, it's time now to lock in your prime suspect. | 0:15:02 | 0:15:06 | |
Who do you think is the most likely killer so far - | 0:15:06 | 0:15:12 | |
Hayley, Alex, Graham, Roy or Mark? | 0:15:12 | 0:15:15 | |
Please write down who your prime suspect is now. | 0:15:15 | 0:15:18 | |
If you're playing along at home, put down your cup of tea, | 0:15:20 | 0:15:24 | |
write down who you think did it. | 0:15:24 | 0:15:26 | |
Notebooks down, please, Armchair Detectives. | 0:15:28 | 0:15:30 | |
Let's see who you picked. Ashley, who is your prime suspect? | 0:15:32 | 0:15:34 | |
-I'm starting with Hayley. -OK, because? | 0:15:34 | 0:15:38 | |
I think that she knew exactly what was going on | 0:15:38 | 0:15:41 | |
-and she could have been the actual ringmaster of the whole lot. -OK. | 0:15:41 | 0:15:46 | |
Roger, who's your prime suspect? | 0:15:46 | 0:15:48 | |
I've gone for Alex, at this stage. | 0:15:48 | 0:15:50 | |
He thinks he should get more than an even split and, at the moment, | 0:15:50 | 0:15:57 | |
-that's a possible motive. -OK. Bola, who do you think? | 0:15:57 | 0:16:02 | |
-Roy, to start off with. -Roy? -Yeah. | 0:16:02 | 0:16:04 | |
In terms of motive, he's been cut out completely. | 0:16:04 | 0:16:08 | |
I think he's been and disturbed something, yes. | 0:16:08 | 0:16:12 | |
Well, Armchair Detectives, | 0:16:12 | 0:16:13 | |
let's see if we can find out a little bit more about what happened. | 0:16:13 | 0:16:17 | |
It's on to round three now, the police interviews. | 0:16:17 | 0:16:20 | |
Knight and Slater have pulled in Alex Osmond for questioning. | 0:16:20 | 0:16:24 | |
Notepads at the ready. It's off to Mortcliff police station. | 0:16:24 | 0:16:28 | |
The Hawaii Five-0s. I just don't get it. | 0:16:34 | 0:16:38 | |
I didn't name them, but the five of them raided a jewellery store | 0:16:38 | 0:16:41 | |
wearing Hawaiian shirts, and all their surnames begin with O. | 0:16:41 | 0:16:45 | |
-Hardly smooth criminals. -Slater... -Sorry. | 0:16:47 | 0:16:50 | |
Mark Ogilvie, the brains of the outfit, is still at large. | 0:16:50 | 0:16:54 | |
Barely out of prison | 0:16:55 | 0:16:57 | |
-and you're already being interviewed by the police. -Miss me, did you? | 0:16:57 | 0:17:00 | |
-Where were you last night? -I'm a free man. | 0:17:00 | 0:17:04 | |
I've been partying since I got out. | 0:17:04 | 0:17:06 | |
Hit a wall last night and was tucked up in bed by 10.30. | 0:17:06 | 0:17:10 | |
Anyone else with you? | 0:17:10 | 0:17:12 | |
Live alone, but plenty of people must have seen me | 0:17:12 | 0:17:14 | |
staggering up the road. | 0:17:14 | 0:17:16 | |
ALEX YAWNS | 0:17:18 | 0:17:20 | |
Look, why have you brought me here? I've got more celebrating to do. | 0:17:20 | 0:17:26 | |
And old associate of yours, Johnny Owens, was found dead this morning. | 0:17:26 | 0:17:30 | |
Oh, that's terrible news. | 0:17:32 | 0:17:34 | |
I saw Johnny just a few days ago. | 0:17:34 | 0:17:37 | |
-Saw him? Where? -I can't remember. | 0:17:37 | 0:17:41 | |
Really? Cos a little bird told me you were with him in the pub. | 0:17:41 | 0:17:47 | |
Oh, yeah, that's right. We had a quick pint for old time's sake. | 0:17:48 | 0:17:52 | |
Just a cosy head-to-head or was it a reunion of sorts? | 0:17:52 | 0:17:56 | |
It was a bit of a lads' catch up. Me, Johnny, Graham O'Brien. | 0:17:56 | 0:18:02 | |
Even Roy Oxlade crawled in. | 0:18:02 | 0:18:04 | |
The Hawaii Five-0s back together at last. | 0:18:05 | 0:18:08 | |
Except for Mark Ogilvie. | 0:18:09 | 0:18:12 | |
Nobody's seen him in four years. | 0:18:14 | 0:18:16 | |
We spoke to Johnny's widow. She's not a fan. | 0:18:18 | 0:18:21 | |
She thinks I led Johnny astray. | 0:18:21 | 0:18:23 | |
Johnny's no innocent. | 0:18:26 | 0:18:28 | |
He was more dangerous and cunning than any of us. | 0:18:28 | 0:18:31 | |
He had a temper on him. He could turn. | 0:18:31 | 0:18:35 | |
So, you're not looking to settle old scores then. | 0:18:37 | 0:18:42 | |
It says in your file that you got four years, | 0:18:42 | 0:18:45 | |
the rest got two years, and Roy got six months. | 0:18:45 | 0:18:49 | |
Roy pleaded guilty. | 0:18:49 | 0:18:51 | |
I do wonder sometimes if he had a word with you lot to help himself. | 0:18:51 | 0:18:55 | |
Well, if you think that, then you spent four years behind bars | 0:18:55 | 0:18:58 | |
-because of Roy. -Four years of anger building up and ready to boil over. | 0:18:58 | 0:19:03 | |
Maybe, but on that evidence, I'd have murdered Roy, not Johnny. | 0:19:03 | 0:19:07 | |
And I never blamed Johnny. | 0:19:07 | 0:19:09 | |
Tell us about Mark Ogilvie. | 0:19:09 | 0:19:11 | |
We all respected him. We followed his orders. | 0:19:11 | 0:19:14 | |
Where is he now? | 0:19:14 | 0:19:16 | |
I've heard rumours. Spain, Morocco, Portugal. | 0:19:17 | 0:19:23 | |
I think that's enough for now. | 0:19:25 | 0:19:26 | |
-Enjoy your freedom. -Oh, I will. | 0:19:28 | 0:19:30 | |
RINGTONE | 0:19:38 | 0:19:40 | |
Graham, it's me. | 0:19:40 | 0:19:42 | |
You have to get your story straight or you'll lose everything. | 0:19:44 | 0:19:47 | |
Armchair Detectives, did you notice any kind of discrepancies, | 0:19:52 | 0:19:57 | |
any information that was unexpected in those police interviews? | 0:19:57 | 0:20:01 | |
I noticed that... | 0:20:01 | 0:20:04 | |
Alex was lying. | 0:20:04 | 0:20:06 | |
-About? -Virtually everything. | 0:20:06 | 0:20:09 | |
I mean, scarcely a word of truth at the beginning. | 0:20:09 | 0:20:11 | |
He told a lie about where he was the night before | 0:20:11 | 0:20:14 | |
and that he was home alone and, actually, he wasn't. | 0:20:14 | 0:20:18 | |
-Mm-hmm. -He was with the other guys. -Yes. | 0:20:18 | 0:20:20 | |
He'd also attempted to state that he'd not seen them for a while, | 0:20:20 | 0:20:25 | |
until he was reminded that he'd had a pint with them in the pub. | 0:20:25 | 0:20:29 | |
Then he said they'd met up for an innocent catch-up. Yeah, right! | 0:20:29 | 0:20:32 | |
Is he so busy lying that he's also lying | 0:20:32 | 0:20:36 | |
-about knowing the whereabouts of Mark? -Yeah. | 0:20:36 | 0:20:39 | |
It seems that he's not keen on telling the truth at any rate. | 0:20:39 | 0:20:44 | |
-That we'd noticed. -Absolutely. | 0:20:44 | 0:20:47 | |
Well, once again, you can pick a piece of evidence | 0:20:47 | 0:20:50 | |
and we've added a new one to the list. | 0:20:50 | 0:20:52 | |
So, would you like to see | 0:20:52 | 0:20:54 | |
the contents of the back of the white van from the crime scene, | 0:20:54 | 0:20:57 | |
the police forensics of prints found in the mud at the crime scene | 0:20:57 | 0:21:01 | |
or, our new piece of evidence, an image from a CCTV camera, | 0:21:01 | 0:21:06 | |
taken during the Hawaii Five-0 jewellery robbery? | 0:21:06 | 0:21:09 | |
In my mind, the prints in the mud. | 0:21:09 | 0:21:12 | |
But, if we haven't got any other prints to compare them to, | 0:21:12 | 0:21:15 | |
would they help us? | 0:21:15 | 0:21:16 | |
I'm quite intrigued by the contents of the van. | 0:21:16 | 0:21:20 | |
-I'm going to go with the prints and the mud. -It's the majority verdict. | 0:21:20 | 0:21:24 | |
-I will go with the prints in the mud. -Prints in the mud. | 0:21:24 | 0:21:26 | |
Police forensics of the prints found in the mud at the crime scene. | 0:21:26 | 0:21:30 | |
Doesn't seem to be much tread on the bottom of it. | 0:21:30 | 0:21:34 | |
I feel like I can see toes. Maybe it's my imagination. | 0:21:34 | 0:21:37 | |
And is the direction of the footprint going away from the grave? | 0:21:37 | 0:21:43 | |
But what's on the right-hand side? Because there's like a hole there. | 0:21:43 | 0:21:46 | |
-It's like darker, it's like round, halfway on the right-hand side. -OK. | 0:21:46 | 0:21:52 | |
-So many questions. -Lots of questions. | 0:21:52 | 0:21:54 | |
It's time to pick your prime suspects again, Armchair Detectives. | 0:21:54 | 0:21:59 | |
Think about everything that you've heard, everything that you've seen, | 0:21:59 | 0:22:02 | |
and write down for me who your prime suspect is - | 0:22:02 | 0:22:05 | |
Hayley, Alex, Graham, Roy or Mark. | 0:22:05 | 0:22:10 | |
Notepads down, Armchair Detectives. | 0:22:18 | 0:22:21 | |
-So, Ashley, last time, you picked Hayley. -Yes. | 0:22:21 | 0:22:23 | |
-Have you stuck with her? -No. -Who've you gone for this time? | 0:22:23 | 0:22:26 | |
-Alex. -Alex? Why Alex? | 0:22:26 | 0:22:29 | |
I got a lot from that photograph and I thank that Mark's dead. | 0:22:29 | 0:22:34 | |
I might be totally wrong, right, | 0:22:34 | 0:22:36 | |
-and I think Alex and Graham's got something to do with this. -OK. | 0:22:36 | 0:22:40 | |
Roger, last time you went for Alex. | 0:22:40 | 0:22:44 | |
-And I'm sticking with Alex at the moment. -Sticking with Alex. | 0:22:44 | 0:22:47 | |
Although I'm intrigued to find out the results from the interview | 0:22:47 | 0:22:51 | |
-with Graham, so I'm keeping my powder dry there at the moment. -OK. | 0:22:51 | 0:22:54 | |
-Bola, last time you went for Roy. Have you changed your mind? -Yeah. | 0:22:54 | 0:22:59 | |
-Who've you gone for? -Mark. -Mark. | 0:22:59 | 0:23:02 | |
We've not even met Mark yet. Why have you gone for him? | 0:23:03 | 0:23:06 | |
So, a couple of things were buzzing in my head | 0:23:06 | 0:23:09 | |
from the interview with Alex. | 0:23:09 | 0:23:11 | |
And he referred to Mark, I seem to remember him | 0:23:11 | 0:23:14 | |
talking about him not forgiving easily. | 0:23:14 | 0:23:16 | |
And also, who else would have known | 0:23:16 | 0:23:18 | |
they will have all been there around that time? | 0:23:18 | 0:23:21 | |
I am loving all of your theories. | 0:23:21 | 0:23:23 | |
Now, it's on to round four, where we dig a little deeper. | 0:23:23 | 0:23:27 | |
It's back to the Mortcliff Inn again | 0:23:27 | 0:23:29 | |
but, this time, four years before the murder. | 0:23:29 | 0:23:35 | |
You need to aim two foot to the right of the hole | 0:23:39 | 0:23:41 | |
and three feet beyond it. | 0:23:41 | 0:23:43 | |
You see, there's a right to left slant and a steep climb. | 0:23:43 | 0:23:47 | |
All right, Tiger, | 0:23:47 | 0:23:49 | |
easy for someone who spends half his life on the course! | 0:23:49 | 0:23:52 | |
All right, lads. | 0:23:52 | 0:23:54 | |
-Who won then? -Who do you think? | 0:23:56 | 0:23:58 | |
Mark here yet? | 0:23:59 | 0:24:01 | |
I am now. | 0:24:04 | 0:24:06 | |
Let's get down to business. | 0:24:07 | 0:24:09 | |
-Are we nearly ready for tomorrow night? -Aye. | 0:24:09 | 0:24:12 | |
Let's go over the plan again. | 0:24:13 | 0:24:15 | |
Alex, are you still certain | 0:24:15 | 0:24:17 | |
the owner of Crowning Glory will be out tomorrow? | 0:24:17 | 0:24:19 | |
Yeah, Mr Morecambe has dinner with his wife in the evening, | 0:24:19 | 0:24:24 | |
so staff will be out by 7pm. | 0:24:24 | 0:24:26 | |
I can temporarily disable the alarm for ten minutes, no more. | 0:24:26 | 0:24:29 | |
We smash the front windows, rush in | 0:24:29 | 0:24:32 | |
and get out what we can grab before the police arrive. | 0:24:32 | 0:24:36 | |
Johnny, you cased the joint yesterday. | 0:24:36 | 0:24:39 | |
-Anything else we should know? -Er, nothing new. | 0:24:39 | 0:24:41 | |
We duped a key to raise the shutters outside the shop. | 0:24:41 | 0:24:45 | |
There's CCTV towards the back. | 0:24:45 | 0:24:46 | |
So, we'll need balaclavas and sunglasses to obscure our faces. | 0:24:46 | 0:24:50 | |
And don't forget the shots. Roy... | 0:24:50 | 0:24:53 | |
Roy! | 0:24:55 | 0:24:56 | |
Are you in or out? I don't do half measures. | 0:24:57 | 0:25:01 | |
-Um... -You know everything we're planning, everything. | 0:25:01 | 0:25:05 | |
If you don't help us, you're culpable anyway. | 0:25:06 | 0:25:08 | |
If you don't help us and we get caught... | 0:25:08 | 0:25:12 | |
your house will be the first one I visit. | 0:25:12 | 0:25:14 | |
-I won't bring a cake. -I'm in. -Good. | 0:25:15 | 0:25:19 | |
Then we're were good to go for tomorrow night. | 0:25:20 | 0:25:22 | |
Will meet at Roy's at 1am and, when we split the loot, I'm off. | 0:25:22 | 0:25:27 | |
What about your stuff in the van? | 0:25:27 | 0:25:29 | |
It's yours to keep...until I return. | 0:25:29 | 0:25:33 | |
It's quite difficult to have a threatening conversation | 0:25:35 | 0:25:37 | |
with someone in a golf jumper, isn't it? | 0:25:37 | 0:25:40 | |
I think Mark is the ringleader. | 0:25:40 | 0:25:42 | |
Um, I think I was right when referencing Roy | 0:25:42 | 0:25:46 | |
-as kind of the one that gets told what to do. -Yeah. | 0:25:46 | 0:25:50 | |
He didn't want to be part of that and he got threatened. | 0:25:50 | 0:25:53 | |
And something else made me think, from the interview that Alex had, | 0:25:53 | 0:25:57 | |
that he could possibly have been an informant, | 0:25:57 | 0:25:59 | |
so I'm around that as well. | 0:25:59 | 0:26:01 | |
I think it was quite intriguing. | 0:26:01 | 0:26:03 | |
He was giving directions where you have to aim from the hole. | 0:26:03 | 0:26:08 | |
Is that directions where you have to aim from the gravestone to dig? | 0:26:08 | 0:26:13 | |
Ah... | 0:26:13 | 0:26:14 | |
We've now met Mark Ogilvie, so we know what he looks like. | 0:26:14 | 0:26:17 | |
We've got Hayley Owens, Alex Osmond Graham O'Brien, | 0:26:17 | 0:26:21 | |
Roy Oxlade and Mark Ogilvie. So... | 0:26:21 | 0:26:25 | |
I'm sitting around Roy, Mark. | 0:26:25 | 0:26:28 | |
Definitely golf has got something to do with it. That footprint... | 0:26:28 | 0:26:32 | |
-I think it was golf shoes. -Yeah. | 0:26:32 | 0:26:36 | |
Let me tell you, Armchair Detectives, | 0:26:36 | 0:26:39 | |
-I might be able to help you out a little bit. -OK. | 0:26:39 | 0:26:41 | |
Because, once again, you get to pick a piece of evidence | 0:26:41 | 0:26:44 | |
and we've added a new one to the list. | 0:26:44 | 0:26:46 | |
Do you want to see the contents | 0:26:46 | 0:26:47 | |
of the back of the white van from the crime scene, | 0:26:47 | 0:26:50 | |
an image from a CCTV camera, | 0:26:50 | 0:26:52 | |
taken during the Hawaii Five-0 jewellery robbery, | 0:26:52 | 0:26:56 | |
and the new item of evidence, police report on the van? | 0:26:56 | 0:27:00 | |
I definitely want to know more about the van | 0:27:00 | 0:27:02 | |
and the reason is the van got mentioned again. | 0:27:02 | 0:27:05 | |
-I want to know what's in the back of the van now. -Ah. | 0:27:05 | 0:27:07 | |
-I'm with you on the van. -You want to see the contents of the van. | 0:27:07 | 0:27:11 | |
Let's take a look. | 0:27:11 | 0:27:13 | |
This is the back of the white van found near the graveyard. | 0:27:13 | 0:27:16 | |
There's a set of golf clubs and a spare tyre. | 0:27:16 | 0:27:19 | |
What relevance do you think any of these items have? | 0:27:19 | 0:27:23 | |
You've got the wheel so, obviously, | 0:27:23 | 0:27:25 | |
somebody was trying to get the wheel changed, so there was a wheel there. | 0:27:25 | 0:27:29 | |
What did they use to dig up... | 0:27:29 | 0:27:30 | |
-..the...? -Yeah, there's no shovels there. -Yeah. | 0:27:32 | 0:27:35 | |
Keep this in mind, Armchair Detectives. | 0:27:35 | 0:27:38 | |
Again, keep this in mind. | 0:27:38 | 0:27:39 | |
What I need to know now is have any of you changed your mind | 0:27:39 | 0:27:42 | |
about the prime suspect? Because it's time to lock in again. | 0:27:42 | 0:27:46 | |
Notepads down, please, Armchair Detectives. | 0:27:55 | 0:27:58 | |
Right, prime suspect time. | 0:27:58 | 0:28:00 | |
-Ashley, last time, you went for Alex. -Yep. | 0:28:00 | 0:28:05 | |
-Change your mind? -Yes. -OK, who are you going for this time? | 0:28:05 | 0:28:08 | |
-Mark. -Mark? Why Mark? | 0:28:08 | 0:28:10 | |
I just believe that he had a grudge with more than one of them | 0:28:10 | 0:28:15 | |
and I think that he actually did this to connect it all together. | 0:28:15 | 0:28:21 | |
He knew they would all be there | 0:28:21 | 0:28:22 | |
and I just got a funny feeling for Mark. | 0:28:22 | 0:28:25 | |
Roger, last time you went for Alex. Have you changed your mind? | 0:28:25 | 0:28:29 | |
I haven't. I'm still sticking with Alex for the moment, | 0:28:29 | 0:28:33 | |
although I'm waiting for that interview with Graham | 0:28:33 | 0:28:36 | |
because I think there are possibilities there. | 0:28:36 | 0:28:38 | |
-Bola, last time you went for Mark. -Mm. -This time? | 0:28:38 | 0:28:43 | |
-Back to Roy. -Back to Roy? -Yeah. -Why? | 0:28:43 | 0:28:47 | |
He got cut out. Yeah, I'm with him. | 0:28:47 | 0:28:50 | |
I'm with him. The footprint, the hole. Yeah. | 0:28:50 | 0:28:52 | |
Armchair Detectives, pay attention. | 0:28:52 | 0:28:54 | |
It's time for round five, the final clues. | 0:28:54 | 0:28:58 | |
And we're heading back to Mortcliff police station. | 0:28:58 | 0:29:01 | |
Mark Ogilvie's been found dead. | 0:29:07 | 0:29:10 | |
Ah, our international man of mystery. Where? | 0:29:10 | 0:29:13 | |
In the River Mort, an hour ago. | 0:29:13 | 0:29:15 | |
-Someone's picking off the Hawaii Five-0s, one by one. -Yeah. | 0:29:15 | 0:29:19 | |
We need to get the others into custody for their own safety. | 0:29:19 | 0:29:23 | |
-What were you doing last night? -Sleeping, like I usually am. | 0:29:25 | 0:29:29 | |
-Can anyone prove that? -Unlikely. I live on my own. | 0:29:29 | 0:29:33 | |
And what about this morning? | 0:29:33 | 0:29:34 | |
I got up about eight, watched TV for a while. | 0:29:36 | 0:29:40 | |
I left about half nine to be in work for ten. | 0:29:40 | 0:29:42 | |
-You seem tired. -I'm fine. I just need a coffee. | 0:29:46 | 0:29:51 | |
I'm afraid I have some bad news for you. A friend of yours... | 0:29:51 | 0:29:55 | |
..Johnny Owens, was found dead this morning. | 0:29:56 | 0:29:59 | |
That's impossible. | 0:30:01 | 0:30:03 | |
Or maybe he wasn't your friend. | 0:30:03 | 0:30:05 | |
I heard that when you and Johnny were in prison, | 0:30:05 | 0:30:08 | |
-he was the cause of your limp. -That was an accident. | 0:30:08 | 0:30:12 | |
Mark Ogilvie was found dead a few hours ago. | 0:30:12 | 0:30:15 | |
You need to start talking to us, Mr O'Brien. | 0:30:18 | 0:30:21 | |
What were you boys up to last night? | 0:30:21 | 0:30:23 | |
-I told you I was at home. -We swept the graveyard for evidence. | 0:30:25 | 0:30:28 | |
One grave, in particular, caught our attention. | 0:30:28 | 0:30:31 | |
-It had prints all over it. -Those of Johnny Owens, Alex Osmond | 0:30:31 | 0:30:36 | |
and you. | 0:30:36 | 0:30:37 | |
What were you doing at the graveyard last night? | 0:30:41 | 0:30:44 | |
Alex was released this week. | 0:30:44 | 0:30:46 | |
We met him in the pub. | 0:30:47 | 0:30:49 | |
He was babbling on about clues that Mark had given us... | 0:30:49 | 0:30:54 | |
..that would lead us to Hawaii Five-0... | 0:30:56 | 0:31:00 | |
-..buried jewels. -In St Peter's Church graveyard? | 0:31:02 | 0:31:06 | |
Exactly. We went to look for it last night. | 0:31:07 | 0:31:11 | |
What did you find? | 0:31:11 | 0:31:12 | |
-Nothing. We must have been mistaken. -That's all for now. | 0:31:15 | 0:31:19 | |
We'll be keeping you at the station for your own protection. | 0:31:20 | 0:31:23 | |
-You see that? -I did. | 0:31:33 | 0:31:35 | |
Happy days! | 0:31:40 | 0:31:41 | |
Professional thieves who golf. Where was Mark? | 0:31:45 | 0:31:49 | |
Someone had to take the photo. | 0:31:51 | 0:31:52 | |
-What do you play off? -No idea. | 0:31:53 | 0:31:57 | |
It's unusual, because in the picture you've got two gloves on. | 0:31:57 | 0:32:00 | |
I'm ambidextrous. | 0:32:00 | 0:32:02 | |
We've spoken to Graham | 0:32:04 | 0:32:05 | |
and we know about the plan to retrieve the jewels. | 0:32:05 | 0:32:07 | |
And they call ME the rat. | 0:32:07 | 0:32:09 | |
The plan was to meet at the graveyard at 3am. | 0:32:12 | 0:32:15 | |
We'd work together to find the jewels and then split them. | 0:32:15 | 0:32:19 | |
And what happened to that plan? | 0:32:19 | 0:32:21 | |
I arrived at three to find nothing, absolutely nothing. | 0:32:21 | 0:32:25 | |
No sign of them. | 0:32:25 | 0:32:27 | |
-I assumed they'd called it off. -They didn't. | 0:32:27 | 0:32:29 | |
Johnny was found dead this morning. | 0:32:31 | 0:32:33 | |
His body was discovered under a van by the graveyard. | 0:32:33 | 0:32:37 | |
-You didn't see that? -Not Johnny... | 0:32:38 | 0:32:41 | |
Johnny was the only one that had any good in him. | 0:32:48 | 0:32:51 | |
Always fair to...to me. | 0:32:54 | 0:32:56 | |
-Who would have had cause to do this? -It could have been any of them. | 0:32:57 | 0:33:02 | |
They all had scores to settle. | 0:33:02 | 0:33:04 | |
Alex? | 0:33:04 | 0:33:06 | |
Alex was agitated. He spent the longest in prison. | 0:33:08 | 0:33:12 | |
-He felt like he was owed. -Graham? -You've seem Graham's right leg. | 0:33:14 | 0:33:18 | |
He injured it badly in prison. | 0:33:19 | 0:33:22 | |
Some say it happened when he was arguing with Johnny. | 0:33:22 | 0:33:25 | |
He can hardly walk on it without a stick. Hasn't been the same since. | 0:33:26 | 0:33:30 | |
So, he blames Johnny because they argued in prison. Everybody argues. | 0:33:30 | 0:33:35 | |
Haven't you checked the Hawaii Five-0 case files? | 0:33:35 | 0:33:38 | |
Johnny took off the balaclava, said he couldn't see. | 0:33:40 | 0:33:42 | |
He got us caught. | 0:33:44 | 0:33:45 | |
Graham got sent down for two years and then Johnny rookies his leg. | 0:33:47 | 0:33:50 | |
-He never forgave him. -Interesting. | 0:33:52 | 0:33:55 | |
We'll hold you here for now, for your own safety. | 0:33:56 | 0:33:59 | |
-What do you think? -We need a warrant. | 0:34:04 | 0:34:06 | |
There's a house needs searching. | 0:34:08 | 0:34:10 | |
Well! | 0:34:11 | 0:34:13 | |
And for the first time in this series, a suspect has been murdered. | 0:34:13 | 0:34:18 | |
That's Mark Ogilvie. | 0:34:18 | 0:34:21 | |
-He's no longer a suspect. -Now... | 0:34:21 | 0:34:25 | |
He did not commit the murder. Ashley, your waters were wrong. | 0:34:25 | 0:34:30 | |
I know, but I did say, at the beginning, | 0:34:30 | 0:34:33 | |
-that I thought Mark was actually dead. -You did, you did. -So, yes. | 0:34:33 | 0:34:39 | |
Huge amounts came out of that film. | 0:34:39 | 0:34:43 | |
Pick some of the most important points for me. Roger. | 0:34:43 | 0:34:46 | |
There are two of them lying | 0:34:46 | 0:34:49 | |
about, um, the result of their presence at the graveyard. | 0:34:49 | 0:34:54 | |
Two of them say, "Yeah, I went there and there was nothing." | 0:34:54 | 0:34:58 | |
-That footprint and the hole. -Yes. | 0:34:58 | 0:35:00 | |
-The stick was actually a stick, belonging to Graham. -Yeah. | 0:35:00 | 0:35:06 | |
Um, the fact that Johnny and Graham had an argument | 0:35:06 | 0:35:11 | |
-is really interesting. -Yeah. | 0:35:11 | 0:35:14 | |
Well, it's time for you to pick a final piece of evidence | 0:35:14 | 0:35:16 | |
to see if it will help you. | 0:35:16 | 0:35:18 | |
Do you want either the image from the CCTV camera, | 0:35:18 | 0:35:23 | |
taken during the Hawaii Five-0 jewellery robbery, | 0:35:23 | 0:35:27 | |
or the police report on the van? | 0:35:27 | 0:35:29 | |
-I think we know what the CCTV will show us. -Yes. | 0:35:29 | 0:35:34 | |
-Which is Johnny with his balaclava off. -Yes. -Yeah. | 0:35:34 | 0:35:38 | |
-Police report on the van? -Yeah. -Yeah. | 0:35:38 | 0:35:41 | |
The vehicle has no insurance | 0:35:41 | 0:35:44 | |
and has not had a service test for four years. | 0:35:44 | 0:35:48 | |
The van was caught by a speed camera on the A1 last week. | 0:35:48 | 0:35:53 | |
-That makes sense, doesn't it? -Yeah. | 0:35:53 | 0:35:55 | |
He was imprisoned, so he wouldn't have been able to update | 0:35:55 | 0:35:58 | |
any of the insurance or have a service. | 0:35:58 | 0:36:00 | |
Do you know what, I might be just going down a rabbit hole... | 0:36:00 | 0:36:05 | |
When they all met at the pub, before the jewellery heist, | 0:36:05 | 0:36:10 | |
who did they say was going to look after the van? | 0:36:10 | 0:36:13 | |
-Was it not Johnny? -I can't remember. | 0:36:13 | 0:36:16 | |
So, here we are, Armchair Detectives. | 0:36:16 | 0:36:18 | |
The crescendo to the case. You're about to make your final accusation. | 0:36:18 | 0:36:22 | |
-Oh! -Get it right and you'll all win a golden magnifying glass | 0:36:22 | 0:36:27 | |
-for the first time. AUDIENCE: -Ooh! | 0:36:27 | 0:36:29 | |
So, write down who you're accusing. | 0:36:29 | 0:36:31 | |
It's time to answer the only question that matters - | 0:36:31 | 0:36:34 | |
whodunnit? | 0:36:34 | 0:36:36 | |
Did you write down who was meant to look after the van at home? | 0:36:39 | 0:36:43 | |
Who are you accusing? | 0:36:45 | 0:36:47 | |
You don't even need a reason. You're at home, I can't ask you. | 0:36:47 | 0:36:49 | |
Time's up, Armchair Detectives. Put your notepads away. | 0:36:51 | 0:36:55 | |
Ashley, who have you accused of the murder? | 0:36:55 | 0:36:58 | |
Well, it was Mark, but he's dead, so you can't accuse a dead person. | 0:36:58 | 0:37:01 | |
-Mm-hmm. -So, I've changed my mind, obviously. -Yes. | 0:37:01 | 0:37:03 | |
-And I've gone for Graham. -Graham. | 0:37:03 | 0:37:06 | |
-Why? -It was the walking stick. | 0:37:07 | 0:37:09 | |
-OK. -It was a cross between Roy and Graham and I went with Graham. | 0:37:11 | 0:37:16 | |
Roger, who are you accusing and why? | 0:37:16 | 0:37:18 | |
-I have gone for Roy. -You've gone for Roy. -Yes. -And why? | 0:37:18 | 0:37:21 | |
Plainly, he was talking nonsense | 0:37:21 | 0:37:24 | |
when he said he turned up at three and there was nothing to be found. | 0:37:24 | 0:37:29 | |
The fact that the others were busily doing their best to cut him out | 0:37:29 | 0:37:35 | |
gives him a very good reason | 0:37:35 | 0:37:38 | |
-for not wishing to wish them well. -OK. | 0:37:38 | 0:37:42 | |
-Bola, who are you accusing? -Um, I'm accusing Graham. | 0:37:42 | 0:37:46 | |
And why did you go for Graham? | 0:37:46 | 0:37:48 | |
I think what started to lead me towards Graham was the argument | 0:37:48 | 0:37:52 | |
he'd had with Johnny, so they were against each other. | 0:37:52 | 0:37:56 | |
Also, he got a lot more time, so he held a grudge. | 0:37:56 | 0:38:00 | |
So, just to confirm, Armchair Detectives, | 0:38:00 | 0:38:03 | |
Ashley is accusing Graham, | 0:38:03 | 0:38:04 | |
Roger is accusing Roy | 0:38:04 | 0:38:07 | |
and Bola is accusing Graham. | 0:38:07 | 0:38:11 | |
Before we go to Mortcliff for the answer, | 0:38:11 | 0:38:13 | |
let's take a look at the piece of evidence you didn't choose, | 0:38:13 | 0:38:16 | |
which is the image from a CCTV camera | 0:38:16 | 0:38:19 | |
during the Hawaii Five-0 jewellery robbery. | 0:38:19 | 0:38:22 | |
So, let's take a look and, as we can see there, that is the victim | 0:38:22 | 0:38:26 | |
-with the balaclava off, but we found that out anyway. -Mm. | 0:38:26 | 0:38:30 | |
Well, Armchair Detectives, there's been a bit of confusion, | 0:38:30 | 0:38:35 | |
there's been some mind changing, | 0:38:35 | 0:38:37 | |
but let's see what really happened in today's story, Cops And Robbers. | 0:38:37 | 0:38:41 | |
Who murdered Johnny Owens? | 0:38:41 | 0:38:44 | |
Let's find out whodunnit. | 0:38:44 | 0:38:47 | |
-Sir. -Ah, you found them. | 0:38:58 | 0:39:01 | |
Time to make an arrest. | 0:39:03 | 0:39:05 | |
Recognise this, Mr Oxlade? | 0:39:08 | 0:39:10 | |
No? It's a putter. | 0:39:11 | 0:39:13 | |
A putter that was missing from the golfing bag | 0:39:17 | 0:39:20 | |
we found in the back of the van, | 0:39:20 | 0:39:22 | |
a potter that could also double as a walking stick - | 0:39:22 | 0:39:27 | |
a walking stick that could make an indentation | 0:39:27 | 0:39:30 | |
a bit like Graham's stick. | 0:39:30 | 0:39:32 | |
But not quite like Graham's stick. | 0:39:33 | 0:39:35 | |
You made a mistake, Roy, | 0:39:35 | 0:39:38 | |
cos Graham holds his walking stick in his left hand. | 0:39:38 | 0:39:43 | |
-Where did you get that? -At your house... | 0:39:44 | 0:39:47 | |
..along with these. | 0:39:48 | 0:39:50 | |
Explains why we didn't find any of YOUR fingerprints. | 0:39:54 | 0:39:57 | |
You did see Johnny on the night of the murder, didn't you? | 0:39:57 | 0:40:00 | |
What happened? | 0:40:02 | 0:40:03 | |
Johnny met me at the graveyard at three. | 0:40:05 | 0:40:07 | |
He wanted to throw me off the scent... | 0:40:07 | 0:40:09 | |
..convince me there were no jewels to be found. | 0:40:11 | 0:40:13 | |
He nearly had me, too. | 0:40:13 | 0:40:15 | |
But Johnny makes mistakes. | 0:40:17 | 0:40:19 | |
I saw his handkerchief | 0:40:19 | 0:40:21 | |
flapping in the wind nearby a grave. | 0:40:21 | 0:40:24 | |
The handkerchief was sitting on a patch of earth | 0:40:25 | 0:40:27 | |
that had recently been dug up. | 0:40:27 | 0:40:29 | |
Johnny had been there already. | 0:40:29 | 0:40:32 | |
That filthy liar! | 0:40:33 | 0:40:35 | |
I kept up the charade for a while | 0:40:38 | 0:40:40 | |
-and made an excuse to head back to my van. -YOUR van? | 0:40:40 | 0:40:43 | |
-Mark's van. -OK. | 0:40:43 | 0:40:45 | |
Back to the night of the murder. | 0:40:46 | 0:40:48 | |
I slashed a tyre, then asked Johnny to help me change it. | 0:40:49 | 0:40:54 | |
He didn't suspect a thing. | 0:40:56 | 0:40:58 | |
Johnny jacked up the van. | 0:40:58 | 0:41:00 | |
I dropped the knife I'd borrowed from him to slash the tyre. | 0:41:01 | 0:41:05 | |
When he went down to pick it up... | 0:41:05 | 0:41:07 | |
-..I lowered the van onto him. -Do you think he deserved that? | 0:41:09 | 0:41:11 | |
He lied to me, they all did. | 0:41:11 | 0:41:14 | |
They laughed at me then, they were still laughing at me now. | 0:41:16 | 0:41:19 | |
-And what about Mark? -I did you two a favour. | 0:41:19 | 0:41:22 | |
Mark Ogilvie was a violent criminal. | 0:41:24 | 0:41:26 | |
-He blackmailed me into becoming a Hawaii Five-0. -So you killed him? | 0:41:28 | 0:41:32 | |
I killed him because he stole six months of my life, | 0:41:32 | 0:41:35 | |
forcing me to rob a jewellery shop, and then had the audacity, | 0:41:35 | 0:41:40 | |
the audacity to cut me out of the winnings. | 0:41:40 | 0:41:45 | |
How did you find him? | 0:41:46 | 0:41:47 | |
His letter to Alex. | 0:41:50 | 0:41:51 | |
Didn't have a postage stamp on it. | 0:41:51 | 0:41:54 | |
He'd hand-delivered it. | 0:41:54 | 0:41:56 | |
Didn't take me long to find him. | 0:41:57 | 0:41:59 | |
Or kill him. | 0:41:59 | 0:42:01 | |
Mr Roy Oxlade, I'm arresting you | 0:42:03 | 0:42:05 | |
for the murders of Johnny Owens and Mark Ogilvie. | 0:42:05 | 0:42:08 | |
-Well done, Roger. -Bola... | 0:42:12 | 0:42:15 | |
No words to explain how I feel right now. | 0:42:16 | 0:42:18 | |
-LAUGHTER AUDIENCE: -Ah... | 0:42:18 | 0:42:22 | |
-Genuinely. -You changed your mind again. -What happens to me? | 0:42:22 | 0:42:26 | |
It's like the Gemini in me is like, yes, no, yes, no. | 0:42:26 | 0:42:28 | |
-And the wrong one wins. -Ashley. | 0:42:28 | 0:42:31 | |
I forgot who was looking after the car | 0:42:31 | 0:42:34 | |
and, once I knew... I forgot. | 0:42:34 | 0:42:37 | |
-Golf club. -Yeah. -Handkerchief. -Yeah. | 0:42:37 | 0:42:39 | |
-Roger, well done! -Yay! | 0:42:39 | 0:42:42 | |
You picked the killer and are today's winner. | 0:42:42 | 0:42:44 | |
-Phew! -You have won, for the first time, | 0:42:44 | 0:42:47 | |
-a golden magnifying glass. -Oh, yes! | 0:42:47 | 0:42:50 | |
-Yes. -Well done. | 0:42:50 | 0:42:53 | |
Who over there guessed it right? | 0:42:54 | 0:42:57 | |
Quite a lot of you. Well, case closed. | 0:42:57 | 0:43:00 | |
Join us tomorrow, | 0:43:00 | 0:43:02 | |
when there'll be more than just eggs and bacon served at the local B&B. | 0:43:02 | 0:43:06 | |
And remember, no-one gets away with murder in Mortcliff. Goodbye. | 0:43:06 | 0:43:12 |