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Do you sit at home watching detective shows? | 0:00:02 | 0:00:03 | |
Think you could do better than Marple, Poirot and Colombo? | 0:00:03 | 0:00:06 | |
Welcome to the TV show with only one question. | 0:00:06 | 0:00:10 | |
Whodunnit? | 0:00:10 | 0:00:11 | |
This is Armchair Detectives, | 0:00:28 | 0:00:30 | |
the show where these 15 murder mystery enthusiasts | 0:00:30 | 0:00:33 | |
try and solve a deadly crime by the end of today's programme. | 0:00:33 | 0:00:37 | |
They're placed smack bang in the middle of a murder case | 0:00:37 | 0:00:40 | |
in the beautiful fictional town of Mortcliff. | 0:00:40 | 0:00:43 | |
Helping them is our crack investigations team. | 0:00:43 | 0:00:47 | |
There they are. | 0:00:47 | 0:00:48 | |
DI Knight, DC Slater and SOCO Simmons. | 0:00:48 | 0:00:53 | |
Before we head to Mortcliff, | 0:00:53 | 0:00:55 | |
let's meet our Armchair Detectives. | 0:00:55 | 0:00:57 | |
-Hello. ALL: -Hi. | 0:00:57 | 0:01:00 | |
It gets more and more cheerful every day! | 0:01:01 | 0:01:04 | |
"Oh, there's another murder! | 0:01:04 | 0:01:05 | |
"Hurrah!" | 0:01:05 | 0:01:07 | |
Now, only three of you play each day. | 0:01:07 | 0:01:09 | |
So, please take your armchairs, Gregor, Krystyna and James. | 0:01:09 | 0:01:12 | |
Come on up! | 0:01:12 | 0:01:14 | |
Welcome, Armchair Detectives. | 0:01:22 | 0:01:24 | |
Gregor. Toria won yesterday. | 0:01:24 | 0:01:27 | |
Do you think you're going to win today? | 0:01:27 | 0:01:29 | |
I'm not sure if I'll win, but I will get a trophy. | 0:01:29 | 0:01:32 | |
OK, OK. | 0:01:32 | 0:01:33 | |
Krystyna, who is your favourite fictional detective? | 0:01:34 | 0:01:37 | |
I'm half-Italian, so I like Inspector Montalbano. | 0:01:37 | 0:01:41 | |
Oh, absolutely. Lovely. | 0:01:41 | 0:01:43 | |
I'm fully-Scottish, | 0:01:43 | 0:01:44 | |
so I love Taggart. | 0:01:44 | 0:01:45 | |
James, what's your job? | 0:01:48 | 0:01:49 | |
I'm a detective. | 0:01:49 | 0:01:51 | |
So do you think that's going to help you today, James? | 0:01:54 | 0:01:56 | |
Well, I'd like to hope so. | 0:01:56 | 0:01:58 | |
Because I'm not just playing for a little trophy. | 0:01:58 | 0:02:00 | |
I'm also playing to keep my job! | 0:02:00 | 0:02:03 | |
Armchair Detectives, | 0:02:03 | 0:02:04 | |
guess today's killer correctly, | 0:02:04 | 0:02:07 | |
and you'll get to win one of these. | 0:02:07 | 0:02:09 | |
A golden magnifying glass. | 0:02:09 | 0:02:13 | |
-ALL: -Ooh! | 0:02:13 | 0:02:15 | |
It's time for round one. | 0:02:15 | 0:02:17 | |
The Crime Scene. | 0:02:17 | 0:02:18 | |
Knight, Slater and Simmons are in the forest. | 0:02:18 | 0:02:22 | |
But will they be able to see the wood for the trees? | 0:02:22 | 0:02:25 | |
Notepads at the ready. | 0:02:25 | 0:02:27 | |
Let's head over to Mortcliff. | 0:02:27 | 0:02:29 | |
-Afternoon, guv. -Hello. | 0:02:39 | 0:02:41 | |
SOCO is in the forest, | 0:02:41 | 0:02:42 | |
about a 15-minute walk away. | 0:02:42 | 0:02:45 | |
There's no mobile signal out there. | 0:02:45 | 0:02:47 | |
This is Colin Proust. | 0:02:48 | 0:02:49 | |
He discovered the body. | 0:02:49 | 0:02:51 | |
Poor Joe. | 0:02:51 | 0:02:53 | |
Mr Proust, DI Knight, DC Slater. | 0:02:53 | 0:02:56 | |
Would you please stay with the officer | 0:02:56 | 0:02:58 | |
and we'll talk to you shortly. | 0:02:58 | 0:03:00 | |
Sure, I will do. | 0:03:00 | 0:03:02 | |
Thanks. | 0:03:02 | 0:03:03 | |
Well, Simmons. These forest sojourns of yours | 0:03:09 | 0:03:12 | |
are becoming a bit of a habit, aren't they? | 0:03:12 | 0:03:14 | |
Convening with nature, DI Knight. | 0:03:14 | 0:03:15 | |
All part of the job. | 0:03:15 | 0:03:16 | |
This is where the body was found. | 0:03:18 | 0:03:20 | |
Appears to be Joe Jenkins. | 0:03:20 | 0:03:22 | |
Male, 50s, dressed for the outdoors. | 0:03:22 | 0:03:25 | |
I never get used to this. | 0:03:25 | 0:03:27 | |
Not all nature smells rosy. | 0:03:27 | 0:03:29 | |
How do you cope? | 0:03:29 | 0:03:30 | |
You do get used to it. | 0:03:30 | 0:03:32 | |
He appears to have died from a broken neck. | 0:03:34 | 0:03:37 | |
Probably from falling into the pit. | 0:03:37 | 0:03:40 | |
He has no body heat. | 0:03:40 | 0:03:41 | |
There's no rigor mortis, so he's been out here for a while. | 0:03:41 | 0:03:45 | |
How long? | 0:03:45 | 0:03:48 | |
Well, his skin is all blotchy and marbled. | 0:03:48 | 0:03:51 | |
And judging by the look of lividity on the side of his body, | 0:03:51 | 0:03:54 | |
I'd say... | 0:03:54 | 0:03:55 | |
..maybe three days? | 0:03:55 | 0:03:56 | |
So he died on Thursday? | 0:04:00 | 0:04:02 | |
We'll have a better idea of exactly when, when we get him to the lab. | 0:04:02 | 0:04:05 | |
Anything else? | 0:04:07 | 0:04:08 | |
He had a few hairs on his clothing. | 0:04:09 | 0:04:12 | |
There was | 0:04:12 | 0:04:14 | |
a pair of binoculars next to him, | 0:04:14 | 0:04:17 | |
with a broken strap | 0:04:17 | 0:04:18 | |
and a mobile phone. | 0:04:18 | 0:04:21 | |
But the battery is flat. | 0:04:21 | 0:04:23 | |
Colin, is it? You knew the victim? | 0:04:28 | 0:04:32 | |
Aye... We weren't best friends or anything. | 0:04:32 | 0:04:35 | |
I only recognised him from his jacket. | 0:04:36 | 0:04:40 | |
He's a ranger here. | 0:04:40 | 0:04:41 | |
Presumably you live nearby? | 0:04:41 | 0:04:43 | |
I run the local butcher shop. | 0:04:43 | 0:04:47 | |
Me and my daughter. We buy deer meat, venison, from Joe. | 0:04:47 | 0:04:52 | |
Occasionally, I saw him out and about in the forest. | 0:04:52 | 0:04:56 | |
We exchanged pleasantries, but that was it. | 0:04:56 | 0:05:00 | |
How did you find the body? | 0:05:02 | 0:05:03 | |
Well, technically it was Trent here who'd found it. | 0:05:03 | 0:05:08 | |
We were out on our daily walk, | 0:05:08 | 0:05:09 | |
when he started yapping like mad and pulling on his lead and... | 0:05:09 | 0:05:13 | |
It's not like him at all. | 0:05:15 | 0:05:17 | |
Did you or the dog disturb the scene at all? | 0:05:17 | 0:05:19 | |
No. Trent's always on a lead. | 0:05:19 | 0:05:23 | |
So as not to scare the deer. | 0:05:23 | 0:05:25 | |
One of Joe's rules. | 0:05:25 | 0:05:27 | |
Do you know anything about Joe's work? | 0:05:27 | 0:05:29 | |
Mainly that he was here as | 0:05:30 | 0:05:33 | |
a... A sort of... | 0:05:33 | 0:05:36 | |
..protector, I suppose. | 0:05:36 | 0:05:38 | |
Needed, too... | 0:05:38 | 0:05:40 | |
Some beautiful species in the woods. | 0:05:40 | 0:05:44 | |
There's always been a problem with poaching. | 0:05:44 | 0:05:46 | |
Have you heard of Ralph Moore? | 0:05:49 | 0:05:54 | |
Should we? | 0:05:54 | 0:05:55 | |
Yeah. Perhaps. | 0:05:56 | 0:05:59 | |
Joe was responsible for him going to jail for poaching. | 0:05:59 | 0:06:05 | |
Apparently, he's back in the area. | 0:06:05 | 0:06:09 | |
I swear, if Trent the dog isn't one of the suspects in this show, | 0:06:12 | 0:06:16 | |
I'm going to be disappointed. | 0:06:16 | 0:06:17 | |
I'm always after the dog did it, totally. | 0:06:17 | 0:06:19 | |
-Always after the dog did it. -Always the dog did it. | 0:06:19 | 0:06:21 | |
I found it strange there was a rope ladder leading down to the hole. | 0:06:21 | 0:06:24 | |
The hole didn't seem that deep, where you would need a ladder. | 0:06:24 | 0:06:28 | |
I thought forensics put it there. | 0:06:28 | 0:06:30 | |
Don't think the dog actually found the body. | 0:06:31 | 0:06:35 | |
OK. | 0:06:35 | 0:06:36 | |
It's got definitely something to do with deer. | 0:06:36 | 0:06:39 | |
He's the ranger at the woods. | 0:06:39 | 0:06:41 | |
He's protecting the deer. | 0:06:41 | 0:06:43 | |
He does sometimes sell it to the butcher shop. | 0:06:43 | 0:06:46 | |
But I think it has got something to do with the poaching of it, possibly. | 0:06:46 | 0:06:50 | |
I think he's disturbed something. | 0:06:50 | 0:06:52 | |
Right. Well, today we are | 0:06:52 | 0:06:54 | |
investigating the death of Joe Jenkins. | 0:06:54 | 0:06:58 | |
Joe was 50 years old | 0:06:58 | 0:06:59 | |
and a forest ranger. | 0:06:59 | 0:07:01 | |
He was licensed to hold and fire | 0:07:01 | 0:07:04 | |
guns and he had no criminal record. | 0:07:04 | 0:07:07 | |
Joe divorced five years ago. | 0:07:07 | 0:07:09 | |
The cause of death is a suspected major fall, causing him a | 0:07:09 | 0:07:13 | |
catastrophic cervical fracture, commonly known as a broken neck. | 0:07:13 | 0:07:18 | |
It's believed Joe died three days before his body was found. | 0:07:18 | 0:07:22 | |
Licensed gunman. | 0:07:22 | 0:07:23 | |
But from what I heard, there wasn't a gun found on scene. | 0:07:23 | 0:07:26 | |
I think he's the secret poacher. | 0:07:26 | 0:07:28 | |
You think he's the secret poacher? | 0:07:28 | 0:07:30 | |
-You've just jumped straight in there? -He's a forest ranger. | 0:07:30 | 0:07:33 | |
-Yes. -He's got access to the woods, anyway. -Mmm-hmm. | 0:07:33 | 0:07:36 | |
He's a licensed gunman. | 0:07:36 | 0:07:37 | |
I think he shoots all the venison and takes it along in his... | 0:07:37 | 0:07:41 | |
-Gets money that way, down the back door. -OK. | 0:07:41 | 0:07:44 | |
It's good to sometimes just jump straight in with an accusation against the victim. | 0:07:44 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:49 | |
-James? -SOCO Simmons mentioned that there was three hairs found on the | 0:07:49 | 0:07:53 | |
body as well, so that's interesting. | 0:07:53 | 0:07:56 | |
Has he been pushed? | 0:07:56 | 0:07:57 | |
And whose are those hairs? | 0:07:57 | 0:07:59 | |
Right, let's go over to the suspects' board just now. | 0:07:59 | 0:08:01 | |
We've got two suspects to look at so far. | 0:08:01 | 0:08:04 | |
We have Colin Proust, who's the butcher. | 0:08:04 | 0:08:08 | |
And Ralph Moore, who we've yet to meet. | 0:08:08 | 0:08:11 | |
Gregor, we've not met Ralph yet. | 0:08:11 | 0:08:13 | |
We haven't, but we have heard from Colin that Ralph was sent to jail | 0:08:13 | 0:08:17 | |
because of Joe, and he is now out. | 0:08:17 | 0:08:19 | |
But Colin was very quick to give forth that information. | 0:08:19 | 0:08:23 | |
So, right now I'd like to know a little more about Colin. | 0:08:23 | 0:08:27 | |
I agree with Gregor that Colin was very forthwith with that information. | 0:08:27 | 0:08:32 | |
And it was spoon-fed to us, rather than us digging. | 0:08:32 | 0:08:35 | |
But I am intrigued about Ralph and I'd like to know a little bit more | 0:08:35 | 0:08:39 | |
-about Ralph. -Well, let's see if we can help you out. | 0:08:39 | 0:08:41 | |
Because, of course, during the show, | 0:08:41 | 0:08:43 | |
you'll get to look at various pieces of evidence. | 0:08:43 | 0:08:45 | |
And you get a piece of evidence now to interrogate a little bit closer. | 0:08:45 | 0:08:48 | |
Here it is. So, these are the binoculars found at the crime scene. | 0:08:48 | 0:08:52 | |
And if you look closely at them, the strap on them is... | 0:08:52 | 0:08:56 | |
-What do you think? -Yeah, I think there's been a struggle and | 0:08:57 | 0:09:00 | |
either they've been ripped off him, torn off him. | 0:09:00 | 0:09:02 | |
They've been dented. Yeah, there's been a struggle, probably, has gone on. | 0:09:02 | 0:09:06 | |
-Something going on there. -It doesn't look like it joins together. | 0:09:06 | 0:09:09 | |
There's scuff marks on them. | 0:09:09 | 0:09:11 | |
-On the centre. -They are a bit dirty. -Yeah. -Well-worn... | 0:09:11 | 0:09:14 | |
Yeah, but the lens at the top on the left-hand side looks a bit wonky. | 0:09:14 | 0:09:17 | |
-Yeah, it is, it's twisted. -Or is that my eyes? | 0:09:17 | 0:09:19 | |
No, the lens on the left's twisted. | 0:09:19 | 0:09:21 | |
Yeah. It is. The lens is weird, isn't it? | 0:09:21 | 0:09:23 | |
OK, well, now it's time for round two, Last Movements. | 0:09:23 | 0:09:27 | |
Let's see what happened when Joe Jenkins visited Mortcliff's premier | 0:09:27 | 0:09:31 | |
butchers, the Meat And Greet. | 0:09:31 | 0:09:33 | |
BELL TINKLES | 0:09:44 | 0:09:45 | |
Hi, Joe. What can I get you? | 0:09:45 | 0:09:47 | |
Sonya, I'll have 12 of your finest pork sausages, please. | 0:09:47 | 0:09:51 | |
Sure thing, coming right up. How are tricks? | 0:09:51 | 0:09:54 | |
I would hardly call the protection of a | 0:09:54 | 0:09:56 | |
myriad of wildlife species - "tricks". | 0:09:56 | 0:10:00 | |
Of course not. Sorry, I didn't mean to offend. | 0:10:00 | 0:10:02 | |
Which species is at risk today? | 0:10:04 | 0:10:06 | |
I have evidence of egg poaching. | 0:10:09 | 0:10:12 | |
Soft-boiled or hard? | 0:10:12 | 0:10:14 | |
You won't be laughing when our ospreys become extinct. | 0:10:14 | 0:10:17 | |
Someone's targeting their nests. | 0:10:17 | 0:10:19 | |
We're looking at a massive decline in the osprey population. | 0:10:20 | 0:10:23 | |
That's why I need the sausages. | 0:10:24 | 0:10:26 | |
Cook them up, pack a bag, go into | 0:10:27 | 0:10:30 | |
the forest, live there... | 0:10:30 | 0:10:31 | |
..until I track down the thief and bring him or her to justice. | 0:10:32 | 0:10:37 | |
-Any clues? -Thanks. | 0:10:37 | 0:10:39 | |
I'm really close. | 0:10:41 | 0:10:42 | |
A few people in the mix. | 0:10:43 | 0:10:44 | |
Is Colin working this morning? | 0:10:48 | 0:10:50 | |
Nope. Dad's working this afternoon. | 0:10:50 | 0:10:53 | |
-He's walking Trent. -Make sure... | 0:10:53 | 0:10:55 | |
He's on a lead, yes. | 0:10:55 | 0:10:56 | |
Yes, we do! | 0:10:56 | 0:10:58 | |
Who sells you your deer? | 0:11:01 | 0:11:03 | |
Anyone apart from the Hamish Estate? | 0:11:04 | 0:11:06 | |
Nope. Just you, Joe. | 0:11:06 | 0:11:09 | |
Our herds have been looking a little thin recently. | 0:11:09 | 0:11:11 | |
I think something might be going on there, too. | 0:11:12 | 0:11:15 | |
No-one's been in offering us anything untoward. | 0:11:15 | 0:11:18 | |
We'll let you know if we hear of anything. | 0:11:18 | 0:11:20 | |
It's possible it's the same people as the egg poachers. | 0:11:20 | 0:11:24 | |
Maybe not. I'm hot on their trail. | 0:11:24 | 0:11:27 | |
But I'm not in a position to make any accusations yet. | 0:11:27 | 0:11:31 | |
I'll close this down for good, though. | 0:11:32 | 0:11:34 | |
Arrests will be made. | 0:11:35 | 0:11:37 | |
I'll put those on your account. | 0:11:38 | 0:11:39 | |
Dad? | 0:11:49 | 0:11:51 | |
Joe Jenkins has been in. | 0:11:51 | 0:11:52 | |
Oh, he makes me sick. He said... | 0:11:52 | 0:11:55 | |
DOOR OPENS | 0:11:55 | 0:11:56 | |
I've got to go. | 0:11:56 | 0:11:57 | |
-Hi, Lance. -Sonya, hello. | 0:11:57 | 0:12:00 | |
A pound of minced lamb or 500g? | 0:12:00 | 0:12:03 | |
Whichever you can sell me under whatever EU regulation. | 0:12:03 | 0:12:07 | |
SHE TITTERS | 0:12:07 | 0:12:08 | |
That and the trophy that you've been keeping safe for me. | 0:12:08 | 0:12:11 | |
Here's four monkeys for you. | 0:12:13 | 0:12:15 | |
Shall I give you a hand with the ladder? | 0:12:15 | 0:12:17 | |
Joe Jenkins has been in. | 0:12:17 | 0:12:19 | |
Thinks he has evidence of poaching. | 0:12:19 | 0:12:21 | |
-Did he say who? -No. | 0:12:21 | 0:12:24 | |
But he said he was close. | 0:12:24 | 0:12:25 | |
Nah. He's an idiot. | 0:12:27 | 0:12:28 | |
Here, let me give you a hand. | 0:12:28 | 0:12:30 | |
-You OK? -Yeah. | 0:12:38 | 0:12:40 | |
What's going on?! | 0:12:51 | 0:12:53 | |
I'm surprised the people in Mortcliff can see properly, given | 0:12:54 | 0:12:56 | |
all the sideways glances! | 0:12:56 | 0:12:58 | |
I'm sticking to the theory. | 0:12:59 | 0:13:01 | |
-Yes. -I think it's definitely that the guy was poaching. | 0:13:01 | 0:13:05 | |
Joe's the poacher? | 0:13:05 | 0:13:06 | |
-See, I don't think Joe's the poacher. -No. -You don't think so? Oh. -I'm not getting that... | 0:13:06 | 0:13:10 | |
-Joe seems very proud of what he does. -He does. -True. -But Lance, | 0:13:10 | 0:13:13 | |
I get the feeling he's really not a big fan of Joe. | 0:13:13 | 0:13:16 | |
I'm thinking that Joe Jenkins, | 0:13:16 | 0:13:19 | |
-he's probably ruffled a few people up the wrong way. -Uh-huh. | 0:13:19 | 0:13:22 | |
So, there's, a few people might have a motive. | 0:13:22 | 0:13:25 | |
Yeah. Well, we've got some more information and we've got two new | 0:13:25 | 0:13:29 | |
suspects on our board. | 0:13:29 | 0:13:31 | |
We have Sonya Proust, who's Colin's daughter. | 0:13:31 | 0:13:35 | |
And Lance Grafton, wildlife enthusiast. | 0:13:36 | 0:13:40 | |
We've still not met Ralph Moore. | 0:13:40 | 0:13:43 | |
What are you thinking about them? | 0:13:43 | 0:13:46 | |
-Sonya, I get the feeling she's just Daddy's daughter, but... -Oh, do you? | 0:13:46 | 0:13:49 | |
See, I don't! I feel like she's orchestrating a little bit, because | 0:13:49 | 0:13:54 | |
she's phoning her dad to tell him, she's telling Lance, | 0:13:54 | 0:13:57 | |
she's helping him get the deer down. | 0:13:57 | 0:13:58 | |
She's taking the money off him. | 0:13:58 | 0:14:00 | |
-Four monkeys - is a monkey 500, am I right? -Yes, that's correct. | 0:14:00 | 0:14:03 | |
Yeah, I thought monkey was 500. | 0:14:03 | 0:14:05 | |
So, two grand, she's getting. | 0:14:05 | 0:14:06 | |
-It's quite a lot of money, isn't it? -Yeah. | 0:14:06 | 0:14:08 | |
Well, Armchair Detectives, | 0:14:08 | 0:14:10 | |
you now get to pick your evidence. | 0:14:10 | 0:14:12 | |
From these three choices, which one do you fancy? | 0:14:12 | 0:14:17 | |
We've got the forensics report on the rope ladder used at the pit, | 0:14:17 | 0:14:21 | |
or a deer trading licence. | 0:14:21 | 0:14:24 | |
And finally, the forensics report on | 0:14:24 | 0:14:27 | |
the hair samples found on the victim's clothes. | 0:14:27 | 0:14:31 | |
So, decide amongst yourselves, what would you like to see? | 0:14:31 | 0:14:35 | |
I really want to know the, | 0:14:35 | 0:14:38 | |
the hair samples, | 0:14:38 | 0:14:40 | |
but I'm going to be annoyed as anything if it turns out it's Trent. | 0:14:40 | 0:14:44 | |
-I have a formula. -Mmm-hmm. | 0:14:44 | 0:14:46 | |
It's K = FMC. | 0:14:46 | 0:14:48 | |
Killer equals forensics, motive, connection. | 0:14:48 | 0:14:52 | |
Right. | 0:14:52 | 0:14:53 | |
So what do you think I'm going to go for? | 0:14:53 | 0:14:54 | |
-I don't know. -Forensics. -Forensics? -All the time! | 0:14:54 | 0:14:57 | |
-Every time. -So you want to go for forensics. | 0:14:57 | 0:14:59 | |
What do you think, Gregor and James? | 0:14:59 | 0:15:01 | |
I really want to go for the forensic rope ladder report. | 0:15:01 | 0:15:05 | |
The rope ladder forensic report. | 0:15:05 | 0:15:07 | |
Rope ladder forensic report. | 0:15:07 | 0:15:08 | |
-Rope ladder? -Yes? -Yeah. -I'm with forensics. Any one of them will do. -Any forensic will do. | 0:15:08 | 0:15:12 | |
THEY LAUGH | 0:15:12 | 0:15:14 | |
The forensic rope ladder report. | 0:15:14 | 0:15:15 | |
So, you've chosen to see the forensics on the rope ladder. | 0:15:15 | 0:15:19 | |
This was the ladder used in the hide that Joe was found in. | 0:15:19 | 0:15:23 | |
There is DNA on the rope, that belongs to | 0:15:23 | 0:15:25 | |
Lance Grafton and Ralph Moore. | 0:15:25 | 0:15:29 | |
Was that worth looking at, James? | 0:15:30 | 0:15:32 | |
It was, because it's not... | 0:15:32 | 0:15:33 | |
Told you forensics is important! | 0:15:33 | 0:15:36 | |
THEY LAUGH | 0:15:36 | 0:15:37 | |
It's not Colin - who found him - | 0:15:37 | 0:15:40 | |
so it's the one that's been released from prison, | 0:15:40 | 0:15:44 | |
who's Ralph Moore. | 0:15:44 | 0:15:46 | |
And then it's the one that gave the four monkeys to Sonya. | 0:15:46 | 0:15:50 | |
-Gregor? -Can I ask what the ditch is called again? It's a hide? | 0:15:50 | 0:15:54 | |
-The hide. -The hide. So it could be Joe stumbled upon it and got killed because he | 0:15:54 | 0:15:59 | |
found it, or he knew about it, it's just a coincidence that Lance and Ralph's there. | 0:15:59 | 0:16:04 | |
But Ralph's DNA on it is interesting, but it depends if it's old or new. | 0:16:04 | 0:16:07 | |
There is a lot of questions going around in my head right now, so... | 0:16:07 | 0:16:10 | |
OK, it's time to lock in your prime suspect. | 0:16:10 | 0:16:14 | |
Colin Proust, Ralph Moore, | 0:16:14 | 0:16:17 | |
Sonya Proust, or Lance Grafton. | 0:16:17 | 0:16:20 | |
It's not the dug. | 0:16:23 | 0:16:25 | |
Gregor, who's your prime suspect and why? | 0:16:26 | 0:16:29 | |
I've chosen Lance. | 0:16:29 | 0:16:31 | |
He could have known about Joe going | 0:16:31 | 0:16:33 | |
into the woods to look for a | 0:16:33 | 0:16:36 | |
possible poacher, because he entered the butcher's right | 0:16:36 | 0:16:38 | |
after and could have spoken to Sonya. | 0:16:38 | 0:16:40 | |
His DNA was found on the rope ladder | 0:16:40 | 0:16:42 | |
that, in the pit that Joe was found, | 0:16:42 | 0:16:44 | |
so right now there's more pointing | 0:16:44 | 0:16:46 | |
towards him than anything else, I think. | 0:16:46 | 0:16:49 | |
Krystyna, who have you accused as the prime suspect and why? | 0:16:50 | 0:16:54 | |
Well, I'm sticking with Colin. | 0:16:54 | 0:16:56 | |
I think him and his daughter are running some sort of illegal scam on poaching. | 0:16:56 | 0:17:01 | |
OK. James, who's your prime suspect and why? | 0:17:01 | 0:17:04 | |
Well, I've went for Sonya. | 0:17:04 | 0:17:05 | |
-OK. -Yes. -And why? -Yeah. | 0:17:05 | 0:17:07 | |
There's something that's ringing alarm bells for me, for her, at the moment. | 0:17:07 | 0:17:11 | |
-Is it instinct? -I think it might be instinct. -It's your gut instinct? -Yeah. | 0:17:11 | 0:17:14 | |
Let's find out some more information, | 0:17:14 | 0:17:16 | |
because it's on to round three now, | 0:17:16 | 0:17:18 | |
the Police Interviews. | 0:17:18 | 0:17:20 | |
Time to head back to Mortcliff Police Station, where Simmons | 0:17:20 | 0:17:23 | |
has some vital information for the detectives. | 0:17:23 | 0:17:27 | |
We've done some more work on the body. | 0:17:35 | 0:17:37 | |
Based upon potassium levels in the eyes, | 0:17:37 | 0:17:39 | |
I'd estimate the time of death to be some time on Thursday afternoon. | 0:17:39 | 0:17:43 | |
Cause of death was a broken neck. | 0:17:43 | 0:17:45 | |
He fell headfirst into the pit, | 0:17:45 | 0:17:47 | |
which means he must have been pushed. | 0:17:47 | 0:17:49 | |
Do we know that for certain? | 0:17:50 | 0:17:51 | |
-Couldn't he have tripped? -Well, there was no debris around the pit. | 0:17:51 | 0:17:54 | |
There was nothing for him to trip over. | 0:17:54 | 0:17:56 | |
Good point, well made, Simmons. | 0:17:56 | 0:17:58 | |
The Hamish Estate, who employed Joe, | 0:17:58 | 0:18:00 | |
say he didn't turn up to work on Friday. | 0:18:00 | 0:18:02 | |
That makes sense why Thursday was the day he drew his last breath. | 0:18:02 | 0:18:06 | |
-Mmm. -Also, we charged his phone, | 0:18:06 | 0:18:08 | |
and no calls were made to and from it on Thursday. | 0:18:08 | 0:18:11 | |
We've brought you here today to question you regarding the death of Joe Jenkins. | 0:18:15 | 0:18:19 | |
-You're kidding? -We know you had a few run-ins with him in the past, | 0:18:21 | 0:18:24 | |
so we'd like to ask you where you were on Thursday afternoon. | 0:18:24 | 0:18:27 | |
I was home ALONE. | 0:18:27 | 0:18:29 | |
So he was found in the hole, then? | 0:18:31 | 0:18:33 | |
How do you know about the hole? | 0:18:33 | 0:18:34 | |
I saw it on the news. | 0:18:34 | 0:18:36 | |
If it's the hole I'm thinking of, well, then I think it's one of ours. | 0:18:37 | 0:18:41 | |
We dug holes occasionally, for twitchers. | 0:18:41 | 0:18:43 | |
You know, to bird-watch. | 0:18:43 | 0:18:45 | |
Where's the hole you're thinking of? | 0:18:45 | 0:18:47 | |
It's about a ten-minute walk from Sceptre Farm. | 0:18:47 | 0:18:49 | |
Lance Grafton was asking about it recently. | 0:18:51 | 0:18:54 | |
He's been using it, I reckon. | 0:18:54 | 0:18:56 | |
-He is...? -A local. | 0:18:56 | 0:18:58 | |
He used to be a lumberjack around here. | 0:18:58 | 0:19:00 | |
He's familiar with the woods. | 0:19:00 | 0:19:02 | |
And why would he be interested in that? | 0:19:02 | 0:19:04 | |
He's been bird-watching, I think. | 0:19:04 | 0:19:06 | |
You see, he asked to borrow a drill too. | 0:19:07 | 0:19:10 | |
-A drill? -Yes, well, I assume to erect a bird hide screen. | 0:19:10 | 0:19:13 | |
We've spoken to Ralph Moore | 0:19:17 | 0:19:19 | |
and he's told us that you know about a particular pit near the forest at Sceptre Farm. | 0:19:19 | 0:19:24 | |
Can you tell us what you were doing there? | 0:19:24 | 0:19:26 | |
I bird-watch from it. | 0:19:26 | 0:19:28 | |
I'm a...an "orthinologist". | 0:19:28 | 0:19:31 | |
You mean an ornithologist? | 0:19:31 | 0:19:33 | |
Indeed. I like watching the ospreys. | 0:19:34 | 0:19:37 | |
I'm afraid there's been a fatality at the pit. | 0:19:38 | 0:19:40 | |
Can you tell us what you were doing on Thursday? | 0:19:40 | 0:19:42 | |
Well, I went to the butcher in the morning. | 0:19:44 | 0:19:48 | |
And popped home to let a builder in, | 0:19:48 | 0:19:50 | |
then headed to Concido Woods for a spot of bird-watching. | 0:19:50 | 0:19:54 | |
But I wasn't at the pit, though. | 0:19:54 | 0:19:56 | |
What time were you at the woods? | 0:19:57 | 0:19:59 | |
I'd say about, what, 1.30? | 0:19:59 | 0:20:03 | |
Did you see anyone else there? | 0:20:03 | 0:20:04 | |
I saw no-one. | 0:20:06 | 0:20:08 | |
I did hear a couple of gunshots. | 0:20:08 | 0:20:10 | |
Who is it? Who's died? | 0:20:10 | 0:20:12 | |
Joe Jenkins, under suspicious circumstances. | 0:20:12 | 0:20:15 | |
No alibi. | 0:20:15 | 0:20:16 | |
Have you spoken to Sonya Proust? | 0:20:19 | 0:20:21 | |
We've spoken to her father, Colin. | 0:20:21 | 0:20:23 | |
Well, Sonya's been in loads of trouble with poaching in the past. | 0:20:23 | 0:20:26 | |
And I always see her in those woods. | 0:20:26 | 0:20:28 | |
When was the last time you saw Joe Jenkins? | 0:20:33 | 0:20:36 | |
On Thursday morning. | 0:20:36 | 0:20:38 | |
He came into the shop to buy some sausages. | 0:20:38 | 0:20:40 | |
He said he was worried about someone stealing eggs. | 0:20:41 | 0:20:45 | |
Joe was a bit of a scaremonger, if the truth be told. | 0:20:45 | 0:20:49 | |
It appears he had good reason to be. | 0:20:49 | 0:20:51 | |
What were you and your dad doing on Thursday afternoon? | 0:20:52 | 0:20:57 | |
Dad was at the butcher's. | 0:20:57 | 0:20:59 | |
-And where were you? -I was walking Trent. | 0:20:59 | 0:21:02 | |
-In the woods? -No. | 0:21:02 | 0:21:05 | |
You've been in trouble there before, haven't you? | 0:21:06 | 0:21:09 | |
"Poaching, Concido Woods," | 0:21:09 | 0:21:13 | |
it says on your record. | 0:21:13 | 0:21:14 | |
I'm not allowed to go into Concido Woods. | 0:21:19 | 0:21:22 | |
I walk the dog in Dew Mead Forest. | 0:21:22 | 0:21:24 | |
Krystyna, your face, I love it. | 0:21:28 | 0:21:30 | |
Both of us at the same time went... | 0:21:30 | 0:21:33 | |
LAUGHTER | 0:21:33 | 0:21:35 | |
-James? -Right, working the way back, | 0:21:35 | 0:21:37 | |
Sonya's obviously got history for poaching in the woods. | 0:21:37 | 0:21:41 | |
She's said that she's not got an alibi for Thursday afternoon | 0:21:41 | 0:21:45 | |
because she's out walking the dog. | 0:21:45 | 0:21:47 | |
So there's no-one to corroborate her alibi. | 0:21:47 | 0:21:50 | |
Well, for me, I'm interested in Lance. | 0:21:50 | 0:21:53 | |
He said he was meeting a builder. | 0:21:53 | 0:21:55 | |
He asked to borrow a drill. Now, was this for the builder? | 0:21:55 | 0:21:57 | |
Was this for some other use? | 0:21:57 | 0:21:59 | |
And he then admitted he did go to the woods, where he heard shots. | 0:21:59 | 0:22:03 | |
-Yes. -I'd like to know whether that's true or not. | 0:22:03 | 0:22:05 | |
Yes, they were how many gunshots? | 0:22:05 | 0:22:07 | |
-Two. -Two gunshots. -Yeah. | 0:22:07 | 0:22:09 | |
But, as you picked up before, there was no gun found... | 0:22:09 | 0:22:13 | |
..at the crime scene, was there? | 0:22:13 | 0:22:14 | |
-No. -Not that I saw. | 0:22:14 | 0:22:15 | |
Hmm! Well, let's take a look at the suspects' board. | 0:22:15 | 0:22:18 | |
We now know who the mysterious Ralph Moore is. | 0:22:18 | 0:22:22 | |
So we've got Colin Proust, Ralph Moore, | 0:22:22 | 0:22:24 | |
Sonya Proust, and Lance Grafton. | 0:22:24 | 0:22:28 | |
Nothing stands out. | 0:22:29 | 0:22:31 | |
It's good that we've seen Ralph, | 0:22:31 | 0:22:32 | |
but I get the feeling he wants to put the past behind him. | 0:22:32 | 0:22:35 | |
-There was just something about the way he acted. -Yeah. | 0:22:35 | 0:22:38 | |
It didn't seem like, he wasn't, how do I say it? | 0:22:38 | 0:22:41 | |
He wasn't cheery in the interview. | 0:22:41 | 0:22:43 | |
He was, kind of, just, "Oh, come on, that was in the past." | 0:22:43 | 0:22:45 | |
He was quite upfront. | 0:22:45 | 0:22:46 | |
Lance, he didn't even know what a bird-watcher was... | 0:22:46 | 0:22:49 | |
-Yes. -..after he said he was... -Bit of a mistake there. -Aye. -Yes. | 0:22:49 | 0:22:52 | |
So my attention is still on Lance at the moment. | 0:22:52 | 0:22:55 | |
With Ralph, again, he's not got a motive. | 0:22:55 | 0:22:57 | |
He said he was home alone. | 0:22:57 | 0:22:59 | |
He did ask the question - if he was found in the hole. | 0:22:59 | 0:23:02 | |
That seems like he's asking something... | 0:23:02 | 0:23:04 | |
He knew which hole they were referring to. | 0:23:04 | 0:23:07 | |
-Yeah, he did. -So, let's see if we can help you out. | 0:23:07 | 0:23:10 | |
-And we've added a new one to the list for you. -Oh! | 0:23:10 | 0:23:12 | |
So, there's the deer trading licence, | 0:23:12 | 0:23:15 | |
the forensics report on the hair samples found on the victim's clothes, | 0:23:15 | 0:23:19 | |
and we have a new piece of evidence, | 0:23:19 | 0:23:20 | |
the accounting book for | 0:23:20 | 0:23:23 | |
Meat And Greet Butchers. | 0:23:23 | 0:23:25 | |
I'm all about forensics, so I'll leave it up to you guys. | 0:23:25 | 0:23:28 | |
This is true, but I would love to know what's going on in that butcher's business. | 0:23:28 | 0:23:32 | |
-Yeah, I know. -Yeah, cos I think there's a lot of money there. | 0:23:32 | 0:23:34 | |
And the four monkeys, as it was called, which was two grand, | 0:23:34 | 0:23:37 | |
I want to know how they're covering that in the books. | 0:23:37 | 0:23:40 | |
I do, but then I want to find out about the hair sample as well, | 0:23:40 | 0:23:43 | |
so I am interested in that as well. | 0:23:43 | 0:23:45 | |
-Yeah, I am. -It would be good cos we have walked away from Colin. | 0:23:45 | 0:23:47 | |
We haven't brought anything up with him. | 0:23:47 | 0:23:49 | |
I need a decision from you about which piece of evidence you want to see. | 0:23:49 | 0:23:52 | |
-I want to see the hair sample forensic results, please. -Right. | 0:23:52 | 0:23:56 | |
I will go with James, I'll go with the hair sample. | 0:23:56 | 0:23:58 | |
I got my way last time, so... | 0:23:58 | 0:23:59 | |
-Krystyna? -I'm all about forensics. | 0:23:59 | 0:24:01 | |
OK. The hair samples found in the | 0:24:01 | 0:24:03 | |
lower legs and hands of the deceased, | 0:24:03 | 0:24:05 | |
so you can see there, there's a | 0:24:05 | 0:24:08 | |
negative match to the human beings. | 0:24:08 | 0:24:11 | |
Not human. | 0:24:11 | 0:24:12 | |
However... | 0:24:12 | 0:24:14 | |
-GREGOR LAUGHS -We're all thinking that contact | 0:24:14 | 0:24:17 | |
trace has been made with the dog at | 0:24:17 | 0:24:20 | |
discovery of the body. | 0:24:20 | 0:24:22 | |
Mmm-hmm. | 0:24:22 | 0:24:23 | |
Where, if it is Sonya, and she's out walking the dog, | 0:24:23 | 0:24:28 | |
then contact trace could have been made at the moment of killing. | 0:24:28 | 0:24:34 | |
-It is Locard's principle that every contact leaves a trace. -Of course it is. -Absolutely. | 0:24:34 | 0:24:38 | |
OK, Armchair Detectives, it's time | 0:24:38 | 0:24:41 | |
again to pick your prime suspect. | 0:24:41 | 0:24:43 | |
I need you to write down your choices now. | 0:24:43 | 0:24:45 | |
Are you going to pick Colin, Ralph, Sonya or Lance? | 0:24:45 | 0:24:50 | |
Time's up. Notepads down, please, Armchair Detectives. | 0:24:56 | 0:25:00 | |
Gregor, last time your prime suspect was Lance. | 0:25:00 | 0:25:05 | |
I have changed my mind. | 0:25:05 | 0:25:06 | |
I'm steering towards Colin, because he has not been around a lot, | 0:25:06 | 0:25:10 | |
-but he has a lot to do with this. -Mmm. | 0:25:10 | 0:25:12 | |
So I now want to know more about Colin because he's hiding somewhere. | 0:25:12 | 0:25:16 | |
Krystyna, last time you went for Colin. | 0:25:16 | 0:25:20 | |
-I've now, sort of, got Sonya in mind. -Mmm-hmm. | 0:25:20 | 0:25:23 | |
But I think in cahoots with Colin, with her dad. | 0:25:23 | 0:25:26 | |
-Sonya's your prime suspects? -She is at the moment, yes. | 0:25:26 | 0:25:29 | |
James, last time your prime suspect was Sonya. | 0:25:29 | 0:25:33 | |
-Mmm-hmm. -Have you stuck with Sonya? | 0:25:33 | 0:25:35 | |
I have, because I still feel that something's quite not right there, | 0:25:35 | 0:25:39 | |
and I'm still missing something and I'm itching to know what it is. | 0:25:39 | 0:25:43 | |
-You just need a little bit more information, don't you? -Yes. -Yes. | 0:25:43 | 0:25:46 | |
-Shall I try and help you out? -Please. -Yeah. -All right, then. | 0:25:46 | 0:25:48 | |
We're up to round four - Dig Deeper. | 0:25:48 | 0:25:51 | |
We're going to get a sneak peek at what some of the suspects were up to | 0:25:51 | 0:25:55 | |
a couple of weeks before Joe's murder. | 0:25:55 | 0:25:58 | |
Three months isn't all that long, really. You're out before you know it. | 0:26:10 | 0:26:13 | |
They give you a bit of a fine sometimes, too. | 0:26:13 | 0:26:15 | |
If you're a repeat offender, like Sonya, they can force you to wear | 0:26:15 | 0:26:18 | |
a tracker, but all in all, the profits far outweigh the risks. | 0:26:18 | 0:26:22 | |
I figured you'd know the estate and might be able to give me some tips. | 0:26:23 | 0:26:27 | |
I'd recommend Concido Woods. | 0:26:27 | 0:26:29 | |
Lovely pine and conifer trees there. | 0:26:29 | 0:26:31 | |
You often see ospreys fly from there to the lake, to catch some fish. | 0:26:31 | 0:26:35 | |
Nests are a bit high. | 0:26:35 | 0:26:37 | |
You'll need some decent climbing shoes. | 0:26:37 | 0:26:39 | |
Not a problem. | 0:26:39 | 0:26:41 | |
You have to be careful of Joe, though. | 0:26:41 | 0:26:42 | |
He's the forest ranger on the estate and the forest is private. | 0:26:42 | 0:26:46 | |
But I've dug several pits he doesn't know about yet. | 0:26:46 | 0:26:49 | |
There's one I recommend. | 0:26:49 | 0:26:51 | |
You're more than welcome to use it for your egg hunting. | 0:26:51 | 0:26:53 | |
I occasionally use it for hunting deer. | 0:26:53 | 0:26:55 | |
Directions. | 0:26:57 | 0:26:58 | |
When you get to Sceptre Farm on the edge of the woods, park nearby. | 0:26:59 | 0:27:02 | |
It's got rudimentary camo covering. | 0:27:02 | 0:27:04 | |
But don't stand on it, as it won't take the weight. | 0:27:04 | 0:27:06 | |
Also, you may need this. | 0:27:08 | 0:27:11 | |
How's my trophy going? | 0:27:17 | 0:27:20 | |
Anything special takes time. | 0:27:20 | 0:27:22 | |
Be patient. You won't be sorry. | 0:27:22 | 0:27:24 | |
-Hello, chaps. -All right, Lance? | 0:27:31 | 0:27:34 | |
Meat or messages? | 0:27:36 | 0:27:38 | |
Both, actually. I think I'd like a nice piece of venison. | 0:27:38 | 0:27:42 | |
Coming right up. | 0:27:42 | 0:27:43 | |
This is exceptionally high quality meat. | 0:27:45 | 0:27:49 | |
I bet it is. | 0:27:49 | 0:27:51 | |
My newly acquired venison is flying out of here. | 0:27:51 | 0:27:55 | |
Not to mention the more decorative aspects of that very fine animal. | 0:27:55 | 0:28:01 | |
So, we're still on for... | 0:28:01 | 0:28:03 | |
More than ready. At least one a week. | 0:28:03 | 0:28:07 | |
Fantastic. | 0:28:07 | 0:28:08 | |
Why would he give him a boomerang? | 0:28:13 | 0:28:16 | |
LAUGHTER | 0:28:16 | 0:28:18 | |
I believe that was the drill, cos it was quite a big thing. | 0:28:18 | 0:28:21 | |
But I'm going to say, I'm very jealous of Colin's moustache. | 0:28:21 | 0:28:25 | |
It's a great, great moustache. | 0:28:25 | 0:28:27 | |
-But it's a very evil moustache. -It is an evil moustache! | 0:28:27 | 0:28:29 | |
James? What are you thinking? | 0:28:29 | 0:28:32 | |
Well, Ralph's given Lance some advice on how to build some screens | 0:28:32 | 0:28:37 | |
for the, for hiding out. Also gave him directions, | 0:28:37 | 0:28:41 | |
and we know that Lance has been to the pit, | 0:28:41 | 0:28:44 | |
because we've got the forensic evidence. | 0:28:44 | 0:28:46 | |
Well, it's time to pick some evidence to look at. | 0:28:46 | 0:28:49 | |
Here are your choices. | 0:28:49 | 0:28:51 | |
The deer trading licence, | 0:28:51 | 0:28:53 | |
the accounting book for Meat And Greet Butchers, and a new item - | 0:28:53 | 0:28:57 | |
details of what was in the package that Ralph handed to Lance. | 0:28:57 | 0:29:02 | |
I would like to see if Ralph is on the deer hunting permit. | 0:29:02 | 0:29:05 | |
Because he's supplying trophies to the butchers, he's supplying venison... | 0:29:05 | 0:29:09 | |
I really want to see the Meat And Greet accounts. | 0:29:09 | 0:29:12 | |
It's just difficult. I keep looking over at the other Armchair | 0:29:12 | 0:29:14 | |
Detectives. Some of them are like that, and some of them are like, "No!" | 0:29:14 | 0:29:17 | |
It's an intriguing thing. | 0:29:17 | 0:29:18 | |
Krystyna, what would you like to see? | 0:29:18 | 0:29:20 | |
I'd like to see the deer hunting permit, as well. | 0:29:20 | 0:29:22 | |
So what are you going to plump for? | 0:29:22 | 0:29:25 | |
-We'll go with the deer hunting permit, that's what yous want to see. -Deer hunting permit? | 0:29:25 | 0:29:28 | |
-I'm perfectly OK with that. -OK, let's have a look at the deer hunting permit. | 0:29:28 | 0:29:32 | |
The deer trading licence gives legal permission for the Meat And Greet | 0:29:32 | 0:29:35 | |
Butchers to hunt and trade in venison. | 0:29:35 | 0:29:41 | |
Specifically, one per week. | 0:29:42 | 0:29:46 | |
That is what the trading licence permits. | 0:29:46 | 0:29:49 | |
One per week. | 0:29:49 | 0:29:52 | |
-Now that we know that, I think seeing the accounts would be quite helpful. -Yeah. | 0:29:52 | 0:29:56 | |
Now, Armchair Detectives, | 0:29:56 | 0:29:58 | |
it's time to lock in your prime suspect once again. | 0:29:58 | 0:30:00 | |
Colin, Ralph, Sonya or Lance. | 0:30:00 | 0:30:04 | |
Notepads down, Armchair Detectives. | 0:30:10 | 0:30:13 | |
Right, let's see what's been happening in your wonderful brains. | 0:30:13 | 0:30:17 | |
Gregor, last time your prime suspect was Colin. | 0:30:17 | 0:30:21 | |
What have you gone for this time? | 0:30:22 | 0:30:24 | |
I have gone back to Lance. | 0:30:24 | 0:30:26 | |
-Why? -Colin has a shop. He has a daughter to look after, though, | 0:30:26 | 0:30:30 | |
who's already been convicted for poaching. | 0:30:30 | 0:30:32 | |
It would be bad if he was caught for doing naughty things, | 0:30:32 | 0:30:35 | |
but I think he uses other people for that. | 0:30:35 | 0:30:38 | |
Krystyna, last time your prime suspect was Sonya, | 0:30:38 | 0:30:42 | |
-have you changed your mind? -No. | 0:30:42 | 0:30:43 | |
-No? -They are getting more than one deer a week. | 0:30:43 | 0:30:49 | |
-She's definitely poaching more than that, I'm sure. -OK. | 0:30:49 | 0:30:53 | |
James, last time you went for Sonya. | 0:30:53 | 0:30:56 | |
-This time? -I've stuck with Sonya, | 0:30:56 | 0:30:58 | |
cos there's something I noticed in the first film. | 0:30:58 | 0:31:01 | |
When she went up the ladder to help Lance, she knocked her glasses | 0:31:01 | 0:31:05 | |
off and the glasses broke. | 0:31:05 | 0:31:07 | |
So these broken glasses have clearly got some impact to come, | 0:31:07 | 0:31:11 | |
and I've been waiting, and it's not happened yet. | 0:31:11 | 0:31:14 | |
Well, let's find out a little bit more. It's time for round five, | 0:31:14 | 0:31:17 | |
the Final Clues. | 0:31:17 | 0:31:19 | |
Knight and Slater make a visit to the Meat And Greet Butchers, | 0:31:19 | 0:31:23 | |
but they're not there to buy lamb chops. | 0:31:23 | 0:31:25 | |
Sonya! | 0:31:37 | 0:31:39 | |
You have visitors. | 0:31:40 | 0:31:41 | |
Dad, you're going to have to help me balance these books. | 0:31:42 | 0:31:45 | |
Oh, hello. | 0:31:45 | 0:31:46 | |
That was fast. | 0:31:46 | 0:31:49 | |
We got a message that you remembered something, and we were in the area, so, um... | 0:31:49 | 0:31:52 | |
-..what can you tell us? -I think I'd heard Lance saying something about birds' eggs. | 0:31:53 | 0:31:58 | |
He likes his collection and curiosities, does Lance. | 0:31:58 | 0:32:02 | |
He has connections. | 0:32:02 | 0:32:04 | |
He told me about a hole he'd started to use for bird-watching. | 0:32:04 | 0:32:09 | |
Joe had said to me he'd suspected something was going on, and was | 0:32:09 | 0:32:12 | |
trying to track down if someone was stealing eggs. | 0:32:12 | 0:32:15 | |
-Do you like bird-watching? -Yes. | 0:32:15 | 0:32:18 | |
I've been looking forward to the golden eagles. | 0:32:18 | 0:32:20 | |
So, gentlemen, got more riveting questions for me? | 0:32:25 | 0:32:29 | |
Indeed we do. | 0:32:29 | 0:32:30 | |
You said you watch birds, but do you know anything about birds' eggs? | 0:32:31 | 0:32:36 | |
Well, birds lay eggs, of course. | 0:32:37 | 0:32:40 | |
Birds hatch from eggs, ostrich eggs are huge. | 0:32:40 | 0:32:44 | |
We believe Ralph Moore lent you a drill. | 0:32:45 | 0:32:48 | |
-What was that for? -I used it to erect a bird hide screen. | 0:32:48 | 0:32:53 | |
And yet, we haven't come across a bird hide screen. | 0:32:53 | 0:32:55 | |
What are you suggesting? | 0:32:56 | 0:32:58 | |
We've heard several tales of you poaching birds' eggs, | 0:32:59 | 0:33:02 | |
so I suppose what I'm suggesting is that if we were to search your house | 0:33:02 | 0:33:08 | |
right now, we'd find evidence of that. | 0:33:08 | 0:33:10 | |
-Slater? -On it, Sir. -Look, I've only taken a few eggs. | 0:33:14 | 0:33:17 | |
You do know it's illegal to disturb wild birds' nests and take their eggs? | 0:33:17 | 0:33:21 | |
I know nothing about Joe's death. | 0:33:21 | 0:33:23 | |
We'll be the judge of that. | 0:33:23 | 0:33:24 | |
Right now, I'm placing you under arrest for offences under the Wildlife And Countryside Act. | 0:33:25 | 0:33:31 | |
Lance, quite the "orthinologist" there. | 0:33:36 | 0:33:38 | |
"Birds lay eggs. | 0:33:38 | 0:33:39 | |
"Birds come from eggs. Ostrich eggs are big." | 0:33:39 | 0:33:41 | |
LAUGHTER | 0:33:41 | 0:33:42 | |
So, James, did you notice anything? | 0:33:42 | 0:33:46 | |
Yeah, she walked into that stool, cos she wasn't wearing her glasses. | 0:33:46 | 0:33:49 | |
And what do you think that means, though? | 0:33:49 | 0:33:51 | |
I don't know. I can't fit it in. | 0:33:51 | 0:33:53 | |
I can't link anything. | 0:33:53 | 0:33:55 | |
I am leaning more towards Sonya. | 0:33:55 | 0:33:57 | |
-Yeah. -Well, it's good to see Lance is guilty of something. | 0:33:57 | 0:34:00 | |
-So he was hiding things. -Yes. | 0:34:00 | 0:34:02 | |
-I thought it was something to do with Lance. -It was interesting, the moment you brought up the | 0:34:02 | 0:34:06 | |
glasses, they brought that point back into the film, that, yeah, | 0:34:06 | 0:34:10 | |
she cannae see properly. | 0:34:10 | 0:34:12 | |
I noticed the gun in the butcher's shop. | 0:34:12 | 0:34:15 | |
-And we still haven't explained the two gunshots. -Yeah. | 0:34:15 | 0:34:17 | |
So the question is, can she not see properly, and she, bang, bang, scare, fall, dead, | 0:34:17 | 0:34:23 | |
or was it the dad? So we're back to that family. | 0:34:23 | 0:34:25 | |
Back to that family again. | 0:34:25 | 0:34:27 | |
Well, let's see if we can help you out, | 0:34:27 | 0:34:29 | |
-cos it's time to pick your final piece of evidence. -Ah! | 0:34:29 | 0:34:32 | |
Only two pieces left. | 0:34:32 | 0:34:34 | |
You can only see one of them before you make your final accusation. | 0:34:34 | 0:34:37 | |
Which one do you want to pick? | 0:34:37 | 0:34:39 | |
The accounting book for Meat And Greet... | 0:34:39 | 0:34:41 | |
..or details of what was in the package Ralph handed to Lance? | 0:34:42 | 0:34:47 | |
We keep on mentioning that they've handed him a drill. I'd be surprised if it's not a drill. | 0:34:47 | 0:34:51 | |
-Aye, by this point. -OK. | 0:34:51 | 0:34:52 | |
-I want to see the Meat And Greet accounts. -However... | 0:34:52 | 0:34:56 | |
..there are two gunshots. There's not a thing to say that the gunshots | 0:34:56 | 0:34:59 | |
were with a rifle. They could have been with a handgun. | 0:34:59 | 0:35:03 | |
-I totally agree. -And that did have sort of, like, the shape of a handgun, didn't it? | 0:35:03 | 0:35:06 | |
-But... -Could it have been a handgun? | 0:35:06 | 0:35:08 | |
-Yeah. -Be a big handgun. -It would be a big handgun. | 0:35:08 | 0:35:11 | |
But I think you're right, Meat And Greet, | 0:35:11 | 0:35:13 | |
-I think we should see what's in that. -Yeah? -Yeah. -Yeah. -The accounts? | 0:35:13 | 0:35:16 | |
ALL: Yeah. OK, you want to see the accounts for Meat And Greet. | 0:35:16 | 0:35:19 | |
One deer, £1,050... | 0:35:19 | 0:35:24 | |
..sold for... | 0:35:24 | 0:35:27 | |
The total in the safe is £7,561.37. | 0:35:27 | 0:35:32 | |
We've got an anomaly there. | 0:35:33 | 0:35:35 | |
-Am I missing it? -They don't add up, do they? | 0:35:35 | 0:35:37 | |
No. Then there's the four monkeys, | 0:35:37 | 0:35:41 | |
which would be in the safe as well. | 0:35:41 | 0:35:43 | |
-That's 2,000, you've still got an anomaly. -Yeah, there's... | 0:35:43 | 0:35:47 | |
-They're definitely... up to something. -Yeah. | 0:35:47 | 0:35:50 | |
The books don't add up, I think it's fair to say they don't add up. | 0:35:50 | 0:35:53 | |
Well, as you know by now, | 0:35:53 | 0:35:55 | |
whoever guesses correctly today will win the golden magnifying glass. | 0:35:55 | 0:36:00 | |
AUDIENCE: Ooh! | 0:36:01 | 0:36:03 | |
I need you to write down who you are accusing, | 0:36:04 | 0:36:07 | |
It's time to answer the only question that matters, whodunnit? | 0:36:07 | 0:36:12 | |
Colin, Ralph, Lance, Sonya. | 0:36:12 | 0:36:16 | |
-I don't know what to do! -Your time starts now. | 0:36:16 | 0:36:18 | |
-It's time to tell me who you're accusing and why. -Oh! | 0:36:24 | 0:36:27 | |
Gregor, who are you accusing? | 0:36:27 | 0:36:29 | |
-Colin. -Colin, why? | 0:36:29 | 0:36:31 | |
He has a lot to protect. | 0:36:31 | 0:36:34 | |
Joe was getting close to catching all the poachers. | 0:36:34 | 0:36:37 | |
Krystyna, who are you accusing? | 0:36:37 | 0:36:39 | |
-Sonya. -Why? | 0:36:40 | 0:36:42 | |
Her previous record of being a poacher, I just... | 0:36:44 | 0:36:47 | |
And the money, the money amount, | 0:36:47 | 0:36:49 | |
I just feel that she's... | 0:36:49 | 0:36:51 | |
-..still doing the poaching. -Mmm-hmm. | 0:36:52 | 0:36:54 | |
James? Who are you accusing? | 0:36:54 | 0:36:56 | |
I've stuck with Sonya the whole way through. | 0:36:57 | 0:37:00 | |
And that's what I'm going with, Sonya. | 0:37:00 | 0:37:03 | |
-Because? -Because there's still some things that don't add up. | 0:37:03 | 0:37:06 | |
I don't get the glasses thing. | 0:37:06 | 0:37:08 | |
I don't get the bit with the tracker. | 0:37:08 | 0:37:12 | |
If it's not Sonya, then it's Colin, and I've made the wrong choice. | 0:37:12 | 0:37:16 | |
LAUGHTER | 0:37:16 | 0:37:17 | |
Gregor is accusing Colin, and Krystyna and James have accused Sonya. | 0:37:17 | 0:37:22 | |
Now before we go to Mortcliff for the answer, | 0:37:22 | 0:37:24 | |
let's take a look at the piece of evidence that you didn't pick. | 0:37:24 | 0:37:28 | |
You did not pick the contents of the package. | 0:37:28 | 0:37:32 | |
It is an ultrasonic gun... | 0:37:32 | 0:37:36 | |
-Oh! -..used to scare away birds, | 0:37:36 | 0:37:38 | |
especially when in forests and the countryside. | 0:37:38 | 0:37:42 | |
So it wasn't a drill. | 0:37:42 | 0:37:43 | |
-You said gun. -Salutary lesson, there, Armchair Detectives, not to make assumptions | 0:37:44 | 0:37:50 | |
about what the evidence is. | 0:37:50 | 0:37:52 | |
Armchair Detectives, it's time to find out... | 0:37:52 | 0:37:56 | |
-Oh, no. -..what really happened in today's story, Deerly Departed. | 0:37:56 | 0:38:02 | |
-I don't want to know. -Who killed Joe Jenkins? | 0:38:02 | 0:38:06 | |
Let's find out whodunnit. | 0:38:06 | 0:38:09 | |
Colin was telling the truth about his dog finding the body. | 0:38:20 | 0:38:24 | |
The hairs on the victim's arms and legs were different to that of the | 0:38:24 | 0:38:26 | |
suspect's, and the hair discovered on Joe was quite different to the human samples. | 0:38:26 | 0:38:31 | |
Colin said his dog didn't disturb the crime scene, so how did the dog hairs get there? | 0:38:33 | 0:38:39 | |
Take a look at this. | 0:38:40 | 0:38:42 | |
There are discrepancies in the Meat And Greet shop's accounts. | 0:38:50 | 0:38:53 | |
-The butchers were selling poached deer meat, and Joe was their only obstacle. -Mmm-hmm. | 0:38:55 | 0:39:01 | |
I think they're also dealing in taxidermy. | 0:39:03 | 0:39:05 | |
A carcass would go for, say, 200 quid, | 0:39:07 | 0:39:11 | |
but a full stag's head and antlers would fetch up to 2,000. | 0:39:11 | 0:39:16 | |
So, Sonya or Colin? | 0:39:17 | 0:39:20 | |
Well, here's the information you wanted regarding the binoculars, Sir. | 0:39:20 | 0:39:24 | |
I think we have all we need. | 0:39:32 | 0:39:33 | |
Good work, Slater. | 0:39:35 | 0:39:36 | |
We know you walk your dog occasionally. | 0:39:39 | 0:39:42 | |
Only where I'm allowed. | 0:39:42 | 0:39:44 | |
You see, that was my initial confusion. | 0:39:44 | 0:39:46 | |
How did you get to Concido Woods without being tracked? | 0:39:47 | 0:39:53 | |
Then, when we came to visit you, | 0:39:53 | 0:39:55 | |
you banged your leg quite hard without flinching. | 0:39:55 | 0:39:57 | |
Unfortunately, the officers didn't really pay much attention to your leg... | 0:39:57 | 0:40:01 | |
..when they attached the tracker to it. | 0:40:02 | 0:40:05 | |
Please place your leg on the table, Ms Bruce. | 0:40:05 | 0:40:08 | |
LOUD BANG | 0:40:11 | 0:40:13 | |
HOLLOW TAP | 0:40:17 | 0:40:18 | |
See, when you wanted to go to the woods, | 0:40:20 | 0:40:23 | |
you simply swapped your prosthetic leg | 0:40:23 | 0:40:25 | |
for the one without the tracker. | 0:40:25 | 0:40:27 | |
So when you heard that Joe was going to have a crackdown on poaching in | 0:40:28 | 0:40:31 | |
the forest, you decided to take matters into your own hand. | 0:40:31 | 0:40:34 | |
See, Lance had told you where Ralph's pits were in the forest. | 0:40:34 | 0:40:40 | |
So, you fired the ornamental gun from your dad's shop and waited. | 0:40:40 | 0:40:47 | |
After 20 minutes, Joe hadn't arrived, so you fired again. | 0:40:48 | 0:40:51 | |
This time, he heard the shot. | 0:40:52 | 0:40:54 | |
And eventually he found you, | 0:40:54 | 0:40:56 | |
whereupon you pushed him into the pit. | 0:40:56 | 0:40:58 | |
However, Joe grabbed your binoculars before he fell into the pit | 0:41:00 | 0:41:06 | |
-and broke his neck. -Before you pushed Joe, he petted your dog. | 0:41:06 | 0:41:11 | |
Bess gave him hairs on his lower legs and hands. | 0:41:11 | 0:41:16 | |
Hairs that didn't match the hairs from any of the other suspects. | 0:41:16 | 0:41:19 | |
How do you know the binoculars were mine? | 0:41:19 | 0:41:21 | |
They could be anyone's. | 0:41:21 | 0:41:23 | |
Well, you see, we know that your left eye is a lot more short-sighted | 0:41:23 | 0:41:28 | |
than your right, because the left | 0:41:28 | 0:41:30 | |
lens on your glasses is a | 0:41:30 | 0:41:32 | |
lot thicker than the right. | 0:41:32 | 0:41:34 | |
Also, on the binoculars we found... | 0:41:35 | 0:41:38 | |
..the lens on the left is focused to the maximum. | 0:41:40 | 0:41:43 | |
We're sure if we test your other pair of binoculars, we'll find the | 0:41:44 | 0:41:48 | |
-same thing. -I want my lawyer. | 0:41:48 | 0:41:50 | |
Sonya Proust, I am arresting you for the murder of Joe Jenkins. | 0:41:51 | 0:41:54 | |
Wow. | 0:41:59 | 0:42:01 | |
If anyone at home spotted the prosthetic leg, | 0:42:03 | 0:42:07 | |
give yourself another biscuit! | 0:42:07 | 0:42:10 | |
LAUGHTER | 0:42:10 | 0:42:11 | |
I quite literally could not believe my eyes. | 0:42:13 | 0:42:16 | |
And most importantly, Armchair Detectives, James's career is safe, ladies and gentlemen. | 0:42:18 | 0:42:25 | |
CHEERING | 0:42:25 | 0:42:27 | |
Well, congratulations, Krystyna and James. | 0:42:29 | 0:42:32 | |
You both picked the killer and are today's winners, | 0:42:32 | 0:42:35 | |
winning your first golden magnifying glass. | 0:42:35 | 0:42:37 | |
Well done! | 0:42:37 | 0:42:39 | |
And I can tell you all at home, | 0:42:42 | 0:42:44 | |
for the very first time in this series of Armchair Detectives, | 0:42:44 | 0:42:47 | |
I also picked the right suspect. Come on! | 0:42:47 | 0:42:49 | |
CHEERING | 0:42:49 | 0:42:51 | |
Number one. | 0:42:51 | 0:42:52 | |
Well, that's all for Armchair Detectives. | 0:42:52 | 0:42:54 | |
Come back next time, | 0:42:54 | 0:42:56 | |
where Knight and Slater uncover Hawaiian-themed criminal activity. | 0:42:56 | 0:43:00 | |
ALL: Ooh! | 0:43:00 | 0:43:02 | |
But remember, | 0:43:02 | 0:43:04 | |
no-one gets away with murder in Mortcliff. | 0:43:04 | 0:43:07 | |
Goodbye. | 0:43:07 | 0:43:08 | |
Well done, James. Well done, Krystyna. | 0:43:11 | 0:43:14 | |
Hard luck, Gregor, hard luck. | 0:43:14 | 0:43:16 |