Browse content similar to Derby Day Death. Check below for episodes and series from the same categories and more!
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Like a good mystery? Got an eye for the detail? | 0:00:02 | 0:00:04 | |
Always fancied yourself as the next Sherlock Holmes? | 0:00:04 | 0:00:07 | |
Welcome to the TV show with only one question. | 0:00:07 | 0:00:10 | |
Whodunnit? | 0:00:10 | 0:00:11 | |
Hello, this is Armchair Detectives, | 0:00:26 | 0:00:29 | |
the show where these 15 murder mystery enthusiasts | 0:00:29 | 0:00:32 | |
will try and solve a deadly crime by the end of today's programme. | 0:00:32 | 0:00:36 | |
They will be tasked with solving a fictional murder set in Mortcliff, | 0:00:36 | 0:00:40 | |
but don't go there on your holidays! | 0:00:40 | 0:00:42 | |
Or you might not make it out alive. | 0:00:42 | 0:00:44 | |
Helping them is the local law enforcement team, there they are. | 0:00:45 | 0:00:50 | |
DI Knight, DC Slater, | 0:00:50 | 0:00:51 | |
and SOCO Simmons. | 0:00:51 | 0:00:53 | |
Before we head to Mortcliff for the first time, | 0:00:53 | 0:00:55 | |
let's meet our Armchair Detectives. | 0:00:55 | 0:00:57 | |
Hello, Armchair Detectives. | 0:00:57 | 0:00:59 | |
-ALL: -Hello! | 0:00:59 | 0:01:01 | |
Only three of you play each day, so please take your armchairs, | 0:01:01 | 0:01:04 | |
Toria, Ashley, and Laura. | 0:01:04 | 0:01:06 | |
Come on up. | 0:01:06 | 0:01:07 | |
Welcome, Armchair Detectives. | 0:01:13 | 0:01:15 | |
Toria, welcome to the Show. | 0:01:15 | 0:01:17 | |
What made you want to be an Armchair Detective? | 0:01:17 | 0:01:20 | |
I, in my day job, run an escape room with my other half. | 0:01:20 | 0:01:24 | |
Gregor, he's here today. And I'm probably more used to being the | 0:01:24 | 0:01:27 | |
game master rather than the player, | 0:01:27 | 0:01:29 | |
so it's nice to see it from the other side. | 0:01:29 | 0:01:31 | |
Well, we'll see how you do today, Toria. | 0:01:31 | 0:01:33 | |
Ashley. What made you want to be an Armchair Detective? | 0:01:33 | 0:01:36 | |
I do murder mysteries, so I am normally the murderer. | 0:01:36 | 0:01:41 | |
-Deliberately? -So it's great to be on the other side. | 0:01:41 | 0:01:46 | |
And Laura, welcome. | 0:01:46 | 0:01:48 | |
What made you want to be an Armchair Detective? | 0:01:48 | 0:01:50 | |
Well, it's an adventure. | 0:01:50 | 0:01:52 | |
It is an adventure. | 0:01:52 | 0:01:54 | |
It is an adventure! | 0:01:54 | 0:01:56 | |
I think Laura's keeping her cards very close to her chest just now. | 0:01:56 | 0:01:59 | |
Let's see what happens. | 0:01:59 | 0:02:00 | |
As you know by now, if you guess the killer correctly, | 0:02:00 | 0:02:04 | |
you'll get your hands on this, | 0:02:04 | 0:02:06 | |
the golden magnifying glass, | 0:02:06 | 0:02:07 | |
won by Charley and Simon yesterday. | 0:02:07 | 0:02:10 | |
Now, I don't know who the killer is either, | 0:02:10 | 0:02:13 | |
so I'm going to be playing along with you all as well. | 0:02:13 | 0:02:16 | |
So let's begin today's investigation. | 0:02:16 | 0:02:19 | |
It's time for round one. | 0:02:19 | 0:02:21 | |
The Crime Scene. | 0:02:21 | 0:02:22 | |
Will Knight and Slater be bowled over by today's crime? | 0:02:22 | 0:02:26 | |
Notepads at the ready, let's head over to Mortcliff. | 0:02:26 | 0:02:30 | |
Pretty impressive. | 0:02:40 | 0:02:41 | |
All those trophies, but they haven't beaten Parryvale in 15 years. | 0:02:43 | 0:02:47 | |
DI Knight, this is DC Slater. | 0:02:47 | 0:02:49 | |
I can't believe this has happened. | 0:02:51 | 0:02:53 | |
We were so close to winning too. | 0:02:53 | 0:02:55 | |
Can I ask you, and everyone else to remain here until we've had a chance | 0:02:56 | 0:02:59 | |
to speak to you all? | 0:02:59 | 0:03:00 | |
Excuse me, I must go and speak to my forensics team. | 0:03:01 | 0:03:05 | |
They're in the Parryvale team's changing room. | 0:03:05 | 0:03:07 | |
Thank you. | 0:03:07 | 0:03:08 | |
Afternoon, Simmons. | 0:03:14 | 0:03:15 | |
What do you have for us? | 0:03:15 | 0:03:17 | |
I was told the victim became ill in the changing rooms. | 0:03:17 | 0:03:20 | |
He then staggered out of the room, his condition worsening. | 0:03:20 | 0:03:24 | |
Sounds like anaphylactic shock, | 0:03:24 | 0:03:25 | |
but I'll need to confirm that. | 0:03:25 | 0:03:27 | |
In that case, are we looking at possible natural causes? | 0:03:27 | 0:03:30 | |
Doubtful, so we are dusting for prints on the usual telltale signs. | 0:03:30 | 0:03:34 | |
But as there's no blood, no weapon... | 0:03:34 | 0:03:37 | |
Not much to go on then? | 0:03:37 | 0:03:38 | |
It's not exactly offering up a smoking gun. | 0:03:38 | 0:03:40 | |
What do we know about the deceased? | 0:03:42 | 0:03:43 | |
He was Patrick McMurray, | 0:03:43 | 0:03:45 | |
35 years of age. | 0:03:45 | 0:03:47 | |
Basically over the hill then, Simmons? | 0:03:47 | 0:03:49 | |
Maybe in your world, Slater. | 0:03:49 | 0:03:51 | |
Paddy Mac, as he was known, was in good physical health. | 0:03:51 | 0:03:55 | |
No known ailments. | 0:03:55 | 0:03:57 | |
He was one of the bowlers for the Parryvale Bowling club. | 0:03:57 | 0:04:00 | |
Him and his pal, Aaron, were apparently quite the star team. | 0:04:00 | 0:04:04 | |
Were these snacks here when you arrived? | 0:04:04 | 0:04:07 | |
Yeah. | 0:04:07 | 0:04:08 | |
That and the bowling kit. | 0:04:08 | 0:04:10 | |
Luckily, the groundskeeper had the foresight | 0:04:10 | 0:04:12 | |
to lock these rooms as soon | 0:04:12 | 0:04:13 | |
as the ambulance left. | 0:04:13 | 0:04:15 | |
So no evidence was removed. | 0:04:15 | 0:04:17 | |
Right, we'll let you get on with it. | 0:04:17 | 0:04:20 | |
Let us know as soon as you have something. | 0:04:20 | 0:04:23 | |
I was in the loo and I heard someone come in. | 0:04:28 | 0:04:31 | |
After a few minutes, I came out, it was Paddy. | 0:04:31 | 0:04:34 | |
He didn't look too good. | 0:04:34 | 0:04:35 | |
He was drinking water, he said he needed some fresh air. | 0:04:36 | 0:04:39 | |
He left the room, and the next thing I knew, he fell. | 0:04:40 | 0:04:44 | |
I tried to help him. | 0:04:44 | 0:04:46 | |
James and Frank came out of the other changing room. | 0:04:48 | 0:04:50 | |
James tried to give him some basic first aid. | 0:04:50 | 0:04:53 | |
CPR and all that. | 0:04:53 | 0:04:54 | |
After a while, the ambulance crew arrived. | 0:04:57 | 0:05:00 | |
They took him away. | 0:05:00 | 0:05:01 | |
You're a team-mate of Paddy's? | 0:05:02 | 0:05:04 | |
I was his substitute today. | 0:05:06 | 0:05:08 | |
I've known him for years. | 0:05:08 | 0:05:09 | |
I've played with him a lot. | 0:05:09 | 0:05:11 | |
Thanks for your statement, Mr Jordan. | 0:05:12 | 0:05:14 | |
Sure. | 0:05:14 | 0:05:16 | |
Oh, don't forget your bowls. | 0:05:17 | 0:05:19 | |
Oh, right, ta. | 0:05:19 | 0:05:21 | |
-ALL: -Ooh! | 0:05:33 | 0:05:36 | |
Intriguing, I think you'll agree. | 0:05:36 | 0:05:39 | |
The first thing that stuck out to me was the water bottles which were | 0:05:39 | 0:05:42 | |
labelled, and they were saying he was drinking a lot of water and | 0:05:42 | 0:05:45 | |
then he staggered out of the room. And I think they were talking about | 0:05:45 | 0:05:48 | |
anaphylactic shock, so if he was poisoned, | 0:05:48 | 0:05:50 | |
if there was something in the water, | 0:05:50 | 0:05:51 | |
I think it would be easy to intentionally put it in his bottle. | 0:05:51 | 0:05:54 | |
There was also the raisin snacks as well. | 0:05:54 | 0:05:58 | |
So it could have been the open carton of them. | 0:05:58 | 0:06:02 | |
Rather than the water. | 0:06:02 | 0:06:04 | |
Because it's not clear what, if he suffered the anaphylactic shock, | 0:06:04 | 0:06:07 | |
what he was allergic to. | 0:06:07 | 0:06:09 | |
Let's look at today's victim. | 0:06:09 | 0:06:11 | |
It is Patrick McMurray, | 0:06:11 | 0:06:13 | |
affectionately known as Paddy Mac to his friends. | 0:06:13 | 0:06:16 | |
He was 35 years old. | 0:06:16 | 0:06:19 | |
Paddy is the star player of Parryvale Bowls Club. | 0:06:19 | 0:06:23 | |
The cause of death is suspected anaphylactic shock, | 0:06:23 | 0:06:26 | |
and the time of death is approximately 12.20pm. | 0:06:26 | 0:06:32 | |
Suspected anaphylactic shock, | 0:06:32 | 0:06:34 | |
so who would know that he was allergic to something, | 0:06:34 | 0:06:37 | |
and if he himself knew that he was severely allergic to something why | 0:06:37 | 0:06:41 | |
wouldn't he have, you know, a pen? | 0:06:41 | 0:06:45 | |
-One of the EpiPens? -EpiPens. | 0:06:45 | 0:06:48 | |
Perhaps he did, and someone is away with that as well. | 0:06:48 | 0:06:52 | |
Let's look at the suspects board. | 0:06:52 | 0:06:54 | |
So far we have | 0:06:54 | 0:06:56 | |
Rhona Lane, the bowling club volunteer, | 0:06:56 | 0:07:00 | |
Jonas Jordan, | 0:07:00 | 0:07:02 | |
who is the Parryvale bowler. | 0:07:02 | 0:07:04 | |
And we also have James Clark and Frank Taggart, | 0:07:04 | 0:07:07 | |
but we've yet to meet them properly. | 0:07:07 | 0:07:10 | |
Who do you have your eye on, Toria? | 0:07:10 | 0:07:13 | |
-I would say for now, Jonas. -Yeah. | 0:07:14 | 0:07:16 | |
Something obviously suspicious there, | 0:07:16 | 0:07:18 | |
not necessarily murder, but... | 0:07:18 | 0:07:20 | |
There's something not quite right. | 0:07:20 | 0:07:22 | |
Ashley, what about you? | 0:07:22 | 0:07:24 | |
There's something spooky about Rhona. | 0:07:24 | 0:07:26 | |
I think I'm going to go with Rhona to start off with. | 0:07:26 | 0:07:28 | |
Something spooky about her? | 0:07:28 | 0:07:30 | |
-Yes. -Laura? | 0:07:30 | 0:07:32 | |
Let's go with the silhouette of Frank Taggart. | 0:07:32 | 0:07:36 | |
Well, it's your lucky day, | 0:07:38 | 0:07:39 | |
because I've got your first piece of evidence to look at. | 0:07:39 | 0:07:42 | |
It is the floor plan of the Mortcliff Bowling Club. | 0:07:42 | 0:07:47 | |
The crime took place in the away changing room. | 0:07:47 | 0:07:51 | |
You've got the kitchen service, | 0:07:51 | 0:07:53 | |
and that straight onto the home side. | 0:07:53 | 0:07:58 | |
I would say it could be somebody from the home side, I reckon. | 0:08:00 | 0:08:06 | |
Well, it's time now for round two. | 0:08:06 | 0:08:08 | |
Last Movements. | 0:08:08 | 0:08:10 | |
We'll see what happened on the day of Paddy Mac's death. | 0:08:10 | 0:08:14 | |
Notepads at the ready. | 0:08:14 | 0:08:16 | |
Let's head back to the Bowls Club in Mortcliff. | 0:08:16 | 0:08:19 | |
I've done it. Through to the county regional finals. | 0:08:25 | 0:08:28 | |
-Well played. -It's great to be back. | 0:08:28 | 0:08:32 | |
Yeah, but we're going to have to give it everything we've got. | 0:08:32 | 0:08:35 | |
A Mortcliff pairing hasn't beaten Parryvale for the last 15 years. | 0:08:35 | 0:08:39 | |
-Not since... -Paddy Mac. | 0:08:39 | 0:08:42 | |
He's in the Parryvale final team then? | 0:08:44 | 0:08:47 | |
He is indeed. | 0:08:47 | 0:08:49 | |
TENSE, INDISTINCT CONVERSATION | 0:08:49 | 0:08:55 | |
Such a pleasure to finally meet you, Frank. | 0:09:02 | 0:09:04 | |
Put the poor man down. | 0:09:04 | 0:09:06 | |
This is Rhona, she volunteers at the club. | 0:09:06 | 0:09:08 | |
-Hi, Rhona. -I'm sorry. | 0:09:08 | 0:09:11 | |
I'm just such a big fan of yours. | 0:09:11 | 0:09:14 | |
A Mortcliff Parryvale final. | 0:09:14 | 0:09:16 | |
I can't wait to see you guys win. | 0:09:16 | 0:09:19 | |
Anyway, lunch is served, | 0:09:19 | 0:09:21 | |
if you want it. | 0:09:21 | 0:09:23 | |
Oh, and there are snacks and cold drinks in the changing room. | 0:09:23 | 0:09:26 | |
Enjoy. | 0:09:26 | 0:09:28 | |
Don't mind me, old men. | 0:09:31 | 0:09:33 | |
Older and wiser. | 0:09:33 | 0:09:35 | |
Younger and fitter. | 0:09:35 | 0:09:38 | |
Your luck's bound to run out one of these years. | 0:09:38 | 0:09:40 | |
Food's not for me. | 0:09:43 | 0:09:45 | |
Rhona. | 0:09:45 | 0:09:47 | |
Lost your appetite for success? | 0:09:47 | 0:09:49 | |
The noodles please, Rhona. | 0:09:51 | 0:09:52 | |
Pasta, please. | 0:09:59 | 0:10:01 | |
I didn't know you knew Gillian. | 0:10:10 | 0:10:12 | |
Well, I don't. | 0:10:12 | 0:10:14 | |
Not really. | 0:10:14 | 0:10:16 | |
Look, I'd better get this down, we've only got 30 minutes. | 0:10:16 | 0:10:19 | |
I'm going to put the kettle on. | 0:10:30 | 0:10:31 | |
-You want one? -Yeah, tea, please. | 0:10:34 | 0:10:36 | |
I noticed Adam popped off. | 0:10:49 | 0:10:53 | |
Is he going to be back for the final game? | 0:10:53 | 0:10:54 | |
I think I saw him on the pavilion. | 0:10:54 | 0:10:56 | |
But even if he wasn't, Jonas is gagging to play. | 0:10:56 | 0:10:59 | |
Can't blame him! | 0:10:59 | 0:11:01 | |
It was a great win. | 0:11:01 | 0:11:02 | |
Are you nervous about facing Frank and James later? | 0:11:04 | 0:11:06 | |
Oh, come on, Rhona, you know it's win-win for me and you. | 0:11:06 | 0:11:10 | |
Rhona? | 0:11:10 | 0:11:12 | |
Excuse me. | 0:11:12 | 0:11:13 | |
Jealous, is he? | 0:11:13 | 0:11:15 | |
INDISTINCT | 0:11:15 | 0:11:20 | |
After the game I'd like to meet with the players individually, | 0:11:23 | 0:11:26 | |
just for a quick chat, you know. | 0:11:26 | 0:11:28 | |
Before the celebrations. | 0:11:28 | 0:11:30 | |
We can organise that for you. | 0:11:30 | 0:11:32 | |
Call an ambulance. | 0:11:34 | 0:11:36 | |
Paddy? | 0:11:36 | 0:11:37 | |
COMMOTION | 0:11:44 | 0:11:48 | |
Excuse me. | 0:12:00 | 0:12:01 | |
Can I have your attention, please? | 0:12:02 | 0:12:04 | |
I'm very sorry to tell everyone, | 0:12:05 | 0:12:07 | |
but Mr McMurray died a short while ago in the hospital. | 0:12:07 | 0:12:11 | |
I think we should pay our respects by cancelling the game. | 0:12:11 | 0:12:14 | |
You've got to be kidding! | 0:12:17 | 0:12:18 | |
We were so close. | 0:12:20 | 0:12:22 | |
Literally nothing can stop the Mortcliff Parryvale bowling final! | 0:12:28 | 0:12:34 | |
My word! | 0:12:34 | 0:12:36 | |
So, we saw Rhona had messed up, clearly. The menu... | 0:12:36 | 0:12:40 | |
-..did not have any suitable foods. -Mm-hmm... | 0:12:40 | 0:12:44 | |
But then the snack bars were Nutty Delights. | 0:12:44 | 0:12:47 | |
Mm-hmm... | 0:12:47 | 0:12:48 | |
And then, of course, Gillian with the breath freshener as well. | 0:12:48 | 0:12:51 | |
Mm-hmm... | 0:12:51 | 0:12:54 | |
So many things. | 0:12:54 | 0:12:55 | |
Ashley, what did you think? | 0:12:55 | 0:12:57 | |
There was a lot going on there. | 0:12:57 | 0:12:59 | |
The one thing that got me is that | 0:12:59 | 0:13:01 | |
I think, still, Rhona, it could be that she knew the allergies he had, | 0:13:01 | 0:13:07 | |
and all those foods had | 0:13:07 | 0:13:10 | |
the allergy... | 0:13:10 | 0:13:11 | |
So what's on the menu? | 0:13:11 | 0:13:13 | |
I want to see what's on the menu. | 0:13:13 | 0:13:15 | |
Toria, what are you thinking? | 0:13:15 | 0:13:17 | |
I'd love to know what's on the menu. | 0:13:17 | 0:13:18 | |
-Yeah? -I also thought Frank and James seemed quite suspicious | 0:13:18 | 0:13:22 | |
and competitive, but... | 0:13:22 | 0:13:23 | |
..for them, it seemed bad that Paddy died, | 0:13:23 | 0:13:26 | |
because that meant the game was cancelled. | 0:13:26 | 0:13:28 | |
Maybe that wasn't part of their plan, | 0:13:28 | 0:13:30 | |
maybe they just wanted to knock him out, and not quite kill him. | 0:13:30 | 0:13:33 | |
Well, let's take another look at the suspect board. | 0:13:33 | 0:13:36 | |
We've now properly met James and Frank, | 0:13:36 | 0:13:39 | |
and we can also add Gillian Davies, a sports agent. | 0:13:39 | 0:13:43 | |
I'm leaning towards Gillian at the moment. | 0:13:43 | 0:13:46 | |
-Why? -She was the only one that walked in the direction of away. | 0:13:46 | 0:13:50 | |
I'm going for James. | 0:13:50 | 0:13:53 | |
Why? | 0:13:53 | 0:13:54 | |
At this point I think he would do... | 0:13:54 | 0:13:57 | |
..anything for Frank. | 0:13:57 | 0:13:59 | |
To give Frank the chance to, you know, really shine. | 0:13:59 | 0:14:03 | |
And win a trophy. | 0:14:03 | 0:14:05 | |
Well, you've got an evidence pick now. | 0:14:05 | 0:14:08 | |
Which one takes your fancy? | 0:14:08 | 0:14:11 | |
We have... | 0:14:11 | 0:14:13 | |
..the lunch menu at the bowling club. | 0:14:13 | 0:14:16 | |
Or the contents of the Parryvale changing room table. | 0:14:16 | 0:14:21 | |
And finally, the contents of Mortcliff changing room table. | 0:14:21 | 0:14:27 | |
Well, you know what I want to go for. The lunch menu. | 0:14:27 | 0:14:30 | |
-I am hungry. -Shall we see what's on there? | 0:14:30 | 0:14:32 | |
We want to see all of them, so we may as well start with the menu. | 0:14:32 | 0:14:38 | |
What an agreeable discussion that was. | 0:14:38 | 0:14:41 | |
You've chosen to see the lunch menu. | 0:14:41 | 0:14:44 | |
It's Pad Thai, | 0:14:44 | 0:14:46 | |
penne pasta with tomato sauce, | 0:14:46 | 0:14:49 | |
a selection of sandwiches. | 0:14:49 | 0:14:51 | |
And it says these dishes were all prepared in a kitchen | 0:14:51 | 0:14:53 | |
where nuts are present. | 0:14:53 | 0:14:55 | |
And, also, if you're interested, £1 per head, | 0:14:55 | 0:14:59 | |
Buffet menu available, at the Mortcliff Bowling club. | 0:14:59 | 0:15:02 | |
I would not advise you have your birthday party there. | 0:15:02 | 0:15:05 | |
So what are we thinking? | 0:15:06 | 0:15:08 | |
Well, nuts, | 0:15:08 | 0:15:11 | |
he couldn't have anything on that menu. | 0:15:11 | 0:15:13 | |
Now, Armchair Detectives, it's time to lock in your prime suspect. | 0:15:13 | 0:15:16 | |
Rhona, Jonas, James, Frank, or Gillian? | 0:15:16 | 0:15:19 | |
Please write down the name of your prime suspect now. | 0:15:19 | 0:15:22 | |
Join in at home. | 0:15:24 | 0:15:25 | |
Write down who you think it is. | 0:15:25 | 0:15:28 | |
If you are sitting with a friend, hide it from them. | 0:15:28 | 0:15:30 | |
Notepads down, please, Armchair detectives. | 0:15:32 | 0:15:35 | |
So, Toria, tell me, who is your prime suspect and why? | 0:15:35 | 0:15:40 | |
I'm going to go with Gillian. | 0:15:40 | 0:15:41 | |
She's the only one that at least we know | 0:15:41 | 0:15:43 | |
was in the right area at the time. | 0:15:43 | 0:15:44 | |
Ashley? | 0:15:44 | 0:15:46 | |
-Rhona. -Rhona? | 0:15:46 | 0:15:47 | |
-Yes. -Laura? | 0:15:47 | 0:15:50 | |
I am going for James. | 0:15:50 | 0:15:52 | |
Ooh. Because? | 0:15:52 | 0:15:55 | |
He's got the stash of nutty snack bars. | 0:15:55 | 0:15:58 | |
Well, now, Armchair Detectives, it's on to round three. | 0:15:58 | 0:16:01 | |
The Police Interviews. | 0:16:01 | 0:16:02 | |
Knight and Slater have called in | 0:16:02 | 0:16:04 | |
Rhona and Jonas for further questioning. | 0:16:04 | 0:16:06 | |
Remember, lots comes up in these interviews, so pay attention. | 0:16:06 | 0:16:10 | |
Notepads at the ready, | 0:16:10 | 0:16:12 | |
it's off to Mortcliff Police Station. | 0:16:12 | 0:16:14 | |
So, you prepared food and drinks and left them in both changing rooms? | 0:16:22 | 0:16:26 | |
Yes. That's what we usually do. | 0:16:27 | 0:16:30 | |
Just some cold drinks and nibbles to keep them going during the match. | 0:16:30 | 0:16:34 | |
Was there anything unusual about the way you prepared these snacks? | 0:16:34 | 0:16:37 | |
No. | 0:16:37 | 0:16:39 | |
Did anyone give you anything to put in the room? | 0:16:39 | 0:16:41 | |
No. | 0:16:41 | 0:16:43 | |
Paddy had a special request about the kind of snacks he wanted. | 0:16:43 | 0:16:46 | |
And he said he only wanted shop-bought ones. | 0:16:46 | 0:16:50 | |
And I had to clearly label his bottles and food with his name. | 0:16:50 | 0:16:55 | |
Witnesses say you walked to the changing room | 0:16:55 | 0:16:57 | |
with Paddy during lunch. | 0:16:57 | 0:16:59 | |
Yes, until James eyeballed me. | 0:16:59 | 0:17:02 | |
He wasn't very happy with me chatting to Paddy. | 0:17:02 | 0:17:04 | |
Why is that? | 0:17:04 | 0:17:06 | |
James saw him as his mortal enemy. | 0:17:06 | 0:17:09 | |
Oh, me and my big mouth! | 0:17:09 | 0:17:11 | |
It's all right, Rhona. | 0:17:11 | 0:17:13 | |
What happened? | 0:17:13 | 0:17:14 | |
James summoned me away from Paddy, into his changing room, | 0:17:16 | 0:17:19 | |
he gave me a dressing down outside, then we went in. | 0:17:19 | 0:17:23 | |
Told me to be careful of Paddy, | 0:17:23 | 0:17:25 | |
said he was arrogant and selfish. | 0:17:25 | 0:17:28 | |
In what way, exactly? | 0:17:29 | 0:17:30 | |
I don't know. | 0:17:31 | 0:17:33 | |
Quite frankly, I put it down to jealousy. | 0:17:33 | 0:17:37 | |
I agreed with him, to get out of there, | 0:17:37 | 0:17:40 | |
and then left him to get on with getting ready for the match. | 0:17:40 | 0:17:43 | |
Paddy must have stumbled out about five or ten minutes later. | 0:17:43 | 0:17:47 | |
Was Frank Taggart in the room while James spoke to you? | 0:17:49 | 0:17:54 | |
He was in the loo. | 0:17:54 | 0:17:56 | |
Make yourself at home! | 0:18:02 | 0:18:03 | |
It looks like we have our smoking gun after all. | 0:18:03 | 0:18:06 | |
Foul play? | 0:18:06 | 0:18:08 | |
We found traces of peanut in McMurray's water bottle. | 0:18:08 | 0:18:11 | |
It's true that some foods can be | 0:18:11 | 0:18:12 | |
produced in factories where nuts are present, | 0:18:12 | 0:18:15 | |
but not where water is bottled. | 0:18:15 | 0:18:17 | |
We checked his medical records, and guess what? | 0:18:17 | 0:18:21 | |
He has a peanut allergy? | 0:18:21 | 0:18:22 | |
Spot on. | 0:18:22 | 0:18:23 | |
The poor guy drinks his water and... | 0:18:23 | 0:18:26 | |
We have a murder on our hands. | 0:18:26 | 0:18:28 | |
Thanks, Simmons. | 0:18:28 | 0:18:29 | |
Jonas, did you have a heated exchange | 0:18:33 | 0:18:36 | |
with Mr McMurray before lunchtime on | 0:18:36 | 0:18:38 | |
the day of his death? | 0:18:38 | 0:18:40 | |
Come on! | 0:18:40 | 0:18:42 | |
Really? | 0:18:42 | 0:18:43 | |
Paddy's team-mate, Aaron, | 0:18:45 | 0:18:47 | |
wanted to nip off between games to have lunch with his missus. | 0:18:47 | 0:18:49 | |
It's unprofessional. | 0:18:50 | 0:18:52 | |
He's doing it all the time. | 0:18:52 | 0:18:53 | |
Yet he still makes the first team. | 0:18:53 | 0:18:55 | |
I just think it's unfair, and I was explaining that to Paddy. | 0:18:56 | 0:19:00 | |
It wasn't him I was mad at. | 0:19:00 | 0:19:02 | |
That's interesting. | 0:19:02 | 0:19:04 | |
If it's true. | 0:19:04 | 0:19:05 | |
Are you accusing me of lying? | 0:19:05 | 0:19:07 | |
No, I'm merely suggesting that you, as first substitute, | 0:19:07 | 0:19:10 | |
wouldn't have been able to play if Aaron had turned up. | 0:19:10 | 0:19:13 | |
And with Gillian Davies around... | 0:19:13 | 0:19:16 | |
That's hardly a reason to kill my friend. | 0:19:16 | 0:19:18 | |
Maybe you weren't trying to kill him, | 0:19:18 | 0:19:20 | |
just make him ill enough not to play, | 0:19:20 | 0:19:22 | |
then you would win a place in the team, qualify, | 0:19:22 | 0:19:25 | |
and who knows where your career might go from there? | 0:19:25 | 0:19:28 | |
You've known him for years, you must have known about his peanut allergy. | 0:19:31 | 0:19:35 | |
I did, but he didn't want anyone to know. | 0:19:35 | 0:19:38 | |
The idiot thought it would make him look weak. | 0:19:40 | 0:19:43 | |
He was a real stickler about what he ate, and what was put into food | 0:19:43 | 0:19:46 | |
to make sure he didn't have an accident. | 0:19:46 | 0:19:49 | |
You had access to his water bottle, right? | 0:19:49 | 0:19:52 | |
I want to see my solicitor. | 0:19:56 | 0:19:57 | |
Well! | 0:19:59 | 0:20:01 | |
I'll be honest with you, Armchair Detectives, | 0:20:01 | 0:20:03 | |
I've played lawn bowls in the past, | 0:20:03 | 0:20:05 | |
and it's never been this competitive! | 0:20:05 | 0:20:07 | |
Well, the water bottle. | 0:20:08 | 0:20:10 | |
-Yes. -That was the first thing I said, | 0:20:10 | 0:20:13 | |
the water bottle was actually on the side. | 0:20:13 | 0:20:16 | |
The two people who knew about the nut allergy was Jonas and Rhona, | 0:20:16 | 0:20:20 | |
who did they tell? | 0:20:20 | 0:20:22 | |
Who did they tell, Toria? | 0:20:22 | 0:20:24 | |
Ashley is starting to sway me towards Rhona. | 0:20:24 | 0:20:27 | |
She was one of the two people. | 0:20:27 | 0:20:30 | |
She was one of the two people that knew about the allergy, | 0:20:30 | 0:20:33 | |
but it was also the way she dropped in the, "Oh, well, | 0:20:33 | 0:20:36 | |
"James didn't like me chatting to Paddy. | 0:20:36 | 0:20:38 | |
"Oh, me and my big mouth." | 0:20:38 | 0:20:40 | |
I was like, "Really?" | 0:20:40 | 0:20:42 | |
OK. Well, Armchair Detectives, | 0:20:42 | 0:20:44 | |
you've got another piece of evidence to pick now, | 0:20:44 | 0:20:46 | |
what are you going to go for? | 0:20:46 | 0:20:48 | |
You can have the contents of the Parryvale changing room table. | 0:20:48 | 0:20:53 | |
The contents of Mortcliff changing room table. | 0:20:53 | 0:20:56 | |
Or a new piece of evidence which is | 0:20:56 | 0:20:59 | |
the changing room's entrance and exits. | 0:20:59 | 0:21:03 | |
-Well, the changing room entrance and exits... -We've seen that already? | 0:21:03 | 0:21:06 | |
..we've seen from the plan. | 0:21:06 | 0:21:09 | |
I think we shouldn't discard... | 0:21:09 | 0:21:11 | |
I've got a funny feeling about the changing room entrance and exits. | 0:21:11 | 0:21:15 | |
To be fair, we didn't see windows on that plan. | 0:21:15 | 0:21:17 | |
That's true, yes, no windows. | 0:21:17 | 0:21:19 | |
What would you like to see, Armchair Detectives? | 0:21:20 | 0:21:22 | |
I think we're going for the changing room entrance and exits, are we? | 0:21:22 | 0:21:26 | |
-Yes. -Changing room entrance and exits. | 0:21:26 | 0:21:28 | |
Ashley has got his way again. | 0:21:28 | 0:21:31 | |
Let's see it then, changing room entrance and exits. | 0:21:31 | 0:21:35 | |
This features all access points to changing rooms. | 0:21:35 | 0:21:40 | |
Both changing rooms are identical. | 0:21:40 | 0:21:44 | |
Is that a lock on the inside? | 0:21:44 | 0:21:47 | |
That's what I thought. | 0:21:47 | 0:21:48 | |
That is the toilet door, lock. | 0:21:48 | 0:21:50 | |
Yeah. | 0:21:50 | 0:21:52 | |
Where is the safety feature where you can unlock it from the outside? | 0:21:52 | 0:21:57 | |
Yeah, use a coin to turn it. | 0:21:57 | 0:21:58 | |
Yeah. So who had a coin? | 0:21:58 | 0:22:00 | |
Why is the toilet door locked if there is no-one in it though? | 0:22:00 | 0:22:03 | |
-That's true. -Frank was in there. | 0:22:03 | 0:22:05 | |
So he had either climbed out through a window, | 0:22:05 | 0:22:08 | |
or they locked it from the outside. | 0:22:08 | 0:22:10 | |
What would be the benefit? | 0:22:10 | 0:22:11 | |
They could have locked it from the inside, because he was, | 0:22:11 | 0:22:14 | |
according to Rhona, | 0:22:14 | 0:22:15 | |
in the | 0:22:15 | 0:22:17 | |
changing room bathroom at the time. | 0:22:17 | 0:22:19 | |
That's correct. | 0:22:19 | 0:22:21 | |
I've never discussed toilet locking this intensely before. | 0:22:21 | 0:22:24 | |
That's the joy of Armchair Detectives, ladies and gentlemen. | 0:22:24 | 0:22:28 | |
Well, guys, it's time to pick up your notepads again, | 0:22:28 | 0:22:31 | |
and choose your prime suspect. | 0:22:31 | 0:22:35 | |
So you can have Rhona, Jonas, James, Frank or Gillian. | 0:22:35 | 0:22:40 | |
Who are you going to go for? | 0:22:40 | 0:22:42 | |
Now, Toria, last time you identified | 0:22:43 | 0:22:46 | |
Gillian as your prime suspect. | 0:22:46 | 0:22:48 | |
Have you changed your mind? | 0:22:48 | 0:22:50 | |
I'm leaning towards Rhona now. | 0:22:50 | 0:22:51 | |
Why have you gone for her? | 0:22:51 | 0:22:53 | |
It was a couple of things she said in the interview. | 0:22:53 | 0:22:55 | |
It sounded like she was almost setting up James to be framed. | 0:22:55 | 0:22:58 | |
And she was a big fan of Frank. | 0:22:58 | 0:23:00 | |
Now with her knowledge of the peanut allergy, | 0:23:00 | 0:23:04 | |
maybe she was trying to make... | 0:23:04 | 0:23:06 | |
..Paddy, get the names right, | 0:23:06 | 0:23:07 | |
Paddy ill enough so that Frank got a chance. | 0:23:07 | 0:23:10 | |
OK. | 0:23:10 | 0:23:11 | |
Ashley? Again, still Rhona? | 0:23:11 | 0:23:14 | |
-Yeah. -Any evidence yet to back up your suspicions? | 0:23:14 | 0:23:17 | |
I do think that she is trying to set up other people. | 0:23:17 | 0:23:21 | |
So I just don't trust her. | 0:23:21 | 0:23:23 | |
Laura, last time you went for James, have you changed your mind? | 0:23:23 | 0:23:25 | |
No, I'm staying with James so far. | 0:23:25 | 0:23:27 | |
-OK. -Because I'm waiting on more | 0:23:27 | 0:23:31 | |
evidence for the plots that are coming out | 0:23:31 | 0:23:35 | |
in the background. | 0:23:35 | 0:23:36 | |
Well, now it's time for round four, Dig Deeper. | 0:23:36 | 0:23:39 | |
We are going to an event at a book shop | 0:23:39 | 0:23:41 | |
two weeks before Paddy Mac's death. | 0:23:41 | 0:23:44 | |
-There you go. -Thank you. | 0:23:56 | 0:23:58 | |
Please make it out to Paddy Mac. | 0:24:02 | 0:24:05 | |
Well, that photo was taken a long time ago, wasn't it? | 0:24:06 | 0:24:10 | |
Hello there. | 0:24:10 | 0:24:11 | |
Are you still mad at me after all these years? | 0:24:11 | 0:24:13 | |
Why would I be? | 0:24:13 | 0:24:14 | |
It was only beginner's luck. | 0:24:16 | 0:24:17 | |
Ouch. | 0:24:17 | 0:24:18 | |
You finished? | 0:24:21 | 0:24:22 | |
Hello, Gillian. | 0:24:22 | 0:24:24 | |
It's lovely to see you again. | 0:24:24 | 0:24:25 | |
The arrogance of youth, eh? | 0:24:30 | 0:24:32 | |
He is good though. | 0:24:33 | 0:24:34 | |
My name's Gillian Davies. | 0:24:36 | 0:24:38 | |
You may not know me, but... | 0:24:38 | 0:24:39 | |
Gillian, of course I know who you are. | 0:24:39 | 0:24:43 | |
Only the best sports agent in Scotland. | 0:24:43 | 0:24:45 | |
Oh, thank you. | 0:24:45 | 0:24:47 | |
Will you be playing in the | 0:24:47 | 0:24:48 | |
invitational tournament for Mortcliff? | 0:24:48 | 0:24:50 | |
No. | 0:24:50 | 0:24:51 | |
Flattered you thought I might be, | 0:24:51 | 0:24:54 | |
but I'm getting on. | 0:24:54 | 0:24:56 | |
They are sorely lacking experience like yours in the game this year. | 0:24:56 | 0:24:59 | |
Don't forget, the Commonwealth Games coming up. | 0:24:59 | 0:25:02 | |
As well as other international fixtures. | 0:25:02 | 0:25:05 | |
It's a good year for lawn bowls. | 0:25:05 | 0:25:07 | |
And I'm on the hunt. | 0:25:07 | 0:25:08 | |
I'll be at the tournament in a couple of weeks. | 0:25:09 | 0:25:12 | |
Maybe I'll see you there. | 0:25:12 | 0:25:13 | |
I want to help... | 0:25:22 | 0:25:25 | |
..but I just don't understand why. | 0:25:25 | 0:25:27 | |
Look, we're not due to meet Mortcliff until the final, | 0:25:27 | 0:25:29 | |
so it might not even happen. | 0:25:29 | 0:25:31 | |
Just... | 0:25:31 | 0:25:32 | |
..place the bet, | 0:25:32 | 0:25:34 | |
I'll give you the money, you give me the slip. | 0:25:34 | 0:25:36 | |
When we win, I'll give you a little something. | 0:25:36 | 0:25:38 | |
I've never gone into one of those betting places before. | 0:25:40 | 0:25:42 | |
There's 500 in it for you. | 0:25:42 | 0:25:44 | |
Gosh. | 0:25:45 | 0:25:46 | |
Yeah, OK. | 0:25:48 | 0:25:49 | |
I really don't understand. | 0:25:50 | 0:25:52 | |
Wouldn't you be betting against... | 0:25:52 | 0:25:55 | |
Don't worry yourself, darling, OK? | 0:25:55 | 0:25:58 | |
I train every night, but I'd be | 0:26:03 | 0:26:04 | |
willing to take a few hours off to meet. | 0:26:04 | 0:26:06 | |
Just name the time and place. | 0:26:06 | 0:26:08 | |
Frank Taggart. | 0:26:09 | 0:26:11 | |
The honour is all mine. | 0:26:11 | 0:26:13 | |
-Nice to meet you. -James, James Clark. | 0:26:13 | 0:26:15 | |
I play bowls for Mortcliff, your old club. | 0:26:15 | 0:26:18 | |
Loved the book. Laughed like a train at this photograph. | 0:26:18 | 0:26:22 | |
That? | 0:26:22 | 0:26:23 | |
That's from my student days in America. | 0:26:23 | 0:26:26 | |
Skint but the parties were wild. | 0:26:26 | 0:26:28 | |
We used to smuggle booze into the clubs. | 0:26:28 | 0:26:31 | |
Read the book, it will show you the way! | 0:26:31 | 0:26:33 | |
I'll get on that. Listen, Frank... | 0:26:35 | 0:26:37 | |
the regional qualifiers are coming up soon, | 0:26:38 | 0:26:41 | |
and my regular playing partner is not well. | 0:26:41 | 0:26:44 | |
And... I came here today, really, | 0:26:44 | 0:26:46 | |
to ask if you fancied pairing with me. | 0:26:46 | 0:26:49 | |
Our subs are not up to it, and, well, I really need to win. | 0:26:49 | 0:26:54 | |
Really? | 0:26:54 | 0:26:55 | |
The man who caused the Mortcliff curse? | 0:26:55 | 0:27:00 | |
His pairing lost when the bowl slipped out of his hand | 0:27:00 | 0:27:02 | |
in the very last end. | 0:27:02 | 0:27:04 | |
Mortcliff haven't beaten Parryvale since. | 0:27:04 | 0:27:08 | |
But you know that bit. | 0:27:08 | 0:27:09 | |
15 years ago. | 0:27:11 | 0:27:13 | |
Relive it every day of your life, | 0:27:13 | 0:27:15 | |
I bet, pal. | 0:27:15 | 0:27:17 | |
Thanks for signing the book. | 0:27:17 | 0:27:18 | |
Count me in. | 0:27:25 | 0:27:26 | |
What are the chances of Scotland's leading sports agent | 0:27:32 | 0:27:36 | |
living in Mortcliff? | 0:27:36 | 0:27:37 | |
Well, I think James is finally | 0:27:39 | 0:27:42 | |
inching his way closer to the suspect, | 0:27:42 | 0:27:45 | |
because his face, his face, | 0:27:45 | 0:27:48 | |
when - what was it...? | 0:27:48 | 0:27:50 | |
Paddy was mocking Frank... | 0:27:50 | 0:27:51 | |
..for the curse. | 0:27:53 | 0:27:55 | |
He wasn't happy. | 0:27:55 | 0:27:56 | |
The notorious curse of Mortcliff Bowling Club, | 0:27:56 | 0:27:59 | |
we've all heard about it. | 0:27:59 | 0:28:01 | |
Hands up who wants another piece of evidence? | 0:28:01 | 0:28:04 | |
OK then. So you get to pick one of these. | 0:28:04 | 0:28:07 | |
You can have the contents of the Parryvale changing room table. | 0:28:07 | 0:28:10 | |
You can have the contents of Mortcliff changing room table, | 0:28:10 | 0:28:14 | |
and our new piece of evidence is | 0:28:14 | 0:28:16 | |
the forensics report | 0:28:16 | 0:28:18 | |
from Parryvale and Mortcliff changing rooms. | 0:28:18 | 0:28:21 | |
I'm going to be a gentleman, | 0:28:21 | 0:28:23 | |
and I'm going to let the ladies decide this time. | 0:28:23 | 0:28:26 | |
You are being a gentleman, but it's also because you chose the last one. | 0:28:26 | 0:28:30 | |
You caught me out, what can I say! | 0:28:30 | 0:28:32 | |
Toria, you start us off. | 0:28:32 | 0:28:34 | |
The question is, why is the Parryvale table up there? | 0:28:34 | 0:28:39 | |
Why are the contents of that important? | 0:28:39 | 0:28:42 | |
Because he would have got it from the Parryvale table. | 0:28:42 | 0:28:45 | |
So let's go for the Parryvale table then. | 0:28:45 | 0:28:47 | |
Well, it's a discussion, Ashley. | 0:28:47 | 0:28:49 | |
Thanks for letting them choose. | 0:28:49 | 0:28:50 | |
Ladies, you have to agree with this. | 0:28:54 | 0:28:57 | |
Which one would you like? | 0:28:57 | 0:28:59 | |
The Parryvale, please. | 0:28:59 | 0:29:00 | |
Parryvale. So these are the contents | 0:29:00 | 0:29:03 | |
of the Parryvale changing room table. | 0:29:03 | 0:29:06 | |
As you can see there, the bottle of | 0:29:06 | 0:29:08 | |
water with Paddy on it, some biscuits. | 0:29:08 | 0:29:11 | |
Tea. And a, kind of a wash cloth, | 0:29:11 | 0:29:13 | |
I would say, with JC on it. | 0:29:13 | 0:29:16 | |
And a knife, on its own. | 0:29:16 | 0:29:19 | |
I'm drawn to the half eaten biscuit. | 0:29:19 | 0:29:22 | |
I'm actually looking next to it, | 0:29:22 | 0:29:23 | |
at the boxes of what might be fruit and nuts. | 0:29:23 | 0:29:26 | |
Ah, yes. | 0:29:26 | 0:29:28 | |
And the water bottle. | 0:29:28 | 0:29:31 | |
So it's altogether. | 0:29:31 | 0:29:33 | |
And the knife could have been used | 0:29:33 | 0:29:35 | |
to crush the nuts to put in the water, | 0:29:35 | 0:29:37 | |
and that's what killed him. | 0:29:37 | 0:29:38 | |
I can tell you now, Armchair Detectives, | 0:29:38 | 0:29:40 | |
it's my favourite time again | 0:29:40 | 0:29:42 | |
because you need to write down who your prime suspect is. | 0:29:42 | 0:29:45 | |
So... | 0:29:45 | 0:29:47 | |
You can have Rhona, Jonas, James, Frank or Gillian. | 0:29:47 | 0:29:51 | |
You have a minute to write down your prime suspect, starting now. | 0:29:51 | 0:29:54 | |
Notepads away please, Armchair Detectives. | 0:30:04 | 0:30:07 | |
Toria, last time you said your prime suspect was Rhona. | 0:30:07 | 0:30:13 | |
Have you changed your mind? | 0:30:13 | 0:30:14 | |
I'm sticking with Rhona. | 0:30:14 | 0:30:16 | |
For now. | 0:30:16 | 0:30:17 | |
Ashley, last time you also went for Rhona. | 0:30:17 | 0:30:20 | |
Have you changed your mind? | 0:30:20 | 0:30:21 | |
-Yes. -Oh, my goodness! | 0:30:21 | 0:30:23 | |
None of us thought that was ever going to happen. | 0:30:23 | 0:30:26 | |
Who will have you gone for this time? | 0:30:26 | 0:30:27 | |
-James. -James, why? | 0:30:27 | 0:30:29 | |
I think he's got a bit of darkness behind him. | 0:30:29 | 0:30:31 | |
Laura, last time you went for James. | 0:30:31 | 0:30:35 | |
Who have you gone for this time? | 0:30:35 | 0:30:37 | |
I've stuck with James so far. | 0:30:37 | 0:30:39 | |
I'm starting to think he might be being set up. | 0:30:39 | 0:30:43 | |
So as long as there's another chance to change my mind before... | 0:30:43 | 0:30:47 | |
There's one more chance. | 0:30:47 | 0:30:48 | |
Well, Armchair Detectives, it's round five. | 0:30:48 | 0:30:51 | |
The Final Clues. | 0:30:51 | 0:30:53 | |
This is your last chance to try and crack the case. | 0:30:53 | 0:30:56 | |
Let's take a look. | 0:30:56 | 0:30:58 | |
Why let me leave if you're going to pull me back in? | 0:31:06 | 0:31:08 | |
I've told you everything I know. | 0:31:10 | 0:31:12 | |
Apparently not, Rhona. It seems you underestimated the bookies. | 0:31:12 | 0:31:15 | |
I'm sorry? | 0:31:17 | 0:31:18 | |
Mortcliff bookmakers have just made us aware of a CCTV image of | 0:31:18 | 0:31:22 | |
you walking into their shop. | 0:31:22 | 0:31:25 | |
A bookie contacted you about my wee bet? | 0:31:25 | 0:31:28 | |
Well, when someone new walks in off the street | 0:31:28 | 0:31:30 | |
and places a substantial bet, and then something unusual happens... | 0:31:30 | 0:31:33 | |
Like a competitor dies and it leads to a huge pay-out, | 0:31:33 | 0:31:36 | |
they'd let us know. | 0:31:36 | 0:31:38 | |
Paddy asked me to do it. | 0:31:39 | 0:31:42 | |
He wanted to bet against his own team? | 0:31:42 | 0:31:44 | |
Yes. | 0:31:46 | 0:31:47 | |
Why ask you to do it? | 0:31:47 | 0:31:49 | |
I suppose he knew I would. | 0:31:51 | 0:31:53 | |
I wanted James to win anyway. | 0:31:54 | 0:31:56 | |
So the money was just a bonus. | 0:31:56 | 0:31:58 | |
Well, if you'd pulled it off it would have paid out thousands. | 0:31:58 | 0:32:01 | |
But the bet was declared void | 0:32:01 | 0:32:02 | |
after Paddy unexpectedly died and the match was called off. | 0:32:02 | 0:32:06 | |
So I'm afraid the money remains out of your grasp. | 0:32:06 | 0:32:09 | |
Oh, honestly, it's not what you think. | 0:32:09 | 0:32:12 | |
Look, I know what you're thinking. | 0:32:12 | 0:32:14 | |
Our side hasn't won, | 0:32:14 | 0:32:16 | |
15-year grudge, | 0:32:16 | 0:32:17 | |
knock off an opponent to get revenge? | 0:32:17 | 0:32:20 | |
That didn't happen. | 0:32:20 | 0:32:21 | |
If you say so, Mr Clark. | 0:32:23 | 0:32:24 | |
But why was your towel in the victim's team changing room? | 0:32:24 | 0:32:27 | |
I have no idea. | 0:32:29 | 0:32:30 | |
I didn't put it there. | 0:32:30 | 0:32:32 | |
Someone else must have. | 0:32:32 | 0:32:33 | |
Were you are jealous of Paddy? | 0:32:33 | 0:32:35 | |
Why would I be? | 0:32:35 | 0:32:36 | |
Well, you and Rhona were close, | 0:32:36 | 0:32:38 | |
and you didn't like how friendly she was getting with him. | 0:32:38 | 0:32:40 | |
No. | 0:32:40 | 0:32:41 | |
I didn't want him to manipulate her. | 0:32:43 | 0:32:45 | |
But isn't that what you were doing, | 0:32:45 | 0:32:47 | |
manipulating Rhona by bossing her about? | 0:32:47 | 0:32:50 | |
You felt threatened that you weren't the centre of her attention. | 0:32:50 | 0:32:53 | |
Listen, I was not threatened by Paddy Mac. | 0:32:53 | 0:32:55 | |
You're barking up the wrong tree. | 0:32:57 | 0:33:00 | |
What tree should we be barking up, Mr Clark? | 0:33:00 | 0:33:03 | |
Well, I don't know. Who stood to benefit from him being out? | 0:33:03 | 0:33:07 | |
Jonas? Gillian? | 0:33:07 | 0:33:10 | |
Not me. I wanted to beat him. | 0:33:10 | 0:33:13 | |
Not kill him. | 0:33:13 | 0:33:15 | |
I'm inclined to believe he doesn't know how his towel got there. | 0:33:18 | 0:33:22 | |
That he is now the victim of | 0:33:22 | 0:33:24 | |
an elaborate sting operation. | 0:33:24 | 0:33:26 | |
With him being killed off, | 0:33:26 | 0:33:28 | |
nobody would get the money. | 0:33:28 | 0:33:31 | |
So now I'm sort of going that | 0:33:31 | 0:33:33 | |
there's somebody, like Laura said, | 0:33:33 | 0:33:36 | |
pulling the strings. | 0:33:36 | 0:33:37 | |
I'm back to Gillian. | 0:33:37 | 0:33:39 | |
-Right. -I think she might have been Paddy's agent in the past. | 0:33:39 | 0:33:43 | |
Which means she probably would have known about the nut allergy. | 0:33:43 | 0:33:46 | |
Well, Armchair Detectives, with just two pieces of evidence left, | 0:33:46 | 0:33:50 | |
which one do you want to pick? | 0:33:50 | 0:33:53 | |
You can have the contents of the Mortcliff changing room table, | 0:33:53 | 0:33:57 | |
or the forensics report from | 0:33:57 | 0:33:59 | |
the Parryvale and Mortcliff changing rooms. | 0:33:59 | 0:34:03 | |
I think it should be the forensics, | 0:34:03 | 0:34:05 | |
because the reason I say that, | 0:34:05 | 0:34:08 | |
that will tell us what he died of. | 0:34:08 | 0:34:11 | |
I think that's the one. | 0:34:11 | 0:34:13 | |
I'll let you ladies decide. | 0:34:13 | 0:34:14 | |
If we go for the contents of the Mortcliff table, | 0:34:18 | 0:34:21 | |
then we can solve it without forensics. | 0:34:21 | 0:34:23 | |
I like that challenge. | 0:34:25 | 0:34:26 | |
That's a bold, bold claim. | 0:34:26 | 0:34:28 | |
-What would you like to see? -Forensics report? | 0:34:28 | 0:34:30 | |
Forensics. | 0:34:30 | 0:34:32 | |
This is the forensic report | 0:34:32 | 0:34:33 | |
from the Parryvale and Mortcliff changing rooms. | 0:34:33 | 0:34:35 | |
Material from Parryvale team were found on the benches, | 0:34:35 | 0:34:38 | |
sinks and walls, there was DNA found inside the toilet cubicle belonging | 0:34:38 | 0:34:41 | |
to Jonas Jordan. | 0:34:41 | 0:34:44 | |
No DNA was found inside the toilet cubicle, | 0:34:44 | 0:34:47 | |
DNA found outside the handle of | 0:34:47 | 0:34:49 | |
toilet door is a match for Frank Taggart. | 0:34:49 | 0:34:53 | |
Helpful? | 0:34:53 | 0:34:54 | |
No. | 0:34:55 | 0:34:56 | |
-Why was Frank locking someone in a toilet? -That's a good point, yeah. | 0:34:56 | 0:34:59 | |
Or was he trying to make it look like he was in the toilet, | 0:34:59 | 0:35:02 | |
and actually locked it from the outside, | 0:35:02 | 0:35:03 | |
-and then was hiding somewhere? -It could have been James. | 0:35:03 | 0:35:06 | |
There was no DNA inside the toilet. | 0:35:06 | 0:35:09 | |
So he's been seen in there, | 0:35:09 | 0:35:12 | |
so he was obviously making a rush for the bathroom door, | 0:35:12 | 0:35:15 | |
as if he had just come out, | 0:35:15 | 0:35:18 | |
instead of having interfered with whichever was on the table. | 0:35:18 | 0:35:22 | |
Armchair Detectives, the moment has arrived to make your final decision. | 0:35:24 | 0:35:29 | |
Get it right and you'll win | 0:35:29 | 0:35:31 | |
a golden magnifying glass. | 0:35:31 | 0:35:33 | |
-ALL: -Ooh! | 0:35:33 | 0:35:35 | |
I need you to write down the name of the person you are accusing. | 0:35:35 | 0:35:39 | |
It's time to answer the only question that matters... | 0:35:39 | 0:35:42 | |
Whodunnit? | 0:35:42 | 0:35:43 | |
Pens down. Pads to the side. | 0:35:53 | 0:35:56 | |
Who are you accusing, Toria? | 0:35:56 | 0:35:59 | |
-Frank. -Why Frank? | 0:35:59 | 0:36:02 | |
He probably knew that James was eating nuts. | 0:36:02 | 0:36:05 | |
He knows Paddy from about 15 years ago, | 0:36:07 | 0:36:10 | |
so he's likely to have known about the allergy. | 0:36:10 | 0:36:12 | |
He didn't want to come back to the sport, | 0:36:12 | 0:36:14 | |
he was convinced to by James, | 0:36:14 | 0:36:16 | |
and the toilet door. | 0:36:16 | 0:36:17 | |
-The DNA? -Yes. -Ashley? | 0:36:17 | 0:36:20 | |
Who do you accuse? | 0:36:20 | 0:36:22 | |
-Gillian. -Why? | 0:36:22 | 0:36:25 | |
It was something Toria said to me. | 0:36:25 | 0:36:27 | |
And I completely flipped it around, and what it was, | 0:36:27 | 0:36:31 | |
she had the opportunity to do it, | 0:36:31 | 0:36:34 | |
and she was the only one who could gain from it, because the others, | 0:36:34 | 0:36:38 | |
I think James was going to be framed, and I think it's her. | 0:36:38 | 0:36:41 | |
Gillian. | 0:36:41 | 0:36:43 | |
Laura, who are you accusing? | 0:36:43 | 0:36:45 | |
-I switched to Frank... -Uh-huh. | 0:36:45 | 0:36:48 | |
..and now I'm considering | 0:36:48 | 0:36:52 | |
the position of Gillian. | 0:36:52 | 0:36:53 | |
You have accused Frank. | 0:36:53 | 0:36:55 | |
But I have accused Frank. | 0:36:55 | 0:36:56 | |
I can only apologise to him. | 0:36:56 | 0:36:59 | |
Why did you accuse Frank? | 0:36:59 | 0:37:02 | |
Well, I'd been with the idea of James all along, and... | 0:37:02 | 0:37:06 | |
..as Toria said, there's a lot of history. | 0:37:07 | 0:37:11 | |
But it was the last minute change. | 0:37:11 | 0:37:16 | |
So to confirm, | 0:37:16 | 0:37:17 | |
Toria has accused Frank. | 0:37:17 | 0:37:19 | |
Ashley has accused Gillian. | 0:37:19 | 0:37:20 | |
And Laura has accused Frank. | 0:37:20 | 0:37:23 | |
Before we go back to Mortcliff for the answer, | 0:37:23 | 0:37:25 | |
you've got one more piece of evidence to look at. | 0:37:25 | 0:37:28 | |
Will it support your conclusions, | 0:37:28 | 0:37:30 | |
or will it change your opinions? | 0:37:30 | 0:37:32 | |
Let's have a look at it. | 0:37:32 | 0:37:33 | |
The final piece of evidence is | 0:37:33 | 0:37:35 | |
the contents of the Mortcliff changing room table. | 0:37:35 | 0:37:39 | |
Water bottles, | 0:37:39 | 0:37:41 | |
one with the cap off. | 0:37:41 | 0:37:43 | |
A coin. | 0:37:43 | 0:37:45 | |
What do you think the coin means? | 0:37:46 | 0:37:48 | |
The toilet door was locked from the outside. | 0:37:48 | 0:37:52 | |
Armchair Detectives. | 0:37:52 | 0:37:54 | |
What really happened in today's story, | 0:37:54 | 0:37:56 | |
Derby Day Death? | 0:37:56 | 0:37:58 | |
Who killed Paddy Mac? | 0:37:58 | 0:38:01 | |
Let's find out | 0:38:01 | 0:38:02 | |
Whodunnit? | 0:38:02 | 0:38:05 | |
Any good? | 0:38:14 | 0:38:15 | |
Illuminating. What have you got? | 0:38:15 | 0:38:18 | |
Well, Simmons has made DNA comparisons | 0:38:18 | 0:38:20 | |
with all the suspects in both changing rooms, | 0:38:20 | 0:38:22 | |
and has found something quite curious. | 0:38:22 | 0:38:24 | |
Let's bring him in. | 0:38:35 | 0:38:36 | |
So I finished my meal in the changing room, | 0:38:40 | 0:38:43 | |
then I popped out for a quick orange juice with James. | 0:38:43 | 0:38:46 | |
Then I went to the toilet, | 0:38:46 | 0:38:47 | |
Paddy collapsed soon after that. | 0:38:47 | 0:38:49 | |
Can James corroborate that? | 0:38:51 | 0:38:54 | |
Of course he can. | 0:38:54 | 0:38:55 | |
Actually, I don't think he can. | 0:38:55 | 0:38:57 | |
You see, our forensics found something quite curious. | 0:38:57 | 0:39:01 | |
Your DNA was found on the outside of the Mortcliff toilet door handle, | 0:39:01 | 0:39:06 | |
and not on the inside. | 0:39:06 | 0:39:07 | |
So? | 0:39:10 | 0:39:11 | |
So that would suggest that you | 0:39:11 | 0:39:13 | |
didn't actually enter the toilet cubicles. | 0:39:13 | 0:39:16 | |
Are you calling me a liar? | 0:39:18 | 0:39:20 | |
James had far more reason to do Paddy than I did. | 0:39:20 | 0:39:22 | |
How old are you, Mr Taggart? | 0:39:22 | 0:39:25 | |
Almost 60. | 0:39:25 | 0:39:27 | |
You think I'd risk spending my old age in prison? | 0:39:27 | 0:39:29 | |
Oh, I don't think you intended to kill Mr McMurray. | 0:39:31 | 0:39:33 | |
I think you wanted to make him too ill to play. | 0:39:33 | 0:39:36 | |
You're almost 60... | 0:39:39 | 0:39:42 | |
..you've had some moderate success. | 0:39:42 | 0:39:44 | |
Phenomenal success. | 0:39:44 | 0:39:46 | |
You resent your age. | 0:39:50 | 0:39:52 | |
In your book you speak of your college days | 0:39:53 | 0:39:55 | |
in America with longing. | 0:39:55 | 0:39:57 | |
I remember reading a bit where you mention | 0:39:57 | 0:40:00 | |
a trick to smuggle alcohol into clubs. | 0:40:00 | 0:40:04 | |
A sealed bottle is dipped into boiling water, | 0:40:04 | 0:40:07 | |
the entire lid briefly expands, | 0:40:07 | 0:40:09 | |
and can then be removed with the seal ring still intact. | 0:40:09 | 0:40:13 | |
I put it to you, Mr Taggart, | 0:40:16 | 0:40:18 | |
that you rigged the toilet door in your changing room | 0:40:18 | 0:40:21 | |
to make it appear as | 0:40:21 | 0:40:23 | |
if you were in the cubicle. | 0:40:23 | 0:40:25 | |
You then submerged Paddy's clearly labelled water bottle | 0:40:25 | 0:40:29 | |
in boiling water... | 0:40:29 | 0:40:30 | |
..and took the cap off. | 0:40:30 | 0:40:31 | |
You sneaked into the Parryvale changing room | 0:40:32 | 0:40:36 | |
with James Clark's towel, | 0:40:36 | 0:40:39 | |
so that if ever there was an investigation | 0:40:39 | 0:40:41 | |
it would incriminate him. | 0:40:41 | 0:40:42 | |
You saw Paddy at lunch | 0:40:43 | 0:40:45 | |
and deduced that he was allergic to nuts. | 0:40:45 | 0:40:48 | |
You opened his water bottle and put | 0:40:48 | 0:40:50 | |
the peanut crumbs from your lunch into his water. | 0:40:50 | 0:40:54 | |
You then replace the lid with yours, | 0:40:54 | 0:40:56 | |
as though it had never been removed. | 0:40:56 | 0:40:58 | |
You then went back into the changing room | 0:40:58 | 0:41:00 | |
and locked the toilet door, and emerged, anticipating victory. | 0:41:00 | 0:41:05 | |
A victory which I imagine would have impressed Gillian enough to ensure | 0:41:05 | 0:41:09 | |
your career enjoyed a small resurgence. | 0:41:09 | 0:41:11 | |
You've got no proof. | 0:41:15 | 0:41:17 | |
And you've got no alibi. | 0:41:17 | 0:41:18 | |
If you weren't in the toilet, where were you? | 0:41:20 | 0:41:22 | |
Oh, and there's the ring seal that was missing from the water bottle in | 0:41:23 | 0:41:27 | |
your changing room. Along with the cap. | 0:41:27 | 0:41:30 | |
You're cornered, Frank. | 0:41:32 | 0:41:33 | |
OK. | 0:41:39 | 0:41:40 | |
Fine. | 0:41:41 | 0:41:42 | |
He kept rubbing my face in it. | 0:41:44 | 0:41:46 | |
He kept going on and on about | 0:41:46 | 0:41:47 | |
something that happened 15 years ago. | 0:41:47 | 0:41:49 | |
The vain, self-serving, pain in the neck. | 0:41:49 | 0:41:52 | |
Frank Taggart, I am arresting you for the murder of Patrick McMurray. | 0:41:52 | 0:41:56 | |
I can tell you as an ex-lawyer | 0:41:59 | 0:42:01 | |
I've never encountered a town full of people | 0:42:01 | 0:42:04 | |
as easy to admit murder in my entire life. | 0:42:04 | 0:42:07 | |
"Well, all right, then, I did it." | 0:42:07 | 0:42:09 | |
Absolutely correct. | 0:42:09 | 0:42:11 | |
Well done, what... | 0:42:11 | 0:42:14 | |
It was about the toilet door. | 0:42:14 | 0:42:15 | |
It was about the toilet door! | 0:42:15 | 0:42:17 | |
Ashley, how are you feeling? | 0:42:17 | 0:42:20 | |
Well done, ladies. | 0:42:20 | 0:42:22 | |
I completely... | 0:42:22 | 0:42:24 | |
We should have gone for the contents, | 0:42:24 | 0:42:27 | |
I think that would have persuaded me to go for Frank. | 0:42:27 | 0:42:30 | |
But, yeah, well done. | 0:42:30 | 0:42:33 | |
Congratulations to Toria and Laura, | 0:42:33 | 0:42:35 | |
you both picked the killer and are today's winners, | 0:42:35 | 0:42:37 | |
winning your first golden magnifying glass. | 0:42:37 | 0:42:41 | |
Bad luck, Ashley. | 0:42:43 | 0:42:45 | |
Armchair Detectives, | 0:42:45 | 0:42:46 | |
hands up how many of you got it right. | 0:42:46 | 0:42:49 | |
They always say that! | 0:42:49 | 0:42:51 | |
Only Roger is the honest one. | 0:42:51 | 0:42:55 | |
Come back tomorrow when Knight and Slater | 0:42:55 | 0:42:57 | |
discover a devious crime in a forest. | 0:42:57 | 0:43:00 | |
And remember, | 0:43:00 | 0:43:01 | |
no-one gets away with murder in Mortcliff. | 0:43:01 | 0:43:05 | |
Goodbye. | 0:43:05 | 0:43:07 |