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Welcome back to Bake Off Creme De La Creme, | 0:00:02 | 0:00:04 | |
here in the backstreet slums of East Sussex, | 0:00:04 | 0:00:06 | |
where the competition to find Britain's | 0:00:06 | 0:00:08 | |
best pastry chefs is just one round away from the semifinals. | 0:00:08 | 0:00:12 | |
Three teams are bidding to reach that promised land | 0:00:12 | 0:00:15 | |
and, to get there, their divine creations | 0:00:15 | 0:00:18 | |
must persuade the high priests of patisserie, | 0:00:18 | 0:00:21 | |
Benoit and Cherish, that they are the chosen ones. | 0:00:21 | 0:00:24 | |
And as it says in the Bible, "Good luck with that." | 0:00:24 | 0:00:27 | |
Let's go, go, go, go, go, go, go. | 0:00:27 | 0:00:29 | |
In the toughest of bake-offs... SHE SCREECHES | 0:00:29 | 0:00:31 | |
..ten teams are vying to be crowned Creme De La Creme. | 0:00:31 | 0:00:35 | |
La, la, la droite, droite, droite... | 0:00:35 | 0:00:37 | |
-Fast, fast, fast fingers. -Oh, my heart. I can't do this. | 0:00:37 | 0:00:40 | |
So far, in the first half of the competition... | 0:00:40 | 0:00:43 | |
We need to start piping. Go, go, go. | 0:00:43 | 0:00:45 | |
..the first five teams have been battling it out. | 0:00:45 | 0:00:47 | |
-I can do this! -Yeah, go on. | 0:00:47 | 0:00:49 | |
-Can you move that box? -We're not going to get it done. | 0:00:49 | 0:00:52 | |
We've already said goodbye to Jack's team... | 0:00:52 | 0:00:54 | |
-OK... -Come on. It was hard... -..and, last week, Stephen & Co... | 0:00:54 | 0:00:58 | |
-My hand is shaking. -I need a drink, man. | 0:00:58 | 0:01:01 | |
..lost their place. | 0:01:01 | 0:01:03 | |
It's fine. It wasn't to be. | 0:01:03 | 0:01:05 | |
-Tonight... -Choose your weapons. -The pressure is on, yes? | 0:01:05 | 0:01:09 | |
..the teams face the hardest miniature challenge so far... | 0:01:09 | 0:01:12 | |
I'm glad I've done croissant before, | 0:01:12 | 0:01:13 | |
-cos you would've been in a -BLEEP. | 0:01:13 | 0:01:15 | |
Uh-oh. | 0:01:15 | 0:01:16 | |
..and a showpiece that will see them sink or swim. | 0:01:16 | 0:01:19 | |
-Bubble, bubble. Hold the bubble. -But which two teams... | 0:01:19 | 0:01:22 | |
-Let's finish strong, yeah? -Yes, Chef. | 0:01:22 | 0:01:24 | |
..will secure those coveted semifinal places? | 0:01:24 | 0:01:26 | |
-Tops have cracked. -Oh, you're -BLEEP -joking. | 0:01:26 | 0:01:30 | |
Breathe. | 0:01:30 | 0:01:31 | |
And which teams' hopes and dreams will be shattered? | 0:01:31 | 0:01:35 | |
BLEEP | 0:01:35 | 0:01:36 | |
-It's all going to be over soon. -I think you lost the plot. | 0:01:36 | 0:01:40 | |
I don't know what to make of anything any more. | 0:01:41 | 0:01:43 | |
BIRDS TWEET AND GENTLE MUSIC | 0:02:08 | 0:02:11 | |
Firle Place, Sussex... | 0:02:11 | 0:02:12 | |
..where, over the next two days, | 0:02:14 | 0:02:16 | |
these three teams of professional pastry chefs | 0:02:16 | 0:02:19 | |
will vie for a coveted place in the semifinal. | 0:02:19 | 0:02:21 | |
-I'm nervous. Nervous... -No, don't be. | 0:02:24 | 0:02:27 | |
HE SNIFFS | 0:02:29 | 0:02:30 | |
Judges Cherish and Benoit will be expecting impossibly high | 0:02:32 | 0:02:36 | |
standards and have set two fiendishly difficult challenges, | 0:02:36 | 0:02:39 | |
worth a total of 100 points. | 0:02:39 | 0:02:41 | |
Whoever scores the least will leave the competition. | 0:02:42 | 0:02:45 | |
Good morning, chefs. Welcome back. | 0:02:47 | 0:02:49 | |
As usual, we're going to start with the miniatures challenge, | 0:02:49 | 0:02:52 | |
for which the judges always look for consistency and excellence | 0:02:52 | 0:02:56 | |
across taste, texture, shape and size. | 0:02:56 | 0:02:59 | |
And as they thought that producing 72 was rather too easy, | 0:02:59 | 0:03:04 | |
they've ramped it up to 144. | 0:03:04 | 0:03:07 | |
You're welcome. | 0:03:07 | 0:03:08 | |
Benoit, which miniatures have you chosen? | 0:03:08 | 0:03:11 | |
Viennoiserie. Viennoiserie is a yeasty pastry, | 0:03:11 | 0:03:14 | |
such as a brioche or a croissant. | 0:03:14 | 0:03:16 | |
Crucially, they need to be bi-colour. | 0:03:16 | 0:03:19 | |
We need 36 of two different types. | 0:03:19 | 0:03:22 | |
-Right. So, er, 72 "Vien-wassery"? -Viennoiserie. | 0:03:22 | 0:03:26 | |
72 of what Benoit just said. Cherish. | 0:03:28 | 0:03:30 | |
I've chosen cup petits fours. | 0:03:30 | 0:03:33 | |
Two type, 36 each. | 0:03:33 | 0:03:35 | |
Make sure you keep an eye on the timing, | 0:03:35 | 0:03:38 | |
as time management will be crucial. | 0:03:38 | 0:03:40 | |
There are 40 points available, | 0:03:40 | 0:03:42 | |
you have three hours to complete, and your time starts... | 0:03:42 | 0:03:46 | |
now. | 0:03:46 | 0:03:48 | |
Right, let's go, boys. | 0:03:48 | 0:03:51 | |
Choose your weapons. | 0:03:51 | 0:03:53 | |
All three teams have opted to start with Viennoiserie, | 0:03:53 | 0:03:56 | |
breakfast pastries, such as Danishes and croissant, | 0:03:56 | 0:03:59 | |
invented in Vienna, hence the name, | 0:03:59 | 0:04:01 | |
and popularised by the French in the 19th century. | 0:04:01 | 0:04:05 | |
-Ready? -Yeah! -Girl power. | 0:04:05 | 0:04:07 | |
The teams are all working with the yeasted dough | 0:04:07 | 0:04:09 | |
they had half an hour to prepare the day before. | 0:04:09 | 0:04:12 | |
-Happy with the dough? -Ah, yeah. -Good. -Absolutely. | 0:04:12 | 0:04:15 | |
-So cold. -Perfecting Viennoiserie is notoriously tricky... | 0:04:15 | 0:04:19 | |
even for the professionals. | 0:04:19 | 0:04:21 | |
-Is yours doing anything? -No. -No, neither's mine. | 0:04:21 | 0:04:25 | |
But this year, the judges have generously made it even harder. | 0:04:25 | 0:04:29 | |
We've chosen to challenge the team with Viennoiserie, again. | 0:04:29 | 0:04:33 | |
But this year, we brought the bi-colour element. | 0:04:33 | 0:04:35 | |
It needs to be a beautiful colour, | 0:04:35 | 0:04:38 | |
which doesn't fade away when it's baked. | 0:04:38 | 0:04:40 | |
Managing time will be crucial. | 0:04:40 | 0:04:43 | |
You have to start your lamination process very quickly. | 0:04:43 | 0:04:47 | |
Lamination is the process of creating layers of dough and butter. | 0:04:47 | 0:04:51 | |
When it bakes in the oven, it will all expand. | 0:04:51 | 0:04:54 | |
Helps to give it the layering effect. | 0:04:54 | 0:04:56 | |
And hopefully we'll end up | 0:04:56 | 0:04:58 | |
with a lovely, buttery croissant at the end. | 0:04:58 | 0:05:00 | |
There is a lot that can go wrong. | 0:05:00 | 0:05:02 | |
Tight, non-flaky, under-baked pastry | 0:05:02 | 0:05:05 | |
will lose them a great deal of points. | 0:05:05 | 0:05:07 | |
LIAM BREATHES HEAVILY | 0:05:07 | 0:05:09 | |
This is so hard. | 0:05:09 | 0:05:11 | |
Just trying to get a bit of heat into it at the minute, | 0:05:11 | 0:05:13 | |
just to...make it a little bit more easier to work with. | 0:05:13 | 0:05:17 | |
LIAM PANTS | 0:05:17 | 0:05:18 | |
Sorry, I'm a bit out of breath. | 0:05:18 | 0:05:20 | |
LIAM LAUGHS | 0:05:20 | 0:05:22 | |
Liam is all too aware of the demands of Viennoiserie. | 0:05:22 | 0:05:26 | |
-What's happened to the oven? -While competing last year... | 0:05:26 | 0:05:30 | |
-BLEEP -There's butter everywhere. | 0:05:30 | 0:05:33 | |
..his Creme De La Creme dream turned into a nightmare. | 0:05:33 | 0:05:36 | |
-Morning, Liam. How are we doing today? -Good morning. | 0:05:43 | 0:05:45 | |
Yeah, not too bad. Yourselves? | 0:05:45 | 0:05:47 | |
Well, we are looking forward to tasting some beautiful | 0:05:47 | 0:05:50 | |
-Viennoiserie this morning. -Hopefully we can produce some. | 0:05:50 | 0:05:53 | |
Historically, it's not your strength? | 0:05:53 | 0:05:55 | |
I feel there's a bit more pressure on us this year. | 0:05:55 | 0:05:57 | |
My first intention is not to set the oven on fire. | 0:05:57 | 0:05:59 | |
-Great, great. -CHERISH LAUGHS | 0:05:59 | 0:06:01 | |
Determined history won't repeat itself, | 0:06:01 | 0:06:03 | |
Liam & Co are reimagining two stalwarts of the breakfast table - | 0:06:03 | 0:06:08 | |
creating an almond-topped bi-colour croissant, | 0:06:08 | 0:06:11 | |
made with pink raspberry dough and alternating classic dough, | 0:06:11 | 0:06:15 | |
infused with almond essence, | 0:06:15 | 0:06:17 | |
which they'll also be using in a pain au chocolat, | 0:06:17 | 0:06:19 | |
coloured with cocoa | 0:06:19 | 0:06:21 | |
and filled with chocolate | 0:06:21 | 0:06:22 | |
and roasted hazelnuts. | 0:06:22 | 0:06:24 | |
So what kind of butter are you using this year? | 0:06:24 | 0:06:26 | |
We've used a pastry butter that we've got from France, | 0:06:26 | 0:06:28 | |
-it's 84% fat content. -So it's been specially designed? -Yes. | 0:06:28 | 0:06:33 | |
Crystal of butter, which do not melt | 0:06:33 | 0:06:36 | |
-below... -77 degrees. | 0:06:36 | 0:06:38 | |
OK, great. | 0:06:38 | 0:06:39 | |
That means it will hold in the proofer without going everywhere. | 0:06:39 | 0:06:41 | |
But then as soon as it hits the oven, | 0:06:41 | 0:06:43 | |
if the lamination is not done properly... | 0:06:43 | 0:06:45 | |
-Then it starts to leak out. -OK, so we leave you. -OK. | 0:06:45 | 0:06:48 | |
-Thank you, chefs. -Thank you. | 0:06:48 | 0:06:50 | |
In Fabrice's kitchen... | 0:06:52 | 0:06:53 | |
We all got different tasks. Chloe and Kevin | 0:06:53 | 0:06:56 | |
will be working on the petits fours | 0:06:56 | 0:06:59 | |
and we'll be working on the Viennoiserie. | 0:06:59 | 0:07:01 | |
..the team captain has taken charge of the pastries | 0:07:01 | 0:07:04 | |
beloved of his countrymen. | 0:07:04 | 0:07:06 | |
I love croissant, that's really one of my favourite. | 0:07:06 | 0:07:09 | |
I'm very traditional on this one. If they're fresh, even better. | 0:07:09 | 0:07:12 | |
In pursuit of breakfast pastry perfection, Fabrice | 0:07:12 | 0:07:15 | |
is creating a pain au chocolat, | 0:07:15 | 0:07:18 | |
replete with cocoa marbling effect, | 0:07:18 | 0:07:20 | |
filled with an almond, hazelnut, cinnamon and choc chip paste, | 0:07:20 | 0:07:24 | |
and an elegantly simple classic croissant with a vivid pink stripe. | 0:07:24 | 0:07:28 | |
So, we've done a double turn to my dough. Now I'm doing my single. | 0:07:31 | 0:07:35 | |
It's something we teach to students | 0:07:35 | 0:07:38 | |
so it's not something new to me. | 0:07:38 | 0:07:39 | |
Kevin, I think you have to mop my brow soon! | 0:07:39 | 0:07:42 | |
-HE LAUGHS -Is that all I'm good for, Fabrice? | 0:07:42 | 0:07:45 | |
Cheers, man. | 0:07:45 | 0:07:46 | |
THEY LAUGH | 0:07:47 | 0:07:50 | |
-This is fun! -Is it? Is it really? | 0:07:50 | 0:07:53 | |
If you say so. | 0:07:53 | 0:07:55 | |
In Paula's kitchen, green appears a fitting team colour. | 0:07:56 | 0:08:01 | |
Absolutely new challenge for us. | 0:08:01 | 0:08:04 | |
We never do these at work. | 0:08:04 | 0:08:07 | |
If we come first this time, I'll be very surprised. | 0:08:07 | 0:08:10 | |
I think today is all about Fabrice's team. | 0:08:10 | 0:08:13 | |
He's a pro. We are just... | 0:08:13 | 0:08:16 | |
trying our best. | 0:08:16 | 0:08:18 | |
-BELL RINGS -Service! | 0:08:18 | 0:08:19 | |
Catering for London's elite, the girls are more used to making | 0:08:20 | 0:08:24 | |
one-off, high-end and experimental pastries. | 0:08:24 | 0:08:28 | |
I have artists behind me. | 0:08:28 | 0:08:30 | |
What we have in common is that we are all perfectionists | 0:08:30 | 0:08:34 | |
and you're always looking for something new, | 0:08:34 | 0:08:36 | |
things that I didn't imagine that you could do with food. | 0:08:36 | 0:08:39 | |
I don't think there's going to be any other teams like this. | 0:08:39 | 0:08:41 | |
I don't think so. | 0:08:41 | 0:08:42 | |
-Hope not. -THEY LAUGH | 0:08:42 | 0:08:45 | |
Now we're giving our final stretch to the dough | 0:08:45 | 0:08:48 | |
before we set the colour. | 0:08:48 | 0:08:50 | |
Paula's team is out to impress the judges | 0:08:50 | 0:08:53 | |
with an attention-grabbing bi-colour pink Danish, | 0:08:53 | 0:08:56 | |
filled with raspberry and chia seed jam, | 0:08:56 | 0:08:58 | |
plus a croissant with a cocoa pastry layer | 0:08:58 | 0:09:01 | |
and gianduja centre, | 0:09:01 | 0:09:03 | |
made from hazelnut paste and milk chocolate. | 0:09:03 | 0:09:06 | |
Oh, my God. Look. | 0:09:06 | 0:09:07 | |
You can see the butter. It's going everywhere! | 0:09:07 | 0:09:11 | |
It's all going to be over soon. | 0:09:11 | 0:09:12 | |
CLASSICAL MUSIC | 0:09:12 | 0:09:14 | |
Once the doughs are laminated, | 0:09:14 | 0:09:16 | |
the teams must introduce the all-important second colour. | 0:09:16 | 0:09:20 | |
We added a little bit of cocoa powder | 0:09:20 | 0:09:23 | |
and a little bit of food colouring. | 0:09:23 | 0:09:25 | |
She's doing a raspberry Danish, | 0:09:25 | 0:09:28 | |
so you have a little jam inside. | 0:09:28 | 0:09:31 | |
OPERA SINGING | 0:09:31 | 0:09:33 | |
Mine hasn't got a filling as such. | 0:09:35 | 0:09:37 | |
It's actually the dough that's flavoured. | 0:09:37 | 0:09:39 | |
We added some raspberry flavouring to the dough. Hopefully it's enough. | 0:09:39 | 0:09:43 | |
The dark is not as dark as I wanted, | 0:09:43 | 0:09:46 | |
but it's too late to worry about it, so I'm going to carry on. | 0:09:46 | 0:09:49 | |
I'm really behind with this, but I'm happy. | 0:09:51 | 0:09:54 | |
-On track, Chris? -Yes, Chef. 16 done. | 0:09:55 | 0:09:59 | |
With the shaping, | 0:10:00 | 0:10:01 | |
I need to get every single one as even as possible, | 0:10:01 | 0:10:03 | |
so when they rise in the oven, they all come out | 0:10:03 | 0:10:05 | |
the same shape and size. | 0:10:05 | 0:10:07 | |
Just taking a bit of time now, just to concentrate. | 0:10:07 | 0:10:10 | |
Tell you what, I'm glad I've done croissant before. | 0:10:10 | 0:10:13 | |
-Cos you would've been in a -BLEEP. | 0:10:13 | 0:10:16 | |
OPERA SINGING CONTINUES | 0:10:16 | 0:10:17 | |
Uh-oh. | 0:10:21 | 0:10:22 | |
Hi, Paula. Everything running smoothly? | 0:10:22 | 0:10:24 | |
Er... | 0:10:24 | 0:10:26 | |
-Yes! -Right, that wasn't the most convincing "yes" I've ever heard. | 0:10:26 | 0:10:30 | |
-I'm not convinced myself. -Are you slightly behind schedule? | 0:10:30 | 0:10:32 | |
Little bit, yeah. | 0:10:32 | 0:10:33 | |
That's rare, cos you've won the last two heats. You're our victors. | 0:10:33 | 0:10:37 | |
I know, but this one is completely out of comfort zone. | 0:10:37 | 0:10:41 | |
-Cos it's Fabrice's speciality? -Oh, yeah. He's on fire today. | 0:10:41 | 0:10:44 | |
-Right, is he sort of looking a little bit smug? -Yeah! -Yeah. | 0:10:44 | 0:10:47 | |
ANGUS LAUGHS | 0:10:47 | 0:10:49 | |
-Anybody know how long we've got left? -Chefs, | 0:10:51 | 0:10:54 | |
you are exactly halfway through now, so 90 minutes gone, 90 minutes left. | 0:10:54 | 0:10:59 | |
We're on target. | 0:10:59 | 0:11:00 | |
We're far behind schedule. | 0:11:00 | 0:11:03 | |
We need to go in the proofer...now. | 0:11:03 | 0:11:06 | |
-CHERISH: -What do you think about Paula's team? | 0:11:07 | 0:11:10 | |
I'm a bit concerned this morning. | 0:11:10 | 0:11:12 | |
When they are laminating, there is too much dough left without the... | 0:11:12 | 0:11:15 | |
-Yes. -Is this going to be a disaster? | 0:11:15 | 0:11:17 | |
I'm not sure, but they are trying to put some nice flavours... | 0:11:17 | 0:11:20 | |
It's nice because they're cooking the raspberry fresh. | 0:11:20 | 0:11:23 | |
-Happy with your croissants, mate? -I think so, yeah. | 0:11:23 | 0:11:25 | |
Liam's team, they were kneading the dough, | 0:11:25 | 0:11:28 | |
and they knead, and they knead, and they knead. | 0:11:28 | 0:11:30 | |
They have done exactly the opposite they should've done, | 0:11:30 | 0:11:33 | |
which is basically let the dough relax, to get easily the butter in | 0:11:33 | 0:11:37 | |
-and let it rest after and crack on with the... -Yes. | 0:11:37 | 0:11:40 | |
Instead, it was like a big pile of rubber. | 0:11:40 | 0:11:43 | |
What about Fabrice? | 0:11:43 | 0:11:44 | |
It does look like Fabrice, perhaps, is on the top of his game. | 0:11:44 | 0:11:48 | |
But what about the croissant? | 0:11:48 | 0:11:49 | |
-I expect something in the pink croissant, not just colour. -Me, too. | 0:11:49 | 0:11:54 | |
As the teams deposit their pastries in the proofer, | 0:11:54 | 0:11:58 | |
attentions turn to their petits fours. | 0:11:58 | 0:12:01 | |
-How are you looking, Chloe, OK? -Yeah. | 0:12:01 | 0:12:04 | |
Meaning small oven, | 0:12:05 | 0:12:07 | |
these classic French bite-size appetisers, made from either | 0:12:07 | 0:12:10 | |
pastry or chocolate, | 0:12:10 | 0:12:11 | |
should not just titillate the taste buds, | 0:12:11 | 0:12:13 | |
but tantalise the eyes. | 0:12:13 | 0:12:15 | |
I am the queen of petits fours, internationally. | 0:12:16 | 0:12:19 | |
I won a gold medal. | 0:12:19 | 0:12:21 | |
How do I achieve that? | 0:12:21 | 0:12:23 | |
Being different, being flamboyant | 0:12:23 | 0:12:25 | |
and thinking, "What can I put | 0:12:25 | 0:12:27 | |
"on the plate that will wow the judge?" | 0:12:27 | 0:12:29 | |
It has to be clean, it has to be clear, it has to be tasty, | 0:12:31 | 0:12:35 | |
it has to be precise. | 0:12:35 | 0:12:36 | |
You need to start lining. | 0:12:39 | 0:12:41 | |
Chloe has been tasked with making the first of Team Fabrice's | 0:12:41 | 0:12:44 | |
petits fours - a sweet pastry fruit tartlet. | 0:12:44 | 0:12:48 | |
-Fabrice, how many tarts do you want? -We need 40 at least. -40, cool. | 0:12:48 | 0:12:52 | |
So if you look at a joconde... | 0:12:52 | 0:12:54 | |
Fabrice has 25 years' experience as a pastry chef, | 0:12:54 | 0:12:58 | |
but to give his team the edge, he's banking on young guns Kevin... | 0:12:58 | 0:13:02 | |
and his high-flying student, Chloe, | 0:13:02 | 0:13:04 | |
the youngest entrant in the competition. | 0:13:04 | 0:13:07 | |
Her role is as important as mine or as Kevin because whatever | 0:13:07 | 0:13:11 | |
she does will have an impact on the rest of what we're doing. | 0:13:11 | 0:13:14 | |
Obviously, because I'm only 18, | 0:13:14 | 0:13:16 | |
I haven't really done much stuff like this before, | 0:13:16 | 0:13:18 | |
but I hope I'm bringing the youth and freshness to the team. | 0:13:18 | 0:13:21 | |
-And the speed. -And the speed, yes! | 0:13:21 | 0:13:24 | |
I'll remember this later! | 0:13:24 | 0:13:27 | |
Chloe's tartlet will be filled with | 0:13:27 | 0:13:29 | |
a tonka bean-infused creme diplomat | 0:13:29 | 0:13:31 | |
and topped with fresh fruit, | 0:13:31 | 0:13:33 | |
while Kevin's in charge of their second petits fours - | 0:13:33 | 0:13:36 | |
a dark chocolate cup with glazed chocolate dome, | 0:13:36 | 0:13:38 | |
offset with a filling of | 0:13:38 | 0:13:40 | |
blood orange puree | 0:13:40 | 0:13:41 | |
and crunchy caramel. | 0:13:41 | 0:13:43 | |
What about the weight? What makes a petits fours a petits fours to you? | 0:13:43 | 0:13:45 | |
You've got to be able to put it in your mouth in one go. | 0:13:45 | 0:13:48 | |
Now it depends the size of the mouth! | 0:13:48 | 0:13:50 | |
It's going to be one mouthful for me as well? | 0:13:50 | 0:13:52 | |
-Yes. -Yes! | 0:13:52 | 0:13:53 | |
-CHLOE: -Fabrice, is that all right? | 0:13:53 | 0:13:55 | |
No, too... Too thick. About half of this size. | 0:13:55 | 0:13:58 | |
Just, just... | 0:13:58 | 0:13:59 | |
-This is too soft. -Just, just... leave me. I can't do it | 0:13:59 | 0:14:02 | |
-when they're watching me! -Sorry, we came at the wrong time, | 0:14:02 | 0:14:04 | |
you need to do a little bit of coaching perhaps! | 0:14:04 | 0:14:06 | |
-Please do feel free to... -Look, if it's too soft... | 0:14:06 | 0:14:08 | |
-OK, I'm fine, I'm fine. -If it's too soft, Chloe, | 0:14:08 | 0:14:11 | |
you can just put it in the freezer for five minutes. | 0:14:11 | 0:14:13 | |
Shall we go now, because I think they have a lot to...? | 0:14:13 | 0:14:15 | |
Yes, I think we are losing track there. OK, good luck, guys. | 0:14:15 | 0:14:18 | |
Yeah, good luck. | 0:14:18 | 0:14:19 | |
I'm just making an Italian meringue, now. | 0:14:22 | 0:14:24 | |
Going to fill it with a bit of butterscotch flavour. | 0:14:24 | 0:14:27 | |
That is why they've got so much muscle! | 0:14:27 | 0:14:30 | |
Who needs to go to the gym, eh, Chef?! | 0:14:30 | 0:14:33 | |
The meringue will sit atop a brandy snap cup | 0:14:33 | 0:14:36 | |
layered with banana puree and a liqueur insert. | 0:14:36 | 0:14:39 | |
They're also making an uber citrus chocolate cup, | 0:14:39 | 0:14:42 | |
containing feuilletine, | 0:14:42 | 0:14:44 | |
gin gel and a zingy lime puree. | 0:14:44 | 0:14:46 | |
So you'll instantly get the lime to start with, | 0:14:48 | 0:14:51 | |
then you'll get the warmth of the gin. | 0:14:51 | 0:14:53 | |
-We've used a citrus infused gin. -Put a bit of lime zest in there, | 0:14:53 | 0:14:56 | |
as well. | 0:14:56 | 0:14:58 | |
Over the last couple of rounds, | 0:14:58 | 0:14:59 | |
we've had some criticism on some aspects of our flavours. | 0:14:59 | 0:15:03 | |
I think when we get that right, which is hopefully today, | 0:15:03 | 0:15:06 | |
we should be able to wow the judges with our flavours. | 0:15:06 | 0:15:09 | |
That's us, Gime. Time to work, girl. | 0:15:15 | 0:15:18 | |
One team who's consistently impressed with their flavours | 0:15:19 | 0:15:22 | |
is Paula's. | 0:15:22 | 0:15:24 | |
I once went to a cocktail place and I always go to the weird things | 0:15:24 | 0:15:27 | |
in the menu and I saw this porcini martini and it was | 0:15:27 | 0:15:30 | |
absolutely delicious, so we thought it would work | 0:15:30 | 0:15:33 | |
with the chocolate, so we're going for it! | 0:15:33 | 0:15:35 | |
Their experimental chocolate cup | 0:15:35 | 0:15:38 | |
contains a unique morel and | 0:15:38 | 0:15:40 | |
porcini mushroom ganache, | 0:15:40 | 0:15:41 | |
topped with a pistachio streusel. | 0:15:41 | 0:15:43 | |
They're also creating a pastry | 0:15:43 | 0:15:45 | |
filled with pina colada cream topped | 0:15:45 | 0:15:48 | |
with a micro savarin rum baba. | 0:15:48 | 0:15:50 | |
-This is porcini ganache. -Porcini, as the mushroom? | 0:15:51 | 0:15:54 | |
-As in the mushroom, yes. -OK. | 0:15:54 | 0:15:55 | |
So what part of the porcini flavour you are interested in? | 0:15:55 | 0:15:59 | |
The earthy flavour. | 0:15:59 | 0:16:00 | |
We don't want it too sweet, | 0:16:00 | 0:16:02 | |
so we're looking for more the fragrance, the smell of it. | 0:16:02 | 0:16:05 | |
Am I going to taste a savoury petits fours, or am I going to taste...? | 0:16:05 | 0:16:09 | |
-Sweet petits fours, yes. -How big are they going to be? | 0:16:09 | 0:16:12 | |
Small, ladylike size. One bite. | 0:16:12 | 0:16:15 | |
There's nothing wrong with a man eating a petits fours. | 0:16:15 | 0:16:17 | |
-Come on, don't be discriminatory! -Elegant! | 0:16:17 | 0:16:20 | |
-I love my petits fours bite size. Well done, girls! -There we go! | 0:16:20 | 0:16:24 | |
-Good luck. -Thank you, Chef. -Thank you. | 0:16:24 | 0:16:26 | |
-Have you checked for air bubbles? -What air bubbles? -Look. | 0:16:27 | 0:16:30 | |
-Yeah? -They're fine. -No, they're not fine, | 0:16:30 | 0:16:32 | |
they're going to bubble up when they bake. | 0:16:32 | 0:16:34 | |
Chefs, you have one hour left. 60 minutes left now. | 0:16:34 | 0:16:37 | |
Breathe. You're fine, we're on schedule. | 0:16:37 | 0:16:40 | |
Yeah? Breathe. | 0:16:40 | 0:16:42 | |
-Did you do the streusel? -No, I'll make the streusel now, yes? | 0:16:42 | 0:16:45 | |
-How you doing, OK? -Yeah. | 0:16:45 | 0:16:48 | |
Just weighing out the brandy snap to 2.5g. | 0:16:48 | 0:16:50 | |
We want them as accurate as possible. | 0:16:50 | 0:16:52 | |
I don't normally weigh everything I make. | 0:16:53 | 0:16:56 | |
This is definitely a new thing for me. | 0:16:56 | 0:16:58 | |
She weighs everything, she measures everything, she's very precise. | 0:16:58 | 0:17:02 | |
I'm not worried about that one. | 0:17:02 | 0:17:03 | |
Ji Sun made it. It's going to be spot-on. | 0:17:03 | 0:17:06 | |
This is for our pina colada cream. | 0:17:06 | 0:17:09 | |
I prepare it as thin as possible. | 0:17:09 | 0:17:11 | |
It's a labour of love. | 0:17:11 | 0:17:13 | |
They're really thick, aren't they? | 0:17:15 | 0:17:16 | |
The judges are going to rip me for this pastry. | 0:17:16 | 0:17:19 | |
Chloe, stop panicking. | 0:17:19 | 0:17:21 | |
-You're doing well for what you're doing. -You're doing awesome. | 0:17:21 | 0:17:24 | |
We're trying to show a wide range of skills - sugar work, | 0:17:24 | 0:17:26 | |
chocolate tempering. At this stage, | 0:17:26 | 0:17:28 | |
you need to really up your game. | 0:17:28 | 0:17:30 | |
There's some absolutely phenomenal talent in here | 0:17:30 | 0:17:33 | |
and we'll push ourselves to stand shoulder to shoulder | 0:17:33 | 0:17:36 | |
with the guys that we're in this room with. | 0:17:36 | 0:17:39 | |
Nice. Porcini ganache, spot-on. | 0:17:39 | 0:17:41 | |
Going to cool down the streusel. | 0:17:41 | 0:17:43 | |
-All right, let's get a bit of a shimmy on, guys. -BOTH: Yes, Chef. | 0:17:43 | 0:17:46 | |
Those are my mini rum baba. | 0:17:46 | 0:17:47 | |
That's going to be the top of the pina colada. | 0:17:47 | 0:17:50 | |
This is the pina colada cream. | 0:17:50 | 0:17:52 | |
Arriba! | 0:17:53 | 0:17:54 | |
Just got to get these brandy snaps while they're hot, | 0:17:54 | 0:17:57 | |
just enough to shape them round the end of the rolling pin. | 0:17:57 | 0:17:59 | |
-As you can see, they're quite brittle. -Take the time with shaping. | 0:17:59 | 0:18:02 | |
Yes, Chef. | 0:18:02 | 0:18:03 | |
-Kevin... In a circle. -Yep. | 0:18:03 | 0:18:07 | |
How many have you got? Two, four...? | 0:18:07 | 0:18:08 | |
Yeah, that's OK. | 0:18:08 | 0:18:09 | |
Just pulling some sugar, | 0:18:09 | 0:18:11 | |
which is going to be a garnish, to get the shine to it. | 0:18:11 | 0:18:13 | |
Come on, boys. | 0:18:17 | 0:18:19 | |
You have 30 minutes to go now, | 0:18:20 | 0:18:22 | |
just half an hour. | 0:18:22 | 0:18:24 | |
The teams now face their toughest juggling act | 0:18:24 | 0:18:27 | |
so far in the competition... | 0:18:27 | 0:18:28 | |
Come on, let's do it. | 0:18:28 | 0:18:30 | |
..perfecting 72 delicate petits fours... | 0:18:30 | 0:18:32 | |
Careful. | 0:18:32 | 0:18:33 | |
THWACK | 0:18:33 | 0:18:35 | |
-..waiting for the critical moment... -Are we going? | 0:18:35 | 0:18:39 | |
..to transfer their Viennoiserie from prover to oven. | 0:18:39 | 0:18:42 | |
All right, the moment of truth. | 0:18:42 | 0:18:44 | |
These haven't proved, mate. | 0:18:47 | 0:18:48 | |
-What do you want to do...? -We'll have to get them in. | 0:18:51 | 0:18:53 | |
We won't get them glazed and decorated in time, | 0:18:53 | 0:18:55 | |
so we won't be able to use them, will we? | 0:18:55 | 0:18:58 | |
This is where it all went wrong last year, so, we'll now sit with | 0:18:58 | 0:19:01 | |
a bit of anticipation over the next sort of ten minutes. | 0:19:01 | 0:19:04 | |
What will be, will be. Fingers crossed. | 0:19:04 | 0:19:06 | |
Raspberries, raspberries, raspberries. | 0:19:07 | 0:19:10 | |
-Is it crunchy? -Yes. | 0:19:10 | 0:19:11 | |
-That's done, yes? -Doing the nuts now. | 0:19:13 | 0:19:16 | |
TIMER BEEPS | 0:19:17 | 0:19:19 | |
Think they're ready. | 0:19:19 | 0:19:20 | |
Five minutes left. Just five minutes to go. | 0:19:26 | 0:19:29 | |
Come on, boys. Last push now. | 0:19:29 | 0:19:31 | |
They're still red but the shape is quite sad, isn't it? | 0:19:33 | 0:19:36 | |
Looking good, Ben, looking good. | 0:19:42 | 0:19:44 | |
This glaze doesn't seem very shiny. | 0:19:48 | 0:19:50 | |
It's cos they're still warm, I think. | 0:19:50 | 0:19:52 | |
We haven't got time for them to cool, though, have we? | 0:19:53 | 0:19:56 | |
You have one minute left. | 0:19:56 | 0:19:57 | |
-Just 60 seconds left now. -Come on! | 0:19:57 | 0:19:59 | |
Grab some, Fabrice, grab some chocolate. | 0:19:59 | 0:20:02 | |
I need help here. We're not going to have time to put these almonds on. | 0:20:04 | 0:20:07 | |
4, 8, 12, 16, 20... | 0:20:08 | 0:20:11 | |
OK, time is up now, guys. | 0:20:11 | 0:20:13 | |
-Quick! -Step away from your miniatures. | 0:20:15 | 0:20:19 | |
They're all going on, I'm not going to lie. | 0:20:19 | 0:20:21 | |
That's it. | 0:20:21 | 0:20:22 | |
MUSIC: La Donna E Mobile from Rigoletto by Verdi | 0:20:22 | 0:20:26 | |
-Fabrice's croissants look good. -Yeah. | 0:20:26 | 0:20:28 | |
We've done our best, haven't we? | 0:20:28 | 0:20:30 | |
-Hm? -We couldn't have done any more than that. | 0:20:30 | 0:20:32 | |
MUSIC CONTINUES | 0:20:35 | 0:20:37 | |
More than 400 miniatures, | 0:20:42 | 0:20:44 | |
handmade in a mere three hours. | 0:20:44 | 0:20:47 | |
If we could begin with Liam's team. | 0:21:01 | 0:21:03 | |
For their bicolour Viennoiserie, Liam's team | 0:21:04 | 0:21:07 | |
has served raspberry and almond croissants alongside | 0:21:07 | 0:21:10 | |
pain au chocolat with noisette and milk chocolate centres. | 0:21:10 | 0:21:13 | |
MUSIC CONCLUDES | 0:21:13 | 0:21:16 | |
As far as presentation is concerned, | 0:21:16 | 0:21:19 | |
the pain au chocolat have got all different sizes and shapes. | 0:21:19 | 0:21:22 | |
Not uniform at all. | 0:21:22 | 0:21:23 | |
-Mm-mm-mm. -Hm. -What does "Mm-mm-mm" mean? | 0:21:25 | 0:21:28 | |
-Well, it's not quite as light as I would like it to be. -Yes. | 0:21:28 | 0:21:30 | |
CRUNCHING | 0:21:30 | 0:21:32 | |
It's so chewy, it took me so much effort to eat. | 0:21:35 | 0:21:38 | |
-You have a bit of problem rolling your dough. -It was really tight. | 0:21:38 | 0:21:42 | |
Then you knead it as well, it's like you're adding gluten. | 0:21:42 | 0:21:45 | |
The good thing is, | 0:21:45 | 0:21:46 | |
I love the flavour inside - chocolate and hazelnut. | 0:21:46 | 0:21:49 | |
Flavour wise, I'll have another bite! | 0:21:49 | 0:21:52 | |
For the raspberry... | 0:21:52 | 0:21:53 | |
-..is there any flavouring? -There's a raspberry flavouring in there. | 0:21:54 | 0:21:58 | |
Ah, so it's just the essence. | 0:21:58 | 0:21:59 | |
Well, it tastes a little bit like an essence, as opposed | 0:21:59 | 0:22:02 | |
to the fragrance of the raspberry, perhaps. | 0:22:02 | 0:22:03 | |
A lovely little jam or something to go with it to help as opposed to | 0:22:03 | 0:22:07 | |
that unnatural kind of raspberry taste. | 0:22:07 | 0:22:09 | |
So I think altogether you've progressed, | 0:22:09 | 0:22:12 | |
but there is a little bit more room for improvement. | 0:22:12 | 0:22:15 | |
They've also served two types of petits fours - banoffee cream | 0:22:15 | 0:22:18 | |
brandy snaps topped with Italian meringue... | 0:22:18 | 0:22:21 | |
and white mint choc cups filled with gin gel and lime puree. | 0:22:21 | 0:22:25 | |
It's really refined. Everything is very uniform. | 0:22:26 | 0:22:30 | |
They are what petits fours, size-wise, should be. | 0:22:30 | 0:22:33 | |
Hey, | 0:22:33 | 0:22:34 | |
well done. | 0:22:34 | 0:22:36 | |
Oh, good Lord. Are you all right, Cherish? | 0:22:47 | 0:22:49 | |
You almost killed me with the acidness inside them! | 0:22:49 | 0:22:52 | |
It was so sharp that I don't know whether... | 0:22:52 | 0:22:54 | |
Am I going to spit it out, am I going to swallow? | 0:22:54 | 0:22:57 | |
It wasn't that pleasant for me. | 0:22:57 | 0:22:59 | |
-The other one quickly like this, we can... -Yes, Chef. -Hup! | 0:22:59 | 0:23:02 | |
I thought you'd been shot. | 0:23:02 | 0:23:03 | |
The banana little brandy snap basket, it's fairly sweet to me. | 0:23:03 | 0:23:07 | |
It's pretty - is it elegant? | 0:23:07 | 0:23:09 | |
A bit... A bit... | 0:23:10 | 0:23:12 | |
Maybe not. | 0:23:12 | 0:23:14 | |
OK, thank you very much. Well done. | 0:23:16 | 0:23:18 | |
(Oh, God!) | 0:23:19 | 0:23:20 | |
That is me... | 0:23:23 | 0:23:24 | |
never making croissants ever again. | 0:23:24 | 0:23:27 | |
Paula's team, could you possibly bring your miniatures up. | 0:23:27 | 0:23:31 | |
The girls' bicolour Danish are filled with raspberry jam and their | 0:23:32 | 0:23:37 | |
croissants contain classic Italian | 0:23:37 | 0:23:38 | |
hazelnut and chocolate gianduja filling. | 0:23:38 | 0:23:42 | |
Girls, you were just so uncomfortable | 0:23:42 | 0:23:44 | |
doing your Viennoiserie. | 0:23:44 | 0:23:46 | |
In terms of uniform and precision... | 0:23:46 | 0:23:49 | |
I think you lost the plot. | 0:23:49 | 0:23:50 | |
Any nice surprises in there? | 0:23:53 | 0:23:56 | |
Oops. | 0:23:56 | 0:23:57 | |
Your lamination was an issue. | 0:24:06 | 0:24:08 | |
There was big chunks of dough without butter, while it's | 0:24:08 | 0:24:12 | |
making a very dry croissant. Your raspberry Danishes, undercooked. | 0:24:12 | 0:24:16 | |
And you can tell because the dough is stuck together, | 0:24:16 | 0:24:19 | |
hasn't puffed up whatsoever. | 0:24:19 | 0:24:21 | |
I'm afraid we're going to get tummy ache tonight. | 0:24:21 | 0:24:24 | |
Accompanying their Viennoiserie, pina colada cream pastries | 0:24:26 | 0:24:29 | |
topped with a rum baba | 0:24:29 | 0:24:31 | |
and chocolate cups containing pistachio streusel and | 0:24:31 | 0:24:34 | |
porcini mushroom ganache. | 0:24:34 | 0:24:36 | |
When you put it on the paper, I thought you were bonkers. Mushroom?! | 0:24:36 | 0:24:40 | |
But I love it. | 0:24:41 | 0:24:43 | |
It is beautiful. | 0:24:44 | 0:24:45 | |
Perfect. | 0:24:46 | 0:24:48 | |
Flavour-wise, the smoke and the chocolate actually work very | 0:24:48 | 0:24:51 | |
-well together. -But then this piece over here - what happened, girls? | 0:24:51 | 0:24:55 | |
You go from grade A... | 0:24:55 | 0:24:58 | |
to grade D. | 0:24:58 | 0:24:59 | |
When I taste your pina colada, it was sensational. | 0:24:59 | 0:25:03 | |
And then you were dipping your savarin in the rum as well, | 0:25:03 | 0:25:08 | |
I thought, "Oh, my goodness, what is the girl doing?" | 0:25:08 | 0:25:10 | |
Confusing, confusing, confusing. | 0:25:10 | 0:25:13 | |
I'm not ready for this. | 0:25:17 | 0:25:19 | |
That was painful. | 0:25:19 | 0:25:20 | |
So, Fabrice... | 0:25:26 | 0:25:27 | |
Team Fabrice's croissants feature contrasting classic and pink pastry | 0:25:29 | 0:25:34 | |
and their bicolour Danish contain a hazelnut, | 0:25:34 | 0:25:37 | |
almond and choc chip filling. | 0:25:37 | 0:25:39 | |
To compare this size and this size, | 0:25:39 | 0:25:41 | |
they look un-uniform and not precise as I want it to be. | 0:25:41 | 0:25:46 | |
The bicolour was also part of the challenge. | 0:25:46 | 0:25:49 | |
We've got the red, we don't see too much the cocoa side. | 0:25:49 | 0:25:52 | |
-It could have been slightly darker. -Yes. | 0:25:52 | 0:25:54 | |
Mm! | 0:25:57 | 0:25:58 | |
That's not bad. Oh, yours is slightly... | 0:26:01 | 0:26:03 | |
It's slightly underbaked. | 0:26:03 | 0:26:05 | |
Mine is good because it's a tiny, little croissant! | 0:26:05 | 0:26:07 | |
-Cherish's is slightly bigger. -Mm. | 0:26:07 | 0:26:09 | |
And therefore, they are not baked in the same way. | 0:26:09 | 0:26:11 | |
That's the problem with unevenness - trying to get them all | 0:26:11 | 0:26:14 | |
the same size, you can bake them in the same way. | 0:26:14 | 0:26:16 | |
Bit of a shame. | 0:26:16 | 0:26:17 | |
-But I like the filling. -Orange and hazelnut... | 0:26:17 | 0:26:21 | |
Chocolaty... Oh, yes. | 0:26:21 | 0:26:23 | |
That works! | 0:26:23 | 0:26:25 | |
Accompanying their pastries, a fruit tartlet with | 0:26:25 | 0:26:27 | |
a sweet pastry base and tonka bean creme diplomat filling. | 0:26:27 | 0:26:31 | |
What is that? A fruit tart? | 0:26:32 | 0:26:34 | |
Again, I ask myself, what is that? It's still a fruit tart? | 0:26:34 | 0:26:37 | |
Is there anything to excite me? | 0:26:37 | 0:26:39 | |
There is nothing to shout out and say, "Here I am! Eat me, eat me! | 0:26:39 | 0:26:43 | |
"I'm here, I'm gorgeous!" It doesn't tell me that at all. | 0:26:43 | 0:26:46 | |
It's a simple petits fours, so therefore, | 0:26:46 | 0:26:48 | |
there is no hiding place, it needs to be perfect. | 0:26:48 | 0:26:51 | |
I really like your creme diplomat, it was so smooth, | 0:26:51 | 0:26:55 | |
tonka bean was just nice. | 0:26:55 | 0:26:56 | |
The sweet pastry, though... | 0:26:56 | 0:26:58 | |
You're pulling a face like me. | 0:26:59 | 0:27:02 | |
Um, it's thick, dry... | 0:27:02 | 0:27:05 | |
underbaked. | 0:27:05 | 0:27:06 | |
A no-go for me. | 0:27:06 | 0:27:08 | |
To conclude, a dark chocolate cup containing crunchy caramel and | 0:27:09 | 0:27:13 | |
a blood orange insert topped with a glazed chocolate mousse. | 0:27:13 | 0:27:17 | |
It is beautiful. When I look at it, the glaze is really, really nice. | 0:27:18 | 0:27:21 | |
I really like it. | 0:27:24 | 0:27:26 | |
It blends very nicely. | 0:27:28 | 0:27:30 | |
The chocolate, the bitterness and the fruity... | 0:27:30 | 0:27:33 | |
And the feuilletine inside. | 0:27:33 | 0:27:35 | |
It adds another dimension to it. | 0:27:35 | 0:27:37 | |
Beautiful, beautiful, beautiful. | 0:27:37 | 0:27:39 | |
I'm going to take a little bit negative on it. | 0:27:39 | 0:27:41 | |
The case itself is too thick. | 0:27:41 | 0:27:43 | |
-What is he talking about? It's perfect. -Oh! | 0:27:43 | 0:27:46 | |
-OK! -I love it! -Blimey! -Hey! | 0:27:46 | 0:27:48 | |
Look at him, now, he's like a French cockerel, he's just like, "Waaay! | 0:27:48 | 0:27:51 | |
-"I'm so happy!" -That's about as positive as it gets, I think. | 0:27:51 | 0:27:55 | |
Well done. | 0:27:55 | 0:27:56 | |
Thank you very much. | 0:27:56 | 0:27:58 | |
Oh, God. | 0:28:09 | 0:28:10 | |
Our judges will now award a score out of ten for each miniature. | 0:28:14 | 0:28:17 | |
For me, the Viennoiserie challenge was really disappointing. | 0:28:19 | 0:28:21 | |
On the positive note, the petits fours, | 0:28:21 | 0:28:23 | |
we finally find something ingenious. | 0:28:23 | 0:28:26 | |
It got me excited today. | 0:28:26 | 0:28:28 | |
Judges, if you could come over and join us. | 0:28:32 | 0:28:35 | |
In total, 40 points are available today and, | 0:28:35 | 0:28:38 | |
with a place in the semifinals at stake tomorrow, | 0:28:38 | 0:28:40 | |
every point is vital. | 0:28:40 | 0:28:42 | |
The team in third place, | 0:28:44 | 0:28:46 | |
with a score today of 18 out of a possible 40, | 0:28:46 | 0:28:50 | |
Liam's team. | 0:28:50 | 0:28:51 | |
I'm pleased to see that you've improved with your Viennoiserie, | 0:28:51 | 0:28:55 | |
but I'm a bit confused with your petits fours flavours. | 0:28:55 | 0:29:00 | |
It was just too sharp on my palate. | 0:29:00 | 0:29:02 | |
But which team has put themselves in the best position to get | 0:29:05 | 0:29:08 | |
through to the semifinals? | 0:29:08 | 0:29:10 | |
Paula's team, you clearly struggled to manage your Viennoiserie, | 0:29:10 | 0:29:14 | |
so on that basis, I'm awarding you 11 out of 20. | 0:29:14 | 0:29:18 | |
-Cherish? -Your mushroom petits fours was so innovative. | 0:29:18 | 0:29:23 | |
However, I was really disappointed with your Viennoiserie. | 0:29:23 | 0:29:28 | |
For that, I award you 8 out of 20. | 0:29:28 | 0:29:32 | |
Giving you a grand total of 19 out of a possible 40. | 0:29:32 | 0:29:36 | |
And finally, Fabrice's team... | 0:29:38 | 0:29:40 | |
I was disappointed with your management altogether | 0:29:40 | 0:29:42 | |
of the Viennoiserie. | 0:29:42 | 0:29:44 | |
For this reason, I'm awarding you 10 out of 20. | 0:29:44 | 0:29:46 | |
Your chocolate cup petits fours was delightful. | 0:29:46 | 0:29:49 | |
For that, I award you 9.5 out of 20. | 0:29:49 | 0:29:54 | |
Right, bringing you a grand total of 19.5... | 0:29:56 | 0:30:00 | |
..which means that it's Fabrice's team that are in the lead... | 0:30:01 | 0:30:05 | |
Paula's team are in second place and Liam's are bringing up the rear. | 0:30:05 | 0:30:09 | |
-Holy -BLEEP, BLEEP! | 0:30:12 | 0:30:13 | |
With just a point and a half separating the three teams, | 0:30:16 | 0:30:19 | |
it's the tightest the competition has ever been at this stage. | 0:30:19 | 0:30:22 | |
I suggest, for now, you all rest up, | 0:30:24 | 0:30:26 | |
have a well-earned break and we'll see you all here tomorrow morning. | 0:30:26 | 0:30:29 | |
Absolutely buzzing, | 0:30:30 | 0:30:32 | |
because I just didn't envisage it going as well as it did today! | 0:30:32 | 0:30:36 | |
That wasn't our favourite challenge, | 0:30:37 | 0:30:39 | |
-so being just a half point behind is like we're winning! -Whoo! Yeah! | 0:30:39 | 0:30:43 | |
Liam, we all know how good they are with the showpiece, | 0:30:43 | 0:30:46 | |
so...quite nervous about it. | 0:30:46 | 0:30:49 | |
We did everything we could, we knew it wasn't going to be our | 0:30:49 | 0:30:51 | |
strongest round and it was basically damage limitation. | 0:30:51 | 0:30:55 | |
Last showpiece, we've come top of the pack. | 0:30:55 | 0:30:57 | |
So I think the guys in first and second place today | 0:30:57 | 0:31:00 | |
will be looking over their shoulder at us. | 0:31:00 | 0:31:02 | |
OWL HOOTS | 0:31:02 | 0:31:04 | |
Tomorrow's final challenge is on such a monumental scale... | 0:31:04 | 0:31:08 | |
that the teams have been given a golden hour to prepare any | 0:31:08 | 0:31:11 | |
elements that need chilling or setting overnight. | 0:31:11 | 0:31:14 | |
So it's all pretty close at the moment, not much between them all. | 0:31:15 | 0:31:18 | |
Yes, it is. | 0:31:18 | 0:31:19 | |
And the best two teams tomorrow is ensured a place in the semifinal. | 0:31:19 | 0:31:24 | |
So, looking ahead, who are you expecting great things from? | 0:31:24 | 0:31:27 | |
-Liam's team. -Mm-hm. | 0:31:27 | 0:31:29 | |
I have to give them credit for the precision and the cleanliness | 0:31:29 | 0:31:32 | |
of their work. | 0:31:32 | 0:31:33 | |
But at the same time, Paula has got a little bit more artistic skills. | 0:31:33 | 0:31:38 | |
Since the competition started, they have been the top, | 0:31:38 | 0:31:41 | |
so I think in terms of confidence, they're ahead of everyone. | 0:31:41 | 0:31:44 | |
Fabrice's team have a bit of a track record, don't they, | 0:31:44 | 0:31:47 | |
insofar as they've been the bottom two the last two weeks. | 0:31:47 | 0:31:50 | |
If I'm Fabrice, I'd be very, very worried now. | 0:31:50 | 0:31:53 | |
Just 0.5 ahead. | 0:31:53 | 0:31:55 | |
But they've managed to scrape themselves out | 0:31:55 | 0:31:58 | |
of the last two rounds. | 0:31:58 | 0:31:59 | |
Nothing is there to stop them to do it one more. | 0:31:59 | 0:32:02 | |
-Oh, -BLEEP! -Don't worry, don't worry. It's fine. | 0:32:03 | 0:32:05 | |
Just leave it there a bit, two seconds. | 0:32:05 | 0:32:07 | |
I'm happy with what we've done, we've done quite a bit in an hour. | 0:32:07 | 0:32:10 | |
-Quick clean down then, boys. -Yes, Chef. | 0:32:10 | 0:32:12 | |
BIRDSONG | 0:32:19 | 0:32:20 | |
Good morning, chefs. Welcome back to arguably | 0:32:36 | 0:32:38 | |
the most important day of your culinary lives. | 0:32:38 | 0:32:41 | |
The showpiece challenge is your last chance to prove to the judges | 0:32:41 | 0:32:46 | |
that you are worthy of a place in the semifinals, so, judges... | 0:32:46 | 0:32:51 | |
Good morning, chefs. The theme of this challenge is Under The Sea. | 0:32:51 | 0:32:55 | |
I would like you to make me a spectacular showpiece | 0:32:55 | 0:33:00 | |
completely out of chocolate. | 0:33:00 | 0:33:02 | |
Astonish me and wow me, chefs. | 0:33:02 | 0:33:04 | |
Benoit, have you got any annoying extra rules | 0:33:04 | 0:33:07 | |
to make the task even harder? | 0:33:07 | 0:33:09 | |
Yes, I do! | 0:33:09 | 0:33:10 | |
We want three different types of chocolate bonbon, | 0:33:10 | 0:33:13 | |
filled and moulded, 36 of each, | 0:33:13 | 0:33:17 | |
108 in total and we want to be blown away by your imagination. | 0:33:17 | 0:33:22 | |
Couldn't be simpler. | 0:33:23 | 0:33:24 | |
So, you have three more hours | 0:33:24 | 0:33:27 | |
and your time starts... | 0:33:27 | 0:33:30 | |
now. | 0:33:30 | 0:33:31 | |
Let's go, guys. | 0:33:31 | 0:33:32 | |
Work hard, work clean. | 0:33:33 | 0:33:35 | |
The teams must demonstrate a mastery of chocolate... | 0:33:35 | 0:33:38 | |
For your moulds, Fabrice. | 0:33:38 | 0:33:40 | |
..a core skill of the professional pastry chef. | 0:33:40 | 0:33:43 | |
It's the chocolate showpiece. | 0:33:44 | 0:33:46 | |
It has to be big, it has to be bold, | 0:33:46 | 0:33:48 | |
it has to be magnificent. | 0:33:48 | 0:33:50 | |
Of course, the technique is crucial for me. | 0:33:50 | 0:33:52 | |
Whether you hand-carve, you use capturing or use a moulding. | 0:33:52 | 0:33:56 | |
Beautiful technique, skills, all that is important, | 0:33:56 | 0:33:59 | |
but this challenge should show me the artist, | 0:33:59 | 0:34:04 | |
plus we've asked for chocolate bonbons, all identical, | 0:34:04 | 0:34:07 | |
beautifully flavoured. | 0:34:07 | 0:34:09 | |
I want to see beautiful tempered chocolate, | 0:34:09 | 0:34:12 | |
moulded correctly, thinly. | 0:34:12 | 0:34:15 | |
Technique, technique, technique. | 0:34:15 | 0:34:17 | |
As well as producing out-of-this-world bonbons... | 0:34:18 | 0:34:21 | |
It's go big or go home for everyone today, isn't it? | 0:34:21 | 0:34:23 | |
..they must create a spectacular showpiece, | 0:34:23 | 0:34:26 | |
bringing to life an underwater realm... | 0:34:26 | 0:34:29 | |
Bubbles. | 0:34:29 | 0:34:31 | |
..and are free to let their imaginations run riot. | 0:34:31 | 0:34:34 | |
We've been working hard on this challenge. | 0:34:35 | 0:34:37 | |
We really want to get through to the semifinal, | 0:34:37 | 0:34:39 | |
so today is all about trying to show as many skills as we can in | 0:34:39 | 0:34:42 | |
the chocolate - moulding, sculpting, casting. | 0:34:42 | 0:34:46 | |
In their quest for supremacy, | 0:34:46 | 0:34:48 | |
last-placed Liam and his team have hand-cast their own moulds. | 0:34:48 | 0:34:51 | |
Instead of having a day off, we had an afternoon off and we went | 0:34:52 | 0:34:56 | |
shopping in garden centres and got some silicone, | 0:34:56 | 0:34:59 | |
and set the bust and the pillar and the urn. | 0:34:59 | 0:35:02 | |
The idea behind it is almost like an Atlantic sunken city. | 0:35:02 | 0:35:06 | |
Featured in this submerged seascape, | 0:35:06 | 0:35:09 | |
a cherry brandy gel and | 0:35:09 | 0:35:10 | |
almond brittle dark chocolate, | 0:35:10 | 0:35:12 | |
a mint choc ganache milk chocolate | 0:35:12 | 0:35:15 | |
and a lemon curd and vanilla yoghurt | 0:35:15 | 0:35:17 | |
white chocolate, | 0:35:17 | 0:35:18 | |
coated with a special green | 0:35:18 | 0:35:20 | |
cocoa butter flock to resemble moss. | 0:35:20 | 0:35:23 | |
Guarding the bonbons, a fearsome creature of the deep. | 0:35:23 | 0:35:26 | |
So you're going to have squid and the tentacles and everything? | 0:35:26 | 0:35:29 | |
Yes, so this all gets carved into, this will have a big hole here with | 0:35:29 | 0:35:32 | |
a squid coming out of the middle of it. | 0:35:32 | 0:35:34 | |
-Wow. -Yes. Put a lot of thought into this. | 0:35:34 | 0:35:36 | |
So yesterday you choked me with your petits fours - I hope | 0:35:36 | 0:35:39 | |
-you're not going to choke me today. -Is there lime? | 0:35:39 | 0:35:41 | |
No, we have lemon today. Lemon and yoghurt - clean, elegant flavours. | 0:35:41 | 0:35:44 | |
We thought about what order you eat them in, so we have a cherry one, | 0:35:44 | 0:35:47 | |
then a palate cleanser, then a mint chocolate ganache. | 0:35:47 | 0:35:50 | |
So control and balance your flavour harmoniously in order not to | 0:35:50 | 0:35:53 | |
choke any of us today will be certainly... | 0:35:53 | 0:35:56 | |
That is definitely not the idea today! | 0:35:56 | 0:35:58 | |
We have lots of pieces - fishes, shells. | 0:36:00 | 0:36:03 | |
You're trying to reproduce very deep sea, | 0:36:03 | 0:36:06 | |
where you get all the textures, shapes and colours. | 0:36:06 | 0:36:09 | |
To streamline construction, | 0:36:10 | 0:36:12 | |
Paula's team has used ready-made casts for their sea creatures. | 0:36:12 | 0:36:16 | |
I'm just de-moulding everything we had moulded. | 0:36:16 | 0:36:19 | |
So... Ji - happy with your fish? | 0:36:21 | 0:36:22 | |
BLENDER WHIRS | 0:36:22 | 0:36:24 | |
The girls' vision also features a shipwreck and trio of bonbons. | 0:36:24 | 0:36:29 | |
A dark chocolate feuilletine crunch | 0:36:29 | 0:36:30 | |
layered with apricot gel | 0:36:30 | 0:36:32 | |
and apricot ganache, | 0:36:32 | 0:36:34 | |
a matcha green tea ganache with sesame seeds | 0:36:34 | 0:36:36 | |
and white chocolate and a tiramisu ganache | 0:36:36 | 0:36:39 | |
in a gianduja chocolate shell. | 0:36:39 | 0:36:41 | |
So, is that what will be the Loch Ness Monster? | 0:36:41 | 0:36:44 | |
This is going to be actually our base, | 0:36:44 | 0:36:46 | |
where we're going to place all our figurines, fishes, coral, sea life. | 0:36:46 | 0:36:51 | |
Of course. Sea life. | 0:36:51 | 0:36:52 | |
I've seen that you're using bought-in moulds | 0:36:52 | 0:36:55 | |
like a large fish, a boat... | 0:36:55 | 0:36:57 | |
We are going to give our touch in the painting, in the corals, we're | 0:36:57 | 0:37:01 | |
piping some seaweed, so the touches at the end we're doing by hand. | 0:37:01 | 0:37:05 | |
-OK. -OK. -Good luck. See you later, guys, yes? | 0:37:06 | 0:37:09 | |
OK, Ji Sun. Now we have to pipe some fishes. | 0:37:11 | 0:37:13 | |
-FABRICE: -Chocolate has always been my forte. | 0:37:15 | 0:37:18 | |
I mean, I can talk about chocolate all day, so don't start me on this! | 0:37:18 | 0:37:22 | |
Whilst chocolate might be Fabrice's forte, it's definitely not Chloe's. | 0:37:22 | 0:37:26 | |
I've worked with chocolate with Fabrice, that was in a lesson. | 0:37:28 | 0:37:32 | |
I've tempered chocolate maybe...once? | 0:37:32 | 0:37:35 | |
I know I'm going to be stressed for the first half an hour, because | 0:37:35 | 0:37:37 | |
if I don't get the parts right for my chest, I will be in trouble. | 0:37:37 | 0:37:41 | |
Sharing a seabed with his chest, | 0:37:42 | 0:37:44 | |
a giant chocolate anchor and a trove of sunken bonbon treasures | 0:37:44 | 0:37:48 | |
including a white chocolate with Earl Grey ganache, | 0:37:48 | 0:37:51 | |
a milk chocolate with Irish cream | 0:37:51 | 0:37:53 | |
ganache and a dark chocolate | 0:37:53 | 0:37:55 | |
with Calvados ganache and a cube | 0:37:55 | 0:37:57 | |
of apple steeped in liqueur. | 0:37:57 | 0:37:58 | |
-Fabrice, hi. -Hi. -How is it all going? | 0:37:59 | 0:38:01 | |
It is going as well as can be at the moment. | 0:38:01 | 0:38:05 | |
Right... | 0:38:05 | 0:38:06 | |
Er, that's not sounding fabulously positive. | 0:38:06 | 0:38:09 | |
Um, so, who came up with the design? Who came up with the concept? | 0:38:09 | 0:38:12 | |
It's usually me, purely because I've got more experience than these two. | 0:38:12 | 0:38:17 | |
-They're quick learners, luckily. -Evidently, yeah. | 0:38:17 | 0:38:19 | |
-But you're an old hand. -Yes. | 0:38:19 | 0:38:21 | |
-LAUGHTER CHLOE: -You can say that again! | 0:38:21 | 0:38:23 | |
Thanks, Chloe! | 0:38:23 | 0:38:24 | |
-See? I get abuse! -Quite right. Yes, keep you down to earth. | 0:38:24 | 0:38:28 | |
So, who are your main rivals, do you think? | 0:38:28 | 0:38:30 | |
-I would say this team and this team. -Right(!) | 0:38:30 | 0:38:33 | |
Liam did very well with the showpiece when | 0:38:34 | 0:38:36 | |
he was last in this competition. | 0:38:36 | 0:38:38 | |
-A lot, lot of experience. -Yeah. | 0:38:38 | 0:38:39 | |
Bang on 1 hour 30 to go, boys. | 0:38:40 | 0:38:42 | |
Right, I'm on to shaping now, Chef. | 0:38:42 | 0:38:44 | |
We're a very big team effort today. | 0:38:44 | 0:38:46 | |
Chris and me, we're working on the moulded chocolates and then | 0:38:46 | 0:38:49 | |
we're all on to the centrepiece. | 0:38:49 | 0:38:50 | |
I'm working on moulding the bonbons so they can be filled up with | 0:38:50 | 0:38:54 | |
the ganache because that's the part | 0:38:54 | 0:38:56 | |
I'm a bit more confident to hand over. | 0:38:56 | 0:38:58 | |
The girls now are working on the bonbons. | 0:38:58 | 0:39:00 | |
We always try to get some different flavours. | 0:39:00 | 0:39:02 | |
This is matcha ganache, a really nice colour, you can see. | 0:39:02 | 0:39:06 | |
And then lots of black sesame seeds. | 0:39:06 | 0:39:08 | |
We want to give it a bit of an Asian touch. | 0:39:08 | 0:39:10 | |
Gimena and I are big fans of tiramisu. | 0:39:10 | 0:39:13 | |
-There is no alcohol in it, though. Happy? -Yes. | 0:39:13 | 0:39:17 | |
What we try to do is put a bit of ourselves into it. | 0:39:17 | 0:39:20 | |
These are Irish cream, I'm half Irish. | 0:39:20 | 0:39:23 | |
This will represent Chloe, Earl Grey, | 0:39:23 | 0:39:25 | |
the favourite tea of the Queen, I believe! | 0:39:25 | 0:39:28 | |
And on the French side, we've got Calvados - not maybe an | 0:39:28 | 0:39:31 | |
unusual flavour, but tried and trusted flavour. | 0:39:31 | 0:39:35 | |
That might be the difference between winning or losing, you never know. | 0:39:35 | 0:39:38 | |
Just now, I'm filling the lemon and yoghurt. | 0:39:38 | 0:39:40 | |
It's a white chocolate shell. | 0:39:40 | 0:39:42 | |
It's got a lemon fluid gel and it's going to get | 0:39:42 | 0:39:44 | |
a vanilla yoghurt inside and then we finish it with a flock at the end. | 0:39:44 | 0:39:47 | |
CHLOE: Fabrice, are these all right? | 0:39:47 | 0:39:49 | |
Scrape, fridge straightaway, | 0:39:49 | 0:39:51 | |
because they need to be cold before we put the last layer. | 0:39:51 | 0:39:53 | |
-As smooth as possible. -That's fine, I'll do that. | 0:39:53 | 0:39:55 | |
I know you like perfection as well, you're like me. | 0:39:55 | 0:39:58 | |
Tempering is very important when you're working with chocolate. | 0:39:58 | 0:40:00 | |
That's what gives you the shine. | 0:40:00 | 0:40:02 | |
Tempering is going to be the difference between nice, shiny | 0:40:02 | 0:40:05 | |
chocolate or something that is going | 0:40:05 | 0:40:07 | |
to be dull and won't come out of the mould. | 0:40:07 | 0:40:09 | |
These aren't turning out anywhere near as good | 0:40:10 | 0:40:12 | |
as I was hoping they would. | 0:40:12 | 0:40:14 | |
Timing is the biggest enemy today. | 0:40:14 | 0:40:17 | |
I have all faith in the bonbons, I'm not worried about that. | 0:40:17 | 0:40:20 | |
It's about the showpiece that we have to be more careful. | 0:40:20 | 0:40:23 | |
Anchors are going on the trolley, boys, so just be careful if you | 0:40:25 | 0:40:28 | |
-put anything on there, yeah? -Cor, this is hard work. | 0:40:28 | 0:40:31 | |
Liam's team, I am liking what I'm looking at. | 0:40:33 | 0:40:37 | |
They're doing sculpturing, carving, | 0:40:37 | 0:40:39 | |
and I love the barnacles that is on the sculpture. | 0:40:39 | 0:40:43 | |
This is the hardest this ganache has ever been. | 0:40:43 | 0:40:45 | |
What about the chocolate bonbons? | 0:40:45 | 0:40:46 | |
Well, after the petits fours challenge yesterday, | 0:40:46 | 0:40:48 | |
I am a bit worried but, having said that, | 0:40:48 | 0:40:51 | |
I think they've learned to control the acidity and the flavour. | 0:40:51 | 0:40:54 | |
We shall see. | 0:40:54 | 0:40:55 | |
Paula's team, I'm worried because they're using off-the-shelf moulds. | 0:40:55 | 0:40:59 | |
Where is the life, where is the movement? | 0:40:59 | 0:41:01 | |
Yes, but the positive side is their combination of flavour again. | 0:41:01 | 0:41:04 | |
-Oh, I love it, love it, love it. -Tiramisu, wow. | 0:41:04 | 0:41:07 | |
I really like sesame and of course the matcha as well. | 0:41:07 | 0:41:11 | |
-Just hold it, hold it, please. -So, Fabrice's team... | 0:41:11 | 0:41:14 | |
I'm actually quite concerned. | 0:41:14 | 0:41:16 | |
The life element I think he struggles to bring. | 0:41:16 | 0:41:19 | |
The bonbons as well, are they playing it too safe? | 0:41:19 | 0:41:22 | |
Saying that, being 1.5 points ahead, | 0:41:22 | 0:41:24 | |
that gives them motivation today. | 0:41:24 | 0:41:27 | |
-Guys, everything is looking booming, let's finish strong, yes? -Yes, Chef. | 0:41:28 | 0:41:32 | |
Let's get this squid painted. | 0:41:32 | 0:41:34 | |
It's now decorated and everything is built, | 0:41:34 | 0:41:36 | |
just get it looking pretty. | 0:41:36 | 0:41:37 | |
One hour left now, guys. | 0:41:37 | 0:41:39 | |
Just 60 minutes left. | 0:41:39 | 0:41:41 | |
Right, I'm going to go on to airbrushing. | 0:41:41 | 0:41:43 | |
Do you want to bring over the fish? | 0:41:46 | 0:41:48 | |
So, Ji Sun is going to pipe the fin for our fish. | 0:41:48 | 0:41:52 | |
Well, give me SOMETHING. | 0:41:56 | 0:41:57 | |
When you spray it, you go only once. | 0:41:59 | 0:42:01 | |
Like you used to do on the wall in Leeds(!) | 0:42:01 | 0:42:03 | |
I'm going to buy one of these! | 0:42:04 | 0:42:06 | |
-Is that yours? -Yes. -Oh, I want one of those! | 0:42:07 | 0:42:09 | |
Oh, yeah! | 0:42:09 | 0:42:11 | |
That is actually to paint your fence, your walls. | 0:42:12 | 0:42:16 | |
Boy stuff! | 0:42:16 | 0:42:17 | |
We're giving coats of cocoa butter to our ship | 0:42:21 | 0:42:24 | |
to give a velvet texture. | 0:42:24 | 0:42:26 | |
So it needs to be very cold so when the cocoa butter sprays, | 0:42:26 | 0:42:29 | |
it sets. | 0:42:29 | 0:42:30 | |
They are representing kind of stones, rock, on top of each other. | 0:42:33 | 0:42:38 | |
Try to build some height to the showpiece. | 0:42:38 | 0:42:40 | |
Our boat is sprayed, our corals are halfway painted. | 0:42:41 | 0:42:46 | |
Just putting the puzzle together right now. | 0:42:48 | 0:42:50 | |
Yes, when we stipple it with different colours, | 0:42:53 | 0:42:55 | |
it will make it look like moss, it will really stand out. | 0:42:55 | 0:42:58 | |
Looking good, man, looking good. | 0:42:58 | 0:43:01 | |
So that's done, what do you want me to do now? | 0:43:04 | 0:43:06 | |
-We're going to do the showpiece together. -OK. | 0:43:06 | 0:43:09 | |
-I'm not going to break it, am I? -You shouldn't(!) | 0:43:09 | 0:43:11 | |
We've just got to make it look as real as possible, | 0:43:15 | 0:43:17 | |
getting enough life in it to give it that "wow" effect. | 0:43:17 | 0:43:21 | |
We've got like a little gold chest, | 0:43:29 | 0:43:30 | |
we've made nice little gold coins to go in it, so we're just trying | 0:43:30 | 0:43:33 | |
to get a bit of colour onto it so it doesn't just look like chocolate. | 0:43:33 | 0:43:36 | |
You need to get a bit of cocoa butter, because that's too harsh. | 0:43:36 | 0:43:39 | |
-What are you into now, Chris? -Just going to spray these bronze. | 0:43:45 | 0:43:48 | |
-CHLOE: Are you ready for shells yet? -Quick, quick, quick. | 0:43:49 | 0:43:52 | |
I'll start painting some corals. | 0:43:55 | 0:43:57 | |
I'm just making little corals, | 0:44:02 | 0:44:03 | |
they'll go on to our little coral reef. | 0:44:03 | 0:44:06 | |
Yes, yes, it's nice. I like it. | 0:44:06 | 0:44:08 | |
Wow. | 0:44:10 | 0:44:12 | |
Still not as colourful as I want. I want to go mad on this one. | 0:44:14 | 0:44:18 | |
49 minutes, guys... 48 minutes. | 0:44:18 | 0:44:20 | |
Let's not rush this end bit, guys, yeah? | 0:44:20 | 0:44:22 | |
-Make sure it still looks elegant. -What do you need, Fabrice? | 0:44:22 | 0:44:26 | |
At the moment, I need a bit of patience. | 0:44:26 | 0:44:28 | |
Let's get this squid stuck together. | 0:44:30 | 0:44:33 | |
Gently, mate, yeah? | 0:44:33 | 0:44:35 | |
If this is not stuck as much as it should do, it's just collapsing. | 0:44:35 | 0:44:39 | |
Need to stop shaking the table, I'm not going to lie. | 0:44:46 | 0:44:49 | |
-Right, Fabrice...? -Yes, Chloe? | 0:44:49 | 0:44:51 | |
Do you need... Do you want me to put any more coral anywhere here? | 0:44:51 | 0:44:54 | |
-Oh! -Oh, -BLEEP! | 0:44:54 | 0:44:56 | |
That's the bouncing. | 0:44:56 | 0:44:58 | |
You have half an hour left now, 30 minutes left. | 0:44:58 | 0:45:01 | |
Pete, you happy with these? | 0:45:03 | 0:45:04 | |
Yeah, bangin', mate. | 0:45:04 | 0:45:06 | |
-Where do you want exactly? On top? -Yeah. | 0:45:07 | 0:45:09 | |
-Like that? -Yeah. | 0:45:09 | 0:45:11 | |
Shall I flick some of these? | 0:45:11 | 0:45:12 | |
Look, Chloe, do what you want on this. | 0:45:12 | 0:45:14 | |
You know as much as I know what a seashell looks like. | 0:45:14 | 0:45:17 | |
-Chef? -Are we almost ready to flock? -It's cool... -The lemon yoghurt? | 0:45:17 | 0:45:20 | |
It's cooling down. | 0:45:20 | 0:45:22 | |
The colour's not come out very well on some of these. | 0:45:22 | 0:45:24 | |
Just get a bit of gold dust and flick it on the top. | 0:45:24 | 0:45:27 | |
The tops have cracked in the freezer. | 0:45:29 | 0:45:30 | |
-Oh, you're -BLEEP -joking! | 0:45:30 | 0:45:32 | |
Oh, shiny! | 0:45:33 | 0:45:35 | |
How's your flock, mate? | 0:45:40 | 0:45:41 | |
Well, it's not sticking very well, put it that way. | 0:45:41 | 0:45:43 | |
-It's your call. -Now. | 0:45:43 | 0:45:45 | |
SPRAY GUN BUZZES | 0:45:45 | 0:45:47 | |
I'm really happy with my bonbons. | 0:45:49 | 0:45:51 | |
These aren't what we wanted them to be like. | 0:45:53 | 0:45:56 | |
We were going to flock it, like, a moss effect, | 0:45:56 | 0:45:58 | |
but it was going really blotchy, | 0:45:58 | 0:45:59 | |
so we've just used one of our colour sprays. | 0:45:59 | 0:46:01 | |
It's not as clean as we'd like. | 0:46:01 | 0:46:04 | |
-More. -Yeah, I know. | 0:46:04 | 0:46:06 | |
All I want is the bonbons out, now. | 0:46:06 | 0:46:08 | |
OK. You've got 15 minutes, by the way. Is that all right? | 0:46:08 | 0:46:10 | |
Yeah, it's loads. | 0:46:10 | 0:46:12 | |
You seem pretty cool, calm and collected at the moment. | 0:46:12 | 0:46:14 | |
I'm just going to tell everyone else they've got 15 minutes. | 0:46:14 | 0:46:17 | |
Guys, you've got 15 minutes left now. | 0:46:17 | 0:46:19 | |
That's it, the pressure is on, yes. | 0:46:20 | 0:46:22 | |
Oh, bubble, bubble... | 0:46:22 | 0:46:23 | |
Hold the bubble, please - this one is falling. | 0:46:23 | 0:46:26 | |
We're going to move it in a minute. | 0:46:31 | 0:46:34 | |
Spread the sugar. | 0:46:34 | 0:46:35 | |
Let's do it. | 0:46:38 | 0:46:40 | |
Amazing. | 0:46:47 | 0:46:48 | |
-Want me to give you a hand with that, Fabrice? -No. | 0:46:48 | 0:46:50 | |
No-one move. | 0:46:50 | 0:46:52 | |
Girls? Coming. | 0:46:52 | 0:46:53 | |
Sit there. | 0:46:56 | 0:46:57 | |
Well done, well done. You get it down. | 0:46:59 | 0:47:01 | |
That's it. I owe you a pint, I think. | 0:47:06 | 0:47:08 | |
-Damn right. -Damn right! | 0:47:08 | 0:47:11 | |
Just need to get everything on now, | 0:47:13 | 0:47:15 | |
as we're starting to run out of time. | 0:47:15 | 0:47:17 | |
-Shells, more shells. -Shells? | 0:47:17 | 0:47:19 | |
More, like, handmade things. | 0:47:20 | 0:47:22 | |
Just be careful of his coral. | 0:47:22 | 0:47:24 | |
Chefs, you have one minute left. | 0:47:27 | 0:47:31 | |
-Put the bonbons in the sand, yeah? -Want to get some more up here? | 0:47:31 | 0:47:34 | |
Forget about all that, now, we need to get all the bonbons on. | 0:47:34 | 0:47:36 | |
-Shall we do some...? -Just do. -Just do. | 0:47:37 | 0:47:39 | |
Take it round. | 0:47:41 | 0:47:42 | |
Can I touch them? Are they dry? | 0:47:42 | 0:47:44 | |
They're not dry. | 0:47:44 | 0:47:45 | |
Quick, quick, Chloe. | 0:47:46 | 0:47:48 | |
-I'll put them on there. -Can't, mate. | 0:47:48 | 0:47:49 | |
You've got to put them straight down, otherwise it smudges. | 0:47:49 | 0:47:52 | |
Sorry for messing this up. My bad. | 0:47:53 | 0:47:56 | |
OK, that's it. | 0:47:56 | 0:47:57 | |
Time is up, I'm afraid. | 0:47:58 | 0:48:00 | |
If you could step away from your presentation tables. | 0:48:00 | 0:48:04 | |
Well, it's all done. | 0:48:08 | 0:48:09 | |
Three stunning Under The Sea theme chocolate showpieces, | 0:48:11 | 0:48:16 | |
made in just four hours. | 0:48:16 | 0:48:18 | |
I tell you what, that looks class over there. | 0:48:19 | 0:48:23 | |
I'm cacking myself. | 0:48:26 | 0:48:27 | |
Ours doesn't have colour. | 0:48:31 | 0:48:33 | |
Today, I'm not even going to worry about Liam, because he's got it. | 0:48:37 | 0:48:41 | |
I have to look at Fabrice. | 0:48:41 | 0:48:43 | |
One of us is going to go, I'm pretty sure. | 0:48:43 | 0:48:46 | |
Now, each of these edible artworks | 0:48:49 | 0:48:51 | |
will be judged by Cherish and Benoit. | 0:48:51 | 0:48:55 | |
So, this colourful showpiece | 0:48:55 | 0:48:57 | |
is Paula's work. | 0:48:57 | 0:48:58 | |
It is a very colourful piece, | 0:49:03 | 0:49:05 | |
and you brought life to your showpiece. | 0:49:05 | 0:49:07 | |
I wish we could see more technique, other than moulding. | 0:49:07 | 0:49:10 | |
-Mm. -You could have made your own moulds, as well. | 0:49:10 | 0:49:13 | |
You bought them off-the-shelf, so have you shown enough skills | 0:49:13 | 0:49:17 | |
to actually take you to the next round? | 0:49:17 | 0:49:18 | |
Something we'll have to discuss. | 0:49:18 | 0:49:20 | |
-But what about taste? -OK. | 0:49:20 | 0:49:22 | |
Tiramisu. | 0:49:24 | 0:49:25 | |
This is how I like my chocolate - thinly cast. | 0:49:25 | 0:49:28 | |
-So well done for that. -Thank you. | 0:49:28 | 0:49:30 | |
Does it taste of coffee? Definitely. | 0:49:33 | 0:49:36 | |
Does it remind me of tiramisu? | 0:49:36 | 0:49:38 | |
Not completely. | 0:49:39 | 0:49:40 | |
I like to have a bit of liqueur, then I'll call it tiramisu. | 0:49:40 | 0:49:44 | |
Good, so, just change the name and we're there. | 0:49:44 | 0:49:47 | |
-OK, which is the next one? -Apricot. -Apricot. | 0:49:47 | 0:49:51 | |
Very, very well-moulded, very shiny. | 0:49:54 | 0:49:57 | |
I love the way you cast it. | 0:49:57 | 0:49:58 | |
But, saying that, I would like | 0:49:58 | 0:50:00 | |
to have a little bit more apricot in it, | 0:50:00 | 0:50:02 | |
compared to your dark chocolate. | 0:50:02 | 0:50:04 | |
If you mention apricot, I want to taste apricot. | 0:50:04 | 0:50:07 | |
What about the final one? | 0:50:07 | 0:50:08 | |
It's quite an under-the-sea colour, isn't it? | 0:50:10 | 0:50:13 | |
It tastes of matcha. | 0:50:15 | 0:50:16 | |
I can't find the black sesame. | 0:50:16 | 0:50:18 | |
And also, you've combined it with the white chocolate. | 0:50:18 | 0:50:21 | |
Is that a white chocolate-based ganache as well? | 0:50:21 | 0:50:23 | |
Yes, it is. | 0:50:23 | 0:50:24 | |
That element gets a little sweet. | 0:50:24 | 0:50:27 | |
The way you enclose it, the chocolate is a bit thick. | 0:50:27 | 0:50:29 | |
Can I taste sesame? | 0:50:29 | 0:50:31 | |
That is a no. | 0:50:31 | 0:50:32 | |
Everything that you mentioned - tiramisu, it's not a tiramisu. | 0:50:32 | 0:50:35 | |
Apricot? Disappointment. | 0:50:35 | 0:50:37 | |
And this one, sesame, I can't taste sesame. | 0:50:37 | 0:50:39 | |
Thank you. | 0:50:40 | 0:50:42 | |
Oh... It hurts! | 0:50:50 | 0:50:53 | |
-Does it look Under The Sea to you? -Well... | 0:50:59 | 0:51:02 | |
-sort of. -Sort of? -Sort of. | 0:51:02 | 0:51:05 | |
At the moment, I cannot see any life in it. | 0:51:05 | 0:51:07 | |
I'd like to see some lobster, crab coming out, | 0:51:07 | 0:51:10 | |
something more adventurous, perhaps. | 0:51:10 | 0:51:13 | |
The colour is a little bit dark. | 0:51:13 | 0:51:16 | |
It could be a little bit more alive, definitely. | 0:51:16 | 0:51:19 | |
I don't really quite understand - what is that on the top? | 0:51:19 | 0:51:22 | |
It's a sort of yucca plant, I think. | 0:51:22 | 0:51:24 | |
It was supposed to be seaweed, but I lost some of the... | 0:51:24 | 0:51:26 | |
Ah, I see, OK. | 0:51:26 | 0:51:28 | |
Well, let's see how it all tastes, shall we? | 0:51:28 | 0:51:30 | |
Shall we try the Irish cream? | 0:51:30 | 0:51:32 | |
The casting is a little bit too thick for my liking. | 0:51:33 | 0:51:37 | |
-That's quite good. -I like it thin, though. | 0:51:37 | 0:51:39 | |
-Thinner than that? -Yes. | 0:51:39 | 0:51:40 | |
Cherish is allowed to like it thinner. | 0:51:40 | 0:51:42 | |
And I really like the ganache. | 0:51:42 | 0:51:43 | |
I think it's really smooth and it's the right texture. | 0:51:43 | 0:51:46 | |
It's fairly sweet - | 0:51:46 | 0:51:48 | |
that's the problem with the Irish liquor. | 0:51:48 | 0:51:50 | |
And you took a milk chocolate. It's a little bit sickly. | 0:51:50 | 0:51:52 | |
Will I remember it? Will it slap me and say, "Eat me, eat me!"? | 0:51:52 | 0:51:56 | |
No, I'm afraid not. | 0:51:56 | 0:51:59 | |
-Which one is the next one? -I'd go with the Earl Grey. | 0:51:59 | 0:52:01 | |
-What do you say? -I'd say the shell is too thick. | 0:52:03 | 0:52:06 | |
I don't even have to mention it. | 0:52:06 | 0:52:07 | |
But... | 0:52:07 | 0:52:08 | |
Earl Grey, yeah. I've got a nice Earl Grey flavour. | 0:52:12 | 0:52:15 | |
The ganache itself is very well made. | 0:52:15 | 0:52:18 | |
But saying that, I like my ganache just a touch softer. | 0:52:18 | 0:52:21 | |
-Next one. -Mmm. | 0:52:21 | 0:52:23 | |
Calvados. | 0:52:23 | 0:52:25 | |
The finishing on this is extremely rough. | 0:52:25 | 0:52:27 | |
Been under the sea for too long. | 0:52:27 | 0:52:29 | |
It's been under the sea too long! It got rusted. | 0:52:29 | 0:52:31 | |
-Maybe you find the... -PLATE CLATTERS | 0:52:31 | 0:52:33 | |
-Oops. -Too thick. | 0:52:33 | 0:52:35 | |
-Too thick? -Yeah. | 0:52:35 | 0:52:37 | |
It's not as refined as what I like it to be. | 0:52:37 | 0:52:41 | |
But I've got a nice, pleasant, appley flavour inside. | 0:52:41 | 0:52:44 | |
The little apple element could be a genius touch. | 0:52:44 | 0:52:50 | |
Thank you, guys. Beautiful. | 0:52:50 | 0:52:52 | |
Love the colour, love the statue. | 0:53:05 | 0:53:07 | |
I really like the squid coming out from the vase. | 0:53:07 | 0:53:10 | |
I think that's a nice touch - | 0:53:10 | 0:53:11 | |
it's sort of coming out and attacking me, I was like, "Whoa!" | 0:53:11 | 0:53:14 | |
But looking closely, I'd like a little bit more detail. | 0:53:14 | 0:53:18 | |
Like suckers on the tentacles. | 0:53:18 | 0:53:20 | |
More suckers on the squid was the main criticism. | 0:53:20 | 0:53:23 | |
That's probably not one you've had before, I'm thinking. | 0:53:23 | 0:53:26 | |
So, we're supposed to try these first, yes? | 0:53:26 | 0:53:28 | |
Yes. So, we've got dark chocolate, cherry and almond. | 0:53:28 | 0:53:31 | |
The cherry comes first, and then I can taste the brandy. | 0:53:34 | 0:53:37 | |
Very subtle, and it kicks in. | 0:53:37 | 0:53:40 | |
And then I have the crunch, and then I enjoy the bitter chocolate. | 0:53:40 | 0:53:44 | |
So, it's sort of like marriage, very, very nicely on my palate. | 0:53:44 | 0:53:48 | |
-It works very well. -Yeah. | 0:53:48 | 0:53:50 | |
What about the green? | 0:53:50 | 0:53:51 | |
We've got a lemon and yoghurt with white chocolate, | 0:53:51 | 0:53:54 | |
as a sort of palate cleanser. | 0:53:54 | 0:53:55 | |
HE HUMS | 0:53:58 | 0:54:00 | |
OK, the white chocolate, it's fairly thick. | 0:54:00 | 0:54:02 | |
-Is it meant to be? -No. | 0:54:02 | 0:54:04 | |
Oh, you should have said yes, you could have avoided... | 0:54:04 | 0:54:06 | |
-LAUGHTER -I'm not going to lie. | 0:54:06 | 0:54:08 | |
I love the yoghurt | 0:54:08 | 0:54:10 | |
with the "mild" acidity of the citrus. | 0:54:10 | 0:54:14 | |
But the white chocolate is chunky. | 0:54:14 | 0:54:17 | |
It brings a lot of sugar, and it's actually covered | 0:54:17 | 0:54:19 | |
with that green-silverish kind of mixture, | 0:54:19 | 0:54:22 | |
which I'm not really enjoying. | 0:54:22 | 0:54:23 | |
-Yeah. -So, the last one, but not least... | 0:54:23 | 0:54:26 | |
A milk and mint chocolate ganache. | 0:54:26 | 0:54:28 | |
The look of this piece of chocolate is really, really well done. | 0:54:28 | 0:54:31 | |
It is shiny... | 0:54:31 | 0:54:33 | |
Whoa...whoa... | 0:54:33 | 0:54:34 | |
Oh, my goodness... | 0:54:34 | 0:54:36 | |
-That's an extreme reaction. -Ooh... | 0:54:36 | 0:54:40 | |
-No? -No. I don't like it. | 0:54:40 | 0:54:42 | |
-Oh-ho-ho! -Explain. | 0:54:42 | 0:54:45 | |
The filling inside with the mint, | 0:54:45 | 0:54:46 | |
with the ganache, it reminds me of blue cheese. | 0:54:46 | 0:54:49 | |
Cheese? | 0:54:49 | 0:54:51 | |
Minty, kind of, cheesy, kind of... | 0:54:51 | 0:54:53 | |
I don't like the flavour I'm getting. | 0:54:53 | 0:54:55 | |
-Cheese in this? -No. | 0:54:55 | 0:54:56 | |
It's not pleasant. | 0:54:56 | 0:54:58 | |
-HE COUGHS -Excuse me. No. | 0:54:58 | 0:54:59 | |
Yeah. It's just confused - what am I eating? | 0:54:59 | 0:55:02 | |
Maybe it's the overall combination. | 0:55:02 | 0:55:04 | |
Perhaps the build-up of the three is creating a confusion. | 0:55:04 | 0:55:08 | |
Right. | 0:55:08 | 0:55:09 | |
All right, well, good and bad, but mainly good, I think, | 0:55:09 | 0:55:11 | |
apart from the cheese chocolates... | 0:55:11 | 0:55:14 | |
as we'll now refer to them. | 0:55:14 | 0:55:16 | |
-Thank you. -Yeah. BENOIT COUGHS | 0:55:16 | 0:55:18 | |
Cheese? | 0:55:23 | 0:55:25 | |
I don't know what to make of anything any more. | 0:55:29 | 0:55:32 | |
For the showpiece, 60 points are there for the taking. | 0:55:35 | 0:55:38 | |
Added to yesterday's score out of 40, | 0:55:38 | 0:55:41 | |
the team with the lowest overall tally will leave the competition. | 0:55:41 | 0:55:45 | |
In first place, with a score today of 42 points out of 60, | 0:55:49 | 0:55:56 | |
giving you a combined total of 60 out of 100, | 0:55:56 | 0:56:00 | |
Liam's team. Congratulations. | 0:56:00 | 0:56:02 | |
You have secured a place in the semifinals... | 0:56:03 | 0:56:06 | |
..which means there is only one place left. | 0:56:09 | 0:56:13 | |
So, in no particular order... | 0:56:16 | 0:56:19 | |
..Paula's team, the judges have awarded you | 0:56:21 | 0:56:24 | |
35 points out 60, | 0:56:24 | 0:56:26 | |
giving you a combined total of 54 out of 100. | 0:56:26 | 0:56:29 | |
And Fabrice's team... | 0:56:31 | 0:56:33 | |
..27 out of 60, | 0:56:36 | 0:56:38 | |
giving you a combined total of 46.5 out of 100. | 0:56:38 | 0:56:41 | |
That means Fabrice's team is, sadly, the one that is going home tonight. | 0:56:41 | 0:56:45 | |
Commiserations to Fabrice. | 0:56:45 | 0:56:48 | |
-C'est la vie! -C'est la vie. | 0:56:48 | 0:56:50 | |
Give me a hug, my Frenchman. | 0:56:50 | 0:56:52 | |
You've made yourself proud. | 0:56:52 | 0:56:54 | |
Of course we're disappointed, | 0:56:54 | 0:56:56 | |
but we managed to make it through to the quarterfinals. | 0:56:56 | 0:56:58 | |
Congratulations. | 0:56:58 | 0:56:59 | |
We have every right to walk away with our heads held high. | 0:56:59 | 0:57:02 | |
They have learned so much in the last three weeks. | 0:57:03 | 0:57:06 | |
I hope it's going to help them for life. | 0:57:06 | 0:57:08 | |
Coming into the showpiece in last place, | 0:57:12 | 0:57:14 | |
and to come out on top, | 0:57:14 | 0:57:15 | |
it's a great feeling, going into the semifinal. | 0:57:15 | 0:57:18 | |
-We are definitely going to have a beer. -Yeah. -Yes. | 0:57:18 | 0:57:20 | |
-Have a well-earned beer, now. -Or two. | 0:57:20 | 0:57:23 | |
Been wanting to get that top spot off you for ages! | 0:57:23 | 0:57:26 | |
Absolutely shocked. | 0:57:28 | 0:57:29 | |
We're here! We are here. | 0:57:30 | 0:57:32 | |
Oh, God. Yeah. | 0:57:32 | 0:57:35 | |
Let's think about the next one, now. | 0:57:35 | 0:57:36 | |
We've done it! Girl power! | 0:57:36 | 0:57:39 | |
So, as we say not au revoir, but goodbye to Fabrice's team, | 0:57:39 | 0:57:43 | |
as they retire to rebuild their shattered lives, | 0:57:43 | 0:57:47 | |
we at least know the identity of two of the teams | 0:57:47 | 0:57:50 | |
through to the semifinals. | 0:57:50 | 0:57:52 | |
Next week, five brand-new teams join the competition | 0:57:52 | 0:57:55 | |
in the second set of heats, so join us then. | 0:57:55 | 0:57:58 | |
I'm now off to tell Benoit that I love him | 0:57:58 | 0:58:01 | |
and see his reaction. | 0:58:01 | 0:58:03 | |
Goodbye. | 0:58:03 | 0:58:04 | |
-I love you. LAUGHING: -Really? | 0:58:05 | 0:58:07 | |
-Yeah. -I love you, too. | 0:58:07 | 0:58:09 | |
Next time... | 0:58:11 | 0:58:12 | |
This is it, boys. | 0:58:12 | 0:58:13 | |
..we begin the second leg of the competition... | 0:58:13 | 0:58:16 | |
Man, I'm nervous, now. | 0:58:16 | 0:58:17 | |
..with five all-new teams. | 0:58:17 | 0:58:19 | |
Classic fraisier. The strawberry is the star of the show. | 0:58:19 | 0:58:22 | |
Somebody has raspberries over there. | 0:58:22 | 0:58:24 | |
So many things can go wrong with pavlova. | 0:58:24 | 0:58:26 | |
-How was the meringue going? -Taking a long time to whip up. | 0:58:26 | 0:58:29 | |
Pull it out! That isn't going to impress the judges, is it? | 0:58:29 | 0:58:31 | |
Right... | 0:58:31 | 0:58:32 |