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We're back in the magnificent Firle Place estate in Sussex | 0:00:02 | 0:00:04 | |
where the hunt to find Britain's best pastry chefs takes a dramatic, | 0:00:04 | 0:00:08 | |
if totally predictable, twist | 0:00:08 | 0:00:10 | |
as the second set of heats begin and five brand-new teams | 0:00:10 | 0:00:14 | |
bid to become the outright winner of Creme de la Creme | 0:00:14 | 0:00:17 | |
and, thereby, be crowned the Creme de la Creme de la Creme. | 0:00:17 | 0:00:21 | |
-So far on Creme de la Creme... -Girls, coming! | 0:00:23 | 0:00:26 | |
-Paula's international all-women team... -Let's do it! | 0:00:26 | 0:00:29 | |
..and Liam's brigade of military chefs... | 0:00:29 | 0:00:32 | |
..have come through three punishing heats to become the first | 0:00:34 | 0:00:37 | |
two teams to qualify for this year's semifinals. | 0:00:37 | 0:00:40 | |
Now, five completely new teams... | 0:00:43 | 0:00:46 | |
-Oh, God! -..will face Cherish and Benoit. | 0:00:48 | 0:00:50 | |
Did it burn? | 0:00:50 | 0:00:52 | |
But who can master a brand-new miniature challenge? | 0:00:52 | 0:00:54 | |
-Let's go, let's go, let's go! -I'm counting what we've got. | 0:00:54 | 0:00:57 | |
Where everything is exposed. | 0:00:57 | 0:00:58 | |
-Who's got the graceful moves... -Oh, my God! | 0:01:00 | 0:01:04 | |
-..to reinvent the classic dessert... -Parfait! | 0:01:04 | 0:01:07 | |
..named after a world-famous ballerina? | 0:01:07 | 0:01:09 | |
And which of these new teams has got what it takes... | 0:01:11 | 0:01:13 | |
-My heart. I can't deal with this. -..to be crowned Creme de la Creme? | 0:01:13 | 0:01:17 | |
Guys, I'm dripping blood all over the place here. | 0:01:17 | 0:01:20 | |
HE SIGHS | 0:01:20 | 0:01:23 | |
We're a man down. | 0:01:23 | 0:01:24 | |
MUSIC BUILDS | 0:01:42 | 0:01:46 | |
MUSIC: Carmen, Vivat le Torrero! by Bizet | 0:01:49 | 0:01:54 | |
Five new teams of pastry chefs are about to put their professional | 0:01:54 | 0:01:58 | |
reputations on the line, and Benoit and Cherish | 0:01:58 | 0:02:00 | |
have helpfully devised two incredibly demanding challenges. | 0:02:00 | 0:02:05 | |
Good luck, you two. | 0:02:05 | 0:02:06 | |
They are worth a total of 100 points and whoever scores the least | 0:02:06 | 0:02:09 | |
will have to leave the competition. | 0:02:09 | 0:02:11 | |
Good morning and welcome, pastry chefs. | 0:02:13 | 0:02:15 | |
Your first task is the tiny, but huge test, | 0:02:15 | 0:02:18 | |
that we call the miniature challenge, | 0:02:18 | 0:02:21 | |
requiring ultimate precision when it comes to producing | 0:02:21 | 0:02:24 | |
high volumes of small, fine pastries. | 0:02:24 | 0:02:27 | |
Now, we'd like two different types of pastries, 36 of each. | 0:02:27 | 0:02:32 | |
-Benoit, which miniature have you chosen? -I've chosen fraisier slice. | 0:02:32 | 0:02:36 | |
It's a very much-loved French classic which consists of a layer | 0:02:36 | 0:02:40 | |
of sponge, a light mousseline cream and, most importantly, strawberries. | 0:02:40 | 0:02:44 | |
-And what's it called again? -Fraisier. -It's a pastry in French. | 0:02:44 | 0:02:48 | |
It's a sitcom in America. Cherish? | 0:02:48 | 0:02:50 | |
I have chosen verrine. | 0:02:50 | 0:02:52 | |
A layered dessert that is served in a small glass. | 0:02:52 | 0:02:55 | |
I want five different layers and I want to be impressed with | 0:02:55 | 0:02:59 | |
the flavour combination and presentation. | 0:02:59 | 0:03:02 | |
You have 40 points available to you for this | 0:03:02 | 0:03:05 | |
and 2½ hours to complete the challenge. | 0:03:05 | 0:03:09 | |
Good luck. Your time starts now. | 0:03:09 | 0:03:11 | |
This is it, boys.. | 0:03:13 | 0:03:14 | |
-Apples are there, Lauren. -Yep. | 0:03:14 | 0:03:16 | |
By demanding two batches of 36 precisely layered miniatures | 0:03:16 | 0:03:20 | |
in just 2½ hours... | 0:03:20 | 0:03:22 | |
I'm not familiar with these bowls. | 0:03:22 | 0:03:24 | |
..Benoit and Cherish will quickly discover which teams can cope | 0:03:24 | 0:03:27 | |
with the pressure of the competition and which can't. | 0:03:27 | 0:03:29 | |
A classic fraisier. | 0:03:29 | 0:03:31 | |
I will be judging them on flavour. | 0:03:31 | 0:03:34 | |
Of course, strawberry is the star of the show. | 0:03:34 | 0:03:37 | |
Sliced strawberries that you can see. | 0:03:37 | 0:03:39 | |
Also, the texture of their cream. | 0:03:39 | 0:03:41 | |
It's about the perfect harmonies of textures and flavour. | 0:03:41 | 0:03:45 | |
-In the green kitchen... -Could you pass me the recipe there? | 0:03:45 | 0:03:48 | |
..with a combined 60 years in the baking business... | 0:03:48 | 0:03:51 | |
-Where's the other ones? -Is that off? -No. | 0:03:51 | 0:03:54 | |
..is the most experienced - or some might say oldest - team | 0:03:54 | 0:03:56 | |
in this year's competition. | 0:03:56 | 0:03:58 | |
We're trying to keep it simple with the fraisier so we don't mess up. | 0:03:58 | 0:04:01 | |
We shall see what they think at the end, won't we? | 0:04:01 | 0:04:03 | |
When they're all put together and layered and... | 0:04:03 | 0:04:06 | |
Ha-ha! | 0:04:06 | 0:04:07 | |
Mark, Alan and Tim have won multiple awards, | 0:04:07 | 0:04:10 | |
including Craft Bakery of the Year, for their work | 0:04:10 | 0:04:13 | |
at Mark's patisserie in Dorset. | 0:04:13 | 0:04:15 | |
Mark has amassed a huge 22 medals in international competitions, | 0:04:15 | 0:04:19 | |
and the team are out to prove that a master baker can match | 0:04:19 | 0:04:22 | |
the delicate touch of a patissier. | 0:04:22 | 0:04:24 | |
I know we all look like we're prop forwards in a rugby team, | 0:04:24 | 0:04:27 | |
but baking can be quite industrious. | 0:04:27 | 0:04:29 | |
-Perhaps we should dress in rugby uniforms. -Yeah, yeah. England kit. | 0:04:29 | 0:04:33 | |
Mark's team are tackling a fraisier with a vanilla creme mousseline | 0:04:33 | 0:04:37 | |
and an almond liqueur strawberry glaze. | 0:04:37 | 0:04:39 | |
And for their almond and vanilla joconde sponge, to stay ahead | 0:04:39 | 0:04:42 | |
of the competition, they're using an old master baker's trick. | 0:04:42 | 0:04:46 | |
Good morning, Mark's team. How are we doing? | 0:04:46 | 0:04:48 | |
-We're just making the joconde sponge bases at the moment. -OK. | 0:04:48 | 0:04:50 | |
We've got a chocolate one for the verrine, | 0:04:50 | 0:04:53 | |
and we have a vanilla one for the fraisier. | 0:04:53 | 0:04:56 | |
Ah, so you're using the same sponge twice so you cut the time. | 0:04:56 | 0:04:59 | |
Yeah, trying to cut the time. | 0:04:59 | 0:05:01 | |
But for a fraisier, joconde might be a little dense, no? | 0:05:01 | 0:05:04 | |
It's going to be quite fine. It's quite thin. | 0:05:04 | 0:05:07 | |
I've got another half to go in yet, so... | 0:05:07 | 0:05:09 | |
We're putting so much pressure when somebody is actually weighing | 0:05:09 | 0:05:12 | |
the ingredients. We shouldn't be doing that, really. | 0:05:12 | 0:05:16 | |
That's OK. | 0:05:16 | 0:05:17 | |
For the orange team... | 0:05:18 | 0:05:19 | |
-Backs. -Sorry, mate. | 0:05:19 | 0:05:21 | |
..the pressure has been building for the last 12 months. | 0:05:21 | 0:05:24 | |
Not too green, yeah? | 0:05:24 | 0:05:26 | |
No, it's like a pistachio cream we're looking for. | 0:05:26 | 0:05:28 | |
-Hi, Reece, can I come and annoy you? -Of course you can. | 0:05:28 | 0:05:31 | |
Lauren and you were in the competition last year, of course. | 0:05:31 | 0:05:33 | |
We were indeed. | 0:05:33 | 0:05:34 | |
I think it adds more pressure, the fact that we went out | 0:05:34 | 0:05:37 | |
in the first round so we need to make sure | 0:05:37 | 0:05:38 | |
that we progress through to the next round. | 0:05:38 | 0:05:40 | |
You wouldn't want to relive that embarrassment? | 0:05:40 | 0:05:42 | |
-No, we wouldn't. Not at all. -No, no. | 0:05:42 | 0:05:44 | |
So, if you can give us a 20 or a 10, that would be great. | 0:05:44 | 0:05:46 | |
Yeah, sure. It won't actually count for anything, but... | 0:05:46 | 0:05:49 | |
-Have a word with the judges or... -Yeah. Er... | 0:05:49 | 0:05:51 | |
That also won't count for anything. | 0:05:51 | 0:05:52 | |
MUSIC: Spring by Vivaldi | 0:05:52 | 0:05:54 | |
Hertfordshire's five-star Grove hotel is home to the youngest team | 0:05:54 | 0:05:58 | |
in last year's Creme de la Creme. | 0:05:58 | 0:06:00 | |
This year, captain Reece and patissier Lauren have been joined | 0:06:00 | 0:06:03 | |
by The Grove's chocolate consultant, 37-year-old Jonathan. | 0:06:03 | 0:06:07 | |
I feel a lot more confident this year with the team that we've got. | 0:06:07 | 0:06:10 | |
Last year, we were the young guns. | 0:06:10 | 0:06:11 | |
This year, we've bought Dad along with us for a bit of experience. | 0:06:11 | 0:06:15 | |
Reece's campaign to make it past the first heat begins with | 0:06:15 | 0:06:18 | |
a fraisier that contains a champagne and wild strawberry jelly, | 0:06:18 | 0:06:21 | |
a diced strawberry and creme mousseline | 0:06:21 | 0:06:24 | |
and a light pistachio Genoise sponge. | 0:06:24 | 0:06:26 | |
That's Jonathan's pistachio Genoise going in the oven. | 0:06:26 | 0:06:30 | |
It's very important that goes in early so it has time to cool down | 0:06:30 | 0:06:33 | |
so we can build it up. | 0:06:33 | 0:06:34 | |
That's one of the lessons we learned from last year is we need to | 0:06:34 | 0:06:37 | |
give it enough time to set. It feels absolutely terrifying to be back. | 0:06:37 | 0:06:40 | |
As chefs, whether it's in service or a big function, | 0:06:40 | 0:06:42 | |
you live off that sort of adrenaline and this is just like | 0:06:42 | 0:06:45 | |
the Holy Grail, so to speak, of adrenaline. | 0:06:45 | 0:06:48 | |
-Reece isn't the only one... -Eggs here, yeah... | 0:06:48 | 0:06:50 | |
..hoping for a triumphant return. | 0:06:50 | 0:06:53 | |
-Hi, Stefan. You, of course, are team captain this time. -I am. | 0:06:53 | 0:06:56 | |
Last series, erm... | 0:06:56 | 0:06:57 | |
-When you got the semifinal, you were just a team member. -That's right. | 0:06:57 | 0:07:00 | |
And, to be honest, I'm feeling the pressure a little bit more. | 0:07:00 | 0:07:03 | |
-Are you managing to bark out orders sufficiently? -Um... | 0:07:03 | 0:07:05 | |
That's what team captains are supposed to do. | 0:07:05 | 0:07:07 | |
I'm not sure barking out orders is the correct term. | 0:07:07 | 0:07:10 | |
Service, please! | 0:07:10 | 0:07:11 | |
Stefan trained at Michelin-starred restaurants under Marcus Wareing | 0:07:11 | 0:07:14 | |
and Gordon Ramsay before becoming head pastry chef | 0:07:14 | 0:07:17 | |
at the prestigious Craft House in Leeds. | 0:07:17 | 0:07:20 | |
Determined to reach this year's final, he's recruited | 0:07:20 | 0:07:23 | |
his trusted sous-chef, Lauren, and 19-year-old Maxime. | 0:07:23 | 0:07:27 | |
He is the UK Junior Chocolate Master 2016, | 0:07:27 | 0:07:30 | |
training his way through some amazing patisseries of France. | 0:07:30 | 0:07:33 | |
I'm really excited to have these guys with me. | 0:07:33 | 0:07:36 | |
Stefan's first creation as a team captain will have | 0:07:40 | 0:07:43 | |
a vanilla sponge base, a strawberry consomme jelly glaze, | 0:07:43 | 0:07:46 | |
a strawberry foam garnish and he's put his master chocolatier in charge | 0:07:46 | 0:07:50 | |
of perfecting the consistency of their vanilla creme mousseline. | 0:07:50 | 0:07:54 | |
Yeah, nice, Maxime. | 0:07:54 | 0:07:56 | |
I will mix it together with the butter | 0:07:56 | 0:07:59 | |
and start to build my fraisier. | 0:07:59 | 0:08:01 | |
Creme mousseline is a crucial component of a fraisier. | 0:08:01 | 0:08:04 | |
It's very difficult! | 0:08:04 | 0:08:07 | |
Undercooked, and it won't be firm enough to hold when sliced... | 0:08:07 | 0:08:11 | |
-Did you come to the boil? -Oh, yeah. | 0:08:11 | 0:08:13 | |
..but overcooked, and the texture can become rubbery, or worse, | 0:08:13 | 0:08:17 | |
the mixture will split. | 0:08:17 | 0:08:18 | |
I picked THE worst pan for this. Jeez! | 0:08:18 | 0:08:21 | |
-You want a deeper one or...? -That other one was catching. | 0:08:21 | 0:08:23 | |
But for Mark and his master bakers... | 0:08:23 | 0:08:25 | |
..textures might be the least of their worries. | 0:08:27 | 0:08:30 | |
-Burnt that. -Huh? -You've burnt that. -No, I haven't. | 0:08:30 | 0:08:34 | |
That's vanilla. What have you done with that vanilla? | 0:08:34 | 0:08:37 | |
-Huh? -Did you scrape it out? | 0:08:37 | 0:08:38 | |
No, I just put it in there as pods and boiled it with the milk. | 0:08:38 | 0:08:41 | |
-Did you scrape the pods out? -No. | 0:08:41 | 0:08:44 | |
-BLEEP. -You're meant to cut the pods in half and scrape them - | 0:08:44 | 0:08:47 | |
-not put the pods in. -I use extract normally, don't I? | 0:08:47 | 0:08:49 | |
Mark's time-saving strategy is already in danger of falling apart. | 0:08:51 | 0:08:55 | |
It's not burnt. | 0:08:55 | 0:08:56 | |
Get it in there, go on. | 0:09:00 | 0:09:02 | |
-Blast freeze that one, yeah? -I want to get it away before they see it. | 0:09:02 | 0:09:06 | |
Over in the pink kitchen, flavour could also be a concern. | 0:09:06 | 0:09:11 | |
It's basil bavarois. | 0:09:11 | 0:09:13 | |
It's beautiful. Beautiful fragrant smells. | 0:09:13 | 0:09:15 | |
As you will immediately notice... | 0:09:17 | 0:09:19 | |
TRANSLATION FROM FRENCH: | 0:09:19 | 0:09:22 | |
..Laurian and his team are from Wales. | 0:09:22 | 0:09:24 | |
Laurian fell in love with Wales 17 years ago after visiting | 0:09:26 | 0:09:29 | |
Cardiff to watch the Rugby World Cup. | 0:09:29 | 0:09:31 | |
A passionate baker since he was five, | 0:09:31 | 0:09:34 | |
he now runs one of the city's most successful patisseries with | 0:09:34 | 0:09:37 | |
Thibault and Jeremy, and they're always attempting new flavour | 0:09:37 | 0:09:40 | |
combinations they probably wouldn't get away with back in France. | 0:09:40 | 0:09:43 | |
French people are very closed-minded about cuisine | 0:09:43 | 0:09:46 | |
and pastry and, so... | 0:09:46 | 0:09:50 | |
I might not be allowed back in France | 0:09:50 | 0:09:52 | |
after the comments we are making! | 0:09:52 | 0:09:54 | |
As well as their basil bavarois, Laurian's team's fraisier | 0:09:54 | 0:09:58 | |
will have two white chocolate and almond sponges, | 0:09:58 | 0:10:01 | |
and Thibault is making a strawberry glaze to finish. | 0:10:01 | 0:10:04 | |
We're just doing it one layer at a time. | 0:10:09 | 0:10:11 | |
Doing the creme mousseline first and then we're going to put | 0:10:11 | 0:10:14 | |
the strawberry on top. | 0:10:14 | 0:10:15 | |
It's all going to be setting at the right time. | 0:10:15 | 0:10:19 | |
In the blue kitchen, the fraisier is a family affair. | 0:10:19 | 0:10:22 | |
-You two sisters? -Yes, Suzanne and I. | 0:10:22 | 0:10:25 | |
OK. And you're the captain, But you're the younger sister? | 0:10:25 | 0:10:28 | |
-Yeah, that's right. -How does that work? | 0:10:28 | 0:10:30 | |
-Do you mind taking orders from your younger sister? -Absolutely not. | 0:10:30 | 0:10:33 | |
Right. It's just as well you said that, obviously. | 0:10:33 | 0:10:36 | |
And you're used to cooking together because you have a place up north? | 0:10:36 | 0:10:40 | |
We do, yeah. | 0:10:40 | 0:10:41 | |
-We have our own patisserie in Aberdeen and it's... -OK. | 0:10:41 | 0:10:44 | |
-How is the patisserie world in Aberdeen? -Yeah, it's... | 0:10:44 | 0:10:46 | |
Who's your main rival? Greggs, presumably. | 0:10:46 | 0:10:49 | |
# There were three little sisters... # | 0:10:49 | 0:10:51 | |
Despite being entirely self taught, sisters Jenny and Suzanne | 0:10:51 | 0:10:55 | |
and best friend Steph | 0:10:55 | 0:10:56 | |
now own and run a patisserie whose afternoon teas have been | 0:10:56 | 0:11:00 | |
compared by diners to those at the world-famous Ritz hotel. | 0:11:00 | 0:11:04 | |
I think being sisters is definitely a huge advantage for us | 0:11:04 | 0:11:06 | |
in this competition. | 0:11:06 | 0:11:08 | |
We know each other's strengths and weaknesses. | 0:11:08 | 0:11:10 | |
We're nice, sort of smiley girls, | 0:11:10 | 0:11:11 | |
but we've got a lot of fight behind us and... | 0:11:11 | 0:11:14 | |
Think it'll be quite easy to underestimate us. | 0:11:14 | 0:11:17 | |
Jenny has updated a classic fraisier with a pistachio creme mousseline, | 0:11:17 | 0:11:21 | |
a raspberry jelly insert and a Genoise sponge | 0:11:21 | 0:11:25 | |
soaked in a syrup developed at the patisserie back in Aberdeen. | 0:11:25 | 0:11:28 | |
-What am I about to eat? -This is the creme de fraise syrup. -Right. | 0:11:28 | 0:11:32 | |
-That's very good indeed. -Yeah. | 0:11:35 | 0:11:38 | |
Yeah, that's some of the best creme de fraise syrup I've ever had. | 0:11:38 | 0:11:41 | |
For me, that totally wins, | 0:11:41 | 0:11:43 | |
although technically I hadn't actually tasted anything else. | 0:11:43 | 0:11:46 | |
MUSIC: Rigoletto, Questa o Quella by Verdi | 0:11:46 | 0:11:50 | |
Sponges are out. We're going to build those up now. | 0:11:50 | 0:11:53 | |
Whilst baking sponges and creating fillings | 0:11:55 | 0:11:57 | |
and toppings for their fraisier... | 0:11:57 | 0:11:59 | |
-What are you making, Tim? -Doing the sugar. -The what? | 0:11:59 | 0:12:03 | |
-Starting the sugar work. -OK. | 0:12:03 | 0:12:05 | |
..the teams also need to find time... | 0:12:05 | 0:12:07 | |
I need a two-minute timer on that. | 0:12:07 | 0:12:09 | |
..to create another complex and multi-layered miniature. | 0:12:09 | 0:12:12 | |
Apricot jelly, apricot puree. | 0:12:12 | 0:12:15 | |
A classic French dessert that takes its name | 0:12:15 | 0:12:18 | |
from the glass it's served in - the verrine. | 0:12:18 | 0:12:21 | |
I will be judging them on taste. | 0:12:21 | 0:12:24 | |
Every layer has to tell a story | 0:12:24 | 0:12:26 | |
and, of course, texture is a big thing for me. | 0:12:26 | 0:12:29 | |
If you put it too moussey, everything is so soft with | 0:12:29 | 0:12:33 | |
no texture in the centre and end with a crunch. Big disaster. | 0:12:33 | 0:12:38 | |
Hoping to avoid disaster with his verrine, | 0:12:38 | 0:12:41 | |
first-time captain Stefan has been foraging. | 0:12:41 | 0:12:44 | |
I've gone out and risked nettle stings and bramble scratches | 0:12:44 | 0:12:47 | |
-and all that sort of stuff... -OK. -..to get this beautiful ingredient. | 0:12:47 | 0:12:50 | |
So it's elderberries. I'm going to turn that into a curd. | 0:12:50 | 0:12:53 | |
Stefan's wild elderberry curd will join | 0:12:53 | 0:12:55 | |
a buttermilk panna cotta, a blackberry foam | 0:12:55 | 0:12:59 | |
and jelly and compote layers made with blackberry and apple. | 0:12:59 | 0:13:02 | |
-Talk to me about the apples. -Beautiful British Bramley apples. | 0:13:02 | 0:13:05 | |
-Bramley? -Bramley, lovely acidity. I'll leave them a bit al dente | 0:13:05 | 0:13:07 | |
so you've got nice texture at the bottom of the glass. | 0:13:07 | 0:13:10 | |
Are you cooking the Bramley? | 0:13:10 | 0:13:11 | |
I'll put them with this apple and blackberry compote. | 0:13:11 | 0:13:14 | |
-So they're not going to break down? -A little bit. | 0:13:14 | 0:13:16 | |
-So there's no crunch any more? -A little bit of crunch. | 0:13:16 | 0:13:18 | |
I can see that there's a lot of layered dessert. | 0:13:18 | 0:13:20 | |
Do you think you are a bit too ambitious? | 0:13:20 | 0:13:22 | |
In practice, we've set it in 2½ hours, no problem. | 0:13:22 | 0:13:24 | |
-I also know... -They've got plenty to do, Cherish. Plenty to do. | 0:13:24 | 0:13:27 | |
-We need to move on. -Thank you, guys. -Your hand is so cold today! -Sorry! | 0:13:27 | 0:13:31 | |
SHE LAUGHS | 0:13:31 | 0:13:32 | |
-When it comes to verrine layers... -Reece, I'm free. | 0:13:32 | 0:13:36 | |
-What do you want me to do? -Set the panna cotta in the glasses. | 0:13:36 | 0:13:39 | |
..Reece is aiming even higher. | 0:13:39 | 0:13:40 | |
What we're going to be doing is a version of | 0:13:40 | 0:13:43 | |
a Black Forest gateau layered up into a glass. | 0:13:43 | 0:13:46 | |
Although they've asked for five different elements, we're doing ten. | 0:13:46 | 0:13:49 | |
Cherry jelly, Kirsch panna cotta whipped chocolate ganache, | 0:13:49 | 0:13:53 | |
cocoa streusel, chocolate sponge, cherry foam and a chocolate cremeux | 0:13:53 | 0:13:57 | |
combine for an ambitious Black Forest verrine | 0:13:57 | 0:14:00 | |
that's been a passion project for the whole team. | 0:14:00 | 0:14:03 | |
We all came up with different ideas together. | 0:14:03 | 0:14:05 | |
We all had loads of different ideas to do the verrine | 0:14:05 | 0:14:08 | |
and we thought we'd sort of go with a classic. | 0:14:08 | 0:14:11 | |
Black Forest is one of the desserts I used to remember my mum | 0:14:11 | 0:14:14 | |
used to make all the time. A lot of work, but still... | 0:14:14 | 0:14:18 | |
If you don't run around enough, you're not doing enough. | 0:14:18 | 0:14:21 | |
In the blue kitchen, having taken control of the fraisier... | 0:14:21 | 0:14:25 | |
-Are you getting on OK, Susie? -Yeah, fine. | 0:14:25 | 0:14:27 | |
..Jenny has put her big sister in charge of the verrine. | 0:14:27 | 0:14:30 | |
I've chosen some kind of unusual flavours for the verrine. | 0:14:30 | 0:14:33 | |
Rose, raspberry and pink peppercorn. | 0:14:33 | 0:14:35 | |
Big Sister Suzanne is layering Scottish shortbread | 0:14:35 | 0:14:38 | |
flavoured with raspberry, pink peppercorn mousse, raspberry jelly, | 0:14:38 | 0:14:42 | |
mascarpone cream and a rose ganache. | 0:14:42 | 0:14:45 | |
How are you going to inject your rose flavour into your verrine? | 0:14:45 | 0:14:49 | |
-I'm using some rose extract. -Do you think this will be too soapy? | 0:14:49 | 0:14:53 | |
If you overdo it, yeah. You need to be very careful. | 0:14:53 | 0:14:56 | |
I'll try not make it too soapy. | 0:14:56 | 0:14:58 | |
Already risking basil in his fraisier... | 0:14:58 | 0:15:01 | |
..Laurian is gambling on bold flavours again for his verrine. | 0:15:04 | 0:15:08 | |
Using pink grapefruit, it shouldn't be any sweetness to it, | 0:15:08 | 0:15:11 | |
but a lot of freshness and a lot of vibrant flavours. | 0:15:11 | 0:15:14 | |
Grapefruit is just the beginning of an unusual verrine, | 0:15:14 | 0:15:18 | |
featuring a Chantilly mascarpone, sesame caramel cream, | 0:15:18 | 0:15:21 | |
cashew nut crumble and a chocolate cremeux | 0:15:21 | 0:15:23 | |
flavoured with a pepper that comes from | 0:15:23 | 0:15:26 | |
a little further afield than Wales. | 0:15:26 | 0:15:28 | |
Or France. | 0:15:28 | 0:15:29 | |
It's a bit like Sichuan pepper, but it's not. It's from Nepal. | 0:15:29 | 0:15:32 | |
Yeah, I know that you have to be very careful with it. | 0:15:32 | 0:15:36 | |
-Because you will numb your tongue. -It's very fruity. | 0:15:36 | 0:15:39 | |
I see this working with grapefruit. | 0:15:39 | 0:15:40 | |
I'm really looking forward to tasting it. | 0:15:40 | 0:15:42 | |
This is fantastic, Timut pepper is absolutely fantastic. | 0:15:42 | 0:15:45 | |
This is why we do this competition, we want to discover new ingredients. | 0:15:45 | 0:15:48 | |
-So let's hope it works. -Let's hope I bring the new ingredients. | 0:15:48 | 0:15:51 | |
But bold new flavours aren't for everyone. | 0:15:51 | 0:15:55 | |
We've gone for a sachertorte, which is a famous Austrian gateau, | 0:15:58 | 0:16:02 | |
which we've put into a glass, basically. | 0:16:02 | 0:16:04 | |
Mark's simple deconstructed sachertorte features layers of | 0:16:04 | 0:16:08 | |
apricot jelly and bavarois and layers of chocolate mousse | 0:16:08 | 0:16:11 | |
and ganache topped with spun sugar. | 0:16:11 | 0:16:13 | |
But the master baker's straightforward verrine | 0:16:16 | 0:16:18 | |
might become a little more complicated. | 0:16:18 | 0:16:20 | |
After a worrying moment earlier with the burned creme mousseline... | 0:16:21 | 0:16:24 | |
-Ahhh! -BLEEP. | 0:16:24 | 0:16:26 | |
..whilst washing a knife, Alan's now managed to cut his thumb open. | 0:16:26 | 0:16:30 | |
Brilliant. | 0:16:30 | 0:16:31 | |
Guys, I'm dripping blood all over the place here. | 0:16:33 | 0:16:35 | |
-Right, go get yourself sorted out. -I'm going to have to. | 0:16:35 | 0:16:37 | |
Has he cut himself? This is good, isn't it(?!) | 0:16:37 | 0:16:42 | |
-Right, little recap, where are we? -I'm cutting the sponges for the top. | 0:16:42 | 0:16:47 | |
-Lauren? -I'm onto the cremeux. -Cool. | 0:16:47 | 0:16:49 | |
We're halfway through the verrine, | 0:16:49 | 0:16:50 | |
and Maxime is currently building the fraisier. | 0:16:50 | 0:16:52 | |
Lauren's got some meringues in for the decor. | 0:16:52 | 0:16:55 | |
-Man, I'm nervous now. -We just need to push, OK? | 0:16:55 | 0:16:58 | |
We've done double the amount of elements as everyone else. | 0:16:58 | 0:17:00 | |
How that's going to turn out, I'll tell you in about 45 minutes' time. | 0:17:00 | 0:17:04 | |
The teams now face a horrendous juggling act. | 0:17:04 | 0:17:07 | |
We're just running out of time, I think. | 0:17:07 | 0:17:09 | |
Unless they've allowed enough time to chill and set | 0:17:09 | 0:17:12 | |
each verrine component before adding the next... | 0:17:12 | 0:17:15 | |
This is sesame caramel. | 0:17:15 | 0:17:16 | |
..layers will run, | 0:17:16 | 0:17:18 | |
ruining the dessert's appearance on the outside of the glass. | 0:17:18 | 0:17:21 | |
This is the rose ganache. | 0:17:21 | 0:17:23 | |
And at the same time, there's still a fraisier to build. | 0:17:23 | 0:17:27 | |
Do you know what's happened to Alan? | 0:17:27 | 0:17:28 | |
HE SIGHS | 0:17:31 | 0:17:33 | |
We're a man down. | 0:17:35 | 0:17:36 | |
Mark isn't the only captain facing a setback. | 0:17:36 | 0:17:39 | |
I think it's just a little bit cold, actually. | 0:17:39 | 0:17:42 | |
I think it needs heated up just a little bit. | 0:17:42 | 0:17:44 | |
-Maybe the butter wasn't soft enough. -Yeah. | 0:17:44 | 0:17:46 | |
I'm a bit concerned with Jenny's team at the moment | 0:17:46 | 0:17:49 | |
because their mousseline cream has completely split up. | 0:17:49 | 0:17:51 | |
They've got a different temperature between their butter and cream, | 0:17:51 | 0:17:55 | |
so it doesn't combine nicely. | 0:17:55 | 0:17:57 | |
Do they have the knowledge to fix it? I'm not sure. | 0:17:57 | 0:17:59 | |
I've never known anyone to make a creme pat like this before. | 0:17:59 | 0:18:02 | |
He's left the lumps, the vanilla pods in it. | 0:18:02 | 0:18:05 | |
So that is the mousseline. | 0:18:13 | 0:18:15 | |
It's perfectly smooth so we can now pipe in. | 0:18:15 | 0:18:18 | |
We're just about to start layering our fraisier slice. | 0:18:18 | 0:18:20 | |
We've got different frames this year | 0:18:20 | 0:18:22 | |
just to make them a little bit smaller so it sets a bit quicker. | 0:18:22 | 0:18:24 | |
Larger single frames can speed up the building of the fraisier. | 0:18:24 | 0:18:28 | |
Creme mousseline. | 0:18:28 | 0:18:29 | |
I think it's come together, I think we just got away with it. | 0:18:29 | 0:18:32 | |
But it may take longer to set and make identical slices harder to cut. | 0:18:32 | 0:18:37 | |
We're just trying to get all the strawberries | 0:18:37 | 0:18:40 | |
just on either end of the slice. | 0:18:40 | 0:18:42 | |
We just need to get it all together and just get it set on time. | 0:18:42 | 0:18:46 | |
Mark's chances of it being set on time may just have improved. | 0:18:46 | 0:18:49 | |
Start loading them on, yeah? You know what you've got to do, yeah? | 0:18:51 | 0:18:53 | |
You're looking for a nice clean cut. | 0:18:53 | 0:18:55 | |
If it's not set properly, they won't cut very nice. | 0:18:55 | 0:18:57 | |
-Is it still painful, Alan? -No, not... | 0:18:57 | 0:19:00 | |
-Right. -Stop worrying about his hand! | 0:19:00 | 0:19:02 | |
Some of us are concerned about people | 0:19:03 | 0:19:05 | |
who almost slice their thumbs off. | 0:19:05 | 0:19:07 | |
-Obviously team captains... -Yeah, yeah. -Right, we're all in. | 0:19:07 | 0:19:10 | |
He's not here to sympathise. Bye, then. | 0:19:10 | 0:19:13 | |
This is just the champagne jelly layer. | 0:19:14 | 0:19:17 | |
I'm weighing it to make sure every single frame is exactly the same. | 0:19:17 | 0:19:20 | |
That's done. | 0:19:20 | 0:19:21 | |
Raspberry jelly inserts are looking quite good, actually. | 0:19:24 | 0:19:27 | |
-I'm wondering if we should get the glaze on it now. -Yeah, I know. | 0:19:27 | 0:19:30 | |
-Yeah, someone's done raspberries over there. -Yeah. | 0:19:30 | 0:19:32 | |
Fraisier means strawberry. | 0:19:32 | 0:19:34 | |
-Oh, God. -Here she is. | 0:19:34 | 0:19:37 | |
It's all right, we had an issue. | 0:19:39 | 0:19:40 | |
It's my fault. | 0:19:41 | 0:19:43 | |
Just need to set in the freezer. So I need to be quick. | 0:19:46 | 0:19:50 | |
Chefs, you have 30 minutes left. | 0:19:50 | 0:19:53 | |
Keep going, guys, keep going. | 0:19:53 | 0:19:55 | |
-Fraisier's definitely in the freezer, yeah? -Yes, Chef. | 0:19:55 | 0:19:57 | |
This is our final layer for our verrine, | 0:19:57 | 0:19:59 | |
the mascarpone cream that's on top | 0:19:59 | 0:20:00 | |
which is what all the garnish will be sitting on. | 0:20:00 | 0:20:03 | |
OK, last layer's just going on now. These look OK, actually. | 0:20:03 | 0:20:07 | |
This is the crumble, the crunchy part of the verrine. | 0:20:07 | 0:20:10 | |
It hasn't completely set properly for us. | 0:20:15 | 0:20:17 | |
No point in panicking now, it's too late. | 0:20:17 | 0:20:19 | |
The chocolate is in the fridge? | 0:20:19 | 0:20:21 | |
Yeah, wait five more minutes for it to set. | 0:20:21 | 0:20:23 | |
-Are you going to be OK? -I'm a few verrines short. | 0:20:23 | 0:20:25 | |
I didn't have enough ganache. | 0:20:25 | 0:20:26 | |
And things are going just as well with the sisters' fraisier. | 0:20:26 | 0:20:30 | |
Jenny forgot to mark where the strawberries lined up | 0:20:34 | 0:20:36 | |
inside her large single frame. | 0:20:36 | 0:20:39 | |
BLEEP. | 0:20:39 | 0:20:40 | |
And the judges expect precisely cut strawberries. | 0:20:40 | 0:20:43 | |
-Just going to have to... Can you grab the ruler? -Yeah. | 0:20:43 | 0:20:47 | |
We've done a little stencil underneath our frame | 0:21:02 | 0:21:05 | |
to try and get the strawberries all in place. | 0:21:05 | 0:21:08 | |
Just take your time, just take your time. Is it not cut properly? | 0:21:08 | 0:21:11 | |
OK, good. | 0:21:15 | 0:21:16 | |
OK, I'm going to start getting them off the tray. | 0:21:20 | 0:21:23 | |
Let's get these finished. I've got lumps of that bloody stuff in there. | 0:21:23 | 0:21:27 | |
We're so far behind. | 0:21:27 | 0:21:29 | |
If we can just get one of the verrines finished or something. | 0:21:29 | 0:21:31 | |
-OK, Lauren, let's go, let's go. -I'm counting what we've got. -OK, OK. | 0:21:36 | 0:21:40 | |
-Tim, is it worth doing it? -Can we get something out? | 0:21:40 | 0:21:43 | |
I just don't think you're going to make it in time. | 0:21:43 | 0:21:46 | |
I never expected it to be like this. | 0:22:00 | 0:22:02 | |
You never expect anything on Creme De La Creme. | 0:22:02 | 0:22:05 | |
-Fast, fast, fast fingers. -There are 60 seconds to go. | 0:22:05 | 0:22:07 | |
Alan, can you get me the cream out of that fridge? | 0:22:07 | 0:22:11 | |
-This one, this one, this one. -How can this be resurrected? | 0:22:11 | 0:22:15 | |
Tell you what, just whack your garnish on there. | 0:22:15 | 0:22:17 | |
Get the garnishes on there and go with a three-pronged attack. | 0:22:17 | 0:22:20 | |
Oh, my God, I've got one left. | 0:22:25 | 0:22:26 | |
-Done? -Done. | 0:22:28 | 0:22:30 | |
OK, that's it, everyone. Time is up. | 0:22:30 | 0:22:34 | |
Well done, Lauren. Well done. Well done, Maxime, nice one. | 0:22:36 | 0:22:39 | |
-I could -BLEEP -launch that. -BLEEP. | 0:22:39 | 0:22:41 | |
Over 300 layered miniatures in just 2½ hours. | 0:22:51 | 0:22:55 | |
Stefan's team, if you could bring your layered slices | 0:22:55 | 0:22:59 | |
and verrines up to the presentation table. | 0:22:59 | 0:23:02 | |
Stefan's team's fraisiers have a vanilla sponge, | 0:23:02 | 0:23:06 | |
strawberries and creme mousseline and a consomme jelly glaze. | 0:23:06 | 0:23:10 | |
Their verrines feature elderberry curd and apple and blackberry jelly. | 0:23:10 | 0:23:13 | |
It looks very pretty. It looks very uniform. | 0:23:15 | 0:23:18 | |
You've managed to get a slice of strawberry all around your fraisier. | 0:23:18 | 0:23:22 | |
Wow. I like that. It tastes of strawberry. | 0:23:28 | 0:23:31 | |
I wish there was a little bit more sponge. | 0:23:31 | 0:23:34 | |
Creme mousseline, really like it. | 0:23:34 | 0:23:36 | |
And when I slice it, you can see it's very, very clean. | 0:23:36 | 0:23:39 | |
Very well done. | 0:23:39 | 0:23:40 | |
-So the verrine. -It's a very attractive dessert. | 0:23:40 | 0:23:43 | |
Though the flavours in combination are actually quite nice, | 0:23:48 | 0:23:52 | |
the texture, you've been pretty safe. | 0:23:52 | 0:23:54 | |
It's just all too soft for me. | 0:23:54 | 0:23:56 | |
I dig in, first layer, soft, second layer, soft. | 0:23:56 | 0:23:59 | |
I was hoping for some sponge. | 0:23:59 | 0:24:01 | |
-WHISPERS: -I've got clammy hands. | 0:24:03 | 0:24:06 | |
Well done, guys. Well done. | 0:24:06 | 0:24:08 | |
Reece's team, perhaps you'd like to bring yours up. | 0:24:08 | 0:24:11 | |
Got it? | 0:24:11 | 0:24:13 | |
Reece's team's fraisiers have a pistachio sponge | 0:24:13 | 0:24:16 | |
and a strawberry champagne jelly. | 0:24:16 | 0:24:18 | |
And their ten-layered black forest verrines have a cherry mousse, | 0:24:18 | 0:24:21 | |
chocolate cremeux and a crunchy cocoa streusel. | 0:24:21 | 0:24:25 | |
I like to start off measuring. | 0:24:25 | 0:24:27 | |
Well, I have 4, I have 4.5 and I have 3.7. | 0:24:30 | 0:24:35 | |
Visually, what strikes me is the texture of your mousseline cream. | 0:24:35 | 0:24:41 | |
It looks pretty split from where I stand. | 0:24:41 | 0:24:43 | |
Butter. Butter everywhere. On my palate. | 0:24:47 | 0:24:51 | |
I'm going to stretch to find a good positive there - it's not sweet. | 0:24:51 | 0:24:55 | |
So it allows the strawberry flavour to go through, | 0:24:55 | 0:24:57 | |
but the texture is not really nice. | 0:24:57 | 0:24:59 | |
-So we move on to the verrine now, perhaps. -Yes. | 0:24:59 | 0:25:01 | |
I think it's neat, finished off with a very beautiful, | 0:25:01 | 0:25:05 | |
thinly executed chocolate decoration which is very well done. | 0:25:05 | 0:25:09 | |
Black Forest. | 0:25:12 | 0:25:14 | |
I find the texture of your different layers to be refreshing. | 0:25:14 | 0:25:20 | |
You've got creamy, you got moussey, | 0:25:20 | 0:25:22 | |
you've got a little bit of gel at the bottom. | 0:25:22 | 0:25:25 | |
-You planned it quite nicely, the layering is right. -Thank you. | 0:25:25 | 0:25:29 | |
And the chocolate cremeux in there is divine. | 0:25:29 | 0:25:31 | |
Really, really light and very creamy. | 0:25:31 | 0:25:33 | |
-You smiled. Did you do the chocolate cream? -Yeah! -Very good. | 0:25:33 | 0:25:38 | |
Give me a five. Well done. | 0:25:38 | 0:25:41 | |
Laurian's team, perhaps you could bring up your masterpieces, please. | 0:25:52 | 0:25:55 | |
Laurian's team's fraisiers comprise almond sponge, | 0:25:55 | 0:25:59 | |
strawberry jelly and a basil bavarois. | 0:25:59 | 0:26:02 | |
Their verrines feature a pink grapefruit base, | 0:26:02 | 0:26:04 | |
sesame caramel cream and a chocolate and Timut pepper cremeux. | 0:26:04 | 0:26:08 | |
It's a little bit hickley-pickley. | 0:26:09 | 0:26:12 | |
-Hickley-pickley? -It's a bit messy. -OK. Bit messy. | 0:26:12 | 0:26:16 | |
The texture of your bavarois is actually pleasant. | 0:26:21 | 0:26:24 | |
But basil tends to overpower the strawberry a little too much. | 0:26:24 | 0:26:27 | |
The strawberry compote, it tastes so tasty on your table, | 0:26:27 | 0:26:30 | |
but somehow when I taste it now, it's lost in translation. | 0:26:30 | 0:26:34 | |
Grapefruit, in. | 0:26:42 | 0:26:44 | |
I got a little tickly, peppery sensation. | 0:26:44 | 0:26:48 | |
But I haven't got the flavour jumping. | 0:26:48 | 0:26:52 | |
The bitterness kicks in and it just covers my taste buds completely. | 0:26:52 | 0:26:57 | |
-It's a shame. -Good ideas, good principles. | 0:26:57 | 0:27:00 | |
They pick faults in everything. | 0:27:02 | 0:27:05 | |
HE CLEARS HIS THROAT | 0:27:05 | 0:27:07 | |
Here's time to check in with our friends from the north, | 0:27:07 | 0:27:10 | |
Jenny and co. | 0:27:10 | 0:27:11 | |
Jenny's team's fraisiers have a pistachio creme mousseline | 0:27:13 | 0:27:16 | |
and a raspberry jelly insert. | 0:27:16 | 0:27:18 | |
Their verrines include pink peppercorn mousse | 0:27:18 | 0:27:21 | |
and a rose ganache. | 0:27:21 | 0:27:23 | |
So we don't need Cherish's ruler to tell us that | 0:27:25 | 0:27:29 | |
they're not all the same size. | 0:27:29 | 0:27:31 | |
The balance of flavour is on the mild side, | 0:27:38 | 0:27:41 | |
but for me, the biggest flaw is the actual texture of your mousseline | 0:27:41 | 0:27:45 | |
-which makes it a little bit unpleasant. -OK. | 0:27:45 | 0:27:48 | |
I really like the insert that you put in, it enhanced the whole slice. | 0:27:48 | 0:27:52 | |
-What about the verrines? -There's only 28 verrines. | 0:27:52 | 0:27:56 | |
I just ran out of ganache to finish off. | 0:27:56 | 0:27:58 | |
It's very heavy, the mousse. | 0:28:00 | 0:28:02 | |
The mousse should be light, it should be airy. | 0:28:02 | 0:28:06 | |
OK, the rose, it's borderline being too strong. | 0:28:06 | 0:28:09 | |
-WHISPERS: -Oh, well. | 0:28:14 | 0:28:16 | |
So, let's see Mark's team's products. | 0:28:16 | 0:28:19 | |
Mark's team's fraisiers feature vanilla and almond joconde sponge | 0:28:20 | 0:28:24 | |
and a vanilla creme mousseline filling. | 0:28:24 | 0:28:26 | |
Their verrines comprise apricot cognac jelly and chocolate sponge | 0:28:26 | 0:28:32 | |
topped with creme patissiere. | 0:28:32 | 0:28:33 | |
What is this black bits that's inside? | 0:28:33 | 0:28:36 | |
-It's from the vanilla pod. -It's not part of a thumb, is it? | 0:28:36 | 0:28:39 | |
LAUGHTER | 0:28:39 | 0:28:41 | |
-Who's done the creme pat? -Me. | 0:28:46 | 0:28:48 | |
-Did it burn? -It may have caught a little. | 0:28:48 | 0:28:51 | |
Well...! | 0:28:51 | 0:28:53 | |
The flavour of that burned milk ruins my experience. | 0:28:53 | 0:28:56 | |
I prefer the sponge to be slightly thicker. | 0:28:56 | 0:28:58 | |
Your filling is very thick so it's very sick, eating just the filling. | 0:28:58 | 0:29:02 | |
You need the right proportions. | 0:29:02 | 0:29:04 | |
-36 verrines, that doesn't seem to be a problem there. -Slight problem. | 0:29:04 | 0:29:08 | |
What layer is missing, may I ask? | 0:29:08 | 0:29:10 | |
Chocolate mousse would have gone on next. | 0:29:10 | 0:29:13 | |
And then a chocolate mirror glaze on the top. | 0:29:13 | 0:29:16 | |
Your coulis is very, very gritty and lumpy. | 0:29:16 | 0:29:18 | |
The flavours were working but there is again technical issues. | 0:29:18 | 0:29:21 | |
Sorry, boss. | 0:29:27 | 0:29:28 | |
Cherish and Benoit will now award every team a mark out of ten | 0:29:29 | 0:29:33 | |
for each miniature. | 0:29:33 | 0:29:34 | |
There is two or three teams who are holding up their strength | 0:29:34 | 0:29:38 | |
with good flavour combinations, and two or three teams | 0:29:38 | 0:29:40 | |
which are struggling to achieve technically. | 0:29:40 | 0:29:42 | |
There's a few teams that did not present 36 desserts in time. | 0:29:42 | 0:29:47 | |
What a shame. | 0:29:47 | 0:29:48 | |
A total of 40 points are on offer, | 0:29:48 | 0:29:50 | |
and the scores will be revealed starting with the lowest. | 0:29:50 | 0:29:53 | |
Good luck, guys. | 0:29:53 | 0:29:55 | |
Mark's team. | 0:29:56 | 0:29:58 | |
Burned milk in your fraisier led me to award you 5 points out of 20. | 0:29:58 | 0:30:03 | |
I was very disappointed in your apricot jelly. | 0:30:03 | 0:30:07 | |
For that, I have awarded you 5 out of 20. | 0:30:07 | 0:30:10 | |
That gives you a combined total of ten out of 40. | 0:30:10 | 0:30:14 | |
Fourth is Jenny's team, with 14. | 0:30:14 | 0:30:17 | |
Third is Laurian's, with 19. | 0:30:17 | 0:30:20 | |
So, who's triumphed in the Miniatures Challenge? | 0:30:20 | 0:30:23 | |
Stefan's team. | 0:30:23 | 0:30:25 | |
I commend you, really, for the choice of your ingredients, | 0:30:25 | 0:30:27 | |
but in the verrine, we were a bit safe with the texture. | 0:30:27 | 0:30:30 | |
I'm awarding you 14 points out of 20. | 0:30:30 | 0:30:33 | |
On your verrine, | 0:30:33 | 0:30:34 | |
loved the combination of the apple and the blackberry. | 0:30:34 | 0:30:37 | |
I have awarded you 12 points out of 20. | 0:30:37 | 0:30:40 | |
Which makes a combined total of 26 out of a possible 40. | 0:30:40 | 0:30:44 | |
And finally, Reece's team. | 0:30:44 | 0:30:46 | |
You had technical issues with your fraisier and the execution was | 0:30:46 | 0:30:49 | |
a little bit on the rough side, | 0:30:49 | 0:30:51 | |
but you had a divine cremeux in your verrine. | 0:30:51 | 0:30:54 | |
And for those reasons, I am awarding 11 points out of 20. | 0:30:54 | 0:30:59 | |
I really liked your execution on your verrine. | 0:30:59 | 0:31:03 | |
However, I was a little bit disappointed with your fraisier. | 0:31:03 | 0:31:06 | |
The butter was not emulsified. | 0:31:06 | 0:31:09 | |
For that, I have awarded you 11 out of 20. | 0:31:09 | 0:31:14 | |
Which gives you a combined total of 22 out of 40. | 0:31:14 | 0:31:19 | |
Which means that in pole position is Stefan's team. | 0:31:19 | 0:31:23 | |
But there are many points available in tomorrow's Showpiece Challenge, | 0:31:23 | 0:31:27 | |
so everything can and indeed may well change. | 0:31:27 | 0:31:31 | |
So I would suggest that you all take a very well-earned break. | 0:31:31 | 0:31:34 | |
Well done to you all. | 0:31:34 | 0:31:36 | |
How are we feeling, guys? | 0:31:36 | 0:31:38 | |
-Feeling good. -Feeling good? -A little shell-shocked. | 0:31:38 | 0:31:40 | |
I think getting a high five from Cherish is something that is | 0:31:40 | 0:31:43 | |
going to stick with me for a while. | 0:31:43 | 0:31:45 | |
We personally were really disappointed of our product, | 0:31:45 | 0:31:47 | |
so we just want to show tomorrow that what we do is | 0:31:47 | 0:31:50 | |
a lot better than what we have done today. | 0:31:50 | 0:31:51 | |
As a team, we're all gutted, but it's do or die tomorrow, isn't it? | 0:31:51 | 0:31:54 | |
So there is no second chance. | 0:31:54 | 0:31:56 | |
Tomorrow's final challenge involves a grand reworking | 0:31:59 | 0:32:02 | |
of a classic dessert, and the teams have been given | 0:32:02 | 0:32:04 | |
a golden hour to prepare | 0:32:04 | 0:32:06 | |
any elements that need setting overnight. | 0:32:06 | 0:32:08 | |
So, looking forward to the Showpiece Challenge tomorrow, | 0:32:08 | 0:32:11 | |
who are you expecting us to be surprised by, maybe? | 0:32:11 | 0:32:14 | |
I'm looking forward to see what Stefan's and Reece's team will be | 0:32:14 | 0:32:17 | |
coming up with because, obviously, | 0:32:17 | 0:32:18 | |
those two teams have been there before. | 0:32:18 | 0:32:20 | |
But Laurian's team slightly disappointed you. | 0:32:20 | 0:32:23 | |
They came up with great ingredients. | 0:32:23 | 0:32:24 | |
Through the tasting, it didn't materialise. | 0:32:24 | 0:32:27 | |
I'm concerned about Jenny's team. | 0:32:27 | 0:32:29 | |
-She has to take up all the tools that is in her tool box. -Oh, OK. | 0:32:29 | 0:32:33 | |
-And she has to go for it. -And Mark? | 0:32:33 | 0:32:36 | |
It's all about going through to the next round, | 0:32:36 | 0:32:38 | |
and there is only four points between Mark and Jenny's team. | 0:32:38 | 0:32:42 | |
In every competition, we like chefs with spirit, | 0:32:42 | 0:32:44 | |
we like chefs to fight back. | 0:32:44 | 0:32:47 | |
-OK. -Just finished that glaze, Jonathan. | 0:32:47 | 0:32:49 | |
You do it again tomorrow. | 0:32:51 | 0:32:52 | |
It's only a five-, ten-minute job. | 0:32:52 | 0:32:54 | |
-I'm going to need you here, I think. -Yep, coming. | 0:32:54 | 0:32:56 | |
We've got crystallisation, Tim. | 0:32:56 | 0:32:58 | |
MUSIC: Le Nozze Di Figaro by Wolfgang Amadeus Mozart | 0:33:04 | 0:33:07 | |
Good morning. I hope you're well-rested. | 0:33:14 | 0:33:17 | |
Now, today is the Showpiece Challenge, | 0:33:17 | 0:33:19 | |
which is your chance to take something ordinary | 0:33:19 | 0:33:21 | |
and make it extraordinary. | 0:33:21 | 0:33:23 | |
The judges have decided, in their infinite wisdom, | 0:33:23 | 0:33:26 | |
that you should reinvent the pavlova, | 0:33:26 | 0:33:29 | |
but that it should be big enough to feed 36 people. | 0:33:29 | 0:33:32 | |
That dessert was named after a Russian ballerina, | 0:33:32 | 0:33:36 | |
Anna Pavlova, | 0:33:36 | 0:33:37 | |
so I'm hoping to see elegance, | 0:33:37 | 0:33:40 | |
-beauty and grace. -Don't be safe, chefs. | 0:33:40 | 0:33:43 | |
Astonish us and prove to us that your team deserves to stay in | 0:33:43 | 0:33:48 | |
the competition. | 0:33:48 | 0:33:49 | |
60 points are available in total, | 0:33:49 | 0:33:51 | |
so more than enough to overhaul any lead. | 0:33:51 | 0:33:54 | |
You had one hour yesterday to prepare. | 0:33:54 | 0:33:56 | |
You have three hours now to complete the challenge. | 0:33:56 | 0:34:00 | |
And your time starts...now. | 0:34:00 | 0:34:03 | |
Let's do it. | 0:34:03 | 0:34:04 | |
-Pushing straightaway. -Yeah. Wait. -Oh! | 0:34:07 | 0:34:10 | |
A classic pavlova is a very well-made meringue - | 0:34:11 | 0:34:15 | |
crispy outside and marshmallow-y inside - | 0:34:15 | 0:34:18 | |
and served with fresh fruit and Chantilly cream. | 0:34:18 | 0:34:21 | |
The challenge involves bringing a traditional dessert | 0:34:21 | 0:34:25 | |
into this century. | 0:34:25 | 0:34:26 | |
Intricate desserts beautifully presented. | 0:34:26 | 0:34:30 | |
But it cannot just be basic skills, | 0:34:30 | 0:34:33 | |
it has to be highly professional skills. | 0:34:33 | 0:34:36 | |
Mark's team have taken inspiration from Anna Pavlova's most celebrated | 0:34:41 | 0:34:45 | |
performance - The Dying Swan. | 0:34:45 | 0:34:47 | |
Currently languishing in last place, | 0:34:47 | 0:34:49 | |
they will be hoping that that's where the comparison ends. | 0:34:49 | 0:34:52 | |
We're basically building a stand that sits on a lake. | 0:34:52 | 0:34:54 | |
It's going to have swans. | 0:34:54 | 0:34:55 | |
The ballerina will stand on the top of the stand | 0:34:55 | 0:34:58 | |
and all the pavlovas will be around the boiled sugar stand. | 0:34:58 | 0:35:01 | |
But we had an issue last night. | 0:35:01 | 0:35:03 | |
One of the bases crystallised, so we are re-pouring it this morning. | 0:35:03 | 0:35:07 | |
Sat on top of Mark's second attempt | 0:35:07 | 0:35:09 | |
at a poured sugar base | 0:35:09 | 0:35:10 | |
will be individual pavlovas layered | 0:35:10 | 0:35:12 | |
with raspberry bavarois, | 0:35:12 | 0:35:14 | |
chocolate mousse, smashed raspberry compote | 0:35:14 | 0:35:16 | |
and piped meringue dusted with chocolate. | 0:35:16 | 0:35:19 | |
So Tim is going to be cooking up the sugars, Alan is going to make | 0:35:19 | 0:35:21 | |
the meringues, I am responsible for putting everything together. | 0:35:21 | 0:35:24 | |
Don't over mix that meringue, Al, will you? | 0:35:24 | 0:35:27 | |
Oh, breathing in sugar here. Bit of energy. | 0:35:29 | 0:35:33 | |
Hoping to seal his first captaincy with an overall win, | 0:35:33 | 0:35:36 | |
Stefan has dug a little deeper into the pavlova's origins. | 0:35:36 | 0:35:40 | |
Anna Pavlova was a Russian ballerina, | 0:35:40 | 0:35:42 | |
but it was actually typically a New Zealand, Australia dessert, | 0:35:42 | 0:35:45 | |
so I've gone sort of tropical flavours. | 0:35:45 | 0:35:47 | |
And to complement it, Maxime's come up with a beautiful design, | 0:35:47 | 0:35:49 | |
which is a swan. | 0:35:49 | 0:35:51 | |
Around the young master chocolatier's swan will be | 0:35:52 | 0:35:55 | |
Stefan's individual meringue domes filled with vanilla mousse, | 0:35:55 | 0:35:59 | |
a mango, passion fruit and ginger cream insert | 0:35:59 | 0:36:02 | |
and a tropical fruit compote. | 0:36:02 | 0:36:04 | |
Hi, team. Hi, Stefan. How is the meringue doing? | 0:36:04 | 0:36:08 | |
The meringue is taking a long time to whip up, | 0:36:08 | 0:36:10 | |
so I kind of have a bit of a delay already. | 0:36:10 | 0:36:12 | |
And you put everything in? | 0:36:12 | 0:36:14 | |
That's how I always do it in practice. It comes out beautiful. | 0:36:14 | 0:36:17 | |
-And it works? -Yeah, works every time, yeah. | 0:36:17 | 0:36:19 | |
Do you think your swan is going to stay upright? Because it is so thin | 0:36:19 | 0:36:22 | |
and you compromise on the stability. | 0:36:22 | 0:36:25 | |
It is risky, but I think hopefully it'll all come together | 0:36:25 | 0:36:27 | |
and we'll have a beautiful, sleek, slender design, like a ballerina, | 0:36:27 | 0:36:30 | |
-and it'll be OK. -Everything is under control? | 0:36:30 | 0:36:32 | |
-Everything is under control. -Except for the meringue. | 0:36:32 | 0:36:35 | |
The meringue, we might have to get a fresh meringue on, | 0:36:35 | 0:36:37 | |
but it's not the end of the world. | 0:36:37 | 0:36:38 | |
-We'll let you crack on, yeah? -Thank you, guys. Cheers. | 0:36:38 | 0:36:40 | |
Have you got a second to look at that? I think that's ready, | 0:36:40 | 0:36:43 | |
-but you might think it is overdone. -No, it's not ready. -Not ready? | 0:36:43 | 0:36:46 | |
You've got to be quite quick with meringue | 0:36:46 | 0:36:48 | |
because it comes back on you. | 0:36:48 | 0:36:49 | |
You don't want to have to mix it again, | 0:36:49 | 0:36:52 | |
so, yeah, it's my job to get this done as quickly as possible. | 0:36:52 | 0:36:55 | |
For the team just four points ahead of Mark and his master bakers... | 0:36:55 | 0:36:58 | |
I'm too small for this workbench. | 0:36:58 | 0:37:00 | |
I'm on my tip toes. | 0:37:00 | 0:37:02 | |
..perfecting meringue won't be a problem. | 0:37:02 | 0:37:04 | |
We are sticking with a fairly traditional, classic pavlova | 0:37:04 | 0:37:08 | |
in terms of the flavours and the elements. | 0:37:08 | 0:37:10 | |
We're going to have the meringue | 0:37:10 | 0:37:12 | |
is going to be a macaron shell on the base. | 0:37:12 | 0:37:14 | |
-Your twist is using macarons instead of a meringue? -Yes. | 0:37:14 | 0:37:18 | |
Jenny is risking everything on | 0:37:19 | 0:37:21 | |
a macaron-style pavlova that | 0:37:21 | 0:37:23 | |
will have a vanilla mousse dome, | 0:37:23 | 0:37:25 | |
a strawberry, raspberry and kiwi compote insert | 0:37:25 | 0:37:28 | |
and all 36 swan-like desserts | 0:37:28 | 0:37:30 | |
will take to a carved and painted chocolate stage. | 0:37:30 | 0:37:34 | |
Do you think so? It's too simple to be the winning dessert. | 0:37:34 | 0:37:37 | |
No, not simple. Macarons are not simple. | 0:37:37 | 0:37:40 | |
-Altogether, it tastes really good. -So what is your strategy today? | 0:37:40 | 0:37:44 | |
Time management today is really crucial. | 0:37:44 | 0:37:46 | |
Are we ready to move up and push on a little bit? | 0:37:46 | 0:37:49 | |
-Yeah. Maybe turn that up. -Yeah, turn it up. | 0:37:49 | 0:37:52 | |
Aiming to turn it up even more... | 0:37:52 | 0:37:54 | |
OK, this is definitely our backup one, | 0:37:54 | 0:37:55 | |
cos this one is broken, yeah? | 0:37:55 | 0:37:57 | |
..Reece's team's showpiece | 0:37:57 | 0:37:59 | |
is another ambitious bid to make it past the first heat. | 0:37:59 | 0:38:02 | |
Our showpiece today is all going to be based around | 0:38:02 | 0:38:04 | |
the story of the pavlova. | 0:38:04 | 0:38:06 | |
The main structure is going to resemble an elegant shape | 0:38:06 | 0:38:09 | |
of a ballerina in mid-dance. | 0:38:09 | 0:38:12 | |
To go with our showpiece, we've also got 36 entremes-style pavlovas, | 0:38:12 | 0:38:16 | |
which is going to be Jonathan's main job. | 0:38:16 | 0:38:19 | |
A giant abstract sugar work ballerina will tower | 0:38:19 | 0:38:23 | |
over 36 coconut meringue spheres | 0:38:23 | 0:38:25 | |
filled with Chantilly cream, | 0:38:25 | 0:38:27 | |
raspberry mousse | 0:38:27 | 0:38:28 | |
and a passion fruit curd insert. | 0:38:28 | 0:38:30 | |
-Two acids - raspberry, passion fruit. -Yep. | 0:38:31 | 0:38:33 | |
-Are they going to work together... -I believe they will. -..or clash? | 0:38:33 | 0:38:36 | |
The meringue is slightly sweet, so that brings out that element. | 0:38:36 | 0:38:39 | |
But the sensation of raspberry, | 0:38:39 | 0:38:41 | |
the taste of raspberry and passion fruit... | 0:38:41 | 0:38:43 | |
-Yeah. -..will one not hide the other? | 0:38:43 | 0:38:45 | |
I will let you decide at the end. | 0:38:47 | 0:38:48 | |
Controversy! There you go, plenty to think about. | 0:38:48 | 0:38:50 | |
-Good luck. -All right, good luck, thank you. | 0:38:50 | 0:38:53 | |
Reece's team aren't alone in aiming to place their desserts | 0:38:53 | 0:38:57 | |
around a centrepiece made entirely of sugar. | 0:38:57 | 0:38:59 | |
Talk us through your concept. | 0:38:59 | 0:39:01 | |
Does it refer at all to Anna Pavlova, | 0:39:01 | 0:39:03 | |
or are you just ignoring her altogether? | 0:39:03 | 0:39:05 | |
-The ballerina. -I'm ignoring her. -Right! | 0:39:05 | 0:39:09 | |
A sugar-work tower will display six multi-layered sharing desserts, | 0:39:09 | 0:39:13 | |
and the flavour specialists have chosen to concentrate | 0:39:13 | 0:39:16 | |
on enhancing the classic pavlova components | 0:39:16 | 0:39:19 | |
with crisp French meringue, | 0:39:19 | 0:39:21 | |
vanilla cheesecake mousse, | 0:39:21 | 0:39:23 | |
a French marshmallow called guimauve | 0:39:23 | 0:39:25 | |
and a light mousse made | 0:39:25 | 0:39:26 | |
with blueberries, raspberries, | 0:39:26 | 0:39:28 | |
strawberries and red currants. | 0:39:28 | 0:39:31 | |
Each slice will get an added kick from a sharp mixed-berry coulis. | 0:39:31 | 0:39:34 | |
This is the coulis we are going to put on the plate to present | 0:39:34 | 0:39:37 | |
the cake later on. | 0:39:37 | 0:39:39 | |
-That's delicious! -Tell the judges. -OK. I'll have a word. | 0:39:39 | 0:39:42 | |
-It'll probably mark against you, that's the problem. -Oh, OK. | 0:39:42 | 0:39:44 | |
-Don't say anything, then. -I'll say nothing. | 0:39:44 | 0:39:47 | |
-Chefs, there are two hours left. -OK, that's an hour gone already. | 0:39:48 | 0:39:52 | |
Alan is just finishing the meringues. | 0:39:52 | 0:39:54 | |
It looks a little bit soft, unfortunately. | 0:39:54 | 0:39:57 | |
-BLEEP. -It's not right. | 0:39:57 | 0:39:59 | |
-Nice and stiff, that meringue? -Yeah. | 0:39:59 | 0:40:01 | |
Should've left it on longer. Should've mixed it longer. | 0:40:02 | 0:40:05 | |
-No, there's something wrong with it, mate. -I followed the recipe. | 0:40:05 | 0:40:08 | |
-Huh? -I followed the recipe. | 0:40:08 | 0:40:10 | |
Do it again, then. | 0:40:12 | 0:40:13 | |
Do it again. | 0:40:14 | 0:40:15 | |
Pull it out. That ain't going to impress the judges, is it? | 0:40:17 | 0:40:19 | |
-All right? -All right. | 0:40:19 | 0:40:20 | |
-HE SIGHS -Well, he took it off. | 0:40:25 | 0:40:27 | |
We thought it was ready, but it's not, | 0:40:27 | 0:40:29 | |
and it's just... It's gone soft. | 0:40:29 | 0:40:31 | |
Just hollowing it out because we're going to put | 0:40:31 | 0:40:33 | |
a passion fruit curd inside the middle. | 0:40:33 | 0:40:35 | |
We need to get these inside the oven as soon as we can to let them | 0:40:35 | 0:40:37 | |
to set before we build the dessert inside it. | 0:40:37 | 0:40:40 | |
At the moment, I'm just doing the macarons. | 0:40:40 | 0:40:42 | |
Practice makes perfect, | 0:40:42 | 0:40:43 | |
and I've been making these for a long time now, so... | 0:40:43 | 0:40:46 | |
This just gets rid of any air bubbles and it also just | 0:40:46 | 0:40:48 | |
gives it a nice smooth finish... | 0:40:48 | 0:40:50 | |
on top of the macaron. | 0:40:50 | 0:40:51 | |
36. | 0:40:53 | 0:40:54 | |
All right, these are going in. | 0:40:56 | 0:40:57 | |
This is a lot stiffer. Not as soft as the first lot. | 0:40:57 | 0:41:01 | |
Oh, wow, look. | 0:41:01 | 0:41:02 | |
-What? -Can you turn the fan off? Oh, -BLEEP. | 0:41:02 | 0:41:05 | |
They are fan-assisted, aren't they? | 0:41:05 | 0:41:07 | |
-BLEEP -sake! | 0:41:08 | 0:41:10 | |
-Have you got any more meringue? -Yeah. | 0:41:10 | 0:41:12 | |
Pop it on all these ends, keep those ends from flapping. | 0:41:12 | 0:41:15 | |
-Piece of -BLEEP! | 0:41:23 | 0:41:25 | |
-Is it sorted, Al? -Yeah, I think we've lost about four. | 0:41:34 | 0:41:37 | |
-You've lost? -Four of each for the corners, yeah. | 0:41:37 | 0:41:40 | |
Well, can't you re-pipe? We can't be short, mate. | 0:41:40 | 0:41:43 | |
-Just get one more tray quickly. -I'm going to do it. | 0:41:43 | 0:41:46 | |
-I'm doing it now, yeah? -All right. -I got one pair of hands. | 0:41:46 | 0:41:49 | |
-Hey, guys, we've had 1½ hours, just over. -Yeah. | 0:41:51 | 0:41:54 | |
-So 1½ hour left. -It's a bit soft. | 0:41:54 | 0:41:58 | |
I think that meringue was a bit wet. | 0:41:58 | 0:42:00 | |
While their meringues bake, the teams will need every minute to | 0:42:02 | 0:42:05 | |
perfect their showpiece decorations and fillings. | 0:42:05 | 0:42:08 | |
-OK, Lauren, you on schedule OK? -Yeah. | 0:42:08 | 0:42:11 | |
Just making the tropical fruit mousse. | 0:42:11 | 0:42:13 | |
That's just going to sit on top of Stefan's meringue. | 0:42:13 | 0:42:16 | |
So I'm just putting in my inserts, and then I'm going to finish | 0:42:16 | 0:42:19 | |
it with a tempered white chocolate disc, just to stop any leakages. | 0:42:19 | 0:42:23 | |
So, you boys are concentrating on strawberry compote, | 0:42:24 | 0:42:26 | |
chocolate mousse. You do the chocolate mousse now. Yeah? | 0:42:26 | 0:42:29 | |
-You know how to do that, don't you? -Yeah, it's all written down. | 0:42:29 | 0:42:31 | |
The boys are putting them together now. | 0:42:31 | 0:42:33 | |
Hopefully, we can get them set quick enough. | 0:42:33 | 0:42:35 | |
That's the thing, get them set. | 0:42:35 | 0:42:36 | |
Mark's team. It seems like they're pushing themselves. | 0:42:36 | 0:42:39 | |
On the other hand, we've got Jenny's team. | 0:42:39 | 0:42:42 | |
-They are still... -SLOWLY: -..stirring...their...mousse. | 0:42:42 | 0:42:46 | |
I am worried now. | 0:42:46 | 0:42:48 | |
It's not about winning, | 0:42:48 | 0:42:49 | |
it's about getting through to the next challenge. | 0:42:49 | 0:42:52 | |
If one team collapses, like it happened yesterday, | 0:42:52 | 0:42:54 | |
they may have a chance to go through. | 0:42:54 | 0:42:56 | |
I got them on the wrong trays. | 0:43:01 | 0:43:03 | |
These don't fit in there, they are on the wrong trays. | 0:43:03 | 0:43:05 | |
Put them in the normal freezer. | 0:43:05 | 0:43:07 | |
Sorry, my fault. | 0:43:07 | 0:43:09 | |
I'm just waiting for the bavarois to set on top of the dessert. | 0:43:09 | 0:43:13 | |
We put them on the wrong trays, | 0:43:13 | 0:43:14 | |
so we can't get them in the blast freezer, they've had to go in | 0:43:14 | 0:43:17 | |
the ordinary freezer, so hence they will probably take a bit longer. | 0:43:17 | 0:43:20 | |
It's time we haven't got at the moment, so... | 0:43:20 | 0:43:22 | |
But we can't transfer them onto another tray because as soon | 0:43:22 | 0:43:25 | |
as you try and move them, they'll just go everywhere, so... | 0:43:25 | 0:43:29 | |
OK, guys, you have 60 minutes left. | 0:43:29 | 0:43:31 | |
60 minutes. | 0:43:31 | 0:43:33 | |
-I'm just going to start assembling it now. -Yeah, start assembling it. | 0:43:33 | 0:43:36 | |
Still a wee bit to do, but I think we're on track. | 0:43:36 | 0:43:39 | |
With their desserts setting, | 0:43:41 | 0:43:42 | |
the teams turn their attention to their delicate centrepieces. | 0:43:42 | 0:43:46 | |
So, just having to remake our little ballerina. | 0:43:47 | 0:43:50 | |
Unfortunately, when I unmoulded this one I made last night - | 0:43:50 | 0:43:52 | |
I think it is a bit too cold in here - so her little foot broke off. | 0:43:52 | 0:43:55 | |
We decided to go for a chocolate sculpture rather than | 0:43:55 | 0:43:57 | |
a sugar sculpture because that's our strength. | 0:43:57 | 0:43:59 | |
Maxime is a chocolate specialist. | 0:43:59 | 0:44:01 | |
He could do sugar well, but better at chocolate, | 0:44:01 | 0:44:03 | |
so we're going to stick to our strengths on this one, definitely. | 0:44:03 | 0:44:05 | |
It's very brittle. It's like a boiled sweet. | 0:44:19 | 0:44:21 | |
Let's just hope she comes out. | 0:44:21 | 0:44:23 | |
We could do with a bit of luck right now. | 0:44:23 | 0:44:25 | |
There you go. | 0:44:25 | 0:44:26 | |
-Having the master watch you. -I know! -Intimidating. | 0:44:30 | 0:44:34 | |
Let's do it again. | 0:44:35 | 0:44:36 | |
BLEEP. | 0:44:38 | 0:44:40 | |
-Tim, we will be casting another woman. -Yeah. | 0:44:43 | 0:44:45 | |
-Maxime, the polish is just taking a long time. -I know. | 0:44:47 | 0:44:50 | |
-Oh, -BLEEP. -I broke it. -I will do it, I will do it. | 0:44:50 | 0:44:52 | |
Be focused, be focused. Don't worry. | 0:44:52 | 0:44:54 | |
-Hi, Stefan. Any issues at all? -I have a few issues. | 0:44:54 | 0:44:58 | |
-Right. Is this one of them? -That is one of those. -Right, OK. | 0:44:58 | 0:45:01 | |
We have a broken wing. | 0:45:01 | 0:45:02 | |
We've got to polish it, like this, with our hands, | 0:45:02 | 0:45:04 | |
just to rub the cocoa butter in. | 0:45:04 | 0:45:05 | |
-Just over polished? -Just too firm. -Over polished. | 0:45:05 | 0:45:07 | |
-And how are you going to mend that? -I ain't. Maxime's the boy for that. | 0:45:07 | 0:45:10 | |
I will repair it. No worries. | 0:45:10 | 0:45:12 | |
-Eh? -Ain't going to set. | 0:45:14 | 0:45:16 | |
We're waiting for the bavarois to set. | 0:45:18 | 0:45:20 | |
I think it's causing a few problems at the moment. | 0:45:20 | 0:45:23 | |
How much time have we got left? | 0:45:25 | 0:45:27 | |
-I'd say we've got 30 minutes. -We should start assembling now. | 0:45:27 | 0:45:31 | |
Chefs, you have half an hour left. | 0:45:31 | 0:45:34 | |
There's a lot of fixing today. | 0:45:40 | 0:45:41 | |
I think when we build it, we will put something here, like this. | 0:45:41 | 0:45:44 | |
Nobody can see it was broken. | 0:45:44 | 0:45:46 | |
Macarons are perfect. | 0:45:48 | 0:45:49 | |
Maybe five minutes behind or so, but, hopefully, we should be OK. | 0:45:49 | 0:45:52 | |
OK. Yes, I'm level here. | 0:45:52 | 0:45:54 | |
It needs to go back. At the top. | 0:45:54 | 0:45:56 | |
-When you say back - right, front? -Yeah, yeah. That way. -Front? -There. | 0:45:56 | 0:46:01 | |
Seriously, I've got sweat running out of my gloves. | 0:46:01 | 0:46:04 | |
I know. Done. | 0:46:09 | 0:46:10 | |
Soon as this is on, we can start going on there. | 0:46:11 | 0:46:14 | |
Don't move. Don't move. Don't move. | 0:46:14 | 0:46:16 | |
It's not hard to do. It's just scary. | 0:46:16 | 0:46:18 | |
I'm just going to move it into the middle of the table | 0:46:18 | 0:46:21 | |
cos it's just rocking. | 0:46:21 | 0:46:22 | |
Oh, my God! | 0:46:22 | 0:46:24 | |
Just relax. You're all right. | 0:46:24 | 0:46:26 | |
Thibault is a little bit stressed. | 0:46:32 | 0:46:34 | |
I think he's just worried it's not going to be sticking | 0:46:34 | 0:46:36 | |
and it's going to be breaking. | 0:46:36 | 0:46:38 | |
He'll be better when it's finished. I'll give him a cuddle. | 0:46:38 | 0:46:41 | |
Ten minutes left now. | 0:46:42 | 0:46:44 | |
I can't deal with this. | 0:46:45 | 0:46:46 | |
OK. Don't go over the top. OK? | 0:46:47 | 0:46:49 | |
Guys, they're setting. They're setting. | 0:46:50 | 0:46:52 | |
These are the discs that are going to go on the top of the pavlova. | 0:46:52 | 0:46:55 | |
And this is going to be the base to sit it on. | 0:46:55 | 0:46:57 | |
Nearly there. | 0:46:57 | 0:46:59 | |
-Get that glaze in two layers, OK? -Why, is it too thin? | 0:46:59 | 0:47:02 | |
We need to get it colder. | 0:47:02 | 0:47:04 | |
-Don't move too much, Stefan. -Oui! | 0:47:04 | 0:47:06 | |
Come on! | 0:47:08 | 0:47:09 | |
BUZZING | 0:47:12 | 0:47:14 | |
So, if you do the first tray | 0:47:14 | 0:47:16 | |
and then I'll take it onto the presentation thing. OK? | 0:47:16 | 0:47:18 | |
Tim, are you going to lift it over with me? | 0:47:19 | 0:47:21 | |
-We're going that way, aren't we? -No. You've got to turn. You turn. | 0:47:30 | 0:47:34 | |
OK. | 0:47:38 | 0:47:39 | |
CLUNKING | 0:47:40 | 0:47:42 | |
-Oh! -Something's happened there. | 0:47:42 | 0:47:44 | |
Oh, my heart. I can't deal with this. | 0:47:48 | 0:47:50 | |
-Where's it going? At the back? -It's going in the corner. | 0:47:52 | 0:47:55 | |
-That's it. -That's better. -Yeah, yeah, yeah. | 0:47:59 | 0:48:01 | |
That's all right. | 0:48:03 | 0:48:04 | |
TIMER BEEPS | 0:48:14 | 0:48:15 | |
OK. I'm on my last one. | 0:48:17 | 0:48:19 | |
Nearly there. Just got to really push, push, push. OK? | 0:48:19 | 0:48:21 | |
You have five minutes left. | 0:48:21 | 0:48:23 | |
OK. Maxime, do you want to start putting these on the showpiece, OK? | 0:48:23 | 0:48:26 | |
Take the tray. | 0:48:26 | 0:48:27 | |
-Do you want, like, mango, kiwi, mango, kiwi? -Yeah. | 0:48:27 | 0:48:29 | |
-We need to get those on ASAP. Yeah? -Yeah. | 0:48:29 | 0:48:31 | |
She straight, or not? Yeah, yeah. Nobody touch the table, yeah? | 0:48:36 | 0:48:40 | |
Watch the meringue. It's just... | 0:48:42 | 0:48:44 | |
All the middle's come out. | 0:48:45 | 0:48:46 | |
-Oh, my God, guys. It's wobbling so much. -Were going to stop. | 0:48:48 | 0:48:51 | |
-Go and get another tray, Tim. -Yeah. Yeah. | 0:48:54 | 0:48:56 | |
1½ minutes left. | 0:48:56 | 0:48:59 | |
-One more? -That's it. It'll collapse. I don't want to touch it any more. | 0:49:00 | 0:49:03 | |
Sprint. | 0:49:09 | 0:49:10 | |
OK. That's it. Time is up, I'm afraid. | 0:49:17 | 0:49:19 | |
Wah! | 0:49:21 | 0:49:22 | |
Please step away from your showpieces. Well done, everyone. | 0:49:22 | 0:49:26 | |
-Right, guys. -Big effort, eh? -Oh, my God! -I know. | 0:49:26 | 0:49:30 | |
-They haven't finished, have they? -Far from it. | 0:49:35 | 0:49:39 | |
BIRDSONG | 0:49:39 | 0:49:40 | |
Five stunning pavlova showpieces made in just four hours. | 0:49:42 | 0:49:47 | |
So elegant, eh? | 0:49:48 | 0:49:50 | |
-It's very nice. -Really nice. All of them. -Very nice. | 0:49:50 | 0:49:53 | |
We're going to begin with Stefan's team. | 0:49:53 | 0:49:55 | |
The impression from a distance is you can see the swan - it worked. | 0:50:00 | 0:50:05 | |
I'm not quite sure about why the flower is actually stuck | 0:50:05 | 0:50:09 | |
at the back of the head. | 0:50:09 | 0:50:10 | |
I really like, though, the colourful pavlova. | 0:50:10 | 0:50:13 | |
I was a bit disappointed with the finishing touch. | 0:50:13 | 0:50:18 | |
Because the chocolate is too thin, it breaks. | 0:50:18 | 0:50:21 | |
However, really like the pavlova. | 0:50:21 | 0:50:24 | |
I think it's very colourful. | 0:50:24 | 0:50:27 | |
It's very attractive. | 0:50:27 | 0:50:28 | |
I love the exotic fruit aspect of it - I think it's refreshing - | 0:50:35 | 0:50:39 | |
but the meringue is not cooked. | 0:50:39 | 0:50:41 | |
To me, that meringue is dry but not actually baked. | 0:50:42 | 0:50:46 | |
Really like the passion and the mango but, saying that, | 0:50:46 | 0:50:50 | |
it has to be marshmallow-y, glue-y, for a pavlova. | 0:50:50 | 0:50:55 | |
Thank you. | 0:50:55 | 0:50:56 | |
It's going to be very, very tight. | 0:50:59 | 0:51:02 | |
-Not too bad. -Not too bad. | 0:51:02 | 0:51:04 | |
It does look very tantalising and scrumptious. | 0:51:10 | 0:51:13 | |
Really, really, really enjoyed the movement of your ballerina. | 0:51:14 | 0:51:18 | |
Because I get the picture. | 0:51:18 | 0:51:20 | |
What you are lacking, though, is a little bit more elements. | 0:51:20 | 0:51:24 | |
The little flower, Lauren, well done. Nicely pulled. | 0:51:24 | 0:51:27 | |
I appreciate, really, trying to impress us. | 0:51:27 | 0:51:30 | |
-I guess we go right down the middle. -Go down the middle. | 0:51:30 | 0:51:33 | |
I really like it. | 0:51:40 | 0:51:42 | |
Well done. | 0:51:42 | 0:51:43 | |
Boom! That's one out of the way. | 0:51:43 | 0:51:46 | |
When I tuck in, into the raspberry, it's really tasty. | 0:51:46 | 0:51:50 | |
-I doubted the fact that you needed to bring two acids together. -Yeah. | 0:51:50 | 0:51:54 | |
But, in fact, it worked. | 0:51:54 | 0:51:55 | |
I really get to enjoy both the passion fruit and the raspberry, | 0:51:55 | 0:51:59 | |
-for different reasons. -OK. -The pav doesn't work, for me. | 0:51:59 | 0:52:02 | |
The meringue is not baked. | 0:52:02 | 0:52:05 | |
I really enjoyed eating your meringue | 0:52:05 | 0:52:08 | |
and I disagree with my colleague over here. | 0:52:08 | 0:52:10 | |
And that's rare. In itself, that's rare. | 0:52:10 | 0:52:13 | |
That's always a good thing. | 0:52:13 | 0:52:15 | |
High five from Cherish and you got a compliment from Benoit. | 0:52:18 | 0:52:22 | |
Should be proud. | 0:52:22 | 0:52:24 | |
From a distance, I have to say, it looks quite striking. | 0:52:31 | 0:52:35 | |
-It does serve 36? -Yes. -I really like it. It's very serene to the eyes. | 0:52:35 | 0:52:41 | |
It's very posh, it's very elegant. | 0:52:41 | 0:52:43 | |
I get blackcurrant a little bit more than the rest | 0:52:51 | 0:52:54 | |
but it's actually quite pleasant. | 0:52:54 | 0:52:55 | |
Overall, a pretty safe, pleasant dessert. | 0:52:55 | 0:52:58 | |
I would like a bit more mousse in between. | 0:52:58 | 0:53:00 | |
I can taste the berry but I would like a little bit more. | 0:53:00 | 0:53:03 | |
We have actually helped ourselves with your compote. | 0:53:03 | 0:53:06 | |
It is so beautiful. Inject it into your cake, | 0:53:06 | 0:53:08 | |
then I will be in cloud nine. | 0:53:08 | 0:53:10 | |
-Overall, well done. -Thank you. | 0:53:10 | 0:53:13 | |
Very good. | 0:53:13 | 0:53:14 | |
Jenny, you did not meet the brief. We asked for 36 pieces of Pavlova. | 0:53:29 | 0:53:33 | |
-36, yeah. -There's only 24. -Time management. | 0:53:33 | 0:53:36 | |
We've got the lovely effort with the airbrush but it's fairly basic. | 0:53:36 | 0:53:39 | |
After that, you've basically bought some moulds, | 0:53:39 | 0:53:42 | |
casted some chocolate and brushed a little bit of bronze over it. | 0:53:42 | 0:53:46 | |
What other skills can you bring to the table? OK. Let's give it a try. | 0:53:46 | 0:53:49 | |
Funnily enough, I wasn't sure about the macaron but, in this case, | 0:54:01 | 0:54:05 | |
-the macaron actually work. -The mousse is nice. | 0:54:05 | 0:54:08 | |
The compote, the raspberry, acidic and then the macaron. It's edible. | 0:54:08 | 0:54:13 | |
At least the macaron is baked. | 0:54:13 | 0:54:15 | |
But, I think they are totally different things, | 0:54:15 | 0:54:18 | |
pavlova and macaron. | 0:54:18 | 0:54:20 | |
So does it link with what the brief asked you to do? | 0:54:20 | 0:54:24 | |
I don't think so. | 0:54:24 | 0:54:25 | |
It's good to get feedback. | 0:54:29 | 0:54:31 | |
I do not know where to start. | 0:54:43 | 0:54:44 | |
All right. The first look of your dessert, it is very untidily done. | 0:54:46 | 0:54:49 | |
There is no defining line. | 0:54:49 | 0:54:51 | |
Technically, you may need a little more development. | 0:54:51 | 0:54:55 | |
The meringue is crispy in the top part. | 0:54:55 | 0:54:58 | |
It's slightly chewy, like you would expect a pavlova to be. | 0:55:04 | 0:55:08 | |
Meringue itself is OK, but I dislike gelatine. | 0:55:08 | 0:55:13 | |
And when I touch the mousse, like that, it should not bounce. | 0:55:13 | 0:55:16 | |
Your mousse is bouncing for me. I'm sorry. I didn't like it. | 0:55:16 | 0:55:20 | |
-OK. We did get 36. -Well done. -You did! -Well done! -36! | 0:55:20 | 0:55:25 | |
-But it's the old bouncy mousse problem. -Well done for the effort. | 0:55:25 | 0:55:30 | |
Cheers. | 0:55:30 | 0:55:32 | |
BLEEP. | 0:55:32 | 0:55:33 | |
If you're going out, which we obviously probably are, | 0:55:36 | 0:55:39 | |
you could have said something a bit nicer, couldn't you? | 0:55:39 | 0:55:42 | |
For the showpiece, 60 points are available. | 0:55:42 | 0:55:45 | |
Once added to yesterday's points, the team with the lowest | 0:55:45 | 0:55:48 | |
overall score will have to bid farewell to the competition. | 0:55:48 | 0:55:52 | |
-Good luck, guys. -Good luck. -Thank you for having me on your team. | 0:55:53 | 0:55:57 | |
But who is guaranteed their place in the next round? | 0:55:57 | 0:56:00 | |
The team in first place, for your showpiece, the judges | 0:56:02 | 0:56:08 | |
awarded you 37 points out of 60, | 0:56:08 | 0:56:10 | |
giving your combined total of 63. | 0:56:10 | 0:56:13 | |
Congratulations, you're through to the next round, Stefan's team. | 0:56:13 | 0:56:17 | |
APPLAUSE | 0:56:17 | 0:56:19 | |
In second place, with an overall score of 60, is Reece's team. | 0:56:22 | 0:56:27 | |
And joining them in the next round with 58½ points is Laurian's team. | 0:56:27 | 0:56:32 | |
There is only one place left so, in no particular order, | 0:56:36 | 0:56:40 | |
Jenny's team, the judges gave your showpiece 16½ points out of 60, | 0:56:40 | 0:56:46 | |
giving you a combined total of 30½ out of 100. | 0:56:46 | 0:56:50 | |
And Mark's team, | 0:56:51 | 0:56:53 | |
the judges gave your showpiece... | 0:56:53 | 0:56:55 | |
..23 points out of 60, giving you a combined total of 33. | 0:56:57 | 0:57:01 | |
So that means that it's Jenny's team that, sadly, | 0:57:01 | 0:57:04 | |
goes out of the competition today. | 0:57:04 | 0:57:06 | |
Come here, girls. You've done well. You've done yourself proud. | 0:57:12 | 0:57:15 | |
-You've done well. Jenny, you've been a good team captain. -Thank you. | 0:57:15 | 0:57:19 | |
But there is more to learn. There is more to learn. | 0:57:19 | 0:57:21 | |
Yeah, we are sad, of course. | 0:57:24 | 0:57:25 | |
Well done for getting through. | 0:57:25 | 0:57:27 | |
Just got to take the positives from it and learn from it and, | 0:57:27 | 0:57:30 | |
yeah, maybe we'll return next year, you never know. | 0:57:30 | 0:57:33 | |
-You escaped that one. -Yeah, just. | 0:57:33 | 0:57:34 | |
'I can't believe the result. I thought we were on our way home.' | 0:57:34 | 0:57:37 | |
I got that wrong. But I think we got through by the skin of our teeth. | 0:57:37 | 0:57:40 | |
So, we're delighted. | 0:57:40 | 0:57:42 | |
Buzzing. Absolutely buzzing. | 0:57:42 | 0:57:43 | |
It's a great feeling getting good scores from, you know, | 0:57:43 | 0:57:46 | |
some amazing pastry chefs, but there's some talented teams. | 0:57:46 | 0:57:49 | |
We've got to really up our game | 0:57:49 | 0:57:50 | |
if we want to stay ahead of everyone else. | 0:57:50 | 0:57:52 | |
It feels great. We're through, yeah. It's good. We're really happy. | 0:57:52 | 0:57:55 | |
Definitely for tonight there's going to be a good celebratory drink. | 0:57:55 | 0:57:59 | |
Well, it's a dog-eat-dog world in patisserie competitions - | 0:57:59 | 0:58:02 | |
if that's not a slightly strange mixture of metaphors. | 0:58:02 | 0:58:05 | |
So, it's Jenny's team that have lost their place in the competition | 0:58:05 | 0:58:08 | |
but join us next week when the remaining four become three. | 0:58:08 | 0:58:12 | |
Bye for now. | 0:58:12 | 0:58:14 | |
Next time, on Creme De La Creme... | 0:58:15 | 0:58:18 | |
-Droit, droit, droit! -..the heats...hot up. | 0:58:18 | 0:58:21 | |
-I will judge them on how fun is the macaron. -Stefan, it break, huh? | 0:58:21 | 0:58:25 | |
-Are they usable? -I don't think it'll get past the judges. | 0:58:25 | 0:58:29 | |
There are many aspects of the croquembouche who can go wrong. | 0:58:29 | 0:58:33 | |
-This is so light! -That's because it's empty. -Nothing wrong... | 0:58:33 | 0:58:36 | |
-Ah! -You all right? -No. | 0:58:38 | 0:58:40 |