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Over the years on Bargain Hunt, | 0:00:05 | 0:00:06 | |
we've seen many a loving couple's relationship challenged | 0:00:06 | 0:00:11 | |
by the rigours of finding bargains. | 0:00:11 | 0:00:15 | |
So, we're not going to muck about with a tried and tested formula. | 0:00:15 | 0:00:19 | |
Today, in Cheshire, we're going to give you the Full Monty - | 0:00:19 | 0:00:23 | |
a 60-minute programme, so there! | 0:00:23 | 0:00:26 | |
So, my lovelies, let's go bargain hunting! Yeah! | 0:00:26 | 0:00:30 | |
We're scouring the antique shops in Congleton today | 0:00:52 | 0:00:54 | |
and the teams have £300 to buy three items in 60 minutes. | 0:00:54 | 0:00:59 | |
But, today, we've changed the rules a tad, | 0:01:00 | 0:01:02 | |
and I'll be asking our experts to find, not one, | 0:01:02 | 0:01:05 | |
but two bonus buys and, then, I'll tell them which one | 0:01:05 | 0:01:09 | |
I think is going to bring the biggest profit... | 0:01:09 | 0:01:13 | |
or loss. And will the teams decide to take them? | 0:01:13 | 0:01:16 | |
And who will be right and who will be wrong? | 0:01:16 | 0:01:18 | |
But let's have a quick squint first at what's coming up. | 0:01:18 | 0:01:21 | |
The Reds get all sentimental... | 0:01:24 | 0:01:26 | |
I love it, because I originate from that area | 0:01:26 | 0:01:29 | |
and I remember these things. I'm that old! | 0:01:29 | 0:01:32 | |
-My father worked for this brewery all his life. -Wow. | 0:01:32 | 0:01:36 | |
..while the Blues just have a good time. | 0:01:36 | 0:01:40 | |
-Hold that to your face. Look at that! -I love it. | 0:01:40 | 0:01:45 | |
I know what's going to happen. | 0:01:45 | 0:01:46 | |
SHE PARPS HORN Oh, God! | 0:01:46 | 0:01:48 | |
But before I give too much away, let's meet the teams. | 0:01:48 | 0:01:52 | |
Well, on today's programme, we've got two teams of loving couples! | 0:01:54 | 0:02:00 | |
For the Reds, we've got Roy and Gail and, for the Blues, | 0:02:00 | 0:02:04 | |
-we've got Andy and Ginny. Hello, everyone. -Hiya. -Hello. | 0:02:04 | 0:02:08 | |
Now, Roy, it really was love at first sight for you, wasn't it? | 0:02:08 | 0:02:12 | |
-Yes, it was, yes, indeed. -Tell us the story. | 0:02:12 | 0:02:15 | |
Well, I was working in the United States and needing a car, | 0:02:15 | 0:02:19 | |
so I went shopping for a motor vehicle. | 0:02:19 | 0:02:21 | |
So I went into the dealership late on a Saturday and, suddenly, | 0:02:21 | 0:02:24 | |
out of the showroom, came this stunning redhead. | 0:02:24 | 0:02:28 | |
So, what's the chat-up technique? | 0:02:28 | 0:02:30 | |
"I'll buy this car if you go out with me?" | 0:02:30 | 0:02:32 | |
-That's very near to it! -Really?! -Well, not quite. No, not quite. | 0:02:32 | 0:02:36 | |
Is this a common or garden thing in America, | 0:02:36 | 0:02:39 | |
when single British men go shopping for cars? | 0:02:39 | 0:02:42 | |
No, I was standing in the showroom and my boss came up and she said, | 0:02:42 | 0:02:44 | |
"There's a customer out there, go help him." I said, "I can't. | 0:02:44 | 0:02:47 | |
-"There's just something about him." -Really? | 0:02:47 | 0:02:49 | |
As soon as I went out there and he opened his mouth and said, | 0:02:49 | 0:02:52 | |
-"Hello," it was just like...! -Really? | 0:02:52 | 0:02:54 | |
Was it the voice that did it first? No, cos you'd seen him first. | 0:02:54 | 0:02:57 | |
It was the voice and the little smile. | 0:02:57 | 0:03:00 | |
Yeah, that little naughty English smile! Good. | 0:03:00 | 0:03:03 | |
And how are you finding life in the UK, Gail? | 0:03:03 | 0:03:05 | |
This is going to sound stupid, but I love it. I love the rain, | 0:03:05 | 0:03:09 | |
I love the temperature, cos where I'm from... | 0:03:09 | 0:03:11 | |
-Are you all right?! -..it's 108 degrees and you can't even breathe. | 0:03:11 | 0:03:15 | |
-So, nice to see a bit of soft English rain. -Yeah. | 0:03:15 | 0:03:18 | |
I'm going to give you £300 in a minute. Are you spending the lot? | 0:03:18 | 0:03:21 | |
-Yes, every dime. -Every dime! Gosh, do I love this woman. | 0:03:21 | 0:03:25 | |
I see exactly what you're on upon here, Roy, I really do! | 0:03:25 | 0:03:28 | |
OK, fine, and good luck. | 0:03:28 | 0:03:31 | |
-Now, Ginny, Andy came to your rescue and swept you away. -He did. | 0:03:31 | 0:03:36 | |
-Is that right? -Yes. -I'm already feeling mushy. | 0:03:36 | 0:03:40 | |
Tell us about it. | 0:03:40 | 0:03:42 | |
Well, we met in the not-romantic setting of a pub and, then, | 0:03:42 | 0:03:45 | |
like, a few days later, I fell off my bike and Andy came and rescued me. | 0:03:45 | 0:03:48 | |
-On your push-bike? -Yes. | 0:03:48 | 0:03:50 | |
Were you seriously smashed up when you hit the deck? | 0:03:50 | 0:03:52 | |
-No. -She was just playing on it. -Oh, was she? -Yeah. | 0:03:52 | 0:03:56 | |
-You secretly wanted to make that call, didn't you? -Yes, there you go. | 0:03:56 | 0:03:59 | |
-Now, Ginny, you're very creative in your spare time. -I am, yes. | 0:03:59 | 0:04:02 | |
So, tell us about that. | 0:04:02 | 0:04:03 | |
I've got a studio in Liverpool city centre, | 0:04:03 | 0:04:05 | |
which I share with some artists. I just love painting, | 0:04:05 | 0:04:08 | |
so I paint on big canvases, like, big abstract pictures. | 0:04:08 | 0:04:11 | |
-And do you ever sell them? -I do, yeah, every so often, | 0:04:11 | 0:04:13 | |
I do to private collectors, yeah. | 0:04:13 | 0:04:15 | |
Andy, you have a lot to do with good causes, don't you? | 0:04:15 | 0:04:17 | |
Well, me and Ginny both do, yeah, through our work. | 0:04:17 | 0:04:20 | |
We work for a company called Incredible Fundraising, | 0:04:20 | 0:04:24 | |
which we started not so long ago. Ginny's done really well. | 0:04:24 | 0:04:26 | |
She's found herself in a position where she's fundraising manager | 0:04:26 | 0:04:29 | |
and also recruitments manager for the company, and I've | 0:04:29 | 0:04:32 | |
recently just became the training manager for the company, nationally. | 0:04:32 | 0:04:35 | |
-But we, you know, love a challenge. -You love a challenge. | 0:04:35 | 0:04:38 | |
Well, you know you're going to have your challenge today, don't you? | 0:04:38 | 0:04:41 | |
You're going to get your £300. This is the money moment - £300. | 0:04:41 | 0:04:44 | |
There you go, Gail, £300. That's a lot of bucks. | 0:04:44 | 0:04:47 | |
You know the rules, your experts await, off you go | 0:04:47 | 0:04:50 | |
and very, very, very good luck. | 0:04:50 | 0:04:52 | |
What fab teams we've got today. | 0:04:52 | 0:04:55 | |
And fab experts... | 0:04:55 | 0:04:58 | |
because, today for the Reds, | 0:04:58 | 0:04:59 | |
and trying to not scare away the dealers, is... | 0:04:59 | 0:05:03 | |
..and hoping to hit the bull's-eye for the Blues, we have... | 0:05:04 | 0:05:07 | |
Come on, Roy and Gail! What are you doing? | 0:05:13 | 0:05:15 | |
Hi, Jonathan! Jonathan, we got carried away! | 0:05:15 | 0:05:17 | |
What do you think you want to buy today? | 0:05:17 | 0:05:19 | |
What sort of things are you after? | 0:05:19 | 0:05:21 | |
Oh, a lovely piece of silver with probably a Chester hallmark. | 0:05:21 | 0:05:24 | |
OK, yeah, local. | 0:05:24 | 0:05:25 | |
-Maybe something maritime-y. -Oh! Maritime-y! Good thinking. | 0:05:25 | 0:05:29 | |
-Because of...? -Because of my background in sailing and | 0:05:29 | 0:05:31 | |
because we're from Liverpool. Well, I'm from Liverpool, anyway. | 0:05:31 | 0:05:34 | |
-What about you? -A diamond-encrusted brooch. -I don't know | 0:05:34 | 0:05:37 | |
if our budget will stretch that far, | 0:05:37 | 0:05:38 | |
-but I'll try! Diamante! -Yes! -Let's go looking for that, then! | 0:05:38 | 0:05:41 | |
-DAVID: -'Ginny, what about you?' -Sparkly, glittery things. | 0:05:41 | 0:05:44 | |
-Something that's nice. -Oh, you look sparkly and glittery and nice, | 0:05:44 | 0:05:47 | |
-so we're practically there. OK, are we ready? -Yep. -Yep. -60 minutes. | 0:05:47 | 0:05:50 | |
Andy, you lead the way, that way. Ginny, follow him. | 0:05:50 | 0:05:54 | |
Ships ahoy, then, teams. The clock has started. | 0:05:54 | 0:05:57 | |
Gents watches are, generally speaking, | 0:05:57 | 0:05:59 | |
the watches that sell best. | 0:05:59 | 0:06:01 | |
Remember, we're going to Liverpool and Liverpool's a maritime city | 0:06:01 | 0:06:04 | |
and watches were, obviously, used as navigational tools. | 0:06:04 | 0:06:06 | |
-Just to give you an idea of what the market's quite good for. -Yes. | 0:06:06 | 0:06:09 | |
That's just what the Blues are thinking, JP, | 0:06:09 | 0:06:12 | |
and they seem to be making an early mark on proceedings. | 0:06:12 | 0:06:15 | |
-These places are snug. Shall we call them snug? -Yes. | 0:06:16 | 0:06:20 | |
In other words, you're going to fall over stuff. | 0:06:20 | 0:06:22 | |
All that's sectioned off. Do you know why? | 0:06:22 | 0:06:24 | |
-No, I don't know why. -Well, because each unit is owned by an individual. | 0:06:24 | 0:06:27 | |
Oh, right, so they rent the space. | 0:06:27 | 0:06:29 | |
Exactly, they rent the space and they put the stuff in. | 0:06:29 | 0:06:31 | |
And, I've got to tell you, here, I'm among stuff that I generally like. | 0:06:31 | 0:06:35 | |
-Yeah. -I don't know about you. Is there anything shouting out at you? | 0:06:35 | 0:06:39 | |
-Maybe the Etch A Sketch! -THEY LAUGH | 0:06:39 | 0:06:41 | |
I know it's not maritime, but... | 0:06:41 | 0:06:43 | |
Etch A Sketch?! Oh, my goodness me! | 0:06:43 | 0:06:45 | |
The only thing I've noticed is it's missing a knob. | 0:06:45 | 0:06:47 | |
-Yeah, it is, but I'll tell you what it does have. -OK. | 0:06:47 | 0:06:50 | |
Well, you can tell me, Ginny, what it does have, | 0:06:50 | 0:06:52 | |
that is quite exciting in the toy world. | 0:06:52 | 0:06:55 | |
-The packaging. -Yes, yes, | 0:06:55 | 0:06:57 | |
which is much rarer than any missing knob. | 0:06:57 | 0:07:00 | |
I think it's pretty uber-cool. | 0:07:00 | 0:07:02 | |
I mean, date-wise, what are you thinking? | 0:07:02 | 0:07:04 | |
-I would be thinking maybe...'70s? Ginny? -What do you think? | 0:07:04 | 0:07:07 | |
-Similar, maybe -'60s. OK, I'm going to say -'60s. Yeah? -Maybe even '50s. | 0:07:07 | 0:07:11 | |
-Really? That old? -Yeah. | 0:07:11 | 0:07:13 | |
But I'll tell you what's really interesting about this is the back. | 0:07:13 | 0:07:16 | |
Here we have the instructions in English and then, look at this... | 0:07:16 | 0:07:20 | |
-"Made in Canada, under license..." -French-Canadian. -French-Canadian. | 0:07:20 | 0:07:23 | |
-OK, that's quite special. -Yes, I think it is. | 0:07:23 | 0:07:26 | |
The fact that's a Canadian version for the French-Canadian speakers, | 0:07:26 | 0:07:30 | |
as well as the English speakers, I think makes it a bit rarer. | 0:07:30 | 0:07:33 | |
It could make you 20 or 30 quid just for the box. | 0:07:33 | 0:07:36 | |
Yeah, I think we should go for it, definitely, a nice early one. | 0:07:36 | 0:07:38 | |
-Do you fancy it? -Yeah, I do. | 0:07:38 | 0:07:40 | |
I think we should try and get a bit of discount, shouldn't we? | 0:07:40 | 0:07:42 | |
-Yeah. -Definitely. -And I spot a lady over there | 0:07:42 | 0:07:44 | |
and I would say that she's an antiques dealer. | 0:07:44 | 0:07:46 | |
-Hello. -Hello. -Can you help with a little bit of discount here? | 0:07:46 | 0:07:49 | |
-I will try my very best. -Priced up at an astonishing £5... | 0:07:49 | 0:07:52 | |
SHE GASPS (£5!) | 0:07:52 | 0:07:54 | |
-And you want discount? -Yes, please. What could we do? | 0:07:54 | 0:07:57 | |
The very best would be £3. | 0:07:57 | 0:08:00 | |
-Fantastic. Thank you very much. -Thank you. -A pleasure. | 0:08:00 | 0:08:03 | |
-First purchase. Well done. -Yay! | 0:08:03 | 0:08:05 | |
High-five. Well done, you. | 0:08:05 | 0:08:07 | |
Hey! You've drawn a line under that one, Blues. Well done. | 0:08:07 | 0:08:10 | |
Meanwhile, the Reds seem to be looking for a cuppa already. | 0:08:10 | 0:08:14 | |
Can you imagine having one of these in your kitchen? | 0:08:15 | 0:08:17 | |
Quite! | 0:08:17 | 0:08:19 | |
The fashion at the moment, to have one of these big kitchens | 0:08:19 | 0:08:21 | |
with breakfast room, with sofas, | 0:08:21 | 0:08:23 | |
you could have it pointing to the cooker almost from the other side | 0:08:23 | 0:08:26 | |
of the room, and this, presumably, is from a station, I'd guess. | 0:08:26 | 0:08:29 | |
Yes, definitely. Definitely. | 0:08:29 | 0:08:31 | |
This enamel on it...the livery maybe pushes towards a certain region, | 0:08:31 | 0:08:34 | |
-do you think? -Midlands. -The Midlands Railway, is it? | 0:08:34 | 0:08:37 | |
It's not in the best condition, is it? Cos round this side, you've got | 0:08:37 | 0:08:40 | |
a couple of little...almost like someone's had a shot at it | 0:08:40 | 0:08:43 | |
with a pellet gun. | 0:08:43 | 0:08:45 | |
-Is it the same that way, too? -Yeah. -It's rather pricey. | 0:08:45 | 0:08:48 | |
It is, but they are sought-after, any of the original enamel signs. | 0:08:48 | 0:08:51 | |
I have to say, you know, I've got a smile on my face here, | 0:08:51 | 0:08:54 | |
I have to say, these things are such features, and you can sell features. | 0:08:54 | 0:08:57 | |
Do you think we could get that for more like the 80 than the 180? | 0:08:57 | 0:09:00 | |
Madder things have happened! You can try! | 0:09:00 | 0:09:03 | |
-With these things, it's all about what they've paid for them. -Yes. | 0:09:03 | 0:09:06 | |
If they think it's been hanging there a long time, you know, | 0:09:06 | 0:09:09 | |
and it didn't cost them much...then they know that, maybe, | 0:09:09 | 0:09:11 | |
it's too much money. But, it might have just hung up there. | 0:09:11 | 0:09:14 | |
I love it, of course. | 0:09:14 | 0:09:15 | |
I originate from that area and I remember these thing. | 0:09:15 | 0:09:18 | |
-I'm that old! -I think that if you don't buy it now, | 0:09:18 | 0:09:23 | |
I'm going to buy it for myself at home. | 0:09:23 | 0:09:26 | |
I feel the same way! | 0:09:27 | 0:09:29 | |
-No, I really like it, I really like it. -It'd take up my whole kitchen. | 0:09:29 | 0:09:32 | |
I'd like to think that somewhere around £100 would be great. | 0:09:32 | 0:09:35 | |
-I'd like to try for it. -Go for it. I'm going to step away. | 0:09:35 | 0:09:38 | |
-TRADER: -Hello. -Hello. | 0:09:39 | 0:09:40 | |
We're interested in this sign. | 0:09:40 | 0:09:42 | |
The condition is a little bit scratched, | 0:09:42 | 0:09:43 | |
but where do you think we could be with this? | 0:09:43 | 0:09:45 | |
It's showing us 180, which is a little bit steep. | 0:09:45 | 0:09:47 | |
Well, I think in the right sale, it would make a lot more than that. | 0:09:47 | 0:09:51 | |
-Really? -Oh, yes. | 0:09:51 | 0:09:52 | |
And, yes, it has got a few condition issues, | 0:09:52 | 0:09:54 | |
but signs, in general, often do. 150? | 0:09:54 | 0:09:57 | |
I would have really liked to get below the 100, if possible, | 0:09:57 | 0:10:00 | |
-to give us a real chance. -Can't do that. We paid more than that for it. | 0:10:00 | 0:10:03 | |
18? | 0:10:03 | 0:10:04 | |
-118, 118 to give you a chance. -Good! Thank you, | 0:10:04 | 0:10:08 | |
thank you very much. | 0:10:08 | 0:10:09 | |
Thank you very much, indeed. I appreciate it. | 0:10:09 | 0:10:12 | |
Well, if you don't ask, you don't get, | 0:10:12 | 0:10:15 | |
and if anything points to a bargain, that does. | 0:10:15 | 0:10:18 | |
-Now, you mentioned maritime. -Yeah. -OK, I've just seen something... | 0:10:18 | 0:10:22 | |
Can you see it, Ginny? ..with a maritime feel to it. | 0:10:22 | 0:10:25 | |
-This thing here? -No. -No. | 0:10:25 | 0:10:26 | |
-Oh, yeah! -Ginny... -Sorry! -..let me give you a clue. -There's an anchor! | 0:10:26 | 0:10:30 | |
Look for the anchors! | 0:10:30 | 0:10:31 | |
Yeah. Shall we have a look at that? | 0:10:31 | 0:10:33 | |
-Yeah. -Ginny, what is that? | 0:10:33 | 0:10:36 | |
It looks like a sewing box! | 0:10:36 | 0:10:38 | |
It's a brand, a trademark, isn't it? | 0:10:39 | 0:10:42 | |
So, Clark & Co, the trademark anchor, | 0:10:42 | 0:10:45 | |
it's a Victorian mahogany box made in about 1880 | 0:10:45 | 0:10:50 | |
and it's the kind of thing | 0:10:50 | 0:10:52 | |
that would sit on a shop counter | 0:10:52 | 0:10:54 | |
and sell Anchor sewing cotton. | 0:10:54 | 0:10:57 | |
What do you think about the price of it? | 0:10:57 | 0:11:00 | |
Well, it's 225. It's a lot of money. Yeah, it is. | 0:11:00 | 0:11:03 | |
Although, we've only spent £3! So, you've got a bit of leeway! | 0:11:03 | 0:11:07 | |
Is he normally this tight? | 0:11:07 | 0:11:08 | |
I'll leave this one up to Ginny, I think, | 0:11:08 | 0:11:10 | |
because the influence was from myself last time. | 0:11:10 | 0:11:12 | |
-It's all right, though, but... -Oh! It's all right. That's not good. | 0:11:12 | 0:11:16 | |
We shouldn't go for it, if you're not 100%. | 0:11:16 | 0:11:18 | |
Not if it's all right, but it was interesting to look at. | 0:11:18 | 0:11:20 | |
Not to worry. | 0:11:20 | 0:11:22 | |
Never mind, David. Not so much a spanner, but an anchor in the works. | 0:11:22 | 0:11:27 | |
But what's JP going to say to those Reds? | 0:11:27 | 0:11:30 | |
So, what did you do? | 0:11:30 | 0:11:31 | |
-We bought it. -Oh, brilliant! | 0:11:31 | 0:11:33 | |
I was hiding round the corner. How much? | 0:11:33 | 0:11:36 | |
-118. -£118. | 0:11:36 | 0:11:37 | |
That's very good, yeah. OK, not silver, not jewellery, | 0:11:37 | 0:11:40 | |
but it's a great start. Come on. Let's keep going. | 0:11:40 | 0:11:42 | |
Great start, indeed, Reds. That's one happy camp. | 0:11:42 | 0:11:45 | |
Speaking of which... | 0:11:45 | 0:11:47 | |
Before we leave our little cell, where we've been very happy, | 0:11:47 | 0:11:50 | |
-haven't we...? -Yeah. -..for quite some time... | 0:11:50 | 0:11:52 | |
Anything else you want to look at? | 0:11:52 | 0:11:54 | |
-Something caught my eye over there. -OK. Come on, Ginny. -OK. | 0:11:54 | 0:11:58 | |
Oh, I say! OK, talk to us. You know what, Ginny? That is so you. | 0:11:58 | 0:12:03 | |
Look at that! Hold that to your face. | 0:12:03 | 0:12:05 | |
Look at that! | 0:12:05 | 0:12:07 | |
-I love it. -OK, tell us about it. What do you think it is? | 0:12:07 | 0:12:10 | |
Art Deco-y, Lalique-y? | 0:12:10 | 0:12:11 | |
I can't even tell if it's glass or plastic, to be honest, | 0:12:11 | 0:12:14 | |
but they're just hanging wall lights, aren't they? | 0:12:14 | 0:12:16 | |
And how many of them are there? | 0:12:16 | 0:12:18 | |
-Five. -Are they in good condition? | 0:12:18 | 0:12:20 | |
Eh, they look a bit...yeah. | 0:12:20 | 0:12:22 | |
So, how old are they, then, if they're Art Deco? | 0:12:22 | 0:12:25 | |
-It'd be like 1920s. -Do you like the look of those? | 0:12:25 | 0:12:27 | |
-Yeah, absolutely, yeah. -Can I handle it? -Mmm, of course. | 0:12:27 | 0:12:30 | |
-Are you a big Art Deco fan? -I am, yeah. | 0:12:30 | 0:12:32 | |
Ginny actually brought me into it when I first met her, kind of thing. | 0:12:32 | 0:12:35 | |
-Really? -Yeah. -So, the question is, are they period Art Deco? | 0:12:35 | 0:12:38 | |
-Well, the glass shade, to me, is. -How about the fitting inside? | 0:12:38 | 0:12:42 | |
Good question. I'm feeling it's all right. | 0:12:42 | 0:12:44 | |
-Ginny, can you pass me one more? -Yeah. | 0:12:44 | 0:12:47 | |
-There we go. -Do you want me to hold the other one? | 0:12:47 | 0:12:49 | |
Yeah, thank you. I mean, look at the style there, I mean, that is | 0:12:49 | 0:12:52 | |
-positively sci-fi, isn't it? Flash Gordon... -Absolutely. -Did you ever | 0:12:52 | 0:12:55 | |
-watch those black and white movies? -I did, yeah. -I did as a kid, yeah. | 0:12:55 | 0:12:58 | |
-I think they're absolutely drop-dead gorgeous. -Yeah, yeah. | 0:12:58 | 0:13:02 | |
-OK, Ginny, back to you. So, this is bling-y and it's shiny. -Lovely. | 0:13:02 | 0:13:07 | |
-Does it tick all your boxes? -It does, definitely. | 0:13:07 | 0:13:10 | |
What sort of house could you see them in? | 0:13:10 | 0:13:12 | |
Our caravan! | 0:13:12 | 0:13:13 | |
-Definitely! They're so amazing, aren't they? -OK, how much are they? | 0:13:14 | 0:13:18 | |
-It's got £125 for all five. -You know what? | 0:13:18 | 0:13:21 | |
I think they're an absolute bargain, I really do. | 0:13:21 | 0:13:24 | |
But we should try and get a little bit off. | 0:13:24 | 0:13:26 | |
We'll get a little bit off. Ginny, what are your thoughts on price? | 0:13:26 | 0:13:29 | |
If we get it for £100, that'd be great! | 0:13:29 | 0:13:32 | |
But I think these are amazing. I think they're a bargain as it is. | 0:13:32 | 0:13:35 | |
I think so, but we need to get a bit of a discount, | 0:13:35 | 0:13:37 | |
so we'll just ask over here. | 0:13:37 | 0:13:38 | |
Hi, any chance we could call the dealer? | 0:13:38 | 0:13:40 | |
Yeah, I'll give him a call and see what we can do. | 0:13:40 | 0:13:42 | |
Any idea what you want to pay for them? | 0:13:42 | 0:13:44 | |
-80 quid? -We'll see what we can do. I'll find out for you. | 0:13:44 | 0:13:46 | |
-OK. Well, I mean, 80 would be fantastic. -Yeah, it would. | 0:13:46 | 0:13:49 | |
-But we'll pay 100, we'll pay 110, won't we? -Yeah. | 0:13:49 | 0:13:53 | |
Ah, right, OK, here comes the news. | 0:13:53 | 0:13:55 | |
He said his best price would be £100. | 0:13:55 | 0:13:58 | |
-I can safely say that's a done deal, isn't it? -Yeah. | 0:13:58 | 0:14:00 | |
Would you mind calling him back, thanking him very much, indeed. | 0:14:00 | 0:14:03 | |
-Will do. -Really appreciate it, thank you. -Cheers. | 0:14:03 | 0:14:05 | |
-Ginny, you're a star. -Yeah. -Well done and well done you, as well. | 0:14:05 | 0:14:08 | |
-Yeah. -Two distinctly different purchases, but don't you think | 0:14:08 | 0:14:10 | |
we should get out of here and explore the big world? | 0:14:10 | 0:14:13 | |
Yeah! | 0:14:13 | 0:14:14 | |
I think you should, Blues. | 0:14:14 | 0:14:16 | |
The shops are your oyster, or, should I say, clam. | 0:14:16 | 0:14:19 | |
Good spot, Ginny. Now, has JP gone back to prehistoric times? | 0:14:19 | 0:14:24 | |
What is it? Dinosaur tweezers, I think! | 0:14:24 | 0:14:26 | |
But, look at that, all the wear to the end | 0:14:26 | 0:14:29 | |
and all this discolouration, this pattern here, you know it's old. | 0:14:29 | 0:14:32 | |
And the label says it's an old saddler's clamp. | 0:14:32 | 0:14:35 | |
Anyway, these are sort of the ideas | 0:14:35 | 0:14:37 | |
and I do have expert buys to buy, of course, as well. | 0:14:37 | 0:14:40 | |
The silence says it all, Jonathan. | 0:14:40 | 0:14:43 | |
-It's not so quiet on the Blue front, though. -This is interesting! | 0:14:43 | 0:14:46 | |
-I know what's going to happy. -We've got to do it. | 0:14:46 | 0:14:49 | |
-SHE PARPS HORN -Oh, God! | 0:14:49 | 0:14:50 | |
If you had to buy something in here, | 0:14:53 | 0:14:54 | |
what sort of things draw you? You know, interest you? | 0:14:54 | 0:14:57 | |
-That. -The dragonfly? -Yeah. | 0:14:57 | 0:14:59 | |
Well, I'm a bloke, so, I don't necessarily see it, | 0:14:59 | 0:15:03 | |
but if you like it, then others will, too, so maybe go for it? | 0:15:03 | 0:15:07 | |
-OK, onwards. -Onwards? | 0:15:07 | 0:15:09 | |
That's you told, JP! | 0:15:09 | 0:15:11 | |
Now, I just want to give you an example of how time flies | 0:15:14 | 0:15:17 | |
-on Bargain Hunt. -Yeah. -Do you know how much time you've got left now? | 0:15:17 | 0:15:20 | |
20 minutes? | 0:15:20 | 0:15:21 | |
No! 12 minutes. | 0:15:21 | 0:15:24 | |
-Oh-oh! -Oh-oh! -I know, yeah, yeah. | 0:15:24 | 0:15:27 | |
We need to stop gassing on about stuff, don't we? | 0:15:27 | 0:15:29 | |
And start really focusing it. | 0:15:29 | 0:15:31 | |
Spot on, Harper. Stop the gassing! | 0:15:31 | 0:15:33 | |
Those 12 minutes won't just hang about, you know. | 0:15:33 | 0:15:36 | |
Has JP found something of interest for Gail? | 0:15:36 | 0:15:39 | |
I only noticed these from a distance, | 0:15:39 | 0:15:40 | |
but the Chinese market's a funny thing. | 0:15:40 | 0:15:42 | |
At the moment, everyone thinks the Chinese market is porcelain, | 0:15:42 | 0:15:45 | |
but they also buy old things like amber and they buy things like | 0:15:45 | 0:15:48 | |
jade, and, again, you've got, up the top here, coral beads, as well. | 0:15:48 | 0:15:51 | |
-£25 it says. -I love that coral. -Yeah, isn't that pretty? | 0:15:51 | 0:15:54 | |
-Is it your colour? -Yeah, it's my colour. | 0:15:54 | 0:15:56 | |
I mean, it's probably stained coral. | 0:15:56 | 0:15:58 | |
It's a bit of a punt, You know, it's not going to make £200. | 0:15:58 | 0:16:00 | |
-It might make £30 or £40. -OK, let's go for this. -Shall we go for this? | 0:16:00 | 0:16:04 | |
OK, brilliant. OK, purchase number two on the way. | 0:16:04 | 0:16:07 | |
Do this belong to you? | 0:16:07 | 0:16:09 | |
If you could maybe talk us through what you might be able to do. | 0:16:09 | 0:16:14 | |
Let's see what we've got on those. | 0:16:14 | 0:16:15 | |
The best would be 20. | 0:16:15 | 0:16:17 | |
-I say £20 is sensible. -OK, all right, we'll take it. | 0:16:17 | 0:16:21 | |
Are you happy with that? | 0:16:21 | 0:16:22 | |
-OK, thank you very much. -Thank you very much. | 0:16:22 | 0:16:24 | |
So, all calm with the Reds. | 0:16:24 | 0:16:26 | |
Well done, Gail, that's your second item bought. | 0:16:26 | 0:16:28 | |
But it's not so calm in the Blue camp. | 0:16:28 | 0:16:30 | |
Are you feeling the pressure, Andy? | 0:16:30 | 0:16:32 | |
-I'm struggling a little bit here, David. -Don't worry, don't worry. | 0:16:32 | 0:16:35 | |
-Have you got anything? -No. -I'm just going round and round now. | 0:16:35 | 0:16:37 | |
I'm just going round in circles. | 0:16:37 | 0:16:39 | |
-I mean, for the money that's on sale... -OK, that's silver plated. | 0:16:39 | 0:16:43 | |
-Silver plated? -Well, it's £8, isn't it? And it's worth £8. | 0:16:43 | 0:16:48 | |
-It's not worth any more. -OK. | 0:16:48 | 0:16:50 | |
So, as the Blues go round and round in circles, | 0:16:50 | 0:16:52 | |
the Reds know exactly where they're heading. | 0:16:52 | 0:16:56 | |
-You've got your eye on something else. -Yes. | 0:16:56 | 0:16:58 | |
Let's go and have a look. Come on. | 0:16:58 | 0:16:59 | |
Now, what's David hunted out? Could he be the knight in shining armour? | 0:16:59 | 0:17:04 | |
We've got something really out of the ordinary here. | 0:17:04 | 0:17:08 | |
-Oh, wow! Chess. A chess table. -It's a low coffee table. | 0:17:08 | 0:17:12 | |
-It could be described as a bit of a touristy thing. -A bit tribal-y. | 0:17:12 | 0:17:17 | |
It's a bit tribal-y. | 0:17:17 | 0:17:19 | |
Something like this. | 0:17:19 | 0:17:20 | |
So, it would have more meaning to the person that bought it in Africa, | 0:17:20 | 0:17:24 | |
probably West Coast of Africa. | 0:17:24 | 0:17:26 | |
-Asante people, good at carving. -Yeah. | 0:17:26 | 0:17:29 | |
It's not ivory, it's bone, but, with a chess set, it would be kind | 0:17:29 | 0:17:32 | |
-of cool. -That would look good in the caravan as well! -Yeah, it would. | 0:17:32 | 0:17:35 | |
-Would it?! -Yeah, we always play chess. -Do you, do you? | 0:17:35 | 0:17:38 | |
-Yeah, Ginny's teaching me at the moment. -I'm, like, game mad! | 0:17:38 | 0:17:41 | |
This is probably a good thing to have, yeah. | 0:17:41 | 0:17:44 | |
-Well, we have seven minutes left. -Well, I say yes. | 0:17:44 | 0:17:47 | |
-Hold your horses, Ginny! -OK, you say yes, but say it's £3,000? | 0:17:47 | 0:17:50 | |
Oh, yeah! We don't know how much it is! Oh, here we go. | 0:17:50 | 0:17:53 | |
-How much is it, David? -Let's have a look. You don't even know! | 0:17:53 | 0:17:56 | |
-It's £55. -55 quid. Well, personally, I think that's quite cool. | 0:17:56 | 0:18:00 | |
-Yeah. -It's a low table. It's not ancient. | 0:18:00 | 0:18:03 | |
Certainly African, probably 1960s, something like that. So, it's made | 0:18:03 | 0:18:07 | |
for four people, even though you've got two people playing chess, | 0:18:07 | 0:18:10 | |
but you've got four stands here, for drink. | 0:18:10 | 0:18:12 | |
So, it could be a bit of a social thing, as well. | 0:18:12 | 0:18:15 | |
I'm going to go with it. I think Ginny definitely likes it. | 0:18:15 | 0:18:17 | |
And considering the timescale, as well, I think | 0:18:17 | 0:18:20 | |
we should definitely take it up, yeah. | 0:18:20 | 0:18:21 | |
Let me see if I can get a bit more off. Back in a second. | 0:18:21 | 0:18:24 | |
Fantastic, lovely. | 0:18:24 | 0:18:25 | |
Well, they seem pretty convinced, David. | 0:18:25 | 0:18:27 | |
It could be checkmate for the Blues, but what's caught Roy's eye? | 0:18:27 | 0:18:31 | |
Jonathan, I just wanted to point this out. | 0:18:31 | 0:18:34 | |
-This celebrates the 200th anniversary of Bass Brewery. -What year is this? | 0:18:34 | 0:18:39 | |
-This beer would have been produced in 1977. -Oh, OK. -For the anniversary. | 0:18:39 | 0:18:43 | |
-It's from my home town of Burton upon Trent. -OK. | 0:18:43 | 0:18:46 | |
-And my father worked for this brewery all his life. -Wow. | 0:18:46 | 0:18:49 | |
Have you drunk much of it? | 0:18:49 | 0:18:51 | |
HE LAUGHS Yes, I have. | 0:18:51 | 0:18:53 | |
I think everybody knows that the triangle was | 0:18:53 | 0:18:55 | |
-the very first registered trademark. -Oh, OK. | 0:18:55 | 0:18:58 | |
In itself, it's quite unusual to find one | 0:18:58 | 0:19:00 | |
still available after, what, 40 years? | 0:19:00 | 0:19:03 | |
So, it's your home town and your father worked there all his life? | 0:19:03 | 0:19:06 | |
-Yes. -What was he doing there? Was he actually a taster? | 0:19:06 | 0:19:09 | |
-No, he was a plumber. -Fantastic! | 0:19:09 | 0:19:10 | |
Well, look, they're not asking a great deal for it. | 0:19:10 | 0:19:13 | |
-It's collectible, he's going to have internet there. -Right. | 0:19:13 | 0:19:16 | |
-We haven't got any time left, we're talking seconds. Go for it. -Oh. | 0:19:16 | 0:19:20 | |
See if you can get a deal on it, come on. See if we can find him... | 0:19:20 | 0:19:24 | |
What a great connection, Roy. | 0:19:24 | 0:19:25 | |
It's so lovely when you find something | 0:19:25 | 0:19:27 | |
with a sentimental meaning. | 0:19:27 | 0:19:29 | |
-Right, I've got a price. -Go on. -And we've got three minutes to do it! | 0:19:29 | 0:19:33 | |
-Right? -No pressure! | 0:19:33 | 0:19:35 | |
Best price £45. | 0:19:35 | 0:19:37 | |
-Let's have it. -OK. -Shall we? -That's a great price, yeah. | 0:19:37 | 0:19:40 | |
-Andy, put it there. Come on, you. -Yes. -Absolutely marvellous. | 0:19:40 | 0:19:44 | |
Thank you very much. And we've got three minutes for a nice cup of tea. | 0:19:44 | 0:19:47 | |
-Ah, brilliant. -On me, come on. -Thanks, let's do it. | 0:19:47 | 0:19:50 | |
Last of the big spenders, eh? | 0:19:50 | 0:19:51 | |
Well done, Blues, but will it be drinks all round? | 0:19:51 | 0:19:54 | |
How did Roy get on? | 0:19:54 | 0:19:55 | |
-£7. It's past its sell-by date, isn't it? -It has. | 0:19:55 | 0:19:59 | |
I mean, you know, hang on a second there! We're not going to argue. £7. | 0:19:59 | 0:20:03 | |
That means the job's done. We've got seconds left. | 0:20:03 | 0:20:06 | |
-Well done, both of you. -Thank you. | 0:20:06 | 0:20:07 | |
-Thanks for getting through it so smoothly. -Thank you. | 0:20:07 | 0:20:10 | |
Well, I'll send the bill later! | 0:20:10 | 0:20:13 | |
He's joking by the way. | 0:20:13 | 0:20:15 | |
But that's it, teams, you both shot right down to the wire, | 0:20:15 | 0:20:18 | |
so let's remind ourselves what the Red team bought, eh? | 0:20:18 | 0:20:21 | |
The vintage enamel "Refreshments" sign cost them £118. | 0:20:22 | 0:20:28 | |
JP's beady eye spotted the coral necklace for £20. | 0:20:28 | 0:20:31 | |
And Roy was really taken with the bottle of vintage Bass pale ale, | 0:20:33 | 0:20:37 | |
which cost £7. | 0:20:37 | 0:20:38 | |
Well, how was that for you? | 0:20:40 | 0:20:43 | |
-It was great! -Was it? -It was good fun, really, really. | 0:20:43 | 0:20:46 | |
You spent how much in total? | 0:20:46 | 0:20:47 | |
-145. -That's a good number. | 0:20:47 | 0:20:49 | |
£155 of leftover lolly, then. Have you got that, Gail? | 0:20:49 | 0:20:53 | |
-No, Ian is in charge of the money. -He's in charge of the money? | 0:20:53 | 0:20:55 | |
-Well, that's lovely, isn't it? -Yes. -So, you're in charge of aesthetics. | 0:20:55 | 0:20:59 | |
-Yes. -And which is your favourite piece? | 0:20:59 | 0:21:01 | |
-The sign that says "Refreshments" on it. -That's your favourite? -Mm-hm. -OK. | 0:21:01 | 0:21:05 | |
-And do you agree? -I have to agree. The railway sign, yes. | 0:21:05 | 0:21:08 | |
All right, and is it going to bring the biggest profit? | 0:21:08 | 0:21:11 | |
-Yes. -It's a major investment. -Yes. -OK, fine, and you agree with that? | 0:21:11 | 0:21:14 | |
-Maybe! -Well, tell us what you think is going to bring | 0:21:14 | 0:21:17 | |
-the biggest profit, then! -The necklace, the coral necklace may do, | 0:21:17 | 0:21:20 | |
-percentage-wise. -Percentage-wise. Yeah, well, there you go. | 0:21:20 | 0:21:23 | |
That's why he's in charge of the money! | 0:21:23 | 0:21:25 | |
Nice returns, anyway, jolly good. | 0:21:25 | 0:21:27 | |
Well, here you go, 155, JP, and, on this special day, | 0:21:27 | 0:21:31 | |
you're going to get an additional, special bonus buy £100 to spend, | 0:21:31 | 0:21:36 | |
so, two items, please. | 0:21:36 | 0:21:38 | |
-Yeah. -Which is, I think, quite a challenge, isn't it? | 0:21:38 | 0:21:41 | |
Yeah, you're going around, you see things out of the corner of your | 0:21:41 | 0:21:44 | |
eye, you're trying to take notes as you go along of what they're like, | 0:21:44 | 0:21:47 | |
and then you ignore all that and just buy what you find! | 0:21:47 | 0:21:49 | |
Nothing changes, then(!) Good luck. Have a nice cup of tea | 0:21:49 | 0:21:52 | |
and we're going to check out right now what the Blue team bought. | 0:21:52 | 0:21:55 | |
'Let's hope the bidders get drawn into | 0:21:55 | 0:21:57 | |
'the boxed Canadian Etch A Sketch | 0:21:57 | 0:22:00 | |
'which cost £3.' | 0:22:00 | 0:22:02 | |
£100 was paid for the set of five Art Deco-style, | 0:22:04 | 0:22:07 | |
chrome, framed wall lights. | 0:22:07 | 0:22:08 | |
And, finally, they spent £45 | 0:22:10 | 0:22:13 | |
on the African carved hardwood occasional table. | 0:22:13 | 0:22:15 | |
OK, you two lovebirds. | 0:22:18 | 0:22:19 | |
-Well, you left the last bit to the last minute, didn't you? -Yeah. | 0:22:19 | 0:22:22 | |
-We certainly did. -OK, Andy, which is your favourite piece? | 0:22:22 | 0:22:25 | |
-My favourite piece would probably be the Etch A Sketch. -Oh, lovely! | 0:22:25 | 0:22:28 | |
That's great. Super. And do you agree with that? | 0:22:28 | 0:22:31 | |
-I prefer the seashells. -Seashells? -Yeah. -OK, that's great, | 0:22:31 | 0:22:34 | |
-and are the seashells going to bring the biggest profit? -I think so, yes. | 0:22:34 | 0:22:37 | |
-I agree, actually. Yeah. -Best thing to agree. Anyway, good. | 0:22:37 | 0:22:41 | |
-How much did you spend? -148. -Yeah, 148. | 0:22:41 | 0:22:45 | |
-I'd like £152 of leftover lolly. -152. | 0:22:45 | 0:22:47 | |
152, that's quite a substantial amount, isn't it? | 0:22:47 | 0:22:50 | |
That's what we call a wage, Tim. | 0:22:50 | 0:22:51 | |
You could buy most of the antiques centre for that! | 0:22:51 | 0:22:55 | |
-And to add to the problem... -No! | 0:22:56 | 0:22:58 | |
I'm going to give you another £100, which is the special bonus buy £100. | 0:22:58 | 0:23:02 | |
-Not the special bonus buy?! -It is the special bonus buy, | 0:23:02 | 0:23:05 | |
-two bonus buys for you to source now, David. -OK. | 0:23:05 | 0:23:08 | |
-Maximum profit, all the confidence is running with you again. -100%. | 0:23:08 | 0:23:13 | |
Anyway, good luck with that, seriously, | 0:23:13 | 0:23:15 | |
and you can relax up now, which is great, for a bit. | 0:23:15 | 0:23:18 | |
Now, David, you must, if you wouldn't mind, please, when you've | 0:23:18 | 0:23:21 | |
bought your two bonus buys, just drop back to me and show 'em, eh? | 0:23:21 | 0:23:24 | |
-I'll look forward to that. -Good. | 0:23:24 | 0:23:26 | |
Well, we're all looking forward, which is lovely and, in fact, | 0:23:26 | 0:23:29 | |
I'm going to look forward to showing you something that | 0:23:29 | 0:23:31 | |
I found a little earlier on my travels. | 0:23:31 | 0:23:33 | |
Well, this is an interesting group of objects | 0:23:40 | 0:23:43 | |
that I found in a fair about an hour's drive from Congleton. | 0:23:43 | 0:23:47 | |
What grabbed me about this, is the design. | 0:23:47 | 0:23:50 | |
OK, fine. It's a utilitarian stainless steel object. | 0:23:50 | 0:23:55 | |
The fact that it's got a handhold at one end is unusual and, of course, | 0:23:55 | 0:24:00 | |
it means that you can use this thing for a great variety of purposes. | 0:24:00 | 0:24:05 | |
Technically, a fruit bowl, but you could put anything in it, | 0:24:05 | 0:24:09 | |
really, something that you want to hand around to your guests, perhaps? | 0:24:09 | 0:24:13 | |
In fact, if things got really bad and there was an invasion, | 0:24:13 | 0:24:16 | |
you could put it on the top of your head and turn it into a helmet. | 0:24:16 | 0:24:19 | |
Always good with these things to have a squint | 0:24:19 | 0:24:22 | |
at the bottom, though, and it says "18/8 Stainless", | 0:24:22 | 0:24:27 | |
so, it's made of stainless steel, but what's this 18/8 business? | 0:24:27 | 0:24:32 | |
That is the mark that tells you the proportion of chromium and nickel | 0:24:32 | 0:24:37 | |
inside the stainless steel. | 0:24:37 | 0:24:39 | |
Stainless steel comes in a variety of grades. | 0:24:39 | 0:24:42 | |
Some of it can tarnish, | 0:24:42 | 0:24:43 | |
some of it is suspect to certain acid attack, | 0:24:43 | 0:24:47 | |
and this is a good quality which is suitable for use | 0:24:47 | 0:24:51 | |
with all edible products, so, basically, | 0:24:51 | 0:24:53 | |
you can put anything you want to eat in it. | 0:24:53 | 0:24:56 | |
And underneath that, it says, "Denmark", | 0:24:56 | 0:24:58 | |
and, of course, the Danes in the late '50s | 0:24:58 | 0:25:00 | |
and '60s were leading the charge | 0:25:00 | 0:25:02 | |
when it came to mid-20th century design | 0:25:02 | 0:25:05 | |
and then there's a little monogram, MG, | 0:25:05 | 0:25:08 | |
and I can't tell you at this point in time which Danish manufacturer | 0:25:08 | 0:25:12 | |
that might be, but it doesn't really matter, | 0:25:12 | 0:25:15 | |
because, the style and design is what this stuff is all about. | 0:25:15 | 0:25:20 | |
This was made around about 1962 | 0:25:20 | 0:25:23 | |
and it would have sat in one of those uber-fashionable | 0:25:23 | 0:25:28 | |
'60s interiors that have come back on trend, and it would only cost you | 0:25:28 | 0:25:33 | |
the stainless price of £15,which is not a lot when you think about it. | 0:25:33 | 0:25:38 | |
What do you think about these? | 0:25:38 | 0:25:40 | |
One. | 0:25:40 | 0:25:41 | |
Two. | 0:25:41 | 0:25:43 | |
Three. | 0:25:43 | 0:25:45 | |
Four. | 0:25:45 | 0:25:46 | |
Six. | 0:25:46 | 0:25:47 | |
One, two, three, four, five, six. There are six. | 0:25:49 | 0:25:51 | |
Six delightful, late-20th century stainless steel Danish designed | 0:25:51 | 0:25:57 | |
egg cups. When did you last see egg cups that could stack? | 0:25:57 | 0:26:01 | |
But, with this lot, they all fit together | 0:26:01 | 0:26:03 | |
and get out of the way until you're ready to boil up half a dozen eggs. | 0:26:03 | 0:26:07 | |
All I can say though is that they are extremely practical | 0:26:07 | 0:26:10 | |
and, I think, very attractive. | 0:26:10 | 0:26:13 | |
I would love to have a boiled egg out of one of these. | 0:26:13 | 0:26:17 | |
And, funnily enough, like that, I've produced a boiled egg! | 0:26:17 | 0:26:20 | |
Does it sit sensibly? | 0:26:20 | 0:26:21 | |
Yes, it does. Isn't that great? Well, almost as great as the price. | 0:26:21 | 0:26:26 | |
You got it, £15 for the six. | 0:26:26 | 0:26:28 | |
Now, that's what I call double-yolker! | 0:26:28 | 0:26:32 | |
MUSIC: "I'm So Excited" by Pointer Sisters | 0:26:32 | 0:26:35 | |
Our experts get egg-cited, as they hunt out their two bonus buys. | 0:26:35 | 0:26:39 | |
JP's got £155 of leftover lolly from the team's shop. | 0:26:39 | 0:26:45 | |
Has he found them a winning pair? | 0:26:45 | 0:26:47 | |
This is my expert buy for Roy and Gail. | 0:26:48 | 0:26:50 | |
A pair of little trophies, lovely sweet little handles, | 0:26:50 | 0:26:52 | |
rather small, but it's the inscriptions I liked about them. | 0:26:52 | 0:26:55 | |
A little picture of a gooseberry, OK? | 0:26:55 | 0:26:57 | |
And it's the gooseberry growers. I paid for these... £25. | 0:26:57 | 0:27:01 | |
I think there's a small profit in it - and maybe more. | 0:27:01 | 0:27:04 | |
So, that's Jonathan's leftover lolly team bonus buy bought. | 0:27:04 | 0:27:08 | |
But what about the special £100 bonus buy? | 0:27:10 | 0:27:13 | |
Has he found some Victorian silver? | 0:27:13 | 0:27:16 | |
This is my special bonus buy. | 0:27:16 | 0:27:18 | |
It is a little Victorian glass and silver mounted inkwell. | 0:27:18 | 0:27:20 | |
It dates from the late part of the Victorian period. | 0:27:20 | 0:27:23 | |
It's priced at £110. | 0:27:23 | 0:27:24 | |
I've actually secured it for £85 and I think it'll make me | 0:27:24 | 0:27:28 | |
a little profit, too. | 0:27:28 | 0:27:30 | |
Let's have a nosy, then, JP. | 0:27:30 | 0:27:31 | |
You had £155 of leftover lolly for the team's bonus buy. Is this it? | 0:27:32 | 0:27:37 | |
-That's it, yeah. -Well, we can have one each. Talk me through this. | 0:27:37 | 0:27:40 | |
OK, I saw these in a cabinet and it just... | 0:27:40 | 0:27:42 | |
I looked down and I was intrigued. I thought, "Well, what is this?" | 0:27:42 | 0:27:45 | |
And it's got a little fruit, and then it's got the name, | 0:27:45 | 0:27:48 | |
and it's got "Gaytime, 1956" and I thought, "They look fun." | 0:27:48 | 0:27:51 | |
And they're little trophies for gooseberry growing competitions. | 0:27:51 | 0:27:54 | |
Didn't you know about the great Cheshire gooseberry growing centre? | 0:27:54 | 0:27:58 | |
-I do now! -Do you know where it all happens? | 0:27:58 | 0:28:01 | |
-Cheshire! -In a place called Goostrey. -Oh, does it? -Yes. | 0:28:01 | 0:28:04 | |
A little village called Goostrey, | 0:28:04 | 0:28:06 | |
-they have these gooseberry championships. -That's probably why. | 0:28:06 | 0:28:09 | |
-Well, isn't that amazing? -So, you're quite right. | 0:28:09 | 0:28:12 | |
There we've got the gooseberry, look. | 0:28:12 | 0:28:14 | |
And on mine, I've got Leslie Pearson, right? Is yours 1956? | 0:28:14 | 0:28:17 | |
-Mine's 1956 too. -Who got it? -Eva Clarence. | 0:28:17 | 0:28:20 | |
So, they must have had a trophy for female gooseberry growers | 0:28:20 | 0:28:24 | |
-and male gooseberry growers for the variety Gaytime... -Absolutely. | 0:28:24 | 0:28:28 | |
-..would be my guess. -I think you're absolutely right. | 0:28:28 | 0:28:31 | |
Anyway, you had £155. How much did you spend? | 0:28:31 | 0:28:33 | |
-£25. -For the two? -For the two. | 0:28:33 | 0:28:35 | |
That's £12.50 each and they're solid silver | 0:28:35 | 0:28:38 | |
-and they commemorate that very special Cheshire occasion. -Yeah. | 0:28:38 | 0:28:41 | |
OK, well done for that. So, that's the team's bonus buy. | 0:28:41 | 0:28:45 | |
-Now, the special bonus buy is this fellow. -Yeah, my extra £100. | 0:28:45 | 0:28:48 | |
I didn't read the label in the cabinet | 0:28:48 | 0:28:50 | |
and I was convinced it was an inkwell. I got it out. | 0:28:50 | 0:28:52 | |
The label says it was for hatpins, which I'm not convinced of. | 0:28:52 | 0:28:55 | |
-No, no, no. -You don't store hatpins with a hole in the top like that. | 0:28:55 | 0:28:57 | |
-I like inkwell. -I like inkwell. It's what it is. It's an inkwell. | 0:28:57 | 0:29:00 | |
The thing that struck me is I can see the marks nice and crisp, | 0:29:00 | 0:29:03 | |
and the letters in a shield, which is that nice Victorian period | 0:29:03 | 0:29:06 | |
-and that latter part of the 19th century in the -'70s. Yes. | 0:29:06 | 0:29:09 | |
Diamond cut and just nice quality. | 0:29:09 | 0:29:11 | |
And do you know why it's got that big hole like that? | 0:29:11 | 0:29:13 | |
Cos, at that time, it was all quills. | 0:29:13 | 0:29:15 | |
I mean, you'd use this for a dip pen of some sort. | 0:29:15 | 0:29:18 | |
I mean, you need to get it in there | 0:29:18 | 0:29:20 | |
and just wipe it off on the edge and, if you make a bit of a mistake, | 0:29:20 | 0:29:23 | |
a bit of a whoopsie, it's going to gather it, and then dribble back in. | 0:29:23 | 0:29:26 | |
Nice! I gave you £100. You couldn't have spent more than £100. | 0:29:26 | 0:29:28 | |
How much did you spend? | 0:29:28 | 0:29:30 | |
I had to negotiate it under £100, but I got it for 85. | 0:29:30 | 0:29:32 | |
-Did you? That's a pretty good buy, actually. -Good. | 0:29:32 | 0:29:35 | |
Now, my next job is to determine which is going to bring | 0:29:35 | 0:29:37 | |
the biggest profit, and I think it will be the old gooseberry trophies. | 0:29:37 | 0:29:40 | |
What do you think? £30 profit? £40 profit? | 0:29:40 | 0:29:42 | |
Something like that. Anyway, thank you very much, JP. | 0:29:42 | 0:29:45 | |
Right now, though, let's find out how poor David Harper's getting on. | 0:29:45 | 0:29:49 | |
Ha, ha! Well, I suppose he's not that poor. | 0:29:51 | 0:29:53 | |
He's got £152 to spend for the team's leftover lolly bonus buy | 0:29:53 | 0:29:58 | |
and David is beside himself. | 0:29:58 | 0:30:00 | |
I am absolutely in love with this box, for so many reasons. | 0:30:02 | 0:30:07 | |
It's 19th century, it's Chinese, | 0:30:07 | 0:30:09 | |
and it's lacquer and it's decorated with lovely scenes | 0:30:09 | 0:30:12 | |
of a wise man being served by his servant and it cost me 28 quid. | 0:30:12 | 0:30:18 | |
It's so wonderful to see David's passion shining through, | 0:30:18 | 0:30:21 | |
and that's not the end of it. | 0:30:21 | 0:30:23 | |
What's he found for his special £100 bonus buy? | 0:30:25 | 0:30:28 | |
Something to get hung up on. | 0:30:28 | 0:30:30 | |
You know, sometimes the strangest, most blandest objects | 0:30:31 | 0:30:35 | |
really get me excited and I can tell you for nothing | 0:30:35 | 0:30:38 | |
that this little contraption is really getting me excited. | 0:30:38 | 0:30:43 | |
Made from blown glass, with really good metal mounts, | 0:30:43 | 0:30:46 | |
and it is a towel rail. | 0:30:46 | 0:30:49 | |
And the best thing is, it isn't just one towel rail... | 0:30:49 | 0:30:52 | |
No, Mr, it's two towel rails. | 0:30:53 | 0:30:56 | |
-Well, David Harper, you are extraordinary. -Do you think so? | 0:30:57 | 0:31:01 | |
Tell us about your old lacquer box. | 0:31:01 | 0:31:02 | |
Well, that is so me, Tim, it's unbelievable. | 0:31:02 | 0:31:05 | |
It's a 19th-Century Chinese lacquer work box. | 0:31:05 | 0:31:08 | |
Nice condition on the body, | 0:31:08 | 0:31:10 | |
it's got a little bit of wear on the gilding, but it's got two problems. | 0:31:10 | 0:31:13 | |
First, the interior... | 0:31:13 | 0:31:15 | |
Well, it doesn't have one! | 0:31:15 | 0:31:17 | |
THEY LAUGH | 0:31:17 | 0:31:18 | |
-It's like empty. -It's soulless, completely. | 0:31:18 | 0:31:21 | |
We know it should have had little compartments in there. | 0:31:21 | 0:31:24 | |
And then, if we turn it over onto its side, | 0:31:24 | 0:31:26 | |
so we can look at the back, we can see three holes in each corner... | 0:31:26 | 0:31:29 | |
-Oh, yeah. -..which, as you know, there would have been | 0:31:29 | 0:31:32 | |
a lovely carved lion bracket foot on each corner. | 0:31:32 | 0:31:35 | |
-Something to elevate it, yes. -And it would have been a stonker. | 0:31:35 | 0:31:38 | |
You do get a semblance of how good it is on the back, don't you? | 0:31:38 | 0:31:41 | |
-You do. -I mean, if you look at the scene itself, | 0:31:41 | 0:31:44 | |
with that nice oriental lying amongst a whole load of objects | 0:31:44 | 0:31:47 | |
with an animal below them... | 0:31:47 | 0:31:49 | |
-There's an awful lot going on there. -Yeah. | 0:31:49 | 0:31:51 | |
Trouble is, it's in terrible condition. | 0:31:51 | 0:31:53 | |
It is...yeah, thanks for that! | 0:31:53 | 0:31:55 | |
Well, it's the truth of the matter, isn't it, really? | 0:31:55 | 0:31:58 | |
Cos they gave you £152, right? | 0:31:58 | 0:31:59 | |
Well, if this was in brilliant condition, all fitted up | 0:31:59 | 0:32:02 | |
-and what not, it's £1,500 box, isn't it? -Oh, absolutely. | 0:32:02 | 0:32:05 | |
So, its way out of your region, but, it is what it is, so, how much? | 0:32:05 | 0:32:09 | |
-£28. -Is that all? Well, well done for that. -Thank you. | 0:32:09 | 0:32:12 | |
-Now, the £100 special bonus buy. -Yeah. -Which is these two fellows. | 0:32:12 | 0:32:15 | |
I'm going to grab one of those. Oh, isn't that heavy? | 0:32:15 | 0:32:18 | |
I, absolutely, am in love with these things. Aren't they good? | 0:32:18 | 0:32:21 | |
-So, technically, towel rails. -What would you use them for? | 0:32:21 | 0:32:25 | |
Well, I've got a few bow ties I could hang on that, | 0:32:25 | 0:32:27 | |
I have to tell you. | 0:32:27 | 0:32:28 | |
THEY LAUGH | 0:32:28 | 0:32:29 | |
But they're bought at store and display, I have to tell you. | 0:32:31 | 0:32:35 | |
But glass, David, that's rare, isn't it? | 0:32:35 | 0:32:38 | |
Isn't that good? And certainly dating to the 1920s. | 0:32:38 | 0:32:40 | |
Once upon a time, plated, do you think? | 0:32:40 | 0:32:42 | |
There's a bit of nickel there, a bit of copper there. | 0:32:42 | 0:32:44 | |
Absolutely, it would have been nice and bright and silvery, | 0:32:44 | 0:32:47 | |
but, you know, they've aged over the last 80 or 90s years nicely. | 0:32:47 | 0:32:50 | |
But what they ooze, Tim, and I hope you'll agree, is extreme quality. | 0:32:50 | 0:32:55 | |
Yes, and very much 1920s things. Very on trend, Deco towels rails. | 0:32:55 | 0:33:00 | |
Anyway, I gave you the 100. I bet you had to spend the £100. | 0:33:00 | 0:33:03 | |
-I did not, I spent half of that. -£50. -£50. -In perfect condition. | 0:33:03 | 0:33:06 | |
Phew! I think they're absolutely fabulous. | 0:33:06 | 0:33:08 | |
-If I had a hat on, David, I'd take it off to you. -Would you, sir? | 0:33:08 | 0:33:11 | |
What about the wig? | 0:33:11 | 0:33:12 | |
Hey! | 0:33:12 | 0:33:14 | |
So, there we go, then, £50 spent on those. | 0:33:14 | 0:33:16 | |
My job is to determine which one is going to bring the biggest profit. | 0:33:16 | 0:33:19 | |
-Yeah. -And I fancy that the object for the biggest profit has to be | 0:33:19 | 0:33:22 | |
-the Deco towel rails. -Oh, good. | 0:33:22 | 0:33:24 | |
Well, I'm pleased you like them, I really am pleased you like them. | 0:33:24 | 0:33:27 | |
-I knew you would. -Well, that's brilliant. | 0:33:27 | 0:33:29 | |
Thank you very much for that. | 0:33:29 | 0:33:31 | |
It'll be most interesting to see whether the teams either | 0:33:31 | 0:33:34 | |
go with them or don't go with them. Or which one they go with. | 0:33:34 | 0:33:37 | |
It'll be fascinating to see. Anyway, brilliant. Thank you very much. | 0:33:37 | 0:33:40 | |
And while all these items get packed off to auction, we're going to take | 0:33:40 | 0:33:44 | |
a breather to visit one of the most gorgeous houses in the South West. | 0:33:44 | 0:33:48 | |
Cotehele is a magnificent Cornish home, which was rebuilt | 0:33:55 | 0:33:59 | |
by three generations of the Edgcumbe family | 0:33:59 | 0:34:02 | |
between the late-15th and mid-16th centuries. In the mid-1700s, | 0:34:02 | 0:34:07 | |
it began to acquire a reputation as a rather fine Antiquarian house. | 0:34:07 | 0:34:12 | |
Just imagine...the date is 1789, | 0:34:16 | 0:34:21 | |
the whiff of revolution is everywhere throughout Europe. | 0:34:21 | 0:34:25 | |
Louis XVI and Marie Antoinette are clinging precariously | 0:34:25 | 0:34:29 | |
to their throne, but here, in sleepy old Cornwall, | 0:34:29 | 0:34:35 | |
Lord and Lady Edgcumbe are preparing for a very special visitor. | 0:34:35 | 0:34:39 | |
On the 25th August 1789, King George III and Queen Charlotte | 0:34:40 | 0:34:47 | |
visited Cotehele, as part of a journey around Devon and Cornwall. | 0:34:47 | 0:34:51 | |
The royal couple arrived by river, during a whistle-stop tour | 0:34:51 | 0:34:55 | |
that lasted a little more than an hour. | 0:34:55 | 0:34:57 | |
Intriguingly, Queen Charlotte kept a journal describing her visit | 0:35:01 | 0:35:08 | |
to Cotehele. | 0:35:08 | 0:35:09 | |
She says that they repaired upstairs and ate a hearty breakfast, | 0:35:09 | 0:35:13 | |
and it's thought that they came into this, the old drawing room, | 0:35:13 | 0:35:18 | |
to eat their feast. | 0:35:18 | 0:35:20 | |
When in the room, she described and admired various pieces | 0:35:20 | 0:35:23 | |
of ebony furniture and, for me, my favourite piece is this armchair. | 0:35:23 | 0:35:29 | |
It's of a type that's called a Braganza chair, | 0:35:29 | 0:35:32 | |
after Catherine Braganza and, in her dowry, | 0:35:32 | 0:35:37 | |
when she arrived in the 17th century before marrying Charles, | 0:35:37 | 0:35:41 | |
came various pieces of Indo-Portuguese furniture, | 0:35:41 | 0:35:46 | |
including a type after which this chair is named. | 0:35:46 | 0:35:50 | |
It could date from as early as about 1650 and, because it's made | 0:35:50 | 0:35:54 | |
of solid ebony, it doesn't patinate quite like any other timber. | 0:35:54 | 0:35:59 | |
And it could have been made either in India on the Coromandel Coast | 0:35:59 | 0:36:04 | |
or on the island of Ceylon. | 0:36:04 | 0:36:07 | |
The top rail is carved above a balustrade filled with these | 0:36:07 | 0:36:12 | |
lovely mini curlicue columns. | 0:36:12 | 0:36:15 | |
And then a drop-in seat, but no ordinary seat this, | 0:36:15 | 0:36:18 | |
it's covered in woven horsehair. | 0:36:18 | 0:36:21 | |
Underneath that, the front rail is a pair of dragons, each of them | 0:36:21 | 0:36:26 | |
with a long snaky tongue. | 0:36:26 | 0:36:27 | |
And all supported on beautifully turned barley twist type legs. | 0:36:27 | 0:36:33 | |
If you fancy a bit of wood carving, | 0:36:33 | 0:36:36 | |
I suggest you don't go for ebony, cos it's extremely hard, | 0:36:36 | 0:36:40 | |
and this chair could not possibly be covered with more intricate | 0:36:40 | 0:36:45 | |
and difficult designs to carve. | 0:36:45 | 0:36:48 | |
But it wasn't only the chair that Queen Charlotte | 0:36:48 | 0:36:50 | |
wrote about in her journal. | 0:36:50 | 0:36:52 | |
She also mentioned this fine cabinet. | 0:36:52 | 0:36:55 | |
Because Queen Charlotte describes specifically this | 0:36:56 | 0:37:01 | |
cabinet as ebony... | 0:37:01 | 0:37:03 | |
Well, she was wrong, cos if I take the full front down, you can | 0:37:03 | 0:37:08 | |
see an elaborate interior that is all lovely honey-coloured walnut. | 0:37:08 | 0:37:15 | |
And, actually, all the exterior was this nut-brown colour, | 0:37:15 | 0:37:20 | |
except the family painted it, they ebonised it black, | 0:37:20 | 0:37:24 | |
so that it would look like the rest of the ebony furniture in this room. | 0:37:24 | 0:37:28 | |
So, they fooled a queen, except that she was right to admire the cabinet | 0:37:28 | 0:37:34 | |
because it is a tour de force of the Italian walnut carvers' trade, | 0:37:34 | 0:37:39 | |
carved with figures all the way around the outside. | 0:37:39 | 0:37:44 | |
The interior is very fancy. | 0:37:44 | 0:37:47 | |
We've got lots of cupboards and drawers and, | 0:37:47 | 0:37:49 | |
if you open the middle cupboard, | 0:37:49 | 0:37:51 | |
there are a couple of drawers inside. Those, in turn, pull out | 0:37:51 | 0:37:55 | |
to reveal an interior that's got some secret boxes. | 0:37:55 | 0:38:01 | |
If you wanted to keep something away from the nosy relatives | 0:38:01 | 0:38:06 | |
or the burglars, these would be the places to stash the cash. | 0:38:06 | 0:38:10 | |
The big question today, of course, over at the auctioneers, | 0:38:10 | 0:38:13 | |
is how much cash are our teams about to stash? | 0:38:13 | 0:38:17 | |
Well, it's been a year or two since we were last | 0:38:32 | 0:38:34 | |
in the fair city of Liverpool, but it's a treat to be back. | 0:38:34 | 0:38:36 | |
-Thank you very much for having us, Adam. -That's a pleasure. | 0:38:36 | 0:38:39 | |
It's nice to have you here. | 0:38:39 | 0:38:40 | |
First up, then, for Roy and Gail is the vintage "Refreshments" sign. | 0:38:40 | 0:38:45 | |
-Yes, I quite like that. -British Rail. -Yeah. | 0:38:45 | 0:38:47 | |
I don't know how you find this stuff, | 0:38:47 | 0:38:49 | |
but there are interior designers who love these things. | 0:38:49 | 0:38:52 | |
They're quite cool, aren't they? | 0:38:52 | 0:38:54 | |
And there's a demand for anything railway connected, particularly local | 0:38:54 | 0:38:57 | |
name plates and the travel posters associated with rail travel. | 0:38:57 | 0:39:01 | |
And signs are also popular. | 0:39:01 | 0:39:03 | |
The refreshments sign is, I think, a relatively common one, | 0:39:03 | 0:39:05 | |
but I estimated it at £50 to £80. | 0:39:05 | 0:39:08 | |
£118 our lot paid, which is quite a lot, actually. | 0:39:08 | 0:39:10 | |
I think it is a bit, isn't it? | 0:39:10 | 0:39:12 | |
The trouble is, it's a bit chipped and it's not particularly special. | 0:39:12 | 0:39:15 | |
-It's not like a destination plate. -No, that's right. | 0:39:15 | 0:39:18 | |
Anyway, £118 paid, so that might be just a bit too much. | 0:39:18 | 0:39:21 | |
-Now, the coral beads. They're brand Harry Spankers. -They are, they are. | 0:39:21 | 0:39:26 | |
Anyway, there we are. How much? | 0:39:26 | 0:39:28 | |
In my view, that belongs in a box of costume jewellery. £20 to £30. | 0:39:28 | 0:39:31 | |
-Cos you think, really, it might make a £5 note? -Yes. | 0:39:31 | 0:39:34 | |
-OK, our team made £20. -So, they're going to be lucky to turn a profit, | 0:39:34 | 0:39:37 | |
-really. -I think so. -And talking of turning a profit, | 0:39:37 | 0:39:39 | |
you've got this small bottle of ale. | 0:39:39 | 0:39:41 | |
-It's commemorative of a moment in the brewery's history. -Yeah. | 0:39:41 | 0:39:45 | |
-In 1977. -They didn't just make that one, though, did they? | 0:39:45 | 0:39:48 | |
No, no, no, they didn't. Big deal! | 0:39:48 | 0:39:50 | |
It isn't as though it's a special brew, | 0:39:50 | 0:39:52 | |
it just happens to be what came off the production line in 1977. | 0:39:52 | 0:39:56 | |
200 years of bass and the labels are ripped. | 0:39:56 | 0:39:59 | |
-I wouldn't have thought the ale would be any good, either. -No. | 0:39:59 | 0:40:03 | |
But you'd put an estimate on it? | 0:40:03 | 0:40:04 | |
5 to 10, but I don't go lower than a tenner, normally. | 0:40:04 | 0:40:08 | |
£7 was paid, I think just for the fun and novelty of it all | 0:40:08 | 0:40:11 | |
and, who knows? They may get away with a small profit, | 0:40:11 | 0:40:13 | |
but I'm with you with that, Adam. In fact, for both of those pieces. | 0:40:13 | 0:40:16 | |
They're definitely going to need one or t'other of the two bonus buys, | 0:40:16 | 0:40:21 | |
so let's go and have a look at the expert showing them them. | 0:40:21 | 0:40:25 | |
Now, R and G, Roy and Gail... | 0:40:27 | 0:40:30 | |
This is exciting, isn't it? Two bonus buys from JP. | 0:40:31 | 0:40:34 | |
JP, show us what you bought. | 0:40:34 | 0:40:36 | |
Right, I know Gail liked her metal. | 0:40:36 | 0:40:39 | |
Yes. | 0:40:39 | 0:40:40 | |
-I bought you... -A whole lot of metal! | 0:40:40 | 0:40:43 | |
Now, Roy and Gail gave you £155 for the team bonus buy. | 0:40:43 | 0:40:49 | |
What did you buy with that amount? | 0:40:49 | 0:40:50 | |
I bought the two little trophies for £25. | 0:40:50 | 0:40:54 | |
Have a little handle of that. | 0:40:54 | 0:40:56 | |
Now, the interesting thing about it is that | 0:40:56 | 0:40:58 | |
these are gooseberry grower trophies. | 0:40:58 | 0:41:00 | |
These are 1950s trophies, it says "Gaytime", | 0:41:00 | 0:41:02 | |
which we've worked out to be a variety of gooseberry. | 0:41:02 | 0:41:05 | |
So they're unusual things. | 0:41:05 | 0:41:07 | |
And that is where an inscription helps the value. | 0:41:07 | 0:41:09 | |
-And how much did you pay for those? -£25. -For the two? -For the two. | 0:41:09 | 0:41:13 | |
-Are they silver? -Yes, they are. | 0:41:13 | 0:41:15 | |
English, hallmarked, sterling silver. | 0:41:15 | 0:41:17 | |
Where do you think it will go, price-wise? | 0:41:17 | 0:41:19 | |
-They might double their money. -Super. | 0:41:19 | 0:41:21 | |
-Well, that would be nice, wouldn't it? -Yes. -Happy with that? -Yes. | 0:41:21 | 0:41:24 | |
So, next, Jonathan, with £100 of special bonus buy cash, what did you buy? | 0:41:24 | 0:41:30 | |
Obviously, I bought this. You can work that one out! £85. | 0:41:30 | 0:41:34 | |
Late Victorian glass and silver mounted inkwell. | 0:41:34 | 0:41:37 | |
Cute little thing, diamond-cut, nicely made. | 0:41:37 | 0:41:40 | |
It didn't have a top on it? | 0:41:40 | 0:41:42 | |
No, we think this might have been for use with a quill. | 0:41:42 | 0:41:45 | |
How much do you think it will bring at auction? | 0:41:45 | 0:41:47 | |
I think you'd probably bank on it making between £80-£120. | 0:41:47 | 0:41:51 | |
-OK, well, that's good. Any other questions you want to put to JP? -No. | 0:41:51 | 0:41:54 | |
Because your moment to pick either one of these - you can only have one | 0:41:54 | 0:41:58 | |
or neither of them - will be after the sale of the first three items. | 0:41:58 | 0:42:01 | |
OK? As per normal. Right now, though, | 0:42:01 | 0:42:04 | |
let's find out what the auctioneer thinks about JP's bonus buys! | 0:42:04 | 0:42:09 | |
Two bonus buys, that's the team's bonus buy. | 0:42:11 | 0:42:15 | |
The gooseberry championships. | 0:42:15 | 0:42:16 | |
I think these are rather sweet, aren't they? | 0:42:16 | 0:42:19 | |
I think they're charming. Absolutely charming. But, do you like 'em? | 0:42:19 | 0:42:22 | |
They've had a bit of a scratch, but I do think | 0:42:22 | 0:42:25 | |
they're quite nice little trophies. £20-£40, I think. | 0:42:25 | 0:42:28 | |
£20-£40, fair enough. | 0:42:28 | 0:42:29 | |
Now, the special bonus buy is that fellow, a period piece of silver. | 0:42:29 | 0:42:35 | |
Late Victorian, 1895. | 0:42:35 | 0:42:38 | |
It's OK, isn't it? I think I'd put £40-£60, | 0:42:38 | 0:42:40 | |
-it should make that, it might make touch more. -OK, £85 paid. | 0:42:40 | 0:42:44 | |
Not sure it'll make that much. | 0:42:44 | 0:42:45 | |
No, and the prediction is from me that | 0:42:45 | 0:42:49 | |
the gooseberry trophies will bring the biggest profit. | 0:42:49 | 0:42:52 | |
Anyway, that's it for the Reds. | 0:42:52 | 0:42:54 | |
Now the Blues. Etch A Sketch. | 0:42:54 | 0:42:56 | |
-Did you ever have one of those when you were a nipper? -No. -OK. | 0:42:56 | 0:42:58 | |
If I'd had one, it might not have had... I've just noticed! | 0:42:58 | 0:43:01 | |
It doesn't look entirely original, does it? | 0:43:01 | 0:43:05 | |
OK. That is estimated at how much? | 0:43:05 | 0:43:07 | |
Well, we've put £10-£20. | 0:43:07 | 0:43:08 | |
£3 paid. That's that, then. | 0:43:08 | 0:43:10 | |
Then you've got five of these shell wall fittings, three showing, look. | 0:43:10 | 0:43:15 | |
Do you rate those, for five? | 0:43:15 | 0:43:17 | |
They're not my taste, I think they're just post-Deco '50s, | 0:43:17 | 0:43:19 | |
but they're quite stylish. They must be worth a tenner each, so 50 quid. | 0:43:19 | 0:43:23 | |
-OK, £50. -I've put "estimate of 30-50". | 0:43:23 | 0:43:25 | |
Well, if you think they might make 50, | 0:43:25 | 0:43:27 | |
they need to make twice as much, because the team paid £100. | 0:43:27 | 0:43:30 | |
-I think that would be lucky. -That's a bit of a killer. | 0:43:30 | 0:43:33 | |
And their last item, over there against the back wall, | 0:43:33 | 0:43:36 | |
is the heffalump coffee table, my least favourite object. | 0:43:36 | 0:43:39 | |
What's your estimate on that? | 0:43:39 | 0:43:40 | |
£30-£50, I think you'd be lucky to get that, really. | 0:43:40 | 0:43:43 | |
-It's a piece of tourist ware, isn't it? -£45 paid. | 0:43:43 | 0:43:46 | |
That's about 20 quid too much for me. | 0:43:46 | 0:43:48 | |
Mmm, I think they need to pack up their trunk for this. And go off to the circus. | 0:43:48 | 0:43:51 | |
Anyway, thank you very much, Adam. | 0:43:51 | 0:43:53 | |
It's a dead cert we're going to need one or other of the bonus buys, | 0:43:53 | 0:43:57 | |
so let's go and have a look at the expert showing them, them. | 0:43:57 | 0:44:01 | |
So, Andy and Jilly, this is exciting, two bonus buys | 0:44:01 | 0:44:04 | |
and David Harper is going to reveal | 0:44:04 | 0:44:06 | |
what you spent the £162 worth of leftover lolly on, | 0:44:06 | 0:44:10 | |
for the team's bonus buy. | 0:44:10 | 0:44:11 | |
Team's bonus buy, and two very different objects. | 0:44:11 | 0:44:14 | |
Ooh, I like that. | 0:44:14 | 0:44:16 | |
Why do you like it? | 0:44:16 | 0:44:17 | |
-Gothic! -Ooh, well, it's... | 0:44:17 | 0:44:19 | |
I can see the blackness of it, yeah, it is. | 0:44:19 | 0:44:22 | |
It's a Chinese lacquer box. | 0:44:22 | 0:44:24 | |
Missing its interior. It would have been for your lady's sewing box. | 0:44:24 | 0:44:27 | |
Lots of different compartments in there. 1820-1840, I feel. | 0:44:27 | 0:44:32 | |
-What do you reckon? -Yeah, I do like it. -Yeah. -Do you? -Yeah, it's lovely. | 0:44:32 | 0:44:36 | |
£28. | 0:44:36 | 0:44:37 | |
-OK. -Lovely. | 0:44:37 | 0:44:38 | |
-£28. -That's a really good price. | 0:44:38 | 0:44:40 | |
You had 162, you spent 28. | 0:44:40 | 0:44:43 | |
Fair enough. Ask him how much profit. | 0:44:43 | 0:44:45 | |
-How much profit do you think, David? -I think £30-£50, might make 60. -OK. | 0:44:45 | 0:44:49 | |
So, £100 for the special bonus buy was therefore spent on these chaps. | 0:44:49 | 0:44:54 | |
Absolutely. Different ball game altogether. | 0:44:54 | 0:44:57 | |
-What are they? -Yes, exactly! | 0:44:57 | 0:45:00 | |
-They're towel rails. -OK! | 0:45:00 | 0:45:02 | |
Dating from the 1920s and '30s. Absolute glamour. | 0:45:02 | 0:45:06 | |
Glass arms, really well made. | 0:45:06 | 0:45:09 | |
-Very good condition, actually. -Yes. | 0:45:09 | 0:45:11 | |
They are. Very specialist. You will never find those things ever again. | 0:45:11 | 0:45:15 | |
That is the wonderful thing about this piece. | 0:45:15 | 0:45:17 | |
-Ask him how much. -Here we go! | 0:45:17 | 0:45:19 | |
-You're so horrible! -No, I'm not! | 0:45:19 | 0:45:23 | |
-How much did you pay for them? -I paid 50 quid for the pair. | 0:45:23 | 0:45:26 | |
Now then, how on earth do you value those things? | 0:45:26 | 0:45:28 | |
I wouldn't be surprised if they certainly made 100. | 0:45:28 | 0:45:31 | |
OK, well, that's the truth of the matter, | 0:45:31 | 0:45:33 | |
then, for the two bonus buys. | 0:45:33 | 0:45:34 | |
It's going to be difficult for you to choose. | 0:45:34 | 0:45:36 | |
You can only pick one of them or none of them, | 0:45:36 | 0:45:39 | |
at the moment after the sale of your first three items. | 0:45:39 | 0:45:41 | |
But right now, for the audience at home, let's find out what | 0:45:41 | 0:45:44 | |
the auctioneer thinks about David Harper's bonus buys! | 0:45:44 | 0:45:48 | |
Right, Adam, one team bonus buy, lacquered box. | 0:45:49 | 0:45:54 | |
Yeah, it's showing its signs of age, isn't it? | 0:45:54 | 0:45:56 | |
-I'd like to see an interior in that, wouldn't you? -Yes. | 0:45:56 | 0:45:58 | |
At least it's an antique, strictly speaking. | 0:45:58 | 0:46:01 | |
-How much is it going to bring? -20 quid, probably. 20-40 estimate. | 0:46:01 | 0:46:04 | |
OK, £28 paid. And now we've got these very heavy, I don't know, | 0:46:04 | 0:46:09 | |
there's something of quality about them. | 0:46:09 | 0:46:11 | |
They're quite stylish. | 0:46:11 | 0:46:13 | |
It would probably cost you a good deal at a salvage yard if you were fitting out a Deco house. | 0:46:13 | 0:46:16 | |
I would imagine they'd be quite expensive. | 0:46:16 | 0:46:18 | |
I think they probably would be. What is your estimate in the sale? | 0:46:18 | 0:46:21 | |
Unfortunately, we're an auction room, we put £20-£40 on them. | 0:46:21 | 0:46:24 | |
OK, £50 paid. | 0:46:24 | 0:46:25 | |
They are actually my prediction as to which of the two | 0:46:25 | 0:46:28 | |
are going to bring a bigger profit. Although I'm not so sure now. | 0:46:28 | 0:46:31 | |
MUSIC: "Move Any Mountain" by The Shamen | 0:46:31 | 0:46:35 | |
Thank you very much. | 0:46:36 | 0:46:38 | |
-How are you feeling? -Excellent. -Are you? -Yes. | 0:46:38 | 0:46:40 | |
-Confident? -Very confident. -Very gung-ho. -Yes. -Well, that's great. | 0:46:40 | 0:46:44 | |
-The railway sign is your big number, isn't it? -Yes. | 0:46:44 | 0:46:47 | |
£118. He's put £50-£80 on it as an estimate. | 0:46:47 | 0:46:52 | |
All I can say is that railwayana and railway signs, | 0:46:52 | 0:46:55 | |
I've seen them make loads of money. | 0:46:55 | 0:46:57 | |
But they tend to relate to stations and destinations. But who knows? | 0:46:57 | 0:47:02 | |
A very smart double-sided enamel | 0:47:02 | 0:47:05 | |
railway station "refreshments" sign there. | 0:47:05 | 0:47:07 | |
Always an interest in railwayana. | 0:47:07 | 0:47:09 | |
I've got bidding here at 50, 60, 70, 80, 90, 100 already. | 0:47:09 | 0:47:13 | |
At £100, I'll take ten. At £100, on the right tracks here, at 100. | 0:47:13 | 0:47:17 | |
-Oh-ho-ho! -Glad you're listening! | 0:47:17 | 0:47:20 | |
At £100, any advance on 100? | 0:47:20 | 0:47:23 | |
120, 130. | 0:47:23 | 0:47:24 | |
-Yes, very impressive. -Yes, yes! | 0:47:24 | 0:47:26 | |
140 bid. | 0:47:26 | 0:47:27 | |
At 140. At 140, any more at 140? | 0:47:27 | 0:47:31 | |
Will you bid me 150? I'm selling now, £140, are you all done, then? | 0:47:31 | 0:47:37 | |
Well done, Roy. That is plus £22. | 0:47:38 | 0:47:40 | |
Now, next is your graduated pearl necklace. | 0:47:40 | 0:47:44 | |
There we go there, £20 for it? | 0:47:44 | 0:47:46 | |
£10, the necklace. £10, there we go. | 0:47:46 | 0:47:50 | |
£10, down there, don't be embarrassed, sir. £10 is bid. | 0:47:50 | 0:47:53 | |
At £10, I'll take 15, bid at ten. At £10 only now. At £10. | 0:47:53 | 0:47:59 | |
Selling then, at £10. | 0:47:59 | 0:48:01 | |
15 in front? At £15. Any advance? 20. 20 in the room. | 0:48:01 | 0:48:05 | |
At £20 and selling. At £20, at 20. | 0:48:05 | 0:48:10 | |
Very good. £20. Wipes its face. | 0:48:10 | 0:48:14 | |
Now, here comes Bass. | 0:48:14 | 0:48:16 | |
The bottle of Bass, commemorating 200 years of Bass, 1777-1977. | 0:48:16 | 0:48:21 | |
Give me a fiver? | 0:48:21 | 0:48:22 | |
I've got a pound online! | 0:48:22 | 0:48:24 | |
Two in the room. At £2. Three in the room, look at this! | 0:48:26 | 0:48:30 | |
Four, now, the tension builds. Five. | 0:48:30 | 0:48:32 | |
Where's the 40? | 0:48:32 | 0:48:34 | |
-Keep going. -Five, we're down here! | 0:48:34 | 0:48:36 | |
At £5, £6! | 0:48:36 | 0:48:37 | |
Oh, go on, seven! | 0:48:37 | 0:48:39 | |
Dare you to drink it, at £6! | 0:48:39 | 0:48:41 | |
LAUGHTER | 0:48:41 | 0:48:42 | |
At £6, I'm selling at £6. | 0:48:42 | 0:48:46 | |
Ah, bad luck. £6 minus £1 means you are plus £21. | 0:48:46 | 0:48:51 | |
That is, nevertheless, I have to tell you, | 0:48:51 | 0:48:54 | |
a pretty good place to be in, is £21. Certainly is good. | 0:48:54 | 0:48:58 | |
Now, what are you going to do, then, about this bonus buy? | 0:48:58 | 0:49:01 | |
Do nothing and keep the £21, yes? | 0:49:01 | 0:49:05 | |
Which is an option. | 0:49:05 | 0:49:07 | |
Or, go with the gooseberry trophies. Cost £25. | 0:49:07 | 0:49:11 | |
Or, go with the silver inkwell, cost of £85. Or, do nothing. | 0:49:11 | 0:49:16 | |
-Stay. -Stay? You don't want to go with either? -No. | 0:49:16 | 0:49:19 | |
Do you not like the gooseberries? What's the matter with the gooseberries? | 0:49:19 | 0:49:22 | |
-I don't know... -Is that because you are anti-gooseberry or is it | 0:49:22 | 0:49:25 | |
-because you don't like them? -I don't like 'em! | 0:49:25 | 0:49:28 | |
-You don't like 'em? -No. -OK, fine. | 0:49:28 | 0:49:29 | |
We're not going with the gooseberry job | 0:49:29 | 0:49:31 | |
and we're not going with the inkwell. Is that the message? | 0:49:31 | 0:49:34 | |
We're going with nothing, we're sticking with the £22. | 0:49:34 | 0:49:36 | |
Well, I have to tell you, we're going to sell both | 0:49:36 | 0:49:40 | |
of the rejected bonus buys and, if they make a profit, | 0:49:40 | 0:49:44 | |
-singly or together, that profit will go to charity today. -Excellent. | 0:49:44 | 0:49:47 | |
So, we're going to sell them anyway, | 0:49:47 | 0:49:49 | |
and the first ones coming up are the gooseberry trophies. | 0:49:49 | 0:49:52 | |
-And here they come. -Here we are, miniature gooseberry trophies. | 0:49:52 | 0:49:55 | |
Aren't they quite sweet? They would hold the prize-winning gooseberry. | 0:49:55 | 0:49:58 | |
What about those? £20 a pair? | 0:49:58 | 0:49:59 | |
Gooseberry trophies. £10 a pair. | 0:49:59 | 0:50:01 | |
Sell, for goodness' sake. | 0:50:01 | 0:50:03 | |
Online at 10. 15 in the room. | 0:50:03 | 0:50:05 | |
At £15 in the room. At 15. | 0:50:05 | 0:50:07 | |
Any advance on these now? | 0:50:07 | 0:50:09 | |
£15. The gooseberry trophies. | 0:50:09 | 0:50:10 | |
You're hovering online. Bid me now. | 0:50:10 | 0:50:13 | |
I'm selling in the room at £15. | 0:50:13 | 0:50:15 | |
Uh-oh. | 0:50:15 | 0:50:16 | |
£15 is £15. | 0:50:16 | 0:50:18 | |
Interesting story behind those. | 0:50:18 | 0:50:20 | |
I have to tell that they were my prediction that they were | 0:50:20 | 0:50:22 | |
going to bring the biggest profit, and they didn't. That's minus £10. | 0:50:22 | 0:50:26 | |
It'd be mine as well. | 0:50:26 | 0:50:28 | |
Now, the inkwell. | 0:50:28 | 0:50:29 | |
Late Victorian. John Grinsell | 0:50:29 | 0:50:31 | |
and Sons of London, 1895. | 0:50:31 | 0:50:33 | |
And I bid at £40. At 40. | 0:50:33 | 0:50:35 | |
Is there five now? A £40. | 0:50:35 | 0:50:37 | |
Is there five? Five. 50. | 0:50:37 | 0:50:39 | |
Still with me. At 50. | 0:50:39 | 0:50:41 | |
Anyone else on this inkwell now? | 0:50:41 | 0:50:42 | |
At £50. | 0:50:42 | 0:50:44 | |
Five. 60. Five here. 70 now. 65. | 0:50:44 | 0:50:48 | |
Him in the cap at 65. | 0:50:48 | 0:50:50 | |
Is there anyone else? | 0:50:50 | 0:50:51 | |
-Come on. -At £65. Are you all done? | 0:50:51 | 0:50:55 | |
70, seated. Five? No. | 0:50:55 | 0:50:56 | |
Second row at 70. | 0:50:56 | 0:50:58 | |
Anyone else now at 70? | 0:50:58 | 0:51:00 | |
I'm selling then. | 0:51:00 | 0:51:02 | |
Bad luck. £70 is minus £15. | 0:51:02 | 0:51:06 | |
You two cool cats did exactly the right thing. | 0:51:06 | 0:51:10 | |
You didn't go with anything. You parked your £21. | 0:51:10 | 0:51:14 | |
That's £21 is your total. | 0:51:14 | 0:51:16 | |
It could be a winning score, so don't say a word to the Blues. | 0:51:16 | 0:51:19 | |
Reluctantly, at a tenner. | 0:51:19 | 0:51:21 | |
Andrew, Jenny, been chatting to the Reds? | 0:51:28 | 0:51:31 | |
A little bit. | 0:51:31 | 0:51:33 | |
About how they got on? | 0:51:33 | 0:51:35 | |
-Do you know how they got on? -No. -Good. | 0:51:35 | 0:51:38 | |
The Etch A Sketch, which I think is fascinating, it's in English | 0:51:38 | 0:51:42 | |
and French, which is a hoot, really. | 0:51:42 | 0:51:44 | |
It's not in great condition. It's £3. It's a bit of a laugh. | 0:51:44 | 0:51:48 | |
He's put 10 to £20 on it. | 0:51:48 | 0:51:50 | |
He's thinks you'll be lucky if you get a couple of quid for it | 0:51:50 | 0:51:53 | |
because it doesn't matter. | 0:51:53 | 0:51:54 | |
The Etch A Sketch, there. | 0:51:54 | 0:51:55 | |
w£10 for the Etch A Sketch. | 0:51:55 | 0:51:57 | |
Fiver. Five is bid. At £5. | 0:51:58 | 0:52:00 | |
I'll take six, just this once. | 0:52:00 | 0:52:03 | |
At £5 only. | 0:52:03 | 0:52:04 | |
Selling at a fiver. | 0:52:04 | 0:52:06 | |
At £5. Six at the back. | 0:52:06 | 0:52:08 | |
There we go. | 0:52:08 | 0:52:09 | |
£6. The lady at the back. | 0:52:09 | 0:52:11 | |
Six English pounds. | 0:52:11 | 0:52:13 | |
Too late. | 0:52:13 | 0:52:15 | |
£6. | 0:52:15 | 0:52:16 | |
Which is plus £3. Thank you. | 0:52:16 | 0:52:18 | |
Lovely. | 0:52:18 | 0:52:20 | |
What's going to happen with the wall lights? | 0:52:20 | 0:52:22 | |
Crown frame wall lights | 0:52:22 | 0:52:24 | |
with the shell moulded shades. | 0:52:24 | 0:52:25 | |
Five of those and I bid 40. Five. | 0:52:25 | 0:52:28 | |
50. Five. 60. Five online. | 0:52:28 | 0:52:30 | |
65 now. | 0:52:30 | 0:52:32 | |
70 in the room. 70 in the back. | 0:52:32 | 0:52:34 | |
At £70. Five online. | 0:52:34 | 0:52:36 | |
80 at the back. Five now. | 0:52:36 | 0:52:39 | |
-Here we go. Come on. -£100. 110. | 0:52:39 | 0:52:42 | |
-120. 130. -That's a profit. -Woo-hoo! | 0:52:42 | 0:52:48 | |
160 bid. | 0:52:48 | 0:52:49 | |
And selling now at £160. | 0:52:49 | 0:52:52 | |
That's 60. That's the number. | 0:52:54 | 0:52:57 | |
Well, he might not like Etch A Sketch, but we made a profit. | 0:52:58 | 0:53:02 | |
African coffee table. | 0:53:03 | 0:53:05 | |
Maybe £30 for that. 30. | 0:53:05 | 0:53:07 | |
£20 for it. | 0:53:07 | 0:53:08 | |
20 bid. On five online. At £25 | 0:53:08 | 0:53:12 | |
-online. -If we make a profit... | 0:53:12 | 0:53:15 | |
At 25. All done. | 0:53:15 | 0:53:16 | |
Any advance on this? | 0:53:16 | 0:53:18 | |
30 if you want. At £25, internet. | 0:53:18 | 0:53:21 | |
At £25. | 0:53:21 | 0:53:22 | |
£25. It's minus £20. | 0:53:24 | 0:53:28 | |
Which you had 63, you've not got 43. | 0:53:28 | 0:53:30 | |
But 43 is a good number. | 0:53:30 | 0:53:33 | |
That's fantastic. What are we going to do about these bonus buys? | 0:53:33 | 0:53:37 | |
You don't need to bother at all if you don't want to. | 0:53:37 | 0:53:39 | |
What do you think? | 0:53:39 | 0:53:41 | |
On the other hand, you don't know how the Reds have got on. | 0:53:41 | 0:53:43 | |
You do know how much profit or loss the Reds have made. | 0:53:43 | 0:53:46 | |
So this is the dodgy moment for the Blue team. | 0:53:46 | 0:53:49 | |
Cos if you stick, and they've made more than £43, you won't win. | 0:53:49 | 0:53:54 | |
But on the other hand, if you twist and you go with either or them... | 0:53:54 | 0:53:59 | |
you'll risk your £43. | 0:53:59 | 0:54:01 | |
-I think it will be a bit of fun to go with it. -Go on, then. | 0:54:02 | 0:54:06 | |
-Which one? -The Chinese... -The Chinese box. | 0:54:06 | 0:54:08 | |
Chinese box. No towel rails. | 0:54:08 | 0:54:11 | |
No. We'll go for the Chinese box. | 0:54:11 | 0:54:14 | |
-Chinese box for £28? -OK. -Fine. The decision is made. | 0:54:14 | 0:54:17 | |
We're going for the Chinese box. | 0:54:17 | 0:54:19 | |
I can tell you that the auctioneer's estimate is 20 to £40. | 0:54:19 | 0:54:22 | |
So you're in the frame there, Dave. | 0:54:22 | 0:54:24 | |
And the tubular glass, the estimate is 20 to £40. | 0:54:24 | 0:54:27 | |
We're going to sell them anyway. | 0:54:27 | 0:54:28 | |
And if they make a profit, that profit will go to charity. | 0:54:28 | 0:54:32 | |
First up is the box and here it comes. | 0:54:32 | 0:54:34 | |
The lacquered box. £20 for it. | 0:54:34 | 0:54:37 | |
Come on. | 0:54:37 | 0:54:38 | |
19th century lacquered box for £20. | 0:54:38 | 0:54:40 | |
£10 then. On the front. | 0:54:40 | 0:54:42 | |
15 in the corner. 20, the lady. | 0:54:42 | 0:54:44 | |
Five at the back. 25 at the back. | 0:54:44 | 0:54:46 | |
30 in the front row. | 0:54:46 | 0:54:48 | |
Where's five now? | 0:54:48 | 0:54:50 | |
We're 35, in pink. | 0:54:50 | 0:54:52 | |
At 35, it's the lady's bid. | 0:54:52 | 0:54:54 | |
At £35 now. | 0:54:54 | 0:54:56 | |
That's £7. | 0:54:57 | 0:54:59 | |
-Well done. That's marvellous. -Thank you. | 0:54:59 | 0:55:01 | |
My prediction was that the glass towel rails were going to | 0:55:01 | 0:55:05 | |
bring the biggest profit. So, we're going to sell them. | 0:55:05 | 0:55:07 | |
If they make a profit, the money will go to charity. | 0:55:07 | 0:55:10 | |
But first of all, they've got to make more than £50. | 0:55:10 | 0:55:12 | |
-Here we go. -These are very smart. | 0:55:12 | 0:55:14 | |
The Art Deco glass, | 0:55:14 | 0:55:16 | |
tubular towel rails. | 0:55:16 | 0:55:18 | |
Imagine how much they would cost you | 0:55:18 | 0:55:20 | |
at a salvage yard or something like that. | 0:55:20 | 0:55:21 | |
I could see a big tag on those in the right place. | 0:55:21 | 0:55:25 | |
I've already got interest at 50, 60, 70 and £80. | 0:55:25 | 0:55:30 | |
At 80. Take five. 80's bid. | 0:55:30 | 0:55:32 | |
Mixed feelings. | 0:55:32 | 0:55:34 | |
Very stylish things at £80. | 0:55:34 | 0:55:35 | |
Are you all done then? | 0:55:35 | 0:55:37 | |
I'm selling them at £80. | 0:55:37 | 0:55:39 | |
£80 plus £30. | 0:55:39 | 0:55:42 | |
But actually, you went with the £7 profit which gives you | 0:55:42 | 0:55:46 | |
overall plus £50, which is | 0:55:46 | 0:55:48 | |
a very respectable amount of money to be wandering away with. | 0:55:48 | 0:55:52 | |
It could be a winning score. So don't say a word to the Reds. | 0:55:52 | 0:55:55 | |
And rather nice we're going to be able to donate the £30 profit, | 0:55:55 | 0:56:00 | |
from the rejected special bonus buy, to charity. | 0:56:00 | 0:56:02 | |
-I'm not offended in any way. -Of course not. | 0:56:02 | 0:56:05 | |
No, no. Perfect. How could you possibly be offended? | 0:56:05 | 0:56:08 | |
You're a genius. | 0:56:08 | 0:56:10 | |
Bid at £30. | 0:56:10 | 0:56:11 | |
50 here on the third row. | 0:56:11 | 0:56:13 | |
Well, how lovely is this? | 0:56:19 | 0:56:21 | |
Two teams of substantial winners on Bargain Hunt. | 0:56:21 | 0:56:26 | |
-Now, have you been chatting, you lot? -ALL: No. | 0:56:26 | 0:56:29 | |
Well, that's good, isn't it? | 0:56:29 | 0:56:30 | |
Cos you're both going home with folding money, | 0:56:30 | 0:56:33 | |
which is absolutely marvellous. | 0:56:33 | 0:56:34 | |
And it's simply the scale of the winnings today which sorts you out. | 0:56:34 | 0:56:39 | |
And runners up with substantial winnings though today are the Reds. | 0:56:39 | 0:56:43 | |
The Reds are going to go home with £21. | 0:56:45 | 0:56:48 | |
There's your £20 plus another little one coming along. | 0:56:48 | 0:56:50 | |
A little shrapnel of money. | 0:56:50 | 0:56:53 | |
You made nothing on the bonus buys, but then you didn't go with | 0:56:53 | 0:56:57 | |
either of the bonus buys because you're very cute, you two, and cunning. | 0:56:57 | 0:57:01 | |
You ain't going to get tempted by anything that JP came up with, | 0:57:01 | 0:57:05 | |
even though there were two of them, | 0:57:05 | 0:57:07 | |
and you made the right decision anyway. | 0:57:07 | 0:57:10 | |
And it was bad luck on you, JP, I have to say. | 0:57:10 | 0:57:12 | |
You made the right decision, but sadly you are the runners up | 0:57:12 | 0:57:15 | |
because the victors today go home with £50. | 0:57:15 | 0:57:18 | |
-Yes! -£50. | 0:57:18 | 0:57:21 | |
-Which is lovely, isn't it? That's a little wodge. -Lovely. | 0:57:21 | 0:57:25 | |
And you came so close to getting your golden gavel, | 0:57:25 | 0:57:27 | |
where it not for the elephant table, | 0:57:27 | 0:57:29 | |
which is a shame, wasn't it? But never mind about that. | 0:57:29 | 0:57:31 | |
You were plus 43, you decided to go with the bonus buy. | 0:57:31 | 0:57:35 | |
That contributed £7. | 0:57:35 | 0:57:36 | |
Thank you very much, David, that's the team's bonus buy. | 0:57:36 | 0:57:40 | |
But you didn't select the special bonus buy which | 0:57:40 | 0:57:44 | |
made its profit of £30, and this is the £30 that you might have had | 0:57:44 | 0:57:49 | |
if you'd gone for that bonus buy which will be donated to charity. | 0:57:49 | 0:57:54 | |
So it's a win-win all round. | 0:57:54 | 0:57:55 | |
-Are you happy? -Yeah, very happy. -You look very happy. | 0:57:55 | 0:57:59 | |
It's been a great day. | 0:57:59 | 0:58:01 | |
-Join us soon for some more bargain hunting. -ALL: -Yes! | 0:58:01 | 0:58:05 |