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Mirror, mirror on the wall, who are the best shoppers of them all? | 0:00:03 | 0:00:07 | |
Will it be the Reds, will it be the Blues? | 0:00:07 | 0:00:09 | |
We'll find out in this 60 minute action packed special. | 0:00:09 | 0:00:14 | |
Let's go bargain hunting, yeah! | 0:00:14 | 0:00:16 | |
Today we're in Edinburgh and our teams have a mountain to climb. | 0:00:39 | 0:00:43 | |
They have £300 and an hour to find three items to sell at auction. | 0:00:45 | 0:00:50 | |
And the winners will be the team that make the fattest profit | 0:00:50 | 0:00:53 | |
or the slimmest loss. | 0:00:53 | 0:00:55 | |
But today we've changed the rules slightly. | 0:00:55 | 0:00:59 | |
Because we're not asking the experts | 0:00:59 | 0:01:01 | |
to buy one bonus buy but two to take to auction. | 0:01:01 | 0:01:05 | |
And then I'll discuss with them | 0:01:05 | 0:01:07 | |
which one I think will bring the biggest profit. | 0:01:07 | 0:01:10 | |
But which one will the teams choose, and will I get it right? | 0:01:11 | 0:01:15 | |
Here's a quick glimpse as to what's coming up. | 0:01:15 | 0:01:17 | |
Find out who wears the trousers in the old Red team. | 0:01:19 | 0:01:22 | |
-Get it now. -The lady's spoken. | 0:01:22 | 0:01:24 | |
-But if it loses... -Get it now. | 0:01:24 | 0:01:26 | |
He'll take it now, shake the lady's hand. | 0:01:26 | 0:01:28 | |
And comedy sound effects for the Blues. | 0:01:29 | 0:01:32 | |
SWOOPING SOUND | 0:01:32 | 0:01:34 | |
Oh! | 0:01:34 | 0:01:35 | |
But will they have the last laugh? | 0:01:35 | 0:01:37 | |
This is more fun than I think I've had in years! | 0:01:37 | 0:01:40 | |
And stay tuned for the auction, | 0:01:40 | 0:01:42 | |
as the Bargain Hunt lots go under the hammer. | 0:01:42 | 0:01:44 | |
120. 130. | 0:01:44 | 0:01:46 | |
-Yes! -Oh! | 0:01:46 | 0:01:48 | |
Thank you! | 0:01:48 | 0:01:50 | |
Time to meet the teams. | 0:01:50 | 0:01:52 | |
Well, we have two teams today who have interests in common, | 0:01:52 | 0:01:57 | |
and that interest is... Farming. | 0:01:57 | 0:02:01 | |
Stuart and Nicola are a married couple who have an | 0:02:01 | 0:02:04 | |
interest in breeding rare breeds. | 0:02:04 | 0:02:08 | |
-And Margaret and Ina are farmers' wives. -Yes. | 0:02:08 | 0:02:11 | |
-Hello, everyone. -Hello. -Hello. | 0:02:11 | 0:02:14 | |
Stuart, tell us about these rare breeds. | 0:02:14 | 0:02:16 | |
They're Scottish rare breeds. | 0:02:16 | 0:02:18 | |
I keep Eriskay ponies and Shetland cattle. | 0:02:18 | 0:02:21 | |
An Eriskay pony is a wonderful, beautiful, normally grey pony | 0:02:21 | 0:02:25 | |
that comes from the furthest island in the Hebrides, | 0:02:25 | 0:02:28 | |
the island of Eriskay, and there's only 15 stallions in the world. | 0:02:28 | 0:02:31 | |
Gosh, that's a shortage, isn't it? | 0:02:31 | 0:02:33 | |
To compare, there's 1,400 giant pandas, | 0:02:33 | 0:02:36 | |
and they are supposed to be rare. | 0:02:36 | 0:02:37 | |
-You were a club musician, a pianist, were you? -I was a pianist. | 0:02:37 | 0:02:42 | |
I became a Butlins Redcoat, to get a good grounding in entertainment. | 0:02:42 | 0:02:46 | |
Then I went on to become Lonnie Donegan's keyboard player | 0:02:46 | 0:02:49 | |
and singing harmonies, so I had to sing down my nose. | 0:02:49 | 0:02:52 | |
-SINGS NASALLY: -Have a drink, have a drink, have a drink on me. -Oh, yes. | 0:02:52 | 0:02:56 | |
One forgets, doesn't one? The singing down the nose technique. | 0:02:56 | 0:02:59 | |
In the old days I used to work at a major nightclub. | 0:02:59 | 0:03:02 | |
People like The Drifters, Gene Pitney, I used to back those. | 0:03:02 | 0:03:05 | |
I still keep my hand in and I'm doing a Sound Production HNC | 0:03:05 | 0:03:09 | |
at the grand old age of 64. | 0:03:09 | 0:03:11 | |
Brilliant. | 0:03:11 | 0:03:12 | |
Now, Nicola, you're keen on the rare breeds | 0:03:12 | 0:03:15 | |
-but you like to write, don't you? -Yes. | 0:03:15 | 0:03:17 | |
I'm an aspiring author and I'm just waiting to be discovered. | 0:03:17 | 0:03:21 | |
-And what's your current production? -It's Hippity Hop. -Is it? -Yes. | 0:03:21 | 0:03:26 | |
-It's a story about a little frog. -Would this be for children? -Yes. | 0:03:26 | 0:03:29 | |
And I've got a wonderful guy who I work with who's done some | 0:03:29 | 0:03:32 | |
illustrations for me. So I'm going to be the next JK Rowling. | 0:03:32 | 0:03:36 | |
-Are you? -I am indeed. | 0:03:36 | 0:03:38 | |
Modest ambition! | 0:03:38 | 0:03:40 | |
Now, what floats your boat when it comes to the antiques between you? | 0:03:40 | 0:03:43 | |
I want to buy something that's little, | 0:03:43 | 0:03:45 | |
intricate and a little bit quirky. | 0:03:45 | 0:03:47 | |
Just a little bit different. | 0:03:47 | 0:03:49 | |
OK, so are you going to spend all your cash? | 0:03:49 | 0:03:51 | |
I was brought up in my early life in a village called Kirkconnel, | 0:03:51 | 0:03:54 | |
a mining village. | 0:03:54 | 0:03:55 | |
We learned to be very, very, very careful with money indeed. | 0:03:55 | 0:03:59 | |
-I'm going to spend it for him, don't worry. -Oh, all right, fine. | 0:03:59 | 0:04:02 | |
-We've got the usual happily married split. -It's democracy. | 0:04:02 | 0:04:06 | |
Margaret, tell me, how did you and Ina first meet? | 0:04:06 | 0:04:10 | |
We actually met through the young farmers clubs. | 0:04:10 | 0:04:14 | |
Our husbands were farmers and we entered all the competitions | 0:04:14 | 0:04:18 | |
-and had great fun. -How many years have you been friends for? | 0:04:18 | 0:04:21 | |
A long time. 40 or 50 years now. | 0:04:21 | 0:04:24 | |
We've been on holidays together with the families, | 0:04:24 | 0:04:27 | |
they've grown up together. | 0:04:27 | 0:04:29 | |
-Isn't that lovely? -It is, very nice. | 0:04:29 | 0:04:32 | |
What sort of farming were you both involved in then? | 0:04:32 | 0:04:35 | |
Well, I was mainly arable and did some beef cattle. | 0:04:35 | 0:04:40 | |
I did a lot of the book work, I left all the physical work to my husband. | 0:04:40 | 0:04:44 | |
What about you, Ina, what sort of farming were you involved in? | 0:04:44 | 0:04:47 | |
Our farm is still involved with sheep and cattle. | 0:04:47 | 0:04:50 | |
Also pigs, but the pigs were basically for my pleasure. | 0:04:50 | 0:04:54 | |
Because I love pigs. | 0:04:54 | 0:04:57 | |
And my husband allowed me to have a couple of sows. | 0:04:58 | 0:05:02 | |
-Apart from the farming lark, you're also keen on curling. -Yes. | 0:05:02 | 0:05:06 | |
You've been champions, you two, haven't you, quietly? | 0:05:06 | 0:05:09 | |
Yes, we've done very well, we formed our own team and were invited | 0:05:09 | 0:05:13 | |
to all these competitions all over Scotland to all the ice rinks. | 0:05:13 | 0:05:17 | |
This was in the '80s. We won quite a few competitions. | 0:05:17 | 0:05:21 | |
-We actually reached the Scottish finals a few times. -What fun anyway. | 0:05:21 | 0:05:25 | |
Do you collect things connected with curling? | 0:05:25 | 0:05:28 | |
-Er... Yes. -With curling. | 0:05:28 | 0:05:31 | |
We've got quite a few curling stones, trophies and various other things. | 0:05:31 | 0:05:34 | |
So what sort of things are you going to collect today | 0:05:34 | 0:05:37 | |
-in the way of antiques? -We like old farming antiques. | 0:05:37 | 0:05:40 | |
Or gardening, I quite like gardening antiques. | 0:05:40 | 0:05:44 | |
What about you, Ina, what are you going to go for? | 0:05:44 | 0:05:47 | |
If I saw anything to do with pigs, I just love a pig collection. | 0:05:47 | 0:05:51 | |
-Here we go, £300 apiece. -Thank you. | 0:05:51 | 0:05:53 | |
You know the rules, your experts await and off you go. | 0:05:53 | 0:05:57 | |
Very, very good luck. I'm keen on pigs, too! | 0:05:57 | 0:06:00 | |
And now time to meet the experts. | 0:06:02 | 0:06:04 | |
Keeping the Reds in line, it's Catherine Southon. | 0:06:04 | 0:06:08 | |
And who's in charge of the Blues? | 0:06:08 | 0:06:10 | |
Aye, aye, it's Paul Laidlaw. | 0:06:10 | 0:06:12 | |
-You are sportswomen, are you not, curlers? -Yes. That's correct. | 0:06:15 | 0:06:19 | |
-A bit of this. -That's right. | 0:06:19 | 0:06:22 | |
-Are you competitive on the back of that? -Very much so. | 0:06:22 | 0:06:25 | |
-Are we going to spend lots today? -We going to spend £225.50. | 0:06:25 | 0:06:30 | |
-She's very exact, isn't she? -We're going to spend £50. | 0:06:30 | 0:06:33 | |
-It's a democracy. -Right, we're off! -We're off! | 0:06:33 | 0:06:36 | |
We'd better start. | 0:06:36 | 0:06:38 | |
And as the teams are let loose on the Highland Centre, they'll need to | 0:06:38 | 0:06:43 | |
listen to the advice of experts as this antiques fair is huge. | 0:06:43 | 0:06:47 | |
-Plenty here. -Yes. | 0:06:47 | 0:06:49 | |
But before we've even got started, | 0:06:49 | 0:06:51 | |
Stuart thinks he's back is holiday camp. | 0:06:51 | 0:06:53 | |
Gottle of geer. Keeker, kiker, kicked a keck of kickled kekker. | 0:06:53 | 0:06:57 | |
OK, enough fun for now. Time to concentrate. Time to pipe down. | 0:06:57 | 0:07:01 | |
-Stuart. -Yes? -I've found my first buy. | 0:07:02 | 0:07:06 | |
-Go one, let me see. -What have you found? | 0:07:06 | 0:07:09 | |
-Oh. -What is that, a clay pipe? -It's a clay pipe. | 0:07:09 | 0:07:12 | |
Half a clay pipe. Without the rest of the stem. | 0:07:12 | 0:07:14 | |
So we've got a 19th century clay pipe. | 0:07:14 | 0:07:16 | |
It's been chopped off at some point | 0:07:16 | 0:07:19 | |
but we have still got a name on that which is quite nice. | 0:07:19 | 0:07:22 | |
It looks like it says L. Fiolet. | 0:07:22 | 0:07:26 | |
It doesn't mean anything to me, I'm afraid. | 0:07:26 | 0:07:28 | |
But he has got a nice little doggy face, hasn't he? | 0:07:28 | 0:07:31 | |
Although his eyes do look a bit wonky to me. | 0:07:31 | 0:07:33 | |
Yes, his eyes are wonky but he's just such a character. | 0:07:33 | 0:07:36 | |
How can you look at that face and not love it? | 0:07:36 | 0:07:38 | |
-And not want it. -Do we know the price? -No, no. | 0:07:38 | 0:07:40 | |
But we're having it. | 0:07:40 | 0:07:41 | |
I don't know. No, because I was told it was a democracy. | 0:07:41 | 0:07:44 | |
-Can I ask how much it is? -To a good home, £5, please. | 0:07:44 | 0:07:47 | |
£5. I'd like him, please. | 0:07:47 | 0:07:50 | |
-You may have him. -Thank you! | 0:07:50 | 0:07:52 | |
-I do think she's not one to be argued with, is she? -No, definitely not. | 0:07:53 | 0:07:58 | |
-I did get that impression. -Can you see me shaking? -I'm shaking! | 0:07:58 | 0:08:01 | |
-It's just so beautiful. That's what I wanted. -He's lovely. | 0:08:01 | 0:08:04 | |
-I'm glad he's going to a good home. -He certainly is. | 0:08:04 | 0:08:07 | |
And we'll find out which home the boxer dog pipe is going to | 0:08:07 | 0:08:11 | |
later at auction. | 0:08:11 | 0:08:12 | |
Now, what have our curling farmers' wives got their eyes on? | 0:08:12 | 0:08:16 | |
-It's a cutlery drawer. -That's correct. -Or tray. | 0:08:16 | 0:08:19 | |
I think that's walnut or mahogany. | 0:08:19 | 0:08:23 | |
The base I can tell is actually softwood, it's pine or deal. | 0:08:23 | 0:08:27 | |
But for me, | 0:08:27 | 0:08:28 | |
it's all this decorative fretwork here that elevates it to Georgian. | 0:08:28 | 0:08:33 | |
That's going to be about 200 years old. | 0:08:33 | 0:08:36 | |
It doesn't look as if there's many things wrong with it. | 0:08:36 | 0:08:39 | |
You're going about it the right way, it's all about defects. | 0:08:39 | 0:08:43 | |
-What's the Achilles heel if it's there? -Yes. | 0:08:43 | 0:08:46 | |
Could you live with that? Would it go in a farmhouse? | 0:08:46 | 0:08:49 | |
It certainly would. | 0:08:49 | 0:08:51 | |
It's very much like what you would use in your cutlery drawers. | 0:08:51 | 0:08:55 | |
-I do like it as well. -The price on that is £75. | 0:08:55 | 0:08:59 | |
-It's probably worth at auction as little as £40. -Yes. | 0:08:59 | 0:09:05 | |
So if we wanted it there'd be a job of work to be done. | 0:09:05 | 0:09:09 | |
And while the Blues decide how much to offer for the cutlery tray, | 0:09:09 | 0:09:13 | |
Stuart has found something that reminds him of home. | 0:09:13 | 0:09:16 | |
-This is like Morecambe in a way. -It is. | 0:09:16 | 0:09:18 | |
-I'm from close to there. -This is quite nice. | 0:09:18 | 0:09:21 | |
We've got the Albert Memorial in Edinburgh on the back. | 0:09:21 | 0:09:24 | |
And this is like a little photo album. | 0:09:24 | 0:09:27 | |
-Unfortunately it's... -We've got this one though. | 0:09:27 | 0:09:32 | |
Which actually has photographs in it. But it hasn't got a clasp. | 0:09:32 | 0:09:35 | |
-But to resell it's personal to... -Yes. -If it had dogs in it then... | 0:09:35 | 0:09:41 | |
She'd be well away. | 0:09:41 | 0:09:43 | |
Back to the Blues. Has Paul managed to cut a deal on the cutlery tray? | 0:09:43 | 0:09:48 | |
-She's been really generous. She said 45. -45. | 0:09:48 | 0:09:52 | |
-I think it's close. -That is farmhouse material. That's great. | 0:09:55 | 0:10:02 | |
-I'm sensing we might have done something. -I agree. | 0:10:03 | 0:10:07 | |
So, deal done. £45 paid. And one buy apiece. | 0:10:08 | 0:10:12 | |
Now, Nicola has got her teeth into something which is not what | 0:10:12 | 0:10:15 | |
it seems. | 0:10:15 | 0:10:16 | |
-That is a piece of scrimshaw and that is a fake. -I was going to say. | 0:10:16 | 0:10:22 | |
The reason you know it, one of the reasons is it's incredibly heavy. | 0:10:22 | 0:10:25 | |
This is supposed to be a piece of whale's tooth. It's been engraved. | 0:10:25 | 0:10:30 | |
But if it was a proper tooth it would have a really deep gorge | 0:10:30 | 0:10:34 | |
inside. One of the telltale signs, as well is the scene on it. | 0:10:34 | 0:10:38 | |
Here we've got cowboys. | 0:10:39 | 0:10:41 | |
Traditionally we'd have a whaling scene. | 0:10:41 | 0:10:44 | |
This is totally the wrong scene. | 0:10:44 | 0:10:46 | |
-Put it back. -You're wrong. | 0:10:46 | 0:10:48 | |
As the Reds dump the dud, the Blues are looking for a brew. | 0:10:48 | 0:10:52 | |
-The kettle. -I think that's a sweet little kettle. It really is. | 0:10:54 | 0:10:59 | |
Sitting in a basket rather than on a stand. | 0:10:59 | 0:11:03 | |
The quality of the rattan, see the split cane binding to the handle? | 0:11:03 | 0:11:09 | |
I reckon that's a late Victorian one. | 0:11:09 | 0:11:11 | |
-I think you're looking at 1890 there. -Yes. | 0:11:11 | 0:11:14 | |
-It's actually rather sweet. -Do you think it's silver? | 0:11:14 | 0:11:18 | |
I'm confident that's going to be plate. At auction, 30-50, 40-60. | 0:11:18 | 0:11:22 | |
-Yes. -It's no money. It's crazy money. | 0:11:22 | 0:11:26 | |
£70. It's crazy money for what you get. | 0:11:29 | 0:11:34 | |
55. | 0:11:35 | 0:11:37 | |
-Well... -We could come back. -I think it's a policy. | 0:11:38 | 0:11:41 | |
So as the Blues go cool on the kettle, | 0:11:43 | 0:11:45 | |
the Reds' resident musician has found something of note. | 0:11:45 | 0:11:49 | |
-They are very collectable, older harmonicas. -That's the Highlander. | 0:11:49 | 0:11:53 | |
-That's too much, isn't it? -But they are tremendously collectable. | 0:11:53 | 0:11:57 | |
It's nice that it's in its original case. | 0:11:57 | 0:12:00 | |
And it's got its instructions with it still. | 0:12:00 | 0:12:02 | |
In German. | 0:12:02 | 0:12:03 | |
If it was about £20 I think there would be a slight profit in it. | 0:12:07 | 0:12:12 | |
That's the ticket price. We might be able to negotiate. | 0:12:12 | 0:12:16 | |
It's in lovely condition. I don't think that's ever been played with. | 0:12:16 | 0:12:19 | |
-Am I allowed to blow it? -Yes. | 0:12:19 | 0:12:21 | |
Just made it. It was just to see all the reeds with it. | 0:12:31 | 0:12:34 | |
Can I ask a very rude question? | 0:12:34 | 0:12:35 | |
Would you be prepared to drop a lot on this? | 0:12:37 | 0:12:40 | |
I'd go to 30 and that would be it. | 0:12:40 | 0:12:41 | |
Can't do it but it's a lovely thing. | 0:12:43 | 0:12:45 | |
Would you do 22? | 0:12:47 | 0:12:48 | |
I could do 25. | 0:12:50 | 0:12:51 | |
If you do it 24, if it fetches 25 I've made a pound. | 0:12:54 | 0:12:56 | |
-OK, 24. -What do you think? Do you like it? | 0:12:58 | 0:13:00 | |
-It's not something I would pick up and go, "Wow!" -Because I'm | 0:13:02 | 0:13:07 | |
fighting an opposition would you mind holding it for 30 minutes? | 0:13:07 | 0:13:11 | |
-The lady's spoken. -Get it now. -But if it loses... -Get it now. | 0:13:11 | 0:13:14 | |
He'll take it now. Shake the lady's hand. | 0:13:15 | 0:13:17 | |
-She's so feisty. -You're telling me. -There we go. | 0:13:17 | 0:13:20 | |
-Happy? -Yeah. | 0:13:22 | 0:13:23 | |
-Halleluiah. -Halleluiah. | 0:13:25 | 0:13:27 | |
Now we're heading for the halfway mark | 0:13:27 | 0:13:29 | |
and it's my turn to find something at the fair. | 0:13:29 | 0:13:31 | |
This frame makes this picture look as if it was painted in 1965. | 0:13:38 | 0:13:43 | |
Which is when the frame was prepared. | 0:13:43 | 0:13:47 | |
Also, it's filthy dirty. | 0:13:47 | 0:13:49 | |
So the best thing you can do if you come across a period | 0:13:49 | 0:13:52 | |
picture like this is to take it out of the frame. | 0:13:52 | 0:13:56 | |
There we go. Look. | 0:13:56 | 0:13:57 | |
That is the frame dispensed with and it immediately looks a lot better. | 0:13:57 | 0:14:03 | |
What you have to admire about this picture is | 0:14:03 | 0:14:06 | |
the freshness of its condition. | 0:14:06 | 0:14:08 | |
It is as highly coloured as it was the day it was painted. | 0:14:08 | 0:14:11 | |
I reckon, around 1820. | 0:14:11 | 0:14:14 | |
And this is the typical picture you'd expect to find | 0:14:14 | 0:14:18 | |
hanging in a Scottish hunting lodge. | 0:14:18 | 0:14:21 | |
And the way the birds themselves have been painted is quite | 0:14:21 | 0:14:25 | |
extraordinarily good. | 0:14:25 | 0:14:26 | |
The feathers on this woodpigeon are practically imperceptible. | 0:14:26 | 0:14:31 | |
It is as if you could sense the softness of that bird. | 0:14:32 | 0:14:37 | |
We have to admire the artist's skills. | 0:14:37 | 0:14:41 | |
And very modestly he signed this watercolour tucked | 0:14:41 | 0:14:44 | |
away in the corner look, P Syme. | 0:14:44 | 0:14:46 | |
That is Patrick Syme who was around from the 1770s | 0:14:48 | 0:14:51 | |
until his death in 1845. | 0:14:51 | 0:14:55 | |
As to how commercial it is even though it's beautifully | 0:14:55 | 0:14:58 | |
painted the subject lets it down. | 0:14:58 | 0:15:01 | |
Collections of dead birds are not exactly incredibly fashionable. | 0:15:01 | 0:15:06 | |
But there is a market for this artist. | 0:15:06 | 0:15:09 | |
In fact, quite recently, a similar watercolour sold for over £1,000. | 0:15:09 | 0:15:14 | |
And therefore I got quite excited | 0:15:14 | 0:15:16 | |
when I found it down the other end of this hall for sale for £160. | 0:15:16 | 0:15:22 | |
It's what I call a dead cert. | 0:15:22 | 0:15:24 | |
Ha! Time to catch up with the teams to see how they're making out. | 0:15:24 | 0:15:29 | |
They're my two new favourite people in the world. They're just a joy. | 0:15:29 | 0:15:32 | |
Bouncing off one another. Relaxed but assertive. | 0:15:32 | 0:15:35 | |
They each know what they like and are prepared to say, "I'm no sure." | 0:15:35 | 0:15:38 | |
So, while confidence is running high in the Blue camp, | 0:15:38 | 0:15:41 | |
over with the Reds tension is creeping in. | 0:15:41 | 0:15:44 | |
I'm having terrible trouble getting Catherine moving. | 0:15:44 | 0:15:47 | |
She keeps standing. We've only seen half the fair. | 0:15:47 | 0:15:51 | |
There's a whole two rows to go down. Catherine! | 0:15:51 | 0:15:54 | |
Come in. | 0:15:54 | 0:15:56 | |
She's trying to find a special thing for us. | 0:15:56 | 0:15:58 | |
-Is he like this at home? -I do apologise for him. | 0:15:59 | 0:16:02 | |
-We keep losing you. -I'm not a doggy. | 0:16:02 | 0:16:04 | |
Quite right. So, back to the shop, and our Red Team of rare cattle breeders | 0:16:04 | 0:16:08 | |
seem to have more time for dogs. | 0:16:08 | 0:16:11 | |
It's a 1940s pyjama case. | 0:16:11 | 0:16:14 | |
Pyjama case, no time for snoozing. | 0:16:15 | 0:16:17 | |
I don't think nightdress holders are all the rage at the minute. | 0:16:17 | 0:16:20 | |
-I may be wrong. -As the cattle breeders look at doggy stuff, | 0:16:20 | 0:16:24 | |
our curlers are gearing up for golf. | 0:16:24 | 0:16:27 | |
-Are you a golfer? Married to a golfer? -Yes, we are. | 0:16:27 | 0:16:30 | |
-I golf a little and my husband's a golfer. -What's not to like? | 0:16:30 | 0:16:34 | |
Early 20th century silver. I suspect George VI. | 0:16:34 | 0:16:37 | |
Even with the naked eye I can see the marks. | 0:16:37 | 0:16:40 | |
These lovely little golf club shafts and terminals. What are they worth? | 0:16:40 | 0:16:44 | |
-£50. -Do you think spoons sell well? | 0:16:44 | 0:16:47 | |
I think if they were common or garden silver coffee | 0:16:47 | 0:16:50 | |
spoons at the moment £30. But with the golf, double that. | 0:16:50 | 0:16:54 | |
-What's he said? -65. -It looks as though it's the original box. | 0:16:54 | 0:16:58 | |
I think you're right. | 0:16:58 | 0:17:00 | |
You could get another £10 off, you're not going to go far wrong. | 0:17:00 | 0:17:03 | |
-Hi. -Hello. | 0:17:03 | 0:17:05 | |
-We like the spoons. -We like your spoons. | 0:17:06 | 0:17:09 | |
But we're wondering | 0:17:09 | 0:17:10 | |
if you could come down a wee bit more than what you were saying? | 0:17:10 | 0:17:13 | |
We had 95, leaving you at 65. | 0:17:13 | 0:17:16 | |
-Could you come down another 10? -I'll come down to 60. | 0:17:18 | 0:17:22 | |
They're on the floor at that. | 0:17:22 | 0:17:25 | |
We'll leave it just now and come back. | 0:17:27 | 0:17:30 | |
-Delighted to see you again. -It can't be 55 now and seal it? | 0:17:30 | 0:17:35 | |
-Go on. -Would you do that? That would be excellent. -For a lovely smile. | 0:17:35 | 0:17:40 | |
Yes. | 0:17:40 | 0:17:42 | |
Good work from Paul there. | 0:17:42 | 0:17:44 | |
Closing the deal just as they were about to walk away. | 0:17:44 | 0:17:47 | |
So, two buys apiece and we have 15 minutes left | 0:17:48 | 0:17:50 | |
and as sometimes happens at the fair the teams are finding it hard | 0:17:50 | 0:17:54 | |
to close in on the third and final buy. | 0:17:54 | 0:17:56 | |
To be honest, what I don't like is that top silver doesn't match | 0:17:56 | 0:18:01 | |
that silver, doesn't match that silver. | 0:18:01 | 0:18:03 | |
It looks like three different shades of silvering. | 0:18:03 | 0:18:06 | |
That will be a no then. | 0:18:06 | 0:18:07 | |
-It's easy to blow money on jewellery. -I know. | 0:18:08 | 0:18:11 | |
I said blow money but that terminology's all wrong, isn't it? | 0:18:11 | 0:18:13 | |
-Invest shrewdly. -Invest shrewdly. | 0:18:13 | 0:18:15 | |
It's gorgeous. I have a feeling that's going to be really expensive. | 0:18:17 | 0:18:20 | |
-230. -Absolutely superb. -I've got nice taste. | 0:18:20 | 0:18:23 | |
I'm taking this myself. This is more fun than I think I've had in years. | 0:18:28 | 0:18:32 | |
-Catherine! -Come on, teams. We need to buy, not browse. Tick-tock. | 0:18:34 | 0:18:38 | |
-Is that a salmon? -In bronze, do we think? -Just a bit different. | 0:18:38 | 0:18:44 | |
-I think it's really elegant. I'm not sure it's ancient. -No. | 0:18:44 | 0:18:51 | |
For a bronze sculpture it's not a lot of money. | 0:18:51 | 0:18:54 | |
If you don't have a sculptor or antiquity what do we have to | 0:18:54 | 0:18:58 | |
hang our hopes on at auction? | 0:18:58 | 0:18:59 | |
-That's my concern. Is there a lifeline to throw us? -65. | 0:18:59 | 0:19:03 | |
-What do you think? -Not for me. -I would like to buy it. | 0:19:05 | 0:19:08 | |
-You've done very well at 65. -I think we should move on. | 0:19:09 | 0:19:14 | |
-We should move on. -And let's have a look. -OK. | 0:19:14 | 0:19:17 | |
While the Blues move on the Reds have gone to the dogs, again. | 0:19:17 | 0:19:21 | |
-He's having a scratch. -He is, isn't he? -Yes. | 0:19:21 | 0:19:24 | |
-Nice bit of detail there. -Nicely modelled, isn't it? -It is. | 0:19:24 | 0:19:27 | |
It's brass, not bronze. | 0:19:27 | 0:19:28 | |
If you saw that at auction, would you buy it? | 0:19:29 | 0:19:31 | |
No, because this detracts from it. It's too heavy for the greyhound. | 0:19:31 | 0:19:36 | |
All this larking around with dogs means the Reds are starting to run | 0:19:36 | 0:19:40 | |
-out of time. -We've got five minutes. -I know. | 0:19:40 | 0:19:43 | |
I think what we should do is find a stall and blitz it. | 0:19:43 | 0:19:47 | |
And the Blues need to make a decision. | 0:19:47 | 0:19:49 | |
-The kettle. -The electric plate spirit kettle which Ina is a fan of? | 0:19:49 | 0:19:55 | |
-I'm a fan of. And the fish. -And the bronze fish which is Margaret's. | 0:19:55 | 0:20:00 | |
What do you want to do? | 0:20:00 | 0:20:01 | |
I would rather go for the kettle than the fish. | 0:20:01 | 0:20:04 | |
Will it make money, do you think? | 0:20:04 | 0:20:06 | |
-I think it might. -Go for the kettle. We want the kettle. -You sure? -Yes. | 0:20:06 | 0:20:12 | |
The fish is going to haunt you in your dreams. | 0:20:12 | 0:20:15 | |
My husband might come back and buy it. | 0:20:15 | 0:20:18 | |
We'd better run and see if it's there. Come on. | 0:20:18 | 0:20:20 | |
As the Blues jog off in search of the kettle, | 0:20:20 | 0:20:22 | |
the Reds are starting to panic. | 0:20:22 | 0:20:25 | |
You look there, we'll look here and we'll decide. | 0:20:25 | 0:20:28 | |
-I think we should leave him to his own devices. -I think so. | 0:20:28 | 0:20:32 | |
Poor old Stuart being left on his own. | 0:20:32 | 0:20:34 | |
Now, Blues, where's that kettle? | 0:20:34 | 0:20:36 | |
-I think I can see it. -I see it as well. | 0:20:36 | 0:20:39 | |
-Hello, sir. We're back. -We're back. | 0:20:39 | 0:20:42 | |
Remind us, how far south did we get on the spirit kettle? | 0:20:42 | 0:20:46 | |
-Was it 40? -Yes, I can do it for 40. -I'm delighted. | 0:20:47 | 0:20:52 | |
-Is that mutual sighs of relief? -I'm delighted. -It's a nice item. | 0:20:52 | 0:20:56 | |
Isn't it? | 0:20:56 | 0:20:57 | |
-You've a deal. Thank you very much. -Thank you. -Thank you. | 0:20:57 | 0:21:04 | |
-Wonderful. -Thank you, Paul. -That was a journey and I loved it. | 0:21:04 | 0:21:09 | |
With the kettle bought, that's it for the Blues. | 0:21:09 | 0:21:12 | |
The fish is history. We're never going to mention fish again. | 0:21:14 | 0:21:18 | |
And with time almost up Stuart has spotted something sparkly | 0:21:18 | 0:21:22 | |
but can he convince the girls? | 0:21:22 | 0:21:24 | |
We've got citrine. Victorian brooch here. Is it silver? | 0:21:25 | 0:21:29 | |
-He said 1850 he reckoned. -Is it marked? | 0:21:29 | 0:21:31 | |
-Looks like there's a few repairs to this. -Is there? | 0:21:31 | 0:21:34 | |
-How much is on it? -£45. -We've got to buy it. We have one minute. | 0:21:34 | 0:21:38 | |
-What do you think? -It's not what you think. We've got no time. | 0:21:38 | 0:21:41 | |
We'll buy it because of the time. Go and shake his hand. | 0:21:41 | 0:21:44 | |
Run and shake his hand. | 0:21:44 | 0:21:45 | |
And as we move into the final seconds Stuart needs to | 0:21:45 | 0:21:48 | |
-sprint to close the deal in time. -You said 45. | 0:21:48 | 0:21:51 | |
Just so if there's a pound profit will you do it at 44 for me? | 0:21:51 | 0:21:54 | |
That's pushing it but I'll do it. | 0:21:54 | 0:21:56 | |
Just in case somebody goes to 45 then there's a pound. | 0:21:56 | 0:21:59 | |
-Thank you very much. -And that's the full hour, folks. | 0:21:59 | 0:22:04 | |
Drives you mad after a while, this bargain hunting. | 0:22:06 | 0:22:09 | |
Time's up! Let's check out what the Red team bought, eh? | 0:22:09 | 0:22:12 | |
For the clay pipe with the bowl in the shape of a boxer dog, | 0:22:12 | 0:22:15 | |
they boxed clever and paid just £5. | 0:22:15 | 0:22:17 | |
For the Highlander harmonica, they had to fork out a few notes. | 0:22:19 | 0:22:22 | |
£24 paid. | 0:22:22 | 0:22:24 | |
And for the silver and citrine brooch, | 0:22:25 | 0:22:27 | |
they spent a sparkling £44, | 0:22:27 | 0:22:29 | |
leaving Catherine a stonking £227 of left over lolly. | 0:22:29 | 0:22:34 | |
OK, you lovebirds, how did you get on? | 0:22:35 | 0:22:37 | |
-We had a fantastic time, thank you very much, Tim. -Which is your favourite piece? | 0:22:37 | 0:22:40 | |
My favourite piece is the one I bought first of all, | 0:22:40 | 0:22:42 | |
which is the little broken clay pipe with the dog face. | 0:22:42 | 0:22:45 | |
-OK, that's your favourite. -I would agree with Nicola. | 0:22:45 | 0:22:47 | |
And which piece is going to bring the biggest profit? | 0:22:47 | 0:22:50 | |
-The little dog pipe. -The little dog pipe. -Yes. | 0:22:50 | 0:22:52 | |
-I think the little dog pipe. -Good. | 0:22:52 | 0:22:54 | |
Now, Catherine, here is a pile of money there, | 0:22:54 | 0:22:56 | |
which is absolutely fab. | 0:22:56 | 0:22:58 | |
-Super. Thank you. -And on this special occasion, | 0:22:58 | 0:23:00 | |
I'm going to give you the additional £100 bonus buy money. | 0:23:00 | 0:23:04 | |
Lovely. | 0:23:04 | 0:23:05 | |
-So you have got a huge amount of cash. -I have. | 0:23:05 | 0:23:08 | |
And what I'd love, darling, when you've shopped, | 0:23:08 | 0:23:10 | |
is to bring the items back, and let's have a chat about them. | 0:23:10 | 0:23:13 | |
-Pleasure. -OK? -Wonderful. -Now, go and relax up. -OK. | 0:23:13 | 0:23:16 | |
And we're going to go and check out | 0:23:16 | 0:23:18 | |
what the Blue team bought, aren't we? | 0:23:18 | 0:23:20 | |
For the mahogany cutlery tray, they forked out £45. | 0:23:20 | 0:23:24 | |
For the George V novelty golfing spoons, | 0:23:25 | 0:23:28 | |
they dished out £55. | 0:23:28 | 0:23:30 | |
And finally, for the Edwardian silver-plated kettle, | 0:23:30 | 0:23:33 | |
they poured out £40. | 0:23:33 | 0:23:35 | |
Well, everybody's looking very smiley here, Paul. | 0:23:37 | 0:23:39 | |
So, Mags, tell me, darling, which is your favourite piece? | 0:23:39 | 0:23:43 | |
Um, I think the spoons, the silver teaspoons. | 0:23:43 | 0:23:46 | |
-And which is your favourite piece? -I like the wooden cutlery. | 0:23:46 | 0:23:50 | |
-I adore it. -That's your favourite. | 0:23:50 | 0:23:52 | |
-Is that going to bring the biggest profit? -Well, I think so. -Do you? | 0:23:52 | 0:23:55 | |
-Yeah. -I think the silver spoons might. -OK. | 0:23:55 | 0:23:57 | |
-You're going to dig in there, aren't you? -Yes, aye. | 0:23:57 | 0:24:00 | |
-Anyway, you had a good time, which is the main thing. -Yes. | 0:24:00 | 0:24:03 | |
-Thoroughly enjoyed it. -And how much did you spend? -£140. | 0:24:03 | 0:24:06 | |
-Please, can I have the £160 leftover lolly? -Yes. | 0:24:06 | 0:24:08 | |
Well, that's really super, isn't it? | 0:24:08 | 0:24:10 | |
And the big thrill is now, of course, | 0:24:10 | 0:24:12 | |
-what will Paul Laidlaw find to spend your £160 on? -Oh, yes. | 0:24:12 | 0:24:18 | |
And we have a second wonderful moment, | 0:24:18 | 0:24:21 | |
because I'm going to give Paul | 0:24:21 | 0:24:22 | |
-an additional £100 of leftover lolly... -Oh, nice! | 0:24:22 | 0:24:26 | |
..especially for him to find a second bonus buy. | 0:24:26 | 0:24:29 | |
Just one thing I ask you, Paul, is when you've found your items, | 0:24:29 | 0:24:32 | |
if you bring them back to me and we'll have a little look, OK? | 0:24:32 | 0:24:35 | |
Anyway, relax up, girls. Good luck, Paul. | 0:24:35 | 0:24:38 | |
Right, bonus buy time for Catherine, and remember, | 0:24:38 | 0:24:41 | |
she needs to buy not one but two items. | 0:24:41 | 0:24:43 | |
And her team will decide which one they want, | 0:24:43 | 0:24:46 | |
if they decide to go with the bonus buy at auction. | 0:24:46 | 0:24:49 | |
I can just hear Stuart saying no to everything that I pick up. | 0:24:49 | 0:24:55 | |
Well, let's hope not. | 0:24:55 | 0:24:56 | |
Now, first up, it's the regular team bonus buy, | 0:24:56 | 0:24:58 | |
and she's got a big fat wad of leftover lolly - £227. | 0:24:58 | 0:25:03 | |
Hi. You had a letter opener earlier, Mary Queen of Scots. | 0:25:03 | 0:25:08 | |
-It was, yes. -Have you still got it? -I do, here. | 0:25:08 | 0:25:10 | |
-Fabulous. -With its little thistle. -I like this. | 0:25:10 | 0:25:14 | |
-I like the wood. -Is it a pear wood? | 0:25:14 | 0:25:16 | |
Well, Mary Queen of Scots stayed in this house in Jedburgh | 0:25:16 | 0:25:19 | |
in 1566 for four weeks, | 0:25:19 | 0:25:21 | |
and the house is surrounded by pear trees. | 0:25:21 | 0:25:24 | |
Right. It is engraved. | 0:25:24 | 0:25:26 | |
That looks like it's all in Latin. | 0:25:26 | 0:25:27 | |
Then the other side, it says, "From her Jedburgh garden". | 0:25:27 | 0:25:32 | |
It's obviously a tree that was around when she was there | 0:25:32 | 0:25:35 | |
-that's been taken down, probably 100 years ago. -Right. | 0:25:35 | 0:25:37 | |
Somebody's carved this letter opener. | 0:25:37 | 0:25:39 | |
So we're thinking this was made turn-of-the-century, | 0:25:39 | 0:25:41 | |
I would have thought? | 0:25:41 | 0:25:42 | |
Turn-of-the-century, possibly even back as far as 1860. | 0:25:42 | 0:25:45 | |
I like the feel of it. | 0:25:45 | 0:25:46 | |
I think it feels wonderful. How much? | 0:25:46 | 0:25:50 | |
It's £95 on the ticket, but I know you're not going to give me that. | 0:25:50 | 0:25:54 | |
Can I give you £50 for it? | 0:25:54 | 0:25:57 | |
-It's the end of the day, yes. -Yeah? | 0:25:57 | 0:25:59 | |
-Are you happy with that? -Yes, I am. | 0:25:59 | 0:26:01 | |
That's wonderful. Thank you very much. Thank you. | 0:26:01 | 0:26:04 | |
Because I think my team will be absolutely delighted with this. | 0:26:04 | 0:26:07 | |
-They should be. I love it. -I hope so. | 0:26:07 | 0:26:08 | |
Now Catherine's on the hunt for her special £100 bonus buy, | 0:26:08 | 0:26:12 | |
and I've just found something that's pretty as a picture, | 0:26:12 | 0:26:15 | |
and it might just help out. | 0:26:15 | 0:26:17 | |
Now, Catherine, darling, tell me, | 0:26:17 | 0:26:19 | |
how are you getting on with all these bonus buys? | 0:26:19 | 0:26:21 | |
I don't mind telling you, Tim, this is no easy task. | 0:26:21 | 0:26:25 | |
-This extra one is pretty hard. -You've got one already? | 0:26:25 | 0:26:28 | |
I've got one already, it's just this extra one. | 0:26:28 | 0:26:30 | |
Well, listen, I just want to slip this by you, | 0:26:30 | 0:26:32 | |
because...I shouldn't really do this, | 0:26:32 | 0:26:34 | |
and don't tell Paul, all right, | 0:26:34 | 0:26:36 | |
but I've found this little watercolour. | 0:26:36 | 0:26:38 | |
What do you think about it? | 0:26:38 | 0:26:39 | |
My first thing is, I think it's very sweet. Who is this down there? | 0:26:39 | 0:26:43 | |
"Craiglockhart". | 0:26:43 | 0:26:44 | |
That's a little place five miles from here | 0:26:44 | 0:26:47 | |
on the outskirts of Edinburgh. | 0:26:47 | 0:26:49 | |
What I can't do is to make out the name of the artist. Can you? | 0:26:49 | 0:26:52 | |
Arthur Black... Somebody. | 0:26:52 | 0:26:55 | |
But it's painted in "80", so I'm guessing 1880. | 0:26:55 | 0:26:58 | |
-1880. -1880. -Exactly right. | 0:26:58 | 0:27:00 | |
It's lovely, isn't it? | 0:27:00 | 0:27:01 | |
I think it's quite rustic, | 0:27:01 | 0:27:02 | |
and I just think the little red roofs are quite sweet. | 0:27:02 | 0:27:06 | |
I know, and a few Scottish hills. | 0:27:06 | 0:27:08 | |
Anyway, I found it, I've paid for it. | 0:27:08 | 0:27:10 | |
If you want it, you could have it | 0:27:10 | 0:27:13 | |
-maybe as an additional bonus buy if you're a bit stuck. -How much? | 0:27:13 | 0:27:17 | |
-£20. -No! -Yes! | 0:27:17 | 0:27:19 | |
-Where did you find it? -Just down there. | 0:27:19 | 0:27:22 | |
SHE LAUGHS | 0:27:22 | 0:27:23 | |
I will have this. No question there, Tim. | 0:27:23 | 0:27:25 | |
Always nice to do a good turn for an old mate. | 0:27:25 | 0:27:28 | |
And now let's have a proper look at both buys. | 0:27:28 | 0:27:31 | |
Well, isn't that lovely? | 0:27:31 | 0:27:32 | |
What do you think of that? What do you make of that? | 0:27:32 | 0:27:34 | |
It's a queer old thing, isn't it? | 0:27:34 | 0:27:37 | |
Fruit wood. Nice colour. | 0:27:37 | 0:27:38 | |
-Very Scottish with a wee heart in it. -I know. | 0:27:38 | 0:27:42 | |
I think that's charming, actually. | 0:27:42 | 0:27:43 | |
I love the fact that we've got the iris on one side, | 0:27:43 | 0:27:46 | |
we've got the heart, and then the other side | 0:27:46 | 0:27:48 | |
-is decorated with the thistle. -Yeah. -It's quite charming, isn't it? | 0:27:48 | 0:27:50 | |
-Yes, I've fallen in love with it. How much did you pay? -£50. | 0:27:50 | 0:27:54 | |
-That's a speculative job, isn't it? -I know. -It's a nifty 50. | 0:27:54 | 0:27:57 | |
-It could go either way. -Yes. -I'm hoping it doubles. -Yes. | 0:27:57 | 0:28:01 | |
My hope is that it doubles too. | 0:28:01 | 0:28:03 | |
-I mean, find another one, quite frankly. -Absolutely. | 0:28:03 | 0:28:05 | |
I've never seen the like, and I think it's charming. £50 paid. | 0:28:05 | 0:28:10 | |
-Now, this is our friend, isn't it? -Yes. -Do you like it? | 0:28:10 | 0:28:12 | |
-I mean, you're not being nice to me, are you? -I'm not being nice to you. | 0:28:12 | 0:28:15 | |
I have really warmed to this. I think it's tremendous. | 0:28:15 | 0:28:17 | |
I think it's a great thing. | 0:28:17 | 0:28:19 | |
We know it cost £20, | 0:28:19 | 0:28:20 | |
and we know that it needs the research done by Anita's lot | 0:28:20 | 0:28:24 | |
to try and find the artist's name, | 0:28:24 | 0:28:26 | |
and that is what the value will hinge on. | 0:28:26 | 0:28:29 | |
It's a Scottish painting in Scotland, | 0:28:29 | 0:28:31 | |
-so it should do pretty well. -I cannot believe you paid £20 for it. | 0:28:31 | 0:28:34 | |
It's an absolute steal. You've got to put £60-£80 on that, haven't you? | 0:28:34 | 0:28:37 | |
Well, £50-£70, anyway. Something like that. | 0:28:37 | 0:28:39 | |
-I'm in there at £40-£60, or £50-£70. -It's a delight. | 0:28:39 | 0:28:43 | |
If you then said to me, "Which one is going to bring the biggest profit?" | 0:28:43 | 0:28:46 | |
I have a funny feeling that the painting | 0:28:46 | 0:28:48 | |
might bring the biggest profit, | 0:28:48 | 0:28:49 | |
because it's such a cheap base price. | 0:28:49 | 0:28:51 | |
-Absolutely. -Not that you might not get £30 profit out of this | 0:28:51 | 0:28:54 | |
and make £80 with the paper knife - that is a perfect possibility - | 0:28:54 | 0:28:57 | |
but you might just as well make £80 on that, and that only cost £20, | 0:28:57 | 0:29:00 | |
in which case you're going to make £60 worth of profit. | 0:29:00 | 0:29:03 | |
That is a charming thing. I think we'll do very well with that. | 0:29:03 | 0:29:05 | |
Well, let us hope so. | 0:29:05 | 0:29:07 | |
Anyway, I wonder how that poor man, Paul Laidlaw, | 0:29:07 | 0:29:10 | |
is getting on out there. | 0:29:10 | 0:29:12 | |
Poor Paul has actually got £160 of leftover lolly | 0:29:12 | 0:29:15 | |
for his regular team bonus buy, and he's got an arty crafty plan. | 0:29:15 | 0:29:20 | |
I would love to buy the ladies some jewellery. | 0:29:21 | 0:29:25 | |
And I think I've maybe found something that... | 0:29:25 | 0:29:27 | |
I don't know what their taste is, but I'm hoping they'll like it. | 0:29:27 | 0:29:30 | |
Well, let me tell you why I like this. | 0:29:34 | 0:29:37 | |
Ruskin Pottery set up in 1895, 1896, 1897, 1898, something like that. | 0:29:37 | 0:29:42 | |
Named after Ruskin the art critic, art historian, social thinker. | 0:29:42 | 0:29:46 | |
A really important man. | 0:29:46 | 0:29:48 | |
And of course he's key in the evolution | 0:29:48 | 0:29:50 | |
of the concept of the Arts and Crafts movement. | 0:29:50 | 0:29:53 | |
Ruskin Pottery are famed for production of novel glazes, | 0:29:53 | 0:29:58 | |
and this is a great example. | 0:29:58 | 0:29:59 | |
It's a fabulous ceramic bobble | 0:29:59 | 0:30:02 | |
set in an Arts and Crafts-inspired pewter body as a brooch. | 0:30:02 | 0:30:08 | |
And a splendid big example it is, too. | 0:30:08 | 0:30:10 | |
I hope the ladies like it. | 0:30:10 | 0:30:12 | |
The ticket price is £65, but I've been told | 0:30:12 | 0:30:15 | |
it can be bought for £35, | 0:30:15 | 0:30:18 | |
and I like the sound of that very much. | 0:30:18 | 0:30:20 | |
HE LAUGHS | 0:30:20 | 0:30:21 | |
He's sounding cocky, isn't he? | 0:30:21 | 0:30:23 | |
Now Paul is after his special £100 bonus buy, | 0:30:23 | 0:30:27 | |
and he's spotted something sporty and a tad controversial. | 0:30:27 | 0:30:31 | |
This is a mid-19th-century goblet. | 0:30:32 | 0:30:36 | |
Faceted stem, round funnel bowl, plain foot. | 0:30:36 | 0:30:38 | |
That's the technicalities over. | 0:30:38 | 0:30:40 | |
But rather gruesomely, it depicts cockfighting, | 0:30:40 | 0:30:45 | |
and here we have two birds attacking one another, | 0:30:45 | 0:30:49 | |
and the end result was one proud cockerel | 0:30:49 | 0:30:52 | |
astride the dead body of its opponent. | 0:30:52 | 0:30:56 | |
That is a window into this - | 0:30:56 | 0:30:59 | |
thankfully bygone - | 0:30:59 | 0:31:01 | |
offensive sport. | 0:31:01 | 0:31:04 | |
And as such, an arguably rather interesting | 0:31:04 | 0:31:07 | |
piece of social history. | 0:31:07 | 0:31:09 | |
The price today is £45. | 0:31:09 | 0:31:11 | |
If you're not offended by it, | 0:31:12 | 0:31:14 | |
and you see it as rather a scarce Victorian | 0:31:14 | 0:31:18 | |
commemorative goblet, | 0:31:18 | 0:31:20 | |
I think it could be worth double that or more. | 0:31:20 | 0:31:23 | |
That is a deal. | 0:31:23 | 0:31:26 | |
And now time to have a quick squiz at Paul's two bonus buys. | 0:31:26 | 0:31:30 | |
-This is the team's bonus buy? -Yes, it is. | 0:31:30 | 0:31:33 | |
-Looks like Ruskin. -It is indeed. | 0:31:33 | 0:31:36 | |
-Rrrrruskin. -THEY BOTH LAUGH | 0:31:36 | 0:31:38 | |
Potty little Wolverhampton firm. | 0:31:38 | 0:31:41 | |
-Not in business for long, were they? -Yeah. | 0:31:41 | 0:31:43 | |
Late 1890s to about '35 - the mid 30s. | 0:31:43 | 0:31:46 | |
My favourite story about Ruskin pottery - | 0:31:46 | 0:31:49 | |
it might be a myth - is that when the firm was wound up in '35, | 0:31:49 | 0:31:54 | |
they burnt the formulae for all the glazes | 0:31:54 | 0:31:58 | |
-deliberately, so they couldn't be reproduced. -Really? | 0:31:58 | 0:32:02 | |
-It could be a myth, but I like it nonetheless. -Yeah, good story. | 0:32:02 | 0:32:05 | |
I didn't realise that. | 0:32:05 | 0:32:07 | |
So this Ruskin brooch, it's sort of stamped out of white metal, | 0:32:07 | 0:32:13 | |
isn't it? | 0:32:13 | 0:32:14 | |
Yeah, pewter, I would guess. | 0:32:14 | 0:32:16 | |
And then they've taken these discs, which are high-fired, | 0:32:16 | 0:32:19 | |
and attractive because of the colour. | 0:32:19 | 0:32:22 | |
That's what it is. | 0:32:22 | 0:32:24 | |
And really pretty. You've seen one, you've seen them all. | 0:32:24 | 0:32:27 | |
You'll spot them at 100 yards, these distinctive cabochon. | 0:32:27 | 0:32:30 | |
Rather large specimen. | 0:32:30 | 0:32:32 | |
-So how much did you pay for that? -£35. | 0:32:32 | 0:32:35 | |
-Is that all? -It should be easy, shouldn't it? -I don't know. | 0:32:35 | 0:32:38 | |
-What do you rate them at, £60? -Yeah, I'd be happy with that. | 0:32:38 | 0:32:40 | |
Yeah, but I would be happy with that. Will it make £60? | 0:32:40 | 0:32:43 | |
-Yeah, I think it might. -OK, fine. | 0:32:43 | 0:32:44 | |
That's that, then, for the team's bonus buy. | 0:32:44 | 0:32:46 | |
-And this would be the special £100 bonus buy. -Yeah. | 0:32:46 | 0:32:49 | |
This is special as well. | 0:32:49 | 0:32:51 | |
-So we have a faceted stem... -Yes. | 0:32:51 | 0:32:53 | |
..which is usually a bit of a Georgian-y sign, isn't it? | 0:32:53 | 0:32:57 | |
Not in this instance. | 0:32:57 | 0:32:59 | |
-It's a 19th-century glass, isn't it? -It is, yeah. | 0:32:59 | 0:33:02 | |
-A 19th-century glass that's copying a Georgian faceted stem. -Absolutely. | 0:33:02 | 0:33:05 | |
Lovely, big, broad foot. | 0:33:05 | 0:33:08 | |
This is not a glass that's going to tip over in a hurry, is it? | 0:33:08 | 0:33:10 | |
-So, you know, the design is nice. But then we've got this stuff. -Yes. | 0:33:10 | 0:33:14 | |
Yes. So did you pay for that...£50? | 0:33:14 | 0:33:20 | |
-Got it for £45. -£45. | 0:33:20 | 0:33:22 | |
Well, it's in good nick. | 0:33:22 | 0:33:24 | |
Find another acid-etched | 0:33:24 | 0:33:26 | |
and wheel-engraved wee glass like that, good. | 0:33:26 | 0:33:31 | |
Right, I'm going to plump that the cockfighting glass | 0:33:31 | 0:33:35 | |
is the thing that is going to bring you the whack of profit. | 0:33:35 | 0:33:39 | |
And maybe the teams, if they decide to go with them. | 0:33:39 | 0:33:42 | |
Thanks very much, Paul. | 0:33:42 | 0:33:43 | |
Meanwhile, we're heading off to the smoke. | 0:33:43 | 0:33:45 | |
We're going to London, | 0:33:45 | 0:33:47 | |
where we're going to go to the military museum at Woolwich. | 0:33:47 | 0:33:49 | |
Boom, boom. | 0:33:49 | 0:33:51 | |
Do you know why the Arsenal Football Club are called the Gunners? | 0:33:57 | 0:34:01 | |
Well, apparently, | 0:34:01 | 0:34:03 | |
the club started just up the road here in a park in Woolwich. | 0:34:03 | 0:34:07 | |
And you don't need to look very far around here | 0:34:07 | 0:34:10 | |
to make the connection with guns, | 0:34:10 | 0:34:13 | |
because this is the Woolwich Arsenal, | 0:34:13 | 0:34:17 | |
where they produced thousands of barrels for cannon | 0:34:17 | 0:34:21 | |
and millions of rounds of ammunition | 0:34:21 | 0:34:24 | |
until they packed up shop in 1994. | 0:34:24 | 0:34:27 | |
The Royal Artillery dates to 1716, | 0:34:28 | 0:34:30 | |
when the Duke of Marlborough persuaded King George I | 0:34:30 | 0:34:34 | |
to establish two permanent companies of field artillery. | 0:34:34 | 0:34:37 | |
They were stationed here at Woolwich, enlisting 100 men each. | 0:34:37 | 0:34:41 | |
In the 20th century, as World War I spread throughout Europe, | 0:34:43 | 0:34:47 | |
the Royal Arsenal expanded steadily, | 0:34:47 | 0:34:50 | |
and at its peak, it employed 80,000 people, | 0:34:50 | 0:34:54 | |
more than the capacity of Arsenal's football stadium today. | 0:34:54 | 0:34:57 | |
Part of this site has been redeveloped | 0:34:58 | 0:35:02 | |
as Firepower: The Museum of the Royal Artillery. | 0:35:02 | 0:35:07 | |
As you can imagine, the collection of guns | 0:35:07 | 0:35:09 | |
and rockets on display here is vast. | 0:35:09 | 0:35:13 | |
Actually, over 80 field pieces, | 0:35:13 | 0:35:16 | |
some of which date back to as early as 1340. | 0:35:16 | 0:35:21 | |
And in the 14th century, | 0:35:21 | 0:35:22 | |
as guns first appeared on the battlefield, | 0:35:22 | 0:35:25 | |
they immediately changed the way warfare was conducted forever. | 0:35:25 | 0:35:28 | |
Firepower's collection charts the progress of artillery | 0:35:28 | 0:35:32 | |
through the centuries. | 0:35:32 | 0:35:35 | |
And we're going to start off with this gun, | 0:35:35 | 0:35:37 | |
which dates from the Civil War period, | 0:35:37 | 0:35:40 | |
so mid-17th century. | 0:35:40 | 0:35:42 | |
It's called a Falconet, | 0:35:42 | 0:35:44 | |
because it fires a shot | 0:35:44 | 0:35:47 | |
which is roughly the weight of a falcon. | 0:35:47 | 0:35:50 | |
That is about a pound. | 0:35:50 | 0:35:54 | |
Trotting along, we come through to the 1750s | 0:35:54 | 0:35:58 | |
with this gun, which is called a Galloper. | 0:35:58 | 0:36:01 | |
Called a Galloper because it's now mounted | 0:36:01 | 0:36:04 | |
on an extremely mobile carriage, | 0:36:04 | 0:36:06 | |
enabling the artillery to trot or gallop this gun | 0:36:06 | 0:36:11 | |
wherever support is needed for the troops. | 0:36:11 | 0:36:15 | |
Next, we have a relic from the Indian Empire. | 0:36:15 | 0:36:18 | |
This is called a Mysorean cannon | 0:36:18 | 0:36:21 | |
because it comes from the state of Mysore, | 0:36:21 | 0:36:24 | |
and is effectively loot. | 0:36:24 | 0:36:27 | |
Having defeated Tipu Sultan, | 0:36:27 | 0:36:29 | |
this cannon was seized | 0:36:29 | 0:36:31 | |
and then remounted on a British carriage. | 0:36:31 | 0:36:35 | |
And it's a very beautiful example, I think. | 0:36:35 | 0:36:38 | |
And lastly in this little run, something else from Tipu Sultan - | 0:36:38 | 0:36:42 | |
a mortar cast in solid bronze. | 0:36:42 | 0:36:47 | |
Tipu Sultan was known as "the Tiger of Mysore", | 0:36:47 | 0:36:50 | |
and therefore not surprisingly, | 0:36:50 | 0:36:52 | |
this thing is cast in the form of a tiger. | 0:36:52 | 0:36:55 | |
I love his toe-toes. | 0:36:55 | 0:36:57 | |
The fact that this enormous mouth | 0:36:57 | 0:36:59 | |
is cast with teeth as if his jaws are open. | 0:36:59 | 0:37:03 | |
Not apparently incredibly effective as a piece of artillery, | 0:37:03 | 0:37:08 | |
but it made the most incredible bang | 0:37:08 | 0:37:11 | |
when it was set off to scare everybody. | 0:37:11 | 0:37:13 | |
It's a question of shock and awe. | 0:37:13 | 0:37:16 | |
Early guns were beset with problems | 0:37:18 | 0:37:20 | |
like recoil, loading speed and accuracy. | 0:37:20 | 0:37:23 | |
Through the 18th and 19th centuries, | 0:37:23 | 0:37:25 | |
technology steadily improved, | 0:37:25 | 0:37:27 | |
and by the First World War, the problems were mainly ironed out. | 0:37:27 | 0:37:30 | |
I'm meeting curator Mark Smith | 0:37:31 | 0:37:33 | |
to learn more about the biggest artillery battle of all time. | 0:37:33 | 0:37:35 | |
This is the British 18-pounder quick-firing field gun. | 0:37:35 | 0:37:40 | |
This is the standard British field gun from the First World War. | 0:37:40 | 0:37:43 | |
-They made over 10,000 of these here at the Royal Arsenal. -You jest! | 0:37:43 | 0:37:47 | |
No, not at all. Absolutely the iconic gun from the First World War. | 0:37:47 | 0:37:51 | |
And by the end of the First World War, | 0:37:51 | 0:37:53 | |
11th of November 1918, | 0:37:53 | 0:37:55 | |
had fired just about 100 million rounds of 18lb ammunition | 0:37:55 | 0:37:59 | |
towards the enemy. | 0:37:59 | 0:38:00 | |
-So this is the major tool in the First World War, then? -Absolutely. | 0:38:00 | 0:38:04 | |
And did it go on much after the First World War? | 0:38:04 | 0:38:07 | |
Yes, as a gun itself, | 0:38:07 | 0:38:08 | |
slightly different carriage, it was still being used at Dunkirk in 1940. | 0:38:08 | 0:38:11 | |
So a real mainstay of the British Army's artillery | 0:38:11 | 0:38:14 | |
throughout the First World War, the '20s and the '30s. | 0:38:14 | 0:38:18 | |
It's been a real treat, thank you. | 0:38:18 | 0:38:20 | |
And I think the big question now is, | 0:38:20 | 0:38:22 | |
over at the auction, | 0:38:22 | 0:38:24 | |
just how explosive are things about to become? | 0:38:24 | 0:38:26 | |
So, we're back off to Scotland, to Glasgow, | 0:38:29 | 0:38:32 | |
to meet Anita Manning at Great Western Auctions. | 0:38:32 | 0:38:34 | |
-Anita, how are you? -I'm great. And welcome to Scotland. | 0:38:35 | 0:38:38 | |
Now, the Reds, they've gone for a curious mixture. | 0:38:38 | 0:38:42 | |
First of all this clay pipe bowl. That's odd, isn't it? | 0:38:42 | 0:38:46 | |
The thing that makes this one interesting | 0:38:46 | 0:38:48 | |
is the fact that the dog's face | 0:38:48 | 0:38:50 | |
-has been moulded on the bowl of the pipe, and I like that. -Yeah. | 0:38:50 | 0:38:53 | |
-You do. What's it worth? -I put it around about £10-£15. | 0:38:53 | 0:38:58 | |
You are such a generous girl, I tell you! They paid £5. | 0:38:58 | 0:39:00 | |
-Ah, that's OK. -Will they get a profit on that? -Oh, they should. -Good. | 0:39:00 | 0:39:04 | |
Next up is the Highlander harmonica. | 0:39:04 | 0:39:06 | |
Not very old that thing, is it? | 0:39:06 | 0:39:08 | |
No, it's not, but it's an interesting thing. | 0:39:08 | 0:39:10 | |
This harmonica has been specially tuned | 0:39:10 | 0:39:14 | |
so that it can accompany, | 0:39:14 | 0:39:16 | |
or it can play with bagpipes. | 0:39:16 | 0:39:19 | |
-Oh, really?! -Yes. -Gosh! | 0:39:19 | 0:39:21 | |
-What's it worth? -I've estimated this 30-40. | 0:39:21 | 0:39:25 | |
£24 paid. | 0:39:25 | 0:39:26 | |
So that's pretty good, isn't it? | 0:39:26 | 0:39:28 | |
And, lastly, is the citrine and silver brooch. | 0:39:28 | 0:39:31 | |
That, I guess, is Scottish. | 0:39:31 | 0:39:33 | |
Yes, it is, and it's a nice Victorian example. | 0:39:33 | 0:39:37 | |
I particularly like that very pale citrine. | 0:39:37 | 0:39:40 | |
It gives it a subtlety. | 0:39:40 | 0:39:42 | |
-What's it worth? -40-60. -£44 paid. | 0:39:42 | 0:39:46 | |
So, I think it's an interesting trio. | 0:39:46 | 0:39:49 | |
Cost them only £73 for their three items, | 0:39:49 | 0:39:52 | |
but I think there's potential for profit there. | 0:39:52 | 0:39:54 | |
Whether they'll need the bonus buys or not is debatable, | 0:39:54 | 0:39:57 | |
but let's go and have a look at 'em! | 0:39:57 | 0:39:59 | |
-Hi, team, this is exciting, isn't it? -Yes, it is. | 0:40:00 | 0:40:02 | |
You spent a miserable £73, you gave Catherine Southon £227 - | 0:40:02 | 0:40:06 | |
Catherine, what did you spend it on? | 0:40:06 | 0:40:09 | |
I bought something a little bit...unusual. | 0:40:09 | 0:40:11 | |
-Yes. -I bought you... | 0:40:11 | 0:40:15 | |
-a paper knife. -All right. | 0:40:15 | 0:40:17 | |
But I don't think it's an ordinary paper knife, | 0:40:17 | 0:40:20 | |
because if you look very closely... | 0:40:20 | 0:40:23 | |
-Jedburgh. Mary Queen of Scots. -Uh-huh. | 0:40:23 | 0:40:26 | |
Now, this could've been made from a pear tree, perhaps, | 0:40:26 | 0:40:32 | |
in Jedburgh Gardens, | 0:40:32 | 0:40:34 | |
so maybe like a souvenir. | 0:40:34 | 0:40:37 | |
It's not as old... It doesn't date back to Mary Queen of Scots. | 0:40:37 | 0:40:40 | |
It doesn't date back to the 16th century! | 0:40:40 | 0:40:42 | |
-It wasn't her personal one. -But it's an Arts and Crafts piece. | 0:40:42 | 0:40:45 | |
-It cost £50. -So how much do you reckon it's going to make? | 0:40:45 | 0:40:49 | |
I can see a lot of people getting interested in this, | 0:40:49 | 0:40:52 | |
because of the Jedburgh connection. | 0:40:52 | 0:40:54 | |
So, that's the team's bonus buy. | 0:40:54 | 0:40:56 | |
The special bonus buy is... | 0:40:56 | 0:40:59 | |
watercolour. | 0:40:59 | 0:41:00 | |
-Oh, wow. -Look at that. | 0:41:00 | 0:41:02 | |
That is lovely. | 0:41:02 | 0:41:03 | |
Craiglockhart is the scene, | 0:41:03 | 0:41:06 | |
done by a water colourist, | 0:41:06 | 0:41:09 | |
an amateur hand. | 0:41:09 | 0:41:11 | |
Catherine decided to go with this for £20. | 0:41:11 | 0:41:15 | |
-£20. -I just think the colours on that are really beautiful. -Yeah. | 0:41:15 | 0:41:20 | |
It's got to be worth £50, isn't it? | 0:41:20 | 0:41:22 | |
-Not to me! -Not to you! -SHE LAUGHS | 0:41:22 | 0:41:25 | |
-We're not selling this very well, are we? -See, to me, it is. | 0:41:25 | 0:41:28 | |
Do you not think that that's worth £50? I do. | 0:41:28 | 0:41:30 | |
Can we have an argument... I mean a discussion about it now, please? | 0:41:30 | 0:41:33 | |
Happy days, then. | 0:41:33 | 0:41:35 | |
But right now the auctioneer, Anita Manning, | 0:41:35 | 0:41:38 | |
is going to tell us what she thinks about Catherine's bonus buys. | 0:41:38 | 0:41:41 | |
We've got the letter knife for the team's bonus buy | 0:41:43 | 0:41:46 | |
and that's the special bonus buy, the wee watercolour. | 0:41:46 | 0:41:49 | |
Now, what do you make of that, darling? | 0:41:49 | 0:41:51 | |
I think that this is a lovely little item. | 0:41:51 | 0:41:53 | |
Now, we know that Mary Queen of Scots | 0:41:53 | 0:41:56 | |
visited Jedburgh in the 1500s | 0:41:56 | 0:41:59 | |
and we know that the house that she stayed in | 0:41:59 | 0:42:02 | |
had a pear-wood garden. | 0:42:02 | 0:42:04 | |
So I think that we have a lovely association there. | 0:42:04 | 0:42:08 | |
-I mean, this isn't 500 years old. -No, no. | 0:42:08 | 0:42:11 | |
I mean, they chopped the tree down, and in the 19th century | 0:42:11 | 0:42:14 | |
made it into a wee letter knife and inscribed it, which is charming. | 0:42:14 | 0:42:18 | |
-What's your estimate? -£50-£80. | 0:42:18 | 0:42:20 | |
OK, well, Catherine paid £50 for it, so that's pretty good. | 0:42:20 | 0:42:24 | |
And this is the special bonus buy | 0:42:24 | 0:42:27 | |
which, I have to say, I found for her. | 0:42:27 | 0:42:29 | |
Have we discovered anything about the artist? Who is the artist? | 0:42:29 | 0:42:33 | |
The artist is Arthur Blackwood. | 0:42:33 | 0:42:35 | |
Unfortunately not a listed artist, | 0:42:35 | 0:42:38 | |
but what I would call a good Sunday painter, | 0:42:38 | 0:42:42 | |
a good amateur painter in 1889. | 0:42:42 | 0:42:45 | |
I guess because it's by an unknown hand | 0:42:45 | 0:42:48 | |
it probably doesn't have a great value, then? | 0:42:48 | 0:42:50 | |
25-40. | 0:42:50 | 0:42:52 | |
OK, well, I found it for £20. | 0:42:52 | 0:42:54 | |
We rated it, but actually it looks as if the paper knife | 0:42:54 | 0:42:57 | |
is likely to be the favourite in the auction. | 0:42:57 | 0:43:00 | |
Anyway, that's it for the Reds, now for the Blues. | 0:43:00 | 0:43:04 | |
First up is their cutlery tray. | 0:43:04 | 0:43:06 | |
Which is handy, isn't it? | 0:43:07 | 0:43:08 | |
You put napkins in it, cutlery in it, whatever you like, really? | 0:43:08 | 0:43:11 | |
Good, functional item, it's quite a nice item as well, | 0:43:11 | 0:43:14 | |
with this fretwork here, | 0:43:14 | 0:43:16 | |
and in the centre with the carrying handle. | 0:43:16 | 0:43:20 | |
-OK, so how much? -40-60. | 0:43:20 | 0:43:22 | |
OK, £45 paid. So that's good. | 0:43:22 | 0:43:24 | |
Then we've got the golfing novelty teaspoons. | 0:43:24 | 0:43:27 | |
How popular are they today, | 0:43:27 | 0:43:30 | |
these things, that relate to golf? | 0:43:30 | 0:43:32 | |
Scotland loves all things associated with golf, | 0:43:32 | 0:43:35 | |
because, really, Scotland was the birthplace of golf. | 0:43:35 | 0:43:40 | |
I like these ones in particular, | 0:43:40 | 0:43:42 | |
because they have... The finials are these little lofting irons. | 0:43:42 | 0:43:46 | |
-Right. -And I think that's rather nice. -How much? | 0:43:46 | 0:43:49 | |
-50-80. -OK, £55 paid, so that's on the right side too. | 0:43:49 | 0:43:53 | |
And what about the spirit kettle? | 0:43:53 | 0:43:56 | |
Not something anybody these days would ever use, | 0:43:56 | 0:43:59 | |
you'd have it on the sideboard, bit of a bore to clean. | 0:43:59 | 0:44:02 | |
-But it's got some nice features, hasn't it? -That's right. | 0:44:02 | 0:44:05 | |
I mean, you've got this lovely cane handle, I like that. | 0:44:05 | 0:44:08 | |
And it sits in this smart basket | 0:44:08 | 0:44:10 | |
with lovely little feet. | 0:44:10 | 0:44:12 | |
It's a bit of a mixture of different styles. | 0:44:12 | 0:44:15 | |
You want it to be in the sale already, don't you? | 0:44:15 | 0:44:17 | |
-How much? -20-40. -They paid £40. | 0:44:17 | 0:44:20 | |
So if there's going to be a dark hole into which they plunge | 0:44:20 | 0:44:23 | |
the kettle will be the point of entry. | 0:44:23 | 0:44:26 | |
If they don't do well | 0:44:26 | 0:44:27 | |
they'll need one or other of their bonus buys, | 0:44:27 | 0:44:29 | |
so let's go and have a look at them. | 0:44:29 | 0:44:31 | |
OK, girls, this is fun. The reveals, look. | 0:44:31 | 0:44:35 | |
You gave Paul Laidlaw £160 of leftover lolly. | 0:44:35 | 0:44:38 | |
Paul, what did you spend it on? | 0:44:38 | 0:44:40 | |
The team's bonus buy. | 0:44:40 | 0:44:42 | |
This is it. I think this is made for you, but I could be wrong! | 0:44:42 | 0:44:46 | |
-Oh, yes! -Oh, yes. Yes. | 0:44:47 | 0:44:50 | |
-Oh, gorgeous. -I was right! | 0:44:50 | 0:44:52 | |
There's a name that we associate with these, and it's Ruskin. | 0:44:52 | 0:44:56 | |
Ruskin Pottery. | 0:44:56 | 0:44:57 | |
-Oh, yes, yes. -Named after the great art critic, of course, | 0:44:57 | 0:45:00 | |
dates to 1920s, 1930s. | 0:45:00 | 0:45:03 | |
I love the colours. That's my colours. | 0:45:03 | 0:45:06 | |
-Blue, of course. -Yes. -The Blue team, blue. -I love the colours. | 0:45:06 | 0:45:10 | |
I think it's lovely too. Nice to be worn as a brooch. Yes. | 0:45:10 | 0:45:14 | |
-I spent £35. -Oh, my word. -Oh, well, you see.. | 0:45:14 | 0:45:19 | |
That's a surprise, yes. | 0:45:19 | 0:45:21 | |
Anywhere it's worth £30-£50. | 0:45:21 | 0:45:24 | |
Here, today, I think it's worth 40-60. | 0:45:24 | 0:45:28 | |
OK, well, there we got the lowdown on the team's bonus buy. | 0:45:28 | 0:45:30 | |
Now we have the special bonus buy, the extra £100 | 0:45:30 | 0:45:33 | |
that Paul Laidlaw was given | 0:45:33 | 0:45:35 | |
to find something special for this programme. | 0:45:35 | 0:45:38 | |
The special bonus buy is.... | 0:45:38 | 0:45:40 | |
-Ta-dum! -Oh, very nice. | 0:45:40 | 0:45:42 | |
There you go, Paul, tell us about it. | 0:45:42 | 0:45:44 | |
Oh, I like that too. | 0:45:44 | 0:45:45 | |
It is a goblet, but it's the wheel cutting that makes it special. | 0:45:45 | 0:45:51 | |
Albeit it's tainted - cockfighting. | 0:45:51 | 0:45:55 | |
-Ah, right. -Cockfighting! | 0:45:55 | 0:45:57 | |
It's a rare memento of those times and that sport. | 0:45:57 | 0:46:02 | |
I paid, and I think this was a gift, | 0:46:02 | 0:46:05 | |
-£45. -That's a good... -Think we'll make much profit on that? | 0:46:05 | 0:46:09 | |
That could do three figures. | 0:46:09 | 0:46:10 | |
You've got a big decision ahead of you, cos you like both of them. | 0:46:10 | 0:46:13 | |
But you won't get your opportunity to pick until after the sale | 0:46:13 | 0:46:16 | |
of the first three items and then you'll get your chance. | 0:46:16 | 0:46:19 | |
You'll have to stand by, cos right now, | 0:46:19 | 0:46:21 | |
let's find out what the auctioneer thinks about Paul's bonus buys. | 0:46:21 | 0:46:25 | |
There's the team's bonus buy and the special bonus buy. | 0:46:26 | 0:46:30 | |
What do you make of the Ruskin brooch? | 0:46:30 | 0:46:32 | |
I think it's quite a nice thing. | 0:46:32 | 0:46:34 | |
It's the type of thing that the Glasgow punters like. | 0:46:34 | 0:46:38 | |
Very Arts and Crafts-y. | 0:46:38 | 0:46:39 | |
In fact, it may even have been something that was made | 0:46:39 | 0:46:42 | |
in evening classes in Glasgow School of Art. | 0:46:42 | 0:46:45 | |
-My estimate is 30-50. -£35 was paid. | 0:46:45 | 0:46:49 | |
Now, the bonus buy that I backed | 0:46:49 | 0:46:52 | |
is the engraved glass in Georgian style. | 0:46:52 | 0:46:56 | |
-Do you like it? How do you rate it? -I do. | 0:46:56 | 0:46:58 | |
You can't help liking the quality of the engraving | 0:46:58 | 0:47:02 | |
on this glass and I'm sure that will be appreciated. | 0:47:02 | 0:47:05 | |
OK, so £45 Paul paid for that. | 0:47:05 | 0:47:08 | |
-What sort of estimate can you put on it? -40-60? -OK. | 0:47:08 | 0:47:11 | |
Well, it's in the lap of the gods as to which one will do best. | 0:47:11 | 0:47:15 | |
It just depends on your skill on the rostrum, Anita. | 0:47:15 | 0:47:18 | |
-I will do my best for all of the items. -That's undoubted. | 0:47:18 | 0:47:23 | |
60, 70, 80, 90. | 0:47:23 | 0:47:27 | |
100. | 0:47:27 | 0:47:29 | |
-You OK? -I'm perfect. -Fine, thank you. | 0:47:29 | 0:47:31 | |
So how's the wait for the auction served you? | 0:47:31 | 0:47:34 | |
Feeling a bit nervous, Stu? | 0:47:34 | 0:47:36 | |
Not really nervous, just worried. | 0:47:36 | 0:47:38 | |
-Which are you worried about? -The brooch. -Are you? | 0:47:38 | 0:47:41 | |
-Why are you worried about it? -I just think it's a little bit dear. | 0:47:41 | 0:47:44 | |
-At £44? -Yes. -The auctioneer, she's put 40-60. | 0:47:44 | 0:47:48 | |
She really loves it. | 0:47:48 | 0:47:49 | |
-Good. -You've got nothing to worry about. -Fantastic. -You can relax. | 0:47:49 | 0:47:53 | |
First up is the old clay pipe bowl | 0:47:53 | 0:47:57 | |
and here it comes. | 0:47:57 | 0:47:59 | |
The 19th-century clay pipe bowl | 0:47:59 | 0:48:01 | |
with the front modelled as a boxer dog | 0:48:01 | 0:48:06 | |
with a very strange expression on its face. | 0:48:06 | 0:48:10 | |
£30 for the novelty pipe. 30, 20. | 0:48:10 | 0:48:13 | |
£20? | 0:48:13 | 0:48:15 | |
-For all that fun? £10. 10 bid. -We got 10! | 0:48:15 | 0:48:19 | |
With you, sir, at 10. | 0:48:19 | 0:48:20 | |
Any advance on £10? | 0:48:20 | 0:48:22 | |
Any advance on £10? All done at £10. £10? | 0:48:22 | 0:48:26 | |
-I think you're jolly jammy, you lot. -Well done! | 0:48:27 | 0:48:30 | |
-Well done. -That's £5. | 0:48:30 | 0:48:31 | |
This is quite an interesting item. | 0:48:32 | 0:48:35 | |
It's a Hohner Highlander double-sided harmonica, | 0:48:35 | 0:48:39 | |
tuned to accompany traditional Scottish and Celtic music | 0:48:39 | 0:48:45 | |
with the bagpipes, | 0:48:45 | 0:48:46 | |
and as you know, gentlemen, | 0:48:46 | 0:48:48 | |
every girl loves a guy who can play the harmonica. | 0:48:48 | 0:48:53 | |
Really? | 0:48:56 | 0:48:57 | |
£50? 50. | 0:48:57 | 0:48:59 | |
Start me at £20. | 0:48:59 | 0:49:01 | |
20 bid. Any advance on 20? | 0:49:01 | 0:49:03 | |
30. | 0:49:03 | 0:49:05 | |
-40. -Well done. | 0:49:05 | 0:49:07 | |
50. | 0:49:07 | 0:49:08 | |
Well done at £50. Any advance on £50? £50? | 0:49:08 | 0:49:12 | |
Thank you! | 0:49:13 | 0:49:14 | |
I don't know you, but thank you! | 0:49:16 | 0:49:18 | |
Lovely little piece of Scottish Victoriana, ladies and gentlemen. | 0:49:18 | 0:49:22 | |
Little 19th-century silver and pale and subtle citrine brooch. | 0:49:22 | 0:49:28 | |
£80? 80. | 0:49:28 | 0:49:29 | |
60. Start me at £20. | 0:49:29 | 0:49:31 | |
20 bid. With you, madam, at 20. | 0:49:31 | 0:49:34 | |
-And advance on £20? -Oh, bit sticky. | 0:49:34 | 0:49:37 | |
20, 30. | 0:49:37 | 0:49:38 | |
-40, 50. -There you are. | 0:49:38 | 0:49:40 | |
Worry no more. | 0:49:40 | 0:49:42 | |
Any advance on £50? | 0:49:42 | 0:49:44 | |
£50. | 0:49:44 | 0:49:45 | |
-Yes! -£50 is good enough. -Way! | 0:49:45 | 0:49:47 | |
Plus 6 equals plus £37. | 0:49:47 | 0:49:51 | |
Your total is plus £37. | 0:49:51 | 0:49:53 | |
What do you want to do about the bonus buys? | 0:49:53 | 0:49:56 | |
-We don't know yet. -Choose it. | 0:49:56 | 0:49:58 | |
-Choose it? -You've got it worked out. -Democracy. | 0:49:58 | 0:50:01 | |
-There you go. -Undo it. -Ooh! | 0:50:01 | 0:50:03 | |
Opener. | 0:50:05 | 0:50:06 | |
-The letter opener. -That's it. Well, that really is a lottery, isn't it? | 0:50:06 | 0:50:09 | |
-It is. -£50 paid. | 0:50:09 | 0:50:11 | |
-Uh-huh. -Anita's estimate is £50-80. | 0:50:11 | 0:50:14 | |
-OK. -So she's reckoning it'll make a profit. | 0:50:14 | 0:50:16 | |
-Backed your pick. The team's bonus buy is the chosen bonus buy. -Mm-hm. | 0:50:16 | 0:50:21 | |
The other bonus buy, the lovely watercolour, | 0:50:21 | 0:50:23 | |
provided by moi of Craiglockhart Castle, | 0:50:23 | 0:50:27 | |
will be sold for charity. | 0:50:27 | 0:50:29 | |
If it makes a profit, that goes to charity, | 0:50:29 | 0:50:31 | |
but your pick is the letter opener and that's the first item up. | 0:50:31 | 0:50:35 | |
This Arts and Crafts pared wood letter opener | 0:50:35 | 0:50:38 | |
with inscriptions for Mary, Queen of Scots, there, ladies and gentlemen. | 0:50:38 | 0:50:44 | |
£100. £100. | 0:50:44 | 0:50:46 | |
£50, then? | 0:50:46 | 0:50:48 | |
-50. Start me at £30. -Oh, dear. -Start me at 30. | 0:50:48 | 0:50:51 | |
30 bid. Any advance on 30? | 0:50:51 | 0:50:53 | |
40. | 0:50:53 | 0:50:54 | |
50. | 0:50:54 | 0:50:55 | |
60. | 0:50:55 | 0:50:57 | |
-Oh, that gets me out of trouble. -£70. | 0:50:57 | 0:51:00 | |
Any advance on £70? £70. | 0:51:00 | 0:51:03 | |
£70 is plus £20, | 0:51:03 | 0:51:05 | |
which means overall you are plus £57. | 0:51:05 | 0:51:10 | |
Will that be a winning score? | 0:51:10 | 0:51:12 | |
Anyway, you didn't select the other bonus buy, | 0:51:12 | 0:51:14 | |
the special bonus buy, which we're going to sell now | 0:51:14 | 0:51:17 | |
and if it makes a profit, it goes to charity. | 0:51:17 | 0:51:19 | |
This charming watercolour of Craiglockhart Castle and hill | 0:51:19 | 0:51:23 | |
as it was at that time and no longer is. | 0:51:23 | 0:51:26 | |
It's a wee thing of historical interest. | 0:51:26 | 0:51:29 | |
£80? 60. | 0:51:29 | 0:51:31 | |
Start me at £30. | 0:51:31 | 0:51:33 | |
30 bid. | 0:51:33 | 0:51:34 | |
Any advance on 30? | 0:51:34 | 0:51:36 | |
40. | 0:51:36 | 0:51:37 | |
No. It's with the gentleman at 40. | 0:51:37 | 0:51:40 | |
Any advance on £40? Any advance on £40? £40. | 0:51:40 | 0:51:44 | |
£40, then. It's plus £20. | 0:51:44 | 0:51:47 | |
I had to make a suggestion | 0:51:47 | 0:51:48 | |
as to which was going to bring the biggest profit. | 0:51:48 | 0:51:50 | |
I selected the watercolour which made exactly the same profit | 0:51:50 | 0:51:54 | |
as the letter opener, so we're quits on that. | 0:51:54 | 0:51:56 | |
Anyway, the £20 will go to charity, so well done for that, Catherine. | 0:51:56 | 0:51:59 | |
Two very nice bonus buy profits. | 0:51:59 | 0:52:01 | |
-You're plus £57. Don't say a word to the Blues. -Lips are sealed. | 0:52:01 | 0:52:05 | |
And all will be revealed later. Thank you very much. | 0:52:05 | 0:52:08 | |
-Thank you very much. -Well done. -Thank you. | 0:52:08 | 0:52:10 | |
-OK, Margaret, Ina, have you found out how the Reds got on? -No. -Good. | 0:52:16 | 0:52:21 | |
-No. -We don't want you to either. | 0:52:21 | 0:52:23 | |
Anyway, first up, then, will be the cutlery tray and here it comes. | 0:52:23 | 0:52:26 | |
This fine, 19th-century, Georgian, two-division, mahogany cutlery tray. | 0:52:26 | 0:52:32 | |
Nice antique item. | 0:52:32 | 0:52:34 | |
Bids on the books - I'll start the bidding at 40, 50, 60. | 0:52:34 | 0:52:40 | |
On the books at 60. | 0:52:40 | 0:52:42 | |
-Look at that! -On the books on commission bids at £60. | 0:52:42 | 0:52:46 | |
Any advance on 60? | 0:52:46 | 0:52:49 | |
Any advance on £60? £60. | 0:52:49 | 0:52:52 | |
Oh, that's marvellous. | 0:52:52 | 0:52:53 | |
Plus £15 straight up. | 0:52:53 | 0:52:55 | |
A set of six George V golfing spoons. | 0:52:55 | 0:52:59 | |
Hallmark for Baker Brothers. | 0:52:59 | 0:53:01 | |
1913. Can we say £100? 100. | 0:53:01 | 0:53:05 | |
80. | 0:53:05 | 0:53:06 | |
Start me at £50, ladies and gentlemen. | 0:53:06 | 0:53:08 | |
50 bid. | 0:53:08 | 0:53:09 | |
60. | 0:53:09 | 0:53:10 | |
- 70, 80. - Oh, good. | 0:53:10 | 0:53:12 | |
90. | 0:53:12 | 0:53:14 | |
90 at the back. | 0:53:14 | 0:53:15 | |
- With the gentleman at £90. - Yes! | 0:53:15 | 0:53:18 | |
- 100 on the phone. - Thank you! | 0:53:18 | 0:53:20 | |
110. | 0:53:20 | 0:53:21 | |
120. | 0:53:21 | 0:53:22 | |
130. | 0:53:22 | 0:53:24 | |
-Margaret! -Oh, that's... | 0:53:24 | 0:53:26 | |
Are you a golfer, sir? | 0:53:26 | 0:53:27 | |
130. | 0:53:27 | 0:53:29 | |
-£130! -All done at 130? 130... | 0:53:29 | 0:53:33 | |
HAMMER FALLS | 0:53:33 | 0:53:34 | |
Oh, yes! Kiss for that! | 0:53:34 | 0:53:36 | |
That's 60. We've just made £75. | 0:53:38 | 0:53:42 | |
The Edwardian silver-plated tea kettle. | 0:53:43 | 0:53:47 | |
Can we say £80? 80. | 0:53:47 | 0:53:49 | |
Start me at £40. | 0:53:49 | 0:53:51 | |
£20, then. | 0:53:51 | 0:53:52 | |
20 bid. | 0:53:52 | 0:53:53 | |
30 on the other phone. | 0:53:53 | 0:53:55 | |
40. | 0:53:55 | 0:53:57 | |
- 50. - Yes, yes, yes! | 0:53:57 | 0:54:00 | |
-You're in profit. -60. | 0:54:00 | 0:54:01 | |
- That's fantastic. - 70. | 0:54:01 | 0:54:02 | |
No. It's on the phone at £70. | 0:54:03 | 0:54:06 | |
All done at £70. £70. | 0:54:06 | 0:54:09 | |
-Yes! -Well done! -I'll gie you another kiss. | 0:54:09 | 0:54:12 | |
There you go, look - that's a profit of £30, which means overall, | 0:54:12 | 0:54:15 | |
you are plus 120. | 0:54:15 | 0:54:18 | |
-How good is that? -Oh, my God. -You made a profit of £120. | 0:54:18 | 0:54:22 | |
Now, chickens, what are you going to do about the bonus buys? | 0:54:22 | 0:54:25 | |
Are you going to go with the Ruskin brooch or are you going to go | 0:54:25 | 0:54:27 | |
with the goblet or are you going to go with nothing? | 0:54:27 | 0:54:30 | |
-We're going with the goblet. -We're going to go with the goblet. | 0:54:30 | 0:54:32 | |
We really liked it. | 0:54:32 | 0:54:34 | |
I had to make a prediction as to which piece is going to do well | 0:54:34 | 0:54:37 | |
out of the two bonus buys and I selected the cockfighting goblet. | 0:54:37 | 0:54:41 | |
So I'm rooting with you, | 0:54:41 | 0:54:42 | |
but we are going to sell the Ruskin mounted brooch too, | 0:54:42 | 0:54:46 | |
and if that makes a profit on £35, | 0:54:46 | 0:54:48 | |
-it'll go to charity, OK? -Oh, that's good. | 0:54:48 | 0:54:50 | |
And the Ruskin brooch is first up. | 0:54:50 | 0:54:52 | |
The little Arts and Crafts Ruskin ceramic brooch, | 0:54:52 | 0:54:56 | |
possibly made in Glasgow in the 1920s. | 0:54:56 | 0:55:00 | |
I have bids on the books and I'll start the bidding at £30. | 0:55:00 | 0:55:03 | |
30, 40, 50, 60. It's on the books at 60. | 0:55:03 | 0:55:10 | |
Any advance on... | 0:55:10 | 0:55:11 | |
It's going to charity, so that's good. | 0:55:11 | 0:55:13 | |
ANITA: The Ruskin brooch. 65. | 0:55:13 | 0:55:15 | |
Any advance on 65? All done at 65? 65? | 0:55:15 | 0:55:20 | |
-That is plus £30. -Yes. -£30 for the charity. | 0:55:20 | 0:55:23 | |
Thank you very much, Paul Laidlaw. | 0:55:23 | 0:55:25 | |
Lucky Laidlaw. | 0:55:25 | 0:55:26 | |
Now, the engraved goblet is your choice and here it comes. | 0:55:27 | 0:55:31 | |
..facet-stem glass drinking goblet. | 0:55:31 | 0:55:34 | |
It's engraved with fighting cocks. | 0:55:34 | 0:55:37 | |
Can we say £80? 80. | 0:55:37 | 0:55:40 | |
60. | 0:55:40 | 0:55:41 | |
Start me at £20. | 0:55:41 | 0:55:43 | |
20 bid. | 0:55:43 | 0:55:44 | |
30, 40, 50, 60, | 0:55:44 | 0:55:47 | |
-70... -Hey, girls. -80. | 0:55:47 | 0:55:49 | |
Hey... | 0:55:49 | 0:55:50 | |
-Any advance on 80? 90... -£90! | 0:55:50 | 0:55:53 | |
- £90. - Oh, yes! | 0:55:53 | 0:55:55 | |
- Any advance on 90? - Well done. | 0:55:55 | 0:55:57 | |
Any advance on £90? | 0:55:57 | 0:56:00 | |
£90? | 0:56:00 | 0:56:01 | |
-£90, you've doubled your money. -Well done, ladies. -Plus £45. | 0:56:01 | 0:56:05 | |
-What a team! -That is so good. | 0:56:05 | 0:56:07 | |
-So overall, girls, you are £165 up. -Oh, my God! | 0:56:07 | 0:56:12 | |
£165. | 0:56:12 | 0:56:14 | |
-Isn't that amazing? You've done very, very well. -Thank you. | 0:56:14 | 0:56:17 | |
Well, it's marvellous to be able to tell you that both teams | 0:56:24 | 0:56:28 | |
have got golden gavels. | 0:56:28 | 0:56:30 | |
THEY CHEER | 0:56:30 | 0:56:32 | |
Because both teams have managed to make a profit on every lot. | 0:56:32 | 0:56:36 | |
So there you go, you've got yours. | 0:56:36 | 0:56:38 | |
-Well done. -Thank you very much. -That's perfect. | 0:56:38 | 0:56:41 | |
That's good, well done. | 0:56:41 | 0:56:43 | |
There you go, Margaret. Pull it out, sweetie. There we go. | 0:56:43 | 0:56:46 | |
-Thank you. -Well done, Ina. | 0:56:46 | 0:56:47 | |
Thank you very much. | 0:56:47 | 0:56:48 | |
So how about that? | 0:56:48 | 0:56:50 | |
So it's just a question of the scale of the overall end result | 0:56:50 | 0:56:54 | |
and the team that's marginally behind in the overall score | 0:56:54 | 0:56:58 | |
is the Reds. | 0:56:58 | 0:56:59 | |
THE BLUES WHOOP | 0:56:59 | 0:57:01 | |
-You nevertheless go home with £57. -Thank you very much. | 0:57:02 | 0:57:06 | |
That's 55 and a couple more. | 0:57:06 | 0:57:08 | |
So a nice profit on everything. | 0:57:08 | 0:57:09 | |
You selected the letter opener, which made a £20 profit, | 0:57:09 | 0:57:12 | |
which is a top up. | 0:57:12 | 0:57:13 | |
-Thank you very much, Catherine, on the bonus buy front. -Thank you. | 0:57:13 | 0:57:16 | |
Congratulations on all of that. | 0:57:16 | 0:57:18 | |
And you guys are going to go home with £165. | 0:57:18 | 0:57:21 | |
-Yeah! -Woo! -There we go. -Thank you! | 0:57:21 | 0:57:23 | |
That's your £165, which is brilliant. | 0:57:23 | 0:57:26 | |
You had £120 in your own right, | 0:57:26 | 0:57:29 | |
and then you got the additional £45 from Paul, thanks to the glass. | 0:57:29 | 0:57:33 | |
-Well selected. -Thank you, Paul. | 0:57:33 | 0:57:35 | |
It made the maximum bonus buy profit, | 0:57:35 | 0:57:37 | |
so you did the right thing in grabbing that. | 0:57:37 | 0:57:40 | |
And overall, the charity will get a benefit of £50, | 0:57:40 | 0:57:45 | |
thanks to the expertise of our experts | 0:57:45 | 0:57:48 | |
in coming up with profits on the other bonus buys, | 0:57:48 | 0:57:51 | |
so well done for that. That's pretty good, isn't it? | 0:57:51 | 0:57:53 | |
Overall, it's been a splendid result. | 0:57:53 | 0:57:55 | |
-Absolutely! -And I congratulate you girls, cos that's really good. | 0:57:55 | 0:57:58 | |
In fact, join us soon for some more bargain hunting, yes? | 0:57:58 | 0:58:00 | |
ALL: Yes! | 0:58:00 | 0:58:02 |