Browse content similar to Edinburgh 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, we're in a country famous for its great outdoors | 0:00:02 | 0:00:05 | |
and in a city known for its art and culture. | 0:00:05 | 0:00:08 | |
We're been to the Royal Highlands Centre, here in Edinburgh, before, | 0:00:10 | 0:00:15 | |
and we had such a cracking time that we've come back for more. | 0:00:15 | 0:00:20 | |
Loads more. 60 minutes, to be precise. | 0:00:20 | 0:00:23 | |
So, let's go Bargain Hunting! Yeah. | 0:00:23 | 0:00:27 | |
As usual, our teams have £300 | 0:00:50 | 0:00:52 | |
and an hour to find three items to sell at auction. | 0:00:52 | 0:00:55 | |
Today we've tweaked the rules a tad | 0:00:57 | 0:01:00 | |
and instead of getting the expert to find one bonus buy, | 0:01:00 | 0:01:05 | |
I'm going to get them to find two. | 0:01:05 | 0:01:08 | |
And then I'm going to have a look at the two and decide | 0:01:08 | 0:01:11 | |
which is going to bring the biggest profit or the smallest loss. | 0:01:11 | 0:01:15 | |
So, let's have a little look at what's coming up. | 0:01:15 | 0:01:17 | |
Today's teams have very different passions. | 0:01:19 | 0:01:22 | |
The Reds are crazy about climbing | 0:01:22 | 0:01:24 | |
and they give their expert a mountain to climb. | 0:01:24 | 0:01:27 | |
I have done this in the last minute before, | 0:01:27 | 0:01:30 | |
but never in the last second. | 0:01:30 | 0:01:32 | |
And the Blues are professional puppeteers. | 0:01:32 | 0:01:35 | |
No prizes for guessing what they'll be looking for. | 0:01:35 | 0:01:37 | |
I don't think she's the sexiest of Pelham Puppets. | 0:01:37 | 0:01:40 | |
I think she's slightly scary, to be honest with you. | 0:01:40 | 0:01:42 | |
And so will it be physical fitness | 0:01:42 | 0:01:45 | |
or artistry that wins the day today? | 0:01:45 | 0:01:47 | |
110. | 0:01:47 | 0:01:48 | |
Time to meet the teams. | 0:01:48 | 0:01:51 | |
On today's show, we have partners Lynn and Tom, | 0:01:51 | 0:01:54 | |
and chums Matthew and Ross. Hello, everyone. | 0:01:54 | 0:01:57 | |
-ALL: Hello. -Very nice to see you. | 0:01:57 | 0:01:58 | |
-Now, Lynn, it says here that you met Tom up a mountain. -We did indeed. | 0:01:58 | 0:02:03 | |
We met in Morocco, we were climbing Mount Toubkal, | 0:02:03 | 0:02:06 | |
which is the highest in North Africa. | 0:02:06 | 0:02:07 | |
-Do you need oxygen when you get to the top of that? -No, you don't. | 0:02:07 | 0:02:10 | |
But you do suffer from lack of oxygen. | 0:02:10 | 0:02:13 | |
So, did you come across Tom panting halfway up, or...? | 0:02:13 | 0:02:16 | |
-How was the encounter? -Yeah, it was something like that. -Was it? | 0:02:16 | 0:02:20 | |
What, he took one look at you and he thought, "Oh, dear. Oh, dear. | 0:02:20 | 0:02:23 | |
-"I'm feeling a bit short of breath"? -Was that how it was? | 0:02:23 | 0:02:25 | |
Well, we were on the same trip and we met each other and discovered we | 0:02:25 | 0:02:30 | |
had a real interest in climbing and things developed from there, really. | 0:02:30 | 0:02:33 | |
-Which is rather lovely. -Yeah. | 0:02:33 | 0:02:35 | |
Now, tell me about this climbing business, | 0:02:35 | 0:02:37 | |
because you've been up Ben Nevis a bit? | 0:02:37 | 0:02:38 | |
Yep, I've been up that... Goodness, | 0:02:38 | 0:02:40 | |
I've been up it too many times to remember, actually. | 0:02:40 | 0:02:43 | |
What about Kilimanjaro? | 0:02:43 | 0:02:45 | |
That was absolutely fantastic, it was one of the best trips I've been on. | 0:02:45 | 0:02:48 | |
The satisfaction when you reach the top is absolutely amazing. | 0:02:48 | 0:02:51 | |
-And the views are pretty good? -The views were fantastic, yeah. | 0:02:51 | 0:02:54 | |
We were up there for dawn. | 0:02:54 | 0:02:55 | |
Now, Tom, you're just mad about this climbing lark. | 0:02:55 | 0:02:58 | |
Yeah, my real passion is mountaineering, | 0:02:58 | 0:03:02 | |
so Lynn and I are trying to climb all the Munros, | 0:03:02 | 0:03:04 | |
-which are the mountains over 3,000 feet in Scotland. -Yes. | 0:03:04 | 0:03:08 | |
There's 282. | 0:03:08 | 0:03:10 | |
I've done 252 of them, | 0:03:10 | 0:03:12 | |
so hopefully finish them over the next year, 18 months, | 0:03:12 | 0:03:15 | |
that's the plan. | 0:03:15 | 0:03:16 | |
What about antiques, then? Do you know anything about antiques? | 0:03:16 | 0:03:19 | |
-Well, not hugely. -Oh, you'll do very well on this programme. -Yeah. | 0:03:19 | 0:03:24 | |
But I am kind of interested in some old things, | 0:03:24 | 0:03:27 | |
something that's got a bit of history and a story about it. | 0:03:27 | 0:03:30 | |
And, Tom, what about you? | 0:03:30 | 0:03:31 | |
The closest, I guess, I come to collecting anything | 0:03:31 | 0:03:34 | |
would be malt whisky, but I tend not to keep it for too long. | 0:03:34 | 0:03:37 | |
Anyway, I think you're going to do very well today | 0:03:37 | 0:03:39 | |
and I wish you good luck. | 0:03:39 | 0:03:41 | |
-BOTH: Thanks. -Now, for the Blues. | 0:03:41 | 0:03:43 | |
Ross, how did you and Matthew meet? | 0:03:43 | 0:03:46 | |
Well, we were at university together and I was studying directing | 0:03:46 | 0:03:50 | |
and Matt was studying acting, | 0:03:50 | 0:03:52 | |
so we bumped into each other through the performing arts. | 0:03:52 | 0:03:56 | |
And since then, Ross, you've employed Matt, is that right? | 0:03:56 | 0:03:59 | |
Yeah, well, we've worked together. | 0:03:59 | 0:04:01 | |
I've got a puppetry company | 0:04:01 | 0:04:03 | |
and Matt's worked as a puppeteer with me on a couple of projects now. | 0:04:03 | 0:04:06 | |
So, tell us more about the puppet theatre, then? | 0:04:06 | 0:04:09 | |
So, it started when I left university with a couple of friends, | 0:04:09 | 0:04:12 | |
we went from puppets this size | 0:04:12 | 0:04:14 | |
to we're currently building a puppet that's 5.5m tall. | 0:04:14 | 0:04:17 | |
Is this for the Fringe or what? | 0:04:17 | 0:04:18 | |
Yeah, we've done some at the Edinburgh Fringe, it's nice | 0:04:18 | 0:04:21 | |
living in Edinburgh cos we can rock up there whenever we need to. | 0:04:21 | 0:04:23 | |
Lovely. And you do a bit of magic? | 0:04:23 | 0:04:25 | |
I do, yeah. Bits and pieces, now and again. | 0:04:25 | 0:04:27 | |
You became the Young Scottish Magician of the Year in 2003? | 0:04:27 | 0:04:32 | |
-Yeah, I did. -Well, that's an accolade, isn't it? | 0:04:32 | 0:04:35 | |
Yeah, that was my geeky years as a teenager paying off. | 0:04:35 | 0:04:38 | |
-So, Matthew, you have a job in an art shop... -I do. | 0:04:38 | 0:04:42 | |
..but you're also into the puppet lark? | 0:04:42 | 0:04:44 | |
Yes, so I work with Ross with the puppets | 0:04:44 | 0:04:47 | |
and when I have to make some money, because you have to do these things, | 0:04:47 | 0:04:51 | |
I work in an art shop selling art supplies. | 0:04:51 | 0:04:54 | |
And you also do a bit of cookery? | 0:04:54 | 0:04:56 | |
I do, I love cooking and baking and that type of thing, | 0:04:56 | 0:04:59 | |
so concocting my own little inventions... | 0:04:59 | 0:05:02 | |
And what's a favourite invention? | 0:05:02 | 0:05:04 | |
Well, I did make a rather good banana and toffee profiterole. | 0:05:04 | 0:05:08 | |
-Oh, did you? -Yes, I did. -What, all in the same dish? | 0:05:08 | 0:05:11 | |
Oh, yeah. | 0:05:11 | 0:05:12 | |
Melded it together and whoa, there it came out. | 0:05:12 | 0:05:14 | |
So, what floats your boat between you for this antiques lark, then? | 0:05:14 | 0:05:18 | |
I collect magic memorabilia, so little bits and trinkets | 0:05:18 | 0:05:22 | |
and old magic books. | 0:05:22 | 0:05:23 | |
And what's this about you, Matthew, and Beanie Babies? | 0:05:23 | 0:05:26 | |
-That's an old thing. -Oh, is it? | 0:05:26 | 0:05:28 | |
In fact, I went home recently and found all my old Beanie Babies | 0:05:28 | 0:05:31 | |
and there's many of them sitting in a bag doing nothing, | 0:05:31 | 0:05:34 | |
but I haven't bought a Beanie Baby for... | 0:05:34 | 0:05:37 | |
15 years. | 0:05:37 | 0:05:38 | |
Really? 15 years without a Beanie Baby. | 0:05:38 | 0:05:40 | |
Perhaps today is going to be your day to find another Beanie Baby... | 0:05:40 | 0:05:43 | |
-Fingers crossed. -..with some of our £300. | 0:05:43 | 0:05:45 | |
-There you go, £300. -Cheers. -Thank you. | 0:05:45 | 0:05:48 | |
You know the rules, your experts await, | 0:05:48 | 0:05:50 | |
and off you go and very, very, very good luck. | 0:05:50 | 0:05:52 | |
And let's meet the experts. | 0:05:53 | 0:05:55 | |
Hat's the way to do it! | 0:05:58 | 0:05:59 | |
For the Reds, Catherine Southon's in the driving seat. | 0:05:59 | 0:06:02 | |
And pulling a face but pushing for profits, | 0:06:02 | 0:06:04 | |
Paul Laidlaw is bossing the Blues. | 0:06:04 | 0:06:06 | |
Spooky. | 0:06:06 | 0:06:08 | |
This is terribly exciting, | 0:06:08 | 0:06:10 | |
we've got a big mountain to climb in only one hour. | 0:06:10 | 0:06:13 | |
Am I right in thinking that puppetry | 0:06:13 | 0:06:16 | |
comes into your careers and passions? | 0:06:16 | 0:06:19 | |
-Yeah, we're puppeteers. -Yeah? | 0:06:19 | 0:06:21 | |
So, here we are, we're looking for bargains. | 0:06:21 | 0:06:24 | |
What are our tactics? | 0:06:25 | 0:06:26 | |
I think silver and things with a Scottish theme? | 0:06:26 | 0:06:30 | |
-What are you bringing to the party? -I'm just, you know, I'm on it. | 0:06:30 | 0:06:33 | |
You're on it? We are ALL on it! Come on, let's go. | 0:06:33 | 0:06:37 | |
Now, this fair's a whopper, with hundreds of stalls to choose from... | 0:06:37 | 0:06:40 | |
Ah! Needle in a haystack. | 0:06:40 | 0:06:43 | |
..and just 60 minutes on the clock. | 0:06:43 | 0:06:46 | |
What's this chap got here? | 0:06:46 | 0:06:48 | |
So, teams, you need to be decisive. | 0:06:48 | 0:06:50 | |
-You know what you like, do you? -Let's hope so. | 0:06:50 | 0:06:54 | |
-Oh, the parrots. They're quite fun, aren't they? -Yeah. | 0:06:54 | 0:06:57 | |
-Have a look. What do you think? -Well... -Is it a brooch? | 0:06:58 | 0:07:02 | |
-It is, but just a thin... -Probably Bakelite. -Yeah. | 0:07:02 | 0:07:05 | |
-Nice colours, though. -It is, but no. | 0:07:05 | 0:07:08 | |
-Oh. -Not for us? Nope. | 0:07:08 | 0:07:10 | |
-She knows. -You know. | 0:07:10 | 0:07:12 | |
So, the two birds of a feather are back in the box and the boys in blue | 0:07:12 | 0:07:16 | |
are pulling the strings, | 0:07:16 | 0:07:17 | |
as they give their skipper a lesson in puppetry. | 0:07:17 | 0:07:19 | |
You have to have a look at the puppet, at least. | 0:07:19 | 0:07:22 | |
-Yeah, but they don't... -I don't think they're...yeah. | 0:07:22 | 0:07:25 | |
Are they dolls or puppets? | 0:07:25 | 0:07:26 | |
No, those ones are puppets. | 0:07:26 | 0:07:28 | |
Marionette or glove puppet? | 0:07:28 | 0:07:29 | |
A marionette can be a puppet. You get all different types of puppets, | 0:07:29 | 0:07:32 | |
but marionettes are always string. | 0:07:32 | 0:07:34 | |
Those look more like, uh, Punch and Judy style. | 0:07:34 | 0:07:37 | |
Yeah, they don't look particularly...good. | 0:07:37 | 0:07:39 | |
Do you know what? I know nothing about them and I agree. | 0:07:41 | 0:07:43 | |
Now, Reds, remember what we said about being decisive? | 0:07:45 | 0:07:48 | |
-I'm still thinking about those parrots. -The parrots? | 0:07:48 | 0:07:51 | |
Oh, you like the parrots? | 0:07:51 | 0:07:53 | |
I think just because they're nice and colourful. | 0:07:53 | 0:07:55 | |
-I just thought £8, that might be quite... -Yeah. | 0:07:55 | 0:07:58 | |
-Just thinking parrots. -Should we get it as a...? -Maybe we should. | 0:07:58 | 0:08:01 | |
-Shall we go back and have a look? -Yeah. -Yeah. | 0:08:01 | 0:08:03 | |
So ten minutes gone and Catherine is looking a little concerned. | 0:08:03 | 0:08:07 | |
-Is she always like this? -Oh, yes. Yeah, indecisive. | 0:08:07 | 0:08:09 | |
I thought she was going to be really decisive. She's as bad as I am. | 0:08:09 | 0:08:12 | |
-Yeah. -Oh, no, she's not! | 0:08:12 | 0:08:14 | |
(Oh, yes, she is.) | 0:08:14 | 0:08:16 | |
Now, where are those parrots, and are they parrots at all? | 0:08:16 | 0:08:20 | |
It's a great subject. Are they parrots? Actually, are they parrots? | 0:08:20 | 0:08:23 | |
I'm not sure. | 0:08:23 | 0:08:24 | |
-STALL OWNER: -No, I think they're possibly lovebirds or something. | 0:08:24 | 0:08:27 | |
Lovebirds. Oh, you two are lovebirds, aren't you? | 0:08:27 | 0:08:29 | |
There you go, that's perfect. | 0:08:29 | 0:08:31 | |
Lovebirds. | 0:08:31 | 0:08:33 | |
-STALL OWNER: -I think it was probably made in one of the French islands. | 0:08:33 | 0:08:36 | |
Right, yeah. | 0:08:36 | 0:08:38 | |
-So, it's probably only '70s or '80s, is it? -Oh, is it? -Yeah. -OK. | 0:08:38 | 0:08:43 | |
It's not a '20s Bakelite one, this is just plastic. | 0:08:43 | 0:08:48 | |
There's no name or anything on there. | 0:08:48 | 0:08:51 | |
-It's quite unusual, if you like birds. -Yeah. -Would you wear that? | 0:08:51 | 0:08:54 | |
-You don't strike me as a lady that would wear this. -Well, possibly not. | 0:08:54 | 0:08:57 | |
-But I think it's quite eye-catching. -It's £8. | 0:08:57 | 0:09:01 | |
I mean, maybe you could let us have it for £5, I don't know? | 0:09:01 | 0:09:04 | |
-6? -6... | 0:09:04 | 0:09:06 | |
£6? | 0:09:06 | 0:09:07 | |
-OK, let's just do it. -Yeah, why not? | 0:09:07 | 0:09:10 | |
Yeah, I think it's nice, I like it. | 0:09:10 | 0:09:13 | |
So, deal done. £6 spent and Catherine has perked up instantly. | 0:09:13 | 0:09:18 | |
If you carry on like this, I'm going to be a very happy bunny. | 0:09:18 | 0:09:22 | |
-Excellent. -Let's go. | 0:09:22 | 0:09:23 | |
Meanwhile, with nearly a third of the hour gone, | 0:09:23 | 0:09:25 | |
the Blues have yet to spot anything that lights their fire. | 0:09:25 | 0:09:29 | |
-What about the tobacco tin, what's that? -Er... | 0:09:29 | 0:09:32 | |
It's not got the meat, you'd need a cardboard box full of them | 0:09:32 | 0:09:37 | |
to add up to a pile of beans, you know? | 0:09:37 | 0:09:40 | |
Now the Red team have got a thirst on. | 0:09:40 | 0:09:43 | |
-I think I'd like to try and get a hip flask. -Hip flask? -Yeah. | 0:09:43 | 0:09:46 | |
-That's very... -Something silver, as well. | 0:09:46 | 0:09:48 | |
-..definite. -Yeah. -A silver hip flask. -Yeah. -OK. | 0:09:48 | 0:09:51 | |
Time is ticking on, and the Blues have yet to make a purchase. | 0:09:51 | 0:09:55 | |
But what's this that Matt's got his eye on? | 0:09:55 | 0:09:58 | |
-What's that thing over there? -What's this? | 0:09:58 | 0:10:00 | |
-A plate. -It's kind of interesting. | 0:10:00 | 0:10:03 | |
-Do you know, I would never have picked this up? -Is it a...? | 0:10:03 | 0:10:05 | |
It tells us what it is. | 0:10:05 | 0:10:06 | |
It's celebrating the free Czech Army in England in 1941. | 0:10:06 | 0:10:11 | |
So Czechoslovakia, of course, | 0:10:11 | 0:10:14 | |
is overrun right at the beginning of this era. | 0:10:14 | 0:10:18 | |
And of course, a load of would-be combatants | 0:10:18 | 0:10:22 | |
flee the invading German forces | 0:10:22 | 0:10:25 | |
and a lot of them settle in Britain and that's what it's celebrating. | 0:10:25 | 0:10:29 | |
And this is a breadboard. | 0:10:29 | 0:10:31 | |
I assume this decorative technique is peculiar to Czechoslovakia | 0:10:31 | 0:10:35 | |
because it does not feel in any way British | 0:10:35 | 0:10:38 | |
and I think you really have tapped into... | 0:10:38 | 0:10:41 | |
-..a fantastic little moment. -It's a breadboard? -It's a breadboard. | 0:10:42 | 0:10:45 | |
I think if it was cheap, if it was a tenner, how badly wrong can it go? | 0:10:45 | 0:10:49 | |
It's got rarity on its side and a great back story. | 0:10:49 | 0:10:52 | |
It's got £32 on it. | 0:10:52 | 0:10:54 | |
STALL OWNER: £22. | 0:10:54 | 0:10:56 | |
I think it's hard, it's too hard work. | 0:10:56 | 0:10:59 | |
£15. | 0:10:59 | 0:11:00 | |
-STALL OWNER: Go on, then. 15. -Go on, 15. Let's do it. | 0:11:00 | 0:11:02 | |
-We've bought something?! -We've got it. -We've broke our duck. | 0:11:02 | 0:11:05 | |
MATT LAUGHS We've bought a chopping board. | 0:11:05 | 0:11:08 | |
Indeed you have, Matt, and you've parted with £15 of your bread. Ha! | 0:11:08 | 0:11:13 | |
-Now, Catherine has spotted something appropriate. -That one? -Oh, yeah. | 0:11:13 | 0:11:17 | |
-That's a nice one. -That is. | 0:11:17 | 0:11:19 | |
-That's funky. -That's a nice shape, actually. -What wood would that be? | 0:11:21 | 0:11:24 | |
-25... -It's a hardwood, anyway. You'd have to have a hardwood. | 0:11:26 | 0:11:29 | |
-I think it's dark mahogany. -It could well be. | 0:11:29 | 0:11:32 | |
A beautiful colour, nicely turned, | 0:11:32 | 0:11:34 | |
but look at that nice little narrow waist. It's a nice shape, isn't it? | 0:11:34 | 0:11:37 | |
-Yeah, I do like it. -Really nice to hold that. It's lovely. | 0:11:37 | 0:11:41 | |
I mean, there's a little bit of wear to it, but it's nice. | 0:11:41 | 0:11:44 | |
It's not damaged. | 0:11:44 | 0:11:45 | |
Do you think there's much age to it? | 0:11:45 | 0:11:47 | |
It's got a bit of age to it, maybe late 19th century, | 0:11:47 | 0:11:51 | |
early 20th century? | 0:11:51 | 0:11:52 | |
The thing is, a lot of people, a lot of auctioneers, collect these. | 0:11:52 | 0:11:56 | |
-Oh, OK. 25 on it. -STALL OWNER: 20? | 0:11:56 | 0:12:00 | |
-Could you do it for 15? -Oh, no. | 0:12:00 | 0:12:03 | |
-Oh, yeah! -Oh, no. | 0:12:03 | 0:12:05 | |
We're desperado here. | 0:12:05 | 0:12:06 | |
-Give us a wee chance. -16? | 0:12:06 | 0:12:09 | |
-OK, that's fair. -What's a pound between friends? | 0:12:09 | 0:12:12 | |
-We'll do that. -That'll be great. Thank you very, very much. | 0:12:12 | 0:12:15 | |
The hammer's gone down at £16 and we're halfway through the hour. | 0:12:15 | 0:12:19 | |
Now, here's a little something I found on my travels recently. | 0:12:19 | 0:12:22 | |
Do you know the expression "ripe for modernisation"? | 0:12:29 | 0:12:33 | |
Well, it's usually a term that's applied to property. | 0:12:33 | 0:12:36 | |
Ribby old property, with bad roofs and poor wiring and no bathrooms. | 0:12:36 | 0:12:42 | |
Well, occasionally you can apply the term "ripe for modernisation" | 0:12:42 | 0:12:46 | |
to a piece of furniture too - a piece perhaps like this. | 0:12:46 | 0:12:49 | |
It's a dresser. A classic Welsh dresser. | 0:12:49 | 0:12:54 | |
The joy of this type of furniture is it has its naive charm. | 0:12:54 | 0:12:58 | |
It is not a posh and expensive piece at the time that it was made. | 0:12:58 | 0:13:04 | |
Had it been, it would have been constructed of more expensive oak. | 0:13:04 | 0:13:08 | |
Actually, the timber in this piece is of the worst and lowest quality, | 0:13:08 | 0:13:13 | |
kind of orange box type deal, | 0:13:13 | 0:13:15 | |
because they weren't worried about what the timber looked like | 0:13:15 | 0:13:18 | |
at the end of the day, | 0:13:18 | 0:13:20 | |
because it had this glorious paint effect applied all over it. | 0:13:20 | 0:13:25 | |
If you look here, | 0:13:25 | 0:13:26 | |
you can see an extraordinarily complicated grain | 0:13:26 | 0:13:30 | |
that runs along this flat surface. | 0:13:30 | 0:13:33 | |
That has been artificially created using paint. | 0:13:33 | 0:13:37 | |
It's a paint effect. | 0:13:37 | 0:13:38 | |
It's not scumbled, it's not grained, | 0:13:38 | 0:13:42 | |
it's simply been combed | 0:13:42 | 0:13:45 | |
and here is the bare timber | 0:13:45 | 0:13:47 | |
onto which was put a cream surface of paint. | 0:13:47 | 0:13:51 | |
And then over the top of that, | 0:13:51 | 0:13:52 | |
some brown overlay and then combed using a tool, | 0:13:52 | 0:13:56 | |
creating all that busyness that makes it look like expensive pine. | 0:13:56 | 0:14:02 | |
What's it worth? | 0:14:02 | 0:14:03 | |
Well, in oak, | 0:14:03 | 0:14:05 | |
a dresser like this could be as much as £2,000 to £3,000. | 0:14:05 | 0:14:09 | |
This one could be yours, in need of modernisation, for £750. | 0:14:09 | 0:14:15 | |
How's that? | 0:14:15 | 0:14:16 | |
So, back to the shopping | 0:14:17 | 0:14:19 | |
and the Blue team are about to make Paul's life a dog's life. | 0:14:19 | 0:14:23 | |
-Now that is a dog. -Paul, how about something really big? | 0:14:23 | 0:14:27 | |
What? | 0:14:34 | 0:14:35 | |
Does it have any substance to it whatsoever? | 0:14:35 | 0:14:37 | |
If it is some '60s kitsch painted plaster dog, | 0:14:37 | 0:14:41 | |
-there's a market for it. -Yeah. | 0:14:41 | 0:14:43 | |
If it's straight out a container from China, we're dead in the water. | 0:14:43 | 0:14:47 | |
-STALL OWNER: It's 1960s. -Is he big bucks? | 0:14:47 | 0:14:50 | |
250, I've got on him. | 0:14:50 | 0:14:51 | |
We've not got the pennies and at auction, | 0:14:51 | 0:14:53 | |
-it's, how do you put a value on that? -Yeah. | 0:14:53 | 0:14:56 | |
In the right sale, you'd go, it's worth 100 to 200 quid | 0:14:56 | 0:14:59 | |
and the price is actually probably pretty reasonable retail, but... | 0:14:59 | 0:15:04 | |
-..but it's no use to us, is it? -Moving on. -No big dog for us. | 0:15:05 | 0:15:08 | |
-Thank you. -Thanks very much. Love it. | 0:15:08 | 0:15:11 | |
But not enough to buy it, it seems. | 0:15:11 | 0:15:13 | |
Now, once again, it's Catherine's turn to look a bit worried. | 0:15:13 | 0:15:17 | |
We're finding it hard to get our teeth into something, | 0:15:17 | 0:15:20 | |
something really meaty that's going to grip us. | 0:15:20 | 0:15:23 | |
Tom knows that he wants one of these silver hip flask | 0:15:23 | 0:15:26 | |
and it's got to be Scottish, but I think Lynn is a bit more open, | 0:15:26 | 0:15:29 | |
but we've really got to work at this. | 0:15:29 | 0:15:32 | |
Yes, you have, especially as Lynn's having a bit of a wobble. | 0:15:32 | 0:15:35 | |
-Are you panicking? -Yeah. -I can feel it. -We need to buy! | 0:15:35 | 0:15:39 | |
I can feel it, we need a bit of head massaging going on here. | 0:15:39 | 0:15:41 | |
-I think we need to move quicker so we can see what's here. -Yeah. | 0:15:41 | 0:15:45 | |
-I think we'll just have a quick scan and then move on. -Action! | 0:15:45 | 0:15:48 | |
Quick scan, move on. | 0:15:48 | 0:15:50 | |
And talking of action, | 0:15:50 | 0:15:52 | |
our puppeteers need to get a shift on, | 0:15:52 | 0:15:55 | |
as 45 minutes have already passed. | 0:15:55 | 0:15:57 | |
-That's a marionette there. -Yeah, that's a marionette. -Oh, here we go. | 0:15:57 | 0:16:00 | |
This is it. And that'll be a Pelham, won't it? | 0:16:00 | 0:16:02 | |
-Yeah, that's a Pelham Puppet. -English puppet? -Yep. | 0:16:02 | 0:16:04 | |
Pelham Puppets are mainly known for making puppets like these, | 0:16:04 | 0:16:07 | |
but the company, set up in Wiltshire in 1947 by Bob Pelham, | 0:16:07 | 0:16:11 | |
also manufactured glove puppets and ventriloquists' dummies. | 0:16:11 | 0:16:16 | |
That's an early one in a buff box, | 0:16:16 | 0:16:19 | |
so I guess early '60s? | 0:16:19 | 0:16:21 | |
They're fallen away. | 0:16:21 | 0:16:23 | |
See a few years ago, there was a spike in values of Pelham Puppets, | 0:16:23 | 0:16:26 | |
they were making mad money, and now I think sense has returned. | 0:16:26 | 0:16:29 | |
I don't think she's the sexiest of Pelham Puppets, | 0:16:29 | 0:16:32 | |
I think she's slightly scary, to be honest with you. | 0:16:32 | 0:16:34 | |
And that has a bearing. | 0:16:34 | 0:16:36 | |
What's it worth at auction? | 0:16:36 | 0:16:38 | |
-It's probably worth 20, 30 quid at auction. -Let's leave it. | 0:16:38 | 0:16:41 | |
Let's move onwards. | 0:16:41 | 0:16:42 | |
Quick scan, move on. | 0:16:46 | 0:16:47 | |
I quite like that little box. | 0:16:50 | 0:16:52 | |
Guess you don't like it, do you, Tom? | 0:16:52 | 0:16:54 | |
-No, no. -Do you like anything? -Yeah, little silver hip flasks. | 0:16:54 | 0:16:57 | |
You like that? | 0:17:01 | 0:17:03 | |
I suppose it just caught my eye | 0:17:03 | 0:17:04 | |
-but it could be absolute rubbish, I'm not sure. -Why did it catch your eye? | 0:17:04 | 0:17:08 | |
It's just cos it's unusual. | 0:17:08 | 0:17:10 | |
It is unusual to have that, to have a fox, | 0:17:10 | 0:17:13 | |
but I don't know if it's particularly well-modelled. | 0:17:13 | 0:17:17 | |
It's got £50 on it. | 0:17:17 | 0:17:18 | |
-No, I don't think so. -No? | 0:17:18 | 0:17:21 | |
It's just not enough money. | 0:17:21 | 0:17:22 | |
-We won't have spent enough money. -You're telling me. | 0:17:22 | 0:17:25 | |
You've only spent £22 so far, Reds. | 0:17:25 | 0:17:27 | |
Meanwhile, the Blues seem to have gone round in a circle. | 0:17:28 | 0:17:32 | |
Here we are again... | 0:17:32 | 0:17:34 | |
looking at puppets. | 0:17:34 | 0:17:35 | |
-Yeah, some marionettes. -It is meant to be. | 0:17:35 | 0:17:38 | |
-Right. Can you make these things work? -I think I could give it a go. | 0:17:38 | 0:17:42 | |
-No, I... Oh, that's... -Oh, that's spaghetti junction, Holy Moses. | 0:17:42 | 0:17:47 | |
-Mint condition... -Mint condition, never out of the box, Pelham Puppet. | 0:17:47 | 0:17:50 | |
-How much is it? -£30. | 0:17:50 | 0:17:52 | |
We've got to buy something at some stage. | 0:17:52 | 0:17:54 | |
-I say... This is my plan. -Uh-oh. | 0:17:54 | 0:17:58 | |
-Right... -I say we go for the trio. | 0:17:58 | 0:18:01 | |
Three puppets, one lot? | 0:18:01 | 0:18:03 | |
-Three puppets, one lot. -I love your style. -That's the banter. | 0:18:03 | 0:18:06 | |
-And, of course, I'm thinking bulk discount. -Exactly. -Yeah. | 0:18:06 | 0:18:10 | |
But it would need to be, because I think they're priced up at about... | 0:18:10 | 0:18:13 | |
-72 for the three. -72, the lot? Seriously? | 0:18:13 | 0:18:16 | |
That's what their price says. | 0:18:16 | 0:18:17 | |
£40 would be my bid. | 0:18:17 | 0:18:21 | |
Can you do us a great deal? | 0:18:21 | 0:18:23 | |
I'd do those two for 50 and I'll put her in as a gift. | 0:18:23 | 0:18:27 | |
-Can we go a little bit lower? -No. | 0:18:27 | 0:18:31 | |
40 for the three? | 0:18:31 | 0:18:32 | |
No, nope. Definitely not. | 0:18:32 | 0:18:34 | |
45 for the three. | 0:18:34 | 0:18:36 | |
48 and that's it. We have to retain the upper hand here. | 0:18:36 | 0:18:40 | |
Yeah... | 0:18:40 | 0:18:41 | |
-Can I just say, you're doing it admirably well! -Good. -47. -47. | 0:18:41 | 0:18:46 | |
-Thank you very much, madam. -Thank you. -My pleasure. | 0:18:46 | 0:18:48 | |
With just ten minutes left, | 0:18:48 | 0:18:50 | |
the Blues have finally got buy number two. | 0:18:50 | 0:18:53 | |
-And they have a plan for their third item. -Time to get a dog. | 0:18:53 | 0:18:56 | |
Oh, is the dog back in the frame? | 0:18:56 | 0:18:58 | |
Let's have a gamble, let's go and see if we can get it. | 0:18:58 | 0:19:00 | |
-Seriously? -Yeah, let's go for it. | 0:19:00 | 0:19:02 | |
So, Paul, how's it going in the Blue camp? | 0:19:02 | 0:19:05 | |
Matt's got this thing about animals. | 0:19:05 | 0:19:07 | |
And that dog, I reckon, is still making eyes at them. | 0:19:07 | 0:19:10 | |
£200 worth of plaster Doberman or whatever it is. | 0:19:10 | 0:19:14 | |
And while the dog is bugging Paul, | 0:19:14 | 0:19:16 | |
the Reds' quest for a hip flask is starting to bug Catherine. | 0:19:16 | 0:19:20 | |
It's about the history of Scotland as well, isn't it? | 0:19:20 | 0:19:23 | |
So, we've got a Scottish silver hip flask and we've got to find one. | 0:19:23 | 0:19:26 | |
And finally Tom finds not one hip flask, but four. | 0:19:26 | 0:19:30 | |
It's like Edinburgh buses. | 0:19:30 | 0:19:32 | |
You are looking at big prices here. | 0:19:32 | 0:19:34 | |
Which of these do you think would sell best? | 0:19:34 | 0:19:37 | |
-Well, Asprey is a great name. -Yeah. -It's probably '20s, engine turned. | 0:19:37 | 0:19:43 | |
What I like about it is, it's got these little cartouches here | 0:19:43 | 0:19:46 | |
which are unmarked. It's quite a simple shape | 0:19:46 | 0:19:49 | |
and you can see today that this would be used. | 0:19:49 | 0:19:52 | |
So you take this little bit off the bottom, | 0:19:52 | 0:19:55 | |
and you'd pour your bit in there and... | 0:19:55 | 0:19:57 | |
..knock it back. £325. | 0:19:58 | 0:20:01 | |
What's the very, very best...? | 0:20:01 | 0:20:02 | |
Best I can do on that would be 260. | 0:20:02 | 0:20:05 | |
I'm thinking more about 200. | 0:20:05 | 0:20:07 | |
245 and that's it. | 0:20:07 | 0:20:09 | |
I'd love that, but is it going to make us a profit? | 0:20:09 | 0:20:12 | |
Yeah. I don't think so, at that price, is it? | 0:20:12 | 0:20:15 | |
We have so little time, we've got seven minutes. | 0:20:15 | 0:20:18 | |
I think we should have a quick run-round. | 0:20:18 | 0:20:21 | |
It's going to be very quick. | 0:20:21 | 0:20:23 | |
About seven minutes quick, actually. | 0:20:23 | 0:20:26 | |
Now, Paul's team have gone to the dogs - literally. | 0:20:26 | 0:20:29 | |
It's an uncommon piece of kitsch and I've seen them do well. | 0:20:29 | 0:20:32 | |
I stick to my guns, it's worth 100 to 200. | 0:20:32 | 0:20:36 | |
-At 140, yeah, I get it. -140. | 0:20:36 | 0:20:40 | |
So, can they do the doggy deal? | 0:20:40 | 0:20:43 | |
What would be your best offer for it? | 0:20:43 | 0:20:45 | |
-200. -200? -Give you a chance. | 0:20:45 | 0:20:48 | |
-I don't know what to say. -I was thinking more 100. | 0:20:48 | 0:20:52 | |
No way. | 0:20:52 | 0:20:53 | |
-Meet even halfway? 150? -Really, I'd need to make a phone call. | 0:20:53 | 0:20:58 | |
You're going to make a phone call, perfect. Thank you. | 0:20:58 | 0:21:00 | |
And whilst the dealer makes the call, | 0:21:00 | 0:21:02 | |
the Reds are starting to struggle. | 0:21:02 | 0:21:04 | |
Jewellery, maybe? | 0:21:04 | 0:21:06 | |
Or maybe not. | 0:21:06 | 0:21:08 | |
-All right, nothing there. -Come on, Reds. | 0:21:08 | 0:21:11 | |
And how much is that doggy going to cost the Blues? | 0:21:11 | 0:21:14 | |
170, that's his best on it. He couldn't go any lower. | 0:21:14 | 0:21:17 | |
At 150 quid, it's a gamble. At 170 quid, it's a loser. | 0:21:17 | 0:21:22 | |
Are you sure? | 0:21:22 | 0:21:23 | |
No, I can't be sure, it could make 250 quid. | 0:21:23 | 0:21:26 | |
-It's an auction, anything can happen. -I say, let's go for the dog. | 0:21:26 | 0:21:28 | |
-Let's gamble. -You're off your head, no! -Yes! -No, no. -No? | 0:21:28 | 0:21:32 | |
I'll take the risk, right? And I'm going to say 160, that's it. | 0:21:32 | 0:21:35 | |
-160? -Dead. | 0:21:35 | 0:21:37 | |
See, that's... Let's do it. | 0:21:37 | 0:21:38 | |
-It's a big dog. -It's done, isn't it? | 0:21:38 | 0:21:41 | |
That's the deal. | 0:21:41 | 0:21:43 | |
This has been surreal, but well done, guys. | 0:21:43 | 0:21:46 | |
Come on, shake that woman's hand. | 0:21:46 | 0:21:48 | |
£160 paid for the dog. | 0:21:48 | 0:21:51 | |
Now, the Reds are almost out of time and they need to make a decision. | 0:21:51 | 0:21:55 | |
What are you going to do? Do you want your piece? | 0:21:55 | 0:21:57 | |
Do you want it or not? Because we've got no time. | 0:21:57 | 0:21:59 | |
We only have that, we don't have anything else in the bag, do we? | 0:21:59 | 0:22:02 | |
We've only got that or we've got the bronze knocker. | 0:22:02 | 0:22:05 | |
Oh, this bronze knocker, do you want to go and get that? | 0:22:05 | 0:22:07 | |
What do you think? Is it a better bet if we can get him down? | 0:22:07 | 0:22:10 | |
-We might be better on that. -Right, let's do that. -Shall we do that? | 0:22:10 | 0:22:12 | |
But as we enter the final minute, Catherine takes control, | 0:22:12 | 0:22:16 | |
as her team are in danger of not making a third purchase. | 0:22:16 | 0:22:19 | |
-£30? -40. -Please? 35. | 0:22:20 | 0:22:24 | |
Please, 35. Please, please. | 0:22:24 | 0:22:27 | |
35 and we'll take it. | 0:22:29 | 0:22:30 | |
-We have seconds! -It would really help us... -Go on. | 0:22:30 | 0:22:33 | |
Oh, thank you so much. | 0:22:33 | 0:22:35 | |
Thank goodness for that. Well done, Catherine. | 0:22:35 | 0:22:37 | |
You two really know how to put the pressure on. | 0:22:37 | 0:22:40 | |
I have done this in the last minute before | 0:22:40 | 0:22:43 | |
but never in the last second. | 0:22:43 | 0:22:44 | |
-That was tough. -I'm coming over all unnecessary. | 0:22:44 | 0:22:47 | |
That was tough. | 0:22:47 | 0:22:48 | |
Time's up! Well, it is for you. | 0:22:50 | 0:22:53 | |
Let's check out what the Red team bought, eh? | 0:22:53 | 0:22:56 | |
For the 1970s lovebird brooch, our team of lovebirds spent just £6. | 0:22:56 | 0:23:03 | |
For the auctioneers' gavel, | 0:23:03 | 0:23:04 | |
they hammered the dealer down to £16. | 0:23:04 | 0:23:07 | |
And they bought the foxy Victorian door knocker | 0:23:08 | 0:23:11 | |
for the knock-down price of £35. | 0:23:11 | 0:23:13 | |
Well, you beautiful twosome, how much did you spend? | 0:23:15 | 0:23:18 | |
We spent a miserable £57, I'm afraid. | 0:23:18 | 0:23:21 | |
-On all three items? -Yeah. | 0:23:21 | 0:23:23 | |
That is going to please Anita so much, I can't tell you. | 0:23:23 | 0:23:27 | |
So, I would like 243. | 0:23:27 | 0:23:31 | |
There we go. 243. | 0:23:31 | 0:23:33 | |
So, what's going to bring the biggest profit then? | 0:23:33 | 0:23:36 | |
-Possibly the gavel. -Tom, what's going to bring the biggest profit? | 0:23:36 | 0:23:39 | |
-I think the gavel. -Do you? -Yes. -Now, Catherine. This is your challenge. | 0:23:39 | 0:23:42 | |
-Double challenge, today. -Oh, no. -For our special programme. | 0:23:42 | 0:23:45 | |
-Now, there is the leftover lolly from the team... -So much money. | 0:23:45 | 0:23:49 | |
..for you to find bonus buy number one | 0:23:49 | 0:23:51 | |
and I'm going to give you a special £100 | 0:23:51 | 0:23:54 | |
to go and find bonus buy number two. | 0:23:54 | 0:23:57 | |
Good luck with your double challenge. | 0:23:57 | 0:23:59 | |
Meanwhile, let's check out what the Blue team bought, eh? | 0:23:59 | 0:24:02 | |
For the folk-art breadboard, they dipped into their dough, | 0:24:02 | 0:24:05 | |
spending £15. | 0:24:05 | 0:24:06 | |
For the three Pelham Puppets, the puppeteers paid £47. | 0:24:08 | 0:24:12 | |
And finally, for the life-sized model of the Great Dane, | 0:24:13 | 0:24:16 | |
they spent the sizable sum of £160. | 0:24:16 | 0:24:19 | |
So, how much did you spend, Ross, altogether? | 0:24:20 | 0:24:23 | |
We have £78... | 0:24:23 | 0:24:25 | |
-I have no idea how much... -How about £222? -£222, OK. | 0:24:25 | 0:24:29 | |
-And 78 would be lovely. -Yeah. -Good. | 0:24:29 | 0:24:32 | |
Well, we got that lump of cash. | 0:24:32 | 0:24:33 | |
Now, which is your favourite piece? | 0:24:33 | 0:24:35 | |
-The dog. -The dog is your favourite. | 0:24:35 | 0:24:38 | |
-It is amazing. -Do you love that dog? -Yeah, I'm a big fan of the dog. | 0:24:38 | 0:24:41 | |
-Big fan. -Great. So, there is your cash. | 0:24:41 | 0:24:44 | |
The ordinary bonus buy cash, and then today, | 0:24:44 | 0:24:47 | |
because it's a special day, I'm going to give you £100 | 0:24:47 | 0:24:49 | |
of extra leftover lolly to find the extra bonus buy, how about that? | 0:24:49 | 0:24:54 | |
A cup of tea for the boys and a rush around for the expert. | 0:24:54 | 0:24:57 | |
And if you'd be kind enough to come back and show me what you found, | 0:24:57 | 0:25:01 | |
we'll have a little natter. Super duper. | 0:25:01 | 0:25:03 | |
Right, bonus buy time for Catherine and remember, | 0:25:03 | 0:25:06 | |
she needs to buy not one, but two items | 0:25:06 | 0:25:08 | |
and her team will choose which one they want later at auction. | 0:25:08 | 0:25:13 | |
Now, first up, it's the regular team bonus buy | 0:25:13 | 0:25:16 | |
and she's got a whopping £243 at her disposal. | 0:25:16 | 0:25:21 | |
-They're quite nice, aren't they? -They're quite pretty, yeah. | 0:25:21 | 0:25:24 | |
They're really in the style of Secessionist. | 0:25:24 | 0:25:26 | |
-Do you they are period Art Nouveau? -Yes, definitely the period of Bronze. | 0:25:26 | 0:25:29 | |
-They've a nice bit of weight to them. -Nice weight to them, yep. | 0:25:29 | 0:25:32 | |
I love the design, the Art Nouveau design. | 0:25:32 | 0:25:34 | |
I can imagine these in a really nice sort of interior, | 0:25:34 | 0:25:38 | |
nice wooden interior and I think they would look | 0:25:38 | 0:25:41 | |
fabulous on a mantelpiece. | 0:25:41 | 0:25:42 | |
A nice Arts and Crafts house or something, they'd look fantastic. | 0:25:42 | 0:25:45 | |
They would be nice. | 0:25:45 | 0:25:46 | |
-How much do you want for the pair? -I was looking for 150. | 0:25:46 | 0:25:50 | |
That's too much. What about 120? | 0:25:50 | 0:25:54 | |
Meet me in the middle, we'll do 130. | 0:25:54 | 0:25:57 | |
It's a gamble, but I'm going to take a gamble. | 0:25:57 | 0:25:59 | |
-You'll always do well with these in Glasgow. -I like those. | 0:25:59 | 0:26:03 | |
-I do like them. -So Catherine's in a mood for a gamble. | 0:26:03 | 0:26:06 | |
I wonder what will catch her eye | 0:26:06 | 0:26:08 | |
if she goes in search of her special £100 bonus buy? | 0:26:08 | 0:26:12 | |
I just love the fact that it's in the shape of an egg cup. | 0:26:12 | 0:26:14 | |
It's wonderful. | 0:26:14 | 0:26:16 | |
What have you got inside? A little thimble. | 0:26:17 | 0:26:19 | |
So we've got a little sewing accessory there. | 0:26:19 | 0:26:24 | |
It's what we would call a piece of treen. | 0:26:24 | 0:26:26 | |
Nicely turned but there is a bit of damage there on the top. | 0:26:27 | 0:26:31 | |
This could be glued back together, | 0:26:31 | 0:26:34 | |
but there is a bit of damage around here as well. It's been broken. | 0:26:34 | 0:26:37 | |
-Hello, sir. -Hello. | 0:26:37 | 0:26:39 | |
I do like your sewing accessory. | 0:26:39 | 0:26:41 | |
What can you do on that? | 0:26:41 | 0:26:42 | |
Well, before it gets damaged any more, | 0:26:42 | 0:26:44 | |
it's a piece I'm rather fond of. What have we got on there? | 0:26:44 | 0:26:47 | |
How about 40? | 0:26:47 | 0:26:48 | |
Could you possibly come down a little bit more, sir? | 0:26:48 | 0:26:51 | |
35, that would be the death on this. | 0:26:51 | 0:26:52 | |
Is it? I like it... I do like it. | 0:26:52 | 0:26:55 | |
I'm probably mad, buying a damaged piece. | 0:26:55 | 0:26:59 | |
-I'm going to have that. -Well, thank you very much. | 0:26:59 | 0:27:01 | |
Now, time for me to cast my eye over the two bonus buys. | 0:27:01 | 0:27:04 | |
So this is our little array, | 0:27:06 | 0:27:08 | |
-how lovely. -It is. | 0:27:08 | 0:27:09 | |
So, your standard bonus buy | 0:27:09 | 0:27:10 | |
are these two, | 0:27:10 | 0:27:12 | |
-for the teams, if you like, out of their leftover lolly. -Yes. | 0:27:12 | 0:27:15 | |
-I certainly spent substantial money. -Oh. | 0:27:15 | 0:27:19 | |
Whether I bought a substantial pair of vases, | 0:27:19 | 0:27:23 | |
I am now questioning. | 0:27:23 | 0:27:25 | |
Most of the time, when we see these things, they're in white metal, | 0:27:25 | 0:27:30 | |
they are WMF or they come from some Continental metal manufactory. | 0:27:30 | 0:27:36 | |
Because they are essentially Continental in manner. | 0:27:36 | 0:27:40 | |
You say they're Art Nouveau, | 0:27:40 | 0:27:41 | |
-I would call them vorticist. -Oh, OK. | 0:27:41 | 0:27:44 | |
They come from a bit from about 1905 to about 1915. | 0:27:44 | 0:27:49 | |
They are beautifully... | 0:27:49 | 0:27:51 | |
I mean, the colour is fantastic. | 0:27:51 | 0:27:53 | |
The colour is lovely. | 0:27:53 | 0:27:54 | |
What did you pay? | 0:27:54 | 0:27:56 | |
-Oh, Tim. 130. -Did you? -Yes. | 0:27:56 | 0:27:58 | |
My estimate would be 100 to 150 | 0:27:58 | 0:28:00 | |
and I wouldn't pay a penny more than 80 for them. | 0:28:00 | 0:28:02 | |
Now, moving on to our special £100 bonus buy. | 0:28:02 | 0:28:07 | |
You're a good egg. | 0:28:07 | 0:28:08 | |
-So, what's all this about? -I... | 0:28:08 | 0:28:10 | |
Well, I just liked it first of all, | 0:28:10 | 0:28:11 | |
I thought, "Oh, that looks interesting, what is it?" | 0:28:11 | 0:28:14 | |
-And then I undid the top of it... -Yes. | 0:28:14 | 0:28:17 | |
-..and then I realised that part of it was broken. -Oh. | 0:28:17 | 0:28:20 | |
So what we've got is the socket, there, | 0:28:20 | 0:28:22 | |
within which any old thimble could go... | 0:28:22 | 0:28:24 | |
-Now, that's not a great thimble, is it? -No, it isn't, no. | 0:28:24 | 0:28:28 | |
But you could have a really nice gold or silver thimble | 0:28:28 | 0:28:30 | |
and keep it in this egg cup form thimble case. | 0:28:30 | 0:28:36 | |
-Have you seen one of those before? -Never in my long life. | 0:28:36 | 0:28:39 | |
I just thought that was quite nice. | 0:28:39 | 0:28:40 | |
It has been damaged, as well, and repaired a bit round the base, | 0:28:40 | 0:28:43 | |
-but... -So, that's these splits here. | 0:28:43 | 0:28:46 | |
It's made of hardwood, probably rosewood or something like that, | 0:28:46 | 0:28:49 | |
it's fallen over, that bit's come off, they've glued it back on. | 0:28:49 | 0:28:52 | |
Then they put these fake bits of ivory strapping, | 0:28:52 | 0:28:55 | |
cos that's ivorine, it's a type of plastic. | 0:28:55 | 0:28:57 | |
And then the dome bit on the top looks like ivory but it isn't, | 0:28:57 | 0:29:00 | |
it's another nut, a vegetable ivory. | 0:29:00 | 0:29:05 | |
-But, yeah, it's a condition issue, really. -Yes. | 0:29:05 | 0:29:07 | |
-So, did you pay £30 for it? -I paid 35. -Did you? -Yeah. | 0:29:07 | 0:29:11 | |
-That's pretty well on the money, isn't it? -Yeah. | 0:29:11 | 0:29:13 | |
Now, if you've got your speculative hat on, | 0:29:13 | 0:29:15 | |
if you were saying to me, | 0:29:15 | 0:29:16 | |
"Which one are you going to go for, Tim?" | 0:29:16 | 0:29:18 | |
Even though I think you've paid too much, | 0:29:18 | 0:29:21 | |
the money has to be on those, rather than that, | 0:29:21 | 0:29:24 | |
because I think £35, damaged, all the money, don't worry about it. | 0:29:24 | 0:29:28 | |
-Oh. -Ah. -It's hard work. | 0:29:28 | 0:29:32 | |
You do it so beautifully. | 0:29:32 | 0:29:33 | |
Anyway, what about poor old Paul? He's still struggling out there. | 0:29:33 | 0:29:37 | |
And he's got much less leftover lolly available to him. | 0:29:39 | 0:29:43 | |
£78, to be exact. | 0:29:43 | 0:29:45 | |
After a quick tour of the fair, | 0:29:45 | 0:29:46 | |
he decides to put his expertise in militaria to the test. | 0:29:46 | 0:29:51 | |
First off, a little brooch, a sweetheart brooch. | 0:29:51 | 0:29:53 | |
A piece that would have been bought by a serviceman for his wife, | 0:29:53 | 0:29:57 | |
sweetheart, sister, mother, who knows? | 0:29:57 | 0:29:59 | |
It bears a device. | 0:29:59 | 0:30:01 | |
Now, that's a crown, this much we know. | 0:30:01 | 0:30:03 | |
Underneath, there are two Vickers machine guns, | 0:30:03 | 0:30:06 | |
the standard medium machine gun of the Great War | 0:30:06 | 0:30:08 | |
and the Second World War, for the British. | 0:30:08 | 0:30:10 | |
And that is the badge, the cap badge, | 0:30:10 | 0:30:13 | |
worn by the Machine Gun Corps, OK? | 0:30:13 | 0:30:16 | |
It's worth £30 to £50, any day, anywhere. | 0:30:16 | 0:30:19 | |
Ticketed up at 45 and I asked what it could be | 0:30:19 | 0:30:23 | |
and £30 is what it could be. | 0:30:23 | 0:30:25 | |
I think that needs buying. | 0:30:25 | 0:30:27 | |
And that's exactly what he did. Now, for the special bonus buy. | 0:30:27 | 0:30:32 | |
Paul hasn't moved an inch and has £100 in cash at the ready. | 0:30:32 | 0:30:36 | |
I think that could go towards this foxy lady here. | 0:30:36 | 0:30:40 | |
And I'm slightly besotted with this lady and I hardly know her. | 0:30:40 | 0:30:44 | |
Art Nouveau, Belle Epoque period, late 19th or early 20th century. | 0:30:44 | 0:30:49 | |
And she's assumed quite a pose, | 0:30:49 | 0:30:52 | |
she's got lovely Princess Leia style hair | 0:30:52 | 0:30:55 | |
and she's bent forward, | 0:30:55 | 0:30:56 | |
clasping this somewhat, I imagine, diaphanous dress. | 0:30:56 | 0:31:01 | |
What is she? | 0:31:01 | 0:31:03 | |
She's a desk seal. | 0:31:03 | 0:31:05 | |
This vacant matrix here could have been engraved | 0:31:05 | 0:31:08 | |
with some gentleman or lady's - I suspect a gentleman's - monogram. | 0:31:08 | 0:31:12 | |
I think she's gorgeous. | 0:31:12 | 0:31:14 | |
She, too, would you believe it, today, £30. | 0:31:14 | 0:31:18 | |
What's she worth? | 0:31:18 | 0:31:20 | |
I think she's worth £50 to £70, if I'm lucky. | 0:31:20 | 0:31:23 | |
Second buy. Do it? Do it! | 0:31:24 | 0:31:27 | |
So, let's have a quick shufty at Paul's bonus buys. | 0:31:27 | 0:31:31 | |
OK, Paulus, how's it been for you? | 0:31:31 | 0:31:34 | |
I sent you off with all that cash | 0:31:34 | 0:31:37 | |
and as far as the team's bonus buy is concerned, | 0:31:37 | 0:31:40 | |
-we're settling on that brooch, are we? -We are. | 0:31:40 | 0:31:43 | |
As sweetheart brooches go, | 0:31:43 | 0:31:45 | |
this is rather superior, precious metal, 9ct gold marked. | 0:31:45 | 0:31:49 | |
A pair of crossed Vickers .303 machine guns, | 0:31:49 | 0:31:53 | |
THE medium machine gun of the British Army during both World Wars. | 0:31:53 | 0:31:58 | |
So is it First or Second World War? | 0:31:58 | 0:31:59 | |
First World War, they were wound up after the First World War. | 0:31:59 | 0:32:03 | |
I've seen tonnes of these things in silver and worse, but in gold? | 0:32:03 | 0:32:07 | |
Higher end, officer piece. | 0:32:07 | 0:32:10 | |
-What did you pay? -£30. | 0:32:10 | 0:32:12 | |
-Is that all? -No money. -It's not its weight in gold, is it? | 0:32:12 | 0:32:15 | |
I mean, you'd melt that for £30 in 9ct? | 0:32:15 | 0:32:17 | |
-Little bit of country metal off. -Pretty good. OK. | 0:32:17 | 0:32:20 | |
Now, the special £100 bonus buy. | 0:32:20 | 0:32:24 | |
Who's this slender, rather sensuous looking girlie here? | 0:32:24 | 0:32:28 | |
-I am just a tad besotted by my new friend here. -Are you? | 0:32:28 | 0:32:33 | |
-She would have lived on rather a wealthy gentleman's desk. -Right. | 0:32:33 | 0:32:37 | |
Because we know it's a desk seal. | 0:32:37 | 0:32:40 | |
Desk seal, any initials underneath? | 0:32:40 | 0:32:41 | |
No, vacant. Right. | 0:32:41 | 0:32:43 | |
So, it never got engraved with his monogram or his crest, | 0:32:43 | 0:32:48 | |
he just looked at her. | 0:32:48 | 0:32:49 | |
And I would say it's been handled quite a lot, | 0:32:49 | 0:32:52 | |
because you can see where the yellow is coming through | 0:32:52 | 0:32:54 | |
so it'll be cast nickel, electroplated, slightly worn. | 0:32:54 | 0:32:57 | |
How much did you pay? | 0:32:57 | 0:32:59 | |
I paid £30 for that and I'm delighted. | 0:32:59 | 0:33:01 | |
I don't believe it. | 0:33:01 | 0:33:03 | |
I mean, both of those buys are jolly good, aren't they? | 0:33:03 | 0:33:07 | |
That is a really difficult choice. | 0:33:07 | 0:33:09 | |
Eeny, meeny, miny, moe. | 0:33:09 | 0:33:10 | |
I'll go with the gold brooch, if I had to make a prediction right now. | 0:33:10 | 0:33:13 | |
I'd go with her. | 0:33:13 | 0:33:15 | |
-OK, we're not falling out. -We've not fallen out. -What could be nicer? | 0:33:15 | 0:33:18 | |
Anyway, I'm heading out now, down to Devon. | 0:33:18 | 0:33:22 | |
I'm going to Saltram House. | 0:33:22 | 0:33:25 | |
Cor, it's wonderful. | 0:33:25 | 0:33:26 | |
This 18th-century mansion in Devon oozes style and elegance | 0:33:32 | 0:33:37 | |
and is one of Britain's best preserved Georgian houses. | 0:33:37 | 0:33:40 | |
Over the centuries, | 0:33:40 | 0:33:42 | |
Saltram has been altered to suit the tastes of successive generations | 0:33:42 | 0:33:46 | |
of its owners, the Parker family. | 0:33:46 | 0:33:49 | |
Just look at the family motto on the pediment at Saltram. | 0:33:49 | 0:33:53 | |
Fideli Certa Merces. | 0:33:53 | 0:33:56 | |
"To the faithful, reward is certain." | 0:33:56 | 0:33:59 | |
Well, not so certain, actually. | 0:33:59 | 0:34:02 | |
Not for the Parker family who owned this pile, | 0:34:02 | 0:34:05 | |
because it was more a question of boom or bust... | 0:34:05 | 0:34:09 | |
the latter, bust, being the most certain because this house | 0:34:09 | 0:34:12 | |
was taken by the Treasury in lieu of Inheritance Tax | 0:34:12 | 0:34:18 | |
and then passed to the National Trust in 1957. | 0:34:18 | 0:34:21 | |
The Parkers were a family of considerable social standing. | 0:34:22 | 0:34:26 | |
Some made money, others married money, and most were big spenders. | 0:34:26 | 0:34:31 | |
And the family's wealth is reflected in the fine works of art | 0:34:31 | 0:34:34 | |
that hang on the walls, several by Sir Joshua Reynolds, | 0:34:34 | 0:34:38 | |
a close friend of the Parker family. | 0:34:38 | 0:34:40 | |
Wow. | 0:34:43 | 0:34:45 | |
Look at this. What a treat if you happen to be keen on paintings, | 0:34:45 | 0:34:51 | |
because it would be difficult to cram more pictures into a room | 0:34:51 | 0:34:56 | |
than we see here. | 0:34:56 | 0:34:58 | |
It's called the Red Room and it's this room, for me, at Saltram, | 0:34:58 | 0:35:02 | |
that reflects the family's collecting interests | 0:35:02 | 0:35:05 | |
in the 18th century. | 0:35:05 | 0:35:07 | |
Reynolds was by far the most important British painter | 0:35:07 | 0:35:10 | |
of the latter half of the 18th century. | 0:35:10 | 0:35:14 | |
In this portrait, we see Reynolds portraying his friend, | 0:35:14 | 0:35:18 | |
John Parker II, in an informal setting, | 0:35:18 | 0:35:22 | |
with John Parker perhaps walking around the estate here at Saltram, | 0:35:22 | 0:35:27 | |
holding his fowling piece. | 0:35:27 | 0:35:30 | |
But it's this dominant picture that is the all-time favourite | 0:35:30 | 0:35:36 | |
because it shows John Parker II's children, seated on a bank. | 0:35:36 | 0:35:42 | |
And in this gorgeous portrait, | 0:35:42 | 0:35:45 | |
we've got the young boy clutching his sister most affectionately. | 0:35:45 | 0:35:50 | |
These are aristocratic privileged children wearing the trappings | 0:35:50 | 0:35:56 | |
that their money can buy. | 0:35:56 | 0:35:59 | |
But basically, in their rosy cheeks and their clear eyes | 0:35:59 | 0:36:02 | |
and their delightful expressions, it sends that message out. | 0:36:02 | 0:36:07 | |
Health and happiness. | 0:36:07 | 0:36:09 | |
And here, in the staircase hall, | 0:36:16 | 0:36:19 | |
amidst a further array of the family's paintings, | 0:36:19 | 0:36:23 | |
is this splendid portrait, | 0:36:23 | 0:36:25 | |
a portrait of Sir Joshua Reynolds himself, | 0:36:25 | 0:36:29 | |
and painted by his good friend, Angelica Kauffmann. | 0:36:29 | 0:36:34 | |
Now, Angelica Kauffmann was an unusually talented artist. | 0:36:34 | 0:36:39 | |
She was taught by her father, | 0:36:39 | 0:36:41 | |
she was brought up in Switzerland and on the Continent | 0:36:41 | 0:36:44 | |
and when she arrived in London, she created a sensation, | 0:36:44 | 0:36:49 | |
not only because she was a jolly good artist, | 0:36:49 | 0:36:52 | |
but also because she was young and beautiful. | 0:36:52 | 0:36:56 | |
She became a founding member of the Royal Academy, | 0:36:56 | 0:37:00 | |
along with Sir Joshua Reynolds. | 0:37:00 | 0:37:02 | |
And, not surprisingly, she painted a painting of him. | 0:37:02 | 0:37:06 | |
This is a fine likeness of Reynolds and what is particularly fitting, | 0:37:06 | 0:37:12 | |
perhaps, is that Kauffmann has painted him next door | 0:37:12 | 0:37:17 | |
to a bust of Michelangelo. | 0:37:17 | 0:37:19 | |
It's as if there's one genius sitting in front of another. | 0:37:19 | 0:37:24 | |
Angelica Kauffmann's bread and butter | 0:37:24 | 0:37:27 | |
was made out of society portraits. | 0:37:27 | 0:37:30 | |
Indeed, on this wall, we've got a young lady in Eastern dress. | 0:37:30 | 0:37:36 | |
She's pretending that she's in Turkey | 0:37:36 | 0:37:39 | |
and that is a classic Angelica Kauffmann portrait. | 0:37:39 | 0:37:44 | |
High society, delicious costume in an exotic environment. | 0:37:44 | 0:37:50 | |
But it was thought at the time, if you were a society painter, | 0:37:50 | 0:37:54 | |
that you should aspire to a higher form of art. | 0:37:54 | 0:37:58 | |
Portraiture was for hacks. | 0:37:58 | 0:38:00 | |
Historical paintings, however, were another matter. | 0:38:00 | 0:38:04 | |
And Angelica Kauffmann painted those also. | 0:38:04 | 0:38:08 | |
For example, scenes from the Iliad, | 0:38:08 | 0:38:11 | |
or Venus before Carthage. | 0:38:11 | 0:38:15 | |
All delicious images, all reeking of historical resonance. | 0:38:15 | 0:38:21 | |
Now, from Saltram House in Devon, | 0:38:27 | 0:38:29 | |
we're heading north once more to Glasgow, and Great Western Auctions, | 0:38:29 | 0:38:33 | |
to meet Anita Manning. | 0:38:33 | 0:38:34 | |
It's great to be at Great Western Auctions, Anita. | 0:38:34 | 0:38:37 | |
It's lovely to have you here. | 0:38:37 | 0:38:38 | |
Now, stand by for a treat, because the Reds' first item | 0:38:38 | 0:38:41 | |
is this plastic brooch. Looks a bit like Lea Stein, | 0:38:41 | 0:38:45 | |
-but it ain't, right? -It's not, it's more modern. | 0:38:45 | 0:38:47 | |
But it's rather pretty, charming, sweet | 0:38:47 | 0:38:51 | |
and I like those sort of big blocks of colour so it's a nice thing. | 0:38:51 | 0:38:54 | |
Super duper. What's it worth? | 0:38:54 | 0:38:56 | |
-10 to 20? -Fine, bit of fun, isn't it, really? -Yes, it is. | 0:38:56 | 0:39:00 | |
£6 is all it cost the team, so they're all right with that. | 0:39:00 | 0:39:04 | |
Then we've got the auctioneers' gavel. | 0:39:04 | 0:39:06 | |
-Now, your daughter's in the business here with you. -She is. | 0:39:06 | 0:39:08 | |
-Has she got her own gavel? -Everyone's got their own gavel. | 0:39:08 | 0:39:11 | |
Oh, dear. So we're not going to find many buyers around here. | 0:39:11 | 0:39:15 | |
-Well, anyway, there we are. What's it worth? -20 to 30. | 0:39:15 | 0:39:18 | |
£16 paid so we're happy with that. | 0:39:18 | 0:39:20 | |
And lastly, but not least, we've got old foxy the door knocker. | 0:39:20 | 0:39:24 | |
And it was a traditional image that was used in Georgian times. | 0:39:24 | 0:39:28 | |
Yeah, I suppose so, when hunting was all the rage. | 0:39:28 | 0:39:30 | |
Anyway, it's not an old thing, is it? Made in Birmingham, cast brass. | 0:39:30 | 0:39:34 | |
-It's not. It's functional. -What's it worth, £10 or £20? | 0:39:34 | 0:39:38 | |
-30 to 40? -OK, fine, but you're very generous today, Anita. | 0:39:38 | 0:39:41 | |
£35 paid by the team, | 0:39:41 | 0:39:44 | |
so they should turn a small profit on that. There we are. | 0:39:44 | 0:39:47 | |
Looking at them, I don't see any vast profits | 0:39:47 | 0:39:50 | |
and I think the team are likely to want to take up | 0:39:50 | 0:39:53 | |
either one or the other of their bonus buys. | 0:39:53 | 0:39:56 | |
Let's go and have a look. | 0:39:56 | 0:39:57 | |
First up, the team's bonus buy. You gave Catherine Southon | 0:39:58 | 0:40:02 | |
an amazing £253. Catherine, what did you buy? | 0:40:02 | 0:40:06 | |
-I bought you these babies. -Oh. -I'm going to give you one each. | 0:40:06 | 0:40:11 | |
-Now, we have a pair of bronze... Aren't they heavy? -They are, yes. | 0:40:11 | 0:40:16 | |
Lovely and heavy, bronze Art Nouveau vases. | 0:40:16 | 0:40:19 | |
They're a nice bit of quality, I quite rate these. | 0:40:19 | 0:40:21 | |
-They're what they call gutsy, right? -They are gutsy. | 0:40:21 | 0:40:24 | |
How much did you pay for them? | 0:40:24 | 0:40:26 | |
-I paid £130. -130 for them? | 0:40:26 | 0:40:30 | |
What would your best guess be? | 0:40:30 | 0:40:32 | |
I'm thinking that we're going to make about £50 on these. | 0:40:32 | 0:40:35 | |
-Good. -Like it. -Now, for the special bonus buy, | 0:40:35 | 0:40:38 | |
which Catherine had the additional £100 for, | 0:40:38 | 0:40:40 | |
I'm going to reveal now... that little joker. | 0:40:40 | 0:40:43 | |
-Oh, wow. -So, what is this, you're going to ask me? | 0:40:43 | 0:40:46 | |
-It's an egg. -It is, it is an egg cup, | 0:40:46 | 0:40:49 | |
but it's a piece of treen, essentially. | 0:40:49 | 0:40:51 | |
But it's actually a sewing accessory, | 0:40:51 | 0:40:54 | |
so this would unscrew here and you'd put your thimble... | 0:40:54 | 0:40:57 | |
-Oh, wow. -There are issues with this, there's a bit of damage, | 0:40:57 | 0:41:01 | |
but people do like sewing accessories, things like this | 0:41:01 | 0:41:04 | |
are collectable. I paid £35 for that. | 0:41:04 | 0:41:08 | |
-35... -It's not a lot of money | 0:41:08 | 0:41:11 | |
-and I can see that there might be something in that one. -Right. | 0:41:11 | 0:41:15 | |
You don't have to take either of the bonus buys, but after the sale | 0:41:15 | 0:41:18 | |
of the first three items, I'll give you a choice. | 0:41:18 | 0:41:20 | |
You can either have the team's bonus buy, | 0:41:20 | 0:41:23 | |
or you can have the special bonus buy, or you can have no bonus buy, | 0:41:23 | 0:41:26 | |
all right? That will be your choice. | 0:41:26 | 0:41:29 | |
But right now, let's find out, for the audience at home, | 0:41:29 | 0:41:31 | |
what Anita Manning thinks about Catherine's bonus buys. | 0:41:31 | 0:41:35 | |
-These are handsome, aren't they? -I think these are absolutely lovely | 0:41:37 | 0:41:40 | |
and I think they're the type of things that will appeal | 0:41:40 | 0:41:43 | |
to the Glasgow buyers. They are in the style of Darmstadt, | 0:41:43 | 0:41:47 | |
which had an association with the Bauhaus. | 0:41:47 | 0:41:50 | |
I think they're absolutely lovely. | 0:41:50 | 0:41:52 | |
-So, how much? -120 to 160. | 0:41:52 | 0:41:54 | |
£130 Catherine paid. She felt very nervous about paying that amount. | 0:41:54 | 0:41:59 | |
-She wasn't cheap. -And the special bonus buy. | 0:41:59 | 0:42:03 | |
-Yes. -For which she had £100, she spent £35. Is it a good egg or not? | 0:42:03 | 0:42:08 | |
It's an interesting wee thing. It's visually interesting for me. | 0:42:08 | 0:42:12 | |
If we take this top part off, we'll see a little damage | 0:42:12 | 0:42:16 | |
and I think that's such a shame. | 0:42:16 | 0:42:18 | |
Someone can repair it but we have to take that into consideration. | 0:42:18 | 0:42:22 | |
-What's your estimate? -I'd put 40 to 60. | 0:42:22 | 0:42:25 | |
If that was in mint condition, we would be looking nearer the £100. | 0:42:25 | 0:42:30 | |
£35 she paid. I have to say that I fancied these most. | 0:42:30 | 0:42:34 | |
Anyway, we shall find out shortly. | 0:42:34 | 0:42:36 | |
Next for the Blues is a weird mixture. | 0:42:36 | 0:42:39 | |
We've got the folk-art breadboard. | 0:42:39 | 0:42:42 | |
Now, what do you know about the Czechoslovakian Army in waiting | 0:42:42 | 0:42:46 | |
in the Second World War, Anita? Stand by. | 0:42:46 | 0:42:49 | |
Czechoslovakian government was exiled in England in the 1940s | 0:42:49 | 0:42:54 | |
during the war. So it wasn't the whole army, | 0:42:54 | 0:42:57 | |
it was just the government that were exiled here. | 0:42:57 | 0:43:00 | |
And we have the Czechoslovakian heraldic lion there. | 0:43:00 | 0:43:04 | |
It's on an English board. | 0:43:04 | 0:43:07 | |
-And someone has painted that to remind them... -Of home? | 0:43:07 | 0:43:11 | |
-..of home. -I know, very sweet, isn't it? What's the estimate? | 0:43:11 | 0:43:14 | |
-30 to 50. -Excellent, £15 paid. -A good price. -Good buy. | 0:43:14 | 0:43:19 | |
And now, Pelham Puppets. They go, as they say, up and down, don't they? | 0:43:19 | 0:43:24 | |
Children have played with these from 1947, | 0:43:24 | 0:43:29 | |
when Wonky Donkey Bob Pelham started making these. | 0:43:29 | 0:43:33 | |
Is that what he was called, Wonky Donkey? | 0:43:33 | 0:43:35 | |
Yes. In the army, he used to make little wooden donkeys | 0:43:35 | 0:43:39 | |
and his friends used to call him Wonky Donkey Bob. | 0:43:39 | 0:43:44 | |
They're wonderful toys. These are not rare ones, | 0:43:44 | 0:43:46 | |
but we've got three of them and we've got two in boxes. | 0:43:46 | 0:43:51 | |
-So how much? -30 to 50. -Is that all? | 0:43:51 | 0:43:53 | |
-£47 paid. -Oh, right. | 0:43:53 | 0:43:55 | |
And last, but not least, is this extraordinary hound. | 0:43:55 | 0:44:01 | |
-I mean, what's it made of? Plaster, isn't it? -It's made of plaster. | 0:44:01 | 0:44:04 | |
It's life-sized. I mean, this dog is a statement. | 0:44:04 | 0:44:08 | |
-It's a bit of kitsch, isn't it? -It really is kitsch. | 0:44:08 | 0:44:10 | |
I mean, I can't see me ever owning one, but anyway. | 0:44:10 | 0:44:13 | |
Send our Jack Russells mad if it had that thing in the house. | 0:44:13 | 0:44:17 | |
OK, so how much, then? | 0:44:17 | 0:44:18 | |
I put 140 to 160, but I really just don't know what he's going to get. | 0:44:18 | 0:44:24 | |
-£160 was paid by the team. -That's a lot of money! -Certainly is. | 0:44:24 | 0:44:29 | |
Anyway, depending on how the dog does will determine | 0:44:29 | 0:44:32 | |
whether they make a profit or not. | 0:44:32 | 0:44:34 | |
So they may or may not need their bonus buys. | 0:44:34 | 0:44:37 | |
Let's go and have a look at them. | 0:44:37 | 0:44:39 | |
So, the team's bonus buy, you gave Paul Laidlaw £78 of leftover lolly. | 0:44:39 | 0:44:43 | |
-Paul, what did you buy? -OK, guys. | 0:44:43 | 0:44:46 | |
-I bought you jewellery. -Ooh. | 0:44:46 | 0:44:49 | |
But I've got to say, boys-toy jewellery. | 0:44:49 | 0:44:52 | |
It is a sweetheart brooch pertaining to the Machine Gun Corps, | 0:44:52 | 0:44:56 | |
a war-raised unit of the Great War and these are the chaps | 0:44:56 | 0:44:59 | |
that manned the Vickers machine guns that, in many senses, | 0:44:59 | 0:45:02 | |
epitomise the industrial nature of that horrific conflict. | 0:45:02 | 0:45:06 | |
I think it's a poignant and smart object. | 0:45:06 | 0:45:10 | |
So how much did you pay for it? | 0:45:10 | 0:45:11 | |
£30. 9ct gold. | 0:45:11 | 0:45:15 | |
OK, chaps, this is the special bonus buy, | 0:45:15 | 0:45:18 | |
an extra £100 was given to Paul to find something special | 0:45:18 | 0:45:21 | |
and this is it. | 0:45:21 | 0:45:23 | |
This is an Art Nouveau-inspired Belle Epoque period - | 0:45:24 | 0:45:28 | |
it's going to be late 19th, early 20th century - | 0:45:28 | 0:45:31 | |
little silver plated figure of a delight of a lady. | 0:45:31 | 0:45:37 | |
A desk seal. | 0:45:37 | 0:45:39 | |
-How much did you pay? -Well, £30. I think that's a gift. | 0:45:39 | 0:45:43 | |
-£30? -£30. I hope she does £60 to £80 | 0:45:43 | 0:45:47 | |
and I don't think I'm going to be disappointed. | 0:45:47 | 0:45:49 | |
After the sale of your first three items, I'm going | 0:45:49 | 0:45:51 | |
to ask you which of the bonus buys you want to go with, if you want to | 0:45:51 | 0:45:54 | |
go with one at all. Right now, for the audiences at home, | 0:45:54 | 0:45:56 | |
let's find out what the auctioneer thinks about Paul's bonus buys. | 0:45:56 | 0:45:59 | |
So, starting with the team's bonus buy, how do you rate that, Anita? | 0:46:01 | 0:46:05 | |
This is a little sweetheart's brooch, | 0:46:05 | 0:46:08 | |
relating to the Machine Gun Corps. | 0:46:08 | 0:46:10 | |
Women would have worn these as a mark of loyalty or affection. | 0:46:10 | 0:46:14 | |
-My estimate on that would be 40 to 60. -OK, £30 paid by Paul. | 0:46:14 | 0:46:19 | |
What do you think about the seal? | 0:46:19 | 0:46:21 | |
Because that's basically what that is, isn't it, a desk seal? | 0:46:21 | 0:46:23 | |
It's a desk seal and a terrific little item, | 0:46:23 | 0:46:26 | |
it's beautifully moulded, it is of the period, | 0:46:26 | 0:46:30 | |
it's of a beautiful young woman, scantily clad. | 0:46:30 | 0:46:34 | |
-What's it worth? -I put £60 to £100. -Did you? | 0:46:34 | 0:46:36 | |
£30 paid. I have to say that my preference between the two, | 0:46:36 | 0:46:41 | |
the Machine Gun Corps brooch pipped the post, | 0:46:41 | 0:46:44 | |
I thought that would do rather better. | 0:46:44 | 0:46:46 | |
The big question is, will the teams go for a bonus buy, | 0:46:46 | 0:46:49 | |
either one of them? Or go for no bonus buys at all? | 0:46:49 | 0:46:52 | |
We'll find out in a minute. | 0:46:52 | 0:46:54 | |
Thank you, Anita. | 0:46:54 | 0:46:56 | |
Any advance on £100? | 0:46:56 | 0:46:57 | |
110. 120. | 0:46:57 | 0:46:59 | |
130. 140. | 0:46:59 | 0:47:02 | |
-Tom, how you feeling? -Good. -Are you? | 0:47:02 | 0:47:03 | |
-What about you, Lynn? -Bit nervous, bit excited. | 0:47:03 | 0:47:06 | |
-You're a bit quivery, if you don't mind my saying. -Yeah, I am. | 0:47:06 | 0:47:09 | |
-And why would that be, then? -Just excited. -Is it? Now listen, | 0:47:09 | 0:47:12 | |
your first item is your plastic birds, | 0:47:12 | 0:47:14 | |
which you invested a princely sum of £6 in. | 0:47:14 | 0:47:17 | |
You can't be worried about that. | 0:47:17 | 0:47:19 | |
-No. -No. -Well, kind of. -No, she says, not worried about that. | 0:47:19 | 0:47:22 | |
OK, here it comes. | 0:47:22 | 0:47:23 | |
This stylish French 1970s lovebirds brooch, | 0:47:23 | 0:47:27 | |
in the style of Lea Stein. | 0:47:27 | 0:47:30 | |
I have four bids on the books and I can come straight in here at... | 0:47:30 | 0:47:34 | |
-Four bids! -£20, £30 | 0:47:34 | 0:47:36 | |
-Good lord. £6 paid. -Any advance on 30? | 0:47:36 | 0:47:40 | |
40. 50. | 0:47:40 | 0:47:42 | |
-60. 70. -Look at that! -£80. | 0:47:42 | 0:47:44 | |
-God. -Look at that! -£80. | 0:47:44 | 0:47:47 | |
Any advance on £80? All done at £80, £80? | 0:47:47 | 0:47:51 | |
£80! You just made £74. Well, that shuts me right up, I can tell you. | 0:47:51 | 0:47:56 | |
Oh, my God. Seriously, me too. | 0:47:56 | 0:47:58 | |
Are there any budding auctioneers in the room? | 0:47:58 | 0:48:01 | |
This is an early 20th century auctioneers' gavel. | 0:48:01 | 0:48:05 | |
It has a nice weight, ladies and gentlemen, | 0:48:05 | 0:48:08 | |
and I've tried it a couple of times myself. | 0:48:08 | 0:48:11 | |
Start me at 20. 20? | 0:48:11 | 0:48:12 | |
30. 40. | 0:48:12 | 0:48:15 | |
-£50. -£50! | 0:48:15 | 0:48:16 | |
Any advance on 50, where are we? | 0:48:16 | 0:48:19 | |
-60. 70. -I don't believe this. | 0:48:19 | 0:48:23 | |
We're still in at 70. 80. | 0:48:23 | 0:48:25 | |
-90. -90? Wow. | 0:48:25 | 0:48:28 | |
Any advance on £90? | 0:48:28 | 0:48:30 | |
£90...? | 0:48:30 | 0:48:31 | |
£90 is plus £74. | 0:48:31 | 0:48:35 | |
That is plus £148. | 0:48:35 | 0:48:39 | |
Lot 144 is the Victorian bronze door knocker | 0:48:39 | 0:48:45 | |
in the form of a fox's head. | 0:48:45 | 0:48:47 | |
£100. £50? | 0:48:47 | 0:48:50 | |
30, 30 bid. 40. 50. | 0:48:50 | 0:48:53 | |
-60. -Look, £60. | 0:48:53 | 0:48:54 | |
You've made a profit on this one, as well! | 0:48:54 | 0:48:57 | |
70 with the gentleman. | 0:48:57 | 0:48:59 | |
Any advance on £70? 80. | 0:48:59 | 0:49:02 | |
-90. -£90! -100. | 0:49:02 | 0:49:05 | |
-Dear, oh, dear. -110. | 0:49:05 | 0:49:07 | |
-120. -I'm absolutely shocked. | 0:49:07 | 0:49:09 | |
It's bronze. 130. | 0:49:09 | 0:49:10 | |
It wasn't such a bad buy, after all. | 0:49:10 | 0:49:12 | |
£130. All done at 130? | 0:49:12 | 0:49:15 | |
-Reality has been suspended. -GAVEL SLAMS | 0:49:15 | 0:49:17 | |
£130 means you've just made another £95, | 0:49:17 | 0:49:23 | |
which is £243 profit. | 0:49:23 | 0:49:26 | |
And we spent £57. | 0:49:26 | 0:49:27 | |
You spent £57, I was rude about you only spending 57. | 0:49:27 | 0:49:31 | |
-You've made... I can't believe it. -I can't believe that, either. | 0:49:31 | 0:49:34 | |
I think that is just something else. Is that not something else? | 0:49:34 | 0:49:37 | |
I mean, is that not something else?! | 0:49:37 | 0:49:39 | |
You don't have to take any of these bonus buys, all right? | 0:49:39 | 0:49:42 | |
You've got so much profit sitting there. Do you want to risk £130 | 0:49:42 | 0:49:45 | |
on the two secessionist vases? | 0:49:45 | 0:49:48 | |
Or do you want to risk £35 on the thimble holder, | 0:49:48 | 0:49:52 | |
or do you want to do nothing? Chop, chop. | 0:49:52 | 0:49:54 | |
-Right. What do you think? -I still think the vases are great. | 0:49:54 | 0:49:57 | |
-The vases? -Do you? -The vases. -You're going with the vases? | 0:49:57 | 0:50:00 | |
-Honestly, the vases? -We think they're really, really good. | 0:50:00 | 0:50:03 | |
£130 is what was paid. | 0:50:03 | 0:50:05 | |
Anita's estimate is 120 to 160, she really rates them. | 0:50:05 | 0:50:09 | |
That's your pick and I have to say that, | 0:50:09 | 0:50:12 | |
out of my picks between the two, I went with the Continental vases. | 0:50:12 | 0:50:15 | |
-Yeah. -So, I rate them, too. -They're really nice. | 0:50:15 | 0:50:18 | |
And the little egg cup thimble holder will sell for charity, | 0:50:18 | 0:50:21 | |
as you haven't picked it. So, first up are the secessionist vases, | 0:50:21 | 0:50:25 | |
the really lovely bronze vases. | 0:50:25 | 0:50:26 | |
Will you start me at £100? 100. | 0:50:26 | 0:50:30 | |
80. 50, then. 50 bid. | 0:50:30 | 0:50:33 | |
50 with you, sir. | 0:50:33 | 0:50:35 | |
Any advance? 60. 70. | 0:50:35 | 0:50:38 | |
Come on. | 0:50:38 | 0:50:39 | |
80. 90. 100. | 0:50:39 | 0:50:41 | |
-This is sounding a better -(110...) | 0:50:41 | 0:50:43 | |
Any advance on 100? | 0:50:43 | 0:50:45 | |
All done at 100. 100? | 0:50:45 | 0:50:49 | |
It's not going to do it. | 0:50:49 | 0:50:51 | |
100 is minus 30, which means you are plus 213. | 0:50:51 | 0:50:57 | |
-That's still good. -I am so sorry. -Don't worry about it, it was a punt. | 0:50:57 | 0:51:01 | |
I rated it. But not today. Anyway, here comes the thimble holder. | 0:51:01 | 0:51:05 | |
Such a beautiful shape and it's so pleasing to the eye, | 0:51:05 | 0:51:10 | |
ladies and gentlemen. Start me at 40. 40 bid. | 0:51:10 | 0:51:14 | |
Any advance of 40? 50. 60. | 0:51:14 | 0:51:17 | |
70. 80. 90. | 0:51:17 | 0:51:20 | |
90 with the lady. | 0:51:20 | 0:51:21 | |
£90, that's a better thing. | 0:51:21 | 0:51:24 | |
Any advance on 90? £90... | 0:51:24 | 0:51:27 | |
Plus £55. | 0:51:27 | 0:51:29 | |
Sadly not for you, but for charity, | 0:51:29 | 0:51:31 | |
but it's nevertheless a profit, so well done, Catherine, | 0:51:31 | 0:51:34 | |
for making a nice £55 profit for our charity today, that's really good. | 0:51:34 | 0:51:37 | |
Now, overall then, you are plus 213, you kids. | 0:51:37 | 0:51:40 | |
You should be very proud of that, well done. | 0:51:40 | 0:51:43 | |
-Now, Matt and Ross, do you know how the Reds got on? -Haven't a clue. | 0:51:48 | 0:51:51 | |
Very good, we don't want you to. | 0:51:51 | 0:51:53 | |
First up, your breadboard. Weird thing, that, actually. | 0:51:53 | 0:51:56 | |
-Yeah. -£15 paid. Anita likes it, she likes the romance, | 0:51:56 | 0:51:59 | |
-she's put £30 to £50 on it. -Good. -And here it comes. | 0:51:59 | 0:52:02 | |
A World War II carved and painted folk-art breadboard, | 0:52:02 | 0:52:06 | |
commemorating the Czechoslovakian exile in England. | 0:52:06 | 0:52:10 | |
Little piece of history. | 0:52:10 | 0:52:12 | |
Can we say 100? Start me at £50. | 0:52:12 | 0:52:16 | |
-50 bid. -£50. You paid 15. Yes! | 0:52:16 | 0:52:21 | |
60. | 0:52:21 | 0:52:23 | |
70. 80. With you, sir, at 80. | 0:52:23 | 0:52:27 | |
Any advance on £80? All done at £80? | 0:52:27 | 0:52:29 | |
£80? | 0:52:29 | 0:52:30 | |
-Did she say £80? -£80. | 0:52:32 | 0:52:33 | |
Oh, that's lovely. | 0:52:33 | 0:52:34 | |
£80, that is plus £65. £65, I'm nonplussed. | 0:52:34 | 0:52:39 | |
OK. | 0:52:39 | 0:52:40 | |
The three Pelham Puppets, we have Fritzi, Dutch Girl and German Girl. | 0:52:40 | 0:52:46 | |
Can we say £80 for the three? 80? | 0:52:46 | 0:52:49 | |
60? £20 to start me. 20 bid. | 0:52:49 | 0:52:52 | |
Any advance on 20? | 0:52:52 | 0:52:54 | |
30. 40. | 0:52:54 | 0:52:55 | |
£40, any advance on £40? | 0:52:55 | 0:52:58 | |
Any advance on £40? £40? | 0:52:58 | 0:53:00 | |
£40 is minus 7, so bad luck. | 0:53:01 | 0:53:04 | |
Takes you down to 58. | 0:53:04 | 0:53:06 | |
-Now it's the big one. -Come on. | 0:53:06 | 0:53:08 | |
Oh, ladies and gentlemen. If you love Great Danes | 0:53:08 | 0:53:13 | |
and you can't afford to feed them, | 0:53:13 | 0:53:16 | |
this is the item for you. | 0:53:16 | 0:53:18 | |
-His name is Tiny. -CROWD LAUGHS | 0:53:18 | 0:53:21 | |
Start me at £100. £100. | 0:53:23 | 0:53:27 | |
£50, then. £50 for Tiny. | 0:53:27 | 0:53:30 | |
-Uh-oh. -50, thank you, sir. | 0:53:30 | 0:53:33 | |
This is going to start it off. Come on now. Come on! | 0:53:33 | 0:53:36 | |
50. 60. 70. | 0:53:36 | 0:53:39 | |
Any advance on 70? | 0:53:39 | 0:53:41 | |
80 on the phone. | 0:53:41 | 0:53:43 | |
90. | 0:53:43 | 0:53:45 | |
-Yep. -100. 110. -120? | 0:53:45 | 0:53:49 | |
No. | 0:53:49 | 0:53:50 | |
-No? -No. -110. | 0:53:50 | 0:53:53 | |
120 behind you. | 0:53:53 | 0:53:55 | |
130. | 0:53:55 | 0:53:57 | |
Come on, keep it going. | 0:53:57 | 0:53:59 | |
130. | 0:53:59 | 0:54:00 | |
Any advance on 130? | 0:54:00 | 0:54:02 | |
All done at 130? 130? | 0:54:02 | 0:54:04 | |
Oh, bad luck. | 0:54:04 | 0:54:06 | |
That is minus £30 for Tiny. | 0:54:06 | 0:54:08 | |
Which means, overall, you are plus £28. | 0:54:08 | 0:54:10 | |
There's nothing the matter with that. | 0:54:10 | 0:54:12 | |
Could be a winning score, £28. | 0:54:12 | 0:54:13 | |
£28... What you going to do, then, with the bonus buys? | 0:54:13 | 0:54:16 | |
Are you going to go with either of them or ditch them? | 0:54:16 | 0:54:19 | |
I say we go for your favourite lady. | 0:54:19 | 0:54:24 | |
Oh, yeah. Yeah, let's do it. | 0:54:25 | 0:54:27 | |
OK, you're going with the second of the bonus buys. | 0:54:27 | 0:54:29 | |
The estimate on the special bonus buy, according to Anita, | 0:54:29 | 0:54:32 | |
-is 60 to 100, all right? -Oh. | 0:54:32 | 0:54:34 | |
So you paid 30, she sees it as making 60 to 100. | 0:54:34 | 0:54:37 | |
I was asked to predict which of the bonus buys is going to do best | 0:54:37 | 0:54:41 | |
and I've been contrary to all of this | 0:54:41 | 0:54:44 | |
and I've gone with the Machine Gun Corps. | 0:54:44 | 0:54:46 | |
We're going to sell it, first. | 0:54:46 | 0:54:47 | |
If it makes a profit, that profit will go to charity. | 0:54:47 | 0:54:50 | |
So, win-win all round with this. | 0:54:50 | 0:54:52 | |
The 9ct gold Machine Gun Corps | 0:54:52 | 0:54:55 | |
regimental ladies' sweetheart brooch. | 0:54:55 | 0:54:58 | |
The bid is on the book at 30. | 0:54:58 | 0:55:01 | |
Any advance on 30? 40. | 0:55:01 | 0:55:03 | |
50 with the book. | 0:55:03 | 0:55:05 | |
60. The book is out, it's on the phone at 60. | 0:55:05 | 0:55:08 | |
70, fresh bidder. | 0:55:08 | 0:55:10 | |
Very nice, come on. | 0:55:10 | 0:55:12 | |
80. Any advance on £80? | 0:55:12 | 0:55:15 | |
All done at £80? £80? | 0:55:15 | 0:55:17 | |
Very good, plus £50, | 0:55:17 | 0:55:19 | |
that's a fair profit. Well done, Paul Laidlaw, | 0:55:19 | 0:55:21 | |
-that goes to charity. -Pretty good. | 0:55:21 | 0:55:23 | |
Here's our little lady. | 0:55:23 | 0:55:24 | |
Now your little lady. | 0:55:24 | 0:55:25 | |
Late 19th, early 20th-century Art Nouveau silver plated | 0:55:25 | 0:55:28 | |
figural desk seal. Beautiful little female figure. | 0:55:28 | 0:55:33 | |
Can we say £100? This is a nice item. | 0:55:33 | 0:55:36 | |
Yeah, yeah we can. | 0:55:36 | 0:55:38 | |
Start me at £50. £50? | 0:55:38 | 0:55:40 | |
30, then? 30 bid. 40. 50. | 0:55:40 | 0:55:44 | |
60. 70. Any advance on 70? | 0:55:44 | 0:55:47 | |
Keep going. | 0:55:47 | 0:55:49 | |
All done at £70? | 0:55:49 | 0:55:51 | |
£70? | 0:55:51 | 0:55:53 | |
-Yes, that's good. -£70. | 0:55:53 | 0:55:55 | |
£70 is £40 profit. | 0:55:55 | 0:55:58 | |
You had 28, you've now got plus £68. | 0:55:58 | 0:56:01 | |
That is your final tally. | 0:56:01 | 0:56:04 | |
And the Machine Gun Corps made more profit than the other one, so... | 0:56:04 | 0:56:09 | |
Tough. Anyway. | 0:56:09 | 0:56:11 | |
Well, you're both substantially in profit, which is lovely, isn't it? | 0:56:17 | 0:56:21 | |
Really, really nice. | 0:56:21 | 0:56:23 | |
And the team that is less substantially in profit, | 0:56:23 | 0:56:25 | |
I'm afraid to say, are the Blues. | 0:56:25 | 0:56:27 | |
-LYNN: -Yay! -MATT: -Gutted. | 0:56:27 | 0:56:30 | |
Which is bad luck. You are plus £68. | 0:56:30 | 0:56:32 | |
-Matthew, there's 65. -Thank you very much. | 0:56:32 | 0:56:34 | |
I'll have to dig deep and come up with another £3. | 0:56:34 | 0:56:38 | |
-I'll get that. -Oh, will you? | 0:56:38 | 0:56:40 | |
Well done, Ross. No, that's super, so congratulations. | 0:56:40 | 0:56:42 | |
-I hope you've enjoyed the show. -It's been great. | 0:56:42 | 0:56:45 | |
Great, but the victors who go home with £213... | 0:56:45 | 0:56:48 | |
MATT: Wow! | 0:56:48 | 0:56:49 | |
..which is a good number. Here we go, here comes your dough | 0:56:49 | 0:56:53 | |
-and a little bit more, another £3, there we are. -Thank you. | 0:56:53 | 0:56:56 | |
£213. Well, we have had some amazing results, | 0:56:56 | 0:57:00 | |
just the most amazing results I think I've ever seen | 0:57:00 | 0:57:02 | |
on Bargain Hunt. | 0:57:02 | 0:57:04 | |
A plastic brooch, bought for £6, makes £74 profit. | 0:57:04 | 0:57:09 | |
The auctioneers' gavel, bought for £16, makes a profit of £74. | 0:57:09 | 0:57:14 | |
A door knocker that was made in Birmingham last year, I promise you, | 0:57:14 | 0:57:18 | |
that you paid £35 for, you make a profit of £95 on! | 0:57:18 | 0:57:23 | |
I mean, how does that happen? | 0:57:23 | 0:57:25 | |
And the only thing that let you down out of your performance, at all, | 0:57:25 | 0:57:28 | |
just happened to be the Secessionist vases, | 0:57:28 | 0:57:30 | |
which we all picked, we all thought they were marvellous | 0:57:30 | 0:57:33 | |
and they made you a small loss. But... | 0:57:33 | 0:57:35 | |
the thimble holder made a profit of £55 | 0:57:35 | 0:57:38 | |
and your profit means, Paul, that the total to the charity today, | 0:57:38 | 0:57:42 | |
they get £105 of profits from the experts' bonus buys, | 0:57:42 | 0:57:46 | |
which is lovely. So, it's a win-win situation all round. | 0:57:46 | 0:57:48 | |
And in addition, the Reds, of course, | 0:57:48 | 0:57:50 | |
made a profit on all three items, | 0:57:50 | 0:57:52 | |
which gets you admission to the Order of the Golden Gavel. | 0:57:52 | 0:57:56 | |
-You take one of those, that's lovely. -Thank you. | 0:57:56 | 0:57:58 | |
-Thank you, Tom Tom. -Thank you. -Well done, Lynn. Thank you. | 0:57:58 | 0:58:02 | |
Pin that to your bosom. | 0:58:02 | 0:58:03 | |
-Have you had a good time? -A fantastic time. | 0:58:03 | 0:58:05 | |
-Been good for you, Tom? -Yeah, it's been superb. -Glad to hear it. | 0:58:05 | 0:58:08 | |
In fact, join us soon for some more Bargain Hunting, yes? | 0:58:08 | 0:58:11 | |
ALL: Yes! | 0:58:11 | 0:58:12 |