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Today, there's a special buzz in the air here in Oswestry, | 0:00:09 | 0:00:16 | |
and it's not because we've got a fair | 0:00:16 | 0:00:19 | |
simply stuffed with treasures. | 0:00:19 | 0:00:21 | |
BUZZING | 0:00:21 | 0:00:23 | |
Oh! That's better. | 0:00:23 | 0:00:25 | |
It's because we've got a one-hour-long special edition | 0:00:25 | 0:00:29 | |
that's sure to fly by. | 0:00:29 | 0:00:32 | |
Who writes this stuff? Let's go bargain hunting! Yeah! | 0:00:32 | 0:00:36 | |
Unlike the proverbial leopard, who never changes his spots, | 0:01:06 | 0:01:10 | |
today, we are changing the rules...slightly. | 0:01:10 | 0:01:13 | |
I'm asking the experts to find not one, | 0:01:13 | 0:01:15 | |
but two bonus buys, which they'll then show me, | 0:01:15 | 0:01:19 | |
I'll give them an opinion, | 0:01:19 | 0:01:20 | |
but will the teams decide to take one, or the other, or none, | 0:01:20 | 0:01:25 | |
and who will be right and who will be wrong? | 0:01:25 | 0:01:28 | |
Ooh, what excitement. | 0:01:28 | 0:01:29 | |
Let's take an eagle-eyed peek as to what's coming up. | 0:01:29 | 0:01:34 | |
The Reds reveal some little-GNOME facts. | 0:01:34 | 0:01:37 | |
-And can be used for an anchor. -Well, it'd certainly stop the ship. | 0:01:37 | 0:01:41 | |
-And our Blue expert divulges his trade secrets. -But what is it? | 0:01:43 | 0:01:47 | |
-Put a candle in there, perhaps. -OK, well, make it up, then. | 0:01:47 | 0:01:50 | |
This is what I do. Fantastic. OK, it's a pen stand. | 0:01:50 | 0:01:53 | |
You put it on your desk and you bung pens in it. | 0:01:53 | 0:01:56 | |
That's all to come, but first, let's meet the teams. | 0:01:56 | 0:01:59 | |
On today's show, we have two pairs of pals | 0:02:01 | 0:02:05 | |
who have a world of difference. | 0:02:05 | 0:02:08 | |
One pair very much like to have their feet on the ground, | 0:02:08 | 0:02:12 | |
the other pair adore going under the water, deep diving. | 0:02:12 | 0:02:16 | |
For the Reds, we have Greg and Tony, | 0:02:16 | 0:02:18 | |
and for the Blues, we have Mick and Paul. | 0:02:18 | 0:02:20 | |
-Hello, everyone. -ALL: Hello. | 0:02:20 | 0:02:22 | |
-So, you're best buddies, you two. -Yep. -And how did you meet, Greg? | 0:02:22 | 0:02:26 | |
We met about 30 years ago, | 0:02:26 | 0:02:28 | |
when we became both members of the same scuba diving club in Rotherham. | 0:02:28 | 0:02:33 | |
Then you started popping in the water other places. | 0:02:33 | 0:02:36 | |
Yeah, a lot of driving in the North Sea. We're really wreckers, Tim. | 0:02:36 | 0:02:39 | |
-Are you? What does that mean? -Diving shipwrecks. | 0:02:39 | 0:02:42 | |
Your day job was more of a job that followed Yes Minister, wasn't it? | 0:02:42 | 0:02:46 | |
It was indeed, Tim. | 0:02:46 | 0:02:47 | |
I was a senior civil servant for nearly 30 years. | 0:02:47 | 0:02:50 | |
Now, Tony, you used to run your own marine salvage business. | 0:02:50 | 0:02:54 | |
-Humber Salvage, yeah. -Did quite well, did you, with the...? | 0:02:54 | 0:02:57 | |
-Yeah, it was great. -Yeah? What sort of things do you bring up? | 0:02:57 | 0:03:00 | |
Ship's lamps, compasses. | 0:03:00 | 0:03:02 | |
-Propellers. -Propellers. -Yeah? -Condensers. | 0:03:02 | 0:03:05 | |
-What about these bottles? -Oh, the whisky. | 0:03:05 | 0:03:09 | |
Well, actually, I've still got a couple in my shed. | 0:03:09 | 0:03:11 | |
It was a wreck that went down about 100 years ago in the Clyde, | 0:03:11 | 0:03:14 | |
called the Wallachia, and it was carrying... | 0:03:14 | 0:03:17 | |
it was going to the West Indies with whisky, general cargo, | 0:03:17 | 0:03:21 | |
and we found the wreck about 30 years ago | 0:03:21 | 0:03:23 | |
and started diving it, and we took a load of whisky off it, | 0:03:23 | 0:03:27 | |
supposed to be worth a fortune. | 0:03:27 | 0:03:29 | |
We decided to save it. You know, as time goes on, it'll make money. | 0:03:29 | 0:03:33 | |
But one New Year's Eve, we opened a bottle | 0:03:33 | 0:03:35 | |
and all the lads were round with their glasses, ready to drink it. | 0:03:35 | 0:03:38 | |
The colour was right and everything. | 0:03:38 | 0:03:40 | |
-Tasted absolutely terrible. -Foul. -Did it really? -Yeah, it was awful. | 0:03:40 | 0:03:44 | |
-Well, what a shame. -Best to leave that alone, I think. | 0:03:44 | 0:03:46 | |
So, how easy is it going to be for you to go out there today | 0:03:46 | 0:03:49 | |
and find some bargains on Bargain Hunt? | 0:03:49 | 0:03:51 | |
-Looking forward to it, aren't we? -Yeah. | 0:03:51 | 0:03:54 | |
It's something that we feel we'll... we'll make a full fist of. | 0:03:54 | 0:03:57 | |
Well, I think you're going to do very well. Now for the Blues. | 0:03:57 | 0:04:00 | |
Now, Mick, tell us about the marathons, cos that's what you do. | 0:04:00 | 0:04:03 | |
Yes. I like to run marathons. I've recently run my hundredth marathon. | 0:04:03 | 0:04:07 | |
-Have you, really? -Mm. -Cor, you'll be worn out. -Yes! | 0:04:07 | 0:04:10 | |
Did you start out six feet tall? | 0:04:11 | 0:04:14 | |
Have they ground you down? No, seriously, fantastic news. | 0:04:16 | 0:04:19 | |
-Have you had a tradition of running all your life? -No. | 0:04:19 | 0:04:23 | |
No, I was never...never athletic as a child particularly, | 0:04:23 | 0:04:28 | |
but as time went on and my waistband expanded, | 0:04:28 | 0:04:31 | |
I felt the need to take up some exercise before it got too late. | 0:04:31 | 0:04:36 | |
Stop looking at me like that. | 0:04:36 | 0:04:37 | |
LAUGHTER | 0:04:37 | 0:04:39 | |
How sweet. You're now chairman of your running club. | 0:04:39 | 0:04:43 | |
Yes, I am. I'm chairman of Sandbach Striders running club, | 0:04:43 | 0:04:46 | |
-and that's where me and Paul first met. -Very nice too. | 0:04:46 | 0:04:49 | |
-And it says here you're a mature student. -Yes, I am. | 0:04:49 | 0:04:52 | |
Why this change of career, then? | 0:04:52 | 0:04:54 | |
Well, I used to be a teacher and I worked as a teacher of boys | 0:04:54 | 0:04:57 | |
with emotional and behavioural difficulties for many years, | 0:04:57 | 0:05:00 | |
and it got to the point where, one morning, | 0:05:00 | 0:05:03 | |
I woke up and realised that, actually, | 0:05:03 | 0:05:05 | |
I didn't much like computers - I taught computers - | 0:05:05 | 0:05:07 | |
and I didn't actually much like children. | 0:05:07 | 0:05:09 | |
That's a very, very honest admission | 0:05:10 | 0:05:12 | |
coming from a teacher who's been doing it for a decade or two! | 0:05:12 | 0:05:16 | |
Anyway, so that was it, then. | 0:05:16 | 0:05:17 | |
-You had this kind of blinding moment. -I did. | 0:05:17 | 0:05:20 | |
Your conversion on the road, so as to speak. And then what did you do? | 0:05:20 | 0:05:24 | |
So, then I resigned and decided to follow my heart, | 0:05:24 | 0:05:28 | |
rather than my head, and enrolled back in university, | 0:05:28 | 0:05:31 | |
and I'm now doing an MA in the History of Art. | 0:05:31 | 0:05:33 | |
Now, Paul, you're a runner also. | 0:05:33 | 0:05:34 | |
So, tell us about the Marathon du Medoc. | 0:05:34 | 0:05:38 | |
Well, Tim, that's one of the 11 marathons I've run so far this year. | 0:05:38 | 0:05:41 | |
-This year? -This year, and it's in France, in the Medoc region, | 0:05:41 | 0:05:46 | |
and normally on a marathon, | 0:05:46 | 0:05:48 | |
every time you get a little bit thirsty, you'll get water. | 0:05:48 | 0:05:51 | |
The Marathon du Medoc is run through the chateaux of France, | 0:05:51 | 0:05:54 | |
-so they replace the water with lovely red wine. -No! | 0:05:54 | 0:05:58 | |
Which is absolutely gorgeous. | 0:05:58 | 0:06:01 | |
The idea is that you finish | 0:06:01 | 0:06:02 | |
as close to the cut-off time of 6 hours 30 as you possibly can. | 0:06:02 | 0:06:07 | |
-Michael managed 6 hours, 29 and 30 seconds. -Really? | 0:06:07 | 0:06:11 | |
I was 20 minutes too early. | 0:06:11 | 0:06:13 | |
I must have missed a wine stop somewhere, | 0:06:13 | 0:06:15 | |
which, that's not like me. | 0:06:15 | 0:06:16 | |
-Quite. So, how many stops are there, then? -24. | 0:06:16 | 0:06:20 | |
You get 24 glasses of wine | 0:06:20 | 0:06:21 | |
while you trot your way through all these wine fields?! | 0:06:21 | 0:06:24 | |
Oh, no, you're in fancy dress. | 0:06:24 | 0:06:26 | |
This year's theme was space, so I was dressed as an alien, | 0:06:26 | 0:06:29 | |
and to be honest with you, | 0:06:29 | 0:06:31 | |
the locals bring a little bit of wine out for you as well, | 0:06:31 | 0:06:34 | |
so you never get thirsty, so there is more than 24. | 0:06:34 | 0:06:37 | |
You need to be decanted over the line. | 0:06:37 | 0:06:40 | |
-That's just before the wine party at the end. -Well, how brilliant. | 0:06:40 | 0:06:44 | |
When you're not running marathons, though, | 0:06:44 | 0:06:46 | |
-you run up and down hospital wards. -Indeed. | 0:06:46 | 0:06:49 | |
I work for liaison psychiatry. | 0:06:49 | 0:06:51 | |
I'm currently a dementia specialist attached to a local hospital. | 0:06:51 | 0:06:55 | |
-And such a worthwhile job. -Thank you. | 0:06:55 | 0:06:57 | |
To ease people through that difficult period in their lives. | 0:06:57 | 0:07:00 | |
-Absolutely. -Now, you two clearly have incredible amounts of stamina. | 0:07:00 | 0:07:05 | |
-Have you got a plan for today's shopping? -Fast. -Fast. | 0:07:05 | 0:07:09 | |
-You're going to spend the lot? Bow! -Well, yes. -Zap! Pow! | 0:07:09 | 0:07:13 | |
THEY LAUGH | 0:07:13 | 0:07:14 | |
-Yes? -We'll finish in record time. | 0:07:14 | 0:07:16 | |
You'll finish in record time! That's what I like to hear. | 0:07:16 | 0:07:18 | |
-Now, here's your £300. 300 smackers. -Thank you. -You know the rules. | 0:07:18 | 0:07:21 | |
Your experts await, and off you go, and very, very, very good luck. | 0:07:21 | 0:07:26 | |
Gosh, this is going to be zippy. | 0:07:26 | 0:07:28 | |
So, who are our experts today? | 0:07:33 | 0:07:36 | |
Well, the clue is in the title. Yes, it's Jonathan Pratt with the Reds. | 0:07:37 | 0:07:41 | |
And shaking things up for the Blues, it's David Harper. | 0:07:42 | 0:07:45 | |
And don't forget, the experts will be really up against it today, | 0:07:47 | 0:07:50 | |
as later on, they will have to find not one, but two bonus buys, | 0:07:50 | 0:07:54 | |
and I'll be telling them, but not the contestants, | 0:07:54 | 0:07:57 | |
which one I think will make the most profit at auction. | 0:07:57 | 0:07:59 | |
But first, what are our teams going to buy? | 0:07:59 | 0:08:02 | |
What we should do is look for dive gear. What do you reckon? | 0:08:02 | 0:08:05 | |
Do you think we'll find any in a place like this? | 0:08:05 | 0:08:07 | |
Absolutely. People are always selling... | 0:08:07 | 0:08:09 | |
You never, ever know, do you? | 0:08:09 | 0:08:11 | |
So, this is what we'd normally do to warm up, then, boys? | 0:08:11 | 0:08:14 | |
-I normally warm up with a cup of coffee. -Excellent. | 0:08:14 | 0:08:17 | |
Paul, what about you? | 0:08:17 | 0:08:19 | |
Well, I always think the first 20 miles is best to warm up with. | 0:08:19 | 0:08:21 | |
First 20 miles? I normally think the first 22 miles. Hands on hips. | 0:08:21 | 0:08:25 | |
OK, 60 minutes, Mick. What are we going to go and do? | 0:08:25 | 0:08:28 | |
-We're going to go and Bargain Hunt. -We are. Come on. Let's go. | 0:08:28 | 0:08:32 | |
Jonathan, do you dive? | 0:08:32 | 0:08:34 | |
I don't. I dive off a high board, that's about it. | 0:08:34 | 0:08:37 | |
-No, no, we're talking serious underwater scuba stuff. -No, never. | 0:08:37 | 0:08:40 | |
-Would you like to learn? -Yeah, why not? -OK, we'll sort it. | 0:08:40 | 0:08:44 | |
-Greg, take his number. -Yeah, we can put you in deep water. -Yeah, yeah. | 0:08:44 | 0:08:47 | |
I think, with all this shopping this morning, | 0:08:47 | 0:08:49 | |
I'm going to be in deep water. | 0:08:49 | 0:08:51 | |
So, what kind of things do we like, then, Paul, apart from star jumping? | 0:08:57 | 0:09:00 | |
-Well, I think I like toys, toy cars, nostalgia. -Yeah. | 0:09:00 | 0:09:05 | |
Good. Yeah. Mick, what about you? | 0:09:05 | 0:09:07 | |
-I just like items that are decorative, that are pretty. -Yeah. | 0:09:07 | 0:09:11 | |
-That's nice. That's just very pretty. Nice colours. -Yeah. | 0:09:11 | 0:09:14 | |
-This has got a nice weight to it. -Yeah. -The colours are very vibrant. | 0:09:14 | 0:09:18 | |
-There's no obvious chips or marks that I can see. -No, OK. It's... | 0:09:18 | 0:09:24 | |
I think it's a pressed glass. | 0:09:24 | 0:09:25 | |
-Hm. -It's not of the best quality in the world, | 0:09:25 | 0:09:28 | |
but it's got what we call the look. | 0:09:28 | 0:09:31 | |
It doesn't float my boat. | 0:09:31 | 0:09:34 | |
-It doesn't? -If I was honest. | 0:09:34 | 0:09:36 | |
-I wouldn't run with that. -You wouldn't? -No. | 0:09:36 | 0:09:40 | |
Are you vetoing it? | 0:09:40 | 0:09:42 | |
-Yeah, I... -OK. -OK. | 0:09:43 | 0:09:46 | |
So, that's a diss on the dish, then. | 0:09:46 | 0:09:48 | |
Now, our divers have jumped straight in and found a marine relic. | 0:09:48 | 0:09:52 | |
-45 quid. -How odd is that? The first thing you spot... | 0:09:52 | 0:09:56 | |
I don't think there's a profit in that. | 0:09:56 | 0:09:58 | |
Not at that price, but I'm sure you could talk to the gentleman. | 0:09:58 | 0:10:02 | |
-It needs to be about 5 quid. -No, no, about 15? -10. 10. 10. | 0:10:02 | 0:10:06 | |
-You'll have to be braver than me to do it. -Greg, get in there. | 0:10:06 | 0:10:10 | |
Go in there. | 0:10:10 | 0:10:12 | |
Excuse me, sir. | 0:10:12 | 0:10:14 | |
-Yeah? -What would be a reasonable price on the diving helmet? | 0:10:14 | 0:10:18 | |
Give us 25, there you are. I know you're going to make a profit. | 0:10:18 | 0:10:21 | |
-You'll make a profit on that. -What about 20? | 0:10:21 | 0:10:25 | |
-Go on, then. For you. For you. -Thank you very much. -OK. | 0:10:25 | 0:10:27 | |
-Thank you very much. -Yeah. -Diver's signal for "OK". -Yeah, absolutely. | 0:10:27 | 0:10:31 | |
-Return the signal. -Oh, yes, yeah, yeah, course. Yeah. | 0:10:31 | 0:10:34 | |
Uh-oh. Jonathan thinks they're going down with that one. | 0:10:34 | 0:10:37 | |
Oh, those Blues haven't moved very far, | 0:10:44 | 0:10:47 | |
but now Paul's got a glint in his eye. | 0:10:47 | 0:10:49 | |
What's the French horse bottle? What's that? | 0:10:49 | 0:10:51 | |
Oh, right, OK. A French horse. | 0:10:53 | 0:10:56 | |
-WOMAN: -It's a bottle. -It's a bottle? | 0:10:56 | 0:10:59 | |
-It's to hide your liquor in. -Wahey! | 0:10:59 | 0:11:01 | |
-Wahey! I'm liking that. -I got that in France, so it's... | 0:11:01 | 0:11:05 | |
You bought it in France? | 0:11:05 | 0:11:06 | |
It's got "St Clare", I think, on the back of the horse. | 0:11:06 | 0:11:10 | |
Oh, I see. OK. OK. | 0:11:10 | 0:11:13 | |
Depose, which basically means "registration mark", doesn't it? | 0:11:13 | 0:11:16 | |
Like copyright, that kind of thing. | 0:11:16 | 0:11:18 | |
It's quirky, it's different, and I can tell you, | 0:11:18 | 0:11:20 | |
I've never seen that design in... | 0:11:20 | 0:11:22 | |
What would you call it? | 0:11:22 | 0:11:23 | |
Would you possibly dare call it a decanter? | 0:11:23 | 0:11:26 | |
Would you dare call it that? It's not an antique. It's not quality. | 0:11:26 | 0:11:30 | |
No-one ever is going to just dream about owning something like that, | 0:11:30 | 0:11:35 | |
like you might a Lalique horse head. | 0:11:35 | 0:11:37 | |
-But it's so wild and wacky... -Yes. -..and naff, it's fab. | 0:11:37 | 0:11:41 | |
-What's the price? -£18. -18? What do you think? | 0:11:41 | 0:11:46 | |
Over to you two. £18. | 0:11:46 | 0:11:48 | |
-What's that going to make in an auction? -Mmm, indeed. | 0:11:48 | 0:11:50 | |
-What would you pay for this, Paul? -I would pay 15! | 0:11:50 | 0:11:55 | |
In auction, on a funny day, with a nice crowd, a bit of fun, | 0:11:55 | 0:12:00 | |
a bit of, you know, joviality, that might make 30 quid. | 0:12:00 | 0:12:03 | |
Can we get it for 15? | 0:12:04 | 0:12:06 | |
-Yeah. -Yeah, brilliant. OK, do it. | 0:12:07 | 0:12:09 | |
-Great stuff. Thank you. -Thank you very much. | 0:12:09 | 0:12:12 | |
Well, there was no horsing around there. | 0:12:12 | 0:12:14 | |
Both teams have now bought their first items | 0:12:14 | 0:12:16 | |
and have only just left the starting gates. | 0:12:16 | 0:12:19 | |
Will these Reds strike it lucky for a second time | 0:12:19 | 0:12:21 | |
with this match holder? | 0:12:21 | 0:12:22 | |
It's probably... It's probably for match... | 0:12:22 | 0:12:24 | |
It's a matchbook. | 0:12:24 | 0:12:26 | |
Where's the mark on that? That's a capital F, but it's going to be... | 0:12:26 | 0:12:30 | |
It's Birmingham, capital F. | 0:12:30 | 0:12:32 | |
-A, B, C, D, E, F. It's 25... 1930. -1930s. | 0:12:32 | 0:12:35 | |
There's a lot of choice in this sort of market. | 0:12:35 | 0:12:37 | |
But you want to find something that's slightly different | 0:12:37 | 0:12:40 | |
to make more money. | 0:12:40 | 0:12:41 | |
-If you had a jazzy sort of '20s style about it... -Yeah. Yeah. | 0:12:41 | 0:12:44 | |
..you know, it's going to be more interesting | 0:12:44 | 0:12:46 | |
than a plain engine-turned one. | 0:12:46 | 0:12:47 | |
-Right. -Where's...where's Greg? -Diving on his own. As usual. | 0:12:47 | 0:12:52 | |
-Really? Does he... -He does. -..go AWOL? -He goes off. | 0:12:52 | 0:12:54 | |
-You're supposed to stay together, the man goes. -Poor Tony. | 0:12:54 | 0:12:57 | |
Have you lost your diving buddy? | 0:12:57 | 0:12:59 | |
Well, the Blues have spotted something that could rein him in. | 0:12:59 | 0:13:02 | |
-Those things are called horse hames. -What do you do with it, then? | 0:13:02 | 0:13:05 | |
-Do you want me to demonstrate? -Yeah. -You're a horse. -Yeah, OK. | 0:13:05 | 0:13:08 | |
-You're going to probably like this. You're the horse. Turn round. -OK. | 0:13:08 | 0:13:11 | |
I don't know. Turn round, that's it, yeah. | 0:13:11 | 0:13:13 | |
-And it goes something like that, right... -Oh, right. OK. | 0:13:13 | 0:13:17 | |
-..and attaches to you, horsey. -OK. | 0:13:17 | 0:13:19 | |
And then it attaches to me, cos I'm the driver. | 0:13:19 | 0:13:23 | |
-You're the horse. -OK. -You're doing all the work. -Yeah. | 0:13:23 | 0:13:26 | |
And I'm sat on the back of the car, | 0:13:26 | 0:13:28 | |
drinking out of your horse decanter, lovely, soothing whisky. | 0:13:28 | 0:13:32 | |
See what I mean? | 0:13:32 | 0:13:34 | |
-So, they're quite collectable. -Right, OK. -Yeah. And look. | 0:13:34 | 0:13:38 | |
I mean, they are fantastic quality. Foundry marks. | 0:13:38 | 0:13:41 | |
Country of origin marks on manufactured goods | 0:13:41 | 0:13:44 | |
can be useful today for dating purposes. | 0:13:44 | 0:13:47 | |
In 1891, the McKinley Tariff act in America | 0:13:47 | 0:13:51 | |
required the country of manufacture to be marked, and in 1914, | 0:13:51 | 0:13:56 | |
an amendment required the prefix "made in" to be added. | 0:13:56 | 0:14:00 | |
We pretty much know by rule of thumb that these things weren't made | 0:14:00 | 0:14:04 | |
any time before the end of the First World War, | 0:14:04 | 0:14:07 | |
so would be described as early to mid-20th century, | 0:14:07 | 0:14:11 | |
even though they actually look Georgian, | 0:14:11 | 0:14:14 | |
18th-century, in their design. | 0:14:14 | 0:14:16 | |
I think perhaps they could do some good business at auction. | 0:14:16 | 0:14:20 | |
-Shall I get a price on them? -Let's get a price. | 0:14:20 | 0:14:22 | |
OK, let me see this lady. Would you come and chat to us? Hello. | 0:14:22 | 0:14:26 | |
-Hello, nice to see you. -Hello. -Hi there. | 0:14:26 | 0:14:28 | |
-The horsey hames things. -Yes. -Yes. What sort of price are they? -38. -38. | 0:14:28 | 0:14:32 | |
There's some age to them. They're nice decorative items. | 0:14:32 | 0:14:35 | |
-What price could you do them for, for us? -Go on. -30. -If we smile nicely. | 0:14:35 | 0:14:39 | |
-30. That would be my best. -Shall we go for it? -Let's go for it. | 0:14:39 | 0:14:42 | |
-Thank you very much indeed. -All right, thanks, David. | 0:14:42 | 0:14:44 | |
-Thank you very much. -Thank you very much. -There you go, good. | 0:14:44 | 0:14:48 | |
Hold your horses, boys. What's all this horsey stuff? | 0:14:48 | 0:14:52 | |
-So, we've got a horse's head. -Horse's head. | 0:14:52 | 0:14:54 | |
We've got some horse's hames. We need a body. | 0:14:54 | 0:14:57 | |
Well, that should spur you on. Huh! | 0:14:57 | 0:15:00 | |
Now, has that Greg resurfaced yet? | 0:15:00 | 0:15:02 | |
-He's here. -Here he is, look. -I told you. -Can't leave metal alone. | 0:15:03 | 0:15:07 | |
Jonathan... Jonathan, Tony, what do you think? | 0:15:07 | 0:15:09 | |
Is this what you look for? | 0:15:09 | 0:15:11 | |
-You go down in the water, and if it shines... -Copper and brass. | 0:15:11 | 0:15:14 | |
-It's probably an artisan piece, cos it's hand-beaten. -Exactly. | 0:15:14 | 0:15:17 | |
There's a lot of this, | 0:15:17 | 0:15:19 | |
-which I think Tim would dismissively call a shed work. -Shed work! | 0:15:19 | 0:15:22 | |
At the end of the 19th century, there was a lot of brass... | 0:15:22 | 0:15:24 | |
People didn't have the TV and radio to keep themselves occupied. | 0:15:24 | 0:15:27 | |
They all painted, stitched and sewed, | 0:15:27 | 0:15:29 | |
and there was a lot of metalware, | 0:15:29 | 0:15:31 | |
and the metalware was very fashionable at that part, | 0:15:31 | 0:15:33 | |
with the Arts and Crafts, you know, | 0:15:33 | 0:15:34 | |
the Arts and Crafts movement, and this is English Arts and Crafts. | 0:15:34 | 0:15:37 | |
It's a bit knocked around. | 0:15:37 | 0:15:39 | |
I think they've probably had it on the side | 0:15:39 | 0:15:41 | |
-and they've been dropping car keys or money, and... -Yeah! | 0:15:41 | 0:15:43 | |
..and it's all been dropping down on there, | 0:15:43 | 0:15:45 | |
so that's, you know, that's... that's not brilliant. | 0:15:45 | 0:15:49 | |
-You know, that's condition. But this is all very nice. -Yeah. | 0:15:49 | 0:15:53 | |
You know, with the heart motif. | 0:15:53 | 0:15:54 | |
The heart motif is another Arts and Crafts motif. | 0:15:54 | 0:15:56 | |
There's a chap called Voysey, and in his furniture, | 0:15:56 | 0:15:59 | |
he always had pierced heart motifs. Nice Arts and Crafts touch. | 0:15:59 | 0:16:02 | |
And then that's obviously... It's English Art Nouveau. | 0:16:02 | 0:16:05 | |
-There's a tiny little signature on the egg somewhere. -There we are. | 0:16:05 | 0:16:09 | |
-Yeah. -JS&S, which is... something Sankey and Sons. | 0:16:09 | 0:16:13 | |
That's what the lady said. | 0:16:13 | 0:16:15 | |
-This is nice quality, and it's a signed piece. -Yeah. It's on at 45. | 0:16:15 | 0:16:19 | |
-What do you think? -I think it's a good buy. | 0:16:19 | 0:16:22 | |
-I would say there's profit in it. -Fabulous. We'll go with that, then. | 0:16:22 | 0:16:25 | |
-Go on. Do your best. -I'll go and do my best. | 0:16:25 | 0:16:28 | |
So, what's the diving term when you're jumping off the boat? | 0:16:28 | 0:16:30 | |
-What do you say? -Don't push me. | 0:16:30 | 0:16:33 | |
Jonathan, I'd bail out while you still can, eh? | 0:16:33 | 0:16:36 | |
-Hiya. -Hi. -I've just... -Hello. -Hello there. | 0:16:36 | 0:16:39 | |
-I've just picked this up on your stall. I really like it. -Mm-hm. | 0:16:39 | 0:16:43 | |
You know, it's really appealing, I think. | 0:16:43 | 0:16:45 | |
And what I like about it is, it's Art Nouveau, which I like. | 0:16:45 | 0:16:48 | |
-It's obviously hand-beaten. -Yeah. -You've got it on at 45. -Mm. | 0:16:48 | 0:16:53 | |
-What's the very... -Bargain! | 0:16:53 | 0:16:55 | |
-What's the very, very best price you can do it for me at? -Boss. | 0:16:55 | 0:17:00 | |
30? | 0:17:00 | 0:17:01 | |
Could I be really cheeky and ask for 28? | 0:17:03 | 0:17:06 | |
You can be as cheeky as you like, but, you know... | 0:17:06 | 0:17:09 | |
28? | 0:17:09 | 0:17:11 | |
-28. -Go on, then. -That gives us a chance. -Much obliged to you, sir. | 0:17:11 | 0:17:14 | |
-Thank you. Thanks very much. -Thank you. | 0:17:14 | 0:17:16 | |
-What's happened, Greg? -Have you done it? | 0:17:16 | 0:17:19 | |
-Yeah. -So... -The lady kindly did it for 28. | 0:17:19 | 0:17:22 | |
Thank you very much. You're welcome. | 0:17:22 | 0:17:24 | |
Well done, Greg. You beat the price down. Tres bon. | 0:17:24 | 0:17:28 | |
Brilliant. Well done. | 0:17:29 | 0:17:31 | |
Now, I've been having a shufti, and it's amazing what you can find. | 0:17:31 | 0:17:36 | |
What fun is this? | 0:17:36 | 0:17:38 | |
A suitable place to hang my latest acquisition, | 0:17:38 | 0:17:42 | |
which happens to be a cartoon. | 0:17:42 | 0:17:44 | |
Do you like that? | 0:17:44 | 0:17:46 | |
This cartoon, which is an original pen and ink, | 0:17:46 | 0:17:50 | |
is signed Marc, M-A-R-C, which is the signature | 0:17:50 | 0:17:54 | |
for a celebrated journalist and cartoonist | 0:17:54 | 0:17:57 | |
from the 1950s and '60s, Marc Boxer, | 0:17:57 | 0:18:01 | |
the man who married Anna Ford. | 0:18:01 | 0:18:03 | |
He famously founded The Sunday Times colour supplement, | 0:18:03 | 0:18:08 | |
the first colour supplement in any Sunday newspaper, in 1962. | 0:18:08 | 0:18:14 | |
And apart from his journalistic expertise, | 0:18:14 | 0:18:17 | |
this man was a serious cartoonist. | 0:18:17 | 0:18:21 | |
Indeed, he favoured the single frame cartoon, | 0:18:21 | 0:18:25 | |
not a series of cells which sometimes go to make up a cartoon, | 0:18:25 | 0:18:30 | |
but a single frame that would give you a social commentary, | 0:18:30 | 0:18:34 | |
and the social commentary that he particularly liked to portray | 0:18:34 | 0:18:39 | |
were all those trendy people who lived in NW1. | 0:18:39 | 0:18:43 | |
Hence on this cartoon | 0:18:43 | 0:18:45 | |
the sign attached to the railings outside a house | 0:18:45 | 0:18:49 | |
which says, "NW1" and a street. | 0:18:49 | 0:18:51 | |
And, most amusingly, we have an image of a desiccated old girl, | 0:18:51 | 0:18:56 | |
she's about 87, looking out of the window, looking rather smug, | 0:18:56 | 0:19:01 | |
because there's a plaque outside her house, | 0:19:01 | 0:19:04 | |
like those blue plaques | 0:19:04 | 0:19:05 | |
that celebrate where famous people lived in London. | 0:19:05 | 0:19:08 | |
This particular plaque says, "Bertrand Russell slept here". | 0:19:08 | 0:19:12 | |
He didn't live there. He just went there once to sleep. | 0:19:12 | 0:19:16 | |
Perhaps with her. Because that's the joke. | 0:19:16 | 0:19:20 | |
Bertrand Russell, who was Britain's greatest philosopher, | 0:19:20 | 0:19:24 | |
some would argue, of the 20th century. | 0:19:24 | 0:19:26 | |
The man who took it upon himself to march to Aldermaston | 0:19:26 | 0:19:30 | |
in Ban the Bomb marches in the '50s and '60s. | 0:19:30 | 0:19:33 | |
He was also extremely highly sexed, | 0:19:33 | 0:19:37 | |
and famously in the '30s declared that, | 0:19:37 | 0:19:40 | |
"Free love should be available to all and sundry." | 0:19:40 | 0:19:44 | |
And he signed a deal with his first wife. | 0:19:44 | 0:19:46 | |
She produced several children by several men | 0:19:46 | 0:19:49 | |
and he was perfectly cool with that. | 0:19:49 | 0:19:52 | |
Similarly, he put himself about a bit, | 0:19:52 | 0:19:56 | |
marrying four times, | 0:19:56 | 0:19:58 | |
and that's the joke in this particular cartoon, | 0:19:58 | 0:20:02 | |
because did he, didn't he? | 0:20:02 | 0:20:04 | |
Well, he might have done, and she's looking very happy. | 0:20:04 | 0:20:06 | |
Anyway, the next big joke is... buying and collecting cartoons. | 0:20:08 | 0:20:13 | |
You can buy the printed version, and there are lots of them about, | 0:20:13 | 0:20:16 | |
because they were reproduced hundreds of thousands of times. | 0:20:16 | 0:20:20 | |
But the originals, like this, which is pen and ink... | 0:20:20 | 0:20:24 | |
Marc Boxer actually drew this particular cartoon. | 0:20:24 | 0:20:29 | |
It then went to the newspaper | 0:20:29 | 0:20:30 | |
and was reproduced many, many, many times. | 0:20:30 | 0:20:33 | |
But for original cartoons, there are collectors out there, big time. | 0:20:33 | 0:20:38 | |
Look it up and you'll find that these single-cell chappies | 0:20:38 | 0:20:42 | |
sell for in excess of £375. | 0:20:42 | 0:20:46 | |
Therefore, when you find one like this | 0:20:46 | 0:20:50 | |
in a place like this for £45, | 0:20:50 | 0:20:52 | |
it becomes more than a joke. | 0:20:52 | 0:20:55 | |
Now, what on earth have the Blues found? | 0:20:59 | 0:21:02 | |
-What do you think about that, guys? -That's interesting. -It's very odd. | 0:21:02 | 0:21:05 | |
-What is it? -Well, ex... That's what we're trying to get to grips with. | 0:21:05 | 0:21:09 | |
-Put a candle in there, perhaps? -OK, well, make it up. This is what I do. | 0:21:09 | 0:21:12 | |
Fantastic. OK, it's a pen stand. | 0:21:12 | 0:21:15 | |
You put it on your desk and you bung pens in it. That would work. | 0:21:15 | 0:21:19 | |
-Would it work for you? -Yeah, yeah, yeah. -There you go. | 0:21:19 | 0:21:21 | |
That's what it is. A pen stand or a brush stand for an artist. | 0:21:21 | 0:21:25 | |
-Ah! -Ah! -Yeah? I actually, bizarrely, really like it. | 0:21:25 | 0:21:31 | |
I don't think it's aesthetically pleasing enough. | 0:21:31 | 0:21:33 | |
OK. You've got no taste or style! | 0:21:33 | 0:21:35 | |
OK, David, back to the drawing board. | 0:21:38 | 0:21:41 | |
So, Greg, Tony, what's next on the agenda? | 0:21:41 | 0:21:45 | |
-He's here! He is here! -A gnome. -A gnome. -Yeah, yeah. | 0:21:45 | 0:21:51 | |
-Quirky and inexpensive. -And can be used for an anchor. | 0:21:51 | 0:21:54 | |
Well, it'd certainly stop the ship. Could... | 0:21:55 | 0:21:59 | |
-Could you do him for a tenner? -WOMAN: Oh, no! | 0:21:59 | 0:22:01 | |
-We'll give him a good GNOME! -There's pigs flying out there. | 0:22:01 | 0:22:06 | |
He is quite... He's actually quite nicely modelled, actually. | 0:22:06 | 0:22:09 | |
It's a lovely model. | 0:22:09 | 0:22:11 | |
-He's got a little bit of the old verdigris on him. -Yep. | 0:22:11 | 0:22:14 | |
Well, look, he's a bit of fun, isn't he? | 0:22:14 | 0:22:17 | |
And it gives you more money for your... | 0:22:17 | 0:22:19 | |
For 20 quid, it would be a great little buy. | 0:22:19 | 0:22:22 | |
-What's the best possible price you'll do him for? -£30. -Sorry? -£30. | 0:22:22 | 0:22:25 | |
-20? -30. -And would you carry it out for us at 30? | 0:22:25 | 0:22:28 | |
-I'll carry it out for you. -25 quid and you'd have to take him back. | 0:22:28 | 0:22:32 | |
We're doing you a favour for taking it for £25, cos you'll be... | 0:22:32 | 0:22:35 | |
-I know that. Go on, you can... -See? -You can have him for 25 quid. | 0:22:35 | 0:22:38 | |
-Go! -Is that it? | 0:22:38 | 0:22:40 | |
-Why not? -We're done! | 0:22:40 | 0:22:43 | |
Make GNOME mistake. They've bought it. | 0:22:43 | 0:22:46 | |
That's you lot done and finished well before time. | 0:22:46 | 0:22:48 | |
Now the Blues have decided to take a look outside. | 0:22:48 | 0:22:51 | |
Now, that is a bit of me, chaps. I've got to say. | 0:22:53 | 0:22:57 | |
-Do you like it, first of all? -I do like it. | 0:22:57 | 0:23:01 | |
Paul? I know it hasn't got any horses on it, but... | 0:23:01 | 0:23:04 | |
-It's interesting, certainly. -Now, what does that mean? | 0:23:04 | 0:23:07 | |
When people say, "Mm, that's interesting," | 0:23:07 | 0:23:09 | |
-often they don't like it. -No, it means it's... | 0:23:09 | 0:23:12 | |
-caught my eye. -OK. | 0:23:12 | 0:23:14 | |
-Whether I would...have something like that myself... -OK. OK. | 0:23:14 | 0:23:18 | |
..but we're not here for myself, we're here to... | 0:23:18 | 0:23:21 | |
We're here to make some money, guys, remember that. | 0:23:21 | 0:23:23 | |
So, it's ebonised wood. | 0:23:23 | 0:23:26 | |
It's probably like a beech wood, | 0:23:26 | 0:23:27 | |
and it's been stained dark to make it look much posher and more ebony, | 0:23:27 | 0:23:32 | |
and it's a Japanese fire screen, | 0:23:32 | 0:23:34 | |
because our fascination with the Orient | 0:23:34 | 0:23:37 | |
has been with us for centuries. | 0:23:37 | 0:23:40 | |
This was made in the 1920s as a decorative thing. | 0:23:40 | 0:23:43 | |
It was never particularly expensive, mass-produced in Japan for us, | 0:23:43 | 0:23:47 | |
not for the Japanese market. | 0:23:47 | 0:23:49 | |
But imagine opening that up in your nice 1920s town house, | 0:23:49 | 0:23:53 | |
when it was really shiny and new. | 0:23:53 | 0:23:57 | |
It's very dull and the lacquer has really died down, | 0:23:57 | 0:24:00 | |
but with some good clear beeswax and ten minutes of hard graft, | 0:24:00 | 0:24:05 | |
that thing will come alive. | 0:24:05 | 0:24:07 | |
Can I just go and get a price for it while you two chat about it? | 0:24:07 | 0:24:11 | |
So, Mick, Paul, what do you really think? | 0:24:11 | 0:24:13 | |
-I'm not sure about that, Mick. -It does look nice. | 0:24:13 | 0:24:16 | |
I'm sure my wife would love that in our bedroom! | 0:24:16 | 0:24:20 | |
So, what on earth are you talking about? | 0:24:20 | 0:24:22 | |
-We were talking about where we'd put it. -Right. | 0:24:23 | 0:24:26 | |
No, no, where you're going to put it is in an auction. | 0:24:26 | 0:24:29 | |
I think you might be thinking you're on the wrong show. | 0:24:29 | 0:24:31 | |
THEY LAUGH | 0:24:31 | 0:24:33 | |
You're not decorating your homes, right? | 0:24:33 | 0:24:37 | |
How much is it? How much do you think we can buy it for? | 0:24:37 | 0:24:40 | |
-The absolute bottom line. I've been given the price. -I think... | 0:24:40 | 0:24:44 | |
-I think £30. -Ohh. Oh, interesting. Paul? -£20, I suppose. | 0:24:44 | 0:24:50 | |
Really? Really? You're hard. You're hard. It's a bit more. | 0:24:50 | 0:24:53 | |
-You're closer, so a point to you there, Mick. £35. -35? -And that's it. | 0:24:53 | 0:24:59 | |
Personally, I think it's a cracking buy, I really do. Come on. £35. | 0:24:59 | 0:25:03 | |
-How could you replace that for £35? -I think that's a nice piece, Paul. | 0:25:03 | 0:25:07 | |
-I think we should consider that. -OK. OK. Well... | 0:25:07 | 0:25:10 | |
I've gone with the horses, so we gambled on the horses. | 0:25:10 | 0:25:14 | |
-You want to take a punt on it, mate, let's... -Let's go for it. | 0:25:14 | 0:25:17 | |
-Let's go for it. -Shall we do it? -Let's go for it. -We're done. | 0:25:17 | 0:25:20 | |
Three pieces in the bag. And different pieces as well. | 0:25:20 | 0:25:24 | |
Some better than others, obviously. But anyway, there you go! | 0:25:24 | 0:25:27 | |
Time's up! Let's check out what the Red team bought, eh? | 0:25:27 | 0:25:30 | |
Just stick with me. | 0:25:30 | 0:25:32 | |
Greg and Tony dived straight in | 0:25:34 | 0:25:36 | |
with this miniature copper diver's helmet, | 0:25:36 | 0:25:39 | |
and plummeted the price to £20. | 0:25:39 | 0:25:41 | |
Then they dug out this copper Art Nouveau tray for £28. | 0:25:41 | 0:25:45 | |
And finally, they hope to give this garden gnome a new home, | 0:25:45 | 0:25:49 | |
so they forked out £25 to get it. | 0:25:49 | 0:25:51 | |
Well, Greg, To-To, how did you get on? | 0:25:53 | 0:25:55 | |
-Fine, enjoyed it, thank you very much. -Did you? | 0:25:55 | 0:25:57 | |
-And you spent a bundle, right? -Absolutely. -Yeah. -How much? -Greg. | 0:25:57 | 0:26:01 | |
-The grand total of £73. -£73. I'd like £227 leftover lolly. | 0:26:01 | 0:26:07 | |
-Where's that, then? -I thought you had it. -You had it. | 0:26:07 | 0:26:10 | |
-No, I thought you had it. -I must have it. -Well, I expect you have. | 0:26:10 | 0:26:13 | |
-This is a pathetic amount of money that you spent. -Yes. | 0:26:13 | 0:26:16 | |
-Anyway, which is your favourite piece? -My money's on the gnome. | 0:26:16 | 0:26:19 | |
-Is it? -Yes. A big concrete gnome. | 0:26:19 | 0:26:22 | |
-And which piece is going to bring the biggest profit? -The Newlyn tray. | 0:26:22 | 0:26:25 | |
-The Newlyn tray. -It's not Newlyn. | 0:26:25 | 0:26:27 | |
-It's... It's... -He says quickly! It's not Newlyn. | 0:26:27 | 0:26:31 | |
Greg has immediately seen it | 0:26:31 | 0:26:33 | |
as several thousand pounds-worth of Cornish Arts and Crafts. | 0:26:33 | 0:26:36 | |
-It's what I think you call shed art. -OK. -And it's good quality shed art. | 0:26:36 | 0:26:41 | |
-OK, it's good quality shed art. -It's good quality shed art. | 0:26:41 | 0:26:43 | |
Now, JP, I'm going to give you that enormous wodge of money, right? | 0:26:43 | 0:26:46 | |
-You like this bit, don't you? -I do love it. -Yeah. -It's a challenge. | 0:26:46 | 0:26:49 | |
What are you going to spend your money on? | 0:26:49 | 0:26:51 | |
-Well, I've got a few things in mind. -Have you? -Yeah, you know. | 0:26:51 | 0:26:54 | |
I mean, it may be... I maybe give them... | 0:26:54 | 0:26:56 | |
stick a bit of femininity in their direction, I don't know. | 0:26:56 | 0:26:59 | |
Now, JP, here is your special £100 bonus buy wodge, | 0:26:59 | 0:27:04 | |
for you, as an additional challenge, JP, | 0:27:04 | 0:27:07 | |
to find an additional bonus buy | 0:27:07 | 0:27:08 | |
which, if you'd be kind enough to bring it back to me | 0:27:08 | 0:27:11 | |
to have a natter about, we'll do a bit later on. | 0:27:11 | 0:27:14 | |
-Wonderful. -Lovely. Good luck, chaps. Go and have a cup of tea. | 0:27:14 | 0:27:17 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:27:17 | 0:27:20 | |
They de-canted across to this horsey drink bottle and paid £15. | 0:27:20 | 0:27:26 | |
On the nose. Then they reined in these steel horse hames for £30. | 0:27:26 | 0:27:32 | |
And for their final item, | 0:27:32 | 0:27:34 | |
they were divided on this Japanese folding screen, | 0:27:34 | 0:27:37 | |
but hedged their bets and got it for £35. | 0:27:37 | 0:27:40 | |
-Well, chaps, this has been fun, hasn't it? -Oh, yes. | 0:27:40 | 0:27:43 | |
I mean, some people would pay a huge fortune | 0:27:43 | 0:27:45 | |
to have an hour with David Harper almost alone...so I'm told. | 0:27:45 | 0:27:49 | |
-Even more for not with me. -Yes. -Yes. | 0:27:49 | 0:27:51 | |
No, no, that's not true. OK, which is your favourite piece? | 0:27:51 | 0:27:54 | |
Oh, I think it would have to be the horse decanter, | 0:27:54 | 0:27:57 | |
-the horse head decanter. -Oh, yeah, beautiful. | 0:27:57 | 0:27:59 | |
-And do you agree with that, Paul? -Absolutely. | 0:27:59 | 0:28:01 | |
-You're going to love it, Tim. -OK, love it, love it. | 0:28:01 | 0:28:03 | |
And which piece is going to bring the biggest profit? | 0:28:03 | 0:28:07 | |
Um... | 0:28:07 | 0:28:08 | |
Well, I think the...riding... | 0:28:08 | 0:28:11 | |
-the other horsey... -The horse hames. | 0:28:11 | 0:28:15 | |
You have high hopes for the hames? | 0:28:15 | 0:28:17 | |
-High hope for hames! -Hi-ho for the hames! Good, good. | 0:28:17 | 0:28:20 | |
Well, that's those predictions, anyway, | 0:28:20 | 0:28:22 | |
-and you spent in toto, how much? -£80. -Is that all? | 0:28:22 | 0:28:25 | |
-That is a tiny, tiny... -Austerity. Austerity. | 0:28:25 | 0:28:28 | |
..bottom-clenchingly small amount, if you don't mind my saying so. | 0:28:28 | 0:28:31 | |
Anyway, I'd like £220, please. 220? Thank you. £220. | 0:28:31 | 0:28:36 | |
I trust you, I won't even count it. | 0:28:36 | 0:28:38 | |
-I'm going to hand it straight over to David. -Quite a wedge, Tim. | 0:28:38 | 0:28:41 | |
Oh, it is, but you like a wedge, don't you? | 0:28:41 | 0:28:44 | |
In fact, what I'm going to do today on this special occasion | 0:28:44 | 0:28:46 | |
-is add to your wedge. This is an extra wedge. -Right. | 0:28:46 | 0:28:49 | |
-This is the special bonus buy £100... -Marvellous. | 0:28:49 | 0:28:54 | |
..right, for you to go and find that special bonus buy, | 0:28:54 | 0:28:56 | |
in addition to the other one. | 0:28:56 | 0:28:58 | |
Then you come back and chat about it with me, | 0:28:58 | 0:29:00 | |
and then, ultimately, the boys get the pick of the crop. | 0:29:00 | 0:29:03 | |
-Tim, I'm in heaven. -Are you? -Yes. -Seventh heaven, I hope. | 0:29:03 | 0:29:07 | |
Both of our experts are on the hunt for their bonus buys. | 0:29:14 | 0:29:16 | |
Remember, JP has £227 of leftover lolly | 0:29:16 | 0:29:20 | |
for the normal team bonus buy and £100 for his special bonus buy. | 0:29:20 | 0:29:24 | |
So, JP, what are you thinking? | 0:29:24 | 0:29:27 | |
They like their metal, they're very masculine, | 0:29:27 | 0:29:29 | |
and I'm going to go along with the same theme. | 0:29:29 | 0:29:31 | |
Urrrgh. | 0:29:32 | 0:29:33 | |
These, OK? | 0:29:35 | 0:29:37 | |
These are brass chocks for the Midland Red buses | 0:29:37 | 0:29:41 | |
from about the 1940s. They're very cool. | 0:29:41 | 0:29:43 | |
I don't know what you'd use them for, | 0:29:43 | 0:29:45 | |
but I think the boys will love them. | 0:29:45 | 0:29:47 | |
I think they're quite a novelty. | 0:29:47 | 0:29:48 | |
They make good doorstops, or whatever you like. | 0:29:48 | 0:29:50 | |
-I'd like 95 for the pair. -You won't say 80? | 0:29:50 | 0:29:54 | |
-No. No. There's no profit in it for me. -Five? | 0:29:54 | 0:29:57 | |
-No. -You going to do it, JP? | 0:29:58 | 0:30:01 | |
90 it is, then. Thank you very much. | 0:30:02 | 0:30:04 | |
Now, JP, never mind the bus chocks. | 0:30:05 | 0:30:08 | |
It's time to find your special bonus buy. | 0:30:08 | 0:30:11 | |
For my second purchase, got £100 to spend, and I've got an idea. Um... | 0:30:11 | 0:30:16 | |
It's a bit of silver. | 0:30:16 | 0:30:18 | |
It's not too expensive, but I think it's quite a nice novelty | 0:30:18 | 0:30:22 | |
and I think the guys are going to love it. | 0:30:22 | 0:30:23 | |
There we are. | 0:30:23 | 0:30:25 | |
The nice thing is that it's not terribly expensive. | 0:30:26 | 0:30:29 | |
And so with my £100, I'm going to buy this, | 0:30:29 | 0:30:32 | |
and I do believe the gentleman is happy to accept £30 for it. | 0:30:32 | 0:30:35 | |
-That's fine, thank you. -And that is what I'm going to pay. | 0:30:35 | 0:30:38 | |
I've found a hidden corner in the fair, away from the contestants, | 0:30:38 | 0:30:42 | |
so let's have a peek. | 0:30:42 | 0:30:44 | |
Well, JP, you've been busy. | 0:30:44 | 0:30:46 | |
-This is the team's bonus buy, yes? -Yes, it is. Yes. What are they, Tim? | 0:30:46 | 0:30:52 | |
Well, I did see them, actually, | 0:30:52 | 0:30:54 | |
-when I was having my little scratch around. -Uh-huh. | 0:30:54 | 0:30:56 | |
-And I have to admit to being intrigued. -Yeah. | 0:30:56 | 0:31:00 | |
Because I've never seen bronze chocks, and I see Midland Red, | 0:31:00 | 0:31:05 | |
so it's to do with the bus company, I thinks to myself, | 0:31:05 | 0:31:08 | |
-and then I walked on. You clearly didn't. -This I thought... | 0:31:08 | 0:31:11 | |
It sort of conjures up that sort of image of, you know, 1940s, | 0:31:11 | 0:31:15 | |
you know, where you've got your omnibus driving around, | 0:31:15 | 0:31:18 | |
and I just like the idea of them sort of at the end of the day | 0:31:18 | 0:31:21 | |
shoving these chocks under the wheels | 0:31:21 | 0:31:23 | |
to stop the thing rolling down the hill | 0:31:23 | 0:31:24 | |
when they go off for their sandwiches. | 0:31:24 | 0:31:26 | |
Now you have to tell me how much you paid. | 0:31:26 | 0:31:29 | |
-Well, they only cost £45 each. -So, that means £90 for the two. | 0:31:29 | 0:31:33 | |
-It does, yeah. Yeah. -Yeah. -It does. -OK, so that's the team's bonus buy. | 0:31:33 | 0:31:36 | |
-Yes. -Now, the special bonus buy is this thing for wallpapering, is it? | 0:31:36 | 0:31:41 | |
Yes! Yes. Not quite entirely sure what it's for. | 0:31:41 | 0:31:44 | |
I think it's sort of like a blotter. | 0:31:44 | 0:31:46 | |
-Oh, right. -It's stamped "sterling". | 0:31:46 | 0:31:48 | |
Very Victorian-looking handle, you know. | 0:31:48 | 0:31:51 | |
-I think it's obviously a desk item. -Yes. Is it American, then? | 0:31:51 | 0:31:55 | |
-That's what I think, yes. -Yes. -It's all about the price. | 0:31:55 | 0:31:57 | |
It's an unusual object. I only paid 30 quid for it. | 0:31:57 | 0:32:00 | |
It's an intriguing thing, isn't it, for £30? | 0:32:00 | 0:32:03 | |
I think, personally, it's a desk item, I think it's a bit of fun. | 0:32:03 | 0:32:06 | |
Yes. And I think I'd go with you. It's absorbent. | 0:32:06 | 0:32:09 | |
You don't want a standard blotter. | 0:32:09 | 0:32:11 | |
You want an unusual blotter to mop up all that wet ink | 0:32:11 | 0:32:14 | |
when you just signed away the family inheritance. | 0:32:14 | 0:32:16 | |
-Exactly. -You put that little roller over it. | 0:32:16 | 0:32:19 | |
-Which one do you prefer? -Which one do I prefer? | 0:32:19 | 0:32:21 | |
By a long shot, I prefer the absorbent roller. | 0:32:21 | 0:32:25 | |
No, seriously, I think these are so speccy, | 0:32:25 | 0:32:29 | |
you might just get lucky, but I think it will be a jammy day | 0:32:29 | 0:32:31 | |
to get much of a profit on £90, | 0:32:31 | 0:32:33 | |
but the internet might help you out there. | 0:32:33 | 0:32:35 | |
Much more certain is that as a roller blotter, | 0:32:35 | 0:32:39 | |
a rare American roller blotter. | 0:32:39 | 0:32:41 | |
I think you could get a profit on that. | 0:32:41 | 0:32:43 | |
Meanwhile, why don't we check out how poor David Harper's getting on? | 0:32:43 | 0:32:47 | |
He's still looking for his two bonus buys. | 0:32:49 | 0:32:52 | |
For the first one, the team bonus buy, | 0:32:52 | 0:32:54 | |
he was left with £220 of leftover lolly, and what's this? | 0:32:54 | 0:32:59 | |
He's gone back to something the team looked at earlier. | 0:32:59 | 0:33:02 | |
Right, I've got you before you close up for the night, | 0:33:02 | 0:33:05 | |
-and the work of art is still there. -Yeah. -Thank you. 25? -Yes. -Perfect. | 0:33:05 | 0:33:10 | |
Thank you very much indeed. You're an absolute gentleman. | 0:33:10 | 0:33:13 | |
And talking about gentlemen, Mick and Paul didn't quite love | 0:33:13 | 0:33:17 | |
this thing as much as I love it, but I don't care. | 0:33:17 | 0:33:21 | |
It's my bonus buy, and I think they're going to get | 0:33:21 | 0:33:24 | |
the shock of their lives and I can't wait for them to see it. | 0:33:24 | 0:33:27 | |
OK, you've made your point. | 0:33:29 | 0:33:30 | |
So what about bonus buy number two, the special £100 bonus buy? | 0:33:30 | 0:33:35 | |
Right, I'm going to show you something that I've never bought before, | 0:33:35 | 0:33:38 | |
and if I'm honest, I didn't really know they existed. It is a... | 0:33:38 | 0:33:43 | |
..sheep-shearing machine! | 0:33:45 | 0:33:47 | |
How they get a sheep in there, I have no idea. | 0:33:47 | 0:33:50 | |
Well, David Harper, you do have a taste for the obscure, don't you? | 0:33:51 | 0:33:56 | |
-Hmm. The oddities. -OK, fine. Now, this is the team's bonus buy. -Yes. | 0:33:56 | 0:34:01 | |
Which is a tube. There's the tube like that, | 0:34:01 | 0:34:04 | |
and in the bottom of it it's got welded in some copper bits of pipe, | 0:34:04 | 0:34:09 | |
and then round the outside of the tube, we've got old snakey here. | 0:34:09 | 0:34:12 | |
-That's a casting. -Yeah. | 0:34:12 | 0:34:14 | |
And this thing is solid, it's heavy, | 0:34:14 | 0:34:17 | |
several pounds of bronze there. | 0:34:17 | 0:34:19 | |
-Give us the theory on that. -Well, it's got age. | 0:34:19 | 0:34:21 | |
It reminds me of something from the Arts and Crafts period, | 0:34:21 | 0:34:26 | |
totally handmade. Tim, I bet you there's only one of those in the world. | 0:34:26 | 0:34:31 | |
I hope there only is! | 0:34:31 | 0:34:33 | |
-I knew it! -Seriously, matey, | 0:34:33 | 0:34:35 | |
this is a bit of leftover metal that somebody's had a go at, isn't it? | 0:34:35 | 0:34:39 | |
-Quite possibly. -I mean, it has a touch of the Orient to me. | 0:34:39 | 0:34:44 | |
-It does. -I think some old ship's blown ashore, it's been scrapped, | 0:34:44 | 0:34:47 | |
it's been cut up, | 0:34:47 | 0:34:48 | |
and somebody's made some decorative objects out of it. | 0:34:48 | 0:34:50 | |
I think it's done at the time of the Raj | 0:34:50 | 0:34:52 | |
and somebody's brought it back, and that explains why it is | 0:34:52 | 0:34:56 | |
such a marine-grade solid beautifully cast bronze thing. | 0:34:56 | 0:35:00 | |
And then they've added this snake to it. | 0:35:00 | 0:35:02 | |
Probably for spills or something like that. | 0:35:02 | 0:35:04 | |
It doesn't really matter. Just a decorative thing. | 0:35:04 | 0:35:06 | |
-All I know is that you had £220. What did you spend on this? -£25. | 0:35:06 | 0:35:11 | |
-Did you? -Yes. -Well, that's fair enough, isn't it? | 0:35:11 | 0:35:13 | |
It's intriguing for £25. Now, we've got the special bonus buy, the SBB. | 0:35:13 | 0:35:18 | |
-And I remember these when I was a kid. -No! -I do. | 0:35:18 | 0:35:22 | |
You'd go to the farrier to have your pony shod, | 0:35:22 | 0:35:26 | |
-and he'd say, "Do you want me to deal with its mane and tail?" -Right. | 0:35:26 | 0:35:30 | |
And he had one of these things, | 0:35:30 | 0:35:32 | |
with a length of coily old wire around it, | 0:35:32 | 0:35:34 | |
which took the motive power from that, it then came along to | 0:35:34 | 0:35:40 | |
this socket job, and then he'd do Snowball's tail, or Snowball's mane. | 0:35:40 | 0:35:45 | |
That's right. Or, if you were a sheep farmer, | 0:35:45 | 0:35:48 | |
-you would take your sheep in and it be sheep-sheared. -Exactly. | 0:35:48 | 0:35:51 | |
Sheep-sheared, exactly right. | 0:35:51 | 0:35:52 | |
-And those things would give it a number one or number two. -Exactly. | 0:35:52 | 0:35:56 | |
-Now, the number one question is, how much? -Well, I paid £40 for it. | 0:35:56 | 0:35:59 | |
-How much did you spend on this? -25. -£25 on that. | 0:35:59 | 0:36:02 | |
-I have to make a prediction now. -Please do. | 0:36:02 | 0:36:04 | |
My prediction is that your sheep-shearer will do considerably | 0:36:04 | 0:36:07 | |
better than your bronze pot, and if I was advising anybody | 0:36:07 | 0:36:10 | |
to do anything about anything, | 0:36:10 | 0:36:12 | |
I would definitely go with the sheep-shearer. | 0:36:12 | 0:36:15 | |
-That's got legs. -Really? -Yes. | 0:36:15 | 0:36:17 | |
-Well, well, well, thank you, Tim. -Not at all. | 0:36:17 | 0:36:19 | |
-Not very many legs, but more legs than that. -It might drop one off as well. | 0:36:19 | 0:36:23 | |
On that happy note, I'm going to trot off right now to Cornwall. | 0:36:23 | 0:36:27 | |
We're going to a divine house on the banks of the Tamar, | 0:36:27 | 0:36:30 | |
where there may be one or two that sheep about. | 0:36:30 | 0:36:33 | |
There's been a dwelling here at Cotehele in Cornwall | 0:36:46 | 0:36:49 | |
since medieval times, but since acquiring it, the Edgecumbe family, | 0:36:49 | 0:36:55 | |
from the end of the 15th and through the 16th century, | 0:36:55 | 0:36:58 | |
had developed it into the fine residence that we see today. | 0:36:58 | 0:37:03 | |
Not only that, over the centuries they filled it with fine furniture, | 0:37:03 | 0:37:08 | |
and that is what we are here to have a look at today. | 0:37:08 | 0:37:11 | |
One of the charming things about Cotehele is the fact that | 0:37:22 | 0:37:27 | |
the Edgecumbe family have owned it for such a very long period of time. | 0:37:27 | 0:37:31 | |
They owned other grander, larger properties elsewhere, | 0:37:31 | 0:37:35 | |
but they never threw anything away, | 0:37:35 | 0:37:37 | |
or at least, anything that was at all interesting they sent here. | 0:37:37 | 0:37:42 | |
As far as furniture's concerned, | 0:37:42 | 0:37:43 | |
this chair is absolutely fascinating. | 0:37:43 | 0:37:46 | |
It's something called a thrown chair, | 0:37:46 | 0:37:50 | |
not because necessarily a king or a queen sat on it as a throne, | 0:37:50 | 0:37:54 | |
but because to turn a piece of wood was referred to once upon a time | 0:37:54 | 0:37:59 | |
as throwing it, | 0:37:59 | 0:38:02 | |
and this type of chair became known thereafter as a thrown chair. | 0:38:02 | 0:38:07 | |
Each of these turned elements would have been turned by a bodger, | 0:38:08 | 0:38:13 | |
a man who took from a coppice lengths of green timber, | 0:38:13 | 0:38:18 | |
and with a foot-powered treadle lathe he turned that green timber, | 0:38:18 | 0:38:24 | |
creating lots of short lengths of elaborately turned timber which, | 0:38:24 | 0:38:28 | |
when put together, can create this type of thrown chair. | 0:38:28 | 0:38:34 | |
This chair could have been made in Europe or in Britain, | 0:38:34 | 0:38:38 | |
any time between about 1400 and 1650. | 0:38:38 | 0:38:42 | |
It's got serious condition issues. | 0:38:42 | 0:38:46 | |
The thing over the centuries | 0:38:46 | 0:38:48 | |
has been repaired left, right and centre. | 0:38:48 | 0:38:50 | |
That skirting is holding the three legs together. | 0:38:50 | 0:38:54 | |
All these unturned lengths of timber throughout are all crudely nailed | 0:38:54 | 0:39:01 | |
into the original turned members to keep it from falling apart. | 0:39:01 | 0:39:06 | |
I would not recommend sitting on that chair today. | 0:39:06 | 0:39:09 | |
Does that table, included in a Scotch whisky advert in 1927, | 0:39:17 | 0:39:23 | |
remind you of anything? Could it be this table? | 0:39:23 | 0:39:27 | |
Well, you're right. It is. | 0:39:27 | 0:39:30 | |
The Scotch whisky company featured this table | 0:39:30 | 0:39:33 | |
and the hallway here at Cotehele in their advertising campaign in 1927, | 0:39:33 | 0:39:39 | |
because they were so fascinated by this table, | 0:39:39 | 0:39:43 | |
which turns out not to be only a table. | 0:39:43 | 0:39:47 | |
It's also a chair. | 0:39:47 | 0:39:49 | |
Commonly known as a chair table, it is metamorphic. | 0:39:49 | 0:39:54 | |
It changes from one thing to another. | 0:39:54 | 0:39:57 | |
But my favourite, favourite chair in this house is this fellow. | 0:39:57 | 0:40:02 | |
He is part of a set of nine chairs | 0:40:02 | 0:40:06 | |
which have survived at Cotehele, | 0:40:06 | 0:40:07 | |
with their original, very cracked and clapped-out leather covering, | 0:40:07 | 0:40:14 | |
which makes them even more charming and desirable, | 0:40:14 | 0:40:18 | |
a saddle-shaped padded back, | 0:40:18 | 0:40:21 | |
dating them to around 1740, something like that, | 0:40:21 | 0:40:25 | |
with this most unusual feature of a hinged seat that rises like that, | 0:40:25 | 0:40:31 | |
and underneath, a folding frame, | 0:40:31 | 0:40:34 | |
which enables you to fold those sturdy little legs away, | 0:40:34 | 0:40:38 | |
and if you were on campaign or about to head off to auction, | 0:40:38 | 0:40:43 | |
you could cart the chair with you. | 0:40:43 | 0:40:45 | |
Talking of campaigns, why don't we head off to the auction | 0:40:45 | 0:40:49 | |
and see how those Reds and Blues are carrying on the battle? | 0:40:49 | 0:40:53 | |
SHIP'S HORN BLOWS | 0:40:53 | 0:40:56 | |
We've travelled to the Merseyside city of Liverpool for the auction. | 0:40:56 | 0:41:00 | |
Well, Adam Partridge is the name of the business, | 0:41:11 | 0:41:14 | |
and Adam Partridge is the name of the auctioneer. | 0:41:14 | 0:41:17 | |
Adam, it's extremely nice to be in Liverpool with you. | 0:41:17 | 0:41:19 | |
-Thank you, Tim, it's nice to see you again. Welcome to Liverpool. -Thank you very much. | 0:41:19 | 0:41:23 | |
Kicking on for Greg and Tony on the Reds, | 0:41:23 | 0:41:26 | |
their first object is this deep-sea diver's helmet. | 0:41:26 | 0:41:29 | |
I wouldn't want to go very deep in this. | 0:41:29 | 0:41:31 | |
-No, well, it wouldn't fit over my big head, would it? -Nor mine! | 0:41:31 | 0:41:34 | |
It's a completely decorative item, but I like their thinking, | 0:41:34 | 0:41:37 | |
because of course, Liverpool's a famous maritime city, | 0:41:37 | 0:41:40 | |
and they've obviously seen that we do a maritime sale - | 0:41:40 | 0:41:42 | |
sadly it's not this one, but we do get lots of maritime interest. | 0:41:42 | 0:41:46 | |
I'm hoping that might be all right. | 0:41:46 | 0:41:48 | |
How much might I have to pay in your sale today? | 0:41:48 | 0:41:51 | |
-I would put an estimate of £20-£40. -OK, £20 paid, so that's OK. | 0:41:51 | 0:41:55 | |
Moving on with the oval copper tray. How do you rate that? | 0:41:55 | 0:41:58 | |
I've seen and sold lots of similar things by the same manufacturer. | 0:41:58 | 0:42:01 | |
They were obviously quite prolific in the way they embossed them | 0:42:01 | 0:42:04 | |
and churned them out in large quantities. | 0:42:04 | 0:42:06 | |
It's a look that's quite popular. | 0:42:06 | 0:42:09 | |
I put 15 to 20, but I won't be surprised if it might make 30 quid. | 0:42:09 | 0:42:12 | |
Well, it needs to, because they paid £28. | 0:42:12 | 0:42:14 | |
Well, there's every chance of a small profit. | 0:42:14 | 0:42:16 | |
How do you feel about my bearded friend here? | 0:42:16 | 0:42:19 | |
-I'm not a fan of gnomes, really. -Are you not? -No. -OK, fine. | 0:42:19 | 0:42:24 | |
This is a particularly fine one, | 0:42:24 | 0:42:25 | |
because it's in composition stone, which means concrete. | 0:42:25 | 0:42:28 | |
I thought I'd call it composite stone to be kind to it, rather than saying concrete gnome. | 0:42:28 | 0:42:32 | |
Composite stone sounds a bit posh. | 0:42:32 | 0:42:34 | |
Whereas concrete sounds dead ordinary, | 0:42:34 | 0:42:36 | |
as if it's been churned out of a mould, which is what it has been. | 0:42:36 | 0:42:40 | |
-Do you know what "gnome" stands for? -I would love you to tell me. | 0:42:40 | 0:42:43 | |
It means "guarding naturally over Mother Earth". | 0:42:43 | 0:42:47 | |
-That is what gnome stands for. -I never knew it was an acronym. | 0:42:47 | 0:42:50 | |
Yep, that's exactly what it is. | 0:42:50 | 0:42:51 | |
-I shall tell everybody I meet about that. -Exactly. | 0:42:51 | 0:42:54 | |
Having picked up that pearl of wisdom, what's it worth, | 0:42:54 | 0:42:57 | |
-this concrete gnome? -I think we'll put £15-£20, | 0:42:57 | 0:43:00 | |
-hopefully it will make 20 quid. -OK, £25 is paid. | 0:43:00 | 0:43:03 | |
So this is all small bucks, frankly. They only paid £73. | 0:43:03 | 0:43:08 | |
-They've not taken many risks, have they? -They certainly haven't. | 0:43:08 | 0:43:11 | |
That's their strategy. That's what they have done, but right now, we're going to go | 0:43:11 | 0:43:16 | |
and have a look at their bonus buys, because there's two of them. | 0:43:16 | 0:43:20 | |
Well, this is exciting, chaps, because bonus buy time comes | 0:43:20 | 0:43:24 | |
and we have two of them. Jonathan, please reveal all. | 0:43:24 | 0:43:28 | |
-Here we go. -Here we go. | 0:43:28 | 0:43:30 | |
-Ooh! -Look at that! We have a team bonus buy first. | 0:43:31 | 0:43:36 | |
-I used to ride on this to school. -How did I know? Obviously, I knew. | 0:43:36 | 0:43:40 | |
-To-To, do you like them? -Fine. Yeah. | 0:43:40 | 0:43:43 | |
-I spent £90 on them. -£90?! -£90. | 0:43:43 | 0:43:46 | |
-What are they made out of? -Bronze. | 0:43:46 | 0:43:49 | |
-Ooh! Metal theft. -I think we should go with this. I like this. | 0:43:49 | 0:43:53 | |
Hang on a minute, | 0:43:53 | 0:43:55 | |
because we've got a special £100 bonus buy on offer too. | 0:43:55 | 0:43:59 | |
With my £100, I bought this little object here, | 0:43:59 | 0:44:02 | |
and it's a silver-handled, stamped sterling, little desk blotter, | 0:44:02 | 0:44:07 | |
so you would...when you're writing. | 0:44:07 | 0:44:10 | |
-To stop smudging. -Exactly. That cost me £30. | 0:44:10 | 0:44:15 | |
-And when was it made, Jonathan? -Er...it's about 100 years old. | 0:44:15 | 0:44:20 | |
It's stamped sterling, probably American. | 0:44:20 | 0:44:22 | |
And that's the thing to grip, chaps, because American silver doesn't | 0:44:22 | 0:44:25 | |
have a hallmark on it, therefore it doesn't have a date letter. | 0:44:25 | 0:44:28 | |
Where would you be on it? | 0:44:28 | 0:44:30 | |
-I'd like to think there's £10 or £15 in it. -Ah! -I like that. | 0:44:30 | 0:44:34 | |
OK, chaps, now, you don't have to pick either of these bonus buys, | 0:44:34 | 0:44:38 | |
because you might decide you've got so much profit at that moment, | 0:44:38 | 0:44:41 | |
you don't need either of them, but you can only pick one, | 0:44:41 | 0:44:43 | |
and that choice will be put to you | 0:44:43 | 0:44:45 | |
after the sale of your first three items. | 0:44:45 | 0:44:47 | |
Right now, why don't we find out what the auctioneer | 0:44:47 | 0:44:51 | |
thinks about Jonathan's bonus buys? | 0:44:51 | 0:44:53 | |
OK, Adam, here we've got the two bonus buys. | 0:44:55 | 0:44:57 | |
There's a pair of these chocks. | 0:44:57 | 0:44:59 | |
I've never seen bronze bus chocks. Come on! Have you? | 0:44:59 | 0:45:04 | |
-No, I don't think I have. -Well, there we are, | 0:45:04 | 0:45:05 | |
in all honesty they've got to be as rare as a hen's tooth. | 0:45:05 | 0:45:08 | |
They are quite rare, but does that translate to value? I don't know. | 0:45:08 | 0:45:11 | |
How much do you rate them? | 0:45:11 | 0:45:12 | |
I would put £50-£80 estimate because I would have thought | 0:45:12 | 0:45:15 | |
they must be worth that, but it's a hard one to predict. | 0:45:15 | 0:45:18 | |
-Now, the special bonus buy is this roller jobby. -Yes. | 0:45:18 | 0:45:22 | |
It's a sterling handle rather than a hallmarked handle. | 0:45:22 | 0:45:25 | |
So if it was American they might have lots of these roller blotters. | 0:45:25 | 0:45:28 | |
-They might be quite common over there. -Now, how much? -£20-£30. | 0:45:28 | 0:45:32 | |
£30 paid. | 0:45:32 | 0:45:34 | |
Anyway, I had to make a prediction as to which one is likely to bring | 0:45:34 | 0:45:37 | |
the biggest profit and I predicted that that one would, but of course I | 0:45:37 | 0:45:42 | |
won't be telling the team which one I thought they should be going for. | 0:45:42 | 0:45:45 | |
That's it for the Reds, and now for the Blues. | 0:45:45 | 0:45:48 | |
They've got this plastic cup, moulded glass. | 0:45:48 | 0:45:51 | |
It's not of great age, it's not a great wonderful thing, is it? | 0:45:51 | 0:45:54 | |
-I was quite kind in putting £20-£30 estimate. -OK, £15 paid. | 0:45:54 | 0:45:59 | |
Well, I think it might just be all right. | 0:45:59 | 0:46:01 | |
What about the hames? | 0:46:01 | 0:46:03 | |
The hames are more of a rural country lot. | 0:46:03 | 0:46:06 | |
Of course, we're the city here. | 0:46:06 | 0:46:07 | |
I think typically £20-£40 for a pair of hames. | 0:46:07 | 0:46:10 | |
£30 paid, so not to worry about that. | 0:46:10 | 0:46:12 | |
Then we've got this so-called Meiji fourfold lacquer screen, | 0:46:12 | 0:46:16 | |
which I have to say is one of the worst-quality Japanese fire | 0:46:16 | 0:46:20 | |
screens I have ever seen. | 0:46:20 | 0:46:22 | |
I'm glad you said that, because it saved me saying it. | 0:46:22 | 0:46:25 | |
I was quite kind in saying late Meiji, | 0:46:25 | 0:46:27 | |
trying to add a bit of gloss to it. | 0:46:27 | 0:46:29 | |
-What did it cost? -It cost £35. -My estimate was £20-£40. | 0:46:29 | 0:46:33 | |
-What do you think of that? -I think it's very generous. | 0:46:33 | 0:46:36 | |
I think you could be struggling for a £10 note, quite frankly. | 0:46:36 | 0:46:39 | |
Yeah, yeah, although it flatters on a photograph, Tim, | 0:46:39 | 0:46:42 | |
so it might just get away online. | 0:46:42 | 0:46:45 | |
I have a funny feeling they're going to need their bonus buys, | 0:46:45 | 0:46:48 | |
both of them, so let's go and have a look. | 0:46:48 | 0:46:51 | |
Bonus buy time. | 0:46:52 | 0:46:53 | |
-£220 of team's bonus buy money went to David Harper. -Yeah. | 0:46:53 | 0:46:58 | |
And it's under there, right, Dave? | 0:46:58 | 0:47:01 | |
It's under there, guys and you two are going to love it. Beyond belief. | 0:47:01 | 0:47:04 | |
THEY LAUGH | 0:47:04 | 0:47:07 | |
How much of our money did you waste... I mean, er... | 0:47:07 | 0:47:10 | |
HE LAUGHS | 0:47:10 | 0:47:12 | |
£25, the best £25 I've spent in about three minutes. | 0:47:12 | 0:47:16 | |
-£25 worth of purchase, yeah? -Yeah. | 0:47:16 | 0:47:18 | |
You clearly are very under-impressed by that. Yes? | 0:47:18 | 0:47:21 | |
THEY LAUGH | 0:47:21 | 0:47:22 | |
-And will only take it in extremis, I bet you. -Yes. -Yes. | 0:47:22 | 0:47:27 | |
Well, you're lucky today, because there are two bonus buys | 0:47:27 | 0:47:30 | |
and the £100 special bonus buy's underneath here | 0:47:30 | 0:47:33 | |
-and I'm going to reveal it. -I do like that. -This is interesting. | 0:47:33 | 0:47:36 | |
How are you on sheep shearing, Paul? | 0:47:36 | 0:47:39 | |
-An old expertise of mine back in the city. -Really? | 0:47:39 | 0:47:43 | |
But it's a funky thing. It's a really good quality piece, | 0:47:43 | 0:47:46 | |
made in England, made to last forever. | 0:47:46 | 0:47:49 | |
Probably early 20th century. | 0:47:49 | 0:47:50 | |
-Knocking on the door of 100 years old. -How much did you spend? -£40. | 0:47:50 | 0:47:55 | |
-Right, OK, OK. -David, how much do you think it will make at auction? | 0:47:55 | 0:47:58 | |
You know what, surprisingly I've never bought a sheep shearing | 0:47:58 | 0:48:01 | |
piece of kit before in my life, so I've no experience at all | 0:48:01 | 0:48:05 | |
so I'm going to guess if someone brought that into me I'd say, | 0:48:05 | 0:48:08 | |
"Mm, very interesting, let's put £40-£60 on it as a bit of a guide | 0:48:08 | 0:48:13 | |
-"and you might be surprised." -OK, chaps, well, those are your choices. | 0:48:13 | 0:48:17 | |
When the moment comes after the sale of your first three items | 0:48:17 | 0:48:19 | |
you will be asked to pick one or other of these. | 0:48:19 | 0:48:21 | |
You don't have to take either of them, | 0:48:21 | 0:48:23 | |
but you can only take one when the moment comes. But right now, | 0:48:23 | 0:48:26 | |
for the audience at home, | 0:48:26 | 0:48:27 | |
let's find out what the auctioneer thinks about Dave's bonus buys. | 0:48:27 | 0:48:32 | |
So, Adam, the team bonus buy is this piece of pipe, | 0:48:34 | 0:48:39 | |
with the serpent around it. What's your estimate on that? | 0:48:39 | 0:48:42 | |
-Um, £20-£40, I think that was kind. -OK, £25 paid. | 0:48:42 | 0:48:47 | |
And the special bonus buy is the shearer, which is looking | 0:48:47 | 0:48:52 | |
particularly attractive. What's your estimate on that? | 0:48:52 | 0:48:55 | |
-A good agricultural buy, I've gone £30-£50. -OK, £40 paid. | 0:48:55 | 0:48:59 | |
And interestingly the shearer was my prediction as to | 0:48:59 | 0:49:02 | |
which of the two is going to bring the most profit. | 0:49:02 | 0:49:05 | |
Well, I won't be telling the team which one I think will make | 0:49:05 | 0:49:08 | |
-the most money. Are you taking the sale today? -Of course I am. | 0:49:08 | 0:49:12 | |
We're in safe hands. | 0:49:12 | 0:49:13 | |
140 online. 140 online now. No, I didn't think so. | 0:49:15 | 0:49:20 | |
35, no. 100 bid. | 0:49:20 | 0:49:22 | |
-£60. -How are you feeling, all right? -Fine. -Fine. | 0:49:22 | 0:49:26 | |
-You're not feeling nervous, To-To? -Absolutely not. | 0:49:26 | 0:49:28 | |
First up then is your miniature deep sea diver's helmet | 0:49:28 | 0:49:32 | |
and here it comes. | 0:49:32 | 0:49:33 | |
There we are, always popular in this maritime city of Liverpool. | 0:49:33 | 0:49:36 | |
Any collectors of miniature diver's helmets bid me | 0:49:36 | 0:49:39 | |
£20 please, 20 bid. | 0:49:39 | 0:49:40 | |
-At £20 on the second row now, at £20 the diver's helmet. -Go on! | 0:49:40 | 0:49:44 | |
-At £20, five, and 30 now. -Look, you're in profit. -No, it's £30. | 0:49:44 | 0:49:48 | |
Where will you find another today? | 0:49:48 | 0:49:50 | |
-At £30 on the second row, at £30 I'm selling now. -Nice auctioneering. | 0:49:50 | 0:49:55 | |
Have you all finished then? £30 and away. | 0:49:55 | 0:49:59 | |
That's good, well done, plus £10, we're very pleased with that. | 0:49:59 | 0:50:02 | |
The Art Nouveau copper tray by JS&S. We've seen these a few times. | 0:50:02 | 0:50:04 | |
Nice little embossed copper tray, there it is there. | 0:50:04 | 0:50:07 | |
And I'm bidding 10, 15, 20 here. | 0:50:07 | 0:50:10 | |
At £20 I'm bid, at 20, is there five now? | 0:50:10 | 0:50:12 | |
At 25 and 30 and five and 40 and five. At £40 here. | 0:50:12 | 0:50:16 | |
And five online, at £45, we're online and selling now. £45. | 0:50:16 | 0:50:21 | |
£40. Bought for 28. | 0:50:21 | 0:50:23 | |
-Selling online at 45. -£45 online, this is brilliant stuff. | 0:50:23 | 0:50:30 | |
That's two off 30 and that means you're plus 17. | 0:50:30 | 0:50:32 | |
-Our banker lot's coming up now. -It's coming. -He cometh. | 0:50:32 | 0:50:37 | |
And start me £10, £10 the garden gnome. We all want one. | 0:50:37 | 0:50:40 | |
£10, here we are, at £10, where's 50? | 0:50:40 | 0:50:43 | |
10 is on the second row, worth a little more, isn't it? | 0:50:43 | 0:50:45 | |
-At £10 down here. -Come on! | 0:50:45 | 0:50:47 | |
£10 only, at £10 on the gnome, are you all done then, at a tenner? | 0:50:47 | 0:50:51 | |
-On the gnome. -Oh, no. -At £10. -Come on, I'll carry it out! | 0:50:51 | 0:50:56 | |
-Maiden bid of a tenner. -Oh, no! -At £10. -I can't bear it. | 0:50:56 | 0:51:02 | |
-OK, £10, £10 is minus £15. -There's our gavels gone. | 0:51:02 | 0:51:06 | |
No, you're plus £12, no worries on that. | 0:51:06 | 0:51:08 | |
Are you going to go with one or the other of the bonus buys? | 0:51:08 | 0:51:11 | |
Are you going to go with the team's bonus buy, which is | 0:51:11 | 0:51:13 | |
the bus chocks, or are you going to go with the special bonus buy, | 0:51:13 | 0:51:18 | |
which is the blotter, or are you going to go with neither? | 0:51:18 | 0:51:20 | |
-I'm not that keen on the Midland Red after all. -You're not? | 0:51:20 | 0:51:23 | |
Look, we've got six pounds. We've got six pounds each. | 0:51:23 | 0:51:26 | |
-You're not going with the special bonus buy? -No. | 0:51:26 | 0:51:28 | |
You're not going with that? In fact you're not going with any bonus buy? | 0:51:28 | 0:51:31 | |
-Tim, we're not. -The decision's made, we're going with nothing. | 0:51:31 | 0:51:34 | |
The first of the bonus buys, the team bonus buys, | 0:51:34 | 0:51:36 | |
-coming up now and here it comes. -We're going to get the chocks away. | 0:51:36 | 0:51:39 | |
What are we going to say for those? £50 for them. £50 for the chocks. | 0:51:39 | 0:51:44 | |
£30, the bus chocks, they've got to be sold. | 0:51:44 | 0:51:46 | |
30, bid me £30, at the back I have 30 bid, | 0:51:46 | 0:51:50 | |
at £30, take five, at £30, | 0:51:50 | 0:51:53 | |
five the bid, 35 now, 40 if you want, 40 bid at the back now, | 0:51:53 | 0:51:58 | |
£40. Is that it? At £40. | 0:51:58 | 0:52:01 | |
£40 the chocks, they're going then at £40 only. | 0:52:01 | 0:52:05 | |
OK, minus £50. | 0:52:05 | 0:52:08 | |
Now, here comes the blotter. | 0:52:08 | 0:52:09 | |
There it is at the front there with a silver handle. And bid me | 0:52:09 | 0:52:12 | |
£20 for this. | 0:52:12 | 0:52:14 | |
10 bid, at £10, at 15 next, 15 seated, | 0:52:14 | 0:52:17 | |
15, 20 online, at £20 online, 20, | 0:52:17 | 0:52:20 | |
any advance on 20? | 0:52:20 | 0:52:21 | |
Keep going. | 0:52:21 | 0:52:23 | |
A fiver down here, 25 the bid, at 25, second row and away then at 25. | 0:52:23 | 0:52:27 | |
Anyone else? At £25 we're down here and done at 25. | 0:52:27 | 0:52:31 | |
-No profit on that. -Nearly, JP, nearly. -£25 is minus five pounds. | 0:52:33 | 0:52:38 | |
My prediction was that the desk blotter would make the most profit. | 0:52:38 | 0:52:41 | |
Well, in fact, it made the least loss. | 0:52:41 | 0:52:44 | |
You have preserved your £12, your six pounds each, and that | 0:52:44 | 0:52:47 | |
could be a winning score, so don't say a word to the Blues, all right? | 0:52:47 | 0:52:50 | |
-No. -Not a word. | 0:52:50 | 0:52:52 | |
-OK, team, do you know how the Reds got on? -No. -No. | 0:52:58 | 0:53:01 | |
First up is going to be the novelty horse's head decanter, | 0:53:01 | 0:53:05 | |
and here it comes. | 0:53:05 | 0:53:07 | |
There we are. The clear glass decanter, the horse's head. | 0:53:07 | 0:53:10 | |
Will you bid me £20 for it? £20 the decanter, 20, bid me a tenner. | 0:53:10 | 0:53:15 | |
Horse's head, we're down here at 10. | 0:53:15 | 0:53:16 | |
At £10, I'll take 15 next, at £10 only, £10 it is for the horse's head. | 0:53:16 | 0:53:22 | |
-Go on. -Any further then, 15. -Oh, yes. | 0:53:22 | 0:53:25 | |
15 bid, 20, 20 bid and five, seen another one, sir? | 0:53:25 | 0:53:28 | |
It's £20 on my right now, | 0:53:28 | 0:53:29 | |
at £20 it is. At £20, at £20, we're selling then at £20. | 0:53:29 | 0:53:33 | |
£20 is plus five pounds. I'm about to start eating my words, I think. | 0:53:36 | 0:53:41 | |
There we are, the horse hames there, bid me what, £20 for them? | 0:53:41 | 0:53:44 | |
-I've got 10 only bid. -Come on, come on. | 0:53:44 | 0:53:47 | |
10, 15 anywhere now? At £10, the hames at 10. | 0:53:47 | 0:53:50 | |
Any advance on the horse hames at 10? 15, thank you, | 0:53:50 | 0:53:54 | |
15 in the room now, £15 takes out my bid already. | 0:53:54 | 0:53:57 | |
-You'd get more for scrap, surely. -Selling at £15. | 0:53:57 | 0:54:01 | |
-Look out. -All done. | 0:54:01 | 0:54:02 | |
-£15 now. -£15 is minus £15, | 0:54:02 | 0:54:07 | |
which means overall you're minus £10. Now, not so hot. | 0:54:07 | 0:54:10 | |
Now, here comes the screen. | 0:54:10 | 0:54:13 | |
There we are, the Japanese screen there, inset with lacquered panels, | 0:54:13 | 0:54:17 | |
a folding screen, and I'm bid here 30 and £35. Any advance on this? | 0:54:17 | 0:54:23 | |
At 35 the screen, £35, are you all done on this now? | 0:54:23 | 0:54:27 | |
-40, 40 bid, five, 45, still with me. -That's in profit. | 0:54:27 | 0:54:32 | |
-Come on, come on. -£45, are you all done, 45? -£45. | 0:54:32 | 0:54:38 | |
£45, they need glasses, that's all I can say. That is plus £10. | 0:54:38 | 0:54:42 | |
-Such a good feeling. -Do you know what that means? | 0:54:42 | 0:54:44 | |
Do you know all that good feeling? | 0:54:44 | 0:54:46 | |
-It means you have won absolutely nothing. -Brilliant! | 0:54:46 | 0:54:48 | |
What are we going to do then about these bonus buys, all of them? | 0:54:48 | 0:54:52 | |
It's a difficult decision. | 0:54:52 | 0:54:54 | |
Listen, no score could be a winning score, you know | 0:54:54 | 0:54:57 | |
-this programme, right? You could win with having no score. -Yeah. | 0:54:57 | 0:55:01 | |
You could win, but do you fancy the length of bronze tube with | 0:55:01 | 0:55:05 | |
the dents in it? Or do you fancy the sheep shearing | 0:55:05 | 0:55:09 | |
piece of kit which probably doesn't work? | 0:55:09 | 0:55:11 | |
Let's go for them, we haven't got any money anyway. | 0:55:11 | 0:55:13 | |
It might be a winning score though, quickly, what are you going to do? | 0:55:13 | 0:55:16 | |
-Let's go. -Let's go what? -Let's go for it, let's go for it. | 0:55:16 | 0:55:19 | |
What, the dented pipe? The dented pipe. | 0:55:19 | 0:55:20 | |
The dented pipe it is, and here it comes. | 0:55:20 | 0:55:22 | |
This curious pen holder or something, cylindrical pipe | 0:55:22 | 0:55:27 | |
with a snake. Um, wasn't sure how to describe it. | 0:55:27 | 0:55:31 | |
I don't think I've seen another. Bid me £20. £20 for this. | 0:55:31 | 0:55:34 | |
£10. Have a look at that, 10 bid. At £10 on the second row. | 0:55:37 | 0:55:40 | |
Someone has bid on it. Come on. | 0:55:40 | 0:55:42 | |
-£10 only bid, at 10 I'm selling for 10. -No, no, no. | 0:55:42 | 0:55:46 | |
-No, no, no. -On the second row. -It's bronze, it's bronze, Adam. | 0:55:46 | 0:55:50 | |
-All done, a tenner. -It's done so badly! | 0:55:50 | 0:55:53 | |
-Minus £15. -Can't believe it! | 0:55:53 | 0:55:56 | |
-A bronze pipe. -You didn't go with the sheep shearers. | 0:55:56 | 0:56:01 | |
-Here come the sheep shearers. -OK. | 0:56:01 | 0:56:02 | |
There we go, with the blade and attachments, what do we say for that? | 0:56:02 | 0:56:05 | |
£30 for it. £20. | 0:56:05 | 0:56:07 | |
-10 then. 10 online. -10! | 0:56:07 | 0:56:11 | |
15 bid, at £15 then in the room at 15 I'm afraid. At £15, a snip at £15. | 0:56:11 | 0:56:18 | |
Ha-ha-ha! Yes, it's his joke. | 0:56:18 | 0:56:22 | |
-At £15. -Demonstrate it. -Yeah! | 0:56:22 | 0:56:25 | |
LAUGHTER | 0:56:25 | 0:56:27 | |
I would if you had any hair. | 0:56:27 | 0:56:28 | |
LAUGHTER | 0:56:28 | 0:56:29 | |
Any advance on £15? I can say that, I'm not far behind. | 0:56:29 | 0:56:34 | |
I'm selling in the room at £15, I'll take 20 anywhere else though. | 0:56:34 | 0:56:38 | |
At £15 only. | 0:56:38 | 0:56:40 | |
Minus £25. And my prediction was that the sheep shearer was going to | 0:56:40 | 0:56:45 | |
make the most profit and it finished up by making the most losses. | 0:56:45 | 0:56:49 | |
-And in fact your overall score now is minus £15, OK? -Still good. | 0:56:49 | 0:56:53 | |
Now, that could be a winning score, | 0:56:53 | 0:56:55 | |
so say not a word to the Reds and we'll review everything in a moment. | 0:56:55 | 0:56:59 | |
Well, well, well, | 0:57:04 | 0:57:06 | |
what an interesting Liverpudlian day we've had today, haven't we? Yes. | 0:57:06 | 0:57:10 | |
It's been great. Have you been chatting to each other at all? No? | 0:57:10 | 0:57:13 | |
-I have to reveal that today's runners-up are the Blues. -ALL: -Oh. | 0:57:13 | 0:57:19 | |
Not by much. I have to say, it's been an unlucky contest for you. | 0:57:19 | 0:57:24 | |
You started off with a profit of a fiver, | 0:57:24 | 0:57:26 | |
you made another profit on that horrible, horrible screen | 0:57:26 | 0:57:30 | |
and that led to a wiped face and then you took a bonus buy, | 0:57:30 | 0:57:33 | |
-one of the offering, that lost you £15. -LAUGHTER | 0:57:33 | 0:57:37 | |
Have you had a good time? | 0:57:37 | 0:57:38 | |
-We've had a fantastic time. -Yeah, it could have gone either way. | 0:57:38 | 0:57:41 | |
-The victors today, you go home with £12. -Folding stuff. | 0:57:41 | 0:57:45 | |
Like I say, not much between them, £12. Greg, are you happy with that? | 0:57:45 | 0:57:49 | |
-Absolutely ecstatic. -I'm not surprised. | 0:57:49 | 0:57:52 | |
A couple of good profits to start off with, then that | 0:57:52 | 0:57:54 | |
-gnome let you down. -Yes, the gnome cameth. | 0:57:54 | 0:57:57 | |
The gnome cameth and it tooketh away your chance of a golden gavel, | 0:57:57 | 0:58:01 | |
-so that was that. -Exactly. | 0:58:01 | 0:58:03 | |
But very cleverly you didn't go with the bonus buy. | 0:58:03 | 0:58:06 | |
Neither of the bonus buys in the special programme made any profit. | 0:58:06 | 0:58:10 | |
You could have taken the bonus buy like they did | 0:58:10 | 0:58:13 | |
and lost £50 or five pounds, but you didn't. | 0:58:13 | 0:58:15 | |
As it is, you stuck in there and I admire you for that. | 0:58:15 | 0:58:18 | |
Anyway, we've had great fun. | 0:58:18 | 0:58:20 | |
-Join us soon for some more bargain hunting, yes? -ALL: -Yes! | 0:58:20 | 0:58:23 |