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Today, we are at the Royal Welsh Showground | 0:00:07 | 0:00:10 | |
for a one-hour long special version of Bargain Hunt, | 0:00:10 | 0:00:14 | |
featuring swimmers and lifeguards. | 0:00:14 | 0:00:18 | |
But will they sink or will they swim? | 0:00:18 | 0:00:20 | |
There's only one way to find out. | 0:00:20 | 0:00:22 | |
Let's go bargain hunting, yeah! | 0:00:22 | 0:00:24 | |
For today's 60-minute, | 0:00:50 | 0:00:52 | |
action-packed special, | 0:00:52 | 0:00:55 | |
we fiddled about with the format a bit, | 0:00:55 | 0:00:58 | |
which you'll find out about later. | 0:00:58 | 0:01:00 | |
But right now, let's dive straight in - and that's a hint - | 0:01:00 | 0:01:05 | |
and have a squint at what's coming up. | 0:01:05 | 0:01:08 | |
The strapping lifeguards go all girlie. | 0:01:09 | 0:01:12 | |
Just hold that for a second. | 0:01:12 | 0:01:13 | |
Oh, that's cruel! | 0:01:14 | 0:01:17 | |
Whilst the Blues have an identity crisis, | 0:01:17 | 0:01:20 | |
replacing swimming goggles for something racier. | 0:01:20 | 0:01:23 | |
So, I'm not swimming, I'm going vroom, vroom! | 0:01:23 | 0:01:25 | |
'And there is a crisis down at the auction room.' | 0:01:25 | 0:01:28 | |
But are these girls going to turn up? Who knows? | 0:01:28 | 0:01:31 | |
'But first, let's all get acquainted.' | 0:01:31 | 0:01:33 | |
Well, today our teams about to take the plunge | 0:01:33 | 0:01:38 | |
include a pair of lifeguards - Phil and Sam - | 0:01:38 | 0:01:41 | |
and for the girls, a pair of wild swimmers - Cath and Sarah. | 0:01:41 | 0:01:46 | |
-Hello, everyone. -ALL: Hello. | 0:01:46 | 0:01:48 | |
-Lovely to see you. Now, Phil. -Hello. | 0:01:48 | 0:01:51 | |
-You are a lifeguard. -I am. -You are in West Wales. | 0:01:51 | 0:01:54 | |
Is that like being in California? | 0:01:54 | 0:01:56 | |
It is like being in California, just without the weather. | 0:01:56 | 0:01:59 | |
-Just without the weather. -So, you are a keen surfer yourself? | 0:01:59 | 0:02:01 | |
I am, I am. | 0:02:01 | 0:02:02 | |
Yeah, I do enjoy the waves and sort of travelling to find them, | 0:02:02 | 0:02:06 | |
sort of the perfect waves, yeah. | 0:02:06 | 0:02:08 | |
-Oh, you go around the world a bit, do you? -In my younger days. | 0:02:08 | 0:02:11 | |
In my younger days, yeah, | 0:02:11 | 0:02:12 | |
we did travel through sort of Australia and Indonesia and so on. | 0:02:12 | 0:02:15 | |
Yeah. Now, Sam, you are a lifeguard and you love your surfing, too, | 0:02:15 | 0:02:19 | |
-is that right? -Yeah, yeah. | 0:02:19 | 0:02:20 | |
Now, you are interested in photography, tell us about that. | 0:02:20 | 0:02:23 | |
Yeah, I like to keep in track of where I've been and stuff | 0:02:23 | 0:02:27 | |
and taking sort of memories, memory photos. | 0:02:27 | 0:02:30 | |
-Do you collect anything? -Um, yeah, | 0:02:30 | 0:02:33 | |
I've got some old cameras that I keep in my house | 0:02:33 | 0:02:35 | |
from my grandad, my father and my brother. | 0:02:35 | 0:02:37 | |
Your father passed down these old cameras. | 0:02:37 | 0:02:39 | |
They're quite stylish objects in their own right. | 0:02:39 | 0:02:41 | |
-And nice to have about, actually. -Yeah. | 0:02:41 | 0:02:43 | |
What are you going to be looking for between you | 0:02:43 | 0:02:45 | |
today when you get out shopping? | 0:02:45 | 0:02:47 | |
Well, I'd like to think there is some sort of old retro toys | 0:02:47 | 0:02:50 | |
out there. | 0:02:50 | 0:02:51 | |
-You're going to go for the toys. -Yeah, I think so. | 0:02:51 | 0:02:53 | |
That's a bit of a challenge. | 0:02:53 | 0:02:54 | |
You never know what you'll find in Builth Wells. It's a great fair. | 0:02:54 | 0:02:57 | |
Good luck with that. | 0:02:57 | 0:02:59 | |
Now, Cath, tell me about this wild swimming. What is all this about? | 0:02:59 | 0:03:03 | |
OK, it's basically swimming anywhere that is not in the pool - | 0:03:03 | 0:03:06 | |
outdoors, whether it be lakes, the sea, rivers, quarries... | 0:03:06 | 0:03:11 | |
-Don't get bitten by a pike in a lake or anything like that. -No. -Quite. | 0:03:11 | 0:03:15 | |
So, was it swimming that brought you two girls together? | 0:03:15 | 0:03:17 | |
-No, Sarah was my tutor with the police. -Right. | 0:03:17 | 0:03:22 | |
-You are in the right coloured team then, aren't you? -Yeah. | 0:03:22 | 0:03:25 | |
Our girls in blue. Sarah, do you still work with the cops? | 0:03:25 | 0:03:28 | |
-No, I don't, no. -What happened? You gave them up? -I gave them up, yeah. | 0:03:28 | 0:03:32 | |
-Did you? -Yeah. | 0:03:32 | 0:03:33 | |
So, what do you get up to now? | 0:03:33 | 0:03:35 | |
Predominantly now, I am a swimming coach, a swimming teacher. | 0:03:35 | 0:03:38 | |
Swimming is, would you say, the major force in your life? | 0:03:38 | 0:03:41 | |
-Yes. Yeah, it has been for a long, long time. -Yeah. | 0:03:41 | 0:03:44 | |
Cos you are very modest, | 0:03:44 | 0:03:45 | |
-but you were the police swimming champion, right? -Yes, I was, yeah. | 0:03:45 | 0:03:49 | |
So that is a big old thing. | 0:03:49 | 0:03:51 | |
Yeah, the World Police and Fire Games in 2007. | 0:03:51 | 0:03:54 | |
-Well, there we go. And where did that happen? -In Adelaide, Australia. | 0:03:54 | 0:03:57 | |
Well, there you go! Don't feel too sad about that. | 0:03:57 | 0:04:00 | |
So, all-expenses-paid trip to Adelaide, eh? | 0:04:00 | 0:04:03 | |
-No, I paid all my expenses. -Yeah, yeah, yeah(!) | 0:04:03 | 0:04:07 | |
-I did, but it was very... Well, it was worthwhile. -Good. | 0:04:07 | 0:04:11 | |
And what sort of things are you going to be after today, Sarah? | 0:04:11 | 0:04:15 | |
-I am going to be looking out for frogs. -Are you? -Yes. | 0:04:15 | 0:04:18 | |
Why particularly frogs? | 0:04:18 | 0:04:20 | |
It has always been my sort of nickname because, as a kid, | 0:04:20 | 0:04:23 | |
I was a breast stroke swimmer, | 0:04:23 | 0:04:24 | |
which obviously we call a frog stroke. | 0:04:24 | 0:04:26 | |
-Yes. -And it has gone on from there. | 0:04:26 | 0:04:29 | |
So what are your tactics today, then, girls? | 0:04:29 | 0:04:31 | |
Quirky. | 0:04:31 | 0:04:33 | |
-Something different. -Something usual. | 0:04:33 | 0:04:35 | |
-We want it to jump out and say, "Buy me." -Like a frog. | 0:04:35 | 0:04:39 | |
-Like a frog, all right. Well, you never know, do you? -You never know. | 0:04:39 | 0:04:42 | |
In these glorious places. Anyway, now the £300 moment. | 0:04:42 | 0:04:45 | |
Here is your 300 smackers. | 0:04:45 | 0:04:47 | |
-£300 coming up. There you go, sir. -Thank you very much. | 0:04:47 | 0:04:49 | |
Thank you very much, Sam. You know the rules. Your experts await. | 0:04:49 | 0:04:52 | |
And off you go! | 0:04:52 | 0:04:54 | |
And very, very, very good luck. | 0:04:54 | 0:04:55 | |
So, as our teams dive into the bountiful beauty, | 0:04:57 | 0:05:00 | |
the two people hoping to save them from the rising tide... | 0:05:00 | 0:05:03 | |
For the Reds, Caroline Hawley certainly has the bottle. | 0:05:05 | 0:05:08 | |
And Colin Young is practising his brush stroke for the Blues. | 0:05:08 | 0:05:12 | |
So, if we are going to win, what are we going to buy? | 0:05:12 | 0:05:15 | |
Something quirky. | 0:05:15 | 0:05:16 | |
I'm hoping to find some old toys from my childhood days. | 0:05:16 | 0:05:20 | |
-A bit of nostalgia. -A bit of nostalgia. | 0:05:20 | 0:05:22 | |
Yeah, something unusual, pretty. | 0:05:22 | 0:05:24 | |
-And what about you, Sam? -Anything quirky with a sort of... | 0:05:24 | 0:05:28 | |
-With an interesting back story, I think. -Right. | 0:05:28 | 0:05:31 | |
60 minutes on the clock. | 0:05:31 | 0:05:33 | |
Time starts now! | 0:05:33 | 0:05:34 | |
OK, let's see what we can find. | 0:05:34 | 0:05:36 | |
We have got hundreds of stalls to look at, | 0:05:36 | 0:05:38 | |
-so let's go bargain hunting. -OK. -Let's go bargain hunting! | 0:05:38 | 0:05:40 | |
Watch out you don't get any hassle off the dealers, eh, teams? | 0:05:40 | 0:05:45 | |
Only a few seconds in | 0:05:46 | 0:05:47 | |
and our lifeguards have already spotted a toy store. | 0:05:47 | 0:05:50 | |
-That's cool. -What's cool? -The little old... | 0:05:50 | 0:05:53 | |
That is a little doll's sort of push chair. | 0:05:53 | 0:05:57 | |
-Yeah, like a little pram. -Yeah. | 0:05:57 | 0:06:00 | |
It is about 1920s, isn't it? I would think. | 0:06:00 | 0:06:02 | |
The whole thing collapses down. There is a little pin in here. | 0:06:02 | 0:06:05 | |
And you just pull the bar towards you and it collapses together. | 0:06:05 | 0:06:12 | |
-And two clips here, so that the arms move from there. -Oh! | 0:06:12 | 0:06:18 | |
-That is good. -Quite genius, actually. -Yeah. | 0:06:18 | 0:06:20 | |
And I could see doll collectors, teddy collectors with that. | 0:06:20 | 0:06:24 | |
-That is what we are hoping, isn't it? -That is what we are hoping. | 0:06:24 | 0:06:27 | |
We are hoping for a good price. What price is it? | 0:06:27 | 0:06:29 | |
I was asking 165 for it. | 0:06:29 | 0:06:32 | |
I think the money is too much. | 0:06:33 | 0:06:35 | |
It needs to be quite a lot less. What could you do? | 0:06:35 | 0:06:39 | |
-125 would be the best. -125. -Yeah. -I think it needs to be 100. | 0:06:39 | 0:06:43 | |
-Yeah. I think we might have to keep going. -What do you want to do? | 0:06:43 | 0:06:46 | |
We'll have a wander about and we'll come back. | 0:06:46 | 0:06:48 | |
-OK, thank you so much. -Yeah, we might come back. -Thank you. | 0:06:48 | 0:06:51 | |
Indecision and delay are dangerous tactics in this game. | 0:06:51 | 0:06:55 | |
It looks like someone is eyeing up their first potential purchase. | 0:06:55 | 0:06:58 | |
No pressure, boys. | 0:06:58 | 0:07:00 | |
The lady that is looking at it doesn't look like a dealer to me. | 0:07:00 | 0:07:03 | |
She looks like a collector. A private collector. | 0:07:03 | 0:07:06 | |
Probably a doll, teddy collector. | 0:07:06 | 0:07:08 | |
And I think you need to make a decision now if you want it. | 0:07:08 | 0:07:12 | |
-Let's get in there, I reckon. -Yeah. Shall we? -Yeah. -Good choice. | 0:07:12 | 0:07:15 | |
Go on, go in and get it. OK. | 0:07:15 | 0:07:16 | |
Yeah, now that we've seen somebody else looking at it, | 0:07:16 | 0:07:18 | |
-we've made the decision. -You've made the best decision. | 0:07:18 | 0:07:21 | |
-We'll have it off you. -Yeah. -Great, so thank you very much. | 0:07:21 | 0:07:23 | |
First bargain of the day. First bargain of the day. | 0:07:23 | 0:07:27 | |
Nice one, Phil. First deal done at £120. | 0:07:27 | 0:07:31 | |
Meanwhile, our swimmers seem to have made a bit of a false start. | 0:07:31 | 0:07:35 | |
It's only a pound. | 0:07:35 | 0:07:37 | |
-THEY LAUGH No. -No? Not your sort of... -No. | 0:07:37 | 0:07:41 | |
-Would you be surprised at the price? -Yes. -That's a definite no, then? -No. | 0:07:41 | 0:07:46 | |
OK. Good system - | 0:07:46 | 0:07:47 | |
is there something that really does jump off the table at you? | 0:07:47 | 0:07:51 | |
You might see a frog, it might just jump out at you. | 0:07:51 | 0:07:54 | |
Well, something is going to have to jump out at you | 0:07:54 | 0:07:57 | |
if you want to get ahead. | 0:07:57 | 0:07:59 | |
I've spotted something. Swimming goggles. | 0:07:59 | 0:08:02 | |
Swimming goggles? | 0:08:02 | 0:08:03 | |
Yeah, early swimming goggles. | 0:08:03 | 0:08:05 | |
We are now into my territory - motorcycle helmets and goggles. | 0:08:05 | 0:08:08 | |
-Motorcycle helmet and goggles. -Yeah. | 0:08:08 | 0:08:10 | |
-What sort of money are you looking for on this? -40 for the two. -40? | 0:08:10 | 0:08:14 | |
-OK. -Shall I try them on? -Go for it. | 0:08:14 | 0:08:16 | |
See if they look good. | 0:08:16 | 0:08:18 | |
I'm not going swimming, I'm going vroom, vroom! | 0:08:19 | 0:08:22 | |
-Time to get the helmet. -Let's have a go. | 0:08:22 | 0:08:25 | |
Oh, it looks rather small. | 0:08:25 | 0:08:26 | |
-Just your colour, madam. -It suits you. | 0:08:28 | 0:08:31 | |
THEY LAUGH | 0:08:31 | 0:08:33 | |
Do think we could make lots of money? That's the part... | 0:08:33 | 0:08:35 | |
I think there is a bit of money in that. | 0:08:35 | 0:08:38 | |
Obviously, try and get a little bit knocked off it. | 0:08:38 | 0:08:40 | |
But if you're not sure about it, let's keep it in mind. | 0:08:40 | 0:08:44 | |
We have got plenty of time left. | 0:08:44 | 0:08:46 | |
We know where they are, we know what they are. | 0:08:46 | 0:08:49 | |
-So, where would this have been made? -It looks like it was 1950s, 1960s. | 0:08:49 | 0:08:54 | |
So are we asking for a better price? | 0:08:54 | 0:08:56 | |
-You are starting to warm to this now, aren't you? -Yeah. | 0:08:56 | 0:08:59 | |
-I want to make some money. -If you like them, go on. | 0:08:59 | 0:09:03 | |
-No, we'll have a look around. -Have a look. | 0:09:03 | 0:09:05 | |
-We'll maybe come back to... -OK. -..your love after. | 0:09:05 | 0:09:08 | |
Decision-making isn't one of your strong points, is it, girls? | 0:09:08 | 0:09:11 | |
Come along now, keep up. | 0:09:11 | 0:09:13 | |
Meanwhile, it is boys with toys with the Reds again. | 0:09:16 | 0:09:19 | |
Oh, Phil, that is lovely. | 0:09:19 | 0:09:22 | |
"Jack Sharp - Liverpool, Made in England." | 0:09:22 | 0:09:25 | |
-No way! -How much is it? -It is like 50. | 0:09:25 | 0:09:28 | |
-I think 50 is quite a lot of money. -Yeah, for this. | 0:09:28 | 0:09:30 | |
Hm, probably best you kick that one into touch, Phil. | 0:09:30 | 0:09:34 | |
I see a bit of a theme here, fellas. | 0:09:34 | 0:09:37 | |
-He really is into his toys, Phil, isn't he? -I know. | 0:09:37 | 0:09:40 | |
That is a Meccano crane. | 0:09:40 | 0:09:42 | |
-I don't know whether it is in good enough condition. -No. | 0:09:42 | 0:09:45 | |
I don't think it is. | 0:09:45 | 0:09:46 | |
And as we know, chaps, condition is everything in this game. | 0:09:46 | 0:09:49 | |
Any chance of you boys thinking outside the toy box? | 0:09:49 | 0:09:53 | |
-Flying pigs. -Pigs might fly. -Pigs might fly. | 0:09:53 | 0:09:55 | |
Yeah, and the Blues might make a decision. | 0:09:55 | 0:09:58 | |
We don't want those. Shovels and tools. | 0:09:58 | 0:10:01 | |
Anything you've seen yet, Sarah? | 0:10:01 | 0:10:03 | |
Come on, Blues, I think it is time you shelled out on something. | 0:10:03 | 0:10:07 | |
We see too many of them. No. | 0:10:07 | 0:10:09 | |
-Are you sure you don't want to go for it? -No! No. | 0:10:09 | 0:10:13 | |
It is quirky and different. | 0:10:13 | 0:10:14 | |
How much would you spend on it if that was in an auction | 0:10:14 | 0:10:17 | |
and you thought, "Well, it is going cheap, I'll have a go." | 0:10:17 | 0:10:21 | |
-Probably only about 20. -Probably only about 20. | 0:10:21 | 0:10:24 | |
-It is going to be worth a fair bit more than that. -Is it? | 0:10:24 | 0:10:26 | |
Yeah, it is. It is actually a copy of Palissy ware. | 0:10:26 | 0:10:30 | |
-OK, I didn't know that. -Which is very popular. | 0:10:30 | 0:10:34 | |
But nevertheless, it is still a decorative dish. | 0:10:34 | 0:10:36 | |
-I'm just going to have to ask the price. -Yeah, go on. -70. | 0:10:36 | 0:10:40 | |
£70, is it? Yeah, OK. | 0:10:40 | 0:10:42 | |
So there probably isn't much margin in it. | 0:10:42 | 0:10:45 | |
-There is certainly more than the £20 you'd spend on it, but... -OK. | 0:10:45 | 0:10:49 | |
-OK? Give it a miss? -Yes, please. | 0:10:49 | 0:10:51 | |
Well, you are going to start to feel the pinch | 0:10:51 | 0:10:54 | |
if you don't get a wiggle on. | 0:10:54 | 0:10:55 | |
Back with the Reds, | 0:10:55 | 0:10:57 | |
and Caroline may have found something that Sam will snap up. | 0:10:57 | 0:11:00 | |
That's part of your collection, Sam, your collection of cameras. | 0:11:02 | 0:11:05 | |
It's on a tripod. We have got a little compass here. | 0:11:06 | 0:11:09 | |
I think this is so cool! | 0:11:09 | 0:11:10 | |
It is like a James Bond type thing. | 0:11:10 | 0:11:13 | |
And then to light, you do that and it flicks up. | 0:11:13 | 0:11:17 | |
But how cool would that be? | 0:11:17 | 0:11:19 | |
You'd be a real James Bond character in your... | 0:11:19 | 0:11:21 | |
-And tchs! -Oh, yeah. | 0:11:21 | 0:11:23 | |
Lighting the fire or something, cos we don't smoke. | 0:11:23 | 0:11:25 | |
You wouldn't do us a deal for a tenner, would you? | 0:11:25 | 0:11:27 | |
-No, I'm sorry, the deal is 15. -15? | 0:11:27 | 0:11:30 | |
-You can't budge? Come on. -No, I'm sorry. | 0:11:30 | 0:11:33 | |
-You've got to go down a bit. -We can look for other things. -Yeah. | 0:11:33 | 0:11:36 | |
Oh, well, chaps, it is certainly ain't no picnic, this shopping lark. | 0:11:36 | 0:11:40 | |
Ah-ha, we know what you are looking at. | 0:11:40 | 0:11:42 | |
-She's honing in, I can see that. -Look how pretty this one is! | 0:11:42 | 0:11:46 | |
-It is all in its original package, isn't it? -Yeah. | 0:11:46 | 0:11:49 | |
Oh, but it's got a break. | 0:11:49 | 0:11:51 | |
My gut feeling on it is it is one of the better sets that I've seen, | 0:11:51 | 0:11:55 | |
and the price reflects it, but I think we are probably just going to | 0:11:55 | 0:11:59 | |
get knocked away a little bit | 0:11:59 | 0:12:01 | |
because of that little bit of damage. | 0:12:01 | 0:12:03 | |
So my advice on this occasion would be walk away from it. | 0:12:03 | 0:12:06 | |
But for every reason you walked to it, I appreciate, | 0:12:06 | 0:12:09 | |
cos it is a really good item. | 0:12:09 | 0:12:11 | |
-Let's go. Take me away. -Come on. -Thank you. | 0:12:11 | 0:12:13 | |
So, half-an-hour to go and our Blues are swimming against the tide, | 0:12:15 | 0:12:19 | |
still no buys. | 0:12:19 | 0:12:20 | |
-No. -No? Sorry. | 0:12:20 | 0:12:22 | |
-Are we the most un-decisive people you've ever seen? -Oh, no! | 0:12:24 | 0:12:27 | |
Hm, a tactful approach, Colin. | 0:12:27 | 0:12:30 | |
It is definitely time to bag something for the girls. | 0:12:30 | 0:12:32 | |
Speaking of which... | 0:12:32 | 0:12:34 | |
What sort of price is that? | 0:12:34 | 0:12:37 | |
I'm open to offers on that one. | 0:12:37 | 0:12:39 | |
Right. | 0:12:39 | 0:12:40 | |
-Now, that is silver. -Yeah. | 0:12:41 | 0:12:44 | |
And the chain should be silver as well. This lovely chainmail. | 0:12:44 | 0:12:50 | |
-It is like it is armour coated. -Yeah, it is. | 0:12:50 | 0:12:52 | |
But the important thing with this is to check that the metalwork | 0:12:52 | 0:12:57 | |
is in good order. And I think it is, isn't it? | 0:12:57 | 0:13:00 | |
And then there is the hallmark there, | 0:13:00 | 0:13:03 | |
which I think we need to look at. | 0:13:03 | 0:13:04 | |
Yeah, it is 925. | 0:13:08 | 0:13:11 | |
Just marked 925 there. | 0:13:11 | 0:13:14 | |
What sort of year or date would that be from? | 0:13:14 | 0:13:16 | |
Well, they were made quite a lot in the 1920s. | 0:13:16 | 0:13:20 | |
-And you can see them with the sort of flapper style dress. -Yeah. | 0:13:20 | 0:13:23 | |
Look, can you see? There is a little bit of damage there. | 0:13:23 | 0:13:26 | |
-Yeah, and there as well. -And there. Just a tiny bit. | 0:13:26 | 0:13:29 | |
You see, you've got to look very, very carefully. | 0:13:29 | 0:13:33 | |
It could do to be about £30 or £40, really, | 0:13:33 | 0:13:36 | |
-but I am sure it won't be. -Yeah. | 0:13:36 | 0:13:38 | |
-I think that is worth that sort of... -Yeah. | 0:13:38 | 0:13:40 | |
Excuse me. What is the absolute best on this, please? | 0:13:40 | 0:13:44 | |
-You tell me, what sort of... -40. -40? Well, we were just... | 0:13:44 | 0:13:49 | |
Funnily enough, we were just saying we could go 30 on it, | 0:13:49 | 0:13:53 | |
if you would accept 30. | 0:13:53 | 0:13:55 | |
-I don't want it, you can have it. -£30? Are you happy? | 0:13:55 | 0:13:59 | |
-I think we should, yeah. -Can we just...? | 0:13:59 | 0:14:01 | |
-Can you just hold that for a sec, son? -Oh! That's cruel. | 0:14:01 | 0:14:06 | |
Oh, suits you, Sam. Well done, Reds, that is your second item. | 0:14:06 | 0:14:11 | |
One more to go. | 0:14:11 | 0:14:13 | |
Now then, here is something that has been a bone of contention. | 0:14:13 | 0:14:16 | |
If you saw this sticking out of the ground, | 0:14:17 | 0:14:22 | |
it would be pretty obvious what it is, wouldn't it? | 0:14:22 | 0:14:25 | |
OK, what we have got is a bone joint | 0:14:25 | 0:14:29 | |
found here, in Builth Wells. | 0:14:29 | 0:14:33 | |
OK. | 0:14:33 | 0:14:34 | |
But this is no ordinary old bone | 0:14:34 | 0:14:38 | |
because if I reveal this section of the shaft, | 0:14:38 | 0:14:42 | |
you can see it has got an original pen-and-ink inscription. | 0:14:42 | 0:14:46 | |
And that inscription says, "Found 17 feet | 0:14:46 | 0:14:50 | |
"deep in the bed of the Thames when building Hungerford Bridge." | 0:14:50 | 0:14:56 | |
Do a bit of research and you will find that the Hungerford Bridge was | 0:14:56 | 0:15:01 | |
built in 1845 by Britain's greatest Victorian engineer - | 0:15:01 | 0:15:07 | |
young Brunel. | 0:15:07 | 0:15:09 | |
So, how old is this bone? | 0:15:09 | 0:15:12 | |
Potentially, this bone was dropped overboard in the Thames | 0:15:12 | 0:15:17 | |
when the Romans were there. | 0:15:17 | 0:15:19 | |
Now, the really weird thing about this bone is that at that time, | 0:15:19 | 0:15:24 | |
maybe 2,000 years ago, it was altered. | 0:15:24 | 0:15:26 | |
The bone was cut and then deliberately shaved | 0:15:26 | 0:15:31 | |
so that you get a roughly rectangular section now at the end. | 0:15:31 | 0:15:36 | |
And then, that was hollowed out to make a socket. | 0:15:36 | 0:15:39 | |
But what was the purpose of hollowing out that end | 0:15:39 | 0:15:43 | |
and shaping it in this way? | 0:15:43 | 0:15:45 | |
I thought I'd canvas a few bone experts | 0:15:46 | 0:15:49 | |
and get their view on what the mystery object was used for. | 0:15:49 | 0:15:52 | |
First up was Roy Stephenson, from the Museum of London. | 0:15:53 | 0:15:57 | |
But I do know what it is, Tim. It is what is called a pinner's bone. | 0:15:57 | 0:16:00 | |
And you can see these little edges. | 0:16:00 | 0:16:02 | |
A person sitting at home would be putting little shanks | 0:16:02 | 0:16:05 | |
of metal into those, tying them into place with wire | 0:16:05 | 0:16:09 | |
and putting a sharp point on the end of a pin. | 0:16:09 | 0:16:13 | |
And that phrase - doing things for pin money - | 0:16:13 | 0:16:16 | |
this is the accessory that goes with doing things for pin money. | 0:16:16 | 0:16:20 | |
OK, so it might be a pin bone. | 0:16:20 | 0:16:22 | |
Next I asked Emma-Kate Lanyon at Shrewsbury Museum. | 0:16:22 | 0:16:25 | |
What intrigues me as well is these scratches at the end. | 0:16:26 | 0:16:30 | |
They look very purposeful. | 0:16:30 | 0:16:31 | |
And whether they were used to record a tally or something, | 0:16:31 | 0:16:36 | |
to count up, I don't know, | 0:16:36 | 0:16:38 | |
but it looks as if they are definitely meant to be there. | 0:16:38 | 0:16:40 | |
-So possibly a tally bone. -Yes. -With a hole in the end. | 0:16:40 | 0:16:44 | |
'And finally, I asked Jeremy Lamond, from the local auction house.' | 0:16:46 | 0:16:50 | |
I just looked at it and thought knitting sheaths, | 0:16:50 | 0:16:54 | |
and those are for the needle that you put under your arm as a spare | 0:16:54 | 0:17:00 | |
-needle as you are knitting. -Yes. -And it is the right shape. | 0:17:00 | 0:17:03 | |
I have seen plenty of knitting sheaths, and they look like this. | 0:17:03 | 0:17:05 | |
So, we have got a number of theories. | 0:17:05 | 0:17:07 | |
One is that it is a pin bone for sharpening up pins. | 0:17:07 | 0:17:11 | |
I don't really go with that one. | 0:17:11 | 0:17:13 | |
The other is that it might be a handle and/or a tally. | 0:17:13 | 0:17:17 | |
But my vote goes for the Jeremy Lamond theory, | 0:17:17 | 0:17:20 | |
which is that it is a knitting sheath. | 0:17:20 | 0:17:23 | |
No-one can pull the wool over my eyes, Tim. | 0:17:23 | 0:17:25 | |
You are absolutely right. | 0:17:25 | 0:17:28 | |
20 minutes left, girls. | 0:17:30 | 0:17:32 | |
Now, I'm not going to make any bones about it - ha - | 0:17:32 | 0:17:35 | |
you need to get a move on. You still haven't bought anything. | 0:17:35 | 0:17:38 | |
Now, lads, you bought a toy rickshaw and a handbag. | 0:17:38 | 0:17:41 | |
How do you think it is going? | 0:17:41 | 0:17:43 | |
We bought well. Yeah, we're enjoying it. | 0:17:43 | 0:17:45 | |
-I think we've bought well, mate, haven't we? -Yeah, I think so. | 0:17:45 | 0:17:47 | |
I think... | 0:17:47 | 0:17:49 | |
Certainly stuff I probably wouldn't take home for myself, | 0:17:49 | 0:17:51 | |
but I think people might buy in auction, yeah. | 0:17:51 | 0:17:54 | |
Phil bought the first buy within minutes, | 0:17:54 | 0:17:57 | |
really early in into the shops, probably six minutes in, I think. | 0:17:57 | 0:18:00 | |
And then I have been dragging him away from toy shops ever | 0:18:00 | 0:18:03 | |
since and managed to persuade them to buy a nice bit of silver. | 0:18:03 | 0:18:08 | |
So we have still got bags of time, we've got one item left to get. | 0:18:08 | 0:18:12 | |
But it is looking really good. They're great. | 0:18:12 | 0:18:15 | |
All very positive, Caroline. | 0:18:15 | 0:18:17 | |
Oh, hold on, I spoke too soon. More toys, boys? | 0:18:17 | 0:18:20 | |
Very collectible. | 0:18:20 | 0:18:22 | |
"Not suitable for children under 14." | 0:18:22 | 0:18:24 | |
-You are OK there, Phil. -Just. | 0:18:24 | 0:18:26 | |
Step away from the teddy, boys. | 0:18:26 | 0:18:28 | |
Thank you. Cheers. | 0:18:28 | 0:18:30 | |
Meanwhile, could the Blues finally be singing from the same hymn sheet? | 0:18:30 | 0:18:34 | |
They stumbled across a walnut music cabinet. | 0:18:34 | 0:18:37 | |
Ticket price, £85. | 0:18:37 | 0:18:39 | |
And it comes with its own music scores. | 0:18:39 | 0:18:42 | |
Is it sellable? | 0:18:42 | 0:18:43 | |
It is certainly saleable. It is certainly | 0:18:43 | 0:18:45 | |
not as saleable as they used to be. | 0:18:45 | 0:18:47 | |
Hence why...the asking price that is on it. | 0:18:47 | 0:18:50 | |
But nevertheless, it is a really good late Victorian piece, | 0:18:50 | 0:18:53 | |
good mahogany. | 0:18:53 | 0:18:55 | |
Very lived in, very much used. | 0:18:55 | 0:18:57 | |
But it is really whether you fancy it. | 0:18:57 | 0:19:00 | |
If you do fancy it, | 0:19:00 | 0:19:01 | |
then you would need to do a fair bit of negotiation on it. | 0:19:01 | 0:19:04 | |
THE DEALER LAUGHS | 0:19:04 | 0:19:06 | |
But it is whether you like it or not, that's the key. | 0:19:06 | 0:19:08 | |
-If you get me a seat, I'll just sit down. -Is this some...? | 0:19:08 | 0:19:13 | |
Is this original stuff that goes with it? | 0:19:13 | 0:19:15 | |
Is there some violin music here that we can use to | 0:19:15 | 0:19:17 | |
sort of pull on the heartstrings? | 0:19:17 | 0:19:19 | |
-I could do with some sweet soul music. -You could. | 0:19:19 | 0:19:23 | |
-What is your very, very best price on that? -What would you like to pay me? | 0:19:23 | 0:19:26 | |
-Let's get realistic. -£60. | 0:19:26 | 0:19:28 | |
65, yours. | 0:19:30 | 0:19:31 | |
I have got 14 children in care at the moment. | 0:19:33 | 0:19:35 | |
Oh, Lordy, you should definitely sit down then. | 0:19:35 | 0:19:39 | |
My suggestion would be - stick with your guns at 60 | 0:19:39 | 0:19:42 | |
and worth a gamble. | 0:19:42 | 0:19:44 | |
-Worth a gamble. -£60, please? | 0:19:44 | 0:19:47 | |
-OK. -Shake on it. | 0:19:47 | 0:19:49 | |
And that is music to my ears. Now, only two to go. No pressure, girls. | 0:19:49 | 0:19:54 | |
-At last. -One down. | 0:19:54 | 0:19:57 | |
20 minutes left on the clock, Reds. | 0:19:57 | 0:20:00 | |
Ever get the sense of deja vu? | 0:20:00 | 0:20:02 | |
Check this other lot. | 0:20:02 | 0:20:04 | |
We have already been here with the Blues. | 0:20:04 | 0:20:06 | |
An original Thermos picnic set. | 0:20:06 | 0:20:08 | |
-Oh, that's nice. -Really cool, isn't it? | 0:20:08 | 0:20:11 | |
Great. | 0:20:11 | 0:20:12 | |
-Would these be glass inside there as well? Glass flasks. -Yes, yes. | 0:20:12 | 0:20:16 | |
Oh, look at the condition of this. | 0:20:16 | 0:20:19 | |
It is completely unused. | 0:20:19 | 0:20:21 | |
It has got the instructions and stuff inside it. | 0:20:21 | 0:20:23 | |
Crockery around the field. | 0:20:23 | 0:20:25 | |
The actual lunch boxes, they are even un-opened. | 0:20:25 | 0:20:27 | |
They've got the original cellophane or whatever on top of them. | 0:20:27 | 0:20:30 | |
That's the newspaper from the day they sold it, isn't it? | 0:20:30 | 0:20:33 | |
It's from the '50s, I would think. | 0:20:33 | 0:20:36 | |
That is nice. Look. | 0:20:36 | 0:20:37 | |
But the only problem is this here. | 0:20:37 | 0:20:39 | |
Which is annoying because it has never been used. How much is it? | 0:20:40 | 0:20:44 | |
£110. | 0:20:44 | 0:20:46 | |
Well, I can't see anyone paying over 100 for it at auction. | 0:20:46 | 0:20:51 | |
-No, I can't. -No. -Thank you. -I would stretch to 70. | 0:20:51 | 0:20:55 | |
You would stretch to 70. You wouldn't stretch to 60? | 0:20:55 | 0:20:58 | |
Go on, then. Yeah? | 0:20:58 | 0:20:59 | |
-£60. -Nice! | 0:20:59 | 0:21:01 | |
We'd love to take the picnic set. | 0:21:01 | 0:21:04 | |
That is lunch sorted, and the Reds have all their items in the bag. | 0:21:04 | 0:21:08 | |
But the Blues still have two items find. | 0:21:08 | 0:21:12 | |
You have the patience of a saint today, Colin, how is it going? | 0:21:12 | 0:21:16 | |
I think shopping is going really well, actually, | 0:21:16 | 0:21:18 | |
because we have got some bankers there that we can go back to, | 0:21:18 | 0:21:21 | |
so there isn't too much stress, | 0:21:21 | 0:21:22 | |
apart from the fact that I might actually have to run. | 0:21:22 | 0:21:25 | |
That is the only thing that is really worrying me on the shop. | 0:21:25 | 0:21:27 | |
We are going back to look at something that is | 0:21:27 | 0:21:29 | |
really where we started, so we're going to have to run. | 0:21:29 | 0:21:32 | |
Yeah, we're going to go back for the goggles, isn't it? | 0:21:32 | 0:21:35 | |
We are going back for the goggles. And it would be nice to find | 0:21:35 | 0:21:37 | |
something that we haven't yet looked at. Um... | 0:21:37 | 0:21:41 | |
But it's time. We're going to do it! | 0:21:41 | 0:21:44 | |
Chop, chop, Colin. | 0:21:44 | 0:21:46 | |
Actually, if we run backwards, | 0:21:46 | 0:21:48 | |
they might actually put the clock in reverse. | 0:21:48 | 0:21:50 | |
-OK. -You never know your luck. | 0:21:50 | 0:21:51 | |
-Table and chairs. -No. -No. | 0:21:53 | 0:21:55 | |
-No? You su...? You keep going, I'll look at the price. -OK. | 0:21:55 | 0:21:59 | |
I'll keep coming with you. | 0:21:59 | 0:22:00 | |
-Your frogs. Would you like to have a look? -I've got to have a look. -OK. | 0:22:02 | 0:22:07 | |
Look! | 0:22:08 | 0:22:10 | |
-Sorry, I am instantly drawn to frogs. -There we go. | 0:22:10 | 0:22:14 | |
It is actually a solid cast piece. | 0:22:14 | 0:22:16 | |
Is it riveted, Colin? | 0:22:16 | 0:22:17 | |
Yep, they are modern, they are not going to make masses of money, | 0:22:17 | 0:22:20 | |
-what do you like it? -I do. | 0:22:20 | 0:22:23 | |
As you can see, it is not just the fact that they have got frogs. | 0:22:23 | 0:22:25 | |
A candlestick as well. So they are actually a usable thing. | 0:22:25 | 0:22:29 | |
But having that within the body of it just makes it that | 0:22:29 | 0:22:31 | |
little bit more collectible. | 0:22:31 | 0:22:33 | |
I hear there are plenty of collectors of frog things | 0:22:33 | 0:22:35 | |
out there. And there is one here. | 0:22:35 | 0:22:37 | |
So if there is one here, there is a pretty good chance - | 0:22:37 | 0:22:40 | |
we've a one in three chance - | 0:22:40 | 0:22:41 | |
plenty of buyers at auction are going to be interested in it. | 0:22:41 | 0:22:44 | |
-So I think that is going to be OK. -Good. | 0:22:44 | 0:22:47 | |
-You know, if the price is right. -Go on, how much is it? | 0:22:47 | 0:22:49 | |
You can have that for £25. | 0:22:49 | 0:22:52 | |
-Ten. -15 and you can have it. | 0:22:52 | 0:22:55 | |
Do you think it will make money at 15? | 0:22:55 | 0:22:57 | |
I think it shouldn't make us a loss. | 0:22:57 | 0:22:59 | |
-I'd agree. -12? | 0:22:59 | 0:23:01 | |
Give me that fence to sit on. | 0:23:01 | 0:23:03 | |
-Please! -OK. -Thank you! 12. -Well done. | 0:23:03 | 0:23:08 | |
I can't believe she is bidding for my frogs. | 0:23:08 | 0:23:10 | |
Good work, Blues. Is that a hop too far? We'll find out at the auction. | 0:23:10 | 0:23:15 | |
Five minutes left now. No, I'm not croaking. Get it? | 0:23:15 | 0:23:18 | |
Joking. OK, never mind. | 0:23:18 | 0:23:20 | |
Back to those goggles. | 0:23:21 | 0:23:23 | |
Can we make you a really bad offer | 0:23:25 | 0:23:27 | |
of sort of £20? | 0:23:27 | 0:23:30 | |
Any use? | 0:23:30 | 0:23:31 | |
-I'll meet you halfway at 30. -Halfway at 30? | 0:23:32 | 0:23:35 | |
Do you want to go for it at that? | 0:23:35 | 0:23:36 | |
-Yeah. -Halfway again? 25? | 0:23:36 | 0:23:39 | |
-It cost me 25 quid, I've got to make a living. -27. | 0:23:39 | 0:23:43 | |
-I'll stick at 30. -OK. -30 is fine. | 0:23:43 | 0:23:46 | |
-You ladies want to go for it? -Yeah. | 0:23:46 | 0:23:48 | |
Yeah, that's it, we've got a deal. | 0:23:48 | 0:23:50 | |
Time's up! | 0:23:50 | 0:23:51 | |
Is it going to be boom or is it going to be bust? | 0:23:51 | 0:23:54 | |
Well done, Blues, you got there in the end. | 0:23:54 | 0:23:56 | |
Now then, let's check out what the Red team bought, eh? | 0:23:56 | 0:23:58 | |
First up, they wheel a child's rickshaw away for £120. | 0:23:58 | 0:24:03 | |
Then they pursued the purse for £30. | 0:24:03 | 0:24:06 | |
And finally, the picnic set cost them £60. | 0:24:06 | 0:24:10 | |
So, how was the trail for toys for you? | 0:24:10 | 0:24:15 | |
Plenty of selection, great fun and there was plenty out there. | 0:24:15 | 0:24:18 | |
Just a shame we didn't have more time to play with the toys. | 0:24:18 | 0:24:20 | |
Yeah, you can't moan about the time, though, not really. Brilliant. | 0:24:20 | 0:24:24 | |
Anyway, Phil, which is your favourite piece? | 0:24:24 | 0:24:26 | |
Mine has got to be the Thermos picnic set that we picked up. | 0:24:26 | 0:24:28 | |
It was an original, unused picnic set, nice condition. | 0:24:28 | 0:24:31 | |
So I think we're going to do OK with that one. | 0:24:31 | 0:24:33 | |
-Is it going to bring the biggest profit? -Um... | 0:24:33 | 0:24:36 | |
I'm going to say I reckon the purse might bring the biggest profit | 0:24:36 | 0:24:39 | |
-that we got. -Yeah, I'm going to go with the picnic set. | 0:24:39 | 0:24:43 | |
OK, fine. Well, there are our predictions. | 0:24:43 | 0:24:46 | |
-How much did you spend all told? -BOTH: £210. | 0:24:46 | 0:24:49 | |
-I'd like £90 of leftover lolly, please. -Yep, there you go. | 0:24:49 | 0:24:51 | |
That goes straight to Caroline. There you go. | 0:24:51 | 0:24:54 | |
-There is your £90. -Thank you. | 0:24:54 | 0:24:56 | |
And in addition, for our special programme, you get Tim's Ton. | 0:24:56 | 0:24:59 | |
-That is the additional £100... -Thank you, Tim. | 0:24:59 | 0:25:02 | |
-..for the extra bonus buy. -Yep. | 0:25:02 | 0:25:04 | |
And if you wouldn't mind bringing them back to me | 0:25:04 | 0:25:06 | |
to have a bird's-eye at, that would be lovely, Caroline. | 0:25:06 | 0:25:09 | |
Thank you very much. Team, relax. Meanwhile, we are going to check out | 0:25:09 | 0:25:12 | |
what the Blue team bought, aren't we? | 0:25:12 | 0:25:14 | |
Their first item was the music cabinet. | 0:25:14 | 0:25:17 | |
They paid £60. | 0:25:17 | 0:25:18 | |
Next up, Sarah was hopping with joy over the candelabrum. | 0:25:20 | 0:25:23 | |
They paid £12. | 0:25:23 | 0:25:25 | |
And finally, they had a giggle over the goggles | 0:25:25 | 0:25:28 | |
and motorcycle helmet, and paid £30. | 0:25:28 | 0:25:31 | |
Now, girls... Which is your favourite piece, Sarah? | 0:25:31 | 0:25:34 | |
-My favourite piece is the frogs. -OK. Do you agree with that? | 0:25:34 | 0:25:38 | |
Um, I like the frogs, but I think my favourite piece was the helmet | 0:25:38 | 0:25:41 | |
-and goggles. -OK. Are they going to bring the biggest profit? | 0:25:41 | 0:25:44 | |
I think they're going to bring the biggest profit. | 0:25:44 | 0:25:46 | |
-OK. Helmet and goggles. Frog? -No, helmet and goggles. -All right. | 0:25:46 | 0:25:50 | |
-That is going to get the most profit. -All right, lovely. | 0:25:50 | 0:25:54 | |
I know you girls like to go out and spend a bundle, | 0:25:54 | 0:25:56 | |
-but how much did you spend? -£102. -That's nothing, is it? -No. | 0:25:56 | 0:26:00 | |
£198 of leftover lolly, please. | 0:26:00 | 0:26:03 | |
Thank you very much. | 0:26:03 | 0:26:06 | |
Well, this is a good day's wages, isn't it? Look at that. | 0:26:06 | 0:26:09 | |
-Over to you, then, Colin. -Thank you very much. | 0:26:09 | 0:26:11 | |
What are you going to spend it on? | 0:26:11 | 0:26:13 | |
I think we have got to go for something a little bit | 0:26:13 | 0:26:15 | |
in the range of quality. | 0:26:15 | 0:26:17 | |
Seeing as we have got the quantity in the money, | 0:26:17 | 0:26:19 | |
-quality in the object. -OK, fine. Well, you're going to add to that | 0:26:19 | 0:26:21 | |
because I'm going to give you Tim's Ton | 0:26:21 | 0:26:23 | |
for our special 60-minute programme. You get an extra £100 | 0:26:23 | 0:26:27 | |
for Tim's Ton bonus buy, so a double challenge there, Colin. | 0:26:27 | 0:26:31 | |
Meanwhile, why don't we find out how Caroline Hawley is | 0:26:31 | 0:26:34 | |
getting on with her purchases of her bonus buys? | 0:26:34 | 0:26:38 | |
Don't forget, Caroline, you have £90 for your bonus buy. | 0:26:39 | 0:26:42 | |
And for this 60-minute special, you have the extra Tim's Ton. | 0:26:42 | 0:26:46 | |
-So, this camera lighter. -Yes. | 0:26:50 | 0:26:54 | |
What is your very, very, very best price, please? | 0:26:54 | 0:26:57 | |
-Well, really, it is 15. -Is it? | 0:26:57 | 0:27:00 | |
-Yes. But if you keep on, I'll knock a pound off. -Oh... | 0:27:00 | 0:27:05 | |
-Are you always so...? -For good nature. -For good nature? | 0:27:05 | 0:27:08 | |
-Whose good nature? -Yours. | 0:27:08 | 0:27:10 | |
Certainly not yours! | 0:27:10 | 0:27:12 | |
-Oh, is that all? -Yeah, I'm sorry because... | 0:27:12 | 0:27:17 | |
-I think you'll do well with it. -Do you? -Yes, I do, certainly. | 0:27:17 | 0:27:21 | |
-OK, I'll take your word for it. I'll have it. -Thank you very much. | 0:27:21 | 0:27:24 | |
Great stuff. I think Sam will be chuffed you snapped that one up. | 0:27:24 | 0:27:28 | |
Even though I had lots of money left, | 0:27:28 | 0:27:30 | |
this thing was just a no-brainer. | 0:27:30 | 0:27:32 | |
Sam loved it. | 0:27:32 | 0:27:33 | |
And I think at £14, there is | 0:27:33 | 0:27:36 | |
a jolly good chance it is going to make a profit. | 0:27:36 | 0:27:38 | |
I don't know how much. | 0:27:38 | 0:27:40 | |
If I had to put money on it, I would say it'd make £10, | 0:27:40 | 0:27:42 | |
but it might make more. | 0:27:42 | 0:27:44 | |
Now, what is going to tempt you for Tim's Ton? | 0:27:44 | 0:27:47 | |
Maybe a set of napkin rings. | 0:27:48 | 0:27:51 | |
Ticket price - £125. | 0:27:51 | 0:27:53 | |
Could I offer you 75 for them? | 0:27:53 | 0:27:57 | |
You can offer me 75... Um... | 0:27:58 | 0:27:59 | |
I'll start off at 90. | 0:28:02 | 0:28:04 | |
-90? -Yeah. | 0:28:04 | 0:28:06 | |
That's a bit better, yeah, that's a bit better. | 0:28:07 | 0:28:10 | |
-I love them. 85 and you've got a deal? -OK. | 0:28:13 | 0:28:17 | |
-Thank you. -OK. -Thank you. | 0:28:17 | 0:28:19 | |
Well, that was quick work. | 0:28:19 | 0:28:21 | |
I've decided to buy these fabulous napkin rings - set of six, | 0:28:21 | 0:28:26 | |
pewter, all completely different. | 0:28:26 | 0:28:29 | |
We've got the arachnid here, we've got the fruit, the ivy. | 0:28:29 | 0:28:33 | |
They are all painted differently on the inside. | 0:28:33 | 0:28:37 | |
They're about 1900, 1910, | 0:28:37 | 0:28:40 | |
I would say. Absolutely beautiful. | 0:28:40 | 0:28:44 | |
So, let's have a good butcher's at what you bought, Caroline. | 0:28:44 | 0:28:49 | |
Now, Caroline, I gave you £90 for the team's bonus buy. | 0:28:49 | 0:28:53 | |
Tell us about what you bought. | 0:28:53 | 0:28:55 | |
-I bought this fabulous little miniature camera. -Uh-huh. | 0:28:55 | 0:28:59 | |
Which is actually a cigarette lighter. It's Japanese. | 0:28:59 | 0:29:03 | |
Look, a little compass in it. | 0:29:03 | 0:29:06 | |
Press this. Isn't that fabulous? | 0:29:06 | 0:29:09 | |
It is delightful, isn't it? | 0:29:09 | 0:29:10 | |
-A bit of Four Star in there, you'll be fine. -Yeah. | 0:29:10 | 0:29:13 | |
-And how much did you spend? -£14. | 0:29:13 | 0:29:15 | |
I've seen them sell at auction, sort of virgin, new and unused, | 0:29:15 | 0:29:20 | |
for just under £100. | 0:29:20 | 0:29:22 | |
So I think, quite frankly, | 0:29:22 | 0:29:23 | |
if you spent 14, you've done extraordinarily well. | 0:29:23 | 0:29:26 | |
-Tim's Ton. I gave you £100 and you bought this group here. -Yes. | 0:29:26 | 0:29:31 | |
-I did. -How much did you spend? -I spent 85. -Did you? | 0:29:31 | 0:29:34 | |
-And I think it was 85 very well spent. -OK, fine. | 0:29:34 | 0:29:37 | |
Now, I have got to make my prediction as to which of these is | 0:29:37 | 0:29:39 | |
going to bring, in proportion to the purchase price, the largest profit. | 0:29:39 | 0:29:44 | |
And I have to say, without shadow, hesitation or repetition, | 0:29:44 | 0:29:48 | |
that your Japanese miniature camera lighter is going to | 0:29:48 | 0:29:52 | |
bring by far the largest profit. | 0:29:52 | 0:29:56 | |
-Happy with that? -Happy. -OK. It is only a prediction after all. | 0:29:56 | 0:29:59 | |
Now, why don't we have a look at how poor Colin Young is | 0:29:59 | 0:30:03 | |
getting on with the Blue team's bonus buys? | 0:30:03 | 0:30:06 | |
Now, Colin, remember, | 0:30:08 | 0:30:09 | |
you have a whopping £198 to buy the team's bonus buy | 0:30:09 | 0:30:13 | |
and the additional £100 Tim's Ton. | 0:30:13 | 0:30:16 | |
That is quite a good piece. Factory, as we know - Worcester. | 0:30:19 | 0:30:23 | |
Nice markings on the bottom there. | 0:30:23 | 0:30:26 | |
Date-wise, just after 1900 - 1902, 1903. | 0:30:26 | 0:30:30 | |
Nicely hand-painted floral decoration. | 0:30:30 | 0:30:34 | |
No restoration around the neck. | 0:30:34 | 0:30:36 | |
Doesn't look like there is anything extra painted around that. | 0:30:36 | 0:30:39 | |
So I am quite happy that that is OK. | 0:30:39 | 0:30:41 | |
Price tag on it - 140. | 0:30:42 | 0:30:44 | |
That is going to be a bit keen if we go to auction. | 0:30:44 | 0:30:46 | |
You would certainly expect something like this to be over the 100. | 0:30:46 | 0:30:50 | |
So it is going to be a bit tight on the money, | 0:30:50 | 0:30:53 | |
but we'll see what we can do with a bit of negotiation. | 0:30:53 | 0:30:56 | |
Um, yeah, I think we could do a little bit on that for you. | 0:30:56 | 0:30:59 | |
It's 140. I think we can do... How does 120 sound to you? | 0:30:59 | 0:31:03 | |
120 sounds good. Something lower would sound better. | 0:31:03 | 0:31:06 | |
-But if that is what it is... -I think 120 is a bit fair | 0:31:06 | 0:31:09 | |
-and I think you'll do very well at auction with that. -You do? | 0:31:09 | 0:31:12 | |
You have confidence in it? | 0:31:12 | 0:31:13 | |
Absolutely, a lot of confidence in that piece. | 0:31:13 | 0:31:15 | |
-Excellent. Right, I think we'll have that, then. -Very good. | 0:31:15 | 0:31:17 | |
We'll have the deal on that. Thank you very much. | 0:31:17 | 0:31:20 | |
Well done, Colin. Just Tim's Ton to go. | 0:31:20 | 0:31:23 | |
He's a quick worker, that boy, | 0:31:23 | 0:31:25 | |
and I think he's spotted something already. | 0:31:25 | 0:31:28 | |
Now, that's a really interesting fish slice. | 0:31:31 | 0:31:35 | |
Nice decoration. | 0:31:35 | 0:31:36 | |
Now, sir, I've seen your price on it. | 0:31:36 | 0:31:39 | |
I'm going to be a little bit cheeky here. | 0:31:39 | 0:31:43 | |
No word of a lie, I'm on an absolute budget. | 0:31:44 | 0:31:47 | |
We're doing something with Tim's Ton. I've got £100 to spend. | 0:31:47 | 0:31:51 | |
-Just this once. -You will? -One for one. | 0:31:52 | 0:31:55 | |
-One for one, excellent stuff. Thank you very much indeed. -Thank you. | 0:31:55 | 0:31:59 | |
It's very obvious to everyone that silver is always a good seller. | 0:31:59 | 0:32:02 | |
When you're buying silver, always go for the better things. | 0:32:02 | 0:32:04 | |
It's always a good idea to go for things like cutlery and flatware. | 0:32:04 | 0:32:09 | |
Go for period. We've gone here - George III rather than Victorian. | 0:32:09 | 0:32:14 | |
Just a little bit older, little bit more interesting. | 0:32:14 | 0:32:17 | |
Well, I'll be the judge of that. | 0:32:17 | 0:32:19 | |
The revelation of Colin Young's bonus buys. | 0:32:19 | 0:32:23 | |
-Now, the team's bonus buy. You had £198. -Yes. | 0:32:23 | 0:32:27 | |
-And you went with this little pot. -Yeah. -OK, tell us about it. | 0:32:27 | 0:32:30 | |
Um, the main thing I went for was I thought the money was right, | 0:32:30 | 0:32:34 | |
-or it seemed it when I was buying it. -Yes. | 0:32:34 | 0:32:37 | |
-120 was spent on that, is that right? -Yes. -OK, fine. | 0:32:37 | 0:32:41 | |
Then I gave you Tim's Ton. | 0:32:41 | 0:32:43 | |
I gave you the £100 for the extra bonus buy. | 0:32:43 | 0:32:45 | |
-And is that what you went for? -That's what I went for. | 0:32:45 | 0:32:48 | |
-Well, that's solid silver and in very nice condition. -Marked at £200. | 0:32:48 | 0:32:52 | |
Don't tell me you got a £200 slice for £100! | 0:32:52 | 0:32:55 | |
-Oh, I cut off more than a slice. 100 it was. -That is wicked! | 0:32:55 | 0:33:00 | |
Now, I have to make my prediction as to which item is going to | 0:33:00 | 0:33:03 | |
bring the biggest profit in proportion to its purchase price. | 0:33:03 | 0:33:07 | |
And without a shadow of a doubt, | 0:33:07 | 0:33:09 | |
I'm going to make my prediction that Tim's Ton Buy, Colin's | 0:33:09 | 0:33:14 | |
cunning purchase of the Georgian fish slice, will do precisely that. | 0:33:14 | 0:33:18 | |
But right now, for our lovely audience, we're going to | 0:33:18 | 0:33:21 | |
trot off to London, to a museum, a museum of social history. | 0:33:21 | 0:33:25 | |
Uh-ah! | 0:33:25 | 0:33:27 | |
The Geffrye Museum in London's East End | 0:33:30 | 0:33:34 | |
is set within a group of Grade 1 listed arms houses. | 0:33:34 | 0:33:40 | |
These were built as the result of a bequest from Sir Robert Geffrye, | 0:33:40 | 0:33:45 | |
who you see there, in the front of that facade. | 0:33:45 | 0:33:49 | |
And they were built in 1714 to provide shelter for poor pensioners. | 0:33:49 | 0:33:56 | |
Each of the rooms here reflects the homes of the middle classes | 0:33:57 | 0:34:01 | |
in London, the prosperous sector of society. | 0:34:01 | 0:34:04 | |
They depict how urban life has changed over the last 400 years. | 0:34:04 | 0:34:09 | |
The Geffrye's collection of interior design | 0:34:09 | 0:34:12 | |
and decorative arts has been arranged in chronological order. | 0:34:12 | 0:34:17 | |
And today, I'm going to have a look at four slices of the 20th century. | 0:34:17 | 0:34:23 | |
MUSIC: The Entertainer by Scott Joplin | 0:34:23 | 0:34:27 | |
And our first slice includes a typical Edwardian family home | 0:34:30 | 0:34:36 | |
as it might have looked around 1910. | 0:34:36 | 0:34:39 | |
What we have are | 0:34:39 | 0:34:42 | |
typically mass-produced, machine-made style | 0:34:42 | 0:34:45 | |
pieces of furniture, | 0:34:45 | 0:34:47 | |
like the satinwood inlaid Sheraton revival centre table. | 0:34:47 | 0:34:51 | |
But the overall impression that you get from this home | 0:34:51 | 0:34:55 | |
is Arts and Crafts. | 0:34:55 | 0:34:58 | |
The fire surround, although machine made in a factory, | 0:34:58 | 0:35:02 | |
has the elements of the Arts and Crafts movement. | 0:35:02 | 0:35:06 | |
Those little bosses in ceramic, heart-shaped, | 0:35:06 | 0:35:09 | |
just reek Arts and Crafts and Voysey. | 0:35:09 | 0:35:13 | |
And one of the foremost architects | 0:35:14 | 0:35:18 | |
and Arts and Crafts designers of the period | 0:35:18 | 0:35:22 | |
is Charles Robert Ashbee. | 0:35:22 | 0:35:24 | |
And an example of his handiwork is this silver trumpet | 0:35:24 | 0:35:30 | |
or tapering-sided vase. | 0:35:30 | 0:35:32 | |
The grade of silver is thick, it is a heavy object. | 0:35:32 | 0:35:36 | |
It has been entirely made by hand. | 0:35:36 | 0:35:39 | |
What I like about it is this bottom band | 0:35:39 | 0:35:41 | |
because this is a band of tightly drawn | 0:35:41 | 0:35:45 | |
and embossed foliage interposed by these oddball, little balloons, | 0:35:45 | 0:35:51 | |
which it could be argued are actually stylised honesty. | 0:35:51 | 0:35:56 | |
Honestly, it is the most divine object. | 0:35:57 | 0:36:01 | |
And here, if we scroll forward a couple of decades, | 0:36:13 | 0:36:17 | |
the horrors of the First World War have been endured | 0:36:17 | 0:36:21 | |
and the survivors just longed to live in an apartment like this. | 0:36:21 | 0:36:27 | |
Dating from, say, about 1930, | 0:36:27 | 0:36:31 | |
the absolute must-have modernity of that moment. | 0:36:31 | 0:36:36 | |
There's no fussy embellishment | 0:36:36 | 0:36:38 | |
in the Victorian or Edwardian style here. | 0:36:38 | 0:36:42 | |
This is the best of what goes to make up the Art Deco style. | 0:36:42 | 0:36:47 | |
Like this little tea set. | 0:36:47 | 0:36:49 | |
Here we have got something that looks just like Clarice Cliff, | 0:36:49 | 0:36:53 | |
except it ain't. | 0:36:53 | 0:36:54 | |
It is actually transfer printed | 0:36:54 | 0:36:56 | |
and then mechanically enamelled in the Clarice Cliff style. | 0:36:56 | 0:37:01 | |
But with these bright and jolly colours, | 0:37:01 | 0:37:04 | |
it too exemplifies | 0:37:04 | 0:37:06 | |
everything that is unusual and bold | 0:37:06 | 0:37:09 | |
about the Art Deco period. | 0:37:09 | 0:37:11 | |
ROCK'N'ROLL MUSIC | 0:37:16 | 0:37:21 | |
What were you doing in 1963? | 0:37:27 | 0:37:30 | |
Well, I suggest you don't tell the grandchildren. | 0:37:30 | 0:37:33 | |
But if you were posh in that period, | 0:37:33 | 0:37:35 | |
you would aspire to live in a room like this. | 0:37:35 | 0:37:39 | |
This is open plan living from the 1960s. | 0:37:39 | 0:37:43 | |
We don't have a fireplace anymore, | 0:37:43 | 0:37:45 | |
we have a room where everything happens, including the eating. | 0:37:45 | 0:37:51 | |
We've got a dining table with beautifully designed chairs | 0:37:51 | 0:37:55 | |
that exactly fit snugly under it, so when you're not eating, | 0:37:55 | 0:38:00 | |
the whole thing occupies the minimum of space. | 0:38:00 | 0:38:03 | |
And because we've got no fireplace together around, | 0:38:03 | 0:38:06 | |
what you did in the 1960s was to gather around the telly. | 0:38:06 | 0:38:10 | |
And in this display, | 0:38:10 | 0:38:12 | |
we have the most desirable of 1960s tellies, | 0:38:12 | 0:38:16 | |
something called a video sphere, | 0:38:16 | 0:38:19 | |
that looks like Sputnik's helmet and, of course, | 0:38:19 | 0:38:23 | |
is in the most desirable of colours - uranium orange. | 0:38:23 | 0:38:26 | |
And now, onto the '90s. | 0:38:40 | 0:38:44 | |
Around 1998, | 0:38:44 | 0:38:46 | |
the conversion of redundant industrial buildings | 0:38:46 | 0:38:50 | |
was all the rage. | 0:38:50 | 0:38:52 | |
And that's what this is - a loft conversion. | 0:38:52 | 0:38:55 | |
You can still see the remnant of the Victorian warehouse | 0:38:55 | 0:38:59 | |
in the cast-iron frame in the window, together with the use of a | 0:38:59 | 0:39:04 | |
mezzanine, that means the high-ceiling height | 0:39:04 | 0:39:07 | |
in the loft can be utilised. | 0:39:07 | 0:39:10 | |
The ultramodern stainless steel kitchen is not so different | 0:39:10 | 0:39:14 | |
from our kitchens today. | 0:39:14 | 0:39:16 | |
In fact, you could argue that we haven't moved on that | 0:39:16 | 0:39:20 | |
much from, say, 1998. | 0:39:20 | 0:39:23 | |
And now, for something potty. | 0:39:27 | 0:39:29 | |
Aren't they weird looking? | 0:39:29 | 0:39:31 | |
They are made by a potter called Sophie Cook, | 0:39:31 | 0:39:35 | |
and she made them in 1998. | 0:39:35 | 0:39:39 | |
She throws her stuff in porcelain, which is...difficult. | 0:39:39 | 0:39:43 | |
Half of them blow up in the kiln. | 0:39:43 | 0:39:46 | |
The survivors have quirky characteristics - tall, | 0:39:46 | 0:39:50 | |
elongated, rather futuristic looking things, | 0:39:50 | 0:39:55 | |
each of which has twists and kinks to them that are not replicated | 0:39:55 | 0:40:01 | |
one to another, and they have got a quality which demands a collection. | 0:40:01 | 0:40:06 | |
In other words, one of these on their own wouldn't look much cop, | 0:40:06 | 0:40:09 | |
but if you have two or three, they become very attractive. | 0:40:09 | 0:40:14 | |
But the big question for us today, of course, over at the auction is - | 0:40:14 | 0:40:18 | |
just how attractive are the profits going to be that our teams generate? | 0:40:18 | 0:40:24 | |
Or not. | 0:40:24 | 0:40:25 | |
Well, we have trotted to Shrewsbury, to be at Halls saleroom - | 0:40:35 | 0:40:39 | |
what could be nicer - with Jeremy Lamond. | 0:40:39 | 0:40:42 | |
-Jeremy, thank you for having us. -Welcome, Tim. | 0:40:42 | 0:40:44 | |
Now, we have got a very strange mixture of stuff - | 0:40:44 | 0:40:48 | |
surprise, surprise - | 0:40:48 | 0:40:49 | |
starting off with the child's bentwood folding rickshaw. | 0:40:49 | 0:40:54 | |
Yeah, I think it is more likely to be a doll's | 0:40:54 | 0:40:57 | |
bentwood folding rickshaw, | 0:40:57 | 0:40:59 | |
or certainly it will now because I don't think it's... | 0:40:59 | 0:41:02 | |
For health and safety reasons, | 0:41:02 | 0:41:04 | |
-you probably couldn't put a child in it anymore. -How much? | 0:41:04 | 0:41:07 | |
-We thought £20 or £30 to maybe a doll collector. -Really? | 0:41:07 | 0:41:12 | |
-£120 was paid by our Phil. -Hm. | 0:41:12 | 0:41:15 | |
Anyway, moving on to the kind of flapping period | 0:41:15 | 0:41:20 | |
with this silver mesh bag. | 0:41:20 | 0:41:23 | |
You know, they are not rare items. | 0:41:23 | 0:41:25 | |
-Made of metal, so lots of them survived. -Hm. | 0:41:25 | 0:41:28 | |
Just not that much metal in it for me. How much money-wise? | 0:41:28 | 0:41:31 | |
-We think £15 to £20. -OK, £30 paid. | 0:41:31 | 0:41:34 | |
So that is a bit tight, too. And now the picnic set from heaven | 0:41:34 | 0:41:40 | |
for the 1965 flavour of sandwiches and hot drinks outdoors. | 0:41:40 | 0:41:44 | |
I mean, that is just a peach. | 0:41:44 | 0:41:46 | |
I always think that these are underpriced for what you get. | 0:41:46 | 0:41:50 | |
They are nearly always unused or complete like this. | 0:41:50 | 0:41:53 | |
And I think they are underpriced at the moment. | 0:41:53 | 0:41:55 | |
-We've put £20 to £30 on them. -Is that all?! | 0:41:55 | 0:41:58 | |
Our team paid £60, all right? | 0:41:58 | 0:42:00 | |
They really rated it. But there you are. | 0:42:00 | 0:42:02 | |
So it could be a problem for this team. | 0:42:02 | 0:42:05 | |
And they are definitely going to need their bonus buys, | 0:42:05 | 0:42:07 | |
so let's go and have a look at them. | 0:42:07 | 0:42:10 | |
Now, teams, this is exciting, isn't it? | 0:42:10 | 0:42:12 | |
You gave Caroline £90 of leftover lolly to find | 0:42:12 | 0:42:16 | |
the team's bonus buy. Caroline, what did you find? | 0:42:16 | 0:42:19 | |
I bought something which I think you are going to love. | 0:42:19 | 0:42:22 | |
-Look at that! -Yeah, Sam? | 0:42:22 | 0:42:26 | |
-Yes! You are smiling, Sam? -Yeah. It's good, isn't it? | 0:42:26 | 0:42:30 | |
I think it is fabulous. | 0:42:30 | 0:42:32 | |
Look at that. A little table lighter. | 0:42:32 | 0:42:35 | |
-In the shape of a camera, which you love, don't you? -Yeah. | 0:42:35 | 0:42:38 | |
And how cool would you be? | 0:42:38 | 0:42:41 | |
That could sit on your desk, flick it open. | 0:42:41 | 0:42:43 | |
-Did you haggle him down? -You walked away at 15, didn't you? -Yeah. | 0:42:45 | 0:42:49 | |
-I squeezed a little bit harder. -13. -14. -14. | 0:42:50 | 0:42:53 | |
He liked you more than me, then. | 0:42:53 | 0:42:55 | |
He liked us both the same. It is just I pressed a little harder. | 0:42:55 | 0:42:59 | |
-So, we're happy with that, then, aren't we? -We are. We are. | 0:42:59 | 0:43:02 | |
How much do we think this will make at auction? | 0:43:02 | 0:43:04 | |
I think is going to make £20 to £30, depending on who's there. | 0:43:04 | 0:43:07 | |
-OK. -Sounds good. -Back over to Jeremy to find out his thoughts. | 0:43:07 | 0:43:12 | |
Well, J, jolly nice Japanese cigarette lighter | 0:43:12 | 0:43:15 | |
in the form of a camera. | 0:43:15 | 0:43:17 | |
Well, it is a novelty, isn't it? Every table should have one. | 0:43:17 | 0:43:20 | |
And, you know, if it had its original box, it would be a | 0:43:20 | 0:43:24 | |
lot of money, but it hasn't. | 0:43:24 | 0:43:26 | |
-And therefore, we think £15 or £20 for her. -Yeah. | 0:43:26 | 0:43:29 | |
Cos in that box, they can make £60, £80, can't they? | 0:43:29 | 0:43:32 | |
Oh, they can, yeah. | 0:43:32 | 0:43:34 | |
OK, so that is fine, then. Estimate 15 to 20, lovely. | 0:43:34 | 0:43:39 | |
Now, for Tim's Ton, this is the second bonus buy. | 0:43:39 | 0:43:43 | |
There you go, Caroline. You had your £100. | 0:43:43 | 0:43:46 | |
You went out wilfully, honestly, and spent on this. | 0:43:46 | 0:43:50 | |
-Now, a set of six napkin rings. -Napkin rings. -Have a look. -Right. | 0:43:52 | 0:43:56 | |
-They are pewter... -Yeah. -..on wood, | 0:43:58 | 0:44:01 | |
-painted differently, obviously, inside. -Yeah. | 0:44:01 | 0:44:04 | |
-But wonderful Art Nouveau, Arts and Craftsy. -They're lovely. | 0:44:04 | 0:44:08 | |
-Looking good, looking good. -Good. What do you think I spent? | 0:44:08 | 0:44:13 | |
-85. -OK. -How much do you reckon they will bring? | 0:44:14 | 0:44:18 | |
-I think they are going to scrape the 100. -Yeah? -Yeah. | 0:44:18 | 0:44:23 | |
-It's certainly different. -I am with you on that. | 0:44:23 | 0:44:26 | |
-I think we'll make 100 on them. -Yeah? -We should. | 0:44:26 | 0:44:28 | |
But just because we should, doesn't mean we will. | 0:44:28 | 0:44:32 | |
-Yeah. -That is oh-so true. | 0:44:32 | 0:44:34 | |
Anyway, chaps, you don't pick now, you pick later, | 0:44:34 | 0:44:37 | |
either one of the bonus buys, | 0:44:37 | 0:44:38 | |
depending on whether you feel you need to take either one. | 0:44:38 | 0:44:41 | |
Let's see what the auctioneer thinks of Caroline's napkin rings. | 0:44:41 | 0:44:46 | |
Now, Tim's Ton. Caroline had 100 and she went out | 0:44:46 | 0:44:49 | |
and splashed it on those - six napkin rings. | 0:44:49 | 0:44:52 | |
Well, Arts and Crafts refurbished, I think. Pewter. | 0:44:52 | 0:44:57 | |
Not the best seller in the world, but there are six of them, | 0:44:57 | 0:45:00 | |
-they are a set, so... £20 or £30? -Really? -Hm. | 0:45:00 | 0:45:04 | |
-She paid £85. -Yeah, that's... | 0:45:04 | 0:45:06 | |
But you never know, the team, with any luck, won't go with | 0:45:06 | 0:45:09 | |
the napkin rings, it'll go with the lighter. | 0:45:09 | 0:45:13 | |
-The lighter, definitely. -Anyway, so, that's it for the Reds. | 0:45:13 | 0:45:17 | |
Now for the Blues. | 0:45:17 | 0:45:18 | |
First up for them is their marvellous walnut music cabinet. | 0:45:18 | 0:45:22 | |
-Yes. -But very difficult to sell, I guess, J. | 0:45:22 | 0:45:25 | |
Well, you know, | 0:45:25 | 0:45:27 | |
brown furniture has had a bit of a knock | 0:45:27 | 0:45:29 | |
in the last 15 to 20 years even. | 0:45:29 | 0:45:33 | |
-Hm. -But there are plenty of pianists who would like it | 0:45:33 | 0:45:36 | |
and plenty of people who could find something else to | 0:45:36 | 0:45:39 | |
put in the folio drawers, so that is all good. | 0:45:39 | 0:45:42 | |
We think £40 to £60 good. | 0:45:43 | 0:45:45 | |
OK, £60 paid, so that's fair enough. | 0:45:45 | 0:45:48 | |
-Next, we have got the singing frogs. -Yeah. | 0:45:48 | 0:45:52 | |
-It is a particular taste, isn't it? -Yes. | 0:45:52 | 0:45:54 | |
You'd have a grenouille on your table, like that. | 0:45:54 | 0:45:58 | |
They come from the Far East last year, don't they? | 0:45:58 | 0:46:01 | |
-They are modern reproduction. -They probably are. | 0:46:01 | 0:46:04 | |
Um, £20 or £30 to a frog lover. | 0:46:04 | 0:46:06 | |
OK, £12 is all they paid, so that is about the right price. | 0:46:06 | 0:46:10 | |
And lastly, intriguingly, is the bit of the automobilia - | 0:46:10 | 0:46:15 | |
-your skid lid... -Well, it really wouldn't work for me, I think | 0:46:15 | 0:46:18 | |
there'll be more appeal to these, actually. | 0:46:18 | 0:46:20 | |
Yeah, the lemon lenses are something else, aren't they? | 0:46:20 | 0:46:24 | |
What do you do with that? You can't wear it on your bike anymore. | 0:46:24 | 0:46:28 | |
Again, £20 to £30, we thought. | 0:46:28 | 0:46:30 | |
OK, fine, £30 paid, so that is neither here nor there, really. | 0:46:30 | 0:46:34 | |
It all depends on how they get on with their music cabinet as to | 0:46:34 | 0:46:37 | |
whether they are going to need their bonus buys or not. | 0:46:37 | 0:46:41 | |
Let's go and have a look. | 0:46:41 | 0:46:43 | |
Dear, oh, dear, oh, dear. | 0:46:43 | 0:46:45 | |
As you can see, Cath and Sarah are lost in transit. | 0:46:45 | 0:46:48 | |
Now, this doesn't happen very often, Colin. | 0:46:48 | 0:46:51 | |
And with any luck, if they beetle up the road to Shrewsbury, | 0:46:51 | 0:46:54 | |
they'll be here in time for the auction. | 0:46:54 | 0:46:56 | |
So, as if Cath and Sarah are here, | 0:46:56 | 0:46:59 | |
you had £180 of leftover lolly. What did you buy? | 0:46:59 | 0:47:03 | |
-Well, I bought a little piece of Worcester. -Let's have a look. | 0:47:03 | 0:47:06 | |
So that's it. A little bit of Worcester. | 0:47:06 | 0:47:08 | |
-I have seen that before. We know all about that one. -Right. | 0:47:08 | 0:47:10 | |
'But I wonder what Jeremy thinks about it.' | 0:47:10 | 0:47:13 | |
-Right, one baluster Worcester pot for the taking of. -Yes. | 0:47:13 | 0:47:18 | |
James Hadley, early 20th century. | 0:47:18 | 0:47:21 | |
That should be £30 to £40. | 0:47:21 | 0:47:26 | |
Really, is that all? | 0:47:26 | 0:47:27 | |
Dear, oh, dear, oh, dear. £120 paid for that. | 0:47:27 | 0:47:31 | |
-Well, that's great, that's a retail price. -Isn't it? | 0:47:31 | 0:47:34 | |
-He has paid the right money. -OK, fine. -But not for auction. | 0:47:34 | 0:47:37 | |
Not for auction and not for a bonus buy. | 0:47:37 | 0:47:39 | |
'What about Tim's Ton?' | 0:47:39 | 0:47:40 | |
You had £100, which is Tim's Ton, | 0:47:42 | 0:47:44 | |
which I will reveal for you, Colin. Which is... A fish slice, | 0:47:44 | 0:47:48 | |
about which we know everything. | 0:47:48 | 0:47:50 | |
So we don't have to explain about that to Cath or Sarah, | 0:47:50 | 0:47:54 | |
who hopefully will arrive at the auction all hot | 0:47:54 | 0:47:57 | |
and bothered in just a few moments. | 0:47:57 | 0:47:59 | |
If they don't, it is going to be a bit lonely, isn't it? | 0:47:59 | 0:48:02 | |
Don't worry, you can snuggle up to me, Colin. | 0:48:02 | 0:48:04 | |
'Hm, that's all very cosy, but what does Jeremy think?' | 0:48:04 | 0:48:08 | |
So, next up is Tim's Ton, which came in a box, | 0:48:08 | 0:48:12 | |
-ready to slice up your salmon. -Well, this is quite good. | 0:48:12 | 0:48:15 | |
It has got an early fiddle pattern. | 0:48:15 | 0:48:18 | |
Regency period 1817 fish slice. | 0:48:18 | 0:48:23 | |
So we have put £40 to £60 on it. | 0:48:23 | 0:48:26 | |
But it could easily make £100. | 0:48:26 | 0:48:28 | |
So, actually the estimate is £40 to £60, but it might do better. | 0:48:28 | 0:48:31 | |
-Might do. -Just like me. | 0:48:31 | 0:48:33 | |
-And you. -Could do better. -Thank you, Jeremy. | 0:48:33 | 0:48:36 | |
OK, Jeremy, look sharp, it's time to rush off to your rostrum. | 0:48:39 | 0:48:43 | |
-Did the girls make it? -All done at 20? | 0:48:43 | 0:48:46 | |
First up, we have got the bentwood rickshaw, and here it comes. | 0:48:48 | 0:48:52 | |
20th century child's bentwood rickshaw is lot 278. | 0:48:52 | 0:48:56 | |
So, who's going to start me at a nice, low £10 for it? | 0:48:56 | 0:49:00 | |
£10 for the rickshaw. | 0:49:00 | 0:49:01 | |
Where is a tenner? £10. | 0:49:01 | 0:49:03 | |
Very back of the room, £10. | 0:49:03 | 0:49:05 | |
-A tenner! -15, there you go. -15. | 0:49:05 | 0:49:07 | |
15, 18, 20, 22. | 0:49:07 | 0:49:10 | |
-Come on! -Give it a chance. | 0:49:10 | 0:49:12 | |
30 on the net. 35. | 0:49:12 | 0:49:14 | |
Yes! | 0:49:14 | 0:49:15 | |
35 in the room, then, at £35. 35... | 0:49:15 | 0:49:18 | |
At £35, all finished? | 0:49:18 | 0:49:20 | |
£35, I don't like the look of this. | 0:49:20 | 0:49:22 | |
That is five short of 40, | 0:49:22 | 0:49:23 | |
which means that is minus 85. | 0:49:23 | 0:49:26 | |
Oh, dear. | 0:49:26 | 0:49:27 | |
Oh, dear! | 0:49:27 | 0:49:29 | |
Here comes your mesh purse. | 0:49:29 | 0:49:30 | |
Mesh evening purse here. | 0:49:30 | 0:49:32 | |
What about that for a tenner? | 0:49:32 | 0:49:33 | |
£10 for it. Ten is bid. | 0:49:33 | 0:49:35 | |
Surley... Do you think so? | 0:49:35 | 0:49:37 | |
Only £10, £10. | 0:49:37 | 0:49:39 | |
At ten. Anybody else, then? | 0:49:39 | 0:49:40 | |
At £10. 12 here. | 0:49:40 | 0:49:42 | |
Yes? 15. | 0:49:42 | 0:49:44 | |
£15, then. At 15. | 0:49:44 | 0:49:46 | |
Selling at £15. | 0:49:46 | 0:49:48 | |
20 on the internet. | 0:49:48 | 0:49:49 | |
£20, it is here. | 0:49:49 | 0:49:51 | |
Two. £22 now. | 0:49:51 | 0:49:52 | |
At 22, the bid is in the room. 25. | 0:49:52 | 0:49:55 | |
-£25 now. -It has got to be more than that. | 0:49:55 | 0:49:57 | |
-Oh, come on, one more! -It has! It is so cheap! | 0:49:57 | 0:50:01 | |
The bid is on the internet at £30, and you are out at the back. | 0:50:01 | 0:50:04 | |
At £30. Finished at 30? | 0:50:04 | 0:50:06 | |
-GAVEL SOUNDS -Come on... Oh! -£30, wiped its face. | 0:50:06 | 0:50:10 | |
-We're still at minus 85. -Here we go. | 0:50:10 | 0:50:13 | |
Here comes the picnic case. | 0:50:13 | 0:50:15 | |
Circa 1960s - | 0:50:15 | 0:50:17 | |
'50s, '60s - picnic set. | 0:50:17 | 0:50:19 | |
And I can start here at £25 for it. | 0:50:19 | 0:50:22 | |
28. £30 with me on commission. | 0:50:22 | 0:50:24 | |
32 with you. | 0:50:24 | 0:50:26 | |
£32 at the back of the room. | 0:50:26 | 0:50:28 | |
35 on the internet. | 0:50:28 | 0:50:29 | |
-Good old internet. -Yep, 38. At £38. | 0:50:29 | 0:50:33 | |
38. It's with you at the back. | 0:50:33 | 0:50:35 | |
Come on! It's all done, then? | 0:50:35 | 0:50:37 | |
At 38. | 0:50:37 | 0:50:39 | |
-MOCK CRYING: -38! | 0:50:39 | 0:50:41 | |
Two off 40. Oh, no. | 0:50:41 | 0:50:44 | |
That's minus 22. 85, 105. Minus 107. | 0:50:44 | 0:50:49 | |
-Yeah. -So, which one are you going to go for? | 0:50:49 | 0:50:51 | |
Are you going to go for the table lighter or are you going to | 0:50:51 | 0:50:53 | |
go for the napkin...? | 0:50:53 | 0:50:55 | |
-Table lighter, is it? -Yeah, we'll try that. | 0:50:55 | 0:50:57 | |
-Yeah. -Yes? -Yeah. | 0:50:57 | 0:50:59 | |
That is the bonus buy we're going with - | 0:50:59 | 0:51:01 | |
the team's bonus buy - and here it comes. | 0:51:01 | 0:51:03 | |
This is the novelty Japanese table lighter, lot 284. | 0:51:03 | 0:51:07 | |
It won't take your picture, but it will light your cigarette. Lot 284. | 0:51:07 | 0:51:10 | |
What about it? £15 for it? | 0:51:10 | 0:51:12 | |
-Who has got it? -It has got to be 15. | 0:51:12 | 0:51:14 | |
-Got to be £15. -It has got to be. | 0:51:14 | 0:51:16 | |
Who has got 18? 18 now in the room. | 0:51:16 | 0:51:18 | |
20 now on the net. | 0:51:18 | 0:51:20 | |
22. Internet, you are out. At 25. | 0:51:20 | 0:51:23 | |
-There we are. -It's going, it's going. | 0:51:23 | 0:51:25 | |
At 25, it's on the internet. At 25. | 0:51:25 | 0:51:27 | |
-Come on. -There you go. -Come on. | 0:51:27 | 0:51:31 | |
£25, well done, is plus £11. | 0:51:31 | 0:51:33 | |
Well done, Caroline, that's marvellous. | 0:51:33 | 0:51:35 | |
Now, you didn't go with the special bonus buy, Tim's Ton, | 0:51:35 | 0:51:38 | |
but we are going to sell it anyway. And here it comes. | 0:51:38 | 0:51:40 | |
Six in the lot. Good set here. | 0:51:40 | 0:51:42 | |
Who is going to start me, £10? Tenner. | 0:51:42 | 0:51:44 | |
Ten is bid. At ten. | 0:51:44 | 0:51:46 | |
12 down here. 15 now. | 0:51:46 | 0:51:48 | |
18. 20. £20. | 0:51:48 | 0:51:50 | |
At 20 on the left. 25 on the internet. 30. | 0:51:50 | 0:51:54 | |
-It is 30 in the room. -That is so cheap. | 0:51:54 | 0:51:57 | |
-They are so stylish. -They are. | 0:51:57 | 0:51:59 | |
35 on the internet. | 0:51:59 | 0:52:00 | |
At 35, it is an internet bid now. | 0:52:00 | 0:52:02 | |
At £35. | 0:52:02 | 0:52:04 | |
And I'm selling. At £35... All done? | 0:52:04 | 0:52:07 | |
-No! -£35 is minus 50. | 0:52:07 | 0:52:10 | |
You made the right decision not going with that, chaps. | 0:52:10 | 0:52:12 | |
Anyway, your £11 profit - | 0:52:12 | 0:52:14 | |
well done, Caroline - | 0:52:14 | 0:52:15 | |
on the team's bonus buy means that the team are minus 96, | 0:52:15 | 0:52:19 | |
which, bearing in mind this has been a bloodbath, | 0:52:19 | 0:52:21 | |
could be a winning score, all right? | 0:52:21 | 0:52:23 | |
Don't feel badly about it. Could be a winning score. | 0:52:23 | 0:52:25 | |
Don't say a word to the Blues | 0:52:25 | 0:52:26 | |
and all will be revealed in a moment, OK? Well done for that. | 0:52:26 | 0:52:29 | |
-Thank you very much. -Thank you. | 0:52:29 | 0:52:31 | |
Now, let us hope that our Blues are going to arrive. | 0:52:31 | 0:52:33 | |
Now, we are a couple of dummies here, | 0:52:40 | 0:52:42 | |
-but are these girls going to turn up? -Who knows? | 0:52:42 | 0:52:46 | |
Hello, we're here! | 0:52:46 | 0:52:48 | |
I mean, what is going on here, Cath, eh? | 0:52:48 | 0:52:52 | |
We can get the dummies out of the way. Where have you been? | 0:52:52 | 0:52:56 | |
We just had a little bit of a late start. | 0:52:56 | 0:52:58 | |
What do you mean a late start? You couldn't get out of bed, right? | 0:52:58 | 0:53:01 | |
-Our alarms didn't go off, sorry. -Your alarms didn't go off! | 0:53:01 | 0:53:04 | |
It's like 12-year-olds, isn't it? | 0:53:04 | 0:53:07 | |
-Yeah! -Anyway, you are here now, and that is the important moment. | 0:53:07 | 0:53:11 | |
First up is your walnut music cabinet, and here it comes. | 0:53:11 | 0:53:14 | |
Lot 301 is the Victorian walnut music cabinet. | 0:53:14 | 0:53:17 | |
Who is going to start me here? | 0:53:17 | 0:53:19 | |
£20 for it. £20. | 0:53:19 | 0:53:21 | |
Yes? 20. Two. 25. 28. | 0:53:21 | 0:53:25 | |
30. Five. | 0:53:25 | 0:53:27 | |
40. Five. | 0:53:27 | 0:53:28 | |
50. Five. | 0:53:28 | 0:53:30 | |
-I say! -60. 65. | 0:53:30 | 0:53:33 | |
-Yes! -That's all right. -Yes? | 0:53:33 | 0:53:35 | |
£70, selling at 70... | 0:53:35 | 0:53:38 | |
The thing to do is to stay in bed. | 0:53:38 | 0:53:40 | |
THEY GIGGLE | 0:53:40 | 0:53:42 | |
Plus £10 for not getting out of bed. | 0:53:42 | 0:53:46 | |
-Here's my frogs. -Here's your frogs, come on. | 0:53:46 | 0:53:48 | |
Ribbit! | 0:53:48 | 0:53:49 | |
Candelabrum. £20 for the frogs. | 0:53:49 | 0:53:53 | |
20 is bid, thank you very much. | 0:53:53 | 0:53:55 | |
Yes, you are in profit with that! | 0:53:55 | 0:53:56 | |
-22. -Well, I jig it. | 0:53:56 | 0:53:59 | |
28. 30. 32. | 0:53:59 | 0:54:02 | |
35. 38. 40. | 0:54:02 | 0:54:04 | |
45. 45 in front. | 0:54:04 | 0:54:06 | |
At £45 for the frog. | 0:54:06 | 0:54:08 | |
40... Was it 45? | 0:54:08 | 0:54:11 | |
-Yes, it was 45. -Check 45. | 0:54:11 | 0:54:12 | |
45 is lovely cos that is plus 33. | 0:54:12 | 0:54:15 | |
The vintage motorcycle helmet | 0:54:15 | 0:54:18 | |
and the goggles here | 0:54:18 | 0:54:19 | |
at £22 on commission. At 22. | 0:54:19 | 0:54:22 | |
25 now. At 25. | 0:54:22 | 0:54:24 | |
-28. -Yes! -Yes! -29 here. | 0:54:24 | 0:54:27 | |
Yes, they're going! Go on, one more. | 0:54:27 | 0:54:29 | |
-32. -Yes! -32! | 0:54:29 | 0:54:31 | |
At £32 it is. | 0:54:31 | 0:54:33 | |
You have a profit on all three items! | 0:54:33 | 0:54:35 | |
£32 is plus £2, and that means... | 0:54:35 | 0:54:39 | |
Yes! | 0:54:39 | 0:54:40 | |
Well done, girls! | 0:54:40 | 0:54:41 | |
This is very good. You are plus £45, kids. | 0:54:43 | 0:54:46 | |
-That's pretty cool, isn't it? -That's brilliant! -£45! | 0:54:46 | 0:54:48 | |
Now, what are you going to do about these bonus buys? | 0:54:48 | 0:54:51 | |
We have on the table for your delectation | 0:54:51 | 0:54:53 | |
£120 worth of Worcester vase. That is the team's bonus buy. | 0:54:53 | 0:54:58 | |
Or the fiddle pattern fish slice for £100. | 0:54:58 | 0:55:02 | |
-No. -No, were not. | 0:55:02 | 0:55:03 | |
OK, we are not going with the bonus buys, neither of them. | 0:55:03 | 0:55:06 | |
Well, we're going to sell them anyway. | 0:55:06 | 0:55:08 | |
And the first one is the vase, and here it comes. | 0:55:08 | 0:55:11 | |
I can start this one at £25, £30. | 0:55:11 | 0:55:14 | |
At 30. At £30, | 0:55:14 | 0:55:15 | |
it is a commission bid now at £30. | 0:55:15 | 0:55:17 | |
Five. 40. | 0:55:17 | 0:55:19 | |
£40, it is still with me. Five. 50 now. | 0:55:19 | 0:55:21 | |
120 paid. | 0:55:21 | 0:55:23 | |
£55 At the back of the room. | 0:55:23 | 0:55:25 | |
At £55, 60 if you like. | 0:55:25 | 0:55:27 | |
At £55, I'm selling. | 0:55:27 | 0:55:28 | |
60 on the internet. | 0:55:28 | 0:55:30 | |
60... | 0:55:30 | 0:55:31 | |
It is minus £60. | 0:55:31 | 0:55:33 | |
Sorry, we shouldn't be so... | 0:55:33 | 0:55:35 | |
Now, I had to make a prediction as to which one | 0:55:35 | 0:55:37 | |
I thought was going to make proportionally the most profit, | 0:55:37 | 0:55:40 | |
and I said the fish slice. | 0:55:40 | 0:55:42 | |
Now is lot 308, Richard Turner, 1817. | 0:55:42 | 0:55:45 | |
Start me at £30 for it. | 0:55:45 | 0:55:48 | |
Early silver fish slice, £30. | 0:55:48 | 0:55:50 | |
30 is bid on the internet. | 0:55:50 | 0:55:52 | |
Now at £30. Five. £35. | 0:55:52 | 0:55:54 | |
Are you bidding on the net? 40. | 0:55:54 | 0:55:56 | |
Five. Room bid, then, at £45. | 0:55:56 | 0:55:59 | |
All done at 45...? | 0:55:59 | 0:56:00 | |
£45 is minus £55. | 0:56:00 | 0:56:05 | |
So, there we are, I got that well and truly wrong. | 0:56:05 | 0:56:08 | |
And you did best, Colin, with your first bonus buy, | 0:56:08 | 0:56:12 | |
which only managed to lose £60. | 0:56:12 | 0:56:15 | |
But that doesn't matter cos the girls went with neither. | 0:56:15 | 0:56:17 | |
You stuck to your guns. You have £45 worth of profit. | 0:56:17 | 0:56:21 | |
You have a profit on all three items. | 0:56:21 | 0:56:23 | |
Don't say a word to the Reds. | 0:56:23 | 0:56:25 | |
-To the boys. -All right? Don't say a word to the Reds, OK? | 0:56:25 | 0:56:28 | |
-Are you happy with that? -Yeah. -Magnificent performance. | 0:56:28 | 0:56:31 | |
Thanks very much for coming. Eventually. | 0:56:31 | 0:56:33 | |
THEY LAUGH | 0:56:33 | 0:56:35 | |
Well, well, well. | 0:56:40 | 0:56:42 | |
One of our teams today is smiling, but which one is it? | 0:56:42 | 0:56:46 | |
Have you been chatting at all about the scores? Not at all. OK, fine. | 0:56:46 | 0:56:49 | |
Well, I have to reveal it now. | 0:56:49 | 0:56:50 | |
And the runners-up today by a good old chunk just happen to be | 0:56:50 | 0:56:54 | |
-the Reds. -Oh! | 0:56:54 | 0:56:57 | |
You are minus £96. | 0:56:57 | 0:56:59 | |
It would have been worse were it not for Caroline's Japanese lighter. | 0:57:00 | 0:57:05 | |
And I was with you with that, I predicted that that would do | 0:57:05 | 0:57:08 | |
best, Caroline, so we are both right on that one, my darling. | 0:57:08 | 0:57:11 | |
But only one team can win substantially, | 0:57:11 | 0:57:13 | |
and that team today are the Blues. So well done, girls. | 0:57:13 | 0:57:16 | |
You are going home with £45. | 0:57:16 | 0:57:18 | |
-Yay! -£45. | 0:57:18 | 0:57:20 | |
And you not only get your £45, but you also get entry to the | 0:57:20 | 0:57:25 | |
-ancient and noble order of the Golden Gavellers. -Yes! -Yes! | 0:57:25 | 0:57:29 | |
These girls got a profit on every single item. Here we go, look. | 0:57:29 | 0:57:34 | |
Look at that, Cath. Go for it. | 0:57:34 | 0:57:37 | |
-Sarah, go for it. Colin, go for it. -Thank you. | 0:57:37 | 0:57:40 | |
One for your collection. | 0:57:40 | 0:57:41 | |
-Yet another. -How lovely is that? Good feeling, is it? | 0:57:41 | 0:57:45 | |
You'll be going off for a jolly nice swim in a minute, won't you? | 0:57:45 | 0:57:47 | |
-Yes. -I bet you'll never ever be late for Bargain Hunt ever again, right? | 0:57:47 | 0:57:51 | |
No. | 0:57:51 | 0:57:53 | |
Anyway, that's a first. Good luck, teams. | 0:57:53 | 0:57:55 | |
It has been such fun, join us soon from some more | 0:57:55 | 0:57:57 | |
-bargain hunting. Yes? -ALL: Yes! | 0:57:57 | 0:57:59 |