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We've got a dancing theme on today's programme, | 0:00:02 | 0:00:05 | |
and, of course, there are a lot of similarities between dancing and | 0:00:05 | 0:00:09 | |
antiques, from fandango to filigree, | 0:00:09 | 0:00:13 | |
and vesta case to Viennese waltz. | 0:00:13 | 0:00:16 | |
So, let's go bargain hunting! | 0:00:16 | 0:00:19 | |
Today's show is a bumper one-hour long. | 0:00:43 | 0:00:46 | |
In fact, it's so jam-packed with fun, | 0:00:46 | 0:00:50 | |
we've had to especially choreograph it to get everything in. | 0:00:50 | 0:00:55 | |
Anyway, as a preview, why don't we take a quick sashay into the show? | 0:00:55 | 0:01:00 | |
The Reds fancy themselves as movers and shakers... | 0:01:03 | 0:01:06 | |
Jazz hands! | 0:01:06 | 0:01:07 | |
..but will it be the Blues who waltz off with the spoils? | 0:01:09 | 0:01:12 | |
So, let's meet our teams. | 0:01:14 | 0:01:16 | |
Well, we've got some top troopers on the show today. | 0:01:17 | 0:01:20 | |
For the Reds, we've got newly married couple, Sarah and Ed, | 0:01:20 | 0:01:23 | |
and for the Blues, we have great friends, Tracy and Paul. | 0:01:23 | 0:01:27 | |
-Hello, hello. Now, you're newly wed. -We are. | 0:01:27 | 0:01:29 | |
How recently wed are you? | 0:01:29 | 0:01:31 | |
-Literally two weeks. -Really? Well, congratulations. | 0:01:31 | 0:01:34 | |
-Thank you. -That's so marvellous. | 0:01:34 | 0:01:36 | |
And the romance has been perpetrated by dance? | 0:01:36 | 0:01:39 | |
I've obviously always loved dance and I teach dance, | 0:01:39 | 0:01:42 | |
but Ed has luckily shared the passion. | 0:01:42 | 0:01:44 | |
When we're out dancing, he doesn't seem to be too intimidated. | 0:01:44 | 0:01:48 | |
Because you're learning your moves, isn't it? | 0:01:48 | 0:01:51 | |
And being confident with your partner, I guess. | 0:01:51 | 0:01:54 | |
-You have a particular love for the Charleston. -Yes, that's right. | 0:01:54 | 0:01:57 | |
-Why is that? -I just like the essence of the style, it's really bouncy, | 0:01:57 | 0:02:01 | |
it's really cheeky, it's very stylised. | 0:02:01 | 0:02:04 | |
You don't actually have to be a fantastic dancer. | 0:02:04 | 0:02:07 | |
-No. -There's lots of tapping your feet, kicking your legs, | 0:02:07 | 0:02:10 | |
swinging your arms. So, yeah, it's not too sophisticated. | 0:02:10 | 0:02:13 | |
I mean, they didn't call them flappers for nothing, did they? | 0:02:13 | 0:02:16 | |
They flapped about a bit. | 0:02:16 | 0:02:18 | |
Now, Ed, hooking up with Sarah has led you a merry dance, | 0:02:18 | 0:02:21 | |
hasn't it, but in a good way? | 0:02:21 | 0:02:23 | |
Yes. I was in a ballroom and Latin dance group before I met Sarah. | 0:02:23 | 0:02:29 | |
I've always been keen on dancing, but when I met Sarah, | 0:02:29 | 0:02:33 | |
we've sort of evolved and she's got me into the Charleston, | 0:02:33 | 0:02:36 | |
which is... Like Sarah says, it's good fun, and bouncy and jolly. | 0:02:36 | 0:02:41 | |
Just like you two? That's lovely. | 0:02:41 | 0:02:45 | |
Now, what do you know about antiques between you? Anything or nothing? | 0:02:45 | 0:02:48 | |
This is when the truth comes out. Not that much. Not really. | 0:02:48 | 0:02:52 | |
I'll be looking out for some furniture, maybe some lamps, | 0:02:52 | 0:02:55 | |
-jewellery and perhaps some vintage clothing as well. -What about you, Ed? | 0:02:55 | 0:02:59 | |
Not going to be a big spender today, I don't think. We're going to go for | 0:02:59 | 0:03:03 | |
the small buys, but big profits. | 0:03:03 | 0:03:05 | |
Small buys and big profits, well, there's an ambition. | 0:03:05 | 0:03:08 | |
OK, well, good luck with that. | 0:03:08 | 0:03:10 | |
Now, Tracy, it says here that you're just dippy about dancing, | 0:03:10 | 0:03:13 | |
-is that right? -It is, yes. I'm very passionate about it. | 0:03:13 | 0:03:16 | |
-Why is that? -I just feel really good when I dance. | 0:03:16 | 0:03:19 | |
-It takes your mind off the stresses of the day. -And do you teach it? | 0:03:19 | 0:03:23 | |
-I do, yes. -What's your favourite dance? | 0:03:23 | 0:03:26 | |
I suppose, personally, I'd say the Viennese waltz. | 0:03:26 | 0:03:29 | |
And that's pretty complicated to dance, isn't it? | 0:03:29 | 0:03:32 | |
It is difficult to make it look effortless. | 0:03:32 | 0:03:34 | |
And are antiques in your blood, Tracy? | 0:03:34 | 0:03:37 | |
Yes, my godmother owned an antique shop in Newport, Shropshire. | 0:03:37 | 0:03:41 | |
She had a house full of antiques. | 0:03:41 | 0:03:44 | |
-So, that's going to help you today, we hope. -Oh, hopefully. | 0:03:44 | 0:03:48 | |
Now, Paul, it says here that you're a true thoroughbred | 0:03:48 | 0:03:51 | |
-of the dance floor. -I am. -Is that true? -It is. | 0:03:51 | 0:03:53 | |
Over the years, I've been very fortunate | 0:03:53 | 0:03:57 | |
and I've danced in major finals at Blackpool Dance Festival, | 0:03:57 | 0:04:00 | |
which is very famous, as a juvenile, junior, amateur and professional. | 0:04:00 | 0:04:07 | |
-Gosh... -I made finals in each. -Have you? | 0:04:07 | 0:04:09 | |
-So, how long have you been dancing for? -I've been dancing 50 years. | 0:04:09 | 0:04:13 | |
-Have you? You started as a nipper? -I did. -About two? | 0:04:13 | 0:04:16 | |
-When I was 10 years old. -How sweet. | 0:04:16 | 0:04:18 | |
-And what are your favourite dances? -As a teacher, you don't really have a favourite dance, | 0:04:18 | 0:04:23 | |
because you try and keep a good level in all the dances, but, | 0:04:23 | 0:04:27 | |
just recently, in recent years, I have been enjoying Argentine tango. | 0:04:27 | 0:04:30 | |
-Have you? Good. -Yes. | 0:04:30 | 0:04:32 | |
Now, what sort of things are you going to be buying on | 0:04:32 | 0:04:34 | |
Bargain Hunt today, with your £300? | 0:04:34 | 0:04:36 | |
My plan is to buy big and cheap, and sell high. | 0:04:36 | 0:04:39 | |
OK, fine. Brilliant. And Tracy? | 0:04:39 | 0:04:42 | |
I think I would look for things that might interest the locals in Malvern. | 0:04:42 | 0:04:47 | |
Right, so you're buying strategically, very interesting. | 0:04:47 | 0:04:50 | |
-Now, the £300 moment. Here's your £300. -Thank you. -You know the rules. | 0:04:50 | 0:04:55 | |
Your experts await, and off you go. | 0:04:55 | 0:04:57 | |
And very, very, very good luck. | 0:04:57 | 0:04:59 | |
Or should I say, slow, slow, quick, quick, slow. | 0:04:59 | 0:05:02 | |
Live long and prosper, as Mr Spock would say. | 0:05:03 | 0:05:07 | |
Helping the Reds do just that is Christina Trevanion. | 0:05:08 | 0:05:12 | |
And hoping to turn a profit with the Blues, it's Kate Bliss. | 0:05:12 | 0:05:15 | |
You guys, you guys, this is lovely, this is really lovely, | 0:05:16 | 0:05:19 | |
-but we've got buying to do! Come on, honestly! -OK, all right. | 0:05:19 | 0:05:23 | |
ALL: A one, a two, a three, a four... | 0:05:23 | 0:05:27 | |
-What do you reckon, do you think I've got potential? -Yeah! | 0:05:27 | 0:05:31 | |
-So, what are we looking for? -OK... | 0:05:31 | 0:05:33 | |
Well, I wouldn't mind looking out for some Art Deco pieces, | 0:05:33 | 0:05:36 | |
-just because I think there is a real trend for the vintage. -Yes, I agree. | 0:05:36 | 0:05:40 | |
-Horsey things. -And possibly Worcester, something from Malvern. | 0:05:40 | 0:05:44 | |
-Yeah, because your Worcester-based, aren't you? -Yes, we are. -So you know the area. | 0:05:44 | 0:05:48 | |
-And what about you, Paul? -Automobilia. | 0:05:48 | 0:05:50 | |
-You're a bit of a petrol head, aren't you? -Just a bit. -OK. | 0:05:50 | 0:05:53 | |
-Let's do it. -Yeah. -Let's go. | 0:05:53 | 0:05:55 | |
-We've got our plan, are we going to stick to it? -Yes. | 0:05:55 | 0:05:58 | |
-Well, I don't know about that. -Come on. | 0:05:58 | 0:06:01 | |
Take to the ballroom, teams. | 0:06:01 | 0:06:04 | |
Your 60 minutes starts now. | 0:06:04 | 0:06:06 | |
-Oh, we've got a lot of wheels around here, haven't we? -We have. | 0:06:08 | 0:06:11 | |
What have we got here? We've got a pair of chairs. | 0:06:11 | 0:06:13 | |
These probably would have been part of a set, originally. | 0:06:13 | 0:06:16 | |
I think they'd need to be re-upholstered. We've got this | 0:06:16 | 0:06:19 | |
lovely terracotta, russety material, | 0:06:19 | 0:06:21 | |
-but it's not to everyone's taste. -No. -They are pretty, | 0:06:21 | 0:06:24 | |
but the first thing we need to do, | 0:06:24 | 0:06:25 | |
as with everything, apart from maybe me, is turn it upside down. | 0:06:25 | 0:06:29 | |
So, let's have a look at its bottom. | 0:06:30 | 0:06:32 | |
So, we've got a sprung seat in here, which tells us that it's | 0:06:32 | 0:06:35 | |
probably 1930s, something like that. | 0:06:35 | 0:06:37 | |
So, it's a bit later than perhaps it looks. Initially, you think | 0:06:37 | 0:06:40 | |
maybe it's a Victorian salon suite. Very nice. We've got a little bit of | 0:06:40 | 0:06:43 | |
woodworm here. They are pieces with issues. | 0:06:43 | 0:06:46 | |
Character might not be enough here. | 0:06:46 | 0:06:48 | |
Technically termed as a project. Project piece. Are these yours? | 0:06:48 | 0:06:52 | |
-They are, they're mine. -Brilliant. | 0:06:52 | 0:06:55 | |
And is that the rest of the suite up there? | 0:06:55 | 0:06:57 | |
-How many pieces have we got? -There's four chairs and one two-seater. | 0:06:57 | 0:07:01 | |
Four chairs and one two-seater. And how much have you got on the set? | 0:07:01 | 0:07:05 | |
-500. -500, which is instantly over our budget. -Yeah... | 0:07:05 | 0:07:08 | |
Ouch, time for a sharp exit, stage left. Meanwhile... | 0:07:08 | 0:07:13 | |
-Oh, that's unusual. -It's a Russian clock. | 0:07:13 | 0:07:15 | |
Paul has come across a Cold War classic. | 0:07:15 | 0:07:18 | |
And it's got a... what's-its-name base. | 0:07:18 | 0:07:20 | |
-Sort of Bakelite. -Yeah, it's like Bakelite, isn't it? | 0:07:20 | 0:07:24 | |
Made in the USSR, Majak clock. | 0:07:24 | 0:07:26 | |
Yeah, it's pretty heavy, isn't it? | 0:07:26 | 0:07:29 | |
It's very heavy. Moulded glass, as opposed to cut class. | 0:07:29 | 0:07:33 | |
I don't like the fact it's a bit rusty around here. | 0:07:33 | 0:07:36 | |
-I think it's probably '80s in date. What would you say? -You reckon? | 0:07:36 | 0:07:41 | |
-I would think '50s. -Would you? -Because of the engineering. | 0:07:41 | 0:07:44 | |
-'50s or '60s, I mean, I'm guessing. -You like clocks? -Yes. -Mm-hm. | 0:07:44 | 0:07:50 | |
What do you think of this, Tracy? | 0:07:50 | 0:07:52 | |
-It's different... But I... -It's not beautiful. | 0:07:52 | 0:07:55 | |
No, I probably wouldn't have it on my dressing table. | 0:07:55 | 0:07:59 | |
Well, let's find out how much it is. How much is it? | 0:07:59 | 0:08:01 | |
45... | 0:08:01 | 0:08:03 | |
What would you pay for it? | 0:08:03 | 0:08:05 | |
-Maximum of about 25. -Right. That's OK. -That's my own personal position. | 0:08:05 | 0:08:10 | |
-It's a thought. -Yeah, yeah, it is. | 0:08:10 | 0:08:12 | |
Sorry, Paul, the girls are not taken with the timepiece. | 0:08:13 | 0:08:17 | |
Over with the Reds, it's shades of the jazz age. | 0:08:17 | 0:08:19 | |
-What do you think of the chandelier? -I love it. It's all Gatsby to me. | 0:08:19 | 0:08:23 | |
It's very Gatsby, isn't it? Great Gatsby, very glitzy, | 0:08:23 | 0:08:26 | |
very cool. | 0:08:26 | 0:08:28 | |
I think people would be drawn to this at the auction. It's just... | 0:08:28 | 0:08:32 | |
Can we get it for the right price? | 0:08:32 | 0:08:34 | |
What have you got on your chandelier, darling? | 0:08:34 | 0:08:36 | |
-'250.' -£250. | 0:08:36 | 0:08:39 | |
-Gosh. -That is a lot. | 0:08:39 | 0:08:40 | |
That is a lot...a lot of our budget. | 0:08:40 | 0:08:43 | |
It may be light fantastic, Reds, but is it £250 worth? | 0:08:43 | 0:08:46 | |
They do sell, but they don't sell brilliantly, brilliantly well, | 0:08:46 | 0:08:49 | |
unless they are very, very antique. And that's got some age to it, | 0:08:49 | 0:08:53 | |
-but it doesn't have a huge amount of age to it. -Yeah. | 0:08:53 | 0:08:55 | |
-So, I think it's too much of a risk for this early stage. -I agree. | 0:08:55 | 0:08:59 | |
Too vintage inspired. OK, move on, team. | 0:08:59 | 0:09:02 | |
Good decision. | 0:09:02 | 0:09:03 | |
Now, you know what they say, where there's muck, there's brass. | 0:09:03 | 0:09:08 | |
I'm not sure about this metalwork, though. | 0:09:08 | 0:09:10 | |
It's funny, isn't it? It's got a funny finish to it. | 0:09:10 | 0:09:14 | |
It's not the most beautifully made. | 0:09:14 | 0:09:16 | |
Well, I think it's brass, | 0:09:16 | 0:09:18 | |
but it's been soldered together in various places. | 0:09:18 | 0:09:21 | |
-Bit a fun, though. What's the price? 24. -£24? | 0:09:21 | 0:09:25 | |
SHE TOOTS THE HORN | 0:09:25 | 0:09:26 | |
On that note, how are the Reds getting on? | 0:09:28 | 0:09:30 | |
So... | 0:09:32 | 0:09:33 | |
What's this, let's have a little look. | 0:09:33 | 0:09:35 | |
So, it's a little buckle...a nurse's buckle, they do use them for... | 0:09:35 | 0:09:39 | |
It's really rather sweet. It's got these lovely sort of birds here in the corners | 0:09:39 | 0:09:43 | |
and then the floral detail. | 0:09:43 | 0:09:44 | |
There is the full hallmark on there, although... | 0:09:44 | 0:09:47 | |
I know it's a Birmingham hallmark, not an early, early one. | 0:09:47 | 0:09:50 | |
It looks like it's more sort of the 1920s by the hallmark, | 0:09:50 | 0:09:53 | |
as opposed to Victorian or earlier. But it's still really rather sweet. | 0:09:53 | 0:09:56 | |
-It is. -And it's great to have the two parts to it. -Yeah. | 0:09:56 | 0:09:59 | |
-It's useful, isn't it? -Yeah, exactly. | 0:09:59 | 0:10:02 | |
-What's your best price on that, please? -45. | 0:10:02 | 0:10:05 | |
-Oh, no. That's too, that's... -£40, then. | 0:10:05 | 0:10:07 | |
What do you want to do, guys? | 0:10:07 | 0:10:09 | |
-I'm not convinced. -Not convinced. There are buckle collectors. | 0:10:09 | 0:10:13 | |
-Yeah... -It's solid silver. | 0:10:13 | 0:10:15 | |
I think we should come back if we need to. | 0:10:15 | 0:10:18 | |
Yep. Are you sure? | 0:10:18 | 0:10:20 | |
-It's going to take us ages to get back up here. -I think... | 0:10:20 | 0:10:23 | |
I think you stand a good chance of making a bit of a profit on that. | 0:10:23 | 0:10:27 | |
-40 quid, I think it's nice. -It is nice, yeah. | 0:10:27 | 0:10:30 | |
If we make a fiver, I would be... | 0:10:30 | 0:10:32 | |
-OK. All right, then. -And then we've got one done, and we can relax. | 0:10:32 | 0:10:36 | |
-We're done. -No, we're not done, we've got two more to buy. | 0:10:36 | 0:10:40 | |
-Brilliant. £40, shake the man's hand. Done. -Done. | 0:10:40 | 0:10:43 | |
One down for the Reds, meanwhile, | 0:10:43 | 0:10:45 | |
Kate has found something pointy and puzzling. | 0:10:45 | 0:10:48 | |
Well, I've never seen one of those before. Porto vase, | 0:10:49 | 0:10:52 | |
-it says on it. -There's another one there. -What is that? | 0:10:52 | 0:10:56 | |
Right, well, it's pointed, so I think you stick it in something. | 0:10:56 | 0:11:00 | |
-You've got a patent number on there. -Oh, yeah. | 0:11:00 | 0:11:02 | |
And that's got a thread on it. So, I reckon you'd screw it into the side... | 0:11:02 | 0:11:06 | |
I don't know. I think that might be a Tim question. | 0:11:06 | 0:11:09 | |
Don't ask me, haven't got a clue. | 0:11:09 | 0:11:11 | |
If they were to go in the ground, in a border of a garden, | 0:11:11 | 0:11:14 | |
to grow something in... | 0:11:14 | 0:11:16 | |
Well, why not just stick something straight in the ground? | 0:11:16 | 0:11:18 | |
I suppose if it was something like mint, | 0:11:18 | 0:11:20 | |
that could spread everywhere, you want to contain it. | 0:11:20 | 0:11:23 | |
Would that be an idea? What do we think about these? | 0:11:23 | 0:11:26 | |
Is this a potential purchase? | 0:11:26 | 0:11:27 | |
Well, I've never seen anything like that before. | 0:11:27 | 0:11:30 | |
It's not terribly ornate, is it? | 0:11:30 | 0:11:32 | |
We got a little bit of damage, we've got a crack on this one. | 0:11:32 | 0:11:35 | |
-And a chip on that one. -Which I don't like. | 0:11:35 | 0:11:38 | |
It might appeal, if we could get them at a, you know, | 0:11:38 | 0:11:41 | |
very reasonable price. | 0:11:41 | 0:11:43 | |
Mm, well, you have a little look, I'll just have a little chat. | 0:11:43 | 0:11:47 | |
This should be interesting, because no-one seems to know | 0:11:47 | 0:11:50 | |
what they are, or how much they're worth. | 0:11:50 | 0:11:52 | |
Bearing in mind they have got a little bit of damage, | 0:11:52 | 0:11:55 | |
he's come down to a tenner for the two. | 0:11:55 | 0:11:57 | |
-What do we think? -You can't go far wrong with that. | 0:11:57 | 0:11:59 | |
I think we ought to accept that. | 0:11:59 | 0:12:01 | |
-Would you buy one, Tracy? -I might, actually. -Would you? Great! | 0:12:01 | 0:12:05 | |
-Shall we do it? -Yes. -Yes. | 0:12:05 | 0:12:06 | |
Well, they've bought something. But they don't know what. | 0:12:06 | 0:12:10 | |
It might be a journey of discovery. | 0:12:10 | 0:12:12 | |
Speaking of which, have you ever been to the Pacific? | 0:12:12 | 0:12:14 | |
Well, if you haven't, these three objects are going to take us | 0:12:15 | 0:12:20 | |
on a bit of a voyage. | 0:12:20 | 0:12:22 | |
They're going to take us to Melanesia. | 0:12:22 | 0:12:25 | |
It's the bit that's closest to Australia | 0:12:25 | 0:12:28 | |
and the collecting of the artefacts that are associated with | 0:12:28 | 0:12:32 | |
those people is a serious collecting field. | 0:12:32 | 0:12:37 | |
In this bracelet, we've got a combination, which is | 0:12:37 | 0:12:40 | |
basically a conch shell, which is the central | 0:12:40 | 0:12:44 | |
round piece that's been carved and cut. | 0:12:44 | 0:12:48 | |
And then, applied to that, is the tusk of a boar, which is | 0:12:48 | 0:12:53 | |
a tremendous status symbol. | 0:12:53 | 0:12:55 | |
Very desirable. | 0:12:55 | 0:12:57 | |
This piece is rare, because it's a gorget. | 0:12:57 | 0:13:01 | |
A sort of breastplate that would be worn by a warrior. | 0:13:01 | 0:13:05 | |
Intriguingly, inside the gorget, | 0:13:05 | 0:13:09 | |
we've got four teeth. | 0:13:09 | 0:13:11 | |
These teeth have come from dogs, because dog's teeth, | 0:13:11 | 0:13:15 | |
curiously enough, were also a form of currency. | 0:13:15 | 0:13:19 | |
Intriguing, really. | 0:13:19 | 0:13:20 | |
And the last piece is even more fascinating. | 0:13:20 | 0:13:24 | |
I've never seen one before, but it's a form of | 0:13:24 | 0:13:26 | |
decorative and ceremonial breast piece. | 0:13:26 | 0:13:30 | |
It displays a series of teeth, | 0:13:30 | 0:13:33 | |
which have been cut and polished | 0:13:33 | 0:13:35 | |
and then drilled and joined, so as to form a shaped panel. | 0:13:35 | 0:13:40 | |
What's so great about these things | 0:13:40 | 0:13:43 | |
is that they're not tourist market objects. | 0:13:43 | 0:13:46 | |
They haven't been made in the last 40 or 60 years | 0:13:46 | 0:13:49 | |
to entertain visiting cruise line passengers. | 0:13:49 | 0:13:53 | |
I would date these three objects to be before 1900. | 0:13:53 | 0:13:58 | |
I would estimate, say £1,500 to £2,000 | 0:13:58 | 0:14:02 | |
in an appropriate sale for the lot. | 0:14:02 | 0:14:05 | |
What might they cost you out of a field? | 0:14:05 | 0:14:08 | |
The three could be yours for £100 each, that's 300. | 0:14:08 | 0:14:13 | |
Rather cheaper than going to the Pacific, what? | 0:14:13 | 0:14:16 | |
Now, back with the shopping | 0:14:16 | 0:14:18 | |
and our teams will go to any lengths for a bargain. | 0:14:18 | 0:14:21 | |
I quite like that teapot. | 0:14:21 | 0:14:23 | |
It's big and bold, but I think it's quite attractive as well, | 0:14:23 | 0:14:26 | |
-with the blue and white. -Let's have a closer look, Tracy. | 0:14:26 | 0:14:29 | |
This is a very distinctive blue and white transfer printed pattern, | 0:14:29 | 0:14:32 | |
which is associated with the factory Spode. | 0:14:32 | 0:14:34 | |
Spode were making this kind of pottery | 0:14:34 | 0:14:37 | |
in the Victorian period right through to the early 20th century. | 0:14:37 | 0:14:41 | |
But let's just have a closer look at this. Hold the lid for me. | 0:14:41 | 0:14:45 | |
-We haven't got any factory marks at all there. -Oh, dear. | 0:14:45 | 0:14:48 | |
We also haven't got any wear at all on the glaze. | 0:14:48 | 0:14:52 | |
And on the earlier stuff, | 0:14:52 | 0:14:53 | |
you very often get a sort of greenish colour in the glaze... | 0:14:53 | 0:14:56 | |
-So, basically it's pretty modern, then? -It is pretty modern. | 0:14:56 | 0:14:59 | |
And the fact that you mentioned it was a transfer and it hasn't been painted on... | 0:14:59 | 0:15:03 | |
No, it's definitely not painted. | 0:15:03 | 0:15:05 | |
But that's not necessarily a problem. | 0:15:05 | 0:15:08 | |
There are collectors of blue and white transfer printed ware, | 0:15:08 | 0:15:12 | |
so, let's just ask how much it is. | 0:15:12 | 0:15:14 | |
-How much is this, please? -We've got it on at 55. -Right. | 0:15:14 | 0:15:17 | |
-What would be your rock-bottom price on that? -What do you call a good price? | 0:15:17 | 0:15:21 | |
What do you call a good price? Um, I'm going to be cheeky now. | 0:15:21 | 0:15:25 | |
These two lovely people here are the most amazing dancers. | 0:15:25 | 0:15:28 | |
And they'll give you a little twirl if you can give us a good price. | 0:15:28 | 0:15:32 | |
-Won't you, guys? -We would. Shall we do a Viennese waltz. | 0:15:32 | 0:15:34 | |
-Viennese waltz. -That sounds great. -On the tarmac. | 0:15:34 | 0:15:36 | |
-Do you like your Viennese waltz, sir? -Mmm, yes. Oh, yes. | 0:15:36 | 0:15:39 | |
-Likes a Viennese waltz. -Who doesn't? OK, guys. Take it away! | 0:15:39 | 0:15:42 | |
Whoo! | 0:15:48 | 0:15:50 | |
Yay! | 0:15:54 | 0:15:55 | |
Fantastic. Well done. Brilliant. Now, what do you make of that? | 0:15:55 | 0:15:59 | |
-Is that worth 25? Does the boss say, "yes"? -Thank you. | 0:15:59 | 0:16:02 | |
-What do you think, guys? -That's very nice. -Thank you, yeah. | 0:16:02 | 0:16:05 | |
-Great, yeah. -Fantastic. Well done you. -Thank you. | 0:16:05 | 0:16:09 | |
I've heard of singing for your supper but dancing for your tea? | 0:16:09 | 0:16:13 | |
Anyway, it's worked for the Blues. That's two items in the bag. | 0:16:13 | 0:16:16 | |
-Time to step it up, Reds. -You guys, what do you think of these? | 0:16:16 | 0:16:19 | |
These are rather fun. | 0:16:19 | 0:16:20 | |
I thought as a young couple, newlyweds, setting up home together. | 0:16:20 | 0:16:23 | |
-Yeah. -Really great. I really like these. -Great storage jars here. | 0:16:23 | 0:16:27 | |
So we've got baking powder, ground rice. | 0:16:27 | 0:16:29 | |
They really create a nice, warm, cosy image, don't they, for you? | 0:16:29 | 0:16:32 | |
And currants. Yeah, exactly, very trendy right now. | 0:16:32 | 0:16:35 | |
Great colour that lovely powder blue. I mean kitchenalia | 0:16:35 | 0:16:38 | |
-and vintage kitchenalia is really quite popular right now. -Yeah. | 0:16:38 | 0:16:41 | |
And these are even better by Bretby so, good name | 0:16:41 | 0:16:44 | |
-to have on the bottom as well. -OK. -Good stuff. -So, nice things. | 0:16:44 | 0:16:47 | |
-Have a look. -Yeah. -Let's see what...if we've got, | 0:16:47 | 0:16:50 | |
-because obviously these were made to be used. -Yeah. | 0:16:50 | 0:16:52 | |
-So, very often you find that they've got damage on them. -Discolouration. | 0:16:52 | 0:16:56 | |
So, we've got some staining in there. | 0:16:56 | 0:16:58 | |
But I think they make a really nice display. What do you think? | 0:16:58 | 0:17:02 | |
-Yeah, I think we should ask. -They're quite funky. -Very definitely. | 0:17:02 | 0:17:05 | |
-They are. -OK. Brilliant. -Hello. -Hi. | 0:17:05 | 0:17:08 | |
How much have you got on your storage gars? | 0:17:08 | 0:17:11 | |
-Uh, for the set, £120. -£120 for the set? -Right, OK. | 0:17:11 | 0:17:15 | |
Could you come down any more on that? | 0:17:15 | 0:17:18 | |
If you were to take the whole set I'd do it for 85 for you. | 0:17:18 | 0:17:21 | |
-For the lot. -I think, can we go any less than that? -70? Please? -No. | 0:17:21 | 0:17:25 | |
£70 please? | 0:17:25 | 0:17:27 | |
-For the lot? -Go on, then. -Thank you, brilliant. | 0:17:27 | 0:17:30 | |
-She just wants to get rid of us off her stall. -Yeah, thanks. -Cheers. | 0:17:30 | 0:17:35 | |
-That's OK. No problem, good luck. -Thank you. | 0:17:35 | 0:17:37 | |
We spent forever looking for things and suddenly it's happened. | 0:17:37 | 0:17:41 | |
Those negotiating skills will come in handy for our newlyweds. | 0:17:41 | 0:17:45 | |
Things are looking up for the Blues, too. | 0:17:45 | 0:17:47 | |
With two items bought, they still have over 20 minutes | 0:17:47 | 0:17:50 | |
and a sizeable chunk of cash left. | 0:17:50 | 0:17:52 | |
Those spoons look quite attractive. | 0:17:53 | 0:17:55 | |
-These ones? -Yeah. They're just enamel? | 0:17:55 | 0:17:58 | |
Quite expensive. They're £175, is the price, but they are beautiful. | 0:17:58 | 0:18:02 | |
-They are, aren't they? -It's a lot. We've got a lot of money to spend. | 0:18:02 | 0:18:07 | |
Let's just have a closer look. They are silver or silvergilt. | 0:18:07 | 0:18:11 | |
And then enamelled. Turn them over and you can see the silvergilt. | 0:18:11 | 0:18:15 | |
-They are beautiful. -They've got the silvermark. -The hallmark. -Exactly. | 0:18:15 | 0:18:19 | |
-Inside. -So, they're 1930s in date. -What would you think? | 0:18:19 | 0:18:23 | |
-I would probably say... -150? -..100, 150 probably. | 0:18:23 | 0:18:27 | |
-You do like your enamelled spoons. -I know, they're wonderful, aren't they? | 0:18:27 | 0:18:30 | |
I've only recently bought them | 0:18:30 | 0:18:32 | |
-but I did have to pay a lot of money for them. -Did you? | 0:18:32 | 0:18:34 | |
I can do them for 100, but I can't come any lower. That is it. | 0:18:34 | 0:18:38 | |
-We've got a little bit of time. -Yeah. OK. | 0:18:38 | 0:18:40 | |
-So the first thing we've looked at inside. -We don't need to. | 0:18:40 | 0:18:43 | |
-Shall we have a little think? -I think so. -Yeah. | 0:18:43 | 0:18:45 | |
-We can always come back to it. Potential I would say. -Yes. -Yeah. | 0:18:45 | 0:18:48 | |
-Thank you very much. -They are very nice. Thank you. | 0:18:48 | 0:18:50 | |
-Thank you. -They are lovely. | 0:18:50 | 0:18:52 | |
So, still one item to find in less than 15 minutes. | 0:18:52 | 0:18:55 | |
Are the Reds having any more luck? | 0:18:55 | 0:18:57 | |
What about these woven chairs? | 0:18:57 | 0:18:59 | |
-These? -Yeah. | 0:18:59 | 0:19:01 | |
-It's like having a pair of love chairs, isn't it? Love seats. -Yeah. | 0:19:01 | 0:19:04 | |
-Give it a rest. -One each, it's perfect. | 0:19:04 | 0:19:07 | |
THEY LAUGH | 0:19:07 | 0:19:08 | |
This is usually by a company called Lloyd Loom and they've | 0:19:08 | 0:19:11 | |
manufactured this furniture which was made out of woven fibre | 0:19:11 | 0:19:14 | |
effectively so it's quite a sort of, a unique way of making furniture. | 0:19:14 | 0:19:18 | |
-They made chairs, laundry baskets. All sorts of things. -OK. | 0:19:18 | 0:19:21 | |
Can they be used outside, outdoors? | 0:19:21 | 0:19:23 | |
Well, it's not recommended. Oh, here we go. | 0:19:23 | 0:19:25 | |
-OK. -There we go. Lloyd Loom. | 0:19:25 | 0:19:27 | |
There we go. Fantastic. And by W Lusty & Sons. | 0:19:27 | 0:19:31 | |
-I love that. It's a Lusty product! -OK. -What a thought! | 0:19:31 | 0:19:36 | |
So, pair of them. One of them's got the label. | 0:19:36 | 0:19:39 | |
See if you can find the label on the other one. Spot the label. | 0:19:39 | 0:19:42 | |
See if there is one. | 0:19:42 | 0:19:44 | |
-Yeah. -Have we got one on that too? -Bingo. -Perfect, well done. | 0:19:44 | 0:19:47 | |
So, two, a pair of Lloyd Loom chairs. We've got some caps on the | 0:19:47 | 0:19:51 | |
-front here. Not on the backs there. -Oh, OK. | 0:19:51 | 0:19:53 | |
But, none the less, they are eternally popular. | 0:19:53 | 0:19:56 | |
To find a pair is quite unusual because usually they were split. | 0:19:56 | 0:20:00 | |
-Yeah. -I sold a pair of these, very similar, last week for £50. | 0:20:00 | 0:20:05 | |
-So, you want to be getting these... -For less. -..for less than that. -OK. | 0:20:05 | 0:20:09 | |
-No pressure. -Let's see what we can do. | 0:20:09 | 0:20:12 | |
This is our third and final thing if you really want. You like them? | 0:20:12 | 0:20:15 | |
-I think we'll have a go, shall we? -Yeah. | 0:20:15 | 0:20:18 | |
With 10 minutes left, Reds, you need to have more than a go. | 0:20:18 | 0:20:21 | |
You need to buy something. | 0:20:21 | 0:20:24 | |
-The thing about these is, people love the pheasants. -It is nice. | 0:20:24 | 0:20:28 | |
-But it should be signed. -So it's got the right marks. | 0:20:28 | 0:20:32 | |
Exactly, its Worcester. So it's about 1900 in date. | 0:20:32 | 0:20:35 | |
I would say looking at the time it's a choice between this which is | 0:20:35 | 0:20:39 | |
lovely, but it's £150 or maybe your clock, Paul. | 0:20:39 | 0:20:43 | |
How do you feel about that? | 0:20:43 | 0:20:45 | |
-I like my clock. -OK. | 0:20:46 | 0:20:48 | |
-Let's go with the clock. -Do you think, Tracey? | 0:20:48 | 0:20:51 | |
Because it's quirky. | 0:20:51 | 0:20:52 | |
And it's a lot cheaper | 0:20:52 | 0:20:54 | |
and then we've got some money left over so we can rely on you, Kate, | 0:20:54 | 0:20:58 | |
to find us a really good buy. | 0:20:58 | 0:21:00 | |
-No pressure, then! -No. | 0:21:00 | 0:21:03 | |
Oh, I'm sure you can handle it, Kate. | 0:21:03 | 0:21:06 | |
Now, have those Reds made a decision yet? | 0:21:06 | 0:21:08 | |
What would your best price be on these? | 0:21:08 | 0:21:11 | |
-Not a lot? -We are limited... | 0:21:11 | 0:21:13 | |
20 each? | 0:21:13 | 0:21:14 | |
20 each... 40 for both. | 0:21:14 | 0:21:16 | |
-35? -38. | 0:21:16 | 0:21:18 | |
Let's do it. This'll be interesting to see. | 0:21:18 | 0:21:21 | |
-Right, we'll go for it. -Yeah. -Thank you. -Perfect. Well done. | 0:21:21 | 0:21:24 | |
Thank you very much. | 0:21:24 | 0:21:26 | |
So the Reds can take a back seat, | 0:21:26 | 0:21:28 | |
but the Blues have a race against time. | 0:21:28 | 0:21:31 | |
So, looks like these guys are going home. | 0:21:31 | 0:21:33 | |
Packing up the clock. | 0:21:33 | 0:21:35 | |
Excuse me, have you still got the clock? | 0:21:35 | 0:21:37 | |
Yes, we have. | 0:21:37 | 0:21:39 | |
Brilliant. What do you think, guys? | 0:21:39 | 0:21:42 | |
-Well, you seem to have a good feeling about it. -I do, I love it. | 0:21:42 | 0:21:45 | |
-And I know you like clocks. -Very industrial. | 0:21:45 | 0:21:48 | |
Do you think the man might drop a little bit more off? | 0:21:48 | 0:21:51 | |
Would you come down to 40? | 0:21:51 | 0:21:52 | |
Yes. definitely the last one. | 0:21:52 | 0:21:54 | |
That's it, definitely. Thank you very much indeed. | 0:21:54 | 0:21:57 | |
-Thank you. -You OK with that? -We've got a deal! | 0:21:57 | 0:21:59 | |
-Yes, we've got a deal. -OK. | 0:21:59 | 0:22:01 | |
It's a dog's life. Time is up. | 0:22:01 | 0:22:04 | |
-A celebratory dance? -Yeah. | 0:22:04 | 0:22:06 | |
Jazz hands! | 0:22:06 | 0:22:08 | |
-Brilliant. -Fantastic. -That's number three. Well done! -We're there. | 0:22:08 | 0:22:12 | |
Let's check out what the Red Team bought, eh? | 0:22:12 | 0:22:15 | |
They are pinning their hopes on a 1920s silver nurse's belt buckle | 0:22:15 | 0:22:19 | |
bought for £40. | 0:22:19 | 0:22:21 | |
They just couldn't contain themselves | 0:22:21 | 0:22:24 | |
when they saw those kitchen storage jars for £70. | 0:22:24 | 0:22:27 | |
And they hope they'll be sitting pretty | 0:22:29 | 0:22:31 | |
with a pair of Lloyd Loom armchairs for £38. | 0:22:31 | 0:22:34 | |
-That was great, wasn't it? -Yes. | 0:22:35 | 0:22:37 | |
-We've had good fun. -Yeah, you certainly have. | 0:22:37 | 0:22:40 | |
Now, tell me, which is your favourite piece? | 0:22:40 | 0:22:43 | |
I like the silver buckle, | 0:22:43 | 0:22:45 | |
but I'm not sure if we'll make a huge profit on it. | 0:22:45 | 0:22:47 | |
-But you like it. -I like it. | 0:22:47 | 0:22:49 | |
-You've got a passion for it. -I have. It's quite pretty, quite ornate. | 0:22:49 | 0:22:52 | |
-Quite manly. -Very manly! | 0:22:52 | 0:22:53 | |
THEY LAUGH | 0:22:53 | 0:22:55 | |
Sarah, what about you, darling? | 0:22:55 | 0:22:56 | |
Erm... We bought some blue storage jars, | 0:22:56 | 0:22:58 | |
which I really like, and I think will be pretty sellable. | 0:22:58 | 0:23:01 | |
-You're a little homemaker really, aren't you? -Yeah. | 0:23:01 | 0:23:04 | |
So, storage jars is favourite. | 0:23:04 | 0:23:06 | |
Are the storage jars going to bring the biggest profit? | 0:23:06 | 0:23:08 | |
I think so. | 0:23:08 | 0:23:09 | |
-How much did you spend? -We spent £148. | 0:23:09 | 0:23:13 | |
I'd like £152 of leftover lolly, please. | 0:23:13 | 0:23:15 | |
Well buried. | 0:23:15 | 0:23:17 | |
-Thank you. -OK. Thank you very much. | 0:23:17 | 0:23:19 | |
That's a 152. Now, what are you going to do with that £152? | 0:23:19 | 0:23:22 | |
Stick it in my pocket. | 0:23:22 | 0:23:24 | |
-Put it in the building society. -Yeah, it might make more! | 0:23:24 | 0:23:27 | |
OK. | 0:23:27 | 0:23:28 | |
Haven't really bought much related to your dancing. | 0:23:28 | 0:23:32 | |
So I think we need to go dancey. | 0:23:32 | 0:23:34 | |
-Bit of a tutu. -Yeah! Tutu who? | 0:23:34 | 0:23:37 | |
-Don't trot off too quickly, darling, because I've got Tim's Ton. -More! | 0:23:37 | 0:23:40 | |
This is the extra 100. You know about this, don't you? | 0:23:40 | 0:23:42 | |
Thank you very much. | 0:23:42 | 0:23:44 | |
It's a special bonus buy which I'd be enchanted | 0:23:44 | 0:23:46 | |
if you'd bring back - what you buy - for a little confidential chat, | 0:23:46 | 0:23:49 | |
as soon as you've bought it. | 0:23:49 | 0:23:51 | |
-Don't tell the Reds a thing about a thing, all right? -Exciting! | 0:23:51 | 0:23:53 | |
-Even more money! -I know! Well, good luck. | 0:23:53 | 0:23:56 | |
That's your two bonus buys to find, | 0:23:56 | 0:23:58 | |
meanwhile, why don't we check out how the Blue Team got on, eh? | 0:23:58 | 0:24:02 | |
They took a leap into the unknown | 0:24:02 | 0:24:04 | |
with two mystery plant holders for £10. | 0:24:04 | 0:24:06 | |
They'll have something to spout off about if this makes a profit. | 0:24:07 | 0:24:11 | |
A Spode teapot bought for £25. | 0:24:11 | 0:24:13 | |
And just in time, | 0:24:15 | 0:24:16 | |
Paul persuaded the girls to go with his Eastern bloc clock for £40. | 0:24:16 | 0:24:20 | |
Well, well, well, that is a treasure, isn't it? | 0:24:21 | 0:24:24 | |
-It certainly is. -Yeah. | 0:24:24 | 0:24:25 | |
-OK, how was the shopping for you, then, Trace? -Brilliant. | 0:24:27 | 0:24:30 | |
I actually found a superb Spode teapot. | 0:24:30 | 0:24:33 | |
-Is that your favourite item? -It is. | 0:24:33 | 0:24:35 | |
What about you, Paul? Is it the old Russian... | 0:24:35 | 0:24:38 | |
-It's my clock. -Is it? -My Russian clock. | 0:24:38 | 0:24:39 | |
Is that going to bring the biggest profit? | 0:24:39 | 0:24:41 | |
-Well, I think so. -I don't think so. -You don't think so, at all. -No! | 0:24:41 | 0:24:44 | |
So what is going to bring the biggest profit? | 0:24:44 | 0:24:47 | |
-The teapot. -OK, fine... | 0:24:47 | 0:24:49 | |
And how much did you spend in total? | 0:24:49 | 0:24:51 | |
£75. | 0:24:51 | 0:24:52 | |
That is a pathetic amount of money. | 0:24:52 | 0:24:54 | |
I'll have the £225, thank you very much. | 0:24:54 | 0:24:56 | |
That is a good old wodge. There you go, Kate. | 0:24:56 | 0:24:59 | |
The trouble is that this fair is about to shut up | 0:24:59 | 0:25:01 | |
and you'll be really pushed - I don't envy you this task. | 0:25:01 | 0:25:05 | |
And also, for this special programme, there Tim's Ton. | 0:25:05 | 0:25:07 | |
That's the £100 for the special bonus buy. | 0:25:07 | 0:25:10 | |
Now, when you've found it, would you pop back in a few moments | 0:25:10 | 0:25:13 | |
and have a confidential word with me about it. | 0:25:13 | 0:25:16 | |
And very, very, very good luck with that, Kate. Thank you. | 0:25:16 | 0:25:19 | |
Let's go shopping, girls. | 0:25:25 | 0:25:27 | |
You've both got two items to find. | 0:25:27 | 0:25:29 | |
First, it's Christina's bonus buy, | 0:25:29 | 0:25:32 | |
and she's got up to £152 to spend. | 0:25:32 | 0:25:35 | |
I have found something that is absolutely perfect for these guys. | 0:25:35 | 0:25:39 | |
I said I wanted to get something dancey for them... Look at this! | 0:25:39 | 0:25:42 | |
Just heaven, look! | 0:25:42 | 0:25:44 | |
It's a couple waltzing or... | 0:25:44 | 0:25:46 | |
Could be a tango, could be a foxtrot... | 0:25:46 | 0:25:49 | |
Could be a foxtrot. They're dancing - that's all we need to know. | 0:25:49 | 0:25:53 | |
£38?! | 0:25:53 | 0:25:55 | |
Well, we can do a little on it, for you. | 0:25:55 | 0:25:57 | |
Can you? What would your best price on it be? | 0:25:57 | 0:26:00 | |
28, would be the best. | 0:26:00 | 0:26:01 | |
£28. I'm very happy, so thank you. | 0:26:01 | 0:26:04 | |
-Thank you very much. -Thank you. | 0:26:04 | 0:26:06 | |
Well done, Christina, that's your bonus buy. | 0:26:06 | 0:26:09 | |
Now, how's Tim's Ton getting on? | 0:26:09 | 0:26:11 | |
Earlier, Ed said his favourite thing was that silver buckle we bought. | 0:26:12 | 0:26:16 | |
And I rather thought that as silver does sell really well at | 0:26:16 | 0:26:19 | |
Phil Serrell's saleroom so I thought I'd keep my eye out for some silver. | 0:26:19 | 0:26:22 | |
And Adrian, bless him, has kept behind some little bits of silver | 0:26:22 | 0:26:25 | |
I saw before. Have you got them there, Adrian? Brilliant. Thank you. | 0:26:25 | 0:26:29 | |
So that's the silver-mounted hobnail-cut scent bottle. | 0:26:29 | 0:26:32 | |
Very sweet, thank you. | 0:26:32 | 0:26:34 | |
-And your Chinese spoon. -Brilliant. Thank very much. | 0:26:34 | 0:26:37 | |
And the silver bowl you've saved from the melting pot. | 0:26:37 | 0:26:40 | |
I feel like I've rescued it. | 0:26:40 | 0:26:42 | |
Brilliant, thank very much. | 0:26:43 | 0:26:44 | |
OK, so, what are we talking, Adrian - for the three? | 0:26:44 | 0:26:47 | |
Well, the scent bottle I'll let you have for £20. | 0:26:47 | 0:26:50 | |
OK. The spoon? | 0:26:50 | 0:26:51 | |
The spoon for a fiver. | 0:26:51 | 0:26:53 | |
And the bowel you can have at silver price - £35. | 0:26:53 | 0:26:55 | |
35... So what's that in total? | 0:26:55 | 0:26:57 | |
-£60 altogether. -£60. | 0:26:57 | 0:26:58 | |
You'd be happy at that? Can't squeeze you any more? | 0:26:58 | 0:27:01 | |
-I'm afraid not a penny piece. -That's the absolute death. | 0:27:01 | 0:27:04 | |
It is, I'm afraid. Got a mortgage to pay. | 0:27:04 | 0:27:06 | |
Oh, haven't we all! Brilliant, thank you. | 0:27:06 | 0:27:08 | |
With both items bought, I think it's time we had a chat. | 0:27:08 | 0:27:12 | |
Well, Christina. What a heap you've got here, girl! | 0:27:12 | 0:27:16 | |
Don't be rude. | 0:27:16 | 0:27:18 | |
I gave you £152 for the team's bonus buy... | 0:27:18 | 0:27:22 | |
What is that orange and black thing doing standing up there pertly? | 0:27:22 | 0:27:25 | |
I really don't think you should look at this. | 0:27:25 | 0:27:28 | |
-I don't think you'll like it. -Well, you have to tell me about it. | 0:27:28 | 0:27:31 | |
Well, look, I had two dancers, just married, | 0:27:31 | 0:27:33 | |
and I thought kitch vintage jewellery, | 0:27:33 | 0:27:35 | |
beautifully enamelled, and I just thought it was perfect for them. | 0:27:35 | 0:27:38 | |
-What about the colour of her frock! -She stands out, doesn't she? | 0:27:38 | 0:27:41 | |
You know what they call that orange, don't you? Uranium orange. | 0:27:41 | 0:27:44 | |
-Uranium orange? -You could put a geiger counter over that. | 0:27:44 | 0:27:47 | |
I reckon it would go zz-zz-zz-zz... | 0:27:47 | 0:27:49 | |
-It is very much a colour of the '50s. -It is. | 0:27:49 | 0:27:51 | |
So how much did you pay? | 0:27:51 | 0:27:53 | |
-I paid £28 for that. -And how much money is it going to make? | 0:27:53 | 0:27:56 | |
I would hope it would make £40-£60. | 0:27:56 | 0:27:57 | |
-Do you really? -I think it is a lovely thing, yeah. | 0:27:57 | 0:28:00 | |
I haven't seen another one like that. | 0:28:00 | 0:28:02 | |
-Now, I gave the £100, Tim's Ton. -Yeah, you did. | 0:28:02 | 0:28:05 | |
And we've got this heap of old scrap here. | 0:28:05 | 0:28:07 | |
This is obviously a glass and silver mounted perfume bottle and stopper. | 0:28:07 | 0:28:11 | |
So we've a lovely silver mount on here | 0:28:11 | 0:28:13 | |
which has a Birmingham assay mark. So, nice and local. | 0:28:13 | 0:28:16 | |
I don't think it cost me a huge amount | 0:28:16 | 0:28:18 | |
-because it's with this little bowl. -Two-handled trophy. | 0:28:18 | 0:28:20 | |
A two-handled trophy. | 0:28:20 | 0:28:22 | |
Missing its plinth, sadly. It would've sat on a plinth. | 0:28:22 | 0:28:25 | |
But it's unengraved | 0:28:25 | 0:28:26 | |
-so if anybody wants a darts trophy or anything like that... -Exactly. | 0:28:26 | 0:28:29 | |
..it's ready to go. | 0:28:29 | 0:28:31 | |
Again, another Birmingham mark, | 0:28:31 | 0:28:32 | |
and a maker's mark there which is William Hutton and Sons. | 0:28:32 | 0:28:35 | |
Then, I bought a lucky bat for us. | 0:28:35 | 0:28:37 | |
-Because I thought I might need it. -Chinese lucky bat. | 0:28:37 | 0:28:40 | |
Chinese, yes, exactly. Obviously, one of a set originally. | 0:28:40 | 0:28:43 | |
I mean, that... I weighed it, and that would scrap at about £35-£40. | 0:28:43 | 0:28:47 | |
What are you like, eh? | 0:28:47 | 0:28:49 | |
Well, I know it's ruthless - ruthless - | 0:28:49 | 0:28:51 | |
-but we do have to bear this in mind. -OK. | 0:28:51 | 0:28:53 | |
So, there's £30-£40 worth of scrap metal there. | 0:28:53 | 0:28:56 | |
Plus these other bits. | 0:28:56 | 0:28:58 | |
-Cos I paid £60. -£60 for the lot. -Yes. -Really? -Yes. -OK. | 0:28:58 | 0:29:01 | |
And you see that making, what? £60-£80? | 0:29:02 | 0:29:05 | |
-Well, and a little bit more, hopefully. -Do you? | 0:29:05 | 0:29:07 | |
-Quite optimistic, aren't you? -I'm very optimistic. | 0:29:07 | 0:29:10 | |
-I've got a lucky bat, what more can go wrong? -Well, that's true. | 0:29:10 | 0:29:13 | |
Now, I've got the invidious task of selecting which one I think | 0:29:13 | 0:29:17 | |
is going to make, in proportion, the highest profit, and I have to say, | 0:29:17 | 0:29:21 | |
that I don't see the vintage dancing brooch doing any good at all. | 0:29:21 | 0:29:26 | |
That's how I see it. | 0:29:26 | 0:29:28 | |
So, if I've got to pick one, I'll go with the traditional one, | 0:29:28 | 0:29:32 | |
-in the hope that they've got lots of silver in the sale. -OK. | 0:29:32 | 0:29:36 | |
I don't see there's going to be a vast amount of profit in it, | 0:29:36 | 0:29:39 | |
but I think it stands a better chance, basically, than old, | 0:29:39 | 0:29:41 | |
tangerine dress face down there. | 0:29:41 | 0:29:43 | |
Right now, though, why don't we see how that poor Kate Bliss | 0:29:43 | 0:29:47 | |
is getting on, finding her bonus buys. | 0:29:47 | 0:29:50 | |
For Kate's first bonus buy, | 0:29:51 | 0:29:53 | |
She has up to a whopping £225 to spend. | 0:29:53 | 0:29:56 | |
Ooh, I like that. Always like something in the shape of a gavel. | 0:29:58 | 0:30:03 | |
And that is really neat, because you've got pepper one side, | 0:30:03 | 0:30:06 | |
and you've got salt the other, which is really sweet. | 0:30:06 | 0:30:10 | |
Let's just have a closer look. | 0:30:10 | 0:30:12 | |
We've got a little mark there, which tells me it's Danish. | 0:30:12 | 0:30:16 | |
Let's have a look. Danish silver-plate. | 0:30:16 | 0:30:19 | |
Shame it's not silver. | 0:30:19 | 0:30:21 | |
£43. Hi, there. | 0:30:22 | 0:30:24 | |
How does 30 sound? | 0:30:26 | 0:30:27 | |
-33, 33. -33, well... | 0:30:29 | 0:30:33 | |
That's pretty good. 33 it is. I like it. | 0:30:33 | 0:30:36 | |
Thank you very much. Great. | 0:30:36 | 0:30:39 | |
Well done, Kate. | 0:30:39 | 0:30:40 | |
Now, just your Tim's Ton item to buy. | 0:30:42 | 0:30:45 | |
-I like your wheel. -It's a very nice wheel. -Yeah! | 0:30:45 | 0:30:48 | |
-Just the one? -Of course. That's the only problem. | 0:30:49 | 0:30:53 | |
-What do you want for that, then? -Well, I've got 90 on it. -Right. | 0:30:53 | 0:30:57 | |
-But you won't want to pay 90. -I won't. -No. | 0:30:57 | 0:31:00 | |
I've got to put it into an auction. How does 50 sound? | 0:31:00 | 0:31:03 | |
-Can't quite go that low. -No? I do like it. -60? | 0:31:05 | 0:31:10 | |
-I'll meet you in the middle. -BOTH: 55. Yeah. -Done. | 0:31:10 | 0:31:13 | |
Thank you very much. | 0:31:13 | 0:31:14 | |
-Thank you very much indeed. -Good negotiating, Kate. | 0:31:14 | 0:31:17 | |
Maybe you'll find the other three on the way home. | 0:31:17 | 0:31:19 | |
Didn't she do well? | 0:31:21 | 0:31:22 | |
I'm surrounded by objects that you've found with varying amounts of cash. | 0:31:22 | 0:31:28 | |
-Anyway, let's do the team's bonus buy. -OK. | 0:31:28 | 0:31:31 | |
-I gave you £225. -You did... -This is what you found. | 0:31:31 | 0:31:35 | |
This is what I found. I'm afraid, on the cash front, | 0:31:35 | 0:31:38 | |
I haven't done very well. | 0:31:38 | 0:31:39 | |
-I only spent 33.... -Is that all it cost you? -Mm. -What is it? | 0:31:39 | 0:31:43 | |
-It's a gavel, right? -Mm-hm. | 0:31:43 | 0:31:45 | |
But, when you look closely, you can see it's salt one side, | 0:31:45 | 0:31:48 | |
and pepper the other. | 0:31:48 | 0:31:50 | |
-Which I thought was rather fun. -Well, I'm blowed. | 0:31:50 | 0:31:53 | |
Sadly, it's silver-plate, rather than silver. If it was silver, | 0:31:53 | 0:31:57 | |
it would be fantastic for £33. | 0:31:57 | 0:31:59 | |
And it's probably late '50s. | 0:31:59 | 0:32:02 | |
How much profit do you think there is in that, Kate Bliss? | 0:32:02 | 0:32:05 | |
10, 20. Pounds, as opposed to Danish euros... | 0:32:05 | 0:32:09 | |
-Krone. -Krone. | 0:32:09 | 0:32:10 | |
-No, seriously. £10 or £20 do think is in it, do you? -Well, possibly. | 0:32:10 | 0:32:13 | |
Now, talking about the wonders of Kate Bliss, | 0:32:13 | 0:32:15 | |
this is knocking around behind me. | 0:32:15 | 0:32:17 | |
This would be the Tim's Ton, would it? | 0:32:17 | 0:32:19 | |
Yeah, I'm sort of shifting in my seat on this one. | 0:32:19 | 0:32:22 | |
This is not the typical Kate Bliss buy, but we're going to sales, aren't we? | 0:32:22 | 0:32:25 | |
Well, that is true, actually. Strategically... | 0:32:25 | 0:32:28 | |
-Yeah. So, that's the plan here. -Is it? -£55 paid. | 0:32:28 | 0:32:32 | |
-And just the sort of thing he'd buy, isn't it? -Well, it is. | 0:32:32 | 0:32:35 | |
Every day of the week. | 0:32:35 | 0:32:36 | |
And at auction, I am predicting somewhere between 50 and 70. | 0:32:36 | 0:32:41 | |
I'm supposed to make a prediction now, as to which one is, | 0:32:41 | 0:32:44 | |
in proportion to the price paid, is likely to bring the larger profit. | 0:32:44 | 0:32:49 | |
And, on the principle that I don't really know what to do next, | 0:32:49 | 0:32:53 | |
always turn left. | 0:32:53 | 0:32:54 | |
I'll go with your gavel jobbie, | 0:32:54 | 0:32:56 | |
because I just can't see the money in the wheel. | 0:32:56 | 0:32:59 | |
-OK. -All right? -Not really, but it'll have to be. | 0:32:59 | 0:33:04 | |
Well, that's what I'm doing anyway, so, tough. | 0:33:04 | 0:33:07 | |
Anyway, right now, before we get too childish, | 0:33:07 | 0:33:10 | |
let's head off to somewhere absolutely splendido. | 0:33:10 | 0:33:13 | |
Oscar Wilde was one, | 0:33:15 | 0:33:17 | |
as where both Laurel and Hardy. | 0:33:17 | 0:33:19 | |
Mozart's Opera, The Magic Flute, celebrated the fact that he was one. | 0:33:19 | 0:33:24 | |
Winston Churchill was one, but not a big, important one. | 0:33:24 | 0:33:28 | |
And goodness only knows how many members of the Royal family have been one. | 0:33:28 | 0:33:32 | |
Freemasonry has been around for the last 400 years. | 0:33:34 | 0:33:37 | |
It has been seen in the past as being secretive and, | 0:33:37 | 0:33:41 | |
if anything, a little sinister. | 0:33:41 | 0:33:43 | |
But things are changing in the world of funny handshakes. | 0:33:43 | 0:33:47 | |
Modern Freemasons want to present a warmer | 0:33:47 | 0:33:50 | |
and more welcoming face to the world. | 0:33:50 | 0:33:52 | |
As part of that process, they're opening the doors to lodges, | 0:33:52 | 0:33:56 | |
like this one in Worcester, | 0:33:56 | 0:33:57 | |
revealing the secret treasures within. | 0:33:57 | 0:33:59 | |
Whom have you there? OK, you can come in. | 0:33:59 | 0:34:03 | |
I bet you didn't expect to see such an enormous space as this. | 0:34:05 | 0:34:10 | |
This place houses the second largest museum of Masonic artefacts | 0:34:10 | 0:34:16 | |
anywhere in the country, and what an extraordinary, varied | 0:34:16 | 0:34:20 | |
and eclectic collection they have. | 0:34:20 | 0:34:24 | |
From Meissen porcelain to engraved glass, | 0:34:25 | 0:34:30 | |
precious, bejewelled jewels | 0:34:30 | 0:34:32 | |
sitting alongside rather mundane-looking objects, | 0:34:32 | 0:34:36 | |
but all redolent with symbolism. | 0:34:36 | 0:34:39 | |
I'm here to meet Colin Young. | 0:34:39 | 0:34:41 | |
Not OUR Colin Young, | 0:34:41 | 0:34:43 | |
but the chairman of the museum, to find out more. | 0:34:43 | 0:34:46 | |
Well, Colin, it's a treat to be here. My first question is, | 0:34:46 | 0:34:51 | |
how is it that Freemasonry has the reputation, to the outsider, | 0:34:51 | 0:34:57 | |
of being shrouded in secrecy? Is that the case? | 0:34:57 | 0:35:00 | |
Not any more. It was, when the Nazis came into power. | 0:35:00 | 0:35:04 | |
We saw what was happening to Freemasons in the conquered lands. | 0:35:04 | 0:35:09 | |
They were taken into concentration camps, | 0:35:09 | 0:35:11 | |
they were killed and, therefore, in this country, Masons went quiet. | 0:35:11 | 0:35:16 | |
Their big mistake, and everybody knows it was a big mistake, | 0:35:16 | 0:35:19 | |
was to go quiet after the War as well. | 0:35:19 | 0:35:21 | |
It took until about 1981-1984 before we woke up to the fact that, | 0:35:21 | 0:35:26 | |
-if you don't tell people what you are doing, they become suspicious. -Mm. | 0:35:26 | 0:35:30 | |
And there is no reason to be suspicious. We're open to anyone. | 0:35:30 | 0:35:34 | |
Now, Colin, I don't expect to sit alongside | 0:35:34 | 0:35:38 | |
the chairman of a museum, who's got a two-handled jerry | 0:35:38 | 0:35:41 | |
in front of him. What's going on here? | 0:35:41 | 0:35:44 | |
This was used in the 19th century, when Masons were in lodge rooms. | 0:35:44 | 0:35:49 | |
Now, they didn't have large rooms like we have here, they were in pubs. | 0:35:49 | 0:35:53 | |
-Were they? -Once the door was closed and the meeting was going on, | 0:35:53 | 0:35:56 | |
they tended to stay in the meeting. | 0:35:56 | 0:35:58 | |
And if a meeting's lasting two and a half hours and you've had | 0:35:58 | 0:36:01 | |
three or four pints of decent beer, you might want to use... | 0:36:01 | 0:36:05 | |
the facilities. | 0:36:05 | 0:36:07 | |
-This was a facility which you could pass under the table. -Oh, very matey. | 0:36:07 | 0:36:12 | |
Very matey, yeah. | 0:36:12 | 0:36:14 | |
But what's important and makes it bespoke for Masons, | 0:36:14 | 0:36:19 | |
is the device outside, isn't it? | 0:36:19 | 0:36:21 | |
The device is the two pillars, the all-seeing eye. | 0:36:21 | 0:36:24 | |
So, that's from the first half of the 19th century? | 0:36:24 | 0:36:28 | |
If we move along the table a bit, | 0:36:28 | 0:36:30 | |
what is the significance of this group here? | 0:36:30 | 0:36:33 | |
Those are what we call charity jewels. People say they're medals, | 0:36:33 | 0:36:36 | |
we call them charity jewels. | 0:36:36 | 0:36:38 | |
And if you gave a certain sum of money, you were able to have one | 0:36:38 | 0:36:42 | |
of these jewels and wear it on your coat when you went into the lodge. | 0:36:42 | 0:36:45 | |
-I see. -The early ones are gold, of course. | 0:36:45 | 0:36:48 | |
What is not realised is the incredible amounts of money | 0:36:48 | 0:36:52 | |
raised by Masons across the land. | 0:36:52 | 0:36:54 | |
I mean, what sort of numbers are we talking about here? | 0:36:54 | 0:36:57 | |
Well, from 1981 until now, the Masons have given £55 million | 0:36:57 | 0:37:01 | |
to various charities, international disaster relief funds... | 0:37:01 | 0:37:06 | |
So, you would wear your jewel with pride in this lodge, | 0:37:06 | 0:37:10 | |
-having made your donation? -That's right. | 0:37:10 | 0:37:12 | |
So, tell me, Colin, about this one. | 0:37:12 | 0:37:14 | |
Well, we call that the Hogarth jewel. | 0:37:14 | 0:37:16 | |
It is said to have been designed by Hogarth himself, | 0:37:17 | 0:37:20 | |
when he was a Mason. | 0:37:20 | 0:37:22 | |
He was Master of the Grand Steward's Lodge in 1753, | 0:37:22 | 0:37:25 | |
I think it was. | 0:37:25 | 0:37:27 | |
-Hogarth was, of course, the most extraordinary artist. -Oh, fantastic. | 0:37:27 | 0:37:30 | |
The most profligate printmaker of the 18th century. | 0:37:30 | 0:37:34 | |
And made a fortune out of it. | 0:37:34 | 0:37:35 | |
So, we've got a jewel-set bezel around the outside | 0:37:35 | 0:37:39 | |
and then another inside. | 0:37:39 | 0:37:41 | |
This flaming aura, which goes to make up the central design, | 0:37:41 | 0:37:45 | |
all in silver and silver-gilt. | 0:37:45 | 0:37:47 | |
-So, would this be a serious treasure in the museum, then? -Oh, yes. | 0:37:47 | 0:37:51 | |
-There are only a couple around in the country... -Really? | 0:37:51 | 0:37:55 | |
..and we have one of them, of course. | 0:37:55 | 0:37:57 | |
This one, I think, is intriguing, largely because we seem | 0:37:57 | 0:38:01 | |
to have a chequerboard engraved under the glass of this cover. | 0:38:01 | 0:38:06 | |
We are sitting on a chequerboard. | 0:38:06 | 0:38:08 | |
What is the significance of the chequerboard within Freemasonry? | 0:38:08 | 0:38:12 | |
Well, in Freemasonry, we say this represents our journey through life. | 0:38:12 | 0:38:16 | |
Oh, right. | 0:38:16 | 0:38:17 | |
From darkness, before our birth, into light | 0:38:17 | 0:38:21 | |
and into darkness afterwards, I suppose. | 0:38:21 | 0:38:23 | |
And the middle part of this jewel, where does that come from? | 0:38:23 | 0:38:27 | |
That was made by a French prisoner of war, | 0:38:27 | 0:38:30 | |
probably 1805, 1800, something like this, during the Napoleonic Wars. | 0:38:30 | 0:38:35 | |
They made these, basically, to sell in order to get food. | 0:38:35 | 0:38:39 | |
Moving on, we've got the all-seeing eye above one, two, three, | 0:38:39 | 0:38:43 | |
seven stars... | 0:38:43 | 0:38:45 | |
Seven liberal arts and sciences. | 0:38:45 | 0:38:47 | |
-And the all-seeing eye being the eye of God? -The eye of God. -OK. | 0:38:47 | 0:38:51 | |
And if I turn it over, we've got | 0:38:51 | 0:38:53 | |
no less a personage than the Prince of Wales, Edward VII to be. | 0:38:53 | 0:38:58 | |
-He was a Freemason, was he? -He was a Grand Master. -Hence this jewel. | 0:38:58 | 0:39:03 | |
And hence he's wearing his Grand Master's column. | 0:39:03 | 0:39:05 | |
Well, that's marvellous. I can't thank you enough. | 0:39:05 | 0:39:08 | |
I see we've got a gavel here. What do Freemasons use the gavel for? | 0:39:08 | 0:39:12 | |
Well, the gavel is to call attention and keep order in the lodge. | 0:39:12 | 0:39:16 | |
Banging. the gavel. | 0:39:16 | 0:39:17 | |
And, of course, we're about to shuffle off to an auction, | 0:39:17 | 0:39:20 | |
where we have a certain very famous auctioneer, | 0:39:20 | 0:39:23 | |
who is very good at keeping us all in order. | 0:39:23 | 0:39:26 | |
-Thank you very much, Colin, for having us. -Thank you, Tim. | 0:39:26 | 0:39:29 | |
-Well, Phil... How are you? -I'm very, very well. As I hope you are. | 0:39:38 | 0:39:42 | |
-It's great to be here in Malvern in the country. -Thank you. | 0:39:42 | 0:39:45 | |
Anyway, the first item Christina found, | 0:39:45 | 0:39:47 | |
-which is the nurse's buckle. -Yep. | 0:39:47 | 0:39:49 | |
Now, I've noticed that these buckles are becoming increasingly | 0:39:49 | 0:39:53 | |
-difficult to sell. -Yes, they have come down in value. | 0:39:53 | 0:39:56 | |
It's solid silver, it's beautifully made, you know, | 0:39:56 | 0:39:58 | |
all of that's great, isn't it? | 0:39:58 | 0:40:00 | |
It is, but it falls under that sort of category of collecting | 0:40:00 | 0:40:03 | |
that I think has had its day, Tim. We put £20-£40 on that. | 0:40:03 | 0:40:06 | |
-20-40 is your estimate. £40 they paid. -Yeah. | 0:40:06 | 0:40:08 | |
So, Christina might just get out of trouble with it. | 0:40:08 | 0:40:11 | |
Now, here we've got the Bretby set of kitchenalia pots, which look | 0:40:11 | 0:40:16 | |
just like the Cornishware things, which are worth a lot of money. | 0:40:16 | 0:40:20 | |
-TG Green, yeah. -Exactly. | 0:40:20 | 0:40:21 | |
So, the Bretby ones won't be worth as much as the TG Green ones, | 0:40:21 | 0:40:24 | |
-but you've got a set. -Yeah, they're going to make what? | 0:40:24 | 0:40:27 | |
50 to 60, £60 to £70 all day long. What did they pay for these, Tim? | 0:40:27 | 0:40:30 | |
-They paid £70. -I think they might just be all right with those. | 0:40:30 | 0:40:33 | |
Lovely. Now, last are these two Lloyd Loom chairs, | 0:40:33 | 0:40:36 | |
which look, to me, absolutely fantastic. | 0:40:36 | 0:40:39 | |
I think they're fine. What have we put on those? | 0:40:39 | 0:40:42 | |
-30 to 45, £30 to £50. -Is that all? | 0:40:42 | 0:40:43 | |
-Yeah, they'll do that all day long, won't they? -Well, they should do. | 0:40:43 | 0:40:47 | |
The sun's shining. | 0:40:47 | 0:40:48 | |
The sun's shining, they've got that spray-on gold look, | 0:40:48 | 0:40:51 | |
which is what they ought to have, | 0:40:51 | 0:40:53 | |
they've got the original Lloyd Loom labels. | 0:40:53 | 0:40:55 | |
-Well, there we go, we like them. -Absolutely. -And on that basis, | 0:40:55 | 0:40:58 | |
I think the kitchenalia will do well, the Lloyd Loom will do well. | 0:40:58 | 0:41:01 | |
I don't think they'll need their bonus buys, | 0:41:01 | 0:41:04 | |
but let's go and have a look at them anyway. | 0:41:04 | 0:41:06 | |
Well, teams, this is exciting, isn't it? | 0:41:07 | 0:41:09 | |
You spent £152, so £148 went to Christina. Show us what your bought. | 0:41:09 | 0:41:15 | |
-Well, I couldn't resist this. -BOTH: Oh! | 0:41:15 | 0:41:18 | |
I really couldn't resist it. | 0:41:18 | 0:41:20 | |
It's a vintage piece, it's a little costume piece, | 0:41:20 | 0:41:22 | |
so it's not silver or semiprecious stone. | 0:41:22 | 0:41:24 | |
It's actually a base metal, but it's really rather beautifully done. | 0:41:24 | 0:41:28 | |
I actually really like that. | 0:41:28 | 0:41:30 | |
In wonderful sort of Art Deco colours, and I thought: you've | 0:41:30 | 0:41:33 | |
just got married, you're dancers, what could be more appropriate? | 0:41:33 | 0:41:37 | |
-You're so romantic! -Sweet. -I think I'm going to burst into tears. | 0:41:37 | 0:41:42 | |
-What do you think? -I, personally, love this. | 0:41:43 | 0:41:46 | |
What period, then, Christina, please? | 0:41:46 | 0:41:48 | |
It looks Art Deco, but I think it's later, yes, I think | 0:41:48 | 0:41:51 | |
-it's harking back to something more romantic. -'50s, '60s maybe? | 0:41:51 | 0:41:54 | |
Yes, exactly. | 0:41:54 | 0:41:55 | |
OK, lovely. Now you need to find out how much did she spend. | 0:41:55 | 0:41:58 | |
Yeah, the all-important... | 0:41:58 | 0:42:00 | |
-Well, I spent £28 on it. -OK. | 0:42:00 | 0:42:03 | |
I don't think that's unreasonable. | 0:42:03 | 0:42:05 | |
-I would hope that she would make between £30-£50. -Yeah. | 0:42:05 | 0:42:08 | |
-I was thinking hopefully 40. -OK, 30-50 is her estimate. | 0:42:08 | 0:42:11 | |
-She spent 28. You're going to have to decide later. -OK. | 0:42:11 | 0:42:15 | |
Now, let's get Philip's opinion on the brooch. | 0:42:15 | 0:42:18 | |
-OK, Phil, that's style for you. -That's rather sweet, isn't it? | 0:42:18 | 0:42:21 | |
-I like that. -Do you? -Yeah, I do. -Uranium orange. | 0:42:21 | 0:42:24 | |
-When do you think it was made, then? '60s? -No, I think it's '50s. | 0:42:24 | 0:42:28 | |
But in a sort of heavy Deco style. | 0:42:28 | 0:42:29 | |
Yeah, I think it's really, really cool. | 0:42:29 | 0:42:32 | |
That could just do really well. We've put £20-£40 on that. | 0:42:32 | 0:42:35 | |
-What did they pay for that? -28. | 0:42:35 | 0:42:36 | |
I think that one could do all right. | 0:42:36 | 0:42:38 | |
-Do you? How much is all right? Might it make 50? -Yeah, it might. | 0:42:38 | 0:42:41 | |
-Might it? -I think it might. | 0:42:41 | 0:42:42 | |
Again, it's that vintagey, kitschy, retro thing, isn't it? | 0:42:42 | 0:42:45 | |
It is, and it's in good condition. | 0:42:45 | 0:42:47 | |
So, that's the team's bonus buy. | 0:42:47 | 0:42:49 | |
Now, what about the Tim's Ton? | 0:42:49 | 0:42:51 | |
There are several bits, look. | 0:42:52 | 0:42:54 | |
What we've got here is, basically, a mixed lot of silver. | 0:42:54 | 0:42:57 | |
She spent £60 for the three items. Tell us about that. | 0:42:57 | 0:43:01 | |
Well, I thought dancing trophy, potentially. | 0:43:01 | 0:43:04 | |
-It was slightly tenuous, but... -You're a wonder. | 0:43:04 | 0:43:07 | |
-I think I'd be a bit disappointed. -Oh, no! | 0:43:07 | 0:43:10 | |
We won a big cup, right? | 0:43:10 | 0:43:14 | |
Maybe for third place, or something. | 0:43:14 | 0:43:16 | |
Fully hallmarked and you've got your scent bottle here, | 0:43:16 | 0:43:19 | |
or ladies dress dressing table bottle. Again, fully hallmarked. | 0:43:19 | 0:43:23 | |
And, of course, I couldn't resist my lucky batty bat. | 0:43:23 | 0:43:26 | |
-Yes, there is a lucky bat. -Oh, the bat! -Yes. | 0:43:26 | 0:43:29 | |
-Sorry, that's the old bat on the end? -Yes. Not me, the bat. | 0:43:29 | 0:43:32 | |
No, exactly. You're the young bat. No, no. | 0:43:32 | 0:43:35 | |
So, old batty terminal there, yes? | 0:43:35 | 0:43:37 | |
There is a huge amount of interest in Chinese wares | 0:43:37 | 0:43:40 | |
and I just couldn't resist, he was gorgeous. So, he was thrown in | 0:43:40 | 0:43:43 | |
-as well. So, £60... -£60? -Yes. -For the three. | 0:43:43 | 0:43:46 | |
How much do you think they're going to bring in, though? | 0:43:46 | 0:43:48 | |
Silver price has gone up ever so slightly, | 0:43:48 | 0:43:50 | |
so, I'm rather hoping that they will bring us £60-£80 for the three. | 0:43:50 | 0:43:54 | |
You're going to have to go and cogitate and remember, | 0:43:54 | 0:43:56 | |
you don't have to take any of them if you don't want to, but now, for the audience at home, | 0:43:56 | 0:44:00 | |
let's find out what the auctioneer thinks about Christina's bonus buy. | 0:44:00 | 0:44:03 | |
My pick of the two bonus buys was to go with these, | 0:44:03 | 0:44:07 | |
because I saw a ruckus silver for £60 | 0:44:07 | 0:44:11 | |
and I was hopeful that we'd turn more of a profit on those than on | 0:44:11 | 0:44:14 | |
the dancers, but I could well be wrong. | 0:44:14 | 0:44:16 | |
That's the joy of this business, isn't it? We've all got different eyes. | 0:44:16 | 0:44:20 | |
-I mean, we put 30-50 on these. -OK. | 0:44:20 | 0:44:22 | |
So, are a bit of a scrapheap lot, aren't they? | 0:44:22 | 0:44:24 | |
-Yeah, for me, they are. -Well, we'll see what happens. | 0:44:24 | 0:44:27 | |
That's the excitement. And I'm delighted to be proven wrong, | 0:44:27 | 0:44:30 | |
but that was my choice. We have to move on, | 0:44:30 | 0:44:33 | |
which we do, from moving on from the Reds to the Blues. | 0:44:33 | 0:44:36 | |
And for the blues, they've got these two mystery pots. | 0:44:36 | 0:44:41 | |
But nobody really knows what these things are for. | 0:44:41 | 0:44:44 | |
-These are grave ornaments. -You what? -Grave ornaments. | 0:44:44 | 0:44:48 | |
So, you actually... When great aunt Florence is, you know... | 0:44:48 | 0:44:52 | |
-Laid out? -..pushing them up, | 0:44:52 | 0:44:54 | |
You put this into the ground and you just turn it in, | 0:44:54 | 0:44:57 | |
and you've got a flower bunch. | 0:44:57 | 0:45:00 | |
-That is amazing. And the same with the other one? -Absolutely the same. | 0:45:00 | 0:45:03 | |
That one you twist in, that one you bodge in. | 0:45:03 | 0:45:06 | |
-And they sit on someone's grave. -I don't believe it. | 0:45:06 | 0:45:08 | |
-Well, that is the most perfect, logical answer. -Grave vases, yeah. | 0:45:08 | 0:45:13 | |
This has been a grave concern to us, you know that? | 0:45:13 | 0:45:16 | |
I'm not sure that it necessarily helps the saleability of the objects. | 0:45:16 | 0:45:20 | |
No, I was just about to say that. I think the fact that they've come, | 0:45:20 | 0:45:23 | |
at one point or another, off someone's grave... | 0:45:23 | 0:45:25 | |
-So, what's the estimate, then, Phil? -£10-£15. -OK, £10 paid. | 0:45:25 | 0:45:28 | |
Well, it's going to be great to solve the mystery, though. | 0:45:28 | 0:45:31 | |
So, good on your researcher, to do the due diligence. Thank you. | 0:45:31 | 0:45:35 | |
Brilliant. Next is this large teapot, and it is a whopper, isn't | 0:45:35 | 0:45:37 | |
-it? -That IS a teapot, isn't it? You could get both teams out of that, | 0:45:37 | 0:45:40 | |
in the cricket club, couldn't you? | 0:45:40 | 0:45:42 | |
Certainly could. I think I rather like it, don't you? | 0:45:42 | 0:45:45 | |
-I do in a sort of... -In its chunkiness? -Yeah! I do, I do. | 0:45:45 | 0:45:47 | |
-How old is it? Not very old. -No, not very old at all. | 0:45:47 | 0:45:50 | |
-We've put £20-£30 on it. -OK, £25 our lot paid. | 0:45:50 | 0:45:53 | |
You've put 20-30, I think that's a bit of a tease. | 0:45:53 | 0:45:56 | |
You watch, Phil, if that doesn't make £50, | 0:45:56 | 0:45:59 | |
-the next cup of tea is on me. -Right, you're on. | 0:45:59 | 0:46:01 | |
OK. Now, lastly, straight from the USSR, | 0:46:01 | 0:46:04 | |
-do you like it? -Yeah, I do, I think it's quite funky, actually. | 0:46:04 | 0:46:07 | |
We've put £40-£60 on that and I think that'll do well. | 0:46:07 | 0:46:10 | |
And I have to say I liked it too, when I saw it. | 0:46:10 | 0:46:13 | |
And they only paid £40. | 0:46:13 | 0:46:14 | |
I think, you know, for a clock collector, that is | 0:46:14 | 0:46:17 | |
the thing to buy, looking a bit to the future. | 0:46:17 | 0:46:20 | |
-I think they're quids in with that. -Yeah, good. | 0:46:20 | 0:46:23 | |
That's brilliant. I think, overall, they've done extremely well. | 0:46:23 | 0:46:26 | |
I don't think they'll need the bonus buys, | 0:46:26 | 0:46:29 | |
but let's go and have a look at them anyway. | 0:46:29 | 0:46:31 | |
-Now, Tracy, Paul, this is exciting, isn't it? -Yes. -It is. | 0:46:32 | 0:46:35 | |
You were very parsimonious and only spent £75, | 0:46:35 | 0:46:38 | |
which meant that Kate had a huge fortune of £225. | 0:46:38 | 0:46:41 | |
Kate, what did you spend it on? | 0:46:41 | 0:46:43 | |
Well, I tried very hard to spend a serious amount, | 0:46:43 | 0:46:46 | |
but I saw this and got rather excited. | 0:46:46 | 0:46:49 | |
-And had to have it, because it is, of course... -Salt and pepper. | 0:46:49 | 0:46:52 | |
..it's a salt and pepper. Well done. | 0:46:52 | 0:46:54 | |
Look at your eagle eye down here. | 0:46:54 | 0:46:56 | |
-And it's a gavel. -And it's a gavel. Exactly. | 0:46:56 | 0:46:59 | |
And, among the auctioneering fraternity, us guys, | 0:46:59 | 0:47:03 | |
we like gavels and they are quite collectable. | 0:47:03 | 0:47:06 | |
It's also Danish, and we've got a little mark on the handle here | 0:47:06 | 0:47:10 | |
to show that it's Danish silver-plate. | 0:47:10 | 0:47:13 | |
So, when do you think it was made, Kate? | 0:47:13 | 0:47:15 | |
So, I think it's probably '50s. | 0:47:15 | 0:47:16 | |
How much did you pay for it? | 0:47:16 | 0:47:18 | |
-£33. -£33! | 0:47:18 | 0:47:21 | |
Which I think, for a nice little piece of Danish design, | 0:47:21 | 0:47:24 | |
-and a novelty gavel, is rather good. -Yeah. -What do you think? | 0:47:24 | 0:47:28 | |
Well, I would probably say it could be anything from £30 | 0:47:28 | 0:47:32 | |
to maybe £50, or even a little bit more. | 0:47:32 | 0:47:34 | |
Back to Phil for news on the gavel. | 0:47:34 | 0:47:37 | |
Right, Phil. This is a novelty for you, isn't it? | 0:47:37 | 0:47:40 | |
Well, do you know what, I think they've been very clever with this, | 0:47:40 | 0:47:43 | |
because every auctioneer collects gavels. And I've had every auctioneer the length of Britain... | 0:47:43 | 0:47:47 | |
"How much is that lot going to make at your next sale?" | 0:47:47 | 0:47:50 | |
-You haven't! -I have. | 0:47:50 | 0:47:51 | |
Well, that's because you've illustrated it in the catalogue | 0:47:51 | 0:47:54 | |
-and you've done your very, very best for our teams. -Yeah. | 0:47:54 | 0:47:57 | |
And I think that will do well. We've got £30-£50 on it. | 0:47:57 | 0:48:00 | |
-And I think it'll do top end of that. -£33 they paid. | 0:48:00 | 0:48:04 | |
I think they're fine. | 0:48:04 | 0:48:05 | |
And they could be on a roll when we reveal Tim's Ton. | 0:48:05 | 0:48:09 | |
On this programme, it's special, because there are two bonus buys, | 0:48:09 | 0:48:12 | |
-and you have to consider next Tim's Ton. -Ah. | 0:48:12 | 0:48:17 | |
And if we do our little sashay to one side, | 0:48:17 | 0:48:19 | |
I'll help Kate out by revealing... | 0:48:19 | 0:48:22 | |
From the beautifully designed to the... | 0:48:22 | 0:48:25 | |
working wheel. | 0:48:25 | 0:48:28 | |
THEY LAUGH | 0:48:28 | 0:48:29 | |
Obviously, done quite a lot of work in its time. | 0:48:29 | 0:48:32 | |
They are lovely garden pieces. | 0:48:32 | 0:48:34 | |
And I paid £55. | 0:48:34 | 0:48:36 | |
But I would think, here in Worcestershire, | 0:48:36 | 0:48:39 | |
we might just get the edge and a little bit of profit. | 0:48:39 | 0:48:41 | |
Yeah, but right now, | 0:48:41 | 0:48:43 | |
why don't we ask the auctioneer what he thinks about Kate's bonus buy? | 0:48:43 | 0:48:47 | |
-I don't know, it's £40-£60 worth, Tim. -It's a bit tired, isn't it? | 0:48:48 | 0:48:51 | |
Yeah, it is, but somebody will paint it white and stick it on a pub wall or a stable wall. | 0:48:51 | 0:48:56 | |
It's just decorative, isn't it? | 0:48:56 | 0:48:57 | |
-But you don't rate it particularly? -No, I think it's just going to make, | 0:48:57 | 0:49:01 | |
you know, if they're lucky, it's going to make £50, £50-£60. | 0:49:01 | 0:49:04 | |
OK, £55 was what they paid so, you know, that's about it. | 0:49:04 | 0:49:08 | |
OK, Phil, well, thank you very much for all these predictions. | 0:49:08 | 0:49:11 | |
It'll be very interesting to see what happens, won't it? | 0:49:11 | 0:49:14 | |
-Absolutely, Tim. -Absolutely, Phil. | 0:49:14 | 0:49:16 | |
Time to do your stuff, then, Phil. | 0:49:16 | 0:49:18 | |
First up for the Reds is the silver nurse's buckle. | 0:49:18 | 0:49:22 | |
349, this is a rather nice little nurse's buckle. | 0:49:22 | 0:49:25 | |
-Bid me for that, someone. -Beautiful. -Start me off, the nurse's buckle. | 0:49:25 | 0:49:29 | |
-Bid me £30. -Come on, come on. -Bid me £20. | 0:49:29 | 0:49:32 | |
20, I am bid. At 5, 25. Lady's bid. | 0:49:32 | 0:49:35 | |
30, now. Your bid, madam, at 25. | 0:49:35 | 0:49:37 | |
At £25... | 0:49:37 | 0:49:39 | |
£25. It's a joke. J-O-K-E. | 0:49:39 | 0:49:42 | |
Minus £15, you was robbed there. Now, Bretby pots. | 0:49:42 | 0:49:46 | |
The Bretby storage jars, these are really cool. | 0:49:46 | 0:49:49 | |
Bid me £80 for the five. | 0:49:49 | 0:49:51 | |
£50. Well, bid me 40. | 0:49:51 | 0:49:54 | |
-Bid me £30. -He's trying. | 0:49:56 | 0:49:58 | |
30 I am bid. At £30, then, 35 on the next bid. | 0:49:58 | 0:50:02 | |
40, 40 bid. 45. One more now? | 0:50:02 | 0:50:05 | |
50, 50 bid. At £50, then... | 0:50:07 | 0:50:09 | |
-At £50, then, I say... -Better than it might have been. | 0:50:09 | 0:50:13 | |
And thank you. | 0:50:13 | 0:50:15 | |
I'm afraid all my predictions are going well up the spout today. | 0:50:15 | 0:50:18 | |
Now, Lloyd Loom, this had better do it, or I'm going to be very cross. | 0:50:18 | 0:50:22 | |
Really lovely Lloyd Loom chairs, bid me for them. £60. At 60, 60 bid. | 0:50:22 | 0:50:27 | |
It's 60. 5. | 0:50:27 | 0:50:28 | |
70. | 0:50:28 | 0:50:29 | |
-Eh... -70 bid. | 0:50:29 | 0:50:31 | |
£70 in the room. 75. | 0:50:31 | 0:50:33 | |
-80, 80 bid. £80, £80. -Yes! | 0:50:33 | 0:50:36 | |
-£100, £100. -85. | 0:50:36 | 0:50:38 | |
Look, £85... | 0:50:38 | 0:50:40 | |
£85. Where's the bid? | 0:50:40 | 0:50:42 | |
-At £85, and I sell, then, at 85. -85, well, that's a relief, isn't it? | 0:50:42 | 0:50:47 | |
You were -35, which means you're plus +12. That is a peach. | 0:50:47 | 0:50:51 | |
Is that peachy, or what? That is a peach. You're +12, I'm loving it. | 0:50:51 | 0:50:54 | |
What are you going to do about the brooch? Do you want to go with | 0:50:54 | 0:50:58 | |
the brooch, or do you want to go with the bowl and the mixed silver lot? | 0:50:58 | 0:51:01 | |
Or, do you want to do nothing? | 0:51:01 | 0:51:03 | |
-We're not going to do nothing. -I thought we should go for the silver. | 0:51:03 | 0:51:07 | |
Yeah, definitely the silver. Yeah. | 0:51:07 | 0:51:09 | |
OK, that's the decision, you don't need to phone a friend or anybody? | 0:51:09 | 0:51:12 | |
-No. -Now, I have to tell you that my selection, which is | 0:51:12 | 0:51:15 | |
called Wonnacott's Winner, is on this mixed group of silver. | 0:51:15 | 0:51:20 | |
You've picked the silver, I've picked the silver, | 0:51:20 | 0:51:22 | |
Christina found the silver at £60 | 0:51:22 | 0:51:25 | |
and we're going to sell it right now. | 0:51:25 | 0:51:27 | |
The little silver bowl, | 0:51:27 | 0:51:29 | |
Chinese spoon and a scent bottle. | 0:51:29 | 0:51:32 | |
20, I am started. At 20, 30. 40. 40 bid with me. At 40. | 0:51:32 | 0:51:36 | |
-At 40. 50. 60 with me. -'Go on, keep going, keep going!' | 0:51:36 | 0:51:40 | |
-At £60, the bid's on the book. Is there any more at all? -Oh, go on. | 0:51:40 | 0:51:43 | |
At £60 and I sell, then, at £60 and done. Thank you. | 0:51:43 | 0:51:48 | |
-Ha-ha! Well, it wiped its face. -More is not all. | 0:51:48 | 0:51:51 | |
No bobbit, no loss, no pain, no shame, which means you've | 0:51:51 | 0:51:54 | |
preserved your winnings of +£12, and that's where you're safe. | 0:51:54 | 0:51:58 | |
We're going to sell the brooch, just to see what happens. | 0:51:58 | 0:52:01 | |
Really cool little vintage brooch. | 0:52:01 | 0:52:03 | |
I've got £10 bid. At 10. 15. | 0:52:03 | 0:52:05 | |
-20 on the net bid. -20 on the net. | 0:52:05 | 0:52:08 | |
20 bid. 20, and 5. 25. | 0:52:08 | 0:52:09 | |
-30 on the net bid. 35. -It's going up. | 0:52:09 | 0:52:12 | |
40 on the net bid. And 5 now? | 0:52:12 | 0:52:14 | |
-45. -£45! -45. | 0:52:15 | 0:52:18 | |
In the room, the net's out. | 0:52:18 | 0:52:19 | |
-At £45... -Well done, Phillip Serrell. | 0:52:19 | 0:52:23 | |
£45, and done. Thank you. | 0:52:23 | 0:52:25 | |
That's two off 30, that is +17, but that goes to charity. | 0:52:25 | 0:52:29 | |
Well, I'm able to positively reveal the benefits of the researcher | 0:52:36 | 0:52:41 | |
in Philip Serrell's sale room today. | 0:52:41 | 0:52:43 | |
Because he's identified | 0:52:43 | 0:52:45 | |
that those Buchan and Porto vase jobbies are for graveyard ornaments. | 0:52:45 | 0:52:51 | |
Well, that's brilliant, because everybody dies in the end, | 0:52:51 | 0:52:54 | |
so they're going to be in great demand, aren't they? | 0:52:54 | 0:52:57 | |
-Exactly. -Grave ornaments, there you are. Who's got £20? | 0:52:57 | 0:53:01 | |
Oh, come on. | 0:53:01 | 0:53:03 | |
Who's got £10? | 0:53:03 | 0:53:05 | |
10 I am bid, on the net. 10, 10 bid. £10. | 0:53:05 | 0:53:08 | |
-Yes! -£10, £10. At £10 only. £10. | 0:53:08 | 0:53:11 | |
At £10, on the net, a nice sale, then. | 0:53:11 | 0:53:14 | |
At £10 and done. Thank you. | 0:53:14 | 0:53:17 | |
There we go, £10, wiped its face. Here comes the teapot. | 0:53:17 | 0:53:20 | |
There are teapots, | 0:53:20 | 0:53:21 | |
and there are teapots. | 0:53:21 | 0:53:23 | |
And this is a monster of a teapot. Who's got £40? | 0:53:23 | 0:53:25 | |
Or 30? I am bid at 30. 30 bid. | 0:53:26 | 0:53:28 | |
-At 30. 40. 50 with me. -Yes! -Oh, there you go. | 0:53:28 | 0:53:32 | |
-There you go, you've doubled your money. -Oh, wow. | 0:53:32 | 0:53:35 | |
At 50. Any more at all? On the book... | 0:53:35 | 0:53:37 | |
At £50, and I sell, then, at £50 and done. Thank you. | 0:53:37 | 0:53:43 | |
Plus £25. | 0:53:43 | 0:53:44 | |
-They're pleased about that. -This is a really cool thing. | 0:53:44 | 0:53:48 | |
A Majak mantle clock. | 0:53:48 | 0:53:50 | |
Who's got £50 to start me? | 0:53:50 | 0:53:52 | |
Come on! | 0:53:52 | 0:53:53 | |
20, someone. 20. | 0:53:53 | 0:53:56 | |
-At 20. £20 only. -Come on. | 0:53:56 | 0:53:58 | |
Who's got 5? 25. | 0:53:58 | 0:54:01 | |
30. 5. | 0:54:01 | 0:54:02 | |
-40. -Yes! | 0:54:02 | 0:54:04 | |
At £40 only. At 40... | 0:54:04 | 0:54:06 | |
You're out, madam. | 0:54:06 | 0:54:08 | |
At £40 on my right, and I sell, | 0:54:08 | 0:54:11 | |
then, at £40 and done. Thank you. | 0:54:11 | 0:54:13 | |
£40, it's wiped its face. | 0:54:13 | 0:54:16 | |
But it doesn't matter, there are no losses. | 0:54:16 | 0:54:18 | |
You are +£25, which is magnificent. | 0:54:18 | 0:54:21 | |
Now, what are you going to do, are you going to go with | 0:54:21 | 0:54:23 | |
the gavel jobbie, or are you going to go with the cart wheel? | 0:54:23 | 0:54:26 | |
-Well, we have had a bit of a discussion about this. -Yes. | 0:54:26 | 0:54:29 | |
We've decided that we're going to go with the gavel. | 0:54:29 | 0:54:32 | |
You selected the gavel, I selected the gavel, | 0:54:32 | 0:54:35 | |
she bought the gavel and I rate the gavel. | 0:54:35 | 0:54:38 | |
Right, and in fact, Philip Serrell, who is not necessarily | 0:54:38 | 0:54:41 | |
the most generous of people when come see estimates... | 0:54:41 | 0:54:44 | |
he's put £30-£50 on it and you paid £33, | 0:54:44 | 0:54:48 | |
so that seems pretty cool to me. | 0:54:48 | 0:54:50 | |
The one you've selected is the gavel, and here it comes. | 0:54:50 | 0:54:53 | |
It's the Danish condiment gavel, really, | 0:54:53 | 0:54:56 | |
I suppose is what you'd call it. | 0:54:56 | 0:54:58 | |
-And, bizarrely, I've got one, two, three, four, five bids... -Five bids! | 0:54:58 | 0:55:02 | |
But it's where we start, isn't it? | 0:55:02 | 0:55:04 | |
-Which in this instance is £120. -£120! -£120 only. | 0:55:04 | 0:55:08 | |
120. At £120. 130. | 0:55:08 | 0:55:12 | |
-140. 140. -Kate! | 0:55:12 | 0:55:15 | |
150. 160. | 0:55:15 | 0:55:16 | |
-£150! -170. 180. | 0:55:16 | 0:55:18 | |
The woman is so clever. | 0:55:18 | 0:55:20 | |
190 on the net, bid. | 0:55:20 | 0:55:22 | |
-At £190... -£190! | 0:55:22 | 0:55:24 | |
Auctioneers all over the land are pressing their buttons. | 0:55:24 | 0:55:27 | |
At £190 on the internet, you're done, then, at £190. | 0:55:27 | 0:55:31 | |
And done, thank you. | 0:55:31 | 0:55:33 | |
That is +157. | 0:55:33 | 0:55:36 | |
157, I cannot believe it. | 0:55:36 | 0:55:39 | |
Hey, now hang on a minute, £157 worth of profit, | 0:55:39 | 0:55:43 | |
but, we are going to sell the cart wheel. Here we go. | 0:55:43 | 0:55:46 | |
Who's got £20 for the cart wheel? | 0:55:46 | 0:55:48 | |
-It really should make 50. -Who's got £5 for a cart wheel? | 0:55:48 | 0:55:51 | |
Oh, thank you. | 0:55:51 | 0:55:52 | |
?5, I am bid at 5. 5 bid. £5. | 0:55:52 | 0:55:55 | |
Well, it's got £5... | 0:55:55 | 0:55:56 | |
-5 bid. £5. Any more? -How can a woman get it so right and yet so wrong? | 0:55:56 | 0:56:01 | |
On the book and done, then, at £5. | 0:56:01 | 0:56:04 | |
That's a hell of a lot of wheel for £5. | 0:56:04 | 0:56:07 | |
Which is -£50. Anyway, that did not de-rail us, I have to tell you. | 0:56:07 | 0:56:12 | |
Because you went with right lot, which is the Danish gavel. | 0:56:12 | 0:56:16 | |
Well done. Anyway, you made £157 profit on that. | 0:56:16 | 0:56:18 | |
You had £25 before, which means | 0:56:18 | 0:56:21 | |
-you have a total of £182. -Gosh. | 0:56:21 | 0:56:23 | |
We will have to go down to the cash machine | 0:56:24 | 0:56:26 | |
and get some money to pay you out in a minute, and in the meanwhile, | 0:56:26 | 0:56:29 | |
before we reveal all, don't say a word to the Reds, all right? | 0:56:29 | 0:56:32 | |
-Shtoom on that. -Yes, definitely. -Well done Kate Bliss, eh? | 0:56:32 | 0:56:36 | |
Well done... | 0:56:36 | 0:56:37 | |
-Well, teams, this has been fun, hasn't it? -ALL: Yes. | 0:56:44 | 0:56:47 | |
How lovely to have double teams of winners. | 0:56:47 | 0:56:49 | |
Everybody's going home with profits. Such a satisfactory feeling. | 0:56:49 | 0:56:52 | |
Just the question of the scale of the profits. Now, have you been | 0:56:52 | 0:56:55 | |
-chatting to one another about profits? -ALL: No. | 0:56:55 | 0:56:58 | |
No, not at all. Well, we're glad to hear it. There is a big gap. | 0:56:58 | 0:57:01 | |
You're all in profit and the team with the least winnings | 0:57:01 | 0:57:05 | |
just happens to be... | 0:57:05 | 0:57:06 | |
-the Reds. -Awww. | 0:57:06 | 0:57:08 | |
-With +£12. That's not bad, is it, sir? -No. | 0:57:08 | 0:57:12 | |
No, that's the right answer. Couple of drinks, here comes the £12. | 0:57:12 | 0:57:15 | |
There's 10 of them, and another couple of pounds. | 0:57:15 | 0:57:18 | |
I think Christina did very well finding both those bonus buys, | 0:57:18 | 0:57:21 | |
because both of them were crackers. We just didn't select the right one. | 0:57:21 | 0:57:24 | |
Either of us. Anyway. | 0:57:24 | 0:57:26 | |
You've made a profit, which is an achievement on this programme. | 0:57:26 | 0:57:29 | |
-Yeah, we're OK with that. -You're OK with that? Well, I'm pleased to hear that, because you've been up against | 0:57:29 | 0:57:35 | |
the opposition from heaven today, who are going home | 0:57:35 | 0:57:38 | |
with £182 of money. | 0:57:38 | 0:57:40 | |
-£182 of winnings. -Wow! | 0:57:41 | 0:57:44 | |
-It's a "wow," isn't it? -Yes. -£25 was your profit off the massive teapot. | 0:57:46 | 0:57:50 | |
You had a couple of white faces and along came Kate, | 0:57:50 | 0:57:54 | |
with her marvellous Danish gavel, which made a profit of £157. | 0:57:54 | 0:57:58 | |
It doesn't happen very often. | 0:57:58 | 0:58:00 | |
Well, bathe in the glory of it, | 0:58:00 | 0:58:02 | |
because it's a very substantial number and well done. | 0:58:02 | 0:58:05 | |
But there is another winner from this special programme, | 0:58:05 | 0:58:08 | |
and that will be the charity that gets the £17 profit on the lot | 0:58:08 | 0:58:14 | |
that Christina found that was not selected. | 0:58:14 | 0:58:18 | |
So, there is a charitable winner on the side as well. | 0:58:18 | 0:58:20 | |
-Anyway, congratulations, great fun. I hope you've enjoyed it? -ALL: Yes. | 0:58:20 | 0:58:25 | |
-Lovely. Join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:58:25 | 0:58:29 |