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What could be better? A day at the races! | 0:00:02 | 0:00:04 | |
The only race today is against the clock. | 0:00:04 | 0:00:08 | |
The stakes are high and the going is good. | 0:00:08 | 0:00:10 | |
And it's a one-hour-long special show today, | 0:00:10 | 0:00:14 | |
so, let's go bargain hunting, yeah! | 0:00:14 | 0:00:17 | |
Wetherby Racecourse, home to many a steeplechase meeting. | 0:00:40 | 0:00:44 | |
Today, it plays host to two teams of animal-crackers bargain hunters. | 0:00:44 | 0:00:48 | |
But will our teams fall at the first fence? | 0:00:49 | 0:00:53 | |
Or gallop off with loads of profit? | 0:00:53 | 0:00:55 | |
Because today's show is a double jeopardy show. | 0:00:55 | 0:00:59 | |
That means that each of the experts have to find two bonus buys. | 0:00:59 | 0:01:05 | |
Will the teams go with one or the other or neither? | 0:01:05 | 0:01:08 | |
"Whatever's going to happen?" I hear you cry. | 0:01:08 | 0:01:11 | |
Well, let's take a sneaky peek at what's coming up. | 0:01:11 | 0:01:14 | |
The tension becomes unbearable for the Reds. | 0:01:17 | 0:01:19 | |
No, no! | 0:01:19 | 0:01:20 | |
-D'oh! I told you! -£15! | 0:01:22 | 0:01:25 | |
Whilst the Blues try every dirty, low-down trick in the book. | 0:01:25 | 0:01:29 | |
Bearing in mind you're talking to a couple of old pensioners, | 0:01:29 | 0:01:32 | |
could you do that? | 0:01:32 | 0:01:34 | |
He's pulling the old-age pensioner's card! | 0:01:34 | 0:01:37 | |
Animal lovers of the canine and equine variety, | 0:01:38 | 0:01:42 | |
we have on the show today. | 0:01:42 | 0:01:44 | |
For the Reds, we have Bruce and Anita. | 0:01:44 | 0:01:46 | |
And for the Blues, we have Cherry and John. Hello, everyone. | 0:01:46 | 0:01:49 | |
-ALL: Hello, Tim! -Lovely to see you. | 0:01:49 | 0:01:51 | |
Now, Anita, being this side of the camera is no big deal, is it? | 0:01:51 | 0:01:54 | |
It's not, Tim, no. Although it's been quite a while, I have to say. | 0:01:54 | 0:01:58 | |
I was in Spender, we did quite a few Spenders, because they were | 0:01:58 | 0:02:02 | |
really, really popular at the time in the north-east. | 0:02:02 | 0:02:04 | |
So I did quite a few of those. | 0:02:04 | 0:02:07 | |
Did quite a few adverts, although I didn't get to speak. | 0:02:07 | 0:02:10 | |
My finger was quite prominent, pointing at bacon, | 0:02:10 | 0:02:13 | |
in quite a lot of them. | 0:02:13 | 0:02:15 | |
But nowadays, you're involved in a different | 0:02:15 | 0:02:17 | |
sort of show business, aren't you? | 0:02:17 | 0:02:19 | |
I am. I show my collies, my rough collies. | 0:02:19 | 0:02:22 | |
And I've been doing that since 1995. | 0:02:22 | 0:02:25 | |
I did have a litter and I kept one, | 0:02:25 | 0:02:27 | |
and I showed her and she was quite good. And I bought some more. | 0:02:27 | 0:02:31 | |
-Yes, became a disease then? -It did, and a bit of an obsession. | 0:02:31 | 0:02:36 | |
My biggest win was at Crufts, | 0:02:36 | 0:02:38 | |
when I got the Reserve Challenge certificate in 2008. | 0:02:38 | 0:02:41 | |
To win Crufts is something else, isn't it? | 0:02:41 | 0:02:43 | |
Didn't quite win it, but I wasn't far off! | 0:02:43 | 0:02:46 | |
How far were you off? | 0:02:46 | 0:02:47 | |
-One place. -No! Aw. | 0:02:47 | 0:02:50 | |
And it wasn't Crufts, well, it was Crufts, | 0:02:50 | 0:02:52 | |
-but it was the Best Rough Collie. -Oh, I see. | 0:02:52 | 0:02:55 | |
-Within the category of canine, yes, I understand. -Yes. | 0:02:55 | 0:02:58 | |
-Well, that's very close! -It was, yes. -That's close enough. | 0:02:58 | 0:03:00 | |
-It'll do me. -Well done! | 0:03:00 | 0:03:02 | |
Now, Bruce, you are an essential cog in the wheel of all this | 0:03:02 | 0:03:06 | |
canine success, aren't you? | 0:03:06 | 0:03:08 | |
-Absolutely not. -Oh. | 0:03:08 | 0:03:10 | |
I'm the sap who has to hold the bitey end of the dog, while it | 0:03:10 | 0:03:13 | |
-gets its hair pulled. -Oh, dear. -And getting up very early in | 0:03:13 | 0:03:16 | |
-the morning and having to drive many miles to dog shows. -Yes, yes. | 0:03:16 | 0:03:20 | |
-My reward is a soft-whip ice cream. -Is it? | 0:03:20 | 0:03:22 | |
And a snooze, followed by a poke in the eye when it's time to go home. | 0:03:22 | 0:03:25 | |
And do you ever get a Bonio thrown in? | 0:03:25 | 0:03:27 | |
LAUGHTER | 0:03:27 | 0:03:28 | |
What are your tactics going to be today? | 0:03:28 | 0:03:31 | |
Bruce likes things to do with the military, so I think | 0:03:31 | 0:03:34 | |
he'll probably look for things like that. | 0:03:34 | 0:03:36 | |
I'll get suckered into anything to do with animals, unfortunately. | 0:03:36 | 0:03:39 | |
-So I'm going to have to watch that. -Mainly dogs? -Yeah, mainly dogs. | 0:03:39 | 0:03:43 | |
OK, fair enough. | 0:03:43 | 0:03:44 | |
-Funny that, isn't it? -It's almost inevitable, I suppose. | 0:03:44 | 0:03:47 | |
I hope you'll enjoy that and thank you | 0:03:47 | 0:03:48 | |
-for joining us. -Thank you. | 0:03:48 | 0:03:50 | |
-Now, Cherry. -Hello, Tim. | 0:03:50 | 0:03:52 | |
-John. How are you? -Fine, Tim. | 0:03:52 | 0:03:54 | |
Brilliant. | 0:03:54 | 0:03:55 | |
Now, Cherry, when you retired, you decided to take up rather | 0:03:55 | 0:03:58 | |
an unusual hobby, didn't you? | 0:03:58 | 0:03:59 | |
Yes, John has always been interested in the pedigrees of horses, | 0:03:59 | 0:04:06 | |
so we decided to buy a brood mare, called Faithful Beauty, | 0:04:06 | 0:04:10 | |
and she's been a fantastic mare. | 0:04:10 | 0:04:12 | |
She's had 12 foals, 11 have reached the racecourse, | 0:04:12 | 0:04:17 | |
nine have won, two still to win. | 0:04:17 | 0:04:20 | |
How marvellous is that, well done! That is fantastic. | 0:04:20 | 0:04:23 | |
So, this has been an outstanding success, | 0:04:23 | 0:04:26 | |
-your turn into racehorse breeding? -Yes, yes. | 0:04:26 | 0:04:29 | |
-And have you had the runners here, at Wetherby? -Yes. | 0:04:29 | 0:04:32 | |
We had a horse called Darina's Boy, who is now 17 years old, | 0:04:32 | 0:04:37 | |
and he came second and third, on this racecourse, in 2006. | 0:04:37 | 0:04:42 | |
Gosh, how amazing. | 0:04:42 | 0:04:44 | |
So, were you up in the stand, or do you go down by the winning post? | 0:04:44 | 0:04:47 | |
We go somewhere to hide, Tim, because it's like watching | 0:04:47 | 0:04:50 | |
your child at a school sports day, especially over jumps! | 0:04:50 | 0:04:54 | |
-But this isn't your only involvement in sport, is it, John? -No. | 0:04:54 | 0:04:58 | |
Notwithstanding these decrepit features, I used to play rugby. | 0:04:58 | 0:05:02 | |
I was playing hooker, from scrum to scrum. | 0:05:02 | 0:05:06 | |
I used to play hooker, too. | 0:05:06 | 0:05:08 | |
-Oh, really! -Yes, I did. | 0:05:08 | 0:05:10 | |
-Oh, we're members of the front row forwards union! -Yes, exactly. | 0:05:10 | 0:05:13 | |
And I used to rather like it | 0:05:13 | 0:05:15 | |
because I found it quite protective having these strapping great | 0:05:15 | 0:05:18 | |
props, either side, who were quite capable of raising their knee | 0:05:18 | 0:05:22 | |
into the face of the opposition on the other side, | 0:05:22 | 0:05:24 | |
at every opportunity, | 0:05:24 | 0:05:26 | |
which was always rather ferocious, | 0:05:26 | 0:05:28 | |
if one was of a delicate disposition. | 0:05:28 | 0:05:31 | |
-Of course, it's changed a lot now. -Yes. | 0:05:31 | 0:05:33 | |
In my day just had to get the ball out of the scrum, today you've | 0:05:33 | 0:05:36 | |
got to tackle, run, score tries, throw into the line-out, multitask! | 0:05:36 | 0:05:40 | |
Yes. So, who is good to be taking the reins, today? | 0:05:40 | 0:05:42 | |
Who's going to control the shopping on Bargain Hunt? | 0:05:42 | 0:05:45 | |
I think it'll be joint. | 0:05:45 | 0:05:48 | |
-That is a very diplomatic answer! -We tend to compromise. | 0:05:48 | 0:05:51 | |
Anyway, we come to the money moment, £300 apiece, here's your £300. | 0:05:51 | 0:05:55 | |
You know the rules, your experts await, and off you go! | 0:05:55 | 0:05:58 | |
Very, very, very good luck. | 0:05:58 | 0:06:00 | |
So who is going to be the winner today? | 0:06:00 | 0:06:03 | |
Giving them the inside track, are our experts. | 0:06:05 | 0:06:08 | |
Philip Serrell will be leading the Reds. | 0:06:08 | 0:06:11 | |
Whilst leading lady for the Blues is Anita Manning, bless her! | 0:06:12 | 0:06:17 | |
-Wetherby, I love it! -Fantastic. | 0:06:18 | 0:06:21 | |
A racecourse, I'm with two horsey people, I love horses! | 0:06:21 | 0:06:24 | |
-I like jewellery. -Oh, Lord. -And I know that can be a bit hit-and-miss. | 0:06:24 | 0:06:28 | |
-Arts and Crafts, silver. -Oh, right. Yeah. -A decanter. | 0:06:28 | 0:06:32 | |
-He's got very definite ideas. -I like my Scotch whisky. | 0:06:32 | 0:06:35 | |
I want to find something that'll make Tim go weak at the knees. | 0:06:35 | 0:06:38 | |
Oh, dear, oh, dear, oh, dear. | 0:06:38 | 0:06:39 | |
-Scotch whisky will. Ha! -LAUGHTER | 0:06:39 | 0:06:42 | |
Look sharp, teams! Your hour starts now! | 0:06:43 | 0:06:46 | |
I can see dogs, already. | 0:06:46 | 0:06:48 | |
I think they've been in the dogs' home. | 0:06:48 | 0:06:51 | |
-And it makes a noise, as well! -God, that's good, isn't! | 0:06:51 | 0:06:55 | |
-It's great stuff! -And so realistic! | 0:06:55 | 0:06:57 | |
-I know we're going to have to buy something doggy, right? -Yes. | 0:06:57 | 0:07:00 | |
-I want to stay away from pot dogs. -Do you? -All right, then. All right? | 0:07:00 | 0:07:04 | |
-OK. -But that might be a possibility. -OK. | 0:07:04 | 0:07:06 | |
Anita rarely overlooks items from her bonny homeland. | 0:07:08 | 0:07:13 | |
These were made in the same place that all the wonderful | 0:07:13 | 0:07:16 | |
ships of the world were made in, in Clydebank. | 0:07:16 | 0:07:20 | |
And ones that were made in the early | 0:07:20 | 0:07:22 | |
part of the 20th century are still in perfect working order. | 0:07:22 | 0:07:26 | |
So, that was Clyde-built, just like me. | 0:07:26 | 0:07:28 | |
LAUGHTER | 0:07:28 | 0:07:30 | |
Looks like Bruce found his way to something interesting. | 0:07:32 | 0:07:35 | |
I was wondering if you could tell me | 0:07:35 | 0:07:37 | |
if you think it's military origins or not? | 0:07:37 | 0:07:40 | |
I don't know whether it is. It's a better-made thing than it looks. | 0:07:40 | 0:07:44 | |
-Uh-huh. -Because it looks like quite an inexpensive thing, | 0:07:44 | 0:07:47 | |
but, when you pick it up, there's a bit of weight to it. | 0:07:47 | 0:07:50 | |
And then it's got this locking device, here, | 0:07:50 | 0:07:52 | |
that when the lid shuts, it puts down on that, and it's locked. | 0:07:52 | 0:07:56 | |
I can't see any marks on it to identify as... | 0:07:57 | 0:08:00 | |
No, you'd have an arrow, or whatever, wouldn't you? | 0:08:00 | 0:08:03 | |
What would be the best you could do on that? | 0:08:03 | 0:08:05 | |
I've got 38 on it. | 0:08:06 | 0:08:08 | |
I could go down to 32? | 0:08:08 | 0:08:11 | |
Well, it's a step in the right direction, that, | 0:08:11 | 0:08:13 | |
but if you'd like to have another look. | 0:08:13 | 0:08:16 | |
-Er, 28? -28? -28. | 0:08:16 | 0:08:20 | |
Could you put it by for us, for an hour? | 0:08:20 | 0:08:21 | |
You can take it with you, in case you get lost. | 0:08:21 | 0:08:23 | |
It'll help you find your way back. | 0:08:23 | 0:08:25 | |
I don't see the point, myself. | 0:08:29 | 0:08:31 | |
But how are the Blues getting on? | 0:08:31 | 0:08:34 | |
-Silver. -Oh, yes, they're nice. -Uh-huh. | 0:08:34 | 0:08:36 | |
Silver spoons, hallmarked silver, a nice wee set. | 0:08:38 | 0:08:41 | |
And it's in its box, as well. | 0:08:41 | 0:08:43 | |
-It's in its box. -Is this the original box? | 0:08:43 | 0:08:44 | |
Yes, yes. | 0:08:44 | 0:08:47 | |
We have a date letter here, and we have our maker's name there. | 0:08:47 | 0:08:52 | |
-And that's why people like to collect silver. -Yes. | 0:08:52 | 0:08:55 | |
Because they can tell exactly where it was made, who made it, | 0:08:55 | 0:09:00 | |
if it was silver and when it was made. | 0:09:00 | 0:09:03 | |
So, they're probably made, maybe, | 0:09:03 | 0:09:07 | |
in the first half of the 20th century, anyway. | 0:09:07 | 0:09:10 | |
I'd like to see if we can negotiate a buying price on this, please. | 0:09:10 | 0:09:14 | |
Bearing in mind, you're talking to a couple of old pensioners. | 0:09:14 | 0:09:17 | |
-Could you do that? -LAUGHTER | 0:09:17 | 0:09:20 | |
He's playing the old-age pensioner's card! | 0:09:20 | 0:09:23 | |
Could you really manage 38? | 0:09:23 | 0:09:26 | |
-I think we could, yes. -Are you happy, Cherry, because... -OK, yes. | 0:09:26 | 0:09:30 | |
Thank you very much, indeed. | 0:09:30 | 0:09:31 | |
He's a fast character, him, isn't he? | 0:09:31 | 0:09:34 | |
He's pretty swift for an OAP. | 0:09:34 | 0:09:36 | |
You'll have to keep an eye on that one, Anita. | 0:09:36 | 0:09:38 | |
Old telephones! | 0:09:40 | 0:09:41 | |
-Retro. -Well, an old telephone the other day, | 0:09:41 | 0:09:43 | |
made, I think, £23,000. | 0:09:43 | 0:09:46 | |
-But it wasn't one of those. -No. | 0:09:46 | 0:09:48 | |
The Reds don't seem to be in any great rush. | 0:09:48 | 0:09:51 | |
But the blues just can't wait to buy their next item. | 0:09:52 | 0:09:56 | |
And what we've got here are a nice selection of paperweights, | 0:09:56 | 0:10:00 | |
some of which will be Caithness paperweights. | 0:10:00 | 0:10:03 | |
-Ah. -Yes. | 0:10:03 | 0:10:04 | |
Caithness is in the north of Scotland. | 0:10:04 | 0:10:08 | |
-Do you collect paperweights? -No. -No. | 0:10:08 | 0:10:11 | |
Do you want to have a go at one of these, | 0:10:11 | 0:10:13 | |
or do you want to continue to look. | 0:10:13 | 0:10:14 | |
I think we'll continue to look. | 0:10:14 | 0:10:16 | |
-Continue to look. -OK, we'll come back again. -Right. | 0:10:16 | 0:10:19 | |
Another quick decision from the Blues. | 0:10:19 | 0:10:22 | |
Come on, Phil, I think these reds need a bit of direction. | 0:10:22 | 0:10:25 | |
Let's go up, get the compass, then that's one done. | 0:10:25 | 0:10:29 | |
-And then let's go on, and see what else we can find. -Yeah. | 0:10:29 | 0:10:32 | |
It's shrunk in the heat. LAUGHTER | 0:10:34 | 0:10:38 | |
We've got bad news for you, the price has as well, it's 20 quid now! | 0:10:38 | 0:10:42 | |
As you are a man with a sense of humour, £28. | 0:10:42 | 0:10:44 | |
Will you take an extra pound off, if I can make you smile? | 0:10:44 | 0:10:48 | |
-Know a good joke? -Yes. -Go for it. | 0:10:48 | 0:10:50 | |
Why don't owls make love in the rain? | 0:10:50 | 0:10:53 | |
-It's "too wet to woo", isn't it? -Naww! Too wet to woo. | 0:10:56 | 0:10:59 | |
You smiled, though. | 0:10:59 | 0:11:00 | |
Well done, well done. | 0:11:00 | 0:11:04 | |
No! Right, OK. | 0:11:04 | 0:11:05 | |
Thank you. You're a gentleman. | 0:11:05 | 0:11:07 | |
I can see these two are going to be a right hoot. | 0:11:07 | 0:11:09 | |
That's one item apiece, teams, and 35 minutes left. | 0:11:09 | 0:11:13 | |
Maybe we should pop inside and have a wee look at the inside stalls? | 0:11:14 | 0:11:17 | |
-Good idea. -You've got lots and lots and lots of stuff in here. -Oh, yes! | 0:11:17 | 0:11:23 | |
Back at the stall where the Blues bought their spoons, | 0:11:23 | 0:11:26 | |
the Reds have found a vintage bus conductor's ticket machine. | 0:11:26 | 0:11:30 | |
They think it's broken. But, there's a knack. | 0:11:30 | 0:11:33 | |
Because that will only go so far round, you've got to flick that. | 0:11:33 | 0:11:37 | |
-Oh, good. -Obviously, when you're... | 0:11:37 | 0:11:39 | |
Do you have a roll of tickets to go with it? | 0:11:39 | 0:11:41 | |
-No, unfortunately, we don't. -You don't. | 0:11:41 | 0:11:43 | |
I think that's really nice. | 0:11:43 | 0:11:44 | |
Yes. I think it's very nice, too. | 0:11:44 | 0:11:46 | |
-I think at auction it's going to make between £30 and £50. -Do you? | 0:11:46 | 0:11:49 | |
Yes, I do. But I think it's a great, funky thing. | 0:11:49 | 0:11:52 | |
-Nostalgic, isn't it? -It is, yes. | 0:11:52 | 0:11:54 | |
As we're on a bargain hunt, what's the best price you can give this? | 0:11:54 | 0:11:59 | |
£30 to £50 quid at auction. | 0:11:59 | 0:12:01 | |
We need to get it into that range really, don't we? | 0:12:01 | 0:12:04 | |
-55. -55? -55. -55. | 0:12:04 | 0:12:07 | |
-Oh! No, no, no! -We're not going to find another, are we? -50? | 0:12:07 | 0:12:13 | |
-Not possibly 45? -No. -45 for a smile? | 0:12:13 | 0:12:17 | |
Now, if he can tell you a joke and it makes you smile... | 0:12:17 | 0:12:20 | |
Actually, you're on solid ground here, because you won't laugh. Try it. | 0:12:20 | 0:12:24 | |
-Why don't owls make love in the rain? -Don't know. | 0:12:24 | 0:12:28 | |
Because it's too wet to woo. | 0:12:28 | 0:12:30 | |
HOWLING WIND ACROSS BARREN LAND | 0:12:30 | 0:12:32 | |
I think you'll need some new material, Bruce. | 0:12:32 | 0:12:35 | |
Your bottom line is definitely £50? | 0:12:35 | 0:12:38 | |
-You can't be twisted? -A pound off. | 0:12:38 | 0:12:40 | |
-49? -49. -49. | 0:12:40 | 0:12:42 | |
Why don't you ask this good lady if she'll put it by | 0:12:42 | 0:12:44 | |
for you for half an hour? | 0:12:44 | 0:12:45 | |
Would you put it by for us, for half an hour? | 0:12:45 | 0:12:47 | |
-Yes. -Thank you, my love. Thank you very much. | 0:12:47 | 0:12:49 | |
It seems the Reds are more into playing the fool, | 0:12:49 | 0:12:52 | |
-than splashing the cash. -What do you think? | 0:12:52 | 0:12:55 | |
Back with the Blues, and something decorative has caught Cherry's eye. | 0:12:57 | 0:13:02 | |
I've seen a vase with fields on, a painted vase. | 0:13:03 | 0:13:08 | |
-I like it because reminds me of Italy. -All right, OK. | 0:13:08 | 0:13:11 | |
Let's first have a look. | 0:13:11 | 0:13:13 | |
It's Old Tupton Ware. It has the look of, | 0:13:13 | 0:13:18 | |
with the tube-lining, of Moorcroft, | 0:13:18 | 0:13:20 | |
but different types of pattern. | 0:13:20 | 0:13:21 | |
What does tube-lined mean? | 0:13:21 | 0:13:23 | |
Tube-lined means that we have the detail in relief. | 0:13:23 | 0:13:29 | |
It's almost like icing on a cake. | 0:13:29 | 0:13:33 | |
It's fairly new, but can you tell us a bit about Old Tupton Ware? | 0:13:33 | 0:13:36 | |
Certainly. Old Tupton Ware is named after the village of Old Tupton | 0:13:36 | 0:13:39 | |
in Derbyshire, just south of Chesterfield. | 0:13:39 | 0:13:42 | |
Whether it's actually been made there, I do not know, | 0:13:42 | 0:13:45 | |
It's not made on these shores, to be honest, | 0:13:45 | 0:13:47 | |
not at these prices were selling at. | 0:13:47 | 0:13:48 | |
-It's very colourful and cheering. -Yes. | 0:13:48 | 0:13:52 | |
-A vase brightens up anybody's house, yes. -Right. -I like it. | 0:13:52 | 0:13:55 | |
-Is it also very expensive? -£75. -£75. | 0:13:55 | 0:14:00 | |
Can it be bought for less than that? | 0:14:02 | 0:14:04 | |
Mmmm, it could be. | 0:14:04 | 0:14:07 | |
Could it be bought for 50? | 0:14:07 | 0:14:09 | |
No. The idea is we're supposed to make a profit. | 0:14:09 | 0:14:11 | |
Oh, right! Ha-ha-ha! | 0:14:11 | 0:14:13 | |
I'll go down to 65? | 0:14:13 | 0:14:15 | |
Well, in the end, Cherry, John, it's up to you. | 0:14:15 | 0:14:19 | |
What you've got here is a big piece | 0:14:19 | 0:14:23 | |
and sometimes, size matters. | 0:14:23 | 0:14:26 | |
Tell me what you like about it. | 0:14:26 | 0:14:28 | |
I like it because it's bright and cheerful. | 0:14:28 | 0:14:31 | |
And I think it would put a smile on somebody's face, | 0:14:31 | 0:14:34 | |
as they walked into the room. | 0:14:34 | 0:14:35 | |
I think it's been well executed, as a piece in its own right. | 0:14:35 | 0:14:39 | |
I'd like it a lot more, if the price could start with a five. | 0:14:39 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:47 | |
Like 59 or 58. | 0:14:47 | 0:14:49 | |
-59. -59. -Yeah? | 0:14:50 | 0:14:53 | |
-Do you want it at 59? -Yes. | 0:14:53 | 0:14:55 | |
50. Careful! | 0:14:57 | 0:14:59 | |
59, thank you very much indeed. | 0:14:59 | 0:15:02 | |
-This man doesn't hang about, -No, he doesn't. | 0:15:02 | 0:15:04 | |
John's really got the bit between his teeth. | 0:15:04 | 0:15:08 | |
But will the vase turn a profit at auction? | 0:15:08 | 0:15:11 | |
Back with the Reds, it's time for a team talk. | 0:15:11 | 0:15:14 | |
We need to make some decisions here, now. | 0:15:14 | 0:15:17 | |
-Now, I reckon, you've bought the compass. -Yes. | 0:15:17 | 0:15:19 | |
-You want to buy the bus conductor's thing. -I'd be interested. | 0:15:19 | 0:15:21 | |
I reckon you should go and buy the bus conductor's thing, | 0:15:21 | 0:15:24 | |
that means that you, | 0:15:24 | 0:15:26 | |
-you... -Me! -..have spent 70-75 quid on your two little bits, | 0:15:26 | 0:15:31 | |
and I'm going to run off with this lady, right, | 0:15:31 | 0:15:33 | |
-and we're going to go and find something... -For 50p! | 0:15:33 | 0:15:36 | |
-Is isn't he a rotter? -Shocking. | 0:15:36 | 0:15:38 | |
Right, we're going to go and find something in there. | 0:15:38 | 0:15:40 | |
-And you come and catch us up, all right? -OK, then. | 0:15:40 | 0:15:43 | |
With time running out, this plan sounds just the ticket. | 0:15:43 | 0:15:46 | |
Bruce closes the deal for £49. | 0:15:47 | 0:15:51 | |
-Thank you, very much. -Thank you. -Fantastic. | 0:15:51 | 0:15:54 | |
Meanwhile, Anita and Phil are going upmarket with the indoor stalls. | 0:15:54 | 0:15:58 | |
-Right, is this not pot heaven? -It is pot heaven. Oh, Moorcroft. | 0:15:58 | 0:16:02 | |
Yes, it's awash with pots. Are you sure this is a good idea, Phil? | 0:16:02 | 0:16:06 | |
-I'm looking at pot dogs again. -You've got to concentrate the mind. -Yeah. | 0:16:07 | 0:16:11 | |
SHE LAUGHS | 0:16:11 | 0:16:12 | |
Great minds think alike. | 0:16:14 | 0:16:16 | |
The Blues have also split up and Cherry has spotted something she likes. | 0:16:16 | 0:16:20 | |
-She's got a smile on her face! -Yeah, she has, yeah. HE LAUGHS | 0:16:20 | 0:16:23 | |
Oh, she's got her glasses off. She means business! | 0:16:23 | 0:16:26 | |
Let's go and have a wee look. | 0:16:26 | 0:16:27 | |
Here we're looking at this beautiful leopard. | 0:16:28 | 0:16:32 | |
Is this what you fancy, Cherry? | 0:16:32 | 0:16:34 | |
It's what caught my eye because it's an animal | 0:16:34 | 0:16:37 | |
-and it looks fairly well made. -Do we know what it's made of? | 0:16:37 | 0:16:40 | |
These things are made of a resin, which is a plastic-type material | 0:16:40 | 0:16:45 | |
but don't let that put you off. This is Border Fine Arts. | 0:16:45 | 0:16:51 | |
Very good designers, very good mouldings. Everything is sharp. | 0:16:51 | 0:16:55 | |
It's not a cheap process. And they are expensive to buy in the shops. | 0:16:55 | 0:17:01 | |
When you talk about Borders you mean the Scottish Borders? | 0:17:01 | 0:17:04 | |
Yes, so Border Fine Arts. | 0:17:04 | 0:17:06 | |
-The only thing is it's got a little nick there. -Och, that's nothing! | 0:17:06 | 0:17:11 | |
-SHE LAUGHS -Look it's away! -If you... | 0:17:11 | 0:17:14 | |
I think you guys are drawn to an animal... | 0:17:14 | 0:17:17 | |
-Oh, we are. -..like that, which has the wonderful muscle tone. | 0:17:17 | 0:17:22 | |
-My worry is whether that would fly at an auction. -Uh-huh. | 0:17:22 | 0:17:26 | |
Well, collectors will like that and Border Fine Arts is a collectable. | 0:17:26 | 0:17:32 | |
There were lots of copycats of Border Fine Arts but this is... | 0:17:32 | 0:17:37 | |
-Is it authentic? -It's authentic. | 0:17:37 | 0:17:40 | |
This woman's got a smile on her face! | 0:17:40 | 0:17:42 | |
The Blues may have found their final item. | 0:17:42 | 0:17:45 | |
While they decide if it's the cat's whiskers, | 0:17:45 | 0:17:47 | |
the Reds have found something that could be the dog's... | 0:17:47 | 0:17:51 | |
DOG BARKS | 0:17:51 | 0:17:52 | |
It's an inkwell. | 0:17:52 | 0:17:54 | |
Is that your favourite bit of doggy stuff that we've seen? | 0:17:54 | 0:17:57 | |
It's got some character. | 0:17:57 | 0:17:59 | |
-That's £98. -You've got some money, remember. -Yeah. | 0:18:00 | 0:18:03 | |
As long as you can leave with something. | 0:18:03 | 0:18:05 | |
-What do you think about it? -Well, it looks like it's... | 0:18:05 | 0:18:08 | |
marble, early 20th century. | 0:18:09 | 0:18:12 | |
The first question to ask yourself | 0:18:12 | 0:18:13 | |
-is whether he has always been on there. -OK. | 0:18:13 | 0:18:16 | |
-Because the two, sometimes they get married together. -Right, OK. | 0:18:16 | 0:18:19 | |
-Erm, do you think these have always been together? -Yes, I think so. | 0:18:19 | 0:18:22 | |
-What would this be, 1910, 1920? -1920s, that is, maybe. | 0:18:22 | 0:18:27 | |
-Yeah. -Not English, is it? -No... | 0:18:27 | 0:18:31 | |
-Possibly French, German... -French, I would've thought. | 0:18:31 | 0:18:34 | |
-It's quite a nice little piece. -And how much is that? | 0:18:34 | 0:18:37 | |
-Well, you've got 98 on it. -98, best 75 but that doesn't include the pen. | 0:18:37 | 0:18:43 | |
Could it include the pen? | 0:18:43 | 0:18:44 | |
-Please! -I suppose it could. | 0:18:46 | 0:18:48 | |
Let's put it back. Let's put it back and have a think. | 0:18:48 | 0:18:51 | |
Could we ask you to put that by for us for about 15 minutes? | 0:18:51 | 0:18:53 | |
-Yeah, of course you can. -While we have a quick whizz round. -Thank you. | 0:18:53 | 0:18:57 | |
These Reds have serious commitment issues. | 0:18:57 | 0:18:59 | |
It's a wonder they ever got married. | 0:18:59 | 0:19:01 | |
How much do you think it would make in auction if we bought that? | 0:19:01 | 0:19:05 | |
I would think you're looking at sort of £50 to £80. | 0:19:05 | 0:19:07 | |
It's just a really good quality little dog. | 0:19:07 | 0:19:10 | |
While the Reds dither, | 0:19:10 | 0:19:11 | |
the Blues have decided to pounce on the leopard. | 0:19:11 | 0:19:13 | |
So it's time to talk money. | 0:19:13 | 0:19:15 | |
I've got £70 on the ticket. | 0:19:16 | 0:19:19 | |
-Er, but I could do that for 50. -50? Right, yes. | 0:19:19 | 0:19:25 | |
-Sort of a special... -Aw, just for Bargain Hunt. What a kind gesture. | 0:19:25 | 0:19:30 | |
-Hang on... -Could we begin with a 4, even if it's 49? | 0:19:30 | 0:19:34 | |
-Yes, of course. -Thank you very much indeed. | 0:19:34 | 0:19:36 | |
Thank you. I hope you really enjoy it. | 0:19:36 | 0:19:39 | |
Negotiated like a true Yorkshireman, John. | 0:19:39 | 0:19:42 | |
That's the Blues done and dusted. | 0:19:42 | 0:19:44 | |
The Reds are still looking for their last item. | 0:19:44 | 0:19:46 | |
Ooh, no! HE LAUGHS | 0:19:46 | 0:19:49 | |
But with just three minutes left, they're fast running out of options. | 0:19:49 | 0:19:52 | |
-What do you want to do? -We need to go and buy that. -Off you go then! | 0:19:52 | 0:19:56 | |
Yeah, come on then, let's go. | 0:19:56 | 0:19:58 | |
So the bulldog inkwell it is. | 0:19:59 | 0:20:01 | |
And there's just time for a cheeky bit of manoeuvring on the price. | 0:20:01 | 0:20:04 | |
-You said £65 for this, didn't you? -No, I did not. | 0:20:04 | 0:20:08 | |
With the pen. | 0:20:08 | 0:20:09 | |
They're like a couple of Rottweilers, these two. | 0:20:09 | 0:20:12 | |
75 and I'll throw in the pen. | 0:20:12 | 0:20:14 | |
Well, I love it so I think we'll go for that | 0:20:14 | 0:20:17 | |
but thank you very much, with the pen. | 0:20:17 | 0:20:20 | |
-Thank you. -Thank you. | 0:20:20 | 0:20:21 | |
Cor, they cut that very fine. But now we've got two full houses. | 0:20:21 | 0:20:25 | |
Hats off! Time's up! Let's check out what the Red team bought, eh? | 0:20:26 | 0:20:29 | |
They were magnetically drawn to this compass for £27. | 0:20:30 | 0:20:34 | |
Ding-ding! All aboard! | 0:20:37 | 0:20:39 | |
They held tight and bought this bus conductor's ticket machine for £49. | 0:20:39 | 0:20:42 | |
And, finally, they thought this inkstand was something | 0:20:44 | 0:20:48 | |
to write home about for £75. | 0:20:48 | 0:20:50 | |
Did you have a cracking shop or did you have a cracking shop? | 0:20:51 | 0:20:54 | |
-I did. -We had a cracking shop. -We had a cracking shop. | 0:20:54 | 0:20:55 | |
-And how much did you spend? -We spent £151. | 0:20:55 | 0:20:59 | |
-151, I'd like 149 of leftover lolly, please. -There you go. | 0:20:59 | 0:21:03 | |
Erm, Anita, can you tell me which is your favourite item that you bought? | 0:21:03 | 0:21:06 | |
Well, actually, I liked the conductor's ticket machine, | 0:21:06 | 0:21:09 | |
I thought that was quirky and interesting. | 0:21:09 | 0:21:11 | |
-Just your personal favourite? -Yeah, I think so. -Good, what about you, Brucey? | 0:21:11 | 0:21:15 | |
Being a blissfully happily-married man, I agree with Anita | 0:21:15 | 0:21:18 | |
and say that the ticket machine is my favourite as well. | 0:21:18 | 0:21:20 | |
-And your marriage will go on for many years. -Indeed, indeed. | 0:21:20 | 0:21:23 | |
-I think it's the compass. -OK. -The compass will. | 0:21:23 | 0:21:25 | |
-It's going to point in the right direction, is it? -Yes, potentially. | 0:21:25 | 0:21:28 | |
-Do you agree with that? -Well, actually, I told him to say that because, yes, | 0:21:28 | 0:21:31 | |
-I do actually agree with him, Tim. -Well, that's marvellous, isn't it? | 0:21:31 | 0:21:34 | |
The unity in this team is something else. | 0:21:34 | 0:21:36 | |
-Have they been like this all day, then? -Well, it's... | 0:21:36 | 0:21:39 | |
-We've had our moments. -I bet you have! | 0:21:39 | 0:21:41 | |
Anyway, there's a reasonable slug for you, P Serrell. | 0:21:41 | 0:21:44 | |
Yeah, I think I'm going to go and find something | 0:21:44 | 0:21:47 | |
that can give us stability through troubled waters. | 0:21:47 | 0:21:50 | |
That's enigmatic. | 0:21:50 | 0:21:52 | |
But hold that thought, and don't disappear yet | 0:21:52 | 0:21:54 | |
because I'm going to give you another £100. | 0:21:54 | 0:21:56 | |
This is Tim's Ton, right, | 0:21:56 | 0:21:58 | |
this is for the special bonus buy for this special | 0:21:58 | 0:22:01 | |
hour-long programme, Phil, | 0:22:01 | 0:22:02 | |
so it's two bonus buys that you're challenged with finding | 0:22:02 | 0:22:06 | |
and I'll make a prediction or two as to which of your | 0:22:06 | 0:22:09 | |
bonus buys I think are going to do best. | 0:22:09 | 0:22:12 | |
-Which we don't tell this lot, right? -Excellent. -Right. | 0:22:12 | 0:22:15 | |
On a happy note, why don't we check out what the Blue team bought, eh? | 0:22:15 | 0:22:18 | |
They were not shaken but stirred by these silver spoons for £38. | 0:22:20 | 0:22:24 | |
They did a cracking deal on this Old Tupton Ware vase for £59. | 0:22:26 | 0:22:31 | |
And, finally, | 0:22:31 | 0:22:32 | |
they hope this moulded leopard will be a roaring success at auction. | 0:22:32 | 0:22:36 | |
Bought for £49. | 0:22:36 | 0:22:38 | |
-That was good, wasn't it? -It was, really interesting. -Really good. | 0:22:41 | 0:22:44 | |
Almost as good as a day out at the races, what? | 0:22:44 | 0:22:46 | |
-So, how much did you spend, John? -£146. -That's very fair. | 0:22:48 | 0:22:52 | |
So I'd like £154, please, Cherry. | 0:22:52 | 0:22:55 | |
That's right, you're in charge of the money. Very nice. | 0:22:55 | 0:22:58 | |
-So, which is your favourite piece, Cherry? -I do like the vase. | 0:22:58 | 0:23:03 | |
The vase is your favourite. John, do you agree with that? | 0:23:03 | 0:23:06 | |
-I fancy the silver spoons. -Just as your favourite. -Yeah. | 0:23:06 | 0:23:10 | |
-Which is going to bring the biggest profit? -All of them. | 0:23:10 | 0:23:13 | |
-Oh, they're all going to bring an equally big profit? -Oh, yes. -Really? | 0:23:13 | 0:23:18 | |
Are you that confident, Cherry? | 0:23:18 | 0:23:20 | |
Which do you think is going to bring the biggest profit? | 0:23:20 | 0:23:22 | |
-The leopard. -The leopard? -Possibly. -OK, possibly. | 0:23:22 | 0:23:24 | |
Cor, you're hedging your bets! | 0:23:24 | 0:23:27 | |
Now I know why you're so good around the racecourse. | 0:23:27 | 0:23:30 | |
Anyway, Anita, here's a fair old heap, darling. | 0:23:30 | 0:23:32 | |
-That's lovely, thank you. -You've had lots of fun, haven't you? | 0:23:32 | 0:23:34 | |
Oh, wonderful, wonderful, wonderful. But I want to buy something horsey. | 0:23:34 | 0:23:39 | |
Don't go cantering off yet | 0:23:40 | 0:23:42 | |
because I need to give you another £100, all right? This is Tim's Ton. | 0:23:42 | 0:23:46 | |
-Will I get a thoroughbred with that? -No, not one of ours, Anita. | 0:23:46 | 0:23:50 | |
The thing is, you can't combine, all right? | 0:23:50 | 0:23:53 | |
It's got to be two separate items and it would be fabulous, Anita, | 0:23:53 | 0:23:57 | |
if you could come back with the Tim's Ton bonus buy | 0:23:57 | 0:24:00 | |
for us to have a chat about in a minute or two. | 0:24:00 | 0:24:02 | |
And we won't say a word to the team so you'll never know what | 0:24:02 | 0:24:05 | |
-we had to say till after the event. Thank you very much. -Thank you. | 0:24:05 | 0:24:10 | |
Thank you. Thank you, Anita. | 0:24:10 | 0:24:11 | |
Mm, lovely. | 0:24:14 | 0:24:15 | |
Phil's been scouring the fair for his bonus buy | 0:24:16 | 0:24:19 | |
and he's set the controls for quirky. | 0:24:19 | 0:24:22 | |
I thought this for Bruce and Anita. What is it? | 0:24:24 | 0:24:26 | |
You might well ask but | 0:24:26 | 0:24:28 | |
it's a stabiliser for a battleship. Who doesn't want one of those? | 0:24:28 | 0:24:33 | |
Well, I didn't see that coming. | 0:24:33 | 0:24:35 | |
But for Tim's Ton, Phil's come over all predictable. | 0:24:35 | 0:24:38 | |
It wouldn't be Bargain Hunt if I didn't buy a bit of Worcester, would it? | 0:24:41 | 0:24:45 | |
-Well, this is exciting, Philip Serrell. -Absolutely right. | 0:24:46 | 0:24:49 | |
-I gave you all that dosh. -Yes. | 0:24:49 | 0:24:51 | |
-Now, the team's bonus buy, they had £149 of leftover lolly. -Well... | 0:24:51 | 0:24:56 | |
What did you do with this grey blob on the floor there? | 0:24:56 | 0:24:58 | |
Well, Bruce liked his marine, militaria-type stuff | 0:24:58 | 0:25:02 | |
and the only thing that I could find, and I think | 0:25:02 | 0:25:05 | |
-no-one should be without one of these, is a battleship stabiliser. -Really? | 0:25:05 | 0:25:09 | |
-Have you got one? -No, I haven't, actually. -You should have a look. | 0:25:09 | 0:25:12 | |
I've had a look at it and, do you know, | 0:25:12 | 0:25:14 | |
I'm not so sure that it is to do with stabilising. | 0:25:14 | 0:25:17 | |
-A stabiliser would be there to stop you rocking about in the water, right? -Yeah. | 0:25:17 | 0:25:20 | |
And you have these stabiliser fins at either side | 0:25:20 | 0:25:22 | |
and that's what happens with stabilising. | 0:25:22 | 0:25:24 | |
I'm not too sure whether they operate off a gyro. | 0:25:24 | 0:25:27 | |
But what I do know operates off a gyro in a warship is that | 0:25:27 | 0:25:30 | |
-you have an electro-gyrocompass, right? -Yeah. | 0:25:30 | 0:25:34 | |
And for that it needs to have the pole in one place, stabilised. | 0:25:34 | 0:25:40 | |
-So that's why it's in its gimbals. -Yeah. | 0:25:40 | 0:25:42 | |
It's got that piece of wire coming out of the top | 0:25:42 | 0:25:44 | |
and if that went into the bowels of the ship it could provide | 0:25:44 | 0:25:48 | |
-an element in this electrocompass. -Well, there we are then, sorted. | 0:25:48 | 0:25:52 | |
Not necessarily, because I could be making it all up. | 0:25:52 | 0:25:56 | |
-Anyway, how much did you pay for it? -£25. -£25? -Yeah, sorry, £25. | 0:25:56 | 0:25:59 | |
-Is that all? -Yes. Well, I have no idea what it's worth. | 0:25:59 | 0:26:03 | |
-I haven't got a clue. -No-no. | 0:26:03 | 0:26:04 | |
I paid £25 for it, | 0:26:04 | 0:26:05 | |
my auction estimate is somewhere between £1 and £100. | 0:26:05 | 0:26:08 | |
So the Tim's Ton, I gave you the £100 | 0:26:08 | 0:26:10 | |
and you've gone with this plate. | 0:26:10 | 0:26:12 | |
Well, you know what, I can't help myself with a bit of Worcester. | 0:26:12 | 0:26:16 | |
This was made in 1906. | 0:26:16 | 0:26:18 | |
It's a hand-painted piece of fruit with strawberries and apples, | 0:26:18 | 0:26:21 | |
probably by a man called Frank Roberts. I paid £60 for it. | 0:26:21 | 0:26:25 | |
In my saleroom I'd estimate that at probably £120 to £180. | 0:26:25 | 0:26:28 | |
That's the thing, though, isn't it? | 0:26:28 | 0:26:29 | |
Because you've got that speciality for this Worcester stuff | 0:26:29 | 0:26:32 | |
and I daresay Worcester makes more with you than it does in most places | 0:26:32 | 0:26:35 | |
around the UK because you've got the collectors | 0:26:35 | 0:26:37 | |
and you've got the expertise in it. | 0:26:37 | 0:26:39 | |
The thing is that we're going to be selling in Darlington, right, | 0:26:39 | 0:26:42 | |
and that's quite a long way from Worcester. | 0:26:42 | 0:26:44 | |
-I hadn't thought of that, Tim. -Well, it's been on my mind. | 0:26:44 | 0:26:47 | |
It's kept me awake at nights. | 0:26:47 | 0:26:49 | |
So I have to make a bit of a value judgment here as to which piece | 0:26:49 | 0:26:53 | |
is going to make proportionately the most profit | 0:26:53 | 0:26:57 | |
in relation to the purchase price. | 0:26:57 | 0:26:59 | |
And to make that judgment is going to be difficult, I have to tell you. | 0:26:59 | 0:27:02 | |
-(That way, Tim.) -What? -(That way.) | 0:27:02 | 0:27:05 | |
You reckon that way for the proportional... Do you really? | 0:27:05 | 0:27:07 | |
-Yeah, I do. -Well, the only thing that I've learned in my life is... | 0:27:07 | 0:27:11 | |
Never listen to Phil Serrell! | 0:27:11 | 0:27:12 | |
So what I'm going to do, put it on there, | 0:27:12 | 0:27:14 | |
and I'm going to stick my toe in with your Worcester. | 0:27:14 | 0:27:18 | |
Your traditional piece of Worcester. I trust you, Phil. | 0:27:18 | 0:27:21 | |
-I'm going to go with you. -Oh, thank you, Tim! | 0:27:21 | 0:27:23 | |
Anita has £154 burning a hole in her pocket | 0:27:29 | 0:27:33 | |
and she's on the hunt for the equine. | 0:27:33 | 0:27:35 | |
-I noticed this earlier on, which is a very nice horse crop... -Yes. | 0:27:38 | 0:27:45 | |
..rather than whip. And it has a little silver rim and a silver top. | 0:27:45 | 0:27:52 | |
-What sort of price is that? -45. | 0:27:52 | 0:27:55 | |
What's the very best that you could do on that? | 0:27:55 | 0:27:58 | |
-Best I'd do on that would be 30. -£30. | 0:27:58 | 0:28:01 | |
That's lovely, thank you very much. | 0:28:01 | 0:28:03 | |
And for Tim's Ton she's sticking with the four-legged theme. | 0:28:07 | 0:28:11 | |
-There we are. -Mm-hmm. | 0:28:13 | 0:28:14 | |
-And these are bookends. -They're bookends, yes. | 0:28:14 | 0:28:18 | |
What is the very best that you could...? | 0:28:18 | 0:28:21 | |
We've got 85 on them, I could do 75. | 0:28:21 | 0:28:25 | |
Is that the very-very, VERY, very best you can do? | 0:28:25 | 0:28:29 | |
-I'll knock another fiver off. -Oh, you're a darling! | 0:28:29 | 0:28:32 | |
-Right, that's lovely. -Thank you. | 0:28:32 | 0:28:34 | |
£154 of leftover lolly from the team | 0:28:35 | 0:28:40 | |
-and surprise-surprise for our horse owners, you've gone horsey. -Yes. | 0:28:40 | 0:28:45 | |
Well, I'm crazy about horses as well | 0:28:45 | 0:28:46 | |
and I was surprised that they hadn't bought anything | 0:28:46 | 0:28:49 | |
that was horse related and I found this wonderful riding crop | 0:28:49 | 0:28:54 | |
-which has a silver collar and a little silver top here. -Oh, yeah. | 0:28:54 | 0:29:00 | |
-Now, the silver top has a royal crest on it. -Mm-hmm. | 0:29:00 | 0:29:04 | |
And it has what looks like the name of a horse, which is Merebimur. | 0:29:04 | 0:29:11 | |
-Oh, yes. -Which is a very fanciful name for a horse. -Isn't it just? | 0:29:11 | 0:29:15 | |
-Must've been a posh horse. -TIM LAUGHS | 0:29:15 | 0:29:17 | |
Well, it would be, perhaps, a military horse | 0:29:17 | 0:29:20 | |
because we've got RA on that collar, which could be Royal Artillery. | 0:29:20 | 0:29:24 | |
I'll tell you what I like about it. | 0:29:24 | 0:29:26 | |
Because it's a military crop it's been | 0:29:26 | 0:29:29 | |
painted in a sort of ceremonial brown so that when the rider, | 0:29:29 | 0:29:35 | |
in a ceremony... Trooping The Colour, I don't know, doing whatever. | 0:29:35 | 0:29:40 | |
..holds it, the colour that it's painted doesn't contrast with | 0:29:40 | 0:29:45 | |
-the flanks of the horse. -Mm-hmm. | 0:29:45 | 0:29:47 | |
-We know that this horse was a brown horse. -Yes, exactly. Exactly right. | 0:29:47 | 0:29:51 | |
-Erm, well, that's brilliant. How much did you pay? -£30. -Is that all? | 0:29:51 | 0:29:55 | |
-Mm-hmm. -OK, fine. Then Tim's Ton? This is your challenge. | 0:29:55 | 0:29:59 | |
This is the £100. And this is, perhaps, something to trumpet about. | 0:29:59 | 0:30:03 | |
-Well, I hope so. We won't know until the auction. -Well, fine. | 0:30:03 | 0:30:06 | |
So, tell us about these then. | 0:30:06 | 0:30:07 | |
Well, I liked these two elephants because they, | 0:30:07 | 0:30:10 | |
although they're not bronze, they are spelter, they're finely moulded. | 0:30:10 | 0:30:15 | |
-Pair of bookends and they've got lovely wee faces. -Yes. | 0:30:15 | 0:30:20 | |
I have to say that I think they're absolutely hideous for me. | 0:30:20 | 0:30:24 | |
Between us girls. Erm, OK, fine. | 0:30:25 | 0:30:29 | |
In their favour, none of these trunks or ears or tusks | 0:30:29 | 0:30:31 | |
or anything seem to have been broken off. | 0:30:31 | 0:30:33 | |
Which, in a soft, white metal like spelter, very often happens. | 0:30:33 | 0:30:36 | |
So it's got a bit of chipping. | 0:30:36 | 0:30:37 | |
I don't mind so much about the chipping, I have to say, | 0:30:37 | 0:30:40 | |
but I have to make this terrible judgment. | 0:30:40 | 0:30:43 | |
Which of these objects is likely to make, in proportion, | 0:30:43 | 0:30:46 | |
the most profit. | 0:30:46 | 0:30:48 | |
And my vote today, overwhelmingly, has to go with your crop. | 0:30:48 | 0:30:53 | |
I think that that is a crackingly good object. | 0:30:53 | 0:30:58 | |
I think you're going to be able to whip up a tremendous profit | 0:30:58 | 0:31:02 | |
with that lovely thing and I congratulate you, Anita. | 0:31:02 | 0:31:06 | |
But still, we mustn't get too childish because we're about to | 0:31:06 | 0:31:09 | |
head off right now to the Museum of Childhood in sunny old London. | 0:31:09 | 0:31:14 | |
This building in the East End of London may | 0:31:17 | 0:31:20 | |
look a bit like a corporation bus depot but it isn't. | 0:31:20 | 0:31:24 | |
It's actually a gem of a place, | 0:31:24 | 0:31:28 | |
filled with all children's Christmases rolled into one. | 0:31:28 | 0:31:32 | |
There are objects to do with childcare, | 0:31:40 | 0:31:44 | |
clothes and, of course, toys. | 0:31:44 | 0:31:48 | |
Loads of them. | 0:31:48 | 0:31:50 | |
But you can't talk about toys | 0:31:56 | 0:31:58 | |
without considering the world's most popular toy - the teddy bear. | 0:31:58 | 0:32:01 | |
Are you sitting comfortably? Then let me tell you a story. | 0:32:04 | 0:32:07 | |
President Theodore Roosevelt, when hunting bears | 0:32:08 | 0:32:12 | |
in Mississippi in 1902, had a remarkably unsuccessful day. | 0:32:12 | 0:32:18 | |
He didn't hit one at all. | 0:32:18 | 0:32:20 | |
His aides were so worried that they went off and nabbed a bear | 0:32:20 | 0:32:23 | |
and tied it up and offered it to the president to shoot. | 0:32:23 | 0:32:28 | |
Which, ultimately, he declined to do because he thought | 0:32:28 | 0:32:31 | |
it was unsportsmanlike, and quite right, too. | 0:32:31 | 0:32:33 | |
Anyway, word spread across America | 0:32:33 | 0:32:36 | |
and a firm called Mitchcom immediately started producing | 0:32:36 | 0:32:41 | |
fluffy, cuddly teddy bears which they referred to as Teddy's bear. | 0:32:41 | 0:32:47 | |
And the whole myth of the teddy bear started from that moment. | 0:32:47 | 0:32:52 | |
Or did it? | 0:32:52 | 0:32:54 | |
I've come to find out more about the history of these | 0:32:56 | 0:33:00 | |
cuddly critters from someone who really knows her stuff. | 0:33:00 | 0:33:04 | |
Museum curator Catherine Howell. Good morning, Catherine. | 0:33:04 | 0:33:07 | |
-Good morning, Tim. -How lovely to see you. | 0:33:07 | 0:33:09 | |
So, is it true that the Americans were the first to make teddy bears? | 0:33:09 | 0:33:14 | |
Well, they certainly made some early ones. | 0:33:14 | 0:33:16 | |
But really I think it was the Germans who got there first. | 0:33:16 | 0:33:19 | |
The Steiff company, | 0:33:19 | 0:33:20 | |
who had been making soft toys for quite a few years, | 0:33:20 | 0:33:24 | |
had one of their members of the family, Richard Steiff, | 0:33:24 | 0:33:27 | |
very interested in making toy animals that looked more realistic. | 0:33:27 | 0:33:32 | |
He produced the first fully-jointed moveable teddy bear. | 0:33:32 | 0:33:36 | |
-Which one of these is a Steiff bear? -This chap here. | 0:33:36 | 0:33:39 | |
-Quite an early one. -Yup. | 0:33:39 | 0:33:40 | |
Erm, Steiff bears, as I say, you have that realistic look about them. | 0:33:40 | 0:33:45 | |
So they have long arms, | 0:33:45 | 0:33:46 | |
they have a hump on the back like a real bear, | 0:33:46 | 0:33:49 | |
they have very sort of small boot-button eyes, | 0:33:49 | 0:33:52 | |
a long snout, long limbs. | 0:33:52 | 0:33:55 | |
And that one therefore dates from when? | 0:33:55 | 0:33:57 | |
Probably 1905, 1907, something like that. | 0:33:57 | 0:34:01 | |
Why does he come with accessories that look rather like a gas mask? | 0:34:01 | 0:34:05 | |
Well, actually, he originally belonged, obviously, | 0:34:05 | 0:34:07 | |
to a young girl in the beginning of the 20th century | 0:34:07 | 0:34:10 | |
but she then passed this bear on to her daughter, Elizabeth, | 0:34:10 | 0:34:13 | |
during the Second World War. | 0:34:13 | 0:34:15 | |
And they had a gas mask made for the bear so that Elizabeth could | 0:34:15 | 0:34:20 | |
use the gas mask on her teddy bear | 0:34:20 | 0:34:22 | |
and then she would get used to wearing her own gas mask as well. | 0:34:22 | 0:34:25 | |
-Sweet story. -Yes. | 0:34:25 | 0:34:26 | |
And were the British slow off the mark in creating teddy bears? | 0:34:26 | 0:34:31 | |
Not that slow, really. | 0:34:31 | 0:34:32 | |
The company of JK Farnell are recognised as making | 0:34:32 | 0:34:35 | |
the first teddy bear in Britain and that was about 1906, 1907. | 0:34:35 | 0:34:40 | |
-Erm, which is the Farnell? -We have a lovely Farnell here. | 0:34:40 | 0:34:43 | |
Again, a nice dressed bear. | 0:34:43 | 0:34:45 | |
But here he is. | 0:34:45 | 0:34:47 | |
And, again, he has a lot of the characteristics of a German bear. | 0:34:47 | 0:34:51 | |
So, you know, the limbs are long, he's got a little bit of a snout, | 0:34:51 | 0:34:55 | |
little bit of a hump, but there are some things that would tell us | 0:34:55 | 0:34:59 | |
that it is a British bear rather than a German bear. | 0:34:59 | 0:35:01 | |
For instance, inside the feet here, | 0:35:01 | 0:35:04 | |
you would have a card reinforcement, so we've got those on here. | 0:35:04 | 0:35:09 | |
We've also got glass eyes as opposed to boot-button eyes so | 0:35:09 | 0:35:12 | |
these glass eyes were used in English bears and by Farnell very early on. | 0:35:12 | 0:35:18 | |
But a real indication of a Farnell bear | 0:35:18 | 0:35:20 | |
is if you look at his claws here. | 0:35:20 | 0:35:22 | |
-And he has this webbed effect. -Oh, yes. | 0:35:22 | 0:35:25 | |
And why is he in the sailor suit? | 0:35:25 | 0:35:27 | |
He was actually dressed during the First World War | 0:35:27 | 0:35:30 | |
and so he's got the little ribbons there that indicate | 0:35:30 | 0:35:34 | |
the medals that he would've won fighting in the navy. | 0:35:34 | 0:35:38 | |
-How long have you worked here? -Oh, I've been here 21 years now. | 0:35:38 | 0:35:42 | |
In all those years have you formed a particular attachment | 0:35:42 | 0:35:46 | |
with any particular toy? | 0:35:46 | 0:35:48 | |
Well, the bears are my favourite toys, I have to say, | 0:35:48 | 0:35:50 | |
and there's a little bear here who is my favourite bear. | 0:35:50 | 0:35:54 | |
And he's made by a British company called Dean's. | 0:35:54 | 0:35:58 | |
They actually started making teddy bears very early on | 0:35:58 | 0:36:02 | |
in the 20th century and are still actually going strong, | 0:36:02 | 0:36:05 | |
they're still making bears. | 0:36:05 | 0:36:07 | |
So one of the few companies that are still around. | 0:36:07 | 0:36:09 | |
But why, out of all the picks that you could've had in this museum, | 0:36:09 | 0:36:13 | |
have you picked that, what I would call, rather miserable-looking bear? | 0:36:13 | 0:36:17 | |
He is very ordinary, isn't he? | 0:36:17 | 0:36:18 | |
But he is just like my own favourite bear | 0:36:18 | 0:36:22 | |
that I had growing up, that I still have. | 0:36:22 | 0:36:24 | |
Doesn't look at all like this because he's loved to bits. | 0:36:24 | 0:36:26 | |
This is a lovely new version of him. | 0:36:26 | 0:36:28 | |
A very good reason for loving it to bits. | 0:36:28 | 0:36:30 | |
-Anyway, thank you for talking to us about your passion. -My pleasure. | 0:36:30 | 0:36:34 | |
The big question today is, | 0:36:34 | 0:36:36 | |
how will our teams express their passion over at the auction? | 0:36:36 | 0:36:40 | |
We're in Darlington, at Thomas Watson's auction house, | 0:36:43 | 0:36:47 | |
with auctioneer Peter Robinson. | 0:36:47 | 0:36:49 | |
-Good morning, Peter. -Good morning, Tim. Good to see you. | 0:36:50 | 0:36:53 | |
Very nice to see you too, and what a mixture we've got. | 0:36:53 | 0:36:55 | |
First up, a so-called naval pocket compass. | 0:36:55 | 0:36:58 | |
-I don't think there's much marine about that, do you? -I don't think so. | 0:36:58 | 0:37:01 | |
It's a little pocket compass, come land or sea. | 0:37:01 | 0:37:04 | |
Exactly. And, perfectly nice as it is, what's it worth? | 0:37:04 | 0:37:07 | |
20 to 40, we've put as an estimate on it. | 0:37:07 | 0:37:10 | |
It's a nice little item. | 0:37:10 | 0:37:11 | |
£27 paid, so that's the right price, and the right estimate, thank you. | 0:37:11 | 0:37:15 | |
Now, rather unusually, unless you're Reg Varney, I suppose, | 0:37:16 | 0:37:21 | |
and straight off the buses, | 0:37:21 | 0:37:22 | |
is the bus conductor's ticket machine. | 0:37:22 | 0:37:25 | |
How do you rate that? | 0:37:25 | 0:37:26 | |
Well it's, er... It's an unusual item. | 0:37:26 | 0:37:29 | |
I mean, I can even remember it, I'm sure when I was at school, | 0:37:29 | 0:37:32 | |
the windy handle to get your bus ticket. | 0:37:32 | 0:37:35 | |
So there's a charm about it. | 0:37:35 | 0:37:36 | |
We put £30 to £50 on it. | 0:37:37 | 0:37:40 | |
I'm not sure whether that's being over-ambitious, but, er... | 0:37:40 | 0:37:42 | |
I quite like it. | 0:37:42 | 0:37:43 | |
-Have you ever sold one before? -Not that I can remember, no. -No. | 0:37:43 | 0:37:46 | |
Well I've never seen one, but it has charm, and character, doesn't it? | 0:37:46 | 0:37:49 | |
-It does have charm and character. It does. -Yeah. | 0:37:49 | 0:37:51 | |
Social history, as well. | 0:37:51 | 0:37:53 | |
Exactly. 30 to 50. £49 paid. | 0:37:53 | 0:37:56 | |
-It may well do perfectly well. -It might do. Yeah, fingers crossed. | 0:37:56 | 0:37:59 | |
And lastly is the Carrara marble desk set, | 0:37:59 | 0:38:03 | |
with a couple of inkwells. | 0:38:03 | 0:38:04 | |
How do you rate that? | 0:38:04 | 0:38:06 | |
It's an attractive piece. | 0:38:06 | 0:38:07 | |
The bulldog is full of character, | 0:38:07 | 0:38:09 | |
but he is cold-painted spelter, not bronze. | 0:38:09 | 0:38:12 | |
-Oh, NOT bronze? -No, he's not solid bronze... -Oh, right. | 0:38:12 | 0:38:15 | |
..so, 30 to 50. | 0:38:15 | 0:38:17 | |
OK. £75 paid. | 0:38:17 | 0:38:19 | |
I think our contestant Anita | 0:38:19 | 0:38:21 | |
probably thought it WAS cold-painted bronze. | 0:38:21 | 0:38:24 | |
Well, depending on how the bus conductor's gadget goes | 0:38:24 | 0:38:28 | |
will determine whether they need either/or of their bonus buys. | 0:38:28 | 0:38:33 | |
-How long have you two been married? -Oh, oh... | 0:38:35 | 0:38:37 | |
-Seven years. -That's right, seven years, yes, I knew that. | 0:38:37 | 0:38:40 | |
Bruce, that was slight hesitation there. | 0:38:40 | 0:38:43 | |
And your face fell. | 0:38:43 | 0:38:45 | |
-It's flown by, hasn't it? -Yes, it's flown by. | 0:38:45 | 0:38:47 | |
-Anyway, now, you up for a couple of bonus buys then? -Absolutely. | 0:38:47 | 0:38:51 | |
Great, cos £149 of leftover lolly, you gave to Phil, | 0:38:51 | 0:38:56 | |
and he's gone off and bought the team's bonus buy, down there. Phil. | 0:38:56 | 0:39:00 | |
-Ready? -Yes, please. -There we go. | 0:39:00 | 0:39:02 | |
-Ta-da! -Oh. -Ah. It's... | 0:39:02 | 0:39:04 | |
That's handy, isn't it?! | 0:39:05 | 0:39:07 | |
-Now, there is something in there. There is. -How do you get into it? | 0:39:07 | 0:39:10 | |
-Well, I'll do it for you. -Oh, thanks. | 0:39:10 | 0:39:12 | |
-Just take that off there, like that. -It's...still no better off. -Right. | 0:39:12 | 0:39:16 | |
This is off a battleship. | 0:39:16 | 0:39:17 | |
We think it's probably some sort of gyroscope, | 0:39:17 | 0:39:20 | |
or whatever thing that operates a compass. | 0:39:20 | 0:39:23 | |
OK, yeah. | 0:39:23 | 0:39:24 | |
And the principle being that you're tossing around in the sea, right, | 0:39:24 | 0:39:27 | |
and you want that thing to stay level. | 0:39:27 | 0:39:30 | |
-There's this gimbal.. -Oh, it's on a gimbal, I see... | 0:39:30 | 0:39:32 | |
..in two directions. | 0:39:32 | 0:39:33 | |
And that sits right on the keel of this battleship, | 0:39:33 | 0:39:36 | |
-this naval vessel. -OK. -Yes. | 0:39:36 | 0:39:38 | |
So it's right down in the bowels of the earth, | 0:39:38 | 0:39:40 | |
in the most stable place, | 0:39:40 | 0:39:42 | |
so whatever movement happens down there | 0:39:42 | 0:39:44 | |
is compensated by those gimbals. | 0:39:44 | 0:39:46 | |
-And, it cost 25 quid. -That's very good, that. -Yeah. | 0:39:46 | 0:39:49 | |
-Do you know which battleship it's from? -Er. Not personally, no. -OK. -No. | 0:39:49 | 0:39:52 | |
-You think it'll make a profit? -Yep. | 0:39:52 | 0:39:54 | |
What kind of profit do you think, Phil? | 0:39:54 | 0:39:55 | |
-I think that'll make between 30 and 50 quid. -On top of what you've paid? | 0:39:55 | 0:39:58 | |
-No, I think it'll make £30 to £50. -Right, OK. -Oh, right. | 0:39:58 | 0:40:01 | |
I think, if you're lucky, it might just double its money. | 0:40:01 | 0:40:04 | |
So what sort of era do you say it was from, then? | 0:40:04 | 0:40:06 | |
-Er, I would think it's probably '50s or '60s. -Right. | 0:40:06 | 0:40:09 | |
These things are pretty sophisticated pieces of equipment. | 0:40:09 | 0:40:12 | |
I mean, that will have probably cost the Ministry of Defence £27,000. | 0:40:12 | 0:40:16 | |
-A lot of money. -I mean, something ridiculous like that. | 0:40:16 | 0:40:19 | |
-And you paid 25. -25 quid. -OK, yeah. -I'll just put that back. | 0:40:19 | 0:40:21 | |
Yeah, very good. | 0:40:21 | 0:40:22 | |
It'll probably appeal to a range of people as well, won't it? | 0:40:22 | 0:40:25 | |
-Yeah. -Particularly if you've got a ship that's lost its way a little bit! -Exactly, Phil. | 0:40:25 | 0:40:29 | |
And if you wanted to boil up your vegetables, you could use the cover, couldn't you? | 0:40:29 | 0:40:32 | |
-Well, the top makes a great wok. -Doesn't it! -Exactly. -Yeah. | 0:40:32 | 0:40:35 | |
And there's a Chinese restaurant just down the road... | 0:40:35 | 0:40:38 | |
apparently they are wok-less at the moment. | 0:40:38 | 0:40:40 | |
-Well, you gripped that, haven't you? -Yes. -You got a production. -Yeah. | 0:40:40 | 0:40:43 | |
You paid £25 for this... gyro-compass, which is brilliant. | 0:40:43 | 0:40:46 | |
-He's predicting that might double your money on it. -Yes. | 0:40:46 | 0:40:48 | |
That is the team's bonus buy. | 0:40:48 | 0:40:50 | |
A lukewarm reaction, then. | 0:40:50 | 0:40:52 | |
Perhaps the auctioneer will be more buoyant. | 0:40:52 | 0:40:54 | |
Philip selected this subject. | 0:40:56 | 0:40:59 | |
-Indeed. -OK? -Yeah. | 0:40:59 | 0:41:01 | |
He had £149 to spend. | 0:41:01 | 0:41:03 | |
He actually spent £25 on this. | 0:41:03 | 0:41:06 | |
Are you going to be able to get him his money back? | 0:41:06 | 0:41:09 | |
Er, how long is a piece of string? | 0:41:09 | 0:41:11 | |
I mean, we put an estimate of £20-£40 on it. | 0:41:11 | 0:41:15 | |
I haven't sold one before. I'm not sure that the demand will be great. | 0:41:15 | 0:41:19 | |
I think he could have done something better with his £149. | 0:41:19 | 0:41:22 | |
It's a binnacle gyro, isn't it, in the centre. | 0:41:22 | 0:41:26 | |
So it's compass related. | 0:41:26 | 0:41:29 | |
But what its ultimate use is is beyond me. | 0:41:29 | 0:41:32 | |
OK. £20-£40 is the estimate. | 0:41:32 | 0:41:34 | |
So, you'll just sit back there on the rostrum in a minute | 0:41:34 | 0:41:37 | |
and just see what happens. | 0:41:37 | 0:41:38 | |
-I'll just let the bids keep flowing towards me. -Exactly. | 0:41:38 | 0:41:41 | |
Hopefully. And we'll all be pointing in the right direction. | 0:41:41 | 0:41:43 | |
That the team's bonus buy. But what about Tim's Ton? | 0:41:43 | 0:41:47 | |
I gave Phil the additional £100. He's gone out. | 0:41:49 | 0:41:53 | |
He's expertly crafted a little bit of an acquisition. | 0:41:53 | 0:41:57 | |
-And now he's going to show you. -So, that's a plate. -It's a plate. | 0:41:57 | 0:42:00 | |
It's a plate. It's made in Worcester. | 0:42:00 | 0:42:03 | |
1215. This was made in 1907. | 0:42:03 | 0:42:06 | |
OK. | 0:42:06 | 0:42:07 | |
And I would get for that between £100 and £150. | 0:42:07 | 0:42:10 | |
-Right. -And it cost 60 quid. | 0:42:10 | 0:42:13 | |
-So, it depends what they get here for it. -Well, I like it. | 0:42:13 | 0:42:15 | |
-That's half the battle, isn't it? -Yeah. I really like it. | 0:42:15 | 0:42:18 | |
So, I think if you get somebody in the saleroom who's like me | 0:42:18 | 0:42:22 | |
and will like that, then it might... | 0:42:22 | 0:42:24 | |
So, Anita, do you see more people in the market | 0:42:24 | 0:42:26 | |
for battleship electric gyro compasses | 0:42:26 | 0:42:29 | |
or more for pretty little pieces of Worcester? | 0:42:29 | 0:42:31 | |
Why is it kind of grabbing you at the moment, love? | 0:42:31 | 0:42:34 | |
Well, weirdly, I do actually think that's a bit of a dark horse | 0:42:34 | 0:42:38 | |
-and I think that might actually do really well. -OK. | 0:42:38 | 0:42:41 | |
Well, this is a challenge. It's a really interesting mix, Phil. | 0:42:41 | 0:42:44 | |
We're really on the edge of the seat | 0:42:44 | 0:42:46 | |
to decide which you're going to pick, | 0:42:46 | 0:42:48 | |
if you pick either of them, when we get to the vital moment. | 0:42:48 | 0:42:52 | |
But, right now, let's find out what the auctioneer thinks. | 0:42:52 | 0:42:54 | |
Poor old love... | 0:42:54 | 0:42:55 | |
I gave Philip Serrell £100 and, ye behold, | 0:42:57 | 0:43:00 | |
he went out and bought a bit of Worcester. | 0:43:00 | 0:43:02 | |
Well, you could do worse. | 0:43:02 | 0:43:03 | |
-Exactly. -Yeah. Yeah. | 0:43:03 | 0:43:05 | |
It's quite an attractive fruit dish, strawberry dish. | 0:43:05 | 0:43:09 | |
It's printed and painted this decoration here. Not just painted. | 0:43:09 | 0:43:13 | |
And it isn't signed. So, we're being a bit careful with our estimate. | 0:43:13 | 0:43:16 | |
But it still is in nice condition. | 0:43:16 | 0:43:19 | |
Nice gadroon border. Guilt and blue. | 0:43:19 | 0:43:22 | |
Serrell says it's by a decorator called Frank Roberts, | 0:43:22 | 0:43:27 | |
-which may help it on its way. -Absolutely. | 0:43:27 | 0:43:29 | |
-What's your estimate on it? -We've estimated at £30-£60. | 0:43:29 | 0:43:33 | |
How much? | 0:43:33 | 0:43:34 | |
30 to 60. Are we way out? | 0:43:34 | 0:43:36 | |
-Well, he paid £60. -OK. -Actually. | 0:43:36 | 0:43:39 | |
And because this is a programme where I have to predict | 0:43:39 | 0:43:42 | |
which of these two babies is likely to bring the biggest profit, | 0:43:42 | 0:43:46 | |
I have to say I've plumped for the Worcester dish | 0:43:46 | 0:43:50 | |
-because that's the safe option. -OK. | 0:43:50 | 0:43:52 | |
But now you've said that, I think I rather fancy the compass. | 0:43:52 | 0:43:56 | |
And I wish I hadn't committed myself. | 0:43:56 | 0:43:58 | |
Let's keep our fingers crossed. | 0:43:58 | 0:43:59 | |
I'll need to cross more than my fingers, matey. | 0:43:59 | 0:44:02 | |
There's a whole lifetime's reputation hanging on this. | 0:44:02 | 0:44:05 | |
Anyway, there we go. I'm going to have that one down. | 0:44:05 | 0:44:08 | |
And that is it, old fruit, for the Reds. | 0:44:08 | 0:44:12 | |
Now for the Blues. | 0:44:12 | 0:44:14 | |
And we kick off with six tea or coffee spoons. Cased. | 0:44:14 | 0:44:17 | |
If you had a pound for every set of these that came through your saleroom, | 0:44:17 | 0:44:20 | |
you'd be quite well off, wouldn't you? | 0:44:20 | 0:44:22 | |
I wouldn't be here now. I'd be in the Caribbean. | 0:44:22 | 0:44:24 | |
Anyway, there we go. | 0:44:24 | 0:44:25 | |
Lots of them about in good condition. What are they worth? | 0:44:25 | 0:44:28 | |
20 to 40 estimate. Little shell terminals on them. | 0:44:28 | 0:44:31 | |
It's a case set, | 0:44:31 | 0:44:32 | |
which makes a big difference to the loose six coffee spoons. | 0:44:32 | 0:44:35 | |
Exactly. Elevates them. | 0:44:35 | 0:44:37 | |
Anyway, will it elevate them enough to get back £38? | 0:44:37 | 0:44:40 | |
Oh, that could be tight. | 0:44:40 | 0:44:43 | |
OK. Well, there you go. | 0:44:43 | 0:44:44 | |
Now we've got the Old Tupton Ware vase, which is brand-new, isn't it? | 0:44:44 | 0:44:50 | |
-It is. Yeah. Yeah. -Do you like it? | 0:44:50 | 0:44:52 | |
I mean, it's a bit Moorcroft-esque | 0:44:54 | 0:44:56 | |
-but it's not subtle enough for my taste. -No. | 0:44:56 | 0:44:59 | |
It's colourful, | 0:44:59 | 0:45:00 | |
if you want a big vase to make a splash of colour. | 0:45:00 | 0:45:02 | |
And they're pretty expensive to buy new. | 0:45:02 | 0:45:04 | |
-OK, so what's your estimate now second hand? -40 to 80. | 0:45:04 | 0:45:07 | |
OK, £59 paid. | 0:45:07 | 0:45:09 | |
So, that's all right. That's in the frame. We can't complain about that. | 0:45:09 | 0:45:12 | |
-And then we've got the leopard. -The Border Fine Arts leopard. | 0:45:12 | 0:45:16 | |
-Yes. -Yeah | 0:45:16 | 0:45:17 | |
I mean, it's just out of a mould. | 0:45:17 | 0:45:18 | |
And hand decorated or factory decorated? | 0:45:18 | 0:45:21 | |
I think it is hand decorated. I mean, this is a model. | 0:45:21 | 0:45:24 | |
The sculpture is David Mayer that produced this model in 2005 to 2006. | 0:45:24 | 0:45:30 | |
So it's a modern one. It's a recent one. | 0:45:30 | 0:45:32 | |
And there is a lot of Border Fine Arts out there. | 0:45:32 | 0:45:35 | |
-So there's just too many of them about for my money. -OK. | 0:45:35 | 0:45:38 | |
-And this one's not very old. -How much is your money? -20 to 40. | 0:45:38 | 0:45:41 | |
OK, £49 paid. So, there could be a problem here. | 0:45:41 | 0:45:45 | |
In which case, they'll need one or other or neither of their bonus buys. | 0:45:45 | 0:45:49 | |
Let's go and have a look. | 0:45:49 | 0:45:51 | |
-John, Cherry, are you excited? -Very. -Very. | 0:45:51 | 0:45:53 | |
Well, I think you ought to be | 0:45:53 | 0:45:54 | |
because you gave Anita Manning £154 leftover lolly | 0:45:54 | 0:45:58 | |
to find the team's bonus buy. | 0:45:58 | 0:46:01 | |
-And it's underneath that cloth, I guess. -It is indeed. | 0:46:01 | 0:46:04 | |
Oh... | 0:46:06 | 0:46:07 | |
-Very good. -I wanted to buy something horsey. | 0:46:08 | 0:46:10 | |
And what we have here is a very nice silver-mounted military riding crop. | 0:46:10 | 0:46:17 | |
Made in London. | 0:46:17 | 0:46:19 | |
1980s, 1990s. | 0:46:19 | 0:46:21 | |
So it's not terribly old, but it is an item of quality. | 0:46:21 | 0:46:24 | |
But tell me what you think of it. | 0:46:24 | 0:46:26 | |
-And is this silver, Anita? -It's silver. | 0:46:26 | 0:46:28 | |
-I think it's lovely. -It is. | 0:46:30 | 0:46:31 | |
-I paid £30 for that. -Very good. Excellent. | 0:46:31 | 0:46:36 | |
-How much do you think it will bring? -Between 30 and £50. | 0:46:36 | 0:46:39 | |
Ideal. Thank you very much, Anita. Couldn't be more appropriate. | 0:46:39 | 0:46:42 | |
They're happy with that. What does the auctioneer think? | 0:46:43 | 0:46:46 | |
Well, you'll be able to give them a bit of stick with that, Peter. | 0:46:48 | 0:46:51 | |
Indeed. Nice riding crop. | 0:46:51 | 0:46:53 | |
Now, we know that it's hallmarked for 1985, | 0:46:53 | 0:46:56 | |
so there's not a lot of age to it, but we've got this inscription. | 0:46:56 | 0:46:59 | |
Have you been able to make anything of that? | 0:46:59 | 0:47:01 | |
Yes, this is the Light Dragoons' motto, "We shall be worthy." | 0:47:01 | 0:47:05 | |
Right. | 0:47:05 | 0:47:06 | |
And that has a northern connection, does it? | 0:47:06 | 0:47:08 | |
Yes, it seems to be Northumbria, Durham regiment connected. | 0:47:08 | 0:47:13 | |
That, presumably, will help you sell it locally | 0:47:13 | 0:47:16 | |
if you've got a militaria local interest, really. | 0:47:16 | 0:47:19 | |
Well, yeah, one would hope so. | 0:47:19 | 0:47:21 | |
-Anyway, Anita sallied boldly forth and invested her £30 in this. -OK. | 0:47:21 | 0:47:27 | |
Do you think £30 was a reasonable price to pay? | 0:47:27 | 0:47:30 | |
Well, knowing the history of it, I would say that it probably is. | 0:47:30 | 0:47:36 | |
But we have a lesser estimate on it, | 0:47:36 | 0:47:38 | |
so, hopefully, that will be a come-and-buy-me estimate | 0:47:38 | 0:47:40 | |
and get people interested. | 0:47:40 | 0:47:42 | |
-What sort of price have you put on? -We've got 15 to 25. | 0:47:42 | 0:47:44 | |
Oh, dear... | 0:47:44 | 0:47:46 | |
A bit of a long shot then. | 0:47:46 | 0:47:47 | |
Maybe the Tim's Ton will be the better bet. | 0:47:47 | 0:47:50 | |
I'll hang onto it, Anita. You reveal. There we go. | 0:47:53 | 0:47:55 | |
Oh, gosh, that's nice. | 0:47:55 | 0:47:57 | |
One each. There we go. | 0:47:57 | 0:47:59 | |
And tell us about those, Anita. | 0:47:59 | 0:48:01 | |
Well, we're still on an animal theme | 0:48:01 | 0:48:04 | |
and we have these wonderful trumpeting elephants, | 0:48:04 | 0:48:08 | |
smiling away at us. | 0:48:08 | 0:48:10 | |
They are bookends. | 0:48:10 | 0:48:11 | |
But I think they're quite nicely moulded. | 0:48:11 | 0:48:13 | |
They're not bronze, they're of a bronzed finish. | 0:48:13 | 0:48:17 | |
But they're in good condition and I think they're a very vigorous item. | 0:48:17 | 0:48:23 | |
How much do you think these might fetch? | 0:48:23 | 0:48:25 | |
I paid £70 for them. | 0:48:25 | 0:48:28 | |
And I estimate, maybe, 60 to 80. | 0:48:28 | 0:48:32 | |
So, maybe, straddle that. | 0:48:32 | 0:48:34 | |
-It just depends if we have some fans of elephants in the room. -Sure. | 0:48:34 | 0:48:38 | |
But elephants are a very popular animal. | 0:48:38 | 0:48:41 | |
-And there's a lot of very good detail. -There's good detail there. | 0:48:41 | 0:48:44 | |
-Exactly. -Thank you very much, Anita. | 0:48:44 | 0:48:47 | |
We're impressed with both of them. You've given us a dilemma. | 0:48:47 | 0:48:50 | |
Two heffalumps, which I didn't like so much, | 0:48:52 | 0:48:55 | |
because they are made of spelter | 0:48:55 | 0:48:57 | |
and I'm not so fond of cheap, white metal spelter objects. | 0:48:57 | 0:49:01 | |
Anita loved them. Nice bookends. And she paid £70 for them. | 0:49:01 | 0:49:05 | |
They're elephants, which is a good subject. | 0:49:05 | 0:49:08 | |
But a few chips to them. | 0:49:08 | 0:49:10 | |
-I don't see £70. Anywhere near. -Nor do I. | 0:49:10 | 0:49:13 | |
-What's your estimate? -20 to 40. | 0:49:13 | 0:49:15 | |
I think we're talking the same language here, Peter. Perfect. | 0:49:15 | 0:49:18 | |
Anyway, the teams may not go with either of the bonus buys | 0:49:18 | 0:49:22 | |
and that's the excitement of the show. Anyway, good luck, Peter. | 0:49:22 | 0:49:25 | |
-Thank you. -Thank you. | 0:49:25 | 0:49:26 | |
So, let's get Peter up in his proper place, up on the rostrum. | 0:49:26 | 0:49:31 | |
-So, how are you feeling? -Nervous. -Nervous. | 0:49:32 | 0:49:34 | |
What are you nervous about, Anita? | 0:49:34 | 0:49:37 | |
-Well, I think we might loose some money. -Do you? | 0:49:37 | 0:49:39 | |
-Are you seriously worried about this? -No. -Not really. -Not really. | 0:49:39 | 0:49:43 | |
Not really, really? | 0:49:43 | 0:49:44 | |
-But it's just you don't want to be seen to be down, right? -No. | 0:49:44 | 0:49:47 | |
I know exactly what you mean. It's difficult, isn't it? | 0:49:47 | 0:49:50 | |
But, frankly, Phil and me, the auctioneer, | 0:49:50 | 0:49:52 | |
we don't know what's going to happen. | 0:49:52 | 0:49:53 | |
That's what the fun of it is all about, really. OK, first lot up. | 0:49:53 | 0:49:56 | |
Here it comes. Looking good, doesn't it? | 0:49:56 | 0:49:58 | |
The small pocket brass compass. Military. In good working order. | 0:49:58 | 0:50:03 | |
-£15 to start. -Go on. Go on. | 0:50:03 | 0:50:05 | |
At £15. 20 I'm bid. At £20 in the balcony. | 0:50:05 | 0:50:09 | |
25 for it. At £20. | 0:50:09 | 0:50:11 | |
-Go, Team Serrell. -30. | 0:50:11 | 0:50:14 | |
35. 40. £35 at the top of the stairs. At £35. | 0:50:14 | 0:50:18 | |
Selling now at £35. Top of the stairs in the balcony at £35. | 0:50:18 | 0:50:23 | |
Did he say £35? | 0:50:24 | 0:50:27 | |
£35 is plus eight. | 0:50:27 | 0:50:29 | |
The bus conductor's ticket dispensing machine, | 0:50:30 | 0:50:33 | |
which we can all remember. | 0:50:33 | 0:50:35 | |
Lot number 289. I have £25 to start on this lot. At £25. At £25. | 0:50:36 | 0:50:41 | |
30 downstairs. | 0:50:42 | 0:50:43 | |
35 upstairs. 40. 45. 50. | 0:50:43 | 0:50:47 | |
-At £45 in the balcony. At £45. -Go on! | 0:50:47 | 0:50:50 | |
50 for it? At £45. And it's in the balcony at £45. | 0:50:50 | 0:50:54 | |
-Oh, come on. -It's nothing. | 0:50:54 | 0:50:56 | |
Sold at £45. | 0:50:56 | 0:50:58 | |
-Oh, no! -I can't bear it. £45 is minus £4. That is so tough. | 0:50:59 | 0:51:04 | |
Which means you are still plus £4. | 0:51:04 | 0:51:06 | |
Now, stand by for the inkwell. I'm worried about this one. | 0:51:08 | 0:51:11 | |
White marble. Carrara marble desk stand. | 0:51:12 | 0:51:14 | |
This time I'm starting at £20. | 0:51:14 | 0:51:17 | |
At £20 for the desk stand. 25. 30. 35. 40. | 0:51:17 | 0:51:22 | |
45. 50. 55. Bidding 55? | 0:51:22 | 0:51:26 | |
At £50 behind. At £50. Selling, then, at £50. | 0:51:26 | 0:51:30 | |
At £50. | 0:51:30 | 0:51:32 | |
The gentleman at £50. All done. | 0:51:32 | 0:51:33 | |
£50... So that means you're minus 25. | 0:51:35 | 0:51:40 | |
Now, quickly, then, what are you going to do about the stabiliser? | 0:51:40 | 0:51:44 | |
You've got the stabiliser and the strawberry dish or neither. | 0:51:44 | 0:51:48 | |
-I don't know. -I think it's a cross your legs moment again, isn't it? | 0:51:49 | 0:51:53 | |
-Quickly, then. -Stabiliser. Stabiliser. -Battleship stabiliser. | 0:51:55 | 0:51:58 | |
OK, that's it. They're going with the gyro. The decision is made. | 0:51:58 | 0:52:01 | |
Now you've made that decision, | 0:52:01 | 0:52:02 | |
I can tell you that the auctioneer's estimate is £20-£40 | 0:52:02 | 0:52:05 | |
and he really rates it. | 0:52:05 | 0:52:06 | |
So, potentially, you've made the right decision here. | 0:52:06 | 0:52:09 | |
But we could all be wrong. | 0:52:09 | 0:52:10 | |
And first up is the gyro compass and here it comes... | 0:52:10 | 0:52:13 | |
Large piece off a battleship. £15. At £15. 20 for it? | 0:52:14 | 0:52:19 | |
At £15. 20 anywhere for it? | 0:52:19 | 0:52:22 | |
No further bidding? At £15. | 0:52:22 | 0:52:24 | |
No, no...! | 0:52:24 | 0:52:25 | |
At £15. No further bidding? | 0:52:25 | 0:52:27 | |
Oh, dear! £15 is minus £10. | 0:52:29 | 0:52:32 | |
Which is minus 31. | 0:52:34 | 0:52:36 | |
Now, we're going to sell the Tim's Ton just to see what happens. | 0:52:36 | 0:52:39 | |
You rejected it. | 0:52:39 | 0:52:41 | |
If it makes a profit, then that profit will be going to charity, | 0:52:41 | 0:52:44 | |
-so it's not a complete waste of time. -No. | 0:52:44 | 0:52:46 | |
So, let's root for it, | 0:52:46 | 0:52:48 | |
even though you're not going to make the money out of it. | 0:52:48 | 0:52:51 | |
And let's hope that it does OK. | 0:52:51 | 0:52:53 | |
£30 bid. At £30 for the Worcester dish. 35. 40. | 0:52:53 | 0:52:57 | |
45. | 0:52:57 | 0:52:59 | |
At £45. 50 now. | 0:52:59 | 0:53:01 | |
55. 65. 70. | 0:53:01 | 0:53:03 | |
For the Worcester... Yeah. | 0:53:03 | 0:53:05 | |
70? | 0:53:05 | 0:53:07 | |
Yeah, 70. 75? At £70. Bid's in the balcony at £70. Being sold. | 0:53:07 | 0:53:11 | |
The bid's upstairs at £70. All finished? | 0:53:11 | 0:53:14 | |
And it's sold for £70, which is plus £10. | 0:53:15 | 0:53:19 | |
And, erm, there you have it, really. | 0:53:21 | 0:53:23 | |
-Now, kids, do you know how the Reds got on? -Haven't a clue. | 0:53:34 | 0:53:37 | |
No. Good. Right. Super. | 0:53:37 | 0:53:39 | |
So, first up, are the coffee spoons and here they come... | 0:53:39 | 0:53:41 | |
A little case set of silver coffee spoons there with shell terminals. | 0:53:41 | 0:53:46 | |
15 bid for the set of spoons. £20 can I say for them? | 0:53:46 | 0:53:49 | |
20 I'm bid at the back now. £20. £25 can we say for them? | 0:53:49 | 0:53:54 | |
At £20. Gentleman at the back. 25 I'm bid. | 0:53:54 | 0:53:57 | |
30 now. | 0:53:57 | 0:53:58 | |
At £25 then bid. 30? At £25 and they're going to be sold. | 0:53:58 | 0:54:02 | |
On my right at £25. | 0:54:02 | 0:54:04 | |
Bad luck, kids. | 0:54:04 | 0:54:05 | |
25 is minus £13. | 0:54:05 | 0:54:07 | |
Not to worry. | 0:54:07 | 0:54:09 | |
Now, how is Old Tupton Ware going to do? | 0:54:09 | 0:54:12 | |
Large Tupton Ware vase. | 0:54:12 | 0:54:15 | |
Tuscan landscape decorated. £40 to start. | 0:54:15 | 0:54:18 | |
At £40. At £40 for the lot now. | 0:54:18 | 0:54:21 | |
45 on the net. 50 with me. | 0:54:21 | 0:54:23 | |
55 now. At £50. At 55 in the room anywhere? | 0:54:23 | 0:54:27 | |
-Getting close. -60 with me. | 0:54:27 | 0:54:29 | |
At £60. A booked bid. At £60. Selling now at £60. | 0:54:29 | 0:54:33 | |
You've made a profit, Cherry. | 0:54:33 | 0:54:35 | |
Now being sold at £60. | 0:54:35 | 0:54:38 | |
Yes! £60 is a profit of £1! Well done. | 0:54:38 | 0:54:40 | |
Well done. | 0:54:40 | 0:54:42 | |
Anyway, which means overall you're minus £12. | 0:54:42 | 0:54:44 | |
Border Fine Arts leopard model. | 0:54:44 | 0:54:46 | |
£15. At £15. | 0:54:46 | 0:54:48 | |
20 can we say for the Border Fine Arts? | 0:54:48 | 0:54:50 | |
At £15. 20 I'm bid. At £20. 25 for it? | 0:54:50 | 0:54:55 | |
At £20. Internet bidder. At £20 for the lot now. Being sold at £20. | 0:54:55 | 0:54:59 | |
No money. Sorry about this. | 0:54:59 | 0:55:01 | |
At £20. £20. | 0:55:01 | 0:55:03 | |
No, you're minus £41. | 0:55:04 | 0:55:06 | |
OK, minus £41. | 0:55:06 | 0:55:07 | |
That's not right, really, is it? | 0:55:07 | 0:55:09 | |
-But that is the number, I'm afraid. -That's how these things go. | 0:55:09 | 0:55:12 | |
Isn't it just. Now, what are we going to do about these bonus buys? | 0:55:12 | 0:55:14 | |
Are you going to go with the team's bonus buy, | 0:55:14 | 0:55:17 | |
which is the military crop for £30? | 0:55:17 | 0:55:20 | |
Or are you going to go with Tim's Ton, | 0:55:20 | 0:55:23 | |
which is the elephant bookends, £70? | 0:55:23 | 0:55:26 | |
Or are you going to go with none | 0:55:26 | 0:55:28 | |
on the basis that minus £41 might be a winning score? | 0:55:28 | 0:55:31 | |
I think we'll go for the crop. | 0:55:31 | 0:55:32 | |
We'd like to go for Anita's buy. We'd like to go for the riding crop. | 0:55:32 | 0:55:35 | |
-You want to go with the crop, do you? -Yes, please. -OK, fine. | 0:55:35 | 0:55:38 | |
Well, I think that's a very sound decision. | 0:55:38 | 0:55:40 | |
The rejected elephant bookends we will sell anyway. | 0:55:40 | 0:55:44 | |
And if they bring a profit, that profit will go to a charity. | 0:55:44 | 0:55:47 | |
So it's not a waste of time. | 0:55:47 | 0:55:49 | |
Your hard work in finding them, Anita, | 0:55:49 | 0:55:51 | |
will get somebody a reward, we hope. | 0:55:51 | 0:55:54 | |
Anyway, first up is the military crop. | 0:55:54 | 0:55:57 | |
And here it comes... | 0:55:57 | 0:55:58 | |
Silver-mounted riding crop. Opening at £10. At £10. | 0:55:58 | 0:56:02 | |
Fully hallmarked at £10. 15 can I say for it? | 0:56:02 | 0:56:06 | |
At 15 bid. | 0:56:06 | 0:56:07 | |
20 on the net. | 0:56:07 | 0:56:08 | |
At £20. Internet bidder at 25 here. | 0:56:08 | 0:56:11 | |
At £25. Selling at £25. | 0:56:11 | 0:56:13 | |
Are we all done? At £25. Are we all finished at £25? | 0:56:13 | 0:56:17 | |
All done. | 0:56:17 | 0:56:18 | |
Oh, dear... | 0:56:18 | 0:56:20 | |
£25. That's bad luck. | 0:56:20 | 0:56:22 | |
Minus £5 equals minus 46. | 0:56:22 | 0:56:25 | |
Well, we're going to sell the bookends. | 0:56:27 | 0:56:29 | |
£20 to start the bidding. | 0:56:29 | 0:56:31 | |
25. | 0:56:31 | 0:56:32 | |
30. 35. | 0:56:32 | 0:56:33 | |
40? £35 on my right. | 0:56:33 | 0:56:35 | |
At £35 for the pair. | 0:56:35 | 0:56:38 | |
At £35. The bid's on my right for the pair. | 0:56:38 | 0:56:42 | |
At £35. All finished at £35. | 0:56:42 | 0:56:43 | |
OK, that means a loss of minus £35. | 0:56:44 | 0:56:47 | |
So, you did the right thing. | 0:56:47 | 0:56:49 | |
You picked the item that brought the smallest loss | 0:56:49 | 0:56:51 | |
rather than the largest profit. | 0:56:51 | 0:56:53 | |
And I have to tell you I'm required to make my pick, too. | 0:56:53 | 0:56:57 | |
They call it Wonnacott's winner of these two. | 0:56:57 | 0:56:59 | |
And of the two, I did select the crop, actually, | 0:56:59 | 0:57:02 | |
because I rather fancy that. | 0:57:02 | 0:57:04 | |
And I'm disappointed that it didn't make a profit, actually. | 0:57:04 | 0:57:07 | |
-Anyway, it was not as bad as it might have been. -Not at all. | 0:57:07 | 0:57:10 | |
Overall, you are minus 46. | 0:57:10 | 0:57:11 | |
That could be a winning score, so say not a word to the Reds, OK? | 0:57:11 | 0:57:14 | |
-Thanks very much. -Thanks very much. -Thank you, Anita. | 0:57:14 | 0:57:16 | |
Our teams today have both made absolutely nothing. | 0:57:28 | 0:57:31 | |
No profits. | 0:57:33 | 0:57:35 | |
But, who's ahead and who's behind | 0:57:35 | 0:57:36 | |
is all a question of the scale of the losses. | 0:57:36 | 0:57:39 | |
And today, the team with only marginally losses, | 0:57:39 | 0:57:42 | |
because there's only £15 between the teams today, | 0:57:42 | 0:57:47 | |
the team with the biggest losses, I'm afraid, are the Blues. | 0:57:47 | 0:57:50 | |
-Ah...! -Ah...! -Ah...! | 0:57:50 | 0:57:51 | |
Minus £46 is the total. | 0:57:53 | 0:57:55 | |
I just hope your racehorse | 0:57:55 | 0:57:57 | |
does rather better the next time it goes out. | 0:57:57 | 0:57:59 | |
-No, seriously, you had a nice time? -Fantastic. | 0:57:59 | 0:58:02 | |
-We're very grateful. Delighted to have participated. -Good. | 0:58:02 | 0:58:04 | |
Well, we're delighted to have had you on the show. It's been great. | 0:58:04 | 0:58:07 | |
And thank you very much. | 0:58:07 | 0:58:09 | |
Now, the victors today, who have managed to only lose £31... | 0:58:09 | 0:58:12 | |
-Have you enjoyed yourselves? -We have. | 0:58:14 | 0:58:16 | |
We've loved having you on the show. | 0:58:16 | 0:58:17 | |
In fact, it's been such fun, why don't you join us soon | 0:58:17 | 0:58:20 | |
for some more bargain hunting, yes? | 0:58:20 | 0:58:22 | |
Yes! | 0:58:22 | 0:58:23 |