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This is Wetherby Racecourse in Yorkshire, where people have | 0:00:02 | 0:00:04 | |
been winning and losing fortunes on the horses for donkey's years. | 0:00:04 | 0:00:07 | |
We're here to flash the cash too, but not on the racing. | 0:00:09 | 0:00:12 | |
NEIGH, NEIGH, I say thrice, NEIGH. | 0:00:12 | 0:00:16 | |
We're here roaming for bargains, so, let's go bargain hunting, yeah! | 0:00:16 | 0:00:20 | |
Our teams today are all ladies and gentlemen of leisure. | 0:00:48 | 0:00:52 | |
Well, of leisure pursuits, actually. | 0:00:52 | 0:00:55 | |
But there's no time to unwind and relax, | 0:00:55 | 0:00:57 | |
because they're all fighting against the clock. | 0:00:57 | 0:01:00 | |
Oh, yes, it's a one-hour special today | 0:01:02 | 0:01:04 | |
and we've changed the rules a bit, because our experts will be | 0:01:04 | 0:01:07 | |
shopping for not one, but two bonus buys to take to auction. | 0:01:07 | 0:01:10 | |
More about that later. For now, here's a look at | 0:01:10 | 0:01:13 | |
what's coming up on today's programme. | 0:01:13 | 0:01:15 | |
The Reds are all of a dither... | 0:01:18 | 0:01:21 | |
Can we keep an eye on it? | 0:01:21 | 0:01:22 | |
Could you put it by for us for half an hour? | 0:01:22 | 0:01:25 | |
But Anita's on a roll. | 0:01:25 | 0:01:27 | |
You guys are wonderful. | 0:01:27 | 0:01:30 | |
What a team! | 0:01:30 | 0:01:32 | |
But will they flounder or fly at the auction? | 0:01:32 | 0:01:35 | |
No, no, no, no, no. | 0:01:36 | 0:01:38 | |
How terrible is that? | 0:01:39 | 0:01:41 | |
Let's find out more, eh? | 0:01:41 | 0:01:42 | |
Both of our teams today like to take it easy and enjoy relaxing pastimes. | 0:01:44 | 0:01:51 | |
The question is, how are they going to get on in the hurly-burly | 0:01:51 | 0:01:53 | |
of Bargain Hunt? | 0:01:53 | 0:01:55 | |
For the Reds, today we have mother and son - Margaret and Steve, | 0:01:55 | 0:02:00 | |
and for the Blues, Keith and Peter. | 0:02:00 | 0:02:02 | |
-Hello, everyone. -ALL: Hello. | 0:02:02 | 0:02:04 | |
-Now, you as a family adore golf, right? -Absolutely. | 0:02:04 | 0:02:07 | |
Tell us about the passion. | 0:02:07 | 0:02:09 | |
I started quite a number of years ago, when the boys grew up, | 0:02:09 | 0:02:14 | |
and we just love it, it's really enjoyable. We can do it as a family. | 0:02:14 | 0:02:18 | |
Absolutely adore it, I love it. | 0:02:18 | 0:02:20 | |
-And is it, as much as anything else, a social life? -Oh, it's great, yeah. | 0:02:20 | 0:02:23 | |
You meet some fabulous people. | 0:02:23 | 0:02:25 | |
And I suppose you have one or two gin and tonics down | 0:02:25 | 0:02:28 | |
-at the clubhouse, do you? -Yes. -OK. -Just a few. | 0:02:28 | 0:02:31 | |
And quite right too, because you need refreshing, don't you, | 0:02:31 | 0:02:34 | |
-after all that walking about? -Definitely. -Brilliant. | 0:02:34 | 0:02:36 | |
So, tell me about these two jobs that you have to hold down, | 0:02:36 | 0:02:39 | |
as well as finding time to play the golf. | 0:02:39 | 0:02:41 | |
Well, my main job... | 0:02:41 | 0:02:42 | |
I work at a company, they sell school uniforms into schools. | 0:02:42 | 0:02:46 | |
That's number one job, and my second | 0:02:46 | 0:02:48 | |
-part-time job is at my local supermarket. -Is it? -Yes. | 0:02:48 | 0:02:52 | |
-Do you do checkout or shelves? -I work in the clothing department. | 0:02:52 | 0:02:55 | |
The clothing department, not the special spectacles department? | 0:02:55 | 0:02:58 | |
-Oh, no. -No, no, no. | 0:02:58 | 0:03:00 | |
We must exchange notes shortly. | 0:03:00 | 0:03:02 | |
-So, Steve, when you're not playing golf you like to go camping? -Yes. -Tell us about that. | 0:03:02 | 0:03:06 | |
I've got three boys, who I like to take out to go old-school kind of | 0:03:06 | 0:03:11 | |
camping - no tech, no nothing, just knives and sticks and trees and mud. | 0:03:11 | 0:03:17 | |
-And do you get really messy? -Yeah. | 0:03:17 | 0:03:18 | |
-And do they get really messy? -Yeah. -And do they love it? -Yeah. | 0:03:18 | 0:03:22 | |
I think, you know, it's back to nature, isn't it? Which is great. | 0:03:22 | 0:03:25 | |
Now, you like to collect a few antiques and stuff like that, | 0:03:25 | 0:03:28 | |
tell us about those. | 0:03:28 | 0:03:30 | |
My house is kind of like a gentleman's club, lots of black, | 0:03:30 | 0:03:35 | |
lots of silver, red leather Chesterfields, those kind of things. | 0:03:35 | 0:03:38 | |
Vintage furniture. | 0:03:38 | 0:03:40 | |
You're a bit of a frustrated interior designer, are you? | 0:03:40 | 0:03:42 | |
A little bit, yeah. | 0:03:42 | 0:03:44 | |
I tend to find things and then I'll change them | 0:03:44 | 0:03:47 | |
-into something that I like. -Sounds very stylish. | 0:03:47 | 0:03:50 | |
It says here that you're a bit of a shoe addict. | 0:03:50 | 0:03:52 | |
-A little bit, not quite as bad as my mum. -Really? Are you bad? | 0:03:52 | 0:03:57 | |
-Ridiculously bad. -Yes, unfortunately. | 0:03:57 | 0:03:59 | |
How many in pairs, Mags? | 0:03:59 | 0:04:00 | |
Um... | 0:04:00 | 0:04:02 | |
-around 200. -200 pairs of shoes? -Yeah. | 0:04:02 | 0:04:06 | |
Gosh, were going to have some fun shopping with you today, I tell you. | 0:04:06 | 0:04:09 | |
So, are you going to be up, you two, for driving a few hard bargains? | 0:04:09 | 0:04:12 | |
-Oh, yeah. -Oh, yes. -What are you going to be looking for, then? | 0:04:12 | 0:04:15 | |
I'll be looking for silverware, I like my silver. | 0:04:15 | 0:04:19 | |
And possibly some furniture. | 0:04:19 | 0:04:21 | |
Not too big. What about you, Mags? | 0:04:21 | 0:04:23 | |
Me? Ah, well... | 0:04:23 | 0:04:25 | |
-Anything, really, that I like the look of. -Just grabs you? -Yes. | 0:04:25 | 0:04:29 | |
Well, it's a lovely fair here at Wetherby, I can tell you. | 0:04:29 | 0:04:32 | |
You'll have plenty of choice. So, more of that in a moment. | 0:04:32 | 0:04:34 | |
-Anyway, chaps, how are you both, all right? -Fine, thank you. | 0:04:34 | 0:04:38 | |
-Now, Keith, you enjoy going fishing together. Tell us about your fishing. -Well, we go carp fishing. | 0:04:38 | 0:04:43 | |
Pete likes float fishing. | 0:04:43 | 0:04:45 | |
-But I like sitting down and watching the nature passing by. -Exactly. | 0:04:45 | 0:04:50 | |
And apart from the fishing, you are a very keen steam train enthusiast. | 0:04:50 | 0:04:54 | |
Yes. Yeah, yeah, love it. | 0:04:54 | 0:04:56 | |
It's the magic of the past, you know, | 0:04:56 | 0:04:59 | |
the pre-'60s, the atmosphere | 0:04:59 | 0:05:01 | |
and all the original noises that the carriages make, | 0:05:01 | 0:05:04 | |
and the wheels make on the tracks. You know, it's absolutely beautiful. | 0:05:04 | 0:05:08 | |
-He's very good, isn't he? -Yes. -He could wax lyrical on the subject. | 0:05:08 | 0:05:11 | |
A bit like the movie Brief Encounter, you can | 0:05:13 | 0:05:16 | |
encounter people on these trips, can't you? | 0:05:16 | 0:05:19 | |
-Well, you can, yeah, but... -Sometimes famous people. -Absolutely. | 0:05:19 | 0:05:22 | |
-Sometimes famous people who are quite familiar to us. -Yes, indeed. | 0:05:22 | 0:05:25 | |
By the name of... | 0:05:25 | 0:05:27 | |
Anita Manning. Yes, adorable Anita. | 0:05:27 | 0:05:30 | |
Unlike the brief encounter at Carnforth with Trevor Howard | 0:05:30 | 0:05:34 | |
and Celia Johnson and all the steam, it was just quite... | 0:05:34 | 0:05:37 | |
-Quite a clean encounter? -Quite clean, yeah. | 0:05:37 | 0:05:40 | |
Well, never mind, because today, especially for you, Keith, | 0:05:40 | 0:05:43 | |
we've got Anita Manning as your expert on the programme. | 0:05:43 | 0:05:46 | |
-That's gorgeous. -So, you're going to be able to | 0:05:46 | 0:05:48 | |
have another encounter with Anita, | 0:05:48 | 0:05:50 | |
but not on a train platform. How brilliant. | 0:05:50 | 0:05:54 | |
Now, Peter, apart from your interest in fishing and relaxing | 0:05:54 | 0:05:57 | |
out by the water, you're a very creative person, aren't you? | 0:05:57 | 0:06:00 | |
-Well, I'd like to think so. -Well, that's what it says here, so... | 0:06:00 | 0:06:05 | |
Erm, yeah, I'm a singer-songwriter. | 0:06:05 | 0:06:07 | |
I've got a couple of contracts in America, | 0:06:07 | 0:06:09 | |
-publishing contracts in America. -Oh, have you? | 0:06:09 | 0:06:12 | |
Just got my first book out, which is doing quite well around the world. | 0:06:12 | 0:06:15 | |
Good for you. So, tell us about what you write. Tell us about the book. | 0:06:15 | 0:06:19 | |
The book is about my dog, called Stan. Stan speaks perfect English. | 0:06:19 | 0:06:24 | |
-Does he? -Yes, he does. | 0:06:24 | 0:06:25 | |
He uses colourful and industrial language, as young people do. | 0:06:25 | 0:06:29 | |
You know, as a puppy. | 0:06:29 | 0:06:31 | |
The book is written for his first two and a half years. | 0:06:31 | 0:06:33 | |
-He is actually 11 now. -So, we're standing by for volume two and three... | 0:06:33 | 0:06:37 | |
-Three, four, five. -Yes, exactly. | 0:06:37 | 0:06:40 | |
-Depends on whether they keep selling... -So, you say that you are | 0:06:40 | 0:06:43 | |
not only a songwriter, but you're also a singer. Does that mean you've got a song inside you now? | 0:06:43 | 0:06:48 | |
-You're not going to do that me, are you? -I can do it to you. | 0:06:48 | 0:06:51 | |
Well, I mean, you write the things and you can sing them, | 0:06:51 | 0:06:53 | |
so give us a lungful. | 0:06:53 | 0:06:55 | |
-Well... Could you just... -Compose yourself! -My most famous, I suppose, | 0:06:55 | 0:06:58 | |
most famous song around the globe has got to be Rainy Day Lady | 0:06:58 | 0:07:01 | |
and it gets played on the radio quite a lot. | 0:07:01 | 0:07:03 | |
So, I shall give you the first couple of lines of that. | 0:07:03 | 0:07:06 | |
# You're just my Rainy Day Lady | 0:07:06 | 0:07:09 | |
# Can't you feel it in my heart? | 0:07:09 | 0:07:13 | |
# Rainy Day Lady | 0:07:13 | 0:07:16 | |
# You meant nothing from the start... # | 0:07:16 | 0:07:20 | |
-Look at that, that is soulful, man. -Thank you. -That is so cool. | 0:07:20 | 0:07:24 | |
Because it's not going to rain today, because it's going to remain very bright and breezy | 0:07:24 | 0:07:29 | |
and hopefully, this bright and breezy through the money moment. | 0:07:29 | 0:07:32 | |
Because here's your £300, £300 apiece. | 0:07:32 | 0:07:35 | |
You know the rules, your experts await and off you go, | 0:07:35 | 0:07:38 | |
and very, very, very good luck. | 0:07:38 | 0:07:40 | |
Cor, he's good, isn't he? | 0:07:40 | 0:07:43 | |
So, that's our teams. Let's say hello to our experts. | 0:07:43 | 0:07:47 | |
Let's hope he bonds as well with the Reds. It's Serrell, Philip Serrell. | 0:07:47 | 0:07:51 | |
-While the Blues have the magical... -Just like that. | 0:07:52 | 0:07:55 | |
..Anita Manning. | 0:07:55 | 0:07:56 | |
I tell you what, I do love the shoes, they're cool. | 0:07:59 | 0:08:01 | |
Have we got a plan? | 0:08:01 | 0:08:02 | |
-What do you want to buy? -Fishing stuff sounds good. -Yeah. | 0:08:02 | 0:08:06 | |
-Possibly some furniture. -Yep. Anything that takes your fancy. | 0:08:06 | 0:08:10 | |
-Old bits to do with cars, bits to do with boats, Keith? -Yeah. | 0:08:10 | 0:08:13 | |
So, teams, whether your teeing off or casting off, | 0:08:14 | 0:08:17 | |
your time starts now. | 0:08:17 | 0:08:19 | |
Let's go see what we can find, come on. | 0:08:20 | 0:08:22 | |
-Let's go. -OK. | 0:08:22 | 0:08:25 | |
So, everything's in place. | 0:08:25 | 0:08:27 | |
You've got the weather, the cash, the time and the expertise. | 0:08:27 | 0:08:30 | |
-So, get stuck in. -Will we have a wee look in here, guys? | 0:08:30 | 0:08:34 | |
A wee rummage through the boxes. | 0:08:34 | 0:08:36 | |
Have the Blues got a bite already? | 0:08:36 | 0:08:39 | |
Oh. Fishermen, fishermen. | 0:08:39 | 0:08:42 | |
That's a bit big for you to handle, Pete. | 0:08:43 | 0:08:46 | |
-Is that for a shark? -It looks like it, it looks... | 0:08:46 | 0:08:49 | |
Say you were out in the ocean | 0:08:49 | 0:08:52 | |
-and you were trying to catch a huge, big fish... -Yeah. | 0:08:52 | 0:08:55 | |
Well, it would be, wouldn't it? That's quite strong, isn't it? | 0:08:55 | 0:08:57 | |
I think that was used on Captain Ahab's boat. | 0:08:57 | 0:09:01 | |
-'Sounds like a red herring to me.' -So, tell me how it works. | 0:09:01 | 0:09:05 | |
Well, you put that on your rod there and there's a couple of things... | 0:09:05 | 0:09:08 | |
So, you've got a rod there? Oh, you don't just throw that string out? | 0:09:08 | 0:09:12 | |
Method acting for thumbs, push your rod under there | 0:09:14 | 0:09:17 | |
and that goes on there... | 0:09:17 | 0:09:18 | |
They could be a REEL-ly long time, | 0:09:18 | 0:09:21 | |
so let's catch up with the Reds. | 0:09:21 | 0:09:23 | |
There's a cabinet over here that I saw earlier. | 0:09:25 | 0:09:29 | |
Now, this stuff is quite... It's a bit retro. | 0:09:29 | 0:09:33 | |
What do you think of that? This is a... It's basically | 0:09:33 | 0:09:36 | |
a piece of office furniture. It's like an old file cabinet, | 0:09:36 | 0:09:39 | |
I don't know how it works. Oh, there you are, look. | 0:09:39 | 0:09:41 | |
And this would have had adjustable shelves here. | 0:09:41 | 0:09:43 | |
It's not the best quality in the world. It's made out of bits of oak | 0:09:43 | 0:09:46 | |
and some plywood, but this sort of vintagey stuff, | 0:09:46 | 0:09:49 | |
it's quite sought-after. | 0:09:49 | 0:09:51 | |
But it's collectable. Do you like that? | 0:09:51 | 0:09:53 | |
Erm, it's not my usual thing, I'm more of a... | 0:09:53 | 0:09:57 | |
Victorian furniture, but I suppose it's tactile. | 0:09:57 | 0:10:00 | |
-It could be serviceable. -It's useful. | 0:10:00 | 0:10:03 | |
Take the hint, Phil, they're not keen. | 0:10:03 | 0:10:06 | |
They want £75 for it. I would have thought at auction, | 0:10:06 | 0:10:09 | |
-this is going to make between £50 and £100. -Can we keep an eye on it? | 0:10:09 | 0:10:13 | |
Yeah, just half an hour. | 0:10:13 | 0:10:15 | |
-In half an hour's time, you'll have to make your mind up. -Yeah, OK. | 0:10:15 | 0:10:19 | |
Plenty of time and stuff to dig out of the rough. | 0:10:19 | 0:10:22 | |
Blues are still hooked on that spool, though. | 0:10:23 | 0:10:26 | |
Fishing is one of these things people are very keen on | 0:10:26 | 0:10:30 | |
-and I think that that is - technical term - a big cracker. -Yes, it is. | 0:10:30 | 0:10:36 | |
And mean, I think it's the type of | 0:10:36 | 0:10:38 | |
-thing that the fishing guys would go for. -Yes. I do. | 0:10:38 | 0:10:41 | |
And I think that there is profit in that if you can get them down. | 0:10:41 | 0:10:44 | |
-What do you think? -OK, let's have a go. -With the ticket price of £25. | 0:10:44 | 0:10:48 | |
-Smile nicely. -Hiya, how you doing? Are you all right? | 0:10:48 | 0:10:52 | |
Can we make you an offer on this, or... Sorry. | 0:10:52 | 0:10:57 | |
-You can try reel me in with a decent offer. -How about three quid? | 0:10:57 | 0:11:00 | |
-I'm not taking the bait there. -Would you take 15 quid for it? | 0:11:00 | 0:11:04 | |
-No, I couldn't. I really couldn't. -Where are you going to be with it? | 0:11:04 | 0:11:08 | |
Erm... | 0:11:08 | 0:11:10 | |
-You could really beat me down and hook me in at about 20. -20? | 0:11:10 | 0:11:14 | |
-What about 18? -Couldn't, honestly. I couldn't go to 17. | 0:11:14 | 0:11:18 | |
-Can I make it 19, then? -No! | 0:11:18 | 0:11:21 | |
'Gosh, he's good.' | 0:11:21 | 0:11:23 | |
-20 quid sounds all right to me. -All right, yeah. -Yes, £20 it is. | 0:11:23 | 0:11:26 | |
-Thank you very much indeed. £20. -I was kippered there, wasn't I? | 0:11:26 | 0:11:29 | |
-Thank you. -I think you've done well at 20 quid, guys. | 0:11:29 | 0:11:33 | |
-That's a good start. -That's the catch of the day. | 0:11:33 | 0:11:35 | |
Hey, I do the jokes around here! | 0:11:35 | 0:11:38 | |
Anyway, you've landed your first item in next to no time. | 0:11:38 | 0:11:41 | |
Four minutes, 20 seconds. | 0:11:44 | 0:11:46 | |
First item bought, what a team! | 0:11:46 | 0:11:48 | |
-Would you agree? -Absolutely. Yeah, yeah. | 0:11:50 | 0:11:53 | |
Blues may be speedy, but Phil's the font of all knowledge. | 0:11:54 | 0:11:58 | |
These are old printing blocks. How are you doing, all right? | 0:12:00 | 0:12:03 | |
Good. Now, then. | 0:12:03 | 0:12:05 | |
How much are these each? | 0:12:06 | 0:12:08 | |
The large £5, the medium are £3, the small are £2. | 0:12:08 | 0:12:10 | |
Right, you got to help me a second. OK, come and help me out a minute. | 0:12:10 | 0:12:14 | |
I know Phil loves lumps of old wood, but this takes the biscuit. | 0:12:14 | 0:12:17 | |
Can I have a B, please? | 0:12:17 | 0:12:19 | |
-Have a B... -I want a B. -There's a B. | 0:12:19 | 0:12:22 | |
Now, can I have an A? | 0:12:22 | 0:12:24 | |
Ah, now, there's a hard one. | 0:12:24 | 0:12:26 | |
You sound like a very unlikely cheerleader, Phil, | 0:12:26 | 0:12:28 | |
-'but I see where this one is going.' -Ah... | 0:12:28 | 0:12:31 | |
-You see where I'm going now? -I know where you're going. | 0:12:33 | 0:12:36 | |
-You know where I'm going? -I know where you're going. | 0:12:36 | 0:12:38 | |
This could take a while. Now, Blues are discussing their next move. | 0:12:38 | 0:12:42 | |
-Are you any good in the three-point turns on that? -Brilliant! -Are you? | 0:12:42 | 0:12:46 | |
-Absolutely brilliant. -Does that take two? | 0:12:46 | 0:12:48 | |
Because I'm only a wee girl, I'm only a wee girl. | 0:12:50 | 0:12:54 | |
No easy rides on the show. Or do I have to spell it out? | 0:12:54 | 0:12:57 | |
There's a U. I want a T. Oh, here's a T. | 0:12:57 | 0:13:01 | |
Oh, that's better. That's much better, isn't it? | 0:13:02 | 0:13:04 | |
B - A - R - G - A - I - N | 0:13:04 | 0:13:08 | |
space, H - U - N - T. | 0:13:08 | 0:13:11 | |
What do you reckon to that, Bargain Hunt? | 0:13:11 | 0:13:13 | |
How cool is that? | 0:13:13 | 0:13:14 | |
On a serious note? I think these are good fun, because these are | 0:13:14 | 0:13:17 | |
printing compositors, letter blocks. | 0:13:17 | 0:13:20 | |
I mean, they are collectable in their own way | 0:13:20 | 0:13:23 | |
and I'd love to have bought them all, but they're £100. | 0:13:23 | 0:13:25 | |
But I think the best thing we can do is buy "Bargain Hunt" here, | 0:13:25 | 0:13:28 | |
and then if we can find someone at the auction who is a real fan, | 0:13:28 | 0:13:32 | |
they could take Bargain Hunt home with them, look. Do you like that? | 0:13:32 | 0:13:35 | |
-Yeah, it's quite fun. -Bit of fun. Cheap fun, isn't it? -A bit of fun, yeah. | 0:13:35 | 0:13:38 | |
-They are nice. -I actually used to work with these. | 0:13:38 | 0:13:41 | |
-Well, we've both worked in newspaper. -Really? Well, that's... | 0:13:41 | 0:13:43 | |
You see, I knew it all the time. I knew it, there's a link there. | 0:13:43 | 0:13:48 | |
-That, to me, looks like it's three quid's worth. -Oh, I don't think so. | 0:13:48 | 0:13:51 | |
Oh! You've got a dodgy H! No, OK, how much? | 0:13:51 | 0:13:54 | |
-So, if I say it really, really quickly... -Go on, then. | 0:13:54 | 0:13:57 | |
-I say 45 quid, quick. -Get out of here. Behave. How much? | 0:13:57 | 0:14:01 | |
-I'll do the whole lot for 30 quid. -No, no, no, no, no. | 0:14:01 | 0:14:03 | |
They're all little letters. | 0:14:03 | 0:14:05 | |
-They're all little letters. -Yeah, 15 quid. -Tenner and it's a deal. | 0:14:06 | 0:14:10 | |
-No, it's too strong. -Tenner's a deal, isn't it? -A tenner, yeah. | 0:14:10 | 0:14:13 | |
-12 quid. -No, no, no, we're doing it democratically. All those in favour | 0:14:13 | 0:14:16 | |
-of -£10... All the camera crew... | 0:14:16 | 0:14:20 | |
All those in favour... | 0:14:20 | 0:14:22 | |
Cheers, mate, you're a star. Thank you very much. | 0:14:23 | 0:14:26 | |
-OK. -That's really cool, isn't it? It's Bargain Hunt. | 0:14:26 | 0:14:28 | |
Yes. Well, at least you've put your stamp on things, | 0:14:28 | 0:14:31 | |
and at one item bought apiece, our teams have time on their hands. | 0:14:31 | 0:14:36 | |
Especially those Blues. | 0:14:36 | 0:14:37 | |
-There we are, that's nice, isn't it? -That's a lovely, clean clock. | 0:14:37 | 0:14:41 | |
Smiths Empire, made in Great Britain, gives it some age. | 0:14:41 | 0:14:45 | |
Glass-fronted, brass and a hardwood back, looks like oak, | 0:14:45 | 0:14:49 | |
stained oak, to me. | 0:14:49 | 0:14:51 | |
Hang on, who's the expert here? | 0:14:51 | 0:14:52 | |
-I wonder what we can get that for. -Now, I like that clock. | 0:14:54 | 0:14:58 | |
What you've done is describe it there with all that... | 0:14:58 | 0:15:01 | |
You know, it's a nice wooden brass clock. Good, clean face. | 0:15:01 | 0:15:05 | |
Often, when the dial is tired or distressed, it will be redone. | 0:15:05 | 0:15:11 | |
But that's original, that's nice. Do you like that? | 0:15:11 | 0:15:15 | |
It's nice, yeah, yeah. | 0:15:15 | 0:15:16 | |
But, without the key, you don't know if it's working. | 0:15:16 | 0:15:19 | |
-We don't know if it works. -No. -We'll have to ask the guy if it works. | 0:15:19 | 0:15:23 | |
See, in that type of clock, nobody can guarantee you, | 0:15:23 | 0:15:26 | |
but what I can say to you, in an older clock, there is | 0:15:26 | 0:15:29 | |
often very little that needs done. I think that's fine. | 0:15:29 | 0:15:33 | |
-That's a nice bit of kit. -Yeah. | 0:15:33 | 0:15:34 | |
I'm just thinking it would fit on, you know...pub, restaurant, | 0:15:34 | 0:15:38 | |
themed restaurant, boat, private boat. | 0:15:38 | 0:15:41 | |
We're selling in Darlington, an auction in Darlington. | 0:15:41 | 0:15:45 | |
Now, Darlington is famous as a... | 0:15:45 | 0:15:48 | |
Trains, really. | 0:15:48 | 0:15:50 | |
Trains is the main thing, isn't it? | 0:15:50 | 0:15:52 | |
Trains, engineering, that sort of stuff. | 0:15:52 | 0:15:54 | |
So, that's maybe the type of thing that would appeal to the Darlington buyers. | 0:15:54 | 0:15:58 | |
-They've got it up for £180, haven't we? -Yeah. | 0:15:58 | 0:16:00 | |
-I think £180 is a bit dear. -A bit steep, yeah, I think it is. | 0:16:00 | 0:16:03 | |
What do you think it will make, roughly, in auction? | 0:16:03 | 0:16:05 | |
-I would estimate it, probably, 80-120. -80 to... | 0:16:05 | 0:16:09 | |
-So, we don't want to be over 100 with that. -No. -No. | 0:16:09 | 0:16:12 | |
Who's going to be good at bargaining between the two of you? | 0:16:12 | 0:16:15 | |
Do you want me to have a go at it? Right, yeah, yeah. | 0:16:15 | 0:16:18 | |
-You'll have to be cruel. -Yes. Yeah. -With a smile. -With a smile, yeah. | 0:16:18 | 0:16:22 | |
-Let me see your lovely smile. -Smiling assassin! -That's nice. | 0:16:22 | 0:16:25 | |
If you can get it at somewhere between there, 80 to 120, | 0:16:25 | 0:16:28 | |
I think it's worth going for. | 0:16:28 | 0:16:30 | |
-Good luck, darling. -OK! | 0:16:30 | 0:16:31 | |
While Keith turns on the charm, the Reds head inside for a quick search. | 0:16:32 | 0:16:36 | |
It's called Tantalus, because it tantalises you. Because you can't actually get at the booze. | 0:16:38 | 0:16:42 | |
I said search, not Scotch. | 0:16:42 | 0:16:44 | |
How did you get on, Keith? | 0:16:49 | 0:16:51 | |
Well, he wanted to stick at the £180, | 0:16:51 | 0:16:54 | |
but I have managed to talk him down to £100. | 0:16:54 | 0:16:58 | |
-£100? -Wow. That's cheap. | 0:16:58 | 0:17:00 | |
-He's good. -He's good, yeah. -He's good. -Yeah, of course I am. | 0:17:00 | 0:17:04 | |
You're not that good. | 0:17:04 | 0:17:06 | |
Maybe that smiling assassin thing worked. | 0:17:06 | 0:17:08 | |
But the thing is, it's the end of the day, he's packing up... | 0:17:08 | 0:17:13 | |
-I think it's a great deal. -Yeah. -You want to go for that? | 0:17:13 | 0:17:16 | |
-Yes. -I've shook his hand. | 0:17:16 | 0:17:18 | |
-We've already paid! -It's a done deal. OK. | 0:17:18 | 0:17:22 | |
You guys, I have to say, | 0:17:22 | 0:17:24 | |
you guys are wonderful. | 0:17:24 | 0:17:27 | |
Two items, let's get on to the third one, then, guys. | 0:17:28 | 0:17:31 | |
Second item with a maritime theme. | 0:17:33 | 0:17:36 | |
Meanwhile, the Reds' penchant for shoes emerges. | 0:17:36 | 0:17:39 | |
Can we have a look at your snuff shoe, please? | 0:17:40 | 0:17:43 | |
These used to be really, really sought after | 0:17:43 | 0:17:46 | |
and they've come down a little bit in value. | 0:17:46 | 0:17:48 | |
This is quite a nice one, it's got these little nail heads | 0:17:48 | 0:17:52 | |
hammered in the bottom, which is like pique ware, | 0:17:52 | 0:17:54 | |
and that's just a sign of decoration. | 0:17:54 | 0:17:56 | |
Very often they were given as love tokens, | 0:17:56 | 0:17:58 | |
so they would have had some little names, or initials, really. | 0:17:58 | 0:18:00 | |
Just there and there. | 0:18:00 | 0:18:02 | |
And you just open that up, take a pinch of your snuff out, | 0:18:02 | 0:18:05 | |
put it on there... | 0:18:05 | 0:18:06 | |
I like that, but I think it's going to make between £50 and £80. | 0:18:06 | 0:18:10 | |
That's where I'm at with it. | 0:18:10 | 0:18:12 | |
This gentleman's got £125 off it, so, you know, for you to buy that | 0:18:12 | 0:18:16 | |
-and make a profit... Lovely thing, but... -Yeah, it's going to... | 0:18:16 | 0:18:20 | |
What's the best you can do on this one? | 0:18:20 | 0:18:23 | |
It would need to be at £90. | 0:18:23 | 0:18:25 | |
I know there is a lot of people do collect them. | 0:18:25 | 0:18:27 | |
-90 is the absolute finish on it? -It is, really, yeah. | 0:18:28 | 0:18:31 | |
-I have to stand on that. -Yeah, no, that's fine. | 0:18:31 | 0:18:33 | |
-Could you put it by for us for half an hour? -Yes. -Is that all right? | 0:18:33 | 0:18:37 | |
-Yeah, yep. -You'd rather have that than that file cabinet? | 0:18:37 | 0:18:40 | |
-Definitely go with that rather than the cabinet. -You prefer that more? | 0:18:40 | 0:18:43 | |
-Keep it by for us for about half an hour. All right? -OK. | 0:18:43 | 0:18:47 | |
So, we've bought one, we've got one bit put by at 90, | 0:18:47 | 0:18:51 | |
-and then we can just have a look around, can't we? -Yeah. -Come on. | 0:18:51 | 0:18:54 | |
You'll be cutting it fine if you do, team. | 0:18:54 | 0:18:56 | |
Cor, living dangerously, eh, Reds? | 0:18:56 | 0:18:59 | |
-One more lot to buy, and what... -Can I have a look at that over there? | 0:18:59 | 0:19:04 | |
-All right, more boys toys. -Yeah, more boys toys. | 0:19:04 | 0:19:07 | |
That's the Mamod steam engine. An important thing in this type of item | 0:19:09 | 0:19:14 | |
is to have the original box, in good condition, is a definite plus. | 0:19:14 | 0:19:20 | |
So, maybe from about the '70s, but these are working models, | 0:19:20 | 0:19:23 | |
they're not toys. | 0:19:23 | 0:19:24 | |
Not for kids, they're for big boys, like you. | 0:19:24 | 0:19:27 | |
-Like us, yeah. -Big boys for you. | 0:19:27 | 0:19:29 | |
And now, you've got various | 0:19:29 | 0:19:32 | |
different models here. | 0:19:32 | 0:19:35 | |
Are there any that you like especially, | 0:19:35 | 0:19:37 | |
-or do you want to play with them all? -I like them all. | 0:19:37 | 0:19:41 | |
Well, Blues, you might have the luxury of ten minutes | 0:19:43 | 0:19:45 | |
for your third purchase, but those Reds are in search of their second. | 0:19:45 | 0:19:49 | |
Still, every cloud has a silver lining, eh? | 0:19:49 | 0:19:51 | |
So, what you do is look at the piece of silver... | 0:19:53 | 0:19:55 | |
Silver is a really soft metal. | 0:19:57 | 0:19:59 | |
So, this is a christening set, so I think that was the son of Samson | 0:19:59 | 0:20:02 | |
that had that one, because quite what he's done to the end... | 0:20:02 | 0:20:05 | |
Yeah, I was just thinking that. He's eaten it. | 0:20:05 | 0:20:08 | |
But I wouldn't argue with him. | 0:20:08 | 0:20:11 | |
Well, I've heard of being born with a silver spoon in your mouth. | 0:20:11 | 0:20:14 | |
Anyway, having toyed long enough with the steam engine, the Blues now I mean business. | 0:20:14 | 0:20:18 | |
-Ah, the man himself. -Hello. -All right? | 0:20:18 | 0:20:21 | |
My boys have been looking at the boys toys. | 0:20:21 | 0:20:24 | |
Can you explain to us about... Which is that box that you told me...? | 0:20:25 | 0:20:30 | |
This is from 1974. | 0:20:30 | 0:20:33 | |
It's got an original box, it's never been fired, | 0:20:33 | 0:20:36 | |
it has the original firebox, the tundish to put the water in. | 0:20:36 | 0:20:41 | |
The steering mechanism, | 0:20:41 | 0:20:43 | |
and that's for the man to stand upon. | 0:20:43 | 0:20:47 | |
It's never... It's immaculate, really. | 0:20:47 | 0:20:49 | |
You've got everything you need. | 0:20:49 | 0:20:52 | |
-It's never been used. -You've got the original box. | 0:20:52 | 0:20:54 | |
-This is the steam roller. -And that goes on that? Thank you. | 0:20:54 | 0:20:58 | |
-Well, out of the two, I like the one with the roof on it. -Yeah. | 0:20:58 | 0:21:01 | |
What's the difference? How much is this one and how much is that one? | 0:21:01 | 0:21:05 | |
-The price is just the same, £140. -£140? -Yeah. | 0:21:05 | 0:21:09 | |
-What you think, Keith, do you like it? -I like that, yeah. | 0:21:09 | 0:21:11 | |
-So, what's the best? -Come on, the best. -The best death price. | 0:21:11 | 0:21:17 | |
-How does £120 sound to you? -100 would sound better. | 0:21:17 | 0:21:21 | |
I'm afraid I wouldn't let it go for that. | 0:21:21 | 0:21:23 | |
I know, I knew you were going to say that. | 0:21:23 | 0:21:24 | |
How about just another tenner off? | 0:21:24 | 0:21:27 | |
Just because it's the last item of the day, come on, let's do it. | 0:21:27 | 0:21:30 | |
-You're one of the boys. -Yeah, go on. | 0:21:30 | 0:21:32 | |
110. | 0:21:32 | 0:21:34 | |
-Never been robbed by a nicer man. -Thank you very much. VENDOR: Thank you. | 0:21:34 | 0:21:38 | |
Do you know, I've got an invincible team here. These boys don't need me. | 0:21:38 | 0:21:43 | |
Oh, I don't know, Anita, | 0:21:43 | 0:21:44 | |
who knows what trouble they'd get into without you. | 0:21:44 | 0:21:47 | |
-How much have you spent, boys? -£230. | 0:21:47 | 0:21:51 | |
Well, that's a respectable amount of money and you've left me | 0:21:51 | 0:21:54 | |
-not too bad dosh to go forward. -70 quid. -Uh-huh. | 0:21:54 | 0:21:58 | |
-I think we deserve a nice wee cup of tea. -Absolutely. | 0:21:58 | 0:22:02 | |
Whilst Blues go for tea, the Reds really need to get a move on. | 0:22:02 | 0:22:06 | |
We're under the cosh here, aren't we? We need to make a decision. | 0:22:06 | 0:22:09 | |
-The shoe... -Yes. -We've got to go with the shoe. -Buy it. | 0:22:09 | 0:22:13 | |
-You like little bits of silver and stuff? -Mm-hm. | 0:22:13 | 0:22:15 | |
I've just found... And where's the auction? | 0:22:15 | 0:22:19 | |
BOTH: Darlington. | 0:22:19 | 0:22:20 | |
Do you see what this is here, look. | 0:22:21 | 0:22:23 | |
-Darlington. -1885. | 0:22:25 | 0:22:28 | |
Mrs Eden... | 0:22:29 | 0:22:30 | |
16 Grange Terrace. I think that's a little key fob. | 0:22:32 | 0:22:35 | |
Given that the auction is in Darlington... | 0:22:35 | 0:22:38 | |
That strikes me as we should buy that. | 0:22:38 | 0:22:40 | |
Time and options are running out, Reds. | 0:22:40 | 0:22:42 | |
Now, how much is that, what would you pay for that? | 0:22:42 | 0:22:45 | |
-Not knowing if it's silver or not, it's... 20 quid. -What would you pay? | 0:22:45 | 0:22:49 | |
-I'd say about 30, 35. -Well, it's priced at, look... | 0:22:49 | 0:22:53 | |
-15 quid. So, if we could get it for a tenner... -At least. -Yeah. | 0:22:53 | 0:22:56 | |
You've got £10 worth of printing blocks, £10 worth of that, | 0:22:56 | 0:23:00 | |
£90 worth of shoe, home and hosed. | 0:23:00 | 0:23:02 | |
Phew. | 0:23:02 | 0:23:03 | |
Well done, Reds. Phil comes to the rescue once again. | 0:23:03 | 0:23:06 | |
Two down, one to go. | 0:23:06 | 0:23:08 | |
Now, have you ever wondered what the experts get up to once | 0:23:08 | 0:23:12 | |
they've finished shopping? Wonder no more. | 0:23:12 | 0:23:14 | |
Oh! | 0:23:14 | 0:23:16 | |
I feel like that woman in Benidorm. | 0:23:16 | 0:23:18 | |
Benidorm, here we come. | 0:23:20 | 0:23:22 | |
-I don't know where the brakes are. -'Your time will come, Anita.' | 0:23:25 | 0:23:28 | |
-'Phil's Reds are still hard at it, though.' -So, how much is that? | 0:23:28 | 0:23:33 | |
-Well, it's on at 15. -So, you've got it for... | 0:23:33 | 0:23:36 | |
-I've got it for 12. -Shake the man's hand. -Tough, thank you. -Well done. | 0:23:36 | 0:23:41 | |
Thank you very much. | 0:23:41 | 0:23:43 | |
Well, you get the kettle on while your team seals | 0:23:43 | 0:23:46 | |
the deal on the snuff box. | 0:23:46 | 0:23:48 | |
Fantastic, thank you. | 0:23:48 | 0:23:49 | |
- Thank you. Thank you. - Best of luck. | 0:23:49 | 0:23:52 | |
The race is over, time's up. | 0:23:52 | 0:23:55 | |
Let's check out what the Red team bought, eh? | 0:23:55 | 0:23:57 | |
At £10, the wooden printing blocks spelled out their first buy | 0:23:58 | 0:24:02 | |
and Bargain Hunt. | 0:24:02 | 0:24:04 | |
They addressed the lack of a second item by buying the key fob ingot. | 0:24:04 | 0:24:08 | |
£12 paid. | 0:24:08 | 0:24:10 | |
And finally, the treen boot-shaped snuff box for £90. | 0:24:10 | 0:24:13 | |
Well, you're a happy team, aren't you? My gosh. | 0:24:15 | 0:24:19 | |
Now, Steve, tell me, which is your favourite piece? | 0:24:19 | 0:24:22 | |
-Erm, the snuff box. -What about you, Mags? | 0:24:22 | 0:24:24 | |
Erm, I like the little ingot, the little pendant. | 0:24:24 | 0:24:28 | |
Yeah, so that's your favourite? | 0:24:28 | 0:24:29 | |
But that's surely not going to bring the biggest profit, is it? | 0:24:29 | 0:24:32 | |
With what we paid, it is a good possibility, yeah. | 0:24:32 | 0:24:35 | |
I think the Bargain Hunt printing blocks will make the most money. | 0:24:35 | 0:24:40 | |
Do you, do you? OK, fine. That, I think, is a strategic vote. | 0:24:40 | 0:24:44 | |
-Anyway, how much did you spend all round? -£112. | 0:24:44 | 0:24:47 | |
£112, I'd like 188, please. Leftover lolly. Right, we got a few... | 0:24:47 | 0:24:51 | |
We've got three bits of shrapnel. Great, watch that. | 0:24:51 | 0:24:53 | |
-Anyway, there you go, Phil. That'll warm up your palm. -Absolutely. | 0:24:53 | 0:24:56 | |
And Steve wanted a proper antique, so I'm going to go and get him | 0:24:56 | 0:25:00 | |
-a latter-day antique, I think. -Are you? | 0:25:00 | 0:25:03 | |
Well, your options are open, because I'm going to give you Tim's Ton now. | 0:25:03 | 0:25:06 | |
There is another £100, all right? The only thing is, | 0:25:06 | 0:25:08 | |
come back and have a chat with me | 0:25:08 | 0:25:10 | |
in a minute or two, because we can have a little confidential chat and | 0:25:10 | 0:25:13 | |
not tell these guys what we're going to predict | 0:25:13 | 0:25:16 | |
until we get to the auction. | 0:25:16 | 0:25:17 | |
Anyway, good luck with that, Phil. | 0:25:17 | 0:25:19 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:25:19 | 0:25:22 | |
The large wooden fishing reel was netted for £20. | 0:25:23 | 0:25:26 | |
They continued the nautical theme with | 0:25:28 | 0:25:31 | |
the Smiths Empire ship-style clock for £100. | 0:25:31 | 0:25:33 | |
And finally, they splashed out £110 for the Mamod steam tractor. | 0:25:34 | 0:25:39 | |
-Well, chaps, was that good fun? -Yeah, great. Really enjoyed it. -Brilliant, Yeah, yeah. | 0:25:41 | 0:25:45 | |
-In very rapid order, I might say. -No messing. | 0:25:45 | 0:25:48 | |
-So, Pete, which is your favourite piece? -Gosh... | 0:25:48 | 0:25:51 | |
-I really like the clock. -You like the clock. Do you agree, Keith? | 0:25:51 | 0:25:54 | |
Erm, yes. Yeah. No, no, I don't. I like the tractor best. | 0:25:54 | 0:25:59 | |
-You like the tractor. -OK, that's your favourite. | 0:25:59 | 0:26:01 | |
-Is the tractor going to bring the biggest profit? -I think the reel | 0:26:01 | 0:26:04 | |
-is going to bring in the big profit. -OK. | 0:26:04 | 0:26:06 | |
-Yeah, I think he's right. I think the reel... -So, we have agreed on the reel... | 0:26:07 | 0:26:11 | |
Will reel in the best profit. Great. | 0:26:11 | 0:26:12 | |
-And how much did you spend all round? -£230. | 0:26:12 | 0:26:16 | |
-£230, I'd like £70 of leftover lolly, please. -Yeah. | 0:26:16 | 0:26:18 | |
You've got that, £70 of leftover lolly, very good, thanks. | 0:26:18 | 0:26:21 | |
That goes straight across to Anita, and in addition, | 0:26:21 | 0:26:23 | |
you're going to get Tim's Ton. | 0:26:23 | 0:26:25 | |
That's for the two bonus buys, double challenge for you today. | 0:26:25 | 0:26:28 | |
-Are you up for this? -I certainly am, but I have to warn you, boys, | 0:26:28 | 0:26:32 | |
I'm going to buy something completely different. | 0:26:32 | 0:26:36 | |
Oh, stand by for that. Well, if you could pop back in a minute, | 0:26:36 | 0:26:38 | |
when you've found that, we'll have a little confidential chat about it, | 0:26:38 | 0:26:42 | |
and we won't be telling the boys anything whatsoever. OK? | 0:26:42 | 0:26:45 | |
Everybody happy? You bet your life we are, thank you. | 0:26:45 | 0:26:48 | |
So, shopping starts again for our experts, | 0:26:55 | 0:26:57 | |
and with so much cash burning a hole in their pockets, | 0:26:57 | 0:27:01 | |
what will they buy? | 0:27:01 | 0:27:02 | |
-Yeah, we'll do it. -You're a gentleman, | 0:27:03 | 0:27:05 | |
thank you very much indeed. | 0:27:05 | 0:27:07 | |
Well, Steve wanted an antique... | 0:27:07 | 0:27:10 | |
And for £50, I've got him an antique of tomorrow. | 0:27:10 | 0:27:13 | |
But, what have you done with that Ton? | 0:27:15 | 0:27:17 | |
The dealer's had to go early. Great antiques, are they? | 0:27:17 | 0:27:20 | |
Well, certainly not, but what they will do is sell stock | 0:27:20 | 0:27:23 | |
at a fair like this. | 0:27:23 | 0:27:24 | |
-Well, here we go again, then, Phil. -Absolutely. | 0:27:25 | 0:27:28 | |
-You've been out, you've done your worst. -Phew, yes. | 0:27:28 | 0:27:31 | |
You've come back with two modest little jobbies. | 0:27:31 | 0:27:33 | |
First of all, let us have a look at this table, which is | 0:27:33 | 0:27:36 | |
the team's bonus buy. You had £188 of leftover lolly | 0:27:36 | 0:27:39 | |
and you went with this Formica-top table. | 0:27:39 | 0:27:42 | |
Creation, creation. | 0:27:42 | 0:27:43 | |
I've always liked Star Trek and it reminded me of Enterprise. | 0:27:43 | 0:27:46 | |
I can see I've lost you there, Tim. | 0:27:46 | 0:27:48 | |
No, no, you haven't. It's got that kind of um, amoebic shape. | 0:27:48 | 0:27:54 | |
Well, you know what, if you'd told me I'd have been buying | 0:27:54 | 0:27:56 | |
stuff like that 20 years ago, I'd have laughed at you. | 0:27:56 | 0:27:59 | |
But I think that that's quite a funky table. | 0:27:59 | 0:28:01 | |
It's 1960s and I think, I can see some youngster in the saleroom, | 0:28:01 | 0:28:05 | |
or hopefully, two youngsters in the saleroom, | 0:28:05 | 0:28:07 | |
getting hopefully carried away. Quite a funky thing, I think. | 0:28:07 | 0:28:10 | |
I think so, too. But it's sufficiently oddball | 0:28:10 | 0:28:13 | |
to make it an attractive object these days at auction. | 0:28:13 | 0:28:15 | |
That's what I thought. I'm glad you think that. | 0:28:15 | 0:28:18 | |
So, Phil, you're going to have to tell other teams a bit later on what your estimate is on this. | 0:28:18 | 0:28:23 | |
I paid £50 for that and I think it's going to make £60-90. | 0:28:23 | 0:28:27 | |
£60-90 is your estimate. OK, fine. Very good. | 0:28:27 | 0:28:30 | |
Now, what about Tim's Ton? You had £100. You bought these two cabinets. | 0:28:30 | 0:28:34 | |
-Do you rate them? -Yeah. Well, I don't necessarily rate them | 0:28:34 | 0:28:37 | |
but I think they're very, very commercial. | 0:28:37 | 0:28:39 | |
I think these are probably off a bigger piece of furniture. They're oak. They're 1930s. | 0:28:39 | 0:28:44 | |
I paid £60 for those and I would estimate them at £80-120. | 0:28:44 | 0:28:47 | |
I think you're absolutely right. | 0:28:47 | 0:28:49 | |
And I have to make the invidious decision as to which one to go for. | 0:28:49 | 0:28:53 | |
So I will not surprisingly opt for Tim's Ton on your cupboards. | 0:28:53 | 0:28:58 | |
You shove it on, because it's nearest to you. | 0:28:58 | 0:29:00 | |
If there's any justice, Philip, | 0:29:00 | 0:29:01 | |
you will make the extra profit over Tim's Ton. | 0:29:01 | 0:29:04 | |
But the thing is, do the teams pick the right one? And that's what's so exciting, you see. | 0:29:04 | 0:29:07 | |
-We'll find that out. -Right. Now, though, why don't we check out | 0:29:07 | 0:29:10 | |
how poor Anita's getting on with buying her bonus buys. | 0:29:10 | 0:29:17 | |
To recap, Anita had £170 leftover lolly, | 0:29:19 | 0:29:23 | |
as well as the £100 given by me for the Tim's Ton buy. | 0:29:23 | 0:29:26 | |
How did she get on? | 0:29:26 | 0:29:28 | |
I like this. It's a little writing set. It's in at £25. | 0:29:28 | 0:29:34 | |
-Is there any movement on that? -£20. -This is a deal. This is a deal. | 0:29:34 | 0:29:40 | |
And she's not gone far for her Tim's Ton buy, either. | 0:29:40 | 0:29:44 | |
This is a lovely wee set here. A little 1930s moulded glass set. | 0:29:44 | 0:29:49 | |
I can see that you've got 75 on that. | 0:29:49 | 0:29:54 | |
What is the very best that you can do? | 0:29:54 | 0:29:57 | |
-My very best is 60. -60? I think we'll take it at that. | 0:29:57 | 0:30:01 | |
-Thank you very, very, very much. -Thank you. -Two wonderful things. | 0:30:01 | 0:30:04 | |
-I hope they like them. -So do I! | 0:30:04 | 0:30:07 | |
Now, how difficult was it for you to shop for these? | 0:30:10 | 0:30:13 | |
It was absolutely easy. I decided to buy things that I liked myself. | 0:30:13 | 0:30:18 | |
Well, that does make it easier, doesn't it? | 0:30:18 | 0:30:20 | |
You had your limitation of cash. | 0:30:20 | 0:30:22 | |
-So for the team's bonus buy, you had £70. -Aha. -Tell us about that. | 0:30:22 | 0:30:25 | |
Well, Peter is a songwriter and an author and I thought it would | 0:30:25 | 0:30:29 | |
be nice to buy him something which was writing-related. | 0:30:29 | 0:30:33 | |
And I thought this rather nice Art Deco box set of writing | 0:30:33 | 0:30:38 | |
paraphernalia would be a nice thing. It's from the 1930s. | 0:30:38 | 0:30:42 | |
It's made of plastic, so it's not an expensive thing. | 0:30:42 | 0:30:45 | |
But we have this rather nice decoration with | 0:30:45 | 0:30:48 | |
our little bands here of a darker plastic. | 0:30:48 | 0:30:52 | |
And we have a seal, a little propelling pencil, | 0:30:52 | 0:30:55 | |
-a pen with a 14-carat nib. -Oh, yeah. | 0:30:55 | 0:31:00 | |
And a little paper knife there. | 0:31:00 | 0:31:02 | |
So it's a lovely wee set from the Art Deco period, 1930s | 0:31:02 | 0:31:07 | |
and it was only £20. | 0:31:07 | 0:31:08 | |
Well, for £20, Anita, I think you've done pretty well. | 0:31:08 | 0:31:11 | |
It's no wonder you liked it yourself. | 0:31:11 | 0:31:14 | |
Now, moving on to Tim's Ton, I give you the £100 | 0:31:14 | 0:31:18 | |
and you came up with this heap of glass. | 0:31:18 | 0:31:21 | |
-I mean, this is a whole glassworks here, girl! -I know. | 0:31:21 | 0:31:24 | |
I mean, I have to say that the boys bought these very sort of | 0:31:24 | 0:31:27 | |
masculine type of things | 0:31:27 | 0:31:30 | |
and I thought that I would quite like to buy something that | 0:31:30 | 0:31:33 | |
was totally different and that might appeal to their feminine sense. | 0:31:33 | 0:31:38 | |
Moulded glass, probably Czechoslovakian. | 0:31:38 | 0:31:41 | |
It's sort of a cheaper form of glass. | 0:31:41 | 0:31:45 | |
It wouldn't have been expensive probably at the time | 0:31:45 | 0:31:47 | |
-but you've got a lot of glass. -You've got a lot of glass there. | 0:31:47 | 0:31:50 | |
And in this fashionable '30s amber kind of colour. | 0:31:50 | 0:31:55 | |
-OK, so how much did you spend? -£60. -£60 for all those pieces? | 0:31:55 | 0:31:59 | |
You know what I have to do now, don't you? | 0:31:59 | 0:32:01 | |
I have to predict which one of these in proportion is going to | 0:32:01 | 0:32:05 | |
make the biggest profit. | 0:32:05 | 0:32:06 | |
I think they're both going to make a profit, actually, | 0:32:06 | 0:32:09 | |
with any justice, but the most profit in relation to the purchase | 0:32:09 | 0:32:12 | |
price has to be - for my eye - your writing set. | 0:32:12 | 0:32:16 | |
So will you bung that on that little clippie on top of that, | 0:32:16 | 0:32:19 | |
so it makes it perfectly clear where I've committed. | 0:32:19 | 0:32:21 | |
Well, we've enjoyed doing that, Anita. Thank you very much. | 0:32:21 | 0:32:24 | |
But right now, | 0:32:24 | 0:32:25 | |
we're heading off to the Geffrye Museum in London's East End. | 0:32:25 | 0:32:29 | |
How lovely. | 0:32:29 | 0:32:30 | |
This may look like a line of almshouses to you. | 0:32:43 | 0:32:47 | |
Well, you'd be right, because it once was a series of almshouses. | 0:32:47 | 0:32:53 | |
Except that in 1914, | 0:32:53 | 0:32:55 | |
the place was knocked about a bit to create a museum. | 0:32:55 | 0:33:01 | |
And a rather interesting one it is, too! | 0:33:01 | 0:33:04 | |
The museum, named after 18th-century benefactor Robert Geffrye, | 0:33:04 | 0:33:09 | |
explores the interior of the home, showing how British fashions | 0:33:09 | 0:33:13 | |
and tastes have changed over the past 400 years. | 0:33:13 | 0:33:17 | |
From the aspirational 20th-century designs, to the | 0:33:17 | 0:33:20 | |
more functional of the 17th century and everything in between. | 0:33:20 | 0:33:24 | |
Now the Victorians loved everything that was fussy and ornate | 0:33:27 | 0:33:33 | |
but in the late 1860s, a movement was spawned that kicked | 0:33:33 | 0:33:38 | |
back at against all those over-sentimental designs that | 0:33:38 | 0:33:44 | |
had occurred before and it was called the Aesthetic Movement. | 0:33:44 | 0:33:48 | |
The Aesthetic Movement became the first | 0:33:50 | 0:33:52 | |
example of the phenomenon that we now call lifestyle. | 0:33:52 | 0:33:57 | |
Householders were guided on how to create an artistic living space | 0:33:57 | 0:34:00 | |
by the leading aesthetic movers and shakers of the time, | 0:34:00 | 0:34:04 | |
based on their writings and art. | 0:34:04 | 0:34:07 | |
And - hey presto - here we have Sabine Pasley's | 0:34:07 | 0:34:12 | |
picture in a complementary room. | 0:34:12 | 0:34:16 | |
Except that the Geffrye Museum have recreated | 0:34:16 | 0:34:19 | |
this Aesthetic Movement room almost as if it's a facsimile of what we've | 0:34:19 | 0:34:25 | |
seen in Pasley's picture. And a jolly good job they've done, too. | 0:34:25 | 0:34:30 | |
Here we've got a fireplace that's got an elaborate mirrored back | 0:34:30 | 0:34:35 | |
and is bedecked in Chinese and Japanese porcelain. | 0:34:35 | 0:34:40 | |
The surround is tiled with Minton blue-and-white tiles. | 0:34:40 | 0:34:44 | |
In the corner, we have a fern that sits on a table. | 0:34:44 | 0:34:48 | |
A table which is exotic in the same way as the Morris & Co bamboo table | 0:34:48 | 0:34:54 | |
in the painting, except that this one probably came from Egypt. | 0:34:54 | 0:34:58 | |
Again, we've got a circular table with a table cover that might | 0:34:58 | 0:35:02 | |
have been used for playing cards. | 0:35:02 | 0:35:05 | |
Except that this table cover is special. | 0:35:05 | 0:35:08 | |
It's bang-on trend for the Aesthetic Movement in the 1880s, | 0:35:08 | 0:35:12 | |
because in 1888, Van Gogh painted his sunflowers - | 0:35:12 | 0:35:18 | |
the sunflowers were the distinctive element of the Aesthetic Movement | 0:35:18 | 0:35:23 | |
and embroidered underneath this tabletop are sunflowers. | 0:35:23 | 0:35:28 | |
And to cap it all, we have a reproduction wallpaper | 0:35:28 | 0:35:33 | |
which circumnavigates the room just underneath the ceiling moulding. | 0:35:33 | 0:35:38 | |
And each element within that border paper has been | 0:35:38 | 0:35:43 | |
interpreted from the Japanese and it was no wonder that this | 0:35:43 | 0:35:47 | |
brand-new design was so hip amongst the Victorians of that period. | 0:35:47 | 0:35:53 | |
The big question today is for us over at the auction - | 0:35:53 | 0:35:56 | |
is it going to be hip - or miss - for our teams? | 0:35:56 | 0:36:01 | |
Well, I can't tell you what a treat it is to trot up the road | 0:36:12 | 0:36:15 | |
from Wetherby to Darlington | 0:36:15 | 0:36:17 | |
to Thomas Watson's saleroom to be with Peter Robinson. Hello, Peter. | 0:36:17 | 0:36:21 | |
Hi, there, Tim. It's good to see you. | 0:36:21 | 0:36:23 | |
Now, to start off with, we've got 12 wooden printing blocks which | 0:36:23 | 0:36:28 | |
they've cleverly spelt Bargain Hunt out of. | 0:36:28 | 0:36:30 | |
Yeah, I mean, I think a collection of printing blocks | 0:36:30 | 0:36:33 | |
in their old box and their case and something like that, | 0:36:33 | 0:36:35 | |
but it seems a little bit odd that you happen to have got these | 0:36:35 | 0:36:38 | |
letters that spell Bargain Hunt, so... | 0:36:38 | 0:36:40 | |
It's a cunning ploy to pull at the heart strings of the fans | 0:36:40 | 0:36:45 | |
of the programme but it's a high-risk strategy, because today | 0:36:45 | 0:36:49 | |
in the saleroom, there may not be many Bargain Hunt fans about, right? | 0:36:49 | 0:36:54 | |
I think there will be plenty of Bargain Hunt fans about, | 0:36:54 | 0:36:57 | |
but what are they going to pay for those wooden numbers? | 0:36:57 | 0:37:00 | |
Will they pay a pound a number for it? That's £12. | 0:37:00 | 0:37:03 | |
Yeah, well - we've put 15-20 down as an estimate. | 0:37:03 | 0:37:06 | |
Well, our lot only paid £10. | 0:37:06 | 0:37:09 | |
So maybe if this strategy works, they might make a pound or | 0:37:09 | 0:37:12 | |
two as profit but it's not going to earn them a fortune, | 0:37:12 | 0:37:15 | |
-that's for a fact. -Definitely not. | 0:37:15 | 0:37:17 | |
Now, this little ingot, I think is absolutely fascinating | 0:37:17 | 0:37:20 | |
and Philip got very excited about this. | 0:37:20 | 0:37:22 | |
It says, "Mrs Eden, 16 Grange Terrace, Darlington, 1886." | 0:37:22 | 0:37:29 | |
So does this ingot have a special association for you in the town? | 0:37:29 | 0:37:34 | |
Well, Grange Terrace in Darlington is literally just round | 0:37:34 | 0:37:37 | |
the corner and Thomas Watson, | 0:37:37 | 0:37:39 | |
who originally started this business in 1840 in these very same | 0:37:39 | 0:37:44 | |
premises we are in now - he actually lived in number 4 Grange Terrace. | 0:37:44 | 0:37:49 | |
And he lived there until he died in 1883. | 0:37:49 | 0:37:53 | |
So the chances are that Thomas Watson | 0:37:53 | 0:37:56 | |
and Mrs Eden had the odd chat across the garden fence. | 0:37:56 | 0:38:00 | |
Whether it's valuable or not I don't know but it's certainly | 0:38:00 | 0:38:03 | |
sparked my interest in the history of Thomas Watson's auctioneers. | 0:38:03 | 0:38:06 | |
Exactly. What's it going to be worth? A pound or two, or five? | 0:38:06 | 0:38:10 | |
Well, we've put £15-20 on it. | 0:38:10 | 0:38:12 | |
We tried to steer away from a pound or two. | 0:38:12 | 0:38:15 | |
-I just really don't know but it's just a charming... -Yeah. | 0:38:15 | 0:38:19 | |
-..collectable. -Well, this is the place to sell it. | 0:38:19 | 0:38:21 | |
So fun to see what that brings and their last item, | 0:38:21 | 0:38:23 | |
-I fear they've overpaid on, which is the shoe snuffbox. -Snuffbox. Yeah. | 0:38:23 | 0:38:28 | |
Early 19th century, probably, but it's had some use. | 0:38:28 | 0:38:32 | |
It's a little bit worse for wear. So you know, we're 30-50 on this. | 0:38:32 | 0:38:36 | |
OK, fine. Well, they paid £90 and I'm with you. | 0:38:36 | 0:38:40 | |
-I think 30-50 is the right estimate for that one. -Yeah, yeah. | 0:38:40 | 0:38:42 | |
They just got a bit carried away, actually. | 0:38:42 | 0:38:44 | |
On the face of it, it looks as though they're definitely | 0:38:44 | 0:38:47 | |
going to need their bonus buy. So let's go and have a look. | 0:38:47 | 0:38:50 | |
-Good. Well, this is exciting, isn't it, Mags? -Yes. | 0:38:50 | 0:38:52 | |
First up, Phil, you had £188 of leftover lolly. What did you buy? | 0:38:52 | 0:38:57 | |
-It looks like the Enterprise or something! -It does! | 0:38:57 | 0:39:01 | |
Well! | 0:39:01 | 0:39:05 | |
Let's just pop it down properly here | 0:39:05 | 0:39:07 | |
so you can see the beauty of it. | 0:39:07 | 0:39:11 | |
Yeah, actually, I do quite like it. It's very um... | 0:39:11 | 0:39:14 | |
You've got to think Mary Quant, Beatles, Carnaby Street. | 0:39:14 | 0:39:17 | |
-Actually, I was going to say, very -'60s. It cost me 50... It cost me £50. -Right. | 0:39:17 | 0:39:21 | |
And I think there's no middle ground with this. | 0:39:21 | 0:39:24 | |
It's either going to make £80-90, or 30 quid. | 0:39:24 | 0:39:28 | |
But what does auctioneer Peter think about Phil's table? | 0:39:28 | 0:39:32 | |
Now I have a funny feeling that's right up your street, somehow. | 0:39:32 | 0:39:36 | |
Oh, how did you guess, Tim, how did you guess? Yeah! I'm not very confident. | 0:39:36 | 0:39:40 | |
-You're not? To be quite honest. -No. | 0:39:40 | 0:39:42 | |
It isn't a cutting edge of Darlington taste, perhaps. | 0:39:42 | 0:39:44 | |
I don't think so but then, you know, times go by. | 0:39:44 | 0:39:48 | |
People like different things, I might be wrong. | 0:39:48 | 0:39:50 | |
So, what's your estimate on the '60s table? | 0:39:50 | 0:39:53 | |
Well, we've put a, what I think is quite bold, estimate of £30 to £40. | 0:39:53 | 0:39:56 | |
OK. Well, Phil paid £50. | 0:39:56 | 0:39:59 | |
And on this programme I have to make a selection between the bonus buys | 0:39:59 | 0:40:04 | |
as to which one I think in proportion to the price paid | 0:40:04 | 0:40:06 | |
will bring the biggest profit. | 0:40:06 | 0:40:08 | |
-Mm-hm. -And I did not go with the 1960s table. -No. | 0:40:08 | 0:40:12 | |
'Now, what will the team make of their Tim's Ton buy?' | 0:40:12 | 0:40:15 | |
These cost £60. | 0:40:17 | 0:40:19 | |
And they aren't a piece of furniture in their own right. | 0:40:19 | 0:40:22 | |
-These have come from either side of a big cabinet. -Yeah. | 0:40:22 | 0:40:24 | |
A much, much bigger cabinet | 0:40:24 | 0:40:25 | |
that's made out of oak in about the 1920s or '30s. | 0:40:25 | 0:40:28 | |
These have a function and I don't think there's any... Personally, | 0:40:28 | 0:40:32 | |
I don't think there's anyway that these won't make a profit. | 0:40:32 | 0:40:35 | |
I think they'll make between £80 and £120, that's what I think. | 0:40:35 | 0:40:37 | |
Could use it for my earrings and... | 0:40:37 | 0:40:40 | |
Your collection of glasses, perhaps? Yeah. Very nice. | 0:40:40 | 0:40:43 | |
OK, so, there's a difficult choice there, isn't there? In a minute, | 0:40:43 | 0:40:46 | |
when you do have to decide whether you're going to go with one or other | 0:40:46 | 0:40:49 | |
of these bonus buys because they are poles apart in terms of style. | 0:40:49 | 0:40:53 | |
'What's Peter got to say about Phil's cabinets?' | 0:40:53 | 0:40:55 | |
Well, they... They're nice quality. They're very solid small cabinets. | 0:40:57 | 0:41:01 | |
They've got mirror backs to them and space for a single shelf. | 0:41:01 | 0:41:05 | |
-Solid pieces of oak and I would say, yes, from the 1930s. -Mm-hm. | 0:41:05 | 0:41:08 | |
What would your estimate be, Peter? | 0:41:08 | 0:41:10 | |
Well, we've put 60 to 120, which is a wide berth | 0:41:10 | 0:41:13 | |
because...not sure what the interest will be. | 0:41:13 | 0:41:16 | |
-But construction in them alone, the quality... -Yeah. | 0:41:16 | 0:41:20 | |
Anyway, you're saying 60 to 120, | 0:41:20 | 0:41:22 | |
well, that's marvellous cos he paid the £60, I made the selection | 0:41:22 | 0:41:25 | |
that they're going to bring more profit than that 1960s table. | 0:41:25 | 0:41:28 | |
So, this could be a win-win situation, | 0:41:28 | 0:41:30 | |
I could get my reputation back! | 0:41:30 | 0:41:32 | |
-You could indeed! -On the other hand... | 0:41:32 | 0:41:33 | |
-..as we know, things could go badly! But not today, hey? -No. Not today. | 0:41:35 | 0:41:39 | |
-Let's be positive! -Not today. -Anyway, enough of that. | 0:41:39 | 0:41:42 | |
That's it, the Reds are done, and now for the Blues. | 0:41:42 | 0:41:45 | |
What a tableful they've got. | 0:41:45 | 0:41:47 | |
For a kick-off, it's the large fishing reel. | 0:41:47 | 0:41:49 | |
I mean, that is a large... As big a fishing reel as I've ever seen. | 0:41:49 | 0:41:53 | |
Exactly. And if you go down to Cornwall you get them | 0:41:53 | 0:41:56 | |
-on those old boats that go out catching mackerel. -Yeah? | 0:41:56 | 0:41:59 | |
And they'll have maybe 50 hooks attached to a long line like that... | 0:41:59 | 0:42:03 | |
-Yeah. -..stick it out the side of the boat. | 0:42:03 | 0:42:05 | |
Wait ten minutes and then they catch 50 mackerel. | 0:42:05 | 0:42:07 | |
-Then they reel them in. -Reel them all in. -Easy as that, hey? | 0:42:07 | 0:42:10 | |
-It's as easy as that. -Wow. Fantastic. | 0:42:10 | 0:42:12 | |
Fantastic. So, what's the reel worth? | 0:42:12 | 0:42:14 | |
Er, well, we've put £20 to £40 on it. | 0:42:14 | 0:42:17 | |
-It's a nice big piece of mahogany. -Exactly. OK, £20 paid. | 0:42:17 | 0:42:21 | |
So, that should be a sure-fire winner. | 0:42:21 | 0:42:24 | |
Next, is the Smiths bulkhead timepiece. | 0:42:24 | 0:42:27 | |
It's a sort of boating related timepiece... | 0:42:27 | 0:42:29 | |
Oh, yeah, yeah, definitely. | 0:42:29 | 0:42:30 | |
Yeah. It's a Smiths one, secondary dial for seconds. | 0:42:30 | 0:42:34 | |
Cylindrical brass case. Typical ship's clock. Not an early one. | 0:42:34 | 0:42:40 | |
It doesn't have the name of the ship on it so, you know, | 0:42:40 | 0:42:42 | |
we're lacking interest in that way, but it's a clock... | 0:42:42 | 0:42:45 | |
But if you just want one for the kitchen it's rather a stylish... | 0:42:45 | 0:42:48 | |
-Yeah, absolutely. -Exactly. -The estimate is £30 to £50. -Oh, dear. | 0:42:48 | 0:42:52 | |
-Oh, dear? -I had a horrible feeling you were going to say that. | 0:42:52 | 0:42:54 | |
They paid £100 for this. | 0:42:54 | 0:42:55 | |
-PETER INHALES SHARPLY -That's quite rich. | 0:42:55 | 0:42:57 | |
Well, if you thought you got off the hook, | 0:42:57 | 0:42:59 | |
you have to move forward now with the times. | 0:42:59 | 0:43:02 | |
Into the Mamod 1972 unused Showmans live steam engine. | 0:43:02 | 0:43:10 | |
Yep. Yeah, I mean, the condition is great, the box is still here. | 0:43:10 | 0:43:15 | |
The booklets and all the pieces. It's in great condition. | 0:43:15 | 0:43:19 | |
I mean, toy collectors, bit of online interest... | 0:43:19 | 0:43:21 | |
Where might we get to with this, do you think? | 0:43:21 | 0:43:23 | |
Well, we've got an estimate of 40 to 60 on it. | 0:43:23 | 0:43:27 | |
Just not sure how well the condition and the box etc, | 0:43:27 | 0:43:30 | |
is going to carry it... | 0:43:30 | 0:43:31 | |
Well, it needs to carry it quite a lot because they paid £110. | 0:43:31 | 0:43:34 | |
-Did they really? -They did. -Oh, wow. -£110 is quite brave, isn't it? | 0:43:34 | 0:43:37 | |
-It is brave. -Yeah. And it's very, very, very, very risky. | 0:43:37 | 0:43:40 | |
In which case, they're definitely going to need their bonus buy, | 0:43:40 | 0:43:43 | |
so, let's go and have a look at it. | 0:43:43 | 0:43:45 | |
-Oh. -Ooh! -Ooh, now then. | 0:43:47 | 0:43:49 | |
I bought you a nice little Art Deco writing set. | 0:43:49 | 0:43:54 | |
The handles are made of plastic but don't let that put you off | 0:43:54 | 0:43:59 | |
because we have this lovely geometric pattern. | 0:43:59 | 0:44:02 | |
It's very, very stylish. | 0:44:02 | 0:44:05 | |
And you guys are a pair of stylish guys, | 0:44:05 | 0:44:08 | |
-so, I thought you might like that. -THEY LAUGH | 0:44:08 | 0:44:09 | |
-Can I have a look? -Yeah. So, what do you think? | 0:44:09 | 0:44:12 | |
-Well, I like it. Keith, it's your decision. -Yeah. | 0:44:12 | 0:44:15 | |
When you say Art Deco, about what date is it? | 0:44:15 | 0:44:19 | |
-Date, probably 1930s, 1940s. -Mm-hm. | 0:44:19 | 0:44:22 | |
-64,000 question... -Are you dying to ask? -How much? | 0:44:22 | 0:44:27 | |
-£20. -Oh, right. -So, it was a good £20 worth. | 0:44:27 | 0:44:31 | |
Will you double your money, do you think? You might do, mightn't you? | 0:44:31 | 0:44:34 | |
Erm... We could do, on a good day. It certainly deserves, er, | 0:44:34 | 0:44:38 | |
£25 to £30. OK. | 0:44:38 | 0:44:41 | |
But I'm not going to push myself any further than that. | 0:44:41 | 0:44:45 | |
'So, for the viewers at home, | 0:44:45 | 0:44:46 | |
'let's see what the auctioneer thinks about Anita's pen set.' | 0:44:46 | 0:44:49 | |
Now, Anita's gone out and got one of her favourites. | 0:44:50 | 0:44:53 | |
A little 1930s desk set. Looks like onyx, but actually it's plastic. | 0:44:53 | 0:44:57 | |
-Yep, yep. -But it is complete, isn't it... -It is complete. | 0:44:57 | 0:45:00 | |
-..and in good nick? -Yeah. Little used, if at all. | 0:45:00 | 0:45:03 | |
The pen nib is still there, as you can see. The seal, letter opener... | 0:45:03 | 0:45:06 | |
-It's a nice lot. -It's the team's bonus buy. | 0:45:07 | 0:45:10 | |
She had £70 of leftover lolly to spend. | 0:45:10 | 0:45:14 | |
How much do you think that set's going to bring? | 0:45:14 | 0:45:16 | |
-Well, we've put 20 to 30 on it. -OK. | 0:45:16 | 0:45:19 | |
Don't worry a scrap, she only paid £20 of her £70 | 0:45:19 | 0:45:23 | |
-of leftover lolly because she's jolly canny, that girl. -Yeah. | 0:45:23 | 0:45:27 | |
Cos I think at £20 you're going to turn... | 0:45:27 | 0:45:30 | |
You're going to turn that into £40, I think. | 0:45:30 | 0:45:32 | |
-That's my suspicion, and my hope, and my fervent call to arms. -Right. | 0:45:32 | 0:45:37 | |
-No pressure. -No pressure, no. | 0:45:37 | 0:45:38 | |
'That's the bonus buy. Now, for the Tim's Ton buy. | 0:45:38 | 0:45:42 | |
'Let's see what the team thinks, hey.' | 0:45:42 | 0:45:44 | |
-Anita, tell us about it. -SHE LAUGHS | 0:45:44 | 0:45:46 | |
Well, I'm still in the Art Deco period, | 0:45:46 | 0:45:49 | |
and it's a period that I personally like very much. | 0:45:49 | 0:45:52 | |
And I thought two good-looking blokes like yourself might fancy | 0:45:52 | 0:45:56 | |
a pair of good-looking birds. | 0:45:56 | 0:45:59 | |
Take a bird, then, Pete. | 0:45:59 | 0:46:01 | |
-See what you make of them. -This is a dressing table set. | 0:46:01 | 0:46:04 | |
It's European, perhaps Czechoslovakian, um, | 0:46:04 | 0:46:08 | |
moulded glass, in this lovely amber colour. | 0:46:08 | 0:46:12 | |
And I paid £60. | 0:46:12 | 0:46:15 | |
OK, chaps. Two bonus buys to consider. | 0:46:15 | 0:46:18 | |
You don't pick until after the sale of the first three items, | 0:46:18 | 0:46:21 | |
and you don't have to then pick either of them, | 0:46:21 | 0:46:23 | |
if you don't want to. | 0:46:23 | 0:46:25 | |
'What does the auctioneer think about Anita's glass trinket set?' | 0:46:25 | 0:46:29 | |
This is Tim's Ton coming up, look. | 0:46:29 | 0:46:31 | |
Which is a pretty standard | 0:46:31 | 0:46:33 | |
moulded amber glass... | 0:46:33 | 0:46:35 | |
..dressing table set. | 0:46:36 | 0:46:38 | |
Couple of candlesticks. | 0:46:38 | 0:46:39 | |
Couple of pots for your pins and bits and bobs. | 0:46:39 | 0:46:43 | |
How do you rate it, Peter? | 0:46:43 | 0:46:44 | |
Well, for trinket sets it's quite a nice one, I think. | 0:46:44 | 0:46:48 | |
You know, it's strong Art Deco, the figure candlesticks are very nice. | 0:46:48 | 0:46:51 | |
The frosted decoration in the tray. | 0:46:51 | 0:46:53 | |
-It's a good example for an amber glass trinket set. -Mm-hm? | 0:46:53 | 0:46:56 | |
Sort of, little bits and pieces, though, don't you think? | 0:46:56 | 0:46:59 | |
-A bit bitty, or...? -Well, well, it is, but that is a trinket set. -OK. | 0:46:59 | 0:47:03 | |
-So, how much then, for the whole set? -Well, we've put 30 to 60 on it. | 0:47:03 | 0:47:07 | |
Did you? Well, she paid 60. | 0:47:07 | 0:47:09 | |
So, on the basis of the estimate, | 0:47:09 | 0:47:12 | |
she is not going to make anything like the proportion of profit | 0:47:12 | 0:47:16 | |
that I've predicted on her Art Deco pen and letter opening set. | 0:47:16 | 0:47:22 | |
-So, we should be in the right. You taking the sale today? -Indeed, Tim. | 0:47:22 | 0:47:25 | |
-Yep, can't wait. -Great. We're in safe hands. Thanks, Peter. | 0:47:25 | 0:47:28 | |
MUSIC: No Place I'd Rather Be by Clean Bandit | 0:47:28 | 0:47:31 | |
-Now, Margaret, Steve... Ha-ha, how are you feeling? -Er... -Nervous! | 0:47:35 | 0:47:40 | |
-Nervous, yeah! -Are you? -Yeah. | 0:47:40 | 0:47:42 | |
Anything in particular you brought that you're worried about, Mags? | 0:47:42 | 0:47:45 | |
-Um... One item, we're a little bit, sort of, concerned about. -Snuff box. | 0:47:45 | 0:47:50 | |
The snuff box. The snuff boot. | 0:47:50 | 0:47:51 | |
I have to say the auctioneer did not think so much of it. | 0:47:51 | 0:47:54 | |
He put £30 to £50 on it. | 0:47:54 | 0:47:55 | |
But you have got two bonus buys to fall back on today. | 0:47:55 | 0:47:58 | |
And that's kind of handy - well, it may be. | 0:47:58 | 0:48:00 | |
Anyway, first up are the spelling blocks, and here they come. | 0:48:00 | 0:48:05 | |
Wooden printing blocks that, by coincidence, spell Bargain Hunt. | 0:48:05 | 0:48:08 | |
TIM LAUGHS | 0:48:08 | 0:48:10 | |
So, there we go! | 0:48:10 | 0:48:11 | |
So, let's have £10 to start me off on. At £10... | 0:48:11 | 0:48:14 | |
15, can I say? | 0:48:14 | 0:48:15 | |
At £10 bid, at £10... | 0:48:15 | 0:48:17 | |
15, can I say for them? 15, thank you, sir. | 0:48:17 | 0:48:20 | |
At £15. 20 anywhere else? | 0:48:20 | 0:48:23 | |
At £15, they're going to be sold in the seating | 0:48:23 | 0:48:25 | |
in the middle of the room at £15 for the lot. | 0:48:25 | 0:48:27 | |
Thank you very much. Thank you very much. Um... | 0:48:29 | 0:48:31 | |
Plus £5, that's good. | 0:48:32 | 0:48:34 | |
Now, this little ingot... | 0:48:34 | 0:48:36 | |
Interesting little lot there, the address key ingot | 0:48:36 | 0:48:40 | |
for Grange Terrace, Darlington, 1885, just round the corner. | 0:48:40 | 0:48:43 | |
Would be a residential house, years ago. And £10 to start me. £10. | 0:48:43 | 0:48:49 | |
-£15 for it, a little bit of local history. -Come on, it's local! | 0:48:49 | 0:48:52 | |
At £10... 15, 20. | 0:48:52 | 0:48:54 | |
25. | 0:48:54 | 0:48:56 | |
At £20, gentleman seated on my right, at £20. 25 anywhere for it? | 0:48:56 | 0:49:00 | |
At £20, then, it's going to be sold to my right at £20 only. | 0:49:00 | 0:49:04 | |
Well done, Phil, that's another plus £8. | 0:49:04 | 0:49:07 | |
There you go, you're getting on here. That's plus 13. | 0:49:07 | 0:49:09 | |
-Ah, this is the one. -Now... The old boot. | 0:49:09 | 0:49:13 | |
At £20. | 0:49:13 | 0:49:14 | |
At £20. 25, 30, 35. | 0:49:14 | 0:49:16 | |
At 40, 5, 50, 45. At £45. | 0:49:17 | 0:49:21 | |
50, can I say? | 0:49:21 | 0:49:23 | |
50, 5. 60, 5. 70. | 0:49:23 | 0:49:27 | |
At 65, your bid, madam. 70, new bidder. | 0:49:27 | 0:49:30 | |
At £70 I'm bid. At £70. At £70... 75, can I say anywhere? | 0:49:30 | 0:49:35 | |
At £70, gentleman right in the doorway. 75 anywhere? | 0:49:35 | 0:49:38 | |
Shaking our heads. Goes to the gentleman at £70. | 0:49:38 | 0:49:42 | |
-GAVEL BANGS -£70. | 0:49:42 | 0:49:44 | |
Bad luck, I can't bear it. That's minus £20. | 0:49:44 | 0:49:47 | |
-Were plus 13, you're now minus seven. -Oh! -Which is tough, actually. | 0:49:47 | 0:49:52 | |
-Really tough to take. The rollercoaster of life, hey? -Yep. | 0:49:52 | 0:49:55 | |
-Yeah. -Anyway, now, the bonus buys. | 0:49:55 | 0:49:58 | |
-You've got the melamine-finished '60s drinks table. -Yeah. | 0:49:58 | 0:50:03 | |
Or, you've got the two display cases. Or, nothing. | 0:50:03 | 0:50:07 | |
-We're going to go with the display... -Cabinets. | 0:50:07 | 0:50:11 | |
-..cabinets. -You've decided this, have you? -We like both. | 0:50:11 | 0:50:14 | |
-We like them both. -We were torn. Pity we can't have both. -OK. | 0:50:14 | 0:50:18 | |
So, you're going to go with Tim's Ton. | 0:50:18 | 0:50:20 | |
Tim's Ton cost Phil £60, yes? You've made that decision now. | 0:50:20 | 0:50:24 | |
That will be your chosen bonus buy. | 0:50:24 | 0:50:27 | |
I can tell you that the auctioneer's estimate is £60 to £120 on that lot. | 0:50:27 | 0:50:31 | |
-Oh, right, OK. -So, on the basis of the estimate, | 0:50:31 | 0:50:34 | |
you seem to have made the right decision. | 0:50:34 | 0:50:36 | |
We will sell, though, first the 1960s retro table | 0:50:36 | 0:50:41 | |
which Phil paid £50 for. | 0:50:41 | 0:50:43 | |
And if it makes a profit, that profit will go to charity. | 0:50:43 | 0:50:46 | |
-Fantastic. -Anyway, first up will be the team's bonus buy. | 0:50:46 | 0:50:50 | |
The retro table and here it comes. | 0:50:50 | 0:50:52 | |
£10 to start. At £10, 15. | 0:50:52 | 0:50:55 | |
15, 20. | 0:50:55 | 0:50:57 | |
At £15. 20, 25. | 0:50:57 | 0:51:00 | |
30. £25, the lady at the back standing. | 0:51:00 | 0:51:03 | |
At £25, for the retro coffee table... 30, 35. | 0:51:03 | 0:51:06 | |
40, thank you. 45. | 0:51:06 | 0:51:08 | |
50, make it. | 0:51:08 | 0:51:10 | |
Nope? 45, then, the lady in front of me for £45, being sold at £45. | 0:51:10 | 0:51:15 | |
Very close, Phil. Minus £5. Now, the chosen bonus buy, Tim's Ton. | 0:51:15 | 0:51:21 | |
Here they come, the display cases. | 0:51:21 | 0:51:24 | |
£40 to start. At £40 for the pair. | 0:51:24 | 0:51:27 | |
At £40 ... 45, can I say for the pair? 45. | 0:51:27 | 0:51:32 | |
50, 5. 60. | 0:51:32 | 0:51:34 | |
At £60, commission bid. At £60. | 0:51:34 | 0:51:37 | |
65, anywhere? | 0:51:37 | 0:51:38 | |
-At £60. Going to be sold... -Come on! | 0:51:38 | 0:51:40 | |
..at £60. 65, thank you. | 0:51:40 | 0:51:42 | |
At £60, the lady's bid, the commission's out, at £65, | 0:51:42 | 0:51:45 | |
being sold at £65. | 0:51:45 | 0:51:48 | |
At £65. Well done, Phil. That is a profit of £5. | 0:51:48 | 0:51:52 | |
That is £5 profit. | 0:51:52 | 0:51:54 | |
You were minus £7 which means you are now minus £2! | 0:51:54 | 0:51:59 | |
How terrible is that?! But, yet, it's rather wonderful, isn't it? | 0:51:59 | 0:52:02 | |
-Yes. -Anyway. -Could have been worse. -Yeah, could have been worse. | 0:52:02 | 0:52:05 | |
-Could have been a lot worse. -Actually, those cabinets, | 0:52:05 | 0:52:07 | |
there's a lot of money still in those cabinets, isn't there? | 0:52:07 | 0:52:10 | |
Anyway, not their day, I'm afraid but overall, then, minus £2. | 0:52:10 | 0:52:13 | |
It's as close as you could be to a sheet of Bronco. | 0:52:13 | 0:52:17 | |
In which case, don't say a word to the Blues, all right? | 0:52:17 | 0:52:20 | |
And all will be revealed in a moment. Okey-doke. | 0:52:20 | 0:52:23 | |
Thank you very much. | 0:52:23 | 0:52:24 | |
MUSIC: Locked Out Of Heaven by Bruno Mars | 0:52:24 | 0:52:27 | |
-Now, Keith, Peter. This is exciting, isn't it? -Yes, absolutely! | 0:52:30 | 0:52:34 | |
-Do you know how the Reds got on? -Riveting! -No, no idea. | 0:52:34 | 0:52:36 | |
But you've got the double bonus buy to fall back on, which is good. | 0:52:36 | 0:52:39 | |
First up, though, is your fishing reel. | 0:52:39 | 0:52:41 | |
You paid £20, and the auctioneer's never seen such a big one. | 0:52:41 | 0:52:44 | |
LAUGHTER | 0:52:44 | 0:52:46 | |
And here it comes. | 0:52:46 | 0:52:47 | |
£15 to start me off. At £15. | 0:52:47 | 0:52:50 | |
20 I'm bid. At £20, the fishing reel. | 0:52:50 | 0:52:52 | |
At £20. 25, can I say? | 0:52:52 | 0:52:54 | |
-At £20... 25, 30. 35... -Keep going, keep going. | 0:52:54 | 0:52:58 | |
At £30 for the lot, now. 35 anywhere? | 0:52:59 | 0:53:02 | |
Being sold at £30 for the lot. | 0:53:02 | 0:53:05 | |
£30 for the lot, plus £10, it's nothing to be sniffed at, there. | 0:53:05 | 0:53:09 | |
Good start, boys. | 0:53:09 | 0:53:11 | |
-PETER: -A brass ship's clock. Lot number 361. | 0:53:11 | 0:53:14 | |
£20 to start for the clock. | 0:53:14 | 0:53:16 | |
5, I have. £25, 30 now. | 0:53:16 | 0:53:19 | |
30, 5, 40, 5... | 0:53:19 | 0:53:20 | |
Come on, it's worth more than that. | 0:53:20 | 0:53:22 | |
..50, 5, 60... £55 in the front row. | 0:53:22 | 0:53:24 | |
No, no, no, no. | 0:53:24 | 0:53:26 | |
At £55, ship's clock at £55 in the front row. | 0:53:26 | 0:53:29 | |
At £55... 60, 5, 70... | 0:53:29 | 0:53:33 | |
Sure? £65, front row. | 0:53:34 | 0:53:37 | |
-Eurgh! -So that's minus 35. You had ten before, you're minus 25. | 0:53:37 | 0:53:43 | |
Minus 25. | 0:53:43 | 0:53:44 | |
Mamod steam tractor, there, with its box. | 0:53:44 | 0:53:47 | |
Original box. | 0:53:47 | 0:53:49 | |
Lot of bids, but they're all at the same price and I'm opening at £40. | 0:53:49 | 0:53:53 | |
-Oh, dear. -Oh. | 0:53:53 | 0:53:55 | |
45, can I say? Mint condition. | 0:53:55 | 0:53:57 | |
At £40. At £40. 45, surely, now? | 0:53:57 | 0:54:01 | |
45, I'm bid. 50 bid. | 0:54:01 | 0:54:03 | |
55. At £50, going to be sold... | 0:54:03 | 0:54:05 | |
-Think we should've gone fishing. -Yeah. | 0:54:05 | 0:54:07 | |
Being sold at... 55, second row. £55, 60 anywhere? | 0:54:07 | 0:54:12 | |
At £55 in the second row. At £55. | 0:54:12 | 0:54:16 | |
£55, oh, no. It loses you £55. | 0:54:16 | 0:54:20 | |
That is minus £80. | 0:54:20 | 0:54:22 | |
Minus 80. Don't sound too bad if you say it quick. | 0:54:23 | 0:54:26 | |
Anyway, minus £80. So, what are we going to do about these bonus buys? | 0:54:26 | 0:54:29 | |
You don't have to do it with either of them, | 0:54:29 | 0:54:31 | |
if you believe that £80 will win you the competition. | 0:54:31 | 0:54:33 | |
If you don't, you can go with one or the other. | 0:54:33 | 0:54:36 | |
And that might be the Deco desk set, £20 that cost. | 0:54:36 | 0:54:39 | |
Or the trinket set for £60. | 0:54:39 | 0:54:41 | |
-Or neither. -Er, we... | 0:54:41 | 0:54:44 | |
After great discussion, I've decided on the... | 0:54:44 | 0:54:47 | |
-..dressing table set. -Have you? | 0:54:48 | 0:54:49 | |
-Yes. OK. -Oh. Don't look like that. | 0:54:49 | 0:54:53 | |
No, no. You've got to start somewhere, haven't you? | 0:54:54 | 0:54:56 | |
I mean, it's the judgment of, I don't know who, um, | 0:54:56 | 0:54:59 | |
because how can you possibly say which is going to do best? | 0:54:59 | 0:55:02 | |
It's very, very tough. | 0:55:02 | 0:55:03 | |
-So, that's going to be it, is it? -Yeah. -Yep. -£60 worth. | 0:55:03 | 0:55:07 | |
-That's our decision. -£60. That's where the investment sits. | 0:55:07 | 0:55:09 | |
Very good. | 0:55:09 | 0:55:10 | |
The first lot to come up is the desk set, and we're going | 0:55:10 | 0:55:13 | |
to sell that anyway, and if it makes a profit that goes to charity. | 0:55:13 | 0:55:16 | |
-So, Anita's efforts are not wasted. -Right. | 0:55:16 | 0:55:18 | |
If it makes a profit it's not a waste of time. | 0:55:18 | 0:55:20 | |
Here it comes, the Deco desk set, for £20. Here we go. | 0:55:20 | 0:55:24 | |
£15 to start. At £15 for the Art Deco pen set. | 0:55:24 | 0:55:28 | |
20 upstairs in the balcony. 25, I'm bid. 30 now. At £25. | 0:55:28 | 0:55:33 | |
30 anywhere for it? As new condition. | 0:55:33 | 0:55:35 | |
At £25, all finished, at £25 all down. | 0:55:35 | 0:55:39 | |
Thank you very much. That's plus £5. No trouble at all. | 0:55:39 | 0:55:42 | |
Bit of profit for the charity, well done. | 0:55:42 | 0:55:44 | |
Now, this is the one that you've gone with. This is Tim's Ton. | 0:55:44 | 0:55:47 | |
£60 paid. | 0:55:47 | 0:55:49 | |
£30 to start. £30 I have. | 0:55:49 | 0:55:51 | |
At £30. 35, can we say? 35 I'm bid. | 0:55:51 | 0:55:54 | |
40, 5, 50, 5... | 0:55:54 | 0:55:57 | |
-At £50 with me... -Oh. | 0:55:57 | 0:55:59 | |
-At 60? At £60 bid. -Come on, you can do better than that. | 0:55:59 | 0:56:03 | |
-ANITA: -One more. -One more. | 0:56:03 | 0:56:04 | |
£60 for the set. | 0:56:04 | 0:56:06 | |
Being sold at £60. All down. | 0:56:06 | 0:56:08 | |
He sold it at £60. Wiped its face. No profit, no loss. | 0:56:08 | 0:56:12 | |
No pain, no gain. You are still minus £80, OK? | 0:56:12 | 0:56:16 | |
-Thank you very much. -Which could be a winning score. | 0:56:16 | 0:56:18 | |
Don't say a word to the Reds till we get together, | 0:56:18 | 0:56:21 | |
-and all will be revealed. -OK. Right. | 0:56:21 | 0:56:22 | |
You've been a champion couple of sports. | 0:56:22 | 0:56:25 | |
We don't want to tell anybody! | 0:56:25 | 0:56:26 | |
MUSIC: Kids by MGMT | 0:56:26 | 0:56:29 | |
-Well, teams, this is exciting, isn't it? We had a great day? -Absolutely! | 0:56:32 | 0:56:35 | |
For our one-hour special programme. | 0:56:35 | 0:56:38 | |
Instead of being able to report enormous profits, | 0:56:38 | 0:56:40 | |
I'm sorry to say that neither of the teams today | 0:56:40 | 0:56:43 | |
-are going home with any profit. -LAUGHING AND GROANING | 0:56:43 | 0:56:45 | |
-Oh, well! -But there is a chasm between them | 0:56:45 | 0:56:47 | |
in terms of their losses. | 0:56:47 | 0:56:49 | |
And the team which is way, way back, I have to say, are the Blues. | 0:56:49 | 0:56:53 | |
-ALL: -Aw! -LAUGHTER | 0:56:53 | 0:56:56 | |
Minus £80 is your total at the end of the day. | 0:56:56 | 0:56:59 | |
One good point, though, is that one of the bonus buys that you rejected, | 0:56:59 | 0:57:02 | |
but expertly found by Anita, did make a profit - £5 - | 0:57:02 | 0:57:07 | |
which we shall be donating to charity. So, thank you for that. | 0:57:07 | 0:57:10 | |
-But have you had a nice time, Keith? -Absolutely gorgeous. | 0:57:10 | 0:57:12 | |
It's been amazing, hasn't it? | 0:57:12 | 0:57:14 | |
We started off well with that £10 fishing reel, | 0:57:14 | 0:57:16 | |
your themed product, you fishermen. | 0:57:16 | 0:57:19 | |
-And, then, it all went off the hook. -LAUGHTER | 0:57:19 | 0:57:21 | |
-Yeah! -Literally downstream. Anyway, as long as you've had a nice time. | 0:57:21 | 0:57:25 | |
And you've been very sporting about this, as I would expect. | 0:57:25 | 0:57:28 | |
Anyway, thank you very much. | 0:57:28 | 0:57:29 | |
-But the victors today, who managed to lose only -£2. Ah! | 0:57:29 | 0:57:33 | |
You had a couple of swift profits, little profits on | 0:57:33 | 0:57:35 | |
the printing block jobbies for Bargain Hunt, | 0:57:35 | 0:57:38 | |
and that key ingot job which was fun. | 0:57:38 | 0:57:40 | |
-Yeah. -Then it started to go slightly wrong, actually. | 0:57:40 | 0:57:43 | |
Until you got to the bonus buy. | 0:57:43 | 0:57:45 | |
And actually those cases did make a profit, they made a £5 profit, | 0:57:45 | 0:57:48 | |
but not enough to drag you back from the brink. | 0:57:48 | 0:57:50 | |
-Just a little more. -Just a little more. | 0:57:50 | 0:57:52 | |
Well, let that be your motto for next time. | 0:57:52 | 0:57:55 | |
-But Mags, have you enjoyed it? -Absolutely wonderful. | 0:57:55 | 0:57:58 | |
-We've loved having you. Steve, it's been good? -Fantastic. | 0:57:58 | 0:58:00 | |
Very good. Well, join us soon for some more bargain hunting, yes? | 0:58:00 | 0:58:04 | |
-ALL: -Yes! | 0:58:04 | 0:58:05 |