Browse content similar to Edinburgh 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MUSIC PLAYS | 0:00:02 | 0:00:04 | |
We're in Edinburgh today with two teams of musicians ready to | 0:00:08 | 0:00:12 | |
battle it out. | 0:00:12 | 0:00:13 | |
And today's special show is going to be a long player | 0:00:13 | 0:00:18 | |
with 60 minutes' worth. | 0:00:18 | 0:00:21 | |
But which team will be playing the pipes of victory? | 0:00:21 | 0:00:23 | |
Which team will strike the wrong note? | 0:00:23 | 0:00:27 | |
Hah! Let's find out. Let's go bargain hunting! Yeah! | 0:00:27 | 0:00:31 | |
We should all know the rules by now. | 0:00:58 | 0:01:00 | |
The teams have £300 and an hour to find three items to | 0:01:00 | 0:01:03 | |
sell at auction, and the winners will be the team that make | 0:01:03 | 0:01:06 | |
the biggest profit or the smallest loss, but... | 0:01:06 | 0:01:10 | |
today we've tweaked the rules a bit, because instead of asking | 0:01:10 | 0:01:15 | |
the experts to go out and find one bonus buy, | 0:01:15 | 0:01:19 | |
I'm going to ask them to find two, | 0:01:19 | 0:01:21 | |
and then I'm going to have a look at the two and say which one | 0:01:21 | 0:01:25 | |
I think is going to bring the biggest profit or the smallest loss. | 0:01:25 | 0:01:28 | |
Will I get it right? Will the teams go with any of it? | 0:01:28 | 0:01:33 | |
Let's find out and have a quick squint as to what's coming up. | 0:01:33 | 0:01:36 | |
Are the harmonious girls in Red singing the sweet song of success? | 0:01:38 | 0:01:42 | |
-# Bah, bah, bah -Bah, bah, bah | 0:01:42 | 0:01:45 | |
-# Bah, bah, bah -Bah, bah, bah. # | 0:01:45 | 0:01:47 | |
Oh, wonderful! | 0:01:47 | 0:01:48 | |
'And, are the Blues breaking the Bargain Hunt rules as they try | 0:01:50 | 0:01:53 | |
-'and busk their way to victory?' -HE PLAYS TUNE | 0:01:53 | 0:01:56 | |
All right. Yeah, that's worth a couple of quid, | 0:01:56 | 0:01:58 | |
isn't it? Yeah. Here! | 0:01:58 | 0:02:00 | |
So, let's meet our all-singing and busking teams. | 0:02:01 | 0:02:04 | |
Well, on today's programme we are sure reaching for the high notes, | 0:02:08 | 0:02:12 | |
because both of our teams are musicians. How exciting! | 0:02:12 | 0:02:16 | |
For the Reds, we have Lesley and Linda, who are friends and singers. | 0:02:16 | 0:02:21 | |
And, for the Blues, we have father and daughter, | 0:02:21 | 0:02:24 | |
Dennis and Victoria, who are instrumentalists. Hello, everyone! | 0:02:24 | 0:02:29 | |
-Hello, Tim! -Now, Lesley, how did you two meet? | 0:02:29 | 0:02:32 | |
Linda and I met about 12 years ago | 0:02:32 | 0:02:34 | |
when we both joined Forth Valley Chorus, which is | 0:02:34 | 0:02:37 | |
a barbershop ladies' chorus based in Edinburgh. | 0:02:37 | 0:02:40 | |
-And your barbershop takes you places. -It does. | 0:02:40 | 0:02:44 | |
We enter competitions regularly. | 0:02:44 | 0:02:46 | |
In this country, we were in Newcastle and we won, and when you win, | 0:02:46 | 0:02:51 | |
you then compete in America, so, last year, we were in Denver. | 0:02:51 | 0:02:54 | |
Next year, we're going to Baltimore, so we get around about. | 0:02:54 | 0:02:57 | |
-Sounds like an excuse for a bit of a whizz to me. -It is. | 0:02:57 | 0:03:00 | |
And, Linda, your talents aren't | 0:03:00 | 0:03:02 | |
simply restricted to singing, are they? | 0:03:02 | 0:03:04 | |
My husband's actually the musical director in the chorus, | 0:03:04 | 0:03:07 | |
so, I tend to get involved in all the back scene stuff in the chorus, | 0:03:07 | 0:03:11 | |
and Leslie and me are both on the costume team. | 0:03:11 | 0:03:14 | |
-So, you look after the frocks? -We do. -We try to. | 0:03:14 | 0:03:18 | |
So, now, from singing to bargain hunting. What do you girls collect? | 0:03:18 | 0:03:22 | |
I do like the Art Deco period. | 0:03:22 | 0:03:24 | |
I think it's a very glamorous period, the 1920s and '30s. | 0:03:24 | 0:03:27 | |
Is that what you're going to be going for today on Bargain Hunt, | 0:03:27 | 0:03:30 | |
-do you think? -Ah, well, hmm... -We don't know. | 0:03:30 | 0:03:32 | |
-I think we'll look for that sort of age period... -Uh-huh. | 0:03:32 | 0:03:36 | |
-But, maybe a bit of glamour. -Uh-huh, a bit of sparkle. | 0:03:36 | 0:03:39 | |
-A bit of sparkle, yeah. -So, very good luck with that, girls. | 0:03:39 | 0:03:41 | |
Now... | 0:03:41 | 0:03:43 | |
-Victoria... -Hello. -..you and your dad are instrumentalists. -Yes. | 0:03:43 | 0:03:47 | |
-Um...what do you play? -Guitar and violin, myself. | 0:03:47 | 0:03:51 | |
And you were introduced to playing when? | 0:03:51 | 0:03:53 | |
My dad used to take me a lot to his military band practice. | 0:03:53 | 0:03:56 | |
There was a lady named June who played the flute and then, | 0:03:56 | 0:03:58 | |
when the band would disperse for break, she would take her | 0:03:58 | 0:04:01 | |
violin out and I would sit at the back and just listen to her play. | 0:04:01 | 0:04:04 | |
-And you fell in love with the violin. -Pretty much, yeah. | 0:04:04 | 0:04:07 | |
Now, it says here you've got a few military ambitions of your own. | 0:04:07 | 0:04:10 | |
Yes, I'm currently waiting to sit my test with the Navy Reserves | 0:04:10 | 0:04:14 | |
and then, hopefully, crack on with them, really. | 0:04:14 | 0:04:17 | |
Test the water for it and then, if it's the life for me... | 0:04:17 | 0:04:19 | |
-Now, Dennis, you're an ex-military man... -I am. | 0:04:19 | 0:04:22 | |
-I can tell that by your upright bearing. -Thank you very much. | 0:04:22 | 0:04:25 | |
Not at all. Once a military man, always a military man. | 0:04:25 | 0:04:28 | |
And now you play in brass bands. | 0:04:28 | 0:04:31 | |
Brass bands, pipe bands, jazz bands, Glenn Miller big band, | 0:04:31 | 0:04:35 | |
and mainly the British Legion band in Edinburgh. | 0:04:35 | 0:04:38 | |
Out of the many instruments that you play, which is your favourite? | 0:04:38 | 0:04:42 | |
-Clarinet. -Followed by? -Bagpipes. -Followed by? | 0:04:42 | 0:04:45 | |
-Trumpet. -Followed by? -Valve trombone. -Followed by? | 0:04:45 | 0:04:48 | |
-Banjo. -Followed by? -Accordion. | 0:04:48 | 0:04:51 | |
There you go. I've covered a few of the instruments | 0:04:51 | 0:04:54 | |
that you play one at a time... | 0:04:54 | 0:04:55 | |
-Yeah. -..which is pretty impressive, actually. | 0:04:55 | 0:04:58 | |
Now, £300 apiece, there you go, £300. | 0:04:58 | 0:05:00 | |
You know the rules, your experts await, | 0:05:00 | 0:05:02 | |
and off you go and very, very, very good luck. | 0:05:02 | 0:05:05 | |
Play them one at a time, Sam. | 0:05:05 | 0:05:07 | |
Now, let's meet the experts, | 0:05:08 | 0:05:10 | |
and dialling M for music... | 0:05:10 | 0:05:12 | |
Catherine Southon is on song for the Reds, or should it be on call? | 0:05:12 | 0:05:17 | |
And, on the lookout for the best bargains that money can buy | 0:05:17 | 0:05:20 | |
for the Blues, it's Paul Laidlaw. | 0:05:20 | 0:05:22 | |
So, stand by for a musical extravaganza, folks. | 0:05:23 | 0:05:26 | |
My two singers, Lesley and Linda, what are our tactics for today? | 0:05:28 | 0:05:33 | |
Well, we are looking for jewellery. | 0:05:33 | 0:05:36 | |
Something silver, a wee bit glamorous, maybe. | 0:05:36 | 0:05:38 | |
Quite an ensemble we make. Is that going to flavour our shopping? | 0:05:38 | 0:05:42 | |
It's certainly going to help. | 0:05:42 | 0:05:43 | |
I think we could busk or get the stuff for nothing. | 0:05:43 | 0:05:45 | |
-Let's go and sing our way to success. -Indeed! -Indeed! | 0:05:45 | 0:05:49 | |
-Come on, let's go! -OK. | 0:05:49 | 0:05:50 | |
And, just like magpies, the girls are drawn to the sparkly stuff. | 0:05:53 | 0:05:57 | |
We've got all the girls here. | 0:05:57 | 0:05:58 | |
We know that's a good sign for sparkly jewellery. | 0:05:58 | 0:06:01 | |
That's quite nice, a little cigarette case, the RAF cigarettes. | 0:06:05 | 0:06:09 | |
Oh, no, it's a little powder compact. | 0:06:09 | 0:06:12 | |
Compacts can be collectable. | 0:06:12 | 0:06:13 | |
-That's quite nice. -I don't know, I'm not sure. | 0:06:13 | 0:06:16 | |
I think that's quite a nice thing, yeah. | 0:06:16 | 0:06:18 | |
Quite nice, but, perhaps not nice enough to buy, eh, Catherine? | 0:06:18 | 0:06:22 | |
-We were just looking at that wee thing there. -This little lady here? | 0:06:22 | 0:06:25 | |
That's a good figure. She originally sat on top of a clock, I suspect. | 0:06:25 | 0:06:30 | |
Yeah, well, it wouldn't do us any 'arm would it?! | 0:06:30 | 0:06:32 | |
Hey, hang on, I do the gags on this show. | 0:06:33 | 0:06:36 | |
Now, what have those Reds got their eyes on? | 0:06:36 | 0:06:38 | |
-That's quite nice. -Oh, I like that. -Isn't that lovely? | 0:06:38 | 0:06:41 | |
-Yes, I like that too. -So, we've got a magnifier...is it a magnifier? | 0:06:41 | 0:06:45 | |
-No, there we are. -Oh! -Put them on, oh, that's very theatrical! | 0:06:45 | 0:06:48 | |
-It is, isn't it? Would you use these? -Absolutely. | 0:06:48 | 0:06:51 | |
-Oh, yes! -Very intelligent looking! -Oh, yes, Lesley, I can see that. | 0:06:53 | 0:06:57 | |
-Can you, really? -It's lovely, so, what is this? | 0:06:57 | 0:06:59 | |
What is the handle made from? | 0:06:59 | 0:07:01 | |
-I don't think it's... -These are all...no, it's mother-of-pearl, | 0:07:01 | 0:07:04 | |
which has been overlaid. | 0:07:04 | 0:07:05 | |
The date of it is probably early 20th century, | 0:07:05 | 0:07:08 | |
-it might be sort of 1920s, something like that. -OK. | 0:07:08 | 0:07:12 | |
These little folding glasses are known as lorgnette, | 0:07:12 | 0:07:16 | |
and were often used more as fashion accessories than to correct vision. | 0:07:16 | 0:07:21 | |
If you look at them, they're actually quite well made as well. | 0:07:21 | 0:07:23 | |
I mean, look at this little detail here with this little... | 0:07:23 | 0:07:26 | |
Oh, yes, it's a little engraving there. | 0:07:26 | 0:07:28 | |
-How much are they? 48. That doesn't... -Oh! -Oh! | 0:07:28 | 0:07:32 | |
I like those. | 0:07:32 | 0:07:33 | |
Well, I think we should wait. We should go in for... | 0:07:33 | 0:07:36 | |
-Do you want to...? -25. | 0:07:36 | 0:07:37 | |
-It is about making money, this programme. -I know, you're right. | 0:07:37 | 0:07:41 | |
OK, we'll try for 25. I'll have a word with the stallholder. | 0:07:41 | 0:07:43 | |
And see if you can get it for as... | 0:07:43 | 0:07:46 | |
Now, has Paul found a little something to set the Blues on fire? | 0:07:48 | 0:07:52 | |
-That is a cigar lighter from a very rich table. -OK. | 0:07:52 | 0:07:57 | |
"I say, old chap, pass me the cigar lighter." "There you go, old boy." | 0:07:57 | 0:08:00 | |
So, there's a little wick in here and you can see how it works then. | 0:08:00 | 0:08:03 | |
-A bit of paraffin in there. -Yes. -And pass it from one to the other. | 0:08:03 | 0:08:06 | |
-It's priced at 95. -At the auction? | 0:08:06 | 0:08:11 | |
-Hmm. It's worth 50 to 70. -Can we get it...? | 0:08:11 | 0:08:15 | |
There's a job of work to be done, but there's nothing the matter with | 0:08:15 | 0:08:18 | |
-that, it's a good object. -compare it to this, Paul. | 0:08:18 | 0:08:20 | |
Let's have a look. What have you got? A hatpin box, do you reckon? | 0:08:20 | 0:08:23 | |
-A hatpin...definitely a hatpin box. -Value on that? | 0:08:23 | 0:08:26 | |
50 to 70 again. | 0:08:26 | 0:08:27 | |
I think you...do you know, I think you'd get away with that! | 0:08:27 | 0:08:30 | |
Aye. And what price have you got on them? | 0:08:30 | 0:08:32 | |
85 would be my best on that one, 75 on that hatbox. | 0:08:32 | 0:08:36 | |
-75 on the hatbox. -We're struggling at that though, | 0:08:36 | 0:08:39 | |
-if you're 50 to 70. -Yeah. | 0:08:39 | 0:08:41 | |
'It doesn't sound like the price of either of these items | 0:08:42 | 0:08:45 | |
'is right, Blues. Now... | 0:08:45 | 0:08:47 | |
'how have the ladies got on with those specs?' | 0:08:47 | 0:08:49 | |
How are you doing? | 0:08:49 | 0:08:51 | |
Well...she would only go down to 40. | 0:08:51 | 0:08:54 | |
-Oh... -I know, I know. -I'd be happier under 40. | 0:08:54 | 0:08:57 | |
I know, so would I. | 0:08:57 | 0:08:58 | |
But, I'm thinking that we've definitely got | 0:08:58 | 0:09:00 | |
-a bit of margin in that, I really do. -You do? -Yeah, I do. | 0:09:00 | 0:09:03 | |
-Right, let's go for it, then. -Right, OK, a vote of confidence. | 0:09:03 | 0:09:06 | |
-You can blame me. -That's fine. | 0:09:06 | 0:09:07 | |
Good work, Reds. £40 paid. | 0:09:07 | 0:09:09 | |
So, are the Blue team any closer to making their first purchase? | 0:09:11 | 0:09:14 | |
-I was looking at that vase, Paul. -What were you looking at? | 0:09:14 | 0:09:17 | |
-That lamp in the corner. -I thought it was a cloisonne vase. | 0:09:17 | 0:09:20 | |
Close, champleve enamel. Chinese, bronze... | 0:09:20 | 0:09:23 | |
Can I just check the prize, Bob? | 0:09:23 | 0:09:25 | |
-That's the kicker. -It's 110, Dad. -110. -Look at the light fitting... | 0:09:25 | 0:09:31 | |
-Yeah. -I can tell you it's not a new tourist bring-back, | 0:09:31 | 0:09:34 | |
it probably dates to the second quarter of the 20th century. | 0:09:34 | 0:09:37 | |
So, it's getting on for 100 year old, maybe. What's it worth? | 0:09:37 | 0:09:41 | |
-80? -Yeah. -60 to 80, maybe. | 0:09:41 | 0:09:44 | |
Cheap at 60 to 80, it has to be said. Ask what the lamp can be. | 0:09:44 | 0:09:48 | |
Excuse me, could you tell me what you can do on that? | 0:09:48 | 0:09:50 | |
-90. -90? £90. | 0:09:50 | 0:09:53 | |
Again, it's close. If you could get it for 80. | 0:09:53 | 0:09:58 | |
Will you make an offer or have a look? Do you want to inspect it? | 0:09:58 | 0:10:01 | |
Now, I've got to say, you'd need an electrician to look at this. | 0:10:01 | 0:10:04 | |
That's not a problem. | 0:10:04 | 0:10:07 | |
Great form, a little ebonised wooden base, and I'm bang on for period. | 0:10:07 | 0:10:12 | |
It's interwar, isn't it? | 0:10:12 | 0:10:14 | |
We would like to buy it, but you're saying if we can get that for 80, | 0:10:14 | 0:10:17 | |
-we've got half a chance? -If you get it for 80, I think you have, I think | 0:10:17 | 0:10:20 | |
-you've got half a chance. -Who's got half a chance, me or you? | 0:10:20 | 0:10:23 | |
-I think you're the man. -THEY LAUGH | 0:10:23 | 0:10:26 | |
-He doesn't pass the buck, does he? -Don't encourage him! | 0:10:26 | 0:10:28 | |
Sorry to pester you. We really fancy this... | 0:10:28 | 0:10:32 | |
Could you do us a really good price at £80 and we'll shake your hand? | 0:10:32 | 0:10:36 | |
-TRADER: -I could do it, yeah. | 0:10:36 | 0:10:37 | |
-Wonderful! -Thank you. | 0:10:37 | 0:10:38 | |
Well done, Blues. | 0:10:38 | 0:10:40 | |
Now, the Reds are in danger of blowing their budget big-time! | 0:10:40 | 0:10:44 | |
"Chinese garden silver mirror." Yes, well, we have good taste. | 0:10:44 | 0:10:48 | |
-You have good taste. -£1,295! | 0:10:48 | 0:10:52 | |
Remember the budget! | 0:10:52 | 0:10:53 | |
And the Blues have found a friend, also in blue. | 0:10:53 | 0:10:56 | |
Have you met my uncle? | 0:10:56 | 0:10:58 | |
THEY LAUGH | 0:10:58 | 0:11:00 | |
Who is that? Is that General Grant? Stonewall Jackson? | 0:11:00 | 0:11:03 | |
-I put an offer in for £150. -What? -What? | 0:11:03 | 0:11:05 | |
Aye, I've said to the lassie, she's phoning him up for 150 quid. | 0:11:05 | 0:11:09 | |
-For a quarter of the asking price? -Aye. | 0:11:09 | 0:11:12 | |
And three times more than it's worth? | 0:11:12 | 0:11:14 | |
Three times?! | 0:11:14 | 0:11:15 | |
Seriously! And you bid on that? | 0:11:17 | 0:11:18 | |
I asked the lady to phone him for the £150 bid! | 0:11:18 | 0:11:22 | |
Magic! | 0:11:22 | 0:11:23 | |
Nah! Madness! | 0:11:23 | 0:11:25 | |
Now, Catherine has found another lady's accessory | 0:11:25 | 0:11:27 | |
to go with the lorgnette. | 0:11:27 | 0:11:29 | |
-I've just picked this up. -Oh, I like it. -Oh, I like that. | 0:11:29 | 0:11:32 | |
Isn't she lovely? 1920s. | 0:11:32 | 0:11:34 | |
But what's inside? | 0:11:34 | 0:11:36 | |
This is going to be probably Bakelite, I would say, | 0:11:36 | 0:11:38 | |
-but a little shoehorn. -Oh, how cute is that? -And a little boot-hook. | 0:11:38 | 0:11:43 | |
But I really love... | 0:11:43 | 0:11:45 | |
..£20! What an accessory! | 0:11:46 | 0:11:50 | |
-I know! -Can you imagine ladies having that in their little bag? | 0:11:50 | 0:11:54 | |
Going off with their lovely eyepiece, the little glasses that | 0:11:54 | 0:11:57 | |
we bought, having that in their bag, the shoe comes off. | 0:11:57 | 0:12:00 | |
"Oh, dear! My shoe!" What do you think? | 0:12:00 | 0:12:02 | |
-Yes, I think we should, definitely. -I'm liking the theme so far. | 0:12:02 | 0:12:05 | |
How much do you think we could get for this? | 0:12:05 | 0:12:07 | |
-I'm gobsmacked! -You've got to try... -I've never met anyone like you! | 0:12:07 | 0:12:12 | |
-What do you mean? -I show you £20 and you want less! | 0:12:12 | 0:12:17 | |
Well, you go for it this time. | 0:12:17 | 0:12:18 | |
Lesley, you're even more feisty, so you go for it this time. | 0:12:18 | 0:12:21 | |
Let's see what we can do. | 0:12:21 | 0:12:22 | |
Can you do it for 15? | 0:12:22 | 0:12:24 | |
-TRADER: -No. -Fine. -18. | 0:12:24 | 0:12:25 | |
It's very rare to find these things in good condition. | 0:12:25 | 0:12:27 | |
-It's lovely, yeah. -It's really nice Bakelite... | 0:12:27 | 0:12:29 | |
OK, let me just go back to them and say 18, maybe. | 0:12:29 | 0:12:32 | |
-She's got a smile on her face. -I have got a smile on my face. -Good. | 0:12:32 | 0:12:34 | |
-18. -Oh, well, that's... -What do you think? -No, that's great. | 0:12:34 | 0:12:38 | |
-Are you happy with that? -It's so stylish. -It's lovely, it really is. | 0:12:38 | 0:12:42 | |
-I'm happy. -Are you? -Yes. -The team is happy. -The team is happy, yay! | 0:12:42 | 0:12:45 | |
-We are such stylish ladies, aren't we? -We're very glam. -Very glam! | 0:12:45 | 0:12:50 | |
And very modest 'n' all! | 0:12:50 | 0:12:52 | |
Well done. | 0:12:55 | 0:12:58 | |
Well done indeed. | 0:12:58 | 0:12:59 | |
Now, are the Blues heading in the right direction with this compass? | 0:12:59 | 0:13:03 | |
Pointing towards a profit, do we think? | 0:13:03 | 0:13:05 | |
9-carat, wants to be Victorian, doesn't it? | 0:13:05 | 0:13:07 | |
Now, is it just stamped 9-carat, is it marked at all, | 0:13:07 | 0:13:09 | |
does it have a date letter? | 0:13:09 | 0:13:10 | |
These are all the questions that we want answered. | 0:13:10 | 0:13:13 | |
They're rubbed, but it was at Birmingham and... | 0:13:13 | 0:13:16 | |
Oh, it is rubbed! | 0:13:16 | 0:13:18 | |
375, it's 9-carat gold. | 0:13:18 | 0:13:21 | |
Compass works and that is a vacant carnelian, is the stone, | 0:13:21 | 0:13:26 | |
-a carnelian matrix. -Good. | 0:13:26 | 0:13:27 | |
In its day, it was a gentleman's watch fob | 0:13:27 | 0:13:31 | |
-hanging off your Albert, your watch chain. -Yeah. | 0:13:31 | 0:13:34 | |
Today, it could hang as a charm, a pendant, I think | 0:13:34 | 0:13:37 | |
it's broadly appealing. | 0:13:37 | 0:13:38 | |
-Yeah. -I like it, so the price is £48. | 0:13:38 | 0:13:43 | |
Do you know what, that's not dear and I don't often say that. | 0:13:43 | 0:13:47 | |
-Don't say that. -You've got a good eye. -Yeah. | 0:13:47 | 0:13:51 | |
But we want to do a job of work, don't we? That's worth... | 0:13:51 | 0:13:54 | |
-£40 to £60... -OK. -..cautiously. | 0:13:54 | 0:13:58 | |
Ask him if he's in a good mood or a bad mood. | 0:13:58 | 0:14:01 | |
Are you in a good mood or a bad mood? | 0:14:01 | 0:14:02 | |
I'm...not in a giveaway mood! | 0:14:02 | 0:14:04 | |
You're not in a giveaway...? Aww! | 0:14:04 | 0:14:06 | |
What is the very best you can do for this for us? | 0:14:06 | 0:14:09 | |
I'll do it for 35. That's less than scrap, you can't lose. | 0:14:09 | 0:14:12 | |
We're not going to push you any more. Are you happy with that? | 0:14:12 | 0:14:15 | |
Ecstatic! What about Vicky? You liked it in the first place. | 0:14:15 | 0:14:19 | |
-Yeah, but I've picked something already... -I don't mind. | 0:14:19 | 0:14:22 | |
If you fancy that, shake the man's hand. | 0:14:22 | 0:14:24 | |
-The tension, the drama! -# Da, na-na-na! # | 0:14:26 | 0:14:29 | |
-Yes, please. Thank you. -Wonderful! | 0:14:29 | 0:14:31 | |
So, the teams have bought two items apiece, and while the pressure | 0:14:32 | 0:14:35 | |
is off them, it's now up to me to find something at the fair. | 0:14:35 | 0:14:39 | |
Now, the aneroid barometer is handy | 0:14:46 | 0:14:49 | |
because, within it, there is a vacuum-filled chamber, | 0:14:49 | 0:14:54 | |
and when the air pressure outside goes up or down, | 0:14:54 | 0:14:58 | |
the weather changes, so the vacuum-filled chamber enlarges or | 0:14:58 | 0:15:04 | |
contracts inside one of these. | 0:15:04 | 0:15:07 | |
This particular one is made by one of the most prestigious makers | 0:15:07 | 0:15:12 | |
in Britain - Negretti and Zambra, | 0:15:12 | 0:15:14 | |
who were in business from about 1850 until about 1950. What's it worth? | 0:15:14 | 0:15:19 | |
Well, the big one, in good condition by Negretti and Zambra, | 0:15:19 | 0:15:23 | |
would cost you the thick end of £150. | 0:15:23 | 0:15:26 | |
But what's in this little case next door? Intriguing, eh? | 0:15:26 | 0:15:30 | |
Another barometer? No! Something much more interesting than that. | 0:15:30 | 0:15:35 | |
It tells you on the outside what it is. | 0:15:35 | 0:15:38 | |
It says it's a Weldon Range Finder. | 0:15:38 | 0:15:41 | |
Colonel Weldon, in the Indian Army around 1880, | 0:15:41 | 0:15:45 | |
invented this thing because he had a problem. | 0:15:45 | 0:15:49 | |
He couldn't tell, when firing his cannon at the enemy, | 0:15:49 | 0:15:53 | |
exactly how far they were over there. | 0:15:53 | 0:15:57 | |
So, to determine that distance, | 0:15:57 | 0:15:59 | |
clever Colonel Weldon turned to trigonometry. | 0:15:59 | 0:16:03 | |
He worked out, in this little gadget, | 0:16:03 | 0:16:06 | |
three certain positions, which you can see through mirrors in prisms. | 0:16:06 | 0:16:11 | |
You work out where those three angles join up, | 0:16:11 | 0:16:15 | |
shove it through the cosine whatnot and that gives you | 0:16:15 | 0:16:18 | |
the distance of the first point from where you're standing here. | 0:16:18 | 0:16:23 | |
And what thrilled me was acquiring in one lot not one | 0:16:23 | 0:16:27 | |
but two barometers, plus this range finder, for £200. | 0:16:27 | 0:16:33 | |
And one of these in silver in a specialist sale made the top | 0:16:33 | 0:16:38 | |
end of £1,000 two years ago. | 0:16:38 | 0:16:42 | |
Well done, Colonel Weldon! | 0:16:42 | 0:16:45 | |
Now, back to the teams and how are Dennis and Victoria getting on? | 0:16:53 | 0:16:57 | |
We're doing great. We've got two in the bag. | 0:16:57 | 0:16:59 | |
We've got an item over there as a reserve. | 0:16:59 | 0:17:02 | |
Now, we want to get a big piece. | 0:17:02 | 0:17:04 | |
That's the favourite, but I don't think Paul fancies it. | 0:17:04 | 0:17:07 | |
We're comfortable with what we've bought and now we're slowing down. | 0:17:07 | 0:17:11 | |
I've got a horrible feeling that we will be buying in the last minute. | 0:17:11 | 0:17:16 | |
Watch this space! | 0:17:16 | 0:17:18 | |
Will do, Catherine. Now, back to the shop. Chop-chop! | 0:17:18 | 0:17:21 | |
How are we doing? 25 minutes, we've got left. Oh, I like it! | 0:17:21 | 0:17:27 | |
-It's musical! -Musical. It's extremely rare. -What is it? | 0:17:27 | 0:17:31 | |
-Like a brooch, I guess. -Yes. -How much is on that? -Price at the bottom. -185. | 0:17:31 | 0:17:38 | |
-Oh, is it? -It's a lot of money. | 0:17:38 | 0:17:42 | |
But you DO have a lot of money, as you've only spent £58 so far. | 0:17:42 | 0:17:47 | |
Meanwhile, as we head into the final 15 minutes, | 0:17:47 | 0:17:50 | |
both teams seem to be losing their focus. | 0:17:50 | 0:17:53 | |
-Dennis! -Coming, boss. | 0:17:53 | 0:17:55 | |
Lost her. Where is she? | 0:17:55 | 0:17:57 | |
Does anyone look like they want to talk to us? No. Story of my life! | 0:17:57 | 0:18:00 | |
-Do you like that? -No, I don't. -You're going sparkly and girly again. | 0:18:00 | 0:18:04 | |
Yeah, we're going sparkly and girly again. | 0:18:04 | 0:18:06 | |
-Some of these, I like, Linda doesn't like. -Please don't argue! | 0:18:06 | 0:18:10 | |
-12 minutes, ladies. -Right. -Right. | 0:18:10 | 0:18:12 | |
Now, being a multi-instrumentalist, | 0:18:12 | 0:18:14 | |
it's only a matter of time before Dennis finds something to play with. | 0:18:14 | 0:18:18 | |
Here we go. | 0:18:18 | 0:18:19 | |
HE PLAYS A JAZZY TUNE | 0:18:19 | 0:18:23 | |
All right, that's worth a couple of quid. Yeah. | 0:18:26 | 0:18:29 | |
Ha! I'm not sure busking's allowed in the Bargain Hunt rules, Paul. | 0:18:29 | 0:18:34 | |
Eat your heart out, Acker Bilk, eh? | 0:18:34 | 0:18:37 | |
Meanwhile, the Red team have rumbled their expert Catherine. | 0:18:39 | 0:18:44 | |
Have you seen anything? Have you...? Crisis meeting! | 0:18:44 | 0:18:48 | |
-Potential bonus buys! -Oh, really? -I'll break your noses. | 0:18:48 | 0:18:53 | |
-He said to come down and find you! -What have you found? | 0:18:53 | 0:18:56 | |
-Oh, I like something, she doesn't like it. -You two are always arguing. | 0:18:56 | 0:19:00 | |
-No, we're not. -Er... Yes, you are. | 0:19:00 | 0:19:03 | |
It's a standard lamp. A standard oil lamp. | 0:19:03 | 0:19:08 | |
The reservoir sat in there in brass, | 0:19:08 | 0:19:12 | |
copper, wrought iron... | 0:19:12 | 0:19:15 | |
It's going to be 1860, 1870, but what's it worth? | 0:19:15 | 0:19:20 | |
Could you tell me how much this is, please? | 0:19:20 | 0:19:23 | |
-Well, I was thinking 60. -It's too much. -It's within buying distance. | 0:19:23 | 0:19:27 | |
Right, let's come back to that and we've still got the silver box. | 0:19:27 | 0:19:31 | |
Make your mind up, Blues. Time is fast running out. | 0:19:31 | 0:19:33 | |
Nine minutes and counting! | 0:19:33 | 0:19:36 | |
-SHE KNOCKS -Hello! | 0:19:36 | 0:19:38 | |
-Is that what that is? -Ah, right. -Auctioneer's gavel. | 0:19:38 | 0:19:42 | |
We're going to be hearing a lot of that at the auction | 0:19:42 | 0:19:44 | |
-when they've sold our items for thousands of pounds. -Absolutely! | 0:19:44 | 0:19:48 | |
You wish! Meanwhile, the Blues are um-ing | 0:19:48 | 0:19:51 | |
and ah-ing about an easel at the same stand as the oil lamp, | 0:19:51 | 0:19:54 | |
which they also can't make their minds up about. | 0:19:54 | 0:19:57 | |
Well, what's the price on that? | 0:19:57 | 0:19:59 | |
To us. | 0:19:59 | 0:20:02 | |
It should be about 300. | 0:20:02 | 0:20:04 | |
But I might go 250, just to give you a chance. | 0:20:04 | 0:20:08 | |
I don't think that'll do us the money. | 0:20:08 | 0:20:10 | |
So, it's going to be French, it's going to be late 19th century, | 0:20:10 | 0:20:14 | |
it is...ebonized. | 0:20:14 | 0:20:19 | |
Importantly, all the gilt metal elements...are there. | 0:20:19 | 0:20:25 | |
I think it is a rich object for a Glasgow townhouse. | 0:20:25 | 0:20:31 | |
I think it's too much money. | 0:20:31 | 0:20:33 | |
So, still no decision on the easel or the oil lamp. Tick-tock, eh? | 0:20:33 | 0:20:38 | |
Seven and a half minutes. How did that happen? | 0:20:38 | 0:20:42 | |
I knew this was going to happen. I knew it. Have you seen anything? | 0:20:42 | 0:20:45 | |
-Um... No. -No. | 0:20:45 | 0:20:47 | |
Oh, dear. | 0:20:47 | 0:20:48 | |
Now, unusually, laidback Paul Laidlaw is laying down the law, | 0:20:48 | 0:20:52 | |
as we're just five minutes from time's up. | 0:20:52 | 0:20:55 | |
Why are we walking past opportunities? | 0:20:55 | 0:21:00 | |
Because you guys liked the standard lamp | 0:21:00 | 0:21:03 | |
and we were within striking distance. | 0:21:03 | 0:21:07 | |
I went weak at the knees at the easel and I baulked at the price | 0:21:07 | 0:21:13 | |
and now I'm thinking, "Do you know what? | 0:21:13 | 0:21:16 | |
"Why don't we do a little bigger?" | 0:21:16 | 0:21:20 | |
-What's the matter with the easel? -Um... The price? | 0:21:20 | 0:21:24 | |
And with time running out, the Reds are finally on the case. Literally. | 0:21:24 | 0:21:29 | |
-I think that's quite nice. I mean, think interior design. -Yeah. | 0:21:29 | 0:21:34 | |
-That's true. Like a coffee table. -Exactly! Coffee table. | 0:21:34 | 0:21:38 | |
Put a bit of glass over it. | 0:21:38 | 0:21:40 | |
Or on the top of your wardrobe. She's not with us. | 0:21:40 | 0:21:43 | |
No, I actually quite like it. | 0:21:43 | 0:21:46 | |
-It's quite nice. I quite like it. -What age would this be? | 0:21:46 | 0:21:49 | |
-I'd say probably about the same age. -It's £75. What do you reckon? | 0:21:49 | 0:21:53 | |
-Oh, she's on the money again. -I think we should have something big. | 0:21:53 | 0:21:56 | |
-Everything else is small. -Yes, quite good fun. | 0:21:56 | 0:21:59 | |
No pressure, but three minutes. | 0:21:59 | 0:22:02 | |
-I'd rather go for that than the other piece. -Yeah? Let's go for it. | 0:22:02 | 0:22:05 | |
-We need to know the price. -We need to know the price. | 0:22:05 | 0:22:08 | |
-All three of us on this one. -Yes, OK. -Hi! -Hi. -Hi. | 0:22:08 | 0:22:11 | |
-We do like the trunk. -Yes. -75 is a bit punchy. | 0:22:13 | 0:22:17 | |
-Right. -What could you do that for? | 0:22:17 | 0:22:19 | |
-65. -Can we give you 60? | 0:22:19 | 0:22:22 | |
Yeah. | 0:22:22 | 0:22:24 | |
-That would be superb. -Are we happy at that? -Absolutely! -Delighted. | 0:22:24 | 0:22:28 | |
-Are you sure? -Yes. -Excellent. -That's it. | 0:22:28 | 0:22:30 | |
-Would you like a song? -Of course. | 0:22:30 | 0:22:32 | |
-Come on, ladies. -What are we going to sing? -Just break into song. | 0:22:32 | 0:22:36 | |
# La-la | 0:22:36 | 0:22:39 | |
# Ba-ba, ba-ba ba-ba-ba | 0:22:39 | 0:22:43 | |
# Ba-ba, ba-ba-ba. # | 0:22:43 | 0:22:45 | |
You see? | 0:22:45 | 0:22:47 | |
Well done, Reds. After all that arguing, harmony at last! | 0:22:47 | 0:22:51 | |
Wonderful! | 0:22:51 | 0:22:53 | |
Now, with less than two minutes left, | 0:22:53 | 0:22:56 | |
Paul is desperately trying to persuade the Blues to buy the easel. | 0:22:56 | 0:22:59 | |
Remember, the dealer wanted £250. | 0:22:59 | 0:23:02 | |
-To leave a pound left in their purse... -For you to shop? -Yeah. | 0:23:02 | 0:23:07 | |
They could offer you 184, is that right? | 0:23:07 | 0:23:11 | |
-That's not leaving you... -It's leaving me a pound. | 0:23:11 | 0:23:14 | |
-The lady's nicer than that. -Absolutely. | 0:23:14 | 0:23:16 | |
Can you leave me any more than that? | 0:23:16 | 0:23:18 | |
-Could you take 150 and leave me 30 quid to spend? -No. | 0:23:18 | 0:23:20 | |
I've seen you shopping with a pound before | 0:23:20 | 0:23:23 | |
and it's surprising what you can buy! | 0:23:23 | 0:23:25 | |
That is wading in deep. | 0:23:25 | 0:23:26 | |
-We'd be buying that with our hearts and not our heads. -I suspect so. | 0:23:26 | 0:23:30 | |
Well, I defer to that. | 0:23:30 | 0:23:32 | |
Could I shake hands with you at £184 for your easel? | 0:23:32 | 0:23:36 | |
-Finally, the deal's done! -Shake the lady's hand. -I totally agree! | 0:23:36 | 0:23:43 | |
So that's the easel bought, at last, | 0:23:43 | 0:23:46 | |
leaving Paul one paltry pound for his bonus buy. | 0:23:46 | 0:23:50 | |
Whoa! Time's up! Let's check out what the Red team bought. | 0:23:50 | 0:23:54 | |
For the 1920s lorgnette, or specs on a stick to you and me, | 0:23:55 | 0:24:00 | |
they spent £40. | 0:24:00 | 0:24:03 | |
Also from the 1920s, the Art Deco shoehorn and button hook set, | 0:24:03 | 0:24:07 | |
setting them back just £18. | 0:24:07 | 0:24:10 | |
And for the vintage cabin trunk, the Reds unpacked £60. | 0:24:10 | 0:24:14 | |
OK, girls, which is your favourite piece? | 0:24:14 | 0:24:18 | |
-My favourite piece are the opera glasses. -That's your favourite. | 0:24:18 | 0:24:22 | |
-Do you agree with that? -Yes. But I also like the little shoehorn | 0:24:22 | 0:24:25 | |
and the button hook in the leather case. | 0:24:25 | 0:24:28 | |
-But that's your favourite, is it? -I think so. -And is that going to bring the biggest profit? | 0:24:28 | 0:24:32 | |
-I'm thinking the case possibly would make the largest profit. -The trunk. | 0:24:32 | 0:24:36 | |
-Yes. -All right, lovely. Well, that's what we like to hear. | 0:24:36 | 0:24:40 | |
-Now, how much did you spend? -We spent £118. -Is that all? | 0:24:40 | 0:24:44 | |
I'd like £182 of leftover lolly, please. 182. | 0:24:44 | 0:24:49 | |
Thank you. Look at this. Well, well, well. | 0:24:49 | 0:24:52 | |
Because this is a special occasion, Catherine, | 0:24:52 | 0:24:56 | |
there's your £182 to go and find bonus buy number one. | 0:24:56 | 0:25:00 | |
And I'm going to give you, on this special occasion, | 0:25:00 | 0:25:04 | |
another £100 to go and find bonus buy number two. | 0:25:04 | 0:25:09 | |
And then you guys are going to have two bonus buys to select from later. | 0:25:09 | 0:25:14 | |
OK, thank you very much, Catherine. | 0:25:14 | 0:25:16 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:25:16 | 0:25:20 | |
For the Chinese bronze table lamp, they spent a tidy £80. | 0:25:20 | 0:25:24 | |
For the little fob compass, they paid £35, | 0:25:24 | 0:25:28 | |
hoping it will go north and not south at auction. | 0:25:28 | 0:25:31 | |
And finally, the French gallery easel, they went to town, | 0:25:31 | 0:25:36 | |
spending £184. | 0:25:36 | 0:25:38 | |
Ooh-la-la! | 0:25:38 | 0:25:40 | |
-Well, this is fun, isn't it? -Yes. -Is the rumour true that you spent £299? | 0:25:40 | 0:25:45 | |
£299! | 0:25:45 | 0:25:47 | |
I never did! One pound of leftover lolly, please, from somebody. | 0:25:47 | 0:25:50 | |
-Who's got the pound? -Both hands out, please? -No, just the one! | 0:25:50 | 0:25:54 | |
Oh, I don't believe it! | 0:25:54 | 0:25:56 | |
-You can have it all. -Really? | 0:25:56 | 0:25:59 | |
Because what you don't realise is that I'm going to give the boy | 0:25:59 | 0:26:03 | |
another £100 cos on this programme, he gets another bonus buy of £100. | 0:26:03 | 0:26:09 | |
You've got a pound to find one bonus buy | 0:26:09 | 0:26:12 | |
and £100 to find the alternative bonus buy today! | 0:26:12 | 0:26:15 | |
But before we send Paul off, | 0:26:15 | 0:26:17 | |
-I need to find out which is your favourite piece. -The compass. | 0:26:17 | 0:26:22 | |
-The compass. -Yes. -Do you agree with that, Den? -No, the easel. Beautiful. | 0:26:22 | 0:26:25 | |
Is the easel going to bring the biggest profit? | 0:26:25 | 0:26:28 | |
-No, it's not going to make any! -Oh. OK, what is going to bring | 0:26:28 | 0:26:31 | |
-the biggest profit? -The compass. -The compass. Anyway, there we go. | 0:26:31 | 0:26:34 | |
One pound, Paul, for one bonus buy, | 0:26:34 | 0:26:37 | |
and £100 for the alternative bonus buy and very good luck. | 0:26:37 | 0:26:41 | |
When you've found them, if you wouldn't mind bringing them back and we'll have a bit of a chat. | 0:26:41 | 0:26:45 | |
Now, without further ado, let's see how Catherine gets on with her two bonus buys. | 0:26:45 | 0:26:49 | |
Remember, she's armed with a whopping £182 of leftover | 0:26:49 | 0:26:53 | |
lolly for the team bonus buy | 0:26:53 | 0:26:55 | |
and she's angling for a bargain with her £100 for the special bonus buy. | 0:26:55 | 0:27:00 | |
See? I quite like this. Beautiful, this salmon. | 0:27:00 | 0:27:03 | |
It's really finely painted. | 0:27:03 | 0:27:05 | |
I love all these rainbow colours and I'm selling in Scotland, | 0:27:05 | 0:27:09 | |
in Glasgow, and I think something like this could do quite well. | 0:27:09 | 0:27:12 | |
It will catch the imagination. | 0:27:12 | 0:27:13 | |
I notice you've got 40 on it. Can you do 24? | 0:27:13 | 0:27:18 | |
-24, perhaps. -24? Put it there. | 0:27:18 | 0:27:21 | |
-It's going to swim away. It's going to swim to success. -I hope so. | 0:27:21 | 0:27:25 | |
Lesley and Linda went for really girly items | 0:27:27 | 0:27:32 | |
and I feel that we need something masculine, | 0:27:32 | 0:27:34 | |
so I've gone for a rather masculine piece | 0:27:34 | 0:27:37 | |
and I think this will sit rather nicely with the girly items. | 0:27:37 | 0:27:43 | |
So, she slipped that one in the net. In double quick time, too. | 0:27:43 | 0:27:47 | |
But will she be quite so sharp | 0:27:47 | 0:27:49 | |
when she looks to cut a deal for the special £100 bonus buy? | 0:27:49 | 0:27:54 | |
I saw a lovely little necessaire with some sewing accessories down here. | 0:27:54 | 0:27:59 | |
A bit more girly. I think they'll like this. | 0:27:59 | 0:28:03 | |
How much is on them? | 0:28:03 | 0:28:06 | |
78. See? Sewing accessories do sell well. | 0:28:06 | 0:28:12 | |
But this time, Catherine has met her match | 0:28:12 | 0:28:15 | |
when it comes to closing the deal. | 0:28:15 | 0:28:17 | |
You've got 78, sir. What can you do for me? Can we do 40? | 0:28:17 | 0:28:21 | |
-50 is as good as it gets. -40? | 0:28:21 | 0:28:24 | |
-Oh, go on. £40? 45? -No. 50. -That's a lovely number. | 0:28:24 | 0:28:29 | |
-It's a beautiful number. -I'm not going to get anywhere here. | 0:28:29 | 0:28:33 | |
-Shake my hand at 50. -I certainly will! | 0:28:33 | 0:28:36 | |
Now, let's have a look at what Catherine's bought. | 0:28:36 | 0:28:39 | |
-Well, you've had a fishy old do here, haven't you? -I have. | 0:28:39 | 0:28:42 | |
I suppose, once upon a time, it was a cigarette box, wasn't it? | 0:28:42 | 0:28:45 | |
I don't know. It's a desk piece, isn't it? | 0:28:45 | 0:28:47 | |
But I quite liked this and I like the fact that we had a salmon on the top. | 0:28:47 | 0:28:51 | |
-I thought - salmon, fishing, Scotland... -Yes, exactly. | 0:28:51 | 0:28:54 | |
-That must be all down to the price though cos the condition on this is not good, is it? -No, it's not great. | 0:28:54 | 0:29:00 | |
Can you imagine how wonderfully painted that probably was, once upon a time, when in perfect condition? | 0:29:00 | 0:29:05 | |
-That would have been lovely. -It's '30s, isn't it? 1930s, 1940s. | 0:29:05 | 0:29:09 | |
I would say...'40s, but I paid, because of the condition, £24. | 0:29:09 | 0:29:14 | |
Is that all? For £24, you'll probably get out of trouble. | 0:29:14 | 0:29:17 | |
I think so. I thought that might make about £40, actually, Tim. | 0:29:17 | 0:29:20 | |
-OK, and then this is the £100 bonus buy item. -Yes. I like this. | 0:29:20 | 0:29:25 | |
What one tatty old leather case does to one person does something | 0:29:25 | 0:29:29 | |
completely different to you, doesn't it? | 0:29:29 | 0:29:31 | |
-We've got a graduated set of scissors. -Yes. | 0:29:31 | 0:29:35 | |
But I'm thinking embroidery scissors. I'm thinking Victorian. | 0:29:35 | 0:29:39 | |
Nice leather case. I don't know, I like them. | 0:29:39 | 0:29:42 | |
-I actually really liked them. -You had £100. What would I pay for that lot? | 0:29:42 | 0:29:47 | |
-I would pay £30-40. What did you pay? -Probably a bit too much, then. | 0:29:47 | 0:29:52 | |
-£50. -Well, as far as I'm concerned, I think | 0:29:52 | 0:29:54 | |
-the salmon-topped box is likely to bring the best profit. -Oh, do you? | 0:29:54 | 0:29:59 | |
I do. Because your entry level is so low at £24. | 0:29:59 | 0:30:02 | |
-I think you're going to break even on that. -Right. | 0:30:02 | 0:30:05 | |
It's a £50 item...doing well, from my perspective. | 0:30:05 | 0:30:09 | |
And if there is a bit of profit, I would be going, I think, | 0:30:09 | 0:30:12 | |
for Salar the Salmon. | 0:30:12 | 0:30:14 | |
-Mm. -The teams can select either one or the other, or none... -Mm. | 0:30:14 | 0:30:20 | |
-..once they get to that moment. But first we have to show them. -OK. | 0:30:20 | 0:30:24 | |
But before all that, we have to find out how poor old Paul is getting on. | 0:30:24 | 0:30:29 | |
And "poor" is the right word because Paul has got just £1 of leftover | 0:30:29 | 0:30:34 | |
lolly for his team's bonus buy, so he heads straight to the £1 stall. | 0:30:34 | 0:30:39 | |
Of course. | 0:30:39 | 0:30:41 | |
This, I have secured, for a pound. | 0:30:41 | 0:30:43 | |
I'm optimistic that this is actually considerably more valuable than that. | 0:30:44 | 0:30:50 | |
The pin, in my opinion, isn't just gold coloured... I think it's gold. | 0:30:50 | 0:30:56 | |
And I think there could be £30 or £40 in that. | 0:30:56 | 0:30:59 | |
There's certainly a pound's worth in it. | 0:30:59 | 0:31:02 | |
Ha-ha-ha! | 0:31:02 | 0:31:04 | |
Now, Paul is on the hunt for the special £100 bonus buy and I've | 0:31:04 | 0:31:09 | |
got a little trick up my sleeve that might just help the old fella out. | 0:31:09 | 0:31:13 | |
Listen, I'm going to give you a hand here. Do you want to shake? | 0:31:13 | 0:31:17 | |
-Are you packing? Oh! Tim! -How about that? From up the armpit! | 0:31:17 | 0:31:21 | |
-Is that hot or what? -You're my kind of magician, Tim! | 0:31:21 | 0:31:24 | |
-Form and feel, it's Georgian silver, isn't it? -I think it's Georgian silver. | 0:31:24 | 0:31:28 | |
You probably don't need a helping hand, but if you fancy it, | 0:31:28 | 0:31:30 | |
you can have it for the price that I just paid for it up there. | 0:31:30 | 0:31:34 | |
-I won't tease you about that. It cost me £50. -No, Tim! -Yeah. | 0:31:34 | 0:31:39 | |
-So, if it's Ayr, it's worth £500. -Yeah... Well... | 0:31:39 | 0:31:44 | |
If it's Greenock, it's worth 800. | 0:31:44 | 0:31:46 | |
-If it's nothing, it's got to be worth 100. -150 quid! | 0:31:46 | 0:31:50 | |
-Yeah. -So do you want it? | 0:31:50 | 0:31:52 | |
-Put it there, matey. -Tim! | 0:31:52 | 0:31:54 | |
What does a man do in Edinburgh with a pound's worth of leftover lolly? | 0:31:54 | 0:31:59 | |
On a stall where everything was a pound, that cries out gold. | 0:31:59 | 0:32:05 | |
And someone cared enough to put a gold safety chain and pin on it. | 0:32:05 | 0:32:09 | |
They didn't want to lose it. | 0:32:09 | 0:32:11 | |
All of which is telling me there is substance to this. | 0:32:11 | 0:32:15 | |
For a pound?! Well, this is extraordinary! | 0:32:15 | 0:32:18 | |
-Now, listen, what we've got here is blister pearls, aren't they? -Mm-hm. | 0:32:18 | 0:32:22 | |
Which are very fashionable kind of jobbies. | 0:32:22 | 0:32:25 | |
All set into something that looks like a series of petals. | 0:32:25 | 0:32:28 | |
These jobbies that go round the outside. | 0:32:28 | 0:32:31 | |
And then if we turn on the back, what's it look like on the back? | 0:32:31 | 0:32:34 | |
There's your gold pin, there's your gold chain. | 0:32:34 | 0:32:37 | |
That looks, to me, suspiciously early. | 0:32:37 | 0:32:39 | |
That is the most exciting thing I've seen in years. | 0:32:39 | 0:32:43 | |
And for a pound! | 0:32:43 | 0:32:44 | |
Now, moving on to our special £100 bonus buy, we've seen him before. | 0:32:44 | 0:32:50 | |
£50 paid. Any more ideas about whether it's Scottish or...? | 0:32:50 | 0:32:56 | |
I thought provincial, immediately, aesthetically. | 0:32:56 | 0:33:01 | |
And its eccentricity in form, I love. | 0:33:01 | 0:33:04 | |
Which is going to do best profit wise? | 0:33:04 | 0:33:07 | |
I don't know. I'm hedging my bets around the research, | 0:33:07 | 0:33:10 | |
but if you said to me with no research, | 0:33:10 | 0:33:12 | |
just putting your speculative tummy on, I'd be going with the jewel. | 0:33:12 | 0:33:16 | |
By the time we're next together, over in the auction room, hopefully | 0:33:16 | 0:33:20 | |
we'll have a bit more information, but hail the leader, is what I say! | 0:33:20 | 0:33:24 | |
Before I head off west to South Devon to the gorgeous | 0:33:24 | 0:33:30 | |
property that's called Saltram House. | 0:33:30 | 0:33:33 | |
This must be one of the most spectacular properties | 0:33:38 | 0:33:42 | |
standing within the city boundary of Plymouth, in Devon. | 0:33:42 | 0:33:46 | |
Saltram House was mainly built in the middle of the 18th century and | 0:33:48 | 0:33:52 | |
takes its name from the salt that was harvested from the tidal | 0:33:52 | 0:33:56 | |
estuary of the River Plym. | 0:33:56 | 0:33:59 | |
Dire financial difficulties | 0:33:59 | 0:34:01 | |
and death saw many historic buildings demolished | 0:34:01 | 0:34:06 | |
in the 20th century, but fortunately for us, Saltram House was saved. | 0:34:06 | 0:34:12 | |
And since 1957, it's been run by the National Trust. | 0:34:12 | 0:34:16 | |
Today, we have an opportunity of an insight into the life | 0:34:16 | 0:34:20 | |
and lives of the wealthy and privileged of an early period. | 0:34:20 | 0:34:25 | |
Let's pop inside and warm up. | 0:34:25 | 0:34:27 | |
The architecture and interior decoration that we see here | 0:34:31 | 0:34:35 | |
today is the result of the ambitious plans of several | 0:34:35 | 0:34:38 | |
generations of the Parker dynasty. | 0:34:38 | 0:34:41 | |
They were an important local family | 0:34:41 | 0:34:44 | |
and wanted the house that would impress their peers. | 0:34:44 | 0:34:48 | |
And if you came in here to warm your toes in the 1780s, | 0:34:48 | 0:34:54 | |
you'd have almost certainly admired this fire grate. | 0:34:54 | 0:34:59 | |
Why? Well, it's a fine neoclassical example | 0:34:59 | 0:35:03 | |
dating from the Adam period. If you were sharp-eyed, | 0:35:03 | 0:35:07 | |
you'd notice there are two different colours to the metal. | 0:35:07 | 0:35:10 | |
The bars that contain the coal at the front are shiny and white, | 0:35:10 | 0:35:14 | |
that's cos they're polished steel, | 0:35:14 | 0:35:16 | |
and the rest of the frame is covered in a curious yellowish metal. | 0:35:16 | 0:35:21 | |
The mystery metal is called Pa Tong, | 0:35:21 | 0:35:24 | |
which was imported from China in the last half of the 18th century | 0:35:24 | 0:35:29 | |
and sparingly used because it was expensive. | 0:35:29 | 0:35:33 | |
The fireplace itself is admirable. | 0:35:33 | 0:35:35 | |
It dates from about 40 years before the fire basket, | 0:35:35 | 0:35:40 | |
and is centred by this middle tablet, where we have Cupid | 0:35:40 | 0:35:45 | |
riding a lion, and this is supposed to represent love conquering all. | 0:35:45 | 0:35:52 | |
But this is not the only fine marble object in this room... | 0:35:52 | 0:35:56 | |
..because on the face of it this appears to be an elaborately | 0:35:57 | 0:36:01 | |
inlaid marble top table which dates from 1713. | 0:36:01 | 0:36:08 | |
It dates from after the 20th of May 1713, actually. | 0:36:09 | 0:36:14 | |
And how do we know that? | 0:36:14 | 0:36:15 | |
Because inlaid into the top is a letter, | 0:36:15 | 0:36:19 | |
a letter addressed to a Mr Cope, | 0:36:19 | 0:36:22 | |
and it's London, dated May 20th 1713, and it describes | 0:36:22 | 0:36:27 | |
the end of the continental war which led to the Treaty of Utrecht. | 0:36:27 | 0:36:32 | |
This is a letter that should be scored on the heart of every | 0:36:34 | 0:36:39 | |
Gibraltarian because it was the Treaty of Utrecht | 0:36:39 | 0:36:43 | |
that ceded Gibraltar to Britain | 0:36:43 | 0:36:45 | |
and has been the source of so much trouble ever since. | 0:36:45 | 0:36:49 | |
But actually this isn't inlaid marble at all, | 0:36:50 | 0:36:53 | |
it's something called scagliola, | 0:36:53 | 0:36:56 | |
which is a curious mix of chalk and marble dust and colouring agents | 0:36:56 | 0:37:01 | |
and glue, used by artists through the 18th century, | 0:37:01 | 0:37:06 | |
employed to imitate more expensive inlaid marble. | 0:37:06 | 0:37:10 | |
But actually, in a way, it is as charming. | 0:37:10 | 0:37:14 | |
What I can't tell you is why the sequence of playing cards | 0:37:14 | 0:37:18 | |
are laid out in this particular way, | 0:37:18 | 0:37:20 | |
why the jack of spades has been torn in half, | 0:37:20 | 0:37:25 | |
nor why, in particular, this letter, | 0:37:25 | 0:37:28 | |
dating from that momentous day in 1713, | 0:37:28 | 0:37:32 | |
has been frozen for all time | 0:37:32 | 0:37:36 | |
into the top of this scagliola table. | 0:37:36 | 0:37:39 | |
That remains a mystery. | 0:37:39 | 0:37:42 | |
The biggest mystery today, though, is of course going to be | 0:37:42 | 0:37:45 | |
for our teams over at the auction. | 0:37:45 | 0:37:47 | |
Who will win? Who will make the most profits? | 0:37:47 | 0:37:50 | |
Well, we trotted 40 miles from Edinburgh due west, | 0:38:00 | 0:38:03 | |
and if you do that you come to Glasgow. | 0:38:03 | 0:38:04 | |
And if you come to Glasgow you have to come and see Anita. Hello, Anita. | 0:38:04 | 0:38:08 | |
-Oh, welcome, Tim, it's lovely to have you here. -Very nice to be back. | 0:38:08 | 0:38:11 | |
Now, Lesley and Linda went with the Lorgnette. | 0:38:11 | 0:38:14 | |
I like Lorgnettes, I mean, these were often used for flirting. | 0:38:14 | 0:38:19 | |
So, a bit of flirty gear, then. What is it worth? | 0:38:19 | 0:38:22 | |
-It's worth, I would say, 40-60? -OK, as much as that? | 0:38:22 | 0:38:26 | |
£40 paid, well, that's very good. | 0:38:26 | 0:38:28 | |
Mother of pearl is intact, er, nice little bit of engraving, | 0:38:28 | 0:38:32 | |
so I think it deserves 40-60. | 0:38:32 | 0:38:34 | |
Next is the little pouch with the Bakelite shoehorn and button hook. | 0:38:34 | 0:38:38 | |
Now, that's quite an unusual survivor, isn't it? | 0:38:38 | 0:38:41 | |
Och, yes, I think that's very sweet. | 0:38:41 | 0:38:43 | |
The flapper girl with her green dress. Not a fine quality item. | 0:38:43 | 0:38:47 | |
-No, no, but just a bit of period fun. What's it worth? -20-30. | 0:38:47 | 0:38:52 | |
OK, £18 paid, so, Catherine and co did well with that. | 0:38:52 | 0:38:57 | |
And their last item is the cabin trunk, which I've noticed, | 0:38:57 | 0:39:01 | |
period bits of luggage increase in value year on year, don't they? | 0:39:01 | 0:39:05 | |
Yes, people like them, they're very hot in today's market, and I like | 0:39:05 | 0:39:09 | |
this one with the lovely burgundy staves and this cream leather. | 0:39:09 | 0:39:14 | |
-What's it worth? -60-100? -Perfect, £60 paid. -Ah, good. | 0:39:14 | 0:39:18 | |
Yet again you're estimating more than the purchased price in every | 0:39:18 | 0:39:22 | |
instance, so they're unlikely to want either of their bonus buys, | 0:39:22 | 0:39:25 | |
but let's go and have a look at 'em anyway! | 0:39:25 | 0:39:28 | |
-OK, girls, this is exciting, isn't it? -Very. -Very. | 0:39:29 | 0:39:32 | |
You gave Catherine Southon £182 of leftover lolly which bought | 0:39:32 | 0:39:36 | |
the team's bonus buy which is underneath that cloth. | 0:39:36 | 0:39:39 | |
-Catherine, reveal all. -Yes, here we are. -Oh, yeah. | 0:39:39 | 0:39:43 | |
-Oh. -Ooh! | 0:39:44 | 0:39:45 | |
THEY LAUGH | 0:39:45 | 0:39:47 | |
-Well? -Fishy business. -It is fishy business, yeah. | 0:39:47 | 0:39:50 | |
That's interesting, Catherine. | 0:39:50 | 0:39:52 | |
I think I might pass it over straight away. | 0:39:52 | 0:39:54 | |
-Oh, it's quite heavy. -It is very heavy. | 0:39:54 | 0:39:56 | |
Alabaster box, so, cigar box? Desk piece? | 0:39:56 | 0:40:00 | |
-Put your pens in, put it on your desk. -How old do you think it is? | 0:40:00 | 0:40:05 | |
-Difficult to say on that one. -Fish looks a bit old. -Yes! -Yes, he is. | 0:40:05 | 0:40:08 | |
Looks as if it's seen better days. | 0:40:08 | 0:40:10 | |
Yes. I just think there it has got a bit of damage. | 0:40:10 | 0:40:14 | |
I think, if it was perfect, it would be looking at quite a bit of money. | 0:40:14 | 0:40:18 | |
So how much did you spend on this? | 0:40:18 | 0:40:20 | |
You're giving me bad looks and I don't like it! | 0:40:20 | 0:40:22 | |
-£24 is how much I spent. -Oh, that's... -How much? -£24. | 0:40:22 | 0:40:26 | |
I could see that sitting quite nicely on a gentleman's desk. | 0:40:26 | 0:40:29 | |
Well, that's lovely. That's the team's bonus buy. | 0:40:29 | 0:40:31 | |
Now, for these special programmes, | 0:40:31 | 0:40:33 | |
Catherine has had an additional £100, and I'm going to reveal | 0:40:33 | 0:40:37 | |
-the special bonus buy. -OK. | 0:40:37 | 0:40:39 | |
-Du-dum! -Oh! -Over to you, Catherine, to talk about it. -Oh, I like that. | 0:40:39 | 0:40:42 | |
-Oh, do you? -Yes. -Oh, yes, I like that. | 0:40:42 | 0:40:44 | |
You're more positive about these. | 0:40:44 | 0:40:46 | |
Well, I'm going to show you the case, | 0:40:46 | 0:40:48 | |
so we've got a nice shaped case, | 0:40:48 | 0:40:50 | |
and then we've got a set of three graduated embroidery scissors. | 0:40:50 | 0:40:53 | |
They're very nice, I quite like those. | 0:40:53 | 0:40:56 | |
-So how old are those, d'you reckon? -Maybe 1910, something like that? | 0:40:56 | 0:40:59 | |
-Sewing accessories can do quite well as well. -Yes, I like those. | 0:40:59 | 0:41:02 | |
-So, what did you pay for these? -A little bit more on those, £50. | 0:41:02 | 0:41:06 | |
-Oh, really? Do you think there's a profit in it? -Yes. | 0:41:06 | 0:41:09 | |
We'll find out in a minute, but right now, for the audience at home, | 0:41:09 | 0:41:12 | |
let's find out what the auctioneer thinks about Catherine's bonus buys. | 0:41:12 | 0:41:17 | |
First up is the alabaster box. Look, how d'you rate that? | 0:41:19 | 0:41:23 | |
Yeah, it's a good thing | 0:41:23 | 0:41:25 | |
but there is damage to this iridescent paint on the fish. | 0:41:25 | 0:41:29 | |
It may be that it could be repaired | 0:41:31 | 0:41:32 | |
but we have the damage there and it will affect the price. | 0:41:32 | 0:41:35 | |
-Of course it will. What's your estimate? -30-50. | 0:41:35 | 0:41:38 | |
OK, £24 paid. | 0:41:38 | 0:41:40 | |
Well, that is the object that I preferred, the team's bonus buy. | 0:41:40 | 0:41:45 | |
But this is the set of three scissors, which is | 0:41:45 | 0:41:50 | |
the special bonus buy from Catherine. How d'you rate those? | 0:41:50 | 0:41:52 | |
They're embroidery scissors, they're made by Karl Becker. | 0:41:52 | 0:41:57 | |
These would have been owned by a seamstress or someone who | 0:41:57 | 0:42:00 | |
made their living by making clothes, so they're quite good things. | 0:42:00 | 0:42:05 | |
-OK, estimate? -40-60? -£50 paid. -Maybe a wee bit dear. | 0:42:05 | 0:42:10 | |
A bit too dear, not quite sharp enough, probably! | 0:42:10 | 0:42:13 | |
Anyway, that's it for the Reds. | 0:42:13 | 0:42:15 | |
Now for the Blues, and an interesting group this is, my gosh! | 0:42:15 | 0:42:19 | |
First up is the cloisonne Chinese pot. | 0:42:19 | 0:42:22 | |
And it's an item of some substance. | 0:42:22 | 0:42:25 | |
This is bronze, the cloisonne work is in good condition, | 0:42:25 | 0:42:29 | |
and I particularly like this geometric pattern. | 0:42:29 | 0:42:32 | |
That is a lot of work. And it's, I think, a very attractive object. | 0:42:32 | 0:42:36 | |
Mm, a wee bit out of fashion at the moment but still a good item, | 0:42:36 | 0:42:41 | |
-and again a functional item. -Yeah, it makes a nice lamp. OK, how much? | 0:42:41 | 0:42:46 | |
-60-80. -OK, £80 paid. | 0:42:46 | 0:42:48 | |
I have a funny feeling that that's a bit of a tease, that estimate. | 0:42:48 | 0:42:51 | |
I think you'll make more than £100 with that. | 0:42:51 | 0:42:54 | |
-I'll do my best. -You always do. | 0:42:54 | 0:42:56 | |
Now, moving on, we've got the fob with a compass and stone mounted. | 0:42:56 | 0:43:01 | |
Is that saleable? | 0:43:01 | 0:43:02 | |
-Yes, the mount is 9-carat gold and it's quite substantial. -How much? | 0:43:02 | 0:43:06 | |
-Er, 30-50. -OK, £35 paid, so that should be all right. | 0:43:06 | 0:43:10 | |
And lastly is this extraordinary easel stand. | 0:43:10 | 0:43:15 | |
I can't make up my mind whether I like it or not. D'you like it? | 0:43:15 | 0:43:18 | |
Yes, I do like it, I do like it. | 0:43:18 | 0:43:20 | |
-I can see it in a Parisian salon in the 1900s... -Can you? | 0:43:20 | 0:43:25 | |
..with a beautiful poster or watercolour on it. | 0:43:25 | 0:43:30 | |
It's not to be used by an artist, it's for showing off paintings. | 0:43:30 | 0:43:34 | |
And look at these beautiful little Art Nouveau gilded details on it. | 0:43:34 | 0:43:39 | |
I think it's very, very sweet. | 0:43:39 | 0:43:40 | |
OK, so it's got style. It dates from an interesting period. | 0:43:40 | 0:43:44 | |
-What's it worth? -150-200? | 0:43:44 | 0:43:46 | |
Is it? £184 paid. | 0:43:46 | 0:43:48 | |
So they really pushed the boat out to get this cos they fancied it. | 0:43:48 | 0:43:53 | |
Do they need either of their bonus buys or not? I don't know. | 0:43:53 | 0:43:56 | |
Let's go and have a look at them. | 0:43:56 | 0:43:59 | |
Dennis, Victoria, this is exciting, isn't it? | 0:43:59 | 0:44:02 | |
You only gave Paul Laidlaw £1 to find the team's bonus buy, | 0:44:02 | 0:44:06 | |
so I guess you spent a pound, Paul. | 0:44:06 | 0:44:09 | |
I didn't haggle, but I did you proud. | 0:44:09 | 0:44:12 | |
Ta-dah! | 0:44:14 | 0:44:15 | |
-Ah! -That's beautiful. -I like beautiful. | 0:44:15 | 0:44:18 | |
Arts & Crafts period and aesthetic so it's 100 year old, let's say. | 0:44:18 | 0:44:24 | |
Mother of pearl and semi-precious stones but mounted on... | 0:44:24 | 0:44:28 | |
That is, albeit unmarked, | 0:44:30 | 0:44:33 | |
but undeniably gold and silver. | 0:44:33 | 0:44:36 | |
-It's absolutely phenomenal for a pound. -Yeah, it is. | 0:44:36 | 0:44:40 | |
-OK, so that, we vote, was a pound that was extremely well spent. -Yes. | 0:44:40 | 0:44:44 | |
Now, I'm going to reveal the special bonus buy now for this programme. | 0:44:44 | 0:44:48 | |
-Look at that. -A whopper. | 0:44:48 | 0:44:50 | |
Which is a solid silver ladle that I gave Paul Ladle-law, | 0:44:50 | 0:44:55 | |
a little help with this cos I found it in the fair and, erm, | 0:44:55 | 0:45:00 | |
I thought it would be fun to take to you. | 0:45:00 | 0:45:03 | |
So he invested, it's his special bonus buy cash that he | 0:45:03 | 0:45:06 | |
decided to go with this ladle, so tell us about it, Paul. | 0:45:06 | 0:45:10 | |
Early 19th century, safe at that, and, erm, the rounded, | 0:45:10 | 0:45:14 | |
almost bucket form bowl, it's idiosyncratic. | 0:45:14 | 0:45:19 | |
Marks, they are there, | 0:45:19 | 0:45:21 | |
but unfortunately they're rubbed out, they're polished out. | 0:45:21 | 0:45:24 | |
All suggests to me, | 0:45:24 | 0:45:25 | |
these idiosyncrasies suggest to me provincial, | 0:45:25 | 0:45:29 | |
or perhaps even not British. | 0:45:29 | 0:45:31 | |
-Do you like? -It's beautiful. | 0:45:31 | 0:45:32 | |
Yeah. D'you think it'll make a big difference | 0:45:32 | 0:45:34 | |
with the mark being rubbed off the back? | 0:45:34 | 0:45:36 | |
-The mark would add value. -Yeah. | 0:45:36 | 0:45:38 | |
But we don't need to worry about that | 0:45:38 | 0:45:41 | |
because I paid | 0:45:41 | 0:45:43 | |
£50 for it. | 0:45:43 | 0:45:45 | |
If you paid £120 for it under the hammer, | 0:45:45 | 0:45:48 | |
I don't think you'd be wasting your money. It's a great thing. | 0:45:48 | 0:45:52 | |
It's a very debatable and highly speculative object, | 0:45:52 | 0:45:55 | |
and he's got it, it's in the special bonus buy pot, | 0:45:55 | 0:45:59 | |
and you're going to have to decide which of the bonus buys you go with, | 0:45:59 | 0:46:03 | |
but let's check out with the auctioneer | 0:46:03 | 0:46:05 | |
what she thinks about Paul Laidlaw's bonus buys. | 0:46:05 | 0:46:08 | |
OK, Anita, this is fascinating. | 0:46:11 | 0:46:13 | |
That is the Paul Laidlaw team's bonus buy acquired for a pound. | 0:46:13 | 0:46:18 | |
-A pound! Isn't he clever? -Well, he is a genius, of course. | 0:46:18 | 0:46:22 | |
Is this a medieval thing with blister pearls or is it | 0:46:22 | 0:46:25 | |
an Arts & Crafts...? | 0:46:25 | 0:46:27 | |
I think it's turn of the century, late 19th, early 20th century. | 0:46:27 | 0:46:31 | |
I've estimated it conservatively at £25-£40. | 0:46:31 | 0:46:36 | |
Right, which is pretty good for a £1 buy, isn't it? | 0:46:36 | 0:46:39 | |
And that's my prediction. | 0:46:39 | 0:46:41 | |
That would be my personal choice out of either of the bonus buys. | 0:46:41 | 0:46:44 | |
The other bonus buy, | 0:46:44 | 0:46:45 | |
the special bonus buy, Paul invested £50 in this ladle, | 0:46:45 | 0:46:50 | |
and we had a debate as to | 0:46:50 | 0:46:52 | |
whether it was provincial or continental or whatever. | 0:46:52 | 0:46:55 | |
-What do you think, Anita? -Well, I think it's a super buy for £50. | 0:46:55 | 0:47:00 | |
When we look at this pan it's a strange shape, | 0:47:00 | 0:47:02 | |
it's like a Dutch shape almost. | 0:47:02 | 0:47:04 | |
And the buyers will see the image on our website and, er, | 0:47:04 | 0:47:08 | |
they will bid accordingly. | 0:47:08 | 0:47:10 | |
There will be someone out there who will recognise that, | 0:47:10 | 0:47:13 | |
whether it's continental or an obscure provincial maker. | 0:47:13 | 0:47:19 | |
-What's your estimate to encourage them? -60-80? -OK, £50 paid. | 0:47:19 | 0:47:23 | |
So either way that you look at it, | 0:47:23 | 0:47:25 | |
-I think Paul Laidlaw's done jolly well. -Good buys. | 0:47:25 | 0:47:28 | |
But which will the team choose? | 0:47:28 | 0:47:31 | |
Or will the team choose not to take either bonus buy? | 0:47:31 | 0:47:35 | |
-That's the question! Are you taking the stand, Anita? -I am. | 0:47:35 | 0:47:39 | |
Thank goodness for that. | 0:47:39 | 0:47:41 | |
'And remember, I won't be telling the teams which bonus buy I prefer.' | 0:47:41 | 0:47:45 | |
This is the item for you at £180. | 0:47:45 | 0:47:47 | |
Any advance on 180? | 0:47:47 | 0:47:49 | |
All done at 180, 180... | 0:47:49 | 0:47:51 | |
-OK, Double L. This is exciting, isn't it? -Yes. | 0:47:51 | 0:47:54 | |
First up is your Lorgnette. | 0:47:54 | 0:47:56 | |
Let's hope that this is going to get us in focus. | 0:47:56 | 0:47:58 | |
This item is for flirting with. | 0:47:58 | 0:48:01 | |
£100, it's from the 1920s. 80. | 0:48:03 | 0:48:07 | |
-Start me at £60. -You'll be lucky. | 0:48:07 | 0:48:10 | |
40, then. 40 bid. | 0:48:10 | 0:48:12 | |
Eduardo the flirt at £40. | 0:48:13 | 0:48:15 | |
40, 40, 50, 60. | 0:48:15 | 0:48:19 | |
-Any advance on 60? -We've pinched it. | 0:48:19 | 0:48:21 | |
You're in profit, that's perfectly all right. | 0:48:21 | 0:48:23 | |
£60, £60... | 0:48:23 | 0:48:25 | |
£60 is plus 20. I think you've done jolly well to get that, actually. | 0:48:25 | 0:48:28 | |
That's very good. Now your little Bakelite shoe horn. | 0:48:28 | 0:48:32 | |
What can we say, £50? £50 for bags of style. £50, 50. | 0:48:32 | 0:48:36 | |
-I don't think so. -You start me at £20. | 0:48:36 | 0:48:39 | |
Start me at 20. 20, 30, 40, 50. | 0:48:39 | 0:48:43 | |
There you go! | 0:48:43 | 0:48:45 | |
60. 70. | 0:48:45 | 0:48:47 | |
70 with the gentleman. | 0:48:47 | 0:48:49 | |
Any advance on 70? 80 with the lady. | 0:48:49 | 0:48:52 | |
-£80?! -Fresh bidder at 80. | 0:48:52 | 0:48:54 | |
The lady at 80. | 0:48:54 | 0:48:55 | |
-90. -It's beautiful! | 0:48:55 | 0:48:57 | |
-It's lovely. -It's plastic. | 0:48:57 | 0:49:00 | |
100 with the lady, any advance on £100? | 0:49:00 | 0:49:03 | |
-Look at that lady on the front, she's wonderful. -100. | 0:49:03 | 0:49:07 | |
£100 gives you a profit of £82. | 0:49:07 | 0:49:12 | |
-Plus 82. -That's ridiculous! -Well, thank you, even you said that! | 0:49:12 | 0:49:16 | |
OK, now, here we go, here comes the cabin trunk. | 0:49:16 | 0:49:18 | |
Can we say £200? | 0:49:18 | 0:49:20 | |
200, 150, 100. £100. | 0:49:20 | 0:49:24 | |
-£60. Any advance on 60? -Come on! -Oh, that is really cheap. | 0:49:24 | 0:49:29 | |
-70. 70 with the lady. -Come on. | 0:49:29 | 0:49:32 | |
-Any advance on 70? -It's more than that shoehorn! | 0:49:32 | 0:49:35 | |
-£70, £70. -Plus £10, which is £112. | 0:49:35 | 0:49:39 | |
-That made less than the shoehorn. -Yes, exactly. -Doesn't make sense. | 0:49:39 | 0:49:42 | |
How does the trunk make less than the shoehorn? | 0:49:42 | 0:49:45 | |
OK, girls, now, bonus buy time. Which one are you going to go for? | 0:49:45 | 0:49:48 | |
Are you going to go for the fishy box or the lovely scissors? | 0:49:48 | 0:49:52 | |
-You don't have to do anything, all right? You can stick. -Happy to bank. | 0:49:52 | 0:49:56 | |
-But d'you want to...? -Bank it. -You're going to bank it? | 0:49:56 | 0:49:58 | |
-They're going to bank the £112. -Sorry, Catherine. -That's all right. | 0:49:58 | 0:50:01 | |
You're not going with either of the bonus buys. | 0:50:01 | 0:50:03 | |
Well, we're going to sell both the bonus buys. | 0:50:03 | 0:50:06 | |
We're going to make a gift of any profit that you make | 0:50:06 | 0:50:09 | |
-on either of your bonus buys to charity. -Oh, good. That's good. | 0:50:09 | 0:50:13 | |
So, you're not going with them, but we're going to sell both of them. | 0:50:13 | 0:50:16 | |
First up is the fishy box, and here it comes. | 0:50:16 | 0:50:18 | |
Start me at £20. | 0:50:18 | 0:50:20 | |
20 bid. 20 bid. | 0:50:21 | 0:50:23 | |
Any advance on 20? | 0:50:23 | 0:50:25 | |
30. 40. 50. | 0:50:25 | 0:50:28 | |
-The lady at £50. -Look at that! | 0:50:28 | 0:50:31 | |
Any advance on £50, any advance on £50. £50. | 0:50:31 | 0:50:36 | |
£50. Plus £26 goes to charity, thank you. Lovely. | 0:50:36 | 0:50:41 | |
-What about the scissors now? -Start me at £50, 50 bid. | 0:50:41 | 0:50:45 | |
Any advance on 50? | 0:50:45 | 0:50:47 | |
60, 70, 80, 90, | 0:50:47 | 0:50:51 | |
100, 110, 120. | 0:50:51 | 0:50:55 | |
-Here we go. -£120. | 0:50:55 | 0:50:58 | |
Any advance on 120? 120... | 0:50:58 | 0:51:02 | |
Plus £70, Catherine. | 0:51:02 | 0:51:04 | |
I tell you, you've got the eye, girl. | 0:51:04 | 0:51:07 | |
£96 goes to charity but you should trust your Catherine, I tell you. | 0:51:07 | 0:51:11 | |
-I know. -I thought the fishy box was going to do best, I was wrong. | 0:51:11 | 0:51:14 | |
Now, don't say a word to the Blues, all right? | 0:51:14 | 0:51:16 | |
You'll keep quiet about this and we'll reveal all in a moment, | 0:51:16 | 0:51:19 | |
but congratulations, that's very good news. | 0:51:19 | 0:51:21 | |
Any advance on 100? | 0:51:21 | 0:51:23 | |
Any advance on £100? | 0:51:23 | 0:51:26 | |
Let's go with the bronze and cloisonne table lamp, shall we? | 0:51:31 | 0:51:35 | |
Now, I think that's a great object. You paid £80 for it. | 0:51:35 | 0:51:37 | |
Anita's put 60-80, and here it comes. | 0:51:37 | 0:51:40 | |
Can we say £150? 150. | 0:51:40 | 0:51:44 | |
100. | 0:51:44 | 0:51:45 | |
Start me at 50, 50 bid. | 0:51:45 | 0:51:48 | |
On the phone at 50. 50, 60, David. | 0:51:48 | 0:51:52 | |
There's two telephone bids! | 0:51:52 | 0:51:54 | |
-70. -Come on. -80. | 0:51:54 | 0:51:56 | |
I'll catch you all in a minute. | 0:51:56 | 0:51:58 | |
-"I'll catch you all," love that! -90. | 0:51:58 | 0:52:00 | |
90. 90 on the phone. | 0:52:00 | 0:52:03 | |
-90. 100. 110. 120. -You're in profit. | 0:52:03 | 0:52:08 | |
Two phones, 120. | 0:52:08 | 0:52:10 | |
130. | 0:52:10 | 0:52:12 | |
140. | 0:52:12 | 0:52:14 | |
150. | 0:52:14 | 0:52:15 | |
No. 150. It's with Cat on the phone at £150. | 0:52:17 | 0:52:21 | |
Any advance on 150? | 0:52:21 | 0:52:24 | |
All done at 150? 150. | 0:52:24 | 0:52:26 | |
£150 is a very acceptable plus £70. Well done, team. | 0:52:26 | 0:52:32 | |
Now, here comes the fob. | 0:52:32 | 0:52:33 | |
Can we say £50? | 0:52:33 | 0:52:36 | |
50? 40? | 0:52:36 | 0:52:38 | |
Start me at £20. £20 on the fob. | 0:52:38 | 0:52:41 | |
20, 30, 40, 50, 60. | 0:52:41 | 0:52:45 | |
60 with the lady. 70. | 0:52:45 | 0:52:47 | |
70. On the phone at 70. Any advance on £70? £70... | 0:52:48 | 0:52:54 | |
Doubled your money, plus £35, I'm loving it. | 0:52:54 | 0:52:56 | |
Plus £105 you are, you kids. Now your easel. | 0:52:56 | 0:53:00 | |
Will you start me at £100? 100? | 0:53:02 | 0:53:06 | |
The Belle Epoque easel. 100? | 0:53:06 | 0:53:09 | |
£50, then. 50 bid. 50 bid. | 0:53:09 | 0:53:11 | |
With you, sir, at 50. | 0:53:11 | 0:53:13 | |
With you, sir, at 50. | 0:53:13 | 0:53:16 | |
Any advance at...60. 70, 80. | 0:53:16 | 0:53:20 | |
Any advance on 80? | 0:53:20 | 0:53:23 | |
90. 100. | 0:53:23 | 0:53:24 | |
-No? -Long way to go. -£100... | 0:53:26 | 0:53:29 | |
-It's like extracting teeth, this. -110, he's back in. | 0:53:29 | 0:53:32 | |
-She's not finished. -With you, sir, at 110. -What a surprise. | 0:53:32 | 0:53:36 | |
Any advance...? | 0:53:36 | 0:53:38 | |
-A bit of an upset, this. -Yeah. -Any advance on 110? 110. | 0:53:38 | 0:53:44 | |
-Well, plus £31, kids. You're still in profit. -Yeah. | 0:53:44 | 0:53:48 | |
No shame with that but just disappointing on the easel. | 0:53:48 | 0:53:51 | |
Now what are we going to do about the bonus buys? | 0:53:51 | 0:53:53 | |
Let's go for Paul's pound. Paul's pound. | 0:53:53 | 0:53:56 | |
-You're going to go with Paul's £1 brooch? -Paul's punt. | 0:53:56 | 0:53:59 | |
Yes, Paul's punt. | 0:53:59 | 0:54:01 | |
Now that you've made that decision I can tell you that the | 0:54:01 | 0:54:04 | |
auctioneer's estimate, Anita thinks 25-40 on Paul's punt at least, | 0:54:04 | 0:54:08 | |
whereas the silver ladle, her estimate is £60-£80. | 0:54:08 | 0:54:13 | |
Whatever the ladle makes, as you've rejected it, | 0:54:13 | 0:54:16 | |
will be sold and we'll give it to charity. So, erm... | 0:54:16 | 0:54:18 | |
-Win-win. -Should be a win-win. | 0:54:18 | 0:54:21 | |
OK, first up, then, is Paul's punt, the little brooch, | 0:54:21 | 0:54:25 | |
and you've gone with this. This is your bonus buy and here it comes. | 0:54:25 | 0:54:28 | |
Start me at £20. 20 bid, 20 bid. | 0:54:28 | 0:54:31 | |
20 bid for the Arts & Crafts brooch, | 0:54:31 | 0:54:33 | |
20, 30, 40, 50, 60. £60. | 0:54:33 | 0:54:38 | |
70, fresh bidder. 80. 90. | 0:54:38 | 0:54:42 | |
-With the lady at £90. -Look at this for a pound, lad! | 0:54:42 | 0:54:45 | |
I'm going to have to kiss him. | 0:54:45 | 0:54:47 | |
All done at £90? £90... | 0:54:47 | 0:54:49 | |
Yes! That is so good. | 0:54:49 | 0:54:51 | |
£90, woo-hoo! £90. | 0:54:51 | 0:54:55 | |
THEY LAUGH | 0:54:55 | 0:54:57 | |
Was it worth it for a profit of £89? | 0:54:58 | 0:55:02 | |
Well done! | 0:55:02 | 0:55:03 | |
Anyway, you didn't go with my ladle, | 0:55:03 | 0:55:06 | |
so we're going to sell my ladle for charity now. Let's see what happens. | 0:55:06 | 0:55:09 | |
Can we say 200, 150, £100? | 0:55:09 | 0:55:13 | |
£50, then. £50. | 0:55:13 | 0:55:17 | |
50 bid. 50 bid. | 0:55:17 | 0:55:19 | |
With you, sir, at 50. 60. | 0:55:19 | 0:55:21 | |
70, 80. | 0:55:23 | 0:55:24 | |
90. 100. | 0:55:25 | 0:55:28 | |
£100. | 0:55:28 | 0:55:30 | |
No, I think that's it. | 0:55:30 | 0:55:31 | |
All done at 100, 100... | 0:55:31 | 0:55:33 | |
That's it, the market has decided. | 0:55:34 | 0:55:36 | |
£100 is plus £50, | 0:55:36 | 0:55:39 | |
but our wager was that the object that would bring the biggest profit | 0:55:39 | 0:55:43 | |
was the brooch, and it jolly well was, | 0:55:43 | 0:55:45 | |
so you made the right pick there. | 0:55:45 | 0:55:47 | |
Anyway, a profit of £50 for charity which is very nice too. | 0:55:47 | 0:55:50 | |
Overall, then, in summary, you are plus £120, | 0:55:50 | 0:55:56 | |
which is very fair, plus 120 is your overall score. | 0:55:56 | 0:56:00 | |
Is that a winning score? | 0:56:00 | 0:56:02 | |
Well, don't say a word to the Reds | 0:56:02 | 0:56:04 | |
and all will be revealed in a moment, all right? | 0:56:04 | 0:56:06 | |
-OK. -Thank you very much. | 0:56:06 | 0:56:08 | |
-Well, well, well, what a day! You been chatting, you lot? -No. -No. -No. | 0:56:16 | 0:56:20 | |
Well, it's no secret that you're all in profit | 0:56:20 | 0:56:22 | |
so that's very nice, isn't it? | 0:56:22 | 0:56:24 | |
But I have to reveal there is only £8 between the winners today | 0:56:24 | 0:56:30 | |
and the runners up. One team, however, | 0:56:30 | 0:56:32 | |
has managed to make a profit on each of its lots | 0:56:32 | 0:56:36 | |
and therefore are entitled to the ancient and noble order | 0:56:36 | 0:56:39 | |
of the Golden Gavel, and that is the Reds. | 0:56:39 | 0:56:41 | |
THEY CHEER | 0:56:41 | 0:56:43 | |
So, come on, Reds, and wear it with pride. | 0:56:43 | 0:56:46 | |
Because it is an achievement to make a profit on each of your items. | 0:56:46 | 0:56:51 | |
But that achievement was not sufficient for you... | 0:56:51 | 0:56:53 | |
Ye-e-e-e-es! | 0:56:53 | 0:56:56 | |
..to win the day today. | 0:56:56 | 0:56:58 | |
Settle down, Dennis, because marginally, by £8, | 0:56:58 | 0:57:01 | |
the Blues are ahead. | 0:57:01 | 0:57:03 | |
The Blues scored £120 of profits, | 0:57:03 | 0:57:06 | |
and the Reds scored £112 of profits. | 0:57:06 | 0:57:09 | |
When it comes to the bonus buys, Catherine, | 0:57:09 | 0:57:11 | |
you've done incredibly well. | 0:57:11 | 0:57:13 | |
You scored 96, even though the girls didn't go with it, so there you go. | 0:57:13 | 0:57:17 | |
Those are your £112, congratulations. | 0:57:17 | 0:57:20 | |
And I'm lobbing out £120 here. | 0:57:20 | 0:57:23 | |
Well done, Vicky. There you go, £120. | 0:57:23 | 0:57:25 | |
You trusted your expert, you went with his £1 purchase. | 0:57:25 | 0:57:29 | |
This genius spends a pound on a brooch and he sells it for £90, | 0:57:29 | 0:57:35 | |
so £90 means that you've got a bonus buy total of £89. | 0:57:35 | 0:57:42 | |
Came and topped up your otherwise not particularly dazzling total, | 0:57:42 | 0:57:45 | |
which took you to 120, which makes you the victors. | 0:57:45 | 0:57:48 | |
So it's a lovely kind of turnaround in it all. | 0:57:48 | 0:57:50 | |
And the total charity contribution out of today's show, out of these | 0:57:50 | 0:57:55 | |
bonus buys, thanks to the experts, is £146, which is pretty darn good. | 0:57:55 | 0:58:00 | |
In fact, the whole thing has been pretty darn good, | 0:58:00 | 0:58:03 | |
and you should join us soon for some more bargain hunting, yes? | 0:58:03 | 0:58:06 | |
ALL: Yes! | 0:58:06 | 0:58:07 |