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Today, the show starts in the town of Congleton, in Cheshire. | 0:00:04 | 0:00:07 | |
In the 18th century, Congleton became an important centre | 0:00:09 | 0:00:12 | |
for the textile industry, | 0:00:12 | 0:00:14 | |
especially for leather and lace production. | 0:00:14 | 0:00:17 | |
Many of the mill buildings are still standing | 0:00:19 | 0:00:22 | |
but are now used for different purposes. | 0:00:22 | 0:00:25 | |
Today, we've got a 60-minute programme for you | 0:00:25 | 0:00:28 | |
so let's go bargain-hunting. Yeah! | 0:00:28 | 0:00:31 | |
Today, we've made a slight change to the rules | 0:00:59 | 0:01:02 | |
and the experts are being required to find not one | 0:01:02 | 0:01:05 | |
but two bonus buys, | 0:01:05 | 0:01:07 | |
and I'll then tell them which one I think is going to do best. | 0:01:07 | 0:01:11 | |
But what will happen? | 0:01:11 | 0:01:13 | |
We'll find out in a moment but right now, | 0:01:13 | 0:01:15 | |
let's take a shufty at what's coming up. | 0:01:15 | 0:01:19 | |
On today's show, the HARDY Reds are making a good impression. | 0:01:19 | 0:01:23 | |
AS OLIVER HARDY: Stanley, that's another fine mess you got me into. | 0:01:23 | 0:01:27 | |
And the Blues are buzzing with excitement. | 0:01:27 | 0:01:31 | |
-Are we both done? -Yeah, we are. -Well done. | 0:01:31 | 0:01:33 | |
Still leave you some money. | 0:01:33 | 0:01:35 | |
Let's meet the teams. | 0:01:35 | 0:01:37 | |
Well, on today's show, we've got a distinctly nautical theme | 0:01:37 | 0:01:41 | |
with teams of chums from the Royal Navy. | 0:01:41 | 0:01:44 | |
For the Reds, we've got Dave and Bill, | 0:01:44 | 0:01:48 | |
-and for the Blues, Sterling and Fred. Hello, everyone. -ALL: Hello. | 0:01:48 | 0:01:51 | |
Lovely to see you. | 0:01:51 | 0:01:53 | |
Now, Dave, it says that you joined the Navy to escape. | 0:01:53 | 0:01:56 | |
I'm the oldest of ten kids | 0:01:56 | 0:01:59 | |
and after me came eight girls. | 0:01:59 | 0:02:01 | |
Oh, no. | 0:02:01 | 0:02:03 | |
I quite understand. | 0:02:03 | 0:02:05 | |
-So you got to 16 and you couldn't be out of there fast enough! -Yes. | 0:02:05 | 0:02:09 | |
-I joined up. -And did you see the world? | 0:02:09 | 0:02:11 | |
-I'd seen pretty much every part of it, yeah. -Hmm. | 0:02:11 | 0:02:15 | |
And what was your job? What ships were you on? | 0:02:15 | 0:02:17 | |
-I was engine room. I was commonly known as a stoker. -Yeah. | 0:02:17 | 0:02:22 | |
And I suppose... I was on carriers... | 0:02:22 | 0:02:26 | |
mostly. I joined Ark Royal September '61 | 0:02:26 | 0:02:31 | |
and left her in June, July '66, just after the World Cup. | 0:02:31 | 0:02:36 | |
Very interesting. What do you get up to now? | 0:02:36 | 0:02:39 | |
I work part time now. | 0:02:39 | 0:02:41 | |
I work with people with learning disabilities, | 0:02:41 | 0:02:44 | |
and the rest of the time I indulge myself with these chaps. | 0:02:44 | 0:02:48 | |
We entertain other branches of the Royal Naval Association | 0:02:48 | 0:02:52 | |
-with our SODS Opera. -So what would SODS Opera be, then? | 0:02:52 | 0:02:56 | |
-Well, SODS is Ships Own Dramatic Society. -Ah! | 0:02:56 | 0:03:01 | |
And you're all a lot of old sods, is that right? Lovely. | 0:03:01 | 0:03:05 | |
And so, do you play, sing, do all that kind of stuff? | 0:03:05 | 0:03:07 | |
-We do all that. -Really? -Dressed up, dressed down. | 0:03:07 | 0:03:11 | |
-So, Bill, what was your job in the Navy? -I became a radar operator. | 0:03:11 | 0:03:15 | |
You were in Japan for the Korean War? | 0:03:15 | 0:03:18 | |
Just at the end, at the peace negotiations. | 0:03:18 | 0:03:21 | |
And you were doing all that evacuation stuff? | 0:03:21 | 0:03:24 | |
That was in French Indochina, which became Vietnam, as you know. | 0:03:24 | 0:03:29 | |
-You've also been in the Old Bill, haven't you, Bill? -Yes. 30 years. | 0:03:29 | 0:03:32 | |
How lovely. | 0:03:32 | 0:03:34 | |
-Did you enjoy that? -Marvellous. Loved every minute. | 0:03:34 | 0:03:36 | |
Which is better, the RN or the Old Bill? | 0:03:36 | 0:03:40 | |
I've got good friends in both so I'm saying nothing. | 0:03:40 | 0:03:43 | |
-Anyway, have a great time. -We will. -Hope you enjoy it. | 0:03:43 | 0:03:47 | |
Now, Sterling, what's a cabbage mechanic and a greenie, then? | 0:03:47 | 0:03:52 | |
There's branches in the Navy, different branches, | 0:03:52 | 0:03:55 | |
-and we all do different jobs. -Yes. | 0:03:55 | 0:03:57 | |
So we have to have different names for different branches. | 0:03:57 | 0:04:00 | |
-"Cabbage mechanic" is a cook. -Ah, yes. | 0:04:00 | 0:04:03 | |
Now, "a greenie" is an electrician, | 0:04:03 | 0:04:06 | |
but that comes from, years ago, the officers in the Royal Navy, | 0:04:06 | 0:04:09 | |
between their gold rings, used to wear a colour, | 0:04:09 | 0:04:13 | |
and the colour that electrical officers used to wear was green. | 0:04:13 | 0:04:16 | |
-Green for earth! -So green - greenie. | 0:04:16 | 0:04:18 | |
-You'd be in the cookery department? -Yes. -Lot of fish and chips, I bet? | 0:04:18 | 0:04:22 | |
Only on Friday. | 0:04:22 | 0:04:24 | |
-Chips every day. -Chips every day. -But fish on a Friday. | 0:04:24 | 0:04:27 | |
-But you did that on the surface and under the water. -Yes. | 0:04:27 | 0:04:31 | |
Did you ever have a problem spending all those weeks under the water? | 0:04:31 | 0:04:34 | |
-Not really, no. You work, you sleep, you work, you sleep. -Yeah. | 0:04:34 | 0:04:38 | |
Now, so, Freddo, you were the electrician, you were the sparks. | 0:04:38 | 0:04:42 | |
Tell us what you got up to. | 0:04:42 | 0:04:44 | |
My primary role on board a ship was what they call light electrics, | 0:04:44 | 0:04:47 | |
which we looked after within the main ship - lighting, | 0:04:47 | 0:04:52 | |
communication systems - but also weapons systems. | 0:04:52 | 0:04:55 | |
What have you got up to apart from being in the RN? | 0:04:55 | 0:04:58 | |
When I left the Navy, I got a job in a prison, | 0:04:58 | 0:05:02 | |
made my way up to a manager | 0:05:02 | 0:05:04 | |
-and today is my first day as a retired man. -No! Well done. | 0:05:04 | 0:05:08 | |
Your first day of retirement today. | 0:05:08 | 0:05:10 | |
-And you've come out bargain-hunting? -Yes. | 0:05:10 | 0:05:13 | |
You've made the right decision there! | 0:05:13 | 0:05:16 | |
Cos the first thing is, you pick up £300 to go out there and shop. | 0:05:16 | 0:05:19 | |
Go forth and multiply. You know the rules. | 0:05:19 | 0:05:22 | |
Your experts await, and off you go! Very, very good luck. | 0:05:22 | 0:05:26 | |
Our gallant Navy lads venture off on their shopping voyage. | 0:05:26 | 0:05:29 | |
Only two people can try and navigate our teams to victory. | 0:05:29 | 0:05:33 | |
A big fan of a profit or two, it's Jonathan Pratt. | 0:05:33 | 0:05:37 | |
And hoping not to hit a bum note today is David Harper. | 0:05:37 | 0:05:42 | |
Don't forget, the experts will be really up against it today | 0:05:44 | 0:05:47 | |
as they will each have to find two bonus buys, | 0:05:47 | 0:05:50 | |
and I'll be telling them, but not the contestants, | 0:05:50 | 0:05:53 | |
which one I think will make the most profit at auction. | 0:05:53 | 0:05:56 | |
Anchors away, let's crack on with the day. | 0:05:56 | 0:06:00 | |
That is the in between one. | 0:06:00 | 0:06:02 | |
MUSIC: "In The Navy" by Village People | 0:06:02 | 0:06:05 | |
Come on, guys, welcome to my world. | 0:06:12 | 0:06:14 | |
Look at this. Exciting, or what? | 0:06:14 | 0:06:16 | |
-Superb, isn't it? -Aladdin's cave. -It's a bit daunting, isn't it? | 0:06:16 | 0:06:21 | |
-What will we be looking for, Fred? -I like plates, | 0:06:21 | 0:06:24 | |
brass, things like that. | 0:06:24 | 0:06:26 | |
Memorabilia. | 0:06:26 | 0:06:28 | |
-OK. What kind of memorabilia? -Military. Naval, especially. | 0:06:28 | 0:06:32 | |
Of course. Couple of ex-Navy men. | 0:06:32 | 0:06:34 | |
Here we are. What are you going to look for today? | 0:06:34 | 0:06:37 | |
Anything with a military-type... | 0:06:37 | 0:06:41 | |
Eastern-type, nautical. | 0:06:41 | 0:06:43 | |
-Nautical, Eastern, military. -Anything with an Eastern touch. | 0:06:43 | 0:06:46 | |
-Silver? -Yes. | 0:06:46 | 0:06:48 | |
-Anything to do with the drinking trade. -Right. Beer? | 0:06:48 | 0:06:51 | |
-Do you like a bit of beer? -I like a drop of beer. And rum, of course. | 0:06:51 | 0:06:54 | |
Of course! This is going to be an exciting journey. | 0:06:54 | 0:06:57 | |
Right, we have 60 minutes, real sharp timing, | 0:06:57 | 0:07:00 | |
-are you ready for it? -We are. -We are. -Come on, guys. | 0:07:00 | 0:07:03 | |
Let's start in here. | 0:07:03 | 0:07:05 | |
There's lots of that sort of stuff here. | 0:07:05 | 0:07:08 | |
-Let's go and have a look. -Let's have a look. | 0:07:08 | 0:07:11 | |
-That's something to do with the drinking trade. -Let's have a look. | 0:07:16 | 0:07:19 | |
-Who on earth is going to buy that, Sterling? -Um...yeah. | 0:07:19 | 0:07:22 | |
I don't really know. I thought it'd be interesting, but maybe not! | 0:07:22 | 0:07:26 | |
More sobering thoughts over with the Reds. | 0:07:29 | 0:07:32 | |
A tea caddy. George II. | 0:07:32 | 0:07:34 | |
This is a very traditional caddy shape. | 0:07:34 | 0:07:36 | |
You could say it's George III. It's about 1750, 1760. | 0:07:36 | 0:07:39 | |
It's on the cusp of the two reigns. | 0:07:39 | 0:07:42 | |
Made of mahogany, lovely grain in it. | 0:07:42 | 0:07:45 | |
It's never going to run away because there's not enough buyers at auction | 0:07:45 | 0:07:49 | |
for these sorts of things. They have a set price and that's that. | 0:07:49 | 0:07:52 | |
You buy it at a discounted price, that's what they paid at auction, | 0:07:52 | 0:07:56 | |
-you're not going to make a profit. -Right. -It's a nice object. | 0:07:56 | 0:07:59 | |
It's lasted 250 years and will probably last another 250 years, | 0:07:59 | 0:08:04 | |
but it's not going to make us a profit. | 0:08:04 | 0:08:07 | |
Some good advice there, JP. | 0:08:07 | 0:08:08 | |
You sure have a wise head on young shoulders. | 0:08:08 | 0:08:12 | |
Aye-aye! The Blues have taken a shine to something. | 0:08:12 | 0:08:15 | |
What do you like about it? | 0:08:15 | 0:08:17 | |
The whole shape of it, the design, it's a bit unusual. | 0:08:17 | 0:08:20 | |
-I haven't seen anything like it before. -OK. | 0:08:20 | 0:08:23 | |
It's Doulton Lambeth. It's fascinating company, this, | 0:08:23 | 0:08:26 | |
because there you have an Art Nouveau high-quality | 0:08:26 | 0:08:29 | |
nicely glazed pot, but at the very same time they were making this, | 0:08:29 | 0:08:34 | |
they were producing downpipes for gutters, sewage pipes, the lot. | 0:08:34 | 0:08:38 | |
Brilliant company. | 0:08:38 | 0:08:40 | |
So on the base - "Doulton". Marked "England", | 0:08:40 | 0:08:44 | |
so that means it's after 1891, | 0:08:44 | 0:08:46 | |
and heading towards the First World War, | 0:08:46 | 0:08:49 | |
so that will date it to about 1905, 1910. | 0:08:49 | 0:08:52 | |
So what was before 1891, then? What did they put on them? | 0:08:52 | 0:08:55 | |
Absolutely nothing. | 0:08:55 | 0:08:57 | |
"Doulton" but no country of origin. | 0:08:57 | 0:08:59 | |
That is introduced in 1891, that's it. | 0:08:59 | 0:09:03 | |
Beautifully marked. Now, where's the problem? | 0:09:03 | 0:09:06 | |
-Should be two of them? -Yes. There should be two of them. | 0:09:06 | 0:09:10 | |
Sterling work, Sterling! | 0:09:10 | 0:09:13 | |
Now, the decoration is good as well, | 0:09:13 | 0:09:15 | |
because can you see how you've got all this impressed decoration? | 0:09:15 | 0:09:18 | |
-Any idea how they do that? -Build it up with enamel? | 0:09:18 | 0:09:21 | |
No, it's much simpler. When the clay is wet, | 0:09:21 | 0:09:23 | |
they get...basically like a doily, a bit of linen | 0:09:23 | 0:09:26 | |
with a design in it and do this, and press it. | 0:09:26 | 0:09:30 | |
That gets that decoration and they paint it later. | 0:09:30 | 0:09:33 | |
So a really good pot. Very stylish. | 0:09:33 | 0:09:35 | |
So, whilst the Blues ponder the pot, | 0:09:35 | 0:09:37 | |
the Reds had their expert on his knees. | 0:09:37 | 0:09:40 | |
Scrubbing the decks, eh, JP? | 0:09:40 | 0:09:43 | |
You don't really often look down the bottom, do you? | 0:09:44 | 0:09:48 | |
Oh, looks like they're getting a price. | 0:09:48 | 0:09:50 | |
And she's going to be kind. | 0:09:50 | 0:09:53 | |
-How kind do you want me to be? -About 50 quid's worth. | 0:09:53 | 0:09:55 | |
-I think I'd have to phone the dealer for that? -Would you? -Yeah. | 0:09:55 | 0:09:59 | |
Would you mind? Make a quick phone call? | 0:09:59 | 0:10:03 | |
You said it should be one of a pair. | 0:10:03 | 0:10:05 | |
On its own, in the right surrounding, | 0:10:05 | 0:10:07 | |
it'd look absolutely superb. | 0:10:07 | 0:10:10 | |
Given the right lights, decoration around it, it'd be excellent. | 0:10:10 | 0:10:13 | |
Hmm. | 0:10:13 | 0:10:15 | |
-Good news. -Good news? | 0:10:15 | 0:10:16 | |
-£50. -Right. -That's amazing, that. | 0:10:16 | 0:10:19 | |
-I'm made up. -Good. -Marvellous. | 0:10:19 | 0:10:21 | |
Thank you very much. | 0:10:21 | 0:10:22 | |
Good work, Blues. | 0:10:22 | 0:10:24 | |
First buy in the bag. | 0:10:24 | 0:10:26 | |
Are they...? | 0:10:32 | 0:10:34 | |
They are silver. They're 1918 silver. | 0:10:34 | 0:10:37 | |
They do sell because people put them on the dining table and use them, | 0:10:37 | 0:10:41 | |
but, generally speaking, the way to value them is take the glass out, | 0:10:41 | 0:10:45 | |
pop them on the scales. | 0:10:45 | 0:10:47 | |
They're worth a bit more than the silver value. | 0:10:47 | 0:10:49 | |
Again, you need Victorian, different shapes. | 0:10:49 | 0:10:52 | |
It's the right sort of thing. They will sell at auction, | 0:10:52 | 0:10:55 | |
but you'll be struggling to make profits. | 0:10:55 | 0:10:57 | |
Are you liking something there? | 0:10:57 | 0:11:00 | |
I'm just looking at this writing desk. | 0:11:00 | 0:11:02 | |
-It's still got the original leather top. -Yeah. Let's have a look. | 0:11:02 | 0:11:06 | |
OK. | 0:11:08 | 0:11:10 | |
Let's have a look. What are you thinking? | 0:11:10 | 0:11:12 | |
See how it's made. It's got dovetail joints | 0:11:12 | 0:11:15 | |
and it's not mass produced, I wouldn't have thought. | 0:11:15 | 0:11:19 | |
But there's a dovetail joint and a dovetail joint. | 0:11:19 | 0:11:22 | |
A little tell-tale sign for a hand-cut dovetail | 0:11:22 | 0:11:25 | |
would be a little scribe mark | 0:11:25 | 0:11:28 | |
where the cabinet-maker has measured, and he's literally | 0:11:28 | 0:11:30 | |
drawn a pencil mark or a slight cut | 0:11:30 | 0:11:33 | |
and then he's cut his dovetails by hand to that mark. | 0:11:33 | 0:11:36 | |
There's no scribe mark at all, so that's a machine-made piece. | 0:11:36 | 0:11:40 | |
So the piece of furniture pretending to be made in 1790, | 0:11:40 | 0:11:44 | |
that has never seen 1790, | 0:11:44 | 0:11:47 | |
and it probably hasn't seen much before 1970. | 0:11:47 | 0:11:51 | |
So it's a repro. | 0:11:51 | 0:11:53 | |
-It's not going to make any money. -No. | 0:11:53 | 0:11:56 | |
Gosh. There's an old canvas-covered shell case here, look, | 0:11:59 | 0:12:04 | |
with a coat of arms on. | 0:12:04 | 0:12:06 | |
-Oh, yes. -They often get used as stick stands. | 0:12:06 | 0:12:09 | |
I mean, it's original. It comes at... | 0:12:09 | 0:12:12 | |
Obviously, it comes at a price. | 0:12:12 | 0:12:15 | |
£160. | 0:12:15 | 0:12:18 | |
That's full price. | 0:12:18 | 0:12:20 | |
Yeah. | 0:12:20 | 0:12:22 | |
But it's a nice object and people will buy these. | 0:12:22 | 0:12:26 | |
Put them in the front hall and have a few sticks by the door. | 0:12:26 | 0:12:30 | |
I'll just go and see the dealer | 0:12:30 | 0:12:32 | |
-and see if we can come to some arrangement. -Why not? | 0:12:32 | 0:12:35 | |
Do your best, Bill. | 0:12:35 | 0:12:37 | |
You don't want this backfiring. | 0:12:37 | 0:12:39 | |
Meanwhile, in the Blue camp, confidence is riding high. | 0:12:39 | 0:12:42 | |
-I've got this thing inside... -Yeah? | 0:12:42 | 0:12:44 | |
I want to keep going and buy more. | 0:12:44 | 0:12:46 | |
-It's a bit of a buzz, isn't it? -It is. | 0:12:46 | 0:12:49 | |
-Have you bought antiques before? -Not really. Been round the odd market | 0:12:49 | 0:12:52 | |
but nothing like this. | 0:12:52 | 0:12:54 | |
Jonathan, I've just spoken to the dealer | 0:12:57 | 0:13:00 | |
-and she's said we can have it for 128. -Excellent. | 0:13:00 | 0:13:04 | |
-Have you shaken her hand? -I've shaken her hand. -Job done. | 0:13:04 | 0:13:07 | |
First purchase. Nice military object. Well done, gents. | 0:13:07 | 0:13:10 | |
From one boy to another. | 0:13:10 | 0:13:12 | |
Buy number one, locked and loaded for the Reds. | 0:13:12 | 0:13:16 | |
-Can we have a look at that mirror? -Absolutely. | 0:13:22 | 0:13:24 | |
OK, lovely. Thank you. | 0:13:30 | 0:13:32 | |
Now, then, chaps, what do we think about that? Does it get you? | 0:13:32 | 0:13:35 | |
-What attracted you to it? -I liked the fretwork, | 0:13:35 | 0:13:39 | |
the detail, | 0:13:39 | 0:13:41 | |
the fact that it is made from mahogany. | 0:13:41 | 0:13:44 | |
I love the bevelled mirror. | 0:13:44 | 0:13:46 | |
-Carol, do you love that? -DEALER: It's beautiful. | 0:13:46 | 0:13:49 | |
It is stunning. The shape of that glass, | 0:13:49 | 0:13:52 | |
and that's hand bevelled, | 0:13:52 | 0:13:53 | |
so it'll be original to the frame itself. | 0:13:53 | 0:13:56 | |
Date-wise, probably circa 1900, | 0:13:56 | 0:13:59 | |
-something like that. -DEALER: I think so. Before the turn of the century. | 0:13:59 | 0:14:02 | |
On the top, you've got a queen's crown. | 0:14:02 | 0:14:05 | |
The king's crown goes up, like that, | 0:14:05 | 0:14:07 | |
the queen's crown goes down, like a heart. | 0:14:07 | 0:14:10 | |
-That's the shape there. -It's got to be pre-1901. | 0:14:10 | 0:14:13 | |
Top of the class, chaps. | 0:14:13 | 0:14:15 | |
-It's celebrating Queen Victoria, isn't it? -Yes. | 0:14:15 | 0:14:18 | |
Which could mean it's 1897, the 60th anniversary of Queen Victoria | 0:14:18 | 0:14:21 | |
on the throne, and of course the one before that was 1887, | 0:14:21 | 0:14:25 | |
the big 50 years. | 0:14:25 | 0:14:26 | |
-I'm handing it to you. You tell me what you think. -Thank you. | 0:14:26 | 0:14:29 | |
He's bound to tell us something else we don't know. | 0:14:29 | 0:14:32 | |
There is a little bit of damage. There's a piece missing. | 0:14:32 | 0:14:35 | |
There's a little crack there. | 0:14:35 | 0:14:38 | |
-I think we can live with that. -And there. | 0:14:38 | 0:14:40 | |
It's nothing... It's what it is, isn't it? | 0:14:40 | 0:14:42 | |
-The fact that it is 114, 115 years old... -Yeah, yeah. | 0:14:42 | 0:14:46 | |
And it does look superb. | 0:14:46 | 0:14:49 | |
-What do you think? What could it be? -I think there's a £40 price tag on it. | 0:14:49 | 0:14:52 | |
There is, yes. | 0:14:52 | 0:14:54 | |
- How does 30 sound? - 25 sounds a lot, lot better! | 0:14:54 | 0:14:58 | |
Does 25 sound better? I think I could do 25. | 0:14:58 | 0:15:01 | |
Dear, dear me. I love you! | 0:15:01 | 0:15:04 | |
LAUGHTER | 0:15:04 | 0:15:05 | |
-I'm happy with that. -Are you? How are you feeling now? | 0:15:05 | 0:15:08 | |
You've done another deal. | 0:15:08 | 0:15:10 | |
If someone said to me on Friday I'd be feeling like this today... | 0:15:10 | 0:15:12 | |
On your first day of retirement you should be feeling miserable, | 0:15:12 | 0:15:15 | |
effectively, and yet I'm having the best buzz I've had for years! | 0:15:15 | 0:15:18 | |
Oh, marvellous. That is absolute music to my ears. Thank you again. | 0:15:18 | 0:15:21 | |
That is fantastic. | 0:15:21 | 0:15:23 | |
On that happy note it is a good time for me | 0:15:23 | 0:15:25 | |
to reflect on the need for a little bit of security. | 0:15:25 | 0:15:28 | |
Now, I want you to think miniature. | 0:15:34 | 0:15:36 | |
Are you thinking miniature? How miniature? | 0:15:36 | 0:15:39 | |
Are you thinking that small? | 0:15:39 | 0:15:41 | |
Padlocks? Lockable devices of all sorts are collectable. | 0:15:41 | 0:15:46 | |
That little brass fellow, | 0:15:46 | 0:15:48 | |
I guess, probably dates from about 1850 or so. | 0:15:48 | 0:15:53 | |
Two brass plates supported on pillars | 0:15:53 | 0:15:57 | |
and then we've got a later key, | 0:15:57 | 0:15:59 | |
and if I shnick it like that, turn the key, | 0:15:59 | 0:16:02 | |
it does still actually work. | 0:16:02 | 0:16:06 | |
What might that little padlock have been used for? | 0:16:06 | 0:16:09 | |
Well, you could use it to secure a little tuck box. | 0:16:09 | 0:16:14 | |
You could use it on a spirit tantalus to stop the servants | 0:16:14 | 0:16:19 | |
nicking the whisky. | 0:16:19 | 0:16:20 | |
And who knows? A little jewellery box. | 0:16:20 | 0:16:23 | |
Something that is not going to require a great deal of security | 0:16:23 | 0:16:26 | |
because it wouldn't be that difficult to break, | 0:16:26 | 0:16:29 | |
but just something that you'd know that nobody had tampered with. | 0:16:29 | 0:16:34 | |
But the most desirable is, of course, the smallest one, | 0:16:34 | 0:16:37 | |
which is made of polished nickel. | 0:16:37 | 0:16:40 | |
Two nickel plates, and there are seven posts supporting those plates. | 0:16:40 | 0:16:46 | |
And to make that in miniature | 0:16:46 | 0:16:48 | |
is nothing more than a little tour de force. | 0:16:48 | 0:16:52 | |
The hasp is made of steel and I can shnick it closed like that, | 0:16:52 | 0:16:57 | |
and then the greatest miracle of all is that the original steel key | 0:16:57 | 0:17:01 | |
is intact and with the padlock. | 0:17:01 | 0:17:04 | |
And it, too, works. | 0:17:04 | 0:17:07 | |
Now, what might you use such a tiny little padlock for? | 0:17:08 | 0:17:12 | |
Well, if you'd been presented with a diary, | 0:17:12 | 0:17:16 | |
and in that all your secret, innermost girly thoughts had been contained, | 0:17:16 | 0:17:22 | |
you certainly wouldn't want any grown-up coming along | 0:17:22 | 0:17:26 | |
and meandering around in that lot. | 0:17:26 | 0:17:28 | |
So, a miniature padlock to secure those loving memories. | 0:17:28 | 0:17:32 | |
As a result of this being in good condition, | 0:17:32 | 0:17:36 | |
dating from the early part of the 19th century, | 0:17:36 | 0:17:38 | |
complete with its original key, | 0:17:38 | 0:17:41 | |
makes this little honey worth the top end of £150. | 0:17:41 | 0:17:45 | |
What might they cost you? | 0:17:45 | 0:17:47 | |
In a place like this, £15-£20 apiece. | 0:17:47 | 0:17:50 | |
Does that make you feel secure? I hope it does. | 0:17:50 | 0:17:53 | |
It's back to the wheeling and dealing. | 0:18:03 | 0:18:05 | |
Talking about things that are odd, and I've never seen before, | 0:18:05 | 0:18:09 | |
here's something that is odd and I've never seen before. | 0:18:09 | 0:18:12 | |
So, first of all, what do you think it is? | 0:18:12 | 0:18:14 | |
-It's a chair. -Blimey, you're on a roll today(!) | 0:18:14 | 0:18:17 | |
-It's got two backs. -It's got two backs. | 0:18:17 | 0:18:20 | |
I'm going to come to that in a minute. That's the usual bit. | 0:18:20 | 0:18:22 | |
So, it's a chair. | 0:18:22 | 0:18:24 | |
It's absolutely High Victorian, made from solid mahogany | 0:18:24 | 0:18:28 | |
with its original brass castors with brown porcelain feet. | 0:18:28 | 0:18:31 | |
Flat front, very slight bow to it. | 0:18:31 | 0:18:35 | |
Has it got the original leather on it or has it been reupholstered? | 0:18:35 | 0:18:38 | |
It's positively been reupholstered. | 0:18:38 | 0:18:40 | |
Because that is not leather. It's something that is called Rexine. | 0:18:40 | 0:18:44 | |
But this is the first version of leatherette, | 0:18:44 | 0:18:47 | |
so dating to about 1870. | 0:18:47 | 0:18:49 | |
But what is super-unusual, and you picked up on it, is that. | 0:18:49 | 0:18:53 | |
What on earth is going on there? Never seen it before. | 0:18:53 | 0:18:57 | |
So what's the purpose? | 0:18:57 | 0:18:59 | |
It could be for sitting at a table | 0:18:59 | 0:19:01 | |
and you've got someone who's like a child or something like that, | 0:19:01 | 0:19:03 | |
if you put it there... | 0:19:03 | 0:19:05 | |
Let's demonstrate, Fred. You sit in now, tell me how that feels. | 0:19:05 | 0:19:08 | |
Lean back. | 0:19:09 | 0:19:11 | |
-It works. -Yes, it does. | 0:19:11 | 0:19:13 | |
-Does it have a lean to it? -Yes. | 0:19:13 | 0:19:15 | |
It supports the bottom of the lumbar region nicely. | 0:19:15 | 0:19:18 | |
It's like an original...one of those lumbar seats, | 0:19:18 | 0:19:21 | |
you know, what you can buy, that's got the bit... | 0:19:21 | 0:19:23 | |
Or you can actually buy them, can't you? | 0:19:23 | 0:19:25 | |
-You can buy them to fit into the back of your chair. -Yes. | 0:19:25 | 0:19:28 | |
Got like a lumbar... In your car, or on your desk chair. | 0:19:28 | 0:19:32 | |
-OK. -It can actually fit in. | 0:19:32 | 0:19:34 | |
Let me just... Let me just try this. The first time ever, a chair like this. | 0:19:34 | 0:19:39 | |
Oh, my gosh. Actually, that is fantastic. | 0:19:39 | 0:19:42 | |
It's almost like a recliner in, effectively, a dining chair. | 0:19:42 | 0:19:46 | |
-But it fits your back as you move. -It fits your back as you move. | 0:19:46 | 0:19:49 | |
Do you know what, I've absolutely no idea what it's worth. | 0:19:49 | 0:19:53 | |
Haven't... Oh, my gosh. | 0:19:53 | 0:19:54 | |
Johnstone & Jeanes, New Bond Street, London. Right, OK. | 0:19:54 | 0:19:58 | |
It is incredibly rare for any British piece of furniture | 0:19:58 | 0:20:03 | |
to be marked by its cabinet-maker. | 0:20:03 | 0:20:06 | |
Even Thomas Chippendale, do you know this, | 0:20:06 | 0:20:08 | |
never, ever marked his pieces of furniture. | 0:20:08 | 0:20:11 | |
-Can I just go and get a price for that? -Yeah. -OK. Try it out. | 0:20:11 | 0:20:15 | |
-After you. -After me. | 0:20:15 | 0:20:16 | |
A well-earned rest for the Blues. You're looking pooped! | 0:20:18 | 0:20:22 | |
But for the Reds, it's time to look shipshape. | 0:20:22 | 0:20:24 | |
You're running out of time, boys. | 0:20:24 | 0:20:27 | |
"Stanley, that's another fine mess you've got me into!" | 0:20:29 | 0:20:33 | |
Stop resting on your LAURELS! And get on with it. | 0:20:33 | 0:20:36 | |
-And the Blues are still sitting around. -I like it. -I like it. | 0:20:36 | 0:20:40 | |
I like it. It's one of those things that grows on you. | 0:20:40 | 0:20:42 | |
When you look at it, you think, "Strange." But...practical. | 0:20:42 | 0:20:47 | |
-Would you make a phone call? -Yes, I will. -OK, thank you. OK. | 0:20:47 | 0:20:51 | |
Right. | 0:20:51 | 0:20:52 | |
So, whilst the Blues wait for a price on the chair, | 0:20:52 | 0:20:55 | |
the Reds are on the case. | 0:20:55 | 0:20:57 | |
-That brush there. -That little brush there. -See if it's hallmarked. | 0:20:57 | 0:21:00 | |
It's Birmingham, it's early 20th century. | 0:21:04 | 0:21:06 | |
It's not... It's not written down, but it's a C, which is... A, B, C... | 0:21:06 | 0:21:09 | |
1928. | 0:21:09 | 0:21:10 | |
£18. | 0:21:10 | 0:21:12 | |
If you got that for... If you got that for £12... £10, £12. | 0:21:12 | 0:21:17 | |
£18 is on there. Your very best would be? | 0:21:17 | 0:21:20 | |
I'll let you have it for 12. | 0:21:20 | 0:21:21 | |
£12. Time is of the essence. Thank you very much. Two down, one to go. | 0:21:21 | 0:21:25 | |
Two down, one to go. | 0:21:25 | 0:21:26 | |
Not exactly pushing the boat out, boys. | 0:21:26 | 0:21:28 | |
But a second buy, nevertheless. | 0:21:28 | 0:21:30 | |
Now, over to the Blues with some news. | 0:21:30 | 0:21:34 | |
120 is the best. | 0:21:34 | 0:21:37 | |
Now, this chair is either going to make 50 quid, | 0:21:37 | 0:21:40 | |
because nobody is going to understand it. | 0:21:40 | 0:21:42 | |
Or somebody IS going to understand it, clock it online | 0:21:42 | 0:21:46 | |
and it could make £200 or £300. | 0:21:46 | 0:21:48 | |
Right, well, I think 120... | 0:21:48 | 0:21:50 | |
-We said 125. -We've got the buzz. -Have you got the buzz? | 0:21:50 | 0:21:53 | |
-I'm happy. -Are you happy? Are we both done? -Yeah, we are. -Well done. | 0:21:53 | 0:21:58 | |
Still leave you some money. | 0:21:58 | 0:22:00 | |
Plain sailing, fellas, eh? High-fives all round. | 0:22:00 | 0:22:04 | |
Meanwhile, the Reds are looking all at sea. | 0:22:04 | 0:22:07 | |
Ahoy there! Dave's spotted something. | 0:22:07 | 0:22:10 | |
Oh, yes, Dave. HMS Orestes. | 0:22:10 | 0:22:12 | |
That was an Algerine-class minesweeper. | 0:22:12 | 0:22:14 | |
An oceangoing minesweeper. | 0:22:14 | 0:22:16 | |
-What's the price on it? -20. | 0:22:16 | 0:22:18 | |
-It's a minesweeper from the Second World War? -Yes. | 0:22:18 | 0:22:20 | |
-And that would have been the crest on that ship? -On the ship. | 0:22:20 | 0:22:23 | |
20 quid. Interesting. | 0:22:23 | 0:22:24 | |
-Has a bit of history. -Go for it. -Let's have a look, let's have a little look. | 0:22:24 | 0:22:28 | |
-We need to see how old it is. -Where was it from? | 0:22:28 | 0:22:30 | |
-Well, that's quite... That's is quite fun, actually. -Yeah. | 0:22:30 | 0:22:34 | |
-He can do it for 18 without any quibbling, which is 10%. -Yeah. | 0:22:34 | 0:22:38 | |
Unless you want to quibble. | 0:22:38 | 0:22:40 | |
-15. -15. For a couple of old seadogs. | 0:22:40 | 0:22:43 | |
I'm absolutely convinced! 15 and it's yours! | 0:22:43 | 0:22:46 | |
Look at that. OK, are we going to go for that, yes? | 0:22:46 | 0:22:49 | |
I think it's a nice little buy. I bow to your greater knowledge. | 0:22:49 | 0:22:52 | |
-I think it's a nice little buy. 15 quid. -Marvellous. | 0:22:52 | 0:22:54 | |
Quite honestly, we're down to the last seconds here, | 0:22:54 | 0:22:56 | |
so I say very well done. It's not expensive. I think there's profit. | 0:22:56 | 0:22:59 | |
Marvellous. | 0:22:59 | 0:23:00 | |
Marvellous indeed. | 0:23:00 | 0:23:02 | |
Both teams have got three items each and... | 0:23:02 | 0:23:04 | |
ALARM RINGS | 0:23:04 | 0:23:05 | |
Ooh! Time's up. Let's check out what the Red team bought, eh? | 0:23:05 | 0:23:09 | |
An explosive start for the Reds. | 0:23:09 | 0:23:11 | |
They shelled out £128 for the cartridge carrier. | 0:23:11 | 0:23:16 | |
Next up was the silver brush. £12 paid. | 0:23:16 | 0:23:19 | |
The team were all on board with their last buy - | 0:23:21 | 0:23:24 | |
the ship's plaque set them back £15. | 0:23:24 | 0:23:26 | |
-Right, Dave, which is your favourite piece? -The cartridge carrier. | 0:23:28 | 0:23:31 | |
-Is it? -Yes. -Do you agree? -I was the same. -You do? -Oh, yes. | 0:23:31 | 0:23:34 | |
And which bit is going to bring the biggest profit? | 0:23:34 | 0:23:37 | |
-I think the little hairbrush. -The hairbrush. Fine. Do you agree? | 0:23:37 | 0:23:39 | |
-I'd go for the cartridge carrier. -You're going back with the cartridge carrier. | 0:23:39 | 0:23:43 | |
And you spent how much? | 0:23:43 | 0:23:44 | |
-155. -155. -155. | 0:23:44 | 0:23:47 | |
I'd like £145 of leftover lolly, please, | 0:23:47 | 0:23:49 | |
which is going to go across to the amazing, fantastic JP, | 0:23:49 | 0:23:53 | |
who is going to transform it into an object of a bonus buy | 0:23:53 | 0:23:57 | |
that will be desirable, amusing and likely to be profitable. | 0:23:57 | 0:24:01 | |
-Is that the case, JP? -I'll endeavour to try and do all three! | 0:24:01 | 0:24:05 | |
-I might do. I'll try and tick at least two boxes! -Yes. | 0:24:05 | 0:24:07 | |
The other thing that's about to happen is you get a further £100, | 0:24:07 | 0:24:11 | |
which you are going to be able to spend on the special bonus buy | 0:24:11 | 0:24:15 | |
for our hour-long programme today, which is exciting. | 0:24:15 | 0:24:18 | |
And when you've bought 'em, | 0:24:18 | 0:24:20 | |
bring 'em back and we'll have a bit of a natter. | 0:24:20 | 0:24:22 | |
Anyway, chaps, go and have a cup of tea. | 0:24:22 | 0:24:23 | |
Well done. Meanwhile, why don't we check out what the Blue team bought, eh? | 0:24:23 | 0:24:27 | |
The Blues' Doulton vase was purchased for a nifty 50. | 0:24:27 | 0:24:31 | |
Is a profit staring them in the face? | 0:24:33 | 0:24:35 | |
A deal was done at £25 for the mirror. | 0:24:35 | 0:24:37 | |
And, finally, are the Blues sitting pretty with the mahogany chair? | 0:24:39 | 0:24:43 | |
£120 paid. | 0:24:43 | 0:24:44 | |
Well, you chaps, you've been up to no good - | 0:24:44 | 0:24:47 | |
-leaving it to the last minute. -That's correct. -Perfectly correct. | 0:24:47 | 0:24:50 | |
Now, tell me, Fred, which is your favourite piece? | 0:24:50 | 0:24:53 | |
I have to say, the last item we bought, which is a very unusual chair. | 0:24:53 | 0:24:56 | |
-Yeah? Do you agree with that? -Definitely. | 0:24:56 | 0:24:58 | |
-100%. That's your favourite favourite? -Yes. | 0:24:58 | 0:25:01 | |
And, Fred, which piece is going to bring the biggest profit? | 0:25:01 | 0:25:04 | |
If it goes all right, the chair. | 0:25:04 | 0:25:05 | |
-And how much did you spend? -£195. | 0:25:05 | 0:25:08 | |
Did you? That is such a good amount of money. | 0:25:08 | 0:25:10 | |
-I'm amazed you managed to spend so much. -I am as well. | 0:25:10 | 0:25:13 | |
I'm treasurer of the association! | 0:25:13 | 0:25:15 | |
-Yes. -Yes. -So, who's got the £105? You have? | 0:25:15 | 0:25:18 | |
-Yes. Now I've got to give it to you, have I? -You do. | 0:25:18 | 0:25:20 | |
-That's the name of the game. -There we go. -There we go. | 0:25:20 | 0:25:23 | |
£105, which is going straight across to David Harper. | 0:25:23 | 0:25:27 | |
Thank you, Tim. | 0:25:27 | 0:25:29 | |
-Are you feeling confident, Dave? -Always confident. | 0:25:29 | 0:25:31 | |
Here comes the additional £100 for the special bonus buy. | 0:25:31 | 0:25:35 | |
And when you've bought both of them, David, if you'd bring them back | 0:25:35 | 0:25:38 | |
and we'll have a little chat, that would be great. | 0:25:38 | 0:25:41 | |
Both our experts are on the hunt for their bonus buys. | 0:25:45 | 0:25:48 | |
I will be telling them which one I think will make the most profit, | 0:25:48 | 0:25:51 | |
but I won't let on to the contestants. | 0:25:51 | 0:25:54 | |
They'll get their chance to choose at the auction, | 0:25:54 | 0:25:56 | |
and if they're doing really well, they might not go with either of them. | 0:25:56 | 0:26:01 | |
JP has £145 of leftover lolly for his team's bonus buy | 0:26:03 | 0:26:08 | |
and he also has £100 for today's special buy. | 0:26:08 | 0:26:11 | |
Oh, hello, sailor. | 0:26:11 | 0:26:12 | |
JP has spotted something. | 0:26:12 | 0:26:15 | |
This... This is what I've been looking for. | 0:26:15 | 0:26:18 | |
This is absolutely perfect for Bill and Dave. | 0:26:18 | 0:26:20 | |
I mean, a couple of old maritime men. | 0:26:20 | 0:26:22 | |
Er, it looks to be a pencil drawing. | 0:26:22 | 0:26:26 | |
£60 they are asking. | 0:26:26 | 0:26:28 | |
If I can get that for 40... | 0:26:28 | 0:26:31 | |
I think it's a really good buy. Absolutely perfect. Brilliant. | 0:26:31 | 0:26:33 | |
You're not done just yet, JP. Now, time to pick your special buy. | 0:26:37 | 0:26:42 | |
I absolutely love these things, OK? | 0:26:47 | 0:26:49 | |
This is a climbing axe, | 0:26:49 | 0:26:51 | |
an ice axe from the early part of the 20th century, | 0:26:51 | 0:26:54 | |
probably about the 1930s. | 0:26:54 | 0:26:56 | |
Hickory shaft, steel blades, lovely canvas covers, which are original. | 0:26:56 | 0:27:01 | |
"Made in Switzerland," it says on the side. | 0:27:01 | 0:27:04 | |
But £88 is the price. I am going to see if I can get it any cheaper. | 0:27:04 | 0:27:08 | |
I found a quiet spot away from our contestants. | 0:27:10 | 0:27:13 | |
So let's take a look at these bonus buys. | 0:27:13 | 0:27:16 | |
Right, then, JP, this is your team's bonus buy. | 0:27:16 | 0:27:19 | |
for our lovely, lovely naval chaps. | 0:27:19 | 0:27:22 | |
You've got this cracked, haven't you? Look at that. | 0:27:22 | 0:27:24 | |
As soon as I saw it, I just thought it had to be, it had to be. | 0:27:24 | 0:27:28 | |
It's all naval. There's Nelson, and I thought | 0:27:28 | 0:27:31 | |
the couple, those guys are a bit like Laurel and Hardy. | 0:27:31 | 0:27:34 | |
I kind of thought they were like these characters here, you know. | 0:27:34 | 0:27:37 | |
-So this is a pencil drawing? -Absolutely. | 0:27:37 | 0:27:39 | |
-And therefore an original cartoon. -Yep. | 0:27:39 | 0:27:42 | |
And it depicts | 0:27:42 | 0:27:44 | |
some kind of interwar naval cuts, I would say, wouldn't you? | 0:27:44 | 0:27:49 | |
I do. | 0:27:49 | 0:27:50 | |
They are talking here about, "The passion for merging | 0:27:50 | 0:27:54 | |
"two into one will not be carried too far." | 0:27:54 | 0:27:57 | |
-So how much did you pay? -£40. | 0:27:57 | 0:27:59 | |
-I'd love to see it making three figures. -Yeah. | 0:27:59 | 0:28:01 | |
-But let's say it might make £30 profit. -And what are you doing here? | 0:28:01 | 0:28:04 | |
Going to the Arctic? | 0:28:04 | 0:28:06 | |
OK, so you've got a hickory shaft | 0:28:06 | 0:28:07 | |
and steel climbing axe from the 1930s. | 0:28:07 | 0:28:10 | |
Made in Switzerland, original canvas things on the end. | 0:28:10 | 0:28:14 | |
-Look at that. -OK, the strap is now... | 0:28:14 | 0:28:16 | |
Yeah, yeah, but never mind about that. That's marvellous, isn't it? | 0:28:16 | 0:28:19 | |
-OK, how much? -£70. | 0:28:19 | 0:28:22 | |
OK. Well, there we are. | 0:28:22 | 0:28:24 | |
That's not so easy in terms of predicting a profit. | 0:28:24 | 0:28:27 | |
I'd love to have had it for less but it's not an easy game today. | 0:28:27 | 0:28:30 | |
No, it certainly isn't. | 0:28:30 | 0:28:32 | |
And my job now, predicting which is going to bring the most is not | 0:28:32 | 0:28:36 | |
so easy either, actually. And I fancy that the cartoon will do it. | 0:28:36 | 0:28:40 | |
-There should be a big audience for this. -Yeah. | 0:28:40 | 0:28:43 | |
And at £40, I think it's a very good buy. So well done for that. | 0:28:43 | 0:28:46 | |
Thank you. | 0:28:46 | 0:28:47 | |
Meanwhile, why don't we have a look at how that jolly fine fellow, | 0:28:47 | 0:28:50 | |
David Harper, is getting on. | 0:28:50 | 0:28:52 | |
David is still searching for his two items. | 0:28:53 | 0:28:56 | |
Remember, he has £105 of leftover lolly for his team's bonus buy. | 0:28:56 | 0:29:01 | |
-So, the very best for this pair of beauties. -To you, £30. -£30. | 0:29:02 | 0:29:07 | |
-OK, I'm going to have them. Thank you very much. -Thank you. -OK. | 0:29:07 | 0:29:10 | |
So, £30 for a pair of copper, enamel and cast-iron bowls. | 0:29:10 | 0:29:15 | |
But what are they? | 0:29:15 | 0:29:16 | |
Dog bowls? Cereal bowls? Positively not. | 0:29:16 | 0:29:20 | |
They are 19th-century spittoons. | 0:29:20 | 0:29:23 | |
Very sophisticated. | 0:29:24 | 0:29:26 | |
Disgusting. | 0:29:26 | 0:29:27 | |
David has his additional £100 to find a special bonus buy with and strike a light! He's found it! | 0:29:27 | 0:29:33 | |
Is this going to be the most expensive box of matches | 0:29:33 | 0:29:36 | |
-I have ever bought? -Absolutely, David. -Marvellous. | 0:29:36 | 0:29:39 | |
-What's it going to cost me? -The very best on that is £70. | 0:29:39 | 0:29:43 | |
-£70, OK. All right. Thank you, Carol. -You're welcome. | 0:29:43 | 0:29:47 | |
Wow! And also the biggest box of matches I have ever bought. | 0:29:47 | 0:29:51 | |
Now, no-one would have bought these originally, | 0:29:51 | 0:29:54 | |
in about 1910-ish, for home use. | 0:29:54 | 0:29:56 | |
Certainly not taking out in your pocket. | 0:29:56 | 0:29:59 | |
These were advertising boxes for shop use | 0:29:59 | 0:30:02 | |
so you would walk into your newsagent, | 0:30:02 | 0:30:04 | |
this blighter would be on the counter and you may well be | 0:30:04 | 0:30:07 | |
surprised at how much money things like this can actually make. | 0:30:07 | 0:30:11 | |
-OK, David. You have been at it, haven't you? -I've been at it. | 0:30:12 | 0:30:16 | |
How about these two dog bowls? Tell us about that. | 0:30:16 | 0:30:19 | |
-They are the team's bonus buy. -They are the team's bonus buy. | 0:30:19 | 0:30:22 | |
Really good quality, copper, steel-based - | 0:30:22 | 0:30:26 | |
look at that - screaming Victorian manufacturing mass production | 0:30:26 | 0:30:31 | |
but of quality, with a porcelain liner. | 0:30:31 | 0:30:35 | |
-When I first saw them, I thought, what fantastic dog bowls are they. -Quite. | 0:30:35 | 0:30:40 | |
-However, they could also be spittoons. -Ohh... -No? | 0:30:40 | 0:30:44 | |
I would rather have a dog bowl than a spittoon. | 0:30:44 | 0:30:46 | |
Shall we describe them as dog bowls. | 0:30:46 | 0:30:48 | |
I think you are better off, marketing wise. | 0:30:48 | 0:30:50 | |
You are more likely to have somebody with | 0:30:50 | 0:30:53 | |
a couple of pooches that might want some antique dog bowls. | 0:30:53 | 0:30:56 | |
So, David, you had £105. How much did they cost? | 0:30:56 | 0:31:00 | |
-Well, I would have bought one... -You paid more than £40? | 0:31:00 | 0:31:03 | |
-No, 30. -Oh, well, that's all right. Well done for finding something different. -Thank you. | 0:31:03 | 0:31:07 | |
And now for something completely different. | 0:31:07 | 0:31:09 | |
-This is the special bonus buy. -Yes. -You had £100. Tell us about it. | 0:31:09 | 0:31:13 | |
Dating, I feel, to the early 20th century, 1910, | 0:31:13 | 0:31:16 | |
about the First World War period, safety matches by a very well-known manufacturer. | 0:31:16 | 0:31:22 | |
But the great thing about it - one, it's in pretty good condition | 0:31:22 | 0:31:27 | |
and underneath this first inch layer of matches | 0:31:27 | 0:31:30 | |
is a blue lining paper exactly the same as that and more matches stacked below | 0:31:30 | 0:31:34 | |
and they have never been seen for 100 years. | 0:31:34 | 0:31:37 | |
And we know there are guys out there all across the world that | 0:31:37 | 0:31:41 | |
collect advertising memorabilia and I think this is a great example. | 0:31:41 | 0:31:44 | |
And do you know what the matchbox collecting lot are called? | 0:31:44 | 0:31:47 | |
They're called phillumenologists. | 0:31:47 | 0:31:49 | |
And when they hear online that you have got this giant Bryant & May matchbox... | 0:31:49 | 0:31:55 | |
It's even got a tacker in the end, hasn't it? | 0:31:55 | 0:31:57 | |
That is the same period. It's the same label, look. | 0:31:57 | 0:32:01 | |
-It's exactly the same. -Lovely. | 0:32:01 | 0:32:02 | |
So you have got a miniature box as well. You are clever old thing. | 0:32:02 | 0:32:06 | |
-What did you pay? -£70. -Again, very difficult to value. | 0:32:06 | 0:32:09 | |
I mean, has another one like this ever sold? | 0:32:09 | 0:32:11 | |
Bit of research, you could find out. | 0:32:11 | 0:32:13 | |
But you're out there, on your own, and you had to get on with it. | 0:32:13 | 0:32:16 | |
You've got no time. And I think that's very clever, David, | 0:32:16 | 0:32:19 | |
seriously, to find that. I think they are both super. | 0:32:19 | 0:32:21 | |
I think if I had to plump as to which one has got more money in it, | 0:32:21 | 0:32:25 | |
I think it's going to be the matchbox. | 0:32:25 | 0:32:27 | |
-I thought you were going that way. -Even though it's substantially higher in the threshold of stuff, | 0:32:27 | 0:32:31 | |
I can see that taking off if it's marketed on the internet. I really can. | 0:32:31 | 0:32:35 | |
'What will the teams make of the bonus buys? | 0:32:35 | 0:32:37 | |
'We'll find out later on.' | 0:32:37 | 0:32:39 | |
But right now, we are taking a breather. | 0:32:41 | 0:32:44 | |
In keeping with the forces theme, I've come to London, | 0:32:44 | 0:32:46 | |
to visit the Royal Arsenal in Woolwich. | 0:32:46 | 0:32:49 | |
This was one of the most important | 0:32:50 | 0:32:52 | |
centres in the world for munitions production. | 0:32:52 | 0:32:56 | |
Today, the factories have fallen silent. | 0:32:56 | 0:32:58 | |
Instead, part of the site has been redeveloped into the Royal Artillery Museum. | 0:32:58 | 0:33:03 | |
If you want to find evidence of British war heroes, | 0:33:06 | 0:33:10 | |
this is a fine place to start. | 0:33:10 | 0:33:13 | |
Today, we're going to look at the lives of two British servicemen, | 0:33:13 | 0:33:18 | |
spanning two centuries, the first of which is called the Indian Mutiny. | 0:33:18 | 0:33:24 | |
The Indian Mutiny occurred between 1857 and 1858, | 0:33:25 | 0:33:30 | |
when the Indians rebelled against the British. | 0:33:30 | 0:33:34 | |
Now, Mark, you're the curator of this marvellous museum. | 0:33:34 | 0:33:38 | |
I hope you going to tell me about General Hills-Johnes. | 0:33:38 | 0:33:41 | |
Lieutenant, at the time, when he was in the Indian mutiny. | 0:33:41 | 0:33:44 | |
James Hills-Johnes was in charge of a gun position | 0:33:44 | 0:33:48 | |
which every night was attacked by mutineer cavalry. | 0:33:48 | 0:33:53 | |
And every night, the British cavalry rushed out, beat them off, | 0:33:53 | 0:33:57 | |
and basically all was well. | 0:33:57 | 0:33:59 | |
On this particular day, the Indian mutiny cavalry attacked, | 0:33:59 | 0:34:03 | |
as normal, as it were, but there was no British cavalry. | 0:34:03 | 0:34:07 | |
So James, on his own, mounted his horse, | 0:34:07 | 0:34:10 | |
drew his sword and charged the mutineers all on his own. | 0:34:10 | 0:34:14 | |
He killed three of them before he was dis-horsed. | 0:34:14 | 0:34:19 | |
He then proceeded with his sword on foot. | 0:34:19 | 0:34:22 | |
He was about to be killed himself when his friend, | 0:34:22 | 0:34:26 | |
Lieutenant Alferts, rushed up behind him on a horse, | 0:34:26 | 0:34:28 | |
killed the man behind him and gave the impetus to actually drive away | 0:34:28 | 0:34:32 | |
the cavalry and the then the British cavalry turned up and saved the day. | 0:34:32 | 0:34:36 | |
Both Alferts and James Hills-Johnes were both awarded the Victoria Cross. | 0:34:36 | 0:34:41 | |
Now, next door, we clearly have something that is macabre looking. | 0:34:41 | 0:34:45 | |
-Moving from the romance of the... -Moving from the... Absolutely. | 0:34:45 | 0:34:49 | |
Into the absolute industrial carnage of the Great War. | 0:34:49 | 0:34:54 | |
This is known as a PH hood. | 0:34:54 | 0:34:56 | |
The gas of choice for the Germans at this point was phosgene gas. | 0:34:57 | 0:35:01 | |
And that attacks the breathing systems. | 0:35:01 | 0:35:04 | |
What you do is you undo your tunic, | 0:35:04 | 0:35:07 | |
you pull the hood completely over your head and tuck it into your jacket. | 0:35:07 | 0:35:10 | |
There is a little mouthpiece inside there that you breathe through | 0:35:10 | 0:35:13 | |
and then you have these two very small eye holes to see | 0:35:13 | 0:35:17 | |
the attack coming towards you. | 0:35:17 | 0:35:19 | |
And what's the connection between this mask and the Victoria Cross? | 0:35:19 | 0:35:23 | |
The Victoria Cross was won by a man called John Raynes. | 0:35:23 | 0:35:26 | |
And in 1915 in October, Sergeant Raynes's battery was giving | 0:35:26 | 0:35:33 | |
covering fire with the artillery | 0:35:33 | 0:35:35 | |
and the Germans were replying with shrapnel shells and phosgene gas. | 0:35:35 | 0:35:40 | |
Sergeant Raynes saw his friend, a chap called Sergeant Ayres, wounded. | 0:35:40 | 0:35:46 | |
When a temporary cease-fire was given, as targets were changed, | 0:35:46 | 0:35:50 | |
Sergeant Raynes ran about 40 yards to his friend and bound up his wounds | 0:35:50 | 0:35:54 | |
and then came back to his gun, got his gun back in action. | 0:35:54 | 0:35:57 | |
At the next change of target, | 0:35:57 | 0:36:00 | |
Sergeant Raynes asked for two volunteers and two men from his | 0:36:00 | 0:36:03 | |
gun detachment went with him to try and bring in Sergeant Ayres. | 0:36:03 | 0:36:07 | |
I shrapnel shell burst, killed the two volunteers | 0:36:07 | 0:36:09 | |
and wounded Sergeant Raynes. | 0:36:09 | 0:36:12 | |
Sergeant Raynes then carried Sergeant Ayres on his own back to the | 0:36:12 | 0:36:15 | |
gun line, took him to the dugout and put him in a place of safety, | 0:36:15 | 0:36:18 | |
and then returned to his gun, no wounded. | 0:36:18 | 0:36:20 | |
The next part of action came | 0:36:21 | 0:36:23 | |
and they witnessed a German gas shell burst in the dugout of Sergeant Ayres. | 0:36:23 | 0:36:29 | |
So where they put him for safety, this shell exploded. | 0:36:29 | 0:36:33 | |
Sergeant Raynes ran over and his friend now was wounded again, | 0:36:33 | 0:36:37 | |
but he was wounded in such a way that it had destroyed his PH helmet. | 0:36:37 | 0:36:42 | |
Sergeant Raynes only had one PH helmet and that was the one | 0:36:42 | 0:36:45 | |
he was wearing so in the gas, he took off his own helmet, he put | 0:36:45 | 0:36:48 | |
it on his friend and then carried him out to the dressing station. | 0:36:48 | 0:36:52 | |
They said to Sergeant Raynes, "You're wounded." They put him on a stretcher. | 0:36:52 | 0:36:56 | |
-He got back off the stretcher... -No! -And he rescued four men. | 0:36:56 | 0:36:58 | |
-I don't know... -And they awarded him the Victoria Cross. | 0:36:58 | 0:37:01 | |
Well, all that is incredibly moving | 0:37:01 | 0:37:03 | |
and I can't think of a better man to curate the collection, frankly. | 0:37:03 | 0:37:07 | |
Thank you very much! | 0:37:07 | 0:37:08 | |
-Well done. Thank you very much for all that information. -Pleasure. | 0:37:08 | 0:37:11 | |
Right now, though, I think we need to return to the | 0:37:11 | 0:37:14 | |
auction to find out how our horrible shower are getting on. Don't you? | 0:37:14 | 0:37:18 | |
It's full steam ahead and with all guns blazing for our Navy boys | 0:37:19 | 0:37:23 | |
because we're off to Liverpool. | 0:37:23 | 0:37:25 | |
So, Adam Partridge, I have to ask you to get to your saleroom here | 0:37:35 | 0:37:39 | |
in Liverpool from Congleton, how far is it and how long does it take? | 0:37:39 | 0:37:42 | |
I know that answer, Tim, because I drive here regularly. | 0:37:42 | 0:37:45 | |
I live in Congleton. It's takes about an hour. It's about 45 miles. | 0:37:45 | 0:37:48 | |
There we go. 45 miles from where we shopped to Adam's saleroom here in Liverpool. | 0:37:48 | 0:37:52 | |
And in this saleroom, | 0:37:52 | 0:37:54 | |
how much are you going to get for this shot carrier? | 0:37:54 | 0:37:56 | |
-Well, I put £20-£40. -It's a trick question, really. | 0:37:56 | 0:38:00 | |
Because our team paid £128 for this. | 0:38:00 | 0:38:03 | |
Because of the naval, military background, | 0:38:03 | 0:38:07 | |
-I guess it kind of struck a chord. -It triggered something in them. | 0:38:07 | 0:38:11 | |
It certainly did. | 0:38:11 | 0:38:12 | |
It set off an explosion which was foolhardy, | 0:38:12 | 0:38:15 | |
because no way does that thing, in my view, | 0:38:15 | 0:38:17 | |
-make any more than £50 on a very, very good day. -I agree. | 0:38:17 | 0:38:20 | |
It's a stick stand, really. | 0:38:20 | 0:38:22 | |
I suppose, in the home, the usage is only really that, isn't it? | 0:38:22 | 0:38:25 | |
-Next is the plastic-topped simulated hand brush. -Yes. | 0:38:25 | 0:38:30 | |
Which is a shocker, really. Thank God it's got a silver rim on it. | 0:38:30 | 0:38:34 | |
Well, exactly, but why have a silver rim, put a plastic middle in it? | 0:38:34 | 0:38:38 | |
I don't know. Doesn't make sense, does it? | 0:38:38 | 0:38:40 | |
-I can't explain these things. -Is it worth £5? | 0:38:40 | 0:38:42 | |
-It's probably worth £10. -They paid £12. -Well, you never know. | 0:38:42 | 0:38:46 | |
-There is some hope. -Yes. -Next is the ship's plaque. | 0:38:46 | 0:38:50 | |
-I was kind with your estimate at £20 to £40. -OK. | 0:38:50 | 0:38:52 | |
They normally make a tenner each, those. We sell loads of them. | 0:38:52 | 0:38:55 | |
Maritime and shipping sales. | 0:38:55 | 0:38:57 | |
We usually have an in group lots but you never know. | 0:38:57 | 0:39:00 | |
£15 is what they paid. | 0:39:00 | 0:39:01 | |
But no way do those two objects | 0:39:01 | 0:39:02 | |
make up for the loss on that shot carrier so they are definitely going to need | 0:39:02 | 0:39:06 | |
one or other of their bonus buys, so let's go and have a look at the experts showing them. | 0:39:06 | 0:39:13 | |
Now, Dave and Bill, this is exciting. Two bonus buys. | 0:39:15 | 0:39:19 | |
You gave JP £145. | 0:39:19 | 0:39:22 | |
JP, reveal what you bought for the team bonus buy. | 0:39:22 | 0:39:25 | |
Well, for a couple of naval men, I couldn't resist... OK? | 0:39:25 | 0:39:30 | |
Pencil drawing and it's of naval interest. | 0:39:30 | 0:39:34 | |
By a chap called Edward Tennyson Reed, | 0:39:34 | 0:39:37 | |
done in the early part of the 20th century. | 0:39:37 | 0:39:39 | |
And it's a sort of parody of sort of political stuff that was | 0:39:39 | 0:39:42 | |
going on at the time. | 0:39:42 | 0:39:43 | |
-That's good, isn't it? -Can we ask the cost? -You can. | 0:39:43 | 0:39:47 | |
And if I told you I paid only £40 for it you'd think, | 0:39:47 | 0:39:53 | |
there we are, look, bargain. | 0:39:53 | 0:39:54 | |
The words came from his lips, so bargain. | 0:39:54 | 0:39:57 | |
What do you think on the profit side? | 0:39:57 | 0:39:58 | |
Good question, because it's the naval buyers, I think, | 0:39:58 | 0:40:01 | |
that will go for it and it depends on how much they are willing to pay. | 0:40:01 | 0:40:05 | |
It could double its money. | 0:40:05 | 0:40:08 | |
Anyway, now, the £100, special bonus buy will be revealed. Thank you, JP. | 0:40:08 | 0:40:13 | |
-Tell us about that. -That's an early 20th-century climbing axe. -Yes. | 0:40:13 | 0:40:18 | |
It's a cool thing. | 0:40:18 | 0:40:20 | |
I spent £70 so it's a bit more of an investment than the picture. | 0:40:20 | 0:40:24 | |
Profit wise, difficult to say, really. Will it make a profit? | 0:40:25 | 0:40:29 | |
-I'd like to think so. -It wouldn't be my first pick. -Would it not? | 0:40:29 | 0:40:33 | |
Well, the thing is, you don't have to decide | 0:40:33 | 0:40:36 | |
until after the sale of the first three items. | 0:40:36 | 0:40:38 | |
You can choose either or of these bonus buys but not both. | 0:40:38 | 0:40:43 | |
Have a little think, chaps, because right now, | 0:40:43 | 0:40:45 | |
we're going to find out from the auctioneer for the viewers | 0:40:45 | 0:40:48 | |
at home, what he thinks about JP's bonus buys. | 0:40:48 | 0:40:51 | |
The team's bonus buy, Adam, is this pencil drawing. Do you like it? | 0:40:55 | 0:40:59 | |
Well, in this famous maritime city, | 0:40:59 | 0:41:00 | |
you'd think it's got half a chance, wouldn't you? | 0:41:00 | 0:41:03 | |
Well, you'd think so, wouldn't you? Anyway, £40 was paid. | 0:41:03 | 0:41:06 | |
-What's your estimate? -I put 30 to 50. -Did you? | 0:41:06 | 0:41:08 | |
Well, that's in the frame at least. | 0:41:08 | 0:41:10 | |
And the alternative, Jonathan's special bonus buy is this ice axe. | 0:41:10 | 0:41:14 | |
Yes, which I quite like, actually. | 0:41:14 | 0:41:17 | |
Not much need for an ice axe here in Liverpool | 0:41:17 | 0:41:20 | |
but I think it's a bit of fun. What would you do with it? | 0:41:20 | 0:41:22 | |
Hang it on the wall, I suppose. I think £20-£40. | 0:41:22 | 0:41:25 | |
But I wouldn't be surprised if it might make 50, perhaps. | 0:41:25 | 0:41:28 | |
It's quite fun. | 0:41:28 | 0:41:30 | |
Yes. £70 paid by Jonathan. | 0:41:30 | 0:41:31 | |
He's very keen on all things alpine | 0:41:31 | 0:41:33 | |
and I have to say that my prediction was that this baby will make | 0:41:33 | 0:41:37 | |
-the most profit, if there's any profit to be made. -Yes. | 0:41:37 | 0:41:41 | |
Of course, but I won't be telling the Reds which bonus buy my money is on. | 0:41:41 | 0:41:45 | |
Anyway, that's it for the Reds. | 0:41:45 | 0:41:46 | |
Now for the Blues and their first item is the Doulton Lambeth pot. | 0:41:46 | 0:41:51 | |
Yes. Well, we see lots of these through the salerooms. | 0:41:51 | 0:41:54 | |
It's not an uncommon thing, is it? It's big and impressive. | 0:41:54 | 0:41:57 | |
The Slaters patent, obviously, | 0:41:57 | 0:41:59 | |
with the lace, real lace on the wet clay to achieve that effect. | 0:41:59 | 0:42:02 | |
Typically £40-£60. | 0:42:02 | 0:42:05 | |
-It never seems much for a big impressive vase, does it? -Exactly. | 0:42:05 | 0:42:08 | |
40 to 60 is your estimate. Dean paid 50. | 0:42:08 | 0:42:11 | |
Now the fret-carved cartouche mirror, | 0:42:11 | 0:42:14 | |
which some bloke did in his shed. That's called shed work, right? | 0:42:14 | 0:42:18 | |
-From the 1920s. -Shed ware. -Shed ware. What's it worth? | 0:42:18 | 0:42:22 | |
A shed load or not? | 0:42:22 | 0:42:24 | |
Not that much because it has got some losses, hasn't it? | 0:42:24 | 0:42:27 | |
-It's not a great order. We're missing pieces. -Right. | 0:42:27 | 0:42:30 | |
-Needs to go back to the shed. -£20-£40. -Very good. £25 paid. | 0:42:30 | 0:42:35 | |
And then the last item, which has to be by far the most interesting, | 0:42:35 | 0:42:39 | |
-is this weird mahogany side chair. -I like it a lot. | 0:42:39 | 0:42:43 | |
Johnstone & Jeanes were seriously good makers, weren't they? | 0:42:43 | 0:42:46 | |
-They were very good makers. -And patentees of oddball objects. | 0:42:46 | 0:42:49 | |
This is a great example of a piece of Victorian patent furniture | 0:42:49 | 0:42:53 | |
that was designed for something that was probably never needed. | 0:42:53 | 0:42:56 | |
They loved to over-engineer, didn't they, and design things? | 0:42:56 | 0:42:59 | |
If you had a problem with your back, | 0:42:59 | 0:43:01 | |
if you had a serious curvature of the spine or some medical | 0:43:01 | 0:43:04 | |
complaint that you needed a specialist arrangement, | 0:43:04 | 0:43:07 | |
I bet that's the story behind it. | 0:43:07 | 0:43:09 | |
-Yes, it's kind of combination backrest chair, isn't it? -Exactly. | 0:43:09 | 0:43:12 | |
Anyway, I think it's interesting. It's by a great maker. | 0:43:12 | 0:43:15 | |
-It should do jolly well. What is your estimate? -£60-£100. | 0:43:15 | 0:43:19 | |
And I think it'll make the top end of that estimate, | 0:43:19 | 0:43:22 | |
perhaps a touch more. | 0:43:22 | 0:43:24 | |
-That's exactly where it needs to be, at £120. -OK. | 0:43:24 | 0:43:26 | |
And if you got to £120, I guarantee you there will be | 0:43:26 | 0:43:30 | |
-three people jumping around in the room, including me. -Oh, well. | 0:43:30 | 0:43:34 | |
-Which would be nice. -That would be lovely. -Wouldn't it be nice? | 0:43:34 | 0:43:37 | |
OK, fine. On the other hand, if you don't do so well, | 0:43:37 | 0:43:40 | |
then the team is definitely going to need one or other of its bonus buys | 0:43:40 | 0:43:44 | |
so let's go and have a look at the expert showing the team them. | 0:43:44 | 0:43:48 | |
Right, chaps. This is exciting. Two bonus buys. | 0:43:50 | 0:43:53 | |
David Harper, you had £105 worth of | 0:43:53 | 0:43:55 | |
left over lolly to find the team's bonus buy. | 0:43:55 | 0:43:59 | |
Let's see what you bought. | 0:43:59 | 0:44:00 | |
OK, perfect objects for a pair of old sailors. | 0:44:00 | 0:44:05 | |
THEY LAUGH | 0:44:05 | 0:44:08 | |
First of all, the team's bonus buy, what might look like dog bowls | 0:44:08 | 0:44:13 | |
and they could be used as very posh dog bowls. | 0:44:13 | 0:44:16 | |
A pair of 19th century, what does every sailor need? A spittoon. | 0:44:16 | 0:44:21 | |
-Heavily disguised as ashtrays. -Could be, that's right. | 0:44:23 | 0:44:26 | |
You can do what you like with them. | 0:44:26 | 0:44:28 | |
They're really good quality. | 0:44:28 | 0:44:30 | |
Copper and cast iron and enamel made by a company called Clark. | 0:44:30 | 0:44:34 | |
Marked on the underside. | 0:44:34 | 0:44:36 | |
Made in the 19th century | 0:44:36 | 0:44:38 | |
and made literally to last for ever. I spent £30 on the pair. | 0:44:38 | 0:44:41 | |
That's not bad. | 0:44:41 | 0:44:43 | |
It's all right, isn't it? | 0:44:43 | 0:44:45 | |
For a pair of spittoons of 120 years in age 30 quid's all right. | 0:44:45 | 0:44:49 | |
How much do you think there's going to be in this? | 0:44:49 | 0:44:51 | |
I think they should estimate at 30-50 so there's a small profit | 0:44:51 | 0:44:56 | |
potential but I couldn't resist spittoons. | 0:44:56 | 0:44:59 | |
How could I? | 0:44:59 | 0:45:00 | |
Now, the £100 worth of special | 0:45:00 | 0:45:03 | |
-bonus buy is therefore the matches. -Yes. | 0:45:03 | 0:45:07 | |
And a very special purchase too. | 0:45:07 | 0:45:09 | |
Look at that. | 0:45:09 | 0:45:10 | |
Circa 100 years old, a big box of matches used to promote the brand | 0:45:10 | 0:45:17 | |
in a tobacconist, newsagent of some sort during the Edwardian period. | 0:45:17 | 0:45:22 | |
Or light big candles. | 0:45:22 | 0:45:24 | |
Or big cigars or whatever you want to use them for. | 0:45:24 | 0:45:27 | |
But you wouldn't use them now because it would kill the value. | 0:45:27 | 0:45:31 | |
The glory there is the condition and the fact the majority | 0:45:31 | 0:45:34 | |
of matches that were first made to go in the box are still there. | 0:45:34 | 0:45:38 | |
-Quite a rare thing. -How much did you pay for them? -A lot of money. | 0:45:38 | 0:45:41 | |
-I paid £70. -What do you think the profit's going to be on these? -Um... | 0:45:41 | 0:45:47 | |
That one online with specialist buyers | 0:45:47 | 0:45:49 | |
and interested people could do anything. It could surprise you. | 0:45:49 | 0:45:52 | |
It could make £100 or more. I've never seen that before. | 0:45:52 | 0:45:57 | |
Advertising memorabilia, | 0:45:57 | 0:45:58 | |
anything to do with advertising in condition can be very good news. | 0:45:58 | 0:46:03 | |
You can choose either or of these bonus buys after | 0:46:03 | 0:46:06 | |
the sale of your first three items. Or neither as you like. | 0:46:06 | 0:46:10 | |
But right now, for the audience at home, let's find out what the | 0:46:10 | 0:46:13 | |
auctioneer thinks about David Harper's bonus buys. | 0:46:13 | 0:46:16 | |
Right, Adam. Here comes the team's bonus buy. A couple of dog bowls. | 0:46:18 | 0:46:23 | |
How do you rate those then? | 0:46:23 | 0:46:25 | |
-Are they spittoons? -I think we're safer with dogs. | 0:46:25 | 0:46:28 | |
-Not as exciting though, is it? -As spittoons? | 0:46:28 | 0:46:30 | |
Lots of people keep dogs and not so many people spit any more | 0:46:30 | 0:46:34 | |
so I'd go with dog bowls, me. | 0:46:34 | 0:46:36 | |
Just a favour from the rostrum, call them both. That will do us a favour. | 0:46:36 | 0:46:41 | |
-What are they worth? -20-40 the pair. 20 quid, really. -£30 paid. | 0:46:41 | 0:46:46 | |
That's the team's bonus buy. | 0:46:46 | 0:46:49 | |
And the special bonus buy which is the shop display matches, | 0:46:49 | 0:46:54 | |
-what's your estimate on those? -Very striking but another 20 quid or so. | 0:46:54 | 0:46:58 | |
-Oh, dear, £70 paid. -That's an awful lot, isn't it? | 0:46:58 | 0:47:03 | |
I don't know. | 0:47:03 | 0:47:04 | |
I think if it's on the internet and the matchbox collecting society | 0:47:04 | 0:47:08 | |
pick it up there will be somebody who is a specialist collector. | 0:47:08 | 0:47:11 | |
-Who will go for this, I promise you. -You think so? -I do. | 0:47:11 | 0:47:13 | |
I just hope there are two of them out there. | 0:47:13 | 0:47:15 | |
What do you think they're going to make then? | 0:47:15 | 0:47:17 | |
I think they're going to light us all up and make £50. | 0:47:17 | 0:47:21 | |
My prediction is they will do better than those. | 0:47:21 | 0:47:25 | |
I'll be keeping stum on what item I'll be placing my bets on. | 0:47:25 | 0:47:29 | |
They will make more than those | 0:47:29 | 0:47:30 | |
-but whether they'll lose or make profit, I'm not sure. -OK, fine. | 0:47:30 | 0:47:35 | |
This is the big mystery and you're going to unlock it from the rostrum. | 0:47:35 | 0:47:38 | |
-Thank you, Adam. -Pleasure. | 0:47:38 | 0:47:39 | |
140 online. | 0:47:40 | 0:47:42 | |
£60. | 0:47:44 | 0:47:46 | |
Dave and Bill, how are you feeling? All right. Confident? | 0:47:47 | 0:47:50 | |
-Yes. -Anything you wish you hadn't bought? -About three things. | 0:47:52 | 0:47:56 | |
The first thing you'll definitely wish you hadn't bought which is | 0:47:56 | 0:48:00 | |
the painted shot carrier because he's only put £20-40 on it. | 0:48:00 | 0:48:04 | |
Put that down to our naval expertise. | 0:48:04 | 0:48:07 | |
Yeah, that's it. There we go. Anyway, here it comes. | 0:48:07 | 0:48:11 | |
Cartridge carrier could go as a stick stand in the modern home, | 0:48:11 | 0:48:15 | |
couldn't it? Very nice with the royal coat of arms and a leather strap. | 0:48:15 | 0:48:18 | |
I'm bid £20. At 20 and 5 now and 5. | 0:48:18 | 0:48:22 | |
40 and 5. In the room at 45. Is there 50? 55. | 0:48:22 | 0:48:26 | |
No, 50 ladies bid. Seated at 50. Any more at £50? At £50, all done then. | 0:48:26 | 0:48:33 | |
No-one online. £50 and selling. | 0:48:33 | 0:48:36 | |
-Thank you. -It's better than he predicted. | 0:48:36 | 0:48:39 | |
Which is -78. | 0:48:39 | 0:48:41 | |
-We're going to claw it all back now. -Hand brush. | 0:48:43 | 0:48:45 | |
Silver rim, Birmingham 1927. | 0:48:45 | 0:48:47 | |
Simulated enamelling on it. | 0:48:47 | 0:48:50 | |
Bid me a tenner. | 0:48:50 | 0:48:51 | |
£10, a silver rimmed brush. There we are. 10 in the middle. | 0:48:52 | 0:48:56 | |
At £10 a lady has bid. Any advance on £10? Any further bids at £10? At £10. | 0:48:56 | 0:49:02 | |
Selling this at £10, all done? | 0:49:03 | 0:49:06 | |
-Bad luck. -£2. That rounds it up to -80. -Ship's plaque there. £10. | 0:49:07 | 0:49:13 | |
Online it's £10 internet. At £10. Any advance on £10 for this now? | 0:49:14 | 0:49:20 | |
At £10 the bid's online. | 0:49:20 | 0:49:22 | |
That's another -£5 which means overall you're -£85. | 0:49:25 | 0:49:29 | |
What are we going to do about these multiple bonus buys? | 0:49:29 | 0:49:32 | |
Are you going to go for the pencil sketch or for the axe or neither? | 0:49:32 | 0:49:36 | |
-We're going to go for the sketch. -Are you? | 0:49:36 | 0:49:39 | |
-Did you love it because it's naval? -Without any doubt. | 0:49:39 | 0:49:42 | |
This is the one I thought would do well too. | 0:49:42 | 0:49:45 | |
The die is cast, we're going with the team bonus buy and here it goes. | 0:49:45 | 0:49:49 | |
A bit of fun there. Pencil drawings by Edward Tennyson Reed. | 0:49:49 | 0:49:53 | |
Will you start me £30, please? £30. | 0:49:53 | 0:49:56 | |
20 then. | 0:49:56 | 0:49:58 | |
£20, surely somebody? | 0:49:58 | 0:49:59 | |
£20 for that? They're all having a good look. £20? | 0:50:01 | 0:50:04 | |
There we are. £20, thank you. There we are seated at £20. | 0:50:06 | 0:50:10 | |
Is there 5 anywhere? At £20 now. £20, a pencil drawing at 20. | 0:50:10 | 0:50:14 | |
Any advance on this now? £20. | 0:50:14 | 0:50:16 | |
-Such a good thing. -Such a good thing. | 0:50:18 | 0:50:21 | |
Tragedy. £20 is -£20. | 0:50:23 | 0:50:27 | |
-Ships sunk. -Ships sunk. Certainly has. Without trace. | 0:50:27 | 0:50:30 | |
Now, we're going to the Swiss ice axe and her it comes. | 0:50:31 | 0:50:34 | |
The pick of the lot this one. 20 and 5 is bid. £25 I have on my books. | 0:50:34 | 0:50:41 | |
30, 5 still with me. At 35 now. £35 here. At 35, you all done with this? | 0:50:41 | 0:50:48 | |
40 bid. At £40. At £40 I'm selling here. All done at £40? | 0:50:48 | 0:50:55 | |
£40 is -30. | 0:50:57 | 0:50:59 | |
I predicted the Bystander sketch would make the most profit. | 0:51:01 | 0:51:07 | |
In fact it made the least loss | 0:51:07 | 0:51:09 | |
so I suppose there's some consolation in that. | 0:51:09 | 0:51:12 | |
There we go. | 0:51:12 | 0:51:13 | |
So you went with the bonus buy. You were -85, you're now -105. | 0:51:13 | 0:51:18 | |
That's awful. Sorry. | 0:51:18 | 0:51:19 | |
Bearing in mind what a blood bath we've had today that could be | 0:51:19 | 0:51:22 | |
a winning score today. | 0:51:22 | 0:51:24 | |
Say nothing to your shipmates, OK? | 0:51:26 | 0:51:28 | |
We have a branch meeting tomorrow night. | 0:51:28 | 0:51:30 | |
Where the four of us are going to be | 0:51:30 | 0:51:32 | |
and someone is going to get some stick tomorrow night. | 0:51:32 | 0:51:35 | |
They certainly are. | 0:51:35 | 0:51:36 | |
Anyway, somebody will be buying the drinks. | 0:51:36 | 0:51:38 | |
-So, guys, do you know how your shipmates did? -Not a clue. | 0:51:46 | 0:51:49 | |
-They haven't said anything? -No. | 0:51:49 | 0:51:51 | |
They say there's a committee meeting tomorrow night. | 0:51:51 | 0:51:54 | |
-There's going to be a lot of stick. -We're wearing our fleeces. | 0:51:54 | 0:51:59 | |
Good for you. | 0:51:59 | 0:52:00 | |
First up will be the Doulton Slater's Patent vase. | 0:52:00 | 0:52:05 | |
A good, big decorative lump there. Doulton lamp. £40, bid me. | 0:52:06 | 0:52:11 | |
£40. | 0:52:11 | 0:52:13 | |
Is it £40? A lot of Doulton for your money at £40. A bid Doulton vase. | 0:52:13 | 0:52:18 | |
Come on. | 0:52:19 | 0:52:21 | |
£30, got to be sold. Give me 30. £30? 20 I've got. At £20 take 5. | 0:52:21 | 0:52:27 | |
At £20. | 0:52:27 | 0:52:29 | |
I'll take 30 online. At £25. Is it 30 online or not? | 0:52:31 | 0:52:37 | |
30 bid in a new place, 5, sir? | 0:52:39 | 0:52:40 | |
No. 30 only. | 0:52:41 | 0:52:43 | |
5 down here. At 35. Any more now at 35? Are you all done? At £35. | 0:52:46 | 0:52:54 | |
I'm going to weep. | 0:52:58 | 0:53:00 | |
Now, the cartouche shaped mirror. | 0:53:03 | 0:53:05 | |
There it is I'm bid £20 in one place and 5 here. | 0:53:05 | 0:53:08 | |
At £25, any advance on this lot? At £25 the mirror? | 0:53:08 | 0:53:12 | |
25, 30 and 5. Still here. I'm selling this now at £35. | 0:53:12 | 0:53:19 | |
You're -£5 now. | 0:53:22 | 0:53:23 | |
This is fascinating. Stand by for this. | 0:53:26 | 0:53:30 | |
Victorian chair with a rotating backrest. | 0:53:30 | 0:53:32 | |
There it is on the floor there. | 0:53:32 | 0:53:34 | |
What do we say, I'm bid £60 in one place already. | 0:53:34 | 0:53:37 | |
At £60 I'll take 5. At £60, any advance on £60 and 5. | 0:53:37 | 0:53:44 | |
75, 85, 95 here then. At £95 here. | 0:53:44 | 0:53:50 | |
-Are you all done? At £95. -I can't bear it. -At £95. | 0:53:51 | 0:53:58 | |
He's done it. -25. Overall you're -£30. | 0:54:01 | 0:54:04 | |
That is so bad luck. | 0:54:04 | 0:54:06 | |
A couple more tickles on that | 0:54:06 | 0:54:07 | |
and you would have got to 150 no trouble. | 0:54:07 | 0:54:10 | |
As it is you're -£30. | 0:54:10 | 0:54:12 | |
What are you going to do? | 0:54:12 | 0:54:14 | |
The spittoon bowls, you could do nothing or you could do the matches. | 0:54:14 | 0:54:19 | |
-I reckon... -Don't go with any of them? -We'll stick where we are. | 0:54:20 | 0:54:27 | |
I can tell you now that the spittoon bowls were estimated at £20-40. | 0:54:27 | 0:54:31 | |
£30 paid, so no shame in that. | 0:54:31 | 0:54:34 | |
The £70 Bryant & May box job he's estimated at £15-25. | 0:54:34 | 0:54:40 | |
I think he's quite wrong on that. | 0:54:40 | 0:54:42 | |
We're going to find out in a minute because my prediction earlier | 0:54:42 | 0:54:46 | |
was that the matches would make the most. | 0:54:46 | 0:54:49 | |
-Let's see who's right and who's wrong. -Interesting. | 0:54:49 | 0:54:51 | |
First up, come the dog's bowls. | 0:54:51 | 0:54:54 | |
They are 19th century iron and copper by TC Clark and Co of Wolverhampton. | 0:54:54 | 0:54:57 | |
Fully marked on the base and give me £20 the pair. | 0:54:57 | 0:55:00 | |
I've got a tenner here. At £10 only. At £10 only. | 0:55:02 | 0:55:07 | |
At £10, are you all done on these? At £10 only bid. | 0:55:08 | 0:55:12 | |
15 in the room, thank you. | 0:55:12 | 0:55:14 | |
At £15 the pair. We're selling at £15. | 0:55:16 | 0:55:20 | |
-15 we sell. -Did he sell them for 15? -£15. Good pick, lads. | 0:55:21 | 0:55:28 | |
-Now, I rate these. -The oversized box of matches. | 0:55:29 | 0:55:34 | |
Bryant & May, advertising shop display matches with | 0:55:34 | 0:55:37 | |
a miniature box inside, as well a loads of massive matches in there. | 0:55:37 | 0:55:42 | |
I'm bid, 10, 15 and 20 only. At £20 is there 5 anywhere? At £20? | 0:55:42 | 0:55:48 | |
Any advance on these? 25 in the middle. At £25. I'll take 30 next. | 0:55:48 | 0:55:56 | |
At £25, at 25. It's 25 in the middle. Are you all done? We sell. | 0:55:56 | 0:56:03 | |
£25, no internet bidding. Shows I don't know anything about anything. | 0:56:04 | 0:56:07 | |
That's 5 short of 30 which is 45. -45. | 0:56:07 | 0:56:11 | |
You have made quite the right choice, chaps. | 0:56:11 | 0:56:14 | |
-£30 is your overall score. We'll find out in a moment | 0:56:14 | 0:56:17 | |
whether that is a winning score or not. | 0:56:17 | 0:56:19 | |
OK, chaps. This is exciting, isn't it? | 0:56:25 | 0:56:28 | |
You're great friends, right? But you're also great rivals. | 0:56:28 | 0:56:31 | |
There are massive losses on both sides. | 0:56:32 | 0:56:35 | |
And it's just the scale of the losses | 0:56:35 | 0:56:38 | |
and the massive scale of losses sits principally with the Reds. | 0:56:38 | 0:56:43 | |
Yes! | 0:56:44 | 0:56:46 | |
That has provoked a reaction because you managed to lose £105. | 0:56:48 | 0:56:52 | |
£105, there is going to be some chat in the bar, I can tell you. | 0:56:54 | 0:56:59 | |
I'm not going to run through this disaster sheet | 0:56:59 | 0:57:02 | |
because it all says minus in front of it. | 0:57:02 | 0:57:04 | |
We're not going to look at the bonus buys or discuss any of that | 0:57:04 | 0:57:08 | |
because it's all absolutely diabolical. | 0:57:08 | 0:57:10 | |
-Have you had a nice time? -Marvellous time. -Very good. | 0:57:10 | 0:57:15 | |
-We didn't come here for the money. -Did you not? Good. Well done. Chaps. | 0:57:15 | 0:57:18 | |
It's been great having you on the show. | 0:57:18 | 0:57:20 | |
The victors who win by only losing £30, plus £10 was the only profit. | 0:57:20 | 0:57:27 | |
Out of any of the contributions from any of the teams | 0:57:27 | 0:57:31 | |
and that went on that fretted mirror, right? | 0:57:31 | 0:57:33 | |
Let's not fret about it. | 0:57:33 | 0:57:35 | |
I made a prediction that the | 0:57:35 | 0:57:37 | |
Bryant & May matches were going to the | 0:57:37 | 0:57:40 | |
biggest profit or the smallest loss and they made a huge loss | 0:57:40 | 0:57:43 | |
so shows I know nothing about anything. | 0:57:43 | 0:57:45 | |
I made a prediction the Bystander lovely pencil sketch was | 0:57:45 | 0:57:50 | |
going to make a profit and it made a loss. | 0:57:50 | 0:57:52 | |
I know nothing about that either. | 0:57:52 | 0:57:54 | |
Nobody has anything to be proud of except that we've been on this | 0:57:54 | 0:57:57 | |
glorious programme, right? And we've had the best of best fun. | 0:57:57 | 0:58:00 | |
-Anyway, join us soon for some more Bargain Hunting, yes? -ALL: Yes! | 0:58:00 | 0:58:04 |