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As far as profits are concerned, | 0:00:06 | 0:00:07 | |
we rather hope it's going to be a case of Ballinderry Upper... | 0:00:07 | 0:00:12 | |
rather than Ballinderry Lower. | 0:00:12 | 0:00:15 | |
Let's go bargain hunting! | 0:00:15 | 0:00:17 | |
COWS MOO | 0:00:41 | 0:00:43 | |
Today, we're in the Emerald Isle at County Antrim in Northern Ireland | 0:00:45 | 0:00:50 | |
at the rather wonderful-sounding Ballinderry Antiques. | 0:00:50 | 0:00:53 | |
There are four floors of collectables - | 0:00:55 | 0:00:57 | |
that's thousands of items for our contestants to search through. | 0:00:57 | 0:01:00 | |
Each team get ?300 and an hour to buy three collectables. | 0:01:03 | 0:01:08 | |
And if they get any cash, they get to keep it. | 0:01:08 | 0:01:11 | |
Here we are at the local parish church to meet the teams. | 0:01:20 | 0:01:24 | |
First, the Blues, mother and daughter Shirley and Jo, welcome. | 0:01:24 | 0:01:28 | |
And for the Reds, the cousins Miriam and Adrian. | 0:01:28 | 0:01:31 | |
Welcome to Bargain Hunt. | 0:01:31 | 0:01:33 | |
How lovely to see you. What's your business, then, Miriam? | 0:01:33 | 0:01:35 | |
Cunningham's Coffee Shop, which is a seaside cafe. | 0:01:35 | 0:01:39 | |
Would that be why you're holding this plate here? | 0:01:39 | 0:01:41 | |
Bit of a clue, isn't it? What is it, exactly? | 0:01:41 | 0:01:44 | |
This is soda bread or soda farl. This is Irish fast food. | 0:01:44 | 0:01:47 | |
It looks delicious. Is it for me? | 0:01:47 | 0:01:49 | |
It certainly is. I can't speak and eat at the same time, you know that. | 0:01:49 | 0:01:53 | |
I'm only a man! | 0:01:53 | 0:01:54 | |
You're far too well-mannered. Oh, I don't know about that. | 0:01:54 | 0:01:57 | |
What do you like about being the proprietor | 0:01:57 | 0:01:59 | |
of your own cafe business? | 0:01:59 | 0:02:01 | |
Most of all, I like the craic, I like gossiping with the customers. | 0:02:01 | 0:02:05 | |
It's a small village, so I know everyone in it and everyone knows me. | 0:02:05 | 0:02:08 | |
Well, I bet you're jolly good at it. | 0:02:08 | 0:02:10 | |
Is she good at it, Adrian? Yeah, she's very good. | 0:02:10 | 0:02:13 | |
Now, you're self-employed, too? Yeah, I'm an interior designer. | 0:02:13 | 0:02:16 | |
My showroom's in Newry, County Down. | 0:02:16 | 0:02:18 | |
And basically we do everything from sofas, curtains, carpets, | 0:02:18 | 0:02:22 | |
wallpapers, the lot. But you don't provide antiques for your clients? | 0:02:22 | 0:02:25 | |
No, I'm afraid it's too specific. | 0:02:25 | 0:02:27 | |
You need to find those yourself | 0:02:27 | 0:02:28 | |
and put your personality in your home yourselves. | 0:02:28 | 0:02:30 | |
We're going to be very interested to see what you come up with | 0:02:30 | 0:02:33 | |
that you want to put your personality on with regard to | 0:02:33 | 0:02:35 | |
some collectables, which hopefully will make some money today. | 0:02:35 | 0:02:38 | |
Now, for the Blues. | 0:02:38 | 0:02:40 | |
Shirley, you, like Adrian, are into design too, aren't you? | 0:02:40 | 0:02:43 | |
Yes, I started as an interior designer | 0:02:43 | 0:02:45 | |
but my chief outlet was in the theatre. | 0:02:45 | 0:02:49 | |
So I like designing things for the theatre. Brilliant. | 0:02:49 | 0:02:52 | |
But you've worked with some stars, haven't you? | 0:02:52 | 0:02:55 | |
Yes, when I was at the end of my life and they were at the beginning | 0:02:55 | 0:02:58 | |
of theirs, I worked with Liam Neeson and Kenneth Branagh. | 0:02:58 | 0:03:03 | |
Impresses my grandchildren. | 0:03:03 | 0:03:04 | |
The crucial question is, are you a collector? | 0:03:04 | 0:03:06 | |
I've had some really fantastic bargains. | 0:03:06 | 0:03:09 | |
Once bought the most wonderful Chinese lacquer cabinet. | 0:03:09 | 0:03:14 | |
My husband went to the auction every week in Leeds | 0:03:14 | 0:03:17 | |
and looked over what was available. Came home that night and told me, | 0:03:17 | 0:03:20 | |
"I've seen the most wonderful lacquer cabinet." | 0:03:20 | 0:03:23 | |
And I was expecting a baby any minute, | 0:03:23 | 0:03:25 | |
and overnight she decided to arrive, | 0:03:25 | 0:03:27 | |
so by next morning I was in the hospital with the baby. | 0:03:27 | 0:03:30 | |
And he came in that evening with a bunch of flowers and I said, | 0:03:30 | 0:03:34 | |
"Did you get the cabinet?" He said, "What's the baby like?" | 0:03:34 | 0:03:37 | |
You've got your priorities squared away. Definitely! | 0:03:38 | 0:03:41 | |
Is this your baby? No, no, this is number five baby. | 0:03:41 | 0:03:44 | |
That was number two baby. | 0:03:44 | 0:03:46 | |
Oh, I see, you were just early at it in those days! | 0:03:46 | 0:03:48 | |
We kept collecting a lot and a lot of children. | 0:03:48 | 0:03:50 | |
So, Jo, has all this collecting in your family over the years | 0:03:50 | 0:03:54 | |
rubbed off on you? | 0:03:54 | 0:03:55 | |
Yes, I think I was indoctrinated into collecting fairly early on. | 0:03:55 | 0:03:58 | |
My dad used to take me bottle digging, etc. Bottle digging? | 0:03:58 | 0:04:02 | |
It was great, yes, it really was. | 0:04:02 | 0:04:03 | |
He'd take you to the dump? Yes, that was childhood in those days. | 0:04:03 | 0:04:06 | |
So, what kind of stuff are you going to try and buy today? | 0:04:06 | 0:04:08 | |
I'm very keen on things like Dalton, | 0:04:08 | 0:04:12 | |
anything, really, with a nice pattern to it, | 0:04:12 | 0:04:14 | |
something a little bit bright, maybe. | 0:04:14 | 0:04:16 | |
Something a bit stylish, like you? That's it, Tim. | 0:04:16 | 0:04:19 | |
Thanks very much for that. | 0:04:19 | 0:04:21 | |
On that happy note, I think it's the money moment. Here's your ?300. | 0:04:21 | 0:04:26 | |
You know the rules. Your experts await. | 0:04:26 | 0:04:29 | |
I'm going to hang on to that, thank you. And off you go! | 0:04:29 | 0:04:31 | |
And very, very, very good luck. | 0:04:31 | 0:04:34 | |
So, my first piece of soda bread, how lovely. | 0:04:34 | 0:04:38 | |
Our experts today - for the Reds, the very laid-back... | 0:04:41 | 0:04:46 | |
And for the Blues, with the antique world at her fingertips... | 0:04:46 | 0:04:48 | |
The blue and white. | 0:04:54 | 0:04:55 | |
Can I interrupt you boys? What do you think of this little object? | 0:04:55 | 0:04:59 | |
That's very nice. Why did you like this? | 0:04:59 | 0:05:02 | |
Magpie tendencies - it's bright and shiny. | 0:05:02 | 0:05:04 | |
But I like the kind of baking look about it. | 0:05:04 | 0:05:06 | |
It's quite sort of Arts and Crafts. Exactly. | 0:05:06 | 0:05:09 | |
It has that Art and Crafts look about it and I love these handles here. | 0:05:09 | 0:05:12 | |
You're looking back almost to the 17th century | 0:05:12 | 0:05:15 | |
for the concept of a loving cup. | 0:05:15 | 0:05:17 | |
I notice it's got initials here, | 0:05:17 | 0:05:20 | |
which I don't really think detract from the actual piece itself. | 0:05:20 | 0:05:23 | |
I think this is very nice. | 0:05:23 | 0:05:26 | |
And I see it's Birmingham, 1906. | 0:05:26 | 0:05:30 | |
It's quite heavy. It's good, isn't it? So, how much is that? | 0:05:30 | 0:05:34 | |
It's got 65 on it. Bit much. | 0:05:34 | 0:05:37 | |
What do you think? I think you need to come down. | 0:05:37 | 0:05:40 | |
This is retail price, obviously. | 0:05:40 | 0:05:43 | |
You've got to sell it at auction, | 0:05:43 | 0:05:44 | |
which is equivalent to the wholesale market. | 0:05:44 | 0:05:46 | |
So you've certainly got to bring the price down. | 0:05:46 | 0:05:48 | |
Try and get it down to 50? | 0:05:48 | 0:05:50 | |
That be useful if you could. OK, well, I'll go and sweet-talk him. | 0:05:50 | 0:05:54 | |
But a very, very nice choice. | 0:05:54 | 0:05:56 | |
Ah, the loving cousins got the loving cup for ?50. | 0:05:58 | 0:06:02 | |
Shirley, how nice of you to get a Scottish item for our team today. | 0:06:04 | 0:06:10 | |
Now, I love Wemyss Ware. | 0:06:10 | 0:06:12 | |
It's made in Kirkcaldy. | 0:06:12 | 0:06:14 | |
It was made between 1880 and 1930 in the factory of Robert Heron Sons. | 0:06:14 | 0:06:22 | |
And it was named Wemyss after the Wemyss Castle. | 0:06:22 | 0:06:26 | |
There was a big rate of failure | 0:06:26 | 0:06:29 | |
because these were fired at low temperatures and hand painted, | 0:06:29 | 0:06:34 | |
so it was very expensive stuff. | 0:06:34 | 0:06:36 | |
So, how much is it, Mum? | 0:06:36 | 0:06:38 | |
Well, it's 160. | 0:06:38 | 0:06:40 | |
I think if you're getting maybe 110, 120, we have a good chance. | 0:06:40 | 0:06:46 | |
We're all in agreement? Yes. Let's go and get the price down. | 0:06:46 | 0:06:50 | |
Definitely. | 0:06:50 | 0:06:52 | |
And down it went, to ?115. | 0:06:52 | 0:06:56 | |
We had to find this. | 0:06:58 | 0:06:59 | |
I saw it when we came in and I really, really liked it. | 0:06:59 | 0:07:02 | |
Right, let's have a look at it. | 0:07:02 | 0:07:04 | |
Well, it's nicely marked silver. | 0:07:04 | 0:07:06 | |
But this is a stamped-out design here. OK. Not of exceptional quality. | 0:07:06 | 0:07:11 | |
Neither is the condition good. | 0:07:13 | 0:07:15 | |
Look at all these lips here. | 0:07:15 | 0:07:17 | |
The saving grace, for me, is the glass. | 0:07:17 | 0:07:20 | |
Where it's been an ordinary square decanter, and somebody's had the | 0:07:22 | 0:07:26 | |
initiative to create that element of excitement by pushing in the sides. | 0:07:26 | 0:07:31 | |
I can see why you like it. | 0:07:31 | 0:07:34 | |
Lovely quality. But I think ?145 is way over the odds. | 0:07:34 | 0:07:38 | |
We did negotiate... | 0:07:38 | 0:07:41 | |
and we got it down to 87. | 0:07:41 | 0:07:45 | |
Oh, I can see a profit margin. | 0:07:45 | 0:07:47 | |
So, I think for 87 it's a beautiful piece with, as you say, | 0:07:47 | 0:07:50 | |
stamped silver. | 0:07:50 | 0:07:52 | |
At the end of the day, it depends who is there at the auction. Well, yeah. | 0:07:52 | 0:07:57 | |
I think you've done very well. Thank you. | 0:07:59 | 0:08:01 | |
?87 it is for that unusual decanter. | 0:08:04 | 0:08:07 | |
Anita, I quite like this. Jo, that is so you! I know! It's wonderful! | 0:08:10 | 0:08:16 | |
I do tend to home in on things like this. | 0:08:16 | 0:08:19 | |
I think you could put a chain on that and hang it round your neck | 0:08:19 | 0:08:22 | |
as a necklace or pendant. It's wonderful. | 0:08:22 | 0:08:24 | |
Now, it comes from the Poole Factory and the most desirable pieces, | 0:08:24 | 0:08:28 | |
really, are from the '20s and '30s. | 0:08:28 | 0:08:32 | |
But I have noticed an upsurge in prices in this date of Poole. Great. | 0:08:32 | 0:08:39 | |
It's up for 68, do you think that's...? | 0:08:39 | 0:08:41 | |
I think that it's a wee bit dear at that. | 0:08:41 | 0:08:46 | |
I've had good results for this range of Poole, but for us | 0:08:46 | 0:08:51 | |
to make a profit and that, after all, Shirley, is what we're here for... | 0:08:51 | 0:08:56 | |
Yes, certainly. ..you will have to get it down a bit. | 0:08:56 | 0:08:59 | |
Well, I'll go and have a speak to him. | 0:08:59 | 0:09:01 | |
Shall I go for about 45 or 40, something like that? | 0:09:01 | 0:09:04 | |
Yeah, aim for as low as you possibly can. | 0:09:04 | 0:09:10 | |
Shirley, are you a hip kid? Do you like it? | 0:09:10 | 0:09:13 | |
It isn't quite my taste. | 0:09:13 | 0:09:16 | |
That was too gaudy for me but I'm sure it'd fit Jo's house fine. | 0:09:16 | 0:09:20 | |
She loves it. Let her go for that. Get the price down. On you go. | 0:09:20 | 0:09:24 | |
Get it round down! | 0:09:24 | 0:09:26 | |
Jo loves it and I love the price - just ?45. | 0:09:27 | 0:09:32 | |
What is it, like a doorstop or something? Pin cushion. | 0:09:33 | 0:09:36 | |
But what's the shape? | 0:09:36 | 0:09:38 | |
A pyramid. So, where would it come from? Egypt. | 0:09:38 | 0:09:41 | |
It was made in Egypt. | 0:09:41 | 0:09:43 | |
Just think in terms of the campaign, in Khartoum, Egypt, | 0:09:43 | 0:09:48 | |
Kitchener's forces moving down to Khartoum, | 0:09:48 | 0:09:50 | |
and I think this was probably made by one of the infantrymen. | 0:09:50 | 0:09:55 | |
But it's quite a nice memento of sort of military activity, um, | 0:09:55 | 0:10:00 | |
at the end of the 19th, coming to the 20th century. | 0:10:00 | 0:10:03 | |
You wanted something quirky. Yeah. | 0:10:03 | 0:10:05 | |
So, this is quirky and it's unusual. At ?68? Dear enough. | 0:10:05 | 0:10:09 | |
We have to knock it down a bit in the pricing. | 0:10:09 | 0:10:12 | |
But that shouldn't be a problem. What do you suggest? | 0:10:12 | 0:10:15 | |
50? Get it under 50? 49, 50. | 0:10:17 | 0:10:20 | |
OK, shall I do the negotiating? Yeah, under 50. | 0:10:20 | 0:10:23 | |
That's what I tell people - I'm the right side of 60, rather than 50. | 0:10:25 | 0:10:29 | |
OK, I'll see what I can do. OK. That's great, thanks. | 0:10:29 | 0:10:32 | |
60? 50? | 0:10:33 | 0:10:35 | |
David, who's counting? ?48 was paid. | 0:10:35 | 0:10:38 | |
So, you trio of beauties, what are you up to? | 0:10:42 | 0:10:44 | |
Well, we fancy this scent bottle. | 0:10:44 | 0:10:47 | |
It is a bit of girly thing, Tim. Do you like it? | 0:10:47 | 0:10:52 | |
I don't think it's all that girly. | 0:10:52 | 0:10:54 | |
You know, the modern man...he likes to have a splash, doesn't he? | 0:10:54 | 0:10:57 | |
Put aftershave in it. | 0:10:57 | 0:10:59 | |
That's quite a good thing, isn't it? And is it in good nick, Anita? | 0:10:59 | 0:11:02 | |
It's in perfect condition | 0:11:02 | 0:11:03 | |
and this was one of the things that attracted me to it. | 0:11:03 | 0:11:06 | |
It's London hallmarked so the quality is there. | 0:11:06 | 0:11:10 | |
It's all in very nice condition. | 0:11:10 | 0:11:13 | |
MIMICKING: It's all in very nice condition. | 0:11:13 | 0:11:16 | |
Don't you love it? | 0:11:16 | 0:11:19 | |
Brilliant, Anita. How much? | 0:11:19 | 0:11:21 | |
Well, it's 175, which is far too dear. Oh, dear. | 0:11:21 | 0:11:26 | |
But I do a wee bit of charm... Oh, yeah? | 0:11:26 | 0:11:29 | |
The charm offensive. | 0:11:29 | 0:11:32 | |
By Anita, with the help of these two ladies. | 0:11:32 | 0:11:35 | |
I think you've got lots of qualifications there. | 0:11:35 | 0:11:39 | |
They won't be able to resist us. They won't. | 0:11:39 | 0:11:42 | |
Are you ready, girls? Get the smiles ready. Let's go! | 0:11:42 | 0:11:46 | |
Three right little charmers. And it still cost them ?120. | 0:11:47 | 0:11:51 | |
Time to bring an end to the spending and tot up what they've got. | 0:11:53 | 0:11:58 | |
The Reds, Adrian and Miriam, started out with the loving cup for ?50. | 0:11:58 | 0:12:02 | |
They poured away ?87 on the silver-mounted decanter. | 0:12:04 | 0:12:09 | |
And they hoped to pinpoint a profit at the action | 0:12:10 | 0:12:13 | |
with the pin cushion for ?48. | 0:12:13 | 0:12:16 | |
So, you lovely cousins, | 0:12:18 | 0:12:20 | |
which is your favourite, Miriam? | 0:12:20 | 0:12:23 | |
The little silver loving cup. | 0:12:23 | 0:12:26 | |
Think mine's the pin cushion. | 0:12:26 | 0:12:27 | |
Thought it was very different. OK. | 0:12:27 | 0:12:29 | |
Which piece is going to bring the biggest profit? | 0:12:29 | 0:12:31 | |
The silver loving cup. You're in a rut with that. | 0:12:31 | 0:12:34 | |
I think my decanter could win the day. | 0:12:34 | 0:12:37 | |
We got it at a good price, a really good price, and I think... | 0:12:37 | 0:12:40 | |
You think it could crack it? Yeah, hopefully. | 0:12:40 | 0:12:42 | |
OK, brilliant. ?185 spent. | 0:12:42 | 0:12:45 | |
I want ?115 worth of leftover lolly, | 0:12:45 | 0:12:47 | |
which is a tidy sum for Mr Barby. Isn't it just? Isn't it? | 0:12:47 | 0:12:52 | |
I've got to find something really sophisticated for this couple. | 0:12:52 | 0:12:56 | |
Interior designer and goodness knows what. Well, good luck. | 0:12:56 | 0:12:59 | |
I'm going to make a splash. | 0:12:59 | 0:13:00 | |
I'm going to find something interesting, don't worry. | 0:13:00 | 0:13:02 | |
Good. Let's check out what the Blues bought. | 0:13:02 | 0:13:06 | |
Jo and Shirley started with this Poole Pottery dish for ?45. | 0:13:06 | 0:13:10 | |
The Wemyss preserve jar should make a good profit at ?115 paid. | 0:13:12 | 0:13:16 | |
And the perfume bottle was ?120. Phew! | 0:13:18 | 0:13:22 | |
So, Shirley and Jo, you had a very good shop. | 0:13:24 | 0:13:26 | |
Oh, we did, yes, nearly spent up. | 0:13:26 | 0:13:27 | |
Nearly spent up, ?280 is pretty good. It is, yes. | 0:13:27 | 0:13:30 | |
Are you satisfied with your performance, Jo? | 0:13:30 | 0:13:33 | |
We did some very hard negotiating. I think we did quite well. | 0:13:33 | 0:13:36 | |
?280 spent, ?20 only of leftover lolly. | 0:13:36 | 0:13:40 | |
This is a pretty thin offering for you, isn't it? | 0:13:40 | 0:13:43 | |
Tim, I do not mind. The girls bought beautifully, they haggled well. | 0:13:43 | 0:13:48 | |
What I'm going to do is to get something, some wee thing, | 0:13:48 | 0:13:54 | |
which might make a wee profit. | 0:13:54 | 0:13:58 | |
Well, you'd better have a wee shuffle off, then, hadn't you? | 0:13:58 | 0:14:01 | |
Well, it's lovely to be at Ross's Saleroom in Belfast, | 0:14:16 | 0:14:19 | |
with our auctioneer Daniel Clarke. Good morning. Good morning. | 0:14:19 | 0:14:22 | |
Very nice to see you. Now, the Reds, Adrian and Miriam, | 0:14:22 | 0:14:25 | |
their first item is this slightly oddball pyramid of pins. | 0:14:25 | 0:14:30 | |
It's an oddity but obviously made by a soldier, | 0:14:30 | 0:14:35 | |
probably in the field, for his sweetheart and sent back. | 0:14:35 | 0:14:38 | |
Very unusual and there are buyers for unusual things. | 0:14:38 | 0:14:40 | |
I would anticipate something around ?40-?50. | 0:14:40 | 0:14:44 | |
That's grand, they paid ?48. So, they're in the frame. I think so. | 0:14:44 | 0:14:48 | |
Which is brilliant. | 0:14:48 | 0:14:49 | |
Next, the silver loving cup. | 0:14:49 | 0:14:51 | |
Rather nice. I think probably ?50-?60. | 0:14:51 | 0:14:55 | |
That's great, ?50 they paid. | 0:14:55 | 0:14:57 | |
And finally for them, this rather handsome little whisky decanter. | 0:14:57 | 0:15:02 | |
It's an attractive piece. | 0:15:02 | 0:15:04 | |
I very much like the pierced silver mounting | 0:15:04 | 0:15:07 | |
and obviously it'll pour very nicely with these lips. | 0:15:07 | 0:15:10 | |
So, how much do you think? ?70, ?80. | 0:15:10 | 0:15:12 | |
OK, fine. ?87 they paid. Good. | 0:15:12 | 0:15:15 | |
Well, overall, | 0:15:15 | 0:15:17 | |
I don't think the predictions for that team are too bad. | 0:15:17 | 0:15:21 | |
But on the other hand they might need their Bonus Buy, | 0:15:21 | 0:15:23 | |
so let's go and have a look at it. | 0:15:23 | 0:15:25 | |
You gave David here ?115 to spend of the leftover lolly. | 0:15:25 | 0:15:31 | |
He looks like the cat what got the cream. | 0:15:31 | 0:15:33 | |
So, David, you'd better expose yourself - I mean, better show us... | 0:15:33 | 0:15:39 | |
Reveal all! Here we go. | 0:15:39 | 0:15:41 | |
These are etchings. | 0:15:41 | 0:15:43 | |
They were produced in 1938 by an artist called Leon Danchin. | 0:15:43 | 0:15:48 | |
And he was a French artist specialising in game dogs | 0:15:48 | 0:15:51 | |
and game birds. | 0:15:51 | 0:15:53 | |
I paid ?80 for the two. | 0:15:53 | 0:15:55 | |
Things are really good | 0:15:55 | 0:15:58 | |
but I don't know whether someone would have to love them | 0:15:58 | 0:16:00 | |
and I don't know whether they'll make more profit, say, | 0:16:00 | 0:16:03 | |
than some of our bits of silver, which we have to see. | 0:16:03 | 0:16:06 | |
Well, anyway, the choice will not come your way | 0:16:06 | 0:16:10 | |
until after you've sold your first three items. | 0:16:10 | 0:16:13 | |
But for the viewers at home, | 0:16:13 | 0:16:14 | |
let's find out what the auctioneer thinks about these old birds. | 0:16:14 | 0:16:18 | |
We have a couple of prints. | 0:16:18 | 0:16:20 | |
And they're limited edition and signed. | 0:16:20 | 0:16:23 | |
?70...?80. Might push it to 100. Might push it to 100. | 0:16:23 | 0:16:27 | |
Well, David Barby will rather hope you can cos he paid ?80 | 0:16:27 | 0:16:31 | |
and they're his Bonus Buy and he really rates them. | 0:16:31 | 0:16:34 | |
Now, for the Blues. Their first item is the Poole Pottery plate. | 0:16:34 | 0:16:39 | |
It is collectable, it's becoming more and more popular. | 0:16:39 | 0:16:43 | |
?30, ?40. | 0:16:43 | 0:16:44 | |
Anita and the team paid ?45, | 0:16:44 | 0:16:47 | |
so they may be slightly out of the frame with that. | 0:16:47 | 0:16:50 | |
Not surprisingly, with our Anita Manning from Glasgow, | 0:16:50 | 0:16:53 | |
she has found a piece of Wemyss. | 0:16:53 | 0:16:56 | |
Well, Wemyss is very, very collectable. | 0:16:56 | 0:17:00 | |
Could make ?150 on a good day. | 0:17:00 | 0:17:03 | |
Gosh, ?115 Anita paid. So, that's not too bad, is it? | 0:17:03 | 0:17:08 | |
That's jolly good. | 0:17:08 | 0:17:09 | |
And anyway, it has a function. You can put your marmalade in it. | 0:17:09 | 0:17:12 | |
What could be nicer than that? | 0:17:12 | 0:17:14 | |
The wee perfume bottle. I guess it's not all that old. | 0:17:14 | 0:17:19 | |
But it's in good condition. And people collect them. | 0:17:19 | 0:17:22 | |
?80-?100. OK, fine. ?120 paid. | 0:17:22 | 0:17:26 | |
So, they're slightly patchy in terms of their estimate, | 0:17:26 | 0:17:29 | |
depending on how well the marmalade pot goes. | 0:17:29 | 0:17:33 | |
They managed to spend ?280 | 0:17:33 | 0:17:36 | |
and only ?20 went to Anita to find her Bonus Buy. | 0:17:36 | 0:17:39 | |
That's beautiful. | 0:17:41 | 0:17:43 | |
Isn't that sweet? Really beautiful. Yes? | 0:17:43 | 0:17:45 | |
It's a little goblet. | 0:17:45 | 0:17:47 | |
Ruby glass with a silver overlay and a hallmarked silver base. | 0:17:47 | 0:17:52 | |
OK, pass it across, pass it across. | 0:17:52 | 0:17:54 | |
We're going to take it home, Anita, sorry! That's amazing. | 0:17:54 | 0:17:58 | |
With a hallmark. | 0:17:58 | 0:17:59 | |
That's lovely. That is great. | 0:17:59 | 0:18:01 | |
For that price. Very much of a challenge. | 0:18:01 | 0:18:03 | |
Sorry we didn't leave you any money. | 0:18:03 | 0:18:06 | |
So? How much profit, Anita, please? | 0:18:07 | 0:18:09 | |
We might make a couple of pounds. | 0:18:09 | 0:18:11 | |
Paid ?15, predicting a couple of pounds profit. | 0:18:11 | 0:18:14 | |
Very, very difficult one but for the viewers at home, | 0:18:14 | 0:18:17 | |
let's find out what the auctioneer thinks about it. | 0:18:17 | 0:18:20 | |
It's obviously a little goblet that's had the stand broken | 0:18:20 | 0:18:25 | |
and it has been pushed into a base of a silver spill vase. | 0:18:25 | 0:18:31 | |
Ahh. | 0:18:31 | 0:18:33 | |
?20 maximum. ?20. | 0:18:33 | 0:18:35 | |
Well, poor Anita only had ?20 to spend. | 0:18:35 | 0:18:37 | |
Actually, she spent ?15, so if you can achieve a result of ?20, | 0:18:37 | 0:18:42 | |
quite frankly, Daniel, you've done enormously well. | 0:18:42 | 0:18:46 | |
Excited? Very much so. Just on the edge of the auction, | 0:18:46 | 0:18:49 | |
now, the pin cushion, which David rather cleverly found, | 0:18:49 | 0:18:52 | |
paid ?48 for. The auctioneer's estimate is ?40-?50. | 0:18:52 | 0:18:57 | |
First lot coming up and here it comes. | 0:18:57 | 0:18:59 | |
Lot number 30. Early 20th century pin cushion. | 0:18:59 | 0:19:03 | |
Military pin cushion there. Unusual lot, could we say ?50? 40? | 0:19:03 | 0:19:07 | |
30 and bid. 5. | 0:19:07 | 0:19:09 | |
40. 5. | 0:19:09 | 0:19:11 | |
With the porter, 50. | 0:19:11 | 0:19:12 | |
At ?50. Any more? We're in profit. | 0:19:12 | 0:19:15 | |
At ?50, the bid with the porter. ?50. | 0:19:15 | 0:19:18 | |
At ?50. | 0:19:18 | 0:19:20 | |
It's the porter's bid at ?50. | 0:19:20 | 0:19:23 | |
That's good, that's fine. ?50 is ?2 profit. A whole ?2? | 0:19:23 | 0:19:27 | |
+?2. Now, the silver loving cup. | 0:19:27 | 0:19:31 | |
Silver loving cup. The hammered cup there, Birmingham. | 0:19:31 | 0:19:37 | |
We'll say 50, ?40, please. | 0:19:37 | 0:19:39 | |
30 to open. | 0:19:39 | 0:19:41 | |
20 and bid, thank you. 5. | 0:19:41 | 0:19:43 | |
30. | 0:19:43 | 0:19:44 | |
5. ?35. Any more? | 0:19:44 | 0:19:47 | |
At ?35. 40. It's not... Keep going. He's going. 50 with the porter. | 0:19:47 | 0:19:53 | |
We're selling now at ?50. | 0:19:53 | 0:19:55 | |
?50. That's OK, ?50. Washed its face. | 0:19:55 | 0:19:59 | |
Now, the decanter. Here we go. | 0:19:59 | 0:20:02 | |
The decanter. Late 19th century silver mounted decanter. | 0:20:02 | 0:20:06 | |
Very unusual shape, this. | 0:20:06 | 0:20:07 | |
Decorative piece. Could we say ?100? 50, follow up, please, 40 to open. | 0:20:07 | 0:20:12 | |
40 and bid. 50. 60. 70. | 0:20:12 | 0:20:15 | |
80 with the porter. | 0:20:15 | 0:20:17 | |
With the porter, ?80. Any more? 85. | 0:20:17 | 0:20:21 | |
90. You're in profit. | 0:20:21 | 0:20:25 | |
We have ?90. We have ?90. 5, thank you. | 0:20:25 | 0:20:30 | |
At ?95, bid's here. At ?95 for the decanter and selling now at ?95. | 0:20:30 | 0:20:37 | |
You are +?8, that means you are ?10 overall. ?10, OK? | 0:20:37 | 0:20:42 | |
What are you going to do, then? | 0:20:42 | 0:20:43 | |
You've got ?10 profit, which is brilliant. | 0:20:43 | 0:20:45 | |
Put a gallon of petrol in the car. | 0:20:45 | 0:20:47 | |
Are you going to go with these old ducks, then? | 0:20:47 | 0:20:50 | |
David paid ?80 for the ducks. | 0:20:50 | 0:20:51 | |
So, ?80 for the ducks. I don't think... No, sorry. | 0:20:52 | 0:20:56 | |
You don't think they'll make a profit? Sorry, darling. | 0:20:56 | 0:20:59 | |
I mean, are you sure? We're positive. OK, fine. | 0:20:59 | 0:21:01 | |
So, here they come, these old birds. Number 36, the sporting prints. | 0:21:01 | 0:21:05 | |
Watch these soar away. | 0:21:05 | 0:21:08 | |
Rather nice. Limited edition. | 0:21:08 | 0:21:11 | |
Signed in pencil. Pair of them. | 0:21:11 | 0:21:14 | |
Could we say ?100, please, for the pair of sporting prints? ?50? | 0:21:14 | 0:21:18 | |
40. Anyone to open and bid 40? 50. 60. | 0:21:19 | 0:21:24 | |
At ?60. | 0:21:24 | 0:21:25 | |
At ?60 and bid now for the sporting prints. Any more? | 0:21:25 | 0:21:28 | |
Oh, dear, David. | 0:21:28 | 0:21:30 | |
Dear, dear, dear. Loss. | 0:21:31 | 0:21:33 | |
At ?65... It hasn't finished yet. | 0:21:33 | 0:21:35 | |
At 70. | 0:21:35 | 0:21:36 | |
At ?70. | 0:21:36 | 0:21:38 | |
It's against you at 70. | 0:21:38 | 0:21:40 | |
At ?70. | 0:21:40 | 0:21:42 | |
For the pair. At 5. At ?75. | 0:21:42 | 0:21:45 | |
Getting there. | 0:21:45 | 0:21:47 | |
?75. | 0:21:47 | 0:21:49 | |
Lady's bid at 75. We're selling now at ?75. | 0:21:49 | 0:21:54 | |
Well, he's done really well, hasn't he? | 0:21:54 | 0:21:56 | |
He really did try and sell them, that's brilliant. | 0:21:56 | 0:21:58 | |
?75 minus ?5. So, you two did extraordinary well, didn't you? | 0:21:58 | 0:22:03 | |
We did. Congratulations. ?10. | 0:22:03 | 0:22:06 | |
Now, the big trick is, don't tell the Blues, all right? | 0:22:06 | 0:22:08 | |
Not a word to the Blues. All right. | 0:22:08 | 0:22:10 | |
They must not know that you're in profit. | 0:22:10 | 0:22:11 | |
Go out looking miserable. | 0:22:11 | 0:22:13 | |
UPBEAT MUSIC PLAYS | 0:22:13 | 0:22:15 | |
Now, Jo and Shirley, | 0:22:21 | 0:22:22 | |
how are you both? Nervous, how are you? Why are you nervous? | 0:22:22 | 0:22:27 | |
Well, we had some second thoughts about one of the lots. Which one? | 0:22:27 | 0:22:31 | |
The glass perfume bottle. Really? | 0:22:31 | 0:22:33 | |
Yeah, we're not sure if we made the right choice about that one. | 0:22:33 | 0:22:36 | |
Do you know that Anita Manning has had fantastic success | 0:22:36 | 0:22:40 | |
with perfume bottles in the past? | 0:22:40 | 0:22:42 | |
Anyway, first up is Poole Pottery and here it comes. | 0:22:42 | 0:22:45 | |
Number 55, Poole Pottery dish, circa 1960. | 0:22:45 | 0:22:49 | |
We'll open the bidding at ?10. 10 and bid. 15. 20. | 0:22:49 | 0:22:53 | |
5. ?25 and bid now for the Poole. Any more? | 0:22:53 | 0:22:57 | |
At ?25. At ?25. 28 with the porter. | 0:22:57 | 0:23:02 | |
At 28. 30, a new bidder. Gentleman seated. 30. | 0:23:02 | 0:23:04 | |
At ?30 and bid for the Poole. | 0:23:04 | 0:23:07 | |
At ?30. | 0:23:07 | 0:23:09 | |
At ?30. I have now for the Poole, any more? | 0:23:09 | 0:23:12 | |
With you, sir, at ?30. I'm selling now at ?30. | 0:23:12 | 0:23:16 | |
Oh, dear, ?30, sweetpea. Could have been worse. | 0:23:16 | 0:23:18 | |
You're -?15 on that but don't despair, here comes Wemyss. | 0:23:18 | 0:23:22 | |
The Wemyss preserve jar. Little marmalade jar there. | 0:23:24 | 0:23:29 | |
Wemyss, always popular. ?100, please, to open. | 0:23:29 | 0:23:33 | |
50 and bid, thank you. Bid's at the door at 50. 60. | 0:23:33 | 0:23:37 | |
At ?60. | 0:23:37 | 0:23:38 | |
At ?60. | 0:23:39 | 0:23:41 | |
At 70. At 80. At 90. | 0:23:41 | 0:23:45 | |
?100 to the porter. 110. | 0:23:45 | 0:23:48 | |
At ?110. 120. 130. | 0:23:48 | 0:23:51 | |
At ?130. Bid's at the door at 130. Any more? | 0:23:51 | 0:23:55 | |
At ?130, the bid is with you, sir, at ?130 and selling at 130. | 0:23:55 | 0:24:01 | |
Excellent! | 0:24:01 | 0:24:03 | |
?130, which is ?15 profit, | 0:24:03 | 0:24:07 | |
which means you have no profit and no loss. | 0:24:07 | 0:24:11 | |
So, it's down to the perfume bottle. Oh, dear. | 0:24:11 | 0:24:14 | |
Very nicely cut, in pristine condition. | 0:24:14 | 0:24:18 | |
Could we say ?100, please, for the perfume bottle? | 0:24:18 | 0:24:21 | |
?100 to the porter. 110. | 0:24:21 | 0:24:24 | |
120. | 0:24:24 | 0:24:26 | |
At ?120, it's back with the porter at 120. And 5. | 0:24:26 | 0:24:31 | |
At 125. 130, new bidder. | 0:24:31 | 0:24:35 | |
With the lady here at ?130. | 0:24:35 | 0:24:37 | |
At ?130 with you, madam. At 130. | 0:24:37 | 0:24:41 | |
I'm selling now at ?130. | 0:24:41 | 0:24:45 | |
130. Well done. +?10. | 0:24:45 | 0:24:49 | |
Which means, overall, you have ?10 of profit. Gosh! | 0:24:49 | 0:24:54 | |
Now, listen. Listen very carefully cos I shall say this only once. | 0:24:56 | 0:25:00 | |
You have ?10 in your pocket. That's ?5 each. | 0:25:00 | 0:25:04 | |
What are you going to do about this Bonus Buy? Shall we gamble? Oh, yes. | 0:25:04 | 0:25:08 | |
?15. Now, we're going to have a spin at the glass... Lot 61. | 0:25:08 | 0:25:13 | |
A ruby glass goblet with a silver base. | 0:25:13 | 0:25:17 | |
?10, anyone, to open? 10 and bid, thank you, madam. | 0:25:17 | 0:25:20 | |
15. 20. 20. | 0:25:20 | 0:25:23 | |
Lady's bid here at ?20. | 0:25:23 | 0:25:25 | |
At ?20. 5. 30. | 0:25:25 | 0:25:29 | |
At ?30 with you, madam, at 30. Any more? | 0:25:29 | 0:25:32 | |
At ?30. | 0:25:32 | 0:25:34 | |
At ?30 and bid. | 0:25:34 | 0:25:36 | |
All finished at 30? I'm selling now at ?30. Lady's bid at 30. | 0:25:36 | 0:25:42 | |
Well, that's very good. You should have a kiss. | 0:25:42 | 0:25:45 | |
Well done, darling. Isn't she brilliant? That was amazing! | 0:25:45 | 0:25:48 | |
That really is brilliant. You only had ?20 to spend. | 0:25:48 | 0:25:51 | |
You spent 15 of them and you doubled the money. | 0:25:51 | 0:25:53 | |
Which is fantastic. | 0:25:53 | 0:25:55 | |
Overall, then, girls, your score is +25, all right? | 0:25:55 | 0:25:58 | |
You are +25. | 0:25:58 | 0:25:59 | |
Don't tell the Reds. | 0:25:59 | 0:26:01 | |
Not a word. And we will reveal all in a minute. | 0:26:01 | 0:26:05 | |
UPBEAT MUSIC PLAYS | 0:26:05 | 0:26:08 | |
How exciting today's programme's been. | 0:26:14 | 0:26:16 | |
Two teams of winners, | 0:26:16 | 0:26:18 | |
which were dead heat at one particular moment in the programme. | 0:26:18 | 0:26:23 | |
You were absolutely snagged up together. | 0:26:23 | 0:26:26 | |
There was, however, the choice of going with the Bonus Buy. | 0:26:26 | 0:26:30 | |
And the Reds decided not to go with the Bonus Buy. | 0:26:30 | 0:26:33 | |
And the Reds made the right decision there in not going with it | 0:26:33 | 0:26:37 | |
and therefore the Reds, at this moment in time, have a ?10 profit. | 0:26:37 | 0:26:41 | |
Hurrah. | 0:26:41 | 0:26:43 | |
Here is your ?10 profit. | 0:26:43 | 0:26:45 | |
There you go. Isn't that lovely? | 0:26:45 | 0:26:47 | |
However, it wasn't enough to stop the unstoppable Blues, | 0:26:47 | 0:26:52 | |
who also had a ?10 profit, but they went with the Bonus Buy | 0:26:52 | 0:26:56 | |
and it earned them ?15, so your profit, overall, is ?25. | 0:26:56 | 0:27:00 | |
And I herby declare the Blues the winners of today's programme. | 0:27:00 | 0:27:04 | |
Well, it's really great to have two teams of winners | 0:27:05 | 0:27:08 | |
and to have such a close result. | 0:27:08 | 0:27:10 | |
Join us soon for some more bargain hunting, yes? | 0:27:10 | 0:27:12 | |
ALL: Yes! | 0:27:12 | 0:27:14 |