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Bargain Hunt's popularity has spread worldwide, | 0:00:06 | 0:00:10 | |
so to celebrate our global domination, we've got teams | 0:00:10 | 0:00:14 | |
from both the northern and the southern hemispheres. | 0:00:14 | 0:00:18 | |
Watch out for a winner, as we go Bargain Hunting! | 0:00:18 | 0:00:21 | |
Hello, and welcome to Portobello Road in London, | 0:00:52 | 0:00:56 | |
home to one of the most famous markets in the world. | 0:00:56 | 0:01:01 | |
It's lined with antique shops and stalls which makes it | 0:01:01 | 0:01:05 | |
the very best place for our teams to shop for their bargains today. | 0:01:05 | 0:01:09 | |
It's been here since the 19th century, the big question is | 0:01:09 | 0:01:12 | |
will our teams' decisions last quite such a long time? | 0:01:12 | 0:01:16 | |
I'd better remind them about the rules. | 0:01:16 | 0:01:19 | |
I give each of the teams £300 and an hour to shop for their three items. | 0:01:26 | 0:01:31 | |
They'll be helped by their expert, and I just hope that they choose the right items! | 0:01:31 | 0:01:36 | |
Anyway, let's go and meet today's bargain hunters. | 0:01:36 | 0:01:39 | |
I'd love to say that our teams today had winged in especially to join us on Bargain Hunt, but actually | 0:01:42 | 0:01:50 | |
both teams live in London, although they come from the United States of America and Australia. | 0:01:50 | 0:01:56 | |
How thrilling is that? Anyway, for the reds we've got Sally and Chris, | 0:01:56 | 0:02:00 | |
welcome to Bargain Hunt, and for the blues we have Courtney and Dina. | 0:02:00 | 0:02:04 | |
BOTH: Hi, Tim! | 0:02:04 | 0:02:06 | |
Brilliant! Let's meet the red team first. Now, Sally? | 0:02:06 | 0:02:09 | |
-Yes. -Where about do you come from in Australia? | 0:02:09 | 0:02:11 | |
-I'm from a small town named Gympie in Queensland. -Called what? -Gympie. | 0:02:11 | 0:02:15 | |
-Gympie? -Yes. | 0:02:15 | 0:02:17 | |
-But really, in your heart of heart, you're a traveller, aren't you? -Yes. | 0:02:17 | 0:02:21 | |
Tell us about your travels. | 0:02:21 | 0:02:23 | |
-Well, before I lived here in London, I've been living in Japan for six and a half years. -Japan? | 0:02:23 | 0:02:29 | |
Mmm, and while I was in Japan, I travelled around a lot, and then | 0:02:29 | 0:02:32 | |
also on our way to come to the UK we did a trans-Siberian type tour. | 0:02:32 | 0:02:37 | |
-Did you really? -Yes. -That sounds chilly. | 0:02:37 | 0:02:39 | |
-Mmm. -Can you speak Japanese? -Yeah, I can speak a little. -Can you? | 0:02:39 | 0:02:42 | |
So give us "Hello, Bargain Hunters," | 0:02:42 | 0:02:45 | |
-in Japanese. -Yes, let me think, | 0:02:45 | 0:02:49 | |
-just a second. OK. -SHE SPEAKS JAPANESE | 0:02:49 | 0:02:52 | |
Ha! | 0:02:52 | 0:02:54 | |
So! | 0:02:55 | 0:02:56 | |
-Konichiwa, Chris? -Konichiwa, Tim. | 0:02:56 | 0:03:01 | |
You're not Australian yourself, are you? | 0:03:01 | 0:03:03 | |
No, you can probably guess from my accent, I'm from Stoke-on-Trent. | 0:03:03 | 0:03:06 | |
-Not sunny Stoke-on-Trent? -Sunny posh Stoke-on-Trent. | 0:03:06 | 0:03:09 | |
Fantastic. And you love a bit of travelling though, obviously? | 0:03:09 | 0:03:12 | |
Yeah, the same as Sally, I've actually lived in a few countries now, I lived in America | 0:03:12 | 0:03:18 | |
for a while, I lived in Spain, and Sally spent six years in Japan, I spent five years. | 0:03:18 | 0:03:22 | |
So, for the sake of today's programme, and the internationalism | 0:03:22 | 0:03:27 | |
of our teams, can I refer to you as an Australian? | 0:03:27 | 0:03:30 | |
Sorry, Dad, but yeah, OK. | 0:03:30 | 0:03:33 | |
-You'll allow us to do that? -Yes. -Anyway, that's sorted out Australia. | 0:03:33 | 0:03:37 | |
Now, let's wing a few thousand miles, and say, "Hi, girls!" | 0:03:37 | 0:03:41 | |
-Hi, Tim! -Hi, Courtney! | 0:03:41 | 0:03:43 | |
-Hello. -Hi, Dina. | 0:03:43 | 0:03:45 | |
Hi, Tim, it's swell to be in the motherland. | 0:03:45 | 0:03:48 | |
So sweet! | 0:03:48 | 0:03:50 | |
-So, Courtney, you're from the United States of America. -Yes. | 0:03:50 | 0:03:54 | |
-Whereabouts exactly? -Dallas, Texas. -Dallas, Texas? That's exciting! | 0:03:54 | 0:03:58 | |
-Big D. -All those oil barons. | 0:03:58 | 0:04:00 | |
Now, what do you do here in London? | 0:04:00 | 0:04:03 | |
I'm an accent dialect coach for theatre and film. | 0:04:03 | 0:04:06 | |
Dina, do you also come from Texas? | 0:04:06 | 0:04:08 | |
No, I'm from Colorado, which is a bit further north. | 0:04:08 | 0:04:11 | |
I bet you ski like a dream? | 0:04:11 | 0:04:13 | |
Well, I can get down the bumps, but I can't | 0:04:13 | 0:04:15 | |
make it look all pretty like the Olympians do, or anything like that. | 0:04:15 | 0:04:18 | |
I bet you're very modest on that front. | 0:04:18 | 0:04:20 | |
What did you do after you graduated? | 0:04:20 | 0:04:22 | |
I actually moved straight over here after graduation from university, and got a job as a social worker. | 0:04:22 | 0:04:30 | |
-Is that what you do? -Yes. -Well, that's very worthwhile. It says here you played soccer for 12 years? | 0:04:30 | 0:04:35 | |
-I did, I played for 12 and then busted my knee, so I coached for three years after that. -Brilliant. | 0:04:35 | 0:04:40 | |
What do you collect, darling? | 0:04:40 | 0:04:42 | |
I collect a lot of books, I'm into reading, that sort of thing, | 0:04:42 | 0:04:47 | |
-and Dreamcicles and Snow Babies as well. -I beg your pardon? | 0:04:47 | 0:04:50 | |
Collect what? | 0:04:50 | 0:04:52 | |
They're little figurines doing various activities. | 0:04:52 | 0:04:56 | |
-Did you ever grow up at all, then? Not really? -No. | 0:04:56 | 0:04:58 | |
You're still just a baby? | 0:04:58 | 0:05:01 | |
Just our American baby. Anyway, welcome to Bargain Hunt. | 0:05:01 | 0:05:04 | |
Now it's the money moment, £300 apiece, yes? | 0:05:04 | 0:05:07 | |
£300, there's your £300, you know the rules, | 0:05:07 | 0:05:09 | |
your experts await and off you go, and very, very, very good luck. | 0:05:09 | 0:05:13 | |
So it's Australia versus the USA. | 0:05:13 | 0:05:17 | |
Which team is going to win, not only for their team, but also their country? | 0:05:17 | 0:05:22 | |
Today's experts at the ready to face the crowds | 0:05:22 | 0:05:25 | |
of competitive bargain hunters are tenacious Thomas Plant | 0:05:25 | 0:05:29 | |
for the reds, and jovial James Braxton for the blues. | 0:05:29 | 0:05:33 | |
And they'll need to hustle, as today, | 0:05:33 | 0:05:35 | |
they'll be helping not one, but two lots of teams. | 0:05:35 | 0:05:38 | |
Wow! So you've found a big blue and white vase, haven't you? | 0:05:42 | 0:05:45 | |
Yes, there's a little bit of a problem. | 0:05:45 | 0:05:47 | |
A little bit of a problem?! | 0:05:47 | 0:05:49 | |
-This whacking great big crack! Look at this! -It is a big crack. | 0:05:49 | 0:05:52 | |
It's character, it gives it character. | 0:05:52 | 0:05:54 | |
Rubbish! Let's not break it any more, let's put it down gently. | 0:05:54 | 0:05:58 | |
-Ooh, that's good, isn't it? -I like it. I do like that. | 0:05:58 | 0:06:00 | |
-Sally, what do you think? -I don't mind it. | 0:06:00 | 0:06:03 | |
I wonder about the big crack. | 0:06:03 | 0:06:05 | |
OK, well, it's definitely Chinese, and this is transfer printed on here. | 0:06:05 | 0:06:09 | |
-OK. -So it's been printed on. | 0:06:09 | 0:06:12 | |
1900, 1890. | 0:06:12 | 0:06:14 | |
I mean, it's that kind of Edwardian look. | 0:06:14 | 0:06:17 | |
So now, here comes the big question - | 0:06:17 | 0:06:20 | |
cracked vase, how much? | 0:06:20 | 0:06:22 | |
£75? | 0:06:22 | 0:06:24 | |
-What do you think? -Not bad. | 0:06:24 | 0:06:26 | |
Well, in my honest opinion, | 0:06:26 | 0:06:28 | |
we're not looking at a fine piece of porcelain here, we're looking at | 0:06:28 | 0:06:32 | |
a decorative piece, and it's something which the likes of you two going to an auction would buy. | 0:06:32 | 0:06:36 | |
Definitely, I would, yes. | 0:06:36 | 0:06:38 | |
And I think that's why I'm going with you and trusting you on this, because I think it's a good idea. | 0:06:38 | 0:06:42 | |
-Do you want it? -Yes. -You really want it? -Yes. -All right, we'll go and get it, then. -Yeah! | 0:06:42 | 0:06:46 | |
-I'll let you pick it up, though! -OK. | 0:06:46 | 0:06:48 | |
Well done. Don't drop it! | 0:06:48 | 0:06:50 | |
-I won't. -Come on! -All right, let's go. | 0:06:50 | 0:06:52 | |
-TIM: -At least they noticed the crack, but was £75 too much damage to their budget? | 0:06:52 | 0:06:59 | |
Ah, here she comes, look... she's smiling! | 0:06:59 | 0:07:02 | |
-Uh-huh! -Look at that! | 0:07:02 | 0:07:04 | |
Come on, Dina, what have you found me? | 0:07:04 | 0:07:06 | |
This is what I've found. Well, the tag says it's a glass biscuit barrel. | 0:07:06 | 0:07:10 | |
-Biscuit barrel, yeah. -Yeah. | 0:07:10 | 0:07:13 | |
You're dead right, dead right, but of course nobody's allowed biscuits any more, | 0:07:13 | 0:07:17 | |
-are they, Courtney? -I disagree with that! | 0:07:17 | 0:07:20 | |
So this was, you're dead right, a biscuit barrel. | 0:07:20 | 0:07:22 | |
So your Victorian/Edwardian home, | 0:07:22 | 0:07:24 | |
But nowadays they've been re-badged as ice buckets, | 0:07:24 | 0:07:27 | |
so for gin and tonics and whatever. | 0:07:27 | 0:07:30 | |
All the mounts are silver, | 0:07:30 | 0:07:31 | |
obviously a glass body here, | 0:07:31 | 0:07:33 | |
-I like the cutting, reminds me slightly of a pineapple. -Wow. | 0:07:33 | 0:07:38 | |
I think it's a good one, I think we've got to get it below sort of £50. | 0:07:38 | 0:07:42 | |
I think it looks classy, and it's got the hallmarks, | 0:07:42 | 0:07:45 | |
which are important, and it's real silver, yes. | 0:07:45 | 0:07:48 | |
I think it's real silver, it's in nice, good condition, I think | 0:07:48 | 0:07:51 | |
the only rider is that we can try, we've got to work hard on the man, try and get it below £50. | 0:07:51 | 0:07:56 | |
-She can do it. -No, it's a good one. | 0:07:56 | 0:07:59 | |
Go on, get off there! | 0:07:59 | 0:08:01 | |
It's not as low as they'd hoped, but Dina did the deal for £58. | 0:08:02 | 0:08:07 | |
So, guys, look what I've found. | 0:08:10 | 0:08:12 | |
-What is it? -What do you think? | 0:08:12 | 0:08:14 | |
-Hmm. -"Hmm." What does that mean? | 0:08:14 | 0:08:16 | |
-Hmm, I like it, or hmm, I think it's horrible? -No, it's quite nice. | 0:08:16 | 0:08:20 | |
-It's quite nice? -I can see it on a big table, or something like that. | 0:08:20 | 0:08:23 | |
Yeah, OK. | 0:08:23 | 0:08:24 | |
It's made by a man called Per Lutken, it's designed by him, | 0:08:24 | 0:08:28 | |
made by the factory called Holmegaard, a Scandinavian factory, and it's dated 1957. | 0:08:28 | 0:08:33 | |
And that's Per Lutken's signature there, 1957. | 0:08:33 | 0:08:35 | |
-Oh, it's engraved in the glass. -All engraved in there. | 0:08:35 | 0:08:38 | |
-What do you think, after I've told you all of this? -How much? | 0:08:38 | 0:08:41 | |
-£25. -£25? -Ooh, that's not bad! | 0:08:41 | 0:08:45 | |
I sell these quite a lot, I mean, I just had a lot of Holmegaard, and I believe there's a £5 profit in this. | 0:08:45 | 0:08:51 | |
-Maybe we can get a bit more? -Really? -Yeah. -Do you think so? | 0:08:51 | 0:08:55 | |
-Shall we send you in? -Yeah, I reckon. | 0:08:55 | 0:08:56 | |
-Yeah, send Chris in? -Let's send Chris in. -OK. | 0:08:56 | 0:08:58 | |
Bash him over the head, I'll hold on to this, I'm going to send you off. | 0:08:58 | 0:09:01 | |
-OK. -And Sally and I will look for the next item. | 0:09:01 | 0:09:03 | |
-All right, I'll see you in a second. -OK, then, bye-bye, good luck! -How do you reckon he'll do? | 0:09:03 | 0:09:07 | |
Maybe he'll knock a couple of pounds off it. | 0:09:07 | 0:09:10 | |
-Yeah? -We'll see, yeah. | 0:09:10 | 0:09:12 | |
And he did do well, Chris got the dish for £23. | 0:09:12 | 0:09:17 | |
Now, what's James hiding? | 0:09:17 | 0:09:20 | |
Courtney, Dina... you'll never guess, I'm running with a theme here, | 0:09:20 | 0:09:25 | |
I've not quite bought it, I'm looking for some sort of sanction. | 0:09:25 | 0:09:28 | |
What do you think of this? | 0:09:28 | 0:09:30 | |
Just by way of confirmation... | 0:09:30 | 0:09:33 | |
Oh, look, another biscuit barrel! | 0:09:33 | 0:09:36 | |
Well, you've sent me on a path, | 0:09:36 | 0:09:38 | |
and I seem to have only eyes for barrels here. | 0:09:38 | 0:09:41 | |
Frosted glass, and it's got these marks here, | 0:09:41 | 0:09:45 | |
so emblematic of a staved oak barrel here, and then just in case there was | 0:09:45 | 0:09:49 | |
any doubt about its use, we've got a tag saying biscuits on it, but I like this sort of the marine theme. | 0:09:49 | 0:09:56 | |
We've got this rather nice coiled rope on the top there. | 0:09:56 | 0:10:00 | |
So any self-respecting billionaire | 0:10:00 | 0:10:03 | |
will want that on board his yacht to carry his ice, won't they? | 0:10:03 | 0:10:07 | |
Now, is that real silver, though? | 0:10:07 | 0:10:09 | |
This is plated, so how much did we buy the last one for? | 0:10:09 | 0:10:11 | |
-Er... -£58. -£58. | 0:10:11 | 0:10:15 | |
-£58, price? -£20? | 0:10:15 | 0:10:18 | |
-I'd probably go with about maybe £50, £45? -£50! | 0:10:18 | 0:10:20 | |
£50, you're my sort of woman, that's what we want to get at auction. | 0:10:20 | 0:10:23 | |
So how much is it? | 0:10:23 | 0:10:25 | |
I'd rather pay what you said at auction... | 0:10:25 | 0:10:28 | |
It's not, it's somewhere in the middle, I think probably £30, what do you think? | 0:10:28 | 0:10:34 | |
£30, I think it's a lovely quality item. | 0:10:34 | 0:10:36 | |
I'm not sold, but I'm willing to trust you. | 0:10:36 | 0:10:38 | |
That's very kind. Dina? | 0:10:38 | 0:10:40 | |
I agree, let's go for it. | 0:10:40 | 0:10:43 | |
-Yep. -OK, I'm buying. | 0:10:43 | 0:10:46 | |
Another biscuit barrel? | 0:10:46 | 0:10:48 | |
-Hello? -I think I found our third item. | 0:10:56 | 0:10:59 | |
-Yeah, OK. -What do you think? | 0:10:59 | 0:11:00 | |
It's a little vase, and it's got this nice lacy stuff through it, | 0:11:00 | 0:11:04 | |
and then the yellow and the gold, | 0:11:04 | 0:11:07 | |
which all goes nicely together, | 0:11:07 | 0:11:09 | |
and it all seems to be intact, so I think it's all still OK. | 0:11:09 | 0:11:14 | |
It's probably made in Venice, in Murano, by a company called Venini. | 0:11:14 | 0:11:18 | |
-Oh, OK. -In a factory, Venini. | 0:11:18 | 0:11:20 | |
-Now you mentioned this lacy bit here, didn't you? -Yeah, what is that, then? | 0:11:20 | 0:11:24 | |
-They are bits of glass... -Oh, really? | 0:11:24 | 0:11:27 | |
And they're like, it's cane, glass cane, and it's called latticino | 0:11:27 | 0:11:31 | |
-and millefiori. -Oh, a lattice effect. | 0:11:31 | 0:11:33 | |
Absolutely, latticino in there. | 0:11:33 | 0:11:35 | |
-In my opinion, it's very decorative. -Yeah. | 0:11:35 | 0:11:37 | |
You can't really do it down, because there's nothing really wrong with it. | 0:11:37 | 0:11:41 | |
-So I think you've sold it to us quite well. What do you think? -Chris? | 0:11:41 | 0:11:44 | |
-I think we should get it, then. -Excellent! I've already bought it! | 0:11:44 | 0:11:48 | |
-Really? -Yeah. -What do you think about that? | 0:11:48 | 0:11:50 | |
-A bit cheeky, but OK! -Number three! | 0:11:50 | 0:11:51 | |
-Really cheeky! How much did you buy it for? -£30. | 0:11:51 | 0:11:55 | |
-£30, well, you didn't do too bad, £30 is not bad. -OK. | 0:11:57 | 0:12:02 | |
I think it's quite nice. | 0:12:06 | 0:12:12 | |
That is very smart, what did the lady sell it to you as? | 0:12:08 | 0:12:12 | |
A Bakelite cigarette holder, but I don't think that's right. | 0:12:12 | 0:12:16 | |
No, the weight would definitely suggest it's not, and then this sort of little bit of damage here | 0:12:16 | 0:12:21 | |
would suggest it's a marble of some sort, and it is, it's this sort of igneous rock that's just come through | 0:12:21 | 0:12:28 | |
the earth's crust, and it's pretty well synonymous with Cornwall. | 0:12:28 | 0:12:31 | |
So it's rather nice, this red, and I like this silver... | 0:12:31 | 0:12:36 | |
Did the lady say it was silver, or not? | 0:12:36 | 0:12:38 | |
She said, but I can't see any hallmarks anywhere, so I don't... Is it? | 0:12:38 | 0:12:42 | |
No, I can't see any hallmarks, but you know, I think it's English-made, | 0:12:42 | 0:12:46 | |
so I think it probably is plate. | 0:12:46 | 0:12:48 | |
Now, what's the price? | 0:12:48 | 0:12:49 | |
-Make or break? -£38, but she was selling it as Bakelite, | 0:12:49 | 0:12:54 | |
so since we know it's not Bakelite, I think that was a bit steep, so I think we can get it down. | 0:12:54 | 0:12:58 | |
Try and get her down, anything below £30, we might stand a chance. | 0:12:58 | 0:13:02 | |
It's a lovely curio, a nice decorative object. | 0:13:02 | 0:13:04 | |
-All right, I'm going to go and see if I can get some money off this. -You need to, Courtney. | 0:13:04 | 0:13:09 | |
-We agree, yes? -Yeah. | 0:13:09 | 0:13:11 | |
Let's hope any profit is bigger than that bucket! | 0:13:11 | 0:13:16 | |
Tick, tick, tick, tick, tick! Time's up! | 0:13:20 | 0:13:24 | |
Chris and Sally were potty to pay £75 for a cracked vase, Thomas went | 0:13:24 | 0:13:30 | |
all stylish choosing the fruit bowl for £23, | 0:13:30 | 0:13:34 | |
and was Sally right to snap up the lacy vase for £30? We'll see later. | 0:13:34 | 0:13:39 | |
So, Sal, my pal, and Chris, how did it go? | 0:13:39 | 0:13:42 | |
-Not too bad, not too bad. -Not too bad, oh, yes! -We've got three good items, | 0:13:42 | 0:13:46 | |
-we think. -Which is your favourite piece? | 0:13:46 | 0:13:48 | |
My favourite is probably the big blue and white vase that Chris found. | 0:13:48 | 0:13:52 | |
-Yeah? Is that your favourite too, Chris? -Of course, yes. | 0:13:52 | 0:13:54 | |
Yeah, so you're in agreement there, that's always nice. | 0:13:54 | 0:13:57 | |
-Yep, yep. -And which piece is going to bring the biggest profit? | 0:13:57 | 0:13:59 | |
However, I think the one that will bring possibly a bit of a profit is the big glass bowl. | 0:13:59 | 0:14:05 | |
-Glass bowl jobbie? -Yes. -The Holmegaard bowl? | 0:14:05 | 0:14:07 | |
-That's the one, yes. -All right, and do you agree with that, Chris? | 0:14:07 | 0:14:10 | |
-I disagree with that, Tim. -Yes? | 0:14:10 | 0:14:12 | |
-I think the big blue vase will bring a big profit. -Well, you're a Stoke-on-Trent man, | 0:14:12 | 0:14:16 | |
-isn't it? -Yes. If it's made of pot, it's for you! -Anyway, that's brilliant. | 0:14:16 | 0:14:20 | |
So you only spent £128, that's not so much, which is £172. | 0:14:20 | 0:14:25 | |
-How much is that in Australian dollars, roughly? -About 345, 350? | 0:14:25 | 0:14:29 | |
That's a lot of money! Sounds better in Australian, doesn't it! | 0:14:29 | 0:14:32 | |
-344, cobber! -Yes, lovely! -What are you going to get up to with that? | 0:14:32 | 0:14:35 | |
-Something which maybe a magpie would like, it's a bit shiny. -Oh, really, a bit of bling? | 0:14:35 | 0:14:42 | |
-Needs a bit of a shine to it. -Yeah? | 0:14:42 | 0:14:44 | |
You'll be all right to polish it up. Thanks, Thomas. | 0:14:44 | 0:14:46 | |
Let's remind ourselves what the blues bought. | 0:14:46 | 0:14:50 | |
Dina went all fruity, buying the pineapple biscuit barrel for £58, | 0:14:50 | 0:14:55 | |
James also fancied a biscuit and bought another barrel for £30, | 0:14:55 | 0:15:00 | |
and Courtney's mini bucket cost a mini £28. Hmm, bargain(!) | 0:15:00 | 0:15:07 | |
-So, dolls, did you have a nice time? -Yes! | 0:15:07 | 0:15:10 | |
A pretty giggly time, hey? | 0:15:10 | 0:15:13 | |
It was a good time! | 0:15:13 | 0:15:15 | |
Which is your favourite piece, bearing in mind they're all the same? | 0:15:15 | 0:15:18 | |
BOTH: The barrel. | 0:15:18 | 0:15:20 | |
And which piece is going to bring the biggest profit? | 0:15:20 | 0:15:23 | |
The silver baller... That's... I can't speak English! | 0:15:23 | 0:15:26 | |
Just as well you're in charge of elocution, isn't it, your school! | 0:15:26 | 0:15:30 | |
The silver ballerg? | 0:15:30 | 0:15:31 | |
What is a ballerg, please? | 0:15:31 | 0:15:33 | |
Cut? No, no, we keep going on Bargain Hunt! | 0:15:33 | 0:15:37 | |
There's no way out! | 0:15:37 | 0:15:39 | |
The silver ballerg... | 0:15:39 | 0:15:41 | |
-Yes, that one! -That's the one? | 0:15:41 | 0:15:43 | |
-The silver barrel. -Thing, OK. | 0:15:43 | 0:15:45 | |
You spent £116, truly pathetic, £184 worth. £184 worth! | 0:15:45 | 0:15:52 | |
I mean, James, this is your pocket money for a year! | 0:15:52 | 0:15:54 | |
Are you going to buy sweeties, or what? | 0:15:54 | 0:15:56 | |
-No, I think I'm going to try and avoid a barrel. -Yes! | 0:15:56 | 0:16:00 | |
I think it'll be something slightly more sculptural, ladies. | 0:16:00 | 0:16:03 | |
More sculptural? Well done! | 0:16:03 | 0:16:04 | |
Well, it's very nice to be at Bellman's Auction Room in | 0:16:12 | 0:16:15 | |
West Sussex with the Chairman and Managing Director, Jonathan Pratt. | 0:16:15 | 0:16:19 | |
-Hi, Jonathan. -Good morning, Tim. | 0:16:19 | 0:16:20 | |
Now, Chris and Sally, they went with this pot. | 0:16:20 | 0:16:23 | |
Is it Chinese, do you think? | 0:16:23 | 0:16:26 | |
-I think it is, actually. -It's heavy enough, isn't it, to be Chinese? | 0:16:26 | 0:16:29 | |
Yes, I mean there's no markings on it, but you've got that sort of | 0:16:29 | 0:16:32 | |
fairly rough footrim there, and the decoration lets it down | 0:16:32 | 0:16:35 | |
sadly, because you want it to be hand painted, and you've got this... | 0:16:35 | 0:16:38 | |
-It's awfully blurry. -It looks like it's a transfer, | 0:16:38 | 0:16:40 | |
it has to be a transfer with that sort of decoration, that's what we said. | 0:16:40 | 0:16:44 | |
-So it's a myopic Chinese vase then? -Well, exactly. | 0:16:44 | 0:16:47 | |
It's for the European market, obviously, | 0:16:47 | 0:16:49 | |
but it's a nice big vase, sadly let down by a crack which runs down it. | 0:16:49 | 0:16:53 | |
-It hasn't got a crack too, has it? -It's got a... Where are we? | 0:16:53 | 0:16:56 | |
There, look at that. | 0:16:56 | 0:16:57 | |
-Running straight down, top to bottom, that's... -Oh, my... Look at that! | 0:16:57 | 0:17:00 | |
-It's a J curve! -It's a J curve. | 0:17:00 | 0:17:03 | |
-And that, I think, reflects our estimate. -Which is? | 0:17:03 | 0:17:06 | |
£10 to £20. | 0:17:06 | 0:17:08 | |
-Oh, Lordy! £75, they paid. -Hmm, I think that's very optimistic. | 0:17:08 | 0:17:11 | |
What about this H-H-Holmegaard glass fruit bowl? | 0:17:11 | 0:17:16 | |
-You've got to say it with a Danish accent, Tim. -Oh, yes. | 0:17:16 | 0:17:19 | |
-"Hulme-gaard". -Is that uben aben? | 0:17:19 | 0:17:21 | |
-Yes. -So, a big old lump of Scandinavian, as they say. | 0:17:21 | 0:17:24 | |
It's signed on the bottom, Holmegaard 1950... | 0:17:24 | 0:17:28 | |
I think we said seven, anyway the description in the catalogue, | 0:17:28 | 0:17:30 | |
I think, says '57. £30 to £50. | 0:17:30 | 0:17:32 | |
-£23 paid. -Brilliant. -So, that's not too bad, is it? | 0:17:32 | 0:17:35 | |
-Yeah, it should do that. -Yes, it should get a touch off that. | 0:17:35 | 0:17:38 | |
Now, what about this Venetian glass vase? | 0:17:38 | 0:17:41 | |
Well, I mean, you look at it, and that's what it is, isn't it? | 0:17:41 | 0:17:44 | |
It's Venetian, that's the sort of style, this sort of air-twist | 0:17:44 | 0:17:47 | |
decoration, sort of extruded, twisted cane. | 0:17:47 | 0:17:52 | |
-How much? -How much? £20 to £40. | 0:17:52 | 0:17:57 | |
-OK, £30 paid. -£30 paid. -So, that's not too bad, is it? | 0:17:57 | 0:17:59 | |
For certain, they're going to need their bonus buy so let's go and have a look at it! | 0:17:59 | 0:18:03 | |
So, Sally and Chris, | 0:18:03 | 0:18:05 | |
this is the leftover lolly moment, | 0:18:05 | 0:18:07 | |
-you actually had quite a lot of leftover lolly, didn't you? -Yep. | 0:18:07 | 0:18:10 | |
£172 worth, which you gave to Thomas. | 0:18:10 | 0:18:13 | |
Now, what did he blow it on? | 0:18:13 | 0:18:14 | |
Come on, Thomas! Be honest! | 0:18:14 | 0:18:16 | |
Yeah, I think I did blow it, I bought a silver pin cushion modelled as a shoe, it's very fine, | 0:18:16 | 0:18:22 | |
I think it's sort of Edwardian, so it's 100 years old. | 0:18:22 | 0:18:25 | |
-How much was it? -Well, don't really worry about that, it was £140, | 0:18:25 | 0:18:29 | |
so I didn't spend all your money. | 0:18:29 | 0:18:31 | |
-£140? -Yeah. | 0:18:31 | 0:18:35 | |
I think you're impressed, Chris, aren't you? You think £140... | 0:18:35 | 0:18:39 | |
There's something shaking inside. | 0:18:39 | 0:18:41 | |
-Well, that's the... -It's a toenail! | 0:18:41 | 0:18:44 | |
-So, how much does it go for at auction? -£100 to £200, | 0:18:44 | 0:18:46 | |
hopefully it falls between the middle of that, so we've got a profit. | 0:18:46 | 0:18:50 | |
Would it be the sort of thing you'd find down under? | 0:18:50 | 0:18:53 | |
I don't know about that, no! | 0:18:53 | 0:18:55 | |
-Probably not! -It's too old! | 0:18:56 | 0:18:58 | |
-You don't have to decide now. -We'll have a think about it. | 0:18:58 | 0:19:01 | |
You decide after the sale of your first three items, | 0:19:01 | 0:19:03 | |
but for viewers at home, let's find out what the auctioneer thinks about it. | 0:19:03 | 0:19:06 | |
-I don't think this is your size, Jonathan. -Or my design. | 0:19:06 | 0:19:11 | |
-Or your design, but it's a sweet looking thing, isn't it? -Yeah. | 0:19:11 | 0:19:13 | |
Are you going to put your boot in on this? | 0:19:13 | 0:19:16 | |
Give it the boot! Someone has on the back of the heel there. | 0:19:16 | 0:19:18 | |
There's a little bit of a dent on the back there. | 0:19:18 | 0:19:20 | |
-It's painful, that. -They do sell well, they do sell well... | 0:19:20 | 0:19:23 | |
-Lovely. -But at the right price. -What's the right price? | 0:19:23 | 0:19:26 | |
-I would say probably £30 to £50. -Would you? | 0:19:26 | 0:19:28 | |
-Mmm. -Thomas Plant, as a bonus buy, paid £140 for this. | 0:19:28 | 0:19:31 | |
-Excellent. -Yes. -Good luck to him! | 0:19:31 | 0:19:33 | |
So, he's slightly on the cusp of the top end of expectations here? | 0:19:33 | 0:19:37 | |
Well, I mean estimates often generate interest, one hopes maybe it's a nice | 0:19:37 | 0:19:41 | |
collectible object, there's going to be private people after it. | 0:19:41 | 0:19:45 | |
-Yes, £140 though, it's a buy. -It's a long way to go. | 0:19:45 | 0:19:48 | |
Now, that's it for the reds, now for the blues, Courtney and Dina. | 0:19:48 | 0:19:51 | |
Starting with the silver and glass biscuit barrel, | 0:19:51 | 0:19:54 | |
which is this joker, | 0:19:54 | 0:19:55 | |
that looks, feels and tastes like moulded glass to me? | 0:19:55 | 0:19:59 | |
But it's got a silver mount, which is good. | 0:19:59 | 0:20:01 | |
Yes, which is good. How much then, for that joker? | 0:20:01 | 0:20:04 | |
I would say it still will attract buyers, | 0:20:04 | 0:20:07 | |
even though there's a little bit of few chips on it, £40 to £60. | 0:20:07 | 0:20:10 | |
-£58 they paid. -Could get better. -So that's maybe not too bad. | 0:20:10 | 0:20:14 | |
Now, believe it or not, we've got another biscuit barrel, | 0:20:14 | 0:20:17 | |
which is I think much more attractive, | 0:20:17 | 0:20:19 | |
because it's a novelty jobbie. | 0:20:19 | 0:20:21 | |
I think they spent their money on decorating the bowl, | 0:20:21 | 0:20:24 | |
rather than going for the mount. | 0:20:24 | 0:20:26 | |
How much for the fishy biscuit box barrel? | 0:20:26 | 0:20:28 | |
-I've said £20 to £30. -£20 to £30? | 0:20:28 | 0:20:31 | |
-£20 to £30. -£30 paid, so that's OK? | 0:20:31 | 0:20:33 | |
-Yeah. -Yeah, close enough. Now, what about this little bucket then? | 0:20:33 | 0:20:36 | |
-That's a novelty bucket for you? -Very pretty. | 0:20:36 | 0:20:38 | |
It's got a silver-plated mount. | 0:20:38 | 0:20:39 | |
It's been swung around by the handle a few times, obviously been used. | 0:20:39 | 0:20:43 | |
-Yeah, it's been squashed, hasn't it? -But it's good quality tourist ware. | 0:20:43 | 0:20:46 | |
-Yes. -£10 to £20. | 0:20:46 | 0:20:49 | |
-£10 to £20, £28 paid. -Yeah, could get there. | 0:20:49 | 0:20:53 | |
Either way, let's go and have a look at their bonus buy, eh? Yes. | 0:20:53 | 0:20:57 | |
I have squandered your money... | 0:20:57 | 0:21:00 | |
THEY LAUGH | 0:21:00 | 0:21:02 | |
..on these two lovely little Scottie dogs. | 0:21:02 | 0:21:05 | |
What do you think, Dine? | 0:21:05 | 0:21:06 | |
-Uh...it's nice. -Nice. -I like them. | 0:21:06 | 0:21:10 | |
-Do you? -How much did you pay, though? | 0:21:10 | 0:21:12 | |
-You may not like them now! -Oh, no! | 0:21:12 | 0:21:14 | |
-Well, I had a lot of money, didn't I? -You did! -Yeah? | 0:21:14 | 0:21:17 | |
So, he was a very nice stallholder, I thought he needed a bit of a lift, | 0:21:17 | 0:21:22 | |
so gave him £145 for this. | 0:21:22 | 0:21:23 | |
Hundred and what? | 0:21:23 | 0:21:25 | |
Quite a lift, actually. | 0:21:25 | 0:21:27 | |
-So, what's the estimate for it then? -£100 to £150. | 0:21:27 | 0:21:31 | |
£100 to £150. | 0:21:31 | 0:21:32 | |
It's a doggy nation, isn't it? | 0:21:32 | 0:21:34 | |
I think that has filled Dina with confidence, that's the sort of statement we like, James. | 0:21:34 | 0:21:40 | |
Anyway, girls, you don't have to decide right now, you decide later, | 0:21:40 | 0:21:43 | |
but for the viewers at home, let's find out what the auctioneer thinks about the old dogs. | 0:21:43 | 0:21:48 | |
-So, what's the verdict, then? -Erm, well... | 0:21:48 | 0:21:52 | |
they are functional, they're attractive, they're 1920s. | 0:21:52 | 0:21:56 | |
They're not in bad nick, are they? | 0:21:56 | 0:21:58 | |
Not in bad condition, but you can't necessarily price it purely on | 0:21:58 | 0:22:01 | |
hoping that someone's going to come along with her two Scottie terriers | 0:22:01 | 0:22:05 | |
and say, "They're for me". | 0:22:05 | 0:22:07 | |
You have to be more conservative in that respect. | 0:22:07 | 0:22:09 | |
-Yes. -He says, leading up to a... | 0:22:09 | 0:22:11 | |
A disappointing estimate coming up! | 0:22:11 | 0:22:15 | |
So, if you can just cut to the chase. | 0:22:15 | 0:22:16 | |
-Cut to the chase, yes, £30 to £50. -Oh, dear, I had a funny feeling you were going to say that! | 0:22:16 | 0:22:20 | |
Mr Braxton went in strongly, into the kennel ring, at £145. | 0:22:20 | 0:22:26 | |
-145... -Now the big question on the population's lips is, | 0:22:26 | 0:22:29 | |
are you taking this sale today? | 0:22:29 | 0:22:31 | |
-I am indeed. -Aha ha! | 0:22:31 | 0:22:34 | |
We're in safe hands. | 0:22:34 | 0:22:35 | |
Sally and Chris, how are you feeling. Pretty good? | 0:22:43 | 0:22:45 | |
-Yes, confident. -Yeah, confident? | 0:22:45 | 0:22:47 | |
-A little bit nervous. -You're a bit nervy? | 0:22:47 | 0:22:49 | |
-Yes. -I don't know what you've got to be nervy about, darling? | 0:22:49 | 0:22:52 | |
-Chris's thing. -His pot? -Yes. | 0:22:52 | 0:22:53 | |
Well, that big Chinese pot, there is a problem, | 0:22:53 | 0:22:55 | |
-it's got a dirty great crack in it. -That's a crack. | 0:22:55 | 0:22:58 | |
-You paid £75 for it. -Character, character. | 0:22:58 | 0:23:00 | |
His estimate is £10 to £20, that is not so sweet, I'm afraid. | 0:23:00 | 0:23:05 | |
1441, a beautifully decorated pottery vase, decorated with | 0:23:05 | 0:23:08 | |
an oriental scene, there she is on the screen. | 0:23:08 | 0:23:10 | |
Look at that! | 0:23:10 | 0:23:11 | |
Start me at £10 for this? | 0:23:11 | 0:23:13 | |
Do I see £10? Any interest at £10? | 0:23:13 | 0:23:14 | |
-£10 is bid, thank you madam. -We've got keen bidding. | 0:23:14 | 0:23:17 | |
Here we go. | 0:23:17 | 0:23:18 | |
Lady's bid at the back at 10, I'll sell at 10, looking for 12, | 0:23:18 | 0:23:21 | |
-are we all done at £10? I'll sell at £10. -We needed £20! | 0:23:21 | 0:23:23 | |
-Unbelievable, I'm blaming you entirely. -Going down at £10! | 0:23:23 | 0:23:27 | |
No. £10. Oh, the brute. Minus £65. | 0:23:27 | 0:23:30 | |
She was keen to go more. | 0:23:30 | 0:23:32 | |
Ten quid, what a bargain! | 0:23:32 | 0:23:35 | |
Not a good start, that. | 0:23:35 | 0:23:37 | |
Next up is your Scandinavian bowl, and here it comes. | 0:23:37 | 0:23:41 | |
Lot 1443, Holmegaard studio glass bowl, irregular outline, dated 1957, | 0:23:41 | 0:23:47 | |
and there we go, I've got to start at £22 is bid with me at £22. | 0:23:47 | 0:23:53 | |
We've got one down, come on. | 0:23:53 | 0:23:55 | |
Do I see 25? £22, maiden bid of £22. | 0:23:55 | 0:23:58 | |
-Go on! -Come on! -Surely worth more than £22? | 0:23:58 | 0:24:01 | |
-At £22 then. -25, get in there! | 0:24:01 | 0:24:04 | |
-Hey! -Bid 25, eight anywhere? | 0:24:04 | 0:24:08 | |
Selling £25 lady's bid, dead ahead and selling at £25. | 0:24:08 | 0:24:13 | |
Good, £2 profit, that's all right. | 0:24:13 | 0:24:15 | |
Brilliant, £25 plus two. | 0:24:15 | 0:24:18 | |
-Now, Venetian glass. -Lot 1445, a Venetian glass vase, | 0:24:18 | 0:24:23 | |
moulded twin handles on a pedestal foot, and, uh, | 0:24:23 | 0:24:27 | |
who'll start me at £10 for this? | 0:24:27 | 0:24:29 | |
-£10 for this. -It's keen bidding. -Ten waving on the left, thank you. | 0:24:29 | 0:24:32 | |
-Lovely ladies. -Keen bidding. -And we've got a war on here! | 0:24:32 | 0:24:35 | |
£12, it stops at 12, £12. | 0:24:35 | 0:24:37 | |
Do I see 15? £12, back of the room at £12, any further bidding at £12. | 0:24:37 | 0:24:41 | |
Are we all done at 12? No further interest at all? | 0:24:41 | 0:24:44 | |
I'll sell at 12, we're all done at £12, thank you. | 0:24:44 | 0:24:48 | |
-Go on! -£12! That's bad, that's minus £18 on that, so 65. | 0:24:48 | 0:24:54 | |
-81. -63, 73, 81. | 0:24:54 | 0:25:00 | |
Minus £81, this is a disaster! | 0:25:00 | 0:25:03 | |
-Minus £81! -Can I just give you some advice about the shoe. | 0:25:03 | 0:25:07 | |
We've seen what's happened to the other items, | 0:25:07 | 0:25:10 | |
you make up your own mind about the shoe, it's a good quality item. | 0:25:10 | 0:25:15 | |
-Do you have a hidden message here or something? -Go for the shoe! | 0:25:15 | 0:25:18 | |
-Are you going to go with it or not? -Yeah, obviously. | 0:25:18 | 0:25:20 | |
-We may as well. -You want to go for it? Really? | 0:25:20 | 0:25:22 | |
-Go for the shoe. -You're going to go with it? | 0:25:22 | 0:25:24 | |
-We're in the minuses anyway. -Quickly! -We're going for it. | 0:25:24 | 0:25:26 | |
If you're going to go with it, your decision made? | 0:25:26 | 0:25:29 | |
You're going with the bonus buy, the old boot. | 0:25:29 | 0:25:31 | |
1448, a silver pin cushion modelled as a lady's shoe, and I can start at | 0:25:31 | 0:25:37 | |
£12, is bid at £12, 15, 18, 20, | 0:25:37 | 0:25:43 | |
-22, 25, 28... -Lots of bidding. | 0:25:43 | 0:25:45 | |
Yeah, we've got a war on here! | 0:25:45 | 0:25:46 | |
32, 35 clears the bids in at £35, do I see eight anywhere? | 0:25:46 | 0:25:51 | |
£35 and on the left at £35, are we all done? | 0:25:51 | 0:25:54 | |
At £35, I'll take another bid... | 0:25:54 | 0:25:56 | |
-selling then for £35. -Oh, brilliant! | 0:25:56 | 0:26:00 | |
-£35 there, that's minus another £105. -Oh, dear. | 0:26:00 | 0:26:04 | |
-106... -That makes us overall then, minus £186 smackers, | 0:26:04 | 0:26:09 | |
by my old-fashioned mathematics! | 0:26:09 | 0:26:11 | |
Sally and Chris, whatever you do, don't tell the blues a thing. | 0:26:11 | 0:26:14 | |
-We don't want them to know just how well you've done... -That's right. | 0:26:14 | 0:26:18 | |
-And on that basis, mum's the word, yes? -Yes. | 0:26:18 | 0:26:20 | |
Mum is the word. | 0:26:20 | 0:26:21 | |
So, girls, how are you feeling about this auction? | 0:26:30 | 0:26:32 | |
-I'm feeling good about it. -You're feeling good about it? -Excited. | 0:26:32 | 0:26:35 | |
-Do you know how the reds got on? -No. -You don't want to know. | 0:26:35 | 0:26:38 | |
Anyway, first up is the number one biscuit barrel and here she comes. | 0:26:38 | 0:26:42 | |
Lot 1466, we have a cut glass and silver-mounted biscuit barrel | 0:26:42 | 0:26:46 | |
of pineapple design, and it's dated London 1898, and I can start at £40. | 0:26:46 | 0:26:53 | |
-£40? -£40. | 0:26:53 | 0:26:57 | |
45, 50, and five, 60... | 0:26:57 | 0:26:59 | |
Look at that, Dina... | 0:26:59 | 0:27:01 | |
-you're in profit, chicken! -Yeah! | 0:27:01 | 0:27:03 | |
One more, £70 then against you at £70, £70 on the book at £70. | 0:27:03 | 0:27:07 | |
-£70, I don't believe it! -Gosh! | 0:27:07 | 0:27:09 | |
We've made a profit! Look at that... £70! Here we go, kids! | 0:27:09 | 0:27:13 | |
1467, a frosted glass and silver plate mounted biscuit barrel, detail "Biscuits" | 0:27:13 | 0:27:19 | |
with a nice cord rope finial, and start me at a tenner, £10 for this? | 0:27:19 | 0:27:24 | |
Ten is bid, thank you, at 10 on the left, at £10, looking for 12 now, | 0:27:24 | 0:27:28 | |
-£10 on the front here at 10, are we all done at 10? -A deal at 10? | 0:27:28 | 0:27:32 | |
-Surely not? -Come on, come on! | 0:27:32 | 0:27:34 | |
I'll take 12, selling for 10, last chance at £10! | 0:27:34 | 0:27:36 | |
-Oh, no, no, no! -All done at £10! | 0:27:36 | 0:27:38 | |
That's a conspiracy, that is a conspiracy. | 0:27:38 | 0:27:41 | |
£10? Minus £20. | 0:27:41 | 0:27:43 | |
-Oh, sorry, team. -Here's the serpentine. It's OK. | 0:27:43 | 0:27:45 | |
Look out... here comes the bubble, I mean bucket! | 0:27:45 | 0:27:48 | |
Lot 1468, an ornamental serpentine bucket | 0:27:48 | 0:27:52 | |
with an applied silver mount and a swing-over handle, pretty | 0:27:52 | 0:27:54 | |
little lot this of Cornish granite, | 0:27:54 | 0:27:57 | |
and I've got bids to start me in at 10, 12... let's start at £32. | 0:27:57 | 0:28:02 | |
£32. Courtney! Courtney! | 0:28:02 | 0:28:06 | |
38, 40 if you like, £38 then with me at £38, | 0:28:06 | 0:28:10 | |
looking for 40, I'll sell at £38, 40 at the back, 42, 45, 48, 50, 5... | 0:28:10 | 0:28:17 | |
Have you got your relations involved? | 0:28:17 | 0:28:20 | |
£55 then, at £55, 60 at the back... | 0:28:20 | 0:28:22 | |
-£55! -Oh, my God! -Look at this! | 0:28:22 | 0:28:25 | |
£60, are we all done at 60... £60, one more maybe... | 0:28:25 | 0:28:29 | |
£60 to the lady standing at the back of the room at £60. | 0:28:29 | 0:28:31 | |
-Whoa! -£60! | 0:28:31 | 0:28:33 | |
I think that's £32 profit! | 0:28:33 | 0:28:36 | |
-That's £32 profit. -Thank that lady, well done! | 0:28:36 | 0:28:39 | |
So, overall you are plus £24. What are you going to do? | 0:28:39 | 0:28:42 | |
Are you going to go with the bonus buy, or not? | 0:28:42 | 0:28:44 | |
-No. -Are you sure you don't want the bonus buy? | 0:28:44 | 0:28:47 | |
-No, sorry, James. -Sorry, James, no. | 0:28:47 | 0:28:48 | |
-You're not going with those dogs? -No. -No bonus buy. | 0:28:48 | 0:28:51 | |
1471, a pair of Art Deco style alabaster bookends | 0:28:51 | 0:28:57 | |
mounted with patinated smelter, | 0:28:57 | 0:28:59 | |
figures of seated terriers, and who'll start me at £10? | 0:28:59 | 0:29:03 | |
£10? | 0:29:03 | 0:29:05 | |
£10 on the left, 12 anyone? | 0:29:06 | 0:29:10 | |
12, £12 then, £12 gets at the back of the room then... | 0:29:10 | 0:29:12 | |
Paid £145. | 0:29:12 | 0:29:14 | |
-£15 anywhere? Selling for 12, dead ahead then, lady's bid at £12, all done, I'll sell for £12. -£12. | 0:29:14 | 0:29:20 | |
-Thank you very much. -£12 minus £133. | 0:29:20 | 0:29:26 | |
Is that another record? | 0:29:26 | 0:29:27 | |
So, good decision-making by the blues, | 0:29:29 | 0:29:31 | |
because by not taking the bonus buy, | 0:29:31 | 0:29:33 | |
they made a tidy profit of £24 | 0:29:33 | 0:29:36 | |
and beat the reds who, remember, made a whopping loss of £186. | 0:29:36 | 0:29:42 | |
Coming up, two more teams go on the hunt for bargains, | 0:29:42 | 0:29:45 | |
but first, I'm heading off to a museum with a difference. | 0:29:45 | 0:29:49 | |
Here in leafy Bloomsbury is the site of the original Foundling Hospital, | 0:29:57 | 0:30:02 | |
established by philanthropist Captain Thomas Coram in 1739 | 0:30:02 | 0:30:09 | |
and home to countless thousands of abandoned children, | 0:30:09 | 0:30:13 | |
or "foundlings" as they were then called. | 0:30:13 | 0:30:16 | |
After the hospital was relocated to the countryside in the 1920s, | 0:30:24 | 0:30:28 | |
the building was demolished. | 0:30:28 | 0:30:31 | |
Historic parts of the hospital's original decor were saved | 0:30:31 | 0:30:35 | |
and stored in a purpose-bought 1930s house for years | 0:30:35 | 0:30:39 | |
until the Foundling Museum was opened in 2004. | 0:30:39 | 0:30:45 | |
What's extraordinary is | 0:30:45 | 0:30:46 | |
that when the original hospital was demolished in 1926, this ceiling | 0:30:46 | 0:30:52 | |
and all the contents of this room | 0:30:52 | 0:30:54 | |
were dismantled and put in the store for 11 years, | 0:30:54 | 0:30:58 | |
and then reassembled in this building | 0:30:58 | 0:31:01 | |
and most perfectly put together, | 0:31:01 | 0:31:03 | |
Now, what do you remember about Moses? | 0:31:03 | 0:31:06 | |
Abandoned in a basket, amongst the bulrushes, | 0:31:06 | 0:31:11 | |
on the banks of the River Nile. | 0:31:11 | 0:31:14 | |
Well, you'd be right there. But look at this image. | 0:31:14 | 0:31:18 | |
Here we have the infant Moses, aged three or four years, | 0:31:18 | 0:31:23 | |
being delivered to the Pharaoh's daughter. | 0:31:23 | 0:31:27 | |
No more appropriate image | 0:31:27 | 0:31:30 | |
in the courtroom at the Foundling Hospital. | 0:31:30 | 0:31:33 | |
Meanwhile, will our two new teams | 0:31:33 | 0:31:36 | |
find any antiques in need of a good home | 0:31:36 | 0:31:39 | |
back at the Portobello Market? | 0:31:39 | 0:31:41 | |
Time to meet the next lot of reds and blues. | 0:31:41 | 0:31:45 | |
All fine actors and actresses who are being themselves today, | 0:31:45 | 0:31:51 | |
except that there may be a little help at hand, literally. | 0:31:51 | 0:31:55 | |
-Hi, Tim. -Oh, Lord. Look at that. | 0:31:55 | 0:31:59 | |
First up then, Brenda, | 0:31:59 | 0:32:01 | |
who, apart from being in many West End roles, you, for 27 years, | 0:32:01 | 0:32:07 | |
-have been the voice of Sooty and Sweep's friend, Soo. -That's correct. -Is that right? -Yes, it is. | 0:32:07 | 0:32:14 | |
-And you've performed at the National Theatre. -Yep. -And in five West End shows. -Yes. | 0:32:14 | 0:32:19 | |
Yes. And musicals. I've been the Reverend Mother several times in The Sound Of Music. | 0:32:19 | 0:32:24 | |
-So, Soo? -Yes? | 0:32:24 | 0:32:27 | |
Would you like to introduce us to Robert? | 0:32:27 | 0:32:29 | |
Well, this is Brenda's friend, Robert and they first met in the '60s | 0:32:29 | 0:32:33 | |
-when they were children, under a large stuffed bear. -Never. | 0:32:33 | 0:32:37 | |
Well, we were four at the time and it was a stuffed bear | 0:32:37 | 0:32:43 | |
in the Haslemere Museum, in the taxidermy department. | 0:32:43 | 0:32:47 | |
Many years ago, I had a stall in Portobello Market. | 0:32:47 | 0:32:50 | |
-You didn't. -I did. -You're experienced. | 0:32:50 | 0:32:53 | |
-You know your way around. -I used to sell Steiff bears and they used to call me the teddy boy. -Really? | 0:32:53 | 0:32:59 | |
-Yeah. -So, now, for the Blues. | 0:32:59 | 0:33:03 | |
Also, actors. | 0:33:03 | 0:33:05 | |
Sue and Maurice, welcome. | 0:33:05 | 0:33:07 | |
And you have recently appeared in a production with the Reds. | 0:33:07 | 0:33:12 | |
Yes, in David Copperfield. Maurice was Peggotty and I was Mrs Steerforth. | 0:33:12 | 0:33:16 | |
But your love of show business goes back a long time, doesn't it? | 0:33:16 | 0:33:20 | |
Yes. My parents were a doubt act | 0:33:20 | 0:33:22 | |
and I toured with them for the first seven years of my life, | 0:33:22 | 0:33:25 | |
so really, I grew up in a theatre. | 0:33:25 | 0:33:27 | |
So, Maurice, what do you do to compete here with Sue, then? | 0:33:27 | 0:33:31 | |
I mean, how can you keep up with the girl? | 0:33:31 | 0:33:34 | |
There's no competition. What we are trying to do in Farnham | 0:33:34 | 0:33:37 | |
where once stood a proud theatre called the Redgrave, | 0:33:37 | 0:33:42 | |
which is probably going to be pulled down... | 0:33:42 | 0:33:44 | |
-Oh, sad. -Very sad. | 0:33:44 | 0:33:47 | |
We've actually created our own theatre company called the New Farnham Repertory company | 0:33:47 | 0:33:51 | |
and we perform there in the local area | 0:33:51 | 0:33:54 | |
and we create work for other actors. | 0:33:54 | 0:33:58 | |
Now, the money moment. Here comes the box-office cash. | 0:33:58 | 0:34:02 | |
£300 apiece. You know the rules, your experts await and off you go and very, very good luck. | 0:34:02 | 0:34:08 | |
Now, here's a little corker. | 0:34:16 | 0:34:18 | |
Oh, yeah. I can see that. | 0:34:18 | 0:34:20 | |
-A Heeley corkscrew. What do you reckon? -You're quite right, Robert. | 0:34:20 | 0:34:24 | |
It is by Heeley. They're the makers but what we call... | 0:34:24 | 0:34:28 | |
This is a Weir patent corkscrew cos it has this concertina action. | 0:34:28 | 0:34:31 | |
1880s, I would say. | 0:34:31 | 0:34:33 | |
Now, the all-important question is how much is it? | 0:34:33 | 0:34:35 | |
Well, he's asking £60 for it. What do you think? | 0:34:35 | 0:34:39 | |
Well, we do sell these at auction and yes, they are popular. | 0:34:39 | 0:34:44 | |
However, £60 is a bit steep. I think we have to do some work on that. | 0:34:44 | 0:34:47 | |
Shall I go and screw him down a bit? | 0:34:47 | 0:34:50 | |
I think that's a good idea. | 0:34:50 | 0:34:52 | |
Go and have a chat. Brilliant. | 0:34:52 | 0:34:54 | |
Robert and Brenda turned the screw on the dealer to get him down to £45. | 0:34:55 | 0:35:02 | |
-Isn't this lovely? -That is lovely. | 0:35:02 | 0:35:05 | |
-It's a spirit level. Look. -Yes. | 0:35:05 | 0:35:07 | |
Now, this is a slightly unusual choice for a lady. | 0:35:07 | 0:35:10 | |
-I know. -What attracts you to it? -Well, because it's been used and it's seen a lot of work, and nowadays | 0:35:10 | 0:35:16 | |
you go and buy it, it's got plastic on it, it says 4.99, but that was a craftsman's. | 0:35:16 | 0:35:20 | |
I think you've chosen a winner. It's beautifully made. | 0:35:20 | 0:35:24 | |
We've got these brass plates, a mahogany carcass, a little window. | 0:35:24 | 0:35:28 | |
Very nice. Everything's beautifully done about it. | 0:35:28 | 0:35:31 | |
John Rabone and Sons, the maker there, Birmingham. | 0:35:31 | 0:35:34 | |
-All right. -We like that. | 0:35:34 | 0:35:36 | |
-We like that. Shall we see if we can get a deal? -Shall we? -Yes. So what are you asking for it? -£60. | 0:35:36 | 0:35:41 | |
-60? Can you do better on it? -40? | 0:35:41 | 0:35:43 | |
I can't do 40, I'm afraid. Um...I'll do 50. | 0:35:43 | 0:35:47 | |
-50? Somewhere in the middle? -A happy level would be 45? | 0:35:47 | 0:35:51 | |
-Come away. 45. Yes! -45! | 0:35:53 | 0:35:55 | |
-Good. We got it. That's lovely. Terrific. Thank you. -Very pleased. | 0:35:55 | 0:35:59 | |
Always good to see a bit of thespian action on the show. | 0:35:59 | 0:36:03 | |
Now, let's pull the curtain on the Blues. | 0:36:03 | 0:36:07 | |
-Bridget. -Robert! How lovely. -Good to see you. | 0:36:10 | 0:36:14 | |
-Brenda. -Hello. -Thomas. -Hello. -I told you you'd meet some actors here. | 0:36:14 | 0:36:18 | |
Bridget and I have known each other for... | 0:36:18 | 0:36:20 | |
-slightly too long. -Too long. Don't tell him the truth. -Don't tell anybody, | 0:36:20 | 0:36:24 | |
but we did a thriller in the West End, for a year, wasn't it? | 0:36:24 | 0:36:27 | |
- Really? - He was my stepson. | 0:36:27 | 0:36:29 | |
Got some lovely stuff here, Bridget. Is that a scissor set | 0:36:29 | 0:36:32 | |
I can see down there? | 0:36:32 | 0:36:34 | |
- Yes, it is. Shall I get it out? - Yes, please. | 0:36:34 | 0:36:37 | |
There we are. It's a matching set of five scissors. | 0:36:37 | 0:36:40 | |
Let me have a look. They're rather fine, aren't they? | 0:36:40 | 0:36:44 | |
Look at these lovely handles on them. | 0:36:44 | 0:36:46 | |
Lovely texture to them in a great green leather case. | 0:36:46 | 0:36:48 | |
-They're quite chic. -Oh, look. They're by Briggs. | 0:36:48 | 0:36:51 | |
-Is that good? -Very fine and rare. | 0:36:51 | 0:36:53 | |
Early makers of sewing-related items. | 0:36:53 | 0:36:55 | |
-Early Briggs. -Absolutely. -They look quite sharp. -They are. | 0:36:55 | 0:36:59 | |
They're pre-stainless steel. > | 0:36:59 | 0:37:01 | |
Stainless steel coated it and therefore they were never so sharp. | 0:37:01 | 0:37:05 | |
Fantastic. Well, as you've been my stepmother, | 0:37:05 | 0:37:08 | |
are you going to be a good stepmother or a wicked one? | 0:37:08 | 0:37:12 | |
-How much are they? -I'll try and be a kind one, | 0:37:12 | 0:37:14 | |
but the very, very best would be £45. | 0:37:14 | 0:37:19 | |
What do you think? | 0:37:19 | 0:37:20 | |
Is this going to make a profit? | 0:37:20 | 0:37:22 | |
- Everything I do makes a profit. - You betcha! | 0:37:22 | 0:37:25 | |
So we've heard. Yes. | 0:37:25 | 0:37:28 | |
-Bye-bye, darling. -Bye-bye. | 0:37:28 | 0:37:30 | |
See you again soon. | 0:37:30 | 0:37:32 | |
Well, they say it pays to have friends in high places, but will it pay for the Reds? | 0:37:32 | 0:37:38 | |
-Ah, now, what about this? -That's lovely, isn't it? | 0:37:41 | 0:37:45 | |
That's lovely. Beautifully cast. | 0:37:45 | 0:37:47 | |
It was a... What do you think? | 0:37:47 | 0:37:51 | |
Obviously, a small bidet, Maurice. | 0:37:51 | 0:37:53 | |
-It's an inkwell, isn't it? -It is. You're spot on, | 0:37:56 | 0:38:00 | |
but it's quite a triumphal inkwell, isn't it? | 0:38:00 | 0:38:02 | |
It's a typical Victorian thing. | 0:38:02 | 0:38:05 | |
-A captain of industry would have had this. -OK. | 0:38:05 | 0:38:08 | |
Fabulous on his desk. | 0:38:08 | 0:38:10 | |
And I like these masks. | 0:38:10 | 0:38:11 | |
-It's quite sort of Neptune. -Oh, yes. -Shipping. -Shipping. | 0:38:11 | 0:38:15 | |
-It's priced at £45. -Oh. | 0:38:15 | 0:38:18 | |
What do we think? | 0:38:18 | 0:38:19 | |
There might be some movement now. | 0:38:19 | 0:38:21 | |
-We need a bit of movement, because it doesn't have the liner. -No. Absolutely. -But it is | 0:38:21 | 0:38:27 | |
-just a really decorative piece. -Shall we do it? -Yes. | 0:38:27 | 0:38:29 | |
Sue and Maurice had the brass to get the Victorian inkstand down to £25. | 0:38:34 | 0:38:41 | |
Hello, everybody. | 0:38:41 | 0:38:43 | |
Come and look at this. I promised Sooty a present. | 0:38:43 | 0:38:46 | |
- What do you think of this? - What is it? | 0:38:46 | 0:38:49 | |
Oh, it's a little bureau. What do you think, Thomas? | 0:38:49 | 0:38:51 | |
Well, it is a bureau. | 0:38:51 | 0:38:54 | |
-Very heavy. -Doorstop. | 0:38:54 | 0:38:56 | |
Almost like a doorstop, exactly, but it's probably something | 0:38:56 | 0:39:00 | |
indestructible, so made for children. | 0:39:00 | 0:39:02 | |
And it's obviously a bureau and it may be made out of something... | 0:39:02 | 0:39:06 | |
a slate or... It's certainly a hard stone. | 0:39:06 | 0:39:10 | |
-I think it's a decorative object and it would look rather good on a desk. -Yeah. -Absolutely. | 0:39:10 | 0:39:16 | |
Or even a mantelpiece, you know, as an objet d'art. | 0:39:16 | 0:39:19 | |
-So, Soo, how much is it? -Well, it was £22, but I think we can get it for 15. -£15. That's wonderful. | 0:39:19 | 0:39:27 | |
Fantastic price. Well done. | 0:39:27 | 0:39:29 | |
Blimey, that's heavy. | 0:39:29 | 0:39:32 | |
-It is heavy, isn't it? -Let's hope we get a good LUMP sum, eh? -I'm sure we will! | 0:39:32 | 0:39:37 | |
Good to see Soo putting her furry feminine charm to good use. | 0:39:37 | 0:39:42 | |
But it looks like she's not the only furry female around. | 0:39:42 | 0:39:45 | |
Oi, Soo, beware of impostors. | 0:39:45 | 0:39:48 | |
Yes. There's really only one Soo. Hee-hee-hee! | 0:39:48 | 0:39:53 | |
I think I have our third item. This is with your approval, I must add. | 0:39:54 | 0:40:00 | |
It's a lovely little box. It's Tunbridge Ware. | 0:40:00 | 0:40:03 | |
Early Tunbridge Ware. | 0:40:03 | 0:40:04 | |
-Yes. -And...recognise it? | 0:40:04 | 0:40:06 | |
-Oh...it's the Dome, it's the Pavilion, in Brighton. -Yeah. It is. | 0:40:06 | 0:40:11 | |
Where I live. Isn't it fun? | 0:40:11 | 0:40:13 | |
So, it's an early transfer, coloured engraving. | 0:40:13 | 0:40:16 | |
Now, there's a chap called Wise of Tunbridge, and he used to produce this early souvenir ware. | 0:40:16 | 0:40:22 | |
1800, 1820. | 0:40:22 | 0:40:25 | |
-A nice Regency bit, but it's a beautiful wood as well. -That's nice. -Yeah. | 0:40:25 | 0:40:29 | |
A little lozenge. Typical shape for this period. | 0:40:29 | 0:40:32 | |
What about the price? | 0:40:32 | 0:40:34 | |
It's a high one. £140. | 0:40:34 | 0:40:36 | |
-You've astounded me. £140. -A lot of money. | 0:40:36 | 0:40:39 | |
-For a box. -What do you think we can get for that? | 0:40:39 | 0:40:42 | |
-Well, we'll try and get it down. -Well, I think... | 0:40:42 | 0:40:46 | |
-It's not a bad price anyway. -I love it. | 0:40:46 | 0:40:48 | |
The fact that the Dome has a theatre in it, which is still being used today, I think it's lovely. | 0:40:48 | 0:40:55 | |
You've been great contestants and great performers. I think this is the one for us, don't you? | 0:40:55 | 0:41:01 | |
-Yes? -All right. Yes. I do. Yes. -Good. | 0:41:01 | 0:41:04 | |
-So where are you girls from? -We're from Melbourne. -Australia. | 0:41:13 | 0:41:17 | |
All the way from Australia. And do you watch Bargain Hunt at home? | 0:41:17 | 0:41:20 | |
-Yes, we do, every day on Channel Nine. -5.30. | 0:41:20 | 0:41:23 | |
How exciting is that? | 0:41:23 | 0:41:25 | |
Any minute now we're going to know how much leftover lolly there is for the experts to spend | 0:41:25 | 0:41:30 | |
on that bonus buy which may or may not boost their team's profits at auction, | 0:41:30 | 0:41:34 | |
-but right now, there's just one thing to say and that is... -BOTH: Time's up. | 0:41:34 | 0:41:38 | |
Time's up. Let's check out what the Reds bought. | 0:41:38 | 0:41:41 | |
Robert got this steel corkscrew for £45, | 0:41:41 | 0:41:45 | |
but will it pop any corks at the auction? | 0:41:45 | 0:41:48 | |
Brenda's scissors were a snip at 45 quid. | 0:41:48 | 0:41:51 | |
And Soo used a little "bear-faced" cheek | 0:41:51 | 0:41:54 | |
to get this slate doorstop for a knockdown £15. | 0:41:54 | 0:41:57 | |
So what's Soo's favourite item? | 0:41:57 | 0:42:00 | |
Well, Soo's favourite item, I think, | 0:42:00 | 0:42:02 | |
were the scissors because there was a little bit of bling on them. | 0:42:02 | 0:42:06 | |
Brenda, which is your favourite item? | 0:42:06 | 0:42:08 | |
I rather like the corkscrew because I don't think you can have too many corkscrews. | 0:42:08 | 0:42:12 | |
You can't have too much vino either. | 0:42:12 | 0:42:14 | |
-Do you agree with that sentiment, Roberto? -Absolutely. | 0:42:14 | 0:42:18 | |
-I'd go for the corkscrew any day. -Is that your favourite bit? | 0:42:18 | 0:42:21 | |
-Sure is. -Sure is. | 0:42:21 | 0:42:24 | |
Anyway, you spent a pathetic £105. | 0:42:24 | 0:42:26 | |
I can't believe this. Only £105. | 0:42:26 | 0:42:29 | |
That means there's £195 worth of leftover lolly to give Thomas. | 0:42:29 | 0:42:33 | |
-I'm going to spend most of it. -It's a big moment for you. | 0:42:33 | 0:42:36 | |
-Absolutely. -Let's find out what the Blues bought. | 0:42:36 | 0:42:40 | |
On balance, this spirit level seemed a good buy, at £45. | 0:42:40 | 0:42:44 | |
The writing's on the wall for the inkstand at 25 quid | 0:42:44 | 0:42:48 | |
and will the Blues be boxing clever with their Tunbridge? | 0:42:48 | 0:42:51 | |
We'll find out at the auction. | 0:42:51 | 0:42:53 | |
So, S and M, did you have a good time? | 0:42:53 | 0:42:56 | |
-We had a lovely time. -We've had a fantastic time. | 0:42:56 | 0:42:58 | |
It's so interesting going around with someone who can tell us what these things are... | 0:42:58 | 0:43:03 | |
-otherwise it's just a walk. -Are we talking about James Braxton here? | 0:43:03 | 0:43:08 | |
-Lovely. -He's our man, I tell you. -He is the man. Yes. -Now... | 0:43:08 | 0:43:11 | |
-Which piece is going to bring the biggest profit? -Probably...the spirit level. | 0:43:11 | 0:43:15 | |
-I think it's going to be the spirit level. -Or the inkwell. | 0:43:15 | 0:43:19 | |
-You think the ink well. -Somebody might just see it. | 0:43:19 | 0:43:22 | |
-The spirit level. -Or it could be the box. -Could be the box, yes. | 0:43:22 | 0:43:25 | |
Thanks very much for that. | 0:43:25 | 0:43:27 | |
-It's very clear. Anyway, you spent £205... -I know. | 0:43:27 | 0:43:31 | |
That's a really mature amount. £95 of leftover lolly. | 0:43:31 | 0:43:35 | |
-Now, James, they're full of fulsome praise for you. -They're lovely contestants. | 0:43:35 | 0:43:39 | |
What have you got in mind then with the 95 smacks? | 0:43:39 | 0:43:43 | |
-Lot of big desk theme going on, so maybe something totally different. -Completely different. | 0:43:43 | 0:43:48 | |
-Football... -You know all about the completely different. -Quite. Yes. I should be able to find something. | 0:43:48 | 0:43:54 | |
-Good luck with that, James. -Thank you. | 0:43:54 | 0:43:56 | |
Well, we've taken a trip out of London, down to Sussex, | 0:44:03 | 0:44:07 | |
to Bellmans Auction House, | 0:44:07 | 0:44:08 | |
and it's lovely to be here with Jonathan Pratt. Jonathan. | 0:44:08 | 0:44:11 | |
-Good morning, Tim. -Hail. -Hail. -Hail. | 0:44:11 | 0:44:14 | |
Reds, Robert and Brenda, they have gone with the sewing scissors set. | 0:44:14 | 0:44:20 | |
A nice little leather bound case | 0:44:20 | 0:44:22 | |
and you've got this nice graduated set of steel scissors. | 0:44:22 | 0:44:25 | |
-Each one stamped with the name of their maker. -Yes. | 0:44:25 | 0:44:28 | |
Five by Briggs and one by... | 0:44:28 | 0:44:32 | |
Yes... sadly, which makes a difference. | 0:44:32 | 0:44:35 | |
-Not exactly a matching set. -Not exactly a matching set. | 0:44:35 | 0:44:38 | |
We're one digit away from perfection. | 0:44:38 | 0:44:40 | |
One digit away from perfection. | 0:44:40 | 0:44:42 | |
I would say probably £60 to £90. | 0:44:42 | 0:44:44 | |
-Well, they'll be delighted. £45 they paid. -£45. | 0:44:44 | 0:44:48 | |
-Next up is the corkscrew. Mr Healy's. -Mr Healy's. | 0:44:48 | 0:44:51 | |
-It's a good fun thing. I mean, these sort of novelties... -Yes. | 0:44:51 | 0:44:55 | |
They're a good laugh at the dinner table. | 0:44:55 | 0:44:57 | |
-How much? £20 to £30. -£45 paid. -OK. | 0:44:57 | 0:45:00 | |
Lastly, is this lump here... | 0:45:00 | 0:45:02 | |
It's a big lump of slate. | 0:45:02 | 0:45:04 | |
Big lump of slate | 0:45:04 | 0:45:05 | |
in the form of a bureau from the northern part of Wales. | 0:45:05 | 0:45:09 | |
-£20 to £30. -£20 to £30. They paid £15. -Yeah. Good. | 0:45:09 | 0:45:14 | |
Well, I think this team have bought extremely well. | 0:45:14 | 0:45:16 | |
And overall, they may not need their bonus buy, | 0:45:16 | 0:45:20 | |
but we're going to go and have a look at it anyway. | 0:45:20 | 0:45:22 | |
I'll show you. Now, I wanted something related to our little theme. | 0:45:22 | 0:45:26 | |
-Oh, yes. Yes. -And I bought a rattle. | 0:45:26 | 0:45:30 | |
Oh, look. Well done, Thomas. | 0:45:30 | 0:45:33 | |
-It's not yours, is it? -It's not mine. No. No. | 0:45:33 | 0:45:35 | |
-It's so like you. -Thank you very much. | 0:45:35 | 0:45:39 | |
A little smaller. | 0:45:39 | 0:45:41 | |
A little smaller. Yes. Have a look. | 0:45:41 | 0:45:43 | |
Absolutely divine. | 0:45:43 | 0:45:44 | |
-We like him. -You like him. -How much did you give? | 0:45:44 | 0:45:48 | |
Well, I gave £120 for a silver and mother-of-pearl rattle, and it's post-war. | 0:45:48 | 0:45:56 | |
I was thinking it was going to be Edwardian, but seeing the catalogue description, | 0:45:56 | 0:46:01 | |
I didn't have a chance to look up the date and it's probably 1960s. | 0:46:01 | 0:46:05 | |
But I thought for the theme I thought it would be great fun. | 0:46:05 | 0:46:09 | |
-Absolutely. -Lot of money. -Well done, you. -We had a lot left. | 0:46:09 | 0:46:12 | |
Now, you two, you don't have to decide right now. | 0:46:12 | 0:46:15 | |
You decide after the sale of your first three items, | 0:46:15 | 0:46:18 | |
but for the viewers at home, let's find out what the auctioneer thinks about it. | 0:46:18 | 0:46:22 | |
Not an old one, particularly. 1961. | 0:46:22 | 0:46:25 | |
-Right. -But, nonetheless, fun object. | 0:46:25 | 0:46:28 | |
-£30 to £50. -£30 to £50. | 0:46:28 | 0:46:30 | |
-£30 to £50. -Right. | 0:46:30 | 0:46:32 | |
Thomas Plant has paid £120 for this bear | 0:46:32 | 0:46:37 | |
and he rates that as a profit-making potential purchase. | 0:46:37 | 0:46:41 | |
That's it for the Reds. Now for the Blues. | 0:46:41 | 0:46:43 | |
Sue and Maurice. Their first item is this enormous spirit level. | 0:46:43 | 0:46:48 | |
I actually do like a good tool. | 0:46:48 | 0:46:53 | |
Yes. | 0:46:53 | 0:46:55 | |
When it's brass mounted in mahogany, very nice. | 0:46:55 | 0:46:59 | |
-£10 to £20. -Oh, Lordy. £45 they paid. | 0:46:59 | 0:47:02 | |
Victorian brass inkstand. There's a fine one, look. | 0:47:02 | 0:47:06 | |
No inkwell in it. | 0:47:06 | 0:47:08 | |
-Well, I never. -Not so good. | 0:47:08 | 0:47:09 | |
There would have been glass well inside. | 0:47:09 | 0:47:12 | |
Not difficult to find, in fairness. | 0:47:12 | 0:47:14 | |
So, how much, then? £30 to £50. Well, that's super. | 0:47:14 | 0:47:18 | |
-£25 they paid, you see, so that was a good buy. -Yeah. | 0:47:18 | 0:47:21 | |
Now, finally, the box. | 0:47:21 | 0:47:22 | |
Very much a piece that's redolent of Sussex, Brighton. | 0:47:22 | 0:47:28 | |
When I first saw it I thought, you know, £30 to £40 at auction. | 0:47:28 | 0:47:31 | |
-Has it grown on you? -It's grown on me, yes. | 0:47:31 | 0:47:34 | |
I think we'll do rather well with that, actually. | 0:47:34 | 0:47:36 | |
Do you? Well, £135 was paid, | 0:47:36 | 0:47:39 | |
-if I'm being honest with you, so it does need to kick on. -Yeah. | 0:47:39 | 0:47:43 | |
I think they'll do perfectly nicely out of these objects, | 0:47:43 | 0:47:47 | |
but we'll have a look at their bonus buy anyway. | 0:47:47 | 0:47:50 | |
-Oh, that's nice. -Sue. | 0:47:50 | 0:47:51 | |
I like it. I like it. | 0:47:51 | 0:47:53 | |
What's the story? | 0:47:53 | 0:47:56 | |
It's a nymph captured in a bronze-like metal. | 0:47:56 | 0:48:00 | |
It's rather nice. Art Nouveau. | 0:48:00 | 0:48:02 | |
So, nice Art Nouveau, steel. | 0:48:02 | 0:48:05 | |
Sort of, whatever, 1890, naughty '90s. | 0:48:05 | 0:48:08 | |
I don't think it is bronze. I think it's lighter, isn't it? | 0:48:08 | 0:48:11 | |
-So, it's spelter, but it's very well formed. -How much was it? -£55. | 0:48:11 | 0:48:15 | |
-Do you think it'll make a profit? -I sincerely hope so, Sue. | 0:48:15 | 0:48:19 | |
-Yep. -You don't have to decide now. | 0:48:19 | 0:48:21 | |
You decide after the sale of your first three items, | 0:48:21 | 0:48:23 | |
but for the viewers at home, let's find out what the old auctioneer thinks about it. | 0:48:23 | 0:48:28 | |
Typical sort of Art Nouveau touch to a classical subject. | 0:48:29 | 0:48:33 | |
-£30 to £50. -£55 as the bonus buy. -OK. Could get there. -Could get there. -Yeah. | 0:48:33 | 0:48:38 | |
There's our prediction, you see, so this is most interesting. | 0:48:38 | 0:48:41 | |
Are they going to need to take the bonus buy? | 0:48:41 | 0:48:44 | |
Will they indeed take the bonus buy? We can't tell just yet. | 0:48:44 | 0:48:48 | |
-But you'll be doing the necessary on the rostrum. -Absolutely. | 0:48:48 | 0:48:52 | |
We look forward to seeing you there, hammering away for Britain. Thanks. | 0:48:52 | 0:48:56 | |
Now, Roberto et Brenda, excited? | 0:49:03 | 0:49:07 | |
Ooh, ecstatically. | 0:49:07 | 0:49:09 | |
Listen, you're professional thespians, right. | 0:49:09 | 0:49:12 | |
-You go to the edge every day of your working life. -Every day. -Yeah. -Yes. | 0:49:12 | 0:49:16 | |
I mean, I don't know how you do it, actually. You step up on that stage. | 0:49:16 | 0:49:20 | |
Do you have that awful butterfly moment just before the off? | 0:49:20 | 0:49:24 | |
It's like a drug, adrenaline. You get off on it. You miss it if you don't do it. | 0:49:24 | 0:49:28 | |
There you go. Well, you're going to do it now. | 0:49:28 | 0:49:30 | |
We have collectable sewing collectable items. | 0:49:30 | 0:49:32 | |
19th century French leather case steel scissor set. | 0:49:32 | 0:49:35 | |
And I can start at £50. | 0:49:35 | 0:49:38 | |
-What? -With me at £50. -No. | 0:49:38 | 0:49:40 | |
Against you all at £50. Any further interest? At £50. | 0:49:40 | 0:49:43 | |
Named bid at £50. All done at 50? | 0:49:43 | 0:49:45 | |
I'll sell, straight in then, commission bid at £50. | 0:49:45 | 0:49:48 | |
Look at that. £50. | 0:49:48 | 0:49:50 | |
You've made £5 before we've even winked. Here we go then. Let's go. | 0:49:50 | 0:49:55 | |
Healy's steel patent corkscrew. | 0:49:55 | 0:49:57 | |
Late 19th century one and again I'm bid £25. | 0:49:57 | 0:50:02 | |
They're very generous in Sussex. | 0:50:02 | 0:50:04 | |
£2, 35. £38 with you, sir, on the right, standing at 38. Do I see 40? | 0:50:04 | 0:50:09 | |
-Come on. A bit more. -£38 then. | 0:50:09 | 0:50:10 | |
Gentleman far right at 38. | 0:50:10 | 0:50:12 | |
Are we done and selling at £38? | 0:50:12 | 0:50:16 | |
£38. That's a bit disappointing. | 0:50:16 | 0:50:19 | |
That's minus seven. | 0:50:19 | 0:50:21 | |
Lot 4091. A slate doorstop modelled as a George III bureau. | 0:50:21 | 0:50:24 | |
Nice interesting lot, this and I can start straight in | 0:50:24 | 0:50:27 | |
at 20, 30, £40, £45 bid. | 0:50:27 | 0:50:33 | |
£45. 50. 55. 60. | 0:50:33 | 0:50:36 | |
Five. 70. Five. 80. Five. 90. | 0:50:36 | 0:50:40 | |
Five. 100. | 0:50:40 | 0:50:43 | |
£95 against you then. £95. | 0:50:43 | 0:50:46 | |
Are we all done at 95? | 0:50:46 | 0:50:48 | |
110. £110 then. Against you at 110. | 0:50:48 | 0:50:52 | |
Any further bidding at £110? Are we all done? I'll sell at £110. | 0:50:52 | 0:50:55 | |
Last chance at 110. | 0:50:55 | 0:50:57 | |
-Fantastic. -Brilliant. Plus £95. | 0:50:57 | 0:51:02 | |
£95 less your losings... is £93. | 0:51:02 | 0:51:07 | |
-You are plus £93. -That's fabulous. | 0:51:07 | 0:51:10 | |
-Are you going with the bonus buy, or not? -Well... | 0:51:10 | 0:51:13 | |
-What do you think? -Well. I love it, but I just think it's probably a little over the odds. | 0:51:13 | 0:51:18 | |
I'm going to guess a price now. | 0:51:18 | 0:51:20 | |
I reckon 30 to 40. | 0:51:20 | 0:51:23 | |
And Thomas paid 120. | 0:51:23 | 0:51:24 | |
I gather from that you'll not be going with the bonus buy. | 0:51:24 | 0:51:27 | |
Do you think that's wise? | 0:51:27 | 0:51:28 | |
Very wise. A sensible decision. | 0:51:28 | 0:51:30 | |
-No bonus buy. -No bonus buy. -No bonus buy. Here it comes, then. | 0:51:30 | 0:51:34 | |
Hold your breath. | 0:51:34 | 0:51:35 | |
A silver teething rattle, modelled as a teddy bear. | 0:51:35 | 0:51:38 | |
Birmingham 1961. And again to start, | 0:51:38 | 0:51:42 | |
at £30 clears the commissions on the book at £30. Looking for two. | 0:51:42 | 0:51:45 | |
Commission bid at 30. Do I see two? | 0:51:45 | 0:51:47 | |
I'll sell at £30, then. Straightaway then. | 0:51:47 | 0:51:50 | |
Last chance, at £30. Are you all done? £30. | 0:51:50 | 0:51:53 | |
Phew. | 0:51:53 | 0:51:56 | |
Minus £90 on that. | 0:51:56 | 0:51:59 | |
Had you gone with the bonus buy, | 0:51:59 | 0:52:01 | |
you'd have profit now of precisely £3. | 0:52:01 | 0:52:04 | |
As it is, you have a profit of £93. | 0:52:04 | 0:52:07 | |
And you have to promise me one thing, right? | 0:52:07 | 0:52:10 | |
-Yes. -Do not tell the Blues a word. | 0:52:10 | 0:52:11 | |
-Don't tell the Blues. -Don't tell the Blues. | 0:52:11 | 0:52:14 | |
Sue, Maurice, do you know how the Reds got on? | 0:52:24 | 0:52:26 | |
No, I don't. I have no idea at all. | 0:52:26 | 0:52:28 | |
-No idea at all. -They were zipped. | 0:52:28 | 0:52:30 | |
-We don't want you to. -We're not allowed to. | 0:52:30 | 0:52:32 | |
No. We don't really want you to. | 0:52:32 | 0:52:34 | |
-First up is the spirit level, here it comes. -1512. | 0:52:34 | 0:52:37 | |
A mahogany and brass mounted level by John Rabone and Sons | 0:52:37 | 0:52:41 | |
and I've got bids to start me at 15, 18, £20. | 0:52:41 | 0:52:44 | |
£20 is bid. Looking for two now. 22. | 0:52:44 | 0:52:47 | |
25. At £25, £25 then. All done at 25. | 0:52:47 | 0:52:51 | |
-I'm selling at £25. Last chance. -Come on! -No taste. | 0:52:51 | 0:52:54 | |
Going to go down at £25. | 0:52:54 | 0:52:56 | |
That is so cheap. £25 minus 20. | 0:52:58 | 0:53:01 | |
Well, I would have had it myself. | 0:53:01 | 0:53:02 | |
1513. A Victorian brass inkstand of square form. | 0:53:02 | 0:53:06 | |
Embossed with masks. Start me at ten for this. | 0:53:06 | 0:53:10 | |
-Surely worth ten. £10 for the brass inkwell. -Oh, come on. | 0:53:10 | 0:53:13 | |
£10 back in the room. At £10. I'll sell at ten, looking for 12? | 0:53:13 | 0:53:17 | |
-£10? Surely worth another £2. -I'm getting a sinking feeling. | 0:53:17 | 0:53:20 | |
-So am I. -£10. At £10. | 0:53:20 | 0:53:24 | |
£10. So it's minus 15. | 0:53:24 | 0:53:27 | |
Now, the Tunbridge web banded box on this basis, | 0:53:27 | 0:53:30 | |
we're about to get slaughtered. | 0:53:30 | 0:53:32 | |
1514, we have a 19th century Tunbridge web banded box. | 0:53:32 | 0:53:37 | |
Very nice box, that. And there's a lot of interest in this. | 0:53:37 | 0:53:42 | |
To start me at 80, 90, £100. | 0:53:42 | 0:53:46 | |
£100 to start me at. £100. | 0:53:46 | 0:53:48 | |
Looking for ten. 110. 120. 130. 140. | 0:53:48 | 0:53:52 | |
£140. 150. 160. £160. | 0:53:52 | 0:53:57 | |
170. £160 against you, then. Commission bid still at 160. | 0:53:57 | 0:54:01 | |
He's selling it. | 0:54:01 | 0:54:02 | |
-You were right. -This is so exciting. | 0:54:02 | 0:54:05 | |
Last chance. Selling for £160. | 0:54:05 | 0:54:09 | |
Yes. | 0:54:09 | 0:54:10 | |
That is plus £25. I don't believe that. | 0:54:12 | 0:54:15 | |
You made £25 profit, James. | 0:54:15 | 0:54:17 | |
Extraordinarily good. | 0:54:17 | 0:54:19 | |
Anyway, you are minus 35. | 0:54:19 | 0:54:21 | |
You had 25. You're now minus £10. | 0:54:21 | 0:54:23 | |
What are you going to do about the nymph? | 0:54:23 | 0:54:25 | |
-Definitely go for it. -We might as well while we're here. | 0:54:25 | 0:54:28 | |
She's a beautiful woman and she will do well for us. | 0:54:28 | 0:54:31 | |
-Yes. Bring it in, Zola? -Zola. | 0:54:31 | 0:54:33 | |
Zola. OK. | 0:54:33 | 0:54:35 | |
Here it goes. Going with the bonus buy and here it comes. | 0:54:35 | 0:54:39 | |
Lot 1518. Here we have the patented spelter bust | 0:54:39 | 0:54:43 | |
of a maiden in the Art Nouveau style and I can start at £30 is bid. | 0:54:43 | 0:54:48 | |
Looking for five now. At £30. 35. | 0:54:48 | 0:54:51 | |
40. 45. 50. | 0:54:51 | 0:54:54 | |
£50 against you, sir. £50. | 0:54:54 | 0:54:56 | |
At £50. £50 it is then. | 0:54:56 | 0:54:59 | |
At £50. Any further bidding? At £50 then, I'm selling. | 0:54:59 | 0:55:02 | |
Last chance. At £50. | 0:55:02 | 0:55:05 | |
£50. Bad luck. | 0:55:05 | 0:55:08 | |
James. Minus five. | 0:55:08 | 0:55:10 | |
Overall, you're minus £15. | 0:55:10 | 0:55:12 | |
There's no shame in that. | 0:55:12 | 0:55:14 | |
No. Not at all. I'm not upset at all. | 0:55:14 | 0:55:16 | |
TIM LAUGHS | 0:55:26 | 0:55:27 | |
Darlings. | 0:55:27 | 0:55:29 | |
-You've been just wonderful. -Thank you so much. -Couldn't have done it without you. | 0:55:29 | 0:55:34 | |
-Super duper. Have we had a good time? -Wonderful time. -Lovely. | 0:55:34 | 0:55:37 | |
It is my duty to reveal who the runners-up are today | 0:55:37 | 0:55:40 | |
-cos we don't have losers any more, only have runners up. -That's nice. | 0:55:40 | 0:55:43 | |
And very, very, very sadly, I have to tell you, that runners-up are... | 0:55:43 | 0:55:47 | |
-the Blues. -Thought so. -Did you think so? | 0:55:47 | 0:55:49 | |
-Yes. -Did you have a premonition? | 0:55:49 | 0:55:51 | |
-I had total premonition. -Did you? -Yes. | 0:55:51 | 0:55:53 | |
Anyway, there we go. It was good fun. | 0:55:53 | 0:55:55 | |
-To lose only £15 on Bargain Hunt is quite an achievement. -Is it? -It certainly is. | 0:55:55 | 0:56:00 | |
You're up there at the top rank. | 0:56:00 | 0:56:02 | |
-That's gratifying. -But today, sadly, | 0:56:02 | 0:56:05 | |
you haven't aspired to those heights that the Reds have. | 0:56:05 | 0:56:09 | |
They are going to go home with £93. | 0:56:09 | 0:56:13 | |
Can you believe that? | 0:56:13 | 0:56:15 | |
£93 is going to be handed to these thespians. I can't believe it. | 0:56:15 | 0:56:21 | |
£93 is coming your way. | 0:56:21 | 0:56:23 | |
-Thank you so much, Tim. -There's the 90 smackers. All right. | 0:56:23 | 0:56:26 | |
-And may I say this is going into the New Farnham Repertory Actors' coffers. -Oh, right. | 0:56:26 | 0:56:31 | |
We're donating it to a theatre company. | 0:56:31 | 0:56:34 | |
Well, isn't that lovely? It's been lovely meeting you. | 0:56:34 | 0:56:38 | |
We have had a really good time. You've been brilliant. | 0:56:38 | 0:56:41 | |
-Join us soon for some more bargain hunting. Yes. -Yes. | 0:56:41 | 0:56:45 | |
Subtitles by Red Bee Media Ltd | 0:56:58 | 0:57:01 |