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'Today, we're at Epsom Downs Racecourse Antiques Fair in Surrey.' | 0:00:19 | 0:00:24 | |
Now, the rules of the game. Two teams, the Reds and Blues | 0:00:24 | 0:00:28 | |
each get ?300 and an hour to shop for their three items. | 0:00:28 | 0:00:33 | |
'Then it's off to the auction, where their items go under the hammer.' | 0:00:33 | 0:00:37 | |
The team that makes the most profit wins. | 0:00:39 | 0:00:43 | |
It's easy, isn't it? So let's go and meet the teams, | 0:00:43 | 0:00:46 | |
unless you're too dizzy. | 0:00:46 | 0:00:49 | |
Today we have two teams of happily married couples. | 0:00:49 | 0:00:52 | |
Well, they are at the moment. | 0:00:52 | 0:00:54 | |
For the Reds, we've got Beryl and Jim | 0:00:54 | 0:00:56 | |
and for the Blues, we've got Pat and Dave. | 0:00:56 | 0:00:58 | |
Welcome to Bargain Hunt, teams. ALL: Hello, Tim. | 0:00:58 | 0:01:01 | |
Now, Beryl, tell us about how you met Jim. | 0:01:01 | 0:01:05 | |
I met him at a respite hotel. | 0:01:05 | 0:01:07 | |
It was five days he asked me to marry him. Yes? | 0:01:07 | 0:01:10 | |
And nine weeks later, we were wed. | 0:01:10 | 0:01:12 | |
Jim, you're retired now, but you've had a bit of a seafaring life. | 0:01:12 | 0:01:15 | |
That's right, yes. I was on board the HMS Belfast. | 0:01:15 | 0:01:19 | |
You're a collector, aren't you? Yes. | 0:01:19 | 0:01:21 | |
Unusual ink drawings? That's right, yes. | 0:01:21 | 0:01:24 | |
I like tattoos. I've got quite a few - about 39 in all. | 0:01:24 | 0:01:30 | |
Are you going to show us one? Legs and arms... | 0:01:30 | 0:01:33 | |
Yes. This is quite an easy one to get to. | 0:01:33 | 0:01:36 | |
It's a family show, this, don't forget. | 0:01:36 | 0:01:38 | |
That's the one I like the best, | 0:01:38 | 0:01:40 | |
because that was the one my father had on. | 0:01:40 | 0:01:44 | |
And then I got a drawing copied from him sent to me in Hong Kong... | 0:01:44 | 0:01:49 | |
And it says... "Good luck." Good luck. | 0:01:49 | 0:01:52 | |
Good luck to you. Now for the Blues. | 0:01:52 | 0:01:55 | |
Pat, tell us how you first met. | 0:01:55 | 0:01:58 | |
Well, we had an electrical fault in the kitchen | 0:01:58 | 0:02:01 | |
and I phoned the LEB and this lovely gentleman arrived. | 0:02:01 | 0:02:04 | |
And it was sparks ever since? You could say that. | 0:02:04 | 0:02:08 | |
Is there anything you'll be keeping your eyes peeled for today? | 0:02:08 | 0:02:12 | |
Not particularly for character jugs, | 0:02:12 | 0:02:14 | |
but I have got a good collection of them. | 0:02:14 | 0:02:17 | |
Right. And we picked one up in Norfolk, | 0:02:17 | 0:02:20 | |
in an antique shop. | 0:02:20 | 0:02:23 | |
But because somebody said we've already got that one... | 0:02:23 | 0:02:27 | |
Somebody standing quite close to you. | 0:02:27 | 0:02:30 | |
But I gradually talked her into it, and, later on, I sold it for ?1,000. | 0:02:30 | 0:02:34 | |
And how much did you pay? ?95. | 0:02:34 | 0:02:36 | |
Gosh, that's good, isn't it? Well, I'd look out for another one today. | 0:02:36 | 0:02:40 | |
You never know. That's brilliant, isn't it? | 0:02:40 | 0:02:42 | |
Are you scared already? Yes. I'm not surprised. | 0:02:42 | 0:02:45 | |
Now is the money moment. There's your ?300. You know the rules. | 0:02:45 | 0:02:49 | |
Your experts await and off you go, and very, very good luck. | 0:02:49 | 0:02:52 | |
So, quite who is going to reign victorious today? | 0:02:52 | 0:02:56 | |
'Let's find out who will be guiding our teams. | 0:02:56 | 0:03:01 | |
'Bagging some bargains for the Reds is Kate Bliss. | 0:03:01 | 0:03:05 | |
'Cutting a mean deal for the Blues is Thomas Plant. | 0:03:05 | 0:03:09 | |
MUSIC: "In The Mood" by Glenn Miller | 0:03:10 | 0:03:13 | |
And they'll be under starter's orders today | 0:03:13 | 0:03:16 | |
as they look after not one, but two lots of teams. | 0:03:16 | 0:03:19 | |
Hey, Jim, what have you found there? | 0:03:19 | 0:03:21 | |
It's a little tin Hornby Series. That takes us back, doesn't it? | 0:03:21 | 0:03:25 | |
Do you remember this when you were a kid? Yes, I do. | 0:03:25 | 0:03:28 | |
It is, of course, a signal box, isn't it? Yeah. | 0:03:28 | 0:03:31 | |
And would be part of a much bigger Hornby train set. | 0:03:31 | 0:03:35 | |
But, as just one single piece, that's collectible in its own right. | 0:03:35 | 0:03:40 | |
Now, we have the little retailers' and makers' trademark there. | 0:03:40 | 0:03:45 | |
Hornby Series. | 0:03:45 | 0:03:47 | |
But you've also got the box, which is another bonus. | 0:03:47 | 0:03:50 | |
Collectors do like the boxes, | 0:03:50 | 0:03:51 | |
even though it's a bit tatty on the corner here. | 0:03:51 | 0:03:53 | |
But that's not too much to worry about. | 0:03:53 | 0:03:55 | |
But what price is it? It was up for ?35. | 0:03:55 | 0:03:59 | |
And I had a chat with the man, | 0:03:59 | 0:04:00 | |
who is a very nice fella, and I got it for ?20. | 0:04:00 | 0:04:03 | |
And have you bought it at that? Yes. Well done, Jim. | 0:04:03 | 0:04:07 | |
What do you think, Beryl? | 0:04:07 | 0:04:08 | |
That's cheeky. | 0:04:08 | 0:04:09 | |
'I say she's right. | 0:04:09 | 0:04:12 | |
'The Reds spent ?20 and still have lots of lolly in the bank. | 0:04:12 | 0:04:17 | |
'I wonder if the Blues are having as much fun.' | 0:04:17 | 0:04:20 | |
So what have you found there? A compass. | 0:04:20 | 0:04:24 | |
Can I hold it? There we are. | 0:04:24 | 0:04:26 | |
I think it's a Second World War compass, from a ship. | 0:04:26 | 0:04:29 | |
But the reason I say that is because we've got the arrow there. | 0:04:29 | 0:04:32 | |
You'd have that when you were in the RAF. | 0:04:32 | 0:04:34 | |
Stacks of it. Behind the arrow, you've got a crown. | 0:04:34 | 0:04:38 | |
That crown is George VI's crown. | 0:04:38 | 0:04:41 | |
And I think, if I'm not mistaken, they've got a slide button. | 0:04:41 | 0:04:45 | |
My theory is that it's a torch. | 0:04:45 | 0:04:47 | |
There to shine up, so you can see it in the dark. You can illuminate it. | 0:04:47 | 0:04:51 | |
So, it's marked up at ?55. We can see the price there. | 0:04:51 | 0:04:55 | |
These should sell between ?50-80. Maybe a bit less. | 0:04:55 | 0:04:59 | |
So I'd have thought that anything off that would be a good bonus. | 0:04:59 | 0:05:03 | |
Yes, if you could get it for a song. | 0:05:03 | 0:05:05 | |
Shall we chat with the dealer? Let's go. | 0:05:05 | 0:05:07 | |
'Hoping it will keep them on course in rocky seas, | 0:05:10 | 0:05:14 | |
'the Blues purchase the compass for ?40.' | 0:05:14 | 0:05:18 | |
Now, I know you thought it wouldn't be good | 0:05:18 | 0:05:21 | |
to spend too much money on one item. | 0:05:21 | 0:05:23 | |
This is a really affordable piece. What do you think? It's great. | 0:05:23 | 0:05:27 | |
You like it? Yes, I do. Beryl's turning her nose up already. | 0:05:27 | 0:05:30 | |
What do you think, Beryl? I don't like it. | 0:05:30 | 0:05:32 | |
She never does like it. What don't you like about it? | 0:05:32 | 0:05:36 | |
He's got one in the hallway that he taps every time he walks by. | 0:05:36 | 0:05:39 | |
I can't bear it. | 0:05:39 | 0:05:41 | |
This is quite a nice example. | 0:05:41 | 0:05:43 | |
It's got this lovely oak surround | 0:05:43 | 0:05:45 | |
and we've got a ceramic dial here, rather than paper or enamel. | 0:05:45 | 0:05:49 | |
And all the printing on it is still quite nice. | 0:05:49 | 0:05:52 | |
It's not Victorian. It's an early 20th-century one. | 0:05:52 | 0:05:55 | |
But the best thing about it is that it's not going to break the bank. | 0:05:55 | 0:05:59 | |
It's priced at ?24. Now, I didn't think that was too bad anyway, | 0:05:59 | 0:06:03 | |
but I have had a chat to the stallholder | 0:06:03 | 0:06:06 | |
and he's come down to ?15 for me. Now, ?15 for a good, solid, | 0:06:06 | 0:06:10 | |
working barometer, I think is a bit of a bargain. Yeah. | 0:06:10 | 0:06:14 | |
Can you put your commercial head on, even though you don't like it? | 0:06:14 | 0:06:18 | |
Yeah. Do you think somebody might pay more for that? Yes. | 0:06:18 | 0:06:21 | |
Happy? Yeah, it would. It would make an old man very happy. | 0:06:21 | 0:06:25 | |
Well, do you want to come and help me do the deal, then? Certainly. | 0:06:25 | 0:06:28 | |
OK. Come on, then. This way. | 0:06:28 | 0:06:30 | |
So the deal was done and, as promised, | 0:06:30 | 0:06:32 | |
the Reds get the barometer for only ?15. | 0:06:32 | 0:06:36 | |
What do you think of this, Thomas? | 0:06:36 | 0:06:38 | |
Tell me about it. Why has that grabbed you? | 0:06:38 | 0:06:40 | |
Well, it looks like two First World War airmen... Yes. | 0:06:40 | 0:06:44 | |
And they have a big question mark. Why? Absolutely. | 0:06:44 | 0:06:48 | |
So Dave, you were in the RAF, weren't you? | 0:06:48 | 0:06:51 | |
So it is something which you know a lot about. | 0:06:51 | 0:06:53 | |
This is obviously a very emotive piece for you, isn't it? | 0:06:53 | 0:06:56 | |
It is, really. | 0:06:56 | 0:06:57 | |
You've got the two airmen here and the question mark, as you have said. | 0:06:57 | 0:07:01 | |
It's made out of plaster. Is it? Oh! Yeah. | 0:07:01 | 0:07:04 | |
And it's got that really sort of soft feel to it. | 0:07:04 | 0:07:07 | |
And obviously it's for cigarettes or for pipes or for cigars. | 0:07:07 | 0:07:10 | |
Very unusual. It is unusual and it's circa 1916, on the ticket. | 0:07:10 | 0:07:15 | |
Pat, what do you think of the price? 150? | 0:07:15 | 0:07:18 | |
I think that's quite a lot, really. You're quite right. | 0:07:18 | 0:07:22 | |
That 150 needs to come down. | 0:07:22 | 0:07:24 | |
So shall we go and chat to the dealer? Yes. | 0:07:24 | 0:07:27 | |
Dave's gentle persuasion saw the Blues picking up | 0:07:27 | 0:07:30 | |
the ashtray for ?100. | 0:07:30 | 0:07:33 | |
Boys. What do you think of this? Definitely. | 0:07:36 | 0:07:40 | |
I think that's quite nice. What do you think? | 0:07:40 | 0:07:43 | |
It's a very fine mantel clock. | 0:07:43 | 0:07:44 | |
Then you've got two urns there. Yes. | 0:07:44 | 0:07:47 | |
Those urns could sit either side of the clock. | 0:07:47 | 0:07:50 | |
So the three together is the garniture. Yeah. | 0:07:50 | 0:07:53 | |
First of all, it's got a white enamel face | 0:07:53 | 0:07:56 | |
with painted numerals - these are called Arabic numerals. | 0:07:56 | 0:07:59 | |
And they're framed by swags. You can see these floral swags. | 0:07:59 | 0:08:02 | |
Now, this gilt metal, in this instance, | 0:08:02 | 0:08:05 | |
is rather poor, because it's splitting on the drum, here. | 0:08:05 | 0:08:07 | |
Can you see that? You see, that's not great. | 0:08:07 | 0:08:10 | |
Personally, it's only worth, to me, ?120-150. | 0:08:10 | 0:08:14 | |
You know, and that's what you might get at auction for it. | 0:08:14 | 0:08:18 | |
As a garniture, it's quite a nice thing, | 0:08:18 | 0:08:20 | |
but that's where I sit with it. | 0:08:20 | 0:08:22 | |
Well, they want ?170. ?170. I think that's a bit too much. | 0:08:22 | 0:08:26 | |
I think it's too much. I'm in agreement with you, Dave. | 0:08:26 | 0:08:29 | |
Let's go chat to the dealer. | 0:08:29 | 0:08:30 | |
'Trust a lady to spend a gent's money. | 0:08:30 | 0:08:34 | |
'They picked up the clock for ?130.' | 0:08:34 | 0:08:37 | |
Look what I've got. | 0:08:40 | 0:08:41 | |
Hey! Look at the box. Isn't it lovely? | 0:08:41 | 0:08:44 | |
That's lovely, Beryl. Manifesto, it's called. | 0:08:44 | 0:08:48 | |
"The new race game". | 0:08:48 | 0:08:49 | |
And you've got this lovely, printed racing image. | 0:08:49 | 0:08:53 | |
It says here, published by John Jaques Son. | 0:08:53 | 0:08:56 | |
Now, that's interesting, because Jaques Son Ltd of London | 0:08:56 | 0:08:59 | |
actually manufactured croquet sets. | 0:08:59 | 0:09:01 | |
And I wonder if it's the same gaming firm. | 0:09:01 | 0:09:04 | |
Hey, isn't that super? It looks to be all complete. | 0:09:04 | 0:09:06 | |
It's all lead. Lead horses. | 0:09:06 | 0:09:08 | |
How lovely. You've got eight horses, or counters, for the game. | 0:09:08 | 0:09:13 | |
And this must be the board. | 0:09:13 | 0:09:15 | |
Let's have a little look, Jim. If you hold one end. | 0:09:15 | 0:09:18 | |
That's great, isn't it? | 0:09:19 | 0:09:21 | |
So, obviously, you throw the dice and the race begins. | 0:09:21 | 0:09:27 | |
And you've got the horses' names here. Manifesto, of course, | 0:09:27 | 0:09:30 | |
giving the game its name. | 0:09:30 | 0:09:32 | |
Green Ginger, Shannon Lass. Why Not? Why Not? | 0:09:32 | 0:09:36 | |
Now, tell me, what's the price? | 0:09:36 | 0:09:39 | |
?140. That's a lot of our money, isn't it? | 0:09:39 | 0:09:42 | |
And he won't come down. | 0:09:42 | 0:09:44 | |
I can see somebody paying ?150-160, because it's in such nice order. | 0:09:44 | 0:09:51 | |
And I think in a sale with other toys in it, | 0:09:51 | 0:09:54 | |
so toy buyers are there, it could do quite well. | 0:09:54 | 0:09:57 | |
We are at Epsom racecourse. | 0:09:57 | 0:09:58 | |
Well, it's smashing to be at Bellmans Auctioneers in West Sussex | 0:10:08 | 0:10:11 | |
with my old schoolmate - I mean, workmate - Jonathan Pratt. | 0:10:11 | 0:10:15 | |
Jonathan, how nice to see you. Morning, Timothy. | 0:10:15 | 0:10:17 | |
Jim and Beryl, their first item is this little barometer. | 0:10:17 | 0:10:21 | |
Any good? Rather plain. | 0:10:21 | 0:10:24 | |
A simple object. Oak-cased barometer. ?15-25. | 0:10:24 | 0:10:28 | |
Perfect. ?15, they paid. There's a bit of room in that one. | 0:10:28 | 0:10:32 | |
Next is the Hornby tin-plate, wee signalman's box. | 0:10:32 | 0:10:37 | |
It's certainly in very good condition. | 0:10:37 | 0:10:39 | |
The collectors are gentlemen in their twilight years, | 0:10:39 | 0:10:42 | |
who are nostalgic and are looking for the best quality. | 0:10:42 | 0:10:45 | |
So how much is it going to bring them? | 0:10:45 | 0:10:47 | |
About ?15-25. A little bit of hesitation there? | 0:10:47 | 0:10:51 | |
Well, I think that's about the money, ?15-25. Well, ?20, they paid. | 0:10:51 | 0:10:56 | |
Just about the money. | 0:10:56 | 0:10:57 | |
By the time collectors get excited, we should be away. | 0:10:57 | 0:11:00 | |
Now, the final lot I think is most interesting. | 0:11:00 | 0:11:03 | |
Would you have a flutter on this? | 0:11:03 | 0:11:05 | |
It's by Jaques, which is a good name. | 0:11:05 | 0:11:08 | |
It's complete. No damage. | 0:11:08 | 0:11:10 | |
Little bit of play-wear on them, but, you know, bearable. | 0:11:10 | 0:11:13 | |
So, yeah, I really like it, actually. What's your estimate? | 0:11:13 | 0:11:16 | |
My estimate for that is ?100-150. | 0:11:16 | 0:11:20 | |
Is it? Well, they paid ?140. It may get to the top of that. | 0:11:20 | 0:11:24 | |
Because it's nice and complete, it may do better than that. | 0:11:24 | 0:11:28 | |
Bearing in mind what you've had to say about all of this lot - no. | 0:11:28 | 0:11:34 | |
They could need their bonus buy, so let's go and have a look at it. | 0:11:34 | 0:11:38 | |
Jim and Beryl, you gave Kate Bliss ?125 of leftover lolly. | 0:11:38 | 0:11:43 | |
What did she spend it on? Well, it was quite hard to spend all that. | 0:11:43 | 0:11:47 | |
And I ended up finding you something a bit different. | 0:11:47 | 0:11:52 | |
It's nice. Have a little feely feel. | 0:11:52 | 0:11:54 | |
Oh, Beryl likes it. I like it. | 0:11:54 | 0:11:56 | |
Now, it's actually a pen holder or pen stand for your desk. | 0:11:56 | 0:12:01 | |
And you've got this rather nice eagle here. | 0:12:01 | 0:12:03 | |
Do you see the detail of the feathers on his wings? | 0:12:03 | 0:12:06 | |
I thought he was rather a handsome chap. | 0:12:06 | 0:12:08 | |
It is very nice. Like it? Now, it is silver plate rather than silver, | 0:12:08 | 0:12:11 | |
but it's by a very well-known maker, Walker Hall. | 0:12:11 | 0:12:14 | |
Right. How much was it? It was ?30. | 0:12:14 | 0:12:18 | |
Ooh! But I think somebody might pay a little bit more than that for it. | 0:12:18 | 0:12:22 | |
You don't have to decide right now. | 0:12:22 | 0:12:24 | |
Let's find out from the auctioneer what he thinks about the eagle. | 0:12:24 | 0:12:28 | |
Well, here you go, Jonathan, winging its way across. | 0:12:29 | 0:12:32 | |
Lovely. What do you make of that? I'd say it's a cigarette holder. | 0:12:32 | 0:12:35 | |
It's certainly a cigarette holder for the desk. Yes. | 0:12:35 | 0:12:39 | |
The little flag there, W, Walker Hall. So, good maker. | 0:12:39 | 0:12:42 | |
Is it worth a lot? I reckon we'll get ?30-40 for it. | 0:12:42 | 0:12:46 | |
Kate Bliss will cover you with kisses. | 0:12:46 | 0:12:49 | |
Oh, brilliant. ?30, she paid, you see. | 0:12:49 | 0:12:51 | |
So if you get ?30-50, she'll be over the moon. | 0:12:51 | 0:12:54 | |
That's it for the Reds. Now for the Blues. | 0:12:54 | 0:12:57 | |
We've another agglomeration of extraordinary objects. | 0:12:57 | 0:13:00 | |
Starting off with the bearing compass. | 0:13:00 | 0:13:04 | |
You've got black lacquer and brass on it. | 0:13:04 | 0:13:07 | |
The brass is a bit polished up. | 0:13:07 | 0:13:09 | |
They do like it with a lacquer on it. | 0:13:09 | 0:13:11 | |
It's a bit clean. I'd have thought we'll get between ?30-50 for it. | 0:13:11 | 0:13:15 | |
That's fine. ?40 was paid. So, it's right in the middle. | 0:13:15 | 0:13:18 | |
What about this ashtray made of plaster? | 0:13:18 | 0:13:21 | |
A good-looking piece. A bit of collectible from the war. | 0:13:21 | 0:13:24 | |
And it's weird, this question mark. What do you make of it? | 0:13:24 | 0:13:28 | |
Well, maybe it has some sort of macabre sense. | 0:13:28 | 0:13:32 | |
Who's next? When's your number up? | 0:13:32 | 0:13:35 | |
So, do you think it will make the ton? | 0:13:35 | 0:13:38 | |
I don't think it'll get that far to be honest with you. | 0:13:38 | 0:13:41 | |
My estimate's ?20-30. How much? ?20-30. | 0:13:41 | 0:13:45 | |
Lordy! There is a big question mark hanging over it. Afraid so. | 0:13:45 | 0:13:49 | |
Now, yesterday's antiques for some people. | 0:13:49 | 0:13:51 | |
These little clock garnitures? | 0:13:51 | 0:13:53 | |
The fashion tends to move towards the modern. | 0:13:53 | 0:13:55 | |
This is a bit more Grandma's mantelpiece. | 0:13:55 | 0:13:59 | |
But there's a collector out there for it. I think it will sell. | 0:13:59 | 0:14:02 | |
I've priced it at ?50-80. I'm afraid they paid ?130. | 0:14:02 | 0:14:08 | |
Yeah. Pat and Dave, they went overboard for this. | 0:14:08 | 0:14:11 | |
They like it. They've taken two quite big risks here. | 0:14:11 | 0:14:15 | |
Therefore they'll need their bonus buy. Let's go and have a look at it. | 0:14:15 | 0:14:19 | |
Don't be! That shock. That pregnant pause! | 0:14:22 | 0:14:25 | |
Look. | 0:14:25 | 0:14:28 | |
Isn't that cute? It's a really retro toy from Mattel. | 0:14:28 | 0:14:32 | |
How old do you think it is? Oh, it's 1968. '68. | 0:14:32 | 0:14:35 | |
It's dated on the side, if you have a look. | 0:14:35 | 0:14:39 | |
How much did you pay for it? Oh, a huge ?18. | 0:14:39 | 0:14:42 | |
?18? ?18. At least ?18.50. | 0:14:42 | 0:14:46 | |
Do you think it will make something? | 0:14:46 | 0:14:48 | |
I'd predict all of a ?2 profit. ?20. ?2. It might make ?20. | 0:14:48 | 0:14:53 | |
It might make more. You don't have to decide now. | 0:14:53 | 0:14:55 | |
Let's see what the auctioneer thinks. | 0:14:55 | 0:14:58 | |
Well, a little jack-in-the-box, or jack-in-the-music-box, as it is. | 0:14:58 | 0:15:03 | |
Turn the handle, it plays a tune. | 0:15:03 | 0:15:05 | |
Do you want to sing along? | 0:15:05 | 0:15:08 | |
Oh, dear. There he is. So, would your children be grateful - | 0:15:11 | 0:15:14 | |
I think this is a bit of market research - if you took that home? | 0:15:14 | 0:15:17 | |
Would they be amused by this? | 0:15:17 | 0:15:20 | |
I think they probably would, for a little while. | 0:15:20 | 0:15:22 | |
I think we'll put that well and truly away. | 0:15:22 | 0:15:25 | |
What's it worth, then? I'd say between ?10-20. | 0:15:25 | 0:15:28 | |
Not too bad. Thomas Plant paid ?18. I think, if you wind it | 0:15:28 | 0:15:31 | |
and he comes out with a fistful of tenners. | 0:15:31 | 0:15:34 | |
We've spawned yet another TV programme. | 0:15:34 | 0:15:37 | |
You taking the auction today? I am indeed, yeah. Well done. | 0:15:37 | 0:15:42 | |
190. 210. Are you all done? | 0:15:42 | 0:15:44 | |
I'll sell, then, for ?210. | 0:15:44 | 0:15:46 | |
Now, how are you feeling? Cool? Yes. Relaxed? | 0:15:47 | 0:15:52 | |
Is there any piece that you wish that you hadn't bought, | 0:15:52 | 0:15:55 | |
that you got in the auction? | 0:15:55 | 0:15:56 | |
Any second thoughts? Barometer. What's the matter with that? | 0:15:56 | 0:16:00 | |
I hate it. I don't know about that. Kate recommended it to you. | 0:16:00 | 0:16:04 | |
I know. ?15 is all that was paid. | 0:16:04 | 0:16:07 | |
And the auctioneer's estimate is ?15-25. That's not too bad. | 0:16:07 | 0:16:11 | |
You like it, don't you, Jim? I do like it. | 0:16:11 | 0:16:14 | |
You think it's set fair, don't you? I do, definitely. | 0:16:14 | 0:16:17 | |
The first lot is the barometer and here it comes. Good luck. | 0:16:17 | 0:16:20 | |
Lot 1451a. We've an oak-cased aneroid barometer | 0:16:20 | 0:16:24 | |
with ceramic dial, circa 1900. | 0:16:24 | 0:16:26 | |
Start me at ?30 for this. ?30. | 0:16:26 | 0:16:28 | |
?20, then. ?20 is bid, thank you, madam. | 0:16:28 | 0:16:33 | |
?20 for the lady. Two anywhere else? | 0:16:33 | 0:16:35 | |
At ?20, then, the front row made a bid of ?20. All done at 20? | 0:16:35 | 0:16:41 | |
That's very good. ?20. Plus ?5. Nice start. Now, on the... | 0:16:41 | 0:16:46 | |
A 1950s Hornby tin-plate signal box. | 0:16:46 | 0:16:50 | |
Nice lot, this. And I'm bid ?10 to start. | 0:16:50 | 0:16:52 | |
?10 is bid. Looking for ?12 now. We're bid ?10. | 0:16:52 | 0:16:55 | |
?12, lady at the back, now. ?15 anywhere? | 0:16:55 | 0:16:57 | |
Gentleman has bid at ?12. ?12 it is. | 0:16:57 | 0:17:00 | |
Do I see ?15? ?12 with you, sir. | 0:17:00 | 0:17:03 | |
BERYL: Oh, come on! | 0:17:03 | 0:17:06 | |
?12. Minus ?8. You're minus ?3 overall. | 0:17:06 | 0:17:10 | |
A Jaques Manifesto racing game | 0:17:10 | 0:17:13 | |
with painted lead-horse counters, cards and base board, | 0:17:13 | 0:17:16 | |
in a cedar wood box. Who'll start me at ?100 for this? | 0:17:16 | 0:17:21 | |
?60, then. Come on. ?60 is bid on the right. | 0:17:21 | 0:17:24 | |
And five. And 70, sir. 75. | 0:17:24 | 0:17:27 | |
80. Five. 90. Five. | 0:17:27 | 0:17:30 | |
100. 110. 120. 130. | 0:17:30 | 0:17:33 | |
140. 150. 160. | 0:17:33 | 0:17:36 | |
170. 180. 190. | 0:17:36 | 0:17:39 | |
200. 210. | 0:17:39 | 0:17:41 | |
That's racing ahead. 220. 230? | 0:17:41 | 0:17:43 | |
?220, then, gentleman in the hat, on the right, at ?220. | 0:17:45 | 0:17:48 | |
230. 240. 250. | 0:17:48 | 0:17:51 | |
260. 270. 280. 290. | 0:17:51 | 0:17:55 | |
300. 320 is the next bid. 320. | 0:17:55 | 0:17:58 | |
I don't believe it. He hasn't finished yet. | 0:17:58 | 0:18:01 | |
?380. Gentleman in the hat still at ?380. | 0:18:01 | 0:18:04 | |
For ?380... | 0:18:04 | 0:18:07 | |
SQUEALING | 0:18:07 | 0:18:09 | |
Absolutely magical. Brilliant! | 0:18:10 | 0:18:14 | |
Well done. ?380. | 0:18:14 | 0:18:16 | |
You've made a profit of ?240 on that. | 0:18:18 | 0:18:21 | |
That means, overall, you're ?237 up. | 0:18:21 | 0:18:24 | |
Now, what are you going to do | 0:18:24 | 0:18:27 | |
about the eagle pencil-and-cigarette holder? | 0:18:27 | 0:18:31 | |
Shall we stick with it? Stick with it. | 0:18:31 | 0:18:33 | |
Are you sure you want to do that? No bonus buy? | 0:18:33 | 0:18:36 | |
No bonus buy. But we'll sell it anyway and here it comes. | 0:18:36 | 0:18:40 | |
Lot 1456a, a silver-plated pen holder in the form of an eagle. | 0:18:40 | 0:18:44 | |
This one by Walker Hall. Handsome lot, this. | 0:18:44 | 0:18:46 | |
And two bids on the books. Straight in at ?30 is bid. | 0:18:46 | 0:18:50 | |
?30. ?30. Going for five now. | 0:18:50 | 0:18:53 | |
?30. Main bid of ?30. Are we all done at ?30? | 0:18:53 | 0:18:56 | |
Straight away at ?30. Last chance, selling ?30. | 0:18:56 | 0:19:00 | |
?30. It wiped its face. So you have ?237 profit. | 0:19:01 | 0:19:06 | |
And I do congratulate you. It's brilliant. | 0:19:06 | 0:19:09 | |
Now, you must not tell the Blues a thing. | 0:19:09 | 0:19:12 | |
Go out of here looking really depressed. | 0:19:12 | 0:19:15 | |
That is a result, though, isn't it? | 0:19:15 | 0:19:17 | |
Well done, darling. | 0:19:19 | 0:19:21 | |
# All I really want is money in my pocket | 0:19:22 | 0:19:26 | |
# Cash in my hand, yo, scrilla in my wallet... # | 0:19:26 | 0:19:30 | |
?100. How are you feeling, Blues? | 0:19:32 | 0:19:35 | |
I'm fine. Feeling fine? Absolutely fine. Feeling cool? | 0:19:35 | 0:19:38 | |
Absolutely. Freezing. | 0:19:38 | 0:19:40 | |
First item that comes up is the hand-held bearing compass. | 0:19:40 | 0:19:43 | |
And here it comes. Lot 1472a. A compass. | 0:19:43 | 0:19:48 | |
Brass and black lacquer, with a back light. | 0:19:48 | 0:19:51 | |
And... ?30 for this? ?30 to start me? | 0:19:51 | 0:19:55 | |
20, then. 20 is bid. | 0:19:55 | 0:19:58 | |
25, sir? And 30. 35. | 0:19:58 | 0:20:01 | |
And 40. 45. 50. 55. | 0:20:01 | 0:20:06 | |
60. ?55. | 0:20:06 | 0:20:09 | |
60 anywhere else? ?55, then, gentleman's bid. | 0:20:09 | 0:20:12 | |
In the centre. Last chance. ?55. | 0:20:12 | 0:20:15 | |
Well done. ?55. Plus ?15. | 0:20:15 | 0:20:21 | |
Now, your ashtray. | 0:20:21 | 0:20:23 | |
1473a. We have a World War I plaster ashtray for the Royal Flying Corps. | 0:20:23 | 0:20:28 | |
And I have a flurry of bids to start me in at ?25. | 0:20:28 | 0:20:34 | |
And 30. At ?30 at the back. Looking for five now. | 0:20:34 | 0:20:37 | |
35. 40. ?40, then. | 0:20:37 | 0:20:43 | |
At ?40 and selling for ?40. | 0:20:43 | 0:20:45 | |
Last chance and selling. ?40. | 0:20:45 | 0:20:49 | |
?40. Minus ?60, I'm afraid. That's a big, deep hole. | 0:20:49 | 0:20:53 | |
Minus ?45. It's not as bad as it could be. | 0:20:53 | 0:20:57 | |
Here it comes. It's the garniture. 1474a. A French clock garniture. | 0:20:57 | 0:21:03 | |
Nice-looking lot, this. ?40 is bid. At ?40. And five. And 50. | 0:21:03 | 0:21:08 | |
And five and 60. And five and 70. | 0:21:08 | 0:21:10 | |
And five and 80. ?85. | 0:21:10 | 0:21:14 | |
?85. Do I see 90? | 0:21:14 | 0:21:17 | |
That's not bad. Are you all done? | 0:21:17 | 0:21:20 | |
?85. It is on sale at the left at ?85. | 0:21:20 | 0:21:24 | |
?85. That's minus ?45 on that. | 0:21:24 | 0:21:29 | |
You are minus ?90 overall. ?90. What are you going to do? | 0:21:29 | 0:21:33 | |
Minus 90 is not so hot. Yes, please. Jack-in-the-box. | 0:21:33 | 0:21:36 | |
You hope it's going to pop you out a profit? | 0:21:36 | 0:21:38 | |
You're going with the bonus buy for ?18 and here it comes. | 0:21:38 | 0:21:41 | |
Lot 1477a. A Mattel tin jack-in-the-music-box circa 1968. | 0:21:41 | 0:21:48 | |
There is a cheerful soul, this. Surely start me at ?20 for this. | 0:21:48 | 0:21:51 | |
?20. Go on. Tenner, then. | 0:21:51 | 0:21:53 | |
Ten is bid. Thank you. On the left at ten. Looking for 12 now. | 0:21:53 | 0:21:57 | |
Gentleman seated, at ten. 12 anywhere else? | 0:21:57 | 0:21:59 | |
?10 it is, then. At ?10. | 0:21:59 | 0:22:02 | |
Last chance at ?10. | 0:22:02 | 0:22:06 | |
Bad luck. ?10. Minus eight. | 0:22:06 | 0:22:09 | |
Minus ?98, all right? | 0:22:09 | 0:22:11 | |
That's not too bad. It was that quick. | 0:22:11 | 0:22:16 | |
That's not too bad. It could be worse. | 0:22:16 | 0:22:18 | |
Oh, dear. A loss of ?98 for the Blues, | 0:22:20 | 0:22:22 | |
which means the Reds are the runaway winners | 0:22:22 | 0:22:26 | |
with their whopping profit of ?237. | 0:22:26 | 0:22:29 | |
Let's meet our new lots of Reds and Blues. | 0:22:31 | 0:22:33 | |
For the Reds, we've got sisters Patricia and Sally. Welcome. | 0:22:34 | 0:22:38 | |
And for the Blues, we've got, erm... | 0:22:38 | 0:22:40 | |
Fay, who's a standard lamp, and Chris, who's a long-case clock. | 0:22:40 | 0:22:45 | |
And I'll be talking to you later about what you're wearing. | 0:22:45 | 0:22:48 | |
But for the Reds, we're in safe hands with you two girls, aren't we? | 0:22:48 | 0:22:52 | |
You certainly are. Why's that? We're both registered nurses. | 0:22:52 | 0:22:56 | |
Jolly good. | 0:22:56 | 0:22:57 | |
So if I'm going to have a collapse, today's my day to do it. Brilliant. | 0:22:57 | 0:23:01 | |
Sally, have you always been a nurse? No. I trained as a nurse | 0:23:01 | 0:23:04 | |
and then I was sharing a flat in Guildford with a stewardess | 0:23:04 | 0:23:07 | |
and she used to come home in her little sports car | 0:23:07 | 0:23:11 | |
and she'd have a tan | 0:23:11 | 0:23:13 | |
and lots of money, couldn't close her purse, | 0:23:13 | 0:23:15 | |
and I would struggle in after a ten-hour shift on the ward | 0:23:15 | 0:23:18 | |
and they were recruiting, so I went for it and got it | 0:23:18 | 0:23:22 | |
and I flew for 13 years. | 0:23:22 | 0:23:24 | |
Now for the Blues. | 0:23:24 | 0:23:26 | |
Or should I say, the black and tans? | 0:23:26 | 0:23:29 | |
Hi. Fay. What are you doing here, eh? | 0:23:29 | 0:23:33 | |
We love fancy dress. Do you really? | 0:23:33 | 0:23:35 | |
We thought we'd have a Bargain Hunt theme day. | 0:23:35 | 0:23:37 | |
So, how do you know each other? | 0:23:37 | 0:23:39 | |
We work together in Brighton in a pub. | 0:23:39 | 0:23:41 | |
Chris is a chef and I do the drinks. Chris, you're fond of collectables. | 0:23:41 | 0:23:45 | |
Any particular type? Yes, that is true. | 0:23:45 | 0:23:47 | |
Me and Fay have brought along our lovely teapot. | 0:23:47 | 0:23:49 | |
It's one of four. It's not a massive collection. | 0:23:49 | 0:23:52 | |
It is beautiful and hideous. | 0:23:52 | 0:23:55 | |
And who's it by? Tony Woods. You probably haven't heard of him. | 0:23:55 | 0:23:59 | |
I hope he's not watching because I don't want to offend him. No. | 0:23:59 | 0:24:02 | |
We got this one because it looks a little bit like Pat Butcher. | 0:24:02 | 0:24:05 | |
Actually, funnily enough, you're not far wrong. | 0:24:05 | 0:24:10 | |
Almost as extraordinary as the ?300 moment. | 0:24:10 | 0:24:13 | |
Here's your ?300. You know the rules, your experts await | 0:24:13 | 0:24:16 | |
and off you go and very, very, very good luck. | 0:24:16 | 0:24:19 | |
What do you think, guys, about this stall? | 0:24:23 | 0:24:26 | |
There are some lovely things here. | 0:24:26 | 0:24:27 | |
I have to say, something is standing out quite strongly. | 0:24:27 | 0:24:31 | |
The plate would be really lovely. No, no. | 0:24:31 | 0:24:34 | |
One, two, three. Unusual. Absolutely. No, I agree. Unusual. | 0:24:34 | 0:24:38 | |
Kate, what metal is that? Is that silver or brass or...? Let's see. | 0:24:38 | 0:24:43 | |
We've got a set of three. Now, this is bronze | 0:24:43 | 0:24:46 | |
and I'm pretty sure this is silver. | 0:24:46 | 0:24:48 | |
I've got some marks on mine. I don't know if yours...? Yes, yes. | 0:24:48 | 0:24:51 | |
We've got some numbers. 925. | 0:24:51 | 0:24:54 | |
That tells you that that's sterling standard silver, | 0:24:54 | 0:24:57 | |
And we've got various symbols, by the look of things. | 0:24:57 | 0:25:01 | |
I've got a maze. I've got an owl. | 0:25:01 | 0:25:02 | |
There's some sort of god and a dolphin here. | 0:25:02 | 0:25:05 | |
That's right. And they do look Greek. | 0:25:05 | 0:25:07 | |
They do. Now, if you can see, | 0:25:07 | 0:25:10 | |
next to the numbers, there's a name stamped. Yes. | 0:25:10 | 0:25:13 | |
I think it's on all of them. Oh, gosh, yes. | 0:25:13 | 0:25:16 | |
Now, that reads Lalaounis. | 0:25:16 | 0:25:17 | |
It's the jeweller, actually. Jeweller. | 0:25:17 | 0:25:19 | |
Lalaounis had a shop in Sloane Street in London | 0:25:19 | 0:25:23 | |
And they were Greek jewellers | 0:25:23 | 0:25:26 | |
and I think these symbols here may refer to Greek legends. | 0:25:26 | 0:25:30 | |
They're certainly very Greek-looking symbols. | 0:25:30 | 0:25:32 | |
But I haven't got a price on mine. Have you? It's underneath my one | 0:25:32 | 0:25:35 | |
and it's ?75. Right. | 0:25:35 | 0:25:39 | |
With these, the name is actually going to really help to sell them | 0:25:39 | 0:25:43 | |
because people who know the jeweller will home in on these. | 0:25:43 | 0:25:46 | |
So I think we should have a chat. Have a go. Yes. Sally? Me? | 0:25:46 | 0:25:50 | |
I love them. I love them. | 0:25:50 | 0:25:52 | |
Not quite "la-la, Patricia," the Reds knocked off a tenner | 0:25:52 | 0:25:56 | |
and picked up the dishes for 65. | 0:25:56 | 0:25:58 | |
Now, over to one of my favourite Teletubbies. Only joking, Tom. | 0:25:58 | 0:26:04 | |
These are First World War medals. | 0:26:04 | 0:26:06 | |
And what's nice about First World War medals for a researcher | 0:26:06 | 0:26:09 | |
is that every medal has the name it was awarded to. | 0:26:09 | 0:26:13 | |
So on here we've got Lance Corporal GF Booth, | 0:26:13 | 0:26:17 | |
Royal Lancashire Regiment. | 0:26:17 | 0:26:19 | |
Does this help the item sell? It really does. | 0:26:19 | 0:26:22 | |
You could go to the War Office in the records | 0:26:22 | 0:26:25 | |
and find out more about him. Yeah. | 0:26:25 | 0:26:27 | |
So we have the '14-'15 Star, | 0:26:27 | 0:26:29 | |
and means that this man wasn't a conscript. | 0:26:29 | 0:26:31 | |
He joined early in the war. | 0:26:31 | 0:26:33 | |
The British War Medal and the Victory Medal. | 0:26:33 | 0:26:37 | |
Do you like them? Yes, I do like them. | 0:26:37 | 0:26:40 | |
It's a sobering thought but they're lovely things. | 0:26:40 | 0:26:42 | |
What do you think they'd make at auction? Between ?80 and ?120. | 0:26:42 | 0:26:47 | |
Yeah. Sounds good. Shall we ask the gentleman? I think we should. | 0:26:47 | 0:26:51 | |
How much have you got them on for? 90, but I'll do 75. | 0:26:51 | 0:26:54 | |
How does that grab you? Sounds reasonable. | 0:26:54 | 0:26:56 | |
Perfect. Thank you. Shall we do the deal? | 0:26:56 | 0:26:58 | |
I don't get them very often. You're very kind. | 0:26:58 | 0:27:02 | |
Kate and Sally, | 0:27:06 | 0:27:07 | |
I've just looked on a stall where we got those plates from | 0:27:07 | 0:27:11 | |
but I don't know if it's old or worth anything. | 0:27:11 | 0:27:13 | |
Well, let's have a closer look, Pat. | 0:27:13 | 0:27:16 | |
What we've got here is cast metal with this lovely gilt finish. | 0:27:16 | 0:27:20 | |
And it's what's known as the rococo style. | 0:27:20 | 0:27:23 | |
I'm sure you've heard of rococo-style things. | 0:27:23 | 0:27:26 | |
The dial is enamelled and in lovely condition | 0:27:26 | 0:27:30 | |
because you often get damage to the enamel or cracking. | 0:27:30 | 0:27:32 | |
But it also makes me slightly curious as to the age | 0:27:32 | 0:27:37 | |
because it's just in such nice condition. | 0:27:37 | 0:27:39 | |
Let's look at the price. | 0:27:39 | 0:27:41 | |
Yes. Is that too much? ?145. You do pick them, don't you? | 0:27:41 | 0:27:46 | |
Any profit, at all? Well, I have to say, at auction, | 0:27:46 | 0:27:49 | |
particularly in the auction we're going to, where there'll be | 0:27:49 | 0:27:53 | |
a lot of works of art, this will sit very well | 0:27:53 | 0:27:55 | |
and I would estimate it at probably between ?100 and ?150. | 0:27:55 | 0:27:59 | |
Right. So I think if we can just ask the stallholder | 0:27:59 | 0:28:03 | |
if she can do a better deal for us, we've got a good chance. | 0:28:03 | 0:28:06 | |
I would buy it. And I would. | 0:28:06 | 0:28:08 | |
Well, that's a really good start, isn't it? Wonderful. | 0:28:08 | 0:28:11 | |
The Reds had a big hand in haggling the price down to ?100. | 0:28:11 | 0:28:16 | |
Now, what's the time, Mr Wolf? | 0:28:16 | 0:28:18 | |
Yeah, I like him. Lovely-jubbly. | 0:28:18 | 0:28:20 | |
What do you think of this? What have you found? | 0:28:20 | 0:28:23 | |
Erm, it looks like a wolf. A wolf? A wolf. | 0:28:23 | 0:28:26 | |
Yeah, the big bad wolf. He's got a cape, there it is. | 0:28:26 | 0:28:29 | |
He's a Pelham Puppet. Oh, a Pelham Puppet. Yeah, Pelham Puppet, 1963. | 0:28:29 | 0:28:33 | |
He's nice. Really strong colours. Yeah, I like it. | 0:28:33 | 0:28:36 | |
Does he have a box? It has and it looks in good condition. | 0:28:36 | 0:28:39 | |
That's a good sign. It doesn't look like it's been played with much. | 0:28:39 | 0:28:43 | |
I don't think there's any damage. Good, nice gnarly face there. | 0:28:43 | 0:28:47 | |
The price is evident, ?48. Have you had a chat with the stallholder? | 0:28:47 | 0:28:51 | |
Yeah. We think we can get it down maybe to 35, if we can push them. | 0:28:51 | 0:28:56 | |
Do you think that's room for any profit? Absolutely. | 0:28:56 | 0:28:59 | |
I mean, I sell Pelham Puppets for between ?30 and ?50. | 0:28:59 | 0:29:02 | |
I can't see you doing too wrong with that... OK. ..at 35 quid. | 0:29:02 | 0:29:06 | |
OK. What do you think? I think he's good. Let's go for him. | 0:29:06 | 0:29:08 | |
He's cute, let's get him. Well done. | 0:29:08 | 0:29:10 | |
True to his word, the dealer let Chris have our wolfie for ?35. | 0:29:10 | 0:29:15 | |
You've found this in the nick of time, Sally, cos they're packing up. | 0:29:15 | 0:29:18 | |
We did leave it rather late but I saw it and I adore silver. | 0:29:18 | 0:29:23 | |
Someone could use it for cufflinks, you could buy it for a present. | 0:29:23 | 0:29:27 | |
Originally, it was made as a cigarette box | 0:29:27 | 0:29:30 | |
and if we open it up, | 0:29:30 | 0:29:33 | |
it's wooden-lined, cedar-lined, probably, | 0:29:33 | 0:29:35 | |
to keep the tobacco fresh. | 0:29:35 | 0:29:37 | |
But it would be good as a trinket box for jewellery or cufflinks, | 0:29:37 | 0:29:41 | |
which makes it still commercial at auction today. | 0:29:41 | 0:29:44 | |
And it's got that lovely little crest there | 0:29:44 | 0:29:46 | |
but otherwise, perfectly plain and that's a good thing, | 0:29:46 | 0:29:49 | |
because the purchaser could then get it engraved if they wished... | 0:29:49 | 0:29:54 | |
Yes. And we've got nice, clear | 0:29:54 | 0:29:56 | |
hallmarks here, which collectors always like. | 0:29:56 | 0:29:58 | |
Clearly marked there for Birmingham and the date 1907... | 0:29:58 | 0:30:01 | |
Over 100... ..so it's over 100 years old. | 0:30:01 | 0:30:04 | |
We've got a bit of a bad dent just there on the corner | 0:30:04 | 0:30:09 | |
and that can't be repaired very easily because of the wooden lining. | 0:30:09 | 0:30:14 | |
You can't get at it. | 0:30:14 | 0:30:15 | |
Has it got a price on it? Oh, here we go. | 0:30:15 | 0:30:18 | |
Now, 55. What do you think about that? I think it's a good price | 0:30:18 | 0:30:22 | |
but if we can get it as down as we can, we might get a profit. | 0:30:22 | 0:30:26 | |
Yeah. Well, if it was in perfect condition, | 0:30:26 | 0:30:29 | |
then I would say about ?50 would be fine. | 0:30:29 | 0:30:31 | |
But it has got that dent and a wee bit of dimpling on the top. | 0:30:31 | 0:30:34 | |
I think that could put a few people off, | 0:30:34 | 0:30:37 | |
so the lower we can get it the better. OK. I agree. Yeah. | 0:30:37 | 0:30:41 | |
?35 is what it took to secure the silver cigarette box. | 0:30:41 | 0:30:46 | |
What have you got there, Fay? A ball inside a ball inside a ball. | 0:30:47 | 0:30:50 | |
You like that, do you? Mm-hm. What do you like about it? | 0:30:50 | 0:30:53 | |
I don't know. It's really amazing. It's really intricate. | 0:30:53 | 0:30:56 | |
Well, you might not like this. | 0:30:56 | 0:30:59 | |
But these are made out of ivory, so it's a tusk that has been carved. | 0:30:59 | 0:31:03 | |
We can't sell it unless it's carved before or made before 1947. | 0:31:03 | 0:31:07 | |
This item looks to me like it was carved in the pre-war period, | 0:31:07 | 0:31:13 | |
in probably the 1920s. | 0:31:13 | 0:31:14 | |
And it's carved out of one piece of ivory. | 0:31:14 | 0:31:18 | |
So they carve the first ball and then carve the second ball in it? | 0:31:18 | 0:31:21 | |
Absolutely. All at once. It's amazing, isn't it? Yeah. | 0:31:21 | 0:31:24 | |
How...? What...? How and why, I just can't tell you. | 0:31:24 | 0:31:27 | |
The story is that the two dragons fought over a flaming pearl, | 0:31:27 | 0:31:31 | |
which this is. | 0:31:31 | 0:31:32 | |
The dragons are fighting over the flaming pearl | 0:31:32 | 0:31:35 | |
and that's a very traditional Chinese story. How much is this one? | 0:31:35 | 0:31:39 | |
I think it was ?40. | 0:31:39 | 0:31:41 | |
I think that ?40 isn't bad, but there's damage to it. | 0:31:41 | 0:31:44 | |
But it's still collectable? Yeah, it's still very collectable. | 0:31:44 | 0:31:48 | |
Fay, you spotted it. Why did you spot it? | 0:31:48 | 0:31:50 | |
I just thought it was really pretty. | 0:31:50 | 0:31:52 | |
Yeah? Yeah. Shall we get it? | 0:31:52 | 0:31:54 | |
Yeah. I think so. Go on, Fay. | 0:31:54 | 0:31:56 | |
Talk to the dealer? Haggling time. Come on, let's go. | 0:31:56 | 0:32:00 | |
Well, it's a treat to be at Bellmans auction house | 0:32:04 | 0:32:07 | |
in Wisborough Green, West Sussex, with Jonathan Pratt. Good morning. | 0:32:07 | 0:32:11 | |
Good morning, Timothy. | 0:32:11 | 0:32:12 | |
For the Reds, Patricia and Sally, first, it's this cigarette box. | 0:32:12 | 0:32:18 | |
Now, do you have a view about this? Well... | 0:32:18 | 0:32:21 | |
cigarette boxes aren't the easiest things to sell. | 0:32:21 | 0:32:24 | |
This one has seen better days. The top's quite polished out. | 0:32:24 | 0:32:28 | |
Well, there was a crest, there. Yeah. | 0:32:28 | 0:32:30 | |
There is some scratching which might have been a crest once. Exactly. | 0:32:30 | 0:32:34 | |
And then there's creases and dents. Creases. | 0:32:34 | 0:32:37 | |
My estimate is ?25-?35. | 0:32:37 | 0:32:40 | |
?35 paid. Yes. | 0:32:40 | 0:32:42 | |
Next up is this French-style little timepiece. | 0:32:42 | 0:32:45 | |
Isn't it beautiful? Well, it's all in the eye of the beholder. | 0:32:45 | 0:32:50 | |
I don't mind these things if they're made of gilt bronze | 0:32:50 | 0:32:53 | |
and it's got some material in it. | 0:32:53 | 0:32:54 | |
This is gilt something or other. | 0:32:54 | 0:32:56 | |
It's a lead-based metal like spelter. | 0:32:56 | 0:32:58 | |
What's your estimate? ?60-?80. | 0:32:58 | 0:33:01 | |
Well, that's not so kind. | 0:33:01 | 0:33:03 | |
See, he likes it but he won't put the money on it. ?100, they paid. | 0:33:03 | 0:33:07 | |
Yeah. So I don't think that stands | 0:33:07 | 0:33:09 | |
a snowflake's chance in the old proverbial | 0:33:09 | 0:33:12 | |
of making a profit. Absolutely. | 0:33:12 | 0:33:13 | |
That's my prediction. It's a problem. | 0:33:13 | 0:33:15 | |
But I fancy not half as much a problem | 0:33:15 | 0:33:18 | |
as these three little Greek saucers. I mean, what's going on here? | 0:33:18 | 0:33:21 | |
Well, they're stamped Lalaounis. | 0:33:21 | 0:33:24 | |
A very well-known Greek jewellery designing firm | 0:33:24 | 0:33:27 | |
who did silverwork as well. Oh, I'm sorry, well... | 0:33:27 | 0:33:30 | |
They still retail in cities including London. I take it back. | 0:33:30 | 0:33:34 | |
You've done your research. This is not a joke, then? | 0:33:34 | 0:33:37 | |
You see jewellery stamped Lalaounis and it's still made. | 0:33:37 | 0:33:40 | |
So what's your estimate? ?40-?60. | 0:33:40 | 0:33:42 | |
?65 paid. So I see three problems lurching around these three objects | 0:33:42 | 0:33:48 | |
and they're definitely going to need their bonus buy, | 0:33:48 | 0:33:51 | |
so let's have a look at it and keep our legs crossed. | 0:33:51 | 0:33:53 | |
Now, I know that you love Art Deco. I do. | 0:33:55 | 0:33:58 | |
So I've gone for some silver and some Art Deco for you. | 0:33:58 | 0:34:02 | |
And what we have here is this lovely little timepiece | 0:34:02 | 0:34:04 | |
in a Britannia silver frame here, | 0:34:04 | 0:34:08 | |
engraved or engine-turned with this lovely Art Deco sunburst effect | 0:34:08 | 0:34:14 | |
and it's ticking away and working nicely. It's gorgeous. It's lovely. | 0:34:14 | 0:34:17 | |
I love it. Mm. Absolutely love it. | 0:34:17 | 0:34:20 | |
Dare I ask how much this is? Well, I didn't blow the lot. | 0:34:20 | 0:34:24 | |
It was ?50. That's good. | 0:34:24 | 0:34:26 | |
Is it going to make a profit? Make a profit? | 0:34:26 | 0:34:28 | |
Well done, Patricia. I hope it will. | 0:34:28 | 0:34:31 | |
I mean, I would buy it for ?50 also, | 0:34:31 | 0:34:33 | |
so I just hope there's somebody in the sale room | 0:34:33 | 0:34:35 | |
who feels the same way. Yeah. | 0:34:35 | 0:34:37 | |
Well, you don't have to decide right now, | 0:34:37 | 0:34:40 | |
but let's find out what the auctioneer thinks | 0:34:40 | 0:34:42 | |
about the strut timepiece. | 0:34:42 | 0:34:44 | |
Stylistically, you're into the Deco style there. | 0:34:44 | 0:34:48 | |
It's a nice touch. It's a nice little strut clock, | 0:34:48 | 0:34:50 | |
could use it next to the bed. | 0:34:50 | 0:34:52 | |
You could even take it if you're travelling. | 0:34:52 | 0:34:55 | |
It is silver, isn't it? It's Britannia standard silver, | 0:34:55 | 0:34:59 | |
so it's better quality. | 0:34:59 | 0:35:01 | |
Which they reserve for better-quality items. | 0:35:01 | 0:35:03 | |
Disappointing bezel there. | 0:35:03 | 0:35:05 | |
Yes, the bezel's all rubbed. You can see the yellow coming through. | 0:35:05 | 0:35:09 | |
Why have a plated bezel and a nice silver back? Quite. | 0:35:09 | 0:35:12 | |
That's slightly bad, isn't it? But it's ticking away. Yes. | 0:35:12 | 0:35:15 | |
How much? How much? I would say ?40-?60. | 0:35:15 | 0:35:19 | |
?50 paid by Kate Bliss, so it stands a chance. I think so. | 0:35:19 | 0:35:22 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:35:22 | 0:35:26 | |
They've got a whacky group here, look at this. | 0:35:26 | 0:35:28 | |
So, First World War trio. | 0:35:28 | 0:35:31 | |
With medals, it's always the soldier, the person, | 0:35:31 | 0:35:34 | |
that can add to the value of them. | 0:35:34 | 0:35:36 | |
This chap, I've looked up. A chap called Booth. | 0:35:36 | 0:35:39 | |
He went in as a Lance Corporal and came out as a Private, | 0:35:39 | 0:35:44 | |
so he got demoted by one rank for doing something silly, I suppose. | 0:35:44 | 0:35:48 | |
That's quite interesting, isn't it? I mean, the mind boggles. | 0:35:48 | 0:35:51 | |
How much do you think they're going to bring, Jonathan? | 0:35:51 | 0:35:54 | |
Er, I would say, really, ?30-?50. | 0:35:54 | 0:35:57 | |
Is that all? ?75, they paid. Mm. | 0:35:57 | 0:36:00 | |
Next up is the Pelham Puppet, which is great, in its box. | 0:36:00 | 0:36:04 | |
Yeah. And you've got old wolfie, there. | 0:36:04 | 0:36:07 | |
I think he's a fun guy to play with, really. It's not an early one. No. | 0:36:07 | 0:36:11 | |
Sadly. But the box is in reasonable condition, he's in great condition. | 0:36:11 | 0:36:16 | |
Anyway, it's all complete, it's in good nick. | 0:36:16 | 0:36:18 | |
So how much for old wolfie, then? About ?30-?50. | 0:36:18 | 0:36:21 | |
That's great. ?35 is all they paid, so that's great. Yeah. | 0:36:21 | 0:36:24 | |
Now, what about this piece of ivory? | 0:36:24 | 0:36:27 | |
I mean, personally, I'm not a great fan of these sorts of things. | 0:36:27 | 0:36:32 | |
Yes. I... | 0:36:32 | 0:36:33 | |
How many balls do you think there are there? Four or five? Inside? | 0:36:33 | 0:36:37 | |
Well, one's cracked, actually, sadly, inside. | 0:36:37 | 0:36:39 | |
Any sort of damage is not good news, is it? No, it isn't really. | 0:36:39 | 0:36:42 | |
Where's the value to this, then, broken? Realistically, ?20-?30. | 0:36:42 | 0:36:46 | |
?40, they paid. So wolfie should be all right. | 0:36:46 | 0:36:49 | |
The medals are not looking so good and the ivory's dodgy. | 0:36:49 | 0:36:52 | |
They're going to need their bonus buy. Let's have a look at it. | 0:36:52 | 0:36:56 | |
Look at that! | 0:36:58 | 0:37:00 | |
LAUGHTER | 0:37:00 | 0:37:01 | |
Isn't it wonderful? It's amazing. | 0:37:01 | 0:37:03 | |
Isn't it great fun? Just to, you know, reflect that what you guys do, | 0:37:03 | 0:37:06 | |
working as a waitress in a cocktail bar. | 0:37:06 | 0:37:09 | |
You gave me ?150. | 0:37:09 | 0:37:11 | |
Don't tell me you spent ?150? | 0:37:11 | 0:37:13 | |
And it was marked up at ?28 | 0:37:13 | 0:37:17 | |
and I had a figure in mind, and I bought it for 15. Oh! | 0:37:17 | 0:37:21 | |
How old is it? | 0:37:21 | 0:37:23 | |
It's 1960s, isn't it? Great fun. Yeah. Yeah. | 0:37:23 | 0:37:25 | |
You don't have to decide right now, but for the benefit of the audience, | 0:37:28 | 0:37:31 | |
here's what the auctioneer thinks about Tom's ice bucket. | 0:37:31 | 0:37:35 | |
It's one way to keep the children away from the drinks cabinet. | 0:37:35 | 0:37:39 | |
It certainly is. | 0:37:39 | 0:37:40 | |
Put you off alcohol for life. | 0:37:40 | 0:37:42 | |
Well, I think it's got the look. Yeah, it's a good novelty thing. | 0:37:42 | 0:37:46 | |
A good novelty thing and if you want an ice bucket, | 0:37:46 | 0:37:49 | |
how much would you pay, do you think, for a whacky one like that? | 0:37:49 | 0:37:52 | |
My feeling is we'll get ?20-?30 for it. | 0:37:52 | 0:37:55 | |
That's a relief to Tom, because he paid 15. OK. | 0:37:55 | 0:37:57 | |
Anything over ?15, Jonathan Pratt, will be a result. Brilliant. | 0:37:57 | 0:38:02 | |
It's a winner. Very, very, very good luck with that one. | 0:38:02 | 0:38:05 | |
So, girls, how is it? It's been brilliant. Thoroughly enjoyed it. | 0:38:06 | 0:38:10 | |
Have you got any anticipation as to how you think you're going to do? | 0:38:10 | 0:38:14 | |
We're going to do brilliantly. | 0:38:14 | 0:38:15 | |
I think we're going to have a profit. | 0:38:15 | 0:38:18 | |
First up is the cigarette box and here it comes. | 0:38:18 | 0:38:21 | |
And who'll start me at ?20 for this? ?20 for the cigarette box. | 0:38:21 | 0:38:26 | |
Oh, dear. ?20 is bid. Maiden bid of 20. ?20. | 0:38:26 | 0:38:30 | |
25. 30? | 0:38:30 | 0:38:32 | |
35. Excellent. And 40? | 0:38:32 | 0:38:34 | |
35 seated right in the cap. At ?35. 40 anywhere else? | 0:38:34 | 0:38:38 | |
?35 on the right and selling. Ooh, no! | 0:38:38 | 0:38:41 | |
Last chance. ?35. GAVEL BANGS | 0:38:41 | 0:38:44 | |
?35. Well done. That's not bad. Not bad. Wiped its face. | 0:38:44 | 0:38:47 | |
No shame, no gain. | 0:38:47 | 0:38:49 | |
Now the timepiece. | 0:38:49 | 0:38:51 | |
A French rococo-style gilt metal-mounted clock. | 0:38:51 | 0:38:54 | |
A decorative lot, this. ?30 is bid. | 0:38:54 | 0:38:57 | |
?30 is bid with me, at 30. 35 and 40. | 0:38:57 | 0:39:00 | |
45 and 50. 55, please, the book now, at 55. | 0:39:00 | 0:39:02 | |
Do I see 60? ?55, then, standing right at 55. Oh, a bit more. | 0:39:02 | 0:39:06 | |
60 anywhere else? At ?55, then, gentleman's bid. That's a bargain. | 0:39:06 | 0:39:09 | |
Last chance and selling. ?55... | 0:39:09 | 0:39:13 | |
Oh, dear. Bad luck. Minus ?45. Never mind. | 0:39:13 | 0:39:16 | |
That's very, very cheap. Be positive. | 0:39:16 | 0:39:18 | |
Here comes your three Greek dishes. Here they come. | 0:39:18 | 0:39:21 | |
Lot 1494A, we have a set of three Greek metal dishes by Lalaounis. | 0:39:21 | 0:39:27 | |
Lalaounis. In different poses. I've got bids to start me at... | 0:39:27 | 0:39:32 | |
?15 is bid. I thought he was going to say 50. | 0:39:32 | 0:39:35 | |
At ?15. Looking for 20, now. | 0:39:35 | 0:39:38 | |
At ?15. 20, anywhere? | 0:39:38 | 0:39:40 | |
At ?15. ?15 it is, then. | 0:39:40 | 0:39:42 | |
And 20 and 5. Good, good, good. | 0:39:42 | 0:39:45 | |
At ?25, still with me, then, at ?25. At ?25, I'll sell. | 0:39:45 | 0:39:49 | |
Last chance at ?25... | 0:39:49 | 0:39:51 | |
GAVEL BANGS Oh, dear. ?25. | 0:39:51 | 0:39:53 | |
Minus 40 on that. You're minus ?85, girls. | 0:39:53 | 0:39:57 | |
So what are you going to do? We're going for the bonus. Definitely. | 0:39:57 | 0:40:01 | |
You're not even thinking about that, are you? No. It's a lovely piece. | 0:40:01 | 0:40:05 | |
Well, you're a couple of punters, you are. | 0:40:05 | 0:40:07 | |
One auction virgin and a confirmed punter. | 0:40:07 | 0:40:11 | |
We're going with the bonus buy. | 0:40:11 | 0:40:13 | |
A Britannia standard silver-case strut clock of Art Deco design | 0:40:13 | 0:40:17 | |
and I have ?25 to start with. | 0:40:17 | 0:40:20 | |
Oh, good. And 30 and 5. | 0:40:20 | 0:40:22 | |
And 40, clears the book now at ?40. | 0:40:22 | 0:40:24 | |
Do I see 5? ?40, gentleman standing right at ?40. | 0:40:24 | 0:40:28 | |
Any further bidding? Selling then for ?40. Last chance. | 0:40:28 | 0:40:31 | |
Selling at ?40. | 0:40:31 | 0:40:33 | |
Oh! That was ?40, minus ?10 on that. Sorry, girls. | 0:40:33 | 0:40:38 | |
You are minus 95. Not to worry. | 0:40:38 | 0:40:40 | |
Minus ?95. That could be a winning score, all right? | 0:40:40 | 0:40:43 | |
You could still win today's competition. | 0:40:43 | 0:40:45 | |
Just don't tell the Blues a thing. Lips are sealed. | 0:40:45 | 0:40:48 | |
Now, Chris and Fay, have you been talking to the Reds? No. No? | 0:40:54 | 0:40:58 | |
You don't know how they've got on? We growled at them. Rrrr. | 0:40:58 | 0:41:01 | |
FAY GROWLING Like that. | 0:41:01 | 0:41:03 | |
Anyway, you're so sweet, you two. | 0:41:03 | 0:41:05 | |
So first off up are the First World War medals. Here they come. | 0:41:05 | 0:41:09 | |
And ?30 is bid. ?30 is bid, looking for 5, now. | 0:41:09 | 0:41:13 | |
At ?30. 35. | 0:41:13 | 0:41:15 | |
40. Medals. ?40. We've stopped at ?40. | 0:41:15 | 0:41:17 | |
5 anywhere else? ?40 against you, still at ?40. | 0:41:17 | 0:41:20 | |
Do I see 5? I'm selling at ?40. Are we all done? | 0:41:20 | 0:41:23 | |
?40 it is, then. At 40. Last chance and selling for ?40. | 0:41:23 | 0:41:26 | |
Oh, no! ?40. You're minus 35 on that. That's the end of it. | 0:41:26 | 0:41:31 | |
The Pelham Puppet, here it comes. | 0:41:31 | 0:41:33 | |
1513A, a Pelham wolf puppet, 1960s. | 0:41:33 | 0:41:37 | |
I've got ?20 on the book. ?20? | 0:41:37 | 0:41:41 | |
I'm looking for 2, now. ?20. 2, anyone? | 0:41:41 | 0:41:43 | |
?20. And 2. 25. LAUGHTER | 0:41:43 | 0:41:46 | |
28, sir? ?25 against you, then, at 25. | 0:41:46 | 0:41:49 | |
8 anywhere else? At ?25. I'll sell at ?25. | 0:41:49 | 0:41:52 | |
Last chance and selling. ?25... | 0:41:52 | 0:41:56 | |
GAVEL BANGS ?25. It's going very well. | 0:41:56 | 0:41:58 | |
It's going well, isn't it? Minus ?10 on that. Thomas! Sorry. | 0:41:58 | 0:42:02 | |
Lot 1514A, a Chinese carved and pierced ivory puzzle ball on stand. | 0:42:02 | 0:42:07 | |
And I've got two bids. I can start straight in at ?25. | 0:42:07 | 0:42:13 | |
And 30 clears the book now. On the left at ?30. Do I see 5? | 0:42:13 | 0:42:16 | |
30 on the left and seated, selling. | 0:42:16 | 0:42:18 | |
?30. All done? Last chance it is. | 0:42:18 | 0:42:20 | |
Selling at ?30... | 0:42:20 | 0:42:22 | |
GAVEL BANGS ?30, minus ?10. | 0:42:22 | 0:42:25 | |
We're going to go for the bonus buy. | 0:42:25 | 0:42:27 | |
It's worth the risk. | 0:42:27 | 0:42:29 | |
It's the only one we like. Yes. Is it? Oh! | 0:42:29 | 0:42:31 | |
Well, it is now. | 0:42:31 | 0:42:33 | |
Metal-mounted novelty ice bucket, moulded as a man's face. | 0:42:33 | 0:42:38 | |
Wow! Here he is. Look at him there, smiling away. | 0:42:38 | 0:42:40 | |
And, erm... | 0:42:40 | 0:42:42 | |
I'm surprised to say I've got two bids of interest to start me at ?20. | 0:42:43 | 0:42:48 | |
?20 is bid. ?20! ?5 profit. ?20. ?20. I'll take 5. | 0:42:48 | 0:42:52 | |
Take 5, go on. 22? ?20 it is, then, against you all on the book. | 0:42:52 | 0:42:56 | |
All done at ?20... | 0:42:56 | 0:42:58 | |
Minus 50! Plus ?5. Well, that's nice, Tom. Well done. | 0:42:58 | 0:43:02 | |
At least it's a profit. You are minus ?50. | 0:43:02 | 0:43:04 | |
Now, look, don't despair. This could be a winning score. OK, OK. | 0:43:04 | 0:43:09 | |
You're not going to take home money | 0:43:09 | 0:43:11 | |
but you could have the honour and prestige | 0:43:11 | 0:43:13 | |
of winning today's programme. | 0:43:13 | 0:43:14 | |
But don't tell the Reds, all right, and we'll have a little reveal. OK. | 0:43:14 | 0:43:19 | |
So which of the teams today are ahead? | 0:43:26 | 0:43:28 | |
Have you been talking? No. No. | 0:43:28 | 0:43:30 | |
No words have passed with regard to your individual scores. | 0:43:30 | 0:43:34 | |
Well, it is a close-run thing, I have to say, | 0:43:34 | 0:43:36 | |
but marginally behind today | 0:43:36 | 0:43:40 | |
are the Reds. | 0:43:40 | 0:43:41 | |
Oh, my God! | 0:43:41 | 0:43:43 | |
Oh, no! Bad luck, girls, cos you put in a sterling effort, I have to say. | 0:43:46 | 0:43:52 | |
Thank you. You are minus ?95, OK, which is no shameful score. | 0:43:52 | 0:43:56 | |
We enjoyed it. | 0:43:56 | 0:43:58 | |
But the victors today... Yes! | 0:43:58 | 0:43:59 | |
What they used to call the young 'uns have done very well. | 0:43:59 | 0:44:03 | |
Thanks, Thomas, for the profit on the bonus buy. | 0:44:03 | 0:44:05 | |
Well, actually, yeah, thank you. Overall, you're only minus ?50. | 0:44:05 | 0:44:10 | |
Did you think you were ahead or behind before I revealed it? | 0:44:10 | 0:44:13 | |
I thought we were losing. I thought we were. We don't have losers. | 0:44:13 | 0:44:17 | |
Just runners-up. We only have runners-up. That's losing. | 0:44:17 | 0:44:20 | |
But congratulations on coming ahead today | 0:44:20 | 0:44:23 | |
and join us soon for some more bargain hunting, yes? | 0:44:23 | 0:44:26 | |
ALL: Yes! | 0:44:26 | 0:44:28 | |
Focus on what's important, Jamie. | 0:45:01 | 0:45:03 | |
So long as you make the right decision in the moment. | 0:45:03 | 0:45:06 |