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The battle of the sexes sure rages today. | 0:00:02 | 0:00:04 | |
We've got a particularly fine pair of bonnie girls versus two bouncing boys. | 0:00:04 | 0:00:09 | |
The big question is, who will come out top? | 0:00:09 | 0:00:13 | |
Let's find out. Let's go bargain hunting! | 0:00:14 | 0:00:17 | |
The Bargain Hunt battle ground today is the magnificent and historic Alexandra Palace in North London. | 0:00:39 | 0:00:47 | |
The People's Palace has played host to a number of prestigious events over the years | 0:00:47 | 0:00:54 | |
and today is no exception. | 0:00:54 | 0:00:57 | |
Over 600 antique dealers have flooded the main exhibition hall | 0:00:57 | 0:01:00 | |
to sell their wares and make some profits. | 0:01:00 | 0:01:04 | |
And that's just what our teams are hoping to do. | 0:01:04 | 0:01:08 | |
They'll get one hour and £300 to make three profitable purchases, | 0:01:08 | 0:01:12 | |
but will feminine wiles and intuition win out over male bravado? | 0:01:12 | 0:01:17 | |
I can't wait to find out. | 0:01:17 | 0:01:20 | |
So it's girls versus the boys today and representing women | 0:01:23 | 0:01:28 | |
-are Emma and Briony. Welcome to Bargain Hunt. -Hi, Tim. -Hello, Tim. | 0:01:28 | 0:01:33 | |
-And representing the manhood of the nation we have Nick and Mo-Mo. -Hello, Tim. | 0:01:33 | 0:01:38 | |
Otherwise known as Mohammed. Now, you girls, how did you two first encounter one another? | 0:01:38 | 0:01:44 | |
Briony and I used to work together at a PR agency. Great clients, terrible company. | 0:01:44 | 0:01:49 | |
We bonded over a view of a brick wall through the window and too much Pinot Grigio after work. | 0:01:49 | 0:01:54 | |
-I hope you like your current job more? -I do. I get to travel a lot. It's a lot more enjoyable. | 0:01:54 | 0:02:00 | |
-What do you do? -I work for an IT company. They're getting broadband and internet to developing countries. | 0:02:00 | 0:02:06 | |
That's really interesting. Briony, you're no stranger to working abroad either, are you? | 0:02:06 | 0:02:12 | |
-No, I've lived in Dubai and Hong Kong. -And what have you done there? | 0:02:12 | 0:02:16 | |
I work in public relations, so I've jumped around in different industries using these PR skills. | 0:02:16 | 0:02:22 | |
-I understand you are accident-prone when it comes to vehicles? -No, that's Emm who's accident-prone. | 0:02:22 | 0:02:28 | |
-Oh. -We went to go and see my grandparents and she needed some biscuits, | 0:02:28 | 0:02:33 | |
so we decided, because it was raining, that we would take the mobility scooters out instead of... | 0:02:33 | 0:02:39 | |
-Your gran's and your gramps'? -Yeah. -What happened then? | 0:02:39 | 0:02:44 | |
Emm, rather than braking, accelerated and I ended up pinned against the shop door. | 0:02:44 | 0:02:48 | |
-I don't believe it! -So we broke the biscuits, broke Briony a bit... | 0:02:48 | 0:02:53 | |
-Sorry. -No serious broken bones? -No. -We don't want any of that behaviour today. | 0:02:53 | 0:02:58 | |
If you see a mobility scooter, resist. | 0:02:58 | 0:03:01 | |
-I promise we will. -Now, you boys... Nick, are you and Mo-Mo up for this challenge? | 0:03:01 | 0:03:06 | |
-We're always up for a challenge. -Any experience in buying antiques? | 0:03:06 | 0:03:10 | |
Funny you should say that because I sell them. I work in a gun shop that sells antique firearms. | 0:03:10 | 0:03:16 | |
-Aren't you a bit young to work in a gun shop? -Not at all. I've been working there for three years. | 0:03:16 | 0:03:22 | |
Mo-Mo, you're up against a team of women. Can you handle this? | 0:03:22 | 0:03:26 | |
Well, I think so. Me and Nick have got a bit of experience. | 0:03:26 | 0:03:30 | |
For a friend's art project, we reluctantly agreed to dress up as transvestites. | 0:03:30 | 0:03:35 | |
We went to the pub after. We managed to take off the wigs and clothes, | 0:03:35 | 0:03:39 | |
but we forgot all about the make-up. | 0:03:39 | 0:03:41 | |
We got quite a few funny looks at our local boozer. | 0:03:41 | 0:03:45 | |
But you've got another goal in life? | 0:03:45 | 0:03:48 | |
That's right. My friends back in Sheffield, they challenged me | 0:03:48 | 0:03:52 | |
to try and slip their names in whilst talking to our expert. | 0:03:52 | 0:03:56 | |
What names will we see subtly dropped into your conversation? | 0:03:56 | 0:04:00 | |
Well, they are Fi, Dave, Frank, Josh, Ram... | 0:04:00 | 0:04:05 | |
Alice, Suzie, Phil and Tom. | 0:04:05 | 0:04:09 | |
-You'll get all that lot subtly into a conversation with your expert? -I think I will. | 0:04:09 | 0:04:13 | |
Now the money moment - £300. Ready for this, girls? There you go, £300. | 0:04:13 | 0:04:17 | |
You know the rules. Your experts await and off you go! | 0:04:17 | 0:04:21 | |
I'm supposed to remain neutral and the gender wars have just begun. | 0:04:21 | 0:04:25 | |
Lending an extra bit of girl power to the Reds today is Kate Bliss. | 0:04:27 | 0:04:33 | |
And trying to help the Blues figure out the opposite sex | 0:04:33 | 0:04:37 | |
is Thomas Plant. Good luck, mate! | 0:04:37 | 0:04:39 | |
He's going to need it because, | 0:04:41 | 0:04:42 | |
today, our experts will be helping not one but two lots of teams. | 0:04:42 | 0:04:46 | |
# Go to war, go to war | 0:04:46 | 0:04:48 | |
# When two tribes go to war, one is all that you can score... # | 0:04:48 | 0:04:52 | |
Hey, girls. Now, what do you think about this? | 0:04:52 | 0:04:56 | |
-You told me you like glass. -Yeah. -What do you think about that piece? | 0:04:56 | 0:05:00 | |
I think it's quite interesting. I like the lines and the sculpture. | 0:05:00 | 0:05:04 | |
It's by a factory called Whitefriars. And this dates from the '60s. | 0:05:04 | 0:05:08 | |
But the best thing is it's by one of the most notable designers at the factory - Geoffrey Baxter, | 0:05:08 | 0:05:15 | |
which dates this to 1964, '65, and Baxter pieces are very collectable in their own right. | 0:05:15 | 0:05:21 | |
So a profit at auction would be possible or...? | 0:05:21 | 0:05:25 | |
I would price this at auction at between £50 and £80 conservatively and it might make 100. | 0:05:25 | 0:05:31 | |
So if the stallholder knocks a little bit off, I think we've got a good chance with that. | 0:05:31 | 0:05:37 | |
-OK. Let's go for it. -Happy? -Yeah. -Come on then. Come and help me. | 0:05:37 | 0:05:42 | |
The Reds paid £60 for the vase right in the middle of Kate's estimate. | 0:05:42 | 0:05:47 | |
Could this mean the girls have lost Round 1 already? | 0:05:47 | 0:05:50 | |
Mo-Mo is too busy trying to sneak his friends' names past Thomas Plant to care. | 0:05:50 | 0:05:56 | |
-Are you a leg man? -To be frank, I love these kind of legs. -These legs? -Especially these legs. | 0:05:56 | 0:06:01 | |
-In brass? -In brass. -Especially when they crack a pair of nuts as well. | 0:06:01 | 0:06:06 | |
-I love cracking nuts. -That's what you've got - a pair of nutcrackers. | 0:06:06 | 0:06:08 | |
I reckon they date... maybe late 19th century? Who do you think would have owned them? | 0:06:08 | 0:06:14 | |
I think a gentleman called Dave. | 0:06:14 | 0:06:17 | |
Come on. What kind of person? | 0:06:17 | 0:06:19 | |
What kind of person? Just a gentleman drinking brandy in his posh leather chair, | 0:06:19 | 0:06:26 | |
-cracking nuts over the fireplace. -They're great fun. | 0:06:26 | 0:06:30 | |
At £58. How do you feel about that? | 0:06:30 | 0:06:33 | |
Maybe that's a bit strong for just a nutcracker. | 0:06:33 | 0:06:36 | |
-Maybe I could drive it down a little bit. -What about you, Mo? | 0:06:36 | 0:06:40 | |
-We need to ram that price down. -Do you feel they'll make a profit? | 0:06:40 | 0:06:44 | |
-Definitely. -Really? You're so optimistic, you two. | 0:06:44 | 0:06:47 | |
-We really are. -Why are you so optimistic? | 0:06:47 | 0:06:50 | |
I think, personally...personally, you could struggle at £58. | 0:06:50 | 0:06:56 | |
Maybe at 50, maybe 40, you've got a chance. | 0:06:56 | 0:07:00 | |
-So I'll give them back to you. You want someone nuts about nutcrackers. We'll have a chat to the dealer. -OK. | 0:07:00 | 0:07:07 | |
Mo-Mo did well to sneak three names in, | 0:07:07 | 0:07:11 | |
but will the £40 leggy nutcracker help them to race away from the girls at auction? | 0:07:11 | 0:07:16 | |
Oh, girls, I like it. | 0:07:16 | 0:07:18 | |
It's a fantastic stall, but we can't afford most of the things, but this might be within our price range. | 0:07:18 | 0:07:24 | |
It looks like it's an inkwell. What do you think, B? | 0:07:24 | 0:07:27 | |
I love the structure and design of it. | 0:07:27 | 0:07:30 | |
It has that sort of like Russian steam engine, early period artwork. | 0:07:30 | 0:07:35 | |
-I like that. -Or Rennie Mackintosh. | 0:07:35 | 0:07:38 | |
That's really interesting that you say that because this is the forerunner | 0:07:38 | 0:07:43 | |
to what became Charles Rennie Mackintosh's design. | 0:07:43 | 0:07:47 | |
This is German and it's made in what's known as the Jugendstil, the German equivalent of Art Nouveau. | 0:07:47 | 0:07:53 | |
-If I just rummage for my eyeglass, you see that little mark? -Yeah. -Let's just have a little look. | 0:07:53 | 0:07:59 | |
What we've got is exactly what I was looking for - a little stork mark, | 0:07:59 | 0:08:04 | |
the bird, a stork, and we've got some magic initials - WMF. | 0:08:04 | 0:08:08 | |
WMF stands for Wuerttembergische Metallwarenfabrik. | 0:08:08 | 0:08:12 | |
It translates basically as a metal factory in Wuerttemberg in Germany, the name of the place. | 0:08:12 | 0:08:18 | |
And this particular factory was known for producing very Art Nouveau | 0:08:18 | 0:08:23 | |
or very German design pieces of this period, | 0:08:23 | 0:08:27 | |
of the 1920s, 1910 even, | 0:08:27 | 0:08:30 | |
and this is exactly what this is, so it's over 100 years old. | 0:08:30 | 0:08:34 | |
-Let's see what we can negotiate. It's quite expensive. -What's quite expensive? Let's have a look. | 0:08:34 | 0:08:39 | |
-£250? -Yeah. -Yeah, that is a lot. That's quite a large chunk of our 300, isn't it? | 0:08:39 | 0:08:45 | |
-It is. -You're the major bargainer, Briony? | 0:08:45 | 0:08:48 | |
-Bit of haggling experience in the past. -OK. -Fierce. | 0:08:48 | 0:08:52 | |
-This comes with international travel? -It does indeed. | 0:08:52 | 0:08:56 | |
Well, I say go for it. I think it's a cracking little piece. | 0:08:56 | 0:08:59 | |
It's the sort of thing at auction which is either going to fly and we make a profit or it might bomb. | 0:08:59 | 0:09:05 | |
But if it's marketed properly, it'll be on the internet and has every chance of doing very well. | 0:09:05 | 0:09:12 | |
-I love it. -Go, girl. -Lots of luck. -Thank you. Bye. -We'd better look for something else. | 0:09:12 | 0:09:17 | |
Lone lady in red Briony used her well-travelled negotiating skills, paying £190 for the inkwell. | 0:09:17 | 0:09:24 | |
-I quite like these. -Yeah. | 0:09:30 | 0:09:32 | |
-"Phil" the weight. -What are you doing? -What do you mean? | 0:09:32 | 0:09:36 | |
-We're playing with these roller skates. -Why did you pick them up? | 0:09:36 | 0:09:40 | |
I'm not a keen roller skater, but I have been roller skating before. It just sort of appealed to me. | 0:09:40 | 0:09:45 | |
I have to admit something. When I was a youth, roller skating was a craze and I was a roller skater. | 0:09:45 | 0:09:52 | |
Any idea of how old they are? | 0:09:52 | 0:09:54 | |
If you want my honest opinion, I think they'll be '30s, '40s. | 0:09:54 | 0:09:59 | |
I don't know if they're post-war. I wouldn't know. | 0:09:59 | 0:10:02 | |
At least they work and somebody will pay good money for these. | 0:10:02 | 0:10:06 | |
They're 28 quid, £14 each. That's too much. | 0:10:06 | 0:10:10 | |
What if "Fi" managed to get them down to 10 quid a pair? | 0:10:10 | 0:10:13 | |
I still think you're mad. I really do. | 0:10:13 | 0:10:16 | |
I'm going to have nothing to do with this. It's up to you guys. | 0:10:16 | 0:10:20 | |
-You're in agreement with this? -Absolutely. -Off you go, do the deal. It's your decision. | 0:10:20 | 0:10:26 | |
Thomas reckons he used to be a roller-skating king, | 0:10:27 | 0:10:30 | |
but at £20, will they make a profit at auction? | 0:10:30 | 0:10:34 | |
-Does it work and can we still make cocktails with it? -We can. | 0:10:34 | 0:10:38 | |
That is a key thing. It looks as if it's all working. | 0:10:38 | 0:10:41 | |
It's got the inner tube there and the lever works well. | 0:10:41 | 0:10:45 | |
The thing I like about it is this chrome top has the inscription here, | 0:10:45 | 0:10:49 | |
"Tower Table Water, Hull," which matches the etching on the bottle, | 0:10:49 | 0:10:54 | |
so we know that it's all original. I love the colour. | 0:10:54 | 0:10:58 | |
Blue glass is always more commercial than a clear glass. | 0:10:58 | 0:11:02 | |
And this etching is lovely. It's almost sort of Art Nouveau | 0:11:02 | 0:11:06 | |
in this sort of scroll work cartouche which places it at probably sort of 1910, 1920s, | 0:11:06 | 0:11:11 | |
so it's a lovely period piece. There is a market for it, but it's a question of how much. | 0:11:11 | 0:11:16 | |
£50 is a fair retail price, but at auction that's gonna be expensive. | 0:11:16 | 0:11:20 | |
-So what do you think? -I had a chat with the stallholder | 0:11:20 | 0:11:24 | |
and he said he would do it for 35. | 0:11:24 | 0:11:26 | |
-Is that gonna give us enough profit? -It'll certainly help. | 0:11:26 | 0:11:30 | |
-If you like it, we should do the deal. -Brilliant. | 0:11:30 | 0:11:33 | |
We've got to beat the boys. If it can make a profit, we should do it. | 0:11:33 | 0:11:36 | |
-Over to you, Briony. -Follow me. | 0:11:36 | 0:11:39 | |
That's fighting talk from Emma. | 0:11:41 | 0:11:43 | |
The Reds mean business and the Blues are just playing a different game. | 0:11:43 | 0:11:48 | |
What is this? | 0:11:50 | 0:11:52 | |
What is this playing? Playing when we're meant to be making profits? | 0:11:52 | 0:11:57 | |
-We are making profits. -Yeah? -I think we're on to a profit here. -Really? | 0:11:57 | 0:12:01 | |
-So what have you done? -We've just bought this game. | 0:12:01 | 0:12:04 | |
-You've bought it? -Yes. -No? -Yes, sorry. -Without me? | 0:12:04 | 0:12:09 | |
Are you into this old school sci-fi? | 0:12:09 | 0:12:11 | |
-I had all the leftovers from the '80s, growing up in the '90s. -How about you, Mo? | 0:12:11 | 0:12:16 | |
As "Suzie" Nick said that he's a fan of Captain Scarlet, | 0:12:16 | 0:12:19 | |
-I knew we had to get it. -Really? | 0:12:19 | 0:12:22 | |
-This is more of a purchase for Nick. -Really? -Yeah. -Not for you? -Not especially, no. | 0:12:22 | 0:12:27 | |
I'm more of a Tom-morrow kind of guy. I like futuristic things, | 0:12:27 | 0:12:31 | |
-rather than past things. -Bit more of a sci-fi...? -Yeah. | 0:12:31 | 0:12:34 | |
When we're looking at antique toys, condition is so important. | 0:12:34 | 0:12:39 | |
So we don't want to have a box in poor condition and the board game is in poor condition, | 0:12:39 | 0:12:45 | |
but so far, it's looking good, guys. | 0:12:45 | 0:12:48 | |
Do you know if it's complete? | 0:12:48 | 0:12:50 | |
There's "Alice" one small piece missing. | 0:12:50 | 0:12:53 | |
It's one of these little cars, but I don't know if that's a huge problem. | 0:12:53 | 0:12:57 | |
I reckon if you went to a toy fair, you could probably find one of those cars quite easily. | 0:12:57 | 0:13:03 | |
What was the damage? | 0:13:03 | 0:13:05 | |
Well, the stallholder wanted 50 for it | 0:13:05 | 0:13:08 | |
and we managed to get it down to £40. | 0:13:08 | 0:13:10 | |
You've done really well. And it's a real boy's game. | 0:13:10 | 0:13:14 | |
We should beat the girls with this. | 0:13:14 | 0:13:16 | |
Definitely. | 0:13:16 | 0:13:18 | |
Good team talk, but I think the girls have got a different idea about who's going to win. | 0:13:18 | 0:13:23 | |
We'll soon find out as their time is up. | 0:13:23 | 0:13:26 | |
In the Red corner, the girls paid £60 for the Whitefriars glass vase. | 0:13:30 | 0:13:35 | |
They're hoping the £190 polished pewter inkwell | 0:13:38 | 0:13:42 | |
will help them win the good fight. | 0:13:42 | 0:13:44 | |
And their last item is the soda siphon at £35, | 0:13:46 | 0:13:50 | |
but will girl power win the day today? | 0:13:50 | 0:13:53 | |
-So, girls, did you have a good time? -Yeah. It went very quickly, but fun. | 0:13:55 | 0:13:59 | |
-Which is your best bit? -I think it was the inkwell. -The pewter inkwell. | 0:13:59 | 0:14:04 | |
Which is your personal favourite item? | 0:14:04 | 0:14:07 | |
-The inkwell. -Your favourite too. | 0:14:07 | 0:14:09 | |
-What about you, Briony? -I think the inkwell will do well, but I think my soda bottle will be fantastic. | 0:14:09 | 0:14:15 | |
You spent £285 which is quite magnificent. I'm very pleased. | 0:14:15 | 0:14:19 | |
£15 of leftover lolly, a miserable 15 goes to Kate Bliss. | 0:14:19 | 0:14:23 | |
The girls always seem to spend more. Do you find that? | 0:14:23 | 0:14:26 | |
Funny, that! All the girls around me spend a lot. | 0:14:26 | 0:14:30 | |
-What are you going to do with that £15? -I have something up my sleeve which is a little novel. | 0:14:30 | 0:14:35 | |
-A novelty for £15? -Possibly. | 0:14:35 | 0:14:37 | |
Possibly? You're such a tease. Go on, off you go. | 0:14:37 | 0:14:42 | |
So let's see what the Reds are up against and remind ourselves what the Blues bought. | 0:14:42 | 0:14:47 | |
Thomas wasn't at all keen on the nutcrackers, but was outvoted | 0:14:47 | 0:14:51 | |
and the boys trousered it for £40. | 0:14:51 | 0:14:54 | |
Once again, the boys didn't take Thomas's advice | 0:14:54 | 0:14:57 | |
and paid £20 for the roller skates. | 0:14:57 | 0:15:00 | |
These two just can't seem to stop mucking about | 0:15:00 | 0:15:03 | |
after buying the Captain Scarlet board game for £40. | 0:15:03 | 0:15:07 | |
I'm not sure that's gonna help them beat the girls, | 0:15:07 | 0:15:11 | |
but I'm not supposed to be taking sides. | 0:15:11 | 0:15:13 | |
-So was it good or was it good? -Amazing. -It was amazingly good. | 0:15:13 | 0:15:17 | |
-Which is your favourite piece, Nicko? -My favourite piece is the nutcracking legs. | 0:15:17 | 0:15:22 | |
Oh, really? What about you, Mo-Mo? | 0:15:22 | 0:15:25 | |
Oh, stop Josh-ing about with me, Tim. | 0:15:25 | 0:15:28 | |
In all honesty, I'd say the nutcrackers as well. | 0:15:28 | 0:15:30 | |
So which piece is gonna bring the biggest profit, Nicholas? | 0:15:30 | 0:15:34 | |
I think... I'm thinking the Captain Scarlet board game. | 0:15:34 | 0:15:37 | |
And what about you, Mo-Mo? | 0:15:37 | 0:15:40 | |
I'd like to think my roller skates, but after what Thomas said, I'd go for the Captain Scarlet board game. | 0:15:40 | 0:15:46 | |
OK, fine. You spent £100 which is absolutely miserable. | 0:15:46 | 0:15:49 | |
I'd like £200 of leftover lolly. Thank you. To Thomas Plant. You've had your hands full today, Thomas! | 0:15:49 | 0:15:55 | |
-Ever so hands full! -This lot? | 0:15:55 | 0:15:58 | |
-I didn't know about these names and thinking back... -Yes? -Whoosh! | 0:15:58 | 0:16:02 | |
-Whoosh? -I've been conned, I've been duped! | 0:16:02 | 0:16:06 | |
I'm afraid it won't be the first time, Tom! | 0:16:06 | 0:16:09 | |
-What are you going to do with all that cash? -Spend it. -To spite them! -The lot! | 0:16:09 | 0:16:14 | |
-Blow the lot. -Blow the lot. -You love it! Good luck, Tom. | 0:16:14 | 0:16:18 | |
We're at Bellmans Auctioneers in Wisborough Green in West Sussex today with Jonathan Pratt. | 0:16:31 | 0:16:36 | |
-Good morning. -Good morning. We've got Emma and Briony today | 0:16:36 | 0:16:41 | |
who kick off with this so-called Whitefriars vase. Do you think it's Whitefriars or not? | 0:16:41 | 0:16:46 | |
No, certainly not. If you look underneath, what you've got here is a rough pontil mark. | 0:16:46 | 0:16:52 | |
Whitefriars would be polished out. It would be a nice, clear disc. | 0:16:52 | 0:16:57 | |
-So, lookalike? -The price is reflected in that. £30 to £50 is what it's worth. | 0:16:57 | 0:17:01 | |
-That's what you've put on it? -Yeah. -They paid 60. | 0:17:01 | 0:17:04 | |
What about the WMF wee inkwell? | 0:17:04 | 0:17:07 | |
-Very good. A nice decorative thing for the desk, quite a masculine object. -Yeah. -£80 to £120. | 0:17:07 | 0:17:13 | |
-£190 they paid. -190? -190. | 0:17:13 | 0:17:17 | |
-We'll see if we can get there. I'll try my best. -I'm sure, but that could be a long way off. | 0:17:17 | 0:17:22 | |
-What about the siphon? -Quite a smart thing really. -Get what then? -£40 to £60. | 0:17:22 | 0:17:27 | |
-£35 paid. -Possible profit there. -Stands a chance. | 0:17:27 | 0:17:29 | |
But highly dodgy on the WMF unless it gets picked up and a bit dodgy on the Whitefriars. | 0:17:29 | 0:17:35 | |
I think it will get picked up. We'll get close to that money, I hope. | 0:17:35 | 0:17:39 | |
You hope. He's so optimistic. He needs to be. | 0:17:39 | 0:17:42 | |
Otherwise, they'll need their bonus buy, so let's look at it. | 0:17:42 | 0:17:46 | |
There's not a lot you can buy for £15, but I found you this rather fun little teapot. | 0:17:46 | 0:17:52 | |
Now, before I go any further, unfortunately, | 0:17:52 | 0:17:57 | |
an accident has befallen it on the way to the auction house, | 0:17:57 | 0:18:01 | |
-so I'm going to hand it very gently over to Tim. -Oh, Lord. -Oh, dear. | 0:18:01 | 0:18:05 | |
-That's not supposed to represent anybody, that fellow with the moustache? -Well... | 0:18:05 | 0:18:10 | |
You cheeky Bliss! Tell me what happened. Is this crack in the wing something to do with the damage? | 0:18:10 | 0:18:16 | |
Yes, the wing has been broken off completely and has been re-glued, unfortunately, | 0:18:16 | 0:18:21 | |
which is a shame because it's rather fun with "T46" on the side. | 0:18:21 | 0:18:25 | |
"Tea for six." But it is a pity, isn't it? Kate, how much did you spend on this? | 0:18:25 | 0:18:31 | |
-I blew the whole £15. -£15? -Yes. -When it was in sound condition? -Exactly. | 0:18:31 | 0:18:37 | |
Girls, because this is supposed to be your bonus buy and we're not happy about the damage, | 0:18:37 | 0:18:42 | |
we will give you girls a credit of £15 automatically on your bonus buy, so you will not make a loss on this. | 0:18:42 | 0:18:48 | |
-OK. -If it does make a pound or two or five or maybe ten or somebody goes bonkers and pays 20, | 0:18:48 | 0:18:54 | |
-all of that will be your profit. Is that fair? -Yeah. -Is that fair to you, Chief? -That's fair. | 0:18:54 | 0:18:59 | |
-Have a handle of it cos it is great fun. -I like it. -Sorry about the wing. | 0:18:59 | 0:19:04 | |
In the meanwhile, let us find out what the auctioneer thinks about the damaged bonus buy. | 0:19:04 | 0:19:10 | |
What would this thing be worth if it was in brilliant condition? | 0:19:10 | 0:19:14 | |
-To sell it at auction? -Mm-hm. -£10 to £20. -£10 to £20 is what it's worth undamaged. | 0:19:14 | 0:19:20 | |
-What we're going to do is to give the team and Kate Bliss effectively a £15 credit on it. -Yeah. | 0:19:20 | 0:19:27 | |
-So whatever it brings above that will notionally be a profit, which I think is fair. -Absolutely. | 0:19:27 | 0:19:33 | |
That's it for the Reds. Now for the Blues. | 0:19:33 | 0:19:36 | |
-Their first item are the skates. What are they worth then? -Probably about £20 or £30. | 0:19:36 | 0:19:43 | |
-They're quite fun. -Good. £20 paid. | 0:19:43 | 0:19:46 | |
-Now, novelties, the nutcrackers. How much do you think? -Well, I put £25 to £40. | 0:19:46 | 0:19:50 | |
-Did you? -Yeah. -£40 they paid. -Right. | 0:19:50 | 0:19:53 | |
-Now, you've got the Captain Scarlet game. -Mm-hm. | 0:19:53 | 0:19:55 | |
-That looks pretty well complete. -This is a bit of a classic, | 0:19:55 | 0:19:59 | |
-Captain Scarlet. -'67. -But it isn't complete. -Isn't it? | 0:19:59 | 0:20:02 | |
-There's a couple of counters missing. It limits the people who will buy it. -Absolutely. | 0:20:02 | 0:20:06 | |
Even though they're great fans of the show. How much then? | 0:20:06 | 0:20:10 | |
-£15 to £25. -£40 paid. -Yeah. -Bit risky then, isn't it, for them? | 0:20:10 | 0:20:14 | |
They may need their bonus buy. Let's have a look. | 0:20:14 | 0:20:17 | |
Have a look, now hold it, touch it, feel it. Just have a good look. What do you think? | 0:20:20 | 0:20:26 | |
It's Russian. It's 1850s. Silver and silver gilt. | 0:20:26 | 0:20:30 | |
It's actually quite a fine thing - a vodka cup or some sort of drinking cup, of course. | 0:20:30 | 0:20:35 | |
It was marked up at about 280. I said, "200 quid cash." Taken! | 0:20:35 | 0:20:39 | |
How much do you think it'll go for in the auction? | 0:20:39 | 0:20:43 | |
It's got a good chance of touching the 200 and maybe a little bit over. | 0:20:43 | 0:20:48 | |
But it's an interesting object. | 0:20:48 | 0:20:51 | |
You don't have to decide right now. Let's see what the auctioneer thinks about the beaker. | 0:20:51 | 0:20:56 | |
A nice Russian beaker. | 0:20:56 | 0:20:58 | |
It's a silver gilt cup, OK? It's been engraved backwards. | 0:20:58 | 0:21:04 | |
You've got the decoration showing through. | 0:21:04 | 0:21:06 | |
But there's a good collectors' market for this sort of thing. That's £80 to £120 at auction. | 0:21:06 | 0:21:11 | |
-Oh, dear, oh, dear. Thomas Plant's gone completely overboard. £200 he paid for that. -Wow! | 0:21:11 | 0:21:17 | |
-We've done well with Russian things here before. They get picked up. -Well, that's the big thing. | 0:21:17 | 0:21:22 | |
Hope does spring eternal. Good luck on the rostrum! | 0:21:22 | 0:21:26 | |
35. 40. 45. | 0:21:26 | 0:21:29 | |
At 50. And 5. 60... | 0:21:29 | 0:21:33 | |
Briony and Emma, looking as lovely as ever, if you don't mind my saying... | 0:21:33 | 0:21:38 | |
-Are you ready for this? -Yes. -Are you excited? -A little bit. | 0:21:38 | 0:21:42 | |
-Only a little bit? -I'm nervous. -What are you nervous about, Emma? | 0:21:42 | 0:21:46 | |
I want to make some money. I don't want to be embarrassed. | 0:21:46 | 0:21:50 | |
Nobody will be nasty to you on this programme. | 0:21:50 | 0:21:53 | |
First up is the Whitefriars Baxter style vase. Here it comes. | 0:21:53 | 0:21:57 | |
1532A, a Whitefriars, Geoffrey Baxter style, | 0:21:57 | 0:22:01 | |
cinnamon Sunburst vase. | 0:22:01 | 0:22:03 | |
Lots of bids. I'll have to go straight in at... | 0:22:03 | 0:22:08 | |
£70 is bid. Lots of interest. We're in at £70. £70. 5? | 0:22:08 | 0:22:12 | |
At £70, straight in. 75. Clears the commissions now. | 0:22:12 | 0:22:16 | |
-£75. At £75, are we all done? -We nearly didn't buy it! | 0:22:16 | 0:22:19 | |
-Selling at £75... -75 smackers. Well done, Kate! -Brilliant. | 0:22:19 | 0:22:24 | |
Plus 15. Is that not great? | 0:22:24 | 0:22:26 | |
1533A, a WMF pewter inkwell with geometric design. | 0:22:26 | 0:22:31 | |
And again this time I've got £55 on the book. At £55. | 0:22:31 | 0:22:38 | |
Looking for 60 now? £55. | 0:22:38 | 0:22:40 | |
-With me at 55. -Come on! -60. | 0:22:40 | 0:22:43 | |
65. 70. 75. | 0:22:43 | 0:22:45 | |
-£75 against you, sir. -Not much. | 0:22:45 | 0:22:48 | |
Looking for 80? £75 with me, commission bid at £75. | 0:22:48 | 0:22:51 | |
All done and selling at 75... | 0:22:51 | 0:22:53 | |
-£75. -That's shocking. | 0:22:53 | 0:22:56 | |
That is minus 115. You're minus £100. | 0:22:56 | 0:23:00 | |
1534A, an Edwardian blue glass soda bottle with chrome-plated top. | 0:23:00 | 0:23:04 | |
And I have two bids. I've got to start at £20. With me at £20. | 0:23:04 | 0:23:10 | |
Looking for 5? I'll take 2? | 0:23:10 | 0:23:12 | |
22 then. 25. 28. | 0:23:12 | 0:23:14 | |
And 30. 32 if you want? £30 it is then. Against you at £30. | 0:23:14 | 0:23:19 | |
At £30. 2 anywhere else? | 0:23:19 | 0:23:21 | |
At £30 and selling. Last chance at £30... | 0:23:21 | 0:23:24 | |
You are minus 105. You're going to take the teapot, aren't you? | 0:23:24 | 0:23:29 | |
-Of course. -You've got no choice. -We've got to take the teapot. | 0:23:29 | 0:23:32 | |
1537A, a novelty teapot in the form of an aeroplane, circa 1975. | 0:23:32 | 0:23:37 | |
Who'll bid me £10 for this lot? Any interest at £10? | 0:23:37 | 0:23:40 | |
£10, thank you, at the back. 12? At £10 and all done at £10... | 0:23:40 | 0:23:45 | |
No further bidding, at £10... All done at £10. | 0:23:45 | 0:23:50 | |
£10. You get, therefore, the whole of that £10 as profit, | 0:23:50 | 0:23:54 | |
which means overall you're minus 95. | 0:23:54 | 0:23:57 | |
Minus £95, that could be a winning score. | 0:23:57 | 0:24:00 | |
Seriously, it could be a winning score. You could be ahead, even though you've lost £95. | 0:24:00 | 0:24:05 | |
-Don't tell the Blues a thing. -No. | 0:24:05 | 0:24:08 | |
£90 with the lady seated... | 0:24:09 | 0:24:11 | |
95 at the front. 100 if you like? 100 on the phone... | 0:24:18 | 0:24:22 | |
-Mo-Mo and Nick, do you know how the Reds got on? -No. -You haven't been talking to them? -No. | 0:24:22 | 0:24:27 | |
-Let's run through your lots. How are you feeling? Feeling confident? -A little bit. -Mildly confident. | 0:24:27 | 0:24:33 | |
-Do you see any dark holes opening up in this process or is it all good news? -No. -No. -It's all good. | 0:24:33 | 0:24:40 | |
1553A, a pair of Unit roller skates, | 0:24:40 | 0:24:44 | |
circa 1939, '40. | 0:24:44 | 0:24:46 | |
Surely worth £20 to start me? £20? £20, anyone? | 0:24:46 | 0:24:50 | |
Start me at £20? 10 then? Got to be worth a tenner. | 0:24:50 | 0:24:53 | |
10 is bid. Front row with 10. Let's go up. £10. 12? | 0:24:53 | 0:24:57 | |
-10 it is. At £10. 12? -Come on. | 0:24:57 | 0:24:59 | |
10 it is then. Front row at £10. I'll sell at £10, maiden bid. | 0:24:59 | 0:25:03 | |
Last chance? £10. | 0:25:03 | 0:25:05 | |
Minus £10, I'm afraid, boys. | 0:25:05 | 0:25:08 | |
Lot 1554A, a pair of brass nutcrackers, | 0:25:08 | 0:25:11 | |
modelled as a lady's legs. I've got £15 on the book. | 0:25:11 | 0:25:15 | |
With me at £15. At £15 bid. | 0:25:15 | 0:25:17 | |
£15. 20. 25. 30 if you want? | 0:25:17 | 0:25:20 | |
£30, he's gone. At £30. | 0:25:20 | 0:25:22 | |
£30. 5 anywhere? On the right at £30. I'll sell at 30. Last chance? | 0:25:22 | 0:25:27 | |
All done at £30... | 0:25:27 | 0:25:30 | |
-Bad luck. £30, minus £10 on that. Bit of a pattern developing here. -Minus £10 all the time. | 0:25:30 | 0:25:35 | |
1555A, Captain Scarlet board game, | 0:25:35 | 0:25:38 | |
Waddington's, circa 1967. | 0:25:38 | 0:25:41 | |
-Start me at £10 for this? -Oh! | 0:25:41 | 0:25:44 | |
Captain Scarlet game for a tenner? Any interest at £10? | 0:25:44 | 0:25:48 | |
-No, this is... -No interest at £10? | 0:25:48 | 0:25:50 | |
Are you gonna bid? He's bidding £10. 10 in the front row. | 0:25:50 | 0:25:53 | |
At £10. Looking for 12 now? At 10 it is. I'll sell at £10. | 0:25:53 | 0:25:57 | |
Last chance at £10... | 0:25:57 | 0:25:59 | |
-£10. -As my late grandmother would say, bitterly disappointing. | 0:25:59 | 0:26:04 | |
-Minus £30 on that. -Bitterly disappointing. -You're minus £50. | 0:26:04 | 0:26:08 | |
What are you gonna do about the beaker then? | 0:26:08 | 0:26:12 | |
-Let's go for the bonus buy. -We've got nothing to lose. | 0:26:12 | 0:26:16 | |
Here it comes. | 0:26:16 | 0:26:17 | |
19th century Russian silver and silver gilt engraved beaker. | 0:26:17 | 0:26:21 | |
£80 to start me? Start me at £80? | 0:26:21 | 0:26:23 | |
60 then? Surely worth £60? | 0:26:24 | 0:26:27 | |
£40? Surely worth 40? £40 anywhere? | 0:26:27 | 0:26:30 | |
£40 bid in the centre. Now looking for 5? | 0:26:30 | 0:26:33 | |
I'll sell at £40. Looking for 5? | 0:26:33 | 0:26:36 | |
In the centre of the room at £40. | 0:26:36 | 0:26:39 | |
Are we all done at £40? That's it at £40. | 0:26:39 | 0:26:42 | |
Last chance at £40. His hand's still up at £40... | 0:26:42 | 0:26:45 | |
£40. Good choice, boys(!) | 0:26:46 | 0:26:48 | |
Minus £160. | 0:26:48 | 0:26:51 | |
You were in quite a healthy position then. | 0:26:51 | 0:26:54 | |
You're now minus £210. | 0:26:54 | 0:26:57 | |
So, bad luck to the Blues. | 0:26:57 | 0:27:00 | |
They made a whopping loss of £210 - ouch! | 0:27:00 | 0:27:03 | |
Which means the Reds win because remember, they lost only £95. | 0:27:03 | 0:27:09 | |
Coming up, two more teams go bargain hunting, | 0:27:09 | 0:27:12 | |
but first, I'm heading off somewhere relaxing. | 0:27:12 | 0:27:15 | |
And where better than here in an unspoilt valley in Gloucestershire | 0:27:16 | 0:27:22 | |
at Sudeley Castle? | 0:27:22 | 0:27:24 | |
It has a long and intriguing history spanning more than a thousand years. | 0:27:24 | 0:27:29 | |
Over the centuries, Sudeley has had some infamous owners and occupants. | 0:27:29 | 0:27:34 | |
In the 16th century, it was Crown property | 0:27:34 | 0:27:38 | |
and following the death of Henry VIII in 1547, | 0:27:38 | 0:27:42 | |
his son, Edward VI, gave it to Sir Thomas Seymour | 0:27:42 | 0:27:47 | |
and created him Lord of Sudeley. | 0:27:47 | 0:27:49 | |
Henry VIII's sixth and last wife, Katherine Parr, | 0:27:52 | 0:27:56 | |
went on to marry Sir Thomas Seymour shortly after Henry's death | 0:27:56 | 0:28:00 | |
and the newly weds then took up residence at the castle. | 0:28:00 | 0:28:04 | |
Sadly, Katherine didn't have long to appreciate the wonders of Sudeley. | 0:28:04 | 0:28:08 | |
In 1548, a few days after giving birth, she died and was buried in the castle's chapel. | 0:28:08 | 0:28:15 | |
About a hundred years later, during the Civil War, | 0:28:22 | 0:28:26 | |
old Oliver Cromwell and his troops attacked Sudeley | 0:28:26 | 0:28:31 | |
and they effectively made it a ruin. | 0:28:31 | 0:28:34 | |
They also desecrated this chapel and it turned into a ruined state. | 0:28:34 | 0:28:40 | |
And as a result, the precise site of Katherine Parr's grave had become lost. | 0:28:40 | 0:28:47 | |
It wasn't until 1782 that a local farmer dug under a wall of the ruined chapel | 0:28:47 | 0:28:54 | |
after a panel had been discovered. | 0:28:54 | 0:28:56 | |
During that excavation, a lead coffin was unearthed. | 0:28:56 | 0:29:01 | |
Bingo! They had struck gold. | 0:29:01 | 0:29:03 | |
They decided to open the lead coffin | 0:29:03 | 0:29:06 | |
and they found inside the body of the late Queen entire and uncorrupted. | 0:29:06 | 0:29:12 | |
Not surprisingly over the next 80 years, | 0:29:12 | 0:29:16 | |
continuing curiosity about Queen Katherine led to more disinterring and openings of the coffin. | 0:29:16 | 0:29:22 | |
In 1792, some hair and a tooth were removed and can now be seen in the visitors' centre. | 0:29:22 | 0:29:28 | |
In the 1830s, the estate had been acquired by the wealthy Dent family | 0:29:28 | 0:29:34 | |
and they undertook in the next decade or two an extensive programme of restoration. | 0:29:34 | 0:29:40 | |
And they decided that for the deceased Queen she ought to be re-interred | 0:29:40 | 0:29:46 | |
in a rather more appropriate tomb. | 0:29:46 | 0:29:49 | |
And this is it. | 0:29:49 | 0:29:52 | |
It's after a design from Sir George Gilbert Scott, | 0:29:52 | 0:29:56 | |
the Victorian designer who had designed the Albert Memorial in London | 0:29:56 | 0:30:02 | |
and eventually, in 1861, | 0:30:02 | 0:30:05 | |
her remains which were further examined | 0:30:05 | 0:30:09 | |
and found to be but a small pile of brown dust | 0:30:09 | 0:30:14 | |
were finally, finally laid to rest here. | 0:30:14 | 0:30:19 | |
But back at Alexandra Palace, | 0:30:20 | 0:30:22 | |
there's to be no rest for our next two teams of bargain hunters. | 0:30:22 | 0:30:26 | |
So, let's meet our new lots of Reds and Blues. | 0:30:26 | 0:30:30 | |
We've got Evan and James for the Reds, | 0:30:32 | 0:30:34 | |
and we've got Holly and Ellie for the Blues. | 0:30:34 | 0:30:38 | |
-G'day! -Hello! | 0:30:38 | 0:30:39 | |
Strewth! We've got a pair of Aussies on the programme. | 0:30:39 | 0:30:42 | |
-Too right! -Certainly true-blue, down under Aussies right here. | 0:30:42 | 0:30:46 | |
-You're big Bargain Hunt fans down under, aren't you? -Absolutely. | 0:30:46 | 0:30:49 | |
Does it go down well in Oz? | 0:30:49 | 0:30:50 | |
Yep. Everyone's glued to their sets. | 0:30:50 | 0:30:52 | |
That's what I like to hear! Brilliant! | 0:30:52 | 0:30:55 | |
Is it your parents we have to thank for your trip over here? | 0:30:55 | 0:30:58 | |
Well, not this trip, but when I was younger, | 0:30:58 | 0:31:00 | |
my parents were actually antique collectors of Royal Doulton | 0:31:00 | 0:31:04 | |
and they went into a shop and my dad saw a Charlie Chaplin figurine up on the wall | 0:31:04 | 0:31:08 | |
and he thought he recognised it from a magazine so bought it for quite a good price | 0:31:08 | 0:31:12 | |
and it turned out to be a really rare piece, so he sold it a few years later for a good price | 0:31:12 | 0:31:17 | |
and that funded a trip over here and I had my first birthday in England. | 0:31:17 | 0:31:21 | |
So that's one or two years ago that he sold this thing, isn't it? | 0:31:21 | 0:31:25 | |
-Maybe just, maybe just. -Maybe just. Fantastic! | 0:31:25 | 0:31:27 | |
James, what do you miss most about home? | 0:31:27 | 0:31:29 | |
It would definitely have to be the food. Good fish and chips. | 0:31:29 | 0:31:33 | |
The English, I'm sorry, don't make it like they do back home. | 0:31:33 | 0:31:36 | |
-What's the matter with our fish and chips? -It's all pre-prepared and just not the same! | 0:31:36 | 0:31:40 | |
-Pre-prepared? Come into my fish shop, they're still alive! -We grill our fish and dim sims. | 0:31:40 | 0:31:45 | |
-Do you know what dim sims are? -Yeah, I know what dim sim is. | 0:31:45 | 0:31:48 | |
-You don't get them here. -Not at the fish and chip shop you don't! -They should be! | 0:31:48 | 0:31:51 | |
-We go to a Chinese restaurant for those. -That's dim sums. -Oh, dim sums! What's a dim sim? | 0:31:51 | 0:31:55 | |
-I don't think you wanna know what's in a dim sim, no-one ever asks! -Oh, right! | 0:31:55 | 0:32:00 | |
Like sausages, you don't wanna know what's in it. You eat it cos it tastes good. | 0:32:00 | 0:32:03 | |
That's probably why we don't have them in fish and chip shops. | 0:32:03 | 0:32:07 | |
I'm sticking up for our fish and chip shops, our chippies! | 0:32:07 | 0:32:10 | |
Will you be on the lookout for anything special today, James? | 0:32:10 | 0:32:13 | |
I'll be looking for... I've got an avid collection of keyrings, funnily enough. | 0:32:13 | 0:32:17 | |
-Keyrings? -Yeah. I just travelled Europe recently for two months | 0:32:17 | 0:32:20 | |
and every city that I visited I collected a keyring from there. | 0:32:20 | 0:32:23 | |
They're small, easy to keep in your luggage and to transport. | 0:32:23 | 0:32:27 | |
I hope your collection of keyrings unlock a decent profit for your team. | 0:32:27 | 0:32:31 | |
Now, Blues. So how do you two girls know each other? | 0:32:31 | 0:32:34 | |
We fly for an international airline together. | 0:32:34 | 0:32:36 | |
-Really? -Yeah. | 0:32:36 | 0:32:38 | |
Holly, is being an air stewardess as glamorous as it's set out to be? | 0:32:38 | 0:32:43 | |
Not quite. When we get to the places, it's really good, | 0:32:43 | 0:32:47 | |
you get to do loads of shopping and sunbathing... | 0:32:47 | 0:32:49 | |
But it's not so glamorous on board? | 0:32:49 | 0:32:51 | |
Not quite, not really when you're sort of clearing up sick... | 0:32:51 | 0:32:55 | |
-No, quite! -..and things like that, not really! -No! | 0:32:55 | 0:33:00 | |
Lovely! Well, moving on...! | 0:33:00 | 0:33:02 | |
-Ellie, any clues as to what you'll be looking for? -Um, not really. | 0:33:02 | 0:33:06 | |
Just something that takes my eye. Just see what's about. | 0:33:06 | 0:33:09 | |
Yes. You're frightfully keen on shoes, aren't you? | 0:33:09 | 0:33:12 | |
Yeah, I like the old shoes, yeah. I've got lots of shoes at home. | 0:33:12 | 0:33:16 | |
-I shouldn't be going for shoes, if I were you! -I don't think I will. | 0:33:16 | 0:33:19 | |
-You're extremely competitive, I'm told. -Yeah. Me and my dad like the old crazy golf, | 0:33:19 | 0:33:24 | |
and playing on the old computer, and we get dead competitive, yeah! | 0:33:24 | 0:33:28 | |
-So these boys don't stand a chance, eh? -Not at all! -Not a chance! | 0:33:28 | 0:33:32 | |
There's a challenge, then. | 0:33:32 | 0:33:33 | |
-The £300 moment is here. Here's your £300. -Thank you. | 0:33:33 | 0:33:36 | |
You know the rules. Your experts await, and off you go! | 0:33:36 | 0:33:39 | |
And very, very good luck. | 0:33:39 | 0:33:41 | |
# Well, come on everybody! # | 0:33:44 | 0:33:46 | |
-Guys, what do you think of this beauty? -No, it's interesting. | 0:33:48 | 0:33:52 | |
-Yeah, it's nice. -Who's the figure of, though? | 0:33:52 | 0:33:54 | |
-Well, I think this is probably Eve, as in the Garden of Eden. -Yep. | 0:33:54 | 0:34:00 | |
And what we see here, beautifully cast round the edge, | 0:34:00 | 0:34:04 | |
is the serpent, of course, to tempt her. | 0:34:04 | 0:34:07 | |
You see a lot of them cast but the figural ones, | 0:34:07 | 0:34:11 | |
where you've got a 3D figure sculpted within it, | 0:34:11 | 0:34:14 | |
are more unusual and more commercial. | 0:34:14 | 0:34:17 | |
-What's it made out of? -Although it looks silver, | 0:34:17 | 0:34:19 | |
-it's actually made of polished pewter. -OK. | 0:34:19 | 0:34:21 | |
We've got the number 249 here. | 0:34:21 | 0:34:23 | |
Now that's the design number, but if we look just here, | 0:34:23 | 0:34:27 | |
you can see it's a little bit rubbed, | 0:34:27 | 0:34:29 | |
but there's the mark of a stork, the bird, and the letters WMF. | 0:34:29 | 0:34:33 | |
Some people would go wild hearing those initials, | 0:34:33 | 0:34:36 | |
because they stand for Wurttembergische Metallwarenfabrik, | 0:34:36 | 0:34:41 | |
which literally translated is a metal factory | 0:34:41 | 0:34:44 | |
in Wurttemberg in Germany... This particular design dates from 1905. | 0:34:44 | 0:34:48 | |
-It's actually in the WMF patent books. -Oh, really! | 0:34:48 | 0:34:51 | |
So it's got a lot of age to it. £250 is what they're asking for. What do you think about that? | 0:34:51 | 0:34:55 | |
I reckon we see how far we can come down, maybe around the £200 mark. | 0:34:55 | 0:34:59 | |
Start it around there, or even lower, and we might be able to get a good bargain. | 0:34:59 | 0:35:03 | |
Who's the best at driving a bargain? | 0:35:03 | 0:35:06 | |
-We'll both do some dealing together. -Yeah! | 0:35:06 | 0:35:09 | |
Between us both, I'm sure we can pair up! | 0:35:09 | 0:35:11 | |
-Over to you then. -OK. -All right. Thanks. -Give it your best shot. | 0:35:11 | 0:35:15 | |
I like these boys! They're not frightened of flashing the cash. | 0:35:16 | 0:35:20 | |
Evan and James landed the pewter tray for £190. | 0:35:20 | 0:35:24 | |
Now, let's see if the girls are really high-flyers. | 0:35:24 | 0:35:28 | |
Ellie, what have you got there? | 0:35:28 | 0:35:30 | |
-I don't know! What do you think it is? -This is a dance card, shaped like a fan. | 0:35:30 | 0:35:35 | |
So if you think of 1900, and you think of girls of your age | 0:35:35 | 0:35:38 | |
going out to a ball or a dance, you'd have one of these with your little purse, | 0:35:38 | 0:35:43 | |
and there's a little pencil there, and this is ivory, | 0:35:43 | 0:35:45 | |
and this is mother of pearl, with a bit of silver inlay, | 0:35:45 | 0:35:48 | |
and if a gentleman asked you for a dance, | 0:35:48 | 0:35:50 | |
you'd go, "I'm booked up for the waltz, but I can do this one." | 0:35:50 | 0:35:54 | |
Then you'd put your name of the man you're gonna dance with. | 0:35:54 | 0:35:57 | |
-That's really nice. -Lovely. -It's a dance card shaped like a fan. -Aaaw! | 0:35:57 | 0:35:59 | |
About 1900s. It's really Edwardiana. | 0:35:59 | 0:36:03 | |
-So how much is it? -£60. -What do you think of that, Holly? | 0:36:03 | 0:36:07 | |
SHE GIGGLES Do you think someone would buy it?! | 0:36:07 | 0:36:10 | |
-Why do you think somebody wouldn't buy it? -I think someone would buy it | 0:36:10 | 0:36:14 | |
but maybe we can get it for a little bit less. | 0:36:14 | 0:36:16 | |
Absolutely. Something like that at auction needs to be a bit less. | 0:36:16 | 0:36:19 | |
-Shall we have a chat with the dealer? -Yeah. -OK. | 0:36:19 | 0:36:22 | |
Oh! Thomas and the girls are in a romantic mood, eh? | 0:36:22 | 0:36:26 | |
Let's hope somebody falls in love with the mother of pearl fan over at the auction. £45 paid. | 0:36:26 | 0:36:32 | |
-Yeah. -Ooh, what have you found, guys? | 0:36:35 | 0:36:39 | |
These teaspoons. They look like jelly beans at the end. What are they? | 0:36:39 | 0:36:43 | |
They do, it's funny. They're stylised to look like coffee beans | 0:36:43 | 0:36:46 | |
as little finials on the end of these spoons. | 0:36:46 | 0:36:49 | |
You see them often on coffee spoons, but I love the bright enamels. | 0:36:49 | 0:36:52 | |
-They're really eye-catching. -They really stand out. | 0:36:52 | 0:36:56 | |
It's what know as baisse-taille enamelling, after the French term, | 0:36:56 | 0:37:00 | |
and what's happened is the silver here | 0:37:00 | 0:37:02 | |
has been engraved in this lovely pattern and then the enamel, | 0:37:02 | 0:37:07 | |
the molten glass, is laid over the top | 0:37:07 | 0:37:09 | |
and it gives it this lovely sunburst effect here, | 0:37:09 | 0:37:12 | |
And they're hallmarked here. | 0:37:12 | 0:37:14 | |
We've got a little mark of an anchor which shows that they were tested in Birmingham. | 0:37:14 | 0:37:18 | |
That's the symbol for Birmingham, and then the date letter, that little "O", is 1938, 1939, | 0:37:18 | 0:37:22 | |
How much are they? £50. | 0:37:22 | 0:37:25 | |
Now £50, I don't think that's too bad. | 0:37:25 | 0:37:27 | |
At auction I can see them making anything between £30 and maybe £50 or £60 on a good day. | 0:37:27 | 0:37:33 | |
OK, so maybe we should ask to get it down to about £40? | 0:37:33 | 0:37:36 | |
-That would be even better! -I like them. -So do I. Let's give it a go. | 0:37:36 | 0:37:40 | |
-OK. You'd better show me where they came from. -It's over here. | 0:37:40 | 0:37:43 | |
True to his word, James dropped them down from £50 to £40. | 0:37:43 | 0:37:49 | |
-Ah, it's really cute, this. -It's lovely, isn't it? -Yeah. | 0:37:49 | 0:37:52 | |
It would be really nice in a little dolls' house. | 0:37:52 | 0:37:55 | |
What have you got there, girls? | 0:37:55 | 0:37:57 | |
A little dresser and chair with, like, tassels on it. | 0:37:57 | 0:38:00 | |
And why have you chosen that? Why have you picked that up? | 0:38:00 | 0:38:03 | |
Because it's pretty. | 0:38:03 | 0:38:05 | |
And how old do you think it is? | 0:38:05 | 0:38:07 | |
-1920s. -Absolutely! -Oh, wow! -It's about that date, well done! | 0:38:07 | 0:38:11 | |
-It's got a bit of damage here. -Show me the damage. | 0:38:11 | 0:38:14 | |
-Will that affect the price of it? -OK, it's so fine. | 0:38:14 | 0:38:17 | |
That will affect it a little bit, but it's not the end of the world, | 0:38:17 | 0:38:20 | |
because as you see when you turn it over, that's on the very back | 0:38:20 | 0:38:23 | |
and it's not something you're going to look at. | 0:38:23 | 0:38:25 | |
And I noticed as you turned it over, we saw the price, £155. | 0:38:25 | 0:38:29 | |
What do you think about that? | 0:38:29 | 0:38:30 | |
Oh, it's a little bit... | 0:38:30 | 0:38:32 | |
-A little bit what? -Expensive. | 0:38:32 | 0:38:34 | |
Exactly. I think it needs to come down a little bit. | 0:38:34 | 0:38:38 | |
Do you think it's something which people would like? | 0:38:38 | 0:38:40 | |
-Yeah, definitely. -Yeah? -I think someone will buy it, but maybe a little bit cheaper. | 0:38:40 | 0:38:45 | |
You're quite right. There are dolls' house collectors out there. | 0:38:45 | 0:38:48 | |
-So we have a chat to the dealer? -Yeah. -Shall we have a go? -Yes. | 0:38:48 | 0:38:52 | |
All right. Come with me. | 0:38:52 | 0:38:53 | |
Holly and Ellie settled on the miniature pieces at £130. | 0:38:53 | 0:38:58 | |
Now, what's brewing with the boys from down under? | 0:38:58 | 0:39:02 | |
Do you know, I could murder a cup of tea! | 0:39:02 | 0:39:04 | |
Oh, well! I could make tea. | 0:39:04 | 0:39:06 | |
-We've looked at a lot of teapots, haven't we? -Yeah. -This one, I think, is the best. | 0:39:06 | 0:39:10 | |
So what do you think about this piece? | 0:39:10 | 0:39:13 | |
It's quite nice. Maybe it does have a little tarnish around the top, | 0:39:13 | 0:39:16 | |
but it'd make a good cup of tea. | 0:39:16 | 0:39:17 | |
I think you're right. What you actually think is tarnish | 0:39:17 | 0:39:20 | |
is actually where the plate has rubbed, | 0:39:20 | 0:39:23 | |
cos I'll let you into a little secret. | 0:39:23 | 0:39:25 | |
This isn't actually silver, it's known as electroplate, | 0:39:25 | 0:39:27 | |
so it's got a very thin layer of silver over a base metal | 0:39:27 | 0:39:30 | |
and what you can see here is the brass just showing through a little bit. | 0:39:30 | 0:39:33 | |
Having said that, it is by a particular maker | 0:39:33 | 0:39:37 | |
and if we look, in fact, at the bottom, | 0:39:37 | 0:39:40 | |
you can see a little mark here and the name "Benson". | 0:39:40 | 0:39:42 | |
Now Benson, in fact, stands for William Arthur Smith Benson | 0:39:42 | 0:39:48 | |
and he was actually one of the main designers | 0:39:48 | 0:39:52 | |
in the Arts and Crafts movement. | 0:39:52 | 0:39:54 | |
-Well, I'm interested. What do you think of it? -Yeah. | 0:39:54 | 0:39:57 | |
Maybe find out... How much is it? | 0:39:57 | 0:39:59 | |
Well, the ticket price here says £70. Now it's quite a lot, isn't it? | 0:39:59 | 0:40:03 | |
I mean, it's a fair retail price but at auction, | 0:40:03 | 0:40:06 | |
I would like to see this estimated at about £40 to £60, | 0:40:06 | 0:40:09 | |
so what do you think? | 0:40:09 | 0:40:11 | |
Let's go and see if we can get the price down and put the kettle on. | 0:40:11 | 0:40:14 | |
That sounds good to me. OK! | 0:40:14 | 0:40:16 | |
The boys strained out a deal at £40 for the teapot. | 0:40:16 | 0:40:21 | |
-Well done. -Fantastic! | 0:40:24 | 0:40:26 | |
-What do you think of this? -Oooh! | 0:40:26 | 0:40:28 | |
What's that "oooh" for? | 0:40:28 | 0:40:30 | |
It's all right. | 0:40:30 | 0:40:31 | |
If I was to say to you it's 50 years old, what would you say? | 0:40:31 | 0:40:34 | |
-No way! -No way. Really?! | 0:40:34 | 0:40:36 | |
-Yeah. -It's actually 50 years old. -Oh, is it?! | 0:40:36 | 0:40:39 | |
It's 1950s. | 0:40:39 | 0:40:40 | |
This is made by Kosta, Kosta Boda | 0:40:40 | 0:40:42 | |
a famous glass factory in Sweden. | 0:40:42 | 0:40:44 | |
Now, in the post-war period, the Scandinavians had this great way of designing items | 0:40:44 | 0:40:51 | |
and it's so lovely, it's sleek, it's slender, | 0:40:51 | 0:40:53 | |
it's got this lovely... what we call a sommerso, | 0:40:53 | 0:40:56 | |
and this really decorative bubble design through it. | 0:40:56 | 0:40:59 | |
-So, what do you think of the price? -Far too expensive! | 0:40:59 | 0:41:02 | |
-Far too expensive, isn't it? -Yeah. -Is it far too expensive? | 0:41:02 | 0:41:05 | |
-I wouldn't want it for that price. -No, I agree with you. | 0:41:05 | 0:41:08 | |
We need £100 off that, at least, | 0:41:08 | 0:41:10 | |
because these sell for about £80 to £120. | 0:41:10 | 0:41:14 | |
Am I winning you over? | 0:41:14 | 0:41:15 | |
If you can get a good price for it then, yeah, | 0:41:15 | 0:41:19 | |
I think it's cool. | 0:41:19 | 0:41:21 | |
-You think it's cool? -Yeah, it's quite cool. | 0:41:21 | 0:41:23 | |
-It is quite cool for 1950s. -Yeah. | 0:41:23 | 0:41:25 | |
And there are a lot of collectors of Scandinavian glass, | 0:41:25 | 0:41:29 | |
and I sell quite a lot of it and it does make that sort of money, | 0:41:29 | 0:41:32 | |
so if we can get almost 100 quid off, but I really need your help. | 0:41:32 | 0:41:35 | |
-Are you going to help me? -Yep! -We're a team? -Yes! | 0:41:35 | 0:41:38 | |
-Right, let's go, come on! -Better make a profit, anyway! -I'm sure it will! | 0:41:38 | 0:41:42 | |
That's the fighting spirit we love, Holly, | 0:41:44 | 0:41:48 | |
and that also means both teams' bargains are all found, | 0:41:48 | 0:41:53 | |
so let's have a reminder of what the Reds bought. Good on you, boys! | 0:41:53 | 0:41:56 | |
Evan and James kicked things off | 0:41:56 | 0:41:58 | |
with their Art Nouveau pewter polished plate for 190, | 0:41:58 | 0:42:02 | |
then came their set of six 1930s coffee spoons at £40, | 0:42:02 | 0:42:07 | |
and lastly, their hot brew obsession continued | 0:42:07 | 0:42:10 | |
and they picked up a Benson-inscribed teapot for £40. | 0:42:10 | 0:42:14 | |
So, cobbers, how did you get on? | 0:42:18 | 0:42:20 | |
-Fantastic! Had a ball! -Enjoy the shop? -Yeah, it was good. | 0:42:20 | 0:42:22 | |
We had a good shop with Kate. She was very helpful. | 0:42:22 | 0:42:25 | |
They sound quite surprised, don't they?! | 0:42:25 | 0:42:28 | |
I don't know why! Which is your favourite bit, James? | 0:42:28 | 0:42:30 | |
I think we agreed that the teaspoons that we bought, | 0:42:30 | 0:42:33 | |
-they really stood out because of the colour. -Uh-huh. | 0:42:33 | 0:42:36 | |
-So are they going to make the most profit, then? -Hopefully, yeah. | 0:42:36 | 0:42:40 | |
-Hopefully? -Fingers crossed. | 0:42:40 | 0:42:42 | |
Everything's crossed, actually, | 0:42:42 | 0:42:44 | |
but you spent £270, which is jolly good going. | 0:42:44 | 0:42:46 | |
30 smackers coming over for Kate to find the bonus buy with. | 0:42:46 | 0:42:51 | |
-I haven't a clue what I'm gonna get! -Haven't you? -No! | 0:42:51 | 0:42:53 | |
Oh, that's unusual because you've got, usually, a very good idea. | 0:42:53 | 0:42:57 | |
Are you a bit worried about this? | 0:42:57 | 0:42:59 | |
-Oh! OK. Well, we're worried for you, and good luck. -Thank you. | 0:42:59 | 0:43:02 | |
Let's remind ourselves what the Reds are up against | 0:43:02 | 0:43:06 | |
and see what the Blues bought. | 0:43:06 | 0:43:08 | |
There were no delays for the Blues and they took off | 0:43:10 | 0:43:15 | |
with an early 20th century mother of pearl and ivory dance card for £45. | 0:43:15 | 0:43:20 | |
Next, they thought it was pretty, | 0:43:20 | 0:43:22 | |
but will it be sitting that way at the auction? | 0:43:22 | 0:43:25 | |
And Thomas's final destination was Sweden, as the Blue's last piece | 0:43:25 | 0:43:30 | |
was this Scandinavian '50s glass vase, packed away for £80. | 0:43:30 | 0:43:35 | |
Well, how was it? | 0:43:35 | 0:43:37 | |
-Brilliant! -Fantastic! -I think those grins say it all, don't you? -They were wonderful! | 0:43:37 | 0:43:42 | |
Which is your favourite piece? | 0:43:42 | 0:43:44 | |
Mine would be the dance card with that fan out | 0:43:44 | 0:43:48 | |
with the mother of pearl front. | 0:43:48 | 0:43:49 | |
Ooh, you're getting all the lingo, aren't you?! What about you, Holls? | 0:43:49 | 0:43:53 | |
I like the miniature table and chair for the dolls' house, | 0:43:53 | 0:43:56 | |
it's really, really sweet. | 0:43:56 | 0:43:58 | |
-Which piece is going to bring the biggest profit? -The vase. | 0:43:58 | 0:44:01 | |
In unison, you're determined about that! | 0:44:01 | 0:44:04 | |
Well, you spent a magnificent £255, and I'd like £45 of leftover lolly | 0:44:04 | 0:44:08 | |
for Thomas to go and find the bonus buy with. | 0:44:08 | 0:44:10 | |
Now, you've had a very envy-making day today, haven't you? | 0:44:10 | 0:44:13 | |
Do you know, I feel honoured, | 0:44:13 | 0:44:15 | |
I feel so special the BBC chose me to look after these two glamorous girls. | 0:44:15 | 0:44:20 | |
I'm over the moon, so I'm gonna buy something slender and beautiful. | 0:44:20 | 0:44:23 | |
-Are you slender and beautiful? -Not like me, obviously! | 0:44:23 | 0:44:26 | |
Thomas, I didn't say that! | 0:44:26 | 0:44:29 | |
But I'm glad you had a good time, anyway. Good luck with your trawl. | 0:44:29 | 0:44:32 | |
Thank you. | 0:44:32 | 0:44:34 | |
Today we've come to Bellmans in deepest West Sussex | 0:44:45 | 0:44:48 | |
to be with Jonathan Pratt. | 0:44:48 | 0:44:50 | |
-Jonathan. -Good morning. -Our auctioneer of the moment. | 0:44:50 | 0:44:53 | |
First up is this quite stylish and at least stamped Benson teapot. | 0:44:53 | 0:44:58 | |
It's only nickel-plate. | 0:44:58 | 0:45:00 | |
-It's got the look... -Exactly. | 0:45:00 | 0:45:02 | |
It's very typically of that late 19th century style he was doing. | 0:45:02 | 0:45:06 | |
I've put £25 to £40 on this. | 0:45:06 | 0:45:08 | |
OK. £40 paid. | 0:45:08 | 0:45:10 | |
Now, the WMF tray. | 0:45:10 | 0:45:12 | |
You've got Eve and the serpent, so it's sort of suggestive as well. | 0:45:12 | 0:45:15 | |
-And a bit of a lily pad. -Exactly. -It's clever. | 0:45:15 | 0:45:17 | |
-How much do you think for that? -I've put £100 to £150. -Have you? -Yeah. | 0:45:17 | 0:45:21 | |
£190 was paid. It might just get that, might it? | 0:45:21 | 0:45:24 | |
-It could get that. -I hope you get them tempted. | 0:45:24 | 0:45:26 | |
-Of course, you've got immense willpower yourself. -Oh, yeah. | 0:45:26 | 0:45:29 | |
You're able to resist even a cased set of coffee spoons like this! | 0:45:29 | 0:45:33 | |
-I think that's lovely! -Yeah? -Multi-coloured bowls, | 0:45:33 | 0:45:36 | |
nice bit of engine turning underneath, | 0:45:36 | 0:45:39 | |
really nice bright colours, really cheerful. | 0:45:39 | 0:45:42 | |
-So how much? -Well, I would say £30 to £40. | 0:45:42 | 0:45:45 | |
£40 they paid. | 0:45:45 | 0:45:46 | |
-But somebody could be tickled by those colours. -Could be. -They might pay £50. -Sure! | 0:45:46 | 0:45:50 | |
But it all hinges on the WMF piece, and if all goes belly up with that, | 0:45:50 | 0:45:55 | |
let's go and have a look at the bonus buy. | 0:45:55 | 0:45:57 | |
Evan and James, you spent £270. | 0:45:57 | 0:46:00 | |
You gave £30 of leftover lolly to Kate Bliss. | 0:46:00 | 0:46:03 | |
What did she spend it on? | 0:46:03 | 0:46:05 | |
-A sweet little Arts and Crafts spoon. -Nice! Lovely! | 0:46:05 | 0:46:10 | |
Quite collectable, because it's Arts and Crafts, | 0:46:10 | 0:46:12 | |
hammer decoration, a really distinctive hallmark of the Arts and Crafts movement, | 0:46:12 | 0:46:17 | |
that very handmade look about it, | 0:46:17 | 0:46:19 | |
a lovely pierced little finial, and set with a little carnelian stone. | 0:46:19 | 0:46:23 | |
That was £30. | 0:46:23 | 0:46:24 | |
Is this gonna make us a big profit? | 0:46:24 | 0:46:27 | |
I think it has a chance to. | 0:46:27 | 0:46:29 | |
You don't have to decide right now, | 0:46:29 | 0:46:31 | |
but for the benefit of the audience, | 0:46:31 | 0:46:33 | |
let's find out what the auctioneer thinks about the jolly old spoon. | 0:46:33 | 0:46:36 | |
Isn't this sweet? | 0:46:36 | 0:46:38 | |
Very pretty. | 0:46:38 | 0:46:39 | |
-What do you think it is worth? -Well, I reckon £30 to £40. -Great, she paid 30. | 0:46:39 | 0:46:43 | |
-I think she could do well with that. -She could do well? That's lovely. | 0:46:43 | 0:46:46 | |
That's it for the Reds. Now for the Blues. | 0:46:46 | 0:46:49 | |
Their first item is the novelty fan, | 0:46:49 | 0:46:51 | |
which is actually, I think, some kind of dance card marker, isn't it? | 0:46:51 | 0:46:56 | |
I think so. You've got this little pencil holder on the end | 0:46:56 | 0:46:59 | |
which isn't the greatest quality, actually. | 0:46:59 | 0:47:01 | |
Oh, yes. That's crud metal, isn't it? | 0:47:01 | 0:47:03 | |
That's really crud metal! | 0:47:03 | 0:47:05 | |
How much do you think? | 0:47:05 | 0:47:06 | |
-I would think probably £15 to £20. -Well, £45 was paid, so there's an uphill struggle there. | 0:47:06 | 0:47:10 | |
Now, talking about struggles, we next move onto the filigree work. | 0:47:10 | 0:47:14 | |
Yeah. | 0:47:14 | 0:47:15 | |
I'm not a fan of filigree, to be honest. I don't like this wirework metal. | 0:47:15 | 0:47:19 | |
I shouldn't necessary reflect that in the valuation, | 0:47:19 | 0:47:21 | |
-cos there are collectors of all things. -Quite. | 0:47:21 | 0:47:24 | |
But I would say about £40 to £60 is what it's gonna get at auction. | 0:47:24 | 0:47:26 | |
Oh, dear! £130 paid. | 0:47:26 | 0:47:29 | |
Lastly, then, something completely different. | 0:47:29 | 0:47:32 | |
-A bit of modernist glass. -Yeah. | 0:47:32 | 0:47:35 | |
I quite like 20th century glass. | 0:47:35 | 0:47:37 | |
People are buying this sort of thing today and they are using it. | 0:47:37 | 0:47:41 | |
Not just the collector, someone will buy because it's nice on the mantel. | 0:47:41 | 0:47:44 | |
It's nice, it's good condition. What more can I say? £70 to £100. | 0:47:44 | 0:47:49 | |
£70 to £100? | 0:47:49 | 0:47:50 | |
-Gosh! £80 they paid, so that's not too bad, it's on the cusp. -Absolutely. | 0:47:50 | 0:47:54 | |
But they have a got a problem with the filigree, | 0:47:54 | 0:47:56 | |
and may have a problem with the novelty fan, | 0:47:56 | 0:47:58 | |
so just in case, let's go and have a look at the bonus buy. | 0:47:58 | 0:48:02 | |
Now, Ellie and Holly, you spent £255, | 0:48:02 | 0:48:07 | |
leaving Thomas with £45 to spend on your bonus buy. | 0:48:07 | 0:48:11 | |
-£45 was well-spent. -Ooh! -Oooh! -What, another vase?! | 0:48:11 | 0:48:16 | |
Another vase! I've got another piece of Swedish glass. | 0:48:16 | 0:48:20 | |
Now it's by Johansfors, designed by a man called Bengt Orup. | 0:48:20 | 0:48:24 | |
-Bengt who? -Bengt Orup. -Oh, really! | 0:48:24 | 0:48:26 | |
-They were... Hold it, go on! -You won't fit many plants in here! | 0:48:26 | 0:48:30 | |
No, it's a signature piece! It's something you put on a sideboard. | 0:48:30 | 0:48:33 | |
It only cost £45. | 0:48:33 | 0:48:34 | |
It was marked up at £78. It's a designer piece. | 0:48:34 | 0:48:37 | |
It's got a chance. | 0:48:37 | 0:48:38 | |
How come you got the same sort of thing? | 0:48:38 | 0:48:41 | |
Well, because we've already got a piece of glass in | 0:48:41 | 0:48:43 | |
-and I thought it would be a good idea to sort of have a friend in the sale... -A friend! | 0:48:43 | 0:48:48 | |
Because one person to buy that one friend, might buy the other friend. | 0:48:48 | 0:48:52 | |
-Anyway, you don't have to decide right now. -No! | 0:48:52 | 0:48:54 | |
You decide after the sale of your first three items. | 0:48:54 | 0:48:57 | |
Let's find out what the auctioneer thinks about Tom's piece of glass. | 0:48:57 | 0:49:01 | |
Oh, look at that! Isn't that superb? | 0:49:01 | 0:49:03 | |
-A bit more smoky glass. -It speaks for itself. What would you use it for? | 0:49:03 | 0:49:06 | |
I suppose you could just about get a stem flower in there, couldn't you? | 0:49:06 | 0:49:09 | |
-Yes, a bit of Ikebana. -What's that? -It's one bud up to heaven. | 0:49:09 | 0:49:12 | |
-OK. -It's a Japanese economical flower-arranging form. | 0:49:12 | 0:49:16 | |
-Well, wonderful! -Yeah? -Yeah. | 0:49:16 | 0:49:18 | |
So, how much for it, then? | 0:49:18 | 0:49:20 | |
Well, about £40 to £60 is what I've set for it. | 0:49:20 | 0:49:23 | |
£45 Thomas has invested for the Blues | 0:49:23 | 0:49:26 | |
-and we will have to hope for the best, won't we? -We will! -We will! | 0:49:26 | 0:49:30 | |
Now, Evan and James, how are you feeling, boys? Are you excited? | 0:49:33 | 0:49:37 | |
Yeah, pretty excited. | 0:49:37 | 0:49:39 | |
Nervous, anxious, yeah. | 0:49:39 | 0:49:42 | |
First lot up, though, is the teapot and here it comes. | 0:49:42 | 0:49:45 | |
Handsome looking lot. | 0:49:45 | 0:49:46 | |
Surely start me at £30 for the teapot, £30? Surely worth £30? | 0:49:46 | 0:49:51 | |
-£20 then... -Oh, dear! | 0:49:51 | 0:49:52 | |
Start me off at £10, surely worth a tenner? | 0:49:52 | 0:49:54 | |
Come on! £10... | 0:49:54 | 0:49:56 | |
is bid! Thank you at 10. Do you want 12, sir? | 0:49:56 | 0:49:59 | |
12 it is. 15 on the right? 12 seated in the centre. At £12. | 0:49:59 | 0:50:02 | |
I'll sell at £12. All done at £12, last chance, I'm selling for 12. | 0:50:02 | 0:50:06 | |
£12. You're minus £28 on that. | 0:50:06 | 0:50:09 | |
Lot 1574A, an Art Nouveau WMF pewter tray in the form of Eve, | 0:50:09 | 0:50:13 | |
with the serpent border. | 0:50:13 | 0:50:15 | |
I've got interest to start me at 70, 80, 90, £100. Straight in at £100. | 0:50:15 | 0:50:19 | |
Commission bid at £100. Looking for 10 now, maiden bid of 100. | 0:50:19 | 0:50:24 | |
At £100, are we all done? No further interest? | 0:50:24 | 0:50:26 | |
I've gone cold at £100. On the book, then, | 0:50:26 | 0:50:28 | |
commission bid against you all, £100. | 0:50:28 | 0:50:31 | |
-£100, that's grim. -Ouch! | 0:50:31 | 0:50:33 | |
Minus 90. | 0:50:33 | 0:50:35 | |
That means you are minus 118. | 0:50:35 | 0:50:38 | |
Lot 1575A, | 0:50:38 | 0:50:39 | |
a set of six Art Deco silver and enamel bean end coffee spoons, | 0:50:39 | 0:50:42 | |
Birmingham, 1938. | 0:50:42 | 0:50:44 | |
I've got £25 on the book, with me at £25. | 0:50:44 | 0:50:47 | |
Looking for 30 now, £25 and 30, | 0:50:47 | 0:50:49 | |
-35, 40... -Come on! | 0:50:49 | 0:50:52 | |
45, £45, do you want 50? | 0:50:52 | 0:50:55 | |
45 against you then. On the book at £45. | 0:50:55 | 0:50:57 | |
You're in profit. | 0:50:57 | 0:50:59 | |
Commission bid against you all at £45, selling at £45. | 0:50:59 | 0:51:01 | |
£45, that's good. Plus £5. | 0:51:01 | 0:51:04 | |
Unfortunately, that means you are still minus £113. | 0:51:04 | 0:51:08 | |
-OK, yeah. -Right? But, you've got Kate to fall back on. | 0:51:08 | 0:51:11 | |
-Do you think we should ride with the spoon? -I think we'll spoon it. | 0:51:11 | 0:51:15 | |
-Are you sure? -Yeah. | 0:51:15 | 0:51:17 | |
-We're hurting at the moment. -You could be hurting even more! | 0:51:17 | 0:51:20 | |
Well, I'm happy to hurt more! | 0:51:20 | 0:51:22 | |
Arts and Crafts hammered silver spoon with engraved pierced trefoil finial, | 0:51:22 | 0:51:26 | |
and again I've got £25 bid. | 0:51:26 | 0:51:29 | |
£25, straightaway at £25, looking for £30 now. I'll take 28. | 0:51:29 | 0:51:33 | |
28, 30, 32, 35, 38 if you like. | 0:51:33 | 0:51:37 | |
-35 against you... -Well done, Kate. | 0:51:37 | 0:51:39 | |
..on the books still at £35. | 0:51:39 | 0:51:41 | |
And selling, commission bid all done, £35. | 0:51:41 | 0:51:44 | |
£35, that's a brilliant profit of a £5 note, | 0:51:44 | 0:51:48 | |
and that means 5 off 13, What's 5 from 13? | 0:51:48 | 0:51:52 | |
8, isn't it? 108. | 0:51:52 | 0:51:54 | |
You are £108 down. I mean it could be a winning score, right? | 0:51:54 | 0:51:58 | |
You never know, hopefully! Fingers crossed! | 0:51:58 | 0:52:00 | |
-Could be, if things go really badly for the Blues! -Really badly! | 0:52:00 | 0:52:03 | |
-Don't tell the Blues a thing, right! -No! -Mum's the word. | 0:52:03 | 0:52:06 | |
Now, Ellie and Holly, do you know how the Reds got on, those boys? | 0:52:11 | 0:52:14 | |
-Haven't got a clue. -Not a clue? | 0:52:14 | 0:52:16 | |
-No. -That's very good, we don't want you to know. | 0:52:16 | 0:52:19 | |
How are you feeling? | 0:52:19 | 0:52:20 | |
-Confident! -I'm dead nervous. | 0:52:20 | 0:52:22 | |
Is there anything that you feel particularly shifty about what you've bought? | 0:52:22 | 0:52:27 | |
-Yeah... -The dance cards, I think. -No, the table and chairs. | 0:52:27 | 0:52:31 | |
-Oh, yeah, and that! -A bit dodgy, yeah! | 0:52:31 | 0:52:33 | |
Do you wish you hadn't bought them? | 0:52:33 | 0:52:35 | |
-It was too expensive. I don't think anyone's gonna... -We still like them! | 0:52:35 | 0:52:38 | |
-You still like them? -They're just a little bit pricey. | 0:52:38 | 0:52:42 | |
That's the problem, isn't it? Well, 130 you paid, right. | 0:52:42 | 0:52:45 | |
The auctioneer, he's put £40 to £60 on those chairs, which is tight. | 0:52:45 | 0:52:49 | |
Harsh. | 0:52:49 | 0:52:50 | |
First up is your fan dance-case and here it comes. | 0:52:50 | 0:52:54 | |
1593A, a 20th century mother of pearl and ivory dance card | 0:52:54 | 0:52:58 | |
with silver overlay, so I can start straight in at... £15 is bid. | 0:52:58 | 0:53:05 | |
18, 20, 22, 25, 28 and 30. | 0:53:05 | 0:53:09 | |
32, 35, £38. Clears commissions at £38. 40.. | 0:53:09 | 0:53:13 | |
Lots of people bidding! | 0:53:13 | 0:53:15 | |
5, madam? 45, 50 is gone and 5, 55 with the lady, at £55. | 0:53:15 | 0:53:20 | |
Looking for 60. All done at £55 and selling. | 0:53:20 | 0:53:22 | |
Last chance, with the lady, £55. | 0:53:22 | 0:53:25 | |
-£55, a cool £10 profit. -I think you'll find that were my purchase! | 0:53:25 | 0:53:29 | |
-Taking credit! -"That's my purchase!" | 0:53:29 | 0:53:33 | |
That's a good start! | 0:53:33 | 0:53:34 | |
1594A, | 0:53:34 | 0:53:36 | |
an early 20th century silver filigree miniature dressing table and chair, | 0:53:36 | 0:53:40 | |
and I'm bid £20. | 0:53:40 | 0:53:43 | |
-Bid £20 on the book. -You paid £130. | 0:53:43 | 0:53:45 | |
£20, looking for 5. £20. I'll take 2 if you like. | 0:53:45 | 0:53:48 | |
25, 28, 30. | 0:53:48 | 0:53:50 | |
£30 standing left, in at £30. | 0:53:50 | 0:53:52 | |
At £30, are we all done at £30? | 0:53:52 | 0:53:54 | |
£30 standing left and selling at £30. | 0:53:54 | 0:53:57 | |
£30. That's minus £100! | 0:53:57 | 0:54:01 | |
That's not so bad! | 0:54:01 | 0:54:03 | |
What do you mean, that's not bad! It's awful! | 0:54:03 | 0:54:06 | |
It's a small loss! | 0:54:06 | 0:54:07 | |
Well, overall, you're minus £90. | 0:54:07 | 0:54:10 | |
Lot 1595A, | 0:54:10 | 0:54:11 | |
a 1950s Kosta Sommerso vase by Vicki Lindstrand | 0:54:11 | 0:54:16 | |
and I have bids at £40, with me at £40. | 0:54:16 | 0:54:19 | |
-Looking for 5 now. -Come on! -£40, 5 anyone? | 0:54:19 | 0:54:22 | |
At £40 it is, at £40. 45 and 50. | 0:54:22 | 0:54:25 | |
55 and 60. | 0:54:25 | 0:54:26 | |
-At £60, with me still at £60. -Bit more! | 0:54:26 | 0:54:29 | |
One more? And 5 and 70. £70, against you then. | 0:54:29 | 0:54:32 | |
-A bit more! -It's still with me at £70 then. | 0:54:32 | 0:54:34 | |
-On the book commission then at £70, last chance. At 70. -Grrr! | 0:54:34 | 0:54:38 | |
Right, £70, that's minus 10, that's nothing. | 0:54:38 | 0:54:41 | |
-You're back at minus 100. -We weren't that far out. | 0:54:41 | 0:54:43 | |
-They did quite well, yeah. -It's very gracious to say that! | 0:54:43 | 0:54:46 | |
And I'll give you the dance card! | 0:54:46 | 0:54:48 | |
What are you gonna do about this bonus buy, then? | 0:54:48 | 0:54:50 | |
-I'll go for it. -Are you gonna go for it? -Yeah. -Really? | 0:54:50 | 0:54:53 | |
-We're putting our faith in you, Tom. -You're going with it, here it comes. | 0:54:53 | 0:54:57 | |
A Johansfors smoky glass vase by Bengt Orup | 0:54:57 | 0:55:00 | |
-and I have on the book a commission of £10. -Oh! | 0:55:00 | 0:55:04 | |
10 I'm bid, 10 it is. At £10, I'll take 12 if you like. | 0:55:04 | 0:55:07 | |
At a tenner with me on the book in at £10. | 0:55:07 | 0:55:10 | |
Not getting a good feeling here, Tom! | 0:55:10 | 0:55:12 | |
No-one will take it on at £10? | 0:55:12 | 0:55:15 | |
Selling then, on the book, commission bid against you all, £10. | 0:55:15 | 0:55:19 | |
£10, minus 35, you are minus £135. | 0:55:19 | 0:55:23 | |
Whose idea was it to go for that?! | 0:55:23 | 0:55:25 | |
-Yes! Whose idea was it, girls! I told you! -Holly! | 0:55:25 | 0:55:28 | |
-It was a nice looking thing, but the wrong sale. -Aaaw! | 0:55:28 | 0:55:34 | |
This is the moment when I have to reveal all. | 0:55:39 | 0:55:41 | |
Both teams know that they have made substantial, whopping losses today, | 0:55:41 | 0:55:46 | |
you both know this. | 0:55:46 | 0:55:48 | |
It's just a question of scale, really, | 0:55:48 | 0:55:50 | |
and marginally ahead on the scale of losses, | 0:55:50 | 0:55:52 | |
I have to reveal, are the Blues. | 0:55:52 | 0:55:54 | |
Aaaah, no! | 0:55:54 | 0:55:58 | |
-You felt so good about this, didn't you? -Oh, and it's going on TV! | 0:55:58 | 0:56:02 | |
It is on TV, actually, yeah. | 0:56:02 | 0:56:04 | |
£135 you are down the drain. | 0:56:04 | 0:56:07 | |
But have you had a good time? | 0:56:07 | 0:56:09 | |
-Yeah. -Brilliant, yeah. -We've loved having you. | 0:56:09 | 0:56:11 | |
You've jollied up our programme enormously! | 0:56:11 | 0:56:14 | |
Now, boys, the victors, by only losing £108! | 0:56:14 | 0:56:18 | |
So you're not gonna be going home, I'm afraid, with any cash, | 0:56:18 | 0:56:21 | |
But, so what?! It's been good fun, hasn't it? | 0:56:21 | 0:56:24 | |
-Yeah! -Yeah! -It's good to know we beat the girls! | 0:56:24 | 0:56:27 | |
-It was a good game! -Yeah! Stop rubbing it in, James! | 0:56:27 | 0:56:31 | |
Anyway, we've had a great time. | 0:56:31 | 0:56:32 | |
Join us soon for some more bargain hunting, yes? | 0:56:32 | 0:56:35 | |
ALL: YES! | 0:56:35 | 0:56:36 |