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# ..To be my girl | 0:00:02 | 0:00:04 | |
# You don't have to be cool to rule... # | 0:00:04 | 0:00:07 | |
Now, ladies, what are you doing? | 0:00:07 | 0:00:10 | |
-BOTH: Getting ready, Tim. -What for? | 0:00:10 | 0:00:12 | |
BOTH: You! | 0:00:12 | 0:00:14 | |
Ooh! This can only mean one thing! | 0:00:14 | 0:00:16 | |
Let's go bargain-hunting! | 0:00:16 | 0:00:19 | |
Today, we're on Welsh soil, | 0:00:44 | 0:00:46 | |
at the International Antiques And Collectors' Fair at Builth Wells. | 0:00:46 | 0:00:50 | |
Our teams are prepped and raring to go, so let's get on with it! | 0:00:50 | 0:00:54 | |
And this is how it works. | 0:01:02 | 0:01:03 | |
I give two teams £300, and an expert with a vast amount of knowledge | 0:01:03 | 0:01:08 | |
and a keen eye for a bargain, | 0:01:08 | 0:01:10 | |
an hour to go and rummage around and find three items, | 0:01:10 | 0:01:14 | |
which they sell on later at auction, | 0:01:14 | 0:01:16 | |
and if they make a profit, they get to keep it! How good's that? | 0:01:16 | 0:01:19 | |
Today, we have two teams of sizzling sisters. | 0:01:23 | 0:01:27 | |
We have daredevil Dawn, and her big sister, Jeanette, for the Blues. | 0:01:27 | 0:01:32 | |
We have action-woman Marie, and her little sister, Claire, for the Reds. | 0:01:32 | 0:01:37 | |
Welcome, ladies! Now, Marie, what do you do for a job, darling? | 0:01:37 | 0:01:41 | |
I'm a primary school teacher. | 0:01:41 | 0:01:42 | |
You're also a bit of an adrenaline junkie. Tell us about that. | 0:01:42 | 0:01:46 | |
I've got my own private pilot's licence, | 0:01:46 | 0:01:48 | |
and I can take friends and family up - | 0:01:48 | 0:01:51 | |
we go around the Pembrokeshire coastline, which is absolutely gorgeous, | 0:01:51 | 0:01:55 | |
-and often been further afield, as well. -Have you? -Yes. | 0:01:55 | 0:01:58 | |
What do you do, Claire? | 0:01:58 | 0:02:00 | |
I'm a clerical officer and I work for the NHS. | 0:02:00 | 0:02:03 | |
What do you collect? | 0:02:03 | 0:02:05 | |
The only thing I collect is Portmeirion porcelain - the jugs. | 0:02:05 | 0:02:08 | |
I visited Portmeirion about 15 years ago and it's such a magical place - | 0:02:08 | 0:02:13 | |
-I fell in love with it - -Pretty stuff, isn't it? -They're nice. | 0:02:13 | 0:02:17 | |
Are you going to try and buy a bit on Bargain Hunt to make a profit? | 0:02:17 | 0:02:20 | |
-I might. -You might! -Yeah. -Very coy! | 0:02:20 | 0:02:23 | |
Thank you very much. That's that two sisters, now this two sisters! | 0:02:23 | 0:02:26 | |
Dawn, what do you do, darling? | 0:02:26 | 0:02:28 | |
I'm communications manager for the North Wales NHS trust, | 0:02:28 | 0:02:32 | |
-and I'm also a magistrate. -Oh, are you? | 0:02:32 | 0:02:34 | |
You're also a bit of a thrill-seeker, though, aren't you? | 0:02:34 | 0:02:37 | |
Yes, I suppose I am, really. | 0:02:37 | 0:02:39 | |
For my 40th birthday, I did a skydive in Florida, | 0:02:39 | 0:02:43 | |
and I've also done white-water rafting in the Rocky Mountains in Canada, | 0:02:43 | 0:02:48 | |
Now, I should welcome your sister as... | 0:02:48 | 0:02:51 | |
Madam Mayor Jeanette Chamberlain Jones. | 0:02:51 | 0:02:56 | |
-Is that right? -That's right. | 0:02:56 | 0:02:57 | |
Shouldn't you actually be in red? | 0:02:57 | 0:02:59 | |
Yes, as a Labour county councillor, I should be in red! | 0:02:59 | 0:03:04 | |
You like to keep yourself busy with your own party business. | 0:03:04 | 0:03:07 | |
Yes, I've had an events... party...events organising... | 0:03:07 | 0:03:13 | |
organisation for ten years, | 0:03:13 | 0:03:15 | |
and that's great fun. | 0:03:15 | 0:03:17 | |
I know you're keen on collecting, but you had a burglary, | 0:03:17 | 0:03:20 | |
didn't you? Which was a blow. | 0:03:20 | 0:03:22 | |
Yes, we had a break-in at the house, | 0:03:22 | 0:03:24 | |
and all my Brambly Hedge figurines were taken, | 0:03:24 | 0:03:30 | |
-and quite a lot of other things. -Oh, dear. | 0:03:30 | 0:03:32 | |
And it's taken me quite a few years to purchase them back, | 0:03:32 | 0:03:36 | |
as I see them at places like this. | 0:03:36 | 0:03:39 | |
Yes, quite. | 0:03:39 | 0:03:41 | |
But teddy bears is what I like most. | 0:03:41 | 0:03:43 | |
You going to buy one for making a profit on the programme today? | 0:03:43 | 0:03:47 | |
If I see a good teddy, I'll be in there like a shot. | 0:03:47 | 0:03:50 | |
You're going to be good! It's the money moment. | 0:03:50 | 0:03:53 | |
Here's your £300. £300 apiece. You know the rules. | 0:03:53 | 0:03:55 | |
Your experts await, and off you go, and very, very good luck! | 0:03:55 | 0:03:58 | |
As ever, each team has an expert to help and guide them. | 0:03:58 | 0:04:02 | |
Steering the Reds in the right direction | 0:04:02 | 0:04:05 | |
is David Barby. | 0:04:05 | 0:04:08 | |
And keeping a watchful eye over the Blues | 0:04:08 | 0:04:11 | |
is Jonathan Pratt. | 0:04:11 | 0:04:14 | |
And stone the crows - they'll have their work cut out | 0:04:14 | 0:04:17 | |
as they help not one but two lots of teams today. | 0:04:17 | 0:04:20 | |
Oh, look at this one, Marie. | 0:04:26 | 0:04:28 | |
This is quite nice. | 0:04:28 | 0:04:30 | |
Oh, I don't recognise that, | 0:04:30 | 0:04:33 | |
but I do like the shape of it. It's a really nice colour. | 0:04:33 | 0:04:36 | |
-Hey! -It's got no cracks or... -That is stunning. | 0:04:36 | 0:04:39 | |
-Do you know what it is? -No. | 0:04:39 | 0:04:40 | |
It's a good example of pottery produced at the beginning | 0:04:40 | 0:04:44 | |
-of the 20th century. -Right. | 0:04:44 | 0:04:46 | |
It's got that unusual shape. | 0:04:46 | 0:04:48 | |
It's not a thing that you would actually use, | 0:04:48 | 0:04:50 | |
-but it's an object you'd look at and admire. -Yeah. | 0:04:50 | 0:04:52 | |
Now, if you look, it's got two layers of clay. | 0:04:52 | 0:04:56 | |
A smooth one, and then where it's been almost chiselled out. | 0:04:56 | 0:05:00 | |
And we call this sgraffito. | 0:05:00 | 0:05:02 | |
Now, if I turn it upside down, what do you see? | 0:05:02 | 0:05:04 | |
-It's got "Baron"... -Mmm. -..and then "Barnstaple". | 0:05:04 | 0:05:08 | |
Baron was an employee of a company called Charles Brannam, | 0:05:08 | 0:05:12 | |
based at Barnstaple, | 0:05:12 | 0:05:14 | |
and he produced almost identical wares. | 0:05:14 | 0:05:17 | |
In 1898, Baron moved away from the main company, | 0:05:17 | 0:05:21 | |
and set up his own company. | 0:05:21 | 0:05:23 | |
That is what you've got. | 0:05:23 | 0:05:25 | |
Now, what's the price? | 0:05:25 | 0:05:26 | |
£120. | 0:05:26 | 0:05:28 | |
-I can see people paying that, but you'll have to negotiate. -Yes. | 0:05:28 | 0:05:32 | |
£120 - you need to negotiate. | 0:05:32 | 0:05:34 | |
-Yes. -The dealer's round there. Let's go have a word with him. | 0:05:34 | 0:05:37 | |
-OK. -Thank you. -Keep your fingers crossed. | 0:05:37 | 0:05:39 | |
Between the three of them, they negotiated the price down to £87. | 0:05:39 | 0:05:45 | |
What are you up to you, ladies? I heard a vile din. | 0:05:50 | 0:05:53 | |
It isn't the Proms, you know! | 0:05:53 | 0:05:54 | |
-What have you got there? -A Stradivarius. | 0:05:54 | 0:05:56 | |
A Stradivarius? Shall we have a look? | 0:05:56 | 0:05:58 | |
In some respects, you're quite right. Stradivarius, it is. | 0:05:58 | 0:06:02 | |
It's the shape that a lot of violins were based on. | 0:06:02 | 0:06:05 | |
18th-century master of violin-making. | 0:06:05 | 0:06:09 | |
From that point, people copied those designs. | 0:06:09 | 0:06:11 | |
If you look inside, | 0:06:11 | 0:06:12 | |
actually, it says, "Copie de Atonius Stradivarius." | 0:06:12 | 0:06:15 | |
-Does that mean that it is, or isn't? -It's a copy. | 0:06:15 | 0:06:18 | |
-Oh, it's a copy. -A copy. | 0:06:18 | 0:06:20 | |
But the condition of this is not too bad. | 0:06:20 | 0:06:22 | |
There's no obvious damage to it, | 0:06:22 | 0:06:24 | |
We've got a few bits missing, a broken string... Was that you? | 0:06:24 | 0:06:28 | |
I managed to play it, though! I got a tune out of it. | 0:06:28 | 0:06:31 | |
It's in a case. Let's have a look. You have in here, normally, | 0:06:31 | 0:06:34 | |
spare strings and the replacement fittings there for the strings. | 0:06:34 | 0:06:38 | |
And bows themselves are important, as well. | 0:06:38 | 0:06:41 | |
They're made from a piece which is bowed, | 0:06:41 | 0:06:43 | |
then they straighten it with the tension of the horsehair. | 0:06:43 | 0:06:46 | |
And often there's a maker's stamp on the side, which, | 0:06:46 | 0:06:49 | |
in this case, there isn't. You can see it's a bit tired. | 0:06:49 | 0:06:52 | |
But again, can easily be tidied up. | 0:06:52 | 0:06:54 | |
What are they asking? | 0:06:54 | 0:06:55 | |
-There's no price ticket on it. -No price at all. -No. | 0:06:55 | 0:06:58 | |
At auction, £20 to £30, I reckon, so if you can get it for less than 20, | 0:06:58 | 0:07:01 | |
-we stand a chance that we can get some money. -OK. | 0:07:01 | 0:07:04 | |
Off you go. | 0:07:04 | 0:07:05 | |
-See what you can do. -OK. | 0:07:05 | 0:07:07 | |
Cor, those ladies are a force to be reckoned with! | 0:07:09 | 0:07:12 | |
They paid a meagre £2. Ha! | 0:07:12 | 0:07:14 | |
I thought you'd like it. | 0:07:18 | 0:07:20 | |
Yeah. It's so different, isn't it? | 0:07:20 | 0:07:22 | |
I've never seen anything like this. | 0:07:22 | 0:07:24 | |
You've come back to this, have you? Now, what's the appeal? | 0:07:24 | 0:07:27 | |
-I've never seen anything like it before. -You keep saying that! | 0:07:27 | 0:07:30 | |
-BOTH: Yeah. -And Claire loves her dogs. | 0:07:30 | 0:07:32 | |
So, what's the name of the breed? | 0:07:32 | 0:07:35 | |
I'd say it's a terrier-type dog. | 0:07:35 | 0:07:37 | |
-A Westie terrier... -A Westie. | 0:07:37 | 0:07:39 | |
-I'm not sure, yeah. -That's good, because if people have Westies, | 0:07:39 | 0:07:43 | |
-or terriers, that'll have great appeal. -Yeah. | 0:07:43 | 0:07:46 | |
Look at the back, there's the standard mark, | 0:07:46 | 0:07:48 | |
Clarice Cliff. | 0:07:48 | 0:07:49 | |
I have not seen a Clarice Cliff dog mask before. | 0:07:49 | 0:07:53 | |
So how old would you say this is? | 0:07:53 | 0:07:55 | |
Well, I think it's late 1930s. | 0:07:55 | 0:07:56 | |
It's good. What's the price? | 0:07:56 | 0:07:59 | |
It is going for £225. | 0:07:59 | 0:08:01 | |
Dare I suggest you've got to get it half price? | 0:08:01 | 0:08:04 | |
-OK. -Otherwise, we're not going to profit - forget it. | 0:08:04 | 0:08:06 | |
-Judging the time - you haven't got much left. -No. | 0:08:06 | 0:08:09 | |
-No. -OK? -OK. -Do your best. | 0:08:09 | 0:08:11 | |
-We'll try. -Thank you. | 0:08:11 | 0:08:13 | |
The Reds negotiated a brilliant discount, | 0:08:13 | 0:08:16 | |
but the dog still cost them a massive £110. | 0:08:16 | 0:08:20 | |
Woof, woof! Oooh. | 0:08:20 | 0:08:22 | |
Oh, look at this! | 0:08:25 | 0:08:26 | |
An umbrella stand in the shape of an umbrella. | 0:08:26 | 0:08:29 | |
-In a puddle! -It's horrible. | 0:08:29 | 0:08:31 | |
Great for our British weather, look. | 0:08:31 | 0:08:33 | |
Every home should have one. | 0:08:33 | 0:08:36 | |
Certainly, it's a stand in the shape of an umbrella, | 0:08:36 | 0:08:38 | |
-with wirework painted black - a fun thing, really. -It's unique. | 0:08:38 | 0:08:41 | |
And I would have it in my house, in the porch. | 0:08:41 | 0:08:44 | |
Yeah. It's fun, you can have walking sticks and stuff in there - | 0:08:44 | 0:08:47 | |
it's got lots of space for it, | 0:08:47 | 0:08:49 | |
and people will comment when they see it. | 0:08:49 | 0:08:51 | |
It shows signs of having some age. | 0:08:51 | 0:08:54 | |
It's been painted before, it's worn away. | 0:08:54 | 0:08:56 | |
You've got brass finials around the top, bit of detail in it. | 0:08:56 | 0:08:58 | |
I reckon we'd probably get about £30 for it at auction, | 0:08:58 | 0:09:02 | |
because it's got a novelty value to it. What are they asking for it? | 0:09:02 | 0:09:05 | |
-I think it was £49. -£49... | 0:09:05 | 0:09:07 | |
£49?! | 0:09:07 | 0:09:10 | |
-For that?! -Well, we've only bought one item so far, | 0:09:10 | 0:09:12 | |
-and you like it. -I like it. -Well, let's see how much it is, then. | 0:09:12 | 0:09:16 | |
Under £40 would be good. | 0:09:16 | 0:09:17 | |
Make sure we get it under 40. | 0:09:17 | 0:09:19 | |
-Off you go, ladies, and see how you can do! -OK! | 0:09:19 | 0:09:22 | |
Dawn didn't back down, and bought the brolly stand for £35. | 0:09:25 | 0:09:30 | |
-Let me check. -What make? | 0:09:30 | 0:09:32 | |
-Yeah, it's Royal Worcester. -That's what you were looking for, isn't it? | 0:09:32 | 0:09:35 | |
-Yeah, it's really unusual, isn't it? -Yeah. | 0:09:35 | 0:09:38 | |
-You've got it! -I have indeed! | 0:09:38 | 0:09:40 | |
-At long last, you've found a piece of Worcester! -Yeah. -OK. -It's quite attractive. | 0:09:40 | 0:09:44 | |
Now, why did you go for this? | 0:09:44 | 0:09:45 | |
It's quite an unusual shape. | 0:09:45 | 0:09:48 | |
The pattern on it is... is rather nice. | 0:09:48 | 0:09:50 | |
It's different to the other patterns I've seen. | 0:09:50 | 0:09:53 | |
-It's got four roses, not just the flowers. -That's right. | 0:09:53 | 0:09:56 | |
It's all hand-painted, and it has a sort of full-blown rose | 0:09:56 | 0:09:59 | |
-in the manner of an artist called Kitty Blake. -OK. | 0:09:59 | 0:10:02 | |
So, you've got these wiped-out leaves | 0:10:02 | 0:10:04 | |
which are very good. | 0:10:04 | 0:10:06 | |
The only thing is, I couldn't see a signature. | 0:10:06 | 0:10:09 | |
Would a signature command a higher price, then? | 0:10:09 | 0:10:12 | |
If it has a signature, if you had Kitty Blake on it, | 0:10:12 | 0:10:14 | |
-£300, £400, if not more. -Really? -Yes. -Yes. | 0:10:14 | 0:10:16 | |
But a signature does make a world of difference on Worcester. | 0:10:16 | 0:10:20 | |
See all these symbols on the bottom? | 0:10:20 | 0:10:22 | |
That's the pattern number, 307, | 0:10:22 | 0:10:23 | |
and then you've got the batch and the kiln number underneath, | 0:10:23 | 0:10:27 | |
and that's the standard mark for Worcester. | 0:10:27 | 0:10:29 | |
It's a very, very good choice. | 0:10:29 | 0:10:31 | |
Now, just tell me, what's the price? | 0:10:31 | 0:10:33 | |
I think they're asking £85. | 0:10:33 | 0:10:36 | |
I think you've got to get it down. | 0:10:36 | 0:10:37 | |
The advantage is you're going to Malvern for the sale, | 0:10:37 | 0:10:41 | |
which is close to Worcester, and you've got Worcester collectors. | 0:10:41 | 0:10:44 | |
-You stand a very good chance of selling at a profit... -That'd be good. | 0:10:44 | 0:10:48 | |
-..providing you can get it down slightly on price. -Yes. | 0:10:48 | 0:10:51 | |
Determined to buy some Royal Worcester, she struck a deal at £67. | 0:10:51 | 0:10:58 | |
Well, what do you think this is, then? What is it? | 0:11:01 | 0:11:05 | |
Well, I'm not 100% sure, to be honest, but I mean, I love this wood. | 0:11:05 | 0:11:09 | |
It's a Victorian, walnut, extendable, expanding book stand. | 0:11:09 | 0:11:13 | |
The ends come out so you can fit more books in. | 0:11:13 | 0:11:15 | |
Personally, I would put it on my desk and use it for files | 0:11:15 | 0:11:19 | |
and my diary, and things like that. | 0:11:19 | 0:11:21 | |
This shape on the end here, | 0:11:21 | 0:11:23 | |
what would you say it looks like? What does it remind you of? | 0:11:23 | 0:11:26 | |
-Does that have a particular style? -Church. -Exactly. | 0:11:26 | 0:11:29 | |
It's very Gothic, isn't it? | 0:11:29 | 0:11:30 | |
Exactly. Very much like a church. | 0:11:30 | 0:11:32 | |
You've got this ebonised base at the bottom, typically... | 0:11:32 | 0:11:35 | |
Funnily enough, it's a memento that comes in after Albert's death. | 0:11:35 | 0:11:39 | |
-Helps you date it. -It reflected it. -Middle part of the Victorian period. | 0:11:39 | 0:11:43 | |
The nice thing is you've got a maker's name there. | 0:11:43 | 0:11:46 | |
It says Mills & Son of Southsea. | 0:11:46 | 0:11:49 | |
It's good quality. Walnut, brass mounting, a little name plaque - | 0:11:49 | 0:11:52 | |
it gives it a bit more of an edge to it. | 0:11:52 | 0:11:54 | |
Go on then, you're convincing me now. | 0:11:54 | 0:11:56 | |
-How much are they asking? -65, I think, is on the ticket. -65, OK. | 0:11:56 | 0:11:59 | |
I think, probably, at auction, we'd put them in at £40 to £60, | 0:11:59 | 0:12:02 | |
so if we get around the £40 mark, that'd be fair. | 0:12:02 | 0:12:05 | |
-All right. -Have a go? -Yeah. | 0:12:05 | 0:12:07 | |
That Jeanette took some persuading! | 0:12:07 | 0:12:09 | |
£40 paid. | 0:12:09 | 0:12:11 | |
It's not long, 60 minutes, you know. | 0:12:11 | 0:12:13 | |
Our teams have been out there foraging for their finds, | 0:12:13 | 0:12:16 | |
but right now they're clean out of time. | 0:12:16 | 0:12:19 | |
Let's remind ourselves what the Red team bought. | 0:12:19 | 0:12:22 | |
Both Marie and Claire were really taken by the green jug. | 0:12:22 | 0:12:26 | |
It set them back £87. | 0:12:26 | 0:12:29 | |
Claire is barking mad about dogs, | 0:12:30 | 0:12:33 | |
so just had to have this Clarice Cliff wall plaque, | 0:12:33 | 0:12:37 | |
even though it cost them a stomping £110. | 0:12:37 | 0:12:40 | |
The Reds made a tactical decision buying the Royal Worcester vase, | 0:12:42 | 0:12:46 | |
which should do well, | 0:12:46 | 0:12:48 | |
considering they'll be selling it in that neck of the woods. £67 paid. | 0:12:48 | 0:12:54 | |
Now, you naughty girls, did you enjoy your shopping? | 0:12:56 | 0:12:59 | |
-Yes, very much so. -Thoroughly. -Which is your favourite piece, Claire? | 0:12:59 | 0:13:03 | |
-The Barnstaple pottery, it's a green jug. -My home town. | 0:13:03 | 0:13:07 | |
Very good. What about you, Marie? | 0:13:07 | 0:13:10 | |
-I like the Royal Worcester. -Which is going to bring the biggest profit? | 0:13:10 | 0:13:13 | |
I think, maybe, the Clarice Cliff. | 0:13:13 | 0:13:17 | |
-OK. -But the Barnstaple piece of pottery, that's quite unique. | 0:13:17 | 0:13:22 | |
-You've got high hopes for it? -It would be nice, yes. | 0:13:22 | 0:13:24 | |
-Oh, lovely. Anyway, you spend £264, which is great! -Yes! | 0:13:24 | 0:13:28 | |
-That means only £36 of leftover lolly. -There you are. | 0:13:28 | 0:13:31 | |
£36 of leftover lolly goes to David Barby. Not so much, David. | 0:13:31 | 0:13:35 | |
-Shine a light! It's not, is it? -No. | 0:13:35 | 0:13:37 | |
-No. -Yeah, but you're very skilled at this. | 0:13:37 | 0:13:40 | |
What, £36? What can it bring me? | 0:13:40 | 0:13:42 | |
I don't know. A lot of pleasure, I hope, spending it! | 0:13:42 | 0:13:47 | |
I shall do my very best. | 0:13:47 | 0:13:48 | |
Let's remind ourselves of what the Blues bought. | 0:13:48 | 0:13:52 | |
The tuneful Blues were in harmony over the violin and negotiated | 0:13:52 | 0:13:56 | |
a cracking deal at only £2. | 0:13:56 | 0:13:59 | |
But the umbrella stand caused a few problems. | 0:14:00 | 0:14:04 | |
Jeanette hated it and Dawn loved it. | 0:14:04 | 0:14:07 | |
Eventually, Jeanette gave in, but only because Dawn got it for £35. | 0:14:07 | 0:14:12 | |
And, once again, Jeanette took a bit of convincing, | 0:14:13 | 0:14:17 | |
or was it Dawn that got her own way? | 0:14:17 | 0:14:19 | |
Either way, they spent £40 on the book rack. | 0:14:19 | 0:14:22 | |
-So, you two, did you have fun? -Great fun, yes! Brilliant. | 0:14:24 | 0:14:27 | |
-Which is your favourite piece? -The violin. | 0:14:27 | 0:14:30 | |
-Your old fiddle! -The old fiddle. -Do you agree with that, Dawn patrol? | 0:14:30 | 0:14:34 | |
No, I liked the umbrella stand. | 0:14:34 | 0:14:36 | |
I thought it was quirky, practical and I could see that in my porch. | 0:14:36 | 0:14:40 | |
Well, that's a very good reason for buying it. Which piece is going to bring the biggest profit? | 0:14:40 | 0:14:45 | |
-Definitely the violin! -The violin, yes? | 0:14:45 | 0:14:47 | |
It's got to be the bargain of the century, the violin! | 0:14:47 | 0:14:50 | |
I cannot understand how you've got away with only spending £77. | 0:14:50 | 0:14:54 | |
Anyway, £223 worth of leftover lolly. There we go, look! | 0:14:54 | 0:14:59 | |
-What have you got in mind, then, JP? -I don't want to give too much away. | 0:14:59 | 0:15:03 | |
-But you've got some inspiration? -I'm inspired, yes, absolutely. | 0:15:03 | 0:15:07 | |
Inspired. Well, thus expiring, do foretell of him! | 0:15:07 | 0:15:09 | |
Off you go. Have a good time! | 0:15:09 | 0:15:12 | |
Well, we've come all the way to Malvern, | 0:15:18 | 0:15:21 | |
to Malvern's leading sale room. | 0:15:21 | 0:15:23 | |
-Malvern's ONLY sale room! -Oh, right! Thank you very much, Philip! | 0:15:23 | 0:15:26 | |
-With Philip Serrell, a legend. How are you? -Tim, good to see you. -Very nice to be here. -Good to have you. | 0:15:26 | 0:15:31 | |
Claire and Marie, their first item | 0:15:31 | 0:15:34 | |
is this Barum-ware piece of pottery. | 0:15:34 | 0:15:37 | |
-A bit of fun, isn't it? -It is. | 0:15:37 | 0:15:39 | |
It's one of those lots, 20 years ago you'd have walked past. | 0:15:39 | 0:15:42 | |
-Yeah. -What did they pay for it, Tim? | 0:15:42 | 0:15:44 | |
They paid £87. | 0:15:44 | 0:15:47 | |
I think it's probably going to make £50 to £80. | 0:15:47 | 0:15:49 | |
Next up for them is this Clarice Cliff plaque. | 0:15:49 | 0:15:54 | |
A wirehaired terrier, Scottie dog, whatever it might be. | 0:15:54 | 0:15:57 | |
Well, Clarice Cliff is the name, isn't it? | 0:15:57 | 0:16:00 | |
Not sort of typical of her work. | 0:16:00 | 0:16:02 | |
What's your estimate on the Clarice Cliff? | 0:16:02 | 0:16:04 | |
£60 to £90, perhaps a bit mean. I think it'll do all right. | 0:16:04 | 0:16:07 | |
They paid 110. I bet you're confident about this Worcester pot. | 0:16:07 | 0:16:10 | |
There's no better place for selling Worcester than this place. | 0:16:10 | 0:16:12 | |
Well, that's kind. That's a Royal Worcester vase | 0:16:12 | 0:16:14 | |
made in 1919, from the date code on the bottom. | 0:16:14 | 0:16:18 | |
It's also got on the bottom "H307". | 0:16:18 | 0:16:21 | |
The 307 is the shape number. | 0:16:21 | 0:16:22 | |
The H refers to the fact that it came from the Hadley factory, | 0:16:22 | 0:16:25 | |
And I think that £50 to £80 is probably the mark for that. | 0:16:25 | 0:16:29 | |
-£67 they paid. We live in hope. -We live in hope. | 0:16:29 | 0:16:32 | |
In case hope doesn't spring eternal, we've always got | 0:16:32 | 0:16:36 | |
the opportunity of the bonus buy, so let's go and have a look at it! | 0:16:36 | 0:16:40 | |
-Are you ready for it? -Come on, David. | 0:16:40 | 0:16:42 | |
-Oh! -Oh! -Oh? -Interesting. | 0:16:42 | 0:16:45 | |
Well, this is an Arts and Crafts - | 0:16:45 | 0:16:48 | |
that's the beginning of the 20th century - hall lantern. | 0:16:48 | 0:16:51 | |
What's missing is a sort of parchment interior here. | 0:16:51 | 0:16:56 | |
But the electric light connection can go through the top. | 0:16:56 | 0:16:59 | |
-And it's solid copper, isn't it? -Oh, solid copper, yeah. | 0:16:59 | 0:17:02 | |
Could have had a glass shade inside, do you think? | 0:17:02 | 0:17:05 | |
There's some little connections here that you would probably | 0:17:05 | 0:17:08 | |
slip something into, but to get glass up there would be difficult. | 0:17:08 | 0:17:11 | |
-There is a question that you need to ask him, Marie. -Yes, there is. -How much did I pay for it? | 0:17:11 | 0:17:16 | |
-Yes. -£30, that's all. -Oh! | 0:17:16 | 0:17:18 | |
-Oh! -£30 for solid copper! | 0:17:18 | 0:17:21 | |
And it's quite distinctive. | 0:17:21 | 0:17:23 | |
It is, actually. And it is, I must say, growing on me. | 0:17:23 | 0:17:26 | |
-She wants to grab it back! -Yes! -Well, there you go. | 0:17:26 | 0:17:29 | |
You don't have to decide right now, girls. But for the audience at home, | 0:17:29 | 0:17:33 | |
let's find out what the auctioneer thinks about David's lamp. | 0:17:33 | 0:17:37 | |
-Well, nicely made, isn't it? -I think it's quite sweet | 0:17:37 | 0:17:40 | |
-and it's functional. Someone can use it. -What do you think it's worth? | 0:17:40 | 0:17:44 | |
-£20 to £40. -Barby paid £30. -He's all right. -So he stands a good chance of making a profit. | 0:17:44 | 0:17:49 | |
That's a charming thing. | 0:17:49 | 0:17:51 | |
That's it for the Reds, now for the Blues, Dawn and Jeanette, | 0:17:51 | 0:17:55 | |
the violin and bow. | 0:17:55 | 0:17:56 | |
-Goodness me! -If I gave you a pound for every violin you'd ever seen | 0:17:56 | 0:18:00 | |
that said Stradivarius in it, | 0:18:00 | 0:18:03 | |
-you'd be a rich man! -Yeah, a lot of them around. | 0:18:03 | 0:18:06 | |
What will it bring in the auction? | 0:18:06 | 0:18:07 | |
-I think it'll make between £15 and £30. -Do you, really? | 0:18:07 | 0:18:10 | |
-What did you pay? -They paid £2 for it. | 0:18:10 | 0:18:13 | |
-That is profit, isn't it? -That is profit. | 0:18:13 | 0:18:15 | |
Moving on neatly to the umbrella stand. It's a bit of fun, isn't it? | 0:18:15 | 0:18:20 | |
It is. I can see somebody paying £20 to £40 for that. | 0:18:20 | 0:18:22 | |
-Great. £35 they paid. -That's OK. | 0:18:22 | 0:18:24 | |
Lastly, they've got their book slide. | 0:18:24 | 0:18:27 | |
-I like that. -I thought you would. Why do you like it so much? | 0:18:27 | 0:18:30 | |
There's a great bit of burr walnut in there. | 0:18:30 | 0:18:33 | |
It's got a maker's mark on it. But the thing with it is, a little bit, | 0:18:33 | 0:18:37 | |
-it's yesterday's antiques, isn't it? -Slightly. -What have we put on that? | 0:18:37 | 0:18:40 | |
£30 to £50? You know, three years ago, you'd have been paying... | 0:18:40 | 0:18:44 | |
-£120 for it every day, wouldn't you? -Yeah, absolutely right. | 0:18:44 | 0:18:47 | |
At least they paid the right money. £40 is not too bad. | 0:18:47 | 0:18:49 | |
-We're in with a shout. -I would say, fairly confidently, that this team | 0:18:49 | 0:18:53 | |
are going to be OK today, | 0:18:53 | 0:18:55 | |
but just in case, we'd better go and have a look at their bonus buy. | 0:18:55 | 0:18:58 | |
Da-da! | 0:18:58 | 0:19:01 | |
Oh...a mushroom! | 0:19:01 | 0:19:04 | |
£35 I paid for them. A pair of miniature staddle stones. | 0:19:05 | 0:19:08 | |
I thought they were quite sweet and quite charming. | 0:19:08 | 0:19:11 | |
This is a miniature of the little sort of mushrooms | 0:19:11 | 0:19:14 | |
that old grain barns used to stand on in farms. | 0:19:14 | 0:19:17 | |
Make a nice garden ornament. | 0:19:17 | 0:19:19 | |
It's the sort of thing that people buy for the garden. | 0:19:19 | 0:19:21 | |
They look very old. Are they? | 0:19:21 | 0:19:23 | |
No, they're quite new. But it doesn't matter about that. | 0:19:23 | 0:19:26 | |
-Do you think there's a profit in them, Jonathan? -You have got a pair. | 0:19:26 | 0:19:31 | |
£35 for the pair. Is there a profit in it? | 0:19:31 | 0:19:33 | |
It's whether two private clients are really interested in them. | 0:19:33 | 0:19:36 | |
So, there we have it. Girls, you don't decide right now, | 0:19:36 | 0:19:38 | |
but for the viewers at home, let's find out what the auctioneer thinks about Jonathan's magic mushrooms! | 0:19:38 | 0:19:43 | |
Reconstituted. | 0:19:43 | 0:19:45 | |
-Does that mean concrete? -Well, yes. | 0:19:45 | 0:19:48 | |
So, concrete covered in a bit of green slime. | 0:19:48 | 0:19:51 | |
I would think they're going to make between £15 and £30. | 0:19:51 | 0:19:53 | |
£35 Jonathan paid for those, and he's really expecting a big profit. | 0:19:53 | 0:19:58 | |
Anyway, good luck, Phil! | 0:19:58 | 0:19:59 | |
-So, girls, are you excited? -Very much. Yes. Looking forward to it. | 0:20:05 | 0:20:09 | |
-How excited are you on a scale of 1 to 10? -10! This is brilliant! | 0:20:09 | 0:20:12 | |
-The same for you, Claire? -Yeah. | 0:20:12 | 0:20:15 | |
-What about you, David? -Oh, yes, absolutely! | 0:20:15 | 0:20:17 | |
You're such an old hand, though. | 0:20:17 | 0:20:19 | |
First up is the Barum ware jug vase, and here it comes. | 0:20:19 | 0:20:22 | |
Lot number 266. | 0:20:22 | 0:20:25 | |
Barum Barnstable art nouveau pottery jug. There you are. | 0:20:25 | 0:20:29 | |
Bid me for that, someone. Start me off. £50 to start me. 50? | 0:20:29 | 0:20:33 | |
£20, someone, quickly. £20? | 0:20:33 | 0:20:35 | |
20 I'm bid at the back, at 20. £20 bid. At 20. Who's got five? | 0:20:35 | 0:20:40 | |
At 20. 20 bid. And five. 25. 25. | 0:20:40 | 0:20:44 | |
You're looking the wrong way. | 0:20:44 | 0:20:45 | |
At 25 bid. At £25 only. At 30? | 0:20:45 | 0:20:48 | |
30 bid. And five now. One more? | 0:20:48 | 0:20:52 | |
At £30 at the back. At 30. 30 bid. | 0:20:52 | 0:20:55 | |
-At £30 only. -Oh, dear. | 0:20:55 | 0:20:56 | |
Is there any more at all? At £30 and I sell then at 30 and done. | 0:20:56 | 0:21:02 | |
£30! | 0:21:02 | 0:21:03 | |
That's minus £57. | 0:21:03 | 0:21:05 | |
Lot number 267 is the Clarice Cliff pottery wall plaque. | 0:21:05 | 0:21:10 | |
And I'm bid for that. £50. Bid at 50. | 0:21:10 | 0:21:12 | |
50 bid. At 50. 60. 70. 70 bid. | 0:21:12 | 0:21:15 | |
At 70. 70 bid. | 0:21:15 | 0:21:17 | |
80. 90. 90 bid. 100 with me here. | 0:21:17 | 0:21:20 | |
At 100 on the book. At £100 only. | 0:21:20 | 0:21:22 | |
100. 100. 100. And 10. And 20. | 0:21:22 | 0:21:26 | |
At £120. You're out. | 0:21:26 | 0:21:28 | |
At £120, commission bid. At £120. | 0:21:28 | 0:21:32 | |
And I sell then at £120 and done. Thank you. | 0:21:32 | 0:21:35 | |
Well, that's great! 120 is plus £10. | 0:21:35 | 0:21:39 | |
It's the Royal Worcester vase. | 0:21:39 | 0:21:41 | |
As you see it catalogued, the Royal Worcester vase. | 0:21:41 | 0:21:44 | |
I'm bid £40 for that. 50. 50 bid. | 0:21:44 | 0:21:47 | |
At 50. 60. 70. 80 with me here. | 0:21:47 | 0:21:50 | |
80, commission bid. At £80 only. Is there any more in the room? | 0:21:50 | 0:21:55 | |
At £80 only. At £80 and I'll sell them at £80 and done. | 0:21:55 | 0:22:00 | |
£80. You are £13 up on the... | 0:22:00 | 0:22:03 | |
You are minus £34, OK? | 0:22:03 | 0:22:05 | |
-Minus £34. -It's been worse. | 0:22:05 | 0:22:06 | |
There's no shame in that, no shame in that. Two profits you've made. | 0:22:06 | 0:22:09 | |
What are you going to do about the bonus buy? | 0:22:09 | 0:22:12 | |
-We're going to have a go. -Go for it. | 0:22:12 | 0:22:14 | |
-We like it. -Have a go. -It's something different. | 0:22:14 | 0:22:16 | |
We're going with the bonus buy and here it comes. | 0:22:16 | 0:22:19 | |
Lot number 272 is this rather nice Arts & Crafts lantern. | 0:22:19 | 0:22:24 | |
Bid me for that. £20 to start straight in. | 0:22:24 | 0:22:26 | |
20. Who's got a tenner? Quickly. | 0:22:26 | 0:22:29 | |
10 I'm bid. At 10. 10 bid. £10. £10. | 0:22:29 | 0:22:33 | |
At 15. | 0:22:33 | 0:22:34 | |
At 15. One more? | 0:22:34 | 0:22:36 | |
20 there. At 20. 20 bid. Five? 25. | 0:22:36 | 0:22:40 | |
One more, sir? | 0:22:40 | 0:22:41 | |
30 now? The bid is right at the back at £25. | 0:22:41 | 0:22:45 | |
30 is it, sir? | 0:22:45 | 0:22:46 | |
30. 30 bid. At £30. | 0:22:46 | 0:22:49 | |
Go again! Go again! | 0:22:49 | 0:22:50 | |
-Come on! Just a bit more. -Is there any more at all? | 0:22:50 | 0:22:53 | |
At £30 seated and I sell then at 30 and done. | 0:22:53 | 0:22:57 | |
No shame in that, £30. Wiped the slate clean. Wiped it's face. | 0:22:57 | 0:23:01 | |
What's the problem? No profit, no loss. That's OK. | 0:23:01 | 0:23:03 | |
-No, that's fine. -£30 paid. That's all right, isn't it? | 0:23:03 | 0:23:05 | |
Overall, we therefore have minus £34 is your score, OK? | 0:23:05 | 0:23:10 | |
-That could very easily be a winning score. -Not too bad. -Don't despair. | 0:23:10 | 0:23:14 | |
-You're not going home with cash, but don't tell the Blues a thing, OK? -No. -No. -Keep this quiet. -I promise. | 0:23:14 | 0:23:19 | |
Keep it between us, the family! | 0:23:19 | 0:23:21 | |
Do you know how the Reds got on? | 0:23:33 | 0:23:36 | |
-No. -You've got no idea? | 0:23:36 | 0:23:38 | |
-No idea. -We don't want you to. -Locked in a cupboard. -No, no. Quite. | 0:23:38 | 0:23:41 | |
What about that violin, then? Are we rating that violin, Jeanette? | 0:23:41 | 0:23:44 | |
-Oh, it's a bargain. -You found it for £2. | 0:23:44 | 0:23:46 | |
His estimate is £15 to £30, which is brilliant. | 0:23:46 | 0:23:50 | |
It's the first lot up, and here it comes! | 0:23:50 | 0:23:52 | |
Lot number 288, the violin. | 0:23:52 | 0:23:56 | |
Put it in, someone. £20 to get it gone. Quickly. £20. | 0:23:56 | 0:24:00 | |
Surely? 20 I'm bid, thank you. At £20 only. At 20. 20 bid. | 0:24:00 | 0:24:05 | |
At £20 only for the violin. | 0:24:05 | 0:24:07 | |
At 20. Is there any more? | 0:24:07 | 0:24:10 | |
At £20, be quick. | 0:24:10 | 0:24:11 | |
At £20. All done at 20. And done! | 0:24:11 | 0:24:14 | |
Well done, girls! | 0:24:14 | 0:24:16 | |
£20 is £18 profit. Super duper. | 0:24:16 | 0:24:19 | |
Now the wrought iron umbrella stand. | 0:24:19 | 0:24:21 | |
Bid me for that lot. £20 to start me. | 0:24:21 | 0:24:24 | |
20? Wherever you like. £10 to go, someone. Quickly. | 0:24:24 | 0:24:28 | |
10 I'm bid. 10. 15. 20. 5? | 0:24:28 | 0:24:32 | |
25 behind you with the glasses. | 0:24:32 | 0:24:34 | |
At 25. The lady's bid. Can we have one more? Go on. | 0:24:34 | 0:24:37 | |
30. 30 bid. One more, madam? 30 bid. | 0:24:37 | 0:24:41 | |
-At 30. At £30 only. At 30. -Oh, dear. | 0:24:41 | 0:24:43 | |
-Is there any more? -Dawn? -At £30, then. | 0:24:43 | 0:24:45 | |
And I sell then at 30 and done. | 0:24:45 | 0:24:48 | |
£30 sold. You've just lost £5. | 0:24:48 | 0:24:51 | |
Lot 290 is the book slide. | 0:24:51 | 0:24:54 | |
And I have two bids on the book. | 0:24:54 | 0:24:56 | |
-I start at £70 only. -70! | 0:24:56 | 0:24:58 | |
70! | 0:24:58 | 0:25:00 | |
At 70. 80 may I, anywhere? | 0:25:00 | 0:25:02 | |
At £70, only. Short and sweet. | 0:25:02 | 0:25:05 | |
At £70 it's had its time and done then at 70. And done, thank you. | 0:25:05 | 0:25:10 | |
70! Thank YOU! Look at that! | 0:25:10 | 0:25:13 | |
You made £30 on that. Plus £30, plus your 13, is you are plus 43. | 0:25:13 | 0:25:18 | |
You have £43 profit. What are you going to do about this bonus buy? Go with the bonus buy? | 0:25:18 | 0:25:22 | |
BOTH: No way! | 0:25:22 | 0:25:25 | |
Bad luck, Jonathan! We're not going with the bonus buy. But why don't we sell them anyway? Here they come. | 0:25:25 | 0:25:30 | |
294, the miniature concrete staddle stones. Bid me for those. | 0:25:30 | 0:25:34 | |
Concrete staddle stones. Put them in the bidding, someone. | 0:25:34 | 0:25:37 | |
Put them in, I don't know... Give me £40 for them. | 0:25:37 | 0:25:40 | |
20? | 0:25:40 | 0:25:42 | |
Oh, Lord. £10. 10 I'm bid. | 0:25:42 | 0:25:45 | |
At £10 for the staddle stones. | 0:25:45 | 0:25:47 | |
At 10 I'm only bid. 10. 10 bid. £10. | 0:25:47 | 0:25:49 | |
15. 15. 20, sir? | 0:25:49 | 0:25:52 | |
20. 20 bid. 5 now? At £20. | 0:25:52 | 0:25:54 | |
It could surprise us, yet. | 0:25:54 | 0:25:56 | |
At £20, only. At 20. Any more? | 0:25:56 | 0:25:57 | |
At £20, the gentleman's bid. | 0:25:57 | 0:26:00 | |
And done then at 20. | 0:26:00 | 0:26:02 | |
Well, he sold them for £20. That is minus £15. | 0:26:02 | 0:26:05 | |
-We knew there was no way. -Minus £15, | 0:26:05 | 0:26:07 | |
but it doesn't apply because you didn't go with it. You have £43 | 0:26:07 | 0:26:10 | |
which will be coming into your hot little pocket in a minute. | 0:26:10 | 0:26:14 | |
-Meanwhile, don't say a word to the Reds. -No. | 0:26:14 | 0:26:16 | |
So it's a blistering win for the Blues running up a profit of £43. | 0:26:20 | 0:26:25 | |
Remember - the Reds made a loss of -34. | 0:26:25 | 0:26:28 | |
Coming up, two more teams go bargain-hunting, | 0:26:28 | 0:26:32 | |
but first I'm off somewhere grand. | 0:26:32 | 0:26:35 | |
Capesthorne Hall, just outside Macclesfield in Cheshire, | 0:26:35 | 0:26:39 | |
is a stunning, partly 18th-century mansion house | 0:26:39 | 0:26:43 | |
set in a 5,000-acre estate. | 0:26:43 | 0:26:45 | |
But it's not just the grounds which are super-sized. | 0:26:45 | 0:26:49 | |
Just look at the scale of this building! | 0:26:49 | 0:26:51 | |
To put it in context, if you took 45 three-bedroomed modern houses, | 0:26:51 | 0:26:58 | |
they would fit inside Capesthorne Hall. | 0:26:58 | 0:27:01 | |
Now, that's an interesting fact, innit? | 0:27:07 | 0:27:10 | |
But what's it got to do with Capesthorne, I hear you ask. | 0:27:10 | 0:27:14 | |
Well, traditionally in a house, | 0:27:14 | 0:27:16 | |
a boxroom is the smallest room in which you have stored | 0:27:16 | 0:27:20 | |
all those irritating things that you can't find a home for elsewhere. | 0:27:20 | 0:27:25 | |
But here at Capesthorne, the boxroom isn't called the boxroom because of its small size, | 0:27:25 | 0:27:30 | |
it's called the boxroom because of what it's got stored in it, innit? | 0:27:30 | 0:27:36 | |
Just look at this! | 0:27:36 | 0:27:38 | |
The boxroom full of boxes! | 0:27:38 | 0:27:42 | |
Boxes which have survived through the various generations | 0:27:42 | 0:27:45 | |
of the family that have lived here | 0:27:45 | 0:27:47 | |
and have simply not been thrown away. | 0:27:47 | 0:27:49 | |
Look at this fellow! It looks a bit like a Second World War bomb. | 0:27:49 | 0:27:53 | |
That's because it's got a Japan tin cover. | 0:27:53 | 0:27:56 | |
If you look at the brass plaque on the top, it says, | 0:27:56 | 0:27:59 | |
"WH Bromley Davenport, Grenadier Guards," | 0:27:59 | 0:28:02 | |
the current owner Bill's father. | 0:28:02 | 0:28:05 | |
And if I open it up, you can see, beautifully preserved inside, | 0:28:05 | 0:28:11 | |
his bearskin hat. | 0:28:11 | 0:28:13 | |
What a wonderful thing that is! | 0:28:13 | 0:28:15 | |
Next door, something completely different. | 0:28:15 | 0:28:17 | |
A nice inlaid rosewood square box, containing... | 0:28:17 | 0:28:22 | |
Look at that! An unusual early form of mechanical music. | 0:28:22 | 0:28:28 | |
This thing is called a polython. | 0:28:28 | 0:28:30 | |
This is the equivalent of your record except, being made of tin, | 0:28:30 | 0:28:35 | |
this is pierced with little holes and each of those little holes | 0:28:35 | 0:28:40 | |
when it revolves over this bar, | 0:28:40 | 0:28:43 | |
which is connected to the little teeth, will produce a note. | 0:28:43 | 0:28:47 | |
POLYTHON PLAYS MELODY OF "ABIDE WITH ME" | 0:28:47 | 0:28:50 | |
TIM SINGS ALONG TO THE TUNE | 0:28:50 | 0:28:54 | |
# ..La, la-dah, dee, da-dah Da-dah, with me. # | 0:28:54 | 0:28:58 | |
That's fun, isn't it? | 0:28:58 | 0:29:00 | |
Here we've got boxes which contained stationery. | 0:29:00 | 0:29:03 | |
Boxes which take letters. | 0:29:03 | 0:29:06 | |
And this rather amusing and beautifully made box. | 0:29:06 | 0:29:10 | |
Open the hinged front and, sure enough, | 0:29:10 | 0:29:13 | |
it's an apothecary's cabinet, | 0:29:13 | 0:29:16 | |
Here we've got a variety of drugs contained in these little bottles, | 0:29:16 | 0:29:22 | |
and in this one... Look at that. | 0:29:22 | 0:29:25 | |
That's laudanum. | 0:29:25 | 0:29:28 | |
This is a most popular Victorian opiate, derived from the poppy, | 0:29:28 | 0:29:33 | |
taken to ease all sorts of pains. | 0:29:33 | 0:29:37 | |
And strictly very, very addictive. So we'll put that back in its box! | 0:29:37 | 0:29:43 | |
The big question is today, | 0:29:43 | 0:29:44 | |
of course, are our teams going to box clever over at the auction? | 0:29:44 | 0:29:49 | |
But our next lot of Reds and Blues are ready to enter the arena. | 0:29:49 | 0:29:54 | |
But will this bunch of gastronomes find some tasty bargains? | 0:29:54 | 0:29:58 | |
For the Reds, we've got dinner lady Judith and her fruit and veg husband | 0:29:58 | 0:30:04 | |
Philip and for the Blues we've got top chef Harry and his wife, Katie the cake decorator. How about that? | 0:30:04 | 0:30:13 | |
Now, Judith, how long were you dinner lady for? | 0:30:13 | 0:30:16 | |
13 wonderful years. | 0:30:16 | 0:30:18 | |
What sort of things do you like collecting? | 0:30:18 | 0:30:21 | |
I collect teddy bears but I also collect paperweights | 0:30:21 | 0:30:25 | |
-and crystals and teapots but I've gone off them, because I don't really drink tea. -Don't drink tea. | 0:30:25 | 0:30:32 | |
-No. -What do you have, Scotch? | 0:30:32 | 0:30:34 | |
-Maybe. -Maybe. -Maybe. -Brilliant. | 0:30:34 | 0:30:36 | |
You're also a very keen traveller. | 0:30:36 | 0:30:38 | |
-I love travelling. -Yes. -Yes, we've been to Florida this year. | 0:30:38 | 0:30:42 | |
I've also been to Holland and China | 0:30:42 | 0:30:44 | |
You've got an interesting nickname, tell us. | 0:30:44 | 0:30:46 | |
-Yes, Bananas. -Bananas. | 0:30:46 | 0:30:48 | |
Bananas. Because I used to work for a firm selling fruit and veg. | 0:30:48 | 0:30:52 | |
-What do you collect then? -I collect pocket watches and medals. | 0:30:52 | 0:30:56 | |
It says here you've got 70 or 80 pocket watches. | 0:30:56 | 0:30:58 | |
-70 or 80 pocket watches. -So you're an expert pocket watch collector. | 0:30:58 | 0:31:01 | |
I won't say expert but I know a bit about them. | 0:31:01 | 0:31:04 | |
-And did you have a good time in China too? -Excellent. Marvellous. | 0:31:04 | 0:31:08 | |
-What was the best bit of China? -Bartering with the stall holders. | 0:31:08 | 0:31:11 | |
-Right. -Because you don't pay the proper price in China for anything. | 0:31:11 | 0:31:15 | |
-You're going to rather enjoy bargain hunting today. -Yes, I am. | 0:31:15 | 0:31:20 | |
Very good luck. Now for the Blues. | 0:31:20 | 0:31:22 | |
Katie, or should I call you Cakie? | 0:31:22 | 0:31:25 | |
Because you're not just any ordinary cake decorator, are you? | 0:31:25 | 0:31:29 | |
You're a champion cake decorator. | 0:31:29 | 0:31:31 | |
Yes, I have won some awards. | 0:31:31 | 0:31:33 | |
Well, I'd like to reveal a little something that Cakie has made for us. | 0:31:33 | 0:31:39 | |
Now, Katie, you're not taking the mickey here at all, are you? | 0:31:39 | 0:31:43 | |
-No, I'm not. It's a present for you, Tim. -Oh, isn't that lovely! | 0:31:43 | 0:31:47 | |
Let's go bargain hunting. | 0:31:47 | 0:31:50 | |
That is so lovely and you've even got a lot number on my hat. | 0:31:50 | 0:31:54 | |
-I think you'll find it's a £20 note. -Cheeky one, honestly. | 0:31:54 | 0:31:58 | |
-Harry, what are you looking forward to most out of today's programme? -Spending somebody else's money. | 0:31:58 | 0:32:05 | |
Ah, is that what is going to get you going? | 0:32:05 | 0:32:08 | |
-Yes. -You're a bit of dab hand in the kitchen too. | 0:32:08 | 0:32:10 | |
-52 years... -In the catering trade. -Really? As what? | 0:32:10 | 0:32:16 | |
When I retired at 55 I was the deputy catering manager of the Royal College of Nursing. | 0:32:16 | 0:32:21 | |
Found out the pension wasn't enough so I had to go back to work | 0:32:21 | 0:32:25 | |
and the last job I had was working for the South Wales Fire Service in one of their fire stations. | 0:32:25 | 0:32:30 | |
As a cook? Oh, right. Anyway, this is the money moment, | 0:32:30 | 0:32:33 | |
£300 apiece, £300 apiece, you know the rules, your experts await and off you go and very, very good luck. | 0:32:33 | 0:32:39 | |
-Is this your choice? -Yes. -Philip, what do you think about it? | 0:32:49 | 0:32:53 | |
I like it. I like the decorative work around the edging of it. | 0:32:53 | 0:32:57 | |
That is very good and that is the essential ingredient. | 0:32:57 | 0:33:00 | |
It's what we term as a standish. | 0:33:00 | 0:33:02 | |
In other words, you rest your pen across here, your pencils, and this rather like a curling stone, | 0:33:02 | 0:33:09 | |
can you see that, you lift it up and there inside | 0:33:09 | 0:33:14 | |
is the receptacle for ink and that is the original glass liner. | 0:33:14 | 0:33:20 | |
Rare do you find them with their original liners, they've always been replaced. | 0:33:20 | 0:33:24 | |
-What I love is this brass inlay into what looks like a burr wood. -Yeah. | 0:33:24 | 0:33:31 | |
Can you see that underneath there? | 0:33:31 | 0:33:32 | |
And when this is all polished up it would look absolutely stunning. | 0:33:32 | 0:33:37 | |
Maybe central European, possibly France, but it would have been on a desk of an important gentleman. | 0:33:37 | 0:33:43 | |
When I look at this, I think in terms of the secessionist movement. | 0:33:43 | 0:33:48 | |
This is where a group of people from Vienna decided they'd rather tired | 0:33:48 | 0:33:54 | |
of the Art Nouveau movement which dominated European taste round about the turn of the century. | 0:33:54 | 0:33:59 | |
-Mmm. -Do you want to go for it? -I think we will. | 0:33:59 | 0:34:02 | |
-Yeah. -OK, and what's the price? | 0:34:02 | 0:34:04 | |
120. | 0:34:04 | 0:34:05 | |
-£120. That's a lot of money. -I'm sure we can get him down. | 0:34:05 | 0:34:09 | |
Well, you've got to get this well under £100. | 0:34:09 | 0:34:12 | |
And it's your job to get the price reduced. OK, the dealer's over there. | 0:34:12 | 0:34:17 | |
I think they call that passing the buck, David, | 0:34:17 | 0:34:20 | |
but with Philip bagging the standish for £72.50 it's a good call. | 0:34:20 | 0:34:25 | |
Oh, that's very sweet, isn't it? So tell me first of all why you picked it up? | 0:34:25 | 0:34:30 | |
-Well, I'm guessing it's silver. -Yeah. -And enamelled... -Mmm-hmm. | 0:34:30 | 0:34:33 | |
But I like it because it's little. | 0:34:33 | 0:34:35 | |
I'll look underneath, I want to see if there's | 0:34:35 | 0:34:38 | |
any silver marks on it, because that's a good tell-tale sign. | 0:34:38 | 0:34:41 | |
-Yeah. -We've got these marks at the bottom here and we've got... | 0:34:41 | 0:34:44 | |
Ah, it says "sterling, J Tostrup of Norway" | 0:34:44 | 0:34:49 | |
It's not hallmarked as English standard but it says sterling | 0:34:49 | 0:34:52 | |
which means it still carries the same purity. | 0:34:52 | 0:34:54 | |
-OK. -A nice little round bowl and with this sort of cherry red enamel inside. | 0:34:54 | 0:35:00 | |
-The important thing is the enamel's in really good condition. -It looked good to me. | 0:35:00 | 0:35:04 | |
Would it be unusual to have enamelling on the inside like that? | 0:35:04 | 0:35:07 | |
I don't think I've ever seen that. | 0:35:07 | 0:35:09 | |
Well, if you look at it from here, what can you see? | 0:35:09 | 0:35:13 | |
-The inside. -Yeah, so if you enamelled the outside it would be lost, wouldn't it? | 0:35:13 | 0:35:17 | |
-Yeah, sure. -I mean, do you like it, Harry? | 0:35:17 | 0:35:19 | |
I quite like it, yes. | 0:35:19 | 0:35:21 | |
Well, don't tell him you like it too much. | 0:35:21 | 0:35:24 | |
How much is he asking for it? | 0:35:24 | 0:35:26 | |
He's asking 32. | 0:35:26 | 0:35:28 | |
-£32. -Yeah. | 0:35:28 | 0:35:30 | |
You know, it's a collector's item, 20th century, it's modern, | 0:35:30 | 0:35:33 | |
-there are people who collect this sort of thing. -Yeah. | 0:35:33 | 0:35:35 | |
-It may have some room in it. -Right. | 0:35:35 | 0:35:37 | |
-It's up to you. -OK, I'll go and see him. | 0:35:37 | 0:35:41 | |
Enamoured with the enamelled silver, Katie bowls the price down to £22. | 0:35:41 | 0:35:47 | |
But what have Judith and Philip turned up for David to have a look at? | 0:35:47 | 0:35:51 | |
You've held it long enough, what do you think of it? | 0:35:51 | 0:35:53 | |
Well, we think it's very nice. We both like it but we don't really know what it is. | 0:35:53 | 0:35:58 | |
I know it's treen... | 0:35:58 | 0:35:59 | |
It's good, yes, anything to do with wood is called treen. | 0:35:59 | 0:36:03 | |
This is a beautiful example, it's early 19th century | 0:36:03 | 0:36:06 | |
and this would have been on a desk for wrapping parcels | 0:36:06 | 0:36:12 | |
and then sealing it with a wax. | 0:36:12 | 0:36:14 | |
-Oh. -So in here... | 0:36:14 | 0:36:16 | |
..we've got the little bobbin that would have had cord round there... | 0:36:19 | 0:36:25 | |
-Oh, right. -Then it would have passed through here. | 0:36:25 | 0:36:28 | |
So you pulled the cord out through there. | 0:36:28 | 0:36:31 | |
-Yeah, yeah. -So it's a little miniature samovar. | 0:36:31 | 0:36:33 | |
-It's so tidy, because can you see that there? -Yes. | 0:36:33 | 0:36:37 | |
-Do you see it? -Oh, yeah. | 0:36:37 | 0:36:38 | |
-It's a blade. You see, you pull the string out and then cut it. -Well. | 0:36:38 | 0:36:44 | |
-You can imagine it on that desk, with someone wrapping a parcel. -It's lovely. | 0:36:44 | 0:36:47 | |
-Lighting the candle, melting the wax. -Yeah. -Yeah. | 0:36:47 | 0:36:51 | |
That's the original paper on the bottom so that would stop it scratching the surface. | 0:36:51 | 0:36:55 | |
-It is quality, isn't it? -Yes. | 0:36:55 | 0:36:58 | |
-I like it and we both liked it straightaway. -Oh, good. | 0:36:58 | 0:37:00 | |
-What's the price? -Well, they're asking 95. | 0:37:00 | 0:37:04 | |
95. | 0:37:04 | 0:37:06 | |
Well, I can see that in some posh shop, | 0:37:06 | 0:37:08 | |
if not more, 120 plus, | 0:37:08 | 0:37:10 | |
because this type of treen is rare. | 0:37:10 | 0:37:14 | |
-I've never seen one like this before. Shall we have a go? -Yep. | 0:37:14 | 0:37:18 | |
-Come on then. -We're off to see the wizard... | 0:37:18 | 0:37:20 | |
Tying up the treen string dispenser for £80 means | 0:37:20 | 0:37:25 | |
the Reds have £147.50 left for their last item. | 0:37:25 | 0:37:31 | |
Stop messing around, guys. What are you up to? | 0:37:31 | 0:37:33 | |
-We're supposed to be looking for antiques. -No, we want this. | 0:37:33 | 0:37:36 | |
-What about this then? -Well, OK, if you like. | 0:37:36 | 0:37:39 | |
It's a good present. | 0:37:39 | 0:37:41 | |
-We've got a Scalextric XR3i racing game, a bit of an '80s boy racer car, really. -Yes. | 0:37:41 | 0:37:47 | |
The box is in shocking condition but it gives us the information that we need to know. | 0:37:47 | 0:37:51 | |
This sort of thing really is a toy which | 0:37:51 | 0:37:54 | |
the people who were playing with this in the '80s are now | 0:37:54 | 0:37:56 | |
grown up and it's now their turn to buy it again. | 0:37:56 | 0:38:01 | |
We need to see how much there is here, how complete it is. | 0:38:01 | 0:38:04 | |
We've got to make sure we've got | 0:38:04 | 0:38:06 | |
the other bits that go with it, the curves and stuff. | 0:38:06 | 0:38:08 | |
We did ask the gentleman and he did say everything was all here and it does work. | 0:38:08 | 0:38:13 | |
OK, what's he asking for it? | 0:38:13 | 0:38:15 | |
-40, he said. -£40 he said. -But... -But... -Sounds like quite a lot. | 0:38:15 | 0:38:19 | |
What do you reckon it would fetch in the auction? | 0:38:19 | 0:38:23 | |
-You've got to look at the spendable income of the average punter. -About 20 quid. | 0:38:23 | 0:38:27 | |
-£20 would be fine, yeah. -Right, we'll ask. | 0:38:27 | 0:38:30 | |
OK, go on then. Off you go. | 0:38:30 | 0:38:32 | |
They did get it down to half price but will they drive away with a profit on their £20? | 0:38:35 | 0:38:40 | |
-Phil, are you OK? -Yes, thank you. -What's with the walking stick? | 0:38:43 | 0:38:46 | |
Well, it's not a walking stick, actually, it's my next buy, I hope. | 0:38:46 | 0:38:49 | |
-What, this? -Yes. -What's so special about it? | 0:38:49 | 0:38:51 | |
It's an instrument for measuring the height of horses. | 0:38:51 | 0:38:56 | |
Right, OK, show me. | 0:38:56 | 0:38:57 | |
You put it like that then measure the old grey mare like that. | 0:39:03 | 0:39:07 | |
-Judith, that's rather unkind, isn't it? -It's not very nice, is it? | 0:39:07 | 0:39:10 | |
No. This is so clever, isn't it? | 0:39:10 | 0:39:13 | |
Look how it sinks back into the brass. | 0:39:13 | 0:39:16 | |
That's brilliant. How old do you think it is? | 0:39:16 | 0:39:18 | |
-Round the 1900s. -About 1900s. -Yeah. | 0:39:18 | 0:39:21 | |
Have you actually used these in your life? | 0:39:21 | 0:39:23 | |
-I have used one, yes. -Really? | 0:39:23 | 0:39:25 | |
Yes, I measured the wife just now and I've measured one before. | 0:39:25 | 0:39:28 | |
-What, another wife? -No, a horse, I used to own a horse myself. | 0:39:28 | 0:39:32 | |
-OK. Well, the cane is bamboo, OK. -Yeah. | 0:39:32 | 0:39:34 | |
And if you look at it it's got some good indication of wear. | 0:39:34 | 0:39:39 | |
Now what's the price? | 0:39:39 | 0:39:41 | |
-They're asking 95. -95. | 0:39:41 | 0:39:44 | |
Seems a lot to me but you know the subject. | 0:39:44 | 0:39:46 | |
I'm going to be guided by you, Phil. So how much would it go at auction in your opinion? | 0:39:46 | 0:39:50 | |
Between 70 and 90. | 0:39:50 | 0:39:53 | |
You've got to get a reduction on it to make a profit. | 0:39:53 | 0:39:55 | |
-Yes. -Well, look, I know nothing about these, I know nothing about horses, | 0:39:55 | 0:40:00 | |
in other words I'm going to negate my responsibility - go for it. | 0:40:00 | 0:40:03 | |
I think it's an unusual object so we could stand a chance. Well done. | 0:40:03 | 0:40:08 | |
Philip thinks he's found a bargain at £80 but the Blues seem to have lost their expert. | 0:40:09 | 0:40:15 | |
Do you want to check the inside, make sure it's all right? | 0:40:17 | 0:40:19 | |
-Yeah, let's have a look. -Oh, hi, guys. | 0:40:19 | 0:40:22 | |
Oh, crikey, I was just having a quick look at the inside there. | 0:40:22 | 0:40:26 | |
-Well? -I spotted this box. What do you think of it? | 0:40:26 | 0:40:29 | |
-We saw it, we quite like it. -Not too bad. | 0:40:29 | 0:40:31 | |
Well, um, it's essentially a pitched pine tool box, 19th century. | 0:40:31 | 0:40:36 | |
It's built for function so it did have originally some sort of | 0:40:36 | 0:40:40 | |
-fittings inside, sort of slots which would have very likely had planes, saws, tools like that. -Right, OK. | 0:40:40 | 0:40:47 | |
-And then a layer on top and then they build up on that so it's a carpenter's tool box. -Right. | 0:40:47 | 0:40:53 | |
-Superb carrying handles on the side. -What about this here? | 0:40:53 | 0:40:56 | |
Obviously, that's going to affect it a little bit, because wood seasons and it shrinks | 0:40:56 | 0:41:01 | |
-and it shrinks with the grain. -Yeah. -So that the bit that goes. | 0:41:01 | 0:41:04 | |
It doesn't shrink lengthways but widthways. That's the two bits coming apart. | 0:41:04 | 0:41:07 | |
It's a nice sign because it just gives that little bit extra of showing the age. | 0:41:07 | 0:41:11 | |
-This is all history, isn't it? -Yeah, exactly, yeah. | 0:41:11 | 0:41:14 | |
-It's a lot of money. -Is it? -Yeah. | 0:41:14 | 0:41:16 | |
-110. -£110. I'd expect this probably at auction to get 60 to 80, £80, something like that. | 0:41:16 | 0:41:23 | |
If you can get him down then that's really good. | 0:41:23 | 0:41:25 | |
-OK, fine. -I'll go and ask him, shall I? -Go on then. -Girly charm. | 0:41:25 | 0:41:29 | |
Girly charm, go on, try your best. | 0:41:29 | 0:41:31 | |
Katie's feminine wiles help the Blues carry the pine box away for only £50. | 0:41:33 | 0:41:39 | |
Cor, don't those 60 minutes just fly by? | 0:41:42 | 0:41:45 | |
Let's remind ourselves of what delicacies the Red team have bought. | 0:41:45 | 0:41:49 | |
Philip's bartering skills landed the secessionist inkwell for £72.50. | 0:41:51 | 0:41:56 | |
David thinks the wooden string dispenser could bring a profit | 0:41:56 | 0:42:00 | |
at £80, let's hope he's right. | 0:42:00 | 0:42:03 | |
£80 also bought the bamboo horse measuring stick | 0:42:03 | 0:42:07 | |
but will it gallop out of the auction or stall at the gate? | 0:42:07 | 0:42:11 | |
-Did you have a good shop? -Wonderful, lovely day. | 0:42:11 | 0:42:15 | |
-Oh, was it wonderful? -Yeah. -I love your Welsh accent, it's so dreamy. | 0:42:15 | 0:42:19 | |
-Now tell me, which is your favourite piece, Ju-Ju? -I think the treen. | 0:42:19 | 0:42:23 | |
-Phil? -The piece of treen. -The piece of treen. | 0:42:23 | 0:42:26 | |
-Which is going to bring the biggest profit? -Again, the treen. | 0:42:26 | 0:42:28 | |
-Would you agree with that? -Yes. | 0:42:28 | 0:42:30 | |
-Very sensible to always agree, Phil, if you possibly can. -Yes. | 0:42:30 | 0:42:34 | |
-Lovely. -£232.50 you spent, which is magnificent, | 0:42:34 | 0:42:38 | |
£67.50 of leftover lolly goes to David Barby. | 0:42:38 | 0:42:43 | |
-I'll need a hand to spend this. -I don't think you will at all. | 0:42:43 | 0:42:46 | |
You've never needed a hand and you've always clever with purchases. | 0:42:46 | 0:42:50 | |
-Thank you for your faith. -Not at all. Oh, ye of little faith. Good luck. | 0:42:50 | 0:42:54 | |
Let's have a reminder of what the Blues bought. | 0:42:54 | 0:42:58 | |
The Blues think size should not reflect profit on their £22 enamelled silver bowl. | 0:42:58 | 0:43:04 | |
They hope to leave the competition in the dust with the Scalextric set. | 0:43:04 | 0:43:08 | |
And finally, at £50, | 0:43:08 | 0:43:10 | |
will the pine tool box contain a profit rather than an expert? | 0:43:10 | 0:43:16 | |
Katie and Harry, what a duo, eh? | 0:43:16 | 0:43:19 | |
-Which is your favourite piece? -The little silver bowl. | 0:43:19 | 0:43:23 | |
-What about you, Harry? -I agree, the silver bowl. -Great. | 0:43:23 | 0:43:26 | |
Which piece is going to bring the biggest profit? | 0:43:26 | 0:43:28 | |
-Possibly the big box. -The big box? -Yes. -What do you think, Harry? | 0:43:28 | 0:43:33 | |
-The silver bowl. -You're still obsessed with that, aren't you? -Yes. -Very good. | 0:43:33 | 0:43:36 | |
-You only spent £92. -Yeah. -Which is very disappointing. | 0:43:36 | 0:43:39 | |
-Sorry. -Anyway, £92, thank you very much, | 0:43:39 | 0:43:42 | |
-I'll have £208 leftover lolly. -Excellent. | 0:43:42 | 0:43:47 | |
-Have you got anything in mind though? -Maybe... | 0:43:47 | 0:43:49 | |
I have, I have got something in mind. | 0:43:49 | 0:43:51 | |
I can't think of anything to say... | 0:43:51 | 0:43:53 | |
-No clues coming? -It might give it away. -Normally you're inspired with these clues. | 0:43:53 | 0:43:58 | |
-Is it big and brown? -Well... | 0:43:58 | 0:44:00 | |
-They'll have to watch back, I've given some clues. -OK, fine. | 0:44:00 | 0:44:04 | |
-Oh, have you? -Yes! And they're all looking. | 0:44:04 | 0:44:08 | |
You are a cunning monkey. Go on, off you go, Jonathan, and very good luck. | 0:44:08 | 0:44:12 | |
I think we're going to have a brilliant day today, | 0:44:18 | 0:44:22 | |
here in Malvern with Philip Serrell in your saleroom, Philip. | 0:44:22 | 0:44:25 | |
-Morning, sir. -Thank you for having us. -A pleasure. | 0:44:25 | 0:44:27 | |
Judith and Philip, their first item is this secessionist little inkwell. | 0:44:27 | 0:44:32 | |
-Nice thing? -I quite like it. I don't know who their expert is, but that's got Barby written all over it. | 0:44:32 | 0:44:37 | |
-Funnily enough, it's David Barby. -Well, there is a shock(!) -Yes. | 0:44:37 | 0:44:41 | |
We've sold similar items through the saleroom in the past, | 0:44:41 | 0:44:44 | |
we put £30 to £50 on it, and I think it'll do OK. | 0:44:44 | 0:44:48 | |
£72.50 paid. | 0:44:48 | 0:44:50 | |
The Regency cane-effect horse-measuring stick, | 0:44:50 | 0:44:54 | |
now there is a beautiful thing, isn't it? | 0:44:54 | 0:44:56 | |
-It's a good thing. -It's a wonderful thing to behold. | 0:44:56 | 0:44:59 | |
Do you know, I did Bargain Hunt up in Harrogate three years back, | 0:44:59 | 0:45:02 | |
and I bought one of those, and it made, I think, the thick end of £200. | 0:45:02 | 0:45:06 | |
Well, these guys paid £80 for this, what's your estimate? | 0:45:06 | 0:45:09 | |
-We put 50 to 80 on it. -You tease! | 0:45:09 | 0:45:11 | |
Well, you know how it is, Tim! | 0:45:11 | 0:45:13 | |
-If we can hit two stick collectors, they're home and hosed. -They are. | 0:45:13 | 0:45:19 | |
Cos that could make £150, couldn't it? | 0:45:19 | 0:45:21 | |
-Quite easily. -Good. Well, that's exciting. | 0:45:21 | 0:45:23 | |
And what about this string dispenser? | 0:45:23 | 0:45:27 | |
You love a bit of treen, don't you? | 0:45:27 | 0:45:28 | |
It's just fun, isn't it? And you've got the original cutter, | 0:45:28 | 0:45:31 | |
so you pull your string out and just cut it off, but, um, no, it's a sweet thing. | 0:45:31 | 0:45:35 | |
-£80 paid. -£50 to £80. -So they might just get there. | 0:45:35 | 0:45:40 | |
-It'll be a close call, but they'll be all right. -Doesn't really matter | 0:45:40 | 0:45:43 | |
-if it's a close call, because they've always got the bonus buy to fall back on. -Yes. | 0:45:43 | 0:45:48 | |
Let's have a look at it. | 0:45:48 | 0:45:49 | |
Well... | 0:45:49 | 0:45:51 | |
Oh...! We knew what that was straightaway! | 0:45:51 | 0:45:54 | |
-Did you? -We did look at that. -Well, it's pointing at you now. -The hand of faith! | 0:45:54 | 0:45:58 | |
This is a bronze-finish desk weight in the form of a hand. | 0:45:58 | 0:46:03 | |
I paid £60 for it. | 0:46:03 | 0:46:05 | |
I think we're probably going to be quite close to that figure. | 0:46:05 | 0:46:09 | |
I do like it, it's different. | 0:46:09 | 0:46:11 | |
Yes. As they used to say, I like it, but I wouldn't buy it. | 0:46:11 | 0:46:15 | |
-No, I wouldn't buy it. -No, no, quite. -But I like it. | 0:46:15 | 0:46:17 | |
Is this after Rodin, or is it after ET? | 0:46:17 | 0:46:21 | |
-I think he's trying to phone home. -It's not a great look, is it? -No. | 0:46:21 | 0:46:25 | |
-Yes. -It's meant to be bronze, but I think it's BRONZED, | 0:46:25 | 0:46:28 | |
-with a "duh" on the end. -Which is a bit of a difference, isn't it? | 0:46:28 | 0:46:31 | |
I mean for these bronze lookalikes, it's a question of resin | 0:46:31 | 0:46:35 | |
and then they patinate it and shove it on a very heavy base, | 0:46:35 | 0:46:39 | |
which fools you into thinking the thing is right. | 0:46:39 | 0:46:43 | |
I think I've been very generous on a 30 to 50 estimate here. | 0:46:43 | 0:46:46 | |
-£30 to £50 could mean it makes a £20 note, doesn't it? -Absolutely. | 0:46:46 | 0:46:50 | |
£60, Barby paid for that. | 0:46:50 | 0:46:52 | |
That's it for the Reds, now for the Blues. | 0:46:52 | 0:46:55 | |
-What about the Scalextric set? -I've got to admit, rather sadly, to being a huge Scalextric fan. | 0:46:55 | 0:47:00 | |
I have to say, that I've never chased the Ford Escort XR3i that much. | 0:47:00 | 0:47:05 | |
-No, but it's the whole case set, isn't it? -Yes. | 0:47:05 | 0:47:07 | |
And just as you've explained, this is such a little emotive toy. | 0:47:07 | 0:47:11 | |
-Catching your youth. -Yeah. This gives you a buzz and you think, "It's brilliant". -£20 to £40. | 0:47:11 | 0:47:18 | |
-£20 paid, so it's a natural, isn't, it for a bit of a profit? -Yeah. -Which is really good. | 0:47:18 | 0:47:21 | |
What about that little Norwegian enamelled drinking bowl? | 0:47:21 | 0:47:26 | |
Would you have a bit of spirit in there and chuck it down the cakehole? | 0:47:26 | 0:47:29 | |
-If you had a set of eight. -Oh, yes. -That's what they would have had on a dining table. | 0:47:29 | 0:47:34 | |
-And they'd look wonderful. -To take their liqueur after dinner. | 0:47:34 | 0:47:37 | |
-What's it worth? -£15 to £30. -Brilliant. £22 paid. | 0:47:37 | 0:47:40 | |
-Good. -Now, this pitch-pine trunk, | 0:47:40 | 0:47:45 | |
is it worth anything, Phil, do you think? | 0:47:45 | 0:47:47 | |
We put £30 to £50 on it, and you're almost tempted to think | 0:47:47 | 0:47:51 | |
that it would be a great kids toy box until you look at the lid and realise | 0:47:51 | 0:47:54 | |
-that if they dropped that, they'd end up with no fingers. -Yes, quite. | 0:47:54 | 0:47:58 | |
-It is for a shed, isn't it, with a precious collection of, um, tools? -Tools. | 0:47:58 | 0:48:04 | |
£50 paid. I mean, it might just scrape there. | 0:48:04 | 0:48:07 | |
-Yeah. -Good. On that basis, they might need their bonus buy, so let's go and have a look at it. | 0:48:07 | 0:48:12 | |
Oh, a fist! THEY LAUGH | 0:48:12 | 0:48:15 | |
-Oh, wow! -A pair of gold cuff links. | 0:48:15 | 0:48:19 | |
Little oval panel ends, with a bit of grave-line decoration. | 0:48:19 | 0:48:23 | |
-Very straightforward. -Are they old? -They're reasonably modern. | 0:48:23 | 0:48:28 | |
They're...last 40 years, | 0:48:28 | 0:48:30 | |
but the condition of the panels is very good, | 0:48:30 | 0:48:33 | |
nice, and ready to go and £42 spent, | 0:48:33 | 0:48:36 | |
-which is marginally above the gold value of the day. -Oh, OK. -Good buy, I thought. | 0:48:36 | 0:48:40 | |
How much profit do you think is in them? | 0:48:40 | 0:48:43 | |
We could get, hm... £10 or £15 out of it. | 0:48:43 | 0:48:45 | |
You don't decide now, you decide after the sale, but for you at home, | 0:48:45 | 0:48:49 | |
let's see what the auctioneer thinks about Jonathan's links. | 0:48:49 | 0:48:52 | |
They're nice, and they're not engraved, which is a bit of a bonus. | 0:48:53 | 0:48:58 | |
£30 to £50. I want to encourage more people to wear cufflinks. | 0:48:58 | 0:49:02 | |
-Yes. Let this be the start of your campaign. -Absolutely right. | 0:49:02 | 0:49:06 | |
£42 was paid by Jonathan for these. | 0:49:06 | 0:49:09 | |
-What would a new pair of cufflinks cost you? -Those would cost you, | 0:49:09 | 0:49:12 | |
in a smart London retailers, about £220. | 0:49:12 | 0:49:15 | |
-So, 30 to 50 quid, they ought to be a bargain. -Yeah. | 0:49:15 | 0:49:18 | |
Well, it's down to you, Phil, you'll be up there on that rostrum, pontificating any minute now. | 0:49:18 | 0:49:23 | |
Now, Judith and Philip, we are on the cusp of the auction, are you excited? | 0:49:29 | 0:49:33 | |
-Very. -Are you excited, Phil? -Very. -Yeah, it's good fun, isn't it? | 0:49:33 | 0:49:37 | |
-Very good. -Great crowd in the room, good prices are being had left, right and centre, | 0:49:37 | 0:49:42 | |
so we're very optimistic about your lots. | 0:49:42 | 0:49:44 | |
The ink stand which David found, you paid £72.50 for that, | 0:49:44 | 0:49:50 | |
-the auctioneer's estimate is £30 to £50. -Oh. | 0:49:50 | 0:49:52 | |
Hopefully there'll be people here interested in Art Nouveau. | 0:49:52 | 0:49:56 | |
Secessionist-style ink stand, and I am bid £30 on the book, 30 bid. | 0:49:56 | 0:50:01 | |
At £30 only, at 30, 30 bid. | 0:50:01 | 0:50:03 | |
At 30, 40, 40 bid. At 40, | 0:50:03 | 0:50:06 | |
50, 60, 70 bid here, at 70. 70 bid, 80. | 0:50:06 | 0:50:11 | |
80 bid, at £80, the bid's here. | 0:50:11 | 0:50:14 | |
At £80 only, is there any more? | 0:50:14 | 0:50:16 | |
-Come on, come on. -Oh, behave, Barby. | 0:50:16 | 0:50:18 | |
At £80 only, is there any more at all? | 0:50:18 | 0:50:22 | |
At £80, the bid's with me, and I sell, then, at 80, and, done. | 0:50:22 | 0:50:27 | |
-£80, you've made £7.50. -Oh, good! | 0:50:27 | 0:50:30 | |
Lot 311 is the Edwardian bamboo horse-measuring stick, | 0:50:30 | 0:50:35 | |
and I am bid, on the book, £80 started, at 80 bid, | 0:50:35 | 0:50:41 | |
90, 100, 110, any more? | 0:50:41 | 0:50:45 | |
At £110, it's your bid, sir. Is there any more? | 0:50:45 | 0:50:48 | |
At £110, right at the back, and I sell, then, at £110. | 0:50:48 | 0:50:53 | |
-Well done. -£30. 110. £30. | 0:50:53 | 0:50:58 | |
-You're £37.50. -Lot 312... | 0:50:58 | 0:51:00 | |
is this string dispenser, and I am bid on the book for that | 0:51:00 | 0:51:04 | |
£30 bid, at 30, | 0:51:04 | 0:51:06 | |
30 bid. At £30 only, at 30, | 0:51:06 | 0:51:09 | |
-40, 40 bid. -Come on, come on. | 0:51:09 | 0:51:11 | |
-Come on, a bit more, a bit more. -50, 60 on the book, at 60, 60 bid. | 0:51:11 | 0:51:15 | |
-At 60. 70, 70 bid. -Oh, yes, yes. -80's with me. | 0:51:15 | 0:51:19 | |
At £80 only, you're out now, at £80 only. Is there any more? | 0:51:19 | 0:51:24 | |
At £80, and I sell, then, at 80, and done. Thank you. | 0:51:24 | 0:51:27 | |
£80! David, you wiped your face, that's lovely. | 0:51:27 | 0:51:31 | |
Thank goodness for that, absolutely. £37.50 profit. | 0:51:31 | 0:51:35 | |
-Oh! Golly! -Now what are you going to do about this hand? | 0:51:35 | 0:51:39 | |
-Ah, no. -No. -I don't think so. -Why? You don't like it? | 0:51:39 | 0:51:42 | |
-Sorry, David. -Don't worry, don't worry. | 0:51:42 | 0:51:45 | |
Well, we're going to sell it anyway and here it comes. | 0:51:45 | 0:51:48 | |
There we are, the bronzed model of the hand and I am bid £10 | 0:51:48 | 0:51:53 | |
on the book. Bid at ten. Ten bid. £10. | 0:51:53 | 0:51:55 | |
£10. 20. 30 now? 30. 30 bid. | 0:51:55 | 0:51:59 | |
At £30 only. At 30. | 0:51:59 | 0:52:01 | |
Is there any more? Any more at all? | 0:52:01 | 0:52:03 | |
-At £30 and I sell then at £30. Done. -Oh, dear. | 0:52:03 | 0:52:07 | |
-Bad luck, David. -You were so right. -At £30. | 0:52:07 | 0:52:10 | |
Minus £30 on that. | 0:52:10 | 0:52:12 | |
You didn't go with the Bonus Buy so you've preserved your profit of £37.50. | 0:52:12 | 0:52:17 | |
-Brilliant. -Well done for that and that could be a winning score so don't say a thing to the Blues. -No. | 0:52:17 | 0:52:22 | |
-No. -Not a word. | 0:52:22 | 0:52:24 | |
-Not a word. -Congratulations. -Very good. -Thank you. | 0:52:24 | 0:52:27 | |
-Katie and Harry. -Yes. -Have you been talking to those Reds? | 0:52:38 | 0:52:41 | |
-No. -So you don't know how they've got on. -No. | 0:52:41 | 0:52:43 | |
Well, that's good because we don't want you to. | 0:52:43 | 0:52:45 | |
-But how are you feeling, are you feeling confident? -Yes. -Pretty bouncy? -Yeah, reasonable. | 0:52:45 | 0:52:50 | |
-What do you mean reasonable? -Well, I'm a pessimist. -Are you, Harry? | 0:52:50 | 0:52:53 | |
-Yes, always look on the dark side. -Yes, | 0:52:53 | 0:52:55 | |
we've had talk like that before. | 0:52:55 | 0:52:57 | |
First up, the Scalextric set | 0:52:57 | 0:52:59 | |
and here we go. | 0:52:59 | 0:53:00 | |
Now this is it for you boy racers, the Ford Escort XR3i | 0:53:00 | 0:53:05 | |
racing set. What will you bid me for that someone? Start me off. | 0:53:05 | 0:53:09 | |
£30. 20, someone quickly. | 0:53:09 | 0:53:14 | |
Oh, dear. | 0:53:14 | 0:53:16 | |
There's a whole sea of people looking at their shoes. | 0:53:16 | 0:53:19 | |
Who's got a tenner? Help them out, these people need it. | 0:53:19 | 0:53:22 | |
Thank you. Ten, I'm bid at ten. At £10 only. At ten. Ten bid. £10. | 0:53:22 | 0:53:26 | |
20 may I? At £10 only. Is there any more? | 0:53:26 | 0:53:29 | |
-Oh, dear. -Lord help us. | 0:53:29 | 0:53:32 | |
At £10 right at the back and I sell then at £10 and done. | 0:53:32 | 0:53:37 | |
Bad luck. | 0:53:37 | 0:53:39 | |
Got that one wrong. | 0:53:39 | 0:53:40 | |
It isn't quite a classic car yet. | 0:53:40 | 0:53:43 | |
Norwegian silver drinking cup really, | 0:53:43 | 0:53:46 | |
I suppose. There we are, bid me for that. | 0:53:46 | 0:53:49 | |
And I am bid £10 for that. At ten. Ten bid. At ten. | 0:53:49 | 0:53:51 | |
-20. 30. 40 with me. -Yes. -50, sir? At 50. | 0:53:51 | 0:53:56 | |
Your bid at 50. At £50 only. At 50. Is there any more? | 0:53:56 | 0:53:59 | |
-It's your bid seated at £50. -Come on. -Is there any more at all? | 0:53:59 | 0:54:03 | |
At £50 then. And I sell at 50 and done. | 0:54:03 | 0:54:06 | |
£50, well done. That is plus £28. You are plus 18. Now... | 0:54:06 | 0:54:12 | |
A very commodious item, the pine box. £20, someone, straight in. | 0:54:12 | 0:54:18 | |
20? | 0:54:19 | 0:54:20 | |
Who's got a tenner someone, quickly. | 0:54:20 | 0:54:23 | |
Ten. I'm bid at ten. Ten bid. £10. This is not looking good. | 0:54:23 | 0:54:26 | |
At £10 only. At ten. Ten bid. | 0:54:26 | 0:54:28 | |
20 surely anywhere? | 0:54:28 | 0:54:30 | |
At £10. I'll take five off someone. 15. 15. | 0:54:30 | 0:54:35 | |
Your turn, sir. | 0:54:35 | 0:54:36 | |
20? It's only money. | 0:54:36 | 0:54:39 | |
-At £15. And I sell at 15 and done. -15. | 0:54:39 | 0:54:44 | |
It's minus £35 that. You are minus £17. | 0:54:44 | 0:54:48 | |
-Oh, dear. -Oh, dear. -Minus £17. What are you going to do about these cuff links? | 0:54:48 | 0:54:53 | |
-Trust him. -You don't have to go with them. | 0:54:53 | 0:54:55 | |
-Definitely going with the bonus buy. -We trust you, Jonathan. | 0:54:55 | 0:54:58 | |
-Decision made, we'll go with it. -OK. Here come the cuff links. | 0:54:58 | 0:55:01 | |
Nice lot, bid me for those. 20 I've got here. | 0:55:01 | 0:55:04 | |
25. 30? 30 bid. | 0:55:04 | 0:55:06 | |
Have another fiver. | 0:55:06 | 0:55:08 | |
At £30 here. At 30. Is there any more? | 0:55:08 | 0:55:11 | |
At £30 and I...Are you bidding? 35. | 0:55:11 | 0:55:15 | |
-Yes, yes, yes. -Come on. | 0:55:15 | 0:55:17 | |
And I sell then at 35 and done. | 0:55:17 | 0:55:20 | |
£35 is minus £7 which means you are minus £24. | 0:55:20 | 0:55:25 | |
-But anyway, minus £24 could be a winning score. -Could be a winner. | 0:55:25 | 0:55:28 | |
-Don't tell the Reds a thing and we will reveal all in a moment. -OK. | 0:55:28 | 0:55:33 | |
I have to reveal who are the runners-up today and they are sadly the Blues. | 0:55:44 | 0:55:50 | |
-Oh. -How sad is that? | 0:55:50 | 0:55:52 | |
And you were quite confident, weren't you, | 0:55:52 | 0:55:54 | |
because your score is only minus 24 which, on Bargain Hunt, | 0:55:54 | 0:55:59 | |
can very easily be a winning score by a long chalk. | 0:55:59 | 0:56:02 | |
-You made your profit, £28, on that Norwegian little pot. -Yes. | 0:56:02 | 0:56:06 | |
-That was really good, Katie, wasn't it? -Yes. -And you had a great day? -Fabulous. -Fabulous. | 0:56:06 | 0:56:11 | |
-We've loved having you. Thank you. But the victors are the Reds. -Yes! | 0:56:11 | 0:56:15 | |
David Barby never looks happier than when he's on the winning team | 0:56:15 | 0:56:18 | |
and, um, quite rightly so because £37.50 is a tidy sum of winnings. | 0:56:18 | 0:56:25 | |
-Are you happy about this, Ju-Ju? -Wonderful, thank you. -You look very happy about it. Congratulations. | 0:56:25 | 0:56:30 | |
-We had a great show. Join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:56:30 | 0:56:35 | |
Subtitles by Red Bee Media Ltd. | 0:56:44 | 0:56:47 |