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Our teams today are two pairs of mothers and daughters | 0:00:02 | 0:00:03 | |
so stand by for all those feminine wiles as they go out there | 0:00:03 | 0:00:07 | |
to try and make the maximum profits. | 0:00:07 | 0:00:10 | |
Baby here may not be real, | 0:00:10 | 0:00:12 | |
but our teams sure are! | 0:00:12 | 0:00:14 | |
ALL: Aw! | 0:00:14 | 0:00:16 | |
Wah-wah-wah! | 0:00:16 | 0:00:18 | |
Let's go Bargain Hunting! | 0:00:18 | 0:00:20 | |
We've come to North Lanarkshire, Bargain Hunters, in Scotland. | 0:00:45 | 0:00:51 | |
Glasgow is about 18 miles that way, roughly, | 0:00:51 | 0:00:55 | |
but we're going to take in the peace, the quiet, the tranquillity of the Clyde Valley. Och, aye! | 0:00:55 | 0:01:01 | |
We're at the Garrion Bridges Antiques and Arts Centre. | 0:01:02 | 0:01:06 | |
Before we start, let's have a look at what's coming up. | 0:01:06 | 0:01:10 | |
The reds come under pressure when time runs away from them. | 0:01:10 | 0:01:14 | |
-I can't remember where it is. -We've lost it. | 0:01:14 | 0:01:16 | |
Differing tastes cause all sorts of problems for the blues. | 0:01:19 | 0:01:23 | |
-I'd go with the lamb. -No! | 0:01:23 | 0:01:26 | |
Sorry, Mother. I promised I wouldn't, but I can't resist it! | 0:01:26 | 0:01:29 | |
And both teams have success at the auction. But who will come out on top? | 0:01:29 | 0:01:33 | |
That's good, isn't it? | 0:01:33 | 0:01:36 | |
Phenomenal, actually. | 0:01:36 | 0:01:38 | |
But before all that, | 0:01:38 | 0:01:40 | |
we have £300, three items and one hour to shop. | 0:01:40 | 0:01:44 | |
All our teams have to do is buy the right items for the right money so they make a right profit. | 0:01:44 | 0:01:49 | |
Their items go under the hammer at the auction house | 0:01:49 | 0:01:52 | |
and we'll see who made the wisest decisions. | 0:01:52 | 0:01:55 | |
So let's get this game started and meet the teams. | 0:01:55 | 0:01:58 | |
For the reds we've got Marlene and Lauren. | 0:02:00 | 0:02:04 | |
-Hi, guys. -Hello. -For the blues we've got Jane and Margaret. Welcome. | 0:02:04 | 0:02:08 | |
Thank you. | 0:02:08 | 0:02:09 | |
-How are you two going to get on? -I think we'll do very well. | 0:02:09 | 0:02:12 | |
We're very similar natures, Lauren and I. We love shopping. | 0:02:12 | 0:02:17 | |
-We love spending money! -What about when you're not spending money? | 0:02:17 | 0:02:21 | |
-I'm a teacher and I have been for 34 years. -Have you? -Yes. | 0:02:21 | 0:02:24 | |
-What other interests do you have outside education? -Well... | 0:02:24 | 0:02:29 | |
I'm a bit of a rock fan! | 0:02:29 | 0:02:32 | |
-Yes? -My husband is a great rock fan and it's rubbed off on me a bit! | 0:02:32 | 0:02:37 | |
So we go to concerts. We're going to see AC/DC at Hampden. | 0:02:37 | 0:02:41 | |
-What do you think about this, Lauren? Is she embarrassing? -Not at all! -She's coming too! | 0:02:41 | 0:02:47 | |
You're going too? Lauren, what do you get up to? | 0:02:47 | 0:02:50 | |
I'm a jewellery designer. | 0:02:50 | 0:02:52 | |
I graduated from the Glasgow School of Art four years ago and I work in the industry. | 0:02:52 | 0:02:57 | |
I've decided to start up my own business. | 0:02:57 | 0:02:59 | |
-Is that earring one of yours? -It is, indeed, yes! | 0:02:59 | 0:03:02 | |
Well, that's very good. | 0:03:02 | 0:03:05 | |
What are you going to be looking out for today? | 0:03:05 | 0:03:08 | |
-Jewellery is the obvious one. -Maybe a bit of silver. | 0:03:08 | 0:03:11 | |
Yep. And anything kind of decorative and eye-catching. | 0:03:11 | 0:03:15 | |
Good luck with that. | 0:03:15 | 0:03:17 | |
Now for our next mother and daughter and... | 0:03:17 | 0:03:20 | |
should I say grandchild? | 0:03:20 | 0:03:23 | |
Margaret, what's going on with your baby there? | 0:03:23 | 0:03:26 | |
-It's not any old baby, Tim. -It isn't? -Many people think she is, | 0:03:26 | 0:03:31 | |
but she's a baby doll that I purchased | 0:03:31 | 0:03:33 | |
and I was so impressed by her that I've decided to make them myself. | 0:03:33 | 0:03:39 | |
How many are you proposing to make? | 0:03:39 | 0:03:42 | |
-I think about one a year is enough, Tim, don't you? -I do! | 0:03:42 | 0:03:45 | |
A jolly little fellow, I must say! | 0:03:45 | 0:03:47 | |
-Jane, you're a retired care home worker. -Yes. | 0:03:47 | 0:03:51 | |
-What do you get up to in your spare time? -Well, walking dogs, | 0:03:51 | 0:03:55 | |
reading about crime, real crime. | 0:03:55 | 0:03:57 | |
What's this with you and crime? | 0:03:57 | 0:04:00 | |
I love real crime. I love reading about it, watching it on TV. | 0:04:00 | 0:04:04 | |
-Yeah? -Oh, yes. | 0:04:04 | 0:04:06 | |
What do you like to collect, Jane? | 0:04:06 | 0:04:09 | |
Murano glass - I'm very fond of that. | 0:04:09 | 0:04:11 | |
And silver - I love silver. | 0:04:11 | 0:04:13 | |
Margaret, when you go on holiday, you go with the entire family? | 0:04:13 | 0:04:17 | |
-Yes, we do. -What sort of things do you get up to, Margaret? | 0:04:17 | 0:04:20 | |
We went ghost hunting two years ago, the family. | 0:04:20 | 0:04:23 | |
-Ghost hunting? -Yes, we're all into that, ghost hunting, yes. -Oh! | 0:04:23 | 0:04:28 | |
-And we caught an orb on one of our photographs. -Did you? -Yes. | 0:04:28 | 0:04:33 | |
Did you get cream for it? | 0:04:33 | 0:04:35 | |
No, it turned out to be my brother-in-law's bald head! | 0:04:35 | 0:04:38 | |
Which he won't forgive me for! | 0:04:38 | 0:04:41 | |
It's what they call the great orb! | 0:04:41 | 0:04:44 | |
Now the money moment. | 0:04:44 | 0:04:45 | |
£300 apiece. Here's your £300. 300. | 0:04:45 | 0:04:48 | |
You know the rules. Your experts await. Off you go! | 0:04:48 | 0:04:51 | |
Very, very good luck. | 0:04:51 | 0:04:53 | |
So, how are our mother and daughter combos going to do? | 0:04:53 | 0:04:56 | |
Either way, they've got some very willing experts there to help them. | 0:04:56 | 0:05:01 | |
# Baby face | 0:05:01 | 0:05:03 | |
# You've got the cutest little baby face # | 0:05:03 | 0:05:08 | |
Paul Laidlaw is planning on showing the reds that's he's no mummy's boy! | 0:05:08 | 0:05:13 | |
While Keith Baker is going to give some motherly advice to the blues. | 0:05:13 | 0:05:18 | |
Follow your instinct. You've got an hour. | 0:05:19 | 0:05:22 | |
Better get to it, hadn't we? | 0:05:22 | 0:05:23 | |
-Anything in there that you thought, "Wow!"? -No, I don't really like Scottish jewellery. | 0:05:23 | 0:05:29 | |
Being as where we are, it would be nice to look for some Wally dogs. | 0:05:29 | 0:05:34 | |
-Right. Let's go and find some Wally dogs. -Let's see if we can get any. | 0:05:34 | 0:05:38 | |
Keith doesn't seem enamoured with that idea! The reds are having more luck with Paul. | 0:05:39 | 0:05:44 | |
-There's a compact here. -Good, good. -Good? | 0:05:44 | 0:05:47 | |
-Its a nice field. Its art. -What kind of period is that? -Is it '50s? | 0:05:47 | 0:05:51 | |
-Shall we have a look? -Could we have a wee look? -Yes. -I like it. | 0:05:51 | 0:05:55 | |
The condition of these deteriorates in damp | 0:05:55 | 0:05:58 | |
because they're frequently gilt brass lacquered over base metal. | 0:05:58 | 0:06:03 | |
-When it goes, it goes. Isn't it sweet? -Perfect. Great. | 0:06:03 | 0:06:06 | |
It's got to be, hasn't it? | 0:06:06 | 0:06:08 | |
-I'd like one of those on my dressing table. -It's lovely. | 0:06:08 | 0:06:12 | |
That lifts up for the powder. How much is it? | 0:06:12 | 0:06:15 | |
-Guess. What do you think? -About 100? | 0:06:15 | 0:06:17 | |
-More? -55, £60? | 0:06:17 | 0:06:19 | |
You get the prize. | 0:06:19 | 0:06:22 | |
-49-and-a-half pounds! -Let's go for it, eh? | 0:06:22 | 0:06:26 | |
Wait, wait! | 0:06:26 | 0:06:29 | |
That seems a lot of money to me. | 0:06:29 | 0:06:30 | |
-I think that's worth 20 to £40 at auction. -Right. OK. | 0:06:30 | 0:06:34 | |
You're a haggler, Lauren. You go for it! | 0:06:34 | 0:06:37 | |
While Lauren's left to haggle for the compact, | 0:06:37 | 0:06:41 | |
the blues are discovering they have completely differing tastes. | 0:06:41 | 0:06:45 | |
-Oh, Mother, don't even look! -Oh, that's nice. -The cranberry glass. I knew you'd like it. | 0:06:45 | 0:06:51 | |
-Ooh, there's some Wally dogs. -They're too dear. | 0:06:51 | 0:06:55 | |
-Sorry, Mother. I think they're lovely. -Very appealing. | 0:06:55 | 0:06:58 | |
Is this actually a sampler or a reproduction of a sampler? | 0:06:58 | 0:07:02 | |
I collect samplers myself so I'm drawn to images like that. | 0:07:02 | 0:07:08 | |
Samplers, cranberry glass, ceramic dogs. | 0:07:08 | 0:07:11 | |
Will this lot ever agree on anything? | 0:07:11 | 0:07:14 | |
-Oh, I like that, Margaret. -Look. | 0:07:14 | 0:07:17 | |
-Mum fancies that one there. -£48, | 0:07:17 | 0:07:20 | |
which I think is probably enough. | 0:07:20 | 0:07:24 | |
You'd better handle it. | 0:07:24 | 0:07:25 | |
Something I have noticed is that there's this gilding here. | 0:07:26 | 0:07:30 | |
-It's very rubbed. -Ah, it is. | 0:07:30 | 0:07:33 | |
-So it's not quite as pristine. -No. | 0:07:33 | 0:07:37 | |
The actual piece is... The piece doesn't have any cracks or anything. | 0:07:37 | 0:07:42 | |
But to a collector, that will ogle a little bit, actually. | 0:07:42 | 0:07:46 | |
This is all applied by hand, the white enamel. | 0:07:46 | 0:07:48 | |
It's mid- to late-Victorian, I would have thought. | 0:07:48 | 0:07:52 | |
As you spotted just now, the colouring is cranberry. | 0:07:52 | 0:07:55 | |
-What do you think, then? -I think it's very feminine. I would buy it. | 0:07:55 | 0:07:59 | |
-Is that because it's pink? -It's because it's pink! | 0:07:59 | 0:08:02 | |
-But it's very cheerful. Optimistic. -It is. | 0:08:02 | 0:08:05 | |
It would brighten up a window, wouldn't it? | 0:08:05 | 0:08:09 | |
-Lovely decoration. Very feminine. -The thing is, it is missing, | 0:08:09 | 0:08:13 | |
but you didn't notice it immediately. | 0:08:13 | 0:08:15 | |
Hopefully the colour and enamel will win the day. | 0:08:15 | 0:08:18 | |
-You both like it? Are you sure? -Oh, yes. -Yes. | 0:08:18 | 0:08:21 | |
-Let's see what we can do. -Right. -Lovely. | 0:08:21 | 0:08:23 | |
Could that be mother's ruin? At £35 paid, who knows? | 0:08:23 | 0:08:28 | |
Let's see how those reds are getting on. | 0:08:28 | 0:08:31 | |
I went and asked about the compact and they won't go lower than 38. | 0:08:32 | 0:08:36 | |
Well, it's up to you. I think you need to fall back on that. | 0:08:36 | 0:08:41 | |
-Right. -If there's nothing better, and you go, "What the hell. Take a punt." Then take a punt. | 0:08:41 | 0:08:46 | |
OK, we'll leave it till later. | 0:08:46 | 0:08:48 | |
-Where now, then, girls? -Right. I saw some things I liked. | 0:08:48 | 0:08:53 | |
The reds still haven't got their first item | 0:08:54 | 0:08:57 | |
but Lauren's got them hunting for something she's seen before. | 0:08:57 | 0:09:01 | |
Where is it? | 0:09:01 | 0:09:03 | |
-I did see one. -Was it in this case? | 0:09:03 | 0:09:06 | |
OK. Could this be a lost cause, ladies? | 0:09:06 | 0:09:10 | |
-I can't remember where it is. -Perhaps someone's bought it. It was here. | 0:09:10 | 0:09:14 | |
I think perhaps it's gone. | 0:09:14 | 0:09:16 | |
You've gotta be quick off the mark in these places. | 0:09:16 | 0:09:19 | |
There's always something else to look at. | 0:09:19 | 0:09:21 | |
I've seen two small silver pin dishes. | 0:09:21 | 0:09:24 | |
Edwardian. High Rococo. | 0:09:24 | 0:09:27 | |
Couldn't be more traditional. And in a presentation case. | 0:09:27 | 0:09:32 | |
Why don't you take one each and tell me how substantial they feel. | 0:09:32 | 0:09:37 | |
Oh. Quite light. | 0:09:40 | 0:09:42 | |
Well, they do it for me. | 0:09:42 | 0:09:44 | |
Let me pop this case down, handsome though it is. | 0:09:44 | 0:09:46 | |
That's all right. There's rigidity to them. | 0:09:47 | 0:09:51 | |
-Lovely clear marks. -Very pretty. | 0:09:51 | 0:09:53 | |
Aren't they just? | 0:09:53 | 0:09:55 | |
Let's see if we can pin these down. | 0:09:58 | 0:10:00 | |
They're assayed at Sheffield in... | 0:10:00 | 0:10:03 | |
That's a little Gothic M. 1904. Edwardian silver. | 0:10:03 | 0:10:09 | |
That helps, doesn't it? It just rings right. | 0:10:09 | 0:10:13 | |
The case, the condition is faultless. | 0:10:13 | 0:10:15 | |
And a good name - Walker & Hall. | 0:10:15 | 0:10:18 | |
Now, what's the price? £78. | 0:10:18 | 0:10:20 | |
-My estimate 50 to 80. -Right. | 0:10:20 | 0:10:23 | |
In this instance I'd be happy to go away and do a job of work | 0:10:23 | 0:10:26 | |
and try and get these down to... What do you want to pay for them? | 0:10:26 | 0:10:30 | |
-About 45, 50? -Like your style. -Yeah? | 0:10:30 | 0:10:33 | |
I'll give it a go. I'll have a chat. I won't commit. I'll come back and tell you. | 0:10:33 | 0:10:38 | |
Thanks for that. Great. | 0:10:38 | 0:10:40 | |
I wonder if Paul can do any better than Lauren? | 0:10:40 | 0:10:43 | |
-Not generous. £65. -Right. OK. | 0:10:44 | 0:10:47 | |
-You're not gonna win a lot, you're not gonna lose a lot. -OK. | 0:10:47 | 0:10:50 | |
It's all just a little bit too expensive for the reds. | 0:10:50 | 0:10:54 | |
Let's see how the blues are getting on. | 0:10:54 | 0:10:57 | |
Ah! Look what I see! | 0:10:57 | 0:10:59 | |
-What do you see? -Two pairs of Wally dogs, Mother. | 0:10:59 | 0:11:03 | |
Two pairs! | 0:11:03 | 0:11:04 | |
Och, Margaret seems to be set on what she likes. | 0:11:04 | 0:11:08 | |
Without taking them out and looking at them, they do look like they've got some age. | 0:11:08 | 0:11:13 | |
But they're not uncommon, so even at the auction, | 0:11:14 | 0:11:18 | |
if there's others nicer than these, these get left behind. | 0:11:18 | 0:11:21 | |
But that there Keith, he's not gonna give in that easy. | 0:11:21 | 0:11:24 | |
Let's think about these. | 0:11:24 | 0:11:26 | |
I'd quite like to have a look at the sampler here. | 0:11:26 | 0:11:29 | |
People do collect samplers. It might be worth having a look at that. | 0:11:29 | 0:11:33 | |
Ah, the sampler. Thanks for getting that out. | 0:11:35 | 0:11:37 | |
-What do you think of this one, then? -Ooh. | 0:11:37 | 0:11:40 | |
Quite nice, really. It says, "Annie Love, | 0:11:40 | 0:11:44 | |
"Age 13. January 4th 1860." | 0:11:44 | 0:11:48 | |
A wee girl of 13 doing that! | 0:11:48 | 0:11:51 | |
-You know, that really is something, isn't it? -It is. | 0:11:51 | 0:11:55 | |
-Beautiful. -The stitching is extremely fine. | 0:11:55 | 0:11:57 | |
-Extremely fine stitching. -The dexterity used in those days | 0:11:57 | 0:12:02 | |
would be the dexterity they use for texting now! | 0:12:02 | 0:12:05 | |
-Ah, just exactly. I know. -It's a charming piece of work. | 0:12:05 | 0:12:10 | |
-The fact it's got a name on it... -Is that damage there? Is that damage? | 0:12:10 | 0:12:14 | |
It's inevitable the little threads are coming off. | 0:12:14 | 0:12:17 | |
But it's in fairly good order. | 0:12:17 | 0:12:19 | |
The colours are quite bright, really. | 0:12:19 | 0:12:21 | |
What I'm pleased to see | 0:12:21 | 0:12:23 | |
is that the blues are more prominent than the reds so I hope that's a good sign | 0:12:23 | 0:12:28 | |
that the blues will be more prominent in the auction! | 0:12:28 | 0:12:32 | |
I think it's... Let's have a look at the price. | 0:12:32 | 0:12:34 | |
-94. -94. | 0:12:36 | 0:12:38 | |
I think it might be worth a chance. | 0:12:38 | 0:12:41 | |
-Well. -Actually. | 0:12:41 | 0:12:42 | |
-It is what it is. It is a genuine antique. -Right. -It's hand done. | 0:12:42 | 0:12:46 | |
I just think somebody out there will love it. | 0:12:46 | 0:12:49 | |
If it makes us a tiny profit, great. | 0:12:49 | 0:12:53 | |
-Yes, I'm happy with that. -Yes. -Absolutely. -See if we can get the best price for it. -Right. | 0:12:53 | 0:12:59 | |
Very persuasive, Keith. | 0:12:59 | 0:13:01 | |
But don't count your chickens until you know the price. | 0:13:01 | 0:13:05 | |
The reds haven't committed to anything yet, so they're searching out other options. | 0:13:07 | 0:13:12 | |
-I saw some Lea Stein. A Lea Stein brooch. -Did you? | 0:13:12 | 0:13:15 | |
-We like Lea Stein. -Educate me there! | 0:13:15 | 0:13:18 | |
Well, I've got to say they are hugely stylish, | 0:13:20 | 0:13:24 | |
but I am way out of my comfort zone with these! You tell me. | 0:13:24 | 0:13:30 | |
-What period are these? -As far as I know, | 0:13:30 | 0:13:32 | |
-she's 1950s, 1960s. -OK. -I think she's French. | 0:13:32 | 0:13:37 | |
-Can you pick and choose or do you grab when... -Some are more difficult to acquire. | 0:13:37 | 0:13:42 | |
I've never seen the lady with the hairstyle and the suit before. | 0:13:42 | 0:13:45 | |
You've bought these in the past? | 0:13:45 | 0:13:47 | |
-I have done, yes. -And paid? -£50 for one. | 0:13:47 | 0:13:51 | |
-In what sort of environment? -It was a fashion boutique where they sold a range of vintage jewellery. | 0:13:51 | 0:13:57 | |
If £50 is the going rate retail, 40 is going to be enough | 0:13:57 | 0:14:01 | |
to stand a chance. | 0:14:01 | 0:14:02 | |
A lot of work to be done there, isn't there? | 0:14:02 | 0:14:05 | |
-This are coming in at the moment at £134 and you want to pay 80 for them. -80. | 0:14:05 | 0:14:12 | |
-That's a lot. -A huge drop. | 0:14:12 | 0:14:14 | |
You don't know how long they've been in there. | 0:14:14 | 0:14:17 | |
If they've been there two years, they may be delighted to have a chat. I'd go for it. | 0:14:17 | 0:14:22 | |
Haggling again. Well, it's worth a try. | 0:14:23 | 0:14:26 | |
The blues are still finding it difficult, though, to agree on anything. | 0:14:26 | 0:14:30 | |
-The wee girl with the lamb. -No! -It's pretty. | 0:14:30 | 0:14:33 | |
-No. -Do you not like that? -I like the red dish better. | 0:14:33 | 0:14:36 | |
Hi, I've checked about the sampler. | 0:14:36 | 0:14:38 | |
-They've agreed £80, which I think is fine. -Right. | 0:14:38 | 0:14:41 | |
So we've got two items in the bag. Let's go and find that third one. | 0:14:41 | 0:14:45 | |
Right. | 0:14:45 | 0:14:46 | |
I'm not so sure they actually said yes to that, Keith! | 0:14:46 | 0:14:50 | |
But OK. That one for you and one for Jane, | 0:14:50 | 0:14:54 | |
but surely with the remaining £185 it's Margaret's choice now? | 0:14:54 | 0:14:58 | |
I'm a flowery person, but that is, ooh... | 0:14:58 | 0:15:01 | |
I expect you like flowers that are more naturalistic. | 0:15:01 | 0:15:04 | |
-Something you'd go and pick in the garden, rather than... -Yes. Totally. | 0:15:04 | 0:15:09 | |
-Sorry, I promised I wouldn't, but I can't resist it. -It's got flowers on it. | 0:15:09 | 0:15:13 | |
I think that's beautiful, personally. | 0:15:13 | 0:15:15 | |
See the wee embroidery. It's only £6. That's pretty. | 0:15:15 | 0:15:18 | |
There's a wee bit too much space on that for my taste. | 0:15:18 | 0:15:22 | |
-That is you. -I love that. -But would you use it? | 0:15:22 | 0:15:25 | |
-No, I would show it. -Would you? -That would be cherished in my house. | 0:15:25 | 0:15:29 | |
The gilding looks bare. | 0:15:29 | 0:15:31 | |
Poor Mags. She's not having much luck persuading the other two! | 0:15:31 | 0:15:34 | |
-I haven't told them the price of that yet. -Coalport. Look at that! | 0:15:34 | 0:15:38 | |
Now, look. | 0:15:38 | 0:15:40 | |
Oh, I love that, Mum. | 0:15:40 | 0:15:42 | |
But is that about to change? | 0:15:42 | 0:15:45 | |
I'm sure these ladies know all there is to know about shopping and impulse buying | 0:15:45 | 0:15:50 | |
and they've only got one hour to find their three items. | 0:15:50 | 0:15:53 | |
So the pressure's really on. | 0:15:53 | 0:15:55 | |
But help could be at hand in the form of the bonus buy. | 0:15:55 | 0:15:59 | |
Any leftover lolly will be used by each team's expert | 0:16:00 | 0:16:04 | |
to buy a surprise item which the team can decide to go with at auction or not. | 0:16:04 | 0:16:09 | |
Any profit or loss that item makes will then be added to their total. | 0:16:09 | 0:16:14 | |
-You like this? -Yes, I do. I do like it. | 0:16:14 | 0:16:17 | |
Well, it's a nice piece. | 0:16:18 | 0:16:21 | |
A good make, Coalport. | 0:16:21 | 0:16:22 | |
-It is very nice. -It's lovely. -How are we doing, Jane? | 0:16:22 | 0:16:26 | |
Doing fine. I love everything! | 0:16:26 | 0:16:28 | |
-You love everything! -We want to buy it all! -Yes? | 0:16:28 | 0:16:31 | |
-You've got how many lots? -She's destroyed mine. My choices. | 0:16:31 | 0:16:36 | |
-Em, we have two lots. -Two lots already. | 0:16:36 | 0:16:39 | |
40 minutes have gone by. You've got 20 minutes to find this last lot. | 0:16:39 | 0:16:43 | |
-Are you getting on with Keith OK? -Wonderfully. -Very well. | 0:16:43 | 0:16:46 | |
-Is he giving you any stick? -Not at all. Mother is, but Keith's not. | 0:16:46 | 0:16:51 | |
Anyway, buck up. Only 20 minutes left. | 0:16:51 | 0:16:54 | |
-Good luck. -Let's go. | 0:16:54 | 0:16:56 | |
-Thanks, Tim. -I think that's so pretty. | 0:16:56 | 0:16:58 | |
It's only what they call transfer printed, | 0:16:58 | 0:17:01 | |
-so it's not painted or anything. -No. -It's gilt transfer. But very exotic. | 0:17:01 | 0:17:06 | |
-It's blue, which is appropriate. -I would buy that. -You would? | 0:17:06 | 0:17:11 | |
You did say blue. I'm going with the winning colour here. | 0:17:11 | 0:17:14 | |
Oh, dear! | 0:17:14 | 0:17:17 | |
£90. They'll be probably asking about 80 for it. | 0:17:17 | 0:17:21 | |
We'll try and get them down further than that. | 0:17:21 | 0:17:24 | |
-You'd like to go with this. -I personally will go with that. My choice. -That's your choice. OK. | 0:17:24 | 0:17:30 | |
Phew! Margaret finally gets her own way. They pay £70 for the bowl. | 0:17:30 | 0:17:35 | |
-We've got the third item, so we're done. -Wonderful! | 0:17:35 | 0:17:39 | |
It's not going so well for the reds. | 0:17:41 | 0:17:44 | |
They can't get hold of the dealer to agree a price for the brooches, | 0:17:44 | 0:17:49 | |
and so with seven minutes left, the pressure is on to find a third item. | 0:17:49 | 0:17:54 | |
Panic, panic! | 0:17:54 | 0:17:56 | |
This is getting a bit... | 0:18:00 | 0:18:03 | |
I have the news on the brooches. | 0:18:04 | 0:18:06 | |
It's some complicated maths. It's about £110 for the pair. | 0:18:06 | 0:18:11 | |
-I still would really like to go for them. -Really. | 0:18:11 | 0:18:14 | |
People know it. They're trendy-looking and they'll do well in Glasgow. | 0:18:14 | 0:18:18 | |
So we've got a strong there. | 0:18:18 | 0:18:20 | |
We've got an option on the silver | 0:18:20 | 0:18:23 | |
which we now know is 65 or thereabouts. | 0:18:23 | 0:18:28 | |
And the compact. They're all things I wouldn't bet my life on. | 0:18:28 | 0:18:31 | |
They're there or thereabouts and maybe to an extent longish shots. | 0:18:31 | 0:18:35 | |
-The ball's in your court, but I can throw something else at you that's speculative? -OK. | 0:18:35 | 0:18:40 | |
It's so cheap, it's the kind of thing you might make a killing on. | 0:18:40 | 0:18:44 | |
-Go for it. -Follow me. | 0:18:44 | 0:18:46 | |
-Have a look at this. -OK. | 0:18:47 | 0:18:49 | |
That is... Oh, it just got slightly better. | 0:18:49 | 0:18:52 | |
-This is a pocket barometer. -Right. -An aneroid barometer. | 0:18:52 | 0:18:56 | |
-It helps you calculate altitude. -OK. | 0:18:56 | 0:19:00 | |
-But what's the problem with that? -No hand. | 0:19:00 | 0:19:03 | |
But it has innards. Because it's not an empty box. | 0:19:03 | 0:19:07 | |
See that? | 0:19:08 | 0:19:10 | |
Commonly known as a crow's-foot mark, used by the British military. | 0:19:10 | 0:19:13 | |
We know it's got a problem. It's a pig in a poke. | 0:19:13 | 0:19:16 | |
-It's also £15! -That's good. | 0:19:16 | 0:19:20 | |
With a hand and warranted, that's worth 50 to £80 at auction, any day of the week. | 0:19:20 | 0:19:25 | |
But even as is, I don't think I'm gonna bet on your compact or your silver or your brooches. | 0:19:25 | 0:19:32 | |
But I'd bet on that. But you have to make up your mind | 0:19:32 | 0:19:35 | |
-which of the four pieces you want to bank on. -OK. -OK. | 0:19:35 | 0:19:39 | |
-I'd better run. -OK, we'll decide. -See you in two ticks. | 0:19:39 | 0:19:43 | |
Right. What are we gonna go for? | 0:19:43 | 0:19:45 | |
-I do still like the compact. If you get a compact collector. -The compact and the brooches. | 0:19:45 | 0:19:50 | |
-The brooches. -But the silver's good. | 0:19:50 | 0:19:53 | |
It's so tense! They've actually bought nothing so far, | 0:19:53 | 0:19:57 | |
but which three will they choose to go for, bargain hunters? | 0:19:57 | 0:20:01 | |
We've plumped on...? | 0:20:01 | 0:20:03 | |
Been waiting for this. You're on your last seconds here. | 0:20:04 | 0:20:08 | |
-One or two seconds left. -What are we doing? | 0:20:08 | 0:20:11 | |
As they approach the final fence! | 0:20:11 | 0:20:13 | |
-We're going for the Lea Stein brooches... -The silver dishes | 0:20:13 | 0:20:17 | |
and your pocket barometer. | 0:20:17 | 0:20:19 | |
I think that is an interesting portfolio, if ever I saw one. | 0:20:19 | 0:20:23 | |
You've finished, have you? | 0:20:23 | 0:20:25 | |
-Done it. -Thank goodness for that because your time is up! | 0:20:25 | 0:20:29 | |
Wow! Well, I'm exhausted. I don't know about you. | 0:20:30 | 0:20:33 | |
At the last minute, the reds decided the barometer trumped the compact | 0:20:33 | 0:20:37 | |
and paid just £10 for this little beauty. | 0:20:37 | 0:20:40 | |
The complicated maths on the Lea Stein brooches added up to £107.20. | 0:20:40 | 0:20:46 | |
The silver trays were bought for 65. | 0:20:46 | 0:20:50 | |
-You left it to the last minute, didn't you two? -We did! | 0:20:51 | 0:20:54 | |
Well, anyway, you finished up all right. | 0:20:54 | 0:20:57 | |
You've spent £182.20. I'd like 117.80. | 0:20:57 | 0:21:02 | |
Now, Paul, only you could be inheriting £117.80, | 0:21:02 | 0:21:08 | |
a more awkward amount I can't imagine! | 0:21:08 | 0:21:11 | |
What are you going to do with it? | 0:21:11 | 0:21:12 | |
I am going to try and find another little banker | 0:21:12 | 0:21:16 | |
because I fear the brooches, sexy though they are, are going to make a big hole in our expectations. | 0:21:16 | 0:21:23 | |
-I need to find a little banker. -Yeah. -I think I have. | 0:21:23 | 0:21:27 | |
-You're not gonna tell us about it, are you? -No. -Keep us on the hook till later in the programme. | 0:21:27 | 0:21:32 | |
-Very good luck. -Thank you. | 0:21:32 | 0:21:33 | |
Let's remind ourselves who the reds are up against and what the blues bought. | 0:21:33 | 0:21:39 | |
They had very different tastes. | 0:21:39 | 0:21:42 | |
But the blues all walked away happy. | 0:21:42 | 0:21:45 | |
Jane got a Victorian cranberry jug for 35. | 0:21:45 | 0:21:48 | |
While the sampler kept Keith satisfied at £80. | 0:21:48 | 0:21:52 | |
Finally, Margaret's persistence paid off | 0:21:52 | 0:21:55 | |
with the £70 Coalport bowl. | 0:21:55 | 0:21:58 | |
You operate quickly, you two. You're dead slick. | 0:22:00 | 0:22:03 | |
-A force to be reckoned with, I say. -Oh! | 0:22:03 | 0:22:06 | |
And you spent £185, which is quite magnificent. | 0:22:06 | 0:22:09 | |
Which is your favourite piece, Janey? | 0:22:09 | 0:22:12 | |
-I think the Coalport. -The Coalport's your favourite. | 0:22:12 | 0:22:15 | |
-And your favourite, Mags? -The Coalport. | 0:22:15 | 0:22:17 | |
That's nice, isn't it? | 0:22:17 | 0:22:19 | |
I'd like £115 of leftover lolly to give to Keith Baker. | 0:22:19 | 0:22:24 | |
-Look at that! You're happy with that, aren't you? -I am. -Good. | 0:22:24 | 0:22:28 | |
What are you going to spend it on for the bonus buy to make a huge profit? | 0:22:28 | 0:22:32 | |
I've had a look around and seen something that's small but beautifully formed. | 0:22:32 | 0:22:37 | |
-Bit like our team, then? -Absolutely. | 0:22:37 | 0:22:40 | |
Nice to see women that make their minds up quickly. That's why we were so quick. | 0:22:40 | 0:22:45 | |
-Lovely, isn't it? -It is. -It's a real tribute. -It is. | 0:22:45 | 0:22:48 | |
-Go and get your item in case somebody else has bought it. -I hope not! | 0:22:48 | 0:22:51 | |
Me, I'm heading off back into Glasgow | 0:22:51 | 0:22:54 | |
to look at something really interesting. | 0:22:54 | 0:22:56 | |
In the late 19th century, Glasgow was a centre for the Temperance Movement. | 0:22:59 | 0:23:04 | |
In the city, tea was promoted as an alternative to alcohol. | 0:23:04 | 0:23:08 | |
As a result, tea rooms became popular and fashionable places to be seen. | 0:23:08 | 0:23:13 | |
Four of the largest tea rooms in the city | 0:23:26 | 0:23:29 | |
were owned by Kate Cranston, | 0:23:29 | 0:23:32 | |
some of which uniquely decorated by celebrated Scottish designer Charles Rennie Mackintosh. | 0:23:32 | 0:23:38 | |
Fittings from three of these rooms | 0:23:38 | 0:23:40 | |
are now on display at the Kelvingrove Art Gallery and Museum. | 0:23:40 | 0:23:44 | |
In 1911, Miss Cranston commissioned Mackintosh to revamp the interior | 0:23:44 | 0:23:51 | |
of one of her tea rooms in Ingram Street completely. | 0:23:51 | 0:23:55 | |
And this is the result. | 0:23:55 | 0:23:57 | |
I've got special permission to come up here and get close and personal with these fittings | 0:23:57 | 0:24:04 | |
which have been set up in the museum exactly as they were in the tea room at the time. | 0:24:04 | 0:24:11 | |
We've got a pagoda-like corner here | 0:24:11 | 0:24:15 | |
in which you would intimately enjoy your cup of Oriental tea. | 0:24:15 | 0:24:20 | |
The light in the room was not brilliant, | 0:24:20 | 0:24:24 | |
and one of the things that he did was to introduce mirrors. | 0:24:24 | 0:24:27 | |
Here we've got a series of vertical silvered glass panels. | 0:24:27 | 0:24:31 | |
The silvering itself is imperfect, | 0:24:31 | 0:24:34 | |
so it doesn't produce an ideal mirror | 0:24:34 | 0:24:36 | |
but what it does do is to reflect the light. | 0:24:36 | 0:24:39 | |
It's difficult to assess the inventive genius of Mackintosh, | 0:24:39 | 0:24:44 | |
but I'd like you to have a look at this seriously whacky light fitting. | 0:24:44 | 0:24:49 | |
It looks a bit like an Oriental warrior's helmet. | 0:24:49 | 0:24:53 | |
It's made out of copper and artificially coloured to give it this patination. | 0:24:53 | 0:24:58 | |
Then Mackintosh, out of simple pine, | 0:24:58 | 0:25:01 | |
has created this towering pagoda above. | 0:25:01 | 0:25:05 | |
And that is attention to detail big time. | 0:25:05 | 0:25:09 | |
One of the most striking features in the tea rooms | 0:25:11 | 0:25:14 | |
would have been this structure. | 0:25:14 | 0:25:16 | |
Can you believe it that a woman sat in here and her sole job was to take the money. | 0:25:16 | 0:25:23 | |
This structure has had the Mackintosh makeover. | 0:25:23 | 0:25:27 | |
He's got a pagoda support here in the roof. | 0:25:27 | 0:25:30 | |
It's moulded with Chinese cloud bands. | 0:25:30 | 0:25:35 | |
And what a brilliant job he's done of the vertical supports. | 0:25:35 | 0:25:38 | |
A series of slightly stepped rectangular supports | 0:25:38 | 0:25:42 | |
and where they're joined, there are blocks that contain | 0:25:42 | 0:25:45 | |
further tapering rectangles. | 0:25:45 | 0:25:48 | |
Even the mahogany surface over which the cash would have been passed | 0:25:48 | 0:25:53 | |
has got this Chinese dental-type moulding. | 0:25:53 | 0:25:57 | |
In short, a perfect place. | 0:25:57 | 0:26:00 | |
The big question today is, are we going to have a perfect result | 0:26:00 | 0:26:04 | |
over at the Glasgow auction? | 0:26:04 | 0:26:06 | |
It's great to be at Great Western auctions in Glasgow | 0:26:21 | 0:26:25 | |
with our hostess and auctioneer, Anita Manning. Hi, Anita. | 0:26:25 | 0:26:29 | |
-Welcome, Tim. -Very nice to see you. | 0:26:29 | 0:26:32 | |
Marlene and Lauren, with Paul Laidlaw, went first with these brooches. | 0:26:32 | 0:26:36 | |
Lots of style. Lea was a Parisienne. | 0:26:36 | 0:26:39 | |
She made these wonderful brooches between the '60s and the '80s. | 0:26:39 | 0:26:45 | |
These two are actually two of the most desirable ones. | 0:26:45 | 0:26:51 | |
-Are they? -Yes! -That makes a change, then, doesn't it? | 0:26:51 | 0:26:54 | |
This one here was modelled as Joan Crawford. | 0:26:54 | 0:26:59 | |
And we have Scarlett O'Hara here. | 0:26:59 | 0:27:03 | |
What we want to know is, will they make a profit? | 0:27:03 | 0:27:06 | |
I've estimated them 70 to 90. | 0:27:06 | 0:27:09 | |
Ooh. Well, they paid an amazing £107.20p. | 0:27:09 | 0:27:13 | |
That might be a wee bit too much. | 0:27:13 | 0:27:15 | |
But I'll do my very, very best. | 0:27:15 | 0:27:17 | |
I'm quite sure you will. Brilliant. | 0:27:17 | 0:27:20 | |
Next we have something supremely traditional. | 0:27:20 | 0:27:23 | |
Rococo style little Edwardian silver dishes. | 0:27:23 | 0:27:26 | |
I think they're a lovely item. | 0:27:26 | 0:27:28 | |
Rococo style, as you say, but kind of blowing a kiss | 0:27:28 | 0:27:31 | |
at the Art Nouveau. | 0:27:31 | 0:27:33 | |
Yes! That's one way of putting it! | 0:27:33 | 0:27:35 | |
She's so clever, isn't she? Absolutely right. | 0:27:35 | 0:27:38 | |
-How much, then? -I would say 50 to 80. | 0:27:38 | 0:27:42 | |
OK. Fine. They're just about in the middle at £65. | 0:27:42 | 0:27:45 | |
-Right. Well... -There's hope all round for that. | 0:27:45 | 0:27:48 | |
Now, how are you on your scientific instruments? | 0:27:48 | 0:27:51 | |
Are we going to be able to pick a hole somewhere in your expertise? | 0:27:51 | 0:27:55 | |
-I bet you've looked this up! -Of course I have! | 0:27:55 | 0:27:59 | |
-Who's it by? -It's T.Wheeler Scientific Instruments Ltd. | 0:27:59 | 0:28:05 | |
They made instruments for the Royal Navy, | 0:28:06 | 0:28:09 | |
so they must have been good. | 0:28:09 | 0:28:11 | |
Will it make more than £10, do you think? | 0:28:11 | 0:28:13 | |
-Yes. I've estimated at 30 to 50. -There we go. | 0:28:13 | 0:28:16 | |
Overall, then, there's lots of hope here. | 0:28:16 | 0:28:19 | |
But just in case, they might need their bonus buy. | 0:28:19 | 0:28:22 | |
Let's have a look at it. | 0:28:22 | 0:28:24 | |
You left Paul £117.80. Let's see what he spent it on. | 0:28:24 | 0:28:29 | |
Well, then, ladies. Can you see that? | 0:28:29 | 0:28:32 | |
-What do those letters say? -"ATS". | 0:28:32 | 0:28:35 | |
The Auxiliary Territorial Service. | 0:28:35 | 0:28:38 | |
These are women that volunteer to, effectively, the army | 0:28:38 | 0:28:42 | |
to free up men for the front. | 0:28:42 | 0:28:44 | |
These women actually end up manning anti-aircraft batteries | 0:28:44 | 0:28:48 | |
and so on, OK? A wonderful history to these units. | 0:28:48 | 0:28:52 | |
But this little beastie - see that on the back? | 0:28:52 | 0:28:56 | |
That number there? | 0:28:56 | 0:28:58 | |
This is actually an issue award. This is a rarity. | 0:28:58 | 0:29:01 | |
These were officially handed out | 0:29:01 | 0:29:03 | |
to the first volunteers, circa 1938, to the ATS. | 0:29:03 | 0:29:08 | |
-What's that worth? -£25? -You are bob on, in my opinion! | 0:29:08 | 0:29:14 | |
It'll make 20 to £30. How much did I pay for it? | 0:29:14 | 0:29:17 | |
-Ten? 15? -£12. -Yes! | 0:29:17 | 0:29:20 | |
Lovely. | 0:29:20 | 0:29:22 | |
You don't decide now. Decide later. | 0:29:22 | 0:29:24 | |
For you at home, let's find out what the auctioneer thinks. | 0:29:24 | 0:29:28 | |
There we go, Anita. | 0:29:28 | 0:29:30 | |
Bought by Paul Laidlaw as ATS. | 0:29:30 | 0:29:33 | |
War-time issue. | 0:29:33 | 0:29:35 | |
Well, it's a fairly modest-looking wee thing. | 0:29:35 | 0:29:38 | |
But the history makes it interesting. | 0:29:38 | 0:29:41 | |
It was an early issue | 0:29:41 | 0:29:44 | |
so this may have belonged to one of those women | 0:29:44 | 0:29:47 | |
who joined up on the first day that they were able to. | 0:29:47 | 0:29:53 | |
-What's the estimate? -Ten to 20. -Fine. | 0:29:53 | 0:29:56 | |
£12 paid, so he should be lucky in making a profit on that. | 0:29:56 | 0:30:00 | |
That's it for the reds. | 0:30:00 | 0:30:01 | |
Now for the blues. Jane and Margaret with Keith Baker. | 0:30:01 | 0:30:04 | |
Their first item is this cranberry glass jug. | 0:30:04 | 0:30:07 | |
It's a fairly standard Victorian jug. | 0:30:07 | 0:30:12 | |
But people like cranberry. It wasn't cheap at the time | 0:30:12 | 0:30:15 | |
because of the gold content. There is enamelling and gilding | 0:30:15 | 0:30:20 | |
-which unfortunately is a wee bit rubbed. -Yes. | 0:30:20 | 0:30:23 | |
-But not too bad. -They paid £35. Was that too much? | 0:30:23 | 0:30:25 | |
I've estimated it 25 to 40. | 0:30:25 | 0:30:30 | |
Hmm. Do you think that's a generous estimate, or pretty spot-on? | 0:30:30 | 0:30:34 | |
It would definitely struggle to make the top estimate. | 0:30:34 | 0:30:37 | |
-Next is the sampler. Do you rate that? -People enjoy samplers. | 0:30:37 | 0:30:40 | |
-Yes. So how much? -60 to 80. -OK. | 0:30:40 | 0:30:44 | |
£80 paid. So that's a bit tight, too. | 0:30:44 | 0:30:46 | |
-I think so. -What about the Coalport bowl? | 0:30:46 | 0:30:49 | |
It's very colourful. It's in perfect condition. | 0:30:49 | 0:30:53 | |
It's not an early one, but people will love this wonderful vibrant pattern | 0:30:53 | 0:30:58 | |
in the interior of the bowl. | 0:30:58 | 0:31:01 | |
You're ever enthusiastic. Will you be enthusiastic with the estimate? | 0:31:01 | 0:31:05 | |
-50 to 70. -Not quite enthusiastic enough, cos they paid £70. | 0:31:05 | 0:31:09 | |
All in all, these three items look a bit dodgy to me. | 0:31:09 | 0:31:12 | |
I think they'll need their bonus buy. Let's have a look. | 0:31:12 | 0:31:15 | |
-So, girls, you spent £185. -Yes. | 0:31:15 | 0:31:18 | |
And you gave £115 to Keith Baker. | 0:31:18 | 0:31:21 | |
What did he spend it on? | 0:31:21 | 0:31:24 | |
Cufflinks. | 0:31:26 | 0:31:28 | |
Gold cufflinks. | 0:31:28 | 0:31:29 | |
Probably made in about the 1940s. | 0:31:29 | 0:31:32 | |
And little dress studs. I went for these because gold prices at the moment are very good at auction. | 0:31:32 | 0:31:38 | |
-What do you think of them? -Hmm. I like them. | 0:31:38 | 0:31:42 | |
They are very nice. I like the pattern on them. What do you think? | 0:31:42 | 0:31:46 | |
I wish more men would wear them, quite honestly, I do. | 0:31:46 | 0:31:50 | |
I like them. I don't know how popular they would be. | 0:31:50 | 0:31:52 | |
They cost £58. | 0:31:52 | 0:31:54 | |
I've got a feeling that the gold value is there in that. | 0:31:54 | 0:31:58 | |
-I think it was a good buy, personally. -Yes. -Yes. | 0:31:58 | 0:32:01 | |
You don't have to decide right now. Decide later. | 0:32:01 | 0:32:04 | |
For the audience at home, let's find out what Anita thinks. | 0:32:04 | 0:32:08 | |
It would appear these came from the right town. | 0:32:08 | 0:32:11 | |
Glasgow! | 0:32:11 | 0:32:13 | |
-Nowhere better! -Do you rate them? | 0:32:13 | 0:32:15 | |
Well, these are quite nicely made. | 0:32:15 | 0:32:18 | |
Art Deco, engine-turned. You have the studs with them. | 0:32:18 | 0:32:21 | |
They're in perfect condition and in the original box. | 0:32:21 | 0:32:25 | |
So you're coming up with a monster estimate? | 0:32:25 | 0:32:28 | |
50 to 80. | 0:32:28 | 0:32:30 | |
OK. £58 they paid. | 0:32:30 | 0:32:31 | |
So that's not too bad, actually. And you're in good voice? | 0:32:31 | 0:32:35 | |
-Of course! -Of course! | 0:32:35 | 0:32:37 | |
-Marlene and Lauren. How are you feeling? -Excited! | 0:32:46 | 0:32:49 | |
Are you? What are you most excited about, Marlene? | 0:32:51 | 0:32:54 | |
Making some money! | 0:32:54 | 0:32:57 | |
Now, the moment of truth. | 0:32:58 | 0:33:01 | |
Will plastic win out? | 0:33:01 | 0:33:03 | |
Two Lea Stein celluloid laminate brooches. | 0:33:04 | 0:33:08 | |
These two are two of the rarest in her collection. | 0:33:08 | 0:33:12 | |
Two very interesting brooches. | 0:33:12 | 0:33:15 | |
Will you start me at £50? | 0:33:15 | 0:33:17 | |
£50. Start me at 50. 50. | 0:33:17 | 0:33:19 | |
60. 70. 80. 90. | 0:33:19 | 0:33:22 | |
100. £100. | 0:33:22 | 0:33:25 | |
-Come on! -100 for the two. 110. | 0:33:25 | 0:33:29 | |
You're in profit! | 0:33:29 | 0:33:30 | |
One hun... 120 back in. | 0:33:31 | 0:33:33 | |
-She's off! -130. | 0:33:33 | 0:33:35 | |
140. | 0:33:35 | 0:33:37 | |
£140. | 0:33:37 | 0:33:39 | |
With you, sir at 140. 140. | 0:33:39 | 0:33:44 | |
Any advance on 140? | 0:33:44 | 0:33:46 | |
150! | 0:33:46 | 0:33:48 | |
The lady's back at 150. Any advance | 0:33:48 | 0:33:51 | |
on 150? | 0:33:51 | 0:33:53 | |
All done at 150? | 0:33:53 | 0:33:55 | |
150! | 0:33:55 | 0:33:57 | |
That's brilliant! £150. | 0:33:57 | 0:33:59 | |
You've made a profit of £42.80. | 0:33:59 | 0:34:04 | |
That's good, isn't it? | 0:34:05 | 0:34:07 | |
Next up is the dishes in the box. | 0:34:07 | 0:34:10 | |
It's this wonderful delightful pair of Rococo-style dishes | 0:34:10 | 0:34:16 | |
by Walker & Hall. | 0:34:16 | 0:34:19 | |
Start me at £50. | 0:34:19 | 0:34:21 | |
I'll take 20. | 0:34:21 | 0:34:23 | |
I'll take 20. 30? | 0:34:23 | 0:34:26 | |
40. 50. | 0:34:26 | 0:34:27 | |
55. | 0:34:27 | 0:34:29 | |
55. With you, sir, at 55. | 0:34:30 | 0:34:33 | |
60. | 0:34:33 | 0:34:34 | |
£60. | 0:34:34 | 0:34:37 | |
With the lady. 65. | 0:34:37 | 0:34:39 | |
-Yes, we're close. -70. | 0:34:39 | 0:34:41 | |
75. | 0:34:41 | 0:34:42 | |
-Profit! -75. With you, sir, | 0:34:42 | 0:34:44 | |
at 75. | 0:34:44 | 0:34:46 | |
With you, sir, at 75. 75. | 0:34:46 | 0:34:48 | |
She's done it. £75. That's another tenner! | 0:34:48 | 0:34:51 | |
OK. Now, the barometer. | 0:34:53 | 0:34:56 | |
Lot 52. A scientific instrument. | 0:34:56 | 0:34:59 | |
An early 20th-century gilt metal military issue pocket barometer. | 0:34:59 | 0:35:04 | |
Start me at £20. 20 bid. | 0:35:04 | 0:35:06 | |
20 bid. | 0:35:06 | 0:35:08 | |
-With you, sir, at 20. -Doubled your money already. | 0:35:08 | 0:35:11 | |
Any advance on 20? Any advance on 20? 25. | 0:35:11 | 0:35:14 | |
30. With you, sir, at £30. | 0:35:14 | 0:35:18 | |
Any advance on £30? All done at £30? | 0:35:18 | 0:35:21 | |
£30. | 0:35:21 | 0:35:23 | |
Good boy! £30. A profit of £20 on that. | 0:35:23 | 0:35:27 | |
So we've got 42.80, 52.80, | 0:35:27 | 0:35:29 | |
£72.80p profit. | 0:35:29 | 0:35:34 | |
That is a profit on every lot and that very rarely happens on Bargain Hunt! | 0:35:34 | 0:35:38 | |
So, team, you've done rather well. | 0:35:38 | 0:35:41 | |
Thank you! Yeah! | 0:35:41 | 0:35:43 | |
So what are you gonna do? Bank this or risk it on the ATS brooch? | 0:35:43 | 0:35:46 | |
-I'd like to risk it. -I think we should. -A winning streak! | 0:35:46 | 0:35:49 | |
This is a rare little brooch, one of the first issue of ATS badges. | 0:35:49 | 0:35:56 | |
Can we say £50? 50? 40? | 0:35:56 | 0:35:58 | |
Start me at £20. | 0:35:58 | 0:36:00 | |
Start me at 20 for the ATS. | 0:36:00 | 0:36:02 | |
£20. | 0:36:02 | 0:36:04 | |
£20. | 0:36:04 | 0:36:05 | |
£10, then? | 0:36:05 | 0:36:07 | |
10 bid. Any advance on ten? 12. | 0:36:07 | 0:36:10 | |
15. With the lady at £15. | 0:36:11 | 0:36:15 | |
Any advance on 15? All done at 15. 15. | 0:36:15 | 0:36:18 | |
That's it. £15. Cheap enough, but a profit of £3. | 0:36:18 | 0:36:23 | |
We're not crabbing at that. | 0:36:23 | 0:36:25 | |
Didn't she do well to puff it out? That's brilliant. | 0:36:25 | 0:36:28 | |
So, £72.80 plus three | 0:36:28 | 0:36:30 | |
is £75.80p | 0:36:30 | 0:36:33 | |
you girls will waddle off with in your back pocket. | 0:36:33 | 0:36:36 | |
It'll be a great treat to give you cash. | 0:36:36 | 0:36:38 | |
-The important thing now is not to tell the blues a thing. -We won't! | 0:36:38 | 0:36:42 | |
-"Mum", as they say... -Cross my heart. -"Mum is the word"! | 0:36:42 | 0:36:45 | |
Good. | 0:36:45 | 0:36:47 | |
Now, Jane, Margaret and Keith. Have you been talking to the reds? | 0:36:57 | 0:37:00 | |
-Not at all! -Course not. -You don't know how they got on? | 0:37:00 | 0:37:03 | |
Perfect. Mags, how are you feeling, girl? | 0:37:03 | 0:37:06 | |
I've got my hanky here in case I have a bubble in case we lose! | 0:37:06 | 0:37:11 | |
-Never mind. -That's confidence-making for you! | 0:37:11 | 0:37:14 | |
-Ma, how are you feeling? -I'm full of confidence! | 0:37:14 | 0:37:18 | |
-Are you? -Thank you! | 0:37:18 | 0:37:20 | |
-Bet you haven't got your hanky with you! -Yes! | 0:37:20 | 0:37:22 | |
-Just in case! -Keith, have you got your hanky? | 0:37:22 | 0:37:25 | |
No, I'm confident. No hanky for me! | 0:37:25 | 0:37:28 | |
Now, the sampler you found, Keith. I've been pretty crabby about it | 0:37:28 | 0:37:32 | |
cos I think it's on the grubby side of grubby. I don't think it'll do well. | 0:37:32 | 0:37:36 | |
If I'm wrong, I'll be delighted. | 0:37:36 | 0:37:38 | |
First up is your cranberry glass. Here it comes. | 0:37:38 | 0:37:42 | |
Lot 72, ladies and gentlemen, | 0:37:42 | 0:37:44 | |
is this very fine piece of Victorian cranberry glass. | 0:37:44 | 0:37:49 | |
Can we say £80? £80 | 0:37:49 | 0:37:51 | |
for the jug. 80. 60? | 0:37:51 | 0:37:53 | |
Start me at £20. | 0:37:53 | 0:37:55 | |
20 bid. | 0:37:55 | 0:37:57 | |
25. 30. | 0:37:57 | 0:37:58 | |
35. | 0:37:58 | 0:37:59 | |
-Yes! -£35. | 0:37:59 | 0:38:02 | |
40, fresh bidder. | 0:38:02 | 0:38:03 | |
With you, sir, at £40. Any advance on £40? | 0:38:03 | 0:38:07 | |
- All done at £40. - Fantastic. | 0:38:07 | 0:38:09 | |
£40, Janey. Who would have believed it? | 0:38:09 | 0:38:13 | |
-Well done. -Oh, I can hold my head up! | 0:38:13 | 0:38:15 | |
Fantastic. Well done. Well spotted. | 0:38:15 | 0:38:17 | |
Phenomenal, actually! | 0:38:17 | 0:38:19 | |
Lot 73, ladies and gentlemen. | 0:38:19 | 0:38:21 | |
A lovely wee item. It's a wee Scottish sampler. | 0:38:21 | 0:38:25 | |
Isn't that sweet, ladies and gentlemen? | 0:38:25 | 0:38:28 | |
Wee Annie Love from sunny Govan! | 0:38:28 | 0:38:31 | |
LAUGHTER | 0:38:31 | 0:38:33 | |
Will you start me at £100? Start me at £50. 50 bid. | 0:38:33 | 0:38:37 | |
With you, sir, at £50. And advance on 50? | 0:38:37 | 0:38:41 | |
Any advance on 50? 60. | 0:38:41 | 0:38:44 | |
70. 80. | 0:38:44 | 0:38:45 | |
90. 100. | 0:38:45 | 0:38:48 | |
-110. -Yes! -110. | 0:38:48 | 0:38:50 | |
With you, sir, at £110. | 0:38:50 | 0:38:54 | |
With you, sir, at 110. | 0:38:54 | 0:38:56 | |
Any advance on 110? All done at 110. 110. | 0:38:56 | 0:38:59 | |
Well done, Keith. £110. Plus 30. | 0:38:59 | 0:39:03 | |
I have to take it all back, mate! | 0:39:03 | 0:39:05 | |
-I take it all back. -Thank you, Tim. | 0:39:05 | 0:39:07 | |
Next up is your Coalport bowl. | 0:39:07 | 0:39:09 | |
Lot 74, ladies and gentlemen. | 0:39:09 | 0:39:12 | |
This exquisite Coalport porcelain fruit bowl. | 0:39:12 | 0:39:16 | |
Will you start me at £50? | 0:39:16 | 0:39:18 | |
Start me at 50 for the Coalport. | 0:39:18 | 0:39:21 | |
Start me at 50. £30, then? 30 bid. 30 bid. | 0:39:21 | 0:39:26 | |
Any advance on 30? Any advance on £30? | 0:39:26 | 0:39:30 | |
Any advance on 30? 40. | 0:39:30 | 0:39:32 | |
50. 60. | 0:39:32 | 0:39:35 | |
-70. -Yeee! | 0:39:35 | 0:39:38 | |
-You're on the money. -£70 for the Coalport. At £70. | 0:39:39 | 0:39:43 | |
Any advance on 70? | 0:39:43 | 0:39:45 | |
Any advance on £70? £70. | 0:39:45 | 0:39:48 | |
Yes, you sold for £70 but it's wiped its face. Nothing wrong with that. | 0:39:48 | 0:39:52 | |
-No pain, no shame. -Thank goodness. -£35 up, then. | 0:39:52 | 0:39:56 | |
£35 up, you two girls. | 0:39:56 | 0:39:58 | |
-You must be very pleased. -Oh, totally! | 0:39:58 | 0:40:01 | |
A total of £35 and the prediction was so difficult. | 0:40:01 | 0:40:05 | |
You had every chance of making losses there and you're £35 up. | 0:40:05 | 0:40:09 | |
-That is short of brilliant. -Yes. | 0:40:09 | 0:40:12 | |
You've got £35 in the bank. | 0:40:12 | 0:40:14 | |
Are you going to risk it and go with the studs? Studs. | 0:40:14 | 0:40:18 | |
-What will you do? -Keith said it'll make its money just in the gold. | 0:40:18 | 0:40:23 | |
-We'll go with it. -Right. Yes, Keith. -Let's go with it. | 0:40:23 | 0:40:26 | |
You're going with the bonus buy. We've decided. | 0:40:26 | 0:40:28 | |
Now you've made your decision, Anita has estimated 50 to £80. | 0:40:28 | 0:40:33 | |
Let's see what happens. Here we go. | 0:40:33 | 0:40:35 | |
Lot 78, ladies and gentlemen, | 0:40:35 | 0:40:38 | |
is a pair of nine-carat gold Art Deco oval cufflinks | 0:40:38 | 0:40:45 | |
with the engine-turned decoration. | 0:40:45 | 0:40:47 | |
Can we say £150? | 0:40:47 | 0:40:50 | |
150. | 0:40:50 | 0:40:51 | |
-100? Will you start me at £50? -Come on, somebody! | 0:40:51 | 0:40:55 | |
50 bid. Any advance on £50? | 0:40:55 | 0:40:58 | |
60. 70. | 0:40:58 | 0:41:00 | |
-80. -Wooo! -90. £90. | 0:41:00 | 0:41:04 | |
With you, sir, at £90. | 0:41:04 | 0:41:08 | |
-Any advance on £90? -This is exciting! | 0:41:08 | 0:41:11 | |
All done at £90. | 0:41:11 | 0:41:12 | |
£90. | 0:41:12 | 0:41:14 | |
That's brilliant, isn't it? | 0:41:14 | 0:41:16 | |
-Two shy of 60. That is £32. -Well done, Keith! | 0:41:16 | 0:41:19 | |
£32. You are £67 up at the end of the day. How about that? | 0:41:19 | 0:41:25 | |
-Thank you, Keith. -Put it there, mate. | 0:41:25 | 0:41:27 | |
A thoroughly good result on the cufflinks. Brilliant. | 0:41:27 | 0:41:30 | |
Now, don't say a word to the reds, all right? | 0:41:30 | 0:41:33 | |
£67 could be a winning score. All will be revealed in a moment! | 0:41:33 | 0:41:37 | |
-Have you been chatting at all? -ALL: No. | 0:41:43 | 0:41:45 | |
No communication. Lovely. | 0:41:45 | 0:41:47 | |
I can reveal, of course, that today's teams have both made significant profits, | 0:41:47 | 0:41:52 | |
which is rather lovely. | 0:41:52 | 0:41:54 | |
But which team is marginally behind? | 0:41:54 | 0:41:57 | |
And it is the blues. | 0:41:57 | 0:41:59 | |
PRETEND SOBBING | 0:41:59 | 0:42:01 | |
-Get your tissues, out! -I knew this was gonna happen! I knew it! | 0:42:01 | 0:42:06 | |
You made two stonking profits, Keith. Well done. | 0:42:08 | 0:42:11 | |
Your sampler, you made £30 on that, which is very good. | 0:42:11 | 0:42:14 | |
And the bonus buy. Made another £32 on the studs. | 0:42:14 | 0:42:18 | |
So that's a significantly good job. | 0:42:18 | 0:42:21 | |
Overall, you are plus £67. | 0:42:21 | 0:42:24 | |
-Which is brilliant. -Wonderful. | 0:42:24 | 0:42:26 | |
This doesn't happen often. Just shows, come north of the border | 0:42:26 | 0:42:31 | |
-and there's a bit of action. -Thank you. -OK. £67. | 0:42:31 | 0:42:35 | |
-Hope you had a good time. -Wonderful. -Thank you. | 0:42:35 | 0:42:38 | |
Mother and daughter and Keith Baker. | 0:42:38 | 0:42:40 | |
But the winners today by a small head, | 0:42:40 | 0:42:43 | |
cos you're only £75.80 in profit, which is extraordinary. | 0:42:43 | 0:42:48 | |
But the biggest profit of all going to Lauren with your brooches, which is great. | 0:42:48 | 0:42:53 | |
But otherwise it's stonking profits all across the line. | 0:42:53 | 0:42:57 | |
-A very happy result. -Thank you. | 0:42:57 | 0:42:59 | |
So, £75.80. There we go. | 0:42:59 | 0:43:03 | |
A bit more change coming up. There we go. That's your 80p! | 0:43:03 | 0:43:07 | |
Hope you had a nice time. Join us soon for some more bargain hunting! Yes? | 0:43:07 | 0:43:11 | |
YES!! | 0:43:11 | 0:43:12 | |
Subtitles by Moira Diamond Red Bee Media Ltd | 0:43:29 | 0:43:32 |