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Dr Dolittle was known for talking to animals and as we know they just can't talk back. | 0:00:02 | 0:00:06 | |
TIM: Oh yes we can. | 0:00:06 | 0:00:08 | |
Did anybody else hear that? | 0:00:08 | 0:00:10 | |
Can we go bargain hunting now, Tim? | 0:00:10 | 0:00:12 | |
Ooh. | 0:00:12 | 0:00:14 | |
Coming up today, | 0:00:39 | 0:00:41 | |
The Reds aim for a high score. | 0:00:41 | 0:00:44 | |
The Blues get thoroughly rattled. | 0:00:45 | 0:00:47 | |
Over at the auction there's some interesting feedback on the bonus buy. | 0:00:49 | 0:00:53 | |
It reminds me of the Dark Ages. | 0:00:53 | 0:00:55 | |
But it's a risky business under the hammer. | 0:00:55 | 0:00:58 | |
You're a couple of gluttons for punishment. | 0:00:58 | 0:01:00 | |
Today I'm at the University Of Derby at a Jaguar Antiques Fair. | 0:01:00 | 0:01:06 | |
We've got two teams who deal a lot with animals | 0:01:06 | 0:01:09 | |
and I'm going to give them £300 apiece | 0:01:09 | 0:01:11 | |
to buy three objects to take away and sell at auction and hopefully make a beefy profit. | 0:01:11 | 0:01:17 | |
COW MOOS | 0:01:17 | 0:01:18 | |
For the Reds, we've workmates, friends, colleagues, | 0:01:20 | 0:01:23 | |
-Sam and Ian, and for the Blues we've got mother and son, James and Anita. Welcome to Bargain Hunt. -Hello, Tim. | 0:01:23 | 0:01:30 | |
-Hi. -So, you two met through work. | 0:01:30 | 0:01:33 | |
What do you do exactly? | 0:01:33 | 0:01:35 | |
-We're farmers, Tim. -Farmers. | 0:01:35 | 0:01:37 | |
-And what sort of farm have you got? -It's mixed and arable. | 0:01:37 | 0:01:41 | |
So how many head of cows are there knocking about? | 0:01:41 | 0:01:44 | |
180. | 0:01:44 | 0:01:45 | |
180, gosh. | 0:01:45 | 0:01:48 | |
-You certainly do need some help. -Certainly do. | 0:01:48 | 0:01:50 | |
-They need milking how many times a day? -Twice, Tim. | 0:01:50 | 0:01:53 | |
-Twice a day. -Twice a day. | 0:01:53 | 0:01:55 | |
And how long does it take you to milk 180 head of cattle? | 0:01:55 | 0:01:58 | |
-About an hour and a half. -Is that all? | 0:01:58 | 0:02:01 | |
Sam, how did you finish up by farming? | 0:02:01 | 0:02:03 | |
I've always enjoyed farming. I've always done it when I was young lad. | 0:02:03 | 0:02:07 | |
My dad's a farmer. His dad was a farmer. | 0:02:07 | 0:02:09 | |
My great-granddad was a farmer as well, so it's in the blood. | 0:02:09 | 0:02:12 | |
-Yes, you couldn't do anything else. -No, no. | 0:02:12 | 0:02:15 | |
-Is it good fun? Do you enjoy it? -Yeah, I enjoy it. Yeah, I love farming. | 0:02:15 | 0:02:19 | |
So what makes you two think you're going to be any good on Bargain Hunt? | 0:02:19 | 0:02:22 | |
-A very good question! -You've watched the programme a bit? | 0:02:22 | 0:02:25 | |
Oh, religiously. | 0:02:25 | 0:02:28 | |
-We even have a wager. -Do you? -Yes. | 0:02:28 | 0:02:29 | |
How does that work then? | 0:02:29 | 0:02:31 | |
Well, Mondays, Wednesdays and Thursdays...eh...Fridays, | 0:02:31 | 0:02:35 | |
I get to pick and Tuesdays and Thursdays, Sam gets to pick. | 0:02:35 | 0:02:38 | |
And you're picking the team you think are going to win? | 0:02:38 | 0:02:41 | |
-Yeah. We put a pound on the table. Normally whoever gets to pick does win. -I see. | 0:02:41 | 0:02:46 | |
So I'm a pound a week up! | 0:02:46 | 0:02:48 | |
-And when will he get three? -He never does. I'm the boss. | 0:02:50 | 0:02:53 | |
You're boss. | 0:02:53 | 0:02:55 | |
I think you're going to do very well on Bargain Hunt. | 0:02:55 | 0:02:58 | |
Now, James, what do you do with yourself? | 0:02:58 | 0:03:00 | |
I'm a student at Loughborough. | 0:03:00 | 0:03:02 | |
-I'm doing three-dimensional design. -What does that mean? | 0:03:02 | 0:03:05 | |
It's furniture, silversmithing and jewellery and ceramics. | 0:03:05 | 0:03:09 | |
You have to design it and you have to make it. | 0:03:09 | 0:03:11 | |
And what about you, Anita, what do you do? | 0:03:11 | 0:03:14 | |
I do freelance work from home and restore Victorian antique dolls | 0:03:14 | 0:03:19 | |
and do landscape watercolour paintings on commission. | 0:03:19 | 0:03:23 | |
So you're incredibly creative as a pair then, actually. | 0:03:23 | 0:03:27 | |
Well, we try. We try to be. | 0:03:27 | 0:03:29 | |
James, you've got some unusual pets. | 0:03:29 | 0:03:32 | |
Yes, I've got two lizards. I've got one called Artemis, | 0:03:32 | 0:03:35 | |
who's a bearded dragon, about this big, | 0:03:35 | 0:03:38 | |
and one called Socrates, who's a leopard gecko. | 0:03:38 | 0:03:41 | |
What's it with you and these reptiles? Why reptiles? | 0:03:41 | 0:03:45 | |
I don't know, they're a bit different. You don't see many. | 0:03:45 | 0:03:48 | |
No, you don't, but your interest in animals doesn't stop with live ones, does it? | 0:03:48 | 0:03:52 | |
No. I've got a collection of taxidermy as well, | 0:03:52 | 0:03:55 | |
which I buy and also restore part-time, so I've got about 40 pieces now. | 0:03:55 | 0:04:00 | |
Have you really, gosh! That's an unusual collection for a youngster to have. | 0:04:00 | 0:04:05 | |
-It is. -Well, I think our farming friends | 0:04:05 | 0:04:07 | |
should be quaking in their boots at that. Now, the money moment. | 0:04:07 | 0:04:10 | |
Here comes your £300, 300 smackers. | 0:04:10 | 0:04:13 | |
There you go. You know the rules, your experts await and off you go. | 0:04:13 | 0:04:17 | |
They may well be animal-lovers but we can't let them loose without the help of a human helping hand. | 0:04:17 | 0:04:24 | |
MUSIC: "Wild Thing" by The Troggs | 0:04:24 | 0:04:25 | |
For the Red team, Kate Bliss, who's in fine fettle. | 0:04:25 | 0:04:30 | |
And for the Blues, cool cat David Harper, who always gets the cream. | 0:04:30 | 0:04:36 | |
-We've got one hour exactly. Shall we go for it? -Yes. Absolutely. -Lead the way. Come on. | 0:04:46 | 0:04:51 | |
There's loads to see. We've got a top floor | 0:04:51 | 0:04:53 | |
and quite a bit downstairs | 0:04:53 | 0:04:55 | |
but we'll have a look round down here first. | 0:04:55 | 0:04:57 | |
-Yeah? -OK, no probs. | 0:04:57 | 0:04:59 | |
-That's unusual. -A policeman's rattle, early 1800s. | 0:05:08 | 0:05:11 | |
-Early 1800, that's quite a rare beastie, isn't it? -RATTLE CLACKS | 0:05:11 | 0:05:15 | |
It makes a racket, doesn't it? | 0:05:15 | 0:05:17 | |
It does. It's definitely different. | 0:05:17 | 0:05:19 | |
I can see people wanting to pick it up and play with it I suppose. | 0:05:19 | 0:05:23 | |
-Do you know why it's a police rattle as opposed to a football fan's rattle? -No, no. -Any ideas? | 0:05:23 | 0:05:28 | |
-It doesn't look any different to me. -Not much different. | 0:05:28 | 0:05:31 | |
Apart from the finial here, because police regulation, | 0:05:31 | 0:05:34 | |
you know the police are big on regulations. | 0:05:34 | 0:05:36 | |
-Oh yeah, health and safety. -Health and safety, early-1800 standard this, | 0:05:36 | 0:05:40 | |
they weren't allowed to do that, | 0:05:40 | 0:05:43 | |
probably because they might whack themselves out, even worse. | 0:05:43 | 0:05:47 | |
They had to hold it in one hand like that, grab the finial | 0:05:47 | 0:05:50 | |
and do this and that was to attract attention before the use of whistles. Have a feel of it. | 0:05:50 | 0:05:55 | |
-It's very tactile. -It is, yeah. | 0:05:55 | 0:05:58 | |
You can tell it's been used. It's really light. | 0:05:58 | 0:06:01 | |
Have a feel. | 0:06:01 | 0:06:04 | |
-Give it a turn, Mum. -It's noisy, isn't it? | 0:06:04 | 0:06:09 | |
-Call him for his tea. -Brilliant! | 0:06:09 | 0:06:11 | |
-Come in from the garden, dear! -It's brilliant. -Brilliant, isn't it? | 0:06:11 | 0:06:14 | |
-Do you like it? -Yeah. -I like that. | 0:06:14 | 0:06:16 | |
We'd have to do something on the price. | 0:06:16 | 0:06:18 | |
-Shall we get a price on it? -Yeah, I think we need to try to get it down. | 0:06:18 | 0:06:21 | |
# I fought the law and the law won | 0:06:21 | 0:06:24 | |
# I fought the law and the... # | 0:06:24 | 0:06:27 | |
After making a racket they got the rattle down to £40, what a racket! | 0:06:27 | 0:06:31 | |
So five minutes into their shop and the Blues have already made their first purchase. | 0:06:31 | 0:06:37 | |
Things aren't so hot though for the Reds. | 0:06:37 | 0:06:40 | |
That's lovely. Out of our price range I'm afraid, guys, that one. | 0:06:40 | 0:06:44 | |
It's quite fun but I don't know how old it is. No? | 0:06:44 | 0:06:47 | |
Nothing that grabs you. Let's move on then. | 0:06:47 | 0:06:49 | |
-No, it doesn't grab me. -OK, we've got a bit of furniture here. | 0:06:49 | 0:06:53 | |
Furniture doesn't do too well, does it? | 0:06:53 | 0:06:55 | |
Not satisfied with just one quirky buy, the Blues have spotted another mystery item. | 0:06:55 | 0:07:01 | |
A wooden cigarette holder. | 0:07:01 | 0:07:03 | |
-That's unusual. -I suppose the downside is that people don't smoke much now, do they? | 0:07:03 | 0:07:08 | |
It's funny because smoking things are still collected. | 0:07:08 | 0:07:11 | |
They were always very good news a number of years ago, so that's probably Edwardian, maybe 1920s. | 0:07:11 | 0:07:17 | |
I quite like that, don't you? It's unusual design, isn't it. | 0:07:17 | 0:07:21 | |
It's not bad, made out of oak. | 0:07:21 | 0:07:23 | |
You see that quarter cut, the way the oak is cut is a very expensive way of doing it, | 0:07:23 | 0:07:28 | |
so you get that real vibrant grain, that real pale grain | 0:07:28 | 0:07:31 | |
matching the dark veins going through, so it's called quarter cut | 0:07:31 | 0:07:35 | |
and what happens, you fill it with cigarettes | 0:07:35 | 0:07:37 | |
and if you go like that, the cigarette will pop out and stand on your holder. | 0:07:37 | 0:07:42 | |
-That's good. -It's very cute and quirky, isn't it? | 0:07:42 | 0:07:45 | |
It is. Has it got a price? | 0:07:45 | 0:07:46 | |
-Well, it's priced up at...£18. -18. | 0:07:46 | 0:07:51 | |
-It's no money, is it? -It isn't, no. -Especially if we can get it down. | 0:07:51 | 0:07:55 | |
James, you fancy yourself as bit of a king negotiator? | 0:07:55 | 0:07:57 | |
-The pressure's on now. -OK. | 0:07:57 | 0:08:00 | |
-Are we agreed we want it? -Yes. -If we can get the right price. | 0:08:00 | 0:08:03 | |
-I think so, yes. -Let's say we're going to have it, it's £18, you go away and do your best. -OK. -OK. | 0:08:03 | 0:08:09 | |
Good luck. | 0:08:09 | 0:08:11 | |
What's the absolute best you can do? | 0:08:11 | 0:08:14 | |
Let's have a look. | 0:08:14 | 0:08:16 | |
It's marked up at 18. | 0:08:16 | 0:08:18 | |
Got 18 on it. The very best would be 14. | 0:08:18 | 0:08:22 | |
-Could you do it for 12? -I couldn't, I'm afraid. | 0:08:22 | 0:08:24 | |
-That's the very best. -You sure? -Yeah. | 0:08:24 | 0:08:27 | |
-Right. -It's a nice piece. | 0:08:27 | 0:08:29 | |
-It is. -Quirky. | 0:08:29 | 0:08:31 | |
OK, yeah. 14? | 0:08:31 | 0:08:32 | |
-OK. -Thank you very much. -Thank you. | 0:08:32 | 0:08:35 | |
It's a shame James isn't a student at the School Of Negotiations! | 0:08:36 | 0:08:41 | |
I got it. | 0:08:41 | 0:08:43 | |
-Oh, I say. -I got him down £4 to 14. | 0:08:43 | 0:08:46 | |
That's not bad, is it? | 0:08:46 | 0:08:47 | |
He wouldn't go any lower but I thought it's worth it for the money. | 0:08:47 | 0:08:52 | |
-Did you try and push him? -Yes, I tried to push him but he wouldn't take it lower. | 0:08:52 | 0:08:56 | |
That's a good discount, well done. | 0:08:56 | 0:08:58 | |
Well done. You two are superstars. | 0:08:58 | 0:09:00 | |
-Thank you very much. -We've loads of time left. Let's have a jaunt. | 0:09:00 | 0:09:04 | |
A little wander round, yes. | 0:09:04 | 0:09:05 | |
How pleasant, this is turning out into a rather a nice day for the Blues. | 0:09:07 | 0:09:14 | |
I love a bit of furniture, furniture is my first love in actual fact, | 0:09:14 | 0:09:17 | |
but it's not been doing well but let me tell you something, | 0:09:17 | 0:09:21 | |
it's just starting to do very well, furniture. | 0:09:21 | 0:09:23 | |
The Reds however seem to be rather more particular. | 0:09:24 | 0:09:28 | |
-What do you think? I mean... -I don't like it to be honest with you. | 0:09:30 | 0:09:35 | |
You don't like it either? | 0:09:35 | 0:09:36 | |
135 quid! | 0:09:36 | 0:09:38 | |
-No. -Don't worry, guys, we'll find something. | 0:09:40 | 0:09:45 | |
It's a lovely silver inkwell, it's 175 that it's marked at though. | 0:09:45 | 0:09:49 | |
Expensive. What do you think that will make in auction? | 0:09:49 | 0:09:52 | |
-Probably not a great deal. -Will it not? -Because of that book, yeah. | 0:09:52 | 0:09:56 | |
-Have you found anything? -No! We're panicking. | 0:09:56 | 0:09:59 | |
Kate's got her work cut out. | 0:10:00 | 0:10:02 | |
But the Blues have got completely sidetracked and are just having a good old jolly. | 0:10:02 | 0:10:09 | |
-I'd quite like that, how much is it? -Seven quid. | 0:10:09 | 0:10:12 | |
Oh, I'll put that one by. | 0:10:12 | 0:10:14 | |
For my own collection. | 0:10:17 | 0:10:19 | |
I know you've got time on your hands, Anita, but personal shopping is against the rules. | 0:10:20 | 0:10:25 | |
I quite like him, I've got to say, Michelin Man. | 0:10:25 | 0:10:28 | |
-Who would buy him though? -They always do really well. | 0:10:28 | 0:10:31 | |
If he's a proper one. | 0:10:31 | 0:10:33 | |
I like that, don't you? | 0:10:33 | 0:10:36 | |
-We've got so much money left, I think we should try something more expensive. Come on. -OK. | 0:10:36 | 0:10:40 | |
Life couldn't get any better for the Blues. | 0:10:40 | 0:10:44 | |
But the Reds are already starting to feel the pressure. | 0:10:44 | 0:10:48 | |
We're fairly tight on time, we haven't got anything solid yet. Tricky, isn't it? | 0:10:48 | 0:10:53 | |
Right guys, where shall we go? Let's have a think. | 0:10:54 | 0:10:57 | |
It's really difficult. | 0:10:57 | 0:10:58 | |
-Hello. -It's like a day in the park. How are you getting on with this shop? | 0:11:01 | 0:11:05 | |
We're enjoying it. It's super. | 0:11:05 | 0:11:08 | |
-You've bought two things very quickly, right, and now you're just strolling around and relaxing. -Yes. | 0:11:08 | 0:11:15 | |
-Have a great time and good luck with the last item. See you. -Thank you. | 0:11:15 | 0:11:20 | |
# Sure plays a mean pinball... # | 0:11:20 | 0:11:23 | |
Do it again, I'll twist it. | 0:11:23 | 0:11:25 | |
They sure haven't scored the jackpot with the shopping yet, | 0:11:25 | 0:11:28 | |
so it looks like the Reds are finding other ways to score. | 0:11:28 | 0:11:31 | |
I bet you can't do it again! | 0:11:31 | 0:11:33 | |
Made in England, so it's post-1940, obviously. | 0:11:35 | 0:11:38 | |
It's a little bit of the remains of an old label on the back there look. | 0:11:40 | 0:11:45 | |
Yeah, yeah. I like that. I think we should go for that. | 0:11:45 | 0:11:48 | |
-It's unique. I haven't seen one before. -No, I haven't. | 0:11:48 | 0:11:51 | |
I haven't. I thought without the name on it | 0:11:51 | 0:11:53 | |
then it might get a bit lost and we'd be struggling | 0:11:53 | 0:11:56 | |
but with that Chad Valley name | 0:11:56 | 0:11:58 | |
I think that's going to really draw some collectors. £35 isn't too bad. | 0:11:58 | 0:12:02 | |
I'd prefer to see it at about 25. | 0:12:02 | 0:12:05 | |
-We need to go a bit lower. -Hang on, look at this. | 0:12:05 | 0:12:08 | |
It's got its box, look, as well, a bit tatty but a lovely label | 0:12:08 | 0:12:14 | |
there, look, Chad Valley bagatelle and the number there. | 0:12:14 | 0:12:18 | |
Isn't that nice? I think it's certainly '50s. | 0:12:18 | 0:12:21 | |
-It's nice. -With the box as well, it's quite nice. | 0:12:21 | 0:12:24 | |
-I'm happy with that. -Why don't I go and see what I can do? | 0:12:24 | 0:12:27 | |
-Yeah. -All right, keep hunting, guys. -OK then. | 0:12:27 | 0:12:30 | |
Over half an hour in and the Reds have made their first purchase. Hoorah! | 0:12:33 | 0:12:37 | |
Right, guys, that bagatelle game, £30 is the lowest. | 0:12:37 | 0:12:40 | |
-I've tried everything but he's not going to go any lower. Happy? -Yeah. | 0:12:40 | 0:12:45 | |
-Brilliant. I'll catch you up. -All right. | 0:12:45 | 0:12:47 | |
David has decided to help the Blues pass the time by educating them in the arts. | 0:12:50 | 0:12:55 | |
This is called an Nyaminyami stick and I know where it's from, it's from Zimbabwe. | 0:12:55 | 0:13:00 | |
It's from Lake Kariba, the Zambezi Valley way. | 0:13:00 | 0:13:03 | |
I know that because I used to live there, so I've had a number of Nyaminyami sticks in my time | 0:13:03 | 0:13:09 | |
and this here is Nyaminyami, the Goddess of Lake Kariba and the Zambezi River. | 0:13:09 | 0:13:14 | |
Now I actually lost my last Nyaminyami stick in one of my moves so I might come back for this later | 0:13:14 | 0:13:20 | |
because I do need a replacement because I'd say everybody needs an Nyaminyami stick. | 0:13:20 | 0:13:25 | |
Yes, well, with a name like that you do. | 0:13:25 | 0:13:28 | |
And the Reds are getting an education of their own from Kate. | 0:13:28 | 0:13:33 | |
This box is made from the Elizabeth Oak | 0:13:33 | 0:13:36 | |
at Heveningham, 1853. | 0:13:36 | 0:13:39 | |
Now if this is silver-gilt in here, guys, | 0:13:39 | 0:13:42 | |
and I would think, you know, there's a strong possibility it might be, | 0:13:42 | 0:13:47 | |
just the way that this lettering is engraved, it's very nicely done. | 0:13:47 | 0:13:51 | |
It's got the feeling of quality. | 0:13:51 | 0:13:54 | |
I'd suggest that that might well be silver-gilt. | 0:13:54 | 0:13:57 | |
You can see there's white metal showing through there. | 0:13:57 | 0:14:00 | |
It's just got the feel, sometimes you just get a feel | 0:14:00 | 0:14:03 | |
actually physically touching it of what sort of material it might be. | 0:14:03 | 0:14:06 | |
If this is silver-gilt then I think that's a very collectable little box. | 0:14:06 | 0:14:12 | |
The stallholder says he'll do it for 80 for us. | 0:14:12 | 0:14:15 | |
He did have 160 on it. So he's giving it basically at half price. | 0:14:15 | 0:14:19 | |
I think that's worth a gamble and what's more if we can find out | 0:14:19 | 0:14:23 | |
where Heveningham is and do a little bit of research | 0:14:23 | 0:14:26 | |
also about this Elizabethan oak tree before the auction, get them to put that in the catalogue, | 0:14:26 | 0:14:31 | |
-I think this might be worth quite a gamble. -Could be a winner, could it? | 0:14:31 | 0:14:35 | |
It could be a couple of hundred pounds-worth, if that's gilt and we can find the provenance. | 0:14:35 | 0:14:40 | |
-What do you think? -Worth a try. | 0:14:40 | 0:14:42 | |
Yeah. Yeah. Razor sharp, that is. | 0:14:42 | 0:14:45 | |
-It's a gamble, isn't it? -It is a gamble. | 0:14:45 | 0:14:47 | |
-It might not be silver-gilt but I think it's worth a punt, what do you think? -Right, let's go for it. | 0:14:47 | 0:14:53 | |
After getting carried away enjoying themselves, the Blues realised | 0:14:56 | 0:15:00 | |
that they may have been a bit frivolous with their time. | 0:15:00 | 0:15:03 | |
-Guys, we've got just over 10 minutes. -Right. | 0:15:03 | 0:15:07 | |
So, it goes like that, doesn't it? | 0:15:07 | 0:15:09 | |
-It does. -So, with tight time, our teams need to pull their finger out. | 0:15:09 | 0:15:13 | |
What do you think, guys? We looked at hatpins earlier. | 0:15:13 | 0:15:16 | |
Come and have a look, Sam. | 0:15:16 | 0:15:18 | |
This one is special because it's got the little initials there that you can just see. Can you see that? | 0:15:18 | 0:15:24 | |
Just. | 0:15:24 | 0:15:26 | |
That CH stands for, if you like, the Rolls Royce maker of hatpins. | 0:15:26 | 0:15:31 | |
-Really? -A chap called Charles Horner, who was based in Halifax, | 0:15:31 | 0:15:35 | |
known for making thimbles and jewellery, | 0:15:35 | 0:15:38 | |
but also he really majored on designing and manufacturing hatpins. | 0:15:38 | 0:15:42 | |
And he was working early part of the 20th century. | 0:15:42 | 0:15:45 | |
So, this is silver. | 0:15:45 | 0:15:47 | |
Art Nouveau if you like, in date. | 0:15:47 | 0:15:49 | |
Also, a very military symbol of the Grenadier Guards. | 0:15:49 | 0:15:53 | |
So, that makes it quite commercial in itself. | 0:15:53 | 0:15:56 | |
The fact that it's Charles Horner is really going to attract collectors. | 0:15:56 | 0:16:00 | |
-I think it's quite sweet. -Yeah. | 0:16:00 | 0:16:01 | |
-How much is it? -Let's ask. | 0:16:01 | 0:16:03 | |
-What's your very best, sir? -The best I can do is £20. | 0:16:03 | 0:16:06 | |
£20. OK. | 0:16:06 | 0:16:08 | |
What do you think about that, guys? | 0:16:08 | 0:16:10 | |
It's in the budget. | 0:16:10 | 0:16:12 | |
-It's quite affordable for a hatpin. -I think we should go for it. | 0:16:12 | 0:16:15 | |
-Let's go for it. -Yeah. You happy? | 0:16:15 | 0:16:17 | |
-Happy. -OK. I'll just pop it in here for you. | 0:16:17 | 0:16:20 | |
-That's our three bids. -Brilliant. | 0:16:20 | 0:16:21 | |
I'll tell you what, I'm thirsty. | 0:16:21 | 0:16:23 | |
-What do you reckon? -Very thirsty. | 0:16:23 | 0:16:25 | |
-Is it your round? We've got a bit left over, haven't we? -Come on, then. | 0:16:25 | 0:16:29 | |
# I am a cider drinker... # | 0:16:31 | 0:16:34 | |
So, the Reds have managed to pip the Blues to the post. | 0:16:34 | 0:16:38 | |
But there'll be no cider drinking for the Blues just yet | 0:16:38 | 0:16:41 | |
as they've left their final buy to the last minute. | 0:16:41 | 0:16:44 | |
-That's quite interesting. -Do you know what it is? | 0:16:44 | 0:16:47 | |
Have a look inside there. | 0:16:47 | 0:16:49 | |
-Some sort of building. -Yeah, but what's that? | 0:16:49 | 0:16:52 | |
It's a magnifying glass. | 0:16:52 | 0:16:54 | |
-It's magnifying. -Hold it up to your eye. | 0:16:54 | 0:16:58 | |
I think it looks... | 0:16:58 | 0:17:00 | |
-What can you see? -It says along the bottom, Buxton Crescent. | 0:17:00 | 0:17:04 | |
-We know Buxton. We know Buxton very well. -You recognise it, do you? | 0:17:04 | 0:17:09 | |
-Still got the carriages in. It's quite old. -Oh, yes. | 0:17:09 | 0:17:11 | |
This is very interesting. Let me have a look. | 0:17:11 | 0:17:14 | |
You two are hogging it! | 0:17:14 | 0:17:16 | |
Look at the carriages. They're absolutely fantastic. Carriages and horses. | 0:17:17 | 0:17:21 | |
-It looks about 1840s. Looking at the carriages. -It sounds about right. | 0:17:21 | 0:17:25 | |
Do you know exactly what that was for? | 0:17:25 | 0:17:28 | |
-No. -It was a tourist piece. | 0:17:28 | 0:17:29 | |
Cheap ones would have been little wooden boxes. | 0:17:29 | 0:17:33 | |
This is made out of alabaster with, obviously, | 0:17:33 | 0:17:36 | |
a brass base to the lid there, | 0:17:36 | 0:17:38 | |
for a little bit of protection. I love it. | 0:17:38 | 0:17:41 | |
I love it. I think we want to buy it as long as it's within budget. | 0:17:41 | 0:17:46 | |
-We've got loads, haven't we? -We've got a bit. | 0:17:46 | 0:17:48 | |
I don't think we've spent too much. | 0:17:48 | 0:17:50 | |
We don't have very much time. We've literally got minutes now. | 0:17:50 | 0:17:53 | |
I think we ought to go for this. | 0:17:53 | 0:17:55 | |
Well, it's subject to price, isn't it? | 0:17:55 | 0:17:58 | |
Do you want me to have a word? | 0:17:58 | 0:18:00 | |
-Yes. -OK. There he is, over there. | 0:18:00 | 0:18:02 | |
Talk about the last minute. The Blues bagged the magnifier for £100 with moments to spare. | 0:18:04 | 0:18:10 | |
Our teams have now hunted high and low to find those pieces they hope will make a profit later at auction. | 0:18:10 | 0:18:17 | |
Now it's up to the expert to take the leftover lolly | 0:18:17 | 0:18:20 | |
and have that difficult task of finding items to boost their profits. | 0:18:20 | 0:18:25 | |
Those pieces will be revealed later at the auction. | 0:18:25 | 0:18:28 | |
If they go with the item, then it will boost their profit. | 0:18:28 | 0:18:31 | |
If they don't and it bombs, it could just blow them out of the water. | 0:18:31 | 0:18:36 | |
Bang! | 0:18:36 | 0:18:38 | |
Lordy! It took the Reds a while to make any decisions | 0:18:38 | 0:18:41 | |
but they were all game for the 1950s Chad Valley pinball game. | 0:18:41 | 0:18:46 | |
They parted with £80 for the Victorian oak snuffbox. | 0:18:46 | 0:18:49 | |
Not to be sniffed at. | 0:18:49 | 0:18:52 | |
And it caught Ian's eye - the Charles Horner silver hatpin. | 0:18:52 | 0:18:56 | |
That was a very slow start, wasn't it? Then you put a spurt on. | 0:18:56 | 0:19:00 | |
-We did. -Which is good form. -We finally got going. | 0:19:00 | 0:19:03 | |
You spent £130, which is pretty modest really. | 0:19:03 | 0:19:05 | |
-You're going to give me £170 of leftover lolly for Kate. -Lovely! | 0:19:05 | 0:19:10 | |
Kate, you come from an agricultural area. Have you been bonding? | 0:19:10 | 0:19:14 | |
Do you know, us bumpkins, we get on really well together. | 0:19:14 | 0:19:17 | |
-Do you keep any livestock yourself? -Just a husband. | 0:19:17 | 0:19:20 | |
Good luck. What are you going to spend all that money on? | 0:19:20 | 0:19:23 | |
Do you know, they've bought some really nice things. | 0:19:23 | 0:19:26 | |
I think I'm going to go for something rather rustic. | 0:19:26 | 0:19:28 | |
Rustic? For a country area. | 0:19:28 | 0:19:30 | |
-Absolutely. -Good luck with that. | 0:19:30 | 0:19:32 | |
Let's remind ourselves what the Reds are up against by reminding ourselves what the Blues bought. | 0:19:32 | 0:19:38 | |
The Blues made a lot of noise with the 19th-century wooden rattle. | 0:19:39 | 0:19:44 | |
They were quick off the mark with their second buy - | 0:19:44 | 0:19:47 | |
the cigarette-barrel case. | 0:19:47 | 0:19:48 | |
A third of their budget went on this unusual 1840s magnifying box. | 0:19:48 | 0:19:54 | |
So, we don't really need to give you two guys an hour to go shopping. | 0:19:55 | 0:19:59 | |
They just need what, 20 minutes, something like that? | 0:19:59 | 0:20:02 | |
-15 will do, Tim. -So cool. | 0:20:02 | 0:20:04 | |
I can't tell you. You spent £154. | 0:20:04 | 0:20:08 | |
I'd like £146. There we go. | 0:20:08 | 0:20:10 | |
-There's 146. -Good show. | 0:20:10 | 0:20:13 | |
How's your shopping been? | 0:20:13 | 0:20:14 | |
-Very quick. -Yes. Nice, isn't it? | 0:20:14 | 0:20:16 | |
It's brilliant. Why don't they make them all like that? | 0:20:16 | 0:20:19 | |
Quite. What are you going to do? | 0:20:19 | 0:20:21 | |
There's a theme going here - an animal theme running through the programme. | 0:20:21 | 0:20:25 | |
I'm going to get with the programme and buy something a bit animal-like. | 0:20:25 | 0:20:29 | |
Not a real one. Something that looks like one. | 0:20:29 | 0:20:32 | |
We'll watch carefully, David. Good luck! | 0:20:32 | 0:20:34 | |
For me, I'm heading off somewhere with a right royal connection. | 0:20:34 | 0:20:38 | |
I'm at Hatfield House in Hertfordshire, | 0:20:50 | 0:20:53 | |
which has a long-standing connection with politics and royalty. | 0:20:53 | 0:20:58 | |
Most particularly Queen Elizabeth I spent most of her childhood here, | 0:20:58 | 0:21:04 | |
in what remains of the old palace. | 0:21:04 | 0:21:07 | |
On November 17th, 1558, Princess Elizabeth was at her Hatfield estate, | 0:21:12 | 0:21:19 | |
when she received the news that she was Queen of England. | 0:21:19 | 0:21:24 | |
Within hours, Queen Elizabeth I held her first Council Of State in the Great Hall of the royal palace. | 0:21:24 | 0:21:31 | |
The first person that she appointed was her trusted adviser, | 0:21:31 | 0:21:36 | |
William Cecil, who she later created Lord Burghley. | 0:21:36 | 0:21:39 | |
That is how this house came to be in the hands of the Cecil family. | 0:21:39 | 0:21:45 | |
Robert Cecil, son of Lord Burghley, built the grand new house and it has been kept in the family ever since. | 0:21:45 | 0:21:52 | |
However, there is still a presence of Elizabeth I here. | 0:21:52 | 0:21:56 | |
One of the largest and grandest rooms at Hatfield is this - the King James drawing room. | 0:21:56 | 0:22:03 | |
Dominated by a statue of King James and certainly extraordinary | 0:22:03 | 0:22:08 | |
because of the vast number of paintings that there are crammed on the walls in this room. | 0:22:08 | 0:22:15 | |
There'd be more than 60 paintings here. They're all old pictures - between 300 and 400 years old. | 0:22:19 | 0:22:26 | |
And if you took the cumulative age of all the paintings in this room, | 0:22:26 | 0:22:31 | |
it would total some 24,000 years. | 0:22:31 | 0:22:34 | |
The painting I particularly want to look at is this fellow. | 0:22:34 | 0:22:38 | |
Robert Cecil owned no less than four portraits of Queen Elizabeth I. | 0:22:44 | 0:22:49 | |
This one, according to its label, purports to be by Nicholas Hilliard, who's best known for painting | 0:22:49 | 0:22:55 | |
tiny little pictures in this period - little miniatures on ivory and copper. | 0:22:55 | 0:23:00 | |
The other possible attribution is an artist called William Seagar. | 0:23:00 | 0:23:05 | |
Whoever actually painted it, you have to admit, it is a magnificent work of art. | 0:23:05 | 0:23:11 | |
As an image, it's slightly old fashioned. | 0:23:11 | 0:23:14 | |
The icon of Queen Elizabeth's face is not marred by any shadow at all. | 0:23:14 | 0:23:20 | |
It's almost as if the Renaissance and 3D in perspective just haven't touched this picture. | 0:23:20 | 0:23:28 | |
But her image is strong and regal. | 0:23:28 | 0:23:32 | |
All the elements in the picture are strictly emblematic. | 0:23:32 | 0:23:36 | |
What we've got is a powerful queen, who's sending a message that she's also a peacemaker. | 0:23:36 | 0:23:42 | |
And that's why she's holding an olive branch. | 0:23:42 | 0:23:46 | |
She has authority. She's powerful. | 0:23:46 | 0:23:49 | |
That's shown by the Sword of State which also keeps the date of the picture, which is 1585. | 0:23:49 | 0:23:57 | |
Most peculiarly, we've got this rodent crawling up her arm. | 0:23:57 | 0:24:02 | |
This little rodent symbolises virginity. | 0:24:02 | 0:24:05 | |
Because, by this period, Queen Elizabeth I was very much regarded as the Virgin Queen. | 0:24:05 | 0:24:13 | |
Think about it - had she married some Spaniard or French man, | 0:24:13 | 0:24:17 | |
part of her life would be dominated by her husband. | 0:24:17 | 0:24:21 | |
She regarded herself as married to Britain. | 0:24:21 | 0:24:25 | |
She was not going to be trammelled by the wishes of a husband. | 0:24:25 | 0:24:29 | |
She was going to be truer and true to herself and her country. | 0:24:29 | 0:24:34 | |
This little ermine, which would normally be pure white, is spotted, | 0:24:34 | 0:24:41 | |
as if it were an ermine pelt, and it's wearing a collar. | 0:24:41 | 0:24:45 | |
The collar, you'll note, has no leash or chain to it, | 0:24:45 | 0:24:49 | |
which symbolises the fact that the ermine is free. | 0:24:49 | 0:24:53 | |
The Virgin is free to do as she pleases, which was exactly the situation that Queen Elizabeth I | 0:24:53 | 0:25:00 | |
found for herself and during her reign. | 0:25:00 | 0:25:04 | |
The magnificence of the painting is enhanced by the brilliant brushwork and costume. | 0:25:04 | 0:25:10 | |
A typical stiff, Elizabethan lace ruff, | 0:25:10 | 0:25:14 | |
a gorgeous thin gauze of a cloak, | 0:25:14 | 0:25:19 | |
the most magnificent jewels and pearls that you could possibly imagine, | 0:25:19 | 0:25:25 | |
all go to make this work of art into something extremely special. | 0:25:25 | 0:25:30 | |
The big question today is, are we going to discover anything | 0:25:30 | 0:25:33 | |
that's very special for our teams over at the auction? | 0:25:33 | 0:25:37 | |
So, I'm heading up the M1 to Derby, to Bamfords auction house, with auctioneer, James Lewis. | 0:25:50 | 0:25:56 | |
James, it's a treat. | 0:25:57 | 0:25:59 | |
-It's great to have you. -Thank you very much. | 0:25:59 | 0:26:01 | |
Now, our team, Sam and Ian. Their first item is this mini bagatelle. | 0:26:01 | 0:26:04 | |
Toys generally are not the easiest thing to sell. | 0:26:04 | 0:26:07 | |
With a Chad Valley name on there, there's always a collector's market for them. | 0:26:07 | 0:26:12 | |
So, what's this thing worth? | 0:26:12 | 0:26:13 | |
I think it's worth about £20 to £30. | 0:26:13 | 0:26:16 | |
£30 paid. Kate found it, she loved it. Now, the Victorian oak snuffbox. | 0:26:16 | 0:26:21 | |
It's lovely. A lovely colour, isn't it? | 0:26:21 | 0:26:23 | |
What do you make about this inscription - this Heveningham Hall lark? | 0:26:23 | 0:26:31 | |
Heveningham is in Suffolk. A great big hall. | 0:26:31 | 0:26:34 | |
There was an oak, 30 feet in diameter - a great big tree. | 0:26:34 | 0:26:38 | |
It's where Elizabeth I was known to hang out and go hunting and have fun. | 0:26:38 | 0:26:44 | |
-OK. How much? -£70 to 100. -OK. £80 paid. | 0:26:44 | 0:26:47 | |
That is pretty well on the money. | 0:26:47 | 0:26:49 | |
That's good. The Charles Horner hatpins. | 0:26:49 | 0:26:53 | |
First World War period, I think. | 0:26:53 | 0:26:55 | |
-I like it. I should think it's going to make £20 to £30. -£20 paid. | 0:26:55 | 0:26:58 | |
Fine! Good. | 0:26:58 | 0:27:00 | |
Depending on how the box goes, they may or may not need the bonus buy. | 0:27:00 | 0:27:04 | |
So, let's go and have a look at it. | 0:27:04 | 0:27:06 | |
So, chaps, you did incredibly well by spending £130. You gave £170 to Kate. | 0:27:06 | 0:27:10 | |
What did she spend it on? | 0:27:10 | 0:27:13 | |
A lot of money, but I bought you a picture. | 0:27:13 | 0:27:17 | |
-That's nice. -That's nice. | 0:27:17 | 0:27:19 | |
Some may say it looks pretty dull and uninteresting. | 0:27:19 | 0:27:22 | |
It is a pen and ink drawing. I've done something I don't normally do on Bargain Hunt, actually. | 0:27:22 | 0:27:27 | |
I've bought against my better judgment. | 0:27:27 | 0:27:30 | |
I was drawn into this little picture for various different reasons. | 0:27:30 | 0:27:34 | |
It is a pen and ink drawing. | 0:27:34 | 0:27:35 | |
It looks like a print, doesn't it? It is actually a drawing. | 0:27:35 | 0:27:38 | |
It's signed at the bottom here and dated 1886. It's Victorian. | 0:27:38 | 0:27:44 | |
The thing I liked about it is, not only the amazing architectural detail but the fact that it has | 0:27:44 | 0:27:50 | |
another string to its bow, because it does have Masonic interest. | 0:27:50 | 0:27:55 | |
-How much did you pay for this? -I was afraid you were going to ask that. | 0:27:55 | 0:27:59 | |
That's the tricky bit. | 0:27:59 | 0:28:01 | |
-I did pay £120. -Did you? | 0:28:01 | 0:28:04 | |
Now, I have to say to you, boys, that is a bit of a gamble. | 0:28:04 | 0:28:07 | |
Sam and I are speechless, aren't we, Sam? We are without speech. | 0:28:07 | 0:28:12 | |
-It reminds me of the Dark Ages. -That's right. | 0:28:12 | 0:28:14 | |
Absolutely. There we go. It takes all sorts, right. | 0:28:14 | 0:28:18 | |
For the viewers at home, let's trot off and find out what James Lewis thinks about Kate's little picture. | 0:28:18 | 0:28:26 | |
Now, James, there's something to warm the cockles of your heart. | 0:28:26 | 0:28:29 | |
Tell me, how unsaleable has that got to be? | 0:28:29 | 0:28:32 | |
It's an original pen and ink, | 0:28:32 | 0:28:34 | |
but who on earth is going to want that? | 0:28:34 | 0:28:38 | |
I suppose somebody who's a Mason, perhaps. | 0:28:38 | 0:28:41 | |
Would he? | 0:28:41 | 0:28:43 | |
-I don't know. -I don't know either. | 0:28:43 | 0:28:45 | |
-Will it bring a £10 note? -It will make more than that. | 0:28:45 | 0:28:48 | |
-It will make more than £10. -£30. | 0:28:48 | 0:28:49 | |
Make £30. Something like that. | 0:28:49 | 0:28:51 | |
-I can tell you now, £120 was paid for it, right. -No! | 0:28:51 | 0:28:55 | |
So, we have to cross our legs really twice, actually. | 0:28:55 | 0:28:59 | |
Double-cross your legs that the teams don't go with this bonus buy. | 0:28:59 | 0:29:03 | |
I'm going to glare at them and put them off. | 0:29:03 | 0:29:05 | |
-No, you mustn't do that. -Oh, no! | 0:29:05 | 0:29:07 | |
-You've got to play a straight back to this. -OK. | 0:29:07 | 0:29:10 | |
That's it for the Reds. Now for the Blues. | 0:29:10 | 0:29:13 | |
Anita and James, their first item is this so called police rattle. | 0:29:13 | 0:29:17 | |
Well, not the most saleable of things, I don't think. | 0:29:17 | 0:29:23 | |
Do you think it will bring £40? | 0:29:23 | 0:29:25 | |
-No. -No. Oh! -Is that bad? | 0:29:25 | 0:29:26 | |
-That's the big question. -Is that what they paid for it? | 0:29:26 | 0:29:30 | |
They did pay £40. So... | 0:29:30 | 0:29:33 | |
We'll try and get there but I think it might make around 30. | 0:29:33 | 0:29:36 | |
Next is that cigarette barrel box. | 0:29:36 | 0:29:38 | |
Oh, dear! | 0:29:38 | 0:29:40 | |
-Do you not like that? -No, I think it's worse than this. I really do. That is a complete shocker. | 0:29:40 | 0:29:46 | |
I would put that into a box of complete and utter tat, hide it under the table | 0:29:46 | 0:29:51 | |
and pray we might get a fiver for the lot. | 0:29:51 | 0:29:54 | |
-Really? -Really, that is awful. | 0:29:54 | 0:29:56 | |
I don't like to ask how much you've estimated it at. | 0:29:56 | 0:29:59 | |
-Actually, they only paid £14... -I'd love to be wrong, I really would! | 0:29:59 | 0:30:02 | |
And knowing your enthusiasm, James Lewis, you'll probably make about £200. | 0:30:02 | 0:30:07 | |
Now, there's the pressure. | 0:30:07 | 0:30:08 | |
Well, you never know. And the last item, which I think is absolutely divine | 0:30:08 | 0:30:12 | |
and very much you and Derbyshire, is this little magnifying box. | 0:30:12 | 0:30:18 | |
It's great, I love this. | 0:30:18 | 0:30:19 | |
Not only has it got these little scenes of Derbyshire, important places of Derbyshire in it, | 0:30:19 | 0:30:25 | |
but it also is made from Derbyshire alabaster. | 0:30:25 | 0:30:28 | |
Oh, what's that worth? | 0:30:28 | 0:30:30 | |
£40 to £60, it may make a bit more. | 0:30:30 | 0:30:32 | |
-Is that all? -Oh, dear... | 0:30:32 | 0:30:34 | |
This will be a grave disappointment to David Harper, | 0:30:34 | 0:30:36 | |
-because he paid £100 for this. -Did he? | 0:30:36 | 0:30:39 | |
There we have it, there seem to me to be some dark holes here in the | 0:30:39 | 0:30:42 | |
Blue team's concoction, so they're going to need their bonus buy and let's go and have a look at it. | 0:30:42 | 0:30:50 | |
Now, Anita and James, you gave David Harper £146, for better or for worse... | 0:30:50 | 0:30:56 | |
Worse, probably! | 0:30:56 | 0:30:57 | |
Let's see what he spent it on. | 0:30:57 | 0:30:59 | |
-OK. I bought myself, or for you, a cat. -Oh, my word... | 0:30:59 | 0:31:04 | |
-Right... -Impressed or what? | 0:31:04 | 0:31:07 | |
And did you spend all the money on this? | 0:31:07 | 0:31:09 | |
-How much do you think I spent? -Er... | 0:31:09 | 0:31:11 | |
How much would YOU spend on him? | 0:31:11 | 0:31:14 | |
It's Bretby, have you heard of Bretby? Local Derbyshire factory, founded 1893. This one's about 1915. | 0:31:14 | 0:31:20 | |
-OK. -I think he's quite rare, because normally... -He's heavy. | 0:31:20 | 0:31:24 | |
Yeah, he is heavy. ..the ball is normally red. | 0:31:24 | 0:31:26 | |
And normally, it's a full cat without the posy holder. | 0:31:26 | 0:31:29 | |
How much do you reckon he paid? | 0:31:29 | 0:31:32 | |
I don't know, 60? | 0:31:32 | 0:31:34 | |
-35. -Oh, well, that's not bad, is it? | 0:31:34 | 0:31:36 | |
-No, that's not too bad. -Hold that thought. | 0:31:36 | 0:31:39 | |
For the benefit of those at home, | 0:31:39 | 0:31:41 | |
let's find out what the auctioneer thinks about David's little cat. | 0:31:41 | 0:31:46 | |
James, a bit more Derbyshire for you. | 0:31:46 | 0:31:48 | |
Yeah, Bretby, just about 10 or 15 miles down the road. | 0:31:48 | 0:31:53 | |
This stuff, you either love it or hate it. It's not the finest stuff | 0:31:53 | 0:31:57 | |
in the world, it really isn't, but for those people that love Bretby, it'll do OK. | 0:31:57 | 0:32:02 | |
-There are plenty of them. -How much would it bring? | 0:32:02 | 0:32:05 | |
She'll make about £30 to £40. | 0:32:05 | 0:32:07 | |
Well, great. David paid £35 for his bonus buy, he's spot-on there in the middle. | 0:32:07 | 0:32:11 | |
-Brilliant. Are you going to be taking the sale today? -I will be. | 0:32:11 | 0:32:15 | |
You sound a bit croaky, are you all right? | 0:32:15 | 0:32:17 | |
-Yes, just, just. -Go and have a quick gargle. | 0:32:17 | 0:32:19 | |
I might just do that. | 0:32:19 | 0:32:21 | |
35, 38. | 0:32:22 | 0:32:24 | |
8 and 10. | 0:32:31 | 0:32:33 | |
Now, Sam and Ian, how are you feeling? | 0:32:36 | 0:32:38 | |
-Very good, very good. -Ian? | 0:32:38 | 0:32:40 | |
-Nervous. -What have you got to be nervous about? | 0:32:40 | 0:32:42 | |
Well, profits and losses, Tim. | 0:32:42 | 0:32:45 | |
-Is that what it is? -Profits, come on! | 0:32:45 | 0:32:47 | |
-Well... -Are you regretting anything that you've bought? -Not at all. | 0:32:47 | 0:32:51 | |
-Ian? -No. No. -This is exciting. | 0:32:51 | 0:32:53 | |
Here comes the bagatelle. | 0:32:53 | 0:32:55 | |
..this wonderful little Chad Valley bagatelle game in its original box. | 0:32:55 | 0:33:00 | |
A bit of fun. Where shall we start this? | 0:33:00 | 0:33:02 | |
Memories of childhood, at £20 bid. | 0:33:02 | 0:33:04 | |
At 20 and 2, do I see? | 0:33:04 | 0:33:06 | |
At £20, 22. £20, 22. 25. 28. | 0:33:06 | 0:33:11 | |
Against you at 25. 28 now. | 0:33:11 | 0:33:13 | |
At £25, any advance? | 0:33:13 | 0:33:16 | |
At 28. 28... No, 28 with you. It's against the commission now. | 0:33:16 | 0:33:20 | |
By the column at 28. | 0:33:20 | 0:33:22 | |
30, anywhere else? | 0:33:22 | 0:33:24 | |
Good little thing. Might make more in a toy sale, you never know. | 0:33:24 | 0:33:27 | |
Going to have a gamble? At £28, 30 now. At 28, do I see 30? | 0:33:27 | 0:33:31 | |
At 28 and selling... Yours, sir. | 0:33:31 | 0:33:34 | |
Bad luck, Kate, minus £2... | 0:33:34 | 0:33:37 | |
-Well, now, the snuffbox. -Lot 551 is the snuffbox. | 0:33:37 | 0:33:41 | |
Super snuffbox, really is a good thing. | 0:33:41 | 0:33:45 | |
Silver-gilt lined, lovely colour to the oak, | 0:33:45 | 0:33:48 | |
good patination and a good bit of history with it as well. | 0:33:48 | 0:33:51 | |
And from a good village. | 0:33:51 | 0:33:55 | |
And I can start the bidding, we've got three bids on it. | 0:33:55 | 0:33:58 | |
The lowest one is 60, the underbidder is 85, | 0:33:58 | 0:34:01 | |
so £90 starts it and 5, do I see? | 0:34:01 | 0:34:03 | |
At £90 and 5 now. | 0:34:03 | 0:34:05 | |
At 90. All on commission, at £90. | 0:34:05 | 0:34:07 | |
95 in the room, are you finished? | 0:34:07 | 0:34:10 | |
At 90. And selling at 90... £90. | 0:34:10 | 0:34:13 | |
£90, that's very good, that's plus £10. You are overall plus 8. | 0:34:13 | 0:34:17 | |
Lot 552 is the silver hatpin. | 0:34:17 | 0:34:21 | |
Good little hatpin, this one. | 0:34:21 | 0:34:22 | |
Military interest as well. | 0:34:22 | 0:34:24 | |
It's probably by Charles Horner, one of the best silver hatpin makers. | 0:34:24 | 0:34:28 | |
And I can start the bidding. | 0:34:28 | 0:34:30 | |
I've got two bids on it, one is £14 and one is higher. | 0:34:30 | 0:34:33 | |
So 16 starts, at 18 anywhere? | 0:34:33 | 0:34:36 | |
At £16, 18, do I see? | 0:34:36 | 0:34:38 | |
18 in the pink, 18 and 20 and 2. | 0:34:38 | 0:34:40 | |
22, 25, 28. Oh, go on! One more. | 0:34:40 | 0:34:43 | |
26, meet you halfway. | 0:34:43 | 0:34:46 | |
26, well done. At 26, 28 here. | 0:34:46 | 0:34:49 | |
28, 30. | 0:34:49 | 0:34:52 | |
29, meet you halfway again. | 0:34:52 | 0:34:54 | |
Go on! | 0:34:54 | 0:34:56 | |
No? At £28, it's here. £30 bid. 32. | 0:34:56 | 0:35:01 | |
Go on, have two bids. | 0:35:01 | 0:35:03 | |
32. 35. 35. 38. 38. 40. 2. | 0:35:03 | 0:35:10 | |
£40. 40 and 2, do I see? | 0:35:10 | 0:35:13 | |
At £40, any advance? Are you coming back? Are you sure? | 0:35:13 | 0:35:16 | |
At £40 standing, well done. | 0:35:16 | 0:35:20 | |
-At 40, it's yours. -£40 for that. | 0:35:20 | 0:35:23 | |
Plus £20 on that, you are £28 up. | 0:35:23 | 0:35:26 | |
-How good is that? -Well done. -So what are you going to do? | 0:35:26 | 0:35:29 | |
-Are you going to bank it or are you going to go on? -Bank it. | 0:35:29 | 0:35:32 | |
You're going to bank it. All right. | 0:35:32 | 0:35:34 | |
-You're going to bank it, yes? -Yes. | 0:35:34 | 0:35:36 | |
-Bank it. -Certain? -For certain. | 0:35:36 | 0:35:37 | |
We're not going with the bonus buy, but we're going to sell it anyway. | 0:35:37 | 0:35:41 | |
Well, I can now reveal that the auctioneer's estimate on this thing is around £30. | 0:35:41 | 0:35:45 | |
-Oh! -So I would say, on the face of it... -It's a bloodbath for you! | 0:35:45 | 0:35:51 | |
I would say, on the face of it, you have made the right decision. | 0:35:51 | 0:35:54 | |
But on the other hand, strange things happen at auction. | 0:35:54 | 0:35:57 | |
So now, here it comes. | 0:35:57 | 0:36:00 | |
..it's the pencil sketch, or pen and ink sketch. | 0:36:00 | 0:36:06 | |
Beautifully done, great quality sketch. | 0:36:06 | 0:36:09 | |
And I have one bid. | 0:36:09 | 0:36:10 | |
And I'll start it at that one bid. At £18. 18 and 20, 20 and 2. | 0:36:10 | 0:36:16 | |
At 22, 25. | 0:36:16 | 0:36:19 | |
At 22, with me. 25, 28 and 30. | 0:36:19 | 0:36:23 | |
30, by the door, and 5. | 0:36:23 | 0:36:25 | |
40 and 5. 50. | 0:36:25 | 0:36:28 | |
At £45, it's with me. And 50, shakes his head, one more go... Go again. | 0:36:28 | 0:36:32 | |
Sure? At 45, with me. At 45 and 50, do I see? | 0:36:32 | 0:36:36 | |
At £45, anywhere else? | 0:36:36 | 0:36:38 | |
And selling. Are you sure? | 0:36:38 | 0:36:40 | |
They've paid a lot more. | 0:36:40 | 0:36:43 | |
One more? 50. 55. 60. | 0:36:43 | 0:36:47 | |
You're almost there. | 0:36:47 | 0:36:50 | |
-At £55... -That is a good auctioneer. | 0:36:50 | 0:36:54 | |
-Yes. -At 55. All done... Sorry, guys. | 0:36:54 | 0:36:58 | |
He's really trying for you. | 0:36:58 | 0:37:00 | |
£55. Well, that would have been a loss of £65. | 0:37:00 | 0:37:06 | |
But you didn't go with it, you were very wise to bank your money at £28. | 0:37:06 | 0:37:09 | |
You're £28 up and the big thing now is, don't discuss it with the Blues. | 0:37:09 | 0:37:13 | |
Certainly won't. | 0:37:13 | 0:37:14 | |
Lovely. Now, Anita and James, do you know how the Reds got on? | 0:37:19 | 0:37:23 | |
-No. -You haven't been following our agricultural cousins... | 0:37:23 | 0:37:26 | |
-No. -..as they came up the stairs? | 0:37:26 | 0:37:28 | |
Did you see them, did they look enthusiastic or a bit sad? | 0:37:28 | 0:37:31 | |
They looked pretty neutral, really. | 0:37:31 | 0:37:33 | |
-They did. -Well, you never can tell with farmers, that's their skill, isn't it? | 0:37:33 | 0:37:37 | |
It's always raining or there's not enough sunshine or something. | 0:37:37 | 0:37:41 | |
First up though is James' rattle and here it comes. | 0:37:41 | 0:37:44 | |
..the 19th-century wooden police rattle. | 0:37:44 | 0:37:46 | |
There it is, it's either a police rattle or a pigeon scarer. | 0:37:46 | 0:37:51 | |
Or a football fan rattle. | 0:37:51 | 0:37:54 | |
It is basically whatever you want it to be. | 0:37:54 | 0:37:56 | |
And there it is. | 0:37:56 | 0:37:58 | |
Where shall we start it? £20, 20. | 0:37:58 | 0:38:00 | |
£20 anywhere? 15, if you like. | 0:38:00 | 0:38:04 | |
£15. Good piece of 19th-century tree in there for that. 15, 18, 20. | 0:38:04 | 0:38:09 | |
20 and 2. Wrong way, nod. | 0:38:09 | 0:38:12 | |
Go on... 22, well done. 25. | 0:38:12 | 0:38:15 | |
25. 28. No, that's a definite shake. | 0:38:15 | 0:38:18 | |
At 25, 28 anywhere? | 0:38:18 | 0:38:21 | |
At £25 at the front. 28, do I see? | 0:38:21 | 0:38:23 | |
Front row for £25. Do I see 28? | 0:38:23 | 0:38:26 | |
One more? | 0:38:26 | 0:38:27 | |
No, at 25. All sure? | 0:38:27 | 0:38:31 | |
-£25, minus 15... -Oh, dear. | 0:38:31 | 0:38:34 | |
Now, here we go with the fag case. | 0:38:34 | 0:38:37 | |
This is the early-20th-century barrel-shaped cigarette box. | 0:38:38 | 0:38:42 | |
There we are. And let's start this at £20 somewhere. 20. | 0:38:42 | 0:38:46 | |
15, then. | 0:38:46 | 0:38:47 | |
£15. 10. Who wants it at 10? | 0:38:47 | 0:38:50 | |
£10 bid, standing at 10. 12, 15. | 0:38:50 | 0:38:53 | |
At 12 seated, 15 now. | 0:38:53 | 0:38:57 | |
At 12, 15? 14, then. Yes? | 0:38:57 | 0:39:01 | |
-Good auctioneer. -He is good, isn't he? | 0:39:01 | 0:39:04 | |
..how about 13? I'll take it. 12.50. | 0:39:04 | 0:39:08 | |
13, 13.50. | 0:39:08 | 0:39:11 | |
Not proud at £13, seated. | 0:39:11 | 0:39:13 | |
At 13, anybody else? At £13... | 0:39:13 | 0:39:16 | |
-Oh. £13, it's only minus £1. -That's not bad. | 0:39:16 | 0:39:20 | |
And he did really well for you, didn't he? Now, the magnifying box. | 0:39:20 | 0:39:24 | |
This is a really lovely little lot. | 0:39:24 | 0:39:26 | |
Derbyshire alabaster. | 0:39:26 | 0:39:27 | |
The top is loose, so careful. | 0:39:27 | 0:39:30 | |
There it is. It's a little bit of Derbyshire alabaster, | 0:39:30 | 0:39:33 | |
it's got a lens on the top and it has scenes of Derbyshire inside. | 0:39:33 | 0:39:37 | |
And a really lovely 19th-century piece. | 0:39:37 | 0:39:40 | |
And I've got 1, 2, 3, 4, 5, 6, 7 bids on it... | 0:39:40 | 0:39:44 | |
Please let them be big bids. The lowest bid's 28. | 0:39:44 | 0:39:46 | |
Then I've got 40, 45, 48, 55 starts it. At £55 and 60 now. | 0:39:46 | 0:39:54 | |
At £55 and 60. | 0:39:54 | 0:39:56 | |
At 55, then. All the bids. | 0:39:56 | 0:39:58 | |
Absentee bids. At 55, any advance? | 0:39:58 | 0:40:02 | |
At £55. It's a good little thing. I think that's about right for it. | 0:40:02 | 0:40:06 | |
At 55. | 0:40:06 | 0:40:08 | |
-55. -Oh, dear, three losses. | 0:40:08 | 0:40:10 | |
-45, 55, 60, minus £61. -Ow! -Ow. | 0:40:10 | 0:40:16 | |
That's a bit of an ouch, isn't it? | 0:40:16 | 0:40:18 | |
-Yeah. -But don't despair, you've got the bonus buy. | 0:40:18 | 0:40:20 | |
-Are you going to go with it? -Yeah. -We've got nothing to lose, yeah. | 0:40:20 | 0:40:25 | |
After all that, you're going to go for it? | 0:40:25 | 0:40:28 | |
-We can't do any worse, can we, really? -You are a couple of gluttons for punishment. | 0:40:28 | 0:40:32 | |
You're going to go with the bonus buy, yes? Here it comes. | 0:40:32 | 0:40:35 | |
..a black-painted cat, there she is, playing with her ball of wool. | 0:40:35 | 0:40:40 | |
And slightly more unusual, being the posy holder with the open back. | 0:40:40 | 0:40:45 | |
But a nice lot. | 0:40:45 | 0:40:46 | |
And again, we always have interest in the Bretby, and £32 is bid. | 0:40:46 | 0:40:50 | |
At 32. 35 now. | 0:40:50 | 0:40:52 | |
At £32. And 5, do I see? | 0:40:52 | 0:40:55 | |
At 32. 35, anywhere? | 0:40:55 | 0:40:57 | |
At £32. All done? | 0:40:57 | 0:41:00 | |
Absentee bid at 32, it's against you in the room at £32... | 0:41:00 | 0:41:04 | |
-32, it is. -£2. You are, minus £3. | 0:41:04 | 0:41:08 | |
-Oh, what a good start! -I know. Well, it's tough, isn't it? | 0:41:08 | 0:41:11 | |
Overall then, you went with that, it is minus £64. | 0:41:11 | 0:41:15 | |
But let's not put the Reds out of their agony, right? | 0:41:15 | 0:41:19 | |
This could be a winning score. | 0:41:19 | 0:41:20 | |
-Really? -All will be revealed in a moment. | 0:41:20 | 0:41:24 | |
So nobody knows nothing about nothing, right? Is that right? | 0:41:29 | 0:41:32 | |
As far as the scores are concerned. | 0:41:32 | 0:41:34 | |
-Yes, you've not been talking? -No. -No. | 0:41:34 | 0:41:38 | |
Well, it is a question today, I'm afraid, of some tea and sympathy being due. | 0:41:38 | 0:41:43 | |
And the tea and sympathy, in large quantities, has to go with the Blues. | 0:41:43 | 0:41:47 | |
-Oh! -Oh, dear. -I mean, | 0:41:47 | 0:41:50 | |
it's not profits I'm going to be outlining here, and therefore... | 0:41:50 | 0:41:55 | |
You've been a great team. | 0:41:55 | 0:41:56 | |
I mean, mother and son. | 0:41:56 | 0:41:58 | |
I mean, you've stuck together, you've played the game with your expert, you can walk tall. | 0:41:58 | 0:42:04 | |
You haven't done terribly well, that's all! | 0:42:04 | 0:42:06 | |
So moving on then to the victors... | 0:42:06 | 0:42:09 | |
Yeah! | 0:42:09 | 0:42:11 | |
..who are actually gonna go home with money, | 0:42:11 | 0:42:14 | |
-which is a rare occurrence. -Thank you. | 0:42:14 | 0:42:16 | |
£28. £28 you go home with. You made some good profits there. | 0:42:16 | 0:42:22 | |
Horner's hatpin was brilliant. | 0:42:22 | 0:42:24 | |
And the oak box did nicely, Kate, so well done for all that. | 0:42:24 | 0:42:28 | |
You did not go with the bonus buy, which strategically was a good thing to do. | 0:42:28 | 0:42:32 | |
-You've deserved your £28. -Yep. | 0:42:32 | 0:42:34 | |
-And have you had a nice time? -Fantastic, thanks. | 0:42:34 | 0:42:36 | |
-And I hope you're going to watch Bargain Hunt every day from the farmyard in the future. -Of course! | 0:42:36 | 0:42:43 | |
-We had a great time. Join us soon for some more Bargain Hunting, yes? -Yes! | 0:42:45 | 0:42:49 | |
Subtitles by Red Bee Media Ltd | 0:42:54 | 0:42:58 | |
E-mail [email protected] | 0:42:58 | 0:43:02 |