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No guessing as to where I am today. | 0:00:02 | 0:00:03 | |
Red kilt, blue kilt, let's go bargain hunting! | 0:00:03 | 0:00:07 | |
We're in Scotland's biggest city, Glasgow, at the Clydeside Antique Centre. | 0:00:32 | 0:00:38 | |
Now, this is no wee antique centre this. Oh, no! | 0:00:38 | 0:00:42 | |
25,000 square feet | 0:00:42 | 0:00:44 | |
crammed with objects, giving our teams plenty of opportunity | 0:00:44 | 0:00:48 | |
to poke around and find something to make a big profit with. Och aye! | 0:00:48 | 0:00:52 | |
We've got some huge disagreements on today's programme and it's all based around an owl. | 0:00:53 | 0:00:59 | |
Quite nice, isn't it, really? | 0:00:59 | 0:01:00 | |
-I hate it. -Do you? -I hate it. I really hate it! | 0:01:00 | 0:01:04 | |
And the opposition also have opinions. | 0:01:04 | 0:01:07 | |
It's not just the Blue team - there are also strong opinions from the opposition. | 0:01:07 | 0:01:11 | |
That's a nice little object. | 0:01:11 | 0:01:13 | |
-Yeah, simple yet effective. -But will they get in the way of profit when the auction gets underway? | 0:01:13 | 0:01:18 | |
Are you going to double your money or not? | 0:01:18 | 0:01:20 | |
Frances, this is not looking so hot. | 0:01:20 | 0:01:24 | |
The teams will have just one hour to hunt out three items and 300 Scottish pounds to spend. | 0:01:24 | 0:01:30 | |
They will then head to the auction house where their items will be sold | 0:01:30 | 0:01:34 | |
with absolutely no reserve and they might or might not make a profit. | 0:01:34 | 0:01:38 | |
150. | 0:01:41 | 0:01:42 | |
For the Reds, we've got friends Alan and David, | 0:01:44 | 0:01:47 | |
and for the Blues, we've got mother and daughter Frances and Lisa. | 0:01:47 | 0:01:52 | |
-Welcome, guys. -Hi, Tim. -Very nice to see you. | 0:01:52 | 0:01:55 | |
Alan, what do you do for a living? | 0:01:55 | 0:01:56 | |
At the moment, Tim, I'm working part time as a waiter | 0:01:56 | 0:01:59 | |
and I'm waiting to start a new career in banking. | 0:01:59 | 0:02:02 | |
It's taken me nearly two years since I finished university to find what I wanted to do, but I'm getting there. | 0:02:02 | 0:02:08 | |
Still, you've timed it just right to come on Bargain Hunt. | 0:02:08 | 0:02:11 | |
-Yes. -Why did you want to come on, Alan? | 0:02:11 | 0:02:13 | |
My aunt, she used to run an antique store in my hometown of Strathaven | 0:02:13 | 0:02:17 | |
-and when I was off school, I used to go down and help her out in the shop. -So, you picked up some tips! | 0:02:17 | 0:02:22 | |
-Yeah, she gave me some helpful hints. -And what sort of thing will you be looking out for today? | 0:02:22 | 0:02:28 | |
I think I'll maybe look to pick up something silver | 0:02:28 | 0:02:31 | |
-as a safe bet, something that will hold its value. -Yeah. | 0:02:31 | 0:02:34 | |
And I think Dave here wants to find some toys for himself. | 0:02:34 | 0:02:38 | |
Hopefully, yeah. Something nostalgic, perhaps. | 0:02:38 | 0:02:41 | |
Brilliant. And you're a student still, is that right? | 0:02:41 | 0:02:43 | |
Yeah, I'm doing a first year PhD at the moment. | 0:02:43 | 0:02:46 | |
I'm actually studying in Sheffield at the Centre For The Study Of Genocide And Mass Violence, | 0:02:46 | 0:02:53 | |
so it's maybe a bit of a grim subject matter, | 0:02:53 | 0:02:56 | |
but it's something I find quite interesting at the moment. | 0:02:56 | 0:02:59 | |
So, what sort of things do you collect? | 0:02:59 | 0:03:01 | |
Since I was about, oh, six or seven years old | 0:03:01 | 0:03:04 | |
I've collected Star Wars toys. | 0:03:04 | 0:03:05 | |
When I was a kid I absolutely loved the films, and I was lucky enough when I was younger | 0:03:05 | 0:03:10 | |
that you could pick figures and ships up for next to nothing. | 0:03:10 | 0:03:13 | |
So, will you be going for some Star Wars material, or toys, if you can find it today? | 0:03:13 | 0:03:18 | |
I can't imagine we would find anything like that, | 0:03:18 | 0:03:20 | |
so I think we're maybe going to look for something a bit older, | 0:03:20 | 0:03:24 | |
-possibly, '50s... -A bit more traditional. -'50s or earlier. | 0:03:24 | 0:03:28 | |
Oh, '50s, really, really old(!) | 0:03:28 | 0:03:30 | |
-Oh, ancient, yeah! -Now for the Blues. | 0:03:30 | 0:03:32 | |
So, Frances, you and your daughter have had kind of parallel careers recently, haven't you? | 0:03:32 | 0:03:38 | |
Yes, we both worked for a while in the housing association | 0:03:38 | 0:03:44 | |
and then I got some part time work in a department store | 0:03:44 | 0:03:47 | |
and Lisa decided she wanted to work in the same place! | 0:03:47 | 0:03:50 | |
And when I decided to become a student, she decided a year later | 0:03:50 | 0:03:55 | |
that she wanted to do the same, so we're both students now. | 0:03:55 | 0:03:59 | |
Are you? And what are you studying? | 0:03:59 | 0:04:01 | |
I'm studying furniture restoration at the moment | 0:04:01 | 0:04:04 | |
-at Glasgow Metropolitan College. -And are you going to stick at that? | 0:04:04 | 0:04:07 | |
Well, to do the degree I have to go to High Wycombe, to New Bucks University. | 0:04:07 | 0:04:12 | |
And you're moving to High Wycombe and I guess, Lisa, | 0:04:12 | 0:04:16 | |
-you're moving with your mother? -Yes. | 0:04:16 | 0:04:18 | |
Och aye! And would you be doing a bit of furniture restoration | 0:04:18 | 0:04:21 | |
-in High Wycombe like your mum? -No. -No? | 0:04:21 | 0:04:24 | |
-Actually, no. -Ah! What are you going to do, darling? | 0:04:24 | 0:04:27 | |
I'm doing Acting For New Media. | 0:04:27 | 0:04:29 | |
What does that mean, Acting For New Media? Isn't acting just acting? | 0:04:29 | 0:04:32 | |
Well, no, this is acting for this century involving... | 0:04:32 | 0:04:37 | |
In theatres now, you can get multimedia, where you get 3D effects. | 0:04:37 | 0:04:41 | |
Also working with green screen, as well. | 0:04:41 | 0:04:44 | |
-Oh, I see. -Yeah. -So, it's more smoke and mirrors then, isn't it? | 0:04:44 | 0:04:47 | |
-Pretty much. -More visual trickery is going to be going on. | 0:04:47 | 0:04:51 | |
-Yes. -Do you collect anything in particular? | 0:04:51 | 0:04:54 | |
I do. I collect anything Torchwood and Doctor Who. | 0:04:54 | 0:04:57 | |
-Just those two topics? -Well, like my fellow contestant... | 0:04:57 | 0:05:02 | |
-Dave. -Yes. -Yeah. -..I also collect Star Wars, as well. | 0:05:02 | 0:05:06 | |
I have quite a vast collection. | 0:05:06 | 0:05:07 | |
-Do you? -Yes. -Great. We're going to have fun today. | 0:05:07 | 0:05:10 | |
Now, the money moment. Here's your £300. £300 apiece. | 0:05:10 | 0:05:14 | |
Happy with that? And off you go, and very, very, very good luck. | 0:05:14 | 0:05:18 | |
So, will these canny Scots have what it takes to impress me? Ah! | 0:05:18 | 0:05:24 | |
We're not leaving them to take the high road on their own. | 0:05:24 | 0:05:28 | |
They'll also have the help of an expert who will give them some good advice. | 0:05:28 | 0:05:32 | |
Well, we always live in hope with these two! | 0:05:32 | 0:05:34 | |
Paul Laidlaw will be helping the Reds | 0:05:34 | 0:05:37 | |
and with the Blues is Keith Baker. | 0:05:37 | 0:05:39 | |
Well, we've got an hour to go so we'd better make the most of it. Let's see what we can find. | 0:05:42 | 0:05:47 | |
While the Blues are starting the game with a positive outlook, | 0:05:49 | 0:05:52 | |
the Reds are struggling to find any common ground. | 0:05:52 | 0:05:56 | |
-I think that's about as dire as Victoriana gets. -Right. | 0:05:56 | 0:05:59 | |
Oh, don't mince your words, Paul! | 0:05:59 | 0:06:01 | |
I'm being dead straight with you, it's awful. | 0:06:01 | 0:06:04 | |
It means nothing to me. Do people go for do things like that? | 0:06:04 | 0:06:07 | |
Field glasses. They don't. These are dead in the water. | 0:06:07 | 0:06:10 | |
I'm now selling these two and three at a time. | 0:06:10 | 0:06:12 | |
There you go. I had a wee eye on that when I came in. | 0:06:12 | 0:06:15 | |
-Did you? -Yeah. | 0:06:15 | 0:06:16 | |
Will that come apart or not? | 0:06:16 | 0:06:18 | |
There you go. You take the big lump. | 0:06:19 | 0:06:22 | |
-This has been stood in a window for a while. It's all bleached on the top. -Aye. | 0:06:22 | 0:06:26 | |
Frequently these are printed pieces...are marked | 0:06:26 | 0:06:30 | |
by the company that manufactured them. | 0:06:30 | 0:06:33 | |
-Oh, wait, is that it there? -What have you got? -Made in the USA. -I mean, no surprises there. | 0:06:33 | 0:06:38 | |
-And what period do we think this dates to? -Oh, I wouldn't know. -'50s? | 0:06:38 | 0:06:42 | |
-I was going to go '50s. -Yeah. Could you buy that? | 0:06:42 | 0:06:45 | |
Depending on the price, it's the kind of thing I would go for. | 0:06:45 | 0:06:49 | |
-It's quite charming. -It certainly jumps out at me. It's eye catching. | 0:06:49 | 0:06:53 | |
You could definitely see someone looking at it and falling in love with it at first sight. | 0:06:53 | 0:06:58 | |
What kind of price would you reckon? | 0:06:58 | 0:07:00 | |
Unchartered territory for me, so I'll go on instinct. | 0:07:00 | 0:07:04 | |
I think that could be worth £50 to...£80. | 0:07:04 | 0:07:08 | |
What do you reckon? It's a nice big lump. | 0:07:08 | 0:07:10 | |
Condition's OK. | 0:07:10 | 0:07:12 | |
Have you got a price on your bit? | 0:07:12 | 0:07:15 | |
-No, there's nothing here. -We need to get the price. | 0:07:15 | 0:07:17 | |
-Certainly. I'd agree there. -Do you want to wander off? | 0:07:17 | 0:07:21 | |
I think if you head that way, you'll find out who owns that | 0:07:21 | 0:07:24 | |
-and what they want for it, and we'll keep looking, shall we? -Yeah, yeah. | 0:07:24 | 0:07:28 | |
After some hard negotiation, Dave buys the truck for £50, | 0:07:28 | 0:07:33 | |
so that's one down, two to go for them. | 0:07:33 | 0:07:36 | |
Now, is Keith in for a bumpy ride? | 0:07:36 | 0:07:38 | |
Anything that's interesting or unusual tends to be what I go for. | 0:07:38 | 0:07:44 | |
Nothing run of the mill for her! | 0:07:44 | 0:07:46 | |
Butterfly wings. | 0:07:46 | 0:07:48 | |
But the colour is fantastic, isn't it? 325! | 0:07:50 | 0:07:54 | |
Well, it is unusual. | 0:07:54 | 0:07:56 | |
Lisa... | 0:07:58 | 0:07:59 | |
-SHE LAUGHS -I like that! | 0:07:59 | 0:08:02 | |
-What do you think of that one? -It's a bit heavy and ponderous for me. | 0:08:04 | 0:08:08 | |
-I still think it looks quite nice. -Oh, it does. | 0:08:08 | 0:08:11 | |
This is what we'll look like if we lose, of course. | 0:08:11 | 0:08:15 | |
LAUGHTER | 0:08:15 | 0:08:17 | |
Ah, Keith, you started off looking on the bright side, | 0:08:17 | 0:08:20 | |
don't give up just yet! | 0:08:20 | 0:08:23 | |
Is that silver, or...? | 0:08:23 | 0:08:25 | |
I don't think it is. It should have some little... | 0:08:25 | 0:08:27 | |
Tiny little silver mark on it. | 0:08:27 | 0:08:29 | |
You see, there's several of them in there, I notice. | 0:08:29 | 0:08:33 | |
Do you think you'd think, "They're interesting," and bid for them? | 0:08:33 | 0:08:36 | |
I do, I think they're quite interesting. So, do you reckon they're old at all, or...? | 0:08:36 | 0:08:41 | |
Oh, yeah. They've got age. | 0:08:41 | 0:08:43 | |
I'd have thought they'd probably be roundabout 1900 in date. | 0:08:43 | 0:08:48 | |
They're all based on paintings, famous paintings, one would assume. | 0:08:48 | 0:08:52 | |
So, let's hope they're not too expensive | 0:08:52 | 0:08:54 | |
and then we can be very pleased that you spotted them. | 0:08:54 | 0:08:58 | |
-Do you like them? -Yeah, I do. | 0:08:58 | 0:09:00 | |
These two look like a set. | 0:09:00 | 0:09:02 | |
Well, they're certainly compatible in terms of the same sort of leather background and everything. | 0:09:02 | 0:09:08 | |
What do you think in terms of value? | 0:09:08 | 0:09:09 | |
I could see that they could perhaps make £100 or something like that. | 0:09:09 | 0:09:13 | |
-So, let's find someone and see if they can give us a price on those three, shall we? -Sure. | 0:09:13 | 0:09:18 | |
-What was it you were interested in? -This little group of pictures there. | 0:09:18 | 0:09:22 | |
They look sort of interesting. But there's nothing on them. | 0:09:22 | 0:09:26 | |
65 on these. | 0:09:26 | 0:09:27 | |
-That's the best, is it? -Yeah. I think they're engraving plates. | 0:09:27 | 0:09:31 | |
But you see the messages would have to be the wrong way round. | 0:09:31 | 0:09:35 | |
-So when you print them, they would be the right way round. -Yeah. | 0:09:35 | 0:09:38 | |
-What do you think? -I think we could make something on them. | 0:09:38 | 0:09:41 | |
-I think you spotted them and you find them equally charming, don't you? -Yeah, they're lovely. | 0:09:41 | 0:09:46 | |
I've probably underpriced them now you've accepted it so easily! | 0:09:46 | 0:09:50 | |
-Deal, you can't go back now! -OK. | 0:09:50 | 0:09:52 | |
Well done, Blues. First item in the bag, but not much haggling, though. | 0:09:54 | 0:09:59 | |
With the Reds, Paul's got an obvious aversion to all things... | 0:09:59 | 0:10:02 | |
'60s, '70s, borderline kitsch, you know? | 0:10:02 | 0:10:05 | |
What's that again, Paul? | 0:10:05 | 0:10:07 | |
Yeah, high kitsch. You could have a look. It's a bit kitsch. | 0:10:07 | 0:10:10 | |
Although once more it's toys that gets the boys' undivided attention. | 0:10:12 | 0:10:17 | |
-What do you think of that? -Arnold Palmer. | 0:10:17 | 0:10:20 | |
Let's see what's inside. | 0:10:20 | 0:10:21 | |
-It's looking good, is it not? -Yeah. | 0:10:23 | 0:10:25 | |
When the box is in good condition, nine times out of ten it's all right on the inside. | 0:10:25 | 0:10:30 | |
Well, what do we have? | 0:10:30 | 0:10:31 | |
That is a golfing toy, a trigger action chap. | 0:10:31 | 0:10:35 | |
Here, watch this. There you go. | 0:10:35 | 0:10:37 | |
What a stroke! | 0:10:37 | 0:10:39 | |
Independent action on the head. Look at the quality. | 0:10:39 | 0:10:43 | |
-Follows the ball. -Oh, come on! -Keeps his eye on it. | 0:10:43 | 0:10:46 | |
Keeps his eye on that ball. | 0:10:46 | 0:10:49 | |
That beats a PlayStation, | 0:10:49 | 0:10:51 | |
-I'll tell you that. -This dates to Arnold Palmer. | 0:10:51 | 0:10:55 | |
-It's going to be late '60s, is it? -Late '60s. | 0:10:55 | 0:10:58 | |
Early '70s. And what else do we get for our money? They're clearly... | 0:10:58 | 0:11:02 | |
It's in good nick. | 0:11:02 | 0:11:04 | |
And look at all this! Yeah. | 0:11:04 | 0:11:06 | |
Instructions, on Marx Toys, good name. | 0:11:06 | 0:11:10 | |
And all the bits and bobs. | 0:11:10 | 0:11:14 | |
That looks like a water feature. | 0:11:14 | 0:11:17 | |
A couple of bunkers there, as well. | 0:11:17 | 0:11:19 | |
-Rough and bunkers. -Club selections! | 0:11:19 | 0:11:22 | |
-A scorecard there, as well. -That's excellent, isn't it? | 0:11:23 | 0:11:26 | |
-What do you think to that? -It's got a lot of character to it. | 0:11:26 | 0:11:30 | |
-A lot of golf enthusiasts would love that. -It's a real collector's item. | 0:11:30 | 0:11:33 | |
I suspect it's worth £40 to £60, is it? | 0:11:33 | 0:11:36 | |
-OK. -It sounds fair enough with that? | 0:11:36 | 0:11:38 | |
You'll not get much for that in that condition, surely, it comes down to the price, OK? | 0:11:38 | 0:11:43 | |
-And the price is £20. -£20. | 0:11:43 | 0:11:48 | |
I think that's looking good. | 0:11:48 | 0:11:50 | |
It really is, yeah. It's looking quite attractive now. | 0:11:50 | 0:11:53 | |
Shall we just...? We're interested at 20. Anything we can get off, | 0:11:53 | 0:11:56 | |
it is a further bonus, but we'll try and make that happen, shall we? | 0:11:56 | 0:12:00 | |
-Oh, aye. -Let's go that way, find the guy that owns this. -Fantastic. | 0:12:00 | 0:12:04 | |
No discount for the boys, I'm afraid. | 0:12:04 | 0:12:06 | |
It seems £20 was par for the course for the golf game. | 0:12:06 | 0:12:10 | |
-Keith, my mum has found this blue vase. -Yes, it's Denby. | 0:12:13 | 0:12:18 | |
That said, they're not uncommon. Do you like the pigs, do you? | 0:12:18 | 0:12:21 | |
Yes. And very intelligent. | 0:12:21 | 0:12:24 | |
Are they? I've never had a conversation with one, but... | 0:12:24 | 0:12:27 | |
Oh, I'll speak to anyone! SHE LAUGHS | 0:12:27 | 0:12:31 | |
-Oh, it's a post thing. -Yeah, it's got one penny for first, | 0:12:31 | 0:12:34 | |
and then it gives the various... A little bit rough-looking. | 0:12:34 | 0:12:37 | |
Frances seems to like everything that Keith doesn't. | 0:12:37 | 0:12:41 | |
-That's the sort of thing you could live with, is it? -Yeah. | 0:12:41 | 0:12:44 | |
But it's not really a saleable item in terms of auction. | 0:12:44 | 0:12:47 | |
Although, as always, persistence pays off eventually. | 0:12:47 | 0:12:51 | |
You see, I love this. | 0:12:53 | 0:12:54 | |
-We'll just pop it down there. So, you like that, do you? -Yeah. | 0:12:57 | 0:13:01 | |
-What about you, do you like it? -I'm not too keen on it. | 0:13:01 | 0:13:04 | |
Aren't you? So, what do you like about it? | 0:13:04 | 0:13:07 | |
I like the shape. | 0:13:07 | 0:13:08 | |
I like the butterflies. I don't know, the texture as well. | 0:13:08 | 0:13:13 | |
-It's lovely. 1970s. -Yeah. | 0:13:13 | 0:13:15 | |
It says on the label by Bernard Rooke, so he's a contemporary potter in that time. | 0:13:17 | 0:13:22 | |
You see, very abstract totem pole like sort of lamp bases and things like that by him. | 0:13:22 | 0:13:28 | |
So, it is a collectable name. | 0:13:28 | 0:13:30 | |
How much is it and how much do you reckon it'll make at auction? | 0:13:30 | 0:13:33 | |
That's always the case, isn't it? | 0:13:33 | 0:13:35 | |
That's the important question. It says £90. | 0:13:35 | 0:13:38 | |
Now, I can't say I've seen a vase like this before. | 0:13:38 | 0:13:41 | |
I've seen lots of the lamp bases, I'm not entirely sure what this would make, but I think we need to get | 0:13:41 | 0:13:46 | |
the price down a wee bit certainly to give it a chance. | 0:13:46 | 0:13:49 | |
Hi. We love this vase. | 0:13:49 | 0:13:51 | |
-Yes, you do, do you? -I do. | 0:13:51 | 0:13:52 | |
Is that the best price you could do on that for me? | 0:13:52 | 0:13:55 | |
No. That's the ticket price. | 0:13:58 | 0:14:01 | |
So, to you, seeing as your bargain hunting, we'll do it for 65. | 0:14:01 | 0:14:05 | |
That's fabulous, because we do love it. | 0:14:05 | 0:14:07 | |
-Thanks very much. -Thank you so much. -You're so welcome. | 0:14:07 | 0:14:12 | |
Both teams now have got two items. | 0:14:12 | 0:14:15 | |
The Blues have spent 130, and the Reds have spent just £70. | 0:14:15 | 0:14:20 | |
Looking for any type of object in particular? | 0:14:20 | 0:14:24 | |
Kind of silver would catch my eye. | 0:14:25 | 0:14:28 | |
But big spender Alan might be about to make a large dent in their remaining £230. | 0:14:28 | 0:14:34 | |
Without an attribution, they're just chancing it, in my opinion. | 0:14:34 | 0:14:38 | |
A set of sugar tongs? | 0:14:38 | 0:14:40 | |
Even Georgian silver dead in the water. No-one wants to buy it. | 0:14:42 | 0:14:45 | |
-It's part of... -A set. -..a set. | 0:14:45 | 0:14:47 | |
-Ah, right, OK. -I think it's just a spare thumb, really. | 0:14:47 | 0:14:50 | |
-That just kind of caught my eye. -Is that rubbish, aye? | 0:14:50 | 0:14:53 | |
-Relatively modern, yeah. -There's a couple of cabinets down here. | 0:14:53 | 0:14:56 | |
OK, go for it, yeah, yeah. | 0:14:56 | 0:14:59 | |
No silver lining so far, but at least Paul's had more luck pushing his team on than Keith. | 0:14:59 | 0:15:05 | |
Let's keep going then, shall we? Thanks, let's go. | 0:15:05 | 0:15:09 | |
-Look, it's a letter scale. -You like the scales, don't you? | 0:15:09 | 0:15:12 | |
I think it's because... | 0:15:12 | 0:15:15 | |
now everything's sort of digital and it's the movement and, you know, the mechanism, and it's so precise. | 0:15:15 | 0:15:22 | |
It is. How much is it? | 0:15:22 | 0:15:23 | |
-32. -Oh, 32. | 0:15:23 | 0:15:26 | |
I find it as charming as you, but I don't know whether it would have any auction value really, unfortunately. | 0:15:26 | 0:15:32 | |
Shall we think about it, just in case? | 0:15:32 | 0:15:34 | |
Come on, ladies. After a leisurely start, time is ticking away, | 0:15:34 | 0:15:38 | |
which is something the Reds are aware of, so they're considering a job lot. | 0:15:38 | 0:15:43 | |
Right, well, let's do it in the order we found them in. | 0:15:43 | 0:15:46 | |
Your Anglo Indian spectacles carrier. | 0:15:46 | 0:15:48 | |
Now, you can see how it works. | 0:15:48 | 0:15:50 | |
That's the clip for the waistband or lady's belt. | 0:15:50 | 0:15:54 | |
I tell you what, there's good weight in it and that's assayed at London. | 0:15:54 | 0:15:59 | |
Date letter M, so that's London 1888. | 0:15:59 | 0:16:03 | |
Is there any significance of the patterns on it? | 0:16:03 | 0:16:06 | |
Well, it tells a story, doesn't it just? | 0:16:06 | 0:16:09 | |
Because without a shadow of a doubt, those are Indian deities. | 0:16:09 | 0:16:15 | |
-Oh, right, OK. -No two ways about it. | 0:16:15 | 0:16:18 | |
-It might be worth a punt. -I think it's on the money, really. | 0:16:18 | 0:16:21 | |
I think it's worth... | 0:16:21 | 0:16:22 | |
I think it's worth 40 to 60 at auction, so you'd be buying it at a high estimate at that level. | 0:16:22 | 0:16:28 | |
Maybe interested in that, price dependent. Now, next we found our Victorian tea service. | 0:16:28 | 0:16:32 | |
-Shall we? -Yeah. -Silver plate on copper. | 0:16:32 | 0:16:37 | |
I see a problem straight away. Look at that. A bit of damage there. | 0:16:37 | 0:16:40 | |
There's something going on there, but let's look at the rest of it. | 0:16:40 | 0:16:44 | |
How is your little sucre? | 0:16:44 | 0:16:47 | |
Right. | 0:16:47 | 0:16:49 | |
I suspect... | 0:16:49 | 0:16:51 | |
..your sugar box, or basket, had handles. | 0:16:53 | 0:16:57 | |
I think they may have had ring handles, bow handles. | 0:16:57 | 0:17:01 | |
I'm not too sure about that. There seems to be a lot of damage. | 0:17:01 | 0:17:04 | |
Fall back on our little dish here. Now, that's a nice little object. | 0:17:04 | 0:17:09 | |
-Simple, yet effective. -What would that be used for? | 0:17:09 | 0:17:12 | |
-We'll call it a bonbon dish, shall we? -Makes it sound classy. | 0:17:12 | 0:17:15 | |
Doesn't it just? | 0:17:15 | 0:17:17 | |
A touch of the moderne there. Not quite high deco. | 0:17:17 | 0:17:21 | |
Now, what's our year? It was assayed at Birmingham. | 0:17:21 | 0:17:24 | |
I'll just try and pin it down. | 0:17:24 | 0:17:26 | |
I'll will hope this will be a 1920s, '30s piece. It looks like a... | 0:17:26 | 0:17:30 | |
capital F. You have a look at that and I'll grab the book. | 0:17:30 | 0:17:33 | |
A Roman F. 1930. Bang on! | 0:17:34 | 0:17:39 | |
Now, the weight... | 0:17:39 | 0:17:41 | |
It's not a paperweight. It's got some meat, but price, £38. | 0:17:43 | 0:17:48 | |
I think that's easy. | 0:17:48 | 0:17:50 | |
And if you're lucky, it's got to be worth £50, we hope. | 0:17:50 | 0:17:54 | |
So, what's our verdict or consensus now? | 0:17:54 | 0:17:58 | |
I think we would like to see what price we could get for | 0:17:58 | 0:18:01 | |
the spectacle holder and what we called the bonbon dish. | 0:18:01 | 0:18:04 | |
Yeah. So, it's down to shekels now. Let's see what we can do with this. | 0:18:04 | 0:18:08 | |
-Yeah. -Shall I can try and find someone? | 0:18:08 | 0:18:10 | |
-Yes, sure. -You guys keep looking, OK? -Yeah, OK. | 0:18:10 | 0:18:13 | |
Look at the owl on here. | 0:18:15 | 0:18:17 | |
Keith finally managed to drive Frances away from the scales. | 0:18:17 | 0:18:20 | |
-Probably a pottery you've heard of. -But she's not happy about it. | 0:18:20 | 0:18:24 | |
-It's Poole pottery. Have you heard of Poole? -Yes. | 0:18:24 | 0:18:28 | |
Quite nice, isn't it, really? | 0:18:28 | 0:18:30 | |
Let's say... I haven't looked at the back yet, but I hope it's Poole now I've said that! | 0:18:30 | 0:18:34 | |
Yeah, there you are, Poole Aegean ware, so it's sort of a particular range of... | 0:18:34 | 0:18:39 | |
1960s, I think these are. | 0:18:39 | 0:18:42 | |
But very often they will have sort of painters' marks on the back, | 0:18:42 | 0:18:47 | |
but surprisingly this one hasn't got it. | 0:18:47 | 0:18:50 | |
It's quite a charming image and, you know, owls are sort of very popular with people. | 0:18:50 | 0:18:55 | |
But that's £105. It's sort of probably about the right price. | 0:18:55 | 0:19:00 | |
But the scales, I like the scales, but I don't know whether they... They might not be sort of... | 0:19:00 | 0:19:06 | |
-auctionable, really. -No. | 0:19:06 | 0:19:08 | |
But this might be a consideration if we could get the price down. | 0:19:08 | 0:19:11 | |
So, we'll try and get someone to give us a price on that and we'll keep looking for the moment. | 0:19:11 | 0:19:17 | |
-Paul's back with the price of the silver. -Bad news. | 0:19:20 | 0:19:24 | |
It's not what they were hoping. | 0:19:24 | 0:19:26 | |
-No slack in the price. -Not at all? | 0:19:26 | 0:19:29 | |
Bonbon dish, £38. Spectacle case 60. | 0:19:29 | 0:19:33 | |
That is their price... | 0:19:33 | 0:19:35 | |
take it or leave it. | 0:19:35 | 0:19:37 | |
So, decisions have to be made, and not just for the Reds. | 0:19:37 | 0:19:41 | |
The chap's come back and said how much the Poole plate is, with the owl. | 0:19:41 | 0:19:46 | |
They've dropped from 105 to 70. | 0:19:46 | 0:19:48 | |
What do you think? Shall we seriously think about it? | 0:19:48 | 0:19:51 | |
-No, I hate it. -Do you? -I hate it. I really hate it! | 0:19:51 | 0:19:55 | |
Do you sort of like it? | 0:19:55 | 0:19:57 | |
I don't know. | 0:19:57 | 0:19:59 | |
I'm not 100% keen on it. I like the owl, I just don't like the colours. | 0:19:59 | 0:20:05 | |
The girls might not give a hoot for the owl dish, | 0:20:05 | 0:20:08 | |
but with only minutes left, they'll have to make a quick decision. | 0:20:08 | 0:20:11 | |
The boys, however, are spoilt for choice. | 0:20:11 | 0:20:15 | |
The bonbon dish will have a more universal appeal. | 0:20:15 | 0:20:18 | |
Your private buyer is your buyer for the bonbon dish. | 0:20:18 | 0:20:21 | |
They're the people with money to spend, and I think your spectacles case, | 0:20:21 | 0:20:25 | |
that's going to the trade. | 0:20:25 | 0:20:27 | |
So, I think we should probably go with our head over our heart and go with the bonbon dish. | 0:20:27 | 0:20:31 | |
-It's just a... -It is a nice wee item. | 0:20:31 | 0:20:34 | |
It's the lazy option. I'm going to leave it... I've said enough. | 0:20:34 | 0:20:37 | |
-Do we go for the safe bet, or... -I think we go with the bonbon dish. | 0:20:37 | 0:20:40 | |
We'll go bonbon dish, yeah. | 0:20:40 | 0:20:42 | |
So, the Reds have their third item. | 0:20:42 | 0:20:44 | |
Keith's having a last ditch attempt to persuade the Blues that the owl is a safe bet before time runs out. | 0:20:44 | 0:20:52 | |
Here it is, the horrible owl. The very horrible owl. | 0:20:52 | 0:20:55 | |
Frances is adamant, but can Lisa throw logic into the mix? | 0:20:55 | 0:21:00 | |
For the price that we're getting it for and the fact that it's Poole I think we should go for it. | 0:21:00 | 0:21:04 | |
-I think... -£70 I think it was, wasn't it? | 0:21:04 | 0:21:07 | |
That's a real serious drop on the asking price of 105. | 0:21:07 | 0:21:10 | |
So, it's a bit of a no brainer in terms of that. | 0:21:10 | 0:21:14 | |
And that's my sort of choice, this one. | 0:21:14 | 0:21:16 | |
You've got your pot, you've got your engravings. Happy with that? | 0:21:16 | 0:21:19 | |
Yeah. We'll go with you on this one. | 0:21:19 | 0:21:22 | |
I wouldn't say happy was the word, but, yeah! | 0:21:22 | 0:21:25 | |
-My head's on the line if we make a mistake, is it? -Yeah. | 0:21:25 | 0:21:28 | |
OK. Let's go for it. I think it's good. | 0:21:28 | 0:21:30 | |
-That's our third one. -Yeah. -Yeah. -Well done. | 0:21:30 | 0:21:32 | |
And the boys have paid their £38 for the bonbon dish just in the nick of time. | 0:21:34 | 0:21:40 | |
Well, I have to tell you, boys, time's up. Shopping's over. | 0:21:40 | 0:21:44 | |
That's us got our last item. | 0:21:44 | 0:21:45 | |
-What, you just bought it? -Yeah. -You jammy toads. Anyway, that's it! | 0:21:45 | 0:21:49 | |
Let's have another look at what the Reds bought. | 0:21:51 | 0:21:54 | |
The Reds and loved the truck, | 0:21:54 | 0:21:56 | |
but will this tin toy make them any profit on the £50 paid? | 0:21:56 | 0:22:00 | |
At £20 for the golf game, | 0:22:00 | 0:22:02 | |
I reckon the Reds could hit a hole in one at the auction. | 0:22:02 | 0:22:06 | |
And after much deliberation, Alan got his piece of silver | 0:22:06 | 0:22:10 | |
with the Reds buying the bonbon dish for £38. | 0:22:10 | 0:22:13 | |
Hi, there! On this programme we have something called the bonus buy. | 0:22:16 | 0:22:20 | |
You don't know what the bonus buy is? | 0:22:20 | 0:22:22 | |
Where have you been for the last two years? On the moon? | 0:22:22 | 0:22:26 | |
The bonus buy, simply put, is the expert taking any leftover money | 0:22:26 | 0:22:30 | |
from the shopping and going off and finding a surprise item | 0:22:30 | 0:22:35 | |
which he produces at the auction and if the team go for it and it makes a profit they get to keep the profit. | 0:22:35 | 0:22:41 | |
If they go for it and it makes a loss, well, frankly, that's just tough. | 0:22:41 | 0:22:46 | |
Well, that's enough sitting around from me. | 0:22:46 | 0:22:48 | |
Let's find out how the Reds think they've done and how much leftover lolly they've got for Paul. | 0:22:48 | 0:22:55 | |
Bit of a last-minute decision on the silver, wasn't it? | 0:22:55 | 0:22:58 | |
-Yes, it was. -Very quick off the mark with the toys, though. Well done. Which is your favourite piece, Dave? | 0:22:58 | 0:23:05 | |
I'm tempted to say the Arnold Palmer golf set. | 0:23:05 | 0:23:08 | |
That really jumped out at me. | 0:23:08 | 0:23:09 | |
-Did it? What about you, Alan? -Ah, same. | 0:23:09 | 0:23:11 | |
£192 of leftover lolly, please. | 0:23:11 | 0:23:14 | |
There we go. £192, Paul. | 0:23:14 | 0:23:17 | |
Tip that in there. What are you going to do with that cash, £192? | 0:23:17 | 0:23:21 | |
I've spied something that's a really pleasing decorative object. | 0:23:21 | 0:23:26 | |
-I think the guys will love it. -Well, good luck with that. | 0:23:26 | 0:23:29 | |
And, Paul, thank you. Let's remind ourselves what the Blues bought. | 0:23:29 | 0:23:33 | |
Three satisfied bargain hunters. | 0:23:33 | 0:23:36 | |
Well, almost! | 0:23:36 | 0:23:38 | |
Lisa was delighted with her French engravings at £65. | 0:23:38 | 0:23:43 | |
Frances finally got her way, | 0:23:43 | 0:23:45 | |
paying the same price for the butterfly vase. | 0:23:45 | 0:23:48 | |
This £70 beauty whipped up some strong opinions, but who's going to | 0:23:48 | 0:23:52 | |
be eating their words at auction, will it be Keith or Frances? | 0:23:52 | 0:23:56 | |
You loved those little etched pictures, didn't you? | 0:23:59 | 0:24:01 | |
-Yes, yes. -That was a favourite. | 0:24:01 | 0:24:03 | |
But you absolutely loathed the Poole owl plate. | 0:24:03 | 0:24:09 | |
Yes, we did. We hated it. | 0:24:09 | 0:24:11 | |
Hated it. Well, you spent a magnificent £200, girls. | 0:24:11 | 0:24:14 | |
You are great. £100 piece of leftover lolly goes to KB. | 0:24:14 | 0:24:17 | |
What are you going to do with that, Keith Baker? | 0:24:17 | 0:24:20 | |
Try and find something to set the world alight. | 0:24:20 | 0:24:23 | |
-Good luck with that, Keith. -Thank you. | 0:24:23 | 0:24:25 | |
I'm off around the corner here in Glasgow to look at something terribly interesting. | 0:24:25 | 0:24:30 | |
The Kelvingrove Art Gallery and Museum is home to a diverse range of objects | 0:24:32 | 0:24:36 | |
from stuffed giraffes to Spitfires. | 0:24:36 | 0:24:40 | |
I'm here to take a look at their conchcology collection - shells to you and me - | 0:24:40 | 0:24:46 | |
which have been amassed over many years and from all over the world. | 0:24:46 | 0:24:51 | |
There are over 100,000 shells in the collection | 0:24:51 | 0:24:55 | |
and here is a tiny selection. | 0:24:55 | 0:24:57 | |
This one is called a Bellybutton Nautilus shell. | 0:24:59 | 0:25:03 | |
Bellybutton because it's got this curious crevice here that resembles the human belly button, | 0:25:03 | 0:25:10 | |
and this is one of the oldest shells in the collection. | 0:25:10 | 0:25:14 | |
It's been scrimshawed, | 0:25:14 | 0:25:16 | |
that means it's inscribed with these designs with a sharp implement. | 0:25:16 | 0:25:21 | |
It was done in the French colony of New Caledonia by a French prisoner | 0:25:21 | 0:25:26 | |
towards the end of the 1800s and is a lovely shimmering example. | 0:25:26 | 0:25:31 | |
Next is something called Rumpy's slit shell. | 0:25:32 | 0:25:37 | |
So called because if you look down this surface there's an open slit | 0:25:37 | 0:25:43 | |
which closes up as the shell grows. | 0:25:43 | 0:25:47 | |
They're found in the very deepest parts of the ocean | 0:25:47 | 0:25:51 | |
and are occasionally dredged up. | 0:25:51 | 0:25:53 | |
In fact, they're on the fossil record. | 0:25:53 | 0:25:56 | |
They were thought to have dated back to the time of the dinosaurs, | 0:25:56 | 0:26:00 | |
and this one was bought by the museum in 1984 for £1,695. | 0:26:00 | 0:26:06 | |
Examples have sold for in excess of 10,000. | 0:26:07 | 0:26:13 | |
Now this cowry shell looks pretty ordinary, | 0:26:13 | 0:26:17 | |
but what's rare and unusual about it is this pattern on the back. | 0:26:17 | 0:26:21 | |
It isn't covered all over with little spots, which is what you'd expect to find on a common cowry. | 0:26:21 | 0:26:27 | |
These things are rare because they're only found in the bellies of deep-sea fish. | 0:26:27 | 0:26:33 | |
But, curiously, in recent times, they've become more common. | 0:26:33 | 0:26:36 | |
That's because deep sea trawlers have become ever more powerful, | 0:26:36 | 0:26:40 | |
their nets dredging to ever greater depths, and more fish have been discovered | 0:26:40 | 0:26:46 | |
with more of these shells within them in brilliant condition, | 0:26:46 | 0:26:50 | |
which is bad luck on the American collector who paid 15,000 | 0:26:50 | 0:26:56 | |
for one of these shells that today might only be worth 1,000. | 0:26:56 | 0:27:00 | |
So, it just goes to show you have to be very careful with what you buy, | 0:27:01 | 0:27:06 | |
rather like today over at the auction. | 0:27:06 | 0:27:09 | |
It's going to be most interesting to see exactly what's shelled out. | 0:27:09 | 0:27:13 | |
Well, I can't tell you how happy I am to be in Scotland again | 0:27:25 | 0:27:28 | |
at Great Western Auctions with you, Anita. | 0:27:28 | 0:27:31 | |
We're delighted to have you along. | 0:27:31 | 0:27:33 | |
Very sweet of you. Now, our team Alan and David, they went with Paul Laidlaw, your countrymen, | 0:27:33 | 0:27:40 | |
and the first item is this removal van. | 0:27:40 | 0:27:42 | |
This was made by Marx company, Marx toys company, an American company. | 0:27:42 | 0:27:48 | |
They mass produced these toys. They were never expensive | 0:27:48 | 0:27:52 | |
at the time, and this one comes from perhaps the 1950s, 1960s. | 0:27:52 | 0:27:57 | |
How do you rate it moneywise? | 0:27:57 | 0:27:59 | |
I've estimated £40 to £60. | 0:27:59 | 0:28:02 | |
-Well, £50 was paid by the team. -Yeah. -And they're hopeful. | 0:28:02 | 0:28:06 | |
And they've also gone for another wacky toy by the same manufacturer. | 0:28:06 | 0:28:10 | |
We seem to have an articulated golfer here whizzing along. | 0:28:10 | 0:28:14 | |
-This is Arnold Palmer. -Arnold Palmer. | 0:28:14 | 0:28:16 | |
This is great fun. We've been playing with it all week! | 0:28:16 | 0:28:19 | |
-How's your swing? -Not very good! -How much do you think it'll bring? | 0:28:19 | 0:28:24 | |
I think we've estimated it at 20 to 30. | 0:28:24 | 0:28:26 | |
-£20 paid. -A good buy. | 0:28:26 | 0:28:28 | |
I've a funny feeling it's going to do very well, but we shall see. | 0:28:28 | 0:28:31 | |
-Yes. -And, lastly, the little silver bonbon dish. Classic, isn't it? | 0:28:31 | 0:28:35 | |
It's such a sweet little thing with this castellated rim | 0:28:35 | 0:28:39 | |
and the little handles, which remind me of drawbridges. | 0:28:39 | 0:28:43 | |
Well, they paid a princely £38. | 0:28:43 | 0:28:45 | |
-How do you rate that? -That's very good. | 0:28:45 | 0:28:47 | |
I've estimated it at 50 to 70, so I think they did very well. | 0:28:47 | 0:28:50 | |
-That's super. They could almost double their money. -They could. | 0:28:50 | 0:28:53 | |
Well, just in case it goes belly up, we ought to go and have a look at the bonus buy. Here it comes. | 0:28:53 | 0:28:59 | |
You gave Paul £192, what did you spend it on? | 0:28:59 | 0:29:02 | |
Let's see what you think of this. I love this. | 0:29:02 | 0:29:06 | |
-It's a pretty bit of sculpture. -It looks lovely. -Yeah. | 0:29:06 | 0:29:09 | |
It's a clock case. | 0:29:09 | 0:29:11 | |
Don't be alarmed by the fact that there's no mechanism in there. | 0:29:11 | 0:29:14 | |
Mechanisms are universal and easily acquired. | 0:29:14 | 0:29:17 | |
We're looking at a little diamond here, let me assure you. | 0:29:17 | 0:29:21 | |
This is bronze spelter, circa 1920 by my reckoning, | 0:29:21 | 0:29:25 | |
but the modelling there, I think, is tiptop and I think that | 0:29:25 | 0:29:30 | |
has got the potential to be a runaway success, let me assure you. | 0:29:30 | 0:29:35 | |
-Yeah? -Does it do anything for you? | 0:29:35 | 0:29:37 | |
-It's quite nice to look at, I suppose. -Quite nice! | 0:29:37 | 0:29:40 | |
I suppose when you say you could put a clock in there, it's functional. | 0:29:40 | 0:29:45 | |
A good amount of detail on the horse and things. | 0:29:45 | 0:29:49 | |
Isn't it? That's nicely executed. It cost me £25. | 0:29:49 | 0:29:52 | |
Ah, bonus. | 0:29:52 | 0:29:54 | |
I think that's good for 50 to 80. | 0:29:54 | 0:29:57 | |
I think if you take a bet on that, bank on you winning. | 0:29:57 | 0:30:02 | |
-Superb. -Well, you don't have to punt on it right now. | 0:30:02 | 0:30:05 | |
You decide later. For the viewers at home, let's find out what the auctioneer thinks about it. | 0:30:05 | 0:30:11 | |
Anita, all you need is a clock movement to go in it because it's a handsome case, isn't it? | 0:30:11 | 0:30:16 | |
I think it's lovely. It has the art deco influence on the base here. | 0:30:16 | 0:30:20 | |
-So, how do you rate Mr Laidlaw's bonus buy? -Estimated 40 to 60. | 0:30:20 | 0:30:25 | |
He'll be delighted about that because he only paid £25. | 0:30:25 | 0:30:28 | |
Anyway, that's it for the Reds. Now, for the Blues, Frances and Lisa. | 0:30:28 | 0:30:32 | |
-Their first item are these three weird French plates... -Yes. | 0:30:32 | 0:30:37 | |
..which I guess are connected to printing. | 0:30:37 | 0:30:39 | |
Yes. They would have been the engraving plates, perhaps for bookplates because of their size. | 0:30:39 | 0:30:44 | |
They're nice and neat. This one would not have been a printing plate | 0:30:44 | 0:30:48 | |
because we don't have a mirror image on the text here. | 0:30:48 | 0:30:52 | |
Unless they did the engraving of the whatnot, you know, when they remounted the printing plate. | 0:30:52 | 0:30:57 | |
-They might have done that. -Difficult to estimate. -Yes. | 0:30:57 | 0:31:00 | |
-50 to 80? -Very good. £65 paid. -Yeah. -So, it's pretty well on the button. | 0:31:00 | 0:31:06 | |
Now, what about the Poole Aegean pottery plaque, really, not a plate. | 0:31:06 | 0:31:11 | |
Yes, it is a wall plate, and Poole is very popular just now, | 0:31:11 | 0:31:16 | |
and this period of Poole, from the 1960s, is hot. | 0:31:16 | 0:31:20 | |
Is it? Hmm! | 0:31:20 | 0:31:22 | |
Well, were they wise to pay £70 for it? | 0:31:22 | 0:31:25 | |
Well, it wasn't too dear. | 0:31:25 | 0:31:28 | |
-I've estimated at 60 to 80, so we're still in the ballpark. -They're right in the middle. | 0:31:28 | 0:31:33 | |
-Yes. -And the last item is this rather chunky vase. | 0:31:33 | 0:31:37 | |
I like studio pottery. This one was done by Bernard Rooke. | 0:31:37 | 0:31:41 | |
They are collectable. | 0:31:41 | 0:31:43 | |
People do like them. | 0:31:43 | 0:31:45 | |
Estimate on it 50 to 70. | 0:31:45 | 0:31:48 | |
OK, £65 paid. | 0:31:48 | 0:31:49 | |
So, pretty well throughout all three items they're on the button | 0:31:49 | 0:31:53 | |
in the middle of your estimate, which is a good thing. | 0:31:53 | 0:31:56 | |
-But, as we know, the auction can be... -HE LAUGHS | 0:31:56 | 0:32:00 | |
..an extraordinary experience, so I guess we'd better check out the bonus buy. | 0:32:00 | 0:32:06 | |
-Now, Frances and Lisa, you spent £200. -Yes, we did. | 0:32:06 | 0:32:09 | |
And you give £100 to Keith Baker to find your bonus buy. What did he buy you? | 0:32:09 | 0:32:14 | |
Well, Mum will recognise it. | 0:32:14 | 0:32:16 | |
-I wanted to buy that! -You wanted to buy this, didn't you? | 0:32:19 | 0:32:23 | |
And we sort of steered you away for something else, but I thought it would be interesting to take this as | 0:32:23 | 0:32:29 | |
the bonus buy. Have another look at it because you liked the mechanical way it worked, didn't you? | 0:32:29 | 0:32:35 | |
You're not getting it back now! | 0:32:35 | 0:32:37 | |
So, what was it again that you said you thought it was for? | 0:32:37 | 0:32:41 | |
Well, it's postal scales, made in Germany, actually, but for a Canadian retailer I gather, or... | 0:32:41 | 0:32:47 | |
-How much did you spend? -£30. | 0:32:47 | 0:32:50 | |
-That's not bad. -So, at £30, do you think it'll make a profit? | 0:32:50 | 0:32:55 | |
It appeals to you, it appeals to me, I think it could easily appeal to some people in the auction. | 0:32:55 | 0:33:00 | |
-I think it will. -For viewers at home let's find out what the auctioneer thinks about it. | 0:33:00 | 0:33:05 | |
-They're not unattractive, are they? -I think they're lovely. | 0:33:05 | 0:33:09 | |
I really do like these. They have a sculptural quality about them, and they're great fun to play with. | 0:33:09 | 0:33:16 | |
What I think is amusing is the jaws open as the weight goes on it, which is quite fun, actually. | 0:33:16 | 0:33:23 | |
Completely useless because they relate to postal scales in North America early in the 20th century, | 0:33:23 | 0:33:30 | |
-so from that point of view it's just a bit of fun to have on your desk. -And a decorative item. | 0:33:30 | 0:33:35 | |
-Yes. And in good nick. -Appealing to the eye. | 0:33:35 | 0:33:39 | |
All right, you sold it to me, what do you think you're going to sell it for in the auction? | 0:33:39 | 0:33:44 | |
-I've estimated 25 to 40. -Keith paid £30 and he's reckoning on a profit. | 0:33:44 | 0:33:48 | |
I think he stands a fair chance of getting it, don't you? | 0:33:48 | 0:33:51 | |
-I think so, too. -Very good. | 0:33:51 | 0:33:53 | |
What interests me, Anita, is how you see the market at the moment. | 0:33:53 | 0:33:57 | |
Are we likely to get a good result today? | 0:33:57 | 0:34:00 | |
I know that the auction will be busy. | 0:34:00 | 0:34:03 | |
The bidding will be fierce and I will be doing my best. | 0:34:03 | 0:34:06 | |
Gosh! | 0:34:06 | 0:34:08 | |
Now, Alan and David, how are you feeling? | 0:34:14 | 0:34:16 | |
-All right. -Really good. -Are you hot to trot? | 0:34:16 | 0:34:18 | |
-Oh, yeah. -Excellent. Anyway, first up is the American tinplate removal van, and here it comes. | 0:34:18 | 0:34:24 | |
Lot 138, an American tinplate toy and it's by Marx toys of the USA. | 0:34:24 | 0:34:32 | |
It's in perfect condition. | 0:34:32 | 0:34:34 | |
Start me at £40. £40. | 0:34:34 | 0:34:37 | |
£20, then. 20 bid. 30. 40. | 0:34:37 | 0:34:41 | |
£40. | 0:34:41 | 0:34:42 | |
-Any advance on 40? -Oh, dear. | 0:34:42 | 0:34:44 | |
50, fresh bid. With you, sir, at £50. | 0:34:44 | 0:34:48 | |
Any advance on £50? All done at £50? | 0:34:48 | 0:34:50 | |
-£50. -Paul Laidlaw, that's close. | 0:34:50 | 0:34:53 | |
£50 and wiped its face. | 0:34:53 | 0:34:55 | |
No profit, no loss. Well done, Paul. Arnold Palmer, now. | 0:34:55 | 0:34:58 | |
Again it's the Marx toys company, ladies and gentlemen. | 0:34:58 | 0:35:01 | |
It's the official Arnold Palmer Pro Shot Golf Game, hours of endless fun. | 0:35:01 | 0:35:10 | |
She's great, isn't she? | 0:35:12 | 0:35:13 | |
£80. £80, for all that fun. 60. | 0:35:13 | 0:35:17 | |
Start me at 20. 20 bid. 30. | 0:35:17 | 0:35:19 | |
Any advance on £30? | 0:35:19 | 0:35:22 | |
Any advance on 30 for Arnold Palmer? | 0:35:22 | 0:35:25 | |
I'll take five. 35. | 0:35:25 | 0:35:27 | |
Any advance on 35? All done at 35. | 0:35:27 | 0:35:30 | |
-35. -Well done. | 0:35:30 | 0:35:32 | |
£35. You are plus £15. Well done, Paul Laidlaw. | 0:35:32 | 0:35:36 | |
That's very fair. Now, the bonbon dish. | 0:35:36 | 0:35:39 | |
Are you going to double your money or not? | 0:35:39 | 0:35:41 | |
-Here we go. -It's art deco. | 0:35:41 | 0:35:43 | |
It's by James Dixon & Son, one of the best silversmiths in Sheffield. | 0:35:43 | 0:35:49 | |
Start me at £20? 20 bid. | 0:35:49 | 0:35:51 | |
Any advance on 20? | 0:35:51 | 0:35:53 | |
30. 40. 50. | 0:35:53 | 0:35:57 | |
£50. £50 for the art deco. | 0:35:57 | 0:35:59 | |
50. 60, fresh bidder. | 0:35:59 | 0:36:02 | |
60. I'll take it in five. | 0:36:02 | 0:36:04 | |
Hey, you paid 38. | 0:36:04 | 0:36:07 | |
Any advance on £60? £60? Oh, 65. | 0:36:07 | 0:36:12 | |
Mr Bottomley, 65. | 0:36:12 | 0:36:15 | |
-65, fresh bidder. 70. -Yes! | 0:36:15 | 0:36:18 | |
He is a punter. | 0:36:18 | 0:36:20 | |
-Any advance? 75. -75! | 0:36:20 | 0:36:23 | |
Come on, keep going! | 0:36:23 | 0:36:25 | |
-75. 80. £80. -This is a battle. | 0:36:25 | 0:36:27 | |
With you, sir, at £80. Any advance on £80? £80. | 0:36:27 | 0:36:32 | |
£80 is splendid, isn't it? | 0:36:32 | 0:36:36 | |
So, 38's two short of 40, you've made £42 on that. | 0:36:36 | 0:36:39 | |
£42! 42, 52, 57. | 0:36:39 | 0:36:42 | |
-You are £57 up, boys. -Nice one. | 0:36:42 | 0:36:46 | |
That's a pretty good one, isn't it, £57? Feeling good? | 0:36:46 | 0:36:49 | |
-Feeling warm, comfortable? -This is fantastic. | 0:36:49 | 0:36:51 | |
Are you going to risk it? £25 on the gee-gee. | 0:36:51 | 0:36:53 | |
-We're still good to be in profit after this. -You are. | 0:36:53 | 0:36:57 | |
Paul has always saw us right, we have to go with it. I trust him. | 0:36:57 | 0:37:01 | |
You're definitely going to do this? Here it comes. | 0:37:01 | 0:37:03 | |
Lot 143 is this art deco bronzed clock case | 0:37:03 | 0:37:08 | |
with the thoroughbred atop. | 0:37:08 | 0:37:11 | |
Start me at £20. 20 bid. | 0:37:11 | 0:37:14 | |
20 bid. 30. 40. | 0:37:14 | 0:37:18 | |
-50. -Doubled your money. -£50. | 0:37:18 | 0:37:20 | |
Any advance on £50? All done at £50? | 0:37:20 | 0:37:24 | |
All done at £50? £50. | 0:37:24 | 0:37:27 | |
£50 is plus £25. | 0:37:27 | 0:37:31 | |
You are 50, 60, 70. You're £82 up. | 0:37:31 | 0:37:33 | |
82 smackers! Is he a genius or not? | 0:37:33 | 0:37:36 | |
He's a genius, and he's a legend. | 0:37:36 | 0:37:40 | |
A genius and a legend! That's quite something, isn't it? | 0:37:40 | 0:37:43 | |
Don't tell the Blues a thing, all right? Mum's the word. We don't want them to know. Super. | 0:37:43 | 0:37:47 | |
Look miserable when you go out. Is that possible, can you do that? | 0:37:47 | 0:37:51 | |
I'm Scottish, it's easy. It comes naturally! | 0:37:51 | 0:37:53 | |
-So, Keith, your Aegean Poole pottery plate with the wise old on it. -Yeah. | 0:38:03 | 0:38:09 | |
Are you still comfy with that, then? | 0:38:09 | 0:38:11 | |
I am. People collect owls, people collect Poole, I think it's got at least two things going for it. | 0:38:11 | 0:38:17 | |
-Do you like it, girls? -No. -Not very much, yes. | 0:38:17 | 0:38:20 | |
I think I suspect a little disagreement here. | 0:38:22 | 0:38:27 | |
-No, I don't like it. -You don't like it? -No. | 0:38:27 | 0:38:29 | |
Does it make you feel like vomiting? | 0:38:29 | 0:38:32 | |
I think someone has on it! | 0:38:32 | 0:38:34 | |
That's enough of that. The first lot coming up and here it comes. | 0:38:34 | 0:38:37 | |
The Poole Aegean wall plate with the owl decoration. | 0:38:37 | 0:38:42 | |
Another superb piece of 20th century design. | 0:38:42 | 0:38:46 | |
£150. 150. | 0:38:47 | 0:38:50 | |
100. Will you start me at £50 for the Poole plate? | 0:38:50 | 0:38:55 | |
30, then. 30 bid. 40. | 0:38:55 | 0:38:58 | |
50. 60. 70. | 0:38:58 | 0:39:00 | |
£70. | 0:39:00 | 0:39:03 | |
With you sir at 70. Any advance? | 0:39:03 | 0:39:06 | |
Just there, look! | 0:39:06 | 0:39:08 | |
All done at £70? £70. | 0:39:08 | 0:39:10 | |
Well done, Keith! On the nose. | 0:39:10 | 0:39:12 | |
Wiped its face. No profit, no loss. | 0:39:12 | 0:39:15 | |
He's looking relieved, though! | 0:39:15 | 0:39:17 | |
160, ladies and gentlemen, a charming lot. | 0:39:17 | 0:39:22 | |
Three mounted engraved metal plaques. | 0:39:22 | 0:39:26 | |
Start me at £50. £50 for the engravings. £50, surely. | 0:39:26 | 0:39:30 | |
£40, then. 40 bid. 50. | 0:39:30 | 0:39:32 | |
60. 70. | 0:39:32 | 0:39:35 | |
£70. | 0:39:35 | 0:39:37 | |
You're in profit, just. | 0:39:37 | 0:39:39 | |
Any advance on £70? All done at £70? | 0:39:39 | 0:39:42 | |
-£70. -Well done, Lisa. | 0:39:42 | 0:39:44 | |
That's perfect. | 0:39:44 | 0:39:46 | |
You have a £5 profit, which is very good. Look at how pleased she is! | 0:39:46 | 0:39:50 | |
162, Bernard Rooke, a London Potter, ladies and gentlemen, | 0:39:50 | 0:39:56 | |
and this is a wonderful piece of his work. | 0:39:56 | 0:40:00 | |
Will you start me at £50? 30, then. | 0:40:00 | 0:40:03 | |
-30 bid. -This is not looking so hot. | 0:40:03 | 0:40:06 | |
Any... 40. 50. | 0:40:06 | 0:40:08 | |
£50. Any advance on 50? | 0:40:08 | 0:40:12 | |
I'll take five. 55. 60. 65. | 0:40:12 | 0:40:16 | |
-65. -You're there! | 0:40:16 | 0:40:19 | |
-Well done. -70, fresh bidder. | 0:40:19 | 0:40:21 | |
Any advance on £70? | 0:40:21 | 0:40:23 | |
All done at £70? £70. | 0:40:23 | 0:40:26 | |
Well done, Frances. | 0:40:26 | 0:40:28 | |
£70, it's a £5 profit, which is brilliant. £5 on that. | 0:40:28 | 0:40:32 | |
So overall then, guys, you have £10 profit, which is very good, isn't it? | 0:40:32 | 0:40:38 | |
The estimates versus what you paid were not brilliant, all right? | 0:40:38 | 0:40:41 | |
You could have made some losses. You've come out with a tenner. | 0:40:41 | 0:40:45 | |
There's nothing to be ashamed of. That could be a winning score. | 0:40:45 | 0:40:48 | |
What are you going to do about these postal scales? | 0:40:48 | 0:40:50 | |
Do you want to bank your £10, or risk it with the postal scales? | 0:40:50 | 0:40:54 | |
-What do you want to do? -Stick with what we've got. What do you think? | 0:40:54 | 0:40:57 | |
I think we'll stick with what we've got. | 0:40:57 | 0:40:59 | |
-Do you think you're going to do that? -Yeah. | 0:40:59 | 0:41:01 | |
166 is a Canadian postal scales set. | 0:41:01 | 0:41:05 | |
Can we say £50? 40. Start me at 20. | 0:41:05 | 0:41:09 | |
20 bid. Any advance on 20? 25. 30. | 0:41:09 | 0:41:12 | |
35. 40. £40. | 0:41:12 | 0:41:16 | |
-Any advance on £40? -It's a profit. | 0:41:16 | 0:41:18 | |
Any advance on £40? All done at £40? | 0:41:18 | 0:41:21 | |
£40. | 0:41:21 | 0:41:23 | |
Oh, bad luck, girls. £40 it made. | 0:41:23 | 0:41:26 | |
It made a profit of £10. | 0:41:26 | 0:41:28 | |
You could have doubled your takings. You should have trusted Keith! | 0:41:28 | 0:41:33 | |
Anyway, there we are. You've made an overall profit of £10. | 0:41:33 | 0:41:36 | |
That could be a winning score. Please, don't talk to the Reds, OK? | 0:41:36 | 0:41:40 | |
-OK. -OK. | 0:41:40 | 0:41:41 | |
Each team has made either substantial profit | 0:41:46 | 0:41:50 | |
or has wiped its face in every single item. | 0:41:50 | 0:41:55 | |
There's something very wrong here! | 0:41:55 | 0:41:57 | |
-And have they been talking? Have you been having a chat? -No. | 0:41:57 | 0:42:01 | |
So, neither of you know quite what the scale of your winnings are versus the other? | 0:42:01 | 0:42:06 | |
I have to reveal that the team that is the runner up today are the Blues. | 0:42:06 | 0:42:11 | |
You made a profit of a tenner. | 0:42:11 | 0:42:14 | |
You could have made £20 if you'd trusted Keith but, nevertheless, | 0:42:14 | 0:42:19 | |
you decided to go against him and you have a profit of a tenner. | 0:42:19 | 0:42:23 | |
So, it's an achievement to make a profit, | 0:42:23 | 0:42:25 | |
I have to tell you, and there it is. Enjoy it. | 0:42:25 | 0:42:27 | |
Thank you very much for joining us. But the winners today are the boys! | 0:42:27 | 0:42:31 | |
And quite substantial profits you've made, too, haven't you? | 0:42:31 | 0:42:34 | |
Overall, up £82. Look at the face! | 0:42:34 | 0:42:37 | |
Pretty chuffed! | 0:42:37 | 0:42:39 | |
-Quite chuffed. -Pretty chuffed! | 0:42:39 | 0:42:41 | |
I'd say you're chuffed, though, that's fantastic. So, £82 overall. | 0:42:41 | 0:42:46 | |
Are you going to do this professionally in the future? | 0:42:46 | 0:42:49 | |
-We might do, yeah. -We might do. | 0:42:49 | 0:42:52 | |
-We've don't want to put Paul out of business. -No, no, no, quite. | 0:42:52 | 0:42:55 | |
-It's been brilliant fun. -It's been fantastic. | 0:42:55 | 0:42:57 | |
OK, great. Here's your £82, anyway, and heartfelt congratulations for that | 0:42:57 | 0:43:02 | |
because it doesn't happen that often. | 0:43:02 | 0:43:04 | |
Brilliant. Thank you very much for joining us on the show. | 0:43:04 | 0:43:07 | |
-Join us soon for some more Bargain Hunt, yes? -Yes! | 0:43:07 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:24 | 0:43:27 | |
E-mail [email protected] | 0:43:27 | 0:43:30 |