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Today we're in a centre of edu-macation, | 0:00:02 | 0:00:06 | |
but we've taken a day off our studies to go bargain hunting! | 0:00:06 | 0:00:10 | |
Today, we're at Derby University, | 0:00:38 | 0:00:41 | |
home to academics and today to Jaguar Antiques fairs, so I hope | 0:00:41 | 0:00:47 | |
our teams have done their revision if they're serious about winning. | 0:00:47 | 0:00:50 | |
Each team, as usual, will get £300 and one hour to go shopping for three items to sell on | 0:00:50 | 0:00:57 | |
later at auction and, hopefully, make a load of money. | 0:00:57 | 0:01:00 | |
Coming up today, the Reds impress Kate with their decision-making techniques. | 0:01:00 | 0:01:05 | |
One, two, three. | 0:01:05 | 0:01:07 | |
-Oh, no! -We have it. | 0:01:07 | 0:01:08 | |
OK, let's have it, please. | 0:01:08 | 0:01:10 | |
But not all their items are quite what they seem. | 0:01:10 | 0:01:12 | |
-Now, guess what that is? -Is a plant pot? | 0:01:12 | 0:01:16 | |
And the auctioneer tried his hardest. | 0:01:16 | 0:01:18 | |
It's lost a lot of money! Get them out of a hole. Oh, no! | 0:01:18 | 0:01:22 | |
That's all for a later. But first... | 0:01:22 | 0:01:25 | |
Whichever team makes the most profit wins. | 0:01:25 | 0:01:28 | |
Knowledge, of course, counts and let's hope the teams have got lots of it and let's go and meet them. | 0:01:28 | 0:01:34 | |
Today, we have the amazing Red duo of mother and son, with Andrew and Hillary. | 0:01:40 | 0:01:45 | |
Welcome. And for the Blues good friends, Lydia and Marley. | 0:01:45 | 0:01:49 | |
Welcome. Now, you two as a mother and son combo are going to be the most amazing team? | 0:01:49 | 0:01:54 | |
-I hope so. -Definitely. | 0:01:54 | 0:01:55 | |
Yes! It says here that Andrew is going to be very good for bargaining | 0:01:55 | 0:01:58 | |
and Hillary is going to be good at ensuring a profit. | 0:01:58 | 0:02:01 | |
-I hope so. -Yes. | 0:02:01 | 0:02:03 | |
You ought to be all right at this, Hillary. | 0:02:03 | 0:02:06 | |
Yes, I am an accountant, so I do know how profits, in theory, are calculated. | 0:02:06 | 0:02:10 | |
Whether we'll be so lucky today I don't know, but I hope so. | 0:02:10 | 0:02:13 | |
-And in your spare time you like to go tap dancing? -Indeed, I do. | 0:02:13 | 0:02:17 | |
-Have you got your tap shoes? -I didn't bring them, sorry. | 0:02:17 | 0:02:20 | |
-Bring them to the auction, that would be fun. -If you would like me to, OK. | 0:02:20 | 0:02:24 | |
-Andrew, you're a great fan of dancing too. -I am, but no particular form. | 0:02:24 | 0:02:27 | |
-I just bust loose. -Oh, do you? -Oh, yes. | 0:02:27 | 0:02:30 | |
-But you are musical, aren't you? -I'm the lead guitarist of a band. | 0:02:30 | 0:02:33 | |
What's the name? | 0:02:33 | 0:02:34 | |
-It's The Backfire Effect. -I love the name. | 0:02:34 | 0:02:37 | |
No, we don't! | 0:02:37 | 0:02:39 | |
And what do you do when you're not getting your groove in? | 0:02:39 | 0:02:42 | |
I'm a student at Northampton University. I'm going to become a primary school teacher. | 0:02:42 | 0:02:47 | |
And is this a vocation that kind of came at you all of a sudden or have you always wanted to do it? | 0:02:47 | 0:02:52 | |
I did work experience at my old primary school when I was 16 | 0:02:52 | 0:02:56 | |
and then I was going to be a computer games designer, but then after a year, as Mum would say, | 0:02:56 | 0:03:00 | |
bit of an epiphany, I said, "I want to be a primary school teacher." | 0:03:00 | 0:03:04 | |
-So, off I went to Northampton and here I am. -I think you're going to do very well today. | 0:03:04 | 0:03:09 | |
How do you two know each other? | 0:03:09 | 0:03:10 | |
I met Marley in a club. | 0:03:10 | 0:03:12 | |
We were a little bit drunk and dancing to Stevie Wonder. | 0:03:12 | 0:03:15 | |
After that, I go to a lot of car boot sales | 0:03:17 | 0:03:19 | |
and Marley had never been, so I took him. Now we're boot buddies. | 0:03:19 | 0:03:22 | |
Boot buddies, that sounds such fun. | 0:03:22 | 0:03:24 | |
-You're both students? -Yes. | 0:03:24 | 0:03:27 | |
And what are you studying, Lydia? | 0:03:27 | 0:03:29 | |
I did my degree in fashion and I'm now studying at Derby University to do my teaching qualification. | 0:03:29 | 0:03:35 | |
Brilliant. So, we're on your campus? | 0:03:35 | 0:03:37 | |
-Yeah. -This is familiar territory. | 0:03:37 | 0:03:39 | |
-It's home! -That's funny for you! So, you're passionate about fashion. | 0:03:39 | 0:03:43 | |
You want to start your own fashion business? | 0:03:43 | 0:03:46 | |
Yeah. It's going to be an internet business. It's going to basically be vintage clothes | 0:03:46 | 0:03:50 | |
that are customised and altered to fit the modern figure. | 0:03:50 | 0:03:53 | |
I think that's rather a cunning plan, girl. So, where are you working at the moment? | 0:03:53 | 0:03:58 | |
I'm working at a hat shop and I've got a little present for you. | 0:03:58 | 0:04:01 | |
Great! What's in your box? | 0:04:01 | 0:04:03 | |
-It is... -I don't believe this! Look! -A rollable Panama hat. I'll put this on the floor. | 0:04:03 | 0:04:08 | |
You knew this was going to be my favourite! | 0:04:08 | 0:04:10 | |
Oh, I knew. We've seen you in your hat. | 0:04:10 | 0:04:12 | |
Lydia, tell me about these, because they're very special. | 0:04:12 | 0:04:16 | |
It's a Fair Trade rollable Panama and it's a leno weave | 0:04:16 | 0:04:19 | |
and this one is a more circular weave, so it's more durable. | 0:04:19 | 0:04:22 | |
So, you've brought me something really fab, which I shall wear a lot, yes. | 0:04:22 | 0:04:26 | |
Now, Marley, what are you studying, mate? | 0:04:26 | 0:04:29 | |
I'm studying cultural studies and music here at Derby Uni, as well. | 0:04:29 | 0:04:32 | |
What do you intend doing when you finish? | 0:04:32 | 0:04:35 | |
I think I'm going to go on to do a PGCE and do primary school music teaching. | 0:04:35 | 0:04:40 | |
It was an epiphany, like yours, that I wanted to do that. | 0:04:40 | 0:04:43 | |
Now, you've got quite an unusual name, Marley, so just talk us through all your names. | 0:04:43 | 0:04:48 | |
Well, my first name is Marley, and that's named after | 0:04:48 | 0:04:51 | |
the late Bob Marley, and my middle name is Starsky. | 0:04:51 | 0:04:53 | |
So, is Starsky related to what was on the television at about the time that you were born? | 0:04:53 | 0:04:58 | |
-Yes, it was. -Starsky and Hutch. | 0:04:58 | 0:05:00 | |
Anyway, we've got most interesting teams today, but here comes the money moment. £300 apiece. | 0:05:00 | 0:05:07 | |
-Thank you. -You know the rules, your experts await and off you go and very good luck. | 0:05:07 | 0:05:11 | |
So, our teams today may be well and truly learned, but I fancy they're | 0:05:11 | 0:05:15 | |
still going to need a helping hand from their experts. | 0:05:15 | 0:05:19 | |
For the Reds, Kate Bliss. She's well versed in the Victorian era. | 0:05:19 | 0:05:25 | |
And for the Blues, David Harper, | 0:05:25 | 0:05:27 | |
who's an expert when it comes to glassware. | 0:05:27 | 0:05:30 | |
Talking of which, it's time to turn the hourglass and get the shopping underway. | 0:05:32 | 0:05:37 | |
Well, there's loads to look at. | 0:05:38 | 0:05:40 | |
Is there anything you're looking out for? | 0:05:40 | 0:05:42 | |
Nothing at all. Absolutely... | 0:05:42 | 0:05:43 | |
-We are a completely blank canvas, -Please guide us. | 0:05:43 | 0:05:46 | |
-You're looking a bit frightened, like rabbits in the headlights. -Yes! | 0:05:46 | 0:05:50 | |
I'm sure it'll be fun. | 0:05:50 | 0:05:51 | |
-But we still don't know what we're doing. -Let's get started. | 0:05:51 | 0:05:54 | |
Let's go and have a look down there. | 0:05:54 | 0:05:57 | |
The Reds may be feeling nervous, but are the Blues feeling the same? | 0:05:57 | 0:06:01 | |
-My gosh, this is like home from home for you two, isn't it? -Yeah. | 0:06:01 | 0:06:04 | |
Yeah, I only live two seconds away. | 0:06:04 | 0:06:06 | |
-We walked in and it was no time at all. -And you're raring to go? | 0:06:06 | 0:06:09 | |
-Yeah. -You've got your stopwatch? | 0:06:09 | 0:06:11 | |
-I have. -OK, let's go. -Ready. | 0:06:11 | 0:06:14 | |
Hang on, I've spotted something. | 0:06:19 | 0:06:20 | |
-What's that? -It's, like, proper old opera glasses. -Opera glasses! | 0:06:20 | 0:06:24 | |
You see quite a lot of opera glasses | 0:06:24 | 0:06:27 | |
and these are particularly nice because of this handle. | 0:06:27 | 0:06:30 | |
-Is that ivory? -I think it's mother-of-pearl. -It is mother-of-pearl, Andrew. | 0:06:30 | 0:06:34 | |
The nice thing about these is, look, we've got a name around here. | 0:06:34 | 0:06:38 | |
Chevalier is the name, so that is rather nice having the name around there. | 0:06:38 | 0:06:44 | |
And you've got this lovely handle. | 0:06:44 | 0:06:45 | |
If you just look at this... | 0:06:45 | 0:06:47 | |
-That looks like rope. -Yes, it does. | 0:06:47 | 0:06:49 | |
There's string on there and then this gilt metal has been tooled | 0:06:49 | 0:06:52 | |
and engraved and mother-of-pearl on the handle as well. | 0:06:52 | 0:06:56 | |
-Does it work? -Have a look, have a look. | 0:06:56 | 0:06:59 | |
Oh, yes. That's brilliant. | 0:07:01 | 0:07:03 | |
-May I? -There you go. | 0:07:03 | 0:07:05 | |
-It's really good, actually. I like this. -I think those are fun. Now, the price here is 55, | 0:07:09 | 0:07:13 | |
which I don't think is too bad. | 0:07:13 | 0:07:16 | |
At auction these could make anything from £20 to £40, £50. | 0:07:16 | 0:07:20 | |
-Worst scenario... -55 is over the odds? | 0:07:20 | 0:07:22 | |
It is. What do you think about buying these? | 0:07:22 | 0:07:25 | |
We've got to get them to a good price... | 0:07:25 | 0:07:27 | |
We have. Why don't I go and have a chat with the stallholder? | 0:07:27 | 0:07:31 | |
-Have a look and see if there's anything else you fancy. -No problem. -OK. | 0:07:31 | 0:07:34 | |
So, the Reds seem to have shaken their nerves already. | 0:07:35 | 0:07:38 | |
Now, Lydia seems to know more than she's letting on about this antiques lark. | 0:07:38 | 0:07:42 | |
Is that majolica over there? | 0:07:42 | 0:07:44 | |
Oh, I say! You know, you know much more than you pretend. | 0:07:44 | 0:07:47 | |
-Marley, are you worried here? -I am. | 0:07:47 | 0:07:49 | |
She was saying she doesn't know about antiques, | 0:07:49 | 0:07:51 | |
but where does majolica come from, then? | 0:07:51 | 0:07:53 | |
Oh, I don't know. I just recognised it because it's sort of the lobster | 0:07:53 | 0:07:57 | |
on the plate, cos of these little bits. | 0:07:57 | 0:07:59 | |
It is majolica and a good maker would be Minton. | 0:07:59 | 0:08:02 | |
-There's no make on there, so it could be continental. -OK. | 0:08:02 | 0:08:06 | |
-But 295? She'd have to reduce it by about 195 to make us want to buy it, wouldn't she? -Yeah. | 0:08:06 | 0:08:11 | |
But well spotted, though. | 0:08:11 | 0:08:13 | |
OK, we could come back to that maybe at the end. | 0:08:13 | 0:08:16 | |
David seems quite impressed by Lydia's keen eye. | 0:08:16 | 0:08:20 | |
What about those opera glasses the Reds spotted? | 0:08:20 | 0:08:23 | |
-Hey, guys, guess what? -What? | 0:08:24 | 0:08:25 | |
He's been very, very kind. | 0:08:25 | 0:08:27 | |
There is a slight dent on the back - do you see that? - which I noticed and I've pointed out to her. | 0:08:27 | 0:08:32 | |
-Right. -And for that reason she's come down to 35. | 0:08:32 | 0:08:35 | |
-Brill. -What do you think? | 0:08:35 | 0:08:37 | |
In your hands. | 0:08:37 | 0:08:39 | |
You're not sure are you, Hillary? | 0:08:39 | 0:08:41 | |
-I'm not certain, but if you go with them... -I wouldn't use them. | 0:08:41 | 0:08:44 | |
No, I wouldn't use them and it's being practical is something that uses and that we make a profit. | 0:08:44 | 0:08:49 | |
-I'd quite like them, to be honest, and then you can have free reign over the other one. -OK. | 0:08:49 | 0:08:54 | |
You really pounced on them, didn't you? | 0:08:54 | 0:08:56 | |
Yeah, it's shiny! Drawn to shiny objects. | 0:08:56 | 0:08:59 | |
I think they're quite fun and for 35, I don't think that's too bad. | 0:08:59 | 0:09:02 | |
-I think, yes. -Yeah? | 0:09:02 | 0:09:04 | |
-OK. -To the opera! | 0:09:04 | 0:09:06 | |
So, six minutes in and the Reds have bought the first thing they've seen. | 0:09:08 | 0:09:12 | |
Some might call that a risky move. | 0:09:12 | 0:09:14 | |
And the Blues have spotted something. | 0:09:14 | 0:09:16 | |
-I thought that was chess there, but obviously not. -That dog? | 0:09:16 | 0:09:20 | |
You like the doggie? | 0:09:20 | 0:09:21 | |
Sometimes things just shout out at you. | 0:09:21 | 0:09:24 | |
-I can't say... -He's got a nice expression. | 0:09:24 | 0:09:26 | |
-He has got a nice expression. -A dog lover might like it. | 0:09:26 | 0:09:29 | |
-Exactly. -Oh, I really like him, actually. | 0:09:29 | 0:09:31 | |
Well, I do like him. It's Delft, so Delft is a Dutch brand of pottery and Delft began manufacturing | 0:09:31 | 0:09:37 | |
in the 15th or 16th century and they were trying to emulate the Chinese | 0:09:37 | 0:09:41 | |
porcelain which was absolutely fine and beautiful and this was | 0:09:41 | 0:09:45 | |
-about the best we could ever get, which was basically pottery... -With a cheap glaze. | 0:09:45 | 0:09:49 | |
Yeah, really thick, chunky and really brittle. | 0:09:49 | 0:09:52 | |
-You can see the damage on his paws there. -Yeah. | 0:09:52 | 0:09:55 | |
We think he's a wine jug? | 0:09:55 | 0:09:56 | |
OWNER: That was the description, yes. | 0:09:56 | 0:09:58 | |
Well, I think I would actually try him with wine, if I owned him. | 0:09:58 | 0:10:01 | |
-He's very nice. -Because of his expression | 0:10:01 | 0:10:03 | |
-someone will fall in love with him. -I think you're right... | 0:10:03 | 0:10:06 | |
It's the kind of thing two people might really fall in love with and you'll get one of them. | 0:10:06 | 0:10:11 | |
-That's true. -Price-wise, what's the absolute best? | 0:10:12 | 0:10:14 | |
Well, I was looking for around 100, | 0:10:14 | 0:10:18 | |
-but I'm open to offers. -85? | 0:10:18 | 0:10:20 | |
Yes, that's fine. | 0:10:20 | 0:10:21 | |
Thanks very much. Are you happy, Marley? | 0:10:21 | 0:10:23 | |
I'm happy with that. I love how it's drawn on. | 0:10:23 | 0:10:26 | |
It's really childlike, not too professional looking. | 0:10:26 | 0:10:29 | |
Well, I'm happy, too! | 0:10:29 | 0:10:31 | |
He's not smiling, but we'll take it! | 0:10:31 | 0:10:34 | |
At least the Blues are smiling. | 0:10:34 | 0:10:36 | |
So, that's one-all. These teams don't hang about! | 0:10:36 | 0:10:40 | |
Here's the jewellery box that I was telling you about. | 0:10:40 | 0:10:43 | |
Lovely red leather and with this handle on the top. | 0:10:43 | 0:10:46 | |
Open it up and it's got that nice interior. | 0:10:46 | 0:10:51 | |
Oh, you can see the scissors and the mark of the needle and other sewing implements stored in there. | 0:10:51 | 0:10:56 | |
That's what originally would have been there. You've got the little tray | 0:10:56 | 0:10:59 | |
-and then the fittings for jewellery. -Oh, yes. | 0:10:59 | 0:11:02 | |
And you've got little trays for your trinkets, your necklaces. | 0:11:02 | 0:11:06 | |
So, when would that date from? | 0:11:06 | 0:11:08 | |
Well, I would say Edwardian. Do you like that? | 0:11:08 | 0:11:11 | |
I asked my Brownies what I should get and they said go for | 0:11:11 | 0:11:14 | |
a jewellery box and stuff to keep your jewellery in, so that would fit that, but it doesn't quite... | 0:11:14 | 0:11:20 | |
It wouldn't be my personal taste. Would it make a profit? | 0:11:20 | 0:11:24 | |
-Well, that's marked at £52. -That's a lot of money. | 0:11:24 | 0:11:27 | |
A bit dear for something in that condition. | 0:11:27 | 0:11:29 | |
Let's ask the stallholder and see what they think. | 0:11:29 | 0:11:32 | |
-OK. -Excuse me, madam. Hi, your jewellery box, what can you do on the price for us? | 0:11:32 | 0:11:36 | |
You've got it marked at 52. | 0:11:36 | 0:11:38 | |
I could do it for 32, if that's a help. | 0:11:38 | 0:11:40 | |
32. | 0:11:40 | 0:11:42 | |
-That is better. -It is better. Perhaps come back to it? | 0:11:43 | 0:11:46 | |
There's always the chance that somebody else might buy it. | 0:11:46 | 0:11:49 | |
We like it, don't take it personally. It's nice. | 0:11:49 | 0:11:51 | |
I will knock the two pounds off and come down to 30. | 0:11:52 | 0:11:55 | |
I'm teetering on a no at the moment. | 0:11:55 | 0:11:57 | |
-I'm teetering on a yes. -Oh, no! | 0:11:57 | 0:11:59 | |
Should we do Rock, Paper, Scissors? | 0:11:59 | 0:12:01 | |
Go on, then. | 0:12:01 | 0:12:03 | |
One, two, three! | 0:12:03 | 0:12:05 | |
-I've never seen this done. -One, two, three! -Oh, no! -We have it. | 0:12:07 | 0:12:10 | |
OK, let's have it, please. | 0:12:10 | 0:12:12 | |
-£30? -£30. | 0:12:12 | 0:12:14 | |
-I think we go up there next, what do you think? -OK. | 0:12:14 | 0:12:16 | |
-Let's do it. -Now, we've only had 15 minutes, guys, we've got two items! | 0:12:16 | 0:12:20 | |
-We're doing really well. -Come on! | 0:12:20 | 0:12:22 | |
The Reds certainly know how to make a decision | 0:12:22 | 0:12:24 | |
and over with the Blues something's grabbed Lydia's attention. | 0:12:24 | 0:12:28 | |
-Is that a water filter? My dad's got a... -A spirit barrel. | 0:12:28 | 0:12:33 | |
-Oh, a spirit barrel. -It looks like Doulton. | 0:12:33 | 0:12:35 | |
It's that kind of salt glaze brown work. Let's have a look. | 0:12:35 | 0:12:38 | |
Look on the bottom. | 0:12:38 | 0:12:39 | |
It's not stamped Doulton, but it's got that look. | 0:12:39 | 0:12:42 | |
It's strange that this... Would that have had anything written on it? | 0:12:42 | 0:12:45 | |
It's a copy of a crest, isn't it? Do you read Latin, Marley? | 0:12:45 | 0:12:48 | |
-No, unfortunately. -No? | 0:12:48 | 0:12:50 | |
So, as spirit barrel, so that would be where your tap would come out. | 0:12:50 | 0:12:54 | |
What spirit would you put in? | 0:12:54 | 0:12:55 | |
A cheap one. | 0:12:55 | 0:12:57 | |
You go for quantity, I think, not quality. | 0:12:57 | 0:13:01 | |
-Too expensive. -Yeah. -It's probably 1880. | 0:13:01 | 0:13:04 | |
-Do you fancy it? -Do you, Marley? | 0:13:04 | 0:13:06 | |
I think because it's salt glaze it's quite interesting, but it's not... | 0:13:06 | 0:13:10 | |
Sometimes you get the nice little tigery-looking bits in salt glaze, don't you? | 0:13:10 | 0:13:14 | |
-But it looks quite... -Do you really? -Do you know what I mean? | 0:13:14 | 0:13:17 | |
I don't, but you're teaching me! | 0:13:17 | 0:13:19 | |
You know too much, you do. | 0:13:19 | 0:13:21 | |
My dad likes salt glazed things and sometimes you get sort of a drippy looking... | 0:13:21 | 0:13:25 | |
Ah, right! I know what you mean. | 0:13:25 | 0:13:27 | |
That is almost like slip ware. | 0:13:27 | 0:13:29 | |
-Right. -You know, when the colours run you get that iridescence in it. | 0:13:29 | 0:13:32 | |
-Yeah, yeah. And a sort of... -Yeah. | 0:13:32 | 0:13:34 | |
Maybe if it had some writing on, because it's blank it kind of takes away from its personality. | 0:13:34 | 0:13:39 | |
That would give it more interest and value, so well spotted. | 0:13:39 | 0:13:42 | |
-Shall we leave it? -Yeah. -All right. | 0:13:42 | 0:13:44 | |
We can just put Derby on it and hope nobody notices. | 0:13:44 | 0:13:47 | |
-Derby Bargain Hunt 2009. -Chisel it in! | 0:13:47 | 0:13:49 | |
The Reds are going local and looking at plates. | 0:13:51 | 0:13:53 | |
-That's quite a nice plate. -Heart-shaped. | 0:13:53 | 0:13:56 | |
-Do you like that? -Vaguely. -What does it say? | 0:13:56 | 0:13:58 | |
-It's just Derby. It's before Royal Crown Derby. -So that's quite old, then? | 0:13:58 | 0:14:02 | |
It's got the iron red mark on the back. | 0:14:02 | 0:14:04 | |
You're smiling and thinking, "I really don't like this." | 0:14:04 | 0:14:07 | |
I wouldn't give it house room, sorry. No! | 0:14:07 | 0:14:12 | |
What about you, Andrew? Do you like it? | 0:14:12 | 0:14:14 | |
It doesn't jump out at me. | 0:14:14 | 0:14:16 | |
Sorry. | 0:14:16 | 0:14:17 | |
Let's move on, shall we(?) | 0:14:17 | 0:14:20 | |
Onward for the Reds. The Blues, however, have changed their minds | 0:14:20 | 0:14:24 | |
and are on their way to buying the barrel. | 0:14:24 | 0:14:26 | |
Is that a problem for you, 50 quid? | 0:14:26 | 0:14:28 | |
I'll check with my business partner. Yes, we'll burn on that. | 0:14:28 | 0:14:33 | |
Well, I think they'll be happy with that, you two? | 0:14:33 | 0:14:35 | |
-Marley, are you sure? -Yeah. | 0:14:35 | 0:14:37 | |
I think it's a go for you. 50 quid? | 0:14:37 | 0:14:39 | |
-I think we might do all right and if we don't it's an interesting item, as well. -It is. | 0:14:39 | 0:14:43 | |
-Thanks very much. -It's an absolute pleasure. | 0:14:43 | 0:14:45 | |
They're just knocking out the deals today, so just over 20 minutes down and that's two buys each. | 0:14:46 | 0:14:51 | |
This was just on the stall here and I've just spotted it and whisked it away. | 0:14:51 | 0:14:55 | |
-Now, guess what that is? -Is it a plant pot? | 0:14:55 | 0:14:58 | |
It could be a Roman oil dish of some sort, I don't know. | 0:14:58 | 0:15:03 | |
-Some sort of reservoir. -I'll tell you exactly what it is. | 0:15:03 | 0:15:06 | |
-Go on, then. -It's a dog bowl. | 0:15:06 | 0:15:08 | |
-A dog bowl! -That would be why I wouldn't know. | 0:15:08 | 0:15:12 | |
-Are you dog lovers? -No. -I'm allergic to them. | 0:15:12 | 0:15:15 | |
Well, because these were used quite a lot, late 19th century, these were often broken. | 0:15:15 | 0:15:20 | |
-Right. -Let me tell you a bit about it. | 0:15:20 | 0:15:22 | |
No factory marks on the bottom whatsoever. | 0:15:22 | 0:15:24 | |
-No. -But it is stoneware. | 0:15:24 | 0:15:27 | |
-Yes. -It's salt glazed and it's got this lovely raised frieze, | 0:15:27 | 0:15:31 | |
-can you see, all the way round? -It seems a little bit cracked along the edge. | 0:15:31 | 0:15:35 | |
There's a little crack there in the mouldings, not in the bowl itself and that was done in the manufacturers - | 0:15:35 | 0:15:41 | |
what we call a firing crack. You wouldn't class it as damage, as such. | 0:15:41 | 0:15:44 | |
-Right. -And it looks typically like the stoneware produced | 0:15:44 | 0:15:47 | |
by Royal Doulton, you've heard of Doulton in Staffordshire? | 0:15:47 | 0:15:50 | |
-Yes. -But there was a little factory not far from here in Chesterfield | 0:15:50 | 0:15:55 | |
called Brampton and I think this is possibly a Brampton stoneware piece. | 0:15:55 | 0:16:00 | |
-That's really interesting. -It is. -And practical. -Exactly! | 0:16:00 | 0:16:03 | |
-I'm thinking of you with your practicalities and it's definitely made to be used. -Yes. | 0:16:03 | 0:16:09 | |
-How much? -I've managed to negotiate 75 for you guys. -75. | 0:16:09 | 0:16:13 | |
You're quite excited about it. | 0:16:13 | 0:16:15 | |
I am, I am. | 0:16:15 | 0:16:17 | |
I'm excited if she's excited. | 0:16:18 | 0:16:20 | |
-So, I'm excited if you're excited that she's excited and I'm excited. -Are we going too fast, though? | 0:16:20 | 0:16:26 | |
It's our third item and we're only about half an hour in. | 0:16:26 | 0:16:29 | |
-Yeah. -Let's do it. -OK. -Let's do it. | 0:16:29 | 0:16:31 | |
-Right. -Are you sure, now? -Yes. | 0:16:31 | 0:16:33 | |
We'll shake on it. | 0:16:33 | 0:16:35 | |
OK. | 0:16:35 | 0:16:37 | |
So, all three items picked in only half an hour. | 0:16:38 | 0:16:41 | |
That must be a record! | 0:16:41 | 0:16:42 | |
But will they have wished that they had shopped around when it comes to the auction? | 0:16:42 | 0:16:47 | |
Over with the Blues, there's no stopping that Lydia. | 0:16:47 | 0:16:49 | |
What is it then, Lydia, that you like about that? | 0:16:49 | 0:16:52 | |
I liked the little bird on it and I liked the colours. I think it's quite nice. | 0:16:52 | 0:16:56 | |
-Well, really, that is the only reason to buy anything because you buy it because you like it. -Yeah. | 0:16:56 | 0:17:01 | |
It's probably Tibetan and it's something that might hold oil or perfume or snuff. | 0:17:01 | 0:17:06 | |
Now, why do you think it's got chains on it? | 0:17:06 | 0:17:08 | |
To have it around your neck? | 0:17:08 | 0:17:10 | |
Well, you could do. You could do but, of course, the Tibetans wear robes, | 0:17:10 | 0:17:14 | |
traditionally, without pockets, similar to the Japanese, and so | 0:17:14 | 0:17:17 | |
they would have the robe tied and anything like snuff or purses would have to be connected to a belt. | 0:17:17 | 0:17:23 | |
So, it would simply hang on their body and jingle jangle around and whenever you fancied a bit of | 0:17:23 | 0:17:28 | |
-snuff or improving your aroma with a bit of perfume you would take a little and off you go again. -Brill! | 0:17:28 | 0:17:33 | |
It's probably bone on the background there and then inlaid with some metal. | 0:17:33 | 0:17:37 | |
-How old do you think it is? -Probably early 20th century. | 0:17:37 | 0:17:40 | |
It might be knocking on 100 years old. | 0:17:40 | 0:17:42 | |
Do you think it would do well at auction? | 0:17:42 | 0:17:44 | |
Well, I don't think so, because, again, we're going to a general sale, | 0:17:44 | 0:17:48 | |
so it might be lost on people. Unless you really want to go for it. | 0:17:48 | 0:17:51 | |
I do like it. I could see you wearing that, Marley. | 0:17:51 | 0:17:54 | |
I'd wear it around my neck. | 0:17:54 | 0:17:55 | |
Or in your hair! | 0:17:56 | 0:17:58 | |
I find it really interesting. | 0:17:58 | 0:18:00 | |
I like the carvings and the different colours. | 0:18:00 | 0:18:02 | |
Well, I mean, it's not expensive, is it? 49 quid. | 0:18:02 | 0:18:05 | |
How much do you reckon it's worth maybe at auction? | 0:18:05 | 0:18:08 | |
Well, this is the exciting thing, about auction. | 0:18:08 | 0:18:10 | |
Who on earth knows? So, what do you reckon? | 0:18:10 | 0:18:13 | |
-It does look really interesting. -How much do you reckon you'd pay for it? | 0:18:13 | 0:18:16 | |
About 35. | 0:18:16 | 0:18:17 | |
-That would be OK, wouldn't it? Try a bit more. I'd try 30 and see what they say. -OK. | 0:18:17 | 0:18:22 | |
OK. Go on, we'll leave it to you. | 0:18:22 | 0:18:24 | |
Off you go. | 0:18:24 | 0:18:26 | |
-Hiya, could we get this for 30? -Would you be happy at that? | 0:18:26 | 0:18:30 | |
I'd be happy at 30, definitely. | 0:18:30 | 0:18:31 | |
It's a nice little object. | 0:18:31 | 0:18:33 | |
-Here he comes. -Now, how much then? | 0:18:33 | 0:18:35 | |
-What did you get it for? -I got it for 35. | 0:18:35 | 0:18:37 | |
-And you're happy? -Yeah, I'm happy. | 0:18:37 | 0:18:39 | |
-Lydia, are you happy? -Very happy. | 0:18:39 | 0:18:41 | |
I'm happy because you've bought your items. Cup of tea time. | 0:18:41 | 0:18:44 | |
-Waay! -Let's go. | 0:18:44 | 0:18:45 | |
With some great negotiating skills from Marley, | 0:18:48 | 0:18:50 | |
the Blues have got their final item and all in a record 45 minutes. | 0:18:50 | 0:18:55 | |
Let's hope they haven't been too hasty. | 0:18:55 | 0:18:57 | |
Our teams have been out there making some difficult decisions | 0:18:57 | 0:19:00 | |
during the shopping, but it doesn't finish right now. | 0:19:00 | 0:19:04 | |
Any leftover lolly will be given to their expert | 0:19:04 | 0:19:07 | |
to go and find a mystery bonus buy that will be revealed to the teams at the auction. | 0:19:07 | 0:19:14 | |
If they take the bonus buy and it makes a profit they get to keep it. | 0:19:14 | 0:19:17 | |
If it makes a loss, well, it's not so happy. | 0:19:17 | 0:19:20 | |
Anyway, let's remind ourselves what the Reds bought. | 0:19:20 | 0:19:23 | |
Andrew didn't want to go solo | 0:19:24 | 0:19:26 | |
and convince the others to buy the French opera glasses. | 0:19:26 | 0:19:30 | |
It may have taken Paper, Scissor, Stone to decide, but they plumped | 0:19:31 | 0:19:35 | |
for the Edwardian red leather box for £30. | 0:19:35 | 0:19:38 | |
And Kate convinced them that they would be | 0:19:38 | 0:19:40 | |
in the money with the 19th century stoneware dog bowl. | 0:19:40 | 0:19:43 | |
Well, that was quite a zany shopping choosing method, wasn't it? | 0:19:44 | 0:19:49 | |
-Different. -Scissors, Paper, Stone. | 0:19:49 | 0:19:52 | |
-If you don't know what on earth you're doing, why not play games? -Quite right. | 0:19:52 | 0:19:55 | |
But tell me, Hillary, which is your favourite piece? | 0:19:55 | 0:19:58 | |
With hindsight, I might not personally have chosen any of them, but actually... | 0:19:58 | 0:20:04 | |
Charming that is, isn't it? | 0:20:04 | 0:20:05 | |
I'll go with the jewellery box for the Brownies, yes. | 0:20:05 | 0:20:09 | |
-Andrew, which is your favourite piece? -My opera glasses. I'm very proud of them. | 0:20:09 | 0:20:13 | |
Which piece is going to bring the biggest profit in your prediction as a chartered accountant? | 0:20:13 | 0:20:18 | |
-I sincerely hope the dog dish as that's what the expert recommended. -All right. | 0:20:18 | 0:20:22 | |
-We'll keep an eye... -No pressure! -..on the balance sheet. | 0:20:22 | 0:20:25 | |
-And what about you, Andrew? -I'm sticking with my opera glasses. | 0:20:25 | 0:20:29 | |
I think they'll be fantastic. | 0:20:29 | 0:20:30 | |
Well, you spent an average £140, all right? | 0:20:30 | 0:20:33 | |
I'd like £160 of leftover lolly. | 0:20:33 | 0:20:35 | |
-There you go, Mum, check it out. -OK, Andrew gives it to his mother who probably counts it. | 0:20:35 | 0:20:39 | |
Thank you very much. | 0:20:39 | 0:20:41 | |
-£160 going across to KB. -Thank you very much. | 0:20:41 | 0:20:44 | |
You've had a testing time with these professionals! | 0:20:44 | 0:20:47 | |
-I really did. -I know! | 0:20:47 | 0:20:49 | |
Andrew, I sense, is a bit more of a gambler, but Hillary is very - | 0:20:49 | 0:20:53 | |
how shall we say? - more discerning and she insisted on something practical, so I have my instructions. | 0:20:53 | 0:20:59 | |
-Quite right, too. -And we trust you. -We do. -Well, good luck with that. -Thank you. | 0:20:59 | 0:21:04 | |
Let's remind ourselves what the Reds are up against by reminding ourselves what the Blues bought. | 0:21:04 | 0:21:09 | |
The Blues were barking mad about the blue dog Delft wine holder at £85. | 0:21:11 | 0:21:15 | |
They still fancied a tipple | 0:21:17 | 0:21:19 | |
and bought the 1880s stoneware liquor barrel. | 0:21:19 | 0:21:21 | |
And Lydia thought it would look good in Marley's hair - | 0:21:22 | 0:21:25 | |
the Tibetan snuff or perfume bottle. | 0:21:25 | 0:21:27 | |
Lydia, your knowledge certainly pulled off that. | 0:21:28 | 0:21:31 | |
-Well, hopefully, yeah. -Yes. Now, which is your favourite piece? | 0:21:31 | 0:21:35 | |
Oh, I like the Delft dog. | 0:21:35 | 0:21:36 | |
-It was a wine container. -What about you, Marley? | 0:21:36 | 0:21:39 | |
-I've got high hopes for the Tibetan snuff box. -Have you? Why? | 0:21:39 | 0:21:42 | |
It's just really interesting looking and I'm pretty sure | 0:21:42 | 0:21:45 | |
that it's going to get a lot. Everyone thinks it's not, but... | 0:21:45 | 0:21:49 | |
-So, it's your favourite and is it your prediction for the most profit, too? -Yes. | 0:21:49 | 0:21:53 | |
Is it? A double whammy on that, which is great. | 0:21:53 | 0:21:55 | |
What about you, Lydia? | 0:21:55 | 0:21:57 | |
The dog. We're quite opposite. I've got low hopes for the snuff box. | 0:21:57 | 0:22:01 | |
What, you don't like the snuff box? | 0:22:01 | 0:22:03 | |
-No. -No. Oh, well, we shall find out. | 0:22:03 | 0:22:06 | |
What fun! You spent 170, which is good. | 0:22:06 | 0:22:08 | |
I'd like 130 of leftover lolly, thank you, for David Harper. | 0:22:08 | 0:22:11 | |
-Thank you, Tim. -That's quite a lot. | 0:22:11 | 0:22:13 | |
-130 for a bonus buy. -I've got a few things in mind, but I'm going to keep the suspense. | 0:22:13 | 0:22:17 | |
In other words, I haven't got a clue of what it's going to be! | 0:22:17 | 0:22:20 | |
-Well, that's extraordinarily honest. -Thank you. -And very good luck. For me, I'm heading off | 0:22:20 | 0:22:25 | |
somewhere absolutely spectacular and it's called Hatfield House. | 0:22:25 | 0:22:28 | |
We're leaving our modern venue | 0:22:31 | 0:22:33 | |
and heading south to look at an historic collection. | 0:22:33 | 0:22:37 | |
I've come about 20 miles from London to a house that's positioned with | 0:22:37 | 0:22:41 | |
easy access for royal and political activities. | 0:22:41 | 0:22:45 | |
And it's called Hatfield House. | 0:22:45 | 0:22:48 | |
It's the Tudor monarchy that Hatfield is most associated with, in particular, Elizabeth I. | 0:22:48 | 0:22:55 | |
She lived in the old palace, of which only a quarter remains. | 0:22:55 | 0:22:58 | |
In 1607, the first Earl of Salisbury started to build Hatfield House | 0:22:58 | 0:23:05 | |
and it's remained in the family ever since. | 0:23:05 | 0:23:08 | |
After 13 generations living at Hatfield House, there are really large collections still in situ. | 0:23:09 | 0:23:16 | |
And what do you do if you've got a family collection of 10,000 books? | 0:23:16 | 0:23:20 | |
You built a socking great library! | 0:23:20 | 0:23:23 | |
Which is exactly what the Cecils did here. | 0:23:23 | 0:23:26 | |
All the usual suspects can be found on these shelves - | 0:23:26 | 0:23:30 | |
religious tracts, political speeches, poetry. | 0:23:30 | 0:23:35 | |
But originally this space was simply a reception room, | 0:23:35 | 0:23:39 | |
but in the 18th century they converted it into a library | 0:23:39 | 0:23:42 | |
by installing all the lower ranks of shelves, | 0:23:42 | 0:23:46 | |
but by the 1870s they were crammed full, so they trotted off to France, | 0:23:46 | 0:23:51 | |
bought these brilliant cast bronze balustrades to make up this balcony | 0:23:51 | 0:23:56 | |
and then they filled the upper part with shelves, which are now full of books. | 0:23:56 | 0:24:02 | |
Do you want to have a look at the view from up here? | 0:24:02 | 0:24:04 | |
Great, isn't it? | 0:24:04 | 0:24:06 | |
And if you were enjoying your time in this library, | 0:24:06 | 0:24:09 | |
the peace and quiet, well, you might just snuggle down. | 0:24:09 | 0:24:13 | |
Cor. And what could be more comfy than this? | 0:24:17 | 0:24:20 | |
Why is this suite of leather-covered library furniture quite so fab to sit in? | 0:24:20 | 0:24:27 | |
Well, it's been built in a proportion for men, primarily. | 0:24:27 | 0:24:31 | |
You've got long seats and comfortable arms that keep your elbows up. | 0:24:31 | 0:24:37 | |
Men, when they get to a certain age, tend to spread a little, therefore | 0:24:37 | 0:24:41 | |
they need a more generous seat to plant themselves on. | 0:24:41 | 0:24:45 | |
There is one question I have to ask you, is your settee at home | 0:24:45 | 0:24:49 | |
going to look quite as good as this settee after 220 years? | 0:24:49 | 0:24:54 | |
I think probably not, because most of this suite of furniture | 0:24:54 | 0:24:59 | |
were made by a firm called Beckwith and France, | 0:24:59 | 0:25:03 | |
cabinet makers and upholsterers late in the 18th century, and if you look at the frame | 0:25:03 | 0:25:09 | |
you can see that the reeding here in oak is reflected | 0:25:09 | 0:25:14 | |
in the reeding on the legs and on these lovely | 0:25:14 | 0:25:17 | |
brass Georgian castors, centred by a rolled section of leather, | 0:25:17 | 0:25:23 | |
so typical of that Georgian construction. | 0:25:23 | 0:25:25 | |
Beckwith and France were extremely successful in their trade but, | 0:25:25 | 0:25:30 | |
by and large, they were upholsterers as well as makers, | 0:25:30 | 0:25:34 | |
and if you look at a leather pad like this, you can see | 0:25:34 | 0:25:39 | |
quite how it came about because inside this pad it's stuffed with horsehair | 0:25:39 | 0:25:45 | |
and then it's buttoned by inserting a button into a pocket with the cord between it, | 0:25:45 | 0:25:51 | |
pulling it slightly taught, that gives it this lovely crinkled and overall comfort effect. | 0:25:51 | 0:25:59 | |
All these pieces have been relatively recently reupholstered, within the last 20 years, | 0:25:59 | 0:26:04 | |
and apparently it took no less than 189 skins | 0:26:04 | 0:26:10 | |
from the imported Nigerian goats to cover the suite. | 0:26:10 | 0:26:14 | |
Goatskin because it's more pliant and it takes on this gorgeous colour more easily. | 0:26:14 | 0:26:19 | |
The big question is today, how sweet are things going to be for our teams over at the auction? | 0:26:19 | 0:26:26 | |
-Well, it's great to be at Banford's Auction House in Derby with James Lewis. -Welcome. | 0:26:39 | 0:26:44 | |
Very kind. Now, our teams today, Hillary and Andrew, their first item are the opera glasses. | 0:26:44 | 0:26:49 | |
Yeah, slightly concerned about that. | 0:26:49 | 0:26:51 | |
-A bit of cord wrapped around the handle. -This area? | 0:26:51 | 0:26:54 | |
-Yeah. -Yeah, they'd not have string on a luxury product like that in 1900, would they? | 0:26:54 | 0:26:58 | |
I reckon there's been a little section of mother-of-pearl that's | 0:26:58 | 0:27:02 | |
been broken and they've applied that cord to make it tie in with the bag. | 0:27:02 | 0:27:06 | |
-But they're quite collectable. -They are, yes. | 0:27:06 | 0:27:08 | |
What do you think it's worth in that state, then, with its rough bag and later-strung handle? | 0:27:08 | 0:27:14 | |
Yeah, I don't know. Around £40 to £60, you think? | 0:27:14 | 0:27:16 | |
-Do you reckon? -Yeah. -£35 they paid. | 0:27:16 | 0:27:18 | |
-Oh, that's good. -Not too bad. | 0:27:18 | 0:27:20 | |
What about this jewellery box? | 0:27:20 | 0:27:21 | |
-I like that. I like the leather ones with that sort of very slightly-worn gilt. -Yes. | 0:27:21 | 0:27:26 | |
So, it's got a good look to it. | 0:27:26 | 0:27:27 | |
-Yeah, I like that. -OK, how much? -£25 to £35. | 0:27:27 | 0:27:30 | |
-They paid £30. -Oh, looking... Yeah. -Yes. | 0:27:30 | 0:27:33 | |
-Good so far. -Not too bad. | 0:27:33 | 0:27:35 | |
-Good. And now the dog bowl. -Yeah, I saw that coming. | 0:27:35 | 0:27:39 | |
-You saw that coming. -It's not a dog bowl. -It's not a dog bowl? | 0:27:39 | 0:27:43 | |
No, it's made in Denby, so only about ten or 15 miles up the road. | 0:27:43 | 0:27:46 | |
We sold this about eight weeks ago and we thought about what could it be. Could it be a dog bowl? | 0:27:46 | 0:27:51 | |
So, we took it up to Denby, we showed it to the curator of the museum and it could be one of two things. | 0:27:51 | 0:27:57 | |
It is the base of either a large smoking stand or a water filter. | 0:27:57 | 0:28:01 | |
So, it would have a domed base, then a cylindrical section here for tobacco, another section on top | 0:28:01 | 0:28:06 | |
for cigarettes, or the water filter would just be a cylindrical section on the top with a cover. | 0:28:06 | 0:28:11 | |
So, that would make this worth £75, would it? | 0:28:11 | 0:28:14 | |
Sort of. These smoker's stands or water coolers make around £60 | 0:28:14 | 0:28:18 | |
-to £80 complete, so the base of one is worth a fiver. -Oh, dear. | 0:28:18 | 0:28:22 | |
Kate Bliss is going to be less than blissful about this, I can tell you. | 0:28:22 | 0:28:26 | |
-Sorry, Kate. -So, about a fiver, then? -I do. -That's a disaster. | 0:28:26 | 0:28:29 | |
They're going to need their bonus buy. Let's have a look at it. | 0:28:29 | 0:28:33 | |
Now, Andrew and Hillary, you spent £140, | 0:28:34 | 0:28:36 | |
-gave Kate £160. -We did. -What did she spend it on? | 0:28:36 | 0:28:40 | |
Well, I spent it on a little piece of Derby. | 0:28:40 | 0:28:44 | |
-Now, I know you like functional things, Hillary. -That's right. | 0:28:44 | 0:28:47 | |
This is what's known as a little tea bowl and saucer | 0:28:47 | 0:28:51 | |
and it would have been for drinking tea in the 18th century. | 0:28:51 | 0:28:56 | |
-Is that why it doesn't have a handle? -That's right. | 0:28:56 | 0:28:59 | |
That's exactly how they were made, after the Chinese design in the 18th century. Have a look. | 0:28:59 | 0:29:04 | |
-You have the tea bowl. -They hold it like that? -Exactly that. | 0:29:04 | 0:29:08 | |
-That's beautiful. -It's aged. It's not aged too badly. | 0:29:08 | 0:29:11 | |
This is a particularly nice example because of the condition, because of the decoration. | 0:29:11 | 0:29:16 | |
-So, roughly what might go for, do you think? -Well, I paid £65, | 0:29:16 | 0:29:19 | |
which I think in the current auction market is probably about right. | 0:29:19 | 0:29:24 | |
It might make £70 or even £80 with a wind behind it at auction, but I think it is a fair market price. | 0:29:24 | 0:29:32 | |
You've just got to hope a Derby collector is here, | 0:29:32 | 0:29:34 | |
-but if you're going to sell Derby, this is the place to do it. -Exactly. | 0:29:34 | 0:29:38 | |
Team, you don't decide right now, you decide later. And with Kate's strategic thought in mind here, | 0:29:38 | 0:29:44 | |
for the audience at home, let's find out what the auctioneer thinks about the tea bowl and saucer. | 0:29:44 | 0:29:50 | |
-You wouldn't get much tea in that, would you? -No. | 0:29:50 | 0:29:53 | |
-Isn't it lovely? -Lovely pattern -Yes. 18th century Derby with that wonderful puce mark underneath. | 0:29:53 | 0:29:58 | |
-I like that a lot. -Well, we like the fact that you like it a lot, but how much a lot do you like it? | 0:29:58 | 0:30:05 | |
-£50 to £70. -£65 Kate paid, so she might be in the money. | 0:30:05 | 0:30:08 | |
-Yes, she might. -But not for a huge profit in your view. -No. -No. OK, fine. | 0:30:08 | 0:30:13 | |
Well, that's it for the Reds, now for the Blues. First up is this tin-glaze doggie. | 0:30:13 | 0:30:18 | |
-Isn't he great? -I like the revolving head. I think that's fantastic fun. Where do you think it comes from? | 0:30:18 | 0:30:23 | |
-I thought it might be French. -French or Dutch, isn't it? -Yeah. -I would imagine about 1900, | 0:30:23 | 0:30:29 | |
-Yeah. -How much do you think? | 0:30:29 | 0:30:31 | |
-I should think an auction estimate should be £50 to £80. -£85 paid. -Oh, OK. -£85. | 0:30:31 | 0:30:36 | |
I might be being a bit mean. | 0:30:36 | 0:30:38 | |
-Well, of course there are a lot of dog lovers about. -Yeah. | 0:30:38 | 0:30:41 | |
The stoneware liquor barrel. | 0:30:41 | 0:30:43 | |
This is very much a Nottinghamshire/ Derbyshire pottery look, isn't it? | 0:30:43 | 0:30:47 | |
-This hard, bright, brown, shiny ware. -Yeah. | 0:30:47 | 0:30:50 | |
We sell loads of them and they tend to make around £25, £35, when they're chipped. | 0:30:50 | 0:30:55 | |
Well, that's the point, isn't it? | 0:30:55 | 0:30:57 | |
It's chipped. They paid £50, so that's going to be tough, isn't it? | 0:30:57 | 0:31:01 | |
-Yeah, it is. -Now, to finish their trio we've got something that you're going to get really excited about. | 0:31:01 | 0:31:07 | |
-Yes. -I know how much you love modern Tibetan snuff boxes. | 0:31:07 | 0:31:11 | |
I hate it. It's awful. | 0:31:11 | 0:31:13 | |
-It's just the most nasty thing. -There you are, I told you he'd like it! | 0:31:13 | 0:31:18 | |
But the truth of the matter is, it's worth what, two or three pounds? | 0:31:18 | 0:31:21 | |
-Five pounds? -It's awful. -That type of amount. -Yes. -OK. We've got the message. | 0:31:21 | 0:31:26 | |
-OK. -Well, I won't tell you that Lydia paid £35 for it. -Good, good. -Because it will spoil your day. | 0:31:26 | 0:31:31 | |
They'll need their bonus buy so let's go have a look at it. | 0:31:31 | 0:31:34 | |
-So, Lydia and Marley, how are you feeling, all right? -Good, yeah. -You're feeling good. -Confident. | 0:31:34 | 0:31:39 | |
-Yeah. -Well, if you cast your mind back, you spent £170, yes? -Yeah. | 0:31:39 | 0:31:43 | |
You gave David up £135. Has he blown the lot? That's what we want to know. | 0:31:43 | 0:31:48 | |
-You've got to guess if I have. A solid silver Chester 1913 letter opener. -Oh! | 0:31:48 | 0:31:55 | |
Quite plain, but I think quite sophisticated. | 0:31:55 | 0:31:59 | |
-I like the little penguin. -That's why I bought it. -Yeah. -It's wacky, isn't it? -It is pretty wacky. | 0:31:59 | 0:32:04 | |
-A guy in 1913 would put a picture of his lovely wife in there. -Or a dog. | 0:32:04 | 0:32:09 | |
Or a dog, his child, but this guy loved penguins. | 0:32:09 | 0:32:12 | |
-Now, that fascinates me, Tim! -Wonky penguins, as well. -Wonky penguins! -Yes. | 0:32:12 | 0:32:16 | |
-"Dawson and Gill" it says on the back. -That would be the retailer. | 0:32:16 | 0:32:20 | |
Oh, right. It was made by Gray & Co, I believe. | 0:32:20 | 0:32:23 | |
But because it was hallmarked in Chester, that makes it slightly rarer, too. | 0:32:23 | 0:32:27 | |
What do you think, Marley? | 0:32:27 | 0:32:29 | |
-Is it something that lights your touchpaper? -Not that much of a fan of it, to be honest. | 0:32:29 | 0:32:33 | |
-What, of penguins or the thing? -Everything. It seems really plain. It doesn't seem that special to me. | 0:32:33 | 0:32:39 | |
-How much did you spend on it? -50 quid. -How much? -£50. | 0:32:39 | 0:32:43 | |
-50 quid, fine. -There you go. -We'll have a think. -Do. | 0:32:43 | 0:32:45 | |
I've heard that before! | 0:32:45 | 0:32:48 | |
-That means I'll never see you again! -Well, you can p-pick up a p-penguin or not later. | 0:32:48 | 0:32:52 | |
For the viewers at home, let's find out what the auctioneer thinks about David's little penguin. | 0:32:52 | 0:32:58 | |
-Well, there's a lovely novelty, look. -Super. -Isn't that nice? -Really nice, isn't it? | 0:32:58 | 0:33:02 | |
I guess you could use it as a letter opener or a bookmark | 0:33:02 | 0:33:05 | |
-with that little bit at the top. -Yeah. I'm not sure about this wacky penguin? -No. | 0:33:05 | 0:33:09 | |
-It would be better with a lovely watercolour miniature of a dog or something like that. -Yes. | 0:33:09 | 0:33:14 | |
What do you think it's worth? | 0:33:14 | 0:33:17 | |
-£40 to £60. -Brilliant. David paid £50. -Oh, fine. | 0:33:17 | 0:33:19 | |
So, for a bonus buy, that's quite safe. | 0:33:19 | 0:33:22 | |
-Yes, yes. -Like everything else at auction, we live in hopes, don't we? -We do. -We do. | 0:33:22 | 0:33:27 | |
Seven, eight, nine. | 0:33:31 | 0:33:33 | |
Here we are on the edge of the auctioneering. | 0:33:33 | 0:33:36 | |
Andrew, how are you feeling? Nervous? | 0:33:36 | 0:33:38 | |
-Excited. -Are you? -Oh, yes. | 0:33:38 | 0:33:41 | |
That's good. Now, do you regret anything that you bought, Hillary? | 0:33:41 | 0:33:45 | |
-Yes, I do. Yes. -What? | 0:33:45 | 0:33:48 | |
-In particular, the dog bowl. -Which turns out apparently not to be a dog bowl, | 0:33:48 | 0:33:53 | |
though it looks just like a dog bowl, it feels just like a dog bowl, | 0:33:53 | 0:33:56 | |
it tastes just like a dog bowl, but in fact it's a bit of something else made of that material. | 0:33:56 | 0:34:02 | |
-Right. -But there we are. | 0:34:02 | 0:34:04 | |
These things happen. Instead of being worth £75 as a dog bowl it might be worth £5 to £10. | 0:34:04 | 0:34:10 | |
So, I have an apology to make to you two because I'm the one that told you it was a dog bowl. | 0:34:10 | 0:34:16 | |
-It isn't a dog bowl, or it's found not to be a dog bowl, so I'm afraid... -That's all right. | 0:34:16 | 0:34:21 | |
-We should have stood up to you and said no. -It's much fault ours as it is yours. -Indeed it is. | 0:34:21 | 0:34:26 | |
It looks just like a dog bowl. I can be more optimistic I'm glad to say, Andrew, | 0:34:26 | 0:34:30 | |
-about your opera glasses. -Oh, lovely. -Which you paid £35 for. The auctioneer thinks they're good. | 0:34:30 | 0:34:35 | |
£40 to £60 is his estimate on that, so that's a nice result and here they come. | 0:34:35 | 0:34:39 | |
The French gilt mental and mother-of-pearl opera glasses | 0:34:39 | 0:34:43 | |
and I can start the bidding here at £35. 35 and 40. | 0:34:43 | 0:34:47 | |
-40 with the lady. -Yes! | 0:34:47 | 0:34:49 | |
45. 50. And five. 55 now? | 0:34:49 | 0:34:51 | |
At £50 to the right. 55, do I see? | 0:34:51 | 0:34:55 | |
At 50. And selling at £50. 55 do I see? | 0:34:55 | 0:35:00 | |
-Good! -Whoa! -£50 plus 15. | 0:35:00 | 0:35:02 | |
Are you after my job or something? | 0:35:02 | 0:35:04 | |
-Well, I'm glad you spied that. -Well done. -Now the jewellery box. | 0:35:04 | 0:35:08 | |
Late Victorian Edwardian red Morocco leather box and cover. | 0:35:08 | 0:35:12 | |
It's got a good country house look to it. | 0:35:12 | 0:35:14 | |
£20, do I see? At 20. And five now. | 0:35:14 | 0:35:17 | |
At £20 and five with me. 30. | 0:35:17 | 0:35:20 | |
Five. 40. It's against you. | 0:35:20 | 0:35:22 | |
-At 35 and 40 do I see? -You're in profit. | 0:35:22 | 0:35:25 | |
35. Absentee bid and selling at 35. | 0:35:25 | 0:35:28 | |
That's five pounds, which is brilliant. | 0:35:28 | 0:35:32 | |
Kicked the bucket, which is plus 20. | 0:35:32 | 0:35:35 | |
You are £20 up. Now, the dog bowl. | 0:35:35 | 0:35:37 | |
Well, it is whatever you want it to be | 0:35:37 | 0:35:40 | |
with this dog bowl/water filter base/smoking stand base. | 0:35:40 | 0:35:43 | |
It's a bit of local salt glaze anyway and I can start the bidding | 0:35:43 | 0:35:48 | |
at £20 somewhere. 20? Anybody want it at 10? | 0:35:48 | 0:35:50 | |
£10? Anybody want it? | 0:35:50 | 0:35:54 | |
-Me? -It cost a lot of money. | 0:35:54 | 0:35:56 | |
Get them out of a hole. £10, please? | 0:35:56 | 0:35:59 | |
Five. Five pounds. I thought we were going to have a Bargain Hunt first. | 0:35:59 | 0:36:03 | |
At five. No bids at all. Five. | 0:36:03 | 0:36:05 | |
Six. Seven. Eight. Nine. 10. 12. | 0:36:05 | 0:36:08 | |
At £10. At 10. And 12 do I see? | 0:36:08 | 0:36:12 | |
Anybody else? | 0:36:12 | 0:36:13 | |
-Minus £65. -Are we? | 0:36:13 | 0:36:16 | |
-So, very quickly you are overall minus £45. -Correct. | 0:36:16 | 0:36:19 | |
OK, minus 45. The accountant looking over my shoulder is able to do the profit and loss just like that. | 0:36:19 | 0:36:27 | |
So, you are minus £45. Minus £45. What are we going to do about the tea bowl? | 0:36:27 | 0:36:32 | |
Now, minus £45 is a dirty shame, but it could be a winning score. | 0:36:32 | 0:36:37 | |
-You don't have to go with the tea bowl. What are you going to do? -I think we should. | 0:36:37 | 0:36:43 | |
-I like it. -I do too. Yes. -We all like it. -Yes, please. -We are in Derby. | 0:36:43 | 0:36:46 | |
Don't look at me, I'm going to dive into that black hole. | 0:36:46 | 0:36:50 | |
-You can redeem yourself. -We trust you! | 0:36:50 | 0:36:52 | |
-Yes. -We're going with the bonus buy and here it comes. | 0:36:52 | 0:36:55 | |
The Derby spirally-fluted tea bowl and saucer. | 0:36:55 | 0:36:58 | |
A really pretty lot this one, circa 1775, and I've got three bids on it | 0:36:58 | 0:37:02 | |
and they're all almost identical and £60 is bid. | 0:37:02 | 0:37:07 | |
-Wow! -And five do I see? | 0:37:07 | 0:37:09 | |
At £60. 65. 70. And five. | 0:37:09 | 0:37:12 | |
-75 by the door. And 80. -That's good. | 0:37:12 | 0:37:14 | |
-Well done. -At £75 to the right. | 0:37:14 | 0:37:16 | |
And 80 anywhere? At 75. | 0:37:16 | 0:37:18 | |
All done at £75? At 75. | 0:37:18 | 0:37:22 | |
Well done, Kate. £75, that's not bad, it's another £10 profit | 0:37:22 | 0:37:26 | |
-which is brilliant, which means overall you are minus £35. -Yes! -Not too bad. | 0:37:26 | 0:37:31 | |
-That is not too bad, all right? -Yes. | 0:37:31 | 0:37:33 | |
So, don't tell the Blues a sausage. | 0:37:33 | 0:37:37 | |
OK. OK. | 0:37:37 | 0:37:38 | |
160. 170. | 0:37:40 | 0:37:41 | |
-Now, Lydia and Marley, have you been talking to the Reds? -No, we haven't. | 0:37:45 | 0:37:49 | |
-They're keeping their mouths tightly closed. -Well and truly zipped. -Yeah. | 0:37:49 | 0:37:54 | |
That's the right way - it keeps the competition fair if you don't know how they've got on. | 0:37:54 | 0:37:59 | |
You won't know whether to go to your bonus buy or any of these vital decisions that are ahead of you. | 0:37:59 | 0:38:04 | |
It's a long time to wait. Are you feeling nervous? | 0:38:04 | 0:38:07 | |
-A bit nervous, but quietly confident. -What about you, Lydia? | 0:38:07 | 0:38:10 | |
Yeah, we'll have to see. | 0:38:10 | 0:38:13 | |
The first item, David, is that nice tin-glazed dog vessel with the revolving head, | 0:38:13 | 0:38:18 | |
-which I have to say I think is a handsome fellow, isn't he? -Yeah. | 0:38:18 | 0:38:21 | |
And you paid £85 for it, which is a good price. | 0:38:21 | 0:38:23 | |
He has put £50 to £80 on it. | 0:38:23 | 0:38:26 | |
-Wow, right. -Which I think is a bit scruffy. And it's coming up now. | 0:38:26 | 0:38:29 | |
We have three commission bids on this lot. | 0:38:29 | 0:38:32 | |
This is the Delft tin-glaze pottery jar and cover | 0:38:32 | 0:38:35 | |
of the little dog sitting there begging. | 0:38:35 | 0:38:37 | |
Begging to be bought. | 0:38:37 | 0:38:40 | |
And where shall we start it? Well, I've got one bid of £80 to start. | 0:38:40 | 0:38:44 | |
-Come on, James. -85 now. -Go for it. | 0:38:44 | 0:38:46 | |
-£85 now. At five do I see? -Come on. | 0:38:46 | 0:38:48 | |
-That's £80 and five anywhere? 85. 90. 95. -Go on! | 0:38:48 | 0:38:53 | |
No. At £90. With me at 90. It's against you at the back of the room. | 0:38:53 | 0:38:58 | |
At £90 are we all sure? | 0:38:58 | 0:39:01 | |
-A profit is a profit. -It's true. | 0:39:01 | 0:39:03 | |
A profit's a profit. You are five pounds up on that. | 0:39:03 | 0:39:06 | |
I told you it was a good one. Now, your stoneware barrel. | 0:39:06 | 0:39:10 | |
Treacle-glazed stoneware liquor barrel and £20 starts it. | 0:39:10 | 0:39:14 | |
-20 and two now. At £20 and two do I see? -Come on. | 0:39:14 | 0:39:18 | |
At £20 and two is it? 22, front row. 25 and 28 for you. 28 has it. | 0:39:18 | 0:39:23 | |
-Front row at £28. Anybody else? -Man! -At £28. -No! | 0:39:23 | 0:39:29 | |
That's 28. You're two shy of 30, which means you're minus 22. | 0:39:29 | 0:39:35 | |
-We've saved the best for last! -This will bring it all back. -It's minus 22. | 0:39:35 | 0:39:39 | |
-Oh, yeah, the Tibetan thing! -Which means you're minus £17 overall. | 0:39:39 | 0:39:42 | |
-OK, lot 677. -OK, here comes Tibetan. | 0:39:42 | 0:39:45 | |
Is this Eastern white metal perfume bottle or snuff. | 0:39:45 | 0:39:48 | |
Where shall we start this? £25 for it? 20, then? | 0:39:48 | 0:39:54 | |
-Anybody want it at ten? -Uh-oh. | 0:39:54 | 0:39:55 | |
-What? -Five. Five pounds bid. By the door at five. And eight do I see? | 0:39:55 | 0:40:00 | |
Eight. 10. At £10 by the door. At 10 and 12 do I see? | 0:40:00 | 0:40:03 | |
-It's not looking good. -That's awful. | 0:40:03 | 0:40:06 | |
Are we all done at 10? Oh, dear. | 0:40:06 | 0:40:09 | |
£10 is minus £25. | 0:40:11 | 0:40:13 | |
So, that's 17, 37, 42. | 0:40:13 | 0:40:18 | |
Minus £42, OK? Minus £42. | 0:40:18 | 0:40:22 | |
Let's hope the Reds didn't do so well! | 0:40:22 | 0:40:25 | |
Now, listen, minus £42 could be a winning score, all right? | 0:40:25 | 0:40:28 | |
-You have to think carefully now what to do here. -Oh, yeah, because we've got the... | 0:40:28 | 0:40:32 | |
You're not going to go home with a lump of profit. £42 down the drain. | 0:40:32 | 0:40:36 | |
It could be a winning score or you can chance it, risk it for a biscuit, pick up a penguin | 0:40:36 | 0:40:43 | |
and, you know, run on with it. What do you think? | 0:40:43 | 0:40:46 | |
-Me might as well. -Do it, yeah. -Go with the penguin. -Going to go with the penguin? | 0:40:46 | 0:40:50 | |
-Yeah. -OK? Certain? -Yeah. -We're going with the bonus buy and here it comes. | 0:40:50 | 0:40:54 | |
The George V silver letter opener with a little penguin at the end | 0:40:54 | 0:40:58 | |
and it's hallmarked for Chester 1913 | 0:40:58 | 0:41:00 | |
and I can start the bidding here at £30 and five anywhere? 35. 40. | 0:41:00 | 0:41:06 | |
-Do you like it? -I love it. -50. -Yes! -Do you want 55? | 0:41:06 | 0:41:10 | |
-At £50. 55 now? 55. -Yes! | 0:41:10 | 0:41:12 | |
60. At £60. Still with me at 60. | 0:41:12 | 0:41:16 | |
65 anywhere? | 0:41:16 | 0:41:18 | |
Come on, James. | 0:41:18 | 0:41:19 | |
Go on, James! | 0:41:19 | 0:41:21 | |
-At 60. It's not me, it's that one! Go on, one more. No. -Aw! | 0:41:21 | 0:41:29 | |
It's a good lot this one. And selling at £60. | 0:41:29 | 0:41:32 | |
£60 is a £10 profit. Good boy. | 0:41:32 | 0:41:36 | |
-That's knocked a bit off... -Yeah, our losses! | 0:41:36 | 0:41:38 | |
Minus £32. You're minus £32. It could be a winning score. You made a right decision there. | 0:41:38 | 0:41:44 | |
Your man delivered the goods and what more could you ask? | 0:41:44 | 0:41:47 | |
This could be a winning score, so don't chat to the Reds, all right? | 0:41:47 | 0:41:50 | |
-Yeah. -Lips sealed up. | 0:41:50 | 0:41:52 | |
60. | 0:41:54 | 0:41:55 | |
Well, how exciting is this? | 0:41:58 | 0:42:01 | |
This is a competition that is almost too close to call. | 0:42:01 | 0:42:05 | |
-No! -There's three pounds between the teams. -No! | 0:42:05 | 0:42:10 | |
They haven't been talking to each other and they don't know where they're up to, do you? | 0:42:10 | 0:42:15 | |
-No. -No. -There's three pounds between them. Each team went with the bonus buy | 0:42:15 | 0:42:19 | |
and each team made a profit of £10 | 0:42:19 | 0:42:22 | |
-and the team that is marginally behind are the Reds. -Hurrah! | 0:42:22 | 0:42:29 | |
-But there is only three pounds in it. -That's amazing! | 0:42:29 | 0:42:33 | |
It is amazing, isn't it? | 0:42:33 | 0:42:35 | |
-I think number one star is Andrew with his brilliant opera glasses making a profit of £15... -Well done. | 0:42:35 | 0:42:41 | |
-..which is good. -Yes. | 0:42:41 | 0:42:42 | |
-And you have been a great team. I hope you've enjoyed it. -It's been lovely. -It's been great fun. | 0:42:42 | 0:42:47 | |
Lovely having you on the programme. The winners, well done! | 0:42:47 | 0:42:51 | |
-You made a nice profit on your Delft wine holder. -Yeah. -The little dog dog. | 0:42:51 | 0:42:56 | |
-Made a nice profit on the penguin letter opener. -Thank you, David. -That's all right. | 0:42:56 | 0:43:00 | |
Overall you are minus £32, so very sadly | 0:43:00 | 0:43:03 | |
-you're not going home with any pound notes in your pocket. -That's OK. | 0:43:03 | 0:43:06 | |
But you can wear the mantle with pride as the victors today on Bargain Hunt. | 0:43:06 | 0:43:11 | |
-I hope you've had a great time. We have. Join us soon for some more bargain hunting, yes? -Yes! | 0:43:11 | 0:43:17 | |
For more information about Bargain Hunt, | 0:43:19 | 0:43:22 | |
including how the programme was made, visit the website at bbc.co.uk/lifestyle | 0:43:22 | 0:43:26 | |
Subtitles by Red Bee Media Ltd | 0:43:36 | 0:43:38 |