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Do you know, there's something in the water today on Bargain Hunt? | 0:00:02 | 0:00:05 | |
Well, something's got into their heads. | 0:00:05 | 0:00:08 | |
Our teams are about to take the business of buying antiques incredibly seriously. ..Not! | 0:00:08 | 0:00:14 | |
I can see we've got trouble on our hands today, so let's go bargain hunting. | 0:00:14 | 0:00:20 | |
We've made our way to the Hungerford Arcade in Berkshire, | 0:00:47 | 0:00:52 | |
where our teams have £300 and an hour to shop for three items | 0:00:52 | 0:00:56 | |
which they'll sell at auction and make a massive profit. | 0:00:56 | 0:01:01 | |
Sounds easy, doesn't it? Well, we'll find out just how easy it is. | 0:01:01 | 0:01:07 | |
There's certainly an eclectic mix of items here, bargain hunters. | 0:01:07 | 0:01:11 | |
Let's meet the teams. | 0:01:11 | 0:01:14 | |
On today's show we've got some likely lively lads and a couple of feisty women. | 0:01:14 | 0:01:20 | |
For the Blues, we've got Amanda and Joan, and for the Reds, we've got friends, Phil and Dave. | 0:01:20 | 0:01:26 | |
Welcome, chaps. Nice to see you. Phil, you used to have connections with the Fleet Auxiliary? | 0:01:26 | 0:01:31 | |
-Yes, I used to work on the flight deck. -Vital tasks? -Yes. | 0:01:31 | 0:01:34 | |
I was there for about four years and then one day I decided to fall through the ship. | 0:01:34 | 0:01:40 | |
-Fall through? -Yes, 65 feet. -I bet that didn't do you any good? -No. | 0:01:40 | 0:01:43 | |
-I had two-and-a-half years in hospital. -My gosh! | 0:01:43 | 0:01:48 | |
-Shattered pelvis in 32 places. -Good Lord! | 0:01:48 | 0:01:51 | |
Still, you could have landed on your head. | 0:01:51 | 0:01:54 | |
If I'd been a bit heavier, I would have done. | 0:01:54 | 0:01:56 | |
A bit lighter, I'd have landed on my feet and still wouldn't have been here. | 0:01:56 | 0:02:01 | |
That's a terrible story. I'm glad to see you looking so perky. | 0:02:01 | 0:02:04 | |
-How do you think you're going to get on on Bargain Hunt? -You've got the winners definitely. -Oh! | 0:02:04 | 0:02:09 | |
We like to hear that little bit of ambition in there. | 0:02:09 | 0:02:12 | |
-Dave, you were in the army for a long time? -23 years. I was an inventory manager. | 0:02:12 | 0:02:18 | |
I do the same thing now | 0:02:18 | 0:02:19 | |
-but I look after an inventory of about 6.3 million of furniture. -So you know about furniture? | 0:02:19 | 0:02:27 | |
Modern furniture, yes. | 0:02:27 | 0:02:28 | |
Not so good for us though. | 0:02:28 | 0:02:30 | |
No. Not today! | 0:02:30 | 0:02:31 | |
-Now, you're a tall man. -Yes. -Once upon a time you were a good deal taller. -Yes, I was. | 0:02:31 | 0:02:36 | |
I was a three inches taller. I used to be six foot three-and-a-half, and I weighed nearly 19 stone, | 0:02:36 | 0:02:43 | |
and then I had a brain tumour removed and I was eight hours on the slab | 0:02:43 | 0:02:49 | |
-and during that time I lost three inches in height and four stone in weight. -Oh, dear. | 0:02:49 | 0:02:56 | |
Yes. Didn't do me any harm. Well, I'm all right now. | 0:02:56 | 0:02:59 | |
You're looking in the pink, yeah. | 0:02:59 | 0:03:01 | |
Stop dribbling! | 0:03:02 | 0:03:03 | |
Good. | 0:03:04 | 0:03:06 | |
You're a bit of a collector as well? | 0:03:06 | 0:03:08 | |
Oil lamps, baseball caps, of which I have one here. | 0:03:08 | 0:03:13 | |
-That would be a moose. -That would, yes. | 0:03:13 | 0:03:15 | |
Somebody bought this for me. I don't wear them normally. | 0:03:15 | 0:03:18 | |
Definitely not indoors. | 0:03:18 | 0:03:21 | |
Someone bought this for me from Canada. | 0:03:21 | 0:03:26 | |
Get away! Definitely suits you. Doesn't it? Lovely. Do you think so, Phil? | 0:03:26 | 0:03:31 | |
-I think he's boot-iful. -You think it's...? -Boot-iful. -Sold a turkey. -It could be! -It could be turkey. | 0:03:31 | 0:03:38 | |
Get a few steaks out of it. | 0:03:38 | 0:03:41 | |
Lovely. I think you're going to do very well today. Now, the girls. | 0:03:41 | 0:03:46 | |
What are you laughing at? | 0:03:46 | 0:03:48 | |
That's no way to laugh at your opposition like that. | 0:03:48 | 0:03:52 | |
-It is very funny, though, isn't it? Now, Amanda. -Yes. | 0:03:52 | 0:03:55 | |
-Joan is your mother-in-law. -She is. -Are you going to make a good team? -Oh, yes. | 0:03:55 | 0:03:59 | |
-You've got your hands full at home, haven't you? -I've got four girls. | 0:03:59 | 0:04:03 | |
Have you? How lovely. What sort of ages? | 0:04:03 | 0:04:05 | |
Nine, seven, two and one. | 0:04:05 | 0:04:08 | |
It says here, "Does your husband help around the house? | 0:04:08 | 0:04:11 | |
"Is he handy and is he the romantic type?" | 0:04:11 | 0:04:15 | |
-No, he's not really romantic but his dad is. -He's not really romantic. | 0:04:15 | 0:04:18 | |
His dad is, and he did go to his dad for some advice over a very expensive bottle of champagne that he had, | 0:04:18 | 0:04:24 | |
so his dad advised him to run a nice bath, so when I came in from work, have a bowl of strawberries... | 0:04:24 | 0:04:29 | |
-For you? -Yeah, for me. | 0:04:29 | 0:04:31 | |
Feed them to me, I reached down to pick up a strawberry | 0:04:31 | 0:04:35 | |
and his cat decided to deposit a mouse's head there instead, and I nearly ate it! | 0:04:35 | 0:04:42 | |
-What? -The champagne came up pretty quickly afterwards. | 0:04:42 | 0:04:46 | |
You nearly ate a raw mouse's head? | 0:04:46 | 0:04:50 | |
Disguised as a strawberry! I hope you'll be up to keep your wits about you today, my girl. | 0:04:50 | 0:04:56 | |
I don't want any mouse-eating here. | 0:04:56 | 0:04:58 | |
Joan, you have an incredibly adventuresome spirit, don't you? | 0:04:58 | 0:05:02 | |
-Oh, I love travel. -You like travel? -Yeah. | 0:05:02 | 0:05:04 | |
What sort of places do you go to? | 0:05:04 | 0:05:06 | |
Well, I've been to Vietnam. | 0:05:06 | 0:05:08 | |
-Have you? -Kazakhstan. -Kazakhstan? | 0:05:08 | 0:05:10 | |
Yeah, but that was a train journey, five-week train journey. | 0:05:10 | 0:05:14 | |
-All very comfortable facilities, was it? -Well, except for the Vietnamese train, yes. | 0:05:14 | 0:05:18 | |
-Oh, why? -The toilets were the French variety. -What's that, then? | 0:05:18 | 0:05:22 | |
-Two footprints, and very awkward on a moving train. -A moving train! With just the footprints. | 0:05:22 | 0:05:29 | |
-Yes! -A round hole. -Yes! -And did you see the track going underneath? -Yes. And an open window there. | 0:05:29 | 0:05:35 | |
An open window? That is friendly, isn't it? | 0:05:35 | 0:05:37 | |
They're extremely good stories from you today. This has been amazing. | 0:05:37 | 0:05:41 | |
Now, the money moment. £300 apiece. There you go. | 0:05:41 | 0:05:46 | |
You know the rules. Your experts await! | 0:05:46 | 0:05:48 | |
Off you go, and very, very, very good luck. | 0:05:48 | 0:05:51 | |
Dear, oh, dear, oh, dear! | 0:05:51 | 0:05:54 | |
Let's hope our two experts today are prepared to be given the runaround, | 0:05:55 | 0:06:00 | |
as they hand out their advice to the teams. | 0:06:00 | 0:06:03 | |
Mark Stacey is in training for the Reds, | 0:06:03 | 0:06:05 | |
while Philip Allwood is resting before tackling the Blues. Ah! | 0:06:05 | 0:06:10 | |
With only one hour to go, the pressure is on. | 0:06:10 | 0:06:13 | |
Get a move on, you lot! | 0:06:13 | 0:06:15 | |
-Come on, we've got an hour. Let's go! -That's not long, is it? | 0:06:15 | 0:06:18 | |
That's not long, no. | 0:06:18 | 0:06:20 | |
What have we got in here? So, anything in particular you'd set out to come and buy? | 0:06:22 | 0:06:27 | |
£2,995, I think that's a bit out of our league. | 0:06:27 | 0:06:30 | |
-Pairs of everything in here, it's amazing. -They have, yeah! | 0:06:30 | 0:06:34 | |
-I can't see that making anywhere near that. -No. | 0:06:34 | 0:06:37 | |
-It would have had legs on it. -Oh, I see! | 0:06:37 | 0:06:41 | |
Oh, there's a Tiffany's one there. How much is that? £55. | 0:06:41 | 0:06:46 | |
-Tiffany silver box there. -Oh, right. | 0:06:46 | 0:06:48 | |
£55. Shall we have a look at that? | 0:06:48 | 0:06:51 | |
-Yes. -Ask the dealer if she'd pass it to us. | 0:06:51 | 0:06:54 | |
-Shall we have a look at it? -Yeah. | 0:06:54 | 0:06:56 | |
It looks like it's got hinges on it. | 0:06:56 | 0:06:57 | |
Ah, there's a folding base, so... | 0:06:57 | 0:07:00 | |
Make sure we don't drop it on the china. So... | 0:07:00 | 0:07:02 | |
-It has got some damage, though. -What have we got? | 0:07:02 | 0:07:05 | |
Let's see. | 0:07:05 | 0:07:07 | |
-The one problem I can really see with it... -It's got some damage. | 0:07:07 | 0:07:10 | |
..is this big lump missing. | 0:07:10 | 0:07:12 | |
-Oh, yes, yeah. -And there's a bit of damage here as well. -Is there? | 0:07:12 | 0:07:16 | |
-Just there. -Oh, goodness, yes, it's a bit split, isn't it? | 0:07:16 | 0:07:20 | |
-I think that might a lot of people off. -Is that a no?! | 0:07:20 | 0:07:22 | |
I think if it was in good nick... | 0:07:22 | 0:07:24 | |
-That would have been good. -..it would have been good. -Shall I pop it back? -Yes. | 0:07:24 | 0:07:28 | |
So, the Blues strike out because of the damage. | 0:07:28 | 0:07:32 | |
But the Reds seem to be having a bit more luck. | 0:07:32 | 0:07:34 | |
Thank you! There we are, Mark. | 0:07:34 | 0:07:38 | |
Oh, actually, there's a fair bit of weight on that, actually. | 0:07:38 | 0:07:42 | |
-Yeah. -And it's nice engine-turned. | 0:07:42 | 0:07:44 | |
Not a bad price, £100, actually, for a nice little quality box like that. | 0:07:44 | 0:07:48 | |
If we bought it, we'd have to try and...a little bit. | 0:07:48 | 0:07:51 | |
-Yes. -Now, what have you got there? -I've got a little Tiffany note case. | 0:07:51 | 0:07:55 | |
This is something completely different, because this is very modern. | 0:07:55 | 0:07:59 | |
You can see that it's modern. You buy it because it's Tiffany. | 0:07:59 | 0:08:03 | |
-It's a Tiffany card case, yeah. -And it's not too bad. -It's nice. | 0:08:03 | 0:08:07 | |
£55. | 0:08:07 | 0:08:09 | |
But it looks very modern, doesn't it? It feels very modern. | 0:08:09 | 0:08:12 | |
Yes. | 0:08:12 | 0:08:14 | |
But you've got Tiffany on the back there. Sterling underneath. | 0:08:14 | 0:08:18 | |
-I'd double-check that. And it comes of course in its... -In its own case. | 0:08:18 | 0:08:22 | |
-..in its fitted case, with its original little... -Little box. | 0:08:22 | 0:08:26 | |
-Yes. -I mean I suppose, what would that be in Tiffany's? | 0:08:26 | 0:08:30 | |
-You know, it would be more than £55. -Yes. It would be over £100, I would have thought, at least £100. | 0:08:30 | 0:08:35 | |
-Yeah. -Why don't you ask the dealer what the best price is on it? | 0:08:35 | 0:08:39 | |
Now, cash, we're talking here. | 0:08:39 | 0:08:42 | |
-Yes. -We want... We want to make a profit on this. -Profit. | 0:08:42 | 0:08:47 | |
-Because all our profit is going to charity, you see. -To charity. | 0:08:47 | 0:08:50 | |
That's the technique! We'll leave the Reds to their bartering, | 0:08:50 | 0:08:54 | |
while the Blues get inside help. | 0:08:54 | 0:08:55 | |
I've got something a little bit unusual to show you. | 0:08:55 | 0:08:59 | |
-It's an old posset warmer. -Goodness gracious! | 0:08:59 | 0:09:03 | |
And it's allegedly the property of James Fenimore Cooper - | 0:09:03 | 0:09:09 | |
author of The Last Of The Mohicans. | 0:09:09 | 0:09:11 | |
This letter seems to authorise that, from 1919. I found that inside here. | 0:09:11 | 0:09:17 | |
Goodness gracious! | 0:09:17 | 0:09:19 | |
What an unusual thing! | 0:09:19 | 0:09:21 | |
I only paid 110 quid, and I'm looking for 150, so... | 0:09:21 | 0:09:25 | |
That's a very unusual piece. | 0:09:25 | 0:09:27 | |
It is an unusual thing, isn't it? | 0:09:27 | 0:09:29 | |
Pewter. Well, that doesn't happen very often, that we have this sort of thing gifted into our hands. | 0:09:29 | 0:09:35 | |
-What d'you think? -What would this have been used for? | 0:09:35 | 0:09:38 | |
Right, a posset it was a drink for all ailments. | 0:09:38 | 0:09:42 | |
It was a sort of ale and herbs, | 0:09:42 | 0:09:44 | |
and this would have been filled with hot water, | 0:09:44 | 0:09:47 | |
-placed at your bedside, with a beaker or...keeping it warm. -Yeah. | 0:09:47 | 0:09:52 | |
-So it was for drinks. -A drink. -Alcohol, there you go! | 0:09:52 | 0:09:58 | |
It probably would have had some sort of alcohol in there, yes. | 0:09:58 | 0:10:01 | |
It was in the days when this was made, | 0:10:01 | 0:10:03 | |
-it was considered a good thing to have. -Absolutely. | 0:10:03 | 0:10:06 | |
-Is it collectible? -Well, I think it's one of those things, it's a very unusual piece. | 0:10:06 | 0:10:11 | |
-It's just a thought. -Yeah. | 0:10:11 | 0:10:15 | |
-Erm, and 150 is your best on it? If you've just got it in? -Come down. Come down. | 0:10:15 | 0:10:20 | |
You can do a little bit for us, can't you? | 0:10:20 | 0:10:22 | |
I'll do it for 140. | 0:10:22 | 0:10:24 | |
Because I do think it's got some interest value. Pewter... | 0:10:24 | 0:10:28 | |
-125. -How much?! | 0:10:28 | 0:10:30 | |
-I can't do 125! -She's hard! | 0:10:30 | 0:10:33 | |
< 135. | 0:10:33 | 0:10:35 | |
I've just paid 110, seriously. | 0:10:35 | 0:10:37 | |
-That's a quick profit, then. -135. 135, then. | 0:10:37 | 0:10:39 | |
-Shall we go for that? -Yeah. -Done. -Excellent! You've been done! | 0:10:39 | 0:10:44 | |
Well, we'll find that out at the auction. | 0:10:45 | 0:10:48 | |
So, the Blues have their first item, | 0:10:48 | 0:10:51 | |
while the Reds are busy sealing the deal for the Tiffany silver card case. | 0:10:51 | 0:10:56 | |
-38? -38... | 0:10:56 | 0:10:58 | |
-OK, then. -Sure? | 0:10:58 | 0:11:00 | |
38. No, I'm not sure, but I will. | 0:11:00 | 0:11:01 | |
-Very kind. -That would be brilliant at 38. -Yeah, 38 would be fantastic. | 0:11:01 | 0:11:06 | |
Good job, guys. Elsewhere in the antiques centre, the Blues are making bargain-hunting look easy. | 0:11:06 | 0:11:12 | |
Just wanted to have a look at the pedestal bowl there, on the base, that... | 0:11:12 | 0:11:17 | |
And can we have a look at the jug as well? | 0:11:17 | 0:11:21 | |
This jug, the one right in the corner that's furthest away from you and more difficult to get! | 0:11:21 | 0:11:26 | |
-So, what we have here is two things to think about, don't we? -Mmm. | 0:11:26 | 0:11:31 | |
The jug or the sugar basin. | 0:11:31 | 0:11:33 | |
Given away by the tongs. | 0:11:33 | 0:11:35 | |
But the one thing that concerns me about it is, | 0:11:35 | 0:11:38 | |
if you look closely on the base, you can see where the nickel is coming through. | 0:11:38 | 0:11:43 | |
-Oh, yeah. -So, a plated base on a silver... | 0:11:43 | 0:11:46 | |
I'm not sure about that, I'm a little bit uneasy. I think it should be a silver base. | 0:11:46 | 0:11:50 | |
-I wonder whether it's been attached. This, however... -I like this. | 0:11:50 | 0:11:54 | |
..is pretty. Nice clear silver hallmark there for London, 1922. | 0:11:54 | 0:11:59 | |
Maker's mark is a rubbed so I can't actually see | 0:11:59 | 0:12:02 | |
who it's by. | 0:12:02 | 0:12:03 | |
But he was, you know, he was an accomplished maker, wasn't he? | 0:12:03 | 0:12:08 | |
The lovely line there, it hasn't been made by a fool, has it? | 0:12:08 | 0:12:12 | |
-Yeah. -Art Deco. -Good shape. | 0:12:12 | 0:12:15 | |
It covers your Art Deco thing, yeah. | 0:12:15 | 0:12:18 | |
-Nice clean lines. -Exactly. | 0:12:18 | 0:12:20 | |
-And again, would be the sort of thing that would be just as happy in a modern or an ancient house. -Yeah. | 0:12:20 | 0:12:25 | |
-I like the rim on it, I like that it goes all the way around there. -Exactly. -It isn't just shaped. | 0:12:25 | 0:12:30 | |
-No, absolutely. It's quite a nice, elegant-looking piece. -Yeah, I like that. | 0:12:30 | 0:12:34 | |
-What do you two think? -That one. -Yeah. I would want that one. -Really? | 0:12:34 | 0:12:39 | |
-Yeah. -I'm glad to hear that, cos that's exactly what I think. | 0:12:39 | 0:12:43 | |
-Erm, I think we'll pass on that one, and... -Take that one. -Definitely. | 0:12:43 | 0:12:48 | |
The thing we need to consider before we make a final decision is the price. | 0:12:48 | 0:12:52 | |
We've got £105 on it. We really need to be getting it down below £100. | 0:12:52 | 0:12:57 | |
Closer to £80 or £70, on a good day. | 0:12:57 | 0:13:00 | |
I think we need to try and do something with that. | 0:13:00 | 0:13:03 | |
-OK, fine. -Shall we go and see if we can find out what he'll take? | 0:13:03 | 0:13:07 | |
-Yes, definitely. -OK. | 0:13:07 | 0:13:09 | |
Another decision well-made. | 0:13:09 | 0:13:12 | |
They bought the silver cream jug for £85. | 0:13:12 | 0:13:16 | |
If you'd like to go bargain hunting in a place like this, then simply apply for an application form! | 0:13:16 | 0:13:22 | |
E-mail us at... | 0:13:22 | 0:13:24 | |
..and we'll simply do the rest! | 0:13:26 | 0:13:29 | |
-£125. Oh, gosh. -We need a good profit. | 0:13:33 | 0:13:37 | |
£225 for that jug?! | 0:13:37 | 0:13:38 | |
I've got confidence that we can do this. | 0:13:38 | 0:13:41 | |
There's faith for you. But you'd better get those Reds moving, Mark! | 0:13:41 | 0:13:45 | |
-What is this? -What have you got there? -I think it's Crown Ducal, I think. | 0:13:45 | 0:13:50 | |
Yes, it is, well of course, it screams one period only - Art Deco. | 0:13:50 | 0:13:54 | |
You've got this sort of ribbed body and then you've got this rather funky form, | 0:13:54 | 0:13:58 | |
and bright colours on it. | 0:13:58 | 0:14:00 | |
-It's in condition. -In good condition. -Looks in good nick, doesn't it? | 0:14:00 | 0:14:04 | |
Crown Ducal are well-known. They're a smallish factory based in Staffordshire. | 0:14:04 | 0:14:08 | |
In the late 19th century, they were producing very Edwardian china with lots of swags and pheasants. | 0:14:08 | 0:14:14 | |
-Very much in the Royal Worcester style. -Right. | 0:14:14 | 0:14:16 | |
But in the '20s and '30s, they did develop quite a culture for this Art Deco movement. | 0:14:16 | 0:14:21 | |
Charlotte Rhead became a designer for them. | 0:14:21 | 0:14:24 | |
-She ranks up there with people like Clarice Cliff and Susie Cooper, for example. -Really? | 0:14:24 | 0:14:29 | |
-Yeah. -Now, it's not signed, but it's very much in her style. | 0:14:29 | 0:14:32 | |
-With this little tube line decoration, etc. -Yeah. -And it's quite a funky form, really. | 0:14:32 | 0:14:37 | |
-It is, isn't it? -And you can see a youngster would appeal to that. | 0:14:37 | 0:14:41 | |
-Cos it's stand-alone. -I like the three handles. | 0:14:41 | 0:14:43 | |
-Three handles. -Yes. Bright colours. | 0:14:43 | 0:14:46 | |
-It's a little bit expensive at £56, isn't it? -Mmm. | 0:14:46 | 0:14:49 | |
-Get that down. -A few pound off. | 0:14:49 | 0:14:51 | |
If we can get that down to sort of £40 or so, or £45, | 0:14:51 | 0:14:57 | |
then we might be in with a chance. | 0:14:57 | 0:14:59 | |
-Yes. I like that. -Very nice. | 0:14:59 | 0:15:01 | |
-See if we can get the price down. -Absolutely. | 0:15:01 | 0:15:03 | |
It's a unanimous decision. | 0:15:04 | 0:15:06 | |
But at £40, is it a clever one? | 0:15:06 | 0:15:09 | |
I like all this Lalique class. | 0:15:15 | 0:15:18 | |
But I'm afraid it's...! | 0:15:18 | 0:15:19 | |
-That's right, yes! -Perhaps we'll come back to that. | 0:15:19 | 0:15:22 | |
-It's not expensive. -No. | 0:15:22 | 0:15:24 | |
It says Georgian on the label, doesn't it? | 0:15:24 | 0:15:26 | |
Yes, but that's a bit... | 0:15:26 | 0:15:29 | |
We've got doubters. | 0:15:29 | 0:15:31 | |
-That's not worth taking a risk with. -No, it's not. | 0:15:31 | 0:15:34 | |
The Blues have been spending up a storm, with 220 smackers gone on | 0:15:34 | 0:15:39 | |
their first two buys, leaving them just £80. | 0:15:39 | 0:15:43 | |
That's quite a nice-looking chair, I think. | 0:15:43 | 0:15:46 | |
It's had some little alterations underneath it. | 0:15:46 | 0:15:49 | |
These pine blocks put in there. | 0:15:49 | 0:15:51 | |
Is that to make it more sturdy? | 0:15:51 | 0:15:53 | |
-Yeah. -To keep it together! -Exactly. | 0:15:53 | 0:15:54 | |
Does that devalue it much? | 0:15:56 | 0:15:58 | |
Well, the thing is with this, they normally come in pairs. | 0:15:58 | 0:16:02 | |
-Right. -To go on either side of a door in the hallway. | 0:16:02 | 0:16:05 | |
-Yeah. -You can imagine a big marble hallway, these sitting either side, | 0:16:05 | 0:16:09 | |
-they'd look elegant as a pair. -They would. | 0:16:09 | 0:16:11 | |
As a single chair, they're a little bit more difficult to place. | 0:16:11 | 0:16:16 | |
But, erm, a nice traditional piece, nice traditional English wood. | 0:16:16 | 0:16:20 | |
And very architectural design. | 0:16:20 | 0:16:23 | |
It's a nice back, architectural design there. | 0:16:23 | 0:16:27 | |
Broken-arch pediment. It's got a touch of elegance about it. | 0:16:27 | 0:16:30 | |
Good, solid piece. What are they asking? | 0:16:30 | 0:16:32 | |
Oh, £39. | 0:16:36 | 0:16:37 | |
I wonder if we could get it down to sort of more like | 0:16:37 | 0:16:41 | |
25 quid. That would help. | 0:16:41 | 0:16:43 | |
Do you think it would stand a chance? | 0:16:43 | 0:16:45 | |
-Well, it's not an expensive buy at 25 quid, is it? -No, I don't think... | 0:16:45 | 0:16:49 | |
I don't think so, for a solid oak chair, I don't think that's bad. | 0:16:49 | 0:16:54 | |
How long have we got before we...? | 0:16:54 | 0:16:56 | |
We've got about 20 minutes. | 0:16:56 | 0:16:58 | |
-Oh. -So we could come back to it. -If we leave it here... | 0:16:58 | 0:17:01 | |
Give it 10 minutes. And if there's nothing else, we'll come back. | 0:17:01 | 0:17:05 | |
Exactly, we'll have a go at it. | 0:17:05 | 0:17:07 | |
Yeah, I think it might be worth a punt. | 0:17:07 | 0:17:09 | |
While the Blues are hedging their bets, | 0:17:09 | 0:17:12 | |
the Reds have got a whopping £220 left for their final item. | 0:17:12 | 0:17:16 | |
Gosh, that's quite fun, isn't it? In a fireplace, it's quite fun. | 0:17:17 | 0:17:20 | |
I don't know if people use these things any more. | 0:17:20 | 0:17:23 | |
-It's fun more than anything, I suppose. It's what we generally refer to as a companion set. -Yes. | 0:17:23 | 0:17:29 | |
You've got a little brush there and a little shovel. | 0:17:29 | 0:17:32 | |
You're missing the poker and the tongs. | 0:17:32 | 0:17:35 | |
Yeah. There's an old chain here. | 0:17:35 | 0:17:37 | |
Well, it's been made up. It's not really an antique as such. | 0:17:37 | 0:17:40 | |
-It's just its own components that somebody's put together. -Mmm. | 0:17:40 | 0:17:44 | |
But I can see it in an Old England fireplace or something like that. | 0:17:44 | 0:17:48 | |
-Yes. -It's marked up at £34, so we should get some money off. | 0:17:48 | 0:17:52 | |
We could get a few pounds off that. Make a little profit. | 0:17:52 | 0:17:55 | |
Well, you never know. I mean, would you have it in your house? | 0:17:55 | 0:17:58 | |
David would, cos he's got a nice little fire stove. | 0:17:58 | 0:18:01 | |
I've got a wood-burning stove. | 0:18:01 | 0:18:03 | |
Should look all right, by the side of my stove. | 0:18:03 | 0:18:06 | |
Well, there we are. If you like it, then we should have a go at it. | 0:18:06 | 0:18:09 | |
Get a few pound off of that. | 0:18:09 | 0:18:10 | |
-Old shoe nails as well. -Shoe nails. | 0:18:10 | 0:18:13 | |
-Yeah. -Well, let's have a word with the dealer. | 0:18:13 | 0:18:16 | |
Hopefully we'll get a little bit off and then we can make a decision once we know. | 0:18:16 | 0:18:20 | |
Probably get a few pound off, it should be all right. | 0:18:20 | 0:18:23 | |
Is it rustic or rusty that comes to mind, bargain hunters? | 0:18:23 | 0:18:26 | |
With £20 paid, the Reds now have all three items. | 0:18:26 | 0:18:31 | |
£5. | 0:18:33 | 0:18:34 | |
Probably about £3 too much. | 0:18:36 | 0:18:38 | |
-Cheap sounds good. -Cheap as chips! | 0:18:38 | 0:18:41 | |
Lots and lots of things. | 0:18:41 | 0:18:43 | |
Decisions, decisions. That's what it's all about on Bargain Hunt. | 0:18:43 | 0:18:47 | |
But probably one of the biggest decisions that | 0:18:47 | 0:18:50 | |
the team makes is to whether they go with the bonus buy or not. | 0:18:50 | 0:18:55 | |
Any leftover lolly is given to their experts to spend | 0:18:55 | 0:19:00 | |
on that special item, the bonus buy, which can make all the difference. | 0:19:00 | 0:19:04 | |
The teams see the piece when they get to the auction and that's the moment that they decide whether to | 0:19:04 | 0:19:10 | |
take the risk or not. We don't want to make it too easy for them! | 0:19:10 | 0:19:15 | |
After another look around, the Blues are back at the little wooden chair. | 0:19:15 | 0:19:20 | |
But is the price right to tempt them to buy? | 0:19:20 | 0:19:23 | |
Ah, here it comes! | 0:19:23 | 0:19:25 | |
(I wonder what's gonna happen! Here we go) | 0:19:25 | 0:19:28 | |
I've rung the dealer. | 0:19:28 | 0:19:30 | |
He thought 25 was a bit too low. | 0:19:30 | 0:19:32 | |
But he's prepared to go to 28. | 0:19:32 | 0:19:34 | |
Oh, that's... I think 28's OK. | 0:19:34 | 0:19:38 | |
-We'll live with that. -Yeah? | 0:19:38 | 0:19:39 | |
-I think it's got just as much chance really at 28 as 25. -OK, fine. | 0:19:39 | 0:19:44 | |
-It's not a million miles out. -No, no. | 0:19:44 | 0:19:47 | |
-We're not going to argue over £3. -I don't think so, no. | 0:19:47 | 0:19:49 | |
I think we'll do that deal. | 0:19:49 | 0:19:51 | |
-Thank you. -We'll take up to the front. -Wonderful. | 0:19:51 | 0:19:55 | |
-Is that the third item? -That's the third item. -We are done. | 0:19:55 | 0:19:59 | |
We can have a cup of tea! | 0:19:59 | 0:20:01 | |
And a chat. My favourite pastime. | 0:20:01 | 0:20:03 | |
A cup of tea. That sounds good. | 0:20:06 | 0:20:08 | |
Let's recap on the Reds' buys, while the kettle boils. | 0:20:08 | 0:20:11 | |
The Tiffany silver card case, in its original pouch, | 0:20:14 | 0:20:17 | |
seems like a good buy at £38. | 0:20:17 | 0:20:20 | |
At £40, the Crown ducal vase might be a steal. | 0:20:22 | 0:20:25 | |
And finally, at £20, | 0:20:29 | 0:20:31 | |
was the rusty rustic companion set - a brilliant buy for the Reds. | 0:20:31 | 0:20:35 | |
So lads, did you have a good time shopping? | 0:20:37 | 0:20:39 | |
-Brilliant. -Which was your favourite piece, Philip? | 0:20:39 | 0:20:43 | |
-The Tiffany cardholder. -And you, Dave? | 0:20:43 | 0:20:45 | |
The same, the Tiffany hard case. | 0:20:45 | 0:20:48 | |
You spent a pathetic £98. | 0:20:48 | 0:20:51 | |
Dear, oh, dear. £202 of leftover lolly. | 0:20:51 | 0:20:54 | |
202, thank you very much, Dave. | 0:20:55 | 0:20:58 | |
What about this? You could buy half the Antiques Centre for this! | 0:20:58 | 0:21:01 | |
I know, I have never had so much money. | 0:21:01 | 0:21:03 | |
You've never had so much? | 0:21:03 | 0:21:05 | |
I'm normally left with the £2. | 0:21:05 | 0:21:06 | |
-Quite. -I'll find something which I think is a bit of a good bargain, not anywhere near £200. | 0:21:06 | 0:21:13 | |
There you are. You're such a tease. | 0:21:13 | 0:21:15 | |
You better slip off and make quite sure that you get it. | 0:21:15 | 0:21:18 | |
Let's remind ourselves of what the Blues bought. | 0:21:18 | 0:21:21 | |
The Blues paid £135 for the pewter posset warmer. | 0:21:22 | 0:21:26 | |
The Silver Queen jug cost £85. It's very pretty, but is that too much? | 0:21:29 | 0:21:34 | |
At £28, the Victorian hall chair seems quite a good buy, | 0:21:35 | 0:21:39 | |
but it's missing its partner. | 0:21:39 | 0:21:41 | |
-Now you two, did you have a good turn shopping? -We did, yes. | 0:21:43 | 0:21:47 | |
-Which is your favourite piece? | 0:21:47 | 0:21:49 | |
-The silver jug. -Favourite is the silver jug. | 0:21:49 | 0:21:51 | |
What about you? | 0:21:51 | 0:21:53 | |
I like the silver jug, but I think the pewter posset warmer. | 0:21:53 | 0:21:57 | |
It could either fly or bomb, but I like that. It's interesting. | 0:21:57 | 0:22:00 | |
How are you with the posset, Joan? | 0:22:00 | 0:22:02 | |
-Fine. -Have you been recently? | 0:22:02 | 0:22:05 | |
You spent £248, which is great. | 0:22:07 | 0:22:08 | |
I want £52 of leftover lolly, which goes straight here to find your bonus buy, | 0:22:08 | 0:22:15 | |
which the team will not see until they get to the auction, which is exciting. | 0:22:15 | 0:22:19 | |
-Got anything in mind? -I have, yes. No clues. | 0:22:19 | 0:22:24 | |
-It's not scales. -It's not scales? | 0:22:25 | 0:22:27 | |
-Or a tea caddy. -They will be pleased. | 0:22:27 | 0:22:29 | |
But you have something in mind? | 0:22:29 | 0:22:31 | |
-Marvellous. -It is going to be fine. | 0:22:31 | 0:22:32 | |
Seize the moment! | 0:22:32 | 0:22:34 | |
If you want a little bit of peace and quiet, I know exactly the place to go and visit. | 0:22:34 | 0:22:40 | |
Welcome to Salisbury, in Wiltshire. | 0:22:47 | 0:22:49 | |
Known as "the city in the countryside", | 0:22:49 | 0:22:52 | |
with 5,000 years of history, | 0:22:52 | 0:22:55 | |
but the bit that interests me is the 18th century. What, what?! | 0:22:55 | 0:23:00 | |
And it's during that period here, in Cathedral Close, | 0:23:07 | 0:23:11 | |
that Salisbury's elite lived. | 0:23:11 | 0:23:14 | |
Surgeons, generals, Members of Parliament, | 0:23:14 | 0:23:17 | |
high servants of the cathedral, all going about their business. | 0:23:17 | 0:23:21 | |
It was over there, at beautiful Mountpleasant House, where such gentry lived. | 0:23:21 | 0:23:28 | |
Inside, it's rather impressive. | 0:23:32 | 0:23:35 | |
I'm here to see a stunning dressing table that back in its day | 0:23:35 | 0:23:39 | |
would have been a very enviable piece of furniture to own. | 0:23:39 | 0:23:42 | |
So, what's all the fuss about? | 0:23:44 | 0:23:45 | |
Looks like a pretty straightforward 18th century rectangular, | 0:23:45 | 0:23:50 | |
quite nicely decorated and veneered side table. | 0:23:50 | 0:23:54 | |
But nothing special, eh? | 0:23:54 | 0:23:56 | |
Until you go through this opening process. | 0:23:56 | 0:23:58 | |
Firstly, grip the outside handles and slide | 0:23:58 | 0:24:03 | |
very, very gently towards you, until the whole thing is exposed. | 0:24:03 | 0:24:09 | |
Then, we have got two flaps. | 0:24:09 | 0:24:11 | |
They hinge up, | 0:24:11 | 0:24:13 | |
like that. | 0:24:13 | 0:24:16 | |
And on this side, | 0:24:16 | 0:24:18 | |
like that. | 0:24:18 | 0:24:20 | |
But they're not two ordinary flaps. | 0:24:20 | 0:24:24 | |
What they've got inside are hinged mirrors. | 0:24:24 | 0:24:28 | |
Each of those hinged mirrors operates on a spigot, | 0:24:28 | 0:24:32 | |
which means that the mirrors can be adjusted to practically any angle on either side. | 0:24:32 | 0:24:38 | |
Originally, there would be a tall dressing mirror on top of this piece | 0:24:38 | 0:24:43 | |
so that, as all those girls know, when they go out in their gladrags and you want to adjust | 0:24:43 | 0:24:49 | |
your hair and your make-up most perfectly, sit in the middle of | 0:24:49 | 0:24:53 | |
this lot, almost surrounded by mirrors all the way round and, hey presto, every feature about your | 0:24:53 | 0:25:00 | |
coiffeur or your make-up can be carefully checked. | 0:25:00 | 0:25:04 | |
But that's not all. In the middle, we've got a further drawer. | 0:25:04 | 0:25:08 | |
It opens up, where there are a series of compartments, | 0:25:08 | 0:25:11 | |
in which you'd store your make-up, perhaps your jewellery. | 0:25:11 | 0:25:15 | |
All in all, it is a pretty elaborate piece. | 0:25:15 | 0:25:19 | |
The other special thing about it is that it features in a design book. | 0:25:19 | 0:25:24 | |
Here we've got a copy of George Hepplewhite's Cabinet-Maker and Upholsterer's Guide. | 0:25:24 | 0:25:29 | |
If I flick through that, on plate 79, | 0:25:29 | 0:25:34 | |
there is an engraving showing exactly this dressing table. | 0:25:34 | 0:25:40 | |
Interesting, isn't it? There's not much that's known about George Hepplewhite during his life, | 0:25:40 | 0:25:45 | |
he died in 1786, but his widow, Alice, two years after his death, | 0:25:45 | 0:25:51 | |
produced this book with 300 of his designs. | 0:25:51 | 0:25:55 | |
Like so many 18th century cabinet makers who produced printed books - | 0:25:55 | 0:26:01 | |
Chippendale, Sheraton and Hepplewhite - that has recorded those designs for all time. | 0:26:01 | 0:26:08 | |
Their names have become immortalised | 0:26:08 | 0:26:11 | |
and, of course, the style of these pieces of furniture | 0:26:11 | 0:26:14 | |
has been reproduced very, very often over the succeeding centuries. | 0:26:14 | 0:26:19 | |
The big question is, are any of our teams going to have | 0:26:20 | 0:26:24 | |
style icon status today over at the auction? | 0:26:24 | 0:26:28 | |
35...40...5...and 50. | 0:26:29 | 0:26:33 | |
55, 60, 5, 70. | 0:26:33 | 0:26:36 | |
All done? | 0:26:36 | 0:26:37 | |
It's grand to be with Richard Kay at Lawrences saleroom in Crewkerne. | 0:26:39 | 0:26:44 | |
-Hello, Tim. -Great to be here. | 0:26:44 | 0:26:45 | |
Our Red team today, Phil and Dave, first item is this Charlotte Rhead lookalike pot. | 0:26:45 | 0:26:51 | |
Very stylish piece, very evocative of its era, inter-war British design. | 0:26:51 | 0:26:56 | |
It lacks a signature on the bottom. | 0:26:56 | 0:26:59 | |
Therefore it's probably 30 or £40, I think, at best. | 0:26:59 | 0:27:03 | |
-£40 they paid. -So they're in the frame. | 0:27:03 | 0:27:06 | |
They could easily make it, which would be great. | 0:27:06 | 0:27:09 | |
Next, is this seriously heavyweight fireside companion. | 0:27:09 | 0:27:13 | |
It's missing a couple of bits. | 0:27:13 | 0:27:15 | |
I think that shows rather too much evidence of the way in which it was made, I'm afraid. | 0:27:15 | 0:27:20 | |
I think it's a very rustic piece indeed, with these uneven nails across the top. | 0:27:20 | 0:27:25 | |
I don't think there's a lot of quality in that. | 0:27:25 | 0:27:27 | |
Definitely not, but it's got a look, I find. | 0:27:27 | 0:27:30 | |
It's got a look but I think it's a look with a rather narrow appeal. | 0:27:30 | 0:27:34 | |
A guesstimate as to what it might bring? | 0:27:34 | 0:27:36 | |
I think it might be 15, maybe £20. | 0:27:36 | 0:27:39 | |
No sweat, they paid £20, they didn't over-pay for it. It's a bit of fun. | 0:27:39 | 0:27:44 | |
Once again, they might just get there. | 0:27:44 | 0:27:47 | |
Last item is the Tiffany card case, complete with its pouch. | 0:27:47 | 0:27:50 | |
Is that something that appeals to you, Richard? | 0:27:50 | 0:27:53 | |
It does rather appeal to me, because Tiffany is associated with very good | 0:27:53 | 0:27:57 | |
quality craftsmanship, and it's silver, it's sterling standard silver, as well. | 0:27:57 | 0:28:02 | |
It's not been engraved so it's perfect to give it as a gift. | 0:28:02 | 0:28:05 | |
-I think it would make 30 or £40. -Brilliant. £38, they paid. | 0:28:05 | 0:28:08 | |
That's fine. A very good price. | 0:28:08 | 0:28:09 | |
We have a trio here, I think, with immense potential. | 0:28:09 | 0:28:13 | |
But just in case they might need their bonus buy, let's go and have a look at it. | 0:28:13 | 0:28:17 | |
So, boys, you spent a pathetic £98, yes? | 0:28:19 | 0:28:21 | |
£202 went to Mark Stacey. | 0:28:21 | 0:28:24 | |
Rumour has it he spent the lot. | 0:28:24 | 0:28:26 | |
What on? Let's have a look. | 0:28:26 | 0:28:28 | |
-Oh, my... -I thought quirky. It's a 1930s motorbike fire extinguisher. | 0:28:30 | 0:28:35 | |
You wouldn't put a lot out with that. | 0:28:35 | 0:28:37 | |
I think that's rather a collector's item. | 0:28:37 | 0:28:39 | |
And it was only £25. | 0:28:40 | 0:28:43 | |
-Only? -You're not impressed, are you? | 0:28:43 | 0:28:46 | |
No, not particularly. | 0:28:46 | 0:28:48 | |
I've put your fire out, then? | 0:28:48 | 0:28:50 | |
Indeed you did. How much do you think that's gonna make, then, Mark? | 0:28:52 | 0:28:56 | |
Things to do with automobilia, it's very sought after. | 0:28:56 | 0:29:00 | |
In Crewkerne? | 0:29:00 | 0:29:03 | |
Well, I've got every confidence in it. | 0:29:03 | 0:29:06 | |
Yeah? You have! | 0:29:06 | 0:29:09 | |
I think the liquid is still in there, you know? | 0:29:09 | 0:29:12 | |
-There's something in it. -Whatever you do, don't press the button in here. | 0:29:12 | 0:29:16 | |
Well, I think there's a profit in it. I think that might make £30 or £35. | 0:29:16 | 0:29:21 | |
Mr Stacey has often been right in the past, particularly with his automobilia punts. | 0:29:21 | 0:29:27 | |
I think he might have got it wrong on this one. | 0:29:27 | 0:29:31 | |
£25. Watch the man's lips, he thinks it might make £10 or £20 profit, | 0:29:31 | 0:29:36 | |
if there are a lot of bikers in Crewkerne today who happen to have overheated engines. | 0:29:36 | 0:29:42 | |
Lovely. Thank you very much for that. | 0:29:42 | 0:29:44 | |
For the viewers at home, why don't we find out what the auctioneer | 0:29:44 | 0:29:48 | |
thinks about Mark Stacey's fire extinguisher? | 0:29:48 | 0:29:51 | |
Richard, you're talking about a variety of objects. | 0:29:51 | 0:29:54 | |
The odd ball and extreme that we come across on Bargain Hunt. | 0:29:54 | 0:29:58 | |
To finish up the trio, we have a motor bicycle fire extinguisher. | 0:29:58 | 0:30:03 | |
I have never seen or handled or sold a motorcycle fire extinguisher. | 0:30:03 | 0:30:08 | |
-Never, ever? -No. -What a sheltered life you've had. | 0:30:08 | 0:30:12 | |
It's a first for me. | 0:30:12 | 0:30:13 | |
Quite how much broad appeal that's got, I don't know. | 0:30:13 | 0:30:16 | |
If anyone would pay more than £10, I don't know. | 0:30:16 | 0:30:19 | |
Once again, it's been inexpensively bought at £25 and, you never know. | 0:30:19 | 0:30:24 | |
-You never know. -Anyway, that's it for the Reds, now for the Blues, John and Amanda. | 0:30:24 | 0:30:31 | |
They've been tempted, first off, with this pewter posset warmer. | 0:30:31 | 0:30:35 | |
I'm riveted to find out what do you think about this. | 0:30:35 | 0:30:38 | |
I'm sure you'll agree, few things more irksome than a cool posset, | 0:30:38 | 0:30:42 | |
so the need to warm it up this quite important. | 0:30:42 | 0:30:47 | |
But this is a very cumbersome device for keeping a drink warm. It is an odd design, as well. | 0:30:47 | 0:30:51 | |
It looks like it's meant to be a foot warmer and it looks as though it dates from the 18th century. | 0:30:51 | 0:30:57 | |
It's got this cumbersome and unattractive handle on the top. | 0:30:57 | 0:31:01 | |
A curious extra element is that I gather | 0:31:01 | 0:31:04 | |
it was once owned by James Fenimore Cooper. | 0:31:04 | 0:31:06 | |
According to that letter. | 0:31:06 | 0:31:09 | |
I don't know whether the collectors of pewter posset warmers | 0:31:09 | 0:31:13 | |
care two hoots about James Fenimore Cooper, or vice-versa, so it is a strange combination, | 0:31:13 | 0:31:18 | |
but I'm going to expect that it might make £40 to £60. | 0:31:18 | 0:31:22 | |
OK, they paid £135, which doesn't sound so much if you say it quickly. | 0:31:22 | 0:31:27 | |
Brilliant. What do you think about the cream jug? | 0:31:27 | 0:31:29 | |
The cream jug is a cream jug of no particular merit, I would have said. | 0:31:29 | 0:31:35 | |
The marks are very worn, which is off-putting. | 0:31:35 | 0:31:38 | |
It's only 1922... | 0:31:38 | 0:31:41 | |
One would expect a 1920s mark to be a clearer than this. It has been over-zealously polished. | 0:31:41 | 0:31:45 | |
Small silver is collectible, | 0:31:45 | 0:31:47 | |
so I would hope that that would make perhaps £30 to £40. | 0:31:47 | 0:31:50 | |
£85, they paid, you see? That's right pushing the outer edge | 0:31:50 | 0:31:54 | |
of the retail value, with something with rub marks and no great weight. | 0:31:54 | 0:31:59 | |
I think you're absolutely spot on and they could be in trouble. | 0:31:59 | 0:32:02 | |
Their last piece is an incredibly unfashionable, uncomfortable | 0:32:02 | 0:32:07 | |
and difficult piece of furniture to sell, I would have thought. | 0:32:07 | 0:32:11 | |
It's hard to believe they were designed to be sat on. | 0:32:11 | 0:32:14 | |
Only briefly, I fancy. | 0:32:14 | 0:32:16 | |
While you were waiting in the hall. | 0:32:16 | 0:32:19 | |
It's missing its partner. Hall chairs were nearly always in pairs. | 0:32:19 | 0:32:22 | |
What's your estimate on it? | 0:32:22 | 0:32:24 | |
I think it might make £20, perhaps, if two people want it. | 0:32:24 | 0:32:27 | |
OK, they paid £28, so not a huge price. | 0:32:27 | 0:32:31 | |
So, they're gonna need their bonus buy. | 0:32:31 | 0:32:33 | |
Let's go and have a look at it. | 0:32:33 | 0:32:36 | |
Now, Joanie, Amanda, you spent £248, | 0:32:36 | 0:32:39 | |
you gave Philip Allwood £52, what did he spend it on? | 0:32:39 | 0:32:44 | |
Well, a very classy-looking piece of mahogany, | 0:32:46 | 0:32:50 | |
dating to probably 1920ish, | 0:32:50 | 0:32:54 | |
and a super pedestal bowl. | 0:32:54 | 0:32:57 | |
Good looking, classic designed, and useful. | 0:32:57 | 0:33:00 | |
You could actually put nuts... | 0:33:00 | 0:33:03 | |
Perfect nick, is it? | 0:33:03 | 0:33:04 | |
Pretty much, I think, yeah. | 0:33:04 | 0:33:07 | |
Can't see any damage on it at all. | 0:33:07 | 0:33:09 | |
It's pretty good. I like it. | 0:33:09 | 0:33:11 | |
It's a good, classy-looking bit of kit. | 0:33:11 | 0:33:13 | |
-It's heavy. -Is it? | 0:33:13 | 0:33:15 | |
Joanie likes to feel the weight. | 0:33:15 | 0:33:16 | |
-How much is it? -How much did I pay for it? | 0:33:16 | 0:33:20 | |
There we go, I think it was a very reasonable £40. | 0:33:20 | 0:33:23 | |
-That's not bad. -Not too bad. | 0:33:23 | 0:33:24 | |
That's super, isn't it? | 0:33:24 | 0:33:27 | |
-Do you like it, girls? -I like it, yeah. I could see that in my house. | 0:33:27 | 0:33:30 | |
Brilliant. Well, you've got a hit there, Philip. | 0:33:30 | 0:33:34 | |
For the audience at home, let's find out what the auctioneer thinks about Philip Allwood's nut dish. | 0:33:34 | 0:33:41 | |
Richard, something for your nuts. | 0:33:41 | 0:33:43 | |
Thank you very much, I'll keep my nuts in it. | 0:33:43 | 0:33:46 | |
This is beautifully-made and it's got a lovely rich colour to it. | 0:33:46 | 0:33:49 | |
I think that's a fruit bowl for an Edwardian or post-Edwardian dining table. | 0:33:49 | 0:33:53 | |
It's an item that feels slightly out of time at the moment. | 0:33:53 | 0:33:58 | |
-There aren't many people wanting fruit bowls that look quite like that. -No. | 0:33:58 | 0:34:02 | |
But it's got a classical form. | 0:34:02 | 0:34:04 | |
It feels to me more like a piece of craft than a piece of art. | 0:34:04 | 0:34:07 | |
You've got me there, that's quite deep thinking, that is. | 0:34:07 | 0:34:11 | |
This is a first for Bargain Hunt. | 0:34:11 | 0:34:13 | |
What about estimates? | 0:34:13 | 0:34:15 | |
The estimate on that, it might make perhaps £30 to £40. | 0:34:15 | 0:34:19 | |
Philip Allwood loves it, he paid £40, which again is not a lot. | 0:34:19 | 0:34:23 | |
And for the right person, I can see them paying £60 if we're lucky. | 0:34:23 | 0:34:26 | |
-If we lucky, yeah. -And you're in charge. | 0:34:26 | 0:34:30 | |
Good, well, I'll do my very best to get the best possible price. | 0:34:30 | 0:34:33 | |
We're in safe hands. | 0:34:33 | 0:34:36 | |
Phil, Dave and Mark, this is just so good, isn't it? | 0:34:43 | 0:34:47 | |
Oh, it's absolutely brilliant. | 0:34:47 | 0:34:50 | |
What's your prediction? Are you going to do all right, Dave? | 0:34:50 | 0:34:53 | |
Um, I don't see why not. | 0:34:53 | 0:34:55 | |
I think we got some good stuff. | 0:34:55 | 0:34:57 | |
-Yes, I think we could make a few bob. -What about you, Phil? | 0:34:57 | 0:35:00 | |
-Are you feeling confident, mate? -I am. | 0:35:00 | 0:35:03 | |
Confident? | 0:35:03 | 0:35:05 | |
What about you, Mark? | 0:35:05 | 0:35:06 | |
Feeling confident? | 0:35:06 | 0:35:09 | |
Yes, yes, yes, of course I am. | 0:35:09 | 0:35:12 | |
He's got to say that. | 0:35:12 | 0:35:14 | |
-Otherwise we'll see him outside and sort him out(!) -Poor Mark. | 0:35:14 | 0:35:18 | |
He's always getting duffed up. | 0:35:18 | 0:35:20 | |
Anyway, first up though, is the Charlotte Rhead vase. Here it comes. | 0:35:20 | 0:35:24 | |
Lot 231 is a 1930s crown three-handled vase, | 0:35:24 | 0:35:27 | |
possibly by Charlotte Rhead. | 0:35:27 | 0:35:29 | |
Can we say £30 for that? £30 to start me. | 0:35:29 | 0:35:33 | |
30 I see on my far right, 30. There is a starting bid at 30. | 0:35:33 | 0:35:38 | |
Can I see 5 anywhere? | 0:35:38 | 0:35:39 | |
-It's at £30, then. -Go on. -£30 and I'm selling last time at 30 only. | 0:35:39 | 0:35:44 | |
£30. | 0:35:44 | 0:35:46 | |
Not good, that. -£10. | 0:35:46 | 0:35:49 | |
Look out for the chain set. | 0:35:49 | 0:35:51 | |
Lot 232 is the rustic chain companion set. | 0:35:51 | 0:35:56 | |
Bids start me here at £10. | 0:35:56 | 0:35:57 | |
£10 I have. | 0:35:57 | 0:36:00 | |
12, 15, 18, 20, 22, 25, 28. | 0:36:00 | 0:36:05 | |
Lady's bid at 28, standing by the door at 28. And selling at 28. | 0:36:05 | 0:36:09 | |
All done at 28 for the last time. | 0:36:09 | 0:36:12 | |
-Yes! -£28, plus £8. Well done. | 0:36:12 | 0:36:16 | |
Now, the Tiffany card case. | 0:36:16 | 0:36:17 | |
Lot 233 is a silver card case by Tiffany. | 0:36:17 | 0:36:21 | |
Bids start me here at £22, £25. | 0:36:21 | 0:36:24 | |
25 is bid. 28, 30, £32 now. | 0:36:24 | 0:36:30 | |
At £32, I'm selling now at £32. | 0:36:30 | 0:36:33 | |
-All done at 32. -£32. | 0:36:33 | 0:36:38 | |
You're -£6 on that. | 0:36:38 | 0:36:41 | |
Overall, I make you on -£8. | 0:36:41 | 0:36:44 | |
What do you think? | 0:36:44 | 0:36:45 | |
-Might as well, might as well. We're down. -Yeah. | 0:36:45 | 0:36:50 | |
-£8 is not a big minus score, you know. | 0:36:50 | 0:36:55 | |
-What do you reckon, Dave? -Yeah, we'll go for it. -Yeah? | 0:36:55 | 0:36:58 | |
Yeah. If it makes a profit, we could be in profit. Even if we only get a quid. | 0:36:58 | 0:37:01 | |
-Yes. -Yes, we'll go for it. | 0:37:01 | 0:37:05 | |
OK, we're going for the bonus buy and here comes the fire extinguisher. | 0:37:05 | 0:37:09 | |
Lot 237 is a 1930's chrome motorbike fire extinguisher. | 0:37:09 | 0:37:14 | |
There it is. £10 for that if you will. | 0:37:14 | 0:37:16 | |
£10 for it. | 0:37:16 | 0:37:19 | |
-5 then to start off? -Oh! | 0:37:19 | 0:37:21 | |
-Oh no, come on. -At £5? | 0:37:21 | 0:37:23 | |
£5, thank you. Seated at 5 | 0:37:23 | 0:37:25 | |
8 now. It's £8, lady standing at 8 and I'm selling at £8 only. | 0:37:25 | 0:37:30 | |
At £8, all done. | 0:37:30 | 0:37:31 | |
-Oh my God! -£8. | 0:37:31 | 0:37:34 | |
Well, it extinguished the auction. | 0:37:34 | 0:37:37 | |
I'm afraid that's -£17. | 0:37:37 | 0:37:39 | |
Oh, well. | 0:37:39 | 0:37:41 | |
By anybody's money, it's -£17. | 0:37:41 | 0:37:45 | |
Plus the -8 means you're -25. | 0:37:45 | 0:37:50 | |
That could be a winning score, though. Don't despair. | 0:37:50 | 0:37:52 | |
-Well, we don't. -You don't. | 0:37:52 | 0:37:55 | |
No, we don't. We never despair. | 0:37:55 | 0:37:57 | |
Don't tell the Blues anything either. | 0:37:57 | 0:38:00 | |
-Won't say a word. -Well done, boys. | 0:38:00 | 0:38:03 | |
-Now, do you know how the Reds got on? -No. | 0:38:11 | 0:38:13 | |
-No. -You don't? -No. -No. -They didn't tell you? -No. | 0:38:13 | 0:38:15 | |
-No. -Good. Lovely. How are you feeling, by the way? All right? | 0:38:15 | 0:38:20 | |
Yeah, I was. | 0:38:20 | 0:38:21 | |
What do you mean you was? | 0:38:21 | 0:38:23 | |
Well, I was but seeing everyone's faces I'm a bit nervous now. | 0:38:23 | 0:38:27 | |
-Are you? -I was really confident. | 0:38:27 | 0:38:29 | |
-What about you, Joanie? -Excited. | 0:38:29 | 0:38:31 | |
-You're excited? -Yes. -I trust you. | 0:38:31 | 0:38:34 | |
That's the spirit. The first item up is the posset warmer. Here it comes. | 0:38:34 | 0:38:38 | |
Lot 253, is a pewter posset warmer. | 0:38:38 | 0:38:41 | |
Bids start me here at £30 for it. | 0:38:41 | 0:38:45 | |
£30 is bid. At £30, can I say 5? | 0:38:45 | 0:38:48 | |
It's at £30. All done. Perfect for keeping your posset warm. | 0:38:48 | 0:38:52 | |
Oh, God! | 0:38:52 | 0:38:54 | |
£30 it is then. I'm selling at 30. | 0:38:54 | 0:38:56 | |
Last time. | 0:38:56 | 0:38:59 | |
£30. So it's -105. | 0:38:59 | 0:39:03 | |
-That's not good, is it? -No. Here comes the cream jug. | 0:39:03 | 0:39:06 | |
Lot 254 is a 1922 silver cream jug. Bids start me here at 35, 40. | 0:39:06 | 0:39:11 | |
£45 is bid. 50, 55. | 0:39:11 | 0:39:15 | |
60 now. I'm out at £60. | 0:39:15 | 0:39:17 | |
At £60 and I'm selling at £60. | 0:39:17 | 0:39:20 | |
It's in the room at 60. Selling now at £60. All done. | 0:39:20 | 0:39:24 | |
Good. £60, better than estimate, but I'm afraid still -£25. | 0:39:24 | 0:39:29 | |
Lot 225 is a late-Victorian oak-panel seated hall chair. | 0:39:29 | 0:39:35 | |
Start me at 20 on this one if you will. £20 for it. £20 for the chair. | 0:39:35 | 0:39:39 | |
£10 then if it helps. £10, thank you. £10 only and I'm selling at 10. | 0:39:39 | 0:39:44 | |
Any more? 12 now. 15. | 0:39:44 | 0:39:46 | |
18. 20. £20. Any more? | 0:39:46 | 0:39:50 | |
It's at £20 and selling. Lady's bid seated at 20 and selling now at £20. | 0:39:50 | 0:39:56 | |
He is selling at £20, you are -8 on that. | 0:39:56 | 0:39:59 | |
Overall you are -138. | 0:39:59 | 0:40:03 | |
-It's a whopper. -It is. | 0:40:03 | 0:40:05 | |
It's whopping up there, I'm afraid. What do you think about this mahogany bowl? | 0:40:07 | 0:40:11 | |
-I'm going to have it. -It will be better. | 0:40:11 | 0:40:13 | |
-Are you going to bite his arm off for that? -We'd better go with that. | 0:40:13 | 0:40:17 | |
I don't blame you. £40. | 0:40:17 | 0:40:18 | |
You are definitely going with that? | 0:40:18 | 0:40:20 | |
Here comes the mahogany bowl. | 0:40:20 | 0:40:22 | |
Lot 259, early-1920s mahogany bowl of Campana form. | 0:40:22 | 0:40:27 | |
Bids start me here at £35. | 0:40:27 | 0:40:30 | |
It's on commission at £35. 40, 45. | 0:40:30 | 0:40:34 | |
At £50. It's on my left. | 0:40:34 | 0:40:37 | |
I'm selling at 50. At £50, all done. | 0:40:37 | 0:40:40 | |
At £50 and selling. | 0:40:40 | 0:40:42 | |
For the last time at 50. | 0:40:42 | 0:40:44 | |
Well done. | 0:40:44 | 0:40:46 | |
-The right way. -It's fair enough. | 0:40:46 | 0:40:49 | |
That makes your score 128. | 0:40:49 | 0:40:53 | |
I'm afraid it's losses but £128, it could be a winning score. Don't talk to the Reds. | 0:40:53 | 0:41:01 | |
We will find out what happens in a sec. | 0:41:01 | 0:41:04 | |
Some days is good days and some days is bad days. | 0:41:11 | 0:41:16 | |
Today, well, it's too close to count, isn't it? | 0:41:16 | 0:41:20 | |
-Been talking to one another? -No. | 0:41:20 | 0:41:23 | |
You haven't. There's a sucking great gap between you, I have to say. | 0:41:23 | 0:41:27 | |
Somebody has to be the runner up, right? | 0:41:27 | 0:41:30 | |
With some enormous losses, the runners-up today are the blues. | 0:41:30 | 0:41:33 | |
Oh, dear. | 0:41:33 | 0:41:35 | |
£128 worth of losses. | 0:41:35 | 0:41:37 | |
The only ray on the horizon of hope happened to be your mahogany bowl, | 0:41:37 | 0:41:43 | |
which was a well-found bonus buy that made a £10 profit. | 0:41:43 | 0:41:46 | |
-It was an achievement. -It was. | 0:41:46 | 0:41:48 | |
Do you all still love each other? | 0:41:48 | 0:41:50 | |
-Absolutely. -As much as you loved each other before you went shopping. | 0:41:50 | 0:41:55 | |
-More. -Says the man. | 0:41:55 | 0:41:58 | |
You've been great fun, thank you so much for joining us. | 0:41:58 | 0:42:00 | |
The victors today, by only losing £25, is you guys. | 0:42:00 | 0:42:06 | |
Mark found the rustic companion set which made a cool £8. | 0:42:06 | 0:42:11 | |
Otherwise it wasn't much cop, was it? | 0:42:11 | 0:42:14 | |
No. And the bonus buy... | 0:42:14 | 0:42:16 | |
The fire extinguisher left a bit to be desired. | 0:42:19 | 0:42:22 | |
-It crashed in flames. -It didn't put anything out, did it? | 0:42:22 | 0:42:25 | |
Not at all. | 0:42:25 | 0:42:27 | |
-That's what you predicted. -Yeah. -Are you a happy man, Phil? | 0:42:27 | 0:42:30 | |
I would have been if that Tiffany had have sold better. | 0:42:30 | 0:42:33 | |
There you go, you can't have everything. | 0:42:33 | 0:42:35 | |
You've had a great day, anyway. We've loved having you on. | 0:42:35 | 0:42:38 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:42:38 | 0:42:42 | |
For more information about Bargain Hunt, | 0:42:43 | 0:42:46 | |
including how the programme was made, visit the website at bbc.co.uk/lifestyle | 0:42:46 | 0:42:51 | |
Subtitles by Red Bee Media Ltd | 0:42:54 | 0:42:57 | |
E-mail [email protected] | 0:42:57 | 0:43:00 |