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We're visiting Wiltshire today, famous for its pre-historic sites. | 0:00:04 | 0:00:09 | |
Now, I doubt our teams today will find anything quite that old | 0:00:09 | 0:00:13 | |
but antiques is the name of our game so let's go Bargain Hunting! | 0:00:13 | 0:00:18 | |
Our teams will be Bargain Hunting today here in the market town of Marlborough. | 0:00:45 | 0:00:50 | |
In 1653 there was the Great Fire Of Marlborough | 0:00:50 | 0:00:55 | |
that practically burnt the whole place down. | 0:00:55 | 0:00:57 | |
And when they re-built it, the High Street became known as the widest in England. | 0:00:57 | 0:01:03 | |
And it certainly is wide. | 0:01:03 | 0:01:06 | |
Today we've come to the Marlborough Parade Antiques Centre | 0:01:06 | 0:01:10 | |
where our Bargain Hunters will have £300 and one hour to find three items. | 0:01:10 | 0:01:14 | |
Let's hope they know what they're doing when they splash the cash | 0:01:14 | 0:01:18 | |
as the three items will then be sold at auction. | 0:01:18 | 0:01:20 | |
The pair that makes the most or loses the least will be crowned the winners. | 0:01:20 | 0:01:25 | |
Five, seventy... | 0:01:25 | 0:01:27 | |
all done. | 0:01:27 | 0:01:29 | |
We have a plethora of globe trotters on Bargain Hunt today. | 0:01:31 | 0:01:35 | |
Welcome, teams. | 0:01:35 | 0:01:36 | |
Very nice to see you. We've got Chris and Glyn for the Blues | 0:01:36 | 0:01:40 | |
and Diane and Carol for the Reds. | 0:01:40 | 0:01:43 | |
Now, you girls. How do you know each other? | 0:01:43 | 0:01:46 | |
I was invited to a barbecue by my cousin and she was already a friend of Carol's. | 0:01:46 | 0:01:51 | |
-So I met Carol, and we've been friends ever since. -How many years ago is that? | 0:01:51 | 0:01:55 | |
-About 12 years. -That's pretty good... -Not bad! | 0:01:55 | 0:01:58 | |
Not bad! Now you've recently been away haven't you, Diane? | 0:01:58 | 0:02:01 | |
Yes. I came back about three weeks ago from a Caribbean Cruise for two weeks, which was very nice. | 0:02:01 | 0:02:06 | |
-Very good. -Back to this cold weather! | 0:02:06 | 0:02:08 | |
Yes. And what about your favourite hobby? What is that? | 0:02:08 | 0:02:13 | |
Um, horse riding. Horses in general. | 0:02:13 | 0:02:16 | |
-And what do you collect? -Beswick horses! | 0:02:16 | 0:02:18 | |
Inevitable, isn't it! And how many have you got? | 0:02:18 | 0:02:22 | |
-I did have over 200. -Did you really? | 0:02:22 | 0:02:25 | |
But I wheeled and dealed a few a few years ago and I'm down to about 80 now. | 0:02:25 | 0:02:30 | |
Did you do all right with your dealing? | 0:02:30 | 0:02:32 | |
Yes, it paid for a holiday one year with the profits. | 0:02:32 | 0:02:35 | |
Pretty good then. Excellent. | 0:02:35 | 0:02:37 | |
-Now, Carol, you're an Administrative Assistant for Metric? -That's right. | 0:02:37 | 0:02:42 | |
You used to sell houses. | 0:02:42 | 0:02:44 | |
-Do you think that's going to help you today? -I think so. | 0:02:44 | 0:02:48 | |
With my negotiating skills...yes. | 0:02:48 | 0:02:50 | |
-You're going to make a great deal or two then. Is that right? -I hope so. | 0:02:50 | 0:02:53 | |
-Now, you haven't always lived in Britain, have you? -No. In '89 to '93 I lived in The Far East. | 0:02:53 | 0:02:58 | |
-A year in Hong Kong and three in Singapore. -Was that good fun? | 0:02:58 | 0:03:02 | |
Lovely. It was with my husband's company | 0:03:02 | 0:03:05 | |
-but missed the family so I wanted to come home. -You had to come home. | 0:03:05 | 0:03:08 | |
I had to come back, yes. | 0:03:08 | 0:03:09 | |
-Did you do a lot of buying and selling when you were out East? -Used to do a bit of dealing, yes. | 0:03:09 | 0:03:14 | |
Used to go down the back streets and get little trinkets. | 0:03:14 | 0:03:17 | |
Um, in Singapore we used to go to a pottery. | 0:03:17 | 0:03:19 | |
-And we used to go to little barrow stalls and elephants. -That's handy isn't it? | 0:03:19 | 0:03:23 | |
It was. But the thing is now, you can get them in any do-it-yourself store just as cheap! | 0:03:23 | 0:03:28 | |
-That's what's changed though over the years. -I know. | 0:03:28 | 0:03:30 | |
You girls want to do a bit of unzipping before we move over to the Blues, don't you? | 0:03:30 | 0:03:34 | |
-We do. -OK then. Show us your chests. | 0:03:34 | 0:03:37 | |
Ah! Ha ha ha! | 0:03:37 | 0:03:38 | |
Is that a hint as to which expert you'd like today, I ask myself? | 0:03:38 | 0:03:43 | |
Anyway, now for the Blues. | 0:03:43 | 0:03:45 | |
-Chris and Glyn, how long have you been married for? -35 years in August. | 0:03:45 | 0:03:49 | |
Have you? And how did you meet? | 0:03:49 | 0:03:51 | |
I'm from Liverpool. Glyn went to college in Liverpool | 0:03:51 | 0:03:54 | |
and was actually in digs in my mum's best friend's house. | 0:03:54 | 0:03:56 | |
-Right. -So, that was quite handy! | 0:03:56 | 0:03:58 | |
-Yes, new students in town! -Yes. | 0:03:58 | 0:04:01 | |
-So you were down there like... -No, I just happened to be at my friend's. | 0:04:01 | 0:04:07 | |
And you popped in, and you met. | 0:04:07 | 0:04:09 | |
-And that was it? -That's right. -Yeah. | 0:04:09 | 0:04:11 | |
And you married shortly thereafter? | 0:04:11 | 0:04:13 | |
Yes, so that I could go to sea with Glyn, because you had to be married. | 0:04:13 | 0:04:17 | |
I went to sea with Glyn for two years. | 0:04:17 | 0:04:19 | |
-Did you really? That was romantic, isn't it? -It was fabulous. | 0:04:19 | 0:04:22 | |
-Sharing the same bunk and everything. -Absolutely! | 0:04:22 | 0:04:25 | |
-Brilliant. Now Glyn, you're retired now, but you worked for the same company for 32 years? -That's right. | 0:04:25 | 0:04:32 | |
-What did you do with them? -I was selling marine lubricants. | 0:04:32 | 0:04:35 | |
And do you collect anything? | 0:04:35 | 0:04:36 | |
I've been collecting marathon medals and trophies... | 0:04:36 | 0:04:42 | |
-Because you're a runner? -I've run a 193 marathons. | 0:04:42 | 0:04:46 | |
-You're fit as a flea then! -No, I was fit. I don't think I'm so fit now! | 0:04:46 | 0:04:50 | |
And what sort of things will you have your eye out for today then? | 0:04:50 | 0:04:54 | |
Well, we like Japanese ware. | 0:04:54 | 0:04:56 | |
So we're going to, have our eye out to see if we can find something in the Japanese theme. | 0:04:56 | 0:05:02 | |
Well, that's the spirit of the true Bargain Hunter to go out there and discover some treasure. | 0:05:02 | 0:05:07 | |
Now, the money moment. £300 a piece. | 0:05:07 | 0:05:09 | |
-Thank you. -You know the rules. Your experts await. | 0:05:09 | 0:05:12 | |
And off you go and very, very, very good luck. | 0:05:12 | 0:05:15 | |
The Red Team got their wish, | 0:05:15 | 0:05:17 | |
joining his globetrotting girls today is Mark Stacey. | 0:05:17 | 0:05:21 | |
And keeping his feet firmly on dry land, | 0:05:21 | 0:05:23 | |
Philip Allwood is helping the Blues. | 0:05:23 | 0:05:26 | |
But with so many items on offer here, what will our teams find? | 0:05:29 | 0:05:34 | |
Now look. This looks rather fun. | 0:05:34 | 0:05:37 | |
A little pen. Let's call Carol in. Carol. | 0:05:37 | 0:05:40 | |
Now look what we've got here, a sort of scarf holder. | 0:05:40 | 0:05:44 | |
You thread your scarf through here and secure it. We're going to a country zone. | 0:05:44 | 0:05:49 | |
I think that's got quite a strong marking for the sort of country pursuits angle. | 0:05:49 | 0:05:53 | |
-And, of course, the fox is quite a good symbol for that isn't it? -Yes. | 0:05:53 | 0:05:57 | |
What sort of age do you think it is? | 0:05:57 | 0:06:00 | |
Well, it's gold plated or base metal plated with gold and then | 0:06:00 | 0:06:05 | |
we've got this little roundel here which is probably transfer printed and just painted over. | 0:06:05 | 0:06:10 | |
So I would say that it's probably 1900, 1920s something like that. | 0:06:10 | 0:06:15 | |
So it's got a bit of age to it. | 0:06:15 | 0:06:16 | |
-Yes. What price are they asking for it, Mark? -That's a bit of a worry. | 0:06:16 | 0:06:20 | |
It's marked at £48. We need to get that down a bit, don't we? | 0:06:20 | 0:06:24 | |
-To £8. -To £8? I don't think you'll get it down to eight. | 0:06:24 | 0:06:28 | |
But we'll certainly get a bit off it if we can, if we ask them nicely. | 0:06:28 | 0:06:31 | |
Would you get a scarf through there? | 0:06:31 | 0:06:33 | |
-Yes, of course you would. -Because nowadays they wear thick ones. | 0:06:33 | 0:06:37 | |
Is it more for silk? | 0:06:37 | 0:06:39 | |
Well, you'd have to wear a thin one! | 0:06:39 | 0:06:41 | |
-Right. Well, we'll see what we can do. We'll ask the dealer to get some off the price. -Yeah. | 0:06:43 | 0:06:49 | |
-And I think it's also one of those little objects that's quite nice in a little collector's cabinet. -Yes. | 0:06:49 | 0:06:54 | |
-It's quite a decorative little piece as well, isn't it? -Yes. | 0:06:54 | 0:06:57 | |
-OK. -OK. Let's go and talk to them and we'll see what we can do there. | 0:06:57 | 0:07:02 | |
The cheeky Reds didn't negotiate the scarf ring down to £8 | 0:07:02 | 0:07:07 | |
but they did get £8 off the price and bagged it for £40. | 0:07:07 | 0:07:13 | |
Philip, could you come and have a look at this? | 0:07:13 | 0:07:15 | |
Well, that's pretty smart isn't it? | 0:07:16 | 0:07:18 | |
Looks very Minton and Charles Rennie Mackintosh design, doesn't it? | 0:07:18 | 0:07:24 | |
But, wrong country. | 0:07:24 | 0:07:27 | |
Eichwald, so German. | 0:07:27 | 0:07:30 | |
-What sort of age do you think it is? -I think it dates to around 1900ish. | 0:07:30 | 0:07:35 | |
So a little bit after the Rennie Mackintosh period, but it's a... | 0:07:35 | 0:07:39 | |
And there's a little bit of damage on the... | 0:07:39 | 0:07:42 | |
There is, quite a lot. | 0:07:42 | 0:07:45 | |
But it's still a very nice piece and somebody might like it to sit on a sideboard. | 0:07:45 | 0:07:51 | |
£22. If you can get a bit off you might be able to attract a buyer that's not worried too much about | 0:07:53 | 0:07:59 | |
the condition and wants to put it on the shelf to have that look. | 0:07:59 | 0:08:02 | |
So if I go and talk to the man nicely, and mention the chips and bashes? | 0:08:02 | 0:08:05 | |
Make a big thing of the chips and bashes, yeah. | 0:08:05 | 0:08:08 | |
You might get away with it. It's got a nice look. | 0:08:08 | 0:08:12 | |
The condition is going to be the only sticking point, really. | 0:08:12 | 0:08:15 | |
It's very pretty. And for the right price, | 0:08:15 | 0:08:18 | |
we could have a runaway success! | 0:08:18 | 0:08:21 | |
You may or may not have a runaway success with that damage. | 0:08:21 | 0:08:25 | |
If someone particularly wants it. | 0:08:25 | 0:08:29 | |
If you've got a flower arranger that's spotted... | 0:08:29 | 0:08:33 | |
For putting flowers in? | 0:08:33 | 0:08:35 | |
No, but for a competition they've got in mind... | 0:08:35 | 0:08:38 | |
-Yes, that's imaginative and that could work. -It could work! | 0:08:38 | 0:08:42 | |
So you want a whole room full of flower arrangers | 0:08:42 | 0:08:45 | |
needing a green and pink floral decorated vase to put the flowers in. | 0:08:45 | 0:08:50 | |
-That could work! -Definitely could work! | 0:08:50 | 0:08:52 | |
I like it. I'm going to ask him what we can have off it. Anything off it. | 0:08:52 | 0:08:56 | |
Get as much as you can off it. | 0:08:56 | 0:08:58 | |
Might have a tenner in it maybe? | 0:08:58 | 0:09:00 | |
I think you'll struggle with the damage. | 0:09:00 | 0:09:02 | |
We'll go with the gods and hope for it. Thank you. | 0:09:02 | 0:09:05 | |
Which god is she praying to? | 0:09:05 | 0:09:07 | |
I don't know! | 0:09:07 | 0:09:09 | |
Let's hope it's an all powerful one! | 0:09:09 | 0:09:11 | |
They could indeed be in need of divine intervention | 0:09:13 | 0:09:17 | |
after buying that vase for £18. | 0:09:17 | 0:09:20 | |
I have found for you the most gorgeous pair of spoons. | 0:09:22 | 0:09:27 | |
What do you think about these? Great, aren't they? | 0:09:27 | 0:09:30 | |
What's so special about them? | 0:09:30 | 0:09:31 | |
Well, for a kick off, they were hallmarked in Dublin in 1805. | 0:09:31 | 0:09:36 | |
And Irish silver is extremely desirable. | 0:09:36 | 0:09:39 | |
Simply because there's not so much of it knocking about. | 0:09:39 | 0:09:42 | |
You can always tell a bit of Irish silver | 0:09:42 | 0:09:45 | |
because there are often peculiarities in the shape. | 0:09:45 | 0:09:48 | |
This particular type of shape of spoon is called fiddle back | 0:09:48 | 0:09:52 | |
where it is slender in the middle and then swells out to this tablet on the end. | 0:09:52 | 0:09:58 | |
But the tablet on the end on these Irish spoons is unnaturally long, | 0:09:58 | 0:10:02 | |
which is an interesting feature. | 0:10:02 | 0:10:04 | |
If I pick it up, you can see it's of massive scale | 0:10:04 | 0:10:08 | |
that's because this spoon is called either a basting or stuffing spoon. | 0:10:08 | 0:10:13 | |
You've got to imagine an enormous turkey on the dish. | 0:10:13 | 0:10:17 | |
You take this basting spoon and scoop up some of that delicious gravy and | 0:10:17 | 0:10:22 | |
fat and dribble that over the top of the fowl to keep it nice and moist. | 0:10:22 | 0:10:27 | |
That's the purpose of the spoon. | 0:10:27 | 0:10:29 | |
The other spoon is really unusual. | 0:10:29 | 0:10:32 | |
Here we've got a matching fiddle back Irish spoon but with this one it's got a bridge running over | 0:10:32 | 0:10:38 | |
the top of the bowl and underneath the bridge are a series of apertures. | 0:10:38 | 0:10:43 | |
The purpose of this spoon is simply to strain the gravy. | 0:10:43 | 0:10:47 | |
How much then for this pair of Irish spoons? Stand by. | 0:10:47 | 0:10:52 | |
They could be yours for £950. | 0:10:52 | 0:10:56 | |
Now THAT is a lot of gravy! | 0:10:56 | 0:10:58 | |
Over with the Reds, Carol's found something she's rather keen on. | 0:11:01 | 0:11:06 | |
-Mark! -Yes? | 0:11:06 | 0:11:09 | |
I want that. | 0:11:09 | 0:11:11 | |
-Well, what attracts you about it? -Because it's Copenhagen. | 0:11:11 | 0:11:14 | |
It's Copenhagen, yes. Well, we've got the marks for Copenhagen here. | 0:11:14 | 0:11:18 | |
It's 20th century, around 1930, I guess. What do you think? | 0:11:18 | 0:11:22 | |
Yea, I like it. It's a nice size. | 0:11:22 | 0:11:25 | |
-But... -It depends what price it is really. | 0:11:25 | 0:11:28 | |
£54. | 0:11:28 | 0:11:29 | |
-You need to get that down. -To? | 0:11:29 | 0:11:32 | |
Well, as low as possible. £45, something like that? | 0:11:32 | 0:11:35 | |
-OK. -Um, but it's quite a nice, clean winter landscape, isn't it | 0:11:35 | 0:11:39 | |
with the autumnal leaves on the front there. | 0:11:39 | 0:11:42 | |
It looks in very good condition which is important. | 0:11:42 | 0:11:44 | |
And yes, it might just appeal to a younger buyer as well, so you never know. | 0:11:44 | 0:11:49 | |
Got it right this time then? | 0:11:49 | 0:11:51 | |
Well, I... As I say, you never know. | 0:11:51 | 0:11:54 | |
Mark didn't look too impressed there. | 0:11:54 | 0:11:56 | |
But with £45 paid, Carol's not a lady to be messed with. | 0:11:56 | 0:12:01 | |
Ooh, Philip. This is something quite tactile. | 0:12:05 | 0:12:11 | |
Ooh, yeah. | 0:12:11 | 0:12:12 | |
-Might be interesting. -What do you think of that? | 0:12:12 | 0:12:14 | |
Is it for taking your boots off? | 0:12:14 | 0:12:17 | |
-Girls! -It's a catapult! | 0:12:17 | 0:12:19 | |
Oh! | 0:12:19 | 0:12:21 | |
Catapult. | 0:12:21 | 0:12:22 | |
It says here, early 19th century Ivory Coast carving. | 0:12:22 | 0:12:26 | |
I believe that. | 0:12:26 | 0:12:28 | |
-That's West Africa then? -Yeah, yeah. | 0:12:28 | 0:12:30 | |
-Nice thing. -It hasn't got the "toom" bit. | 0:12:30 | 0:12:33 | |
No, you could soon put that on there. | 0:12:33 | 0:12:36 | |
How old it is difficult to tell. | 0:12:36 | 0:12:38 | |
It could have just been made in the past 50 years. | 0:12:38 | 0:12:43 | |
That said... | 0:12:43 | 0:12:45 | |
They've called early 19th century. | 0:12:45 | 0:12:47 | |
I believe that, but it's very difficult to date. | 0:12:47 | 0:12:49 | |
-Um... -And price? | 0:12:49 | 0:12:52 | |
Well, they've got £95 on there. | 0:12:52 | 0:12:55 | |
So if we can buy that for a sensible price? | 0:12:55 | 0:12:58 | |
£70... £80. You might have some mileage in that. | 0:12:58 | 0:13:02 | |
We might do very well. | 0:13:02 | 0:13:04 | |
I like that. That's quite interesting, isn't it? | 0:13:04 | 0:13:08 | |
And unusual, so. | 0:13:08 | 0:13:10 | |
-Definitely unusual. -And dual purpose. | 0:13:10 | 0:13:13 | |
Dual purpose... boots, catapult... | 0:13:13 | 0:13:15 | |
brilliant! | 0:13:15 | 0:13:17 | |
Something for everybody there! | 0:13:17 | 0:13:19 | |
Hm, a versatile piece... at £69 for the catapult, | 0:13:19 | 0:13:23 | |
we'll see what the buyers think. | 0:13:23 | 0:13:25 | |
They've got £213 though left to spend. | 0:13:25 | 0:13:29 | |
Right, you lot. | 0:13:30 | 0:13:31 | |
Listen very carefully, because I'm going to tell you about the bonus buy. | 0:13:31 | 0:13:35 | |
When the shopping's over, any leftover lolly is given to | 0:13:35 | 0:13:38 | |
the expert to find that bonus buy which can boost the team's profits later at auction. | 0:13:38 | 0:13:45 | |
As they expert's lot comes up, the teams have only seconds to decide. | 0:13:45 | 0:13:50 | |
So, no pressure then! | 0:13:50 | 0:13:53 | |
So, here's Diane. What have you found, Diane? | 0:13:57 | 0:14:00 | |
Um, a pair of epaulettes. But I don't know much more about them. | 0:14:00 | 0:14:05 | |
Well, I think we can say they're naval epaulettes, | 0:14:05 | 0:14:08 | |
because we've got the anchor here. | 0:14:08 | 0:14:09 | |
And when we turn them over, oh, look, wonderful, | 0:14:09 | 0:14:12 | |
we've got Goode's Officers Stores Portsmouth Naval Outfitters. | 0:14:12 | 0:14:16 | |
And there will be people out there who like this sort of thing. | 0:14:16 | 0:14:19 | |
They'd look fantastic on the shoulders? | 0:14:19 | 0:14:21 | |
-No. Don't like them. -You don't like them? -No. | 0:14:21 | 0:14:24 | |
-They're naff. -Oh, they're not naff! | 0:14:24 | 0:14:25 | |
-I think they're wonderful. -I don't like them. | 0:14:25 | 0:14:28 | |
-I think they're lovely. Do you like them? -Yeah, I do like them. | 0:14:28 | 0:14:31 | |
They're very over the top, with very rich braid. | 0:14:31 | 0:14:34 | |
But what else could we use them for, I wonder? | 0:14:34 | 0:14:37 | |
I think they'd be an interior designer's piece. | 0:14:37 | 0:14:40 | |
On curtains Carol, for tie backs? | 0:14:40 | 0:14:43 | |
-Not in my house! -Swags. -No? | 0:14:43 | 0:14:45 | |
No, well you're quite firm about it. | 0:14:45 | 0:14:48 | |
I don't like them. I think they're awful. | 0:14:48 | 0:14:50 | |
Well, I think they're fantastic actually. | 0:14:50 | 0:14:52 | |
-I think they're fab. -What would you do with them? | 0:14:52 | 0:14:55 | |
Well, actually, I live in Brighton, and I'd have them on an outfit. | 0:14:55 | 0:15:00 | |
-What, fancy dress? -All the nice girls love a sailor. | 0:15:00 | 0:15:04 | |
(Don't like them.) | 0:15:04 | 0:15:06 | |
But how much are they? | 0:15:06 | 0:15:08 | |
Well, they're a 125 Mark. | 0:15:08 | 0:15:10 | |
-Oh, that's a bit much. -I thought you said a hundred and what? -25. | 0:15:10 | 0:15:13 | |
Pence. No. | 0:15:13 | 0:15:17 | |
-You're not impressed are you? -No. | 0:15:17 | 0:15:19 | |
It's for the pair, Carol. | 0:15:19 | 0:15:22 | |
I don't think Carol likes them. | 0:15:22 | 0:15:24 | |
But I do, and you do, and we are running out of time here. | 0:15:24 | 0:15:27 | |
-So I think we've got to go for it really, haven't we? -Yeah. | 0:15:27 | 0:15:30 | |
-OK. On your head be it! -Or shoulders! | 0:15:30 | 0:15:35 | |
Still don't like them. | 0:15:35 | 0:15:36 | |
Don't like the joke either! | 0:15:36 | 0:15:39 | |
£95. That's a lot of weight to carry on your shoulders, Mark. | 0:15:40 | 0:15:43 | |
I don't like 'em. | 0:15:43 | 0:15:45 | |
Oh, hello. | 0:15:48 | 0:15:49 | |
I've just found these two skewers. I don't know if you're... | 0:15:49 | 0:15:52 | |
What are we saying here? Pair of silver game skewers. | 0:15:52 | 0:15:57 | |
French, circa 1820. Quite possibly. | 0:15:57 | 0:16:00 | |
So you think, poke your partner type game do you? | 0:16:00 | 0:16:03 | |
Could be. And then there'd be a grouse wouldn't there? | 0:16:03 | 0:16:06 | |
Oh, very good. You're probably very close with that one. | 0:16:06 | 0:16:10 | |
Doing spatch cocking and pinning these things down. Nice slender ones. | 0:16:10 | 0:16:15 | |
So it's not going to be for | 0:16:15 | 0:16:17 | |
anything like a ham or anything like that, is it? | 0:16:17 | 0:16:20 | |
These are dainty little things. | 0:16:20 | 0:16:22 | |
You can see the hallmarks on there which are certainly French hallmarks. | 0:16:22 | 0:16:27 | |
1820s... don't know. | 0:16:27 | 0:16:29 | |
-I'd have to do a bit more checking up on that. They certainly look to be of that sort of period. -Silver. | 0:16:29 | 0:16:35 | |
Certainly, they're silver, yes. | 0:16:35 | 0:16:37 | |
They'll be quite possibly a lower content silver than English silver. | 0:16:37 | 0:16:42 | |
So they might be 80% silver as opposed to 95, 92.5% | 0:16:42 | 0:16:48 | |
which it has to be in England. | 0:16:48 | 0:16:50 | |
They seem a bit thin, but they are hallmark silver, as you say. | 0:16:50 | 0:16:53 | |
But £95. What do you think we need to get them for to make any money on the day? | 0:16:53 | 0:16:59 | |
I don't think that £95 is a huge amount. | 0:16:59 | 0:17:03 | |
They are quite fun things, aren't they? | 0:17:03 | 0:17:06 | |
So, maybe popular with a sportsman. | 0:17:06 | 0:17:10 | |
Well, they could appeal to the huntin', shootin', fishin' crowd. | 0:17:10 | 0:17:14 | |
So for the right price we should give it a go? Third item. | 0:17:14 | 0:17:17 | |
-I think it's got some mileage in there. -Good. | 0:17:17 | 0:17:21 | |
Nice things. | 0:17:21 | 0:17:23 | |
Or you could just have some fun with them. | 0:17:23 | 0:17:25 | |
But I'll grouse all day! | 0:17:25 | 0:17:27 | |
Again! He does that all the time anyway, doesn't he? | 0:17:27 | 0:17:31 | |
Don't you think? It's what you were telling me earlier on! | 0:17:31 | 0:17:35 | |
£84.50 paid. | 0:17:35 | 0:17:38 | |
Philip's idea of how to use the skewers doesn't seem like a lot of fun to me. | 0:17:38 | 0:17:43 | |
Time please, ladies and gentlemen. Thank you very much. | 0:17:43 | 0:17:47 | |
Well, it's time for him and it's time's up for our teams. | 0:17:47 | 0:17:51 | |
Let's recap on what the Reds bought. Cheers. | 0:17:51 | 0:17:54 | |
The foxy ladies' first buy was the scarf ring at £40. | 0:17:56 | 0:18:00 | |
Next, going against the look of disgust on the expert's face, | 0:18:03 | 0:18:08 | |
Carol stood her ground and paid £45 for the Copenhagen vase. | 0:18:08 | 0:18:12 | |
And home decorating tips aside, | 0:18:12 | 0:18:14 | |
the epaulettes marched into the Red's bag for £95. | 0:18:14 | 0:18:19 | |
-So you girls, did you have a good time shopping? -We did. | 0:18:19 | 0:18:22 | |
I bet you did. What's your favourite piece, Diane? | 0:18:22 | 0:18:25 | |
I think the fox scarf ring. | 0:18:25 | 0:18:27 | |
-Right. That's your favourite. What about you, Carol. -The vase. | 0:18:27 | 0:18:30 | |
-And which piece is going to bring the biggest profit? -The vase. | 0:18:30 | 0:18:34 | |
And I think the vase as well actually. | 0:18:34 | 0:18:36 | |
Well, you've spent a magnificent £180 which is super and I'd like £120 of leftover lolly which is hot. | 0:18:36 | 0:18:42 | |
That's for you. Now, Mark, what are you going to do with that? | 0:18:42 | 0:18:45 | |
Well, I'm confused of Marlborough because I simply don't know. | 0:18:45 | 0:18:48 | |
I've got so many things in my mind, so many cabinets to look at. I can't decide what I'm going to buy! | 0:18:48 | 0:18:53 | |
But you're normally Mr Decisive. | 0:18:53 | 0:18:55 | |
I normally go for something right at the morning... | 0:18:55 | 0:18:58 | |
and I think, "I need enough money to buy that." | 0:18:58 | 0:19:01 | |
Today, I can't find a thing. | 0:19:01 | 0:19:03 | |
So I'm going to have to leave it right till the last minute. | 0:19:03 | 0:19:06 | |
We're excited for you and very good luck. | 0:19:06 | 0:19:08 | |
Meanwhile, let's remind ourselves of what the Blues bought. | 0:19:08 | 0:19:11 | |
Glyn thinks an auction room full of flower arrangers | 0:19:11 | 0:19:15 | |
could be the answer for the £18 vase. | 0:19:15 | 0:19:17 | |
At £69, the Blues are hoping the catapult | 0:19:19 | 0:19:22 | |
will launch them into profit. | 0:19:22 | 0:19:24 | |
Their final item is the pair of £84.50 French silver game skewers. | 0:19:24 | 0:19:30 | |
I hope they don't get stuck on these at the auction. | 0:19:30 | 0:19:33 | |
So Glyn and Chris, did you have a good time shopping? Was it good? | 0:19:33 | 0:19:36 | |
-Absolutely super. -Which is your favourite piece? | 0:19:36 | 0:19:39 | |
-The vase. -The vase. What about you, Glyn? | 0:19:39 | 0:19:41 | |
-I think maybe the catapult. -It's your favourite? -Yes. | 0:19:41 | 0:19:44 | |
Well, that's decisive for you. Which piece is going to make the biggest profit? | 0:19:44 | 0:19:48 | |
I think the boys' toys... the catapult. | 0:19:48 | 0:19:50 | |
The catapult. | 0:19:50 | 0:19:52 | |
Well, you've spend a £171.50, jolly clever of you and I'd like £128.50 | 0:19:52 | 0:19:57 | |
of leftover lolly which goes straight to Philip Allwood. | 0:19:57 | 0:20:01 | |
Now Phil, hm, how did you get on with these characters today? | 0:20:01 | 0:20:04 | |
-Have they been difficult? -Completely mad! | 0:20:04 | 0:20:06 | |
-Completely mad! -Oh, that's good then, isn't it? | 0:20:06 | 0:20:09 | |
-In a nice way. -In a nice way? -I think. | 0:20:09 | 0:20:10 | |
-But just mildly barmy? -Yes. Not mildly. -Not mildly. | 0:20:10 | 0:20:14 | |
No mild about it! | 0:20:14 | 0:20:16 | |
What are you going to do with all that cash now? | 0:20:16 | 0:20:18 | |
It's more than enough for what I've got in mind. | 0:20:18 | 0:20:21 | |
-Oh, yes? -Yes. -What would that be? | 0:20:21 | 0:20:23 | |
-I couldn't tell you. Well, I could, but I'd have to shoot you! -Yes, all right then. | 0:20:23 | 0:20:27 | |
-There could be a hint in that actually. You never know! -There isn't. | 0:20:27 | 0:20:30 | |
-You've very enigmatic. -I've led you down the garden path. | 0:20:30 | 0:20:33 | |
-Have you? -Yeah. -Won't be the first time. Anyway, very good luck, Philip. | 0:20:33 | 0:20:37 | |
Right then, they've bought their items. | 0:20:37 | 0:20:39 | |
We're heading off to auction with them where they hope they will make a profit. | 0:20:39 | 0:20:43 | |
For me, I'm now off somewhere very, very nice. | 0:20:43 | 0:20:47 | |
Welcome to Salisbury in Wiltshire. | 0:20:48 | 0:20:51 | |
Home, of course, to the world famous Salisbury Cathedral. | 0:20:51 | 0:20:55 | |
And also standing just over the Chorister's Green | 0:21:00 | 0:21:04 | |
is the beautiful Mompesson House. | 0:21:04 | 0:21:07 | |
In the late 17th century, Sir Thomas Mompesson, | 0:21:11 | 0:21:15 | |
local Salisbury MP, | 0:21:15 | 0:21:18 | |
leased the building where Mompesson House stands today | 0:21:18 | 0:21:22 | |
from the Dean and Chapter of the Cathedral. | 0:21:22 | 0:21:25 | |
What we see today was completed in 1701 | 0:21:25 | 0:21:28 | |
and has hardly changed in the meanwhile. | 0:21:28 | 0:21:32 | |
After a rich and illustrious history, Mompesson was bequeathed | 0:21:32 | 0:21:37 | |
by the last owner, Denis Martineau to the National Trust in 1975. | 0:21:37 | 0:21:43 | |
But it was only the empty house that was given over to the Trust | 0:21:43 | 0:21:47 | |
as all the furnishings were left to his family. | 0:21:47 | 0:21:51 | |
This was customary at Mompesson because this had always been | 0:21:56 | 0:22:00 | |
a leasehold townhouse rather than an ancient ancestral seat. | 0:22:00 | 0:22:06 | |
So the absence of inherited furniture was not that unusual. | 0:22:06 | 0:22:11 | |
Over the last three decades the Trust has refurnished the house, | 0:22:11 | 0:22:15 | |
emulating its former Georgian splendour. | 0:22:15 | 0:22:18 | |
But it isn't just a question of finding a whole lot of furniture to bring into a house like this. | 0:22:21 | 0:22:28 | |
Often, it's the objects that bring the place to life. | 0:22:28 | 0:22:32 | |
In 1990, the Trust were bequeathed a wonderful collection of English | 0:22:32 | 0:22:38 | |
18th century porcelain by a Mrs Adam Smith who was a descendent | 0:22:38 | 0:22:44 | |
of the Wright-Bessemer family who, of course made their money in steel. | 0:22:44 | 0:22:50 | |
I've made a selection, albeit a very small selection, | 0:22:50 | 0:22:53 | |
from the 150 pieces which are fun to look at. | 0:22:53 | 0:22:56 | |
What do you think about these? | 0:22:56 | 0:22:58 | |
This is a pair of figures which are called en bocage | 0:22:58 | 0:23:02 | |
which means they're sitting in a wooded, leafy glade. | 0:23:02 | 0:23:09 | |
Each figure sits with a tree effectively behind it. | 0:23:09 | 0:23:13 | |
These figures are emblematic of different themes. | 0:23:13 | 0:23:18 | |
She is emblematic of marriage as she sits with her birdcage on her knee. | 0:23:18 | 0:23:24 | |
He is emblematic of freedom with a bird he's about to release. | 0:23:24 | 0:23:30 | |
It's interesting, the use of birdcages | 0:23:30 | 0:23:32 | |
in 17th and 18th century art. | 0:23:32 | 0:23:35 | |
A girl shown with a birdcage with its door shut | 0:23:35 | 0:23:39 | |
would indicate that her virtue is still intact. | 0:23:39 | 0:23:43 | |
Were the door open on the birdcage, | 0:23:43 | 0:23:46 | |
it would indicate that her virtue was not intact. | 0:23:46 | 0:23:50 | |
In other words, she was no longer a virgin. | 0:23:50 | 0:23:52 | |
These were produced in the Bow factory, a factory established | 0:23:52 | 0:23:57 | |
in the 1740s and who were the first to introduce literally ground up | 0:23:57 | 0:24:04 | |
bone into the paste, the ceramic body that they used | 0:24:04 | 0:24:09 | |
and modelled into figures such as these. | 0:24:09 | 0:24:13 | |
It gives an extra plasticity to the clay. | 0:24:13 | 0:24:17 | |
It enables it to be modelled in considerable detail | 0:24:17 | 0:24:21 | |
and you have to admit that these lovely, vibrant | 0:24:21 | 0:24:25 | |
floral sprays and the green individual leaves | 0:24:25 | 0:24:29 | |
really are dramatic. | 0:24:29 | 0:24:31 | |
Next door, we have an example from the Derby factory. | 0:24:31 | 0:24:35 | |
Equally elaborate but slightly later in date, | 0:24:35 | 0:24:39 | |
probably dating from around 1760. | 0:24:39 | 0:24:42 | |
And here we've got Neptune, standing above a dolphin and out of | 0:24:42 | 0:24:47 | |
the dolphin's mouth spews some water which tumbles over a boulder. | 0:24:47 | 0:24:53 | |
A boulder which is encrusted in greenish seaweed, | 0:24:53 | 0:24:57 | |
all rather crisply modelled. | 0:24:57 | 0:24:59 | |
And then the whole of that surface, the whole of the boulder | 0:24:59 | 0:25:02 | |
has been applied with these polychrome shells. | 0:25:02 | 0:25:06 | |
But it wasn't all about decorative objects | 0:25:06 | 0:25:10 | |
in 18th century English ceramics. | 0:25:10 | 0:25:12 | |
Sometimes, things were functional, like this little pot. | 0:25:12 | 0:25:16 | |
Looks like a bit of cauliflower, doesn't it? | 0:25:16 | 0:25:19 | |
Well, that's not accidental. | 0:25:19 | 0:25:21 | |
Because in the 18th century, a whole dining table would be laid up | 0:25:21 | 0:25:24 | |
with Worcester pots like this, | 0:25:24 | 0:25:27 | |
which open, either to contain nicely cooked bits of cauliflower | 0:25:27 | 0:25:33 | |
or asparagus, or whatever, | 0:25:33 | 0:25:35 | |
or perhaps the sauces that you drizzled on the top. | 0:25:35 | 0:25:39 | |
Do you like a nice cheesy sauce? So do I. | 0:25:39 | 0:25:43 | |
I wonder whether our teams are going to be similarly cheesy today | 0:25:43 | 0:25:48 | |
over at the auction. | 0:25:48 | 0:25:51 | |
We're off to Crewkerne for our auction today. | 0:25:51 | 0:25:54 | |
And our Blue team have a solid start... | 0:25:54 | 0:25:56 | |
That's not too bad, girls. | 0:25:58 | 0:26:01 | |
Stand by for the catapult. | 0:26:01 | 0:26:02 | |
-..while the Reds are settling old scores. -They don't like it, Carol. | 0:26:02 | 0:26:06 | |
They don't like your vase! | 0:26:06 | 0:26:09 | |
Last time at 22. | 0:26:09 | 0:26:11 | |
Well, it's great to be in the heart of the West Country down in Somerset | 0:26:11 | 0:26:15 | |
in Crewkerne at Lawrence's sale room with Richard Kay, our auctioneer today. | 0:26:15 | 0:26:19 | |
-Richard, great to see you. -And you Tim. Lovely to welcome you back. | 0:26:19 | 0:26:22 | |
Now, for our Reds, Diane and Carol, their first item is this scarf ring. | 0:26:22 | 0:26:27 | |
With the lovely little foxy mount. Do you like that? | 0:26:27 | 0:26:30 | |
I do like it. And I think it's ideal for the sort of sales we have here. | 0:26:30 | 0:26:33 | |
Plenty of people in this hunting county who might rather like that. | 0:26:33 | 0:26:37 | |
And nothing more desirable on a piece of hunting attire | 0:26:37 | 0:26:41 | |
than the mask of a fox. | 0:26:41 | 0:26:42 | |
That's encouraging. That's our first item. | 0:26:42 | 0:26:45 | |
That's with it, Richard. What's the estimate? | 0:26:45 | 0:26:47 | |
I think that could make £30 to £40 without too much difficulty. | 0:26:47 | 0:26:51 | |
-Well, they paid £40 so that's right... -OK. | 0:26:51 | 0:26:53 | |
-By the time you've got two or three people whipped up anything could happen. -Anything. | 0:26:53 | 0:26:57 | |
Now, Copenhagen. Does this stuff sell well down here? | 0:26:57 | 0:27:01 | |
I don't think that's got tremendous appeal. | 0:27:01 | 0:27:03 | |
-I think it's rather a dull and uninteresting design on it to be honest. -High quality though it is... | 0:27:03 | 0:27:09 | |
-Beautifully made... -Good stuff, but probably not that easy to sell. | 0:27:09 | 0:27:12 | |
So if you gird yourself up to your full height, | 0:27:12 | 0:27:15 | |
what's your best estimate? | 0:27:15 | 0:27:17 | |
My very best is only £20 to £30. | 0:27:17 | 0:27:19 | |
Yeah. £45 paid you see. | 0:27:19 | 0:27:21 | |
I think they're going to be a bit light on that. | 0:27:21 | 0:27:23 | |
But, we've got glitz and bling to finish with. | 0:27:23 | 0:27:27 | |
With our lovely officer's epaulettes. | 0:27:27 | 0:27:29 | |
I'm not sure an officer would want to think that's glitz and bling | 0:27:29 | 0:27:32 | |
but I take your point. | 0:27:32 | 0:27:33 | |
Shame they're lacking their painted metal tin that they would have been in originally. | 0:27:33 | 0:27:38 | |
Yeah. You've got kiddywinks haven't you? | 0:27:38 | 0:27:40 | |
Do you have a dressing up box at home? | 0:27:40 | 0:27:41 | |
I wouldn't put them in a dressing up box. They're too good. | 0:27:41 | 0:27:44 | |
But I do think they will appeal to the kind of people | 0:27:44 | 0:27:47 | |
that like to buy items of naval history. | 0:27:47 | 0:27:49 | |
They're absolutely perfect for that sort of collector. | 0:27:49 | 0:27:52 | |
-OK. So, estimate-wise? -£40 to £60 I would hope. | 0:27:52 | 0:27:55 | |
OK. £95 paid. I think they paid £95 very speculatively for these and it is a bit of a punt. | 0:27:55 | 0:28:02 | |
It is a bit of a punt and it is the sort of thing that could make a surprising price. | 0:28:02 | 0:28:05 | |
Yeah, well, we'll keep our eye out for Captain Hornblower. | 0:28:05 | 0:28:09 | |
-Let's hope so. -Well, depending on how the epaulettes do, they could well need their bonus buy. | 0:28:09 | 0:28:13 | |
So let's trot off and have a look at it. | 0:28:13 | 0:28:16 | |
So, girls, you did rather well. | 0:28:17 | 0:28:19 | |
£180 you spent, £120 went to Mark Stacey. What did he spend it on? | 0:28:19 | 0:28:26 | |
Oh, very delicate this. | 0:28:26 | 0:28:28 | |
I spent it on this little writing box. | 0:28:28 | 0:28:31 | |
It's a Victorian or Edwardian about 1900-ish. | 0:28:31 | 0:28:34 | |
But what I particularly like about it - it's so small. | 0:28:34 | 0:28:38 | |
Does need a little bit of work. | 0:28:38 | 0:28:39 | |
-It's not in pristine condition as you say. -Look at that. | 0:28:39 | 0:28:43 | |
Little bit of work, eh? | 0:28:43 | 0:28:45 | |
Where's the key? | 0:28:45 | 0:28:47 | |
Well, you don't often find keys with this. | 0:28:47 | 0:28:49 | |
-I think you're being too picky. -No, you might want to lock it up. | 0:28:49 | 0:28:52 | |
You might. I'm sure you could get a key. | 0:28:52 | 0:28:54 | |
But I rather like this little drawer | 0:28:54 | 0:28:56 | |
with this flush brass handle. | 0:28:56 | 0:28:58 | |
It's in mahogany and I think it's rather sweet actually. It's so small. | 0:28:58 | 0:29:02 | |
And it only cost me £25. | 0:29:02 | 0:29:06 | |
-How much? -Ah! 25. -£25? | 0:29:06 | 0:29:08 | |
-£25. -You were ripped off. -I don't think I was you know. | 0:29:08 | 0:29:11 | |
I think on a good day that might make £40. | 0:29:11 | 0:29:16 | |
You reckon? | 0:29:16 | 0:29:17 | |
Carol has this doubting manner about her. | 0:29:17 | 0:29:20 | |
I don't know if you've noticed this? Is this usual? | 0:29:20 | 0:29:26 | |
-You haven't at all? -Yes! | 0:29:26 | 0:29:29 | |
What's this? It's broke! | 0:29:29 | 0:29:32 | |
Oh, Mark, come on... it's broke! | 0:29:32 | 0:29:36 | |
-Try and rise above that, Carol. -Now, Diane, do you like this? | 0:29:36 | 0:29:40 | |
-From the outside. -You do. -Yes. -So it's a bit rough round the edges. | 0:29:40 | 0:29:43 | |
This is the message we're getting from Mark. | 0:29:43 | 0:29:45 | |
He reckons he paid £25 which is very reasonable. | 0:29:45 | 0:29:48 | |
All right, very reasonable means...? | 0:29:48 | 0:29:50 | |
-There's a scope there. -Ten pounds. Are we talking £20? | 0:29:50 | 0:29:53 | |
I'd like to see it make £40 actually. | 0:29:53 | 0:29:55 | |
To 50. There's potentially 50. | 0:29:55 | 0:29:57 | |
Right. It doesn't really matter if you girls like it or not. | 0:29:57 | 0:30:00 | |
Is there a profit in it? He says there is. | 0:30:00 | 0:30:02 | |
Remember that. You don't decide now. You decide later. | 0:30:02 | 0:30:05 | |
Right now, for the viewers at home let's find out what the auctioneer thinks of Mark's little box. | 0:30:05 | 0:30:10 | |
So Richard, this is a nice small size isn't it? | 0:30:11 | 0:30:14 | |
It is a nice small size and it appears to be quite well made from the outside. | 0:30:14 | 0:30:17 | |
It's got a nice brass fittings | 0:30:17 | 0:30:18 | |
and the little brass drawer at the bottom. It's quite promising. | 0:30:18 | 0:30:22 | |
Let's have a look and see what it's like inside, cos that's the critical thing. | 0:30:22 | 0:30:26 | |
Ah well, sadly, | 0:30:26 | 0:30:27 | |
inside, it's seen better days and I don't know whether many people | 0:30:27 | 0:30:32 | |
are going want to spend a lot of money on doing that up. | 0:30:32 | 0:30:35 | |
So I think it might well affect what it will make. | 0:30:35 | 0:30:39 | |
So, as a sort of tempting "come and buy me" estimate, what would you say? | 0:30:39 | 0:30:43 | |
I think a tempting "come and buy me" estimate is £15 to £20. | 0:30:43 | 0:30:46 | |
-Fair enough. -But it could make a little more if somebody feels | 0:30:46 | 0:30:49 | |
-like taking it on and spending some time doing it up. -Yes, quite. | 0:30:49 | 0:30:53 | |
Loving, at home, restoration. | 0:30:53 | 0:30:55 | |
-Tender, loving care. -That's it. | 0:30:55 | 0:30:57 | |
Mark Stacey paid £25. He's hopeful. I've a funny feeling he will turn a small profit... | 0:30:57 | 0:31:01 | |
I think there will be a profit in that. | 0:31:01 | 0:31:03 | |
Which is absolutely lovely. | 0:31:03 | 0:31:04 | |
Anyway, that is it for the Reds. | 0:31:04 | 0:31:06 | |
And now for the Blues. | 0:31:06 | 0:31:08 | |
This is a seriously wacky mixture | 0:31:08 | 0:31:10 | |
of objects don't you think... | 0:31:10 | 0:31:12 | |
for Glyn and Chris? | 0:31:12 | 0:31:13 | |
Very strange selection of objects. | 0:31:13 | 0:31:15 | |
Very different from each other. | 0:31:15 | 0:31:17 | |
First up is the vase which looks a bit lonely to me. | 0:31:17 | 0:31:19 | |
The vase is certainly lonely. | 0:31:19 | 0:31:21 | |
It would have had at least a partner | 0:31:21 | 0:31:22 | |
and possibly been one of a garniture at some time | 0:31:22 | 0:31:25 | |
with a clock that would have stood between it and its mate. | 0:31:25 | 0:31:29 | |
But more critically, it's not in great condition. | 0:31:29 | 0:31:32 | |
And that will put people off a little. | 0:31:32 | 0:31:34 | |
I think as a lonesome item on its own | 0:31:34 | 0:31:37 | |
it might struggle to make more than £10. | 0:31:37 | 0:31:39 | |
-So £18 as a purchase price is on the rich side. -A little bit. | 0:31:39 | 0:31:44 | |
OK. The next item is this really intriguing wee fellow. | 0:31:44 | 0:31:49 | |
That's come from somewhere really quite far away from here I'm sure. | 0:31:49 | 0:31:52 | |
Quite where, I don't know. | 0:31:52 | 0:31:54 | |
-No. -It looks rather African. | 0:31:54 | 0:31:56 | |
-I think its £15 to £20. -Is that all? | 0:31:56 | 0:31:59 | |
With a speculative scratch of the chin! | 0:31:59 | 0:32:01 | |
Right. Well, we'll scratch fairly hard then for this because they paid £69. | 0:32:01 | 0:32:06 | |
I think that would be a strong price. | 0:32:06 | 0:32:08 | |
It's a good old crack that, isn't it? | 0:32:08 | 0:32:10 | |
And their last item is I think equally unusual. | 0:32:10 | 0:32:13 | |
Because I can't remember the last time I saw French game skewers. | 0:32:13 | 0:32:17 | |
-No. -Nothing to stop the French having game, of course. | 0:32:17 | 0:32:20 | |
Nothing to stop them having skewers. | 0:32:20 | 0:32:22 | |
Silver, French game skewers pitching up. That's quite unusual isn't it? | 0:32:22 | 0:32:25 | |
It is. I don't think people will buy these to use as skewers any more. | 0:32:25 | 0:32:28 | |
They might have done in the early 20th century. | 0:32:28 | 0:32:31 | |
But nowadays they make stylish letter openers. | 0:32:31 | 0:32:34 | |
-I can't see more than £20 in them to be honest. -Oh dear. | 0:32:34 | 0:32:37 | |
There's going to be deep depression on the Blue team. They paid £84.50. | 0:32:37 | 0:32:42 | |
-I think that seems like plenty. -It does. | 0:32:42 | 0:32:44 | |
It's a lot of money isn't it? | 0:32:44 | 0:32:46 | |
Even I have to admit that's quite a lot for two French game skewers. | 0:32:46 | 0:32:49 | |
Still, there we are. | 0:32:49 | 0:32:51 | |
There's no predicting as they say, and we can't tell whether they're going to need their bonus buy | 0:32:51 | 0:32:56 | |
so let's have a look at it anyway. | 0:32:56 | 0:32:58 | |
So Chris, Glyn, you spent an eccentric £171.50. | 0:32:58 | 0:33:03 | |
You gave £128.50 to P Allwood. | 0:33:03 | 0:33:06 | |
Philip, what did you spend it on? | 0:33:06 | 0:33:08 | |
It's interesting you use the word eccentric because there we have it, | 0:33:08 | 0:33:13 | |
a nice little snuff box made out of a hoof. | 0:33:13 | 0:33:17 | |
Open it up and bung your snuff in there. | 0:33:17 | 0:33:19 | |
And when you're out riding your horse... | 0:33:19 | 0:33:21 | |
it's got to be country-ish hasn't it? I thought it was a lovely thing - lovely quality. | 0:33:21 | 0:33:27 | |
And you spent how much on it? | 0:33:27 | 0:33:29 | |
£50. But I think, actually, in a right sort of, sporty sort of sale you'd get a profit on that. | 0:33:29 | 0:33:36 | |
I think it's a nice little piece. | 0:33:36 | 0:33:38 | |
-Excellent. -I think for the snuff box collectors... | 0:33:38 | 0:33:40 | |
-Yes, that's the point isn't it? There are a lot of snuff box collectors. -Yeah. | 0:33:40 | 0:33:44 | |
It's a great little collectable. In a small house, small flat, | 0:33:44 | 0:33:47 | |
you can have two to three hundred of these little snuff boxes, no trouble at all. | 0:33:47 | 0:33:51 | |
-Easily. -It's much easier than paintings or pieces of furniture. | 0:33:51 | 0:33:55 | |
They're forever looking for variety. | 0:33:55 | 0:33:57 | |
Just slip it away. Yeah, good. | 0:33:57 | 0:33:59 | |
-It's gone. -Slip it back. thank you very much! | 0:33:59 | 0:34:02 | |
Anyway, you don't decide now. | 0:34:02 | 0:34:04 | |
For the viewers at home, let's find out what the auctioneer thinks about Philip Allwood's little box. | 0:34:04 | 0:34:09 | |
-Well, well, well. -Isn't that sweet? | 0:34:10 | 0:34:12 | |
That is delightful. It's a beautifully made little thing. | 0:34:12 | 0:34:14 | |
In fact it's nature made of course because it is half of a hoof, | 0:34:14 | 0:34:19 | |
of a split hoof. | 0:34:19 | 0:34:21 | |
And it opens to hold snuff perhaps, | 0:34:21 | 0:34:23 | |
or something similar anyway. | 0:34:23 | 0:34:26 | |
Yes. So, what do you think for this little delight? | 0:34:26 | 0:34:28 | |
I think that's a bit of fun and it could make £30 to £50. | 0:34:28 | 0:34:31 | |
Brilliant. Philip Allwood paid £50. | 0:34:31 | 0:34:33 | |
If you get somebody stirred up he could easily make it couldn't he. | 0:34:33 | 0:34:36 | |
I think he could trot off very nicely. | 0:34:36 | 0:34:38 | |
Oh, ho! So trite! | 0:34:38 | 0:34:41 | |
..For the last time at 80. All done. | 0:34:45 | 0:34:49 | |
-All right girls? -Yes. | 0:34:49 | 0:34:50 | |
-This is fun isn't it? -It is. | 0:34:50 | 0:34:52 | |
Have you ever seen so many people jammed into one room? | 0:34:52 | 0:34:55 | |
-No. -It's good isn't it? | 0:34:55 | 0:34:57 | |
-Even you're impressed aren't you, Carol? -Yes. -That's lovely! | 0:34:57 | 0:35:00 | |
Anyway, first up is the scarf ring. | 0:35:00 | 0:35:02 | |
Mark's item and here it comes. | 0:35:02 | 0:35:04 | |
Lot 145 is the Edwardian fox mask scarf ring. | 0:35:04 | 0:35:08 | |
Start me on this one if you will at £30. £30 for it? | 0:35:08 | 0:35:13 | |
£30, £30 I see, £35, are you bidding, sir? | 0:35:13 | 0:35:17 | |
£40? £40 near the camera. | 0:35:17 | 0:35:20 | |
£40 and I'm selling. | 0:35:20 | 0:35:22 | |
At £40, last time at 40. Any more? | 0:35:22 | 0:35:25 | |
At £40, all done. | 0:35:25 | 0:35:27 | |
-Bad luck. -What did we pay? | 0:35:27 | 0:35:28 | |
-£40. -Even, then. | 0:35:28 | 0:35:30 | |
Quite right. here comes Copenhagen. | 0:35:30 | 0:35:32 | |
Lot 146 is a Copenhagen vase. | 0:35:32 | 0:35:35 | |
Shall we say £20 for that? | 0:35:35 | 0:35:37 | |
£20 for it? 15 if it helps. | 0:35:37 | 0:35:39 | |
£15 anywhere? | 0:35:39 | 0:35:41 | |
They don't like it, Carol. | 0:35:41 | 0:35:44 | |
They don't like your vase! | 0:35:44 | 0:35:45 | |
At £10. Thank you. £10. | 0:35:45 | 0:35:47 | |
I'm selling now at £10. | 0:35:47 | 0:35:49 | |
Maiden bid at 10 only. | 0:35:49 | 0:35:50 | |
Last time at £10 and I'm selling. | 0:35:50 | 0:35:52 | |
Last time. | 0:35:52 | 0:35:54 | |
Oh, dear! Minus 35 on that, Carol. | 0:35:54 | 0:35:57 | |
-Now the epaulettes. -Here we go. | 0:35:57 | 0:36:00 | |
OK. Come on! | 0:36:00 | 0:36:02 | |
Lot 147 is a pair of Edwardian naval officer's epaulettes. | 0:36:02 | 0:36:07 | |
And start me here at £30 for these. | 0:36:07 | 0:36:10 | |
£30 for them. At £30. 20 if it helps. | 0:36:10 | 0:36:14 | |
-£20. -No! -At £20. | 0:36:14 | 0:36:17 | |
10 if you wish. | 0:36:17 | 0:36:19 | |
At £10. A spoken bid at 10. I can sell at £10 only. | 0:36:19 | 0:36:23 | |
Will anyone say 12? £10 only. | 0:36:23 | 0:36:25 | |
Last time then at £10 only. | 0:36:25 | 0:36:28 | |
£10 all done. | 0:36:28 | 0:36:30 | |
£10 is minus 85. | 0:36:30 | 0:36:33 | |
10, 11, that is minus £120 overall, girls. | 0:36:34 | 0:36:39 | |
-We're doing well then! -You spent 180 and you're minus 120. | 0:36:39 | 0:36:42 | |
This is not a great start to the night. What are you going to do about the cabinet? | 0:36:42 | 0:36:46 | |
-We'll go with it. -We'll go with it. We're going to go... | 0:36:46 | 0:36:49 | |
-We've got to go... -You've got to go... | 0:36:49 | 0:36:50 | |
-We've got to! -Broken cabinet with no key. | 0:36:50 | 0:36:52 | |
You're going to go with it. | 0:36:52 | 0:36:54 | |
-Yes. -I think that's a wise move. | 0:36:54 | 0:36:56 | |
We're going with the bonus buy. | 0:36:56 | 0:36:58 | |
The estimate is £15 to £20. | 0:36:58 | 0:37:01 | |
Mark paid £25. | 0:37:01 | 0:37:03 | |
But I've a funny feeling it's going to do quite well. Here it comes. | 0:37:03 | 0:37:06 | |
Lot 151 is the mahogany stationery cabinet. | 0:37:06 | 0:37:10 | |
And start me here at £15 for it. | 0:37:10 | 0:37:13 | |
£15. £15 I see. 18 now. 20. | 0:37:13 | 0:37:18 | |
No, £22, bid at £22, 25, 28. | 0:37:18 | 0:37:23 | |
Are you bidding sir? No, 28. Are you bidding madam? 30. | 0:37:23 | 0:37:27 | |
£30. It's in front of me at 30. | 0:37:27 | 0:37:30 | |
I'm selling now at £30. £30 and I'm selling. | 0:37:30 | 0:37:33 | |
Last time at 30. | 0:37:33 | 0:37:35 | |
-Well, done, Mark. £30. -That's a little something... | 0:37:35 | 0:37:37 | |
That's £5 on that which means overall you are minus £115. | 0:37:37 | 0:37:44 | |
Minus 115. Yeah. | 0:37:44 | 0:37:46 | |
-Yeah. -Well, if you're going to do it... -We'll still win! | 0:37:46 | 0:37:50 | |
Well, you never know, girls. That could be a winning score if it goes really bad for the Blues! | 0:37:50 | 0:37:55 | |
-It could be. Don't tell the Blues a thing! -No. -Let's not put them out of their agony. | 0:37:55 | 0:37:59 | |
Now Glyn, Chris, do you know how the Reds did? | 0:38:07 | 0:38:09 | |
-No idea. -You don't know how they did. | 0:38:09 | 0:38:11 | |
That's just as well. Good. | 0:38:11 | 0:38:13 | |
First up is your vase Chris, and here it comes. | 0:38:13 | 0:38:16 | |
Lot 166 is an Eichwald vase, of art nouveau design. | 0:38:16 | 0:38:20 | |
And shall we say £8 for that. | 0:38:20 | 0:38:23 | |
£8 for it? £8 if you will. £5 then. | 0:38:23 | 0:38:27 | |
£5. £8 now? Are you bidding sir? 10, 12, £12 to my right at 12. | 0:38:27 | 0:38:33 | |
Selling at 12. All done at £12 only. | 0:38:33 | 0:38:36 | |
Last time at 12. | 0:38:36 | 0:38:38 | |
Minus £6. That's not too bad. | 0:38:38 | 0:38:42 | |
Sand by for the catapult. | 0:38:42 | 0:38:44 | |
Lot 167. | 0:38:44 | 0:38:47 | |
This is an unusual 19th century Ivory Coast catapult | 0:38:47 | 0:38:51 | |
with native mask decoration. | 0:38:51 | 0:38:53 | |
£20 is bid on it. £20 I have. It's on commission at 20. | 0:38:53 | 0:38:57 | |
25? 30, 5, at £35. At £35 and I'm selling it in the room now at £35. | 0:38:57 | 0:39:05 | |
All done then. The last time at £35. | 0:39:05 | 0:39:08 | |
Marvellous. That is 29 + 5 back. | 0:39:08 | 0:39:10 | |
That is £34 down the toilet! | 0:39:10 | 0:39:13 | |
-That's a loss! -Next, the skewers. | 0:39:13 | 0:39:16 | |
Lot 168 | 0:39:16 | 0:39:19 | |
is two late 19th century French silver game skewers. | 0:39:19 | 0:39:23 | |
And bids - start me here at £25. | 0:39:23 | 0:39:26 | |
Can I say 30 for them? It's at £25 on commission. | 0:39:26 | 0:39:29 | |
At 25, and I'm selling now at £25. | 0:39:29 | 0:39:33 | |
At £25 for the last time. | 0:39:33 | 0:39:35 | |
All done then at 25. | 0:39:35 | 0:39:37 | |
£25. Bad luck! That's minus £59.50. | 0:39:37 | 0:39:42 | |
Which means that overall you're minus £99.50! | 0:39:42 | 0:39:46 | |
So what are you going to do about the bonus buy? | 0:39:46 | 0:39:48 | |
If we're going to crash and burn, we've got to crash and burn. | 0:39:48 | 0:39:52 | |
You're going to go with it. | 0:39:52 | 0:39:55 | |
-You paid £50. -£50...did I? | 0:39:55 | 0:39:58 | |
Yes. | 0:39:58 | 0:39:59 | |
And they're going with the bonus buy. | 0:39:59 | 0:40:01 | |
I think it's a good decision this going with the bonus buy. | 0:40:01 | 0:40:04 | |
I've a funny feeling about this one. | 0:40:04 | 0:40:06 | |
Lot 172. Horn snuff box with a horseshoe motif. | 0:40:06 | 0:40:11 | |
Lot 172. | 0:40:11 | 0:40:13 | |
And £25 for this. £25 for it. | 0:40:13 | 0:40:16 | |
30 now, 35, 40, 45, 50, 5. | 0:40:16 | 0:40:22 | |
55, gentleman seated at 55. | 0:40:22 | 0:40:25 | |
And I'm selling now at £55. All done at 55. | 0:40:25 | 0:40:28 | |
-We're in profit! £55! -Marvellous! | 0:40:28 | 0:40:33 | |
£5 profit. Very good. | 0:40:33 | 0:40:37 | |
Which means overall you're minus £94.50. | 0:40:37 | 0:40:40 | |
-That could be a winning score. -It could. | 0:40:40 | 0:40:43 | |
-It could. -Yes, we'll find out in a minute. | 0:40:43 | 0:40:46 | |
Well, we have had a spectacular day today haven't we! | 0:40:54 | 0:40:58 | |
Thumping great losses all round. | 0:40:58 | 0:41:01 | |
I mean, unbelievable! | 0:41:01 | 0:41:02 | |
We've got teams here who managed to lose at least half if not more of the original money they spent! | 0:41:02 | 0:41:08 | |
What's going on? What do you mean, it's always like this? | 0:41:08 | 0:41:11 | |
It's not at all! | 0:41:11 | 0:41:12 | |
Anyway, now to reveal the team that has the largest losses today and they are the Reds. | 0:41:12 | 0:41:18 | |
Oh, no! | 0:41:18 | 0:41:22 | |
-Yeah. You spend £180 and you lost £115. -Oh, no! | 0:41:22 | 0:41:27 | |
You lost on every single item or you wiped your face with the exception of the bonus buy. | 0:41:28 | 0:41:35 | |
Now, you're members of the Mark Stacey appreciation society. | 0:41:35 | 0:41:39 | |
-Is this a society, I ask myself, that's going to grow? -No! | 0:41:39 | 0:41:43 | |
Not after today! | 0:41:43 | 0:41:45 | |
Now, you can't blame the old boy for everything. | 0:41:45 | 0:41:49 | |
You were just unlucky in the auction. Unlucky big time! | 0:41:49 | 0:41:53 | |
But you're being great sports, girls and thank you very much for joining us. It's been wonderful. | 0:41:53 | 0:41:58 | |
But the victors, who only managed to lose £94.50. | 0:41:58 | 0:42:02 | |
You only spent £171.50, you managed to lose £94.50. | 0:42:02 | 0:42:08 | |
You're pleased about this aren't you? | 0:42:08 | 0:42:10 | |
You did however get a profit. | 0:42:10 | 0:42:12 | |
Allwood made a profit of a 5 pound note on the horn snuffbox. | 0:42:12 | 0:42:14 | |
You'd have been very upset if that hadn't made a profit wouldn't you? | 0:42:14 | 0:42:17 | |
-I would. -What you don't know about snuff boxes is nobody's business. | 0:42:17 | 0:42:21 | |
-Absolutely nobody's business! Anyway, had a good time? -Fabulous! -Lovely to see you on the show. | 0:42:21 | 0:42:26 | |
Join us soon for some more Bargain Hunting, yes? | 0:42:26 | 0:42:28 | |
ALL: Yes! | 0:42:28 | 0:42:30 | |
For more information about Bargain Hunt, | 0:42:30 | 0:42:32 | |
including how the programme was made, visit the website at bbc.co.uk | 0:42:32 | 0:42:36 | |
Subtitles by Red Bee Media Ltd | 0:42:38 | 0:42:40 | |
E-mail [email protected] | 0:42:40 | 0:42:43 |