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Excuse me, what's the time? | 0:00:04 | 0:00:06 | |
Well, according to my friend here, it's time to go bargain Hunting! | 0:00:06 | 0:00:10 | |
I'm a Norfolk terrier. | 0:00:39 | 0:00:40 | |
Ah, that would be why I'm in Norfolk, | 0:00:40 | 0:00:43 | |
actually at the Royal Norfolk Show Ground. | 0:00:43 | 0:00:47 | |
You watch out because in a minute we won't be seeing a turkey anywhere. | 0:00:47 | 0:00:51 | |
It's going to be bootiful, just full of bootiful bargains. | 0:00:51 | 0:00:54 | |
All right, boy? There you go. | 0:00:54 | 0:00:55 | |
Ow! | 0:00:55 | 0:00:57 | |
There's plenty to look forward to on today's programme. | 0:00:58 | 0:01:02 | |
There's no pleasing some people. | 0:01:02 | 0:01:04 | |
-No. -No. -No. | 0:01:04 | 0:01:06 | |
-No. -Look at that there. -No. They're awful. | 0:01:06 | 0:01:11 | |
Cor, there's a bit of friction in the red team. | 0:01:11 | 0:01:13 | |
You like it. | 0:01:13 | 0:01:14 | |
That's when men are appeasing a woman, you go, "In your eyes..." | 0:01:14 | 0:01:19 | |
And there's trouble brewing at auction. | 0:01:19 | 0:01:22 | |
Oh, Charles! | 0:01:22 | 0:01:24 | |
And for the Reds, things are really hotting up. | 0:01:24 | 0:01:28 | |
We set our teams the challenge of finding three items which are | 0:01:28 | 0:01:33 | |
likely to make monster profits when they sell them on later at auction. | 0:01:33 | 0:01:38 | |
The team that makes the most profits wins. Simple, really. | 0:01:38 | 0:01:42 | |
So, let's go and meet today's teams. | 0:01:42 | 0:01:45 | |
Today, we have two teams of couples. | 0:01:50 | 0:01:53 | |
For the Reds we've got Angela and John, | 0:01:53 | 0:01:56 | |
and for the Blues, Theresa and Peter. Welcome. | 0:01:56 | 0:01:59 | |
-Morning. -Morning, lovely. | 0:01:59 | 0:02:02 | |
Now, Angela, do you get out much? | 0:02:02 | 0:02:04 | |
Since I've been semi-retired I've been looking at things on the television. | 0:02:04 | 0:02:08 | |
We've been to antique fairs and car-boot sales and I've sold a few things at auction myself. | 0:02:08 | 0:02:13 | |
-Have you? -Not with much success. | 0:02:13 | 0:02:15 | |
Oh. We shouldn't get too excited then. | 0:02:15 | 0:02:17 | |
No, it doesn't bode well. And what do you get up to in your spare time? | 0:02:17 | 0:02:22 | |
I actually belong to a book club and we meet once a month | 0:02:22 | 0:02:25 | |
and we've been going for about three and a half, four years, | 0:02:25 | 0:02:28 | |
and we all read the same book for that month and then we discuss the book for about ten minutes | 0:02:28 | 0:02:34 | |
then we drink the wine we bought for the rest of the evening! | 0:02:34 | 0:02:37 | |
What do you call your club? | 0:02:37 | 0:02:38 | |
-Rampant Readers. -Rampant Readers. It sounds great fun, doesn't it? John, are you in the club too? | 0:02:38 | 0:02:44 | |
No. Not at all. No. That's a ladies' night out. | 0:02:44 | 0:02:47 | |
-Oh yes. -I go on a gentleman's night out once a month. | 0:02:47 | 0:02:51 | |
A gentleman's relish, is it? | 0:02:51 | 0:02:53 | |
Sort of, a few beers and a glass of wine or two and a meal, which is quite nice. | 0:02:53 | 0:02:58 | |
This isn't wrapped up in some intellectual pursuit like book reading? | 0:02:58 | 0:03:02 | |
No. No. No. We don't do anything like that. | 0:03:02 | 0:03:05 | |
-Just food and drink. -Just a beer up, really! | 0:03:05 | 0:03:07 | |
-And what do you call your club? -We call them Monthly Minstrels. | 0:03:07 | 0:03:11 | |
What you folk get up to here in Norfolk is nobody's business, is it? | 0:03:11 | 0:03:15 | |
You have some experience and should do pretty well today, so good luck. | 0:03:15 | 0:03:19 | |
-Thank you. -Thank you. -Now for the Blues. | 0:03:19 | 0:03:21 | |
Theresa, how did you and Peter first meet? | 0:03:21 | 0:03:24 | |
-We met when I was a bailiff. -Ah. | 0:03:24 | 0:03:28 | |
I went along to Peter's garage and bought a car. | 0:03:28 | 0:03:32 | |
-You were immediately fond of Peter, were you? -Absolutely not! -Oh. | 0:03:32 | 0:03:36 | |
No. I found him quite irritating. | 0:03:36 | 0:03:38 | |
Oh. | 0:03:38 | 0:03:40 | |
That's honest! | 0:03:40 | 0:03:42 | |
So this irritating car salesman, who's now your husband, and you've been together for... | 0:03:42 | 0:03:48 | |
-Approximately 16 years. -Brilliant, so it was an irritation that really worked. | 0:03:48 | 0:03:52 | |
I absolutely adore him now. | 0:03:52 | 0:03:54 | |
Yes. But he was irritating at the time? | 0:03:54 | 0:03:56 | |
Yes, I understand he didn't particularly like me either! | 0:03:56 | 0:04:00 | |
And then what happened? | 0:04:03 | 0:04:04 | |
I bought a second car. | 0:04:04 | 0:04:06 | |
Well, relationship building I find endlessly fascinating. | 0:04:08 | 0:04:13 | |
-It's extraordinary how things do pan out in life. -It is, yes. | 0:04:13 | 0:04:17 | |
-And you adore him now? -I do. | 0:04:17 | 0:04:18 | |
So how did this career start for you? | 0:04:18 | 0:04:21 | |
I left the Air Force and I wanted to get into sales, | 0:04:21 | 0:04:25 | |
but because I had no sales experience the only option open to me was the car industry. | 0:04:25 | 0:04:30 | |
And what did you do in the RAF? | 0:04:30 | 0:04:32 | |
-Air traffic control. -But you're not in the motor business now. | 0:04:32 | 0:04:35 | |
No, I changed about eight or nine years ago now and I'm in financial services. | 0:04:35 | 0:04:40 | |
-Is that good fun? -Very good. I have a good team of lads. | 0:04:40 | 0:04:43 | |
So, that means you'll be good with the money today. | 0:04:43 | 0:04:46 | |
That's the theory, Tim, we'll see. | 0:04:46 | 0:04:48 | |
Good, well that prompts the money moment because here's your £300. | 0:04:48 | 0:04:51 | |
£300 apiece, you know the rules. | 0:04:51 | 0:04:53 | |
Your experts await and off you go and very, very, very good luck. | 0:04:53 | 0:04:57 | |
So, what's going to happen today? | 0:04:57 | 0:04:59 | |
Both teams are experienced for a change. | 0:04:59 | 0:05:03 | |
Will it be the Reds that pot the best bargains first, or will the Blues just race ahead? | 0:05:03 | 0:05:08 | |
# One, two, three, four! # | 0:05:08 | 0:05:09 | |
So our teams only have one hour but they do have £300 at their disposal. | 0:05:09 | 0:05:14 | |
But it's not as easy as it looks trying to find three items at a fair this size. | 0:05:14 | 0:05:19 | |
Our teams are going to need some experts. | 0:05:19 | 0:05:22 | |
Raising a glass of red and joining our Red team | 0:05:22 | 0:05:25 | |
in one of their favourite hobbies is expert, Jonathan Pratt. | 0:05:25 | 0:05:30 | |
And trying to catch up with the Blue team today | 0:05:30 | 0:05:32 | |
is their expert, Charles Hanson. Come on, faster Charles, come on! | 0:05:32 | 0:05:37 | |
What are we going to start looking for? | 0:05:38 | 0:05:40 | |
Something small, probably something we might like, | 0:05:40 | 0:05:43 | |
we'd buy ourselves in auction. | 0:05:43 | 0:05:45 | |
-Some silver. -A nice, varied selection. | 0:05:45 | 0:05:47 | |
-Classy. -Classy, you're a classy lady, that's great. -Classy. | 0:05:47 | 0:05:51 | |
If you like it then the chances are someone else will and then hopefully we're on the right way. | 0:05:51 | 0:05:56 | |
A chance of selling it, yes. | 0:05:56 | 0:05:58 | |
Rustic, charming, idyllic. | 0:05:58 | 0:06:00 | |
-Absolutely. -Norfolkesquey. In Diss. | 0:06:00 | 0:06:03 | |
-Hopefully. -Absolutely. | 0:06:03 | 0:06:05 | |
A nice little box as well. | 0:06:09 | 0:06:11 | |
Yeah, it's presented quite well. | 0:06:11 | 0:06:13 | |
-It is diamond. -Yes. | 0:06:16 | 0:06:18 | |
And a red stone, which probably are rubies. | 0:06:18 | 0:06:20 | |
It's a Victorian piece, £110. | 0:06:20 | 0:06:24 | |
-Quite a lot of money. -Like a little horseshoe, isn't it? | 0:06:25 | 0:06:28 | |
Yeah. The price I'm afraid is... | 0:06:28 | 0:06:31 | |
The price is not going to make that much money, is it? | 0:06:31 | 0:06:33 | |
-No. -To us anyway. -No. | 0:06:33 | 0:06:36 | |
0.2 of a carat, that's about £50 a diamond, £60-£70, you know, | 0:06:36 | 0:06:40 | |
it would have to be nearly half. | 0:06:40 | 0:06:43 | |
-It's pretty. -Mmm. | 0:06:43 | 0:06:45 | |
-It says the quality of... -Go down to 60? | 0:06:45 | 0:06:48 | |
Hard man, we're a hard people to bargain with, aren't we? | 0:06:48 | 0:06:51 | |
-Do a deal at 60, I reckon. -Yeah. | 0:06:51 | 0:06:53 | |
I can let you have it for 65. | 0:06:53 | 0:06:55 | |
-£65? -You think so? -Yeah? -Yes. | 0:06:55 | 0:06:57 | |
A good deal. A good deal then, a pretty little thing, isn't it? | 0:06:57 | 0:07:01 | |
-It's a nice thing. -A pretty little thing. | 0:07:01 | 0:07:03 | |
Let's hope the horseshoe brings the Reds luck with finding the rest of their items. | 0:07:03 | 0:07:08 | |
Now, have the Blues also got off to a good start? | 0:07:08 | 0:07:12 | |
They can £20, they can be £15, | 0:07:14 | 0:07:17 | |
but this nice sort of almost Arts and Crafts, it's quite nice. | 0:07:17 | 0:07:20 | |
-It's got a nice finish. -It has, you're quite right. | 0:07:20 | 0:07:23 | |
The top can be polished up. | 0:07:23 | 0:07:24 | |
-Yes. -It's a bit tired but I'm sure the lady can do a deal. | 0:07:24 | 0:07:31 | |
I can't take less than 30, I'm afraid. | 0:07:31 | 0:07:33 | |
Food for thought. | 0:07:33 | 0:07:35 | |
I think so. | 0:07:35 | 0:07:37 | |
-Shall we do a little bit more looking and then... -I think so. | 0:07:37 | 0:07:40 | |
Unless we can get it for 25. | 0:07:40 | 0:07:42 | |
-I think we need to do a bit of looking anyway. -Yeah. | 0:07:42 | 0:07:45 | |
-We like it. Very nice. -See how we go. | 0:07:45 | 0:07:47 | |
You're right, Pete. | 0:07:47 | 0:07:50 | |
But be careful time doesn't run away with you. | 0:07:50 | 0:07:53 | |
Now I think you know when you've found something good, and that's exactly what I've done. | 0:07:53 | 0:08:00 | |
Morning. Isn't it lovely to find a nice furniture stand in the fair? | 0:08:01 | 0:08:06 | |
What do you think about this? | 0:08:06 | 0:08:08 | |
Is it giving a fair reflection, do you think? | 0:08:08 | 0:08:12 | |
Well, it ought to, because frankly this is a big enough mirror plate, isn't it? | 0:08:12 | 0:08:16 | |
This type of dressing glass is called a cheval mirror. | 0:08:16 | 0:08:21 | |
What's spectacular about this mirror is the timber that's been selected. | 0:08:21 | 0:08:25 | |
Just look at this exotic and very intricate grain, | 0:08:25 | 0:08:29 | |
all the way around the supports and the frame. | 0:08:29 | 0:08:32 | |
Nicely turned frame, look, and here we've got a moulding, | 0:08:32 | 0:08:38 | |
almost a half round moulding that encloses the plate itself. | 0:08:38 | 0:08:43 | |
Full of this very busy grain. | 0:08:43 | 0:08:46 | |
It looks like an exotic timber, like rosewood, or calamander wood, | 0:08:46 | 0:08:50 | |
but just come here and look closely, | 0:08:50 | 0:08:54 | |
because if you look closely at this, | 0:08:54 | 0:08:57 | |
here we've got two almost eye-like forms of grain. | 0:08:57 | 0:09:02 | |
This isn't real grain at all. | 0:09:02 | 0:09:06 | |
What's extraordinary about this cheval mirror is that it's been | 0:09:06 | 0:09:10 | |
made out of a relatively cheap pale wood, like beech, | 0:09:10 | 0:09:14 | |
and then the furniture-maker has just taken a pot of pen and ink | 0:09:14 | 0:09:19 | |
and he's drawn in pen and ink every single line that you see | 0:09:19 | 0:09:24 | |
on the figured and grained surround on this cheval mirror. | 0:09:24 | 0:09:29 | |
Not one bit of it is expensive rosewood or calamander wood. | 0:09:29 | 0:09:33 | |
Every single piece of this has been created by pen and ink paint effect, which is quite extraordinary. | 0:09:33 | 0:09:41 | |
The other remarkable thing about this cheval mirror is the price, because it's priced | 0:09:41 | 0:09:46 | |
at £1,350. Cor! | 0:09:46 | 0:09:51 | |
That's enough to crack the mirror! | 0:09:51 | 0:09:54 | |
Right, how are the Reds getting on outside? | 0:09:54 | 0:09:56 | |
-I just spotted it there, but I don't know if that has any resaleable value. -Yeah. | 0:09:56 | 0:10:01 | |
But it's just with my physio background, as a physio, I couldn't resist seeing it, | 0:10:01 | 0:10:06 | |
but if it doesn't sell on there's no point. | 0:10:06 | 0:10:08 | |
It's a London mark, 1896, by a chap called William Comyns. | 0:10:08 | 0:10:12 | |
Obviously it's known... | 0:10:12 | 0:10:13 | |
He's a well-known silversmith. | 0:10:13 | 0:10:15 | |
This is very typical for that period. | 0:10:15 | 0:10:17 | |
You'd expect it to be of that sort of date. | 0:10:17 | 0:10:20 | |
The sort of thing that will be made, often inspired by the Dutch taste of this period. | 0:10:20 | 0:10:26 | |
Is it resellable? | 0:10:26 | 0:10:27 | |
-Every nurse used to wear one, didn't they. They don't any more. -They don't any more. -It's got a... | 0:10:27 | 0:10:32 | |
That's the whole point. Is it nostalgia, or is it not? | 0:10:32 | 0:10:35 | |
It's a cabinet piece, isn't it? | 0:10:35 | 0:10:37 | |
You said you'd offer us a very good price. | 0:10:37 | 0:10:39 | |
-Did you? -Yeah. | 0:10:39 | 0:10:41 | |
He did as I was wandering up, he said come and buy something. | 0:10:41 | 0:10:44 | |
What's very good? | 0:10:44 | 0:10:46 | |
-£55. -£55. | 0:10:46 | 0:10:48 | |
-Still, we've got to make a profit, haven't we? -So has he though. | 0:10:48 | 0:10:51 | |
-Yes, yes. -Er... | 0:10:51 | 0:10:53 | |
I don't know, don't let me sway you, it's just with my physio roots, I rather like it. | 0:10:53 | 0:11:01 | |
Do you mind if we reserve it? | 0:11:01 | 0:11:02 | |
-Yeah, I'll put it aside. -For half-an-hour. OK? | 0:11:02 | 0:11:05 | |
The Reds have only been shopping 18 minutes | 0:11:08 | 0:11:10 | |
and it looks like they've already found their second item. | 0:11:10 | 0:11:15 | |
That horseshoe brooch really must be a lucky charm for them. | 0:11:15 | 0:11:19 | |
-I don't like that. -Would you take 30 for it? | 0:11:19 | 0:11:21 | |
-Yeah, go on. -What could we get that for? | 0:11:23 | 0:11:25 | |
-£30. -So it's a decent deal. | 0:11:25 | 0:11:27 | |
It's a good price. The thing is, you must like it. | 0:11:27 | 0:11:30 | |
Yes, it has its damage, some wear and tear, | 0:11:30 | 0:11:33 | |
-and I'm the first to say condition is so important. -Yes. | 0:11:33 | 0:11:36 | |
But with a nice early photo frame, it's silver, it's £30, | 0:11:36 | 0:11:41 | |
to me it's quite reasonable, but early days. | 0:11:41 | 0:11:44 | |
-OK. -OK. -OK. | 0:11:44 | 0:11:47 | |
Our Charles does enjoy a good look around before he parts with any cash | 0:11:47 | 0:11:52 | |
and obviously he's encouraging his team to do the same. | 0:11:52 | 0:11:55 | |
But I do hope they keep one eye on the clock. | 0:11:55 | 0:11:58 | |
-Nice clock. What sort of age is that? -We'll go on for a little while. | 0:11:58 | 0:12:01 | |
Go on for a little while. We may be back. | 0:12:01 | 0:12:04 | |
So it's George V, but sadly you can see where over time | 0:12:05 | 0:12:09 | |
it's had some wear and tear. It's a shame. | 0:12:09 | 0:12:11 | |
-What's that? -There. -Oh, they're dreadful to sell! | 0:12:11 | 0:12:15 | |
Charging set light weight. | 0:12:15 | 0:12:17 | |
-It's a very interesting piece, but it's going to be very strange to sell. -Quite heavy to carry. | 0:12:17 | 0:12:22 | |
With half their time used up both of our teams need to get a shifty on. | 0:12:22 | 0:12:27 | |
Jonathan, hello? | 0:12:27 | 0:12:28 | |
Have a look at this. Quite expensive, £125. | 0:12:28 | 0:12:33 | |
A smoker's companion, not PC at the moment. | 0:12:33 | 0:12:36 | |
Not PC, is it? No. | 0:12:36 | 0:12:38 | |
But different. | 0:12:38 | 0:12:40 | |
-It's kind of fun, you have this... -It's unusual, quite fun. -Quite sweet. | 0:12:40 | 0:12:44 | |
It's a smoker's cabinet, late 19th century, early 20th century. | 0:12:44 | 0:12:47 | |
The condition's not fantastic. The wood is in good condition, | 0:12:47 | 0:12:50 | |
the hinges are in good condition, the plaque has come off the top. | 0:12:50 | 0:12:54 | |
-The plaque's in there. -The plaque's in there, as is the remainder of that lot. -Yeah, yeah. | 0:12:54 | 0:12:59 | |
You could use it quite easily for other things. | 0:12:59 | 0:13:01 | |
-It could sit on a desk and you could use it for something else. -Yeah. | 0:13:01 | 0:13:05 | |
-How much is it? It could be 90. -It's got authenticity there. | 0:13:05 | 0:13:11 | |
Is this the price? It says £15! | 0:13:11 | 0:13:14 | |
It's an old valuation! | 0:13:14 | 0:13:16 | |
We'll go with that one! We'll go with that one. | 0:13:16 | 0:13:19 | |
There's definitely an art to negotiation and it looks like Angela might have mastered it. | 0:13:19 | 0:13:24 | |
Are you sure you couldn't go down to 75? | 0:13:24 | 0:13:26 | |
-Go on then, 75. -Go down to 75, will that move up there or not? | 0:13:26 | 0:13:30 | |
I haven't seen one with this metamorphic base before, it could be used quite easily for other things. | 0:13:32 | 0:13:37 | |
-There's no reason why it has to be a smoker's cabinet. -Why not? -The guy said £75. | 0:13:37 | 0:13:42 | |
I think that's fair enough. If we go for the buckle, | 0:13:42 | 0:13:45 | |
that's basically you've got one, I'll have chosen one and John will have chosen one. | 0:13:45 | 0:13:49 | |
-That's true. -Let's go for it. -Yeah, OK. I'm happy with that, yeah. | 0:13:49 | 0:13:53 | |
With two items bought and £160 left, the Reds are doing well | 0:13:53 | 0:13:59 | |
and it looks like the nurse's buckle will be their third and final item. | 0:13:59 | 0:14:03 | |
That's what I call teamwork! | 0:14:03 | 0:14:05 | |
The Blues, however, can't seem to find anything they like. | 0:14:05 | 0:14:09 | |
-No. No. It doesn't appeal. -No. -No. | 0:14:09 | 0:14:12 | |
No. No. No. | 0:14:12 | 0:14:14 | |
-Nice bed. -I don't like it. | 0:14:14 | 0:14:16 | |
Look at that there. Look at these. | 0:14:16 | 0:14:19 | |
-No. No. -No! -They're awful. | 0:14:19 | 0:14:21 | |
-No, they're awful! -Zebra? | 0:14:21 | 0:14:23 | |
-No, I don't fancy that one. -OK. | 0:14:23 | 0:14:26 | |
Remember Theresa, you're looking for items that will make a profit at auction, not ones to take home. | 0:14:26 | 0:14:31 | |
-What about over here? -What shall we go for? | 0:14:31 | 0:14:34 | |
-I know. We've got to start whittling them down. Charles. -Yes. | 0:14:34 | 0:14:38 | |
It sounds to me like the Blues are starting to feel the pressure. | 0:14:38 | 0:14:42 | |
Time for a team talk, what! | 0:14:42 | 0:14:44 | |
-We've bought nothing yet, have we? -No. -It's getting near the time. | 0:14:44 | 0:14:47 | |
-Let's go back and start buying some objects. -OK. Let's go. | 0:14:47 | 0:14:51 | |
That's probably a wise move, with just 20 minutes left. | 0:14:51 | 0:14:54 | |
-What's this? -That's nice, a little collector's cabinet. | 0:14:54 | 0:14:59 | |
-Coins. -What price you asking for that? | 0:14:59 | 0:15:02 | |
-Let's have a look at that, be nice and careful. -It's heavy. | 0:15:02 | 0:15:06 | |
If I take it off you, let's have a look. | 0:15:06 | 0:15:09 | |
So if you open it up, there we go, and Theresa, look at the drawers. | 0:15:09 | 0:15:13 | |
There's about 25 drawers there. | 0:15:13 | 0:15:16 | |
-It's about 1900. -So, realistically you reckon... | 0:15:16 | 0:15:19 | |
If it came into to a sale... | 0:15:19 | 0:15:21 | |
I'd have said to you in all honesty, on a good day, it would make £150. | 0:15:21 | 0:15:27 | |
I'm happy to go with it, but, there might be if we're lucky, a small profit. | 0:15:27 | 0:15:32 | |
-If you think it stands a chance... -It's a lot of money to lay out. | 0:15:32 | 0:15:36 | |
Potentially, there's not a lot. | 0:15:37 | 0:15:39 | |
We'll just check the back. Spin it right round. | 0:15:39 | 0:15:42 | |
I do like it. | 0:15:42 | 0:15:45 | |
It's a quality object. We like it. | 0:15:45 | 0:15:48 | |
We do like it, we'd like to make some money. | 0:15:48 | 0:15:51 | |
We do like to make some money, that's the only thing. | 0:15:51 | 0:15:54 | |
Five minutes, and we might come back, OK? | 0:15:54 | 0:15:58 | |
-Thank you very much, air, I appreciate it. -Thank you. | 0:15:58 | 0:16:01 | |
It might not be there in five minutes! I really wouldn't risk it. | 0:16:01 | 0:16:05 | |
If you like it, just buy it. | 0:16:05 | 0:16:07 | |
After all, you've still got all your money left. | 0:16:07 | 0:16:10 | |
The Blues need to get a move on. | 0:16:10 | 0:16:12 | |
There's less than 15 minutes left and they've not bought a single thing. | 0:16:12 | 0:16:17 | |
That's a nice chair there over there. | 0:16:17 | 0:16:19 | |
Is that a French chair? | 0:16:19 | 0:16:21 | |
Yes. | 0:16:21 | 0:16:23 | |
-How much? -48. | 0:16:23 | 0:16:25 | |
Nice for that, but a bit steep. | 0:16:25 | 0:16:29 | |
How about 25? | 0:16:29 | 0:16:31 | |
Gordon Bennett! It gets better. | 0:16:31 | 0:16:33 | |
Can't get much better than that. | 0:16:33 | 0:16:36 | |
It's nice. It's is French, from the style of the top rail and the shell motif, | 0:16:38 | 0:16:44 | |
and these rich cabriole legs, and the original rush seat. | 0:16:44 | 0:16:49 | |
-It's very elegant. -It is. | 0:16:49 | 0:16:52 | |
It's 1920s. The problem is, dare I say it, | 0:16:52 | 0:16:55 | |
20th century furniture in sale rooms, | 0:16:55 | 0:16:58 | |
is improving, but the market is still very flat, sadly. | 0:16:58 | 0:17:02 | |
-You're quite taken with it? -Let's go for that. -OK. | 0:17:02 | 0:17:05 | |
I think that's quite reasonable, isn't it? Are you happy with that? | 0:17:05 | 0:17:08 | |
I think it's a chance. | 0:17:08 | 0:17:10 | |
It's a bargain. | 0:17:10 | 0:17:11 | |
There must be some money in that! | 0:17:11 | 0:17:13 | |
-I hope so. -We do! | 0:17:13 | 0:17:15 | |
Let's hope there is. Now, don't hang about. | 0:17:15 | 0:17:19 | |
You've got two items to buy, a whopping £275 left, but hardly any time left to search. | 0:17:19 | 0:17:27 | |
Bargain hunting isn't as easy as it looks, but it's just as much fun. | 0:17:27 | 0:17:31 | |
It says here, you don't have to be an antiques buff, | 0:17:31 | 0:17:34 | |
but a keen interest and willingness to learn would help. | 0:17:34 | 0:17:37 | |
If you have an outgoing personality, and want to be considered, | 0:17:37 | 0:17:41 | |
then drop us an e-mail to... | 0:17:41 | 0:17:45 | |
So, have the Reds gone back to buy the nurse's buckle Angela spotted earlier on? | 0:17:50 | 0:17:54 | |
-I'd trust you. -You like it. | 0:17:54 | 0:17:57 | |
That's the way, when men are appeasing a woman they go, "You like it!" | 0:17:57 | 0:18:02 | |
Well, yes. | 0:18:02 | 0:18:04 | |
You've got to buy something and both Jonathan and John have given it the thumbs up. | 0:18:04 | 0:18:10 | |
What are you waiting for? There's no time to sit on the fence. | 0:18:10 | 0:18:14 | |
-It's pretty. -I think so. -I quite like that. | 0:18:17 | 0:18:21 | |
£50 paid for the buckle. Nice work, Reds. | 0:18:21 | 0:18:24 | |
-We've got 10 minutes left and we've taking less than 50 minutes. -That's pretty good. | 0:18:24 | 0:18:29 | |
We can hot foot it back for a cup of tea, and wait for the others. | 0:18:29 | 0:18:32 | |
-That's fine. -And take the Michael! | 0:18:32 | 0:18:35 | |
I don't know, the Blues still have a lot of work to do. | 0:18:35 | 0:18:38 | |
They've looked at plenty of items, but will they back for any of them? | 0:18:38 | 0:18:42 | |
10 minutes to go. I think we ought to go for your coin, oak cabinet. | 0:18:42 | 0:18:47 | |
It is nice, isn't it? | 0:18:47 | 0:18:49 | |
But also over here... | 0:18:49 | 0:18:51 | |
My silver photo frame as well. | 0:18:54 | 0:18:57 | |
It's so original, it's Birmingham 1915. | 0:18:57 | 0:19:01 | |
I know your concerns are it's a bit tired, but it's all there. | 0:19:01 | 0:19:05 | |
Will it make money? | 0:19:05 | 0:19:07 | |
I wish I could tell you for sure. | 0:19:07 | 0:19:09 | |
But what's so nice, look at the back. | 0:19:09 | 0:19:11 | |
It's the original oak back. | 0:19:11 | 0:19:13 | |
It's a nice size, it's George V. | 0:19:13 | 0:19:17 | |
Just in that First World War period. I think it's delightful. | 0:19:17 | 0:19:21 | |
-For £30 to me, it's a good buy. -OK. | 0:19:21 | 0:19:25 | |
I'll see you shortly, OK? | 0:19:25 | 0:19:27 | |
Two down, one to go. Let's hope that coin box is still there. | 0:19:30 | 0:19:33 | |
Is it still on sale? | 0:19:36 | 0:19:37 | |
-It's just been sold. -OK. -Sold. | 0:19:37 | 0:19:41 | |
-Have you bought it? It's gone? -It's sold. -Oh dear. | 0:19:41 | 0:19:47 | |
Five minutes to go. I don't believe it! | 0:19:47 | 0:19:50 | |
There are only minutes left, after desperate searching, | 0:19:52 | 0:19:55 | |
it looks like they're going to go with the first box they saw. | 0:19:55 | 0:19:59 | |
Fingers crossed that that one isn't sold. | 0:19:59 | 0:20:02 | |
Would you take 25 for the box? | 0:20:02 | 0:20:05 | |
28. The lowest. | 0:20:05 | 0:20:08 | |
-What do you think? -It's a nice box. | 0:20:10 | 0:20:13 | |
It's come from where, remind me? | 0:20:13 | 0:20:15 | |
-It's come from the Duke of Buccleuch's estate. -Right. | 0:20:15 | 0:20:19 | |
-Duke of Buccleuch's estate. -Yes. | 0:20:19 | 0:20:21 | |
It's a nice tale to it, so we know it's of quality. Feel the weight. | 0:20:21 | 0:20:24 | |
There's a nice weight. | 0:20:24 | 0:20:26 | |
-It's quite heavy. -It's a very decorative box. | 0:20:26 | 0:20:28 | |
We've got a mahogany hinged top, | 0:20:28 | 0:20:31 | |
these nice Arts and Crafts copper mounts. | 0:20:31 | 0:20:36 | |
It could make £30, it could make 50, it could make 10. | 0:20:36 | 0:20:39 | |
It's a bit desperate, and it's difficult. | 0:20:39 | 0:20:43 | |
-It's mahogany, isn't it? -Yes. | 0:20:43 | 0:20:44 | |
And is the base oak? No, it's plywood, isn't it? | 0:20:44 | 0:20:48 | |
We're out of time, unfortunately. | 0:20:48 | 0:20:50 | |
-25 would be nice. -Oh, all right! -Thank you. | 0:20:50 | 0:20:55 | |
Nice move, Pete. You never know. That could make the difference between a profit and a loss. | 0:20:55 | 0:21:01 | |
The hour hand has completed its revolution. | 0:21:01 | 0:21:04 | |
It's high noon, which means it's time to stop shopping! | 0:21:04 | 0:21:07 | |
Will the horse shoe brooch race away at the auction at £65? | 0:21:10 | 0:21:13 | |
I sure hope so. | 0:21:13 | 0:21:15 | |
Cigarettes may well be out of fashion, | 0:21:15 | 0:21:17 | |
but let's hope bidders can find an alternative use | 0:21:17 | 0:21:20 | |
for the smoking box, £75 paid. | 0:21:20 | 0:21:23 | |
Nostalgia took over and Angela fell for the nurse's buckle | 0:21:23 | 0:21:27 | |
and with Jonathan's help, bought it for a £50. | 0:21:27 | 0:21:30 | |
It was like a walk in the park, really, for you guys? | 0:21:30 | 0:21:35 | |
And you shopped very leisurely, and you finished in good order. | 0:21:35 | 0:21:39 | |
-Thanks to the expertise of your expert, no doubt? -Pleasant stroll. | 0:21:39 | 0:21:42 | |
Pleasant stroll. Now, which is your favourite item? | 0:21:42 | 0:21:46 | |
The brooch, I think, was very nice. | 0:21:46 | 0:21:49 | |
Angela, what was your favourite? | 0:21:49 | 0:21:51 | |
The nurse's buckle, which I thought was nostalgic. | 0:21:51 | 0:21:54 | |
And you spent a magnificent £190. You've done very well on that. | 0:21:54 | 0:21:58 | |
I'd like £110, please, for Jonathan. | 0:21:58 | 0:22:02 | |
That's quite a lot, isn't it? | 0:22:02 | 0:22:04 | |
I think I have a couple of things in mind. | 0:22:04 | 0:22:07 | |
You're well qualified on the negotiation stakes. Good luck. | 0:22:07 | 0:22:10 | |
Excellent. Let's remind ourselves of what the Blues bought. | 0:22:10 | 0:22:13 | |
After a very slow start, | 0:22:15 | 0:22:16 | |
Pete decided the French chair at 25 would be a good bet. | 0:22:16 | 0:22:21 | |
On Charles's advice, they went with the silver photo frame. | 0:22:21 | 0:22:25 | |
Will the bidders snap it up at the auction? | 0:22:25 | 0:22:27 | |
£30 paid. | 0:22:27 | 0:22:29 | |
It's not the coin box, | 0:22:29 | 0:22:31 | |
but out of desperation, the Blues went with another box. | 0:22:31 | 0:22:34 | |
Even under pressure, Pete managed to get the price reduced to £25. | 0:22:34 | 0:22:39 | |
That was hectic, wasn't it? | 0:22:39 | 0:22:40 | |
Talk about a blinding rush! | 0:22:40 | 0:22:43 | |
And then you missed that item. What a shambles. | 0:22:43 | 0:22:47 | |
-That was really sad. -It was sad. | 0:22:47 | 0:22:50 | |
-It just shows, you've got to cough up early, isn't that right? -Quite right. | 0:22:50 | 0:22:54 | |
-Which is your favourite piece, Theresa? -The box, I think. | 0:22:54 | 0:22:59 | |
-What about you, Pete? -I think the chair. | 0:22:59 | 0:23:01 | |
The chair's your favourite. | 0:23:01 | 0:23:04 | |
-Which piece will bring the biggest profit? -The box. | 0:23:04 | 0:23:06 | |
-The box? -I think Charles's picture frame. It's going to do it, yeah. We've lots of decisions. | 0:23:06 | 0:23:13 | |
You spent the most pathetic £80. | 0:23:13 | 0:23:15 | |
-That's amazing. -I would have spent more if I could have done. | 0:23:15 | 0:23:19 | |
That's what they all say. Anyway, £220 left over, please. | 0:23:19 | 0:23:24 | |
£220. | 0:23:24 | 0:23:25 | |
Thank you very much, Tim. I'm going to try and maybe find something with a certain boxy emphasis... | 0:23:25 | 0:23:31 | |
-Yes. -..and hopefully at a good price. -Lovely. | 0:23:31 | 0:23:35 | |
Off you go on your jolly way. | 0:23:35 | 0:23:37 | |
I've got a VIP pass somewhere very special here in Norfolk. Follow me! | 0:23:37 | 0:23:42 | |
I'm at Felbrigg Hall in north Norfolk, | 0:23:45 | 0:23:48 | |
where this stately home | 0:23:48 | 0:23:50 | |
seems to have something of an identity crisis. | 0:23:50 | 0:23:53 | |
In fact, it's got a split personality. | 0:23:53 | 0:23:56 | |
Originally a Tudor construction built in the 15th century, | 0:23:59 | 0:24:03 | |
Felbrigg has seen some major architectural makeovers. | 0:24:03 | 0:24:08 | |
With so many alluring and emerging styles during the 17th century, | 0:24:08 | 0:24:12 | |
it's no wonder that the resident family | 0:24:12 | 0:24:14 | |
found themselves wanting a little bit of everything. | 0:24:14 | 0:24:18 | |
Two very different, individual English architectural styles, and | 0:24:18 | 0:24:24 | |
most unusual to find them competing for space in the same building. | 0:24:24 | 0:24:30 | |
On this side, the original Jacobean structure, completed in the 1620s. | 0:24:30 | 0:24:37 | |
On this side, an immaculate brick, classically-inspired extension, | 0:24:37 | 0:24:43 | |
put on in the 1680s. | 0:24:43 | 0:24:46 | |
Fascinating. | 0:24:46 | 0:24:47 | |
I'm going to go and have a poke about in the old bit. | 0:24:47 | 0:24:51 | |
Here we are, in what is the early 17th century Great Hall. | 0:24:56 | 0:25:02 | |
Here is something completely oddball. | 0:25:02 | 0:25:05 | |
We've got a massive heavy marble top, | 0:25:05 | 0:25:08 | |
supported on the most slender legs. | 0:25:08 | 0:25:11 | |
It dates from the middle part of the 18th century. | 0:25:11 | 0:25:15 | |
It's made of mahogany and guess where it comes from? | 0:25:15 | 0:25:19 | |
Typical piece of Irish furniture. | 0:25:19 | 0:25:22 | |
A beautifully embellished shell in the middle of the apron, | 0:25:22 | 0:25:26 | |
as with pierced scrolling supports on either side, | 0:25:26 | 0:25:30 | |
and then, as I say, these most delicate of cabriole feet. | 0:25:30 | 0:25:36 | |
It's a gem. | 0:25:36 | 0:25:37 | |
Over here, we've got a piece which may not be quite as fine, | 0:25:37 | 0:25:43 | |
but it's absolutely a mystery piece. | 0:25:43 | 0:25:46 | |
This cabinet has never been open to the public before. | 0:25:46 | 0:25:51 | |
The key's stored here... | 0:25:51 | 0:25:54 | |
Undo this door, like that. | 0:25:54 | 0:25:57 | |
And, oh! | 0:25:57 | 0:26:00 | |
Fling the thing open. | 0:26:00 | 0:26:02 | |
How about that for a bit of veneering? | 0:26:02 | 0:26:04 | |
Isn't that special? | 0:26:04 | 0:26:07 | |
This thing is sometimes referred to as the walnut-veneered cabinet. | 0:26:07 | 0:26:13 | |
But actually, it's veneered in some things called oysters, and it's laburnum wood. | 0:26:13 | 0:26:18 | |
What we've got here is a contrast between what you and I've never been allowed to see before, | 0:26:18 | 0:26:23 | |
that's oysters in laburnum wood, before they got faded and polished. | 0:26:23 | 0:26:29 | |
We can compare and contrast | 0:26:29 | 0:26:32 | |
the timbers on the inside and outside, most deliciously, here. | 0:26:32 | 0:26:37 | |
This cabinet was made around about 1680, 1700. | 0:26:37 | 0:26:42 | |
To make an oyster, a shape like that, | 0:26:42 | 0:26:46 | |
you take a piece of laburnum, | 0:26:46 | 0:26:48 | |
which is a piece of wood like my forearm, | 0:26:48 | 0:26:53 | |
and cut it and slice it like a piece of salami. | 0:26:53 | 0:26:57 | |
The oval grain within the piece of laburnum, | 0:26:57 | 0:27:02 | |
when cut and sliced, looks like that. | 0:27:02 | 0:27:04 | |
Very, very beautiful, like my forearm, | 0:27:04 | 0:27:07 | |
and very, very desirable, unlike my forearm! | 0:27:07 | 0:27:11 | |
The big question today is, over at the auction, | 0:27:11 | 0:27:14 | |
will our teams have anything as attractive as my forearm? | 0:27:14 | 0:27:19 | |
We're at TW Gaze's sale room in Diss in Norfolk, | 0:27:25 | 0:27:28 | |
with our auctioneer of the day. | 0:27:28 | 0:27:31 | |
-Elizabeth Talbot. -Hello, Tim. | 0:27:31 | 0:27:33 | |
For the Red team, Angela and John, their first item | 0:27:33 | 0:27:35 | |
is this little piece of jewellery. | 0:27:35 | 0:27:37 | |
How's that going to go? | 0:27:37 | 0:27:38 | |
I hope it's going to go very well. It's a nice sparkly little piece. | 0:27:38 | 0:27:42 | |
Jewellery sells well at the minute. | 0:27:42 | 0:27:44 | |
We do have quite a following. | 0:27:44 | 0:27:46 | |
And the horse shoe does tend to appeal to local equestrians. | 0:27:46 | 0:27:49 | |
-What's it's worth? -We hope somewhere between £120 and £180. | 0:27:49 | 0:27:53 | |
-Well, £65 they paid. -They should do OK on that. | 0:27:53 | 0:27:56 | |
Jonathan Pratt and co would be very pleased. | 0:27:56 | 0:28:00 | |
What about this smoker's box? | 0:28:00 | 0:28:02 | |
Not the most exciting piece, | 0:28:02 | 0:28:03 | |
I can almost see it being bought in order to store something else. | 0:28:03 | 0:28:07 | |
You have a pretty box on the side, | 0:28:07 | 0:28:09 | |
into which you put something more tasteful than smoking items. | 0:28:09 | 0:28:13 | |
Either way, nice little piece. | 0:28:13 | 0:28:15 | |
As a table cabinet, £70 to £90, that sort of level? | 0:28:15 | 0:28:19 | |
£75 they paid. And then their last item is the nurse's buckle. | 0:28:19 | 0:28:24 | |
Nurse's buckles in their own right aren't unusual, | 0:28:24 | 0:28:26 | |
but it's nice that this is made by William Comyns, | 0:28:26 | 0:28:29 | |
-and of course the name for silver collectors will be a boon. -Yes. | 0:28:29 | 0:28:33 | |
It's very ornate, a pretty piece. | 0:28:33 | 0:28:34 | |
-It would be a lucky nurse to wear that one. -And heavy. | 0:28:34 | 0:28:37 | |
And heavy, good gauge of silver. | 0:28:37 | 0:28:39 | |
Good order, I'd have said £80 to £100. | 0:28:39 | 0:28:42 | |
-Well, they paid £50. -That's very fair. | 0:28:42 | 0:28:44 | |
You never know, on the face of it they seem to be | 0:28:44 | 0:28:47 | |
sitting with three winning cards. Just in case, | 0:28:47 | 0:28:50 | |
we'll have a look at their bonus buy anyway. | 0:28:50 | 0:28:52 | |
John and Angela, you spent £190? | 0:28:54 | 0:28:56 | |
You left Jonathan with £110 of leftover lolly to find a bonus buy. | 0:28:56 | 0:29:02 | |
What did you find, Jonathan? | 0:29:02 | 0:29:05 | |
Well... | 0:29:05 | 0:29:07 | |
Wow! | 0:29:07 | 0:29:09 | |
-It's a watch strap. -Tell us... | 0:29:09 | 0:29:11 | |
Silver, T-bar, very finely-stitched leather, | 0:29:13 | 0:29:17 | |
with a little buckle on the end and plated interlinks. | 0:29:17 | 0:29:20 | |
Modelled as sort of a horse's bit, I'd say. | 0:29:20 | 0:29:23 | |
-What's it for, a fob watch? -Yeah. | 0:29:23 | 0:29:27 | |
You've got a lot of money left then? | 0:29:27 | 0:29:29 | |
-I've got quite a lot of money left! -This sarcasm! | 0:29:29 | 0:29:34 | |
How much did you spend on this? | 0:29:36 | 0:29:38 | |
I spent £35. | 0:29:38 | 0:29:41 | |
Well then, he's a lot of money left. A cautious purchase. | 0:29:41 | 0:29:45 | |
-So how much will it sell for? -It's very unusual. It's not a lot of money, a novelty. | 0:29:45 | 0:29:50 | |
-People collect this sort of thing. Why not? -What sort of profit? | 0:29:50 | 0:29:53 | |
I paid 35. I don't think we're going to shoot off... | 0:29:53 | 0:29:56 | |
Hundreds, here. | 0:29:56 | 0:29:58 | |
We might canter away with something! | 0:29:58 | 0:30:00 | |
Canter, and stirrups, very clever. | 0:30:00 | 0:30:02 | |
Let's think there may be £5 or £10 minimum on it. | 0:30:02 | 0:30:06 | |
Anyway, for the benefit of the viewers at home, | 0:30:06 | 0:30:09 | |
let's find out what the auctioneer thinks about Jonathan's little strop. | 0:30:09 | 0:30:13 | |
So, Elizabeth, are they going to snaffle this up? | 0:30:13 | 0:30:16 | |
Oh, very good, Tim. I like this. | 0:30:16 | 0:30:19 | |
Again, a piece of horse-related equestrian-linked ware. | 0:30:19 | 0:30:25 | |
And the little watch fob chain there is lovely. | 0:30:25 | 0:30:28 | |
The leather is in good order. | 0:30:28 | 0:30:29 | |
I don't think it's had much use. | 0:30:29 | 0:30:31 | |
The value is £28 to £38. | 0:30:31 | 0:30:33 | |
Jonathan paid £35. I think it's a perfectly reasonable price to pay. | 0:30:33 | 0:30:37 | |
Once again, I've got a funny feeling about this. | 0:30:37 | 0:30:40 | |
I think it might just tickle along there. You could get to 50, I think. | 0:30:40 | 0:30:44 | |
Somebody will like the look of it. | 0:30:44 | 0:30:46 | |
I'm more optimistic than pessimistic so I wouldn't disagree. | 0:30:46 | 0:30:49 | |
Now, that's it for the Reds. | 0:30:49 | 0:30:51 | |
Next for the Blues. The French rush seat ladder-back chair. | 0:30:51 | 0:30:56 | |
Gosh, that's a boring piece of furniture if ever I saw one! What's that worth? | 0:30:56 | 0:31:00 | |
It isn't the most exciting or the oldest piece, and there's just one. | 0:31:00 | 0:31:04 | |
A chair of that type, unless you put it in the bedroom and hang your socks over it | 0:31:04 | 0:31:09 | |
there's not much else you can do with it. | 0:31:09 | 0:31:12 | |
So it is a bit of a lone one, so the value is low. It's only £15 to £25. | 0:31:12 | 0:31:17 | |
-I'm pleased to say they only paid £25. -There we go... | 0:31:17 | 0:31:20 | |
Brilliant. The photo frame looks as if it's been run over on the A36. | 0:31:20 | 0:31:25 | |
It's a bit bashed, isn't it? | 0:31:25 | 0:31:27 | |
It's a wooden frame with a very thin layer of silver | 0:31:27 | 0:31:30 | |
tacked to the front. That's what they are. | 0:31:30 | 0:31:33 | |
-It's like Bacofoil. -There isn't much silver to it. | 0:31:33 | 0:31:36 | |
-How much, then, do you think? -Well, in that bashed up state... | 0:31:36 | 0:31:40 | |
-From 1915 it's had a few partnerships and it's down to £40 to £60. -Is it? -Yes. | 0:31:40 | 0:31:44 | |
£30 was paid, so they're fine. | 0:31:44 | 0:31:46 | |
The last item is this absolutely ghastly box. | 0:31:46 | 0:31:51 | |
It is a box, but... | 0:31:51 | 0:31:53 | |
It's hardly beautifully made, is it? | 0:31:53 | 0:31:56 | |
-In all seriousness, it is a kind of a DIY... -Shed work. | 0:31:56 | 0:32:00 | |
What you need is a good tin of brown boot polish, polish up the copper | 0:32:00 | 0:32:04 | |
and it could look better than close inspection would suggest. | 0:32:04 | 0:32:08 | |
It's got potential, again. I can let you into the secret | 0:32:08 | 0:32:12 | |
that they only paid £25 for it, which is not a lot of money. | 0:32:12 | 0:32:15 | |
It's good solid mahogany and it's fine and it'll do a job. | 0:32:15 | 0:32:19 | |
-So what's the TW Gaze estimate? -It's £28 to £38. | 0:32:19 | 0:32:21 | |
£28 to £38. £25 paid. That sounds very reasonable. | 0:32:21 | 0:32:24 | |
-Ties in. -If they do anything, there are tiny, tiny profits here, | 0:32:24 | 0:32:29 | |
so I guess we'd better go and have a look at their bonus buy. | 0:32:29 | 0:32:32 | |
Now, Theresa and Pete, you spent a miserable £80. Can't get over that. | 0:32:32 | 0:32:38 | |
-£220 went to Charles Hanson. -Go on, ready. I'm excited. | 0:32:38 | 0:32:42 | |
-Here we go! -Woo. | 0:32:42 | 0:32:44 | |
-OK. -Oh, wow. | 0:32:44 | 0:32:46 | |
Well, that is different. | 0:32:47 | 0:32:49 | |
Here we are in Diss, which had a wonderful saleroom for domestic bygones. | 0:32:49 | 0:32:53 | |
And this lot in question came out of an old dentist's, from about 1920. | 0:32:53 | 0:33:00 | |
So it's full of magical potions, formulas and anaesthetics | 0:33:00 | 0:33:04 | |
for that wonderful age-old toothache problem from 1920. | 0:33:04 | 0:33:08 | |
-The box is superb, isn't it, Tim? -Yeah, it's a super box, Charles. | 0:33:08 | 0:33:12 | |
How much did you spend on it? | 0:33:12 | 0:33:14 | |
-Well... Oh, and also, we have some books as well. -Right... | 0:33:14 | 0:33:18 | |
All to do with the teeth. | 0:33:18 | 0:33:20 | |
So really, it's a great archive and really it ought to be in a museum. | 0:33:20 | 0:33:24 | |
Charles is such a good politician. | 0:33:24 | 0:33:26 | |
He had a perfectly straight question put to him, which he has avoided. | 0:33:26 | 0:33:31 | |
How much, Charles? | 0:33:31 | 0:33:33 | |
-It was £220. -Was it? -It was. | 0:33:33 | 0:33:35 | |
You might say, "Crikey O'Riley..." | 0:33:35 | 0:33:38 | |
-Crikey O'Riley. -"..what are you doing?" | 0:33:38 | 0:33:41 | |
Will it make any money? | 0:33:41 | 0:33:42 | |
Well, I have speculated. | 0:33:42 | 0:33:45 | |
Certainly have. | 0:33:45 | 0:33:46 | |
So 150, 250 is my line of enquiry but certainly, here in Diss, | 0:33:46 | 0:33:51 | |
I would hope it will make certainly £200 or £300. | 0:33:51 | 0:33:54 | |
What's your initial reaction, Theresa? | 0:33:54 | 0:33:57 | |
It's a fascinating piece. | 0:33:57 | 0:34:00 | |
I've got to say, it really is fascinating. | 0:34:00 | 0:34:02 | |
Certainly totally unexpected. | 0:34:02 | 0:34:07 | |
-What about you, Pete? -It's interesting. -Yes. | 0:34:07 | 0:34:10 | |
On that happy note, let's find out what the auctioneer thinks about Charles' dentistry kit. | 0:34:10 | 0:34:15 | |
Well, Elizabeth. | 0:34:15 | 0:34:18 | |
Does this take you back to visits to the torture chamber? | 0:34:18 | 0:34:22 | |
My eyes are watering at the very thought. It's an amazing collection. | 0:34:22 | 0:34:25 | |
All crammed into this little box. It's quite extraordinary. | 0:34:25 | 0:34:29 | |
You've almost got all the kit in something you can pick up and take about with you. | 0:34:29 | 0:34:33 | |
-Absolutely. It's a portable... -..dental surgery. | 0:34:33 | 0:34:36 | |
It's got a carrying handle and you're all set to go. | 0:34:36 | 0:34:39 | |
-And you've even got the books, look. -Learn as you go along! | 0:34:39 | 0:34:43 | |
Just hang on a minute while I check out about this molar. | 0:34:43 | 0:34:47 | |
The value we put on it is around about £150 to £250, | 0:34:47 | 0:34:50 | |
in the hope that we will attract the right clientele. | 0:34:50 | 0:34:54 | |
Charles Hanson paid £220. | 0:34:54 | 0:34:56 | |
-Right. -He is, as they say, putting his money where his mouth is. | 0:34:56 | 0:35:00 | |
Oh, very good... | 0:35:00 | 0:35:02 | |
-So we'll stand by, then? -Absolutely, sir. | 0:35:02 | 0:35:05 | |
-Well done. -Thank you. -Thank you. | 0:35:05 | 0:35:06 | |
So how are you viewing things? Are you quite confident? | 0:35:12 | 0:35:15 | |
I'm looking forward but I don't know whether I'm very confident at the moment. | 0:35:15 | 0:35:19 | |
We'll see as the lots go through. | 0:35:19 | 0:35:21 | |
-Yeah, what about you, John? -Similar. | 0:35:21 | 0:35:23 | |
Hopefully we'll make a bit of a profit. | 0:35:23 | 0:35:27 | |
The first lot coming up is the brooch, and here it comes. | 0:35:27 | 0:35:30 | |
The bar brooch set with ruby and diamond horseshoe | 0:35:30 | 0:35:33 | |
in the original fitted case. Pretty little brooch, this one. | 0:35:33 | 0:35:36 | |
Where will I say for this one? May I say £50 to start? | 0:35:36 | 0:35:39 | |
A lovely piece of jewellery there at £50. Anybody at 50? Bid I have. | 0:35:39 | 0:35:42 | |
55. 60. Five. 70. Five. 80. | 0:35:42 | 0:35:48 | |
£80 on my right. Surely worth more. | 0:35:48 | 0:35:51 | |
At £80, are you all done? | 0:35:51 | 0:35:53 | |
£80. It's OK, it's £15. | 0:35:53 | 0:35:55 | |
-Not as much as... -Profit, OK. | 0:35:55 | 0:35:58 | |
You've still £15 profit. Thank you very much. | 0:35:58 | 0:36:00 | |
Now, the smoker's box. What's going to happen here? | 0:36:00 | 0:36:03 | |
We have the Edwardian mahogany smoker's cabinet, there. | 0:36:03 | 0:36:06 | |
Lovely piece of cabinet-making there. I say £50 on the cabinet. | 0:36:06 | 0:36:10 | |
50 straight in. 50 I have. I'll take five. | 0:36:10 | 0:36:13 | |
55. And 60. Five. 70. Five. | 0:36:13 | 0:36:17 | |
80. Five. 90. | 0:36:17 | 0:36:19 | |
Five. 100. 110. 120. | 0:36:19 | 0:36:23 | |
At 120, now, are you all done? | 0:36:23 | 0:36:25 | |
At £120... | 0:36:25 | 0:36:28 | |
Get in there! | 0:36:28 | 0:36:30 | |
That's a bit more like it, £120. | 0:36:30 | 0:36:31 | |
That's £45. | 0:36:31 | 0:36:33 | |
Plus £45 on that. | 0:36:33 | 0:36:35 | |
That's a bit more like it. Now, your buckle, Ange. | 0:36:35 | 0:36:38 | |
The nurse's buckle, London, 1896. | 0:36:38 | 0:36:40 | |
It's by William Comyns. A good name. Look at that one. | 0:36:40 | 0:36:42 | |
Beautifully worked. 30 I'll take. | 0:36:42 | 0:36:44 | |
30 bid. 30 I have, only, at 32. | 0:36:44 | 0:36:47 | |
35. 38. | 0:36:47 | 0:36:50 | |
40. Two. 45. 48. | 0:36:50 | 0:36:53 | |
And 50. 55, a new bidder. 55 has moved to the front. | 0:36:53 | 0:36:57 | |
At 55 it's not dear. | 0:36:57 | 0:37:00 | |
60, new bidder. 65. 70. Five. | 0:37:00 | 0:37:03 | |
80. 80 now standing in front at 80. | 0:37:03 | 0:37:06 | |
80. Any advance on £80? | 0:37:06 | 0:37:10 | |
£80, well done. You're plus £30 on that. | 0:37:10 | 0:37:13 | |
-You didn't want to be the one that didn't make a profit. -No, no! | 0:37:13 | 0:37:17 | |
Poor Ange. 45, 55, 60... | 0:37:17 | 0:37:20 | |
You are plus £90. | 0:37:20 | 0:37:22 | |
£90 in the bank. | 0:37:22 | 0:37:24 | |
-That's good. -£90 profit, you two. | 0:37:24 | 0:37:27 | |
At least we know we can't lose £90, can we? | 0:37:27 | 0:37:30 | |
So, the fob cost Jonathan £35, yes? | 0:37:32 | 0:37:35 | |
So what are you going to do, because you've been a great team. | 0:37:35 | 0:37:38 | |
You've been very strongly bonded here. | 0:37:38 | 0:37:40 | |
We decided that we've got to go with it. | 0:37:40 | 0:37:43 | |
£35. You're going to risk 35. | 0:37:43 | 0:37:46 | |
The theory being we can't lose a lot but we might make a fiver. | 0:37:46 | 0:37:50 | |
We're going with the bonus buy, and here it comes. | 0:37:50 | 0:37:53 | |
We have the silver and chrome-plated leather fob there. | 0:37:53 | 0:37:56 | |
Start me at £30. 30. 20 I'll take. | 0:37:56 | 0:38:00 | |
£10, then, to start. £10 bid. | 0:38:00 | 0:38:02 | |
10 I have. I'll take 12. At 10. | 0:38:02 | 0:38:04 | |
12. 15. 18. | 0:38:04 | 0:38:07 | |
It's above now, with the gentleman at £18. | 0:38:07 | 0:38:09 | |
Are you all done? | 0:38:09 | 0:38:12 | |
Never mind. £18. | 0:38:12 | 0:38:14 | |
Very sorry about that. | 0:38:14 | 0:38:16 | |
All the prediction was that it was going to do well. | 0:38:16 | 0:38:19 | |
And they just didn't want it. | 0:38:19 | 0:38:21 | |
But it was £18. | 0:38:21 | 0:38:22 | |
Two shy of 20, which means you're minus £17 on that, which means, overall, that you are... | 0:38:22 | 0:38:30 | |
-Plus... 90, 80... £73! -Oh, wow! | 0:38:30 | 0:38:35 | |
£73 in the bank. | 0:38:35 | 0:38:36 | |
-Lovely. -Which is a very good result, I have to tell you, irrespective. | 0:38:36 | 0:38:40 | |
-The big thing here is not to mention a word to the Blues, all right? -Definitely not. | 0:38:40 | 0:38:45 | |
Can you go out looking depressed? | 0:38:45 | 0:38:47 | |
Can you do that? No, you can't. | 0:38:47 | 0:38:49 | |
-OK, fine. Well just don't... -Try your best. | 0:38:49 | 0:38:52 | |
Now, Theresa, Peter, been talking to the Reds? | 0:39:01 | 0:39:04 | |
-No. -No. -Not a word? | 0:39:04 | 0:39:06 | |
Good. We don't want you to know how they got on. | 0:39:06 | 0:39:09 | |
First up, Peter, is going to be your chair. Here it comes. | 0:39:09 | 0:39:12 | |
The French rush-seated chair, carved-top detail, | 0:39:12 | 0:39:15 | |
10 I'll take. Sitting on your hands. Come on, £10, | 0:39:15 | 0:39:18 | |
surely, on the chair. It's for nothing. Five I'll take. Five bid. | 0:39:18 | 0:39:22 | |
-Five. Six. -Seven. | 0:39:22 | 0:39:24 | |
Eight. Ten. Ten is on my left. | 0:39:24 | 0:39:28 | |
It's getting exciting for a moment at £10. 12. 12 is bid. | 0:39:28 | 0:39:31 | |
-12 is now in the gallery. At £12. -Keep going. -Where's 15? -One more. | 0:39:31 | 0:39:35 | |
-£12. You're missing out below. -One more. -£12 and selling. | 0:39:35 | 0:39:38 | |
-£12. Not a lot of money, that. -That was painful. | 0:39:39 | 0:39:42 | |
I should stick to financial services work, you. Yes, minus £13. | 0:39:42 | 0:39:46 | |
OK, photo frame next. OK, Carlos. | 0:39:46 | 0:39:48 | |
-Nice object. -Stand firm. -Yeah, nice object. | 0:39:48 | 0:39:51 | |
We have the silver photograph frame there, with embossed rims. | 0:39:51 | 0:39:54 | |
-£30 for this one. £30. -Surely. | 0:39:54 | 0:39:57 | |
20 I'll take to start. | 0:39:57 | 0:40:00 | |
Ten is the bid. At ten. | 0:40:00 | 0:40:01 | |
Where's 12? 12 is bid. 15. 18. 20. | 0:40:01 | 0:40:06 | |
Two. Is it goodbye here at £22 only? | 0:40:06 | 0:40:10 | |
25, new bidder. | 0:40:10 | 0:40:11 | |
Any advance on 25? | 0:40:11 | 0:40:12 | |
Oh dear. £25. That's not good, Charles. | 0:40:14 | 0:40:17 | |
Minus £5 on that. | 0:40:17 | 0:40:19 | |
Now, your box, Theresa. | 0:40:19 | 0:40:21 | |
Useful box, look. An interest on the sheets here, starts at just £18. | 0:40:21 | 0:40:25 | |
£18 I have. At 18, and 22. | 0:40:25 | 0:40:29 | |
25. 28. £30 and I'm out. | 0:40:29 | 0:40:31 | |
£30 I do have at £30, now. | 0:40:31 | 0:40:34 | |
Where's two? It's £30, back of the room, at 30. | 0:40:34 | 0:40:37 | |
-Selling at £30. -Bit more. Bit more. | 0:40:37 | 0:40:40 | |
£30. You're in profit, girl. | 0:40:40 | 0:40:42 | |
Well done. Plus £5 on that, which means overall you're minus 13. | 0:40:42 | 0:40:46 | |
So, the big choice. | 0:40:46 | 0:40:48 | |
OK? You are £13 down the spout. What are you going to do? | 0:40:48 | 0:40:53 | |
Will you with the big choice here of taking the £220 dental cabinet? | 0:40:53 | 0:40:58 | |
-We'll go for it. -We'll go for it. | 0:40:58 | 0:41:00 | |
-Just like that? -Yes. -Are you? | 0:41:00 | 0:41:01 | |
-Yes. -You're going to go with it? | 0:41:01 | 0:41:03 | |
-Good luck. -And I don't blame you. | 0:41:03 | 0:41:06 | |
Early 20th century mahogany dentist box. And I start at £60. | 0:41:06 | 0:41:10 | |
£60, I have at 60. | 0:41:10 | 0:41:13 | |
At £60, the budding dentists of you out there. 65 and 70. Five. | 0:41:13 | 0:41:17 | |
And 80. Five. And 90. Five. 100. | 0:41:17 | 0:41:21 | |
-100 with me at 100. Don't miss it. -I don't believe it. | 0:41:21 | 0:41:23 | |
120. 130. | 0:41:23 | 0:41:25 | |
-140. -Come on. -140. With me at 140. -Let's keep going. | 0:41:25 | 0:41:28 | |
140. Where's 50? | 0:41:28 | 0:41:30 | |
It's £140 and you're all out. | 0:41:30 | 0:41:32 | |
-Let's keep going. -140 and selling. | 0:41:32 | 0:41:35 | |
Oh, Charles! | 0:41:35 | 0:41:38 | |
140. Which is minus £80. | 0:41:38 | 0:41:42 | |
I don't believe it. | 0:41:42 | 0:41:44 | |
Minus £80! | 0:41:44 | 0:41:46 | |
-You had minus 13 before, so overall, you're minus £93. -Sorry! | 0:41:46 | 0:41:51 | |
-That's all right. -Which is not so bad. | 0:41:51 | 0:41:55 | |
Could be a winning score, really... | 0:41:55 | 0:41:57 | |
Well, we've all heard of the expression "poles apart." | 0:42:07 | 0:42:11 | |
And here we have an ample illustration, in today's result, of poles apart. | 0:42:11 | 0:42:18 | |
The runners up today, by a whopping margin, are Blues, | 0:42:18 | 0:42:23 | |
who are at the bottom of the pole, the South Pole, with minus £93. | 0:42:23 | 0:42:29 | |
Going with the dentist's business proved to be a bit of an error, didn't it? | 0:42:30 | 0:42:36 | |
-It was a wrong 'un. -Nothing ventured, nothing gained, Charles? | 0:42:37 | 0:42:41 | |
-Life's too short. -Absolutely. It was lovely to see you anyway. | 0:42:41 | 0:42:44 | |
But the victors, who are going to take home cash, £73 of cash, | 0:42:44 | 0:42:52 | |
are at the top of the North Pole, which is wonderful. There you go, darling. | 0:42:52 | 0:42:56 | |
-Thank you very much. -You made a profit on all three of the items that you bought. There's your £73. | 0:42:56 | 0:43:01 | |
And I do congratulate you, because to make a profit is nothing short of a miracle, as we all know. | 0:43:01 | 0:43:09 | |
Anyway, congratulations. I hope you've had a nice day. | 0:43:09 | 0:43:13 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:43:13 | 0:43:16 | |
For more information about Bargain Hunt, | 0:43:19 | 0:43:23 | |
including how the programme was made, visit the website at bbc.co.uk. | 0:43:23 | 0:43:28 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:31 | |
Email [email protected] | 0:43:31 | 0:43:34 |