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Today, we're at the biggest fair in the south of England. | 0:00:02 | 0:00:05 | |
Plenty of scope, then, to go Bargain Hunting. | 0:00:05 | 0:00:08 | |
Ardingly International | 0:00:34 | 0:00:36 | |
Antiques and Collectors Fair | 0:00:36 | 0:00:39 | |
is home to nearly 2,000 stalls, 90 shopping arcades, | 0:00:39 | 0:00:42 | |
six huge marquees | 0:00:42 | 0:00:46 | |
and literally hundreds of outside stands. | 0:00:46 | 0:00:49 | |
With these sort of numbers, our teams today have sure got their work cut out. | 0:00:49 | 0:00:54 | |
With each team trying to spend £300 on the best three items they can find, | 0:00:54 | 0:01:00 | |
and only an hour in which to do it, | 0:01:00 | 0:01:02 | |
it's going to be a right old race against the clock. | 0:01:02 | 0:01:05 | |
Those three items are then shipped off to the auction house to go under the hammer. | 0:01:05 | 0:01:10 | |
The team that makes the most profit, wins. Easy, isn't it? | 0:01:10 | 0:01:15 | |
Let's get out from behind these bars and meet the teams. | 0:01:15 | 0:01:18 | |
On the Red team, we've got Val and John. Welcome. | 0:01:21 | 0:01:26 | |
And for the Blues, we've got Nick and Sally. Welcome to Bargain Hunt. | 0:01:26 | 0:01:29 | |
Now, Val, what do you do, darling? | 0:01:29 | 0:01:31 | |
I work my partner's shop in the Lanes in Brighton, in the South Lanes. | 0:01:31 | 0:01:35 | |
-Mm-hmm, and do you ever get any famous people coming in? -We do, yes. | 0:01:35 | 0:01:39 | |
We've had Noel Gallagher, Shirley Bassey, Jarvis Cocker from Pulp.. | 0:01:39 | 0:01:42 | |
-Gosh. -Nick Berry, various other people who are... -Visiting the town? | 0:01:42 | 0:01:46 | |
-Yes. -Oh, good. That's lovely, isn't it? And what do you collect, Val? | 0:01:46 | 0:01:50 | |
-Well, we collect motorbikes, really, and scooters. -Really? -Yes. | 0:01:50 | 0:01:54 | |
And how many motorbikes and scooters have you got? | 0:01:54 | 0:01:57 | |
-Well, we've got two scooters and three Harley Davidsons. -Oh, quite serious stuff, then. -Yes. | 0:01:57 | 0:02:01 | |
Gosh. And how come you know John, then? | 0:02:01 | 0:02:04 | |
I met John in the supermarket where he works, on his cash-out. | 0:02:04 | 0:02:10 | |
-Oh, he's on the cash? -He is, yeah. | 0:02:10 | 0:02:12 | |
And you went in there one day, with your basket... | 0:02:12 | 0:02:15 | |
-I did. -Was it just caramba, then? | 0:02:15 | 0:02:17 | |
Um, well, he was guessing what I was having for dinner. | 0:02:17 | 0:02:20 | |
It was spaghetti bolognese, and he also likened me to somebody who he's very fond of. | 0:02:20 | 0:02:24 | |
Yes, I'm a bit of a fan of a little singer-songwriter lady called Lynsey de Paul, and she reminded me of her. | 0:02:24 | 0:02:30 | |
I got chatting to her, as I do. | 0:02:30 | 0:02:32 | |
Is that a standard chat-up line in the supermarket, then? | 0:02:32 | 0:02:35 | |
Do you want to know what they're putting in their oven? | 0:02:35 | 0:02:38 | |
-Oh, yes. Sometimes it's a very interesting mixture. -I'll bet it is! | 0:02:38 | 0:02:42 | |
So you're the happy, smiling chap, then, at the supermarket? | 0:02:42 | 0:02:45 | |
-Yes. Yes, I'm very fast and friendly on your checkout. -Is that why they've got the longest queue...? | 0:02:45 | 0:02:50 | |
Yeah, I tend to get the queue that want to come and meet me. | 0:02:50 | 0:02:53 | |
No matter how long the other queues are, they'll come to mine. | 0:02:53 | 0:02:56 | |
Queue up for hours just to come through your cash-out? | 0:02:56 | 0:02:59 | |
-What do you collect, then, John? -Showbiz memorabilia. | 0:02:59 | 0:03:02 | |
I've got some of Liberace's ornaments, the mirrored headboard out of the film The Bitch, | 0:03:02 | 0:03:07 | |
-that Joan Collins laid up against, Bet Lynch earrings. -Oh, really? | 0:03:07 | 0:03:11 | |
Cos all that stuff just shoots up in value all the time, doesn't it? | 0:03:11 | 0:03:14 | |
-Yes, it seems so. -Have you ever tried selling any of it? | 0:03:14 | 0:03:17 | |
I did have one of Bette Davis's frocks from Death on the Nile... | 0:03:17 | 0:03:21 | |
-Yeah. -..and I bought it for 200 and sold it for 600. | 0:03:21 | 0:03:25 | |
Right. So that was a good turn. | 0:03:25 | 0:03:27 | |
-It was a good investment. -Good luck today on Bargain Hunt. | 0:03:27 | 0:03:30 | |
-Now for the Blues, the fiances Nick and Sally. -Hello, Tim. -Hi. So, Nick, what do you do? | 0:03:30 | 0:03:35 | |
I'm a specialist support worker for the NHS. | 0:03:35 | 0:03:38 | |
I support people with learning disabilities and/or mental health problems. | 0:03:38 | 0:03:42 | |
-And what do you collect? -Quite a few things, actually. | 0:03:42 | 0:03:45 | |
First of all, lighters, vintage lighters. | 0:03:45 | 0:03:47 | |
Also vintage cigarette cases and, more recently, vintage wrist watches. | 0:03:47 | 0:03:52 | |
And, even more recently, vintage robots. | 0:03:52 | 0:03:55 | |
-You're not at all obsessive, are you? -No, not at all! -What's it with robots, then? | 0:03:55 | 0:04:00 | |
Robots has come from Sal and I's obsession with all things Japanese, | 0:04:00 | 0:04:05 | |
and that culminated in us visiting Japan last year. | 0:04:05 | 0:04:08 | |
There was a plethora of vintage robots over there, so I've hooked onto that. | 0:04:08 | 0:04:13 | |
And you're planning your honeymoon in Japan? | 0:04:13 | 0:04:15 | |
-That's right, yes, in August. We're getting married in the summer. -And how did you meet, then, Sal? | 0:04:15 | 0:04:21 | |
I got him on an online auction site. | 0:04:21 | 0:04:24 | |
-What do you mean "you GOT him on an online auction site"? -It's amazing what you can find online! | 0:04:24 | 0:04:28 | |
That sounds really dodgy. I mean, how do you get your man online? Tell me about it. | 0:04:28 | 0:04:32 | |
-We met on an online dating site. -Oh, I see. Yeah. | 0:04:32 | 0:04:36 | |
And what happens, then? You get to chat... | 0:04:36 | 0:04:39 | |
Yeah, we started out just by emailing | 0:04:39 | 0:04:41 | |
and then speaking on the phone, but I wasn't particularly interested | 0:04:41 | 0:04:46 | |
because he used to have really long dreadlocks. I saw his photo with long dreadlocks and... | 0:04:46 | 0:04:51 | |
You thought, "Not for me." Not for me. But when we met, it was... | 0:04:51 | 0:04:55 | |
Caramba. Another caramba! We're full of carambas on this programme! | 0:04:55 | 0:05:00 | |
-So he immediately got rid of the dreadlocks, yes? -After a few months. | 0:05:00 | 0:05:04 | |
-After a few months, yeah. -He's kept them. -What do you mean? -I've still got them in a bag. | 0:05:04 | 0:05:08 | |
-A plastic bag at home? -I can't bear to part with them. | 0:05:08 | 0:05:11 | |
-So how long were these dreadlocks? -They were sort of down to my bum. | 0:05:11 | 0:05:15 | |
Were they really? You've got enough to stuff a cushion! | 0:05:15 | 0:05:17 | |
-There's an idea. -What sort of things do you collect, Sal? | 0:05:17 | 0:05:22 | |
Well, for some reason, I'm attracted to toast racks. | 0:05:22 | 0:05:25 | |
I've bought a few toast racks recently. | 0:05:25 | 0:05:27 | |
-I've known people who've collected toast racks- they are fun things. -So I'm not the only one? | 0:05:27 | 0:05:31 | |
No, no, you're not the only one. You don't need to worry about being thick-sliced or anything like that. | 0:05:31 | 0:05:37 | |
Still quite safe. Who knows, you might go for one today on Bargain Hunt. Anyway, now the money moment. | 0:05:37 | 0:05:43 | |
£300 apiece. This is what you've been waiting for. There's your £300. | 0:05:43 | 0:05:48 | |
You know the rules, your experts await, and off you go, and very, very, very good luck. | 0:05:48 | 0:05:53 | |
Well, let's hope they come back with more than a toast rack, and let's meet today's experts. | 0:05:53 | 0:05:58 | |
Pretty as a picture for the Reds, it's Anita Manning. | 0:06:01 | 0:06:05 | |
And making right old racket for the Blues, it's Catherine Southon. | 0:06:05 | 0:06:11 | |
Come on, then, guys, let's give it a go. | 0:06:11 | 0:06:12 | |
I do quite like my watches. | 0:06:12 | 0:06:15 | |
-Ohh, I say! -What about you? | 0:06:15 | 0:06:18 | |
Well, boxes. I'm quite liking boxes. | 0:06:18 | 0:06:21 | |
A couple of boxes over there... | 0:06:21 | 0:06:23 | |
With only 60 minutes on the clock, there's no time to lose, | 0:06:23 | 0:06:27 | |
but are the Reds barking up the wrong tree? | 0:06:27 | 0:06:30 | |
They come as a pair, do they? | 0:06:30 | 0:06:32 | |
-Take one if you want to, and if you want to, take one. -He's trying to bamboozle you already! | 0:06:32 | 0:06:38 | |
So what do you think? Do you like...? | 0:06:38 | 0:06:41 | |
-Dogs are always popular, aren't they? -You're a cat man, aren't you? | 0:06:41 | 0:06:44 | |
-I'm more catty than doggy, I must admit... -Ah, right. | 0:06:44 | 0:06:47 | |
Let's have a look at them, Val. They're not silver. | 0:06:47 | 0:06:50 | |
They're not silver, are they? No, they're not silver. | 0:06:50 | 0:06:53 | |
They're a white metal, but this one here I like in particular. | 0:06:53 | 0:06:57 | |
It's very well moulded. | 0:06:57 | 0:06:59 | |
It's well made and there's a wee bit of quality there. | 0:06:59 | 0:07:03 | |
Now, I can't find any marks at all, | 0:07:03 | 0:07:05 | |
any maker's name, so there's nothing there. | 0:07:05 | 0:07:09 | |
We've got two different types... | 0:07:09 | 0:07:11 | |
Can you tell me? I'm not really... | 0:07:11 | 0:07:13 | |
-I don't know very much about the breeds. Do you know what kind of dogs they are? -A bloodhound? | 0:07:13 | 0:07:18 | |
-I think that looks like some sort of hunting dog. -This one's a boxer dog. | 0:07:18 | 0:07:21 | |
-It looks like a boxer. -It's a boxer. -A boxer? -Yeah. | 0:07:21 | 0:07:24 | |
What sort of price are these? | 0:07:24 | 0:07:26 | |
35 quid the two. | 0:07:26 | 0:07:28 | |
£35? | 0:07:28 | 0:07:29 | |
-Well, that's the pair. -£35 for the two. | 0:07:29 | 0:07:32 | |
I think they're brother and sister. | 0:07:32 | 0:07:34 | |
Yeah, I doubt that. I don't think so. | 0:07:34 | 0:07:37 | |
-Well, they've been together a long time. -They have. | 0:07:37 | 0:07:39 | |
They're kissing cousins, yes. | 0:07:39 | 0:07:41 | |
-I think we need to try and go a wee bit... -A bit lower? | 0:07:41 | 0:07:47 | |
Uh-huh. We want to make profit. | 0:07:47 | 0:07:49 | |
-We do. -This is Bargain Hunt. -Exactly. | 0:07:49 | 0:07:52 | |
18. | 0:07:52 | 0:07:54 | |
Um, you couldn't give me 25? | 0:07:54 | 0:07:58 | |
20. | 0:07:58 | 0:08:00 | |
-£20. Will it be cash? -It'll be cash. | 0:08:00 | 0:08:03 | |
Go on, then, you've got a deal. | 0:08:03 | 0:08:06 | |
Only ten minutes gone, and the Reds are already wagging their tails with their first item. | 0:08:06 | 0:08:10 | |
A travelling ink bottle. Thank you very much for your time. | 0:08:10 | 0:08:13 | |
ANITA: Are you going out busking? | 0:08:13 | 0:08:16 | |
What do we have here? | 0:08:16 | 0:08:18 | |
Opera glasses. | 0:08:18 | 0:08:20 | |
What price? Ohh! We'll keep it in mind. | 0:08:20 | 0:08:24 | |
-Look, I'm liking these... -That's quite sweet. You like dinky things, don't you? -Yeah. | 0:08:26 | 0:08:30 | |
I think it's a bit expensive, but... | 0:08:30 | 0:08:32 | |
Oh, yeah, I'm liking that immediately. I am liking that. | 0:08:32 | 0:08:36 | |
You're liking it, I'm liking it. I'm liking it cos you're liking it. | 0:08:36 | 0:08:39 | |
-Have a feel. -I really like that. | 0:08:39 | 0:08:41 | |
-Love the colour. -And it's got its little stopper intact as well. | 0:08:41 | 0:08:45 | |
If it is original. | 0:08:45 | 0:08:46 | |
That's got a marking of some... R... | 0:08:46 | 0:08:50 | |
RB, I think that is. RB. I believe that would be a maker's name. | 0:08:50 | 0:08:53 | |
How old would that be? It looks Victorian, yeah? | 0:08:53 | 0:08:56 | |
Yeah, it could be sort of about 1910, that sort of date. | 0:08:56 | 0:08:59 | |
That's your era. | 0:08:59 | 0:09:01 | |
So I think maybe sort of post-Victorian. | 0:09:01 | 0:09:03 | |
I don't think it is Victorian. | 0:09:03 | 0:09:06 | |
£78 is quite... I'd like to get... | 0:09:06 | 0:09:08 | |
-I know it sounds quite cheeky, but I'd like to get that for sort of £40. -40? Yeah. | 0:09:08 | 0:09:13 | |
It's not hallmarked as such, so I don't think we can actually... | 0:09:13 | 0:09:17 | |
Under the Hallmark Act, I don't think we can say it is silver. | 0:09:17 | 0:09:20 | |
We'd probably have to say white metal. | 0:09:20 | 0:09:22 | |
-It's just quite pretty, isn't it? -It is. -Shall we have a little word? | 0:09:22 | 0:09:25 | |
-I think so. -Why don't you have a word and see...? | 0:09:25 | 0:09:28 | |
-We really need to get that at rock bottom, because I would see that at auction at £40 to £60. -40. | 0:09:28 | 0:09:35 | |
Nick managed to get the scent bottle down to £65, but is that low enough? | 0:09:43 | 0:09:48 | |
With 20 minutes gone and literally hundreds of thousands of items to look at, | 0:09:48 | 0:09:52 | |
both teams are going to have to get their skates on. | 0:09:52 | 0:09:55 | |
You never see one and then two come along. | 0:09:55 | 0:09:57 | |
Now, what is that? | 0:09:57 | 0:09:59 | |
-It's a wee pencil case. -Oh, I say. | 0:09:59 | 0:10:02 | |
-I like that. -It's good! | 0:10:02 | 0:10:04 | |
You've got quite interesting things. | 0:10:04 | 0:10:07 | |
-How much? -85. | 0:10:07 | 0:10:09 | |
-I mean, that is quite an unusual item. -It is unusual. | 0:10:09 | 0:10:13 | |
It is unusual, yeah. Is this ebony? | 0:10:13 | 0:10:16 | |
That's like an ebony, uh-huh. | 0:10:16 | 0:10:17 | |
And this is a fruitwood here. | 0:10:17 | 0:10:20 | |
-It's like an umbrella. -That's it. It's a novelty item. | 0:10:20 | 0:10:23 | |
We've got a little ruler there... | 0:10:23 | 0:10:28 | |
a pen and a pencil. | 0:10:28 | 0:10:30 | |
So it's a novelty item, and I think the market is good for novelty items. | 0:10:30 | 0:10:36 | |
Are we able to negotiate with you, sir? | 0:10:36 | 0:10:39 | |
It has to be 70 quid. | 0:10:39 | 0:10:40 | |
You're frightened by paying £60. | 0:10:40 | 0:10:42 | |
I'm tight. | 0:10:42 | 0:10:44 | |
Would you take 65? | 0:10:46 | 0:10:49 | |
No, I need 70. | 0:10:49 | 0:10:51 | |
-I don't think we're going to make much over the 70. -You're not going to make much on it. -No. | 0:10:51 | 0:10:55 | |
-But I don't think we'll lose much either. -Right, OK. | 0:10:55 | 0:10:58 | |
I think we'll go for it, then. | 0:10:58 | 0:11:00 | |
Yeah. We'll go for it. | 0:11:00 | 0:11:02 | |
-We'll go for it. -We'll go for it. | 0:11:02 | 0:11:03 | |
We'll go for it. We've thought about it. | 0:11:03 | 0:11:05 | |
-We've thought about it. -We've examined it. -We've examined it. | 0:11:05 | 0:11:09 | |
And the answer's yes. | 0:11:09 | 0:11:11 | |
OK. Wish us luck. | 0:11:11 | 0:11:13 | |
I will wish you luck. All the luck in the world. | 0:11:13 | 0:11:16 | |
The Reds are making some quick decisions today, but £70 for | 0:11:16 | 0:11:21 | |
that pencil case seems a bit on the blunt end of a profit to me. Huh! | 0:11:21 | 0:11:25 | |
We're nearly halfway through. | 0:11:25 | 0:11:27 | |
Let's see what's catching the eye of the Blue team. | 0:11:27 | 0:11:31 | |
-Do you know what these are? -For making pills. -Pill-making machines. Good, aren't they? | 0:11:31 | 0:11:35 | |
-They are. -So you put your... -Ingredients. -..the mixture, the ingredients in here, and then... | 0:11:35 | 0:11:39 | |
-Is that the roller for that? -Yeah. And then pull that down. | 0:11:39 | 0:11:43 | |
-I'm loving that. -You're loving that? -Yes. | 0:11:43 | 0:11:46 | |
-The pill-maker. -I really like that. | 0:11:46 | 0:11:49 | |
It's Victorian, it's got a purpose. | 0:11:49 | 0:11:51 | |
Not many people... Well, I don't know, you might make your own pills, but... | 0:11:51 | 0:11:55 | |
-I think 98 is a bit punchy. -Yeah. | 0:11:55 | 0:11:59 | |
-Why did you like this? -I don't know. | 0:11:59 | 0:12:02 | |
It's sort of...cos it works. | 0:12:02 | 0:12:03 | |
-Or would work. It would still work, wouldn't it? -Yeah, absolutely. | 0:12:03 | 0:12:07 | |
I think it's really nicely made. | 0:12:07 | 0:12:09 | |
It is quite nice quality. Sometimes these would've had a little... | 0:12:09 | 0:12:12 | |
-A plaque on it with the maker's name. -Yes. | 0:12:12 | 0:12:15 | |
I could probably see this at auction at sort of £80 to £120. | 0:12:15 | 0:12:19 | |
-Really? -Yeah. But I would like to buy it at about 60. -How much? | 0:12:19 | 0:12:23 | |
About 60. Well, I'd like to buy it as cheap as possible, but... | 0:12:23 | 0:12:27 | |
-Mmm. -Shall we give that a go? | 0:12:27 | 0:12:30 | |
We could do. You're the one that spotted it and liked it. | 0:12:30 | 0:12:33 | |
Why don't you try and get it down, and then when I've spotted something, I'll haggle down, all right? | 0:12:33 | 0:12:38 | |
-I'm liking that. -Go and do your stuff. -OK! Hello, mate. -Hiya. -Hi. | 0:12:38 | 0:12:42 | |
I'm really liking this. | 0:12:42 | 0:12:44 | |
98... 78. | 0:12:44 | 0:12:46 | |
Can you not go down a bit more? | 0:12:46 | 0:12:48 | |
Cos we were hoping for a maker's mark and there isn't one. | 0:12:48 | 0:12:51 | |
No. I can't. There's nothing in it. | 0:12:51 | 0:12:53 | |
78 I'd do. That's 20 quid off. | 0:12:53 | 0:12:55 | |
-70. -We've got it in cash. -70. Then it's yours. | 0:12:55 | 0:12:58 | |
Do you think that's reasonable? | 0:12:58 | 0:13:00 | |
I think it might be worth a go. | 0:13:00 | 0:13:03 | |
-I think £70, it might be worth a go. Agreed? -Yeah. | 0:13:03 | 0:13:06 | |
At the museum, they actually will show you how to make it with Plasticine. | 0:13:06 | 0:13:10 | |
With sugar and Plasticine, they make them. | 0:13:10 | 0:13:12 | |
In the Black Country Museum, you can see it being done. | 0:13:12 | 0:13:15 | |
-OK. -They've got a pharmacy that works there. | 0:13:15 | 0:13:17 | |
-Shall we go for this, then? -OK, deal. -You're welcome. Pleasure. | 0:13:17 | 0:13:20 | |
Deal. Thank you. | 0:13:20 | 0:13:22 | |
These dealers are a mine of information. | 0:13:22 | 0:13:25 | |
It's always worth having a chat as you negotiate. | 0:13:25 | 0:13:27 | |
The Bargain Hunt team get a lot of letters from viewers | 0:13:29 | 0:13:32 | |
who are confused about the Bonus Buy lark, | 0:13:32 | 0:13:36 | |
so I'll explain it to you very, very carefully. | 0:13:36 | 0:13:41 | |
Once our teams have bought their three items, | 0:13:41 | 0:13:44 | |
any change left over from their £300 gets given to the experts. | 0:13:44 | 0:13:49 | |
The experts then have to use that money to buy a fourth item, | 0:13:49 | 0:13:52 | |
which isn't revealed to the team until the auction. | 0:13:52 | 0:13:55 | |
Once the teams have sold their three items, then they have to decide | 0:13:55 | 0:13:59 | |
whether or not to include the sale of the fourth item in their total. | 0:13:59 | 0:14:02 | |
All clear now? Well, I'm glad we've sorted that out. | 0:14:02 | 0:14:05 | |
Both our teams have bought two of their three items | 0:14:05 | 0:14:08 | |
and, with 15 minutes remaining, the pressure's on to find one more shiny object. | 0:14:08 | 0:14:12 | |
But with so much choice, where does one begin? | 0:14:12 | 0:14:15 | |
-It's got a nice look, but a wee bit damaged. -Yeah. | 0:14:15 | 0:14:18 | |
But thank you anyway, my darling. | 0:14:18 | 0:14:20 | |
You can get back and have a wee sleep. | 0:14:20 | 0:14:23 | |
-I know. I'm quite taken with this. -Why do you like this? -I don't know. | 0:14:23 | 0:14:28 | |
Oh, yes, there are some very pretty things. | 0:14:28 | 0:14:32 | |
Oh, now... | 0:14:32 | 0:14:34 | |
Oh, yes, that's a lovely one. | 0:14:34 | 0:14:37 | |
That's rather nice. | 0:14:37 | 0:14:41 | |
That's beautiful. | 0:14:41 | 0:14:42 | |
That's beautiful. | 0:14:42 | 0:14:44 | |
-You like that? -I do. | 0:14:44 | 0:14:46 | |
Yeah. I like the shape. | 0:14:46 | 0:14:48 | |
It looks like a raindrop. | 0:14:48 | 0:14:50 | |
-Yes. -Do you like a nice bit of glass, John? | 0:14:50 | 0:14:52 | |
I do like a bit of glass! | 0:14:52 | 0:14:54 | |
-I do. -Where do you think it comes from? What do you think? | 0:14:57 | 0:15:01 | |
Who made beautiful glass? | 0:15:01 | 0:15:04 | |
The Italians. | 0:15:04 | 0:15:06 | |
-Mm-hmm. -Is it Italian? -Venetians. | 0:15:06 | 0:15:08 | |
Uh-huh, yes. There is no maker's mark on the bottom. | 0:15:08 | 0:15:12 | |
Could almost be Scandinavian. | 0:15:12 | 0:15:15 | |
Could be. | 0:15:15 | 0:15:18 | |
It's functional as well. | 0:15:18 | 0:15:19 | |
-Functional as well. -A single flower. | 0:15:19 | 0:15:23 | |
You're very artistic. Is she artistic? | 0:15:23 | 0:15:26 | |
She's a very creative woman. | 0:15:26 | 0:15:28 | |
-She creates quite a lot. -But I see that you've picked up another piece of glass here, Val. | 0:15:29 | 0:15:34 | |
-I have. -Yeah. -I like this. I love the colour. | 0:15:34 | 0:15:38 | |
It does stand out more as well, I think. More unusual. | 0:15:38 | 0:15:40 | |
-It's making a big statement. -Yeah. | 0:15:40 | 0:15:43 | |
This is a quieter piece. | 0:15:43 | 0:15:46 | |
-Yes, it is. -But I like in particular | 0:15:46 | 0:15:49 | |
this wonderful millefiori pattern round here. | 0:15:49 | 0:15:52 | |
What would you use it for, Val? | 0:15:52 | 0:15:55 | |
I'd probably put some form of scented candle in it, I think, as a centrepiece in the table. | 0:15:55 | 0:16:01 | |
Now, we've got two lovely items here, so we've got to choose one of them, John. | 0:16:01 | 0:16:07 | |
-I've already decided I like that better. -And Val? | 0:16:07 | 0:16:11 | |
-I'll go with that as well. -Yeah. | 0:16:11 | 0:16:13 | |
I think you may have made a wise choice there, so well done. | 0:16:13 | 0:16:18 | |
Price - how much is it? | 0:16:18 | 0:16:21 | |
It's £28. | 0:16:21 | 0:16:22 | |
-£28? -Yes. -Right. | 0:16:22 | 0:16:25 | |
So do you think we could perhaps | 0:16:25 | 0:16:28 | |
-ask the stall-holder if we can get it cheaper than that? -We'll try. | 0:16:28 | 0:16:33 | |
Call him over. | 0:16:33 | 0:16:35 | |
Excuse me, sir. | 0:16:35 | 0:16:37 | |
-Hello. -Hello. | 0:16:37 | 0:16:39 | |
We've chosen this item. | 0:16:39 | 0:16:41 | |
Mm-hmm, a good choice. | 0:16:41 | 0:16:43 | |
It's beautiful. It's £28. | 0:16:43 | 0:16:46 | |
Um...would you take £18 for it? | 0:16:48 | 0:16:52 | |
Um, I think 20 would be a better price, to be honest. | 0:16:52 | 0:16:56 | |
£20 is a nice round figure as well. | 0:16:56 | 0:16:58 | |
-A nice round figure. -And it's a nice-looking note as well. | 0:16:58 | 0:17:01 | |
Well...I think we'll go with that. | 0:17:02 | 0:17:06 | |
-Great. Thank you very much. Thank you. -Thank you. | 0:17:06 | 0:17:08 | |
-Do you want me to wrap it for you? -Yes, that'd be lovely. | 0:17:08 | 0:17:11 | |
Well done, Reds. Three items and five minutes to spare. | 0:17:11 | 0:17:15 | |
But the Blues are still struggling to find their final item. | 0:17:15 | 0:17:18 | |
Time goes so quickly! | 0:17:18 | 0:17:21 | |
Where are we heading, then? Indoors? | 0:17:21 | 0:17:24 | |
-Oh, isn't that gorgeous? -Yeah. | 0:17:24 | 0:17:27 | |
And it actually has the stamp, WMF. Shall we think? | 0:17:27 | 0:17:29 | |
We'll think about it. I really do like it. | 0:17:29 | 0:17:32 | |
I've spotted a toast rack. | 0:17:32 | 0:17:34 | |
Keep me away from the toast rack! | 0:17:34 | 0:17:36 | |
-Isn't that gorgeous? -Mmm. | 0:17:38 | 0:17:41 | |
Oh, that is to die for. | 0:17:41 | 0:17:44 | |
Yeah. May I look at this little box? It's beautiful. | 0:17:44 | 0:17:47 | |
Ooh, it's a little purse! | 0:17:47 | 0:17:49 | |
Can you date it at all? Because I don't recognise the, um... | 0:17:49 | 0:17:53 | |
With the tortoiseshell, I'm thinking sort of 1860s. That sort of date. | 0:17:53 | 0:17:59 | |
Very sweet, isn't it? Now, you said you wanted something tactile. | 0:17:59 | 0:18:02 | |
-Yeah, I love it. -It is really, really pretty. | 0:18:02 | 0:18:06 | |
I would see that at auction | 0:18:06 | 0:18:07 | |
-probably making around £80, £90, £100. -Right. | 0:18:07 | 0:18:12 | |
-What's on it? -It's well over 100. | 0:18:12 | 0:18:14 | |
160. | 0:18:14 | 0:18:17 | |
-But if you love it... -Well... -Is that gilt or just brass? | 0:18:17 | 0:18:21 | |
-Brass. -Oh, decisions. | 0:18:21 | 0:18:25 | |
-Shall we see if we can...? -I don't think she's going to go down very much on it. | 0:18:25 | 0:18:29 | |
Sal does her first deal and comes away looking pleased as Punch. | 0:18:29 | 0:18:32 | |
How did you do, Sally? | 0:18:32 | 0:18:35 | |
-I did really well. -Yeah? | 0:18:35 | 0:18:36 | |
I got her down to 100. | 0:18:36 | 0:18:38 | |
Oh, well done! That's fantastic. | 0:18:38 | 0:18:41 | |
-She was... -From 160? -Yeah. | 0:18:41 | 0:18:42 | |
I said to her, "We've only got two minutes left," and I looked at her... | 0:18:42 | 0:18:46 | |
-That's fantastic. She should've... -Done them all. | 0:18:46 | 0:18:49 | |
-That's amazing. -I know. | 0:18:49 | 0:18:51 | |
-That's great. -Oh, I really hope... | 0:18:51 | 0:18:54 | |
Because you love it, it's your piece, I hope we make a good profit on it. | 0:18:54 | 0:18:58 | |
-Let's hope so. -Well done, Sally. | 0:18:58 | 0:19:01 | |
BELL RINGS | 0:19:05 | 0:19:07 | |
Time's up. Ooh! | 0:19:07 | 0:19:08 | |
Let's remind ourselves what the Reds bought. | 0:19:08 | 0:19:11 | |
Val and John went barking mad for these woofers at £20. | 0:19:13 | 0:19:17 | |
Will the umbrella pencil case make them a profit for a rainy day? | 0:19:17 | 0:19:22 | |
And will the candle-holder light up the auction house | 0:19:22 | 0:19:26 | |
like it lit up Val's face? | 0:19:26 | 0:19:28 | |
-So, Val and John, did you enjoy your shopping? -Yeah, it was great. | 0:19:28 | 0:19:32 | |
-Yeah, it was lovely. -And you had a lovely expert to look after you. | 0:19:32 | 0:19:35 | |
-We did. She's smashing, yeah. -Which is your favourite piece, Val? | 0:19:35 | 0:19:38 | |
-The glass. -The glass is your favourite. What about you, John? | 0:19:38 | 0:19:41 | |
-I like the glass too. -You like the glass, yeah. Which piece is going to make the biggest profit? | 0:19:41 | 0:19:46 | |
-I think it might be the dogs. -The dogs. All gone to the dogs. John? | 0:19:46 | 0:19:49 | |
-I'll put my confidence in the glass. -OK, sticking with the glass. | 0:19:49 | 0:19:52 | |
You spent £110, which is not a lot of money. | 0:19:52 | 0:19:55 | |
I'd like £190 of leftover lolly to give straight to Anita. | 0:19:55 | 0:19:59 | |
So were they as good as they look? | 0:19:59 | 0:20:01 | |
They absolutely wonderful. I had a wonderful time working with them. | 0:20:01 | 0:20:06 | |
They are the best of friends, | 0:20:06 | 0:20:10 | |
and I've got my eye on something that will celebrate good friendship. | 0:20:10 | 0:20:15 | |
Oh, Lord, sounds alcoholic to me. | 0:20:15 | 0:20:18 | |
You'd better go off and get it, Anita. | 0:20:18 | 0:20:20 | |
And very, very good luck. | 0:20:20 | 0:20:22 | |
Let's remind ourselves what the Blues bought. | 0:20:22 | 0:20:25 | |
Nick and Sal sniffed out a bargain in this Victorian scent bottle. | 0:20:25 | 0:20:31 | |
Take one of these with a glass of water and you'll be fine. | 0:20:31 | 0:20:34 | |
£70 for the pill press. | 0:20:34 | 0:20:36 | |
And finally, some impressive bartering | 0:20:38 | 0:20:40 | |
saw £60 knocked off this tortoiseshell purse. | 0:20:40 | 0:20:44 | |
-So, Nick and Sal, did you have a great time? -Yeah, great. | 0:20:45 | 0:20:49 | |
It was a bit of a whirlwind. | 0:20:49 | 0:20:50 | |
Certainly was a nail-biter at the end, I'd say. | 0:20:50 | 0:20:53 | |
Anyway, you did extremely well. Which is your favourite piece, Sal? | 0:20:53 | 0:20:57 | |
-Definitely the Victorian purse. -The purse is your favourite. What about, Nick? | 0:20:57 | 0:21:02 | |
I think the 19th-century pill press. | 0:21:02 | 0:21:05 | |
Pill press. | 0:21:05 | 0:21:06 | |
Good. Which is going to bring the biggest profit? | 0:21:06 | 0:21:09 | |
-I hope the purse, actually. -OK. -I'm sticking with the pill press. | 0:21:09 | 0:21:12 | |
Ah, you're determined, you two. | 0:21:12 | 0:21:14 | |
Anyway, you spent a magnificent £235 eventually. £65 of leftover lolly. | 0:21:14 | 0:21:19 | |
Thank you very much. Goes straight to Catherine. | 0:21:19 | 0:21:22 | |
So quite an exhausting day for you, Catherine, I'd say. | 0:21:22 | 0:21:25 | |
Um, it was quite hard work. They're absolutely delightful, though. | 0:21:25 | 0:21:29 | |
-They're a nice team and we worked well, I think. -Good. | 0:21:29 | 0:21:32 | |
-So I'm going to buy them something pretty and functional. -Are you? | 0:21:32 | 0:21:35 | |
Mmm. Because we've got... She wants pretty and he wants functional. | 0:21:35 | 0:21:39 | |
All right, fine. Well, well done with that, anyway. | 0:21:39 | 0:21:42 | |
For me, I'm heading off somewhere amazing! | 0:21:42 | 0:21:46 | |
Here in the grounds of Leeds Castle lies a fiendish puzzle. | 0:21:48 | 0:21:54 | |
It's state-of-the-art, it's fully interactive and it's got some interesting 3D effects. | 0:21:54 | 0:22:00 | |
'Mazes are part of the Renaissance garden tradition, | 0:22:05 | 0:22:09 | |
'often created by wealthy people for their own enjoyment. | 0:22:09 | 0:22:13 | |
'The aim of the puzzle is to find a route to the centre, where a surprise often lies in store.' | 0:22:13 | 0:22:18 | |
Ah-ha! Once you get to the centre of this maze, there's only one way out, | 0:22:18 | 0:22:24 | |
and that's underground in a world that's bizarre and supernatural. | 0:22:24 | 0:22:30 | |
'Wa-ha-hah! Buried underneath the Leeds Castle maze is a very unusual grotto built in 1988. | 0:22:30 | 0:22:37 | |
'The first grottos were simply small caves near water | 0:22:37 | 0:22:40 | |
'that would have been used by our prehistoric ancestors. | 0:22:40 | 0:22:43 | |
'Most grottos in this country are based on ancient Roman and Greek designs | 0:22:43 | 0:22:47 | |
'that date back thousands of years. | 0:22:47 | 0:22:50 | |
They were generally built by aristocrats, intent on giving their guests a really good scare | 0:22:50 | 0:22:55 | |
'before enjoying a nice glass of Chardonnay.' | 0:22:55 | 0:23:00 | |
Crikey, Moses! | 0:23:00 | 0:23:01 | |
Look at this - a chamber entirely dominated by a mask of Typhon | 0:23:01 | 0:23:07 | |
which, according to Greek mythology, | 0:23:07 | 0:23:10 | |
was a hideous hundred-headed beast | 0:23:10 | 0:23:13 | |
that gave battle with Zeus and was ultimately buried under Mount Etna. | 0:23:13 | 0:23:19 | |
And it's supposed to represent the fire within the volcano. | 0:23:19 | 0:23:24 | |
On the opposite wall, in four niches, we've got the four elements - | 0:23:24 | 0:23:28 | |
earth, wind, | 0:23:28 | 0:23:30 | |
fire and water. | 0:23:30 | 0:23:32 | |
The figure of water is facing away from us | 0:23:32 | 0:23:35 | |
and composed of a series of minerals, shells and crystals. | 0:23:35 | 0:23:41 | |
On the ceiling, literally thousands of different-coloured pebbles and shells, arranged in coffers | 0:23:41 | 0:23:49 | |
filled with a black and white swans, which are the motifs, if you like, | 0:23:49 | 0:23:54 | |
of Leeds Castle - the real black and white swans swimming around in the moat. | 0:23:54 | 0:23:58 | |
And down here, a smaller chamber, but extraordinary sights to be seen. | 0:24:05 | 0:24:13 | |
Look through this grille. | 0:24:13 | 0:24:14 | |
Inside here, we've got a shell-encrusted figure of the Phoenix, | 0:24:14 | 0:24:21 | |
representing hope, | 0:24:21 | 0:24:23 | |
representing resurrection after the fire, the phoenix rising from the ashes. | 0:24:23 | 0:24:30 | |
On the opposite wall, there's a representation of a woman in white stone. | 0:24:30 | 0:24:34 | |
Well, she looks a bit like a woman, doesn't she? | 0:24:34 | 0:24:37 | |
Depending on how you look at her, though, | 0:24:37 | 0:24:40 | |
she's got one leg cocked up in the sky. | 0:24:40 | 0:24:43 | |
From hereon in, it goes really weird. | 0:24:43 | 0:24:46 | |
Have you ever seen anything like this? | 0:24:52 | 0:24:54 | |
Molten bricks being spewed out of the wall, | 0:24:54 | 0:24:58 | |
oddball animals made of mosaic. | 0:24:58 | 0:25:01 | |
Here we've got a deer that's upside down, and even a little | 0:25:01 | 0:25:05 | |
bird hanging onto a branch, but the branch is the wrong way up. | 0:25:05 | 0:25:10 | |
These are supposed to represent roots from trees growing down into the cavern, | 0:25:10 | 0:25:15 | |
and I think probably the most extraordinary and hideous thing | 0:25:15 | 0:25:20 | |
to find is the pillar, | 0:25:20 | 0:25:22 | |
a swirling serpent made up of encrusted pebbles and stones and minerals. | 0:25:22 | 0:25:29 | |
Oh, I don't know. I think it's time for us to return to the more familiar world | 0:25:29 | 0:25:34 | |
of the auction house, thank God! | 0:25:34 | 0:25:37 | |
Well, we've popped in to central London, to Chiswick Auctions, to be with our auctioneer, William Rouse. | 0:25:47 | 0:25:54 | |
-Pleasure to have to here, Tim. -Lovely to be here, too. | 0:25:54 | 0:25:57 | |
Now, Val and John for the Reds, their first item is these two little figurines. | 0:25:57 | 0:26:03 | |
What do you make of those woofers, then? | 0:26:03 | 0:26:05 | |
I think they're rather nice. They're not very old, not silver, but they're very collectable. | 0:26:05 | 0:26:10 | |
People like dogs, so they've got a good chance of selling quite easily. | 0:26:10 | 0:26:14 | |
Oh, good. How much? | 0:26:14 | 0:26:16 | |
-I think I ended up putting £50-£80 on them. -Did you? | 0:26:16 | 0:26:19 | |
Have you had a mental aberration?! | 0:26:19 | 0:26:22 | |
No, seriously, they paid £20. | 0:26:22 | 0:26:24 | |
-If you think they're going to £40, £50, £60... -I think they should make 40. | 0:26:24 | 0:26:28 | |
Fantastic. They could double their money. That is exciting. | 0:26:28 | 0:26:32 | |
Next is the umbrella pencil case, which is a charming little collectable, isn't it? | 0:26:32 | 0:26:36 | |
It is. Whether it was originally designed for pencils, I don't know. It probably was. Yeah, it's fun. | 0:26:36 | 0:26:42 | |
And do you think it's one of those sort of German or French bits of tourist ware, really? | 0:26:42 | 0:26:46 | |
-Something that you would bought on your holidays. -I suppose it must be. | 0:26:46 | 0:26:50 | |
-What's it worth? -I think again the estimate on that is about £50. | 0:26:50 | 0:26:55 | |
It is. Well, they paid 70, so he gives with one hand and he takes away with the other. | 0:26:55 | 0:27:00 | |
Maybe. And lastly is this... | 0:27:00 | 0:27:03 | |
I think they called it a candle-holder but it's not really a candle-holder. | 0:27:03 | 0:27:07 | |
No, it's a goblet, but not one you'd drink out of. I think it's for putting on the mantelpiece. | 0:27:07 | 0:27:12 | |
-Yes. It was made by a drunken glass-maker. -At the end of the day, do you think? | 0:27:12 | 0:27:16 | |
At the end of the day. He'd had one or two glasses of Rioja, I suspect, and that was the end product. | 0:27:16 | 0:27:21 | |
It's a pretty ghastly-looking thing, isn't it? | 0:27:21 | 0:27:24 | |
It isn't very nice. | 0:27:24 | 0:27:25 | |
No. So you have to have a bit of a guesstimate on that one. What do you think it might make? | 0:27:25 | 0:27:30 | |
-20-30. -£20-£30. | 0:27:30 | 0:27:32 | |
Well, they paid £20 for it, so that's about spot on. | 0:27:32 | 0:27:35 | |
-Overall, though, promising, particularly with the dog department? -I think so. | 0:27:35 | 0:27:40 | |
But just in case, let's have a look at the Bonus Buy, and here it comes. | 0:27:40 | 0:27:43 | |
Now, Val and John, you spent £110, you gave Anita Manning £190. | 0:27:43 | 0:27:48 | |
Anita, did you spend the lot? | 0:27:48 | 0:27:50 | |
-No, I didn't. -Oh. -I was a wee bit careful with my money. | 0:27:50 | 0:27:54 | |
-I ALWAYS am. -Funny you should say that! | 0:27:54 | 0:27:57 | |
Are you going to show us what you bought, then, or are you just going to tease us? | 0:27:57 | 0:28:03 | |
-Ahh... -It's a pin cushion. | 0:28:03 | 0:28:06 | |
It would've been made by a soldier or sailor in Victorian times. | 0:28:06 | 0:28:11 | |
During the long hours of inactivity waiting for a battle, | 0:28:11 | 0:28:16 | |
they would do these... what we'd call trench art. | 0:28:16 | 0:28:20 | |
And there's always a little bit of text in it. | 0:28:20 | 0:28:24 | |
On this one, we have "Think of me", | 0:28:24 | 0:28:27 | |
which is a wee bit sort of sad, I think. I paid £55 for it. | 0:28:27 | 0:28:33 | |
-What do you think? -Well, which war do you think it was done in? What date would that be? | 0:28:33 | 0:28:37 | |
Possibly First World War. | 0:28:37 | 0:28:39 | |
Right. That makes it more interesting, I think. | 0:28:39 | 0:28:43 | |
Is there a profit in it, do we think? | 0:28:43 | 0:28:45 | |
Well, I think... I would estimate it perhaps... | 0:28:45 | 0:28:49 | |
round about 45 to 65, so there is a chance of a profit there. | 0:28:49 | 0:28:55 | |
It's not going to fly. | 0:28:55 | 0:28:57 | |
There is a certain price for this type of thing, but we could make £5 or £10. | 0:28:57 | 0:29:02 | |
Just a question of pinning a profit down, isn't it? | 0:29:02 | 0:29:05 | |
On that happy note, let's find out what the auctioneer thinks about Anita's pin cushion. | 0:29:05 | 0:29:10 | |
So, William, something sickly and sentimental for you. | 0:29:10 | 0:29:14 | |
-What do you think about that? -It certainly is. | 0:29:14 | 0:29:16 | |
I can't say I like it, but the good thing is that, particularly | 0:29:16 | 0:29:20 | |
with items of this nature, they tend to fall apart quite quickly, and it is broadly intact. | 0:29:20 | 0:29:24 | |
And you can read the poem so that's a good thing. | 0:29:24 | 0:29:27 | |
Yes, and representing, I suppose, the purest form of Victorian lurve. | 0:29:27 | 0:29:32 | |
Absolutely. | 0:29:32 | 0:29:34 | |
Well, I don't think either of us particularly "lurve" it, but what's it worth? | 0:29:34 | 0:29:39 | |
-£50? -50? Is it really? -I should've thought so. | 0:29:39 | 0:29:43 | |
Anita Manning, who is easily swayed on the romantic side of things, paid £55 for it, | 0:29:43 | 0:29:47 | |
-so she might make a profit? -Certainly the right money. | 0:29:47 | 0:29:50 | |
Well, it's the Bonus Buy and they may never even select it, but that's interesting. Thank you, William. | 0:29:50 | 0:29:55 | |
That's it for the Reds. Now for the Blues, Nick and Sally. | 0:29:55 | 0:29:59 | |
Their first item is this little scent bottle. Desirable, I guess, because it's cranberry. | 0:29:59 | 0:30:05 | |
Yeah, that's certainly a good thing, and the bottle is intact, but it has suffered a little bit of a bash. | 0:30:05 | 0:30:10 | |
As is so often the case with these things, it's, I think, been dropped at some point | 0:30:10 | 0:30:14 | |
and, although it hasn't been dropped on the glass end, it's been dropped on the silver end. | 0:30:14 | 0:30:19 | |
And that's a bit squashed as a result, yes, which is a shame. | 0:30:19 | 0:30:23 | |
Interesting to see what it looked like when it was cleaned up. | 0:30:23 | 0:30:26 | |
-Hmm. Saleable? -Yeah, well, they're collectable. | 0:30:26 | 0:30:29 | |
-They're good for a sort of little vitrine. -How much do you think? | 0:30:29 | 0:30:32 | |
I think I've put sort of around £50-£80 on it. | 0:30:32 | 0:30:35 | |
£65 paid, so that sits pretty comfortably in the estimate, anyway. | 0:30:35 | 0:30:39 | |
Next up is this rather wacky pill-making machine. | 0:30:39 | 0:30:43 | |
Not a lot of call for this in West London, I'd say. | 0:30:43 | 0:30:46 | |
Not the most practical thing in the world. I have seen them before, and | 0:30:46 | 0:30:49 | |
I'm not sure that they ever create a frenzy of bidding, to be frank with you. | 0:30:49 | 0:30:53 | |
It's a pity cos it looks as if it's got the age and the patination. | 0:30:53 | 0:30:57 | |
It's nicely made and everything. | 0:30:57 | 0:30:58 | |
If anyone could think of a use in the kitchen... | 0:30:58 | 0:31:00 | |
It wants to be a chopping board for you to put your Gruyere on or something like that. | 0:31:00 | 0:31:05 | |
If anyone could think of a practical reason to have it somewhere in your house, it might do quite well. | 0:31:05 | 0:31:10 | |
That's the thing, but the estimate of £40-£60 is probably reflecting | 0:31:10 | 0:31:14 | |
the fact that we think it's not going to go crazy. | 0:31:14 | 0:31:17 | |
£40-£60. We're going to have to keep taking the tablets, I think, cos they paid £70. | 0:31:17 | 0:31:22 | |
-Ah. Gosh. -Yes. Still, there we go. | 0:31:22 | 0:31:25 | |
Next is the tortoiseshell purse, | 0:31:25 | 0:31:27 | |
which is a nice-quality little thing. | 0:31:27 | 0:31:30 | |
It's a nice thing. It's seen a bit of life as well. | 0:31:30 | 0:31:32 | |
It's a bit tired on the outside, it's a bit tired on the inside, | 0:31:32 | 0:31:36 | |
but they again are quite collectable things. | 0:31:36 | 0:31:39 | |
-What do you call that nice gold inlay again? -Piquet. | 0:31:39 | 0:31:42 | |
Piquet. There we go. Well, how much, then...? | 0:31:42 | 0:31:45 | |
-Again, about £50, I think. -Gosh. £100 they paid. | 0:31:45 | 0:31:48 | |
-Well, I think 50-80 is our estimate, so with a fair wind... -Going to be a bit tight, though, isn't it? | 0:31:48 | 0:31:54 | |
I think, in fairness, they're going to need their Bonus Buy, so let's go and have a look at it. | 0:31:54 | 0:31:59 | |
So, Sally and Nick, you've spent £235 - | 0:31:59 | 0:32:02 | |
that's what I call a proper amount of money - leaving Catherine only £65. | 0:32:02 | 0:32:06 | |
-What did Catherine buy? -Are you ready? | 0:32:06 | 0:32:09 | |
-Da-da! -Ooh. -Ah. -Ah. | 0:32:09 | 0:32:12 | |
Now, you wanted something pretty, you wanted something functional. | 0:32:12 | 0:32:16 | |
I combined the two and I got us a functional beaker. A WMF beaker. | 0:32:16 | 0:32:20 | |
-It's very pretty, Art Nouveau. -Yes. | 0:32:20 | 0:32:23 | |
Now, I remember we were looking at WMF when we were walking around | 0:32:23 | 0:32:27 | |
but we didn't quite find what we were looking for. | 0:32:27 | 0:32:30 | |
-That's right. -Has it got a mark? -Yes, it is stamped. There we are. It is tarnished, it is worn. | 0:32:30 | 0:32:34 | |
I mean, in perfect condition, I think we could do quite well with this. I paid £32 for it. | 0:32:34 | 0:32:39 | |
-Oh. -Which is actually not bad. | 0:32:39 | 0:32:42 | |
So how much can you see it getting at auction? | 0:32:42 | 0:32:44 | |
I would hope this would make about £40, £50. | 0:32:44 | 0:32:48 | |
-£10 or £15 predicted, anyway. -I would hope so, Tim, yes. -Hold that thought, OK? | 0:32:48 | 0:32:53 | |
For the viewers at home, let's find out what the auctioneer thinks about Catherine's little beaker. | 0:32:53 | 0:32:58 | |
Well, William, the old adage "only buy things in good condition" does not apply with this object, does it? | 0:32:58 | 0:33:03 | |
It's not great. | 0:33:03 | 0:33:05 | |
It's effectively worn out, isn't it? | 0:33:05 | 0:33:07 | |
It is. The decoration once upon a time was quite nice. | 0:33:07 | 0:33:10 | |
Well, it's still quite nice to some extent, but it is well and truly dented, missing its plate. | 0:33:10 | 0:33:15 | |
-If it was cheap enough, maybe we'll sell it. -£32 Catherine spent on it. | 0:33:15 | 0:33:19 | |
Is she going to make a profit? | 0:33:19 | 0:33:21 | |
Well, we put 20-30 on it. | 0:33:21 | 0:33:23 | |
-There you go. And you might sell that for a £5 note. -It's possible. | 0:33:23 | 0:33:27 | |
I mean, who is going to want it? | 0:33:27 | 0:33:29 | |
-Well, somebody might want to re-plate it, I guess. -Yes. Well, thank you, William. | 0:33:29 | 0:33:33 | |
Are you doing the necessary on the rostrum? | 0:33:33 | 0:33:35 | |
-I am. -Ah, we're in safe hands. | 0:33:35 | 0:33:37 | |
So, Val and John, here we are on the edge of the auction. | 0:33:44 | 0:33:47 | |
How are you feeling, Val? | 0:33:47 | 0:33:49 | |
-Excited. -Are you? -Oh, yes. | 0:33:49 | 0:33:50 | |
-How excited? -Very! -Are you? | 0:33:50 | 0:33:53 | |
-It's my first auction. -You've never been to an auction before? -Never been to an auction before. | 0:33:53 | 0:33:57 | |
-Good Lord! Yet another virgin. This is lovely. -I wouldn't say that. | 0:33:57 | 0:34:00 | |
-What about you, John? Are you a virgin? -No, not at auctions, I'm not. | 0:34:00 | 0:34:05 | |
Or any other way, really. | 0:34:05 | 0:34:07 | |
-You've been thoroughly deflowered, have you? -Yes, I have. -OK. Well, there we go. | 0:34:07 | 0:34:11 | |
Anyway, the first lot up are the dog figurines, John, and here they come. | 0:34:11 | 0:34:16 | |
OK, lot 50A is the white metal model of a Boston terrier | 0:34:16 | 0:34:20 | |
and another one of a pointer. | 0:34:20 | 0:34:22 | |
Two in the lot here, 50A. | 0:34:22 | 0:34:24 | |
What's the worth? £20 for it, please. | 0:34:24 | 0:34:27 | |
Surely for 20? | 0:34:27 | 0:34:29 | |
OK, start me for 10, then, for the two of them. | 0:34:29 | 0:34:31 | |
£10 for the two... | 0:34:31 | 0:34:33 | |
10 I'm bid, a maiden bid at £10. At £10, £12... | 0:34:33 | 0:34:36 | |
14, 16, 18... | 0:34:36 | 0:34:39 | |
£18 here. At £18. | 0:34:39 | 0:34:40 | |
They seem cheap for 18. | 0:34:40 | 0:34:42 | |
At £18, anybody else want to come in? At £18, then. 18. They go then at 18. | 0:34:42 | 0:34:48 | |
-Oh, dear. -Ohh! | 0:34:48 | 0:34:50 | |
£18. Well, I'm afraid that prediction wasn't much good. | 0:34:50 | 0:34:53 | |
Minus £2 on that. Look out. | 0:34:53 | 0:34:56 | |
Next up is the umbrella. | 0:34:56 | 0:34:57 | |
What's the lot worth? £20 for it, please. Surely for 20. | 0:34:57 | 0:35:01 | |
All right, start me for 10, then. | 0:35:01 | 0:35:03 | |
10 I'm bid. Down here at £10. Anybody else want to come in. | 0:35:03 | 0:35:06 | |
12, thank you. | 0:35:06 | 0:35:07 | |
14, 16, 18, | 0:35:07 | 0:35:10 | |
20, 22... | 0:35:10 | 0:35:14 | |
£22 nearer to me. At 22, anybody else? | 0:35:14 | 0:35:16 | |
At £22. That's all it is, at 22... | 0:35:16 | 0:35:19 | |
The little case for £22. £22, then. | 0:35:19 | 0:35:23 | |
-Oh, dear! -Dear, oh dear, oh dear. | 0:35:24 | 0:35:27 | |
That's 8 short of 30. | 0:35:27 | 0:35:29 | |
Minus 48 on that. | 0:35:29 | 0:35:31 | |
Really! For £22, that lovely little case. | 0:35:34 | 0:35:37 | |
Anyway, don't despair. Here comes the goblet. | 0:35:37 | 0:35:39 | |
Lot 52A is a blue modern-art glass goblet. Lot 52A. | 0:35:39 | 0:35:44 | |
Well, I've got a bid of commission interest in this lot, 52A, | 0:35:44 | 0:35:47 | |
and I can start the bidding at £24. | 0:35:47 | 0:35:49 | |
24 with me. At 24, 26, 28... | 0:35:49 | 0:35:53 | |
28 with me, on commission at £28. | 0:35:53 | 0:35:56 | |
Anybody else want to come in in the room? | 0:35:56 | 0:35:58 | |
28 it's selling for, then. £28. | 0:35:58 | 0:36:01 | |
-Well done! -Thank you. | 0:36:01 | 0:36:03 | |
Super. It still makes you minus £42. | 0:36:03 | 0:36:06 | |
What are you going to do about the sweetheart? | 0:36:06 | 0:36:09 | |
-Well, I think we're going with it, aren't we? -Well, I think we are. | 0:36:09 | 0:36:13 | |
We thought, if we were down, we'd go for the little heart. | 0:36:13 | 0:36:16 | |
Well, we are down, I'm afraid to tell you. | 0:36:16 | 0:36:19 | |
Yes, we're definitely down, so we're going to give it a go, Anita. | 0:36:19 | 0:36:23 | |
You're going with the Bonus Buy, the sweetheart cushion and here it comes. | 0:36:23 | 0:36:27 | |
Bit of fun, this. "Think of me" on it. There we go. What's it worth? | 0:36:27 | 0:36:32 | |
£30 for it? Must be worth 30. | 0:36:32 | 0:36:34 | |
30 I'm bid. Straight in at £30. | 0:36:34 | 0:36:37 | |
35 behind you, 40...45, 50, 55, 60... | 0:36:37 | 0:36:45 | |
65, 70, 75... | 0:36:45 | 0:36:49 | |
£75. At £75, 80 anywhere else? For £75, anybody else want to come in? | 0:36:49 | 0:36:54 | |
75 it is, then. At 75... | 0:36:54 | 0:36:58 | |
Well done, Anita. You are plus £20 on your sweetheart cushion. | 0:36:58 | 0:37:03 | |
Well, that's amazing. Plus £20. That's brilliant. | 0:37:03 | 0:37:06 | |
-We did the right thing. -Thank goodness you did. | 0:37:06 | 0:37:08 | |
Which takes you to only minus £22. | 0:37:08 | 0:37:11 | |
Now, minus 22 could be a winning score. Don't tell the Blues a thing. | 0:37:11 | 0:37:14 | |
-Won't tell the Blues. -Mum's the word. -Mum's the word. | 0:37:14 | 0:37:17 | |
-Not a sausage. -Not a sausage. | 0:37:17 | 0:37:19 | |
-Hi, guys. -Hi. -Excited? | 0:37:27 | 0:37:29 | |
-Yes. -Yeah, very. -Do you know how the Reds got on? | 0:37:29 | 0:37:31 | |
-No idea. -No, we don't want you to either. | 0:37:31 | 0:37:34 | |
-So how do you feel you're going to get on today, Sal? -Um... | 0:37:34 | 0:37:38 | |
So-so. | 0:37:38 | 0:37:39 | |
No, I think one of your things is going to do really well. | 0:37:39 | 0:37:42 | |
Which bit's going to do well? | 0:37:42 | 0:37:44 | |
-I think the little purse might do well. -The tortoiseshell purse? | 0:37:44 | 0:37:48 | |
-Yeah. -Well, it is beautifully made, that purse, isn't it? | 0:37:48 | 0:37:51 | |
With any luck. You know, this is a London audience. | 0:37:51 | 0:37:54 | |
They like these more sophisticated little pieces to go into vitrines. | 0:37:54 | 0:37:57 | |
You might be lucky. So I've got my legs crossed for you. | 0:37:57 | 0:38:00 | |
-I've got everything crossed. -Everything? Good. | 0:38:00 | 0:38:03 | |
And, if all else fails, you can always fall back on the Art Nouveau beaker. | 0:38:03 | 0:38:08 | |
Ah! First up, though, is the perfume bottle, and here it comes. | 0:38:08 | 0:38:11 | |
Lot 72A, the cranberry scent bottle. There we go. | 0:38:11 | 0:38:14 | |
What's it worth? £20 to start me for the bottle. | 0:38:14 | 0:38:17 | |
20 I'm bid. | 0:38:17 | 0:38:19 | |
22, 24, 26, 28, | 0:38:19 | 0:38:23 | |
30, fresh bidder. | 0:38:23 | 0:38:25 | |
Do you want 32? 34. | 0:38:25 | 0:38:28 | |
£34 for the...number raised. | 0:38:28 | 0:38:32 | |
34, 36 straight in front of me. | 0:38:32 | 0:38:35 | |
38, 40, 45, 50. | 0:38:35 | 0:38:40 | |
£50 nearer to me. At 50. | 0:38:40 | 0:38:42 | |
At £50, the little scent bottle. | 0:38:42 | 0:38:44 | |
At £50, anybody else? £50 it's going, then. | 0:38:44 | 0:38:47 | |
For £50, all done? 50. | 0:38:47 | 0:38:49 | |
£50. Cheap enough. | 0:38:49 | 0:38:51 | |
£50. That's minus £15. | 0:38:51 | 0:38:53 | |
Now, the pill-making machine. | 0:38:53 | 0:38:55 | |
Let's start me for £10. | 0:38:55 | 0:38:57 | |
Who wants it for £10? 10 I'm bid, straight in. | 0:38:57 | 0:39:00 | |
£12 in front of you. | 0:39:00 | 0:39:01 | |
14, 16, 18, 20, 22, 24, 26, 28, | 0:39:01 | 0:39:07 | |
30, 32... | 0:39:07 | 0:39:10 | |
£32. Nearer to me, at £32. | 0:39:10 | 0:39:13 | |
In the blue, at 32. Anybody else. | 0:39:13 | 0:39:15 | |
£32 for the pill machine. At 32. The hammer's coming down for 32, then. | 0:39:15 | 0:39:20 | |
32 is eight shy of 40. That's minus £38. | 0:39:20 | 0:39:23 | |
38, 48, you're minus 53 overall. | 0:39:23 | 0:39:26 | |
So your tortoiseshell has got to do really rather well, hasn't it? | 0:39:26 | 0:39:30 | |
-How do you feel about that? -Shall we just run away now? | 0:39:30 | 0:39:33 | |
Lot 74A is this little pink purse, 74A. | 0:39:33 | 0:39:39 | |
And I've got some interest in this too. | 0:39:39 | 0:39:41 | |
I'm straight in at £50. | 0:39:41 | 0:39:43 | |
A little pink purse at £50? | 0:39:43 | 0:39:46 | |
£50 with me. 55, 60, 65, 70, 75, 80... | 0:39:46 | 0:39:50 | |
Still with me at £80. | 0:39:50 | 0:39:52 | |
At £80 for the purse. | 0:39:52 | 0:39:55 | |
Fresh bidding, 85. 90... | 0:39:55 | 0:39:57 | |
95, 100... It's £100. With me at £100, this little purse at £100. | 0:39:57 | 0:40:02 | |
Anybody else want to come in? | 0:40:02 | 0:40:04 | |
£100 for the purse, then. | 0:40:04 | 0:40:08 | |
It sells for 100, then. | 0:40:08 | 0:40:09 | |
Well done, darling. £100. | 0:40:09 | 0:40:11 | |
-You wiped your face. -I wiped my face! | 0:40:11 | 0:40:13 | |
Just like you said, you'd wipe your face. | 0:40:13 | 0:40:16 | |
But sadly, overall, you are minus £53. | 0:40:16 | 0:40:20 | |
Now, that could be a winning score, cos you don't know how the Reds got on. | 0:40:20 | 0:40:23 | |
It could be a winning score. What are you going to do about the Bonus Buy? | 0:40:23 | 0:40:27 | |
Are you going to go with that beaker? What do you want to do? | 0:40:27 | 0:40:29 | |
-It's quite worn and I just worry about whether... -Are you...? | 0:40:29 | 0:40:33 | |
Well, I like it. But I'm just a bit worried about... | 0:40:33 | 0:40:36 | |
The condition of the thing. | 0:40:36 | 0:40:38 | |
Yeah, and I don't know that they're going to go for it. | 0:40:38 | 0:40:41 | |
-They're all keeping their hands down. -Shall we say no? -OK. -It's your decision. | 0:40:41 | 0:40:46 | |
-It's your decision. -We'll leave it, then. | 0:40:46 | 0:40:48 | |
-Leave it this time. No offence. -We'll cut our losses, yeah. | 0:40:48 | 0:40:52 | |
Right, you're parking it, then. Not going with the Bonus Buy. | 0:40:52 | 0:40:55 | |
-Here comes the beaker. -A WMF beaker, lot 77A. | 0:40:55 | 0:41:00 | |
There we go. Is it worth £10? | 0:41:00 | 0:41:02 | |
£10 for the WMF? Surely for £10? | 0:41:02 | 0:41:04 | |
Anybody want this lot for £10? | 0:41:04 | 0:41:07 | |
£5, then, surely? WMF. | 0:41:07 | 0:41:09 | |
5 I'm bid here. Do you want 6, sir? | 0:41:09 | 0:41:11 | |
6, 7, 8... | 0:41:11 | 0:41:14 | |
£8 with the gentleman. 9, 10... | 0:41:14 | 0:41:18 | |
£10 there. At £10, anybody else, at £10? | 0:41:18 | 0:41:22 | |
-Oh, dear. -£10. Nobody else? £10. | 0:41:22 | 0:41:24 | |
-The hammer's coming down for 10. -Well done, team. | 0:41:24 | 0:41:27 | |
You did the right thing there. | 0:41:27 | 0:41:29 | |
Minus £22 you would've been had you gone for it, | 0:41:29 | 0:41:32 | |
but you parked it, anyway. | 0:41:32 | 0:41:34 | |
-So, overall, it's minus £53, OK? -Could be worse. -Which is not too bad. It could've been a lot worse. | 0:41:34 | 0:41:39 | |
And who knows? That could be the winning score. Don't tell the Reds a thing. | 0:41:39 | 0:41:44 | |
Well, we have had better days for profits, I tell you, | 0:41:48 | 0:41:52 | |
than today's exercise. | 0:41:52 | 0:41:54 | |
-Anyway, have you teams been chatting? -No. | 0:41:54 | 0:41:57 | |
-We have no idea. -Well, it's my role now to reveal the scale of the losses, | 0:41:57 | 0:42:02 | |
and the runners-up today are, I'm afraid, the Blues. | 0:42:02 | 0:42:05 | |
THEY GASP | 0:42:05 | 0:42:08 | |
Minus £53 is what it's all about, but you did get one wiped face, | 0:42:08 | 0:42:13 | |
-didn't you, darling, which you were very pleased with? -Yes. | 0:42:13 | 0:42:16 | |
-Yeah, with your tortoiseshell purse. -Yes. -You got your £100 back. | 0:42:16 | 0:42:20 | |
-I hope you've enjoyed the programme. -Very much. -Great fun. -Good. Well, we've enjoyed having you on. | 0:42:20 | 0:42:25 | |
-But the winners today are the Reds. -Yes! | 0:42:25 | 0:42:27 | |
With losses of only minus £22. | 0:42:27 | 0:42:31 | |
-Brilliant. -You did make some profits, though, | 0:42:31 | 0:42:33 | |
didn't you, on the hideous... I mean, the lovely goblet... | 0:42:33 | 0:42:37 | |
for which I have to eat humble pie. | 0:42:37 | 0:42:39 | |
That was your choice, Val, and it did very well. £8 profit on that. | 0:42:39 | 0:42:43 | |
And the sweetheart cushion, the Bonus Buy, did terribly well, | 0:42:43 | 0:42:46 | |
made £20 profit, so it wasn't entirely a bleak landscape. | 0:42:46 | 0:42:50 | |
Anyway, the winners, with only losses of £22, congratulations. | 0:42:50 | 0:42:54 | |
-We've had a great show. Join us soon for some more bargain-hunting. Yes? -ALL: Yes! | 0:42:54 | 0:42:58 | |
Subtitles by Red Bee Media Ltd | 0:43:12 | 0:43:16 | |
Email: [email protected] | 0:43:16 | 0:43:19 |