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The sun is shining, the shoppers are browsing, | 0:00:02 | 0:00:05 | |
the antiques are set out, so I think it's time to go bargain hunting! | 0:00:05 | 0:00:10 | |
Welcome to Corby in Northamptonshire | 0:00:37 | 0:00:40 | |
and, boy, have we got some treats in store for you today. | 0:00:40 | 0:00:43 | |
Coming up on today's show... | 0:00:44 | 0:00:46 | |
The Blues are up for an explosive time. | 0:00:46 | 0:00:49 | |
Guys? Red team! | 0:00:49 | 0:00:52 | |
Whoosh! | 0:00:52 | 0:00:55 | |
While the Red team take a more relaxed approach. | 0:00:55 | 0:00:57 | |
What do you think, boys? Do you think the Blue team are doing this? | 0:00:57 | 0:01:00 | |
No, I think they're still looking round. | 0:01:00 | 0:01:02 | |
Running round till the last minute. | 0:01:02 | 0:01:03 | |
We're all right. We can sit and enjoy ourselves. | 0:01:03 | 0:01:05 | |
But, when the gavel falls, will they still be feeling confident? | 0:01:05 | 0:01:09 | |
We're just a bit nervous that we're going to make too much. That's all. | 0:01:09 | 0:01:12 | |
Is that your big problem? | 0:01:12 | 0:01:14 | |
While the Blue team try to look on the bright side. You're £67 down. | 0:01:14 | 0:01:17 | |
-It's not disastrous. -What do you mean, "It's not disastrous?!" | 0:01:17 | 0:01:20 | |
Each of the teams have the luxury of their very own expert to | 0:01:24 | 0:01:28 | |
help them spend £300 in an hour on three objects, | 0:01:28 | 0:01:32 | |
which will later be taken to auction where they'll be sold and the team | 0:01:32 | 0:01:36 | |
that wins is the team that makes the most profit or the least loss. | 0:01:36 | 0:01:40 | |
So, let's meet today's teams. | 0:01:40 | 0:01:43 | |
Today, for the Reds, we've got pals Mick and Des, and, for the Blues, | 0:01:48 | 0:01:52 | |
we've got husband and wife, David and Kim, who are also pals. | 0:01:52 | 0:01:56 | |
Now, Des, what do you get up to in your spare time? | 0:01:56 | 0:01:59 | |
I like a game of snooker, chess... | 0:01:59 | 0:02:02 | |
And how do you know Mick, where did you meet? | 0:02:02 | 0:02:04 | |
We actually met at a karaoke bar. | 0:02:04 | 0:02:07 | |
I got up from singing in a competition, | 0:02:07 | 0:02:09 | |
Mick got up to sing and everyone else left the pub. | 0:02:09 | 0:02:12 | |
THEY LAUGH | 0:02:12 | 0:02:13 | |
-And he's your friend?! -Yes. | 0:02:13 | 0:02:15 | |
Now, Mick, are you into bargain hunting? | 0:02:15 | 0:02:17 | |
Yes, I do like going around looking at the bargains and I'd go to car | 0:02:17 | 0:02:21 | |
boot sales and I've done a couple myself, actually, car-boot sales. | 0:02:21 | 0:02:24 | |
-Have you? -Yeah. -And are you into any sports in particular? | 0:02:24 | 0:02:28 | |
Yes, me darts - I love me darts a lot. | 0:02:28 | 0:02:31 | |
-I'm the Northampton champion... -Are you? | 0:02:31 | 0:02:33 | |
..for last year, yeah, | 0:02:33 | 0:02:34 | |
-and I practice for six to eight hours a day, if I can. -Gosh! | 0:02:34 | 0:02:37 | |
Well, let us hope you're going to score a bull's-eye today. | 0:02:37 | 0:02:40 | |
Anyway, very, very good luck. Now, for the Blues. | 0:02:40 | 0:02:43 | |
-David, you're connected with the music industry. -That's right, Tim. | 0:02:43 | 0:02:46 | |
-Tell us about that. -Well, I supply equipment for bands on tour, | 0:02:46 | 0:02:50 | |
I help organise interviews for them, I do a lot of photography of bands. | 0:02:50 | 0:02:54 | |
This year alone I've been working with | 0:02:54 | 0:02:55 | |
-Queen, Judas Priest, Tina Turner... -Have you really? | 0:02:55 | 0:02:59 | |
It's good fun. I enjoy what I do. | 0:02:59 | 0:03:01 | |
Kim, you're helping your husband out with all this business. | 0:03:01 | 0:03:04 | |
That's right. I work more backstage really with David, | 0:03:04 | 0:03:08 | |
I do a lot of the research for him, finding out lots of things | 0:03:08 | 0:03:10 | |
and that's actually how I found the Bargain Hunt application. | 0:03:10 | 0:03:13 | |
-Ha-ha! You're a good researcher then? -Oh, yes, I try very hard. | 0:03:13 | 0:03:16 | |
Which is brilliant. Now, the money moment. | 0:03:16 | 0:03:18 | |
Here you go, here's your £300 apiece. | 0:03:18 | 0:03:21 | |
You know the rules, your experts await and off you go | 0:03:21 | 0:03:23 | |
and very, very, very good luck. | 0:03:23 | 0:03:25 | |
So, will the Reds' competitive streak stand them | 0:03:25 | 0:03:29 | |
in good stead or will the musical Blues perform best under pressure? | 0:03:29 | 0:03:34 | |
And to help them cope with that pressure, | 0:03:34 | 0:03:37 | |
their experts are warming up and getting ready for the challenge. | 0:03:37 | 0:03:41 | |
In the Red corner, doing her final preparation, is Kate Bliss, | 0:03:41 | 0:03:44 | |
and getting in the groove for the Blues is James Lewis. | 0:03:44 | 0:03:48 | |
'And they'll have to be on their toes today as they'll be | 0:03:48 | 0:03:51 | |
'helping not one, but two pairs of Reds and Blues.' | 0:03:51 | 0:03:54 | |
MUSIC: "Love Today" by Mika | 0:03:55 | 0:03:58 | |
# Everybody's gonna love today, gonna love today | 0:03:58 | 0:04:02 | |
# Anyway you want to... # | 0:04:02 | 0:04:03 | |
Could I have a look at the photograph frame? | 0:04:03 | 0:04:05 | |
Thank you. That's lovely. | 0:04:05 | 0:04:07 | |
Do you know what year it is? | 0:04:08 | 0:04:10 | |
-It's modern. -Modern. -It's modern. It's made in the last 20 or 30 yes. | 0:04:10 | 0:04:15 | |
You know, I think that is a really stylish frame. | 0:04:15 | 0:04:18 | |
We've got this Art Nouveau trailing design around the outside. | 0:04:18 | 0:04:21 | |
This is planished. It's upside down at the moment, | 0:04:21 | 0:04:23 | |
so it really needs to stand that way, and then it has a much | 0:04:23 | 0:04:27 | |
-better look with this sharp corner down on the table top. -Yeah. | 0:04:27 | 0:04:30 | |
What would be your best price on this, please? | 0:04:30 | 0:04:32 | |
15. | 0:04:32 | 0:04:33 | |
Do you know, for £15, I think that's worth buying | 0:04:33 | 0:04:36 | |
and it's worth it, you know, I think that's a real bargain. | 0:04:36 | 0:04:40 | |
-OK, done. -Super. | 0:04:40 | 0:04:41 | |
Thank you very much indeed. | 0:04:41 | 0:04:43 | |
Well, James is looking very pleased as the Blues get off to | 0:04:43 | 0:04:46 | |
a raring start after just six minutes, | 0:04:46 | 0:04:49 | |
but the Reds are still looking for that first buy. | 0:04:49 | 0:04:52 | |
-What's Nick spotted? -A nice... | 0:04:52 | 0:04:54 | |
Oh, right, now, a little canteen of cutlery. | 0:04:54 | 0:04:57 | |
-For cooking and that, innit? -Mm-hm. | 0:04:57 | 0:04:59 | |
Let's have a look at the actual cutlery itself. | 0:04:59 | 0:05:02 | |
It's silver-plated. Nice, decorative design... | 0:05:02 | 0:05:05 | |
It's dated 1976. | 0:05:05 | 0:05:07 | |
Yes, it's quite nice that little presentation inscription, isn't it? | 0:05:07 | 0:05:10 | |
Presented to MacLean on completion of 40 years' service | 0:05:10 | 0:05:14 | |
with the Littlewoods Organisation. | 0:05:14 | 0:05:16 | |
So, it's not antique, but very functional in that you've got | 0:05:16 | 0:05:19 | |
the three drawers to hold your cutlery. | 0:05:19 | 0:05:22 | |
Is that something that you would buy? | 0:05:22 | 0:05:25 | |
W-well, I find it very...appealing, yes. | 0:05:25 | 0:05:27 | |
Yeah, it's very it's a very attractive piece, | 0:05:27 | 0:05:29 | |
especially the way the knives and forks are laid out as well. | 0:05:29 | 0:05:32 | |
-What's your very best? -- The very best... | 0:05:32 | 0:05:35 | |
-Very, very best? -The very, very best... | 0:05:35 | 0:05:37 | |
-85 quid. -85? -What do you think, guys? -Yeah. -OK, then. | 0:05:37 | 0:05:42 | |
-I think you have a sale. -OK. -Thank you very much. -OK, all right. | 0:05:42 | 0:05:46 | |
It's a decisive buy from the Reds, | 0:05:46 | 0:05:49 | |
but they've blown £85 in the first 11 minutes. | 0:05:49 | 0:05:53 | |
Take it easy, boys! | 0:05:53 | 0:05:55 | |
-Kate, what do you think of this vase? -Let me come and have a look. | 0:05:55 | 0:05:58 | |
What have you go there? | 0:05:58 | 0:06:00 | |
Gosh, where did you find that? I didn't see that. | 0:06:00 | 0:06:02 | |
Well, it's what known as Satsuma ceramics, which is | 0:06:02 | 0:06:06 | |
the Oriental type of pottery. | 0:06:06 | 0:06:09 | |
You see quite a lot of it at auction, | 0:06:09 | 0:06:11 | |
but its characteristics are this distinctive iron red and, | 0:06:11 | 0:06:14 | |
obviously, you've got a very Oriental scene here, | 0:06:14 | 0:06:18 | |
what's known as Chinoiserie decoration. | 0:06:18 | 0:06:21 | |
-It's quite a good size, isn't it? -It is. -For a vase. | 0:06:21 | 0:06:25 | |
As for date, it says 19th century on the label, I would think, | 0:06:25 | 0:06:29 | |
personally, it's more sort of 1920s. It looks pretty good, doesn't it? | 0:06:29 | 0:06:32 | |
It does look pretty good. | 0:06:32 | 0:06:34 | |
I can see somebody paying £50 to £70-ish on that, | 0:06:34 | 0:06:39 | |
as a decorative piece. Perhaps even a bit more, if two people like it. | 0:06:39 | 0:06:42 | |
-Shall I ask the man and see if I can bring him down? -Yeah, I mean, is that | 0:06:42 | 0:06:46 | |
-something you like? -Yeah, I do like that, yes. Do you, Des? | 0:06:46 | 0:06:49 | |
Yeah, if we can get him to say about £60. | 0:06:49 | 0:06:51 | |
-Perhaps even a bit less. -Yeah, we'll see. | 0:06:51 | 0:06:54 | |
Excuse me, what's the best offer you can give us on this vase? | 0:06:54 | 0:06:56 | |
-65, my friend. -65? -65? -What if I try to get less than 60? | 0:06:56 | 0:07:00 | |
-What do you think, Kate? -I'd keep going, Mick. You can ask. | 0:07:00 | 0:07:04 | |
-Can you come down a bit more at all? -Could you do 60? -60? | 0:07:04 | 0:07:08 | |
ALL: Go on! | 0:07:08 | 0:07:09 | |
-60 quid then. -60, yeah? -60? -Yes. -What do you think, guys? -Yeah. | 0:07:09 | 0:07:13 | |
Well done, Reds. | 0:07:13 | 0:07:15 | |
Two items bought, but watch out for the Blue team's dirty tactics. | 0:07:15 | 0:07:19 | |
Guys... | 0:07:19 | 0:07:21 | |
Red team. | 0:07:21 | 0:07:22 | |
Whoosh! | 0:07:22 | 0:07:24 | |
-THEY LAUGH -Steady on, Lewis! | 0:07:24 | 0:07:26 | |
The auction room's where you'll get a chance | 0:07:26 | 0:07:28 | |
-to blow the competition away. -It's... | 0:07:28 | 0:07:30 | |
That is Glyn Colledge, it's Denby, | 0:07:30 | 0:07:33 | |
it was made 12 miles from where I live. | 0:07:33 | 0:07:35 | |
-Right. -And the Denby factory is a very, very collected factory. | 0:07:35 | 0:07:40 | |
A lot of these pieces are called Glyn Colledge because | 0:07:40 | 0:07:43 | |
-he was head of art and design at Denby at the period. -Is that | 0:07:43 | 0:07:46 | |
-actually by him? -This is because that little scrawl there | 0:07:46 | 0:07:49 | |
is actually a green signature, Glyn, and £48 is not expensive for it. | 0:07:49 | 0:07:54 | |
What would be your best price on the Glyn Colledge? It's got £48 on it. | 0:07:54 | 0:07:57 | |
It says..."I A." | 0:07:59 | 0:08:01 | |
-I'll do it for 30 for you. -30! Now, that's not expensive. | 0:08:04 | 0:08:08 | |
-That seems like a good price. -Do you like it? | 0:08:08 | 0:08:09 | |
-I actually do, I really like it. -OK, we know it's here. | 0:08:09 | 0:08:13 | |
Hopefully, if we come back, it'll still be here. So, let's move on. | 0:08:13 | 0:08:16 | |
The Blues can't make a decision, | 0:08:16 | 0:08:18 | |
but the Red team might have spotted their final item. | 0:08:18 | 0:08:21 | |
What do you think about that? | 0:08:21 | 0:08:23 | |
-It looks quite old that. -Can you see, Des? -Oh, yeah. | 0:08:24 | 0:08:26 | |
It's in lovely condition. Lovely leather bound and then, inside... | 0:08:26 | 0:08:30 | |
Very often you'll get brass or even gilt clasps on these. | 0:08:30 | 0:08:33 | |
This is just an ordinary metal one, but look at the condition of this. | 0:08:33 | 0:08:37 | |
-That is very good condition. -It's lovely! -Yeah. It's nice, yeah. | 0:08:37 | 0:08:41 | |
-What do you think, boys? -That's appealing, yes. | 0:08:42 | 0:08:45 | |
Something that you could use today and slot your own photographs in. | 0:08:45 | 0:08:48 | |
-And what's the price tag on this? -Let's have a look. In the front... | 0:08:48 | 0:08:52 | |
-we've got 65 on that. -Fancy seeing what we can knock him down to? | 0:08:52 | 0:08:56 | |
-Yeah, let's see... -Is it something that you like? -Yeah. -It is, it is. | 0:08:56 | 0:08:59 | |
-It's something we do like. -For its age, it's very good. | 0:08:59 | 0:09:02 | |
-Do you want to go and take it, Des? -OK. -See what you can do. | 0:09:02 | 0:09:05 | |
While Des is out of the picture haggling for the photo album, | 0:09:06 | 0:09:09 | |
the Blues are still struggling to find their second item. | 0:09:09 | 0:09:13 | |
How much is that? | 0:09:13 | 0:09:15 | |
95 today. | 0:09:15 | 0:09:16 | |
-95. -Wow, that seems expensive. | 0:09:16 | 0:09:18 | |
Yeah. | 0:09:18 | 0:09:19 | |
Well, they've got £275 left and time is ticking, | 0:09:19 | 0:09:22 | |
so the Blues return to the Denby plate. | 0:09:22 | 0:09:24 | |
Now... | 0:09:26 | 0:09:27 | |
This is the one that you guys liked earlier. | 0:09:27 | 0:09:29 | |
Well, I actually really like the colour. I know you said you didn't, | 0:09:29 | 0:09:33 | |
-but I do, yes. -Well, he's come down to £30 before. | 0:09:33 | 0:09:37 | |
Auctioneers go up in fives at that level, you know, 32, 35, | 0:09:37 | 0:09:40 | |
38, you know, so, if we're going to get over the £30 mark, which | 0:09:40 | 0:09:43 | |
I hope we will to make a profit, we need to get it slightly under. | 0:09:43 | 0:09:46 | |
-He's already been kind to us. What do you think? -Perfect. -Brilliant. | 0:09:46 | 0:09:50 | |
At last, James seals the deal on the second item for £29, | 0:09:51 | 0:09:56 | |
but he's not the only one driving a hard bargain. | 0:09:56 | 0:09:59 | |
-He's agreed to accept 50. -I think 50's fair. | 0:09:59 | 0:10:03 | |
I'd prefer it at 40, but if that's the price, it's got to be 50, | 0:10:03 | 0:10:06 | |
that's fine. | 0:10:06 | 0:10:07 | |
I think we stand a chance of making a little bit, | 0:10:07 | 0:10:09 | |
because it's just such a nice clean example. What do you think, Mick? | 0:10:09 | 0:10:13 | |
I do, I think it's nice and tidy for the age of it as well. | 0:10:13 | 0:10:16 | |
-Let's pay the money. -There you are then. -Well done! | 0:10:16 | 0:10:19 | |
Well done indeed, you clever Reds. | 0:10:19 | 0:10:21 | |
Some bold bargaining means you've all done after just 42 minutes. | 0:10:21 | 0:10:26 | |
However, the more cautious Blues have spent less than £50, | 0:10:26 | 0:10:29 | |
but James could blow the budget here! | 0:10:29 | 0:10:32 | |
-For stationery, isn't it? -For stationery... -It's lovely. | 0:10:32 | 0:10:34 | |
-How old is it? -The thing is, almost everybody has | 0:10:34 | 0:10:37 | |
-a use for stationery boxes. -Yes. | 0:10:37 | 0:10:39 | |
It's Coromandel wood, which is a little bit like rosewood, | 0:10:39 | 0:10:41 | |
-but it has this striation of pale and dark. -Yeah. | 0:10:41 | 0:10:44 | |
And this was really used 1850 to 1900. | 0:10:44 | 0:10:48 | |
So, that second half of the 19th century. | 0:10:48 | 0:10:50 | |
James, there's two spaces for ink bottles, but we've only got one. | 0:10:50 | 0:10:53 | |
Yeah, I mean, the thing is, these things do get lost | 0:10:53 | 0:10:55 | |
and they do get replaced, but the advantage is, you could take that | 0:10:55 | 0:10:58 | |
one out and replace it with a pair of replacements that would look | 0:10:58 | 0:11:01 | |
-the same, so that would be absolutely fine. -OK. | 0:11:01 | 0:11:03 | |
I mean, if it was 150, we'd be in striking distance. | 0:11:03 | 0:11:06 | |
-It cost more than that. -Did it? | 0:11:06 | 0:11:07 | |
-I'll tell you what it can be, the very best... -Yeah? | 0:11:07 | 0:11:10 | |
..180. You won't see another one. | 0:11:10 | 0:11:12 | |
-Is that a fair price? -I think that is a fair price, | 0:11:12 | 0:11:16 | |
but I think 180 plus 15 percent buyer's premium is going to take | 0:11:16 | 0:11:20 | |
it over the £200 mark and I think that wipes out any chance of profit. | 0:11:20 | 0:11:25 | |
-OK. -OK. -Thank you very much. Good luck with it. | 0:11:25 | 0:11:27 | |
-I'm sure you'll sell it. -If you change your mind, | 0:11:27 | 0:11:29 | |
we're going to be walking down there. | 0:11:29 | 0:11:31 | |
Unlikely, David! But £180 is a large chunk of your money. Oh, ho! | 0:11:31 | 0:11:36 | |
The pressure! Now, where are the Reds? | 0:11:36 | 0:11:38 | |
What do you think, boys? Do you think the Blue team are doing this? | 0:11:38 | 0:11:41 | |
No, I think they're still looking round. | 0:11:41 | 0:11:43 | |
-Running round till the last minute. -We're all right. | 0:11:43 | 0:11:45 | |
We can sit and enjoy ourselves. | 0:11:45 | 0:11:47 | |
The Blues will have to do the best they can with the time left, | 0:11:47 | 0:11:50 | |
while the Reds do the best with theirs. | 0:11:50 | 0:11:53 | |
Well, I can just feel a snooze coming on. What do you think? | 0:11:53 | 0:11:56 | |
-Sounds good to me. -Yeah. | 0:11:56 | 0:11:58 | |
While the Red team take a break, | 0:11:58 | 0:12:00 | |
the Blues are still deciding about that writing box. | 0:12:00 | 0:12:04 | |
-I love it, I really like it. It's got that damage there. -I love it. | 0:12:04 | 0:12:07 | |
-I mean, I really do like the pattern of the wood. -I do as well. | 0:12:07 | 0:12:10 | |
-I've never seen one like it. -Would you have it in your home? | 0:12:10 | 0:12:12 | |
-I would, yes. -Would you have it in your home? -Definitely, yes. | 0:12:12 | 0:12:15 | |
I'd have it in mine. So, I reckon on that basis | 0:12:15 | 0:12:18 | |
-we should have a good chance. -I think so. | 0:12:18 | 0:12:21 | |
James persevered and secured the writing box for £169 with | 0:12:21 | 0:12:25 | |
just minutes to spare. So, both teams have their three items. | 0:12:25 | 0:12:29 | |
Let's remind ourselves what they bought. | 0:12:29 | 0:12:31 | |
Des and Mick took an immediate shine to | 0:12:34 | 0:12:36 | |
the plated canteen of cutlery priced at £85. | 0:12:36 | 0:12:40 | |
And it wasn't long before they found the vase | 0:12:41 | 0:12:43 | |
they were searching for. | 0:12:43 | 0:12:44 | |
Finally, the boys wasted no time in snapping up | 0:12:46 | 0:12:48 | |
the Victorian photo album for £50. | 0:12:48 | 0:12:51 | |
I mean, what is your favourite bit, Des? | 0:12:53 | 0:12:56 | |
-Between two, I would go for the vase. -The vase? What about you, Mick? | 0:12:56 | 0:13:00 | |
I reckon the vase as well. | 0:13:00 | 0:13:01 | |
Which piece is going to bring the biggest profit, Des? | 0:13:01 | 0:13:03 | |
-Again, between two, but I will go for the photo album. -Yes, what about you? | 0:13:03 | 0:13:07 | |
-I'll go for the photo album as well. -The photo album too. Very good. | 0:13:07 | 0:13:10 | |
Well, you managed to spend £195, which is great. | 0:13:10 | 0:13:13 | |
£105, please, to Kate Bliss. | 0:13:13 | 0:13:15 | |
-There you go, Kate. -Lovely, thank you. | 0:13:15 | 0:13:17 | |
You're excited about trotting off with that, aren't you? | 0:13:17 | 0:13:20 | |
-So, I get the say on this one? -You do. -Thank you very much. | 0:13:20 | 0:13:22 | |
And very good luck, Kate. | 0:13:22 | 0:13:24 | |
Let us remind ourselves what the Blues bought. | 0:13:24 | 0:13:26 | |
Kim and David got off to a flying start with | 0:13:26 | 0:13:28 | |
the pretty Art Nouveau style photo frame. | 0:13:28 | 0:13:31 | |
But indecision hampered their progress | 0:13:33 | 0:13:35 | |
and it took a while for the Blues to settle on the Denby plate. | 0:13:35 | 0:13:38 | |
And, with time running out, | 0:13:40 | 0:13:41 | |
the Blues bought the Victorian writing box for £169. | 0:13:41 | 0:13:45 | |
Let's hope that pays off at auction. | 0:13:45 | 0:13:47 | |
So, David and Kim, you are relaxed to the very last moment. | 0:13:50 | 0:13:53 | |
Congratulations. Now, David, which is your favourite item? | 0:13:53 | 0:13:56 | |
-I like the Coromandel wood stationery box. -And what about you, Kim? | 0:13:56 | 0:13:59 | |
Um, I think the Denby plate for me. | 0:13:59 | 0:14:01 | |
OK, and which piece is going to bring the biggest profit, David? | 0:14:01 | 0:14:04 | |
-I think the plate, actually. -I agree. -Well, isn't that lovely? | 0:14:04 | 0:14:07 | |
A little bit of marital harmony. You spent £213, which is great. | 0:14:07 | 0:14:12 | |
£87 of leftover lolly to go to James Lewis. | 0:14:12 | 0:14:16 | |
James, £87, that's a reasonable chance for you to go | 0:14:16 | 0:14:19 | |
and perhaps buy a sheep or something. | 0:14:19 | 0:14:21 | |
-There's plenty of those! -THEY LAUGH | 0:14:21 | 0:14:23 | |
It's great to be at Gilding's Saleroom in Market Harborough | 0:14:34 | 0:14:37 | |
with the man himself, John Gilding. Good morning, John. | 0:14:37 | 0:14:40 | |
-Good morning, Tim. -You're ready to crack on with this, aren't you? | 0:14:40 | 0:14:43 | |
-Absolutely. -So, first up for the Reds, | 0:14:43 | 0:14:44 | |
for our Mick and Des is their canteen of cutlery. | 0:14:44 | 0:14:47 | |
I mean, it's got a raft of cutlery in it, | 0:14:47 | 0:14:49 | |
but it's not 100 percent complete, is it? | 0:14:49 | 0:14:51 | |
No, we've had to put it as a part canteen, because | 0:14:51 | 0:14:53 | |
-there are pieces missing. -What do you think it's worth, John? | 0:14:53 | 0:14:56 | |
Well, we've got a pre-sale estimate of 80 to 120. | 0:14:56 | 0:14:58 | |
They will be very pleased. £85 is all that they paid. | 0:14:58 | 0:15:03 | |
Now, the Satsuma vase on the other hand, | 0:15:03 | 0:15:05 | |
is a most boring type of Oriental ceramics, isn't it? | 0:15:05 | 0:15:08 | |
And only one of which would definitely have been a pair. | 0:15:08 | 0:15:12 | |
One of a pair, but out of only 86 million imported | 0:15:12 | 0:15:15 | |
into the country around about 1910. | 0:15:15 | 0:15:18 | |
We could only manage to find one. | 0:15:18 | 0:15:19 | |
-Yeah, we could only manage to find one. -Oh, dear. | 0:15:19 | 0:15:21 | |
Having completely dissed it, | 0:15:21 | 0:15:23 | |
it'll probably make a fortune in the auction, | 0:15:23 | 0:15:25 | |
but my estimate on this would be £10 to £20. What's yours, John? | 0:15:25 | 0:15:28 | |
We've been somewhat more generous. | 0:15:28 | 0:15:29 | |
We thought we might just get £25 to £40. | 0:15:29 | 0:15:32 | |
Well, the guys, they paid £60 for it, all right? | 0:15:32 | 0:15:35 | |
And, lastly, is the photograph album rather cleverly found by Kate Bliss. | 0:15:35 | 0:15:39 | |
Do you think this is a good thing, John? | 0:15:39 | 0:15:41 | |
Well, it's very neat and tidy | 0:15:41 | 0:15:43 | |
and there's one or two very good photographs in it. | 0:15:43 | 0:15:45 | |
Which photographs do you rate here, John? | 0:15:45 | 0:15:47 | |
Well, the two showing, they were by Beroud of Liverpool. | 0:15:47 | 0:15:51 | |
He was a well-known children's photographer | 0:15:51 | 0:15:54 | |
of the late 19th century, | 0:15:54 | 0:15:55 | |
-so they do help to make the album... -They lift it a bit, yes. | 0:15:55 | 0:15:59 | |
Anyway, estimate wise, what do you think, John? | 0:15:59 | 0:16:01 | |
Well, we've got 40 to 60 on that, of course, | 0:16:01 | 0:16:03 | |
and we're quite happy to think that we should be able to crack that. | 0:16:03 | 0:16:06 | |
Well, £50 Kate paid. | 0:16:06 | 0:16:08 | |
Right, so we've got lots of encouragement there, John. | 0:16:08 | 0:16:11 | |
The Satsuma might drag them down. | 0:16:11 | 0:16:13 | |
If it does, they're going to need their bonus buy, | 0:16:13 | 0:16:15 | |
so let's go and have a look at it anyway. | 0:16:15 | 0:16:18 | |
There we go. Now, it's a little...boat. | 0:16:18 | 0:16:21 | |
In fact, it's a rather large ship, the Queen Mary. | 0:16:21 | 0:16:24 | |
It's a Dinky model, marked underneath for Dinky. | 0:16:24 | 0:16:28 | |
It's obviously been played with a little bit, | 0:16:28 | 0:16:30 | |
but condition, as Dinkys go, is not too bad. | 0:16:30 | 0:16:34 | |
How much have you paid for this, then? | 0:16:34 | 0:16:36 | |
Well, I paid £18, which, I have to say to be honest with you, | 0:16:36 | 0:16:39 | |
I think is a fair price. There might be a smidgeon of profit in it. | 0:16:39 | 0:16:43 | |
We'll have to wait and see. | 0:16:43 | 0:16:44 | |
Well, you have a little ponder, but for the audience at home, | 0:16:44 | 0:16:47 | |
let's find out what the auctioneer thinks about Kate's little Dinky. | 0:16:47 | 0:16:51 | |
-This is an early model from the Dinky collection. -Mm-hm. | 0:16:51 | 0:16:54 | |
In good condition and in a box, it would obviously be a highly | 0:16:54 | 0:16:58 | |
-collectible piece, but this has been extremely well played with. -Yes. | 0:16:58 | 0:17:02 | |
It's a bonus buy, John, so be as generous | 0:17:02 | 0:17:04 | |
as you possibly can, please. | 0:17:04 | 0:17:05 | |
Well, I think we're being more than generous by saying that | 0:17:05 | 0:17:08 | |
-we thought it might make between £10 and £20. -£10 to £20? | 0:17:08 | 0:17:11 | |
Well, this is going to sail away then | 0:17:11 | 0:17:14 | |
to a massive loss cos Kate paid £18. What potentially...? | 0:17:14 | 0:17:16 | |
-I mean, you might get £20 for it, mightn't you? -Well, I might. | 0:17:16 | 0:17:19 | |
Yes, yes... Beyond that, I'd be amazed. | 0:17:19 | 0:17:22 | |
Well, stand by for a bit of a bloodbath on that then. | 0:17:22 | 0:17:25 | |
Now, that's it for the Reds. Now, for the Blues. | 0:17:25 | 0:17:27 | |
David and Kim, their first item is the silver photo frame, | 0:17:27 | 0:17:31 | |
-which you quite like, don't you? -Yes, yes. They sell very well. | 0:17:31 | 0:17:34 | |
-There's a good market for them. -How much, John, do you think? -50 to 70. | 0:17:34 | 0:17:38 | |
-Gosh, pounds we're talking here, cos they paid £15, actually. -£15? | 0:17:38 | 0:17:42 | |
Well, I'd have thought that was a very good buy. | 0:17:42 | 0:17:45 | |
Well, isn't that interesting. | 0:17:45 | 0:17:46 | |
Next, is the Denby circular bowl decorated by Glyn Colledge. | 0:17:46 | 0:17:51 | |
Now, you see quite a lot of Denbyware here, I guess, do you? | 0:17:51 | 0:17:53 | |
We do. Obviously, it's just up the road. | 0:17:53 | 0:17:55 | |
But it's never really made it yet, I don't feel. | 0:17:55 | 0:17:58 | |
It's still hanging there, waiting to take off. | 0:17:58 | 0:18:01 | |
-We thought about £20 to £30. -Right, £29 paid, so not much of a chance. | 0:18:01 | 0:18:04 | |
Well, that wasn't bad then, really, was it? | 0:18:04 | 0:18:07 | |
Well, I don't know, I mean, | 0:18:07 | 0:18:08 | |
depending on whether you're trying to make a profit or not! | 0:18:08 | 0:18:11 | |
I would have thought that was | 0:18:11 | 0:18:12 | |
-well bought in the field, actually. -What about the third item, | 0:18:12 | 0:18:15 | |
the Coromandel stationery cabinet? | 0:18:15 | 0:18:18 | |
This is a good piece, but, unfortunately, the main problem | 0:18:18 | 0:18:20 | |
being that it's been broken into and the lock is now not working. | 0:18:20 | 0:18:24 | |
Not working? So, not working lock, | 0:18:24 | 0:18:26 | |
-and we've got this rather bad bit of bruising here. -We have, yes. | 0:18:26 | 0:18:29 | |
But Coromandel wood and the box itself, it is really good quality. | 0:18:29 | 0:18:34 | |
-Yes. -So, I've got a very good estimate, I think, | 0:18:34 | 0:18:36 | |
-for you of 100 to 150. -100 to 150? -Yes. | 0:18:36 | 0:18:40 | |
-Not optimistic enough, sir, I'm afraid. -Oh. -£169 paid. -Oh, dear. | 0:18:40 | 0:18:44 | |
-Which is going for it, isn't it? -Hmm. It is, I'm afraid. | 0:18:44 | 0:18:48 | |
Well, as you say, John, let us remain optimistic. | 0:18:48 | 0:18:51 | |
It's one of your most endearing qualities. | 0:18:52 | 0:18:55 | |
So, we might lose a bit on the Coromandel, | 0:18:55 | 0:18:57 | |
-might make a bit on the photo frame... -Yes. | 0:18:57 | 0:19:00 | |
..might break even on the bowl. | 0:19:00 | 0:19:01 | |
So, overall, they could well need their bonus buy. | 0:19:01 | 0:19:04 | |
Let's go and have a look at it. | 0:19:04 | 0:19:06 | |
If I go very gently with that... | 0:19:06 | 0:19:09 | |
-Ah! -Right. -..we reveal... -Ah! | 0:19:09 | 0:19:11 | |
-Are these the same glasses that we looked at? -They are. -Right. | 0:19:11 | 0:19:14 | |
-But, when we went round, there were about 30 of them. -Yes. | 0:19:14 | 0:19:17 | |
-I asked, "Are there 30 there?" And he went, "There are 42!" -Wow. | 0:19:17 | 0:19:21 | |
-She found another load under the counter. -Yeah. How much did you pay? | 0:19:21 | 0:19:25 | |
-£69 and a full 50p. -That's a really good price. | 0:19:25 | 0:19:29 | |
In terms of profit forecast? | 0:19:29 | 0:19:31 | |
-Well, I would certainly hope they'll make over £100. -Right. -Wow. | 0:19:31 | 0:19:36 | |
Well, that's pretty good, isn't it? | 0:19:36 | 0:19:37 | |
Now, just hold that thought, cos you don't choose right now, | 0:19:37 | 0:19:40 | |
you choose after the sale of the first three items, | 0:19:40 | 0:19:43 | |
but, for the viewers at home, | 0:19:43 | 0:19:44 | |
let's find out what the auctioneer thinks about the suite of glass. | 0:19:44 | 0:19:47 | |
-It is a really nice delicate suite... -Yes. | 0:19:47 | 0:19:49 | |
..and I think, potentially, it has the makings of quite a bit of money. | 0:19:49 | 0:19:53 | |
-Really? -Yeah. -Well, this is James Lewis' bonus buy. | 0:19:53 | 0:19:56 | |
He paid £69.50 for some 42 pieces of this glass, which is | 0:19:56 | 0:20:02 | |
-not much, is it? -That's an excellent buy, excellent buy. | 0:20:02 | 0:20:06 | |
My pre-sale estimate is 80 to 120, | 0:20:06 | 0:20:08 | |
which I thought was very conservative. | 0:20:08 | 0:20:11 | |
-Oh, right. -I'm expecting this to go well over the £100 mark. | 0:20:11 | 0:20:14 | |
-I'm watching your lips there, John. -Yeah. -Well over the £100 mark? | 0:20:14 | 0:20:17 | |
-It did indeed. -And if it does particularly well, | 0:20:17 | 0:20:19 | |
do you think there might be a drop of...? | 0:20:19 | 0:20:22 | |
-Well, we'll have the champagne... -On ice? -..on ice. | 0:20:22 | 0:20:24 | |
-How's that? -What could be nicer? Thanks, John. | 0:20:24 | 0:20:26 | |
So, boys, here we are on the edge of the auction. Are you OK with this? | 0:20:34 | 0:20:36 | |
-Yes, looking forward to it. -You too? -Yeah. | 0:20:36 | 0:20:39 | |
-You're not nervous at all, are you? -No, no. -Not at all. | 0:20:39 | 0:20:41 | |
We're just a bit nervous that we're | 0:20:41 | 0:20:43 | |
going to make a bit too much, that's all. | 0:20:43 | 0:20:46 | |
Is that your big problem, is it? That is overconfident, isn't it? | 0:20:46 | 0:20:50 | |
-The little chest containing the cutlery, your canteen... -Yes. | 0:20:50 | 0:20:53 | |
-It's looking good, Des. You paid £85 for that. -Yes, we did. | 0:20:53 | 0:20:57 | |
-The auctioneer's estimate is 80 to 120. -It'll make a profit. | 0:20:57 | 0:21:00 | |
-Looks like a profit, doesn't it? -Yes. -Here it comes. | 0:21:00 | 0:21:03 | |
Lot 25 is a part 12-place setting of plated cutlery, please. | 0:21:03 | 0:21:07 | |
What will you say for lot 25? £100 straight in. At 100, will you say...? | 0:21:07 | 0:21:13 | |
No reserve. 40, I bid £40, I bid 5, £45. At £45, I bid 45. | 0:21:13 | 0:21:18 | |
-Oh, dear. -Not looking good. -Come on. -Come on. | 0:21:18 | 0:21:21 | |
At £50, I bid 50. Do I see a bid in the room, quickly? | 0:21:21 | 0:21:24 | |
At £50, and I have to sell, please, there's no reserve. | 0:21:24 | 0:21:28 | |
-At £50... -Oh, dear. | 0:21:28 | 0:21:30 | |
All done. Quite sure then? £50 and sold at 50. | 0:21:30 | 0:21:35 | |
-Oh, no! -£50, sold on the internet, probably to a bloke in China. | 0:21:35 | 0:21:39 | |
-Anyway... -Ouch! -..that is, sadly, minus £35. | 0:21:39 | 0:21:43 | |
Next, is the Satsuma vase. | 0:21:43 | 0:21:44 | |
-Stand by. -Another good piece there. £25 to start the bidding. | 0:21:44 | 0:21:48 | |
£10, a bid at 10. 10, 12, | 0:21:48 | 0:21:50 | |
14, at 14, 16, | 0:21:50 | 0:21:52 | |
at 16, a bid at 16. | 0:21:52 | 0:21:54 | |
-In the room now, at £16 I'm bid. -£16! | 0:21:54 | 0:21:58 | |
£18 with the hat. At 18, 20, £20, I'm bid 22 with the red shirt, | 0:21:58 | 0:22:02 | |
at 22. You're both out at the back row, please, at £22 seated. | 0:22:02 | 0:22:05 | |
It is yours at 22...£24 I am bid, at 24, 24... | 0:22:05 | 0:22:09 | |
At 26, with the red shirt at 26. | 0:22:09 | 0:22:12 | |
Are we all done? Sold in the middle at 26. | 0:22:12 | 0:22:15 | |
£26 is four shy of 30. You are minus £34 on that. | 0:22:15 | 0:22:20 | |
Not good, chaps. | 0:22:20 | 0:22:22 | |
Now, your album, Kate, it's all down to your album. | 0:22:22 | 0:22:26 | |
This lovely leather-covered album with photographs | 0:22:26 | 0:22:28 | |
and what have you in it. | 0:22:28 | 0:22:30 | |
This is a lovely album, please, and some very good photographs, | 0:22:30 | 0:22:32 | |
and £50 for it to start the bidding, if you will. | 0:22:32 | 0:22:34 | |
£30, I am bid £30, I am bid 30, it's on commission. | 0:22:34 | 0:22:38 | |
You're all out in the room at £30. | 0:22:38 | 0:22:40 | |
-At £30, I am bid 35 on the left. -Oh, no! | 0:22:40 | 0:22:43 | |
The commissions are lost. It's £35 on the net. | 0:22:43 | 0:22:46 | |
Come on, come on. | 0:22:46 | 0:22:47 | |
I bid 35. I'm not understanding you here... | 0:22:47 | 0:22:50 | |
-That is cheap, isn't it? -Yeah, that's just... | 0:22:50 | 0:22:52 | |
That's £35. I shall sell. I have no option. | 0:22:52 | 0:22:55 | |
All done at £35. To the net. | 0:22:55 | 0:22:57 | |
-Oh, dear. £35. -Boys! My boys! | 0:22:57 | 0:23:01 | |
So, I'm sad to say, chaps, that is minus £84. | 0:23:01 | 0:23:05 | |
This is not how it was predicted, I have to say. | 0:23:05 | 0:23:09 | |
How are you feeling now? | 0:23:09 | 0:23:11 | |
It looks like we'll have to go with this bonus buy. | 0:23:11 | 0:23:14 | |
-In for a penny, in for a pound. -That's right. | 0:23:14 | 0:23:17 | |
-So, you're going to go with the Queen Mary? -Yes. | 0:23:17 | 0:23:20 | |
The die-cast Cunard White Star Queen Mary... | 0:23:20 | 0:23:22 | |
Who's in there for £20 for that? | 0:23:22 | 0:23:24 | |
£2 for it then. At 2... | 0:23:24 | 0:23:26 | |
-No! -A bid at 4, 4, £4. | 0:23:26 | 0:23:29 | |
£6, a bid at 6, at 8, at 10, £10. | 0:23:29 | 0:23:34 | |
-Come on! Up. -£12. 12 on the net. £12. | 0:23:34 | 0:23:38 | |
-One for luck. -You're dressed for it. 12, 12, 12, at £12. | 0:23:38 | 0:23:42 | |
Do I see £14 anywhere? | 0:23:42 | 0:23:43 | |
It's on the net and I'm selling in the room at 14. | 0:23:43 | 0:23:47 | |
16, 16, 16, 18, 18. | 0:23:47 | 0:23:51 | |
And it's time. Sold. | 0:23:51 | 0:23:53 | |
Well done, Kate. Wiped your face, darling. £18. | 0:23:53 | 0:23:56 | |
No profit, no loss, no shame. | 0:23:56 | 0:23:58 | |
-Minus £84 overall, chaps. -Oh, no! -It's bad luck, isn't it? | 0:24:00 | 0:24:04 | |
But it could be a winning score | 0:24:04 | 0:24:05 | |
and don't tell the Blues a thing, all right? | 0:24:05 | 0:24:07 | |
-Mum's the word. -All right. -Well done. Good sports. -All right. | 0:24:07 | 0:24:11 | |
Now, David and Kim, do you know how the Reds got on at all? | 0:24:20 | 0:24:23 | |
-Not at all. -You don't? They kept quiet, which is the way we like it! | 0:24:23 | 0:24:27 | |
So, how are you feeling, you two? OK? | 0:24:27 | 0:24:29 | |
-Confident. Quietly confident. -Quietly confident? | 0:24:29 | 0:24:31 | |
Is it warm enough for you? That's the first thing. | 0:24:31 | 0:24:34 | |
-It's very warm, isn't it? -It's warm enough, absolutely. | 0:24:34 | 0:24:36 | |
-How are you feeling, James? -Absolutely fine. -Are you? Good. | 0:24:36 | 0:24:39 | |
That's perfect, because the first item which David found, | 0:24:39 | 0:24:42 | |
your £15 photo frame has been estimated by the auctioneer, | 0:24:42 | 0:24:47 | |
-I'm glad to say, at £50 to £70. -Really?! -That's fantastic! | 0:24:47 | 0:24:50 | |
So, £15 bought for that is a phenomenally good buy to find | 0:24:50 | 0:24:54 | |
in the fair, so I congratulate you, David, on that and here it comes. | 0:24:54 | 0:24:58 | |
It's that lovely photograph frame, please, and stamped 925. | 0:24:58 | 0:25:02 | |
-What will you say about that? £50 straight in. £50. -Wow. | 0:25:02 | 0:25:06 | |
There's no reserve. I'm bid 30. On commission at 30. At 35... 32? OK. | 0:25:06 | 0:25:14 | |
-35 in the room. What about 40? 40. -It's looking good. | 0:25:14 | 0:25:18 | |
At £40, I'm bid 40. Do I see 45 anywhere? | 0:25:18 | 0:25:23 | |
At 40, you're out on the net, please. | 0:25:23 | 0:25:25 | |
At 40, I'm bid 40, it's on commission, all done. | 0:25:25 | 0:25:27 | |
Finished and away then at £40 and sold. | 0:25:27 | 0:25:30 | |
£40. Well, that's not too bad. You make a profit of £25 on that. | 0:25:30 | 0:25:33 | |
That's very good. | 0:25:33 | 0:25:35 | |
£25. Excellent. | 0:25:35 | 0:25:37 | |
Now, Glyn Colledge's bowl. | 0:25:37 | 0:25:39 | |
A bowl by Glyn Colledge. What will you say for that? | 0:25:39 | 0:25:43 | |
Again, no reserves here, please. Open the bidding any way you will. £30? | 0:25:43 | 0:25:46 | |
£10, then. Thank you at 10. 10, 10, £10. | 0:25:46 | 0:25:49 | |
At 12, 12, 12, | 0:25:49 | 0:25:51 | |
14, a bid at 14, at £14. | 0:25:51 | 0:25:53 | |
16, a bid at 16, | 0:25:53 | 0:25:55 | |
-at 16... -Come on, please. Come on. More. Come on. | 0:25:55 | 0:25:59 | |
A bid right at the back. | 0:25:59 | 0:26:00 | |
-It is yours at £16, I am bid. -Oh, no! -I have no reserve. | 0:26:00 | 0:26:04 | |
It must be sold. £16. | 0:26:04 | 0:26:07 | |
-£16. You are minus £13 now. -Oh, no. | 0:26:07 | 0:26:11 | |
A very nice correspondence stand and this is the Coromandel wood. | 0:26:11 | 0:26:15 | |
And bids start with me at, please, £65. | 0:26:15 | 0:26:18 | |
On commission at 65 and a very low start it is too at 70, | 0:26:18 | 0:26:21 | |
75, 75, 75. | 0:26:21 | 0:26:23 | |
-Out on the net. At £80, I'm bid £85 on the net. -Come on, please! | 0:26:23 | 0:26:28 | |
-At 85, at 85, 90, £90, I'm bid, 90... -Come on, keep going, keep going. | 0:26:28 | 0:26:32 | |
At £90, I'm bid. The commission's out. You're out in the room at 90. | 0:26:32 | 0:26:37 | |
-Quite sure? -Oh, dear. -Oh, no! | 0:26:37 | 0:26:39 | |
At £90. | 0:26:39 | 0:26:41 | |
-No! -£90, that is minus £79, | 0:26:41 | 0:26:45 | |
which means, overall, you are minus £67. | 0:26:45 | 0:26:50 | |
-Oh, no! -It's not disastrous. | 0:26:50 | 0:26:52 | |
What do you mean, "It's not disastrous"?! | 0:26:52 | 0:26:54 | |
Minus £67! So, what are you going to do? | 0:26:54 | 0:26:56 | |
-Are you going to go with the drinking glasses? -Definitely. -Yeah. | 0:26:56 | 0:26:59 | |
We're going with James' glass and here it comes. | 0:26:59 | 0:27:01 | |
Lot 53, this lovely suite of drinking glasses, please. | 0:27:01 | 0:27:05 | |
A lot of interest here. £90 opens the bidding. £90. I'm bid 90. | 0:27:05 | 0:27:10 | |
-It's on commission at £90. -£90! James! -95 in the room at 95, 100. | 0:27:10 | 0:27:15 | |
£100 I am bid. And 10. 120. At 120 and you're out. | 0:27:15 | 0:27:20 | |
-Firing away, please, at £120 on commission. -Look at that. | 0:27:20 | 0:27:24 | |
All done? You're quite sure then at 120. | 0:27:24 | 0:27:28 | |
£50 and 50p. Well, that's a very good profit, isn't it? | 0:27:28 | 0:27:31 | |
Thank goodness for that. | 0:27:31 | 0:27:32 | |
So, overall then, you are... | 0:27:32 | 0:27:35 | |
minus £16.50. Yes? | 0:27:35 | 0:27:38 | |
Yes, you are minus £16.50. Check, check, check. | 0:27:38 | 0:27:41 | |
You brought us back to a reasonable... | 0:27:41 | 0:27:43 | |
Nothing's reasonable when it has a minus in front of it! | 0:27:43 | 0:27:46 | |
So, despite James' best efforts, the Blues make a loss of £16.50, | 0:27:46 | 0:27:50 | |
but they're still the winners because, remember, | 0:27:50 | 0:27:52 | |
the Reds made a whopping loss of £84. Huh! | 0:27:52 | 0:27:56 | |
'Coming up, two more teams are ready to go bargain hunting, | 0:27:56 | 0:27:58 | |
'but, first, I'm off to somewhere rather grand.' | 0:27:58 | 0:28:01 | |
MUSIC: "Untouched" by The Veronicas | 0:28:02 | 0:28:04 | |
Burghley House in Stamford was built by William Cecil | 0:28:17 | 0:28:20 | |
in the 16th century, and whilst it's full of the most gorgeous rooms, | 0:28:20 | 0:28:25 | |
the room I'm particularly interested in is the billiard room. | 0:28:25 | 0:28:28 | |
Pot black! | 0:28:28 | 0:28:29 | |
The early inventories of the house record this room as a dining room, | 0:28:35 | 0:28:40 | |
but by the early part of the 19th century, | 0:28:40 | 0:28:43 | |
it's described as a billiard room, which is what it is today, | 0:28:43 | 0:28:47 | |
not surprisingly, dominated by an enormous full-sized billiard table. | 0:28:47 | 0:28:52 | |
And what makes this table interesting for me, | 0:28:52 | 0:28:54 | |
is the fact that it's got this identification plaque. | 0:28:54 | 0:28:57 | |
If you look, it's a signature plaque. | 0:28:57 | 0:28:59 | |
The maker was a man called John Thurston | 0:28:59 | 0:29:02 | |
and he first started specialising in billiard tables in 1814. | 0:29:02 | 0:29:07 | |
He invented and introduced the slate bedded table, which is | 0:29:07 | 0:29:11 | |
what this one's got. | 0:29:11 | 0:29:12 | |
This is made of a series of large panels of slate, | 0:29:12 | 0:29:17 | |
which give ultimate stability to the playing surface. | 0:29:17 | 0:29:22 | |
And in 1835, he invented rubber cushions. | 0:29:22 | 0:29:26 | |
And the other interesting thing about this table is | 0:29:26 | 0:29:29 | |
the colour of the timber. | 0:29:29 | 0:29:31 | |
It's oak, but it's got this very strange black streaked effect, | 0:29:31 | 0:29:35 | |
which is not typical for oak, | 0:29:35 | 0:29:38 | |
and it's actually striped within the core of the timber itself. | 0:29:38 | 0:29:43 | |
Which is strange. | 0:29:43 | 0:29:44 | |
But that's explained by the top plaque, that says that this table | 0:29:44 | 0:29:49 | |
is made from oak from the Royal George raised at Spithead in 1841. | 0:29:49 | 0:29:55 | |
Now, the Royal George was the largest ship in the | 0:29:55 | 0:29:59 | |
British fleet ever to have been made out of oak. | 0:29:59 | 0:30:02 | |
Over three and a half thousand tons of oak were employed in its | 0:30:02 | 0:30:06 | |
construction and it sank in Spithead in 1782 with enormous loss of life. | 0:30:06 | 0:30:14 | |
By 1841, they'd managed to raise the remnants of the wreck, | 0:30:14 | 0:30:19 | |
and the oak was employed to make a number of items, including | 0:30:19 | 0:30:24 | |
this billiard table, which makes it just that bit more historic. | 0:30:24 | 0:30:28 | |
Meanwhile, back at the Corby Antiques Fair, | 0:30:28 | 0:30:30 | |
will we see historic profits from our next two teams? | 0:30:30 | 0:30:35 | |
Time to see our next pair of Reds and Blues. | 0:30:35 | 0:30:38 | |
For the Reds today, we've got good friends Caroline and Renata, | 0:30:39 | 0:30:43 | |
and for the Blues, we've got married couple Joe and Betsy. | 0:30:43 | 0:30:47 | |
Welcome to Bargain Hunt, teams. | 0:30:47 | 0:30:49 | |
-Caroline, how do you two know each other? -We work together. -Oh, right. | 0:30:49 | 0:30:54 | |
-And where do you work? -We work in a lab. -And what do you do in the lab? | 0:30:54 | 0:30:58 | |
-We test wine. -Gosh! So, how does it work then? | 0:30:58 | 0:31:00 | |
You're tasting it or what are you doing? | 0:31:00 | 0:31:02 | |
We get samples from tankers from all over the world | 0:31:02 | 0:31:05 | |
and we take the samples and we have to do chemical | 0:31:05 | 0:31:08 | |
and microbiological analysis on it, but, yes, we do taste them. | 0:31:08 | 0:31:12 | |
Do you collect anything? | 0:31:12 | 0:31:14 | |
-Um, I collect Blue Peter annuals. -Do you? | 0:31:14 | 0:31:18 | |
Somebody's got to! Yes. | 0:31:18 | 0:31:19 | |
I used to collect them when I was little, from the bring and buy sales. | 0:31:19 | 0:31:22 | |
-Yeah, and now you've gone on. -Yes! -Brilliant, isn't it? | 0:31:22 | 0:31:25 | |
-Do you get out much? -No! -OK, I understand. | 0:31:25 | 0:31:29 | |
Now, Renata, you also work in the lab together, yes? | 0:31:29 | 0:31:33 | |
I do chemical analysis testing | 0:31:33 | 0:31:36 | |
and I also work downstairs in the microbiology lab. | 0:31:36 | 0:31:38 | |
-What other interests have you got, Renata? -Oh, all sorts. | 0:31:38 | 0:31:41 | |
I collect Myth and Magic figurines. | 0:31:41 | 0:31:43 | |
They're small pewter figures with wizards and dragons with crystals, | 0:31:43 | 0:31:48 | |
and I've got them from the miniature ones, which are about this big, to | 0:31:48 | 0:31:52 | |
the sort of very large scale, and I've got about 100 pieces. | 0:31:52 | 0:31:55 | |
-And are they beautifully detailed and nicely made? -Yes, I believe so. | 0:31:55 | 0:31:59 | |
-Yes, interesting, isn't it? -Yes. -Well, you're obviously going to be | 0:31:59 | 0:32:03 | |
pretty sharp contestants today, I have to tell you, | 0:32:03 | 0:32:05 | |
and these Blues are going to be quaking in their boots. | 0:32:05 | 0:32:08 | |
-Are you quaking in your boots, you Blues? -We are! | 0:32:08 | 0:32:10 | |
Now, Joe, how did you two meet? | 0:32:10 | 0:32:12 | |
Um, we met in an internet chatroom. | 0:32:12 | 0:32:15 | |
-Did you? -Yeah, and we met up three days later and the rest is history. | 0:32:15 | 0:32:18 | |
-What do you collect, Joe? -I collect owls. -Oh, yeah? -Yes. | 0:32:18 | 0:32:23 | |
-What, live ones in a cage? -No, not live ones, just like ornamental ones. | 0:32:23 | 0:32:26 | |
-Ornamental owls? -Yes. -Yes. Betsy, you're a bit of a collector too. | 0:32:26 | 0:32:30 | |
-Yes, just a bit. Steiff Bears and Kaiser. -Aye. | 0:32:30 | 0:32:34 | |
What's your favourite piece? | 0:32:34 | 0:32:35 | |
-Oh, it'd have to be by Kaiser, "Three Naked Ladies." -Oh, yeah? | 0:32:35 | 0:32:40 | |
-My sister found them at the local recycle centre. -Yes? | 0:32:40 | 0:32:44 | |
She bought them for a pound each and they're worth about £100 each. | 0:32:44 | 0:32:47 | |
-Right. -The people there didn't know what they were selling. -No, quite. | 0:32:47 | 0:32:50 | |
Well, that is a lucky do, isn't it? That's naked ladies. | 0:32:50 | 0:32:53 | |
And what sort of hobbies have you got? | 0:32:53 | 0:32:56 | |
Well, knitting and my collections and I like...well, | 0:32:56 | 0:32:59 | |
-I've been up on a Hercules plane. -Have you? -And a glider. | 0:32:59 | 0:33:03 | |
What were you doing in a Hercules plane, if you don't mind my asking? | 0:33:03 | 0:33:06 | |
Well, um, I was working for the RAF | 0:33:06 | 0:33:08 | |
and the pilot came in and asked me if I wanted to go for a jolly | 0:33:08 | 0:33:12 | |
-and I said, "Yeah, OK!" So, we went up in the Hercules plane. -Did you? | 0:33:12 | 0:33:16 | |
-For a few hours. -Just for a spin around? -Just for a spin around. | 0:33:16 | 0:33:19 | |
-And was it good fun? -It was fantastic, yes. -Yes. | 0:33:19 | 0:33:22 | |
Almost as fantastic as it's going to be for you today | 0:33:22 | 0:33:25 | |
on Bargain Hunt, cos this is the money moment. | 0:33:25 | 0:33:29 | |
Here is your £300. | 0:33:29 | 0:33:30 | |
-Thanks very much. -You know the rules, your experts await and off you go. | 0:33:30 | 0:33:35 | |
And very, very, very good luck. | 0:33:35 | 0:33:37 | |
MUSIC: "The Girls" by Calvin Harris | 0:33:37 | 0:33:40 | |
# I get all the girls, I get all the girls... # | 0:33:40 | 0:33:43 | |
What do you think to this? | 0:33:43 | 0:33:44 | |
# I get all the girls... # | 0:33:44 | 0:33:46 | |
Right, see, cos it's got the additional box... | 0:33:46 | 0:33:49 | |
Poor little thing! | 0:33:49 | 0:33:50 | |
Is it alive? | 0:33:50 | 0:33:51 | |
It was once, poor little chap. | 0:33:51 | 0:33:54 | |
Aww! | 0:33:54 | 0:33:55 | |
A pair of Doulton candlesticks. | 0:33:58 | 0:34:00 | |
What do you think to candlesticks? | 0:34:00 | 0:34:02 | |
-Very pretty. -They're useful, you know, everybody uses candlesticks. | 0:34:02 | 0:34:05 | |
They're a good maker - they're Doulton. | 0:34:05 | 0:34:08 | |
The condition is good, no chips, no cracks. Um... | 0:34:08 | 0:34:11 | |
The only thing that isn't quite so good, yet, is the price! | 0:34:13 | 0:34:16 | |
THEY LAUGH | 0:34:16 | 0:34:18 | |
It never is, is it?! | 0:34:18 | 0:34:21 | |
-Can we work on it? -Let me get my book and I'll... | 0:34:21 | 0:34:24 | |
Uh. 1690. | 0:34:24 | 0:34:26 | |
-OK, £65 is the ticket price. -Yeah. -Mm-hm. | 0:34:26 | 0:34:29 | |
The thing about Doulton is that everybody knows it, | 0:34:31 | 0:34:33 | |
so, you know, it's never on a stall for nothing, you know, | 0:34:33 | 0:34:38 | |
it's not that easy, but it's known as silicone ware, | 0:34:38 | 0:34:41 | |
and this is the effect of these white, blue and green sections | 0:34:41 | 0:34:46 | |
that are moulded individually | 0:34:46 | 0:34:48 | |
and then stuck onto the outside on this matted ground. | 0:34:48 | 0:34:50 | |
-So? -I can do 50 on them. -Oh, 50. -That is my... | 0:34:50 | 0:34:54 | |
What do you think? | 0:34:55 | 0:34:57 | |
I think they can make a profit to be quite honest. | 0:34:57 | 0:34:59 | |
Is 40 any good? | 0:34:59 | 0:35:01 | |
-48, that's it. -Oh! | 0:35:01 | 0:35:03 | |
45? | 0:35:03 | 0:35:05 | |
-Yeah. -Yeah? -Oh, well, you've said it! | 0:35:05 | 0:35:08 | |
-Deal! Shake the lady's hand. -Thank you very much. | 0:35:09 | 0:35:12 | |
-Thank you very much. -Well done, girls. Well done. Well... | 0:35:12 | 0:35:16 | |
a fabulous pair of candlesticks. | 0:35:16 | 0:35:18 | |
-Lot one! -Yeah, excellent. -Thank you very much. -Thank you. | 0:35:18 | 0:35:21 | |
Well done, girls. That's the first item and only five minutes gone. | 0:35:21 | 0:35:25 | |
Let's see how the other girls are doing. | 0:35:25 | 0:35:27 | |
What about plates? Is it a bit too modern, maybe? | 0:35:31 | 0:35:35 | |
That... Well, it says Clarice Cliff on there. Yes, it is. | 0:35:35 | 0:35:38 | |
-Oh, it says it there. -Clarice Cliff Wilkinson, yes. -Who's? I don't know. | 0:35:38 | 0:35:42 | |
-Well, Clarice Cliff is just one name I do know. -Is it? | 0:35:42 | 0:35:44 | |
It's a name that comes up quite a bit. | 0:35:44 | 0:35:46 | |
It's quite an unusual pattern that, actually. | 0:35:46 | 0:35:48 | |
-It's not those bright colours like you normally get, is it? -No. | 0:35:48 | 0:35:51 | |
It's got Wilkinson's on the back, which is | 0:35:51 | 0:35:53 | |
the factory which she worked for. | 0:35:53 | 0:35:54 | |
But this sort of, um, browny grey, | 0:35:54 | 0:35:57 | |
almost sort of smoky colour border is a little bit unusual. | 0:35:57 | 0:36:00 | |
Perhaps not quite desirable. | 0:36:00 | 0:36:03 | |
Difficult to know without looking it up, but I'm guessing it might | 0:36:03 | 0:36:06 | |
not be quite as desirable as the Bizarre ware. | 0:36:06 | 0:36:08 | |
But it's funny that it appealed to you, | 0:36:08 | 0:36:09 | |
so there's a good chance that it might appeal to somebody else. | 0:36:09 | 0:36:12 | |
-What do you think of the price? -Well, we've got 65 on it. | 0:36:12 | 0:36:15 | |
Shall we see what the lady says? Excuse me, madam. Hi. | 0:36:15 | 0:36:17 | |
How much could you do for us on that? You've got 65 on it. | 0:36:17 | 0:36:20 | |
-The very best is 60. -Is 60? -It is. -OK, so, £60. | 0:36:20 | 0:36:23 | |
What do you think, girls? | 0:36:23 | 0:36:24 | |
-I like it. -I like it. Shall we? -Yeah. -Well, it's your programme. | 0:36:26 | 0:36:29 | |
-Right, well do it. -I think we'll take it. -Yeah, thank you. -Great! | 0:36:29 | 0:36:35 | |
Nothing wrong with a bit of Clarice Cliff, you know? | 0:36:35 | 0:36:38 | |
-Let's go into the sun. -OK. | 0:36:38 | 0:36:39 | |
Well, it seems everyone's having a jolly old time today. | 0:36:41 | 0:36:44 | |
Sorry. It doesn't suit you. | 0:36:44 | 0:36:46 | |
That's "Shelley's Cottage." It's an original watercolour. | 0:36:49 | 0:36:52 | |
It's a much, much later frame. | 0:36:52 | 0:36:55 | |
Uh, but...it has got a look about it, hasn't it? | 0:36:55 | 0:36:57 | |
It's not by anybody important, but...you know, I think... | 0:36:57 | 0:37:01 | |
I think that's a good-looking watercolour. | 0:37:01 | 0:37:04 | |
What would be your best price on that one? | 0:37:04 | 0:37:06 | |
-What's on it? -35. | 0:37:06 | 0:37:08 | |
I'll do it at 30. | 0:37:08 | 0:37:10 | |
Will you do it for 25? | 0:37:10 | 0:37:12 | |
28. | 0:37:12 | 0:37:13 | |
-26 and we have a deal. -Go on, then. -Fantastic! -Marvellous! | 0:37:13 | 0:37:18 | |
I just took over there without asking you, | 0:37:18 | 0:37:20 | |
-but are you happy with that? -Yeah, definitely. -I think that's good. | 0:37:20 | 0:37:23 | |
I think, £26, we've got a decent little watercolour. | 0:37:23 | 0:37:26 | |
-I think there's a profit there. -Yeah. | 0:37:26 | 0:37:27 | |
Nice one, James, but, come on, give the girls a chance! | 0:37:27 | 0:37:31 | |
We're halfway through the hour | 0:37:31 | 0:37:32 | |
and something's caught the eye of the Reds. | 0:37:32 | 0:37:34 | |
-What's that, a tea set? -How much is that? | 0:37:36 | 0:37:39 | |
I've got 65 on it, yeah, but... | 0:37:39 | 0:37:40 | |
-What do you think, girls? -I really like that. It's cute. | 0:37:40 | 0:37:43 | |
And it's all complete. There's, um, just on this one here, there's... | 0:37:43 | 0:37:49 | |
-Just a little bit of discolouring, is it? -No, there is... | 0:37:49 | 0:37:52 | |
Oh, I see. It's been repaired. | 0:37:52 | 0:37:53 | |
If you were to turn the lid up, | 0:37:53 | 0:37:55 | |
you've got, like...I think it's 41 shillings or something. | 0:37:55 | 0:37:59 | |
It's got the original price on it? | 0:37:59 | 0:38:00 | |
Yeah, and it's got the packaging there as well. | 0:38:00 | 0:38:04 | |
I'll do 60, but... | 0:38:04 | 0:38:06 | |
that's it, cos I know I can go on to another fair | 0:38:06 | 0:38:09 | |
and get a lot more for it. | 0:38:09 | 0:38:10 | |
-I was thinking sort of 50. -I bet you were. | 0:38:10 | 0:38:13 | |
Well, you think about it then, because... | 0:38:13 | 0:38:16 | |
What's your absolute rock bottom? | 0:38:16 | 0:38:18 | |
58? | 0:38:20 | 0:38:21 | |
58! 55? | 0:38:21 | 0:38:23 | |
Oh... | 0:38:23 | 0:38:25 | |
-Go on. -55? What do you think, girls? | 0:38:25 | 0:38:28 | |
Come and have a closer look. | 0:38:28 | 0:38:30 | |
Have a little look. | 0:38:30 | 0:38:32 | |
Have a look, Caroline. I mean, what we've got here, I would say, is... | 0:38:32 | 0:38:37 | |
it's lovely to have the set complete in its box. | 0:38:37 | 0:38:40 | |
Yes, we've got a tiny bit of damage on that plate, | 0:38:40 | 0:38:43 | |
but, otherwise, I mean, look at it, it's just as it was made, | 0:38:43 | 0:38:46 | |
really, in its original packaging. | 0:38:46 | 0:38:47 | |
We've got the name on the bottom here, Biltons. | 0:38:47 | 0:38:50 | |
I would think that's Staffordshire. | 0:38:50 | 0:38:52 | |
Now, have you heard of Mabel Lucie Attwell? | 0:38:52 | 0:38:54 | |
No, I can't say I have. | 0:38:54 | 0:38:55 | |
She was a children's illustrator, um, | 0:38:55 | 0:38:58 | |
around the very early 20th century. | 0:38:58 | 0:39:01 | |
The designs here are very much in her style of design, | 0:39:01 | 0:39:04 | |
so, although they're not actually signed Mabel Lucie Attwell, I think | 0:39:04 | 0:39:08 | |
this is going to appeal very much to a Mabel Lucie Attwell collector. | 0:39:08 | 0:39:13 | |
55... I would have thought it's worth a gamble. | 0:39:13 | 0:39:16 | |
-Shall we? -Yeah. -Yeah. | 0:39:16 | 0:39:18 | |
-We'll give it a go then. -Happy? -Happy. | 0:39:18 | 0:39:20 | |
£55 for the tea set and only one item left to find for the Red team. | 0:39:20 | 0:39:25 | |
Now, is James letting the Blues make some decisions at last? | 0:39:25 | 0:39:28 | |
What about these pigs? I've seen them... | 0:39:28 | 0:39:30 | |
-They're horrible! Come on! -They're not! -He doesn't like them. | 0:39:30 | 0:39:33 | |
They're horrible! | 0:39:33 | 0:39:34 | |
Oh, dear. | 0:39:34 | 0:39:35 | |
Ooh, that's a nice picture. | 0:39:35 | 0:39:37 | |
What do you think? | 0:39:37 | 0:39:39 | |
Girl with dogs are popular. So, if they're on the internet, | 0:39:39 | 0:39:41 | |
if they're photographed, it's got a chance, but let's just | 0:39:41 | 0:39:44 | |
find out how much it is. How much is this, please? | 0:39:44 | 0:39:47 | |
The bottom line... | 0:39:48 | 0:39:50 | |
-is 85. -85. | 0:39:50 | 0:39:52 | |
OK, she's 19th century. | 0:39:53 | 0:39:55 | |
She's painted around 1880, not signed, | 0:39:55 | 0:39:57 | |
-so what we would say is she's English School. -Right. | 0:39:57 | 0:40:00 | |
Anything to do with a pretty young girl with dogs, you'd probably call | 0:40:00 | 0:40:04 | |
it "Young Friends" or something like that, if you were an auctioneer. | 0:40:04 | 0:40:07 | |
-I can see that making 120. -Yeah. -You know, I think... | 0:40:07 | 0:40:11 | |
-Yeah, we'll go for it, James. -Yeah? -Yeah. -Let's see if we can... | 0:40:11 | 0:40:15 | |
Any little tiny reductions? | 0:40:15 | 0:40:17 | |
No. - 83! | 0:40:17 | 0:40:19 | |
Well, that's better than nothing, every penny counts, so... | 0:40:20 | 0:40:24 | |
How about 80? Any good? | 0:40:24 | 0:40:26 | |
-I can't do it, John. -All right. Uh, £84.50 it is. -Yeah. | 0:40:26 | 0:40:31 | |
-£84.50, we've got a deal. -Thank you very much. | 0:40:31 | 0:40:34 | |
Well, every penny does count in this game | 0:40:34 | 0:40:36 | |
and that pretty puppy picture pretty much wraps it up for the Blues, | 0:40:36 | 0:40:40 | |
but the Reds now have only five minutes left. | 0:40:40 | 0:40:43 | |
Let's go. Move! Run! | 0:40:43 | 0:40:44 | |
-Five minutes. -Five minutes. | 0:40:46 | 0:40:48 | |
Any good? | 0:40:48 | 0:40:49 | |
-What do you think about that, girls? -It's very pretty. | 0:40:51 | 0:40:55 | |
-It's 1960s to '70, it's hand blown... -Hmm. | 0:40:55 | 0:41:00 | |
And I've never seen the decoration... | 0:41:00 | 0:41:02 | |
because it's not painted. | 0:41:02 | 0:41:03 | |
What I quite like, which makes it a bit more unusual, | 0:41:03 | 0:41:06 | |
is you've got this double-layered effect. | 0:41:06 | 0:41:08 | |
You've got the decoration, which has been done in molten glass, | 0:41:08 | 0:41:12 | |
this sort of pendant floral effect, and then that is cased in clear | 0:41:12 | 0:41:17 | |
glass, so it almost gives it a sort of three-dimensional effect. | 0:41:17 | 0:41:21 | |
How much is that? | 0:41:21 | 0:41:22 | |
32 is the very, very best on that. | 0:41:22 | 0:41:25 | |
Oh, you couldn't go down to 30? | 0:41:25 | 0:41:27 | |
Just a really nice round figure? | 0:41:27 | 0:41:29 | |
-It'll help us out no end. -Go on. | 0:41:29 | 0:41:31 | |
-30? -Yeah, definitely, deal. Done. | 0:41:31 | 0:41:34 | |
-Right. -Right. | 0:41:34 | 0:41:36 | |
BUGLE BLOWS | 0:41:37 | 0:41:39 | |
Time's up. Let's remind ourselves what the Reds bought. | 0:41:39 | 0:41:42 | |
Really, Barry?! | 0:41:42 | 0:41:44 | |
Will the Clarice Cliff fruiting tree bear fruit at the auction? | 0:41:45 | 0:41:48 | |
Will it be child's play for the 1930s Staffordshire child's tea set? | 0:41:51 | 0:41:55 | |
And will the glass vase be a smash when it goes under the hammer? | 0:41:56 | 0:42:00 | |
Now, Caroline, which is your favourite piece? | 0:42:04 | 0:42:06 | |
-Uh, the plate, I think. -What about you, Renata? | 0:42:06 | 0:42:09 | |
-I think the little vase. -The little vase. | 0:42:09 | 0:42:10 | |
Which piece is going to bring the biggest profit, Caro? | 0:42:10 | 0:42:13 | |
-Maybe the little tea set. -Mm-hm. | 0:42:13 | 0:42:15 | |
Unfortunately, I think, probably the same. | 0:42:15 | 0:42:18 | |
You spent £145, so there's £155 to go to Kate Bliss. | 0:42:18 | 0:42:22 | |
-Thank you very much. Lovely. -Gosh, she's grabbed that, hasn't she? | 0:42:22 | 0:42:25 | |
-Fast! -How do you feel about it, Kate? | 0:42:25 | 0:42:27 | |
Well, I'm going to get the girls something completely different, | 0:42:27 | 0:42:30 | |
-I think. -Oh, brilliant. -But these are smart shoppers. | 0:42:30 | 0:42:33 | |
They're girls! What do you expect?! | 0:42:33 | 0:42:35 | |
Now, let's remind ourselves what the Blues bought. | 0:42:35 | 0:42:38 | |
First up, it's a pair of Royal Doulton candlesticks. | 0:42:39 | 0:42:42 | |
'Next, a late 19th century signed watercolour. | 0:42:45 | 0:42:48 | |
'And, finally, a cuddly toy. Ha! Only joking. | 0:42:51 | 0:42:54 | |
'It's this mid-19th century oil on canvas.' | 0:42:54 | 0:42:58 | |
Now, Joe, which is your favourite piece? | 0:42:58 | 0:43:00 | |
-Uh, the oil painting. -Oil painting. What about you, Bets? | 0:43:00 | 0:43:02 | |
The same, the oil painting. | 0:43:02 | 0:43:04 | |
Which piece is going to bring the biggest profit? | 0:43:04 | 0:43:06 | |
-The oil painting. -What about you, Bets? | 0:43:06 | 0:43:08 | |
I'm hoping the oil painting, yes. | 0:43:08 | 0:43:09 | |
You're like a long playing record, you two. Welded from the hip! | 0:43:09 | 0:43:12 | |
OK, fine, well, you spent £155.50. | 0:43:12 | 0:43:15 | |
-Please give £144.50 to James Lewis. -There we go. | 0:43:15 | 0:43:19 | |
And there's no better qualified man in the business to spend that. | 0:43:19 | 0:43:22 | |
James, what have you got in mind? | 0:43:22 | 0:43:23 | |
-Do you know, I haven't got a clue. -Haven't you? -Nope. | 0:43:23 | 0:43:26 | |
Well, as they say, chop, chop. | 0:43:26 | 0:43:29 | |
THEY LAUGH | 0:43:29 | 0:43:30 | |
Well, we've come west to Market Harborough to Gilding's Saleroom | 0:43:40 | 0:43:43 | |
to be with John Gilding, our auctioneer, | 0:43:43 | 0:43:46 | |
-and man of the moment - John. -Thank you, Tim. | 0:43:46 | 0:43:48 | |
Now, Caroline and Renata went with this Clarice Cliff plate. | 0:43:48 | 0:43:52 | |
What have you got to tell us about this, John? | 0:43:52 | 0:43:55 | |
Well, I have it on good authority that it's part of a dinner service | 0:43:55 | 0:43:58 | |
circa 1950, late, so not too exciting for me, I'm afraid. | 0:43:58 | 0:44:04 | |
-I've got 40 to 60 on it, I believe. -Yeah, £60 they paid, you see. | 0:44:04 | 0:44:08 | |
-It's going to be difficult to make a profit on. -Yeah. | 0:44:08 | 0:44:11 | |
OK, fair enough. | 0:44:11 | 0:44:12 | |
Now, Kate Bliss found the children's dinner...tea set. | 0:44:12 | 0:44:16 | |
It is most unusual to be in the box with all the pieces intact. | 0:44:16 | 0:44:21 | |
-It's got every chance of making £50 to £70. -Well, she'll be delighted. | 0:44:21 | 0:44:24 | |
-£55, she paid. -Well, that's well bought, I would have thought. | 0:44:24 | 0:44:28 | |
And their last item is this cased glass vase. | 0:44:28 | 0:44:33 | |
I like that very much, actually. It's a good-looking piece. | 0:44:33 | 0:44:37 | |
When would you date that from, then? | 0:44:37 | 0:44:39 | |
Well, I think that's probably late '30s up to early '50s. | 0:44:39 | 0:44:44 | |
And your estimate is...how much? | 0:44:44 | 0:44:46 | |
-Well, we've got on that 40 to 60. -Good-oh, Caroline paid £30, you see. | 0:44:46 | 0:44:50 | |
-Well, I think our estimate's conservative, to be honest. -Do you? | 0:44:50 | 0:44:53 | |
Yes, I think that's, uh... | 0:44:53 | 0:44:55 | |
a good piece and I think it'll go well. | 0:44:55 | 0:44:58 | |
Well, there we go. I'm inspired, John, | 0:44:58 | 0:45:00 | |
but, just in case, let's go and have a look at their bonus buy. | 0:45:00 | 0:45:03 | |
Most girls like their cake - I know I certainly do - | 0:45:05 | 0:45:08 | |
so I bought you some rather nice little tea knives. | 0:45:08 | 0:45:11 | |
They're dated from 1904. | 0:45:11 | 0:45:14 | |
They're hallmarked in Sheffield | 0:45:14 | 0:45:17 | |
and they also come in this lovely leather fitted case. | 0:45:17 | 0:45:21 | |
-So I paid £24. -Is that all?! That's marvellous. -That's a good reaction. | 0:45:21 | 0:45:26 | |
-Caroline, you like them, darling, do you? -Yeah, they're lovely. | 0:45:26 | 0:45:29 | |
Good. Lovely. So that seems to be a bit of a hit. | 0:45:29 | 0:45:32 | |
Think about it, all right? For the audience at home, though, | 0:45:32 | 0:45:35 | |
let's find out what the auctioneer thinks about Kate's knives. | 0:45:35 | 0:45:39 | |
A set of tea knives. | 0:45:39 | 0:45:41 | |
Sheffield, 1904. | 0:45:41 | 0:45:42 | |
That's the hallmark on the handles. | 0:45:42 | 0:45:45 | |
I tell you what I like about it. It's over 100 years old - | 0:45:45 | 0:45:47 | |
-look at that case. It's not bad, is it? -It's very good. | 0:45:47 | 0:45:50 | |
It's not always you get the case brought out. | 0:45:50 | 0:45:52 | |
-No. -They were often used on a daily basis, and then the case got | 0:45:52 | 0:45:56 | |
-thrown away. -These have hardly been touched. | 0:45:56 | 0:45:58 | |
-What's your estimate? -We're on £40 to £60. -Good Lord. | 0:45:58 | 0:46:03 | |
Well, Kate only paid £24, so that's an excellent Bonus Buy, isn't it? | 0:46:03 | 0:46:07 | |
So that's it for the Reds. Now for the Blues. | 0:46:07 | 0:46:09 | |
Joe, Louise and Betsy. The Doulton candlesticks. | 0:46:09 | 0:46:13 | |
Fairly standard wares, this silicon stuff, isn't it? | 0:46:13 | 0:46:18 | |
-Yes. -Do you like it? -No. | 0:46:18 | 0:46:19 | |
Very boring, I'm afraid. £40 to £60. | 0:46:19 | 0:46:22 | |
James Lewis paid £45, so he's just about in the frame with that. | 0:46:22 | 0:46:25 | |
Now, the cottage. The lovely chocolate-box-y cottage. | 0:46:25 | 0:46:31 | |
James paid £26 for that. | 0:46:31 | 0:46:33 | |
-And it's nicely framed, and it's a fresh image... -Yes. | 0:46:33 | 0:46:37 | |
-Do you think he'll get his money back? -We're hoping so - | 0:46:37 | 0:46:40 | |
-our estimate is £50 to £70. -Really? | 0:46:40 | 0:46:41 | |
He could double his money. | 0:46:41 | 0:46:43 | |
-Could do. -Could do. | 0:46:43 | 0:46:45 | |
Lastly, then, another picture, which is the girl holding her little dog. | 0:46:45 | 0:46:49 | |
£84.50 he paid for that. | 0:46:49 | 0:46:53 | |
Quite a precise amount. Do you rate that as a picture? | 0:46:53 | 0:46:56 | |
Not really. | 0:46:56 | 0:46:58 | |
I'm afraid it's not going anywhere, in my opinion. | 0:46:58 | 0:47:02 | |
How much do you think the puppy dog is going to make? | 0:47:02 | 0:47:04 | |
Well, I think we'd be very lucky to get between £40 and £60. | 0:47:04 | 0:47:08 | |
£84.50 paid - could be a dead loss. | 0:47:08 | 0:47:11 | |
I'm afraid so. | 0:47:11 | 0:47:13 | |
Well, we'll have to see, John. But whichever way it goes, | 0:47:13 | 0:47:16 | |
they've always got the option of their Bonus Buy, | 0:47:16 | 0:47:19 | |
so let's go and have a look at it. | 0:47:19 | 0:47:21 | |
-Oh, wow! -Do you love it? -Sort of. -That's nice, I like that. | 0:47:23 | 0:47:26 | |
-It's fantastic, isn't it? -How old's that? | 0:47:26 | 0:47:29 | |
About 1860, 1870, I should think. | 0:47:29 | 0:47:31 | |
But what fantastic quality. I love it. | 0:47:31 | 0:47:34 | |
Is that gold leaf on there? | 0:47:34 | 0:47:36 | |
Well, it's strange. Tim and I were looking at this earlier, weren't we? | 0:47:36 | 0:47:40 | |
What do you think to the manufacturing technique? | 0:47:40 | 0:47:42 | |
I think you've got here the most belting quality bit of metalwork. | 0:47:42 | 0:47:46 | |
You look at each of the sinuous bits of this vine, | 0:47:46 | 0:47:50 | |
you can see every vein in every vine leaf, which is pretty brilliant. | 0:47:50 | 0:47:55 | |
And James, what do you think about the print? | 0:47:55 | 0:47:58 | |
-Isn't that print just amazing? -Isn't it lovely? | 0:47:58 | 0:48:01 | |
Every element of this girl is made up out of a piece of a flower. | 0:48:01 | 0:48:07 | |
-I mean, James, I think this is a very special item. -Good! | 0:48:07 | 0:48:10 | |
-Glad you like it. -How much? -Well chosen! | 0:48:10 | 0:48:12 | |
Well, how much do you think? | 0:48:12 | 0:48:14 | |
I mean, this is fantastic quality, so what do you think I spent? | 0:48:14 | 0:48:17 | |
About £50, £60? | 0:48:17 | 0:48:19 | |
What?! | 0:48:19 | 0:48:20 | |
I had over £100 left! | 0:48:20 | 0:48:23 | |
I was hoping you wouldn't spend the lot! | 0:48:23 | 0:48:26 | |
-You'd have been happy if I'd spent £50 or £60. -Yeah. | 0:48:26 | 0:48:30 | |
-Good, I spent £60! -That's good, then! | 0:48:30 | 0:48:33 | |
You are such a tease, James. | 0:48:33 | 0:48:35 | |
THEY LAUGH | 0:48:35 | 0:48:36 | |
There is a guaranteed profit in there. | 0:48:36 | 0:48:38 | |
-Good. -Definitely. -I love it. | 0:48:38 | 0:48:40 | |
You're very confident about that, James. I think quite rightly so. | 0:48:40 | 0:48:43 | |
But for the viewers at home, let's find out what the auctioneer thinks | 0:48:43 | 0:48:46 | |
about the frame and the print. | 0:48:46 | 0:48:47 | |
Now, John, isn't that magnificent? | 0:48:49 | 0:48:51 | |
Lovely. The frame is very, very attractive. | 0:48:51 | 0:48:54 | |
Beautifully pressed gilt metal. | 0:48:54 | 0:48:58 | |
And I think it should go extremely well. | 0:48:58 | 0:49:01 | |
-I rather like the print, too. -Well, yes. Looking at the print... | 0:49:01 | 0:49:05 | |
I looked at nothing but the frame, but the print is really quite... | 0:49:05 | 0:49:08 | |
-a good piece of early print work, isn't it? -Yes! | 0:49:08 | 0:49:11 | |
What do you think it's going to bring, John, in the auction? | 0:49:11 | 0:49:14 | |
Well, we've been what I think is very conservative at £50 to £70. | 0:49:14 | 0:49:18 | |
But I think it's got a really good potential. | 0:49:18 | 0:49:21 | |
-James paid £60. You put £50 to £70 conservatively on it. -Yeah. | 0:49:21 | 0:49:26 | |
I mean, I could see it being £100 to £120, I have to say. | 0:49:26 | 0:49:30 | |
I would have thought that's not beyond the bounds of possibility. | 0:49:30 | 0:49:33 | |
-Well, there you go. -There you go. -That's from the lips | 0:49:33 | 0:49:36 | |
of the auctioneer. We'll look forward to the contest, John, | 0:49:36 | 0:49:38 | |
-and good luck. -Thank you very much. | 0:49:38 | 0:49:40 | |
70. 5. 80. 5. 90. 5. | 0:49:40 | 0:49:46 | |
100! | 0:49:46 | 0:49:47 | |
Now, Caroline and Renata, you're looking nice and fresh. | 0:49:51 | 0:49:53 | |
-Feeling not too bad. -Feeling a bit naughty? | 0:49:53 | 0:49:56 | |
-Maybe? -On the edge of naughty? -A bit. | 0:49:56 | 0:50:00 | |
Well, the first item is your Clarice Cliff plate, | 0:50:00 | 0:50:03 | |
and here it comes, Renata. Let's be brave. | 0:50:03 | 0:50:05 | |
Start the bidding where you will. £20 bid, thank you. | 0:50:05 | 0:50:08 | |
At £20, I'm bid 20. | 0:50:08 | 0:50:11 | |
At £20, I'm bid 20. Do I see 2 on the net? | 0:50:11 | 0:50:13 | |
22, you're out in the room. | 0:50:13 | 0:50:16 | |
At £22. | 0:50:16 | 0:50:18 | |
This is not enough, but I'm selling at... 24. 26 standing. | 0:50:18 | 0:50:21 | |
28, bid 28, in the room at 28. | 0:50:21 | 0:50:24 | |
At 28, 30, I'm bid 30. On the net at 30. | 0:50:24 | 0:50:27 | |
-Come on! -That's £30 I'm bid, 32, | 0:50:27 | 0:50:29 | |
on the door at 32. 35. | 0:50:29 | 0:50:32 | |
35, bid 38, at 38, at 38, 40? | 0:50:32 | 0:50:34 | |
At £38 I'm bid. Right at the door. | 0:50:34 | 0:50:38 | |
40 on the net, I'm bid 40. Sorry. | 0:50:38 | 0:50:40 | |
At £40, I'm bid 40. | 0:50:40 | 0:50:42 | |
I'll take 2 if you like. | 0:50:42 | 0:50:43 | |
At £40, then, on the net at £40. | 0:50:43 | 0:50:45 | |
Selling and away at 40. | 0:50:45 | 0:50:47 | |
£40! Bad luck, girl, that's minus 20. | 0:50:47 | 0:50:49 | |
But it's not a disaster, because here comes the tea set. | 0:50:49 | 0:50:53 | |
This is a lovely little tea set. | 0:50:53 | 0:50:56 | |
And almost, I would think, untouched. | 0:50:56 | 0:50:59 | |
Apart from when we picked it up. | 0:50:59 | 0:51:01 | |
Lot 70, and what would you say for that? | 0:51:01 | 0:51:04 | |
Bidding is with me on commission at £50, and you're all out. | 0:51:04 | 0:51:07 | |
At £50, I'm bid 50, a maiden bid at 50. | 0:51:07 | 0:51:11 | |
At £50. I'm bid 50. I'm waiting for you. | 0:51:11 | 0:51:14 | |
Do I see 5 anywhere quickly? You're all out in the room? 5. | 0:51:14 | 0:51:17 | |
At 55, 60 on commission. At 60, I'm bid 60. | 0:51:17 | 0:51:21 | |
At £60 I'm bid. It's in its original box. | 0:51:21 | 0:51:23 | |
Finished, then, it's on commission, | 0:51:23 | 0:51:26 | |
selling at £60. | 0:51:26 | 0:51:29 | |
Well done, Kate. £60, that's a profit of £5, | 0:51:29 | 0:51:31 | |
that's very nice. | 0:51:31 | 0:51:33 | |
A little bit, yes. | 0:51:33 | 0:51:34 | |
Now, the vase. | 0:51:34 | 0:51:37 | |
£30 you paid, Caroline. Here it comes. | 0:51:37 | 0:51:40 | |
Double-skinned vase, lovely piece of work. | 0:51:40 | 0:51:42 | |
Lot 71. | 0:51:42 | 0:51:44 | |
What would you say, around £100? | 0:51:44 | 0:51:46 | |
I'm bid 40 and you're all out. | 0:51:46 | 0:51:47 | |
At £40, I'm bid 40. | 0:51:47 | 0:51:50 | |
Profit, girl. | 0:51:50 | 0:51:51 | |
At £40, I'm bid 40. 5 in the room. | 0:51:51 | 0:51:53 | |
-50 with me on commission. -50! -50 quid! | 0:51:53 | 0:51:56 | |
At £50, I'm bid 50. | 0:51:56 | 0:51:58 | |
I'm selling, please make no mistake. | 0:51:58 | 0:52:00 | |
It's the cheapest lot here today, | 0:52:00 | 0:52:02 | |
at £50, are you all done? | 0:52:02 | 0:52:03 | |
Finished and sold at £50. | 0:52:03 | 0:52:06 | |
-Well done! -That is £20 up on that. | 0:52:06 | 0:52:09 | |
So you lost 20, you made 20. | 0:52:09 | 0:52:11 | |
Kate made 5, so you are £5 up. | 0:52:11 | 0:52:15 | |
That's very good, because I tell you, making a profit isn't easy. | 0:52:16 | 0:52:19 | |
-As we know. -Yes. -What are you going to do about the tea knives? | 0:52:19 | 0:52:22 | |
-You've got £5 to take home. -Go for it. -I think we should. | 0:52:22 | 0:52:25 | |
You could just park it, you know. | 0:52:25 | 0:52:26 | |
-You don't have to take it. -No. -No. | 0:52:26 | 0:52:28 | |
-Kate won't be upset. -In for a penny, in for a pound. | 0:52:28 | 0:52:30 | |
-Let's go for it. -Are you sure? -Definitely. | 0:52:30 | 0:52:33 | |
The decision is made, we're going with the Bonus Buy. | 0:52:33 | 0:52:35 | |
Let's see what happens. | 0:52:35 | 0:52:37 | |
Very smart little set, this is. | 0:52:37 | 0:52:39 | |
£60 for them. | 0:52:39 | 0:52:41 | |
£20, I'm bid 20. No reserve. 22. 24. 26. | 0:52:41 | 0:52:46 | |
26, it's your turn. At £26 I'm bid. | 0:52:46 | 0:52:48 | |
At 28, bid 28. | 0:52:48 | 0:52:50 | |
Behind at 28. At £28, I'm bid 28. | 0:52:50 | 0:52:53 | |
Do I see 30 anywhere? | 0:52:53 | 0:52:55 | |
Thought there would be more. At £28 I'm bid. | 0:52:55 | 0:52:58 | |
Are you all done? Quite sure? | 0:52:58 | 0:53:00 | |
Finished and sold at £28. All done. | 0:53:00 | 0:53:02 | |
Well done, Kate. £28. | 0:53:02 | 0:53:05 | |
You made a profit of £4. | 0:53:05 | 0:53:07 | |
Well, a profit's a profit. | 0:53:07 | 0:53:09 | |
Overall, then, you are plus £9. That could be a winning score, girls. | 0:53:09 | 0:53:12 | |
-Don't say a thing to the Blues, all right? -Not a chance. -Good girl. | 0:53:12 | 0:53:16 | |
-So, kids, how are you feeling? All right? -Yes, fantastic. -Lovely. | 0:53:21 | 0:53:24 | |
Do you know how the Reds got on? | 0:53:24 | 0:53:26 | |
-No, don't know at all. -No idea? -They wouldn't tell us. | 0:53:26 | 0:53:28 | |
-Wouldn't tell you? -No. -Meanies! | 0:53:28 | 0:53:30 | |
-I know. -Well, we don't want them to, actually. | 0:53:30 | 0:53:32 | |
First up are the candlesticks. Here they come. | 0:53:32 | 0:53:35 | |
£20 for the pair, then, at 20. | 0:53:36 | 0:53:37 | |
£20, I'm bid 20. | 0:53:37 | 0:53:39 | |
At 2, bid 22, 22 in the room. | 0:53:39 | 0:53:41 | |
Commissions are lost at 22. | 0:53:41 | 0:53:42 | |
You're outstanding at 22. | 0:53:42 | 0:53:44 | |
24 on the net. 24, 26, 28 behind. | 0:53:44 | 0:53:47 | |
28, 30, at £30, I'm bid 30. | 0:53:47 | 0:53:49 | |
£30, I'm bid 30, say 2. | 0:53:49 | 0:53:52 | |
32, 32, 32. | 0:53:52 | 0:53:53 | |
32 on the back there, 32. | 0:53:53 | 0:53:56 | |
At £32, I'm bid 32. You're out on the net. | 0:53:56 | 0:53:59 | |
You're out at the front. 34. | 0:53:59 | 0:54:01 | |
34, bid 34, bid 34. | 0:54:01 | 0:54:03 | |
-At £34, I'm bid 34. -Go on! | 0:54:03 | 0:54:06 | |
£34. You're quite sure. | 0:54:06 | 0:54:08 | |
I'm finishing...36! | 0:54:08 | 0:54:10 | |
At £36, I'm bid 36. | 0:54:10 | 0:54:11 | |
36. | 0:54:11 | 0:54:13 | |
I'm surprised at you, sir. | 0:54:13 | 0:54:14 | |
At £36 I'm bid. Have you all done? | 0:54:14 | 0:54:16 | |
Finished and sold at £36. | 0:54:16 | 0:54:18 | |
£36. Well done. | 0:54:18 | 0:54:21 | |
£36, you are minus £9. | 0:54:21 | 0:54:23 | |
That's not too bad. We can make that up. | 0:54:23 | 0:54:25 | |
Not so bad. Now, Shelly's cottage. | 0:54:25 | 0:54:29 | |
There's a lot hanging on this. | 0:54:29 | 0:54:30 | |
What would you say, £100? | 0:54:30 | 0:54:33 | |
£30, I'm bid 30. | 0:54:33 | 0:54:34 | |
At £30, I'm bid 30. | 0:54:34 | 0:54:36 | |
And there's no reserve, please, it has to be sold. | 0:54:36 | 0:54:40 | |
At 35 in the room, at 35, bid 35. | 0:54:40 | 0:54:42 | |
At £35, I'm bid 35. | 0:54:42 | 0:54:44 | |
35, 35. I thought this would be more. | 0:54:44 | 0:54:46 | |
-Come on! -Ohh! -At 40, thank you. At £40 I'm bid 5. | 0:54:46 | 0:54:50 | |
45, bid 45, bid 45. | 0:54:50 | 0:54:52 | |
At £45, I'm bid 45. Anybody bid 50? | 0:54:52 | 0:54:54 | |
£45, then, seated low. | 0:54:54 | 0:54:56 | |
Being sold at £45. | 0:54:56 | 0:54:59 | |
£45, girls, that's bad luck. | 0:54:59 | 0:55:01 | |
Next are the young friends, the puppy dog and the child. | 0:55:01 | 0:55:06 | |
And bidding starts with me for Lot 93, on commission. | 0:55:06 | 0:55:10 | |
At £40, you're all out. | 0:55:10 | 0:55:12 | |
£40, 5. 45. 50. With me at 55. 55. | 0:55:12 | 0:55:15 | |
60 with me. At 65 in the room? | 0:55:15 | 0:55:17 | |
70. 5. 80? 5. | 0:55:17 | 0:55:20 | |
90. 5. 100? | 0:55:20 | 0:55:23 | |
And you're out at the door, there, the 100 is right in the corner. | 0:55:23 | 0:55:27 | |
£100 I'm bid. 10 for you? | 0:55:27 | 0:55:29 | |
At £100, then. Are you all done? You're all out on that 10. | 0:55:29 | 0:55:32 | |
110 on the heater, 110 on the heater. | 0:55:32 | 0:55:34 | |
-Yes! -I'm bid £110, OK. | 0:55:34 | 0:55:37 | |
£110, 120. | 0:55:37 | 0:55:39 | |
-Yes! -And near the flop now, 120, I'm bid 120. | 0:55:39 | 0:55:42 | |
Have you all done? Selling and away at £120. | 0:55:42 | 0:55:44 | |
-Yes! -Well done, Lewis, you've done it again. | 0:55:44 | 0:55:48 | |
That's 50p, that's...£15... £35.50 up on that, OK? | 0:55:48 | 0:55:54 | |
You had £10 before, you are plus £45.50. | 0:55:54 | 0:56:00 | |
Now, what are you going to do about this photo frame? | 0:56:00 | 0:56:03 | |
-We'll do it. -There's nothing like being decisive, is there? OK. | 0:56:03 | 0:56:08 | |
And bidding starts with me here at £55, and the telephone's out. | 0:56:08 | 0:56:13 | |
60 on the telephone. 5. | 0:56:13 | 0:56:16 | |
70. 5. | 0:56:16 | 0:56:19 | |
80. £80, I'm at 80. Commissions are lost at 80. | 0:56:19 | 0:56:22 | |
-Yes! -At 85, on the net. | 0:56:22 | 0:56:23 | |
90. | 0:56:23 | 0:56:26 | |
£90, you're out on the net. The telephone's in. | 0:56:26 | 0:56:28 | |
95. 95 on the net, 100 on the telephone. | 0:56:28 | 0:56:32 | |
-Come on! -110 bid, you're out on the net. | 0:56:32 | 0:56:36 | |
It's £100 then on the telephone. All done? Quite sure? | 0:56:36 | 0:56:38 | |
10. Bid 110, bid 110. | 0:56:38 | 0:56:41 | |
Bid 110. At 110, 120. | 0:56:41 | 0:56:43 | |
120, I'm bid 120. 120, do I see 30? | 0:56:43 | 0:56:46 | |
Quickly! At £120, it's had its time, and I shall sell. | 0:56:46 | 0:56:51 | |
£120 on the telephone. | 0:56:51 | 0:56:54 | |
-Yes! -£120! -We've done it! | 0:56:54 | 0:56:57 | |
-Thank you, James. -Thank you, darling. -Well done. | 0:56:57 | 0:57:00 | |
So there's another £60 of profit. | 0:57:00 | 0:57:03 | |
This man is a genius. | 0:57:03 | 0:57:04 | |
You are £105.50 up. | 0:57:04 | 0:57:09 | |
-Yes! -Excellent! -Now, listen. | 0:57:09 | 0:57:12 | |
-Don't tell a word to anybody, all right? -No. | 0:57:12 | 0:57:14 | |
Keep completely sealed up about this. Go out looking rather gloomy. | 0:57:14 | 0:57:17 | |
-OK. -We will. -We'll reveal all in a moment. -OK. Thank you. | 0:57:17 | 0:57:21 | |
How lovely is this? To be handing out profits to both teams! | 0:57:26 | 0:57:30 | |
-Oooh! -ALL: Oooh! | 0:57:30 | 0:57:32 | |
Now, have you been talking to one another? | 0:57:32 | 0:57:34 | |
ALL: No. | 0:57:34 | 0:57:36 | |
You both know that you've made profits, | 0:57:36 | 0:57:37 | |
it's simply a question of scale. | 0:57:37 | 0:57:40 | |
And I have to say that the runners-up, by making profits | 0:57:40 | 0:57:44 | |
-marginally less than the Blues, are the Reds. -Aww! | 0:57:44 | 0:57:47 | |
-I'm going to give you £9, all right? -Well done! | 0:57:47 | 0:57:53 | |
So there is £9 coming your way. | 0:57:53 | 0:57:55 | |
Very well-earned £9, I have to say. | 0:57:55 | 0:57:59 | |
Lovely to get a Bonus Buy profit, which is very good, Kate, thank you. | 0:57:59 | 0:58:03 | |
But the victors, actually by a long, long chalk - | 0:58:03 | 0:58:06 | |
I've kept this quiet - | 0:58:06 | 0:58:08 | |
because our victors today are going home with £105.50! | 0:58:08 | 0:58:14 | |
THEY CHEER | 0:58:14 | 0:58:16 | |
-So here we go, look. £105 you've got in there. -Thank you very much. | 0:58:16 | 0:58:21 | |
-And there's your 50p. -Wahey! | 0:58:21 | 0:58:23 | |
Don't spend it all at once! Join us soon for some more bargain hunting. | 0:58:23 | 0:58:26 | |
-Yes? -ALL: Yes! | 0:58:26 | 0:58:28 |