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If you were in Newark with some cash in your pocket, | 0:00:04 | 0:00:06 | |
what would you do for some fun? | 0:00:06 | 0:00:09 | |
You've got it - go bargain hunting! | 0:00:09 | 0:00:11 | |
Hello, and welcome. | 0:00:36 | 0:00:38 | |
I hope you're comfortable on your settee there at home | 0:00:38 | 0:00:41 | |
and have plumped up a cushion underneath your bottom, | 0:00:41 | 0:00:44 | |
because we don't want you to miss a minute | 0:00:44 | 0:00:46 | |
on today's jam-packed programme. | 0:00:46 | 0:00:48 | |
Will Paul ever get a word in edgeways? | 0:00:49 | 0:00:52 | |
75. No. 75, please. | 0:00:52 | 0:00:55 | |
I can't. THEY TALK OVER EACH OTHER | 0:00:55 | 0:01:01 | |
She's off! She's off! | 0:01:01 | 0:01:02 | |
Hold on a minute, for goodness' sake. | 0:01:02 | 0:01:06 | |
Is David shopping for himself or for the Blues? | 0:01:06 | 0:01:09 | |
I love that handbag. | 0:01:09 | 0:01:10 | |
Look at that! | 0:01:10 | 0:01:13 | |
And are there some surprises at the auction? | 0:01:13 | 0:01:17 | |
That is what you call a bloodbath! | 0:01:17 | 0:01:22 | |
Very good. I like that very much. | 0:01:22 | 0:01:25 | |
Well, that's fantastic. | 0:01:25 | 0:01:27 | |
Right, see what I mean? Let's get on and meet today's Red and Blue teams. | 0:01:27 | 0:01:32 | |
Today, we have two sets of lovely friends. | 0:01:33 | 0:01:36 | |
For the Reds, we've got Mary and Mary | 0:01:36 | 0:01:38 | |
and for the Blues we've got Rachael and Caroline. | 0:01:38 | 0:01:41 | |
Welcome to Bargain Hunt. Thank you. Lovely to see you. | 0:01:41 | 0:01:43 | |
Now, how did you two meet? You didn't actually see each other | 0:01:43 | 0:01:47 | |
until you came to the audition on Bargain Hunt? | 0:01:47 | 0:01:50 | |
That's right, we actually met on a forum about a year ago, | 0:01:50 | 0:01:52 | |
built up a wonderful relationship | 0:01:52 | 0:01:54 | |
and then we decided this was something we'd love to do, | 0:01:54 | 0:01:57 | |
so the first time we actually met was at the Bargain Hunt interview. | 0:01:57 | 0:02:00 | |
Mary, you've done this sort of buying and selling thing before, though, haven't you? | 0:02:00 | 0:02:03 | |
Yes, my husband and I, a long time ago, | 0:02:03 | 0:02:05 | |
had space in an antiques centre | 0:02:05 | 0:02:07 | |
and we used to buy and sell furniture | 0:02:07 | 0:02:09 | |
and collectables and things. | 0:02:09 | 0:02:11 | |
Well, from one delightful girly pair to another - | 0:02:11 | 0:02:15 | |
Caroline, what do you do in your spare time? | 0:02:15 | 0:02:17 | |
Well, I like to make jewellery. | 0:02:17 | 0:02:19 | |
I started in India, collecting the Indian glass beads | 0:02:19 | 0:02:22 | |
and we went round to a few craft fairs to try and sell it. | 0:02:22 | 0:02:25 | |
And how have you got on? OK, it was fun. | 0:02:25 | 0:02:28 | |
What about you, Rach? Tell us about living in China, | 0:02:28 | 0:02:31 | |
because you were awarded the freedom of a city, weren't you? | 0:02:31 | 0:02:34 | |
I was. I was. | 0:02:34 | 0:02:35 | |
Come on, then, tell us about that. | 0:02:35 | 0:02:38 | |
I did some work for the Chinese government | 0:02:38 | 0:02:40 | |
and I thought I was going to get thrown out, | 0:02:40 | 0:02:42 | |
but they awarded me a key instead, so it was brilliant. | 0:02:42 | 0:02:45 | |
And do you speak Chinese? I speak Mandarin. | 0:02:45 | 0:02:48 | |
Do you think you could tell us, in Mandarin, | 0:02:48 | 0:02:51 | |
the phrase "let's go bargain hunting"? | 0:02:51 | 0:02:53 | |
OK. | 0:02:53 | 0:02:54 | |
SHE SPEAKS MANDARIN | 0:02:54 | 0:02:56 | |
Easy, isn't it! | 0:02:56 | 0:02:58 | |
Anyway, now the money moment, which we're not going to do in Mandarin, | 0:02:58 | 0:03:02 | |
we're going to do it in pound notes - there you go. | 0:03:02 | 0:03:03 | |
There's your money. | 0:03:03 | 0:03:05 | |
You know the rules, your experts await, and off you go. | 0:03:05 | 0:03:08 | |
And very, very, very good luck. | 0:03:08 | 0:03:09 | |
Now, let's go and meet who's going to be looking after | 0:03:09 | 0:03:13 | |
these fine folk out in the field. | 0:03:13 | 0:03:15 | |
Steering the Reds in the right direction, it's Paul Laidlaw, | 0:03:15 | 0:03:18 | |
while David Barby is hoping for an easy ride with the Blues. | 0:03:18 | 0:03:22 | |
But not much chance of that today, as they'll be helping not one, | 0:03:25 | 0:03:29 | |
but two lots of Reds and Blues. | 0:03:29 | 0:03:31 | |
Ginger Nut. | 0:03:38 | 0:03:40 | |
I think this is George Clews. | 0:03:40 | 0:03:43 | |
He made pottery for the Red Star Line. | 0:03:43 | 0:03:46 | |
OK. Would that have been on board a...? | 0:03:46 | 0:03:47 | |
Would have been one of the Red Liner ships. | 0:03:47 | 0:03:50 | |
Not necessarily this piece. | 0:03:50 | 0:03:51 | |
But this is part of their children's range. | 0:03:51 | 0:03:54 | |
GB - Great British Animation. | 0:03:54 | 0:03:56 | |
There we have a little squirrel design. | 0:03:56 | 0:03:58 | |
I think that's very sweet, actually. Do you think it's nice? Definitely. | 0:03:58 | 0:04:02 | |
That's very sweet. It looks in very good condition as well. | 0:04:02 | 0:04:05 | |
?34 is too much. | 0:04:05 | 0:04:07 | |
Should I just ask what the lowest price is | 0:04:07 | 0:04:09 | |
and then we'll have a think about it? | 0:04:09 | 0:04:11 | |
Yes. Yes. Excuse me, | 0:04:11 | 0:04:13 | |
what would be the lowest price you'd be willing to go on this? | 0:04:13 | 0:04:16 | |
Is it 34 that's on it? Yeah. | 0:04:16 | 0:04:18 | |
I could probably do it for about 20. | 0:04:18 | 0:04:20 | |
About 20? Yeah. | 0:04:20 | 0:04:23 | |
You wouldn't come down to 16, would you? | 0:04:23 | 0:04:24 | |
18. 16? 17, then! | 0:04:24 | 0:04:27 | |
16. | 0:04:27 | 0:04:29 | |
16 would be great, actually. | 0:04:29 | 0:04:30 | |
Oh, go on, then! Thank you! | 0:04:32 | 0:04:34 | |
Do you like that? | 0:04:34 | 0:04:36 | |
I think that would be brilliant for 16 and we'll just see what happens. | 0:04:36 | 0:04:39 | |
Yeah. Plenty more to spend on other things. | 0:04:39 | 0:04:41 | |
This is the first thing you've looked at, you know. | 0:04:41 | 0:04:44 | |
We're a bit awful like that! | 0:04:44 | 0:04:47 | |
Well, that was very easy for the Blues. | 0:04:47 | 0:04:49 | |
I wonder how Paul's getting on, reining in those Reds. | 0:04:49 | 0:04:52 | |
Er...she's off! | 0:04:55 | 0:04:57 | |
Hello. | 0:04:57 | 0:04:58 | |
It's a nice set... | 0:04:58 | 0:05:01 | |
But you can't take your eyes off Mary for a second - look at this! | 0:05:01 | 0:05:04 | |
Sorry, I got digressed. Just saw something very, very pretty... | 0:05:08 | 0:05:10 | |
How much did you spend? | 0:05:10 | 0:05:11 | |
..I wanted to have a look at. | 0:05:11 | 0:05:13 | |
Have we got anything left? Yes, we have. Just about. | 0:05:13 | 0:05:15 | |
They are pretty. They're not a pair, though, are they? They are. | 0:05:15 | 0:05:18 | |
No, they're different. | 0:05:18 | 0:05:19 | |
The flowers on the top are slightly different. | 0:05:19 | 0:05:21 | |
Oh, yes, they are slightly different. | 0:05:21 | 0:05:23 | |
A wee bit twee for me - Dresden-type. | 0:05:23 | 0:05:25 | |
Whatever you think. Are they expensive? | 0:05:25 | 0:05:27 | |
?80. Jeez, he's looking after you. | 0:05:27 | 0:05:30 | |
Is that your absolute best price? Absolute best, yes. | 0:05:30 | 0:05:32 | |
70? No... | 0:05:32 | 0:05:34 | |
75, please. I can't, honestly. | 0:05:34 | 0:05:37 | |
80, and I'll always give you your money back. | 0:05:37 | 0:05:40 | |
I'm very passionate about this - 75. | 0:05:40 | 0:05:41 | |
You absolutely wouldn't do 75, | 0:05:41 | 0:05:43 | |
because he's not going to let us take them? | 0:05:43 | 0:05:46 | |
80. 75. | 0:05:46 | 0:05:47 | |
Go on. 75. | 0:05:47 | 0:05:50 | |
Thank you. | 0:05:50 | 0:05:52 | |
She's happy. I am happy now. | 0:05:52 | 0:05:54 | |
She's happy now - she's got something pretty that she loves! | 0:05:54 | 0:05:59 | |
Mary, Mary - that was scary, | 0:05:59 | 0:06:01 | |
but how will your profits grow? | 0:06:01 | 0:06:03 | |
Ha! | 0:06:03 | 0:06:04 | |
We'll find out later. | 0:06:04 | 0:06:06 | |
So, 15 minutes gone and each team has bought one item, | 0:06:06 | 0:06:09 | |
but what will catch their eye next? | 0:06:09 | 0:06:12 | |
I love that handbag. That's wonderful! | 0:06:12 | 0:06:15 | |
Oh, my! | 0:06:15 | 0:06:17 | |
Just go with your outfit, you know. | 0:06:17 | 0:06:20 | |
You think? Thank you. | 0:06:20 | 0:06:22 | |
Which is your stall? | 0:06:22 | 0:06:24 | |
Er, here and here. | 0:06:24 | 0:06:25 | |
Right, can we have a look? Yes, certainly. | 0:06:25 | 0:06:28 | |
OK. We're looking for jewellery, unusual silver, | 0:06:28 | 0:06:31 | |
anything to do with teddy bears - something like that. | 0:06:31 | 0:06:34 | |
Have you got anything...? Teddy bears in there... | 0:06:34 | 0:06:36 | |
Got bears in there, OK. | 0:06:36 | 0:06:37 | |
Oh, that's very pretty - I like that. | 0:06:40 | 0:06:42 | |
What is it? | 0:06:42 | 0:06:43 | |
It's Chester Silver and it's 1901. | 0:06:43 | 0:06:47 | |
It's quite expensive, though. How much is it? | 0:06:47 | 0:06:50 | |
?150...! | 0:06:50 | 0:06:51 | |
Oh! Oh! | 0:06:51 | 0:06:54 | |
Shall we put it down and think about it | 0:06:54 | 0:06:56 | |
and have a look at what else...? | 0:06:56 | 0:06:57 | |
What's the very best you can do on that? ?100. | 0:06:57 | 0:07:00 | |
Very, very best. | 0:07:00 | 0:07:01 | |
?100? Yeah. | 0:07:01 | 0:07:03 | |
Can you tuck it under the 100? | 0:07:03 | 0:07:05 | |
It's got a dent in that bit. | 0:07:05 | 0:07:06 | |
I shouldn't worry about that, that can be taken out. | 0:07:06 | 0:07:09 | |
?90 - that is it. | 0:07:09 | 0:07:11 | |
I tell you what I like - not only is it a decorative piece, | 0:07:11 | 0:07:14 | |
but it's usable. | 0:07:14 | 0:07:15 | |
We would make a profit on that? | 0:07:15 | 0:07:17 | |
I would hope so. | 0:07:17 | 0:07:19 | |
A, because it's Chester. | 0:07:19 | 0:07:21 | |
B, because it's silver. | 0:07:21 | 0:07:24 | |
What do you want to do with it? I think we probably will go for it. | 0:07:24 | 0:07:27 | |
Right, so we've made our mind up, having the tray? | 0:07:27 | 0:07:29 | |
Wonderful. OK. | 0:07:29 | 0:07:30 | |
Decision's made. | 0:07:30 | 0:07:31 | |
Great. You made a good choice. | 0:07:31 | 0:07:34 | |
Another one in the bag for the Blues. | 0:07:34 | 0:07:36 | |
Now, what are the Reds up to? | 0:07:36 | 0:07:37 | |
The mother of all flower bins. | 0:07:37 | 0:07:40 | |
Bit rusty. We want rust, don't we? | 0:07:40 | 0:07:43 | |
What you want is a bargain! | 0:07:43 | 0:07:45 | |
What about the buttons, Paul? Love them. | 0:07:45 | 0:07:50 | |
Excuse me, nice stall-holder person. Could I have a look at the...? | 0:07:50 | 0:07:54 | |
Stall-holder person? Sorry. | 0:07:54 | 0:07:56 | |
I'm sure they're waistcoat buttons. | 0:07:56 | 0:07:57 | |
Yes, they are. They're from the zoo series. | 0:07:57 | 0:08:00 | |
Oh, right. The fact that it was sealed... Yep. | 0:08:00 | 0:08:02 | |
..and the toucan, that was one of the iconic images of Guinness, | 0:08:02 | 0:08:05 | |
wasn't it? I think they're lovely. | 0:08:05 | 0:08:08 | |
What price have you got on them? | 0:08:08 | 0:08:09 | |
?60. | 0:08:09 | 0:08:11 | |
What price could they be if we cried? | 0:08:12 | 0:08:15 | |
I can do 50. | 0:08:15 | 0:08:17 | |
Thank you very much. I can do ?50. | 0:08:17 | 0:08:19 | |
THEY TALK OVER EACH OTHER | 0:08:19 | 0:08:22 | |
There's no fundamental quality to them - | 0:08:22 | 0:08:25 | |
that's just gilt washed tin plate. | 0:08:25 | 0:08:27 | |
And it's rusted, it's as simple as that. | 0:08:27 | 0:08:29 | |
But that's not the point. | 0:08:29 | 0:08:30 | |
That is not the point, the condition's all right, | 0:08:30 | 0:08:33 | |
because they're in the original packaging. | 0:08:33 | 0:08:35 | |
They are. But it would be nice | 0:08:35 | 0:08:37 | |
if this guy could help you a wee bit more... | 0:08:37 | 0:08:39 | |
I was going to say that. Where's my nice man gone? | 0:08:39 | 0:08:41 | |
What did you say, sorry? | 0:08:43 | 0:08:44 | |
?50. | 0:08:44 | 0:08:45 | |
That's...honestly, yeah. | 0:08:46 | 0:08:48 | |
I'm in a lot of trouble, so... | 0:08:48 | 0:08:50 | |
Dude, she's spent so much money already. | 0:08:50 | 0:08:52 | |
You wouldn't do them for 40, would you? | 0:08:52 | 0:08:54 | |
I'll do 48. Honestly, I paid ?45, I make ?3 profit. | 0:08:54 | 0:08:59 | |
45? | 0:08:59 | 0:09:01 | |
He's paid 45 for them... | 0:09:01 | 0:09:03 | |
If I can get this for 45, then everyone's happy with me. | 0:09:03 | 0:09:06 | |
48. | 0:09:06 | 0:09:08 | |
Please. 45. | 0:09:08 | 0:09:10 | |
48. Please? | 0:09:10 | 0:09:11 | |
I've done a deal. Fab. | 0:09:11 | 0:09:13 | |
That's it - the deal's done. | 0:09:13 | 0:09:15 | |
I'm not sure what Paul thinks about all this. | 0:09:15 | 0:09:17 | |
Yeah. I think they're great things. | 0:09:17 | 0:09:19 | |
They're worth what you paid for them | 0:09:19 | 0:09:20 | |
and they're worth ?10 a button if the buyer is there. | 0:09:20 | 0:09:23 | |
Oh, kiss! | 0:09:23 | 0:09:26 | |
Ooh, Mary! | 0:09:26 | 0:09:27 | |
That's two impulsive buys for the racy Reds, | 0:09:27 | 0:09:30 | |
but let's hope they aren't kissing goodbye to any profits. | 0:09:30 | 0:09:33 | |
Now, where have the Blue team got to? | 0:09:33 | 0:09:35 | |
Do you think it's just a quirky...? | 0:09:38 | 0:09:40 | |
That's the correct time. | 0:09:40 | 0:09:41 | |
Oh, thank you very much, sir. | 0:09:41 | 0:09:43 | |
That movement doesn't go with the original clock case, does it? | 0:09:43 | 0:09:47 | |
What sort of price are we talking about? | 0:09:47 | 0:09:51 | |
?50, I'm asking. | 0:09:51 | 0:09:52 | |
They were made ultimately to put watches in. | 0:09:52 | 0:09:55 | |
Right. The clock is nothing - it's the case. | 0:09:55 | 0:09:59 | |
And they could put different clocks in there, you see. | 0:09:59 | 0:10:02 | |
Can I just have a look? Yeah. | 0:10:02 | 0:10:06 | |
I think this is from the earlier part of the 20th century. | 0:10:06 | 0:10:10 | |
Am I right? About 100 years old. | 0:10:10 | 0:10:12 | |
About 100 years old? Yes. | 0:10:12 | 0:10:14 | |
Do you think it would do well at auction, this one? | 0:10:14 | 0:10:17 | |
Well, I think it's a novelty, quirky item. | 0:10:17 | 0:10:20 | |
And it's small enough to fit in anybody's house. | 0:10:20 | 0:10:23 | |
What do you think? I think it's very nice. | 0:10:23 | 0:10:25 | |
Did you want to go for that, then? | 0:10:25 | 0:10:27 | |
It's something I would go for myself. | 0:10:27 | 0:10:29 | |
I think it'll make a profit | 0:10:29 | 0:10:30 | |
but it would be nice if we could get it down. | 0:10:30 | 0:10:32 | |
You couldn't do it for 45, could you, sir, please? | 0:10:32 | 0:10:35 | |
If you push me, I'll take 45. | 0:10:35 | 0:10:36 | |
I think we go for it, yeah? | 0:10:37 | 0:10:40 | |
OK, let's go for it, then. | 0:10:40 | 0:10:41 | |
Are you always so positive? | 0:10:43 | 0:10:44 | |
Yes. | 0:10:44 | 0:10:46 | |
Positive and decisive. | 0:10:48 | 0:10:50 | |
Well done, girls, and still with time to spare. | 0:10:50 | 0:10:53 | |
However, it's a different story for those Reds. | 0:10:53 | 0:10:55 | |
Come on, Paul. We've only got ten minutes! | 0:10:55 | 0:10:57 | |
Do keep up, man! I'm trying to find you bargains! | 0:10:57 | 0:11:00 | |
Yay or nay? Time's ticking. If it's a non-starter from the off... | 0:11:01 | 0:11:04 | |
No, I quite like them. | 0:11:04 | 0:11:06 | |
It's either those two or the cradle. | 0:11:06 | 0:11:08 | |
To be quite honest with you, I need to slaughter that price. | 0:11:08 | 0:11:12 | |
What could you do me the pair for? | 0:11:12 | 0:11:15 | |
28 each. | 0:11:15 | 0:11:17 | |
Let me be really, really brutal here and do not slap me, eject me... | 0:11:17 | 0:11:22 | |
I can't take 50 for the two. | 0:11:22 | 0:11:24 | |
I know what you're saying. | 0:11:24 | 0:11:26 | |
Look, this lady's got some lovely things, | 0:11:26 | 0:11:28 | |
is there anything else here that tickles your fancy... | 0:11:28 | 0:11:31 | |
within a minute? | 0:11:31 | 0:11:32 | |
I quite like the frame. | 0:11:32 | 0:11:33 | |
Lovely piece of silver, is it not? | 0:11:34 | 0:11:37 | |
These things are quite thin and they damage easily. | 0:11:37 | 0:11:39 | |
You've got a nice true one here. | 0:11:39 | 0:11:41 | |
What's the best on Hilda? | 0:11:41 | 0:11:43 | |
65. | 0:11:43 | 0:11:44 | |
65 and ?28 each on them? | 0:11:46 | 0:11:47 | |
Give me a little bit more. | 0:11:47 | 0:11:49 | |
Psychologically, break the 100 barrier. | 0:11:49 | 0:11:51 | |
Cash, job done, we're out of your hair. | 0:11:51 | 0:11:54 | |
95. | 0:11:54 | 0:11:55 | |
And I can get in the car and go. | 0:11:56 | 0:11:58 | |
Go on. | 0:11:58 | 0:11:59 | |
Thank you very much! | 0:11:59 | 0:12:02 | |
Can I shake your hand? Thank you so much. | 0:12:02 | 0:12:04 | |
Aw, you're cold! | 0:12:04 | 0:12:05 | |
I know - warm heart. | 0:12:05 | 0:12:07 | |
I've had a hot flush! | 0:12:07 | 0:12:09 | |
I bet Paul's glad that's over. | 0:12:11 | 0:12:13 | |
Well done, girls, time's up. | 0:12:13 | 0:12:15 | |
Let's recap on what the Reds actually bought. | 0:12:15 | 0:12:17 | |
First up, the Reds bought a pair of porcelain, floral candelabra - | 0:12:18 | 0:12:22 | |
let's just hope the auctioneer doesn't glaze over | 0:12:22 | 0:12:25 | |
when he sees them. | 0:12:25 | 0:12:26 | |
Next, they secured a set of buttons for ?48. | 0:12:26 | 0:12:30 | |
Finally, hoping any profits so far won't be tarnished, | 0:12:31 | 0:12:35 | |
they snapped up three silver photo frames. | 0:12:35 | 0:12:38 | |
How much did you spend overall, then? | 0:12:38 | 0:12:40 | |
218. Yes. | 0:12:40 | 0:12:42 | |
What we want is ?82 from you girls. | 0:12:42 | 0:12:45 | |
Do you want to count it? No, thank you. | 0:12:45 | 0:12:47 | |
Do you trust me? I do. | 0:12:47 | 0:12:49 | |
Paul Laidlaw will count it soon enough. | 0:12:49 | 0:12:51 | |
Thank you. | 0:12:51 | 0:12:52 | |
Paul, please, buy us something pretty. | 0:12:52 | 0:12:55 | |
I have a funny feeling that the team is going to need | 0:12:55 | 0:12:58 | |
all the assistance it can get here. | 0:12:58 | 0:13:00 | |
Mm. Mm. So, ?82 is your challenge, Paul. | 0:13:00 | 0:13:04 | |
Yeah, we can do that. You can do that. Something pretty, still. | 0:13:04 | 0:13:08 | |
Please. Ignore all... | 0:13:08 | 0:13:10 | |
Profit, not pretty! | 0:13:10 | 0:13:12 | |
Thanks, Paul. | 0:13:12 | 0:13:13 | |
Now, let's check out what the Blues are up to. | 0:13:13 | 0:13:16 | |
The Blues served up a 1940s child's cup and plate for a mere ?16. | 0:13:17 | 0:13:24 | |
Hoping it will carry them to the top spot, | 0:13:24 | 0:13:26 | |
they splashed out ?90 on an Art Nouveau tray. | 0:13:26 | 0:13:30 | |
And last, but not least, | 0:13:31 | 0:13:33 | |
they spent ?45 on a miniature mahogany clock case. | 0:13:33 | 0:13:36 | |
Which is your favourite piece, darling? | 0:13:38 | 0:13:40 | |
I'll have to go with the silver tray. | 0:13:40 | 0:13:42 | |
Silver tray's your favourite. What about you, Rach? | 0:13:42 | 0:13:45 | |
Um, I think I like the cup and saucer, for sentimental reasons. | 0:13:45 | 0:13:48 | |
Fair enough. Not sure it'll make a profit. | 0:13:48 | 0:13:50 | |
No better reason than sentimental reasons. | 0:13:50 | 0:13:52 | |
Which piece is going to bring the biggest profit, do you think? | 0:13:52 | 0:13:55 | |
Potentially, the clock or the tray, I think. | 0:13:55 | 0:13:57 | |
Clock or tray. | 0:13:57 | 0:13:58 | |
Hedge your bets - that's the secret. What about you? | 0:13:58 | 0:14:01 | |
I'm going to go with the tray again. So we'll have the 140... | 0:14:01 | 0:14:06 | |
Nine pounds. | 0:14:06 | 0:14:07 | |
?149. | 0:14:07 | 0:14:08 | |
That's an awful lot, isn't it, David, | 0:14:08 | 0:14:10 | |
even by your standards? Yes, it is. | 0:14:10 | 0:14:12 | |
And there's quite a lot of exciting things to look at, actually. | 0:14:12 | 0:14:15 | |
OK. Well, good luck, David Barby. Excellent. | 0:14:15 | 0:14:18 | |
We've come 103 miles, | 0:14:29 | 0:14:31 | |
directly over the Pennines, the spine of Britain - to Cheshire. | 0:14:31 | 0:14:36 | |
To Knutsford, actually, to Frank Marshall and Co's sale room, | 0:14:36 | 0:14:40 | |
where we are with auctioneer Nick Hall. | 0:14:40 | 0:14:42 | |
Nick, good morning. Welcome, Tim. | 0:14:42 | 0:14:44 | |
Now, these German porcelain, encrusted candelabra have to be | 0:14:44 | 0:14:49 | |
two of the most hideous examples I think I've seen in years. | 0:14:49 | 0:14:52 | |
How do you rate them? | 0:14:52 | 0:14:54 | |
Not highly. | 0:14:54 | 0:14:56 | |
No. They're very late - 20th century rather than Victorian, | 0:14:56 | 0:14:58 | |
and to be fair, they're not that well made either. | 0:14:58 | 0:15:01 | |
So, how much? 30-50. | 0:15:01 | 0:15:03 | |
Oh, lord - ?75, they paid. They're going to make a loss on those. | 0:15:03 | 0:15:06 | |
Well, we'll have to see, won't we? Now, on a more uplifting note, | 0:15:06 | 0:15:09 | |
we've got the Guinness advertising buttons. | 0:15:09 | 0:15:11 | |
They're really sweet, aren't they? Much more commercial, | 0:15:11 | 0:15:14 | |
lot of collectors out there for Guinness. | 0:15:14 | 0:15:16 | |
How much? We've got 30-50 on those. | 0:15:16 | 0:15:18 | |
OK. Mary paid ?48. | 0:15:18 | 0:15:20 | |
Yeah, that's a fair price. | 0:15:20 | 0:15:22 | |
What about this group of photo frames, | 0:15:22 | 0:15:24 | |
because photo frames are always good sellers, aren't they? | 0:15:24 | 0:15:27 | |
Yeah, good commercial pieces. And what sort of estimate? | 0:15:27 | 0:15:29 | |
We've put 60-80. I think that's slightly conservative, | 0:15:29 | 0:15:32 | |
I'd expect the top end for that. | 0:15:32 | 0:15:34 | |
Going to need to push it, because ?95, they paid. | 0:15:34 | 0:15:37 | |
We could get that. | 0:15:37 | 0:15:38 | |
Well, we'll stand by for that. OK. | 0:15:38 | 0:15:40 | |
But thanks to the German candelabra, I think we've got | 0:15:40 | 0:15:42 | |
a spot of bother here, so let's go and have a look at the bonus buy. | 0:15:42 | 0:15:46 | |
Mary and Mary... It's very exciting. | 0:15:46 | 0:15:48 | |
..I found the antidote to those candelabra. | 0:15:48 | 0:15:51 | |
Oh... | 0:15:52 | 0:15:54 | |
THEY LAUGH | 0:15:54 | 0:15:56 | |
Well, then, ladies - yay or nay? | 0:15:56 | 0:15:59 | |
Do we know what this is? | 0:15:59 | 0:16:00 | |
Ugly. | 0:16:00 | 0:16:02 | |
Ugly! | 0:16:02 | 0:16:04 | |
Is it Tonka? Tonka?! | 0:16:04 | 0:16:07 | |
Troika. Troika - that's the one. | 0:16:07 | 0:16:09 | |
Troika - iconic. | 0:16:09 | 0:16:12 | |
That should be ?80. I've sold them over 100, but that should be ?80. | 0:16:12 | 0:16:16 | |
How much did I pay for that? ?80. | 0:16:16 | 0:16:18 | |
Go on, tell us! 40? 50? | 0:16:18 | 0:16:21 | |
40's the one. What do you think of that, then, folks? | 0:16:21 | 0:16:24 | |
Don't like it, but...I like it, if that makes sense. | 0:16:24 | 0:16:28 | |
Do you like it, Mary? | 0:16:28 | 0:16:29 | |
Yeah, it's not something I'd choose to have | 0:16:29 | 0:16:31 | |
but I understand that it is quite collectable. | 0:16:31 | 0:16:34 | |
It is. It is. | 0:16:34 | 0:16:35 | |
There's no guarantees in anything, is there, Paul, quite frankly? | 0:16:35 | 0:16:39 | |
But we all have a certain value, girls, | 0:16:39 | 0:16:40 | |
because, for the audience at home, | 0:16:40 | 0:16:42 | |
let's find out what the auctioneer thinks | 0:16:42 | 0:16:44 | |
about Paul's little bit of Troika. | 0:16:44 | 0:16:46 | |
Cornish art, post-war modernism again. | 0:16:46 | 0:16:49 | |
So what do you think it's worth, Nick? | 0:16:49 | 0:16:51 | |
I would think ?60-?80 - should be. | 0:16:51 | 0:16:53 | |
?40 was paid - that's that canny Paul Laidlaw for you. | 0:16:53 | 0:16:56 | |
So he should get a profit on that, | 0:16:56 | 0:16:58 | |
if the team decide to go with it? Should do. | 0:16:58 | 0:17:01 | |
Which is the million-dollar question. | 0:17:01 | 0:17:03 | |
Now, that's it for the Reds, now for the Blues - Rachael and Caroline. | 0:17:03 | 0:17:07 | |
Their first item is this bowl, cup. | 0:17:07 | 0:17:10 | |
Strange lot, isn't it? Unusual thing, this. | 0:17:10 | 0:17:12 | |
Well, it's obviously a child's feeder cup - bit of fun. | 0:17:12 | 0:17:15 | |
And of course, there are Clews-ware collectors. | 0:17:15 | 0:17:17 | |
They don't pay a great deal of money, but they are out there. | 0:17:17 | 0:17:19 | |
What's the estimate? We got ?20-?40 on it. | 0:17:19 | 0:17:22 | |
Superb - ?16 was paid. OK. | 0:17:22 | 0:17:25 | |
Next up is this repousse-embossed Chester silver tray. | 0:17:25 | 0:17:30 | |
That's quite busy, isn't it? Very decorative. | 0:17:30 | 0:17:32 | |
The nice thing is, it's got that Chester Silver hallmark. | 0:17:32 | 0:17:35 | |
People collect Chester hallmarked silver, as you know. | 0:17:35 | 0:17:38 | |
How much? 70-100. | 0:17:38 | 0:17:40 | |
Good. Well, ?90, they paid. | 0:17:40 | 0:17:42 | |
Well, we live in hopes with that. Good. | 0:17:42 | 0:17:44 | |
What about this miniature long case clock? | 0:17:44 | 0:17:47 | |
It's a home-made thing, it's not a bespoke... | 0:17:47 | 0:17:50 | |
It was made in a shed. | 0:17:50 | 0:17:51 | |
I suspect so, yeah. | 0:17:51 | 0:17:53 | |
How much? 40-60. | 0:17:53 | 0:17:55 | |
Great! ?45, they paid. | 0:17:55 | 0:17:57 | |
Good. So, all in all, depending on what happens with Squirrel Nutkin, | 0:17:57 | 0:18:00 | |
they may or may not need their bonus buy, | 0:18:00 | 0:18:02 | |
but let's go and have a look at it anyway. | 0:18:02 | 0:18:04 | |
The most wonderful piece of silver jewellery. | 0:18:06 | 0:18:10 | |
And it's two dragonflies or mayflies coming to a point that forms | 0:18:10 | 0:18:15 | |
that actual belt itself. | 0:18:15 | 0:18:17 | |
Is it a nurse's belt? | 0:18:17 | 0:18:19 | |
Well, they call them nurse's buckles, but, no, this was a very | 0:18:19 | 0:18:21 | |
fashionable piece of jewellery round about 1905, that sort of period. | 0:18:21 | 0:18:26 | |
How old do you think it is, David? | 0:18:26 | 0:18:28 | |
Well, it purports to be 1904-1910, that sort of period, | 0:18:28 | 0:18:32 | |
when that design came out. | 0:18:32 | 0:18:34 | |
But there was a sort of revival in the '70s and 80s. | 0:18:34 | 0:18:38 | |
With it being a later date, would that take it away from...? | 0:18:38 | 0:18:41 | |
I think anybody that's interested in Art Nouveau | 0:18:41 | 0:18:44 | |
and would wish to wear that, | 0:18:44 | 0:18:45 | |
either as a neck pendant or around the waist, I don't think so. | 0:18:45 | 0:18:49 | |
Is it solid silver? Solid silver. | 0:18:49 | 0:18:52 | |
So, interesting, girls. You like it? Yes. | 0:18:52 | 0:18:55 | |
You've got the message with it? Yeah. | 0:18:55 | 0:18:57 | |
But now, for the audience at home, | 0:18:57 | 0:18:58 | |
let's find out what the auctioneer thinks. | 0:18:58 | 0:19:01 | |
Only issue I have with it - the design looks like 1893, | 0:19:02 | 0:19:06 | |
actually was made in 1983. | 0:19:06 | 0:19:08 | |
So, for the purists, it's obviously a modern reproduction | 0:19:08 | 0:19:11 | |
of an Art Nouveau silver belt buckle. | 0:19:11 | 0:19:13 | |
What's your estimate on it? | 0:19:13 | 0:19:15 | |
Had it been old, I'd have said ?100-150. | 0:19:15 | 0:19:17 | |
The fact that it's a later one, I'm looking at ?30-50. | 0:19:17 | 0:19:21 | |
OK, well, David paid ?80. Sure. That could be tight. | 0:19:21 | 0:19:24 | |
It could be. On the other hand, the team may not go with it, | 0:19:24 | 0:19:27 | |
and we'll find out about that in a moment. | 0:19:27 | 0:19:29 | |
Good luck on the rostrum. Thank you. | 0:19:29 | 0:19:32 | |
Mary and Mary, how are you feeling, girls? | 0:19:38 | 0:19:40 | |
Excited. Very excited. Bit nervous. | 0:19:40 | 0:19:42 | |
How excited on the scale of excited are you? | 0:19:42 | 0:19:45 | |
Are you quivering up towards the nines? | 0:19:45 | 0:19:48 | |
Eight or a nine, maybe. | 0:19:48 | 0:19:50 | |
I'm looking forward to the candelabras. | 0:19:50 | 0:19:53 | |
You're really interested in those? | 0:19:53 | 0:19:54 | |
They're my favourite, as you well know. | 0:19:54 | 0:19:56 | |
Well, I have to tell you that they've been very, | 0:19:56 | 0:19:59 | |
very badly reviewed by the auctioneer. | 0:19:59 | 0:20:01 | |
You paid ?75. | 0:20:01 | 0:20:02 | |
?30-50 is the auctioneer's estimate. Ah! | 0:20:02 | 0:20:06 | |
I hope he's wrong about this, Mary. | 0:20:06 | 0:20:08 | |
And here we go... | 0:20:08 | 0:20:09 | |
Pair of 20th century, Dresden porcelain candelabra. | 0:20:09 | 0:20:13 | |
Now, they are late. | 0:20:13 | 0:20:15 | |
Pair of them. Where will we start? | 0:20:15 | 0:20:17 | |
?30. 25. | 0:20:17 | 0:20:21 | |
?20 for the pair. | 0:20:21 | 0:20:22 | |
Come on. ?20 anywhere? | 0:20:22 | 0:20:24 | |
Sell them at 15. | 0:20:24 | 0:20:25 | |
It could go up. 12? 10? | 0:20:25 | 0:20:29 | |
?10 anywhere? Somewhere for ?10? | 0:20:29 | 0:20:31 | |
?10. | 0:20:31 | 0:20:33 | |
?8? | 0:20:33 | 0:20:35 | |
?5? | 0:20:35 | 0:20:37 | |
Someone? I need to get home tonight! | 0:20:37 | 0:20:40 | |
No takers anywhere for ?5? | 0:20:40 | 0:20:42 | |
Thank you, sir, God bless you. | 0:20:42 | 0:20:43 | |
?5, I'm bid - don't let him leave the room! | 0:20:43 | 0:20:46 | |
Oh, dear! I didn't think things were going to go terribly well, | 0:20:46 | 0:20:50 | |
but I didn't predict it quite as bad as that. | 0:20:50 | 0:20:52 | |
That is what you call a bloodbath. | 0:20:52 | 0:20:56 | |
Anyway, so that's -?70, all right? | 0:20:56 | 0:20:58 | |
I'm crying. | 0:20:58 | 0:21:00 | |
I didn't think he was going to make anything out of those. | 0:21:00 | 0:21:04 | |
Here come the advertising buttons. | 0:21:04 | 0:21:06 | |
181A, the box of six Guinness advertising buttons, | 0:21:07 | 0:21:10 | |
nicely there in the original box and card. | 0:21:10 | 0:21:13 | |
?30? ?20? | 0:21:13 | 0:21:15 | |
?20 anywhere? ?20? | 0:21:15 | 0:21:17 | |
Thank you, sir. 20, I'm bid. | 0:21:17 | 0:21:18 | |
That's good. | 0:21:18 | 0:21:20 | |
20 offered. Take 22 if it helps. | 0:21:20 | 0:21:22 | |
?20 offered. Is that all? | 0:21:22 | 0:21:24 | |
Are we all finished? | 0:21:24 | 0:21:26 | |
You sure? Too cheap. | 0:21:26 | 0:21:28 | |
You were unlucky there. | 0:21:30 | 0:21:32 | |
That's -98 that we're up to. | 0:21:32 | 0:21:34 | |
OK, now the photo frames. | 0:21:34 | 0:21:36 | |
Let's hope this is going to canter back. | 0:21:36 | 0:21:39 | |
You've got a William Cummings silver photo frame | 0:21:39 | 0:21:43 | |
and pair of smaller silver frames. | 0:21:43 | 0:21:45 | |
Where are we going to go? I'm going to suggest ?50 to start me. | 0:21:45 | 0:21:48 | |
?50 only for the three? | 0:21:48 | 0:21:51 | |
45? ?40? | 0:21:51 | 0:21:53 | |
?30? Thank you, sir. Any advance on ?30? | 0:21:53 | 0:21:57 | |
40 here. ?40. And five. | 0:21:57 | 0:22:00 | |
50. 50 I have to my right. Standing at ?50, any further bids coming in? | 0:22:00 | 0:22:05 | |
Can't believe this. That's ridiculous. | 0:22:06 | 0:22:08 | |
Fresh outbreak. | 0:22:08 | 0:22:09 | |
- 55. 60 here. | 0:22:09 | 0:22:12 | |
You all done at the back? | 0:22:12 | 0:22:13 | |
?60 if you're sure. 60 I'm selling... | 0:22:13 | 0:22:15 | |
?60 is -?35. It's not been your day, has it? | 0:22:15 | 0:22:20 | |
It hasn't. | 0:22:20 | 0:22:21 | |
That's 128. That's 133. -133 Squadron. | 0:22:21 | 0:22:26 | |
Oh, dear. That's not good, is it? Not good. | 0:22:26 | 0:22:28 | |
OK, what are we going to do about the Troika? Eh... | 0:22:28 | 0:22:30 | |
Are we going to claw a bit back? | 0:22:30 | 0:22:32 | |
I think we should go for it. | 0:22:32 | 0:22:33 | |
Maybe -?133 and that is a winning score. | 0:22:33 | 0:22:38 | |
We're relying on that for the profit. Definitely. | 0:22:38 | 0:22:41 | |
OK, the tail-end Charlie, then - we're going with the Troika. | 0:22:41 | 0:22:44 | |
We are. Here it comes... | 0:22:44 | 0:22:46 | |
Got a nice little bit of Cornish art here, the Troika cube vase. | 0:22:46 | 0:22:50 | |
Not a dear piece - ?50, if you will. | 0:22:50 | 0:22:52 | |
?40. ?30 will start me. | 0:22:52 | 0:22:54 | |
Thank you, sir, 30 I'm bid. Five anyone? Five bid - 40. | 0:22:54 | 0:22:57 | |
Five? We're in profit. | 0:22:57 | 0:22:59 | |
70. | 0:23:00 | 0:23:02 | |
Five? 80. Fantastic! | 0:23:02 | 0:23:05 | |
Nice little cube vase at ?80. ?80 only. All done? | 0:23:05 | 0:23:07 | |
?80 in the room. 80, I'm selling. | 0:23:07 | 0:23:11 | |
There's your man! ?80. | 0:23:11 | 0:23:13 | |
Got something back! | 0:23:13 | 0:23:14 | |
Well, that's fantastic - that's +?40. | 0:23:14 | 0:23:16 | |
You doubled their money there, just like that. Well done, Paul. | 0:23:16 | 0:23:19 | |
Which brings your score to only -93. | 0:23:19 | 0:23:21 | |
THEY GROAN Which could be a winning score. | 0:23:21 | 0:23:24 | |
Yes, girls? It could be. | 0:23:24 | 0:23:26 | |
So, the motto is, ha-ha-ha... | 0:23:26 | 0:23:28 | |
The motto is, don't say a word to the Blues, all right? | 0:23:28 | 0:23:31 | |
No. Not a dicky-bird. No, no. | 0:23:31 | 0:23:34 | |
So, how are you feeling? | 0:23:37 | 0:23:39 | |
Really excited. | 0:23:39 | 0:23:40 | |
Are you really excited? | 0:23:40 | 0:23:42 | |
Can't wait to see it all. What about you? Nervous and excited. | 0:23:42 | 0:23:44 | |
My first auction. Is it? Yes. | 0:23:44 | 0:23:46 | |
You're a debutante antique? Yes. | 0:23:46 | 0:23:48 | |
Anyway, first up is Ginger Nut and here it comes. | 0:23:48 | 0:23:52 | |
This is George Clews Co Ltd, Ginger Nut Esquire advertising, | 0:23:52 | 0:23:55 | |
twin handled. | 0:23:55 | 0:23:56 | |
Where am I going to go with this George Clews? | 0:23:56 | 0:23:59 | |
I got commission bids, can start at 20. | 0:23:59 | 0:24:01 | |
Oh, good, we're in at 20. | 0:24:01 | 0:24:03 | |
You bidding, madam? 25 with you, thank you. | 0:24:03 | 0:24:05 | |
30, I've got. | 0:24:05 | 0:24:07 | |
One more? Five with you. | 0:24:07 | 0:24:08 | |
40 here. | 0:24:08 | 0:24:09 | |
?40 with me... Wow! | 0:24:09 | 0:24:11 | |
?40 on commission. | 0:24:11 | 0:24:13 | |
Anyone else coming in at ?40? | 0:24:13 | 0:24:15 | |
Any further bids? | 0:24:15 | 0:24:16 | |
?40, I'm selling. | 0:24:16 | 0:24:18 | |
That's very good. I like that very much. | 0:24:18 | 0:24:21 | |
Two shy of 20, sorry, four shy of 20, so it's +24. | 0:24:21 | 0:24:24 | |
Very good. Now, the tray - here it comes. | 0:24:24 | 0:24:28 | |
It's the Edwardian silver tray. | 0:24:28 | 0:24:30 | |
Chester hallmarks, 1901/02. | 0:24:30 | 0:24:33 | |
I've got some commission, I'm going to start on the book with me at ?50. | 0:24:33 | 0:24:38 | |
50 starting. | 0:24:38 | 0:24:39 | |
Five with you - new bidder. | 0:24:41 | 0:24:42 | |
80. Five. | 0:24:42 | 0:24:45 | |
Come on! | 0:24:45 | 0:24:46 | |
Back in the room at ?85. | 0:24:46 | 0:24:48 | |
Any advance? Someone's hovering online. Going to go? | 0:24:48 | 0:24:51 | |
?90. | 0:24:51 | 0:24:53 | |
90. | 0:24:53 | 0:24:54 | |
95. Online at 100. 110. | 0:24:54 | 0:24:56 | |
The bid's at 110 in the room. | 0:24:58 | 0:25:00 | |
120. ?120... Listen, Rach. | 0:25:00 | 0:25:02 | |
120 online. | 0:25:02 | 0:25:03 | |
120, I'm selling. | 0:25:03 | 0:25:05 | |
All done. | 0:25:05 | 0:25:07 | |
Good. Good, girls. Good, good, good. | 0:25:07 | 0:25:09 | |
That's 30. | 0:25:09 | 0:25:10 | |
Overall, you're +54. | 0:25:10 | 0:25:13 | |
Very nice, and up comes the miniature long case. | 0:25:13 | 0:25:16 | |
It's a little miniature long case clock. | 0:25:16 | 0:25:19 | |
Early 20th century, novelty item. | 0:25:19 | 0:25:21 | |
I got some commission interest, | 0:25:21 | 0:25:23 | |
I'm going to start with me on the book at ?30. | 0:25:23 | 0:25:25 | |
30. That's fantastic. | 0:25:25 | 0:25:28 | |
40. Five. 50. | 0:25:28 | 0:25:30 | |
The bid for me is ?50, back on the book. | 0:25:30 | 0:25:32 | |
Any fresh bids coming in? 50, I've got. | 0:25:32 | 0:25:35 | |
At ?50, all done. At 50, I'm selling. | 0:25:35 | 0:25:38 | |
?50 - well done. Plus five - very nice. | 0:25:39 | 0:25:41 | |
It's all adding up - look - | 0:25:41 | 0:25:44 | |
we have +?59, which is a very respectable and tidy sum. | 0:25:44 | 0:25:48 | |
What are you going to do with this buckle business? | 0:25:48 | 0:25:51 | |
You've got ?59 in the bank, what do you want to do? | 0:25:51 | 0:25:54 | |
Do you want to risk your ?59 or not? | 0:25:54 | 0:25:56 | |
?59 is a lot of profit, so I'd rather not. | 0:25:56 | 0:25:59 | |
So, we're going to bank it, yes? Yes. | 0:25:59 | 0:26:01 | |
We're not going with the bonus buy. | 0:26:01 | 0:26:03 | |
We're going to sell the buckle anyway and here it comes. | 0:26:03 | 0:26:06 | |
A nice little silver belt buckle. | 0:26:06 | 0:26:07 | |
Very much in the Art Nouveau style, | 0:26:08 | 0:26:11 | |
but a later copy - 1983. | 0:26:11 | 0:26:14 | |
Who'll start me at ?30? 25? ?20? | 0:26:14 | 0:26:16 | |
Nice little piece of hallmarked silver. | 0:26:16 | 0:26:18 | |
Thank you, sir - 20 I'm bid. | 0:26:18 | 0:26:20 | |
Any advance on ?20? | 0:26:20 | 0:26:22 | |
Any further bid on 20? Five. | 0:26:22 | 0:26:24 | |
30 online? 30 online, thank you. 30 I'm bid. | 0:26:24 | 0:26:27 | |
Any advance on ?30? The bid's online at 30. | 0:26:27 | 0:26:30 | |
If you're all done? Finished, selling it at ?30 now... | 0:26:30 | 0:26:34 | |
?30. You made the right decision. | 0:26:34 | 0:26:37 | |
It's -50. | 0:26:37 | 0:26:39 | |
You, right now, girls, if you'd gone with that, | 0:26:39 | 0:26:41 | |
you'd have ?9 in your pocket rather than ?59. | 0:26:41 | 0:26:44 | |
Definitely made the right decision. | 0:26:44 | 0:26:45 | |
So you have done the right thing, which is brilliant. | 0:26:45 | 0:26:48 | |
Now, don't tell the Reds a thing. | 0:26:48 | 0:26:50 | |
So, a healthy profit of ?59 for the Blues, making them | 0:26:50 | 0:26:53 | |
the winners, as, remember, the Reds made a whopping loss of ?93. | 0:26:53 | 0:26:58 | |
Coming up, our experts help two more teams in the hunt for bargains, | 0:27:00 | 0:27:03 | |
but first, I'm off to somewhere rather exotic. | 0:27:03 | 0:27:06 | |
Presiding over 1,400 acres of moor, park and landscaped gardens | 0:27:12 | 0:27:17 | |
is the magnificent country pile of Lyme Park in Cheshire. | 0:27:17 | 0:27:21 | |
Once the hunting ground of the staunchly royalist Legh family, | 0:27:23 | 0:27:28 | |
this extravagant residence is a grand statement of wealth and power. | 0:27:28 | 0:27:33 | |
As you stroll down the extensive corridors at Lyme Park, | 0:27:33 | 0:27:38 | |
you take in the traditional hunting trophies and other works of art. | 0:27:38 | 0:27:43 | |
But I advise you to scratch around in some unexpected places | 0:27:43 | 0:27:49 | |
and you'll find some incredible treasures. | 0:27:49 | 0:27:51 | |
Because in this house, no expense was spared, | 0:27:53 | 0:27:56 | |
even on the most unlikely objects. | 0:27:56 | 0:27:58 | |
And it's not very often you come grovelling in a fireplace | 0:27:59 | 0:28:03 | |
to discover a treasure either, | 0:28:03 | 0:28:05 | |
but this has to be the very best fire grate | 0:28:05 | 0:28:09 | |
I think I have ever seen. | 0:28:09 | 0:28:12 | |
Now, the person that designed this fire grate was probably | 0:28:12 | 0:28:16 | |
Robert Adam, Robert Adam who designed all the interior fittings, | 0:28:16 | 0:28:21 | |
including door knobs and finger plates et cetera, | 0:28:21 | 0:28:25 | |
but also designed an object like this - a fire grate, | 0:28:25 | 0:28:29 | |
because he wanted it to sit harmoniously | 0:28:29 | 0:28:33 | |
in one of his interiors. | 0:28:33 | 0:28:35 | |
The thing is profusely pierced with classical designs | 0:28:35 | 0:28:40 | |
like anthemion and bosses, | 0:28:40 | 0:28:43 | |
and it's a possibly unique survival because it comes with a fender - | 0:28:43 | 0:28:48 | |
that's this fellow at the front - and three fire irons. | 0:28:48 | 0:28:52 | |
Sometimes, these fire grates were made in a variety of materials, | 0:28:52 | 0:28:56 | |
the most expensive and rare being those with fronts made of solid silver, | 0:28:56 | 0:29:02 | |
and hardly any of those survive. | 0:29:02 | 0:29:04 | |
Some are made of pak tong, which is a Chinese alloy. | 0:29:04 | 0:29:08 | |
Looks like silver, smells like silver, | 0:29:08 | 0:29:11 | |
but not as expensive as silver, and you don't need to polish it. | 0:29:11 | 0:29:14 | |
But this is made of polished cut steel. | 0:29:14 | 0:29:19 | |
And what I think is extraordinary is if you polish steel, | 0:29:19 | 0:29:23 | |
just how bright and brilliant it becomes. | 0:29:23 | 0:29:26 | |
And these elements, which are cut to resemble jewels, | 0:29:26 | 0:29:31 | |
are faceted, so that the light in the room shines against them | 0:29:31 | 0:29:36 | |
and gives you this magical effect. | 0:29:36 | 0:29:39 | |
So, back at Newark, will our two teams shine | 0:29:40 | 0:29:43 | |
when they go bargain hunting? | 0:29:43 | 0:29:44 | |
Time to meet our next pair of Reds and Blues. | 0:29:44 | 0:29:47 | |
On the Red side today, we've got husband and wife | 0:29:49 | 0:29:53 | |
Sally and John, and for the Blues, mother and son Glade and JP. | 0:29:53 | 0:29:58 | |
Welcome to Bargain Hunt. Thank you. | 0:29:58 | 0:29:59 | |
Very nice to see you. | 0:29:59 | 0:30:01 | |
So, John, how did you two meet? | 0:30:01 | 0:30:03 | |
Well, it was on a company sort of do, conference, | 0:30:03 | 0:30:07 | |
and I was Sally's boss or senior manager, | 0:30:07 | 0:30:11 | |
and she was dancing on the table after quite a few drinks... | 0:30:11 | 0:30:16 | |
Oh, one of those conferences! | 0:30:16 | 0:30:18 | |
Yes, and it was, "Get down," ordered to get down | 0:30:18 | 0:30:22 | |
and she jumped into my arms and we kissed | 0:30:22 | 0:30:26 | |
and ten years later, here we are. | 0:30:26 | 0:30:29 | |
Good lord. Well, I don't think we'd better go into any other detail, | 0:30:29 | 0:30:33 | |
I mean, this is lunchtime family entertainment. | 0:30:33 | 0:30:36 | |
What do you collect, Sal? | 0:30:36 | 0:30:37 | |
I collect sugar tongs, silver ones. | 0:30:37 | 0:30:39 | |
That was something that started me off | 0:30:39 | 0:30:41 | |
when I was quite young from my grandmothers. | 0:30:41 | 0:30:43 | |
And you're up for the challenge today on Bargain Hunt? | 0:30:43 | 0:30:46 | |
Definitely. You going to win? Oh, we certainly will. | 0:30:46 | 0:30:48 | |
Oh-ho-ho - I love this fighting talk. | 0:30:48 | 0:30:51 | |
They don't look too scared, though, somehow. | 0:30:51 | 0:30:53 | |
So, Glade, what do you do? | 0:30:55 | 0:30:57 | |
Interior designer. | 0:30:57 | 0:30:58 | |
Ah, that's why she's not looking scared, | 0:30:58 | 0:31:00 | |
because I think we might have a professional here. | 0:31:00 | 0:31:03 | |
Yeah. Yes. And you do this from a shop...? | 0:31:03 | 0:31:06 | |
From home. From home. | 0:31:06 | 0:31:07 | |
Yes, work from home and I have my website as well. | 0:31:07 | 0:31:10 | |
Is it good fun? Very good. | 0:31:10 | 0:31:12 | |
Really love it. It's like a hobby to me. | 0:31:12 | 0:31:14 | |
To be paid by somebody, sometimes a lot of money, I guess, | 0:31:14 | 0:31:17 | |
to do a whole scheme is... | 0:31:17 | 0:31:18 | |
Sometimes very little money too. | 0:31:18 | 0:31:22 | |
Sometimes very little money. Have a plug at that. | 0:31:22 | 0:31:24 | |
But you're no stranger to antiques, are you? No. | 0:31:24 | 0:31:27 | |
We love antiques. I collect china. | 0:31:27 | 0:31:30 | |
You've been collecting for how long? | 0:31:30 | 0:31:32 | |
24 years, more or less. | 0:31:32 | 0:31:34 | |
Have you? Yes, since I've been here, cos I'm from Brazil. | 0:31:34 | 0:31:37 | |
From Brazil? Yes. How lovely - how exotic. | 0:31:37 | 0:31:39 | |
JP, are you going to follow in your mother's footsteps in this business? | 0:31:39 | 0:31:44 | |
Erm, slightly different take - | 0:31:44 | 0:31:46 | |
I'd rather go down the art dealing route. | 0:31:46 | 0:31:49 | |
And you've got some qualifications | 0:31:49 | 0:31:51 | |
that will help you with this, have you? | 0:31:51 | 0:31:53 | |
I've just finished at university. I did art history there, | 0:31:53 | 0:31:56 | |
which I take as quite a good grounding. | 0:31:56 | 0:31:58 | |
And where did you do this? In Dublin. | 0:31:58 | 0:32:00 | |
Oh, did you? Were you at Trinity? | 0:32:00 | 0:32:02 | |
Yeah. Ah, perfect! | 0:32:02 | 0:32:03 | |
And was it good fun? I loved it, absolutely loved it. | 0:32:03 | 0:32:06 | |
Dublin was just fantastic, it's such a lovely city. | 0:32:06 | 0:32:09 | |
And probably the finest pubs in the world. | 0:32:09 | 0:32:10 | |
Oh, well, yes. | 0:32:10 | 0:32:12 | |
And some fairly good ale too. Yep. | 0:32:12 | 0:32:13 | |
Yes, which is brilliant. | 0:32:13 | 0:32:15 | |
Now we're going to move with the trend of money, | 0:32:15 | 0:32:18 | |
because here comes the ?300. | 0:32:18 | 0:32:19 | |
Here's your ?300 apiece. Thank you. | 0:32:19 | 0:32:21 | |
You know the rules, your experts await and off you go | 0:32:21 | 0:32:24 | |
and very, very, very good luck! | 0:32:24 | 0:32:27 | |
OK, teams, three bargains and ?300. | 0:32:30 | 0:32:32 | |
What could be easier? | 0:32:32 | 0:32:34 | |
Let the games begin. | 0:32:34 | 0:32:35 | |
Is yours the wee chess tripod table? | 0:32:40 | 0:32:42 | |
Yes, it is. | 0:32:42 | 0:32:44 | |
Is it expensive? 75. | 0:32:44 | 0:32:46 | |
See what they think, they're the bosses. | 0:32:48 | 0:32:50 | |
How do you feel about that? | 0:32:50 | 0:32:52 | |
I just spotted it gathering... | 0:32:52 | 0:32:54 | |
See, it's got moisture there. | 0:32:54 | 0:32:55 | |
Don't panic about the rain. | 0:32:55 | 0:32:57 | |
That wipes off, it dries no trouble. | 0:32:57 | 0:32:59 | |
Importantly, it's pretty much all there. Yeah. | 0:32:59 | 0:33:01 | |
You're going to get minor losses always with such a thing. | 0:33:01 | 0:33:05 | |
In truth, if it came to my auction room, what would I put on that? | 0:33:05 | 0:33:08 | |
80-120. That is a rich little table. | 0:33:08 | 0:33:11 | |
Talk the job up, give it a good wax. | 0:33:11 | 0:33:13 | |
Yeah, it sounds all right. 70. | 0:33:14 | 0:33:16 | |
Can you help at all? | 0:33:16 | 0:33:17 | |
65. | 0:33:17 | 0:33:18 | |
It's still a lot of money for a... | 0:33:19 | 0:33:21 | |
I'd say yes. | 0:33:21 | 0:33:22 | |
But... Take a punt? Yeah. Yeah. | 0:33:22 | 0:33:25 | |
Time's ticking on. It is. | 0:33:25 | 0:33:26 | |
Thank you very much, yeah. Wonderful. | 0:33:26 | 0:33:29 | |
We're just going to hit the trail. Thanks very much. | 0:33:29 | 0:33:33 | |
20 minutes gone, and the Reds nab their first item. | 0:33:33 | 0:33:36 | |
I think that's a good buy - fingers crossed, | 0:33:36 | 0:33:39 | |
but I'm just mindful of that clock ticking. | 0:33:39 | 0:33:42 | |
And time is ticking, so you'd better get a move on. | 0:33:42 | 0:33:45 | |
David, how old do you think this is? | 0:33:46 | 0:33:48 | |
She might have a date on the bottom - Walker Hall... | 0:33:48 | 0:33:53 | |
1950s? No, I think this is probably 1930s/40s. | 0:33:53 | 0:33:56 | |
1930s. 30s? Yup. It's very nice. | 0:33:56 | 0:33:59 | |
Hi. Hi. | 0:33:59 | 0:34:01 | |
What's the best price you can do for us on that? | 0:34:01 | 0:34:03 | |
Erm, ?100. | 0:34:03 | 0:34:05 | |
?100? | 0:34:05 | 0:34:06 | |
I think, basically, it's a sugar bowl...without the rest, | 0:34:06 | 0:34:12 | |
and to my way of thinking | 0:34:12 | 0:34:13 | |
you could buy that at auction for round about ?45. | 0:34:13 | 0:34:17 | |
What's the very best you can do on that? | 0:34:17 | 0:34:19 | |
The very best? | 0:34:19 | 0:34:21 | |
To leave me anything in it at all, it'd have to be 70. | 0:34:21 | 0:34:24 | |
It's just too much. | 0:34:24 | 0:34:26 | |
Not 45? No, I can't. | 0:34:26 | 0:34:28 | |
50? I've paid more than that. | 0:34:28 | 0:34:31 | |
What about 50? | 0:34:31 | 0:34:32 | |
I've paid more than that. | 0:34:32 | 0:34:35 | |
The Blues have yet to part with any cash, | 0:34:35 | 0:34:37 | |
although something on the same stall has just caught JP's eye. | 0:34:37 | 0:34:41 | |
I quite like that. | 0:34:42 | 0:34:43 | |
It's very beautiful. | 0:34:43 | 0:34:45 | |
Quite collectable as well. | 0:34:45 | 0:34:46 | |
Can you do a good discount on that? | 0:34:46 | 0:34:49 | |
It's got the inside torn a little bit. | 0:34:49 | 0:34:52 | |
50. | 0:34:53 | 0:34:54 | |
Might not be less than that. | 0:34:56 | 0:34:58 | |
It's a lovely item, but... | 0:34:58 | 0:35:00 | |
Right, I'm going to say ?40, please. | 0:35:00 | 0:35:02 | |
?40 cash? He's wicked! | 0:35:03 | 0:35:05 | |
It's only because we have... 45? | 0:35:05 | 0:35:07 | |
40. | 0:35:07 | 0:35:09 | |
40, please? | 0:35:09 | 0:35:10 | |
Go on, then. | 0:35:11 | 0:35:13 | |
I think 40's a good price for that. | 0:35:13 | 0:35:17 | |
That's your first piece of silver. | 0:35:17 | 0:35:19 | |
At last, the Blues pocket the silver purse. | 0:35:20 | 0:35:23 | |
We're halfway through now, | 0:35:23 | 0:35:25 | |
but there's just too much stuff to look at. | 0:35:25 | 0:35:27 | |
This could be a rich vein, this, | 0:35:27 | 0:35:29 | |
I get a good feel about these little tents. | 0:35:29 | 0:35:31 | |
Will we keep going? Yep. | 0:35:31 | 0:35:32 | |
How are you doing, all right? | 0:35:37 | 0:35:40 | |
Morning! | 0:35:40 | 0:35:41 | |
STALL HOLDER: Don't let him talk you into anything you don't want! | 0:35:42 | 0:35:46 | |
That's nice, isn't it? | 0:35:48 | 0:35:50 | |
50 quid. | 0:35:50 | 0:35:52 | |
45. That's it, that's the lowest - 45. | 0:35:52 | 0:35:55 | |
I like that, don't you? 45. | 0:35:56 | 0:35:58 | |
What is it? | 0:35:58 | 0:36:00 | |
It's silver mounted. | 0:36:00 | 0:36:01 | |
What is it? It's for pepper. | 0:36:01 | 0:36:03 | |
No, I know, but how old is it? | 0:36:03 | 0:36:06 | |
There should be dating - 1895. | 0:36:07 | 0:36:10 | |
Do you think someone would buy that? | 0:36:10 | 0:36:12 | |
45, yes. | 0:36:12 | 0:36:15 | |
I would buy it. You wouldn't? | 0:36:15 | 0:36:17 | |
I wouldn't, no. This is a... | 0:36:17 | 0:36:19 | |
I think this is quite nice, actually. It is. | 0:36:19 | 0:36:21 | |
The reason I picked this up... | 0:36:21 | 0:36:23 | |
was because it's late-19th century | 0:36:23 | 0:36:26 | |
and it's got silver mounts. | 0:36:26 | 0:36:27 | |
Each mount is marked here. | 0:36:27 | 0:36:29 | |
He's prepared to accept ?45 for it. | 0:36:29 | 0:36:31 | |
Now, I can see that at auction going for round about ?50-?65. | 0:36:31 | 0:36:37 | |
We're running out of time. We only have 20 minutes. | 0:36:37 | 0:36:40 | |
I think it's a better deal now. | 0:36:40 | 0:36:43 | |
I think it's very stylish and it suits any home. | 0:36:43 | 0:36:45 | |
Well, I think so. And ?45 is a good price for it. | 0:36:45 | 0:36:50 | |
I'm just going to see if I can get him down a little bit more. | 0:36:50 | 0:36:53 | |
Bear with me. Sir...? | 0:36:53 | 0:36:55 | |
You're packing up now, would you take ?40 for it, please? | 0:36:55 | 0:36:58 | |
David, I've told you the best. | 0:36:58 | 0:37:00 | |
Honestly, I'm not being funny - the 45 is def. | 0:37:00 | 0:37:03 | |
45? That's fine. | 0:37:04 | 0:37:07 | |
One last cheeky, failed stab at negotiating later, | 0:37:07 | 0:37:11 | |
and the Blues are the proud owners of the pepper grinder. | 0:37:11 | 0:37:15 | |
It's harder than we expected. | 0:37:15 | 0:37:16 | |
Yeah, I'm a bit worried about time as well. | 0:37:16 | 0:37:19 | |
Yes, but I think we'll be fine. | 0:37:19 | 0:37:21 | |
Yeah, we're quietly confident. | 0:37:21 | 0:37:23 | |
Yes. | 0:37:23 | 0:37:24 | |
Another pair of Doulton vases if they tickle your fancy, | 0:37:30 | 0:37:32 | |
or something a wee bit more modern - Shelley. | 0:37:32 | 0:37:35 | |
It's a good name. I like these banded wares from Shelley. | 0:37:35 | 0:37:39 | |
Right. What do you think that's worth? | 0:37:39 | 0:37:41 | |
You'd probably look at maybe ?70... | 0:37:41 | 0:37:43 | |
I mean, if you... | 0:37:43 | 0:37:45 | |
You know, I think somewhere in the country, | 0:37:45 | 0:37:47 | |
there'll be one priced at ?70. | 0:37:47 | 0:37:49 | |
Not insulting because of the name and the style. | 0:37:49 | 0:37:52 | |
But it's worth ?30/?40 at auction. Right. | 0:37:52 | 0:37:55 | |
Price. How does ?48 grab you? | 0:37:55 | 0:37:58 | |
Nice. Let's go lower, though. | 0:37:59 | 0:38:01 | |
Let's try and see what we can get, yeah? | 0:38:01 | 0:38:03 | |
It's a good starting point, to be quite honest with you. | 0:38:03 | 0:38:06 | |
Shall we ask? Yes, ask. | 0:38:06 | 0:38:08 | |
It's a nice vase, and your price isn't bad, | 0:38:08 | 0:38:10 | |
but for Bargain Hunt purposes, can you help them at all? | 0:38:10 | 0:38:13 | |
Well, as it's the Red team, and I do like the Red team, | 0:38:13 | 0:38:16 | |
I think we can go down to 30. | 0:38:16 | 0:38:18 | |
That's nice. | 0:38:18 | 0:38:19 | |
Yeah? What do you think, folks? | 0:38:19 | 0:38:21 | |
Yeah. Go for it. We'll go for 30. You'll get a profit on that. | 0:38:21 | 0:38:24 | |
Thank you. Yeah? It's a perfect item, it's a good named piece. | 0:38:24 | 0:38:26 | |
Shake on it? Shake on it. | 0:38:26 | 0:38:28 | |
Good deal. Thank you. Thank you. Thank you. | 0:38:28 | 0:38:31 | |
Thank you. | 0:38:31 | 0:38:32 | |
What a nice man! | 0:38:32 | 0:38:34 | |
We're in the last five minutes now. | 0:38:34 | 0:38:36 | |
Have the Blues got it in them to nail their last item? | 0:38:36 | 0:38:39 | |
What do you think? Do you like this? | 0:38:39 | 0:38:41 | |
I can't stand them. I think they are awful! | 0:38:43 | 0:38:47 | |
Right, OK. THEY LAUGH | 0:38:47 | 0:38:50 | |
Do you like oil lamps? | 0:38:50 | 0:38:51 | |
I do like, but they have to be really old. | 0:38:51 | 0:38:53 | |
What about this little one here, do you like that? That's quite pretty. | 0:38:53 | 0:38:57 | |
Yeah, I like that. That's pretty. | 0:38:57 | 0:38:58 | |
I think that's really nice. Very pretty. That's 180, that's too much. | 0:38:58 | 0:39:01 | |
You can't sell it for that. | 0:39:01 | 0:39:03 | |
I'd like to see it around ?50/?60. Yes, I do as well. | 0:39:03 | 0:39:06 | |
Our contestants are interested in that - it's very expensive. | 0:39:06 | 0:39:09 | |
What's the very best you can do on that? | 0:39:09 | 0:39:11 | |
120. | 0:39:11 | 0:39:13 | |
It's still a little bit high for us. | 0:39:13 | 0:39:15 | |
What's the very, very best? | 0:39:15 | 0:39:17 | |
Because it's you, turn it back into some sort of money, at a loss, ?60. | 0:39:17 | 0:39:22 | |
What do you think? | 0:39:22 | 0:39:23 | |
Would you like it for ?60? | 0:39:23 | 0:39:25 | |
That's come down from 180. | 0:39:25 | 0:39:27 | |
I'd be happy with ?60. | 0:39:27 | 0:39:29 | |
I think that's the winner, then. Yes. | 0:39:29 | 0:39:31 | |
Really? Yes, ?60. | 0:39:31 | 0:39:34 | |
OK. Right... Good choice. | 0:39:34 | 0:39:36 | |
Jean-Phillipe, good choice. | 0:39:36 | 0:39:38 | |
Very happy. I'm delighted! | 0:39:38 | 0:39:40 | |
With a sigh of relief, | 0:39:40 | 0:39:42 | |
the Blues manage to find an item that they all like, | 0:39:42 | 0:39:45 | |
and with minutes to go, | 0:39:45 | 0:39:46 | |
the Reds are going to run out of time if they're not careful. | 0:39:46 | 0:39:50 | |
Ooh, look, it's that nice man again. | 0:39:50 | 0:39:52 | |
That's quite cute. Silver pill box. | 0:39:52 | 0:39:54 | |
Any marks? | 0:39:54 | 0:39:55 | |
Yeah, on the bottom. | 0:39:56 | 0:39:59 | |
It's got English import marks, which is great, | 0:40:01 | 0:40:04 | |
and I must admit that really high design... | 0:40:04 | 0:40:08 | |
Actually, it's a sweet little box. | 0:40:08 | 0:40:10 | |
Who spotted that? Me. | 0:40:10 | 0:40:11 | |
But, again, price. | 0:40:13 | 0:40:15 | |
Where is he? Best price? Best price? | 0:40:15 | 0:40:17 | |
Seeing as we've bought two things. | 0:40:17 | 0:40:19 | |
Not yet! Not yet! | 0:40:19 | 0:40:22 | |
30 quid. | 0:40:22 | 0:40:23 | |
Psychologically, can we break that 30 barrier, | 0:40:24 | 0:40:26 | |
even if it's just a fiver? We can go to 35. | 0:40:26 | 0:40:29 | |
28. | 0:40:32 | 0:40:33 | |
What about 27.50? | 0:40:33 | 0:40:36 | |
No, no, not 50 pence. | 0:40:36 | 0:40:38 | |
Give him 28 quid, surely! | 0:40:38 | 0:40:39 | |
Yeah, I like that. | 0:40:41 | 0:40:43 | |
It's pretty. 28. | 0:40:43 | 0:40:45 | |
Well, there you go. It came pretty rapidly at the end, did it not? | 0:40:45 | 0:40:49 | |
Time's up. Let's remind ourselves what the Reds bought. | 0:40:50 | 0:40:53 | |
It's chequered, mate. | 0:40:55 | 0:40:57 | |
The tripod table was taken en passant for ?65. | 0:40:57 | 0:41:02 | |
We had to wait for the last five minutes for the next two buys - | 0:41:02 | 0:41:05 | |
a very nice man sold them this Shelley vase for ?30 | 0:41:05 | 0:41:08 | |
and the silver pillbox for ?28. | 0:41:08 | 0:41:11 | |
Marvellous. | 0:41:11 | 0:41:13 | |
Cor, well, you don't half get us going there! | 0:41:13 | 0:41:15 | |
We thought you were going to be late and suddenly you get that spurt on. | 0:41:15 | 0:41:18 | |
Definitely, right at the very end there. | 0:41:18 | 0:41:20 | |
We thought we were going to have to run down for that | 0:41:20 | 0:41:23 | |
piece of Doulton we saw initially. | 0:41:23 | 0:41:24 | |
Well, thank goodness you didn't have to do that. | 0:41:24 | 0:41:26 | |
You've settled on your three, which is brilliant. | 0:41:26 | 0:41:29 | |
How much did you spend overall again? | 0:41:29 | 0:41:30 | |
123. Which is very modest, isn't it? | 0:41:30 | 0:41:34 | |
It is. That would be ?177 of leftover lolly, that would. | 0:41:34 | 0:41:37 | |
Certainly is. | 0:41:37 | 0:41:38 | |
Pass it straight over to the man. | 0:41:38 | 0:41:40 | |
There you go, sir. Thank you, John. Spend well. Off you go, boy. | 0:41:40 | 0:41:43 | |
For us, we're going to find out how the Blues are getting on. | 0:41:43 | 0:41:46 | |
The Blues got things going | 0:41:47 | 0:41:49 | |
when they snapped up this silver purse for ?40, | 0:41:49 | 0:41:53 | |
but had to be talked into buying the pepper grinder for ?45. | 0:41:53 | 0:41:57 | |
What a grind! | 0:41:57 | 0:41:59 | |
And finally, the oil lamp saw all their faces light up for 60. | 0:41:59 | 0:42:03 | |
Now, have you had a great shop-up, though? Fantastic. Very good. | 0:42:03 | 0:42:06 | |
You spent ?145 all round. | 0:42:06 | 0:42:08 | |
That's ?155 of leftover lolly. | 0:42:08 | 0:42:11 | |
There we go, David, ?155. | 0:42:11 | 0:42:12 | |
That is such a lot. | 0:42:12 | 0:42:15 | |
For a change, you're not going to have to refer to any personage, | 0:42:15 | 0:42:19 | |
and you can simply make the decision yourself. | 0:42:19 | 0:42:21 | |
I shall feel lost. | 0:42:21 | 0:42:23 | |
Without the guiding...? | 0:42:23 | 0:42:25 | |
The guiding light. | 0:42:25 | 0:42:26 | |
I shall do my best. | 0:42:26 | 0:42:28 | |
I'm sure you will. Thank you. Good luck, David. Brilliant. | 0:42:28 | 0:42:30 | |
Well, we've travelled west for a couple of hours to Cheshire | 0:42:39 | 0:42:42 | |
to Frank Marshall and Co's sale room in Knutsford | 0:42:42 | 0:42:46 | |
and here we are with Nick Hall. | 0:42:46 | 0:42:47 | |
Welcome, Tim, Hi. Very lovely to be here. | 0:42:47 | 0:42:50 | |
Now, the first item for Sally and John is this delightful table. | 0:42:50 | 0:42:56 | |
Sweet little thing. Do you rate that? I like that, very much so. | 0:42:56 | 0:42:58 | |
It's a restorer's project, possibly, but it'll be beautiful | 0:42:58 | 0:43:01 | |
when it's done. I'm going to go 70-100, we've got on that. | 0:43:01 | 0:43:04 | |
Well, that's perfect, they paid ?65 for that, which is great. | 0:43:04 | 0:43:08 | |
The next item up is this dull-looking piece of Shelley. | 0:43:08 | 0:43:12 | |
Not a lot going for that, is there, really? | 0:43:12 | 0:43:14 | |
It's a big name but it's not a great piece. | 0:43:14 | 0:43:16 | |
It's from the slightly later Harmony range. | 0:43:16 | 0:43:19 | |
How much? 25-35. | 0:43:19 | 0:43:21 | |
Brilliant, well, they paid ?30, so that's not so far off. | 0:43:21 | 0:43:24 | |
Lastly, they've got this little pill box. | 0:43:24 | 0:43:27 | |
Mm. Mass-produced, modern, continental. | 0:43:27 | 0:43:29 | |
But it is silver. It is silver, yeah. | 0:43:29 | 0:43:32 | |
What's your estimate on that, Nick? 20-40 on that. | 0:43:32 | 0:43:35 | |
?28 paid. OK. All in all, they're quite close throughout. | 0:43:35 | 0:43:39 | |
They may not need the bonus buy, | 0:43:39 | 0:43:41 | |
but let's go and have a look at it anyway! | 0:43:41 | 0:43:44 | |
Sal and John, you gave Paul ?177... | 0:43:44 | 0:43:47 | |
Yep. | 0:43:47 | 0:43:49 | |
..has the canny Scotsman spent the lot? | 0:43:49 | 0:43:52 | |
Reveal all, Paul. | 0:43:52 | 0:43:53 | |
Well, it's a well-known fact | 0:43:53 | 0:43:55 | |
that I have a penchant for things that go bang. | 0:43:55 | 0:43:57 | |
My God! | 0:43:59 | 0:44:01 | |
THEY LAUGH | 0:44:01 | 0:44:03 | |
Another Bargain Hunt first! | 0:44:03 | 0:44:05 | |
Who wants to hold it? | 0:44:05 | 0:44:07 | |
Is it a...shell? | 0:44:07 | 0:44:09 | |
It's an incendiary. | 0:44:09 | 0:44:11 | |
Cracked it! Second World War, Luftwaffe incendiary. | 0:44:11 | 0:44:14 | |
Dropped in thousands at a time from a single aircraft, frequently. | 0:44:14 | 0:44:20 | |
I think they are so iconic of the Blitz. | 0:44:20 | 0:44:23 | |
That cost me ?20. | 0:44:23 | 0:44:25 | |
The last one I saw go at auction, | 0:44:25 | 0:44:28 | |
although this was a hell of a result, made 70. | 0:44:28 | 0:44:31 | |
I guarantee you a profit and if you're lucky, a few times cost. | 0:44:31 | 0:44:36 | |
Well, that would be nice, wouldn't it? That's what we like to hear! | 0:44:36 | 0:44:39 | |
Anyway, think on that, because for the audience at home, | 0:44:39 | 0:44:41 | |
let's find out what the auctioneer thinks about Paul's bomb. | 0:44:41 | 0:44:45 | |
Well, Nick, there's something new for you. | 0:44:45 | 0:44:48 | |
I'm a bit loath to take this in case it's ticking. | 0:44:48 | 0:44:50 | |
But it's, I suppose, | 0:44:50 | 0:44:51 | |
a perfectly genuine Luftwaffe Second World War incendiary device. | 0:44:51 | 0:44:55 | |
I mean, I wouldn't know, frankly. | 0:44:55 | 0:44:57 | |
Yes. Loosely, it comes under the militaria section. | 0:44:57 | 0:45:01 | |
It's a bit of a quirky lot, | 0:45:01 | 0:45:02 | |
not a terribly sought-after military item, I wouldn't have thought. | 0:45:02 | 0:45:06 | |
We've put a lowly 20-40 on it, | 0:45:06 | 0:45:07 | |
but it is more of a guess-timate more than an estimate. | 0:45:07 | 0:45:12 | |
Yes, I think it's terribly difficult. | 0:45:12 | 0:45:14 | |
He only paid ?20 for it, | 0:45:14 | 0:45:16 | |
so if you get anything more than ?20, if the teams decide to | 0:45:16 | 0:45:20 | |
go for it, then everybody will be very much relieved. | 0:45:20 | 0:45:23 | |
Good. OK, that's it for the Reds, now for the Blues. | 0:45:23 | 0:45:27 | |
JP went for an unusual choice here, a little ladies' ring purse. | 0:45:27 | 0:45:31 | |
Well, it is a piece of silver smallwork, of sorts, | 0:45:31 | 0:45:34 | |
and silver smallwork is quite popular at the moment. Yeah? | 0:45:34 | 0:45:37 | |
I mean, I'd not wear that down to the disco myself. | 0:45:37 | 0:45:41 | |
Not that you're admitting to? No. | 0:45:41 | 0:45:42 | |
Not without my high heels on. | 0:45:42 | 0:45:44 | |
I'm thinking maybe in terms of ?30-?50. | 0:45:44 | 0:45:47 | |
?40, JP paid. | 0:45:47 | 0:45:49 | |
Bang in the middle. That's not bad, is it? That's OK. | 0:45:49 | 0:45:51 | |
Next is the pepper grinder, | 0:45:51 | 0:45:53 | |
which has had a re-turned top on it, hasn't it? | 0:45:53 | 0:45:56 | |
It's had some ongoing repairs. | 0:45:56 | 0:45:58 | |
It's a smart little thing, very Arts and Crafts, | 0:45:58 | 0:46:01 | |
and these are popular objects. | 0:46:01 | 0:46:02 | |
But, as you say, | 0:46:02 | 0:46:04 | |
the restoration will just take the shine off for the purists. | 0:46:04 | 0:46:07 | |
40-60. ?45 paid. | 0:46:07 | 0:46:09 | |
So that's OK. Yeah. Then we've got the oil lamp. | 0:46:09 | 0:46:12 | |
Quite nice with the blue glass, I must say. | 0:46:12 | 0:46:16 | |
Did they pick it because they're the Blue team? | 0:46:16 | 0:46:18 | |
Could be. I'm struggling to see why they did buy it. | 0:46:18 | 0:46:21 | |
As Victorian oil lamps go, it's not a great one, is it? | 0:46:21 | 0:46:25 | |
It's quite small, it's not got those nice big reservoirs that we see. | 0:46:25 | 0:46:30 | |
Some people like little reservoirs. Well, this is true, | 0:46:30 | 0:46:32 | |
and they're the people we're going to target for this lot. | 0:46:32 | 0:46:35 | |
We're going to go 40-60 on that. | 0:46:35 | 0:46:36 | |
?60 was paid. | 0:46:36 | 0:46:38 | |
At the top end of it, you're really going to have to push on. Yes. | 0:46:38 | 0:46:42 | |
Alternatively, of course, | 0:46:42 | 0:46:44 | |
the teams will have the bonus buy to choose from, | 0:46:44 | 0:46:47 | |
so let's go and have a look at it. | 0:46:47 | 0:46:49 | |
Glade and JP, you spent ?145, you gave David Barby - the legend - | 0:46:49 | 0:46:55 | |
?155 of leftover lolly. | 0:46:55 | 0:46:58 | |
What did he spend it on? | 0:46:58 | 0:47:00 | |
Any hints there? | 0:47:00 | 0:47:01 | |
I wanted something very, very stylish. | 0:47:02 | 0:47:05 | |
And this, I thought, was a wonderful, wonderful walking cane. | 0:47:06 | 0:47:11 | |
Isn't it lovely? | 0:47:12 | 0:47:13 | |
There are marks here purporting to be Russian, | 0:47:13 | 0:47:16 | |
so we're looking at the pre-Revolution period - | 0:47:16 | 0:47:19 | |
the period of the tsars, round about sort of 1900. | 0:47:19 | 0:47:23 | |
It's a solid silver handle, | 0:47:23 | 0:47:25 | |
and this dark decoration here and it is such a wonderful curve. | 0:47:25 | 0:47:30 | |
It is very elegant. | 0:47:30 | 0:47:32 | |
How much did you pay for it? I paid ?100. | 0:47:32 | 0:47:35 | |
What do you think? I really like it. | 0:47:35 | 0:47:38 | |
I really like it. Is it the right height? | 0:47:38 | 0:47:40 | |
For me? Perfect. | 0:47:40 | 0:47:43 | |
I can see you walking through the streets of London... | 0:47:43 | 0:47:45 | |
A bit young to need a stick, though. | 0:47:45 | 0:47:48 | |
It makes a statement these days. Exactly. | 0:47:48 | 0:47:51 | |
No, you're quite right. | 0:47:51 | 0:47:52 | |
It's all to do with design and style, isn't it? | 0:47:52 | 0:47:54 | |
Do you think you will make any profit on this? | 0:47:54 | 0:47:57 | |
I can see someone paying, possibly, up to 140. | 0:47:57 | 0:48:01 | |
That's really nice. That's lovely. That sort of price range. | 0:48:01 | 0:48:04 | |
It is elegant, isn't it? It is very elegant, just like you. | 0:48:04 | 0:48:07 | |
Ah, how sweet. | 0:48:07 | 0:48:09 | |
Well, let's hold that loving thought, | 0:48:09 | 0:48:11 | |
and find out what the auctioneer thought about David's cane. | 0:48:11 | 0:48:14 | |
So, Doctor Zhivago could have been walking down the street with that. | 0:48:14 | 0:48:18 | |
He could well have done. Smart little thing, I think. | 0:48:18 | 0:48:21 | |
It is, isn't it? Russian, of course, | 0:48:21 | 0:48:23 | |
and all things Russian are very commercial at the moment. | 0:48:23 | 0:48:25 | |
There's a lot of money about for Russian art. | 0:48:25 | 0:48:27 | |
They've got the money, haven't they? They have. | 0:48:27 | 0:48:29 | |
It's suffered a bit of damage, hasn't it? | 0:48:29 | 0:48:31 | |
It's been lovingly used, day in, day out, | 0:48:31 | 0:48:33 | |
but it's a good little piece of Russian silver, | 0:48:33 | 0:48:36 | |
should do OK. 70-100. | 0:48:36 | 0:48:39 | |
?100 was paid by Barby. | 0:48:39 | 0:48:40 | |
He's really rating it, and who knows? | 0:48:40 | 0:48:43 | |
Good luck on the rostrum. | 0:48:43 | 0:48:45 | |
It's certainly looking busy around and about, so we stand in hope. | 0:48:45 | 0:48:48 | |
Now, are you in good form? | 0:48:54 | 0:48:55 | |
Oh, yeah. Definitely. | 0:48:55 | 0:48:57 | |
How confident are you feeling about your competition? | 0:48:57 | 0:48:59 | |
Very. We're going to win. Really confident? | 0:48:59 | 0:49:02 | |
Yeah, very. Same for you, John? | 0:49:02 | 0:49:04 | |
Yes. First up is your sweet little table, and here it comes. | 0:49:04 | 0:49:07 | |
Lot 23OA is a nice, elegant, 19th century games table. | 0:49:07 | 0:49:12 | |
Very nice inlay, with the chequerboard top. | 0:49:12 | 0:49:14 | |
I'd like to suggest ?60 if I may. | 0:49:14 | 0:49:16 | |
?60 anywhere? 60? 50? | 0:49:16 | 0:49:19 | |
?40 if you will, please. | 0:49:19 | 0:49:20 | |
A pretty little games table, 19th century. | 0:49:20 | 0:49:23 | |
?30 anywhere? | 0:49:23 | 0:49:25 | |
Don't like the look of this, Paul. No. 30 I'm bid. | 0:49:25 | 0:49:27 | |
Any advance on ?30? And five. Thank you, madam. | 0:49:27 | 0:49:30 | |
Still in, sir? 40. Five. | 0:49:30 | 0:49:32 | |
It's moving. | 0:49:32 | 0:49:34 | |
Five, madam? 55 with you. | 0:49:34 | 0:49:36 | |
Lady seated for ?55. | 0:49:36 | 0:49:38 | |
The bid's in the room. Lady seated at ?55. All done? | 0:49:38 | 0:49:43 | |
Did he say ?55? He did indeed. | 0:49:43 | 0:49:45 | |
That is just so bad luck. | 0:49:45 | 0:49:47 | |
It's -?10. | 0:49:47 | 0:49:49 | |
OK, now Shelley. | 0:49:49 | 0:49:50 | |
Let's hope that she does better. Yep. | 0:49:50 | 0:49:54 | |
Loy 231A is the Shelley vase in the Harmony range. | 0:49:54 | 0:49:57 | |
Good name, Shelley. | 0:49:57 | 0:49:58 | |
?20 if you will. | 0:49:58 | 0:49:59 | |
?15? Come on. Oh, no. | 0:49:59 | 0:50:03 | |
?10 now. Surely... Please? | 0:50:03 | 0:50:05 | |
Someone, somewhere? Thank you, sir, 10, I'm bid. | 0:50:05 | 0:50:08 | |
Any advance on a tenner? Should I put my hand up? | 0:50:08 | 0:50:11 | |
Going at ?10. | 0:50:11 | 0:50:12 | |
Dear! | 0:50:12 | 0:50:14 | |
That's -?20. I can't believe that. | 0:50:14 | 0:50:17 | |
This is just... | 0:50:17 | 0:50:19 | |
This is what they call a bloodbath. Isn't it just? | 0:50:19 | 0:50:23 | |
Lot 232A is the continental silver pill box. | 0:50:23 | 0:50:26 | |
Please. Please. | 0:50:26 | 0:50:27 | |
?20 anywhere? | 0:50:29 | 0:50:31 | |
?15 for a nice little silver box? | 0:50:31 | 0:50:33 | |
Thank you, sir, ?15 I'm offered. | 0:50:33 | 0:50:35 | |
Any advance on ?15? Looking for ?18. Thank you. | 0:50:35 | 0:50:39 | |
18 on the side. 20 seated. | 0:50:39 | 0:50:41 | |
Five on the side? | 0:50:41 | 0:50:42 | |
30, sir? Thank you. 30 seated. | 0:50:42 | 0:50:44 | |
Five bid. You're in profit. | 0:50:44 | 0:50:46 | |
Gentleman at the far end at ?35, all done. | 0:50:46 | 0:50:49 | |
All finished. | 0:50:49 | 0:50:50 | |
Did he say 35? I think he did. | 0:50:51 | 0:50:52 | |
I think he did say 35. 35. | 0:50:52 | 0:50:55 | |
That's brilliant, gets you +?7. | 0:50:55 | 0:50:57 | |
Instead of being -30, you are only -23. | 0:50:57 | 0:51:00 | |
Oh, well. | 0:51:00 | 0:51:01 | |
Well, what about this Luftwaffe business? | 0:51:01 | 0:51:04 | |
Is this going to save your bacon? | 0:51:04 | 0:51:06 | |
I think it's got to, hasn't it? I mean, it's so unusual. | 0:51:06 | 0:51:09 | |
Such fun, that thing. It's quirky. | 0:51:09 | 0:51:11 | |
Anyway, we have decided to go with the bonus buy | 0:51:11 | 0:51:14 | |
and I can tell you that the auctioneer has estimated ?20-?40. Uh... | 0:51:14 | 0:51:17 | |
But I think he thinks that that's quite a modest little estimate, | 0:51:17 | 0:51:21 | |
depending on how things pan out. | 0:51:21 | 0:51:22 | |
So let's see what happens. | 0:51:22 | 0:51:24 | |
Lot 236A is a World War II-period bomblet. | 0:51:24 | 0:51:29 | |
?20 for it? | 0:51:29 | 0:51:30 | |
?15? ?10 if you like. | 0:51:30 | 0:51:32 | |
?10 for it. Thank you, sir. | 0:51:32 | 0:51:33 | |
?10 I'm bid. Nice little quirky militaria lot. | 0:51:33 | 0:51:36 | |
15 offered. Take ?18. | 0:51:36 | 0:51:38 | |
Thank you, 18 bid. | 0:51:38 | 0:51:39 | |
Come on. | 0:51:39 | 0:51:41 | |
Any advance on ?20? 20 I'm bid. | 0:51:41 | 0:51:44 | |
Selling at ?20, it is... | 0:51:44 | 0:51:45 | |
Oh, bad luck - ?20 - it just wiped its face. | 0:51:45 | 0:51:49 | |
No profit, no loss. | 0:51:49 | 0:51:51 | |
Anyway, overall you are -?23. | 0:51:51 | 0:51:53 | |
It was a good punt to take because I thought that thing could have taken. | 0:51:53 | 0:51:58 | |
Yeah, I did. That was me. | 0:51:58 | 0:52:00 | |
Anyway, there we are, wiped its face. | 0:52:00 | 0:52:03 | |
-?23 could be a winning score. | 0:52:03 | 0:52:04 | |
It could, certainly. | 0:52:04 | 0:52:07 | |
Don't say a word to the Blues. | 0:52:07 | 0:52:09 | |
No, we won't. Promise. | 0:52:09 | 0:52:11 | |
Have you got nervous at all? | 0:52:21 | 0:52:22 | |
Not really. Not really? No. | 0:52:22 | 0:52:25 | |
What about you, JP? | 0:52:25 | 0:52:26 | |
No, quietly confident. | 0:52:26 | 0:52:28 | |
Is there anything that you wish that you hadn't bought? | 0:52:29 | 0:52:32 | |
Not at all. | 0:52:32 | 0:52:34 | |
We're happy with our items. You're absolutely gung-ho with it? | 0:52:34 | 0:52:36 | |
Yeah. Super. | 0:52:36 | 0:52:38 | |
First up is the purse, JP, and here it comes. | 0:52:38 | 0:52:41 | |
255A is the George V hallmarked ladies' purse. | 0:52:41 | 0:52:45 | |
A little bit of commission interest, I'm going to start it at ?20. | 0:52:45 | 0:52:50 | |
Here's the start. I'll take five anywhere. | 0:52:50 | 0:52:53 | |
Five I'll take. ?30. | 0:52:53 | 0:52:54 | |
Back with me on the book at ?30. | 0:52:54 | 0:52:56 | |
You bidding online? I'll take 35. | 0:52:56 | 0:52:58 | |
Come on. 30 I've got. | 0:52:58 | 0:53:00 | |
Anyone else coming in? | 0:53:00 | 0:53:01 | |
35, new bidder, thank you, right at the back. | 0:53:01 | 0:53:05 | |
Any advance on ?35? | 0:53:05 | 0:53:06 | |
All done, I'm sure. | 0:53:06 | 0:53:07 | |
35 selling. | 0:53:07 | 0:53:09 | |
Oh, dear. | 0:53:09 | 0:53:10 | |
JP. Bad luck. It's only -?5, so it's nothing in the scale of things. | 0:53:10 | 0:53:15 | |
Fine. -?5. | 0:53:15 | 0:53:18 | |
Here comes the grinder next. | 0:53:18 | 0:53:20 | |
Lot 256A is the Victorian oak and silver banded pepper grinder. | 0:53:20 | 0:53:23 | |
I've got some commission interest here as well, | 0:53:23 | 0:53:26 | |
we're going to start with me on the book at ?50. | 0:53:26 | 0:53:29 | |
Straight in! | 0:53:29 | 0:53:32 | |
Five with you and 60. | 0:53:32 | 0:53:34 | |
Back with me at ?70. | 0:53:34 | 0:53:36 | |
On commission with me at ?70. | 0:53:38 | 0:53:39 | |
Any further bids? Anyone online? | 0:53:39 | 0:53:41 | |
The bid's at ?70. Anyone else? | 0:53:41 | 0:53:43 | |
75. 80 with me. | 0:53:43 | 0:53:44 | |
Go, David! | 0:53:44 | 0:53:47 | |
You still bidding online? You done? | 0:53:47 | 0:53:49 | |
At ?80, I'm selling now... | 0:53:49 | 0:53:51 | |
?80, that's brilliant. | 0:53:51 | 0:53:53 | |
You've doubled your money there. | 0:53:53 | 0:53:55 | |
That's five short of 50. | 0:53:55 | 0:53:57 | |
That's +35, which means you're +30, | 0:53:57 | 0:53:59 | |
at this point. | 0:53:59 | 0:54:02 | |
Lot 257A is the Victorian paraffin lamp with the cast brass decoration. | 0:54:02 | 0:54:06 | |
Where are we going to go? | 0:54:06 | 0:54:07 | |
I'd like to say ?30 to start me. | 0:54:07 | 0:54:10 | |
?30 anywhere? | 0:54:10 | 0:54:11 | |
Thank you, sir, 30 I'm bid. Five anyone? | 0:54:11 | 0:54:13 | |
Come on! | 0:54:13 | 0:54:14 | |
A bit more, I'd have hoped. 30 only. | 0:54:14 | 0:54:17 | |
Anyone else coming in? | 0:54:17 | 0:54:18 | |
I cannot believe this. | 0:54:18 | 0:54:19 | |
?30 seated. | 0:54:19 | 0:54:20 | |
All done? ?30 selling. | 0:54:20 | 0:54:23 | |
Oh, dear. | 0:54:23 | 0:54:24 | |
?30, is -?30, which means you have no profit and no loss. | 0:54:24 | 0:54:30 | |
We are absolutely back to zero. | 0:54:30 | 0:54:32 | |
You have no profit, you have no loss, | 0:54:32 | 0:54:34 | |
that could be a winning score, all right? | 0:54:34 | 0:54:37 | |
It could be a winning score. | 0:54:37 | 0:54:39 | |
You don't have to go with the walking stick, | 0:54:39 | 0:54:41 | |
it's ?100 worth of expenditure. | 0:54:41 | 0:54:45 | |
David is not going to be upset with you. | 0:54:45 | 0:54:47 | |
Do we need to make a decision now? | 0:54:47 | 0:54:49 | |
You do. You can't make it afterwards. | 0:54:49 | 0:54:52 | |
You've got about 18 seconds to go. | 0:54:52 | 0:54:55 | |
I say, definitely go for it. | 0:54:55 | 0:54:58 | |
I wouldn't go for it. | 0:54:58 | 0:55:01 | |
THEY TALK OVER EACH OTHER | 0:55:01 | 0:55:03 | |
The boy wants to go for it. | 0:55:03 | 0:55:05 | |
You going to give the boy his head? | 0:55:05 | 0:55:06 | |
Yeah, I think... You going to give the boy his head? | 0:55:06 | 0:55:09 | |
I'll give you it, yeah. | 0:55:09 | 0:55:11 | |
Lot 261A is the turn of the last century | 0:55:11 | 0:55:14 | |
Russian silver handled walking cane. | 0:55:14 | 0:55:17 | |
Smart little lot, this, for a cane enthusiast. | 0:55:17 | 0:55:19 | |
Where are we going to start me? ?50? | 0:55:19 | 0:55:22 | |
?40? We got a phone bid on this? | 0:55:22 | 0:55:23 | |
Come in at ?40. | 0:55:23 | 0:55:24 | |
Are they bidding or not? 40 I'm bid on the telephone. | 0:55:26 | 0:55:28 | |
40 offered. | 0:55:28 | 0:55:30 | |
Any advance on ?40? | 0:55:30 | 0:55:32 | |
I can't believe this! | 0:55:32 | 0:55:34 | |
45 against you. | 0:55:34 | 0:55:36 | |
45 offered. | 0:55:36 | 0:55:37 | |
And 50. | 0:55:37 | 0:55:38 | |
50 on the phone. Still in, sir? | 0:55:38 | 0:55:40 | |
One more go! | 0:55:40 | 0:55:42 | |
Come on! | 0:55:42 | 0:55:44 | |
55 - late bid in the centre. | 0:55:44 | 0:55:46 | |
55 in the middle. 60 back on the phone. | 0:55:46 | 0:55:49 | |
He's not shaken, he's still on there, sir, at ?60. | 0:55:49 | 0:55:51 | |
Are you in? | 0:55:51 | 0:55:52 | |
It's worth more than that. | 0:55:52 | 0:55:53 | |
60 I'm selling. Last chance... | 0:55:53 | 0:55:55 | |
?60. | 0:55:56 | 0:55:58 | |
?60 is -?40. | 0:55:58 | 0:56:00 | |
But, you know, I fancy that the person on the telephone | 0:56:00 | 0:56:03 | |
who bid consistently would have gone on and on. | 0:56:03 | 0:56:06 | |
If they'd had a bit of competition for it, they'd have gone on and on. | 0:56:06 | 0:56:10 | |
So that's really bad luck, JP. Never mind. | 0:56:10 | 0:56:12 | |
I don't think you were wrong, though, | 0:56:12 | 0:56:14 | |
I think it was a very beautiful object. Hmmm. | 0:56:14 | 0:56:16 | |
Overall total now... | 0:56:16 | 0:56:18 | |
It's going to be a shame. | 0:56:18 | 0:56:20 | |
I know. ..is -40. | 0:56:20 | 0:56:21 | |
But don't forget, -40 could be a winning score. | 0:56:21 | 0:56:23 | |
No, it can't. Yes, it can. | 0:56:23 | 0:56:25 | |
Well, well, well, well, well! | 0:56:35 | 0:56:36 | |
It's just a question of the scale of the losses today. | 0:56:36 | 0:56:40 | |
Have we been talking to one another? | 0:56:40 | 0:56:42 | |
ALL: No. | 0:56:42 | 0:56:43 | |
Well, it's no secret to the audience that we are in minus territory here. | 0:56:43 | 0:56:47 | |
I do hope to sort out the scale of this minus territory | 0:56:47 | 0:56:52 | |
and I'm sad to report that the team with the biggest minus score are... | 0:56:52 | 0:56:56 | |
The Blues. | 0:56:56 | 0:57:00 | |
Sorry to be so mean. | 0:57:00 | 0:57:02 | |
Why did you do that to me? | 0:57:02 | 0:57:03 | |
How could I do it to you, Glade? | 0:57:03 | 0:57:06 | |
I don't know, baby. | 0:57:06 | 0:57:09 | |
?35 profit, I would say, was very good on the grinder. | 0:57:09 | 0:57:13 | |
You cannot complain about that. | 0:57:13 | 0:57:14 | |
That's right. Which was absolutely super. | 0:57:14 | 0:57:16 | |
But apart from that, I'm not going to go into any detail. | 0:57:16 | 0:57:21 | |
But before you get too cocksure over there, I have to tell you | 0:57:21 | 0:57:24 | |
that were it not for Glade being such a wonderful mother | 0:57:24 | 0:57:27 | |
and allowing her boy to go with the bonus buy, | 0:57:27 | 0:57:30 | |
you would be the runners-up today. | 0:57:30 | 0:57:32 | |
But as it was, you let the boy have a go | 0:57:32 | 0:57:35 | |
and the Russian thing let you down, didn't it? | 0:57:35 | 0:57:37 | |
I'm very sorry. | 0:57:37 | 0:57:39 | |
Anyway, your final tally is -40, but we hope you had a nice time. | 0:57:39 | 0:57:43 | |
We had a fantastic time. We did. | 0:57:43 | 0:57:45 | |
Well, we've loved meeting you and thank you very much. | 0:57:45 | 0:57:47 | |
Now, -?23... | 0:57:47 | 0:57:49 | |
Not bad. | 0:57:49 | 0:57:50 | |
..is your winning score. | 0:57:50 | 0:57:53 | |
You got a nice profit on that pill box, didn't you? | 0:57:53 | 0:57:55 | |
I said that, didn't I? | 0:57:55 | 0:57:57 | |
And the Luftwaffe incendiary bomb managed to wipe our face, | 0:57:57 | 0:58:01 | |
which is all very nerve-racking. | 0:58:01 | 0:58:03 | |
Anyway, it's been a great show, you can't complain, can you? | 0:58:03 | 0:58:06 | |
Congratulations for coming marginally ahead with -?23. | 0:58:06 | 0:58:10 | |
We've had fun. | 0:58:10 | 0:58:11 | |
Join us soon for see more bargain hunting, yes? | 0:58:11 | 0:58:14 | |
ALL: Yes! | 0:58:14 | 0:58:15 |