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RADIO: '..return to Downing Street. | 0:00:02 | 0:00:04 | |
'Breaking news - for all you bargain hunters, | 0:00:04 | 0:00:07 | |
'Tim Wonnacott and the team will be rooting around the Portobello Road antiques market in London today.' | 0:00:07 | 0:00:13 | |
Cor! Word gets around quick, doesn't it? | 0:00:13 | 0:00:16 | |
Let's go bargain hunting! | 0:00:16 | 0:00:18 | |
Mine's a mocha. Mmm. | 0:00:18 | 0:00:20 | |
Hello and welcome to Bargain Hunt at Portobello in London. | 0:00:47 | 0:00:52 | |
This is a traditional, hustly, bustly place, where we expect a certain amount of chaos! | 0:00:52 | 0:00:58 | |
Just have a look at this sneak preview. | 0:00:58 | 0:01:02 | |
Both teams struggle through the heaving crowds! | 0:01:02 | 0:01:05 | |
-Push, Mum, push! -I am pushing! I'm pushing, I'm pushing! | 0:01:05 | 0:01:08 | |
OK, keep going guys, come on. | 0:01:08 | 0:01:11 | |
They battle to find a bargain. | 0:01:11 | 0:01:12 | |
I think we're going to leave it there and run back to you if we have to. | 0:01:12 | 0:01:16 | |
Oh, what a shame! It's fabulous, it's gorgeous, | 0:01:16 | 0:01:19 | |
and I hope it goes to a lovely home. | 0:01:19 | 0:01:21 | |
But it won't be ours! | 0:01:21 | 0:01:23 | |
And at the auction, the Reds are a man down and the Blues are about to explode! | 0:01:23 | 0:01:28 | |
I'm like a volcano about to erupt! | 0:01:28 | 0:01:31 | |
Super excited! | 0:01:31 | 0:01:33 | |
So, if that's whetted your appetite, let's have a go at the rules. | 0:01:33 | 0:01:37 | |
Straight from the horse's mouth, so to speak. | 0:01:37 | 0:01:40 | |
Now that we're in London, let's get into character, like! | 0:01:40 | 0:01:44 | |
So, we have two teams, each of them have £300 and an hour to shop for their three items. | 0:01:44 | 0:01:48 | |
And the team wins that makes the most "sausage and mash" | 0:01:48 | 0:01:52 | |
over at the auction, like! | 0:01:52 | 0:01:55 | |
But before they set off, like, we ought to meet them, like. | 0:01:55 | 0:02:00 | |
So, here we are with today's bargain hunters. | 0:02:00 | 0:02:04 | |
Just look at them, gorgeous. And raring to go. | 0:02:04 | 0:02:08 | |
For the Reds, we've got the mother and daughter combo from heaven. | 0:02:08 | 0:02:13 | |
We've got Anne and Olivia. Welcome. | 0:02:13 | 0:02:15 | |
And we've got friends Hilton and Sharon for the Blues. | 0:02:15 | 0:02:18 | |
-Hi, chaps, how are we doing, all right? -Yes, great. -Brilliant. | 0:02:18 | 0:02:21 | |
Now, are you the Dream Team, you two, for bargain hunting? | 0:02:21 | 0:02:25 | |
Absolutely, Tim. | 0:02:25 | 0:02:27 | |
I'm really good at knowing what's what, and Olivia is really good at spotting it. | 0:02:27 | 0:02:31 | |
-Really? -Perfect. | 0:02:31 | 0:02:32 | |
-You're a fan of the programme, Anne? -An enormous fan, Tim. | 0:02:32 | 0:02:35 | |
I've been watching it since the year dot and I love it. | 0:02:35 | 0:02:40 | |
And if anybody telephones me between 12:15 and one o'clock, in the week, I tell them where to go! | 0:02:40 | 0:02:46 | |
You mean you answer the telephone between 12:15 and...?! | 0:02:46 | 0:02:49 | |
-Well, I'm running a business. -So what is the business that you run from home? | 0:02:49 | 0:02:53 | |
I'm a miniaturist and I make models, doll's houses mainly. | 0:02:53 | 0:02:57 | |
And I write about them. | 0:02:57 | 0:02:59 | |
-Would you like to see one? -Absolutely. | 0:02:59 | 0:03:01 | |
This is my smallest doll's house. | 0:03:01 | 0:03:04 | |
Look at that! So this is what scale? | 0:03:04 | 0:03:07 | |
That is 144th scale, which is a doll's house for a doll's house. | 0:03:07 | 0:03:11 | |
How sweet. | 0:03:11 | 0:03:13 | |
-A doll's house to go inside a doll's house. -Indeed. | 0:03:13 | 0:03:16 | |
So, Olivia, have you inherited your mother's skill with making things? | 0:03:16 | 0:03:20 | |
Well, somewhat. | 0:03:20 | 0:03:24 | |
I designed this. | 0:03:24 | 0:03:26 | |
You've gone and pimped up your Bargain Hunt top! | 0:03:26 | 0:03:29 | |
That's pretty good, isn't it? | 0:03:29 | 0:03:31 | |
So tell me about this business about being an escapologist? | 0:03:31 | 0:03:34 | |
I had a tendency to go missing when I was younger. | 0:03:34 | 0:03:37 | |
Best story is when I was in Brent Cross and I was hiding behind a clothes rack in a department store. | 0:03:37 | 0:03:43 | |
And my mum had the entire Brent Cross closed down, | 0:03:43 | 0:03:47 | |
security guards and police running round looking for me. | 0:03:47 | 0:03:50 | |
And I was behind the clothes rack, giggling and watching it all happen! | 0:03:50 | 0:03:53 | |
That's absolutely terrible, isn't it?! What a monster! | 0:03:53 | 0:03:57 | |
Well anyway, very good luck today. We don't want any escaping, though. | 0:03:58 | 0:04:01 | |
Now, you two. It says here that you're super competitive. Is that true? | 0:04:01 | 0:04:05 | |
Yes, we are. Definitely. | 0:04:05 | 0:04:07 | |
-You're fired up for this, aren't you? -Definitely! We want to make money. | 0:04:07 | 0:04:11 | |
What is your strategy then, Sharon? | 0:04:11 | 0:04:13 | |
We want to just bamboozle and keep talking, drive them nuts, | 0:04:13 | 0:04:16 | |
until they give us a bargain to make us go away! | 0:04:16 | 0:04:19 | |
-Have you ever found a bargain, darling? -Yes. I did at one time - whoo! | 0:04:19 | 0:04:22 | |
I found it at a car-boot sale, it was a Limoges tea set. And the lady wanted £10, and I got it for £8. | 0:04:22 | 0:04:28 | |
-And I sold it for £170! -You didn't! | 0:04:28 | 0:04:31 | |
-I did! -Well, that's amazing. | 0:04:31 | 0:04:32 | |
So let's meet your team-mate, Hilton. | 0:04:32 | 0:04:34 | |
You're a big Bargain Hunt fan, aren't you? | 0:04:34 | 0:04:36 | |
I've loved Bargain Hunt since it first started. | 0:04:36 | 0:04:39 | |
I can tell from your accent, you're not from these parts? | 0:04:39 | 0:04:42 | |
-Cape Town, South Africa. -Cape Town. | 0:04:42 | 0:04:44 | |
What do you get up to here? | 0:04:44 | 0:04:45 | |
-I'm a plumber. -So why are you fascinated by antiques? | 0:04:45 | 0:04:50 | |
Well, coming from South Africa, we don't have antiques | 0:04:50 | 0:04:53 | |
because the country's such a young country, | 0:04:53 | 0:04:55 | |
never heard of Clarice Cliff and Susie Cooper and chinoiserie! | 0:04:55 | 0:05:02 | |
No, quite. Now, you've rubbed shoulders professionally with the stars too, haven't you? | 0:05:02 | 0:05:06 | |
Esther Rantzen loves me. | 0:05:06 | 0:05:08 | |
-Oh, does she? -Yes. -Does she suffer from much in the way of blockages? | 0:05:08 | 0:05:12 | |
More leaks than blockages. | 0:05:12 | 0:05:14 | |
More leaks than blockages! | 0:05:14 | 0:05:16 | |
Well, we'd better not go into too many secrets about Esther Rantzen's leaks and blockages. | 0:05:16 | 0:05:22 | |
But it all sounds absolutely riveting. | 0:05:22 | 0:05:24 | |
I think you're going to do terribly well today. | 0:05:24 | 0:05:26 | |
Here's the money moment. That's your £300. You know the rules | 0:05:26 | 0:05:31 | |
and off you go! And very good luck. | 0:05:31 | 0:05:33 | |
All I can say to you, dear viewers, is, brace yourselves! | 0:05:33 | 0:05:37 | |
MUSIC: "The Lambeth Walk" # Oi! | 0:05:37 | 0:05:41 | |
Attempting to do the Lambeth Walk | 0:05:41 | 0:05:44 | |
are our very own Pearly King and Queen, | 0:05:44 | 0:05:47 | |
for the Reds, Catherine Southon, and for the Blues, Charles Hanson. | 0:05:47 | 0:05:52 | |
OK, ladies, what are we going to do? | 0:05:56 | 0:05:58 | |
Blow the lot, or just spend a little? | 0:05:58 | 0:06:00 | |
-Blow the lot. -Blow the lot? -Blow the lot. | 0:06:00 | 0:06:02 | |
-That way? That way? -That way. -Come on, then. -OK. This way! | 0:06:02 | 0:06:05 | |
-What's the game plan? -We're going to move through as quickly as we can. | 0:06:05 | 0:06:09 | |
We're going to blind them with science, bamboozle them, pretend our fivers are tenners! | 0:06:09 | 0:06:15 | |
-And go home with a bargain! -This could be very interesting! | 0:06:15 | 0:06:18 | |
-We want naked ladies. -We want naked ladies. | 0:06:18 | 0:06:20 | |
Naked ladies aside, Blues, what you need are three bargains! | 0:06:20 | 0:06:24 | |
And to add to the fun, not only will you be fighting against the clock, | 0:06:24 | 0:06:28 | |
but also an enormous number of other shoppers. Just look at 'em! | 0:06:28 | 0:06:32 | |
-Walk over here, guys. -OK, let's. | 0:06:34 | 0:06:37 | |
Any lovely miniature dolls here, Anne? | 0:06:37 | 0:06:39 | |
Cos you are the miniature doll expert. | 0:06:39 | 0:06:41 | |
I am, but I don't think they would ever make us money at a general auction. | 0:06:41 | 0:06:45 | |
It's an antique biscuit barrel! How cute is that? | 0:06:45 | 0:06:48 | |
And how much is it? | 0:06:48 | 0:06:50 | |
Oh my goodness! Oh, what a shame. | 0:06:50 | 0:06:54 | |
It's fabulous, and its gorgeous, and I hope it goes to a lovely home. But it won't be to ours! | 0:06:54 | 0:06:59 | |
-I love this, I think that's beautiful! -How much is it? | 0:06:59 | 0:07:02 | |
-Too much for us. -Oh, OK. I think we should move on. | 0:07:02 | 0:07:06 | |
These is an expensive place, and we have no time. | 0:07:06 | 0:07:10 | |
Yeah, that's right, Reds, time is ticking, and looking at things that will break the bank | 0:07:10 | 0:07:15 | |
isn't really the best strategy. I wonder if Sharon's got any ideas? | 0:07:15 | 0:07:19 | |
I want something... D'you know what, I'd like something unusual. | 0:07:19 | 0:07:22 | |
-Like what? -D'you know what I mean? Instead of another Beswick dog or a fox. -No, you're quite right. | 0:07:22 | 0:07:27 | |
Do you know what I mean? Another Chinese pot! | 0:07:27 | 0:07:29 | |
I think go for the bizarre, go for the wacky. | 0:07:29 | 0:07:32 | |
We are waiting for that little something to just jump out at us. | 0:07:32 | 0:07:35 | |
That special something. | 0:07:35 | 0:07:37 | |
These are a lovely shape. | 0:07:39 | 0:07:41 | |
Yes, they are a lovely shape, but they're not silver. | 0:07:41 | 0:07:44 | |
They're not silver, they're EPNS, electroplated nickel silver. Why were you are attracted to those? | 0:07:44 | 0:07:49 | |
Cos they look slightly Deco. | 0:07:49 | 0:07:51 | |
-And they look sort of modern and they'd look beautiful on a dining table. -I quite like them. | 0:07:51 | 0:07:57 | |
They've got that sort of 1930s look. | 0:07:57 | 0:07:59 | |
I don't think they're terribly old, but they've got that Deco look, haven't they? | 0:07:59 | 0:08:03 | |
-What's the price on those? -I have 45 on them. You can have them for 38. | 0:08:03 | 0:08:07 | |
-38. -That's a fair price. | 0:08:07 | 0:08:09 | |
-38, to me, still seems a bit... -I think it's a bit steep. | 0:08:09 | 0:08:11 | |
You couldn't do them for 30, could you? | 0:08:11 | 0:08:13 | |
-I've just put them out this morning. I bought them on Tuesday. 35. -35. | 0:08:13 | 0:08:18 | |
Do you think we'd get 35 for them? | 0:08:18 | 0:08:20 | |
I can see them at auction with a £30 to £40 estimate. | 0:08:20 | 0:08:24 | |
I think we should just get them. Do you? | 0:08:24 | 0:08:26 | |
-Yeah, let's do it. -Yeah? Are you sure? You're going to take the risk? | 0:08:26 | 0:08:28 | |
-OK. -Yay! | 0:08:28 | 0:08:30 | |
-It's done! One item bought. -Yeah! -One item! | 0:08:30 | 0:08:33 | |
Ah! A decision at last. | 0:08:33 | 0:08:35 | |
Which still leaves them £265 in the kitty. | 0:08:35 | 0:08:39 | |
Let's take a peek at how the Blues are doing, because they haven't bought anything yet. | 0:08:39 | 0:08:45 | |
-One more golf. -That's a penknife, isn't it? | 0:08:46 | 0:08:49 | |
Or a letter opener? | 0:08:49 | 0:08:50 | |
-I don't like it. -Look at that, | 0:08:50 | 0:08:53 | |
-you know, golf clubs. -Oh, that's quite good. | 0:08:53 | 0:08:55 | |
-Again, it's not very old. -Are you going to let us buy anything today?! | 0:08:55 | 0:08:59 | |
-No, but we can - hang on, look. -I've got high standards, we want to buy good things! | 0:08:59 | 0:09:03 | |
Great plan, Charles, but with 15 minutes already gone, you'd better put your foot down! | 0:09:03 | 0:09:09 | |
What about the old toy cars? | 0:09:09 | 0:09:11 | |
Collectible, Sharon, yes. Dinky, Corgi... | 0:09:11 | 0:09:13 | |
What's here? | 0:09:13 | 0:09:16 | |
What we look for with a good - | 0:09:16 | 0:09:19 | |
well, there we go, 1965 - good box toy, is condition. | 0:09:19 | 0:09:24 | |
Paintwork, quality, rarity. | 0:09:24 | 0:09:26 | |
-It's not a very rare one. What's the asking price, Hilton? -£68. | 0:09:26 | 0:09:29 | |
No, that can't be the price. Surely. | 0:09:29 | 0:09:31 | |
It's very nice, it's a good example. What's it worth at auction, though? | 0:09:31 | 0:09:35 | |
-30 quid? -You're quite right! | 0:09:35 | 0:09:38 | |
You're learning, OK?! You're learning, girl! | 0:09:38 | 0:09:41 | |
Let's go. Too much money! | 0:09:41 | 0:09:43 | |
I was right - they're going to need to motor, and bag something soon! | 0:09:43 | 0:09:47 | |
However, I've been let off the leash and sniffed out this little puppy. | 0:09:47 | 0:09:52 | |
Just get a bird's eye of this. | 0:09:52 | 0:09:54 | |
This front end here is in the form of a double barrelled flintlock pistol. | 0:09:54 | 0:10:00 | |
But the handle piece is seriously strange, | 0:10:00 | 0:10:03 | |
because what we've got here is a dog eating a dog. | 0:10:03 | 0:10:06 | |
Made out of a piece of carved mahogany and I would guess | 0:10:06 | 0:10:10 | |
probably made around about 1790 to 1810. | 0:10:10 | 0:10:14 | |
Technically, this is a piece of treen. | 0:10:14 | 0:10:17 | |
Very often, you think about treen as being a wooden object that's turned on a lathe. But not necessarily so. | 0:10:17 | 0:10:24 | |
It's a term that covers all sorts of novelty small carved wooden things. | 0:10:24 | 0:10:29 | |
And believe you me, this is a rare novelty piece of carved wood. | 0:10:29 | 0:10:34 | |
It's got a function. If I turn it over and look underneath the dog's belly, it's got a little cover | 0:10:34 | 0:10:40 | |
with a crude hinge and if I open it up like that, | 0:10:40 | 0:10:44 | |
it reveals a compartment which is for snuff. | 0:10:44 | 0:10:47 | |
This is the sort of thing that gentlemen | 0:10:47 | 0:10:49 | |
around the dining table in 1790 to 1810 would pass around the table. | 0:10:49 | 0:10:55 | |
You'd take out a pinch of snuff, shove it on the back of your hand | 0:10:55 | 0:10:58 | |
and you'd have a snort, like that. | 0:10:58 | 0:11:01 | |
And you'd take on board your nicotine. | 0:11:01 | 0:11:03 | |
It is as rare as a hen's tooth, | 0:11:03 | 0:11:06 | |
and that's why the dealer on the stall over there is asking... | 0:11:06 | 0:11:11 | |
how much? £1,000. | 0:11:11 | 0:11:15 | |
Stick that up your left nostril! | 0:11:15 | 0:11:17 | |
Right, back to our teams. And with nearly half the shopping time gone, only the Reds have bought anything. | 0:11:17 | 0:11:22 | |
I think young Charles will have to take the Blues in hand, if indeed that's possible. | 0:11:22 | 0:11:28 | |
-Down here... -Look, naked ladies. -Have you seen something? | 0:11:28 | 0:11:30 | |
-Naked...? -Naked lady. | 0:11:30 | 0:11:32 | |
Oh, right! | 0:11:32 | 0:11:34 | |
I don't like those, but I quite like that. | 0:11:34 | 0:11:36 | |
What is that bulb thing, Charles? With the big, round thing? | 0:11:36 | 0:11:39 | |
No, the glass. | 0:11:39 | 0:11:42 | |
-Probably German or French. Continental. -How much? | 0:11:42 | 0:11:45 | |
If you bought the original, we're talking probably £30,000 - £40,000. | 0:11:45 | 0:11:50 | |
We don't have that much! So can you help us? | 0:11:50 | 0:11:53 | |
This one is £1,200. | 0:11:53 | 0:11:55 | |
-Nice object. -Let's go. | 0:11:55 | 0:11:58 | |
Nice little trinkets, aren't they? | 0:12:07 | 0:12:09 | |
That's quite nice. Do you not think so? | 0:12:09 | 0:12:12 | |
No. I think it's ugly. | 0:12:12 | 0:12:15 | |
-A nice shape though, isn't it? -It is a nice shape. | 0:12:15 | 0:12:17 | |
I like the stopper. | 0:12:17 | 0:12:19 | |
That's actually quite pretty. | 0:12:19 | 0:12:22 | |
It would look lovely in a modern bathroom. | 0:12:22 | 0:12:24 | |
-What's our plan now, girls? -We're going to hotfoot it back down there and go to the other side. | 0:12:24 | 0:12:28 | |
-Go to the other side? Cos we were mainly concentrating on that side. -Yes, we were. | 0:12:28 | 0:12:32 | |
I quite like that little carving set down here. Just hidden behind the picture. | 0:12:35 | 0:12:40 | |
Sharon? | 0:12:40 | 0:12:42 | |
Oh, I like this! Hilton, come and have a look. | 0:12:42 | 0:12:45 | |
This is a holder for the shank. | 0:12:45 | 0:12:48 | |
For the ham or the lamb leg. | 0:12:48 | 0:12:49 | |
-Have you seen things like that before? -Normally, it comes without this. | 0:12:49 | 0:12:54 | |
But this is a really good quality example. | 0:12:54 | 0:12:55 | |
-Look at the decoration, bell flower ornament. -And that's silver, right? | 0:12:55 | 0:12:59 | |
It is silver, with a French silver hallmark. | 0:12:59 | 0:13:02 | |
It's Parisian. | 0:13:02 | 0:13:04 | |
-Late 19th century. -1890... | 0:13:04 | 0:13:06 | |
And this is so when you put the thing in there... | 0:13:06 | 0:13:08 | |
-it stops in there, yeah? -I love it! | 0:13:08 | 0:13:10 | |
-I think it's really, really cute. -Hilton needs persuading. | 0:13:10 | 0:13:13 | |
- I don't have any faith in it, but we will see at auction. | 0:13:13 | 0:13:16 | |
Hilton needs persuading. What I would say to you is, it's quality. | 0:13:16 | 0:13:20 | |
- Even though it's got dark marks on it? | 0:13:20 | 0:13:22 | |
Yeah, look at the quality of the chaste and cast ornaments. | 0:13:22 | 0:13:25 | |
-Your very best price on this would be...? -£60. | 0:13:25 | 0:13:29 | |
-I'm giving you a good, good price. -I think it's great quality. | 0:13:29 | 0:13:31 | |
I really like it. | 0:13:31 | 0:13:33 | |
-And the original box. -Absolutely. | 0:13:33 | 0:13:35 | |
I just think, we've only got £70 left, so if we pay 60, we can only give you a tenner. | 0:13:35 | 0:13:41 | |
If we pay 50, then you've got 20 to buy something. | 0:13:41 | 0:13:45 | |
-Yeah. -Well, I can make it 60. 60 is my best. | 0:13:45 | 0:13:48 | |
Even 55 is no good to you? | 0:13:48 | 0:13:52 | |
OK. I take 55. And you're having the bargain of the day from me. | 0:13:52 | 0:13:56 | |
And thank you so much! | 0:13:56 | 0:13:59 | |
The boys certainly didn't get a look in at once Sharon got going! | 0:13:59 | 0:14:02 | |
And where did she pluck that they'd only got £70 left in the kitty from? | 0:14:02 | 0:14:07 | |
Well, she did say she'd do anything, and not revealing | 0:14:07 | 0:14:11 | |
your hand when haggling should help when carving out the best price! | 0:14:11 | 0:14:15 | |
Whether Charles or Hilton like it or not! | 0:14:15 | 0:14:18 | |
OK, with one item each, let's stride over and check in with the Reds! | 0:14:18 | 0:14:23 | |
Wonderful! You wanted walking sticks. | 0:14:23 | 0:14:26 | |
Look at this - it's a phrenology head. | 0:14:26 | 0:14:28 | |
-I know you wanted a walking stick, didn't you? You were interested. -There's a £95 one here. | 0:14:30 | 0:14:35 | |
-Mr Punch. -Look at the parrot. | 0:14:37 | 0:14:40 | |
-Is he picking his nose? -It looks like he's picking his nose. | 0:14:40 | 0:14:43 | |
-How rude! -What do you think that would get at auction? | 0:14:43 | 0:14:47 | |
I'm not sure that many people would be interested in buying a cane with Mr Punch picking his nose! | 0:14:47 | 0:14:53 | |
But it's unusual, and you do get a lot of people collecting walking sticks. | 0:14:53 | 0:14:58 | |
And it's a bit too small for you, but it's my height. | 0:14:58 | 0:15:00 | |
-One of the important things with canes is to really look at the height. -It's my height. | 0:15:00 | 0:15:05 | |
-Is it your height? -I'm only 5'4". | 0:15:05 | 0:15:07 | |
And make sure there's no bend or anything, make sure it's dead straight. | 0:15:07 | 0:15:10 | |
-Oh, well. -What would be your bottom line on that? 65. -I'm not sure about it. | 0:15:10 | 0:15:18 | |
Because of the silver plate. | 0:15:18 | 0:15:20 | |
It is a bit tarnished, isn't it? It's a big risk, I think. | 0:15:20 | 0:15:24 | |
60. | 0:15:24 | 0:15:25 | |
Take 60 for it. | 0:15:25 | 0:15:27 | |
I'd take 60. | 0:15:27 | 0:15:29 | |
-That's the lowest. -Do you want to think and come back? What do you think? | 0:15:29 | 0:15:34 | |
We can run back at the last minute. | 0:15:34 | 0:15:36 | |
In those crowds? | 0:15:36 | 0:15:37 | |
It's entirely up to you, ladies. | 0:15:37 | 0:15:39 | |
-Is Tim going to look at that and say it's clapped out? -It's worn. -Yeah. | 0:15:39 | 0:15:46 | |
He does, does he?! | 0:15:46 | 0:15:48 | |
It's not what Tim likes, it's what you two like, and it's what you think is going to make a profit. | 0:15:48 | 0:15:53 | |
I think we're going to leave it there and we're going to run back to you if we have to. | 0:15:53 | 0:15:57 | |
-Is that OK? -It's fine. -Thank you. | 0:15:57 | 0:15:59 | |
-Thank you very much. -Ooh, I thought they were going to snap that one up. | 0:15:59 | 0:16:02 | |
Charles, tell us about this. | 0:16:02 | 0:16:04 | |
-I think they're very nice. -Charles, look. | 0:16:04 | 0:16:07 | |
Is that a silver mark or a pretend? | 0:16:07 | 0:16:08 | |
-It's pewter, it says pewter on it. -What is that on it? | 0:16:08 | 0:16:11 | |
-It says pewter on it. -These are little touchmarks. | 0:16:11 | 0:16:14 | |
They are pewter. Well embossed. | 0:16:14 | 0:16:16 | |
I'd say they're nice, but I can't see a return on them. OK? | 0:16:16 | 0:16:19 | |
What do you think about that, for Punch? | 0:16:19 | 0:16:21 | |
I think it's quite nice. I don't know if it'll make any money, though. | 0:16:21 | 0:16:27 | |
-Is it worth rushing back and seeing if she'll take 55? -We could do. | 0:16:27 | 0:16:29 | |
At 55, is it going to make a profit? | 0:16:29 | 0:16:32 | |
-It's still a gamble. But we are really running out of time. -OK, let's go and see. -Careful! | 0:16:34 | 0:16:41 | |
Will you take 55 for it? | 0:16:41 | 0:16:44 | |
You're a horrible lot. | 0:16:44 | 0:16:45 | |
I know, I'm sorry! | 0:16:45 | 0:16:47 | |
Yes, I will take 55 for it. | 0:16:47 | 0:16:49 | |
Thank you so much. That's brilliant. Yes, number two! | 0:16:49 | 0:16:53 | |
That's the way to do it! | 0:16:53 | 0:16:55 | |
Look! | 0:16:55 | 0:16:57 | |
Well done, you. | 0:16:57 | 0:17:00 | |
Fantastic. OK, don't get too excited. | 0:17:00 | 0:17:03 | |
-Sorry! -We've still got one item to find. | 0:17:03 | 0:17:05 | |
I know, we've still got the green perfume bottle, I suppose, as a last resort, but you didn't like that. | 0:17:05 | 0:17:10 | |
We've still got the whole other side. | 0:17:10 | 0:17:12 | |
-20 minutes? -About 20 minutes, I would say. | 0:17:12 | 0:17:14 | |
-Shall we head down this way, keep to the left and see what we can see? -OK. | 0:17:14 | 0:17:19 | |
-Onwards and upwards. -Yay! | 0:17:19 | 0:17:21 | |
So, as they march off, it's time to clock in with Sharon. I mean, the Blues. | 0:17:21 | 0:17:26 | |
-What is it? -It's a railway regulator. | 0:17:26 | 0:17:29 | |
"Railway regulator", but the train's been rubbed off. | 0:17:29 | 0:17:33 | |
Is that WW...? What does that mean? | 0:17:33 | 0:17:36 | |
Is that a make? Charles, tell us about this. | 0:17:36 | 0:17:39 | |
-Hello, sir. Tell us about your little pocket watch, please. What can you tell me? -£65. | 0:17:39 | 0:17:43 | |
It was made around the 1880s. | 0:17:43 | 0:17:46 | |
It's a railway regulator, so somebody working on the railway... | 0:17:46 | 0:17:49 | |
What's a railway regulator as opposed to a normal watch? | 0:17:49 | 0:17:51 | |
It's... | 0:17:51 | 0:17:53 | |
-Accurate? -More accurate. | 0:17:53 | 0:17:55 | |
-Oh, OK, is that what that means? -It's got quite a thick glass to protect it. | 0:17:55 | 0:17:58 | |
Look at the bevelled glass. It's obviously in good condition. | 0:17:58 | 0:18:01 | |
I was insistent on the other one, and if you're insistent on this, I'm happy. | 0:18:01 | 0:18:04 | |
-What is the best price you can do on this, please, sir? -60 really is the best, £60. -£60? | 0:18:04 | 0:18:09 | |
-Yeah. -How much do you think it's worth? -I think it's a good object. | 0:18:09 | 0:18:12 | |
-How much? -Hilton's found a good buy here. | 0:18:12 | 0:18:14 | |
-How much? -I think it's worth between £50 and 80. | 0:18:14 | 0:18:20 | |
50 and 70. It's a good object. | 0:18:20 | 0:18:22 | |
Hilton's almost there on price. | 0:18:22 | 0:18:24 | |
So 50 quid then, otherwise we've got no money left. | 0:18:24 | 0:18:27 | |
- Would you take 50 on the railway watch, sir? | 0:18:27 | 0:18:30 | |
Are you paying cash? | 0:18:30 | 0:18:32 | |
It's cash, and... | 0:18:32 | 0:18:35 | |
What else can we offer you? | 0:18:35 | 0:18:37 | |
-You can offer a lot! -Ahem! | 0:18:37 | 0:18:39 | |
This is a daytime show, thank you! | 0:18:39 | 0:18:41 | |
50 is the deal. | 0:18:41 | 0:18:43 | |
-50 quid? -£50. -Done. We'll take it. | 0:18:43 | 0:18:46 | |
It's cute. Thank you very much. | 0:18:46 | 0:18:50 | |
I think so, yeah. | 0:18:50 | 0:18:52 | |
Right, both teams have two items, and so far they've both spent about the same, | 0:18:52 | 0:18:56 | |
leaving the Reds with just over £200 and the Blues just under £200. | 0:18:56 | 0:19:01 | |
So, as we dive into the final ten minutes, will Anne give Olivia a chance to pick something? | 0:19:01 | 0:19:07 | |
And are the boys able to take control from Sharon? | 0:19:07 | 0:19:11 | |
-Nah! -Not that. I don't like that. | 0:19:11 | 0:19:14 | |
-I like it. -You like the lantern? -No, I don't like the lantern. -I like that. | 0:19:14 | 0:19:18 | |
What do you think it is, Catherine? | 0:19:18 | 0:19:20 | |
-This looks like it's etched. -Yes, it does look like etched glass. Looks Victorian. | 0:19:20 | 0:19:24 | |
Yeah, probably continental. Doesn't that look lovely? | 0:19:24 | 0:19:27 | |
It does look lovely. What would you use it for? Flowers? | 0:19:27 | 0:19:30 | |
I'm not very keen on it, but it's not whether I like it, it's whether it makes a profit. | 0:19:30 | 0:19:34 | |
-This is true. -So we'd better find out how much he wants for it. | 0:19:34 | 0:19:37 | |
What sort of price is on this? | 0:19:37 | 0:19:39 | |
-It's 85. 85. -Ouch. | 0:19:39 | 0:19:41 | |
I personally was quite drawn towards it, cos I think it's quite attractive. What do you think? | 0:19:41 | 0:19:45 | |
I think it's very pretty, and it's... GLASS RINGS | 0:19:45 | 0:19:49 | |
-It's whole. -It's whole, it's not in pieces, which is a start! | 0:19:49 | 0:19:53 | |
You couldn't do it for 60, could you? | 0:19:53 | 0:19:55 | |
I really can't, I'm afraid. Then I don't make a living! | 0:19:55 | 0:19:59 | |
I know you've got to make a living. | 0:19:59 | 0:20:00 | |
I actually paid 80 for it, but I sold something I bought with it. | 0:20:00 | 0:20:05 | |
I could do 70, but that's got to be it, yeah. What do you think, ladies? | 0:20:05 | 0:20:10 | |
-How long have we got left? -I think it's probably minutes, so I think we really need to make a decision. | 0:20:10 | 0:20:14 | |
Absolutely. Yes, let's go for it. | 0:20:14 | 0:20:17 | |
You've got to want it. Do you want this? | 0:20:17 | 0:20:19 | |
I'd like it for myself, yes, absolutely. | 0:20:19 | 0:20:22 | |
I can't have it, I've got to sell it! | 0:20:22 | 0:20:24 | |
-It's a real shame! -I think that's a good starting point. | 0:20:24 | 0:20:27 | |
I love Victorian and earlier glass, and I think that | 0:20:27 | 0:20:31 | |
possibly is Victorian, maybe not quite as old as we think. | 0:20:31 | 0:20:35 | |
-Yeah? -Yeah, I think it's lovely. Go for it. | 0:20:35 | 0:20:38 | |
Smashing, well done, Reds. However, the Blues had better crack on and find their final piece. | 0:20:38 | 0:20:43 | |
I wonder who'll haggle for the team this time, eh?! | 0:20:43 | 0:20:48 | |
That's nice, that's good. | 0:20:48 | 0:20:50 | |
-That's a lovely decanter. -That's gorgeous. | 0:20:50 | 0:20:52 | |
It is. It's gorgeous! | 0:20:52 | 0:20:53 | |
-When they hear you speak, will they whack the price up? -No. | 0:20:53 | 0:20:57 | |
It's a really good globular decanter. | 0:20:57 | 0:21:00 | |
This one here, how much is it? | 0:21:00 | 0:21:02 | |
55. | 0:21:02 | 0:21:04 | |
-There is a little crack on it. -Oh. | 0:21:04 | 0:21:06 | |
Have a look at it. The stopper is not the original stopper. | 0:21:06 | 0:21:10 | |
-Thank you, sir. -Tell me about it. | 0:21:10 | 0:21:12 | |
OK. First of all, there's your stopper. | 0:21:12 | 0:21:15 | |
-Not the original stopper. -Here's our decanter. | 0:21:15 | 0:21:18 | |
I'm not too concerned with the stopper, that doesn't concern me. | 0:21:18 | 0:21:20 | |
The important part is this decanter here. | 0:21:20 | 0:21:24 | |
There's your hallmark, Chester hallmark, and the date clearly given, around 1910. | 0:21:24 | 0:21:28 | |
Charles, examine it, quick, where's the crack? | 0:21:28 | 0:21:30 | |
This silver collar, I hope, is original. | 0:21:30 | 0:21:33 | |
I think it is. | 0:21:33 | 0:21:35 | |
Tell us what it's worth. | 0:21:35 | 0:21:37 | |
-I can't see a crack at all, can you? -Maybe in the handle? | 0:21:37 | 0:21:42 | |
-I see the crack. That's it there. -Just there. -What do you reckon? | 0:21:42 | 0:21:45 | |
Sharon, I think in all honesty, if you can buy this for £40... | 0:21:45 | 0:21:51 | |
-Who's going to buy it?! -Trust me! | 0:21:51 | 0:21:53 | |
Who wants an old milky glass that they can't even clean? | 0:21:53 | 0:21:56 | |
-We do like it but we've got £40 left. -Fine. | 0:21:56 | 0:21:59 | |
-Is that OK? -Course. Let me wrap it up for you. | 0:21:59 | 0:22:01 | |
Please wrap it up carefully. I'm sorry, cos I know you're not happy. | 0:22:01 | 0:22:05 | |
You've got your own way all the way, Sharon. | 0:22:05 | 0:22:08 | |
Really, Hilton? I hadn't noticed(!) But that's your third item bought, | 0:22:08 | 0:22:12 | |
and it's the sale room that'll decide how good or bad the decisions have been. | 0:22:12 | 0:22:17 | |
So that's it, the shopping's over. | 0:22:17 | 0:22:19 | |
Well, it is for the teams, anyway. | 0:22:19 | 0:22:21 | |
But what about the leftover lolly, eh? | 0:22:21 | 0:22:23 | |
That's the amount of money that's given to the experts to go and find that bonus buy that may or may not | 0:22:23 | 0:22:29 | |
puff up the teams' profits later over at the auction. | 0:22:29 | 0:22:33 | |
We'll find out, won't we? But right now, let's have a review of what the Reds bought. | 0:22:33 | 0:22:38 | |
First up, the Reds picked up a pair of modern silver cruets for a tasty £35. | 0:22:40 | 0:22:47 | |
Next, they stumbled across a wooden walking stick with a Punchy handle, for £55. | 0:22:47 | 0:22:55 | |
And finally, they discovered an 18th-century etched glass vase, | 0:22:55 | 0:22:59 | |
which they hope won't shatter any profits at auction. | 0:22:59 | 0:23:02 | |
Listen, how much did you spend now? | 0:23:05 | 0:23:07 | |
-£160. -You spent £160. | 0:23:07 | 0:23:10 | |
I would like £140, yes? | 0:23:10 | 0:23:12 | |
£140. Catherine, you've got your £140, girl. | 0:23:12 | 0:23:15 | |
I know, fabulous. | 0:23:15 | 0:23:17 | |
What are you going to do with it? | 0:23:17 | 0:23:19 | |
-I've got something very special in mind for these very, very special ladies. -Thank you, Catherine! | 0:23:19 | 0:23:25 | |
It's a lovely tease, I have to say. | 0:23:25 | 0:23:27 | |
Why don't we check out what the Blues have bought? | 0:23:27 | 0:23:29 | |
They found a Parisian cased silver carving set for £55. | 0:23:31 | 0:23:36 | |
Hoping they're still on track, they paid £50 for a railway pocketwatch. | 0:23:38 | 0:23:43 | |
And finally, could it be drinks all round at auction when they sell their three-handled glass decanter? | 0:23:45 | 0:23:51 | |
Let's hope so. | 0:23:51 | 0:23:53 | |
-You spent £145. -Correct, sir. | 0:23:55 | 0:23:58 | |
Which is a brilliant number. But not quite enough. | 0:23:58 | 0:24:00 | |
So, £155 of leftover lolly, please. | 0:24:00 | 0:24:04 | |
Charles, to you. What are you going to spend all that money on? | 0:24:04 | 0:24:07 | |
I'm going to spend it all, and for Hilton's sake, | 0:24:07 | 0:24:09 | |
we're going to find something to really inspire him. | 0:24:09 | 0:24:12 | |
Something male. | 0:24:12 | 0:24:14 | |
No better person to do it, Charles, well done. | 0:24:14 | 0:24:17 | |
I feel something Arts and Craftsy coming on. | 0:24:17 | 0:24:19 | |
When you're doing up a house and maybe you're replacing the kitchen | 0:24:23 | 0:24:27 | |
and you need a new table and chairs, for example, what do you do? | 0:24:27 | 0:24:31 | |
You go to the shops and you make a selection from what's available. | 0:24:31 | 0:24:34 | |
This is a house that was built by a man who just hated everything that was available in the shops. | 0:24:34 | 0:24:41 | |
He not only chose this plot of land and built the house, | 0:24:41 | 0:24:45 | |
but he had the furniture specifically designed for it in his own unmistakable style. | 0:24:45 | 0:24:52 | |
This is the Red House, home to William Morris. | 0:24:52 | 0:24:56 | |
Morris, heralded as the leading figure of the Arts and Crafts movement, | 0:24:58 | 0:25:03 | |
is probably best known for his unique wallpaper and textile designs. | 0:25:03 | 0:25:07 | |
So, to help him realise his dream home, he commissioned his friend and architect Philip Webb | 0:25:07 | 0:25:14 | |
to not only design and build the house, but all the furniture within it. | 0:25:14 | 0:25:19 | |
Here in the dining room at the Red House, | 0:25:20 | 0:25:24 | |
we've got some splendid examples of this collaboration | 0:25:24 | 0:25:28 | |
between these two young and very talented men. | 0:25:28 | 0:25:32 | |
The most dominating feature of the dining room has to be this dragons' red-painted sideboard. | 0:25:32 | 0:25:40 | |
It's medieval in style, which is what Morris would have wanted. | 0:25:40 | 0:25:45 | |
But it has all those Arts and Crafts principles embodied within it. | 0:25:45 | 0:25:51 | |
There's nothing here that isn't hand-made. | 0:25:51 | 0:25:54 | |
This curious tri-ridged top with coop-type apertures, | 0:25:54 | 0:26:00 | |
almost as if you're going to get a pigeon flying in and out of them. | 0:26:00 | 0:26:04 | |
The railed centre section that might have been used, perhaps, for dinner plates or dishes. | 0:26:04 | 0:26:11 | |
Definitely not something that you would ever find in a shop. | 0:26:11 | 0:26:16 | |
To illustrate the very closeness that there was between Morris and Webb, | 0:26:17 | 0:26:22 | |
the National Trust six years ago made an amazing discovery. | 0:26:22 | 0:26:26 | |
Underneath the floorboards in one of the upstairs rooms, | 0:26:26 | 0:26:30 | |
they came across this grubby little piece of paper. | 0:26:30 | 0:26:34 | |
If we undo it, | 0:26:34 | 0:26:37 | |
it reveals a letter from Phillip Webb to William Morris, | 0:26:37 | 0:26:41 | |
dated November 18th 1864. | 0:26:41 | 0:26:45 | |
Morris is living here, he's had a fever, | 0:26:45 | 0:26:49 | |
he's unwell, he's depressed, and his best friend | 0:26:49 | 0:26:53 | |
writes him a note to reassure him that everything's going well in the business. | 0:26:53 | 0:26:58 | |
He says, "We manage to keep things going pretty smoothly at the shop, | 0:26:58 | 0:27:04 | |
"and it will do some of your brutes of customers good to wait a bit." | 0:27:04 | 0:27:09 | |
So, he's jollying his friend along. | 0:27:09 | 0:27:13 | |
How charming. | 0:27:13 | 0:27:15 | |
Equally charming is the table that the letter sits upon. | 0:27:15 | 0:27:19 | |
Not actually the original table for this room, | 0:27:19 | 0:27:23 | |
although the drawing for the room does show a Philip Webb-designed table of this size. | 0:27:23 | 0:27:29 | |
If we hunker down, you can see how the construction here is so peculiar. | 0:27:29 | 0:27:35 | |
What we've got are supports which are columnar so far, | 0:27:35 | 0:27:39 | |
and then we have this frilly bit, | 0:27:39 | 0:27:41 | |
and then it goes down to a square block, and underneath that, some almost bracket-like feet. | 0:27:41 | 0:27:48 | |
There are no actual medieval examples of refectory tables | 0:27:48 | 0:27:53 | |
like this or any other, so this is essentially a one-off. | 0:27:53 | 0:27:57 | |
Definitely not something you could buy in a shop. | 0:27:57 | 0:28:01 | |
The big question is today, of course, are the items that our teams have bought | 0:28:01 | 0:28:06 | |
going to make it over at the auction? | 0:28:06 | 0:28:08 | |
We've popped down the road to see auctioneer William Rouse at Chiswick Auctions. | 0:28:19 | 0:28:25 | |
-Good morning, William. -Good morning. | 0:28:25 | 0:28:27 | |
For Olivia and Anne, we've got this pair of condiments, which look particularly boring to me. | 0:28:27 | 0:28:33 | |
-I don't know how you see them? -They are a bit of an unusual buy. | 0:28:33 | 0:28:36 | |
There isn't really much to them. I guess they're appealing to almost anybody, they're plain enough. | 0:28:36 | 0:28:40 | |
Yes. I would have thought they were worth about £5. What do you think? | 0:28:40 | 0:28:44 | |
-My estimate is 10 to 20. -They paid £35. | 0:28:44 | 0:28:46 | |
Next is their walking stick, with this figure of Mr Punch. | 0:28:46 | 0:28:51 | |
Not absolutely certain that it started off life with Punch on the end, but it's quite a good subject. | 0:28:51 | 0:28:57 | |
-I'm sure people look out for Punch-related items. -Yes. | 0:28:57 | 0:29:00 | |
Let's hope so. What's your estimate? | 0:29:00 | 0:29:02 | |
I think it's about £30, 40. | 0:29:02 | 0:29:05 | |
£55 they paid. Now, this etched cut-glass vase. | 0:29:05 | 0:29:09 | |
It's got some age, and it's quite an interesting design. | 0:29:09 | 0:29:12 | |
It looks as if it's slightly been through the wars. It's been well used. | 0:29:12 | 0:29:16 | |
It looks very Brillo-padded in some way. | 0:29:16 | 0:29:20 | |
Somebody had a bit of a go at that, do you think? | 0:29:20 | 0:29:23 | |
Maybe it's just been used for putting flowers in for years. | 0:29:23 | 0:29:26 | |
It is probably a couple of hundred years old. | 0:29:26 | 0:29:28 | |
They paid £70 for it. Will they get their money back? | 0:29:28 | 0:29:31 | |
I should think we might struggle, but we might get close to it. | 0:29:31 | 0:29:34 | |
You might get close to it? Overall, though, what with those hideous condiments, | 0:29:34 | 0:29:38 | |
they're going to need their bonus buy. | 0:29:38 | 0:29:40 | |
So, Anne, what has happened to Olivia? | 0:29:42 | 0:29:45 | |
Very sadly, she's in bed at home with a chest infection. | 0:29:45 | 0:29:48 | |
She's on antibiotics, and the doctor's forbidden her from coming today. | 0:29:48 | 0:29:51 | |
-Poor kid. -She's devastated. | 0:29:51 | 0:29:54 | |
No more so than we are, I tell you. | 0:29:54 | 0:29:56 | |
-She's done all the hard work with you, and the most fun bit is the auction. -I know. | 0:29:56 | 0:30:00 | |
-Which she's going to miss. -I'll look after you! | 0:30:00 | 0:30:02 | |
Between you, you spent £160. | 0:30:02 | 0:30:05 | |
You gave Catherine £140 of leftover lolly. What did Catherine buy? | 0:30:05 | 0:30:11 | |
I know you like small things. | 0:30:11 | 0:30:13 | |
I do! Oh, my goodness, it's tiny! | 0:30:13 | 0:30:15 | |
Small things come in small packages. | 0:30:15 | 0:30:17 | |
-What is it? -You've got some little smelling salts, Victorian smelling salts. -It's Victorian? | 0:30:17 | 0:30:23 | |
Yes. With the original label on. | 0:30:23 | 0:30:25 | |
-Oh, my goodness. -There we are. | 0:30:25 | 0:30:27 | |
Gosh, if I take the top out and smell it, will I fall down in a faint? | 0:30:27 | 0:30:30 | |
You might well do, actually! | 0:30:30 | 0:30:31 | |
I'd rather you didn't! | 0:30:31 | 0:30:33 | |
-It's really cute. -It's very sweet. | 0:30:33 | 0:30:35 | |
I know you like doll's house furniture and miniatures and bits and pieces. | 0:30:35 | 0:30:39 | |
-A little big to go in a dolls' house, Catherine! -It is a bit big! | 0:30:39 | 0:30:41 | |
Tell me, what did you pay for it? | 0:30:41 | 0:30:43 | |
Not very much, actually. I paid £22. | 0:30:43 | 0:30:46 | |
-22? And what do you think it'll make? -It's in its fitted leather case... | 0:30:46 | 0:30:49 | |
-It's very pretty, isn't it? -I think it should make about £30, 40. | 0:30:49 | 0:30:53 | |
Do you really think so? Wow, fantastic. | 0:30:53 | 0:30:55 | |
Good. You seem to be well pleased with that, which is great. | 0:30:55 | 0:30:59 | |
But let's find out what the auctioneer thinks about Catherine's little smelling-salts bottle. | 0:30:59 | 0:31:05 | |
So, in case you're feeling faint, William, what with the tension and | 0:31:06 | 0:31:10 | |
whatnot of the auction, you could always have a little whiff of these. | 0:31:10 | 0:31:14 | |
Reading the front, it says "The Inexhaustible Smelling Salts Company", | 0:31:14 | 0:31:18 | |
and then actually if you open it and smell it, there's not so much as a sniff to be had from it. | 0:31:18 | 0:31:24 | |
-Have you had a sniff? -Yeah. -Quite brave of you. | 0:31:24 | 0:31:26 | |
You've got to catalogue these things fully, don't you?! | 0:31:26 | 0:31:28 | |
-That's right! -What do you think it's worth? | 0:31:28 | 0:31:30 | |
Not a terrific amount. Maybe there are bottle collectors that might be interested, but £20 or 30? | 0:31:30 | 0:31:36 | |
Fine. Catherine paid £22. Anyway, that's it for the Reds. | 0:31:36 | 0:31:39 | |
Now for the Blues. | 0:31:39 | 0:31:41 | |
First up is this carving set. | 0:31:41 | 0:31:44 | |
Quite nice to have it complete with the ham bone holder. | 0:31:44 | 0:31:48 | |
I can't say that that's a common thing, is it, particularly? | 0:31:48 | 0:31:50 | |
It isn't, and I think, for once, it's something that you could sharpen up and use. | 0:31:50 | 0:31:55 | |
-Yes, absolutely. What do you think it might bring? -£50, 70? | 0:31:55 | 0:31:58 | |
They paid £55. | 0:31:58 | 0:32:01 | |
Now, the railway pocketwatch. | 0:32:01 | 0:32:04 | |
Has that got anything in its favour? | 0:32:04 | 0:32:06 | |
Having taken it apart, it hasn't got a particularly exciting-looking movement inside. | 0:32:06 | 0:32:10 | |
-But there is something in there?! -There is something in there, and it seems to be ticking away | 0:32:10 | 0:32:15 | |
-and there are people who collect railway-related items. -Yes. | 0:32:15 | 0:32:19 | |
-Assuming they didn't pay too much for it... -They paid 50, actually. | 0:32:19 | 0:32:21 | |
OK. £40-60, I think, is our estimate. | 0:32:21 | 0:32:25 | |
OK, tick-tock, jolly good. | 0:32:25 | 0:32:27 | |
Lastly, they've got this curious three-handled decanter. | 0:32:27 | 0:32:32 | |
Quite why you need three handles on your flask to pour out a bit of booze, I don't know. | 0:32:32 | 0:32:37 | |
Maybe if you're passing it round the table or something. | 0:32:37 | 0:32:40 | |
I suppose so, yes. | 0:32:40 | 0:32:42 | |
Do you rate that, Will? | 0:32:42 | 0:32:44 | |
I think I would rate it more if it wasn't a) damaged, and b) had the right top. | 0:32:44 | 0:32:50 | |
Because people don't really use them anymore, if there's anything wrong with them, they tend to be... | 0:32:50 | 0:32:54 | |
The kiss of death, yes. | 0:32:54 | 0:32:56 | |
OK, it's a nice shape, at least. | 0:32:56 | 0:32:58 | |
How much do you think it's going to bring? | 0:32:58 | 0:33:00 | |
We ought to get £40 because of the silver top. | 0:33:00 | 0:33:03 | |
Brilliant. They paid £40. | 0:33:03 | 0:33:04 | |
-Might just wipe its face, then. -Yeah. | 0:33:04 | 0:33:06 | |
On the other hand, they might need the bonus buy. | 0:33:06 | 0:33:09 | |
Let's go and have a look at it. | 0:33:09 | 0:33:11 | |
Now, Paris and Hilt... I mean, Sharon and Hilton! | 0:33:13 | 0:33:16 | |
You spent £145, OK? | 0:33:16 | 0:33:19 | |
You gave £155 to Charles Handsome. | 0:33:19 | 0:33:22 | |
What did he spend? | 0:33:22 | 0:33:24 | |
-I bought this for 120. -It's looking small. -Look at that. -OK. | 0:33:24 | 0:33:29 | |
What I've got here | 0:33:29 | 0:33:31 | |
is a very, very nice George II-period silver snuff box. | 0:33:31 | 0:33:35 | |
How old is this one? | 0:33:35 | 0:33:37 | |
I would suggest, from the type of chaste ornament, it would be probably be around 1740, 1750. | 0:33:37 | 0:33:44 | |
-What is that? -It's a makers' mark stamp there, which I can't identify, Tim. | 0:33:44 | 0:33:47 | |
I'm hoping the auction house today has maybe identified it. | 0:33:47 | 0:33:50 | |
If you were going to buy that, what would you pay? | 0:33:50 | 0:33:53 | |
-I would say at auction its guide price would certainly stack up well at 100 to 150. -And you paid...? | 0:33:53 | 0:34:00 | |
I paid 120, but I'm hoping in London, with the market being fairly buoyant for good, small silver | 0:34:00 | 0:34:09 | |
collectors' items, it might appeal to a good early-silver collector | 0:34:09 | 0:34:13 | |
who'll recognise the silver mark inside. | 0:34:13 | 0:34:15 | |
-Do we need to decide now? -No. You don't have to decide right now. | 0:34:15 | 0:34:19 | |
For the viewers at home, let's find out what the auctioneer thinks about the snuff box. | 0:34:19 | 0:34:25 | |
This is rather a mystery, William. | 0:34:26 | 0:34:28 | |
Are you going to be able to | 0:34:28 | 0:34:31 | |
-fill us in? -It is. I think that's part of the problem, actually. | 0:34:31 | 0:34:33 | |
It would be very nice if it had English hallmarks, and if we could identify the maker, | 0:34:33 | 0:34:38 | |
but there isn't anything that's useful. | 0:34:38 | 0:34:40 | |
-There's something of a mark inside, but it's not very clear. -Mmm. | 0:34:40 | 0:34:43 | |
But it's got the feel of being 18th century, hasn't it? | 0:34:43 | 0:34:46 | |
It certainly has an all-right feeling otherwise. | 0:34:46 | 0:34:49 | |
I can't see anything wrong with it. It's a good thing. | 0:34:49 | 0:34:52 | |
Anyway, this is Charles' bonus buy. He's pushed the boat out. | 0:34:52 | 0:34:55 | |
He's paid £120. Is there any chance of making it back and more? | 0:34:55 | 0:34:59 | |
With a hallmark, it would be worth that easily. | 0:34:59 | 0:35:02 | |
I've put a slightly more conservative estimate on it because of the lack of marks, but 70 to 100. | 0:35:02 | 0:35:07 | |
That's fair enough, that should tease somebody in. Are you feeling in good voice? | 0:35:07 | 0:35:12 | |
-Absolutely. -Thank goodness for that! | 0:35:12 | 0:35:14 | |
So, have you been on to Olivia? Have you told her about the bonus buy? | 0:35:23 | 0:35:27 | |
-I have told her about it, and she's given me her opinion about what to do about it. -Has she? | 0:35:27 | 0:35:33 | |
-Which you're going to be very coy about until the last moment? -Absolutely. | 0:35:33 | 0:35:36 | |
Anyway, first up is the cruet set, and here it comes. | 0:35:36 | 0:35:39 | |
30A is a silver-plated conical-form salt and pepper. | 0:35:39 | 0:35:44 | |
Bid £10. With me at £10. | 0:35:44 | 0:35:46 | |
12. 14. £16. | 0:35:46 | 0:35:49 | |
In the room at £16. Anybody else? £16 for that salt and pepper. | 0:35:49 | 0:35:53 | |
At £16 they go. | 0:35:53 | 0:35:56 | |
Yeah, £16, that's -£19. Bad luck. | 0:35:56 | 0:36:00 | |
Now, Punch. | 0:36:02 | 0:36:04 | |
Lot 31A is a walking stick in the form of Punch. | 0:36:04 | 0:36:09 | |
Start me at £20 for the lot, surely. | 0:36:09 | 0:36:11 | |
Interesting lot. £20. £10 to go. 10 I'm bid, thank you. 12. | 0:36:11 | 0:36:15 | |
14. 16. 18. 20. | 0:36:15 | 0:36:20 | |
22. £22, with Roger at 22. | 0:36:20 | 0:36:22 | |
-Come on! -24. | 0:36:22 | 0:36:24 | |
26. 28. 30. £30 there. At 30. | 0:36:24 | 0:36:27 | |
Anybody else at £30? For £30, then. | 0:36:27 | 0:36:32 | |
£30, I'm afraid, is -£25. | 0:36:32 | 0:36:36 | |
25, 45, £44 is where we're up to. | 0:36:36 | 0:36:41 | |
-44. | 0:36:41 | 0:36:43 | |
Olivia's going to be even more ill, isn't she, when she hears this news. | 0:36:43 | 0:36:46 | |
This Dutch vase, it's looking really cloudy to me. | 0:36:46 | 0:36:50 | |
Lot 32A is the tapering vase. | 0:36:50 | 0:36:54 | |
£20 to go for this. Early bit of glassware for £20, surely. | 0:36:54 | 0:36:58 | |
20 I'm bid. 22. 24. | 0:36:58 | 0:37:00 | |
26. £26 for that vase. | 0:37:00 | 0:37:03 | |
£26. 28. 30. | 0:37:03 | 0:37:07 | |
£30 is all I'm bid, then. | 0:37:07 | 0:37:10 | |
£30 for the glass. 32. | 0:37:10 | 0:37:13 | |
£32 there in the scarf. | 0:37:13 | 0:37:15 | |
Anybody else? At £32, that bit of glassware. | 0:37:15 | 0:37:18 | |
All done? 32. 205. | 0:37:18 | 0:37:21 | |
That's 38 short, I'm afraid. | 0:37:21 | 0:37:25 | |
That's -£82. | 0:37:25 | 0:37:29 | |
-£82 is a bit of a whacko, isn't it? | 0:37:29 | 0:37:32 | |
-It's appalling! -It's not great, I'm afraid. | 0:37:32 | 0:37:35 | |
-I think it's just as well that Olivia's ill, quite frankly. -Yes! | 0:37:35 | 0:37:39 | |
She's not having to endure this like you are. I'm really sorry about that. | 0:37:39 | 0:37:43 | |
What are you going to do? | 0:37:43 | 0:37:44 | |
-Are you going to go with the bonus buy? -Definitely. | 0:37:44 | 0:37:47 | |
You're definitely going to do that? OK, we're going to go with it. | 0:37:47 | 0:37:50 | |
Let's hope there's going to be a bit of a smell about that. Here we go. | 0:37:50 | 0:37:52 | |
36A are the Inexhaustible Smelling Salts. Are they worth £10? | 0:37:52 | 0:37:57 | |
£10 I'm bid, thank you, in the doorway. | 0:37:57 | 0:38:00 | |
I thought as much. £10. £12 now. | 0:38:00 | 0:38:02 | |
Is that 14, Howard? | 0:38:02 | 0:38:04 | |
14. 16. No? | 0:38:04 | 0:38:07 | |
£16. £18 there with Keith, at £18. | 0:38:07 | 0:38:11 | |
Anybody else at £18? With you, sir, £18 I'm going, 570. | 0:38:11 | 0:38:16 | |
Bad luck, Catherine. That's -£4. | 0:38:16 | 0:38:19 | |
-It wasn't that bad. -Overall, you are -£86. | 0:38:19 | 0:38:23 | |
But don't despair, because that could be a winning score! | 0:38:23 | 0:38:26 | |
-I doubt it! -I very much doubt it too! | 0:38:26 | 0:38:30 | |
OK, Sharon, just tell me, darling, how excited are you? | 0:38:46 | 0:38:49 | |
I'm like a volcano about to erupt. Super excited. | 0:38:49 | 0:38:53 | |
-How are you feeling, Hilton? -Cold. | 0:38:53 | 0:38:55 | |
Cold? Here comes your carving set. | 0:38:55 | 0:38:57 | |
52A is the cased French three-piece carving set. | 0:38:57 | 0:39:01 | |
Start me at £30 for the lot. | 0:39:01 | 0:39:02 | |
£20 for it to go, surely. | 0:39:02 | 0:39:04 | |
I'm bid 20. 22. | 0:39:04 | 0:39:06 | |
£22 for this carving set. At £22. | 0:39:06 | 0:39:07 | |
Told you. | 0:39:07 | 0:39:10 | |
-Rusty knife. -£22. | 0:39:10 | 0:39:13 | |
£22, it's a bloodbath. That's -33. | 0:39:13 | 0:39:17 | |
That's on our best item, all right? | 0:39:17 | 0:39:19 | |
53A is a silver-plated pocketwatch. | 0:39:19 | 0:39:23 | |
The Winegarten's Railway Regulator. 53A. | 0:39:23 | 0:39:26 | |
Surely for 20 for the little watch? 20 I'm bid. Thank you, Bruno. | 0:39:26 | 0:39:29 | |
At least somebody's bid 20. Doesn't have to go back to five. | 0:39:29 | 0:39:32 | |
To my left at £28. 30 now. | 0:39:32 | 0:39:36 | |
Anybody else at £30? It's going to be sold, then. | 0:39:36 | 0:39:38 | |
-At £30, and going for 30. -It's -£20. | 0:39:38 | 0:39:42 | |
I'm sorry, but these people have got some serious bargains. | 0:39:42 | 0:39:45 | |
-Haven't they? -They certainly have. | 0:39:45 | 0:39:47 | |
You're -55 at the moment. | 0:39:47 | 0:39:49 | |
Now, the three-handled decanter. | 0:39:49 | 0:39:51 | |
54A is the decanter. | 0:39:51 | 0:39:55 | |
£20 for the decanter? Surely. Silver-mounted decanter. | 0:39:55 | 0:39:58 | |
I'm bid 20 there. 22 in there. | 0:39:58 | 0:40:01 | |
24. 26. | 0:40:01 | 0:40:04 | |
£26 there. 28, fresh bidding. | 0:40:04 | 0:40:06 | |
30 here. 32. | 0:40:06 | 0:40:08 | |
Oh, my God. | 0:40:08 | 0:40:11 | |
There at 38. Anybody else? £38. | 0:40:11 | 0:40:12 | |
I'm going to sell it for 38, then. | 0:40:12 | 0:40:14 | |
-403. -That's £2. | 0:40:14 | 0:40:18 | |
-We only lost £2! -38, that is -£2. | 0:40:18 | 0:40:21 | |
You are -£55 now. | 0:40:21 | 0:40:24 | |
What are you going to do? Are you going to go with the snuff box? | 0:40:24 | 0:40:26 | |
100%, yeah, definitely. | 0:40:26 | 0:40:28 | |
-Yeah, go for the box. -Yes? | 0:40:28 | 0:40:29 | |
-Yeah. -Are you going to do it? -Absolutely. | 0:40:29 | 0:40:31 | |
-What do you mean, "Why not?"? -Charles, you need to save us! | 0:40:31 | 0:40:33 | |
I would stick. I rated the set. | 0:40:33 | 0:40:36 | |
Stick. | 0:40:36 | 0:40:38 | |
OK. As I've been so loud on everything, I'm going to allow you to decide, OK? | 0:40:38 | 0:40:42 | |
Lose as much as we can! | 0:40:42 | 0:40:45 | |
-Paris, quiet! -It's going to sell for £40. | 0:40:45 | 0:40:47 | |
-So why do you want to take it? -OK, then don't take it. | 0:40:47 | 0:40:50 | |
No, shush, sorry, I just said I'm going to let you decide! | 0:40:50 | 0:40:53 | |
Come on, it's your decision. | 0:40:53 | 0:40:55 | |
-Leave it, leave it. -OK, excellent, leave it. | 0:40:55 | 0:40:58 | |
-We're not taking it. -You're not taking the bonus buy? | 0:40:58 | 0:41:00 | |
That's it, for certain? Between you? | 0:41:00 | 0:41:02 | |
You're not going with the bonus buy? They're not now going with it. | 0:41:02 | 0:41:05 | |
No, you're not going with the bonus buy? Here it comes anyway. | 0:41:05 | 0:41:08 | |
58A is a Georgian snuff box. | 0:41:08 | 0:41:11 | |
Start me, £55 to go for it. | 0:41:11 | 0:41:12 | |
No reaction. £40. £30 for this. | 0:41:12 | 0:41:16 | |
-Charles! -Useless! You're fired! | 0:41:16 | 0:41:20 | |
At 30. 35. Thank you. | 0:41:20 | 0:41:22 | |
40. 45. 50. | 0:41:22 | 0:41:25 | |
55. 60. | 0:41:25 | 0:41:27 | |
It's very slow. | 0:41:27 | 0:41:29 | |
-70. £70 I'm bid here. -Oh, my God! | 0:41:29 | 0:41:33 | |
Is that all? At £70. | 0:41:33 | 0:41:35 | |
Seems cheap for 70. | 0:41:35 | 0:41:36 | |
You ringfenced your losses at -55. | 0:41:36 | 0:41:38 | |
That could be a winning score. We'll find out in just a moment. | 0:41:38 | 0:41:42 | |
Well, well, well, well, well. You've been chatting, you lot? | 0:41:53 | 0:41:56 | |
-No! -Have you talked to Olivia? -Yes, I have. | 0:41:56 | 0:42:00 | |
Very good. You'll be able to reveal the result in a minute. | 0:42:00 | 0:42:02 | |
It's not so often that I can stand up here and say that every team has lost on every single item | 0:42:02 | 0:42:08 | |
but today is one of those rare days when everything has lost all the way down the line. | 0:42:08 | 0:42:14 | |
Isn't that fun?! | 0:42:14 | 0:42:16 | |
So it's just a question of the scale of the losses, really. | 0:42:16 | 0:42:20 | |
I'm afraid the massive overdose today sits with the Reds. | 0:42:20 | 0:42:23 | |
Despite the fact that we haven't got Olivia here to talk about it. | 0:42:25 | 0:42:29 | |
I do not intend picking over the numbers | 0:42:29 | 0:42:32 | |
except to say that you are -£86. | 0:42:32 | 0:42:35 | |
-But you had a lovely time, didn't you? -Wonderful time, thank you. | 0:42:35 | 0:42:38 | |
I would suggest you don't tell Olivia, just in case she doesn't get better! | 0:42:38 | 0:42:41 | |
Now for the Blues. You managed to win by only losing £55. | 0:42:41 | 0:42:46 | |
They very strategically didn't go with the bonus buy, because otherwise they'd be 110 down. | 0:42:48 | 0:42:53 | |
Anyway, there we are. You are the winners, Blues. | 0:42:53 | 0:42:55 | |
Congratulations. Very good fun. | 0:42:55 | 0:42:57 | |
Join us soon for some more... | 0:42:57 | 0:43:00 | |
Hang on! Ooh, hello! | 0:43:00 | 0:43:02 | |
Join us soon for some more Bargain Hunting. Yes? Yes! | 0:43:02 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:27 | 0:43:30 | |
E-mail [email protected] | 0:43:30 | 0:43:33 |