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They don't have to eat maggots or grubs, or sing for survival. | 0:00:03 | 0:00:09 | |
They don't have to show Britain that they've got talent. | 0:00:09 | 0:00:12 | |
They just have to go shopping and make a bit of cash at auction, that can't be that hard, can it? | 0:00:12 | 0:00:18 | |
Let's find out, let's go Bargain Hunting! | 0:00:18 | 0:00:22 | |
Here we are, up north at the great Wetherby Racecourse Antiques Fair. | 0:00:47 | 0:00:53 | |
We've two teams who are almost as keen to get on with it as I am. | 0:00:53 | 0:00:57 | |
But there'll be no trickery today. | 0:00:57 | 0:00:59 | |
Oh, no, because one of the teams is in the CID. Hello-hello. | 0:00:59 | 0:01:03 | |
Before I get interrogated, though, let's check out what's going on, shall we? | 0:01:03 | 0:01:09 | |
The Red team can't stop diving in with offers left, right, and centre. | 0:01:09 | 0:01:14 | |
Did I just fall asleep or something, have you just bought it? They don't muck about, these two! | 0:01:14 | 0:01:19 | |
Calm down with your negotiating - she flies in! | 0:01:19 | 0:01:22 | |
I could get that for a tenner. | 0:01:22 | 0:01:23 | |
And David uses a tried, tested, and failed technique to try and bag a bargain. | 0:01:23 | 0:01:29 | |
Meanwhile, the boys in blue are distinctly lacking in concentration. | 0:01:29 | 0:01:34 | |
I've already got one of them. | 0:01:34 | 0:01:36 | |
That's all for later. Right now, though, let's go and meet the teams. | 0:01:37 | 0:01:42 | |
For the Reds, we have a mother and daughter combo, Heather and Laura, | 0:01:43 | 0:01:47 | |
and for the boys, father and son, Tony and Richard. | 0:01:47 | 0:01:51 | |
Welcome to Bargain Hunt, very nice to see you. | 0:01:51 | 0:01:54 | |
Heather's retired, but tell us about your career. | 0:01:54 | 0:01:57 | |
Oh, long and varied. I started work at 15, um...laundry, factories. | 0:01:57 | 0:02:04 | |
-Straight down the mill. -Oh, definitely, definitely. | 0:02:04 | 0:02:07 | |
You're also a big star of the screen, aren't you? | 0:02:07 | 0:02:10 | |
-Was, was. -Mmm, tell us about that. | 0:02:10 | 0:02:13 | |
When I was little, they filmed The Entertainer, in Morecambe, with Laurence Olivier. | 0:02:13 | 0:02:19 | |
The whole town turned out to be extras. I was lucky, me and my sister got picked. | 0:02:19 | 0:02:24 | |
-Good fun. -Oh, it was. -Laura, you currently work for a bank. -I do. | 0:02:24 | 0:02:28 | |
-We won't enquire which one, but you've other ambitions? -I do, | 0:02:28 | 0:02:32 | |
-I'm hoping to join the Army. -Really? | 0:02:32 | 0:02:35 | |
Any particular speciality? | 0:02:35 | 0:02:37 | |
A combat medical technician, hopefully. | 0:02:37 | 0:02:40 | |
And what sort of stage are you at? | 0:02:40 | 0:02:43 | |
I go for my fitness test soon, which is the first part to get in. Fingers crossed I pass that. | 0:02:43 | 0:02:48 | |
Well, very good luck for that. | 0:02:48 | 0:02:50 | |
What will you be looking for today? | 0:02:50 | 0:02:53 | |
Mmm, probably some glassware, some paintings, anything that's rare, | 0:02:53 | 0:02:58 | |
-anything quirky, catches the eye. -You'll follow your mother's advice? | 0:02:58 | 0:03:02 | |
-No. -No. -Ha-ha! | 0:03:02 | 0:03:04 | |
There's going to be trouble! Tony, you're retired now, yes? | 0:03:04 | 0:03:08 | |
-Yes. -But you're not a pipe and slippers man, are you? | 0:03:08 | 0:03:11 | |
-No. -Tell us about your hobbies. I do a lot of walking. I walk a couple of miles every day. | 0:03:11 | 0:03:17 | |
-Yes. -I do wheeling and dealing on the Stock Market, and I'm really into antiques. -Yes, brilliant. | 0:03:17 | 0:03:25 | |
Richard, tell us about your job. | 0:03:25 | 0:03:27 | |
I'm a detective with the police and I work in the child protection unit. | 0:03:27 | 0:03:34 | |
I suppose it's completely absorbing, do you find? | 0:03:34 | 0:03:37 | |
Yeah, but you have that separate life. | 0:03:37 | 0:03:39 | |
You go to work, you do what you do, you forget about it, | 0:03:39 | 0:03:44 | |
-and have a nice home life. It's good, it's interesting. -Yes. | 0:03:44 | 0:03:47 | |
You're a married man and it didn't take long. | 0:03:47 | 0:03:49 | |
I got engaged after a month and a half, don't mess around. | 0:03:49 | 0:03:52 | |
-No, quite! -Don't mess around, I saw what I wanted and I got it. | 0:03:52 | 0:03:56 | |
-Still together, there's a little miracle. -Heather. | 0:03:56 | 0:03:58 | |
So, what sort of things are you looking out for today? | 0:03:58 | 0:04:01 | |
Bit of Troika, anything nice and bright. | 0:04:01 | 0:04:05 | |
-Yes. -You're going to be surprised. | 0:04:05 | 0:04:07 | |
-Really? -Oh, yeah. -Are you quaking, you girls? | 0:04:07 | 0:04:10 | |
-No. -No. -No. -When they lose by three pounds... | 0:04:10 | 0:04:12 | |
I don't know about three pounds, here's £300, your shopping money. | 0:04:12 | 0:04:16 | |
You know the rules, your experts await, off you go! | 0:04:16 | 0:04:20 | |
Very, very, very good luck. | 0:04:20 | 0:04:22 | |
Happy families, eh? | 0:04:22 | 0:04:23 | |
Maybe not for long. Now for the experts who are on hand | 0:04:24 | 0:04:28 | |
to help out the teams. | 0:04:28 | 0:04:30 | |
For the Reds it's David Harper. | 0:04:30 | 0:04:34 | |
and for the Blues, James Braxton. | 0:04:34 | 0:04:37 | |
These two boys have been educated in the art of antiques for years, but are they up to old schoolboy tricks? | 0:04:37 | 0:04:44 | |
Luckily for me, I do know that James's last school report read something like this, | 0:04:44 | 0:04:49 | |
"His concentration span is absolutely ridiculous and he must try harder". Ha-ha! | 0:04:49 | 0:04:54 | |
If I was to give a school report on David Harper, I would say one...very keen. | 0:04:54 | 0:05:00 | |
Two, energetic. | 0:05:00 | 0:05:04 | |
Three, hopefully misguided. | 0:05:04 | 0:05:07 | |
Well, the gloves are off. | 0:05:07 | 0:05:10 | |
We've got our contestants and we've got our experts, | 0:05:11 | 0:05:14 | |
before we get going, we need to lay down a few rules. | 0:05:14 | 0:05:17 | |
Each team gets £300 and an hour to shop for three items, | 0:05:17 | 0:05:21 | |
and the team that makes the most money at auction, wins. | 0:05:21 | 0:05:24 | |
There, that wasn't so hard, was it? | 0:05:24 | 0:05:27 | |
-Time to get going then. -Ooh, yes. | 0:05:27 | 0:05:29 | |
-OK, what are we looking for? -I'd like some Georg Jensen. | 0:05:29 | 0:05:33 | |
-What are you after? -Looking for something, I dunno, a bit of Poole? | 0:05:33 | 0:05:36 | |
Laura, What do you know? | 0:05:36 | 0:05:38 | |
Not much...something sparkly! | 0:05:38 | 0:05:40 | |
Bit of Troika. | 0:05:40 | 0:05:42 | |
OK, time starts now. | 0:05:42 | 0:05:44 | |
Eyes peeled, let's look. | 0:05:44 | 0:05:45 | |
Right, they're off to a flying start. | 0:05:45 | 0:05:48 | |
The Blues seem to know exactly what they're after. | 0:05:48 | 0:05:52 | |
But the Reds just want something sparkly. | 0:05:52 | 0:05:54 | |
Ooh, looks like they've found it. | 0:05:54 | 0:05:56 | |
What have you got there, then? | 0:05:56 | 0:05:59 | |
-Enamelled silver box. -That's pretty. -Yeah. | 0:05:59 | 0:06:02 | |
Well, it is silver and you've got a little mark there, what does that say? Ah, that says 925, | 0:06:02 | 0:06:09 | |
which means it's 925 parts pure silver out of 1,000, basically the Sterling mark, | 0:06:09 | 0:06:14 | |
-which is basically the British hallmark standard. -Right. | 0:06:14 | 0:06:18 | |
-So it's quite a high quality Continental silver, if that's the case, isn't it? -Yeah. | 0:06:18 | 0:06:22 | |
Because Continental silver is often about 800 parts out of 1,000. | 0:06:22 | 0:06:26 | |
So, British silver is always thought of as being the most collected. So this... | 0:06:26 | 0:06:30 | |
What would that be used for? Snuffbox? | 0:06:30 | 0:06:32 | |
Yeah, I would say a snuffbox | 0:06:32 | 0:06:34 | |
I quite like the colours on it, they're very vibrant. | 0:06:34 | 0:06:37 | |
They are quite vibrant. | 0:06:37 | 0:06:38 | |
Where do you think it was made? | 0:06:38 | 0:06:41 | |
Egypt? | 0:06:41 | 0:06:43 | |
-Ha-ha, I think you're probably right. -Somewhere there. | 0:06:43 | 0:06:46 | |
I think it's quite a good tourist piece, what do you feel? | 0:06:46 | 0:06:50 | |
It's nice, it is pretty, yes. | 0:06:50 | 0:06:52 | |
So, you went to Egypt, rode a camel, | 0:06:52 | 0:06:54 | |
and you saw all the sights and the sounds and the smells, and you want to bring something back. | 0:06:54 | 0:06:59 | |
-Yeah. -But you brought something back that was quite good. | 0:06:59 | 0:07:01 | |
-Yeah. -But in recent years. | 0:07:01 | 0:07:03 | |
-How much is it? -£45. | 0:07:03 | 0:07:05 | |
-Oh, no. -Oh, they're hard! | 0:07:05 | 0:07:08 | |
What is the best you would do? | 0:07:08 | 0:07:10 | |
-I've got 45 on it? -Yeah. | 0:07:10 | 0:07:12 | |
35. | 0:07:15 | 0:07:17 | |
30? | 0:07:17 | 0:07:19 | |
-No. -Oh, go on. -No, -Go on, you've made a sale then. | 0:07:19 | 0:07:21 | |
-32.50. -32, we'll even buy... | 0:07:21 | 0:07:24 | |
-32? -Yes. -32. | 0:07:24 | 0:07:27 | |
Right, hang on a minute. | 0:07:27 | 0:07:29 | |
-Did I just fall asleep or something, have you just bought it? -Yes. | 0:07:29 | 0:07:33 | |
They don't muck about, these too! | 0:07:33 | 0:07:35 | |
Well, we like it, and if we like it there'll be somebody else will like it. | 0:07:35 | 0:07:39 | |
-What can I say? -What indeed. | 0:07:39 | 0:07:42 | |
These Reds don't mess about. Only five minutes in the shop and they've bagged their first item. | 0:07:42 | 0:07:47 | |
What about those Blues? | 0:07:47 | 0:07:49 | |
-I've already got one of them. -Ha-ha! | 0:07:51 | 0:07:55 | |
I think we need to see more standing to attention, Blues. | 0:07:55 | 0:07:58 | |
-I've just noticed that... -Let's just have a look at some of the Poole. | 0:07:58 | 0:08:02 | |
You're also interested in Poole, aren't you? | 0:08:02 | 0:08:04 | |
-Yeah. -What do you think to that? | 0:08:04 | 0:08:07 | |
-That I like, Rick, yeah. -Yeah, I like that. | 0:08:07 | 0:08:10 | |
-How much is that? -£60. | 0:08:10 | 0:08:12 | |
That could be of some use for us. | 0:08:12 | 0:08:15 | |
What can you do on this one? | 0:08:15 | 0:08:17 | |
That one... | 0:08:17 | 0:08:18 | |
-Might do you a deal on that one. -Could you? | 0:08:20 | 0:08:23 | |
We obviously want to buy from you. | 0:08:25 | 0:08:27 | |
-Yeah, we're trying hard. -We are trying. | 0:08:27 | 0:08:29 | |
You've the choice of that or yellow, actually. | 0:08:29 | 0:08:32 | |
You've got the yellow one as well? Now you're spoiling us. | 0:08:32 | 0:08:35 | |
-I don't like this one as much. -Let's look. | 0:08:37 | 0:08:39 | |
-Is it that you like the warmer colours? -Yeah. | 0:08:39 | 0:08:41 | |
You've got a bit of grazing going on here. | 0:08:41 | 0:08:44 | |
-Yeah, I noticed that on the bottom. -So it must have been... | 0:08:44 | 0:08:47 | |
-you can imagine an orange or apple that's rotted just there. -Yeah. | 0:08:47 | 0:08:50 | |
And leached in, hasn't it? | 0:08:50 | 0:08:52 | |
I'll do that one for 40. | 0:08:52 | 0:08:54 | |
Could you do it for 35 for us? | 0:08:56 | 0:08:58 | |
-35? -It gives us a tiny bit of profit. | 0:08:58 | 0:09:00 | |
-35? -Yeah. | 0:09:00 | 0:09:02 | |
-OK? -Yep. I'll do 35. | 0:09:02 | 0:09:03 | |
We'll shake on that. | 0:09:03 | 0:09:06 | |
A nice piece of Poole pottery bought for the bargain price of £35, their first item bought and paid for. | 0:09:06 | 0:09:14 | |
Meanwhile, the Reds haven't moved far, they're just around the corner | 0:09:14 | 0:09:17 | |
from the first stall, but this time with their eyes on some art. | 0:09:17 | 0:09:23 | |
Right, girls, what are we thinking here? | 0:09:23 | 0:09:25 | |
-Oh. -I'm quite liking the charcoal picture. | 0:09:25 | 0:09:28 | |
Yeah, that's... | 0:09:28 | 0:09:30 | |
-quite interesting actually, isn't it? -Very unusual. | 0:09:30 | 0:09:33 | |
I think I kind of recognise that style. | 0:09:33 | 0:09:37 | |
-How old do you think that is? -Mmm, let's ask Carl. Now I know Carl. | 0:09:37 | 0:09:41 | |
-Come on in, Carl. How are you? -I'm fine, thank you. -Good to see you. | 0:09:41 | 0:09:45 | |
Now that looks like Russell Flint. | 0:09:45 | 0:09:48 | |
-Attributed to. -Attributed to? -Yeah. | 0:09:48 | 0:09:50 | |
What did I say? We were talking earlier and I said I'd love to buy some Russell Flint. | 0:09:50 | 0:09:55 | |
-You do know your stuff, don't you? -I like the Spanish Ladies. | 0:09:55 | 0:09:58 | |
-I like Spanish ladies. -I think that's what she's purporting to be. | 0:09:58 | 0:10:02 | |
-Yes, right. -She looks very Spanish. Of course, he's well known for drawing nubile naked ladies. | 0:10:02 | 0:10:08 | |
-That's right. -Yes. -Is it a proper drawing? | 0:10:08 | 0:10:10 | |
-It's a pastel. -It is a pastel, not a print? | 0:10:10 | 0:10:12 | |
-No, it's a pastel. -Can we have a look at the back? | 0:10:12 | 0:10:15 | |
Certainly, have a look at the back. | 0:10:15 | 0:10:17 | |
I like the frame. | 0:10:17 | 0:10:19 | |
I like the frame, it looks very...oldie. | 0:10:19 | 0:10:21 | |
-How old is it? -You know, the 20s and 30s was his time. | 0:10:21 | 0:10:26 | |
-That kind of looks contemporary to that period. -I think so. | 0:10:26 | 0:10:29 | |
-Now look at the back. -Yeah. | 0:10:29 | 0:10:30 | |
I think with pictures or furniture, the back tells you. | 0:10:30 | 0:10:33 | |
-It's never been out. -It looks like the original woodwork. | 0:10:33 | 0:10:36 | |
Yeah, it's never been out of its frame. | 0:10:36 | 0:10:38 | |
Well, there you go, it tells you more than the front because if that was all fresh tape, | 0:10:38 | 0:10:43 | |
you'd know someone's checked it out, it's rubbish, and put it back in again. | 0:10:43 | 0:10:46 | |
-Yeah. -The thing is, it's signed Russell Flint. -That's right. | 0:10:46 | 0:10:50 | |
-If two people actually believed that was his work... -You're talking | 0:10:50 | 0:10:53 | |
-the record-breaker Bargain Hunt time. -Ha-ha! -Ha-ha! -Hope so. | 0:10:53 | 0:10:57 | |
It is chancy. | 0:10:57 | 0:10:59 | |
It could make £20 as a copy. | 0:10:59 | 0:11:01 | |
-Yeah. -Yeah. -Or it could fly. | 0:11:01 | 0:11:03 | |
I don't think you'd lose money on it. | 0:11:03 | 0:11:05 | |
-What have you got on that? -I can do that trade to you, sir. | 0:11:05 | 0:11:09 | |
-Trade to me, sir. -150. | 0:11:09 | 0:11:11 | |
-A bit less? -That's chancy. -A little bit? | 0:11:11 | 0:11:13 | |
Hang on, you! Calm down with the negotiating. She just flies in! | 0:11:13 | 0:11:17 | |
-I do! -What's the absolute death, Carl? | 0:11:17 | 0:11:19 | |
-Best trade price. -Please. | 0:11:19 | 0:11:22 | |
-120. -He's so easily charmed, it's unbelievable. -Lovely. | 0:11:22 | 0:11:25 | |
Even I can say I love him and I get a discount. | 0:11:25 | 0:11:27 | |
What about if we bat our eyelids, like that? | 0:11:27 | 0:11:29 | |
I know. That's 120. | 0:11:29 | 0:11:31 | |
How about this... | 0:11:31 | 0:11:33 | |
-No... -We spin a coin? -No. -£80 or £100. | 0:11:33 | 0:11:38 | |
You're on a racecourse, you've got to take a bet. | 0:11:38 | 0:11:41 | |
Meet you in the middle, £90 without the coinage bit. | 0:11:41 | 0:11:44 | |
I know you like your coinage bit. | 0:11:44 | 0:11:45 | |
No-one wants to turn coins any more, what is wrong with the world? | 0:11:45 | 0:11:49 | |
-80 or a one-er. -80 or 90. | 0:11:49 | 0:11:51 | |
80 or a one-er. 80 or a one-er. | 0:11:51 | 0:11:54 | |
-Are you happy with that? -Yeah. | 0:11:54 | 0:11:56 | |
-Yeah. -I'll spin. | 0:11:56 | 0:11:57 | |
I'm well practised but I normally lose. | 0:11:57 | 0:11:59 | |
-Tails. -You want tails? -Please. | 0:11:59 | 0:12:01 | |
-Are you ready? -Heads. -£80 or £100. | 0:12:01 | 0:12:04 | |
£100, yeah. | 0:12:04 | 0:12:05 | |
-Heads. -Are you ready? -Heads. | 0:12:05 | 0:12:07 | |
-Ahhhh! It's worth it, it'll make a profit. -£100, well done. | 0:12:09 | 0:12:13 | |
-All right. Thank you. -Well done. | 0:12:13 | 0:12:15 | |
Always spinning coins, I don't know why I do it. | 0:12:15 | 0:12:18 | |
David hardly ever wins the toss, but bless him for trying. | 0:12:18 | 0:12:23 | |
Over in the next building, it looks like the Blues are taking a bullet for their team. | 0:12:23 | 0:12:28 | |
What do you think of that? | 0:12:33 | 0:12:34 | |
I like that, number one I like the weight of it. | 0:12:36 | 0:12:39 | |
-Heavy fellow, isn't it? -Yeah. Quite a bit of silver, there. | 0:12:39 | 0:12:43 | |
I'm not quite certain on the chain. | 0:12:43 | 0:12:46 | |
I think the chain's ancillary to the whole thing. | 0:12:46 | 0:12:48 | |
That's different. I like the idea of the novelty of it. | 0:12:51 | 0:12:54 | |
So unusual. I haven't seen one before, as simple as that. | 0:12:54 | 0:12:57 | |
It's solid silver, the weight in that. | 0:12:57 | 0:13:00 | |
Solid silver, Rick. For cash we'll have it for a tenner. | 0:13:00 | 0:13:02 | |
-We've still got plenty of money. -Loads of money left. | 0:13:02 | 0:13:05 | |
I don't think it's terribly old. | 0:13:05 | 0:13:08 | |
No, no it isn't. | 0:13:08 | 0:13:10 | |
-It says 1976. -1976, yep. | 0:13:10 | 0:13:12 | |
Go on, Richard, what calibre is it? | 0:13:12 | 0:13:15 | |
Ha-ha! | 0:13:16 | 0:13:17 | |
-Looks like... no, that could be a 9mm, could be a 9mm that. -9mm. | 0:13:17 | 0:13:22 | |
-And it's ideal if you want to... -303 is it? | 0:13:22 | 0:13:24 | |
-303? It's ideal if you want to kill a werewolf. -Can you do any better? | 0:13:24 | 0:13:29 | |
My very best on that would be £10. | 0:13:29 | 0:13:32 | |
Absolute bargain. | 0:13:32 | 0:13:34 | |
-I think it's a fair price. -Yep. | 0:13:34 | 0:13:36 | |
-Fair price. -It's a deal. | 0:13:36 | 0:13:38 | |
Only a tenner paid for the bullet pendant? Not bad. | 0:13:38 | 0:13:41 | |
But for me, though, I'm going back 100 years into military history. | 0:13:41 | 0:13:45 | |
Did you ever see the movie Zulu, | 0:13:47 | 0:13:49 | |
with Michael Caine? | 0:13:49 | 0:13:51 | |
Marvellous film, set in the Zulu heartland at Rorke's Drift. | 0:13:51 | 0:13:58 | |
Well, if you did and you remember that great movie, you're sure to be interested in this little fellow. | 0:13:58 | 0:14:05 | |
It's a piece of jewellery that dates from around 1878, | 0:14:05 | 0:14:10 | |
the time of the Zulu War, | 0:14:10 | 0:14:12 | |
when of course, in Europe, there was considerable interest in this tribe, | 0:14:12 | 0:14:17 | |
this warrior race of Zulus, who defended themselves against Western technology, | 0:14:17 | 0:14:24 | |
bullets and the like, with spears and shields like this. | 0:14:24 | 0:14:30 | |
Now the Zulu nation was famed for its martial ability, | 0:14:30 | 0:14:35 | |
and indeed, invented a special short stabbing spear | 0:14:35 | 0:14:40 | |
called an assegai, and what we've got here is a pair of these assegai | 0:14:40 | 0:14:45 | |
tied as a trophy across the centre of the shield. | 0:14:45 | 0:14:50 | |
The other two weapons that you can see here, basically a stick | 0:14:50 | 0:14:54 | |
with a big knobbly bit on the end, are called knobkerry, | 0:14:54 | 0:14:58 | |
another particular Zulu fighting weapon. The sort of thing, | 0:14:58 | 0:15:03 | |
that in close combat, you'd use to whack your enemy on the head. | 0:15:03 | 0:15:08 | |
If I turn it around, you can see that it's actually a brooch, | 0:15:08 | 0:15:11 | |
a brooch that would be worn by a woman, who was perhaps connected with the military | 0:15:11 | 0:15:17 | |
at the time of the Boer War, or she was patriotic in some sense towards South Africa. | 0:15:17 | 0:15:24 | |
It was no doubt made in Europe, it's completely unmarked | 0:15:24 | 0:15:27 | |
but the materials, silver and gold, | 0:15:27 | 0:15:30 | |
the degree of craftsmanship, which has been employed to make it, | 0:15:30 | 0:15:36 | |
make it a special object. | 0:15:36 | 0:15:38 | |
All that history wrapped up in a tiny little thing like this. You can hardly believe it. | 0:15:38 | 0:15:44 | |
OK, so the teams are 25 minutes in and in good shape, but that last item can often be rather elusive. | 0:15:46 | 0:15:53 | |
I think we'll be all right. | 0:15:53 | 0:15:55 | |
We'll be all right. | 0:15:55 | 0:15:57 | |
The Reds have moved about three yards, to the stall opposite. | 0:15:57 | 0:16:03 | |
-Shout if you see something like. -Yes. | 0:16:04 | 0:16:06 | |
-I quite like the perfume bottle. -That's really quite neat. | 0:16:06 | 0:16:09 | |
-It is. -That's pretty, that one. -It is. | 0:16:09 | 0:16:11 | |
-Is that silver? -That's a silver top. | 0:16:11 | 0:16:14 | |
-Is that the original stopper? -Erm... | 0:16:14 | 0:16:17 | |
-yeah, feels nice and tight. -Yeah. | 0:16:17 | 0:16:18 | |
I mean, a stopper should go into a pot like that, | 0:16:18 | 0:16:21 | |
and should...be really quite difficult to turn round, and that's OK. | 0:16:21 | 0:16:27 | |
-It's got lots of wear and lots of chips. -Yes. | 0:16:27 | 0:16:30 | |
So again, there's your hallmark. | 0:16:30 | 0:16:33 | |
-Can you see the date? -I can't see the date. | 0:16:33 | 0:16:36 | |
1895-1898, it could be engraved, it's never been engraved... | 0:16:37 | 0:16:41 | |
I like that because it hasn't been. | 0:16:41 | 0:16:44 | |
You can give it as a present and then somebody else can have it personalised. | 0:16:44 | 0:16:48 | |
-And wouldn't that be lovely? -Yes. -What's trade on that one? | 0:16:48 | 0:16:51 | |
I've got 38 on it. Erm... | 0:16:51 | 0:16:54 | |
I wanted about 36. | 0:16:54 | 0:16:56 | |
You did not! | 0:16:56 | 0:16:58 | |
No. We've got to clean it. | 0:16:58 | 0:17:01 | |
-28? -Ah! Look, she dives in there. | 0:17:01 | 0:17:05 | |
I could get that for a tenner. | 0:17:05 | 0:17:07 | |
-I bet you couldn't. -I bet I couldn't? -No, you couldn't. | 0:17:07 | 0:17:11 | |
Go on then, at best trade price, for me. | 0:17:11 | 0:17:14 | |
I'd want 30 for it. | 0:17:14 | 0:17:17 | |
-28. -No, I'd want 30. -28 and you've got a deal. | 0:17:17 | 0:17:21 | |
The Blues really need their last item and they've got £255 to spend, so easy-peasy. | 0:17:21 | 0:17:29 | |
That's probably over our budget, I would have thought. | 0:17:29 | 0:17:32 | |
What's your price on the clock? | 0:17:32 | 0:17:34 | |
-3,500. -Ha-ha-ha! | 0:17:34 | 0:17:37 | |
Just a bit more than I thought. | 0:17:37 | 0:17:40 | |
If only they had another £3,245, but what of the Reds' gung-ho negotiating skills? | 0:17:40 | 0:17:47 | |
They'll be all right as long as David doesn't get a coin out. | 0:17:47 | 0:17:50 | |
Dare we suggest the spin of a coin or do you think I... | 0:17:53 | 0:17:56 | |
-No! -No. -No! -Are you sure? -I'm positive. | 0:17:56 | 0:17:58 | |
Cos I might start getting lucky with my spin the coins. | 0:17:58 | 0:18:01 | |
-No. -I've lost 33 back-to-back, | 0:18:01 | 0:18:03 | |
you never know, 34 could be my lucky spin. | 0:18:03 | 0:18:07 | |
-Spin a coin, all right. -28 or 30. | 0:18:07 | 0:18:09 | |
-Spin the coin. -Brilliant, I love it. | 0:18:09 | 0:18:11 | |
-Have you got a coin? -No. | 0:18:11 | 0:18:13 | |
-I'm so unlucky I don't even have a coin. -20p? | 0:18:13 | 0:18:16 | |
That'll do, 20p, yeah. | 0:18:16 | 0:18:17 | |
So I'll spin it... | 0:18:17 | 0:18:19 | |
I might as well just give her the extra two quid cos I know which way this is going to go! | 0:18:19 | 0:18:23 | |
-What do you want? -I'll say heads for 30. | 0:18:23 | 0:18:25 | |
-Heads for 30, yeah? Tails 28. -Tails for 28. | 0:18:25 | 0:18:29 | |
OK, here we go. | 0:18:29 | 0:18:30 | |
-Ready? -Yeah. | 0:18:34 | 0:18:36 | |
-Heads! I can't believe it! -Awwww! -Ha-ha-ha! | 0:18:36 | 0:18:39 | |
I can't believe it. You shouldn't go out with me at all. | 0:18:39 | 0:18:42 | |
Well done, an extra two pounds for you. | 0:18:42 | 0:18:45 | |
-Ridiculous. -And the Reds are done with a good half hour to spare. | 0:18:45 | 0:18:50 | |
-This is absolutely gorgeous, isn't it? -It's beautiful. | 0:18:50 | 0:18:53 | |
Yes, and if we hadn't done it in such quick | 0:18:53 | 0:18:55 | |
time, we wouldn't have been able to come out here and take our ease. | 0:18:55 | 0:18:59 | |
No such luck for the Blues, though. | 0:18:59 | 0:19:01 | |
Let's have a look there. | 0:19:12 | 0:19:13 | |
Just on here, just see what you think to this. | 0:19:13 | 0:19:17 | |
There you are, that's a nice crocus bowl, isn't it? | 0:19:17 | 0:19:20 | |
Unusual with that brown rim, isn't it? | 0:19:20 | 0:19:22 | |
-Yeah, with the colour. -It's different, | 0:19:22 | 0:19:24 | |
isn't it? It's the Bizarre range again, isn't it? | 0:19:24 | 0:19:28 | |
Clarice Cliff Newport Pottery, honey glaze. How much is this? | 0:19:29 | 0:19:34 | |
-It's a free one. -It's a free one, | 0:19:34 | 0:19:37 | |
-no price on it. -£90. | 0:19:37 | 0:19:40 | |
I think it's all right. It's not one of her best bits, but it's still a Crocus bowl. | 0:19:50 | 0:19:54 | |
-That's what it is and it's got a chance of selling, hasn't it? -Yeah. | 0:19:54 | 0:19:58 | |
Come on, boys, haven't got all day. | 0:19:58 | 0:20:00 | |
-90? -I'll do it. I think we're really hoping for about 60. | 0:20:00 | 0:20:05 | |
OK. | 0:20:05 | 0:20:07 | |
This is absolutely gorgeous. You've done so well, you two girls. | 0:20:07 | 0:20:10 | |
That's it. If we'd have taken longer, we wouldn't have had this lovely view out here. | 0:20:10 | 0:20:15 | |
-I'm hoping for 60 on this. -Let's say 70. | 0:20:18 | 0:20:21 | |
-Let's say 70. -65? | 0:20:21 | 0:20:24 | |
-You know what you're looking at? -65? | 0:20:24 | 0:20:26 | |
-70. -70. | 0:20:26 | 0:20:28 | |
Yeah, I think 70's a fair price. | 0:20:28 | 0:20:31 | |
70? | 0:20:31 | 0:20:34 | |
-Yeah. -Yeah. | 0:20:34 | 0:20:36 | |
Money's going out already. | 0:20:36 | 0:20:37 | |
Richard's there. | 0:20:37 | 0:20:39 | |
Wrap it up, my good man. | 0:20:39 | 0:20:41 | |
Now that wasn't so hard, was it? | 0:20:41 | 0:20:45 | |
Whoa, this is fun, isn't it? | 0:20:45 | 0:20:47 | |
Time's up! | 0:20:47 | 0:20:49 | |
I hope they've been nice and thrifty...oops... | 0:20:49 | 0:20:52 | |
because whatever's left over from the £300 | 0:20:52 | 0:20:56 | |
is going to be given to the expert...whoopsy! | 0:20:56 | 0:20:59 | |
Whoopsy...to find the bonus buy. | 0:20:59 | 0:21:02 | |
And the bonus buy can boost the teams' profits over at the auction. | 0:21:02 | 0:21:06 | |
On the other hand, it can lead to some pretty extensive losses. | 0:21:06 | 0:21:10 | |
One thing I have to tell you is this machine's not got an MOT, | 0:21:10 | 0:21:14 | |
but nevertheless, let's remind ourselves what the Reds bought, eh? | 0:21:14 | 0:21:17 | |
They bought the little Egyptian silver box for a neat £32. | 0:21:17 | 0:21:22 | |
Heather got her Russell Flint drawing of a Spanish lady for £100. | 0:21:24 | 0:21:29 | |
And the silver scent bottle was a sniff at £30. | 0:21:31 | 0:21:38 | |
Fabulous, isn't it? | 0:21:38 | 0:21:40 | |
You were absolutely brilliant. You two are sent from heaven. | 0:21:40 | 0:21:43 | |
-Good. -First I've heard of it. | 0:21:43 | 0:21:44 | |
-Never been said to you before? -No. | 0:21:44 | 0:21:46 | |
The trouble with being in heaven, is there's always some old devil | 0:21:46 | 0:21:49 | |
that's going to come around and ruin it for you. | 0:21:49 | 0:21:52 | |
-So that was pretty good, wasn't it? -It was brilliant. -It was. | 0:21:52 | 0:21:55 | |
Yeah. Are you proud of your mum? | 0:21:55 | 0:21:58 | |
-I am. I'm amazed that we agreed. -Yes. | 0:21:58 | 0:22:01 | |
-It's good, isn't it? -It is. | 0:22:01 | 0:22:03 | |
Of course David Harper has a very calming influence. | 0:22:03 | 0:22:06 | |
He's like a balm that you just rub on and hope for the best. | 0:22:06 | 0:22:09 | |
-Oh, really? -Who have you been talking to, Tim? | 0:22:09 | 0:22:12 | |
Well, it's all in the papers, David. | 0:22:12 | 0:22:15 | |
Tell me, how much did you spend? £162. | 0:22:15 | 0:22:18 | |
£162, I like £138 left over lolly, please. | 0:22:18 | 0:22:23 | |
-Right. -You got that? -Yes. Hold tight, it's breezy. -Thank you very much. | 0:22:23 | 0:22:27 | |
Got the money, that's what we like, the money. | 0:22:27 | 0:22:30 | |
And three pounds. | 0:22:30 | 0:22:32 | |
There we go, it all comes. There you go, David. | 0:22:32 | 0:22:35 | |
You're not going to jump off the balcony? | 0:22:35 | 0:22:37 | |
No. I tell you what else I'm not going to do - spinning any coins either! | 0:22:37 | 0:22:41 | |
No, you've not been good with coins. | 0:22:41 | 0:22:42 | |
-Not very good, 34 now straight losses. -Is it really? | 0:22:42 | 0:22:46 | |
-Yeah, I'm doing well. -It's terrible. | 0:22:46 | 0:22:48 | |
Haven't you got that double-headed coin, you know? | 0:22:48 | 0:22:51 | |
I do. I use it every time, but then I call tails. | 0:22:51 | 0:22:54 | |
Ha-ha! Well, that's the brilliance of life, isn't it? | 0:22:54 | 0:22:57 | |
Good luck, David with finding that bonus buy. | 0:22:57 | 0:22:59 | |
Let's check out what the Blues bought? | 0:22:59 | 0:23:01 | |
They got a peach of a deal on the Poole Pottery fruit bowl, | 0:23:01 | 0:23:05 | |
£35 paid for that. | 0:23:05 | 0:23:07 | |
They bit the bullet and paid £10 for the silver pendant, | 0:23:08 | 0:23:12 | |
and the Clarice Cliff Pottery bowl was theirs for a fruity £70. | 0:23:14 | 0:23:19 | |
Well, that's a shocker, you've only spent £115? | 0:23:21 | 0:23:24 | |
-Yeah, I'm sorry about that. -It's a disgrace. -Disgrace, ha-ha-ha! | 0:23:24 | 0:23:28 | |
-I'll be giving him £185. -I thought I kept the change. | 0:23:28 | 0:23:31 | |
No you don't. Ha-ha, you thought you kept the change? | 0:23:31 | 0:23:36 | |
There's no flies on these boys. | 0:23:36 | 0:23:38 | |
Very parsimonious. But I would say a successful shop, would you, James? | 0:23:38 | 0:23:41 | |
-Yeah, I think they've secured two strong items. -Uh-huh. | 0:23:41 | 0:23:44 | |
The Poole, phwoar... | 0:23:44 | 0:23:46 | |
-No, no, no... -They love it, they love it, though. | 0:23:46 | 0:23:49 | |
I'm going to prove you wrong. It's a nice way. | 0:23:49 | 0:23:52 | |
-We shall see. That's a lot of dough for you. -Yeah. -Got anything in mind? | 0:23:52 | 0:23:56 | |
I spotted a tent, I'm going to battle the elements and secure a bargain. | 0:23:56 | 0:24:00 | |
I hope it hasn't been blown away by the time you get there, but probably you'll blow us away. | 0:24:00 | 0:24:04 | |
I'm off somewhere spectacular, I'm going to the Doddington Hall. | 0:24:04 | 0:24:08 | |
I'm in Lincolnshire today and this is Doddington Hall behind me. | 0:24:19 | 0:24:24 | |
I'm going to pop inside and have a quick bird's-eye | 0:24:24 | 0:24:26 | |
and see if there's anything there to excite my curiosity. | 0:24:26 | 0:24:30 | |
And here we are in the parlour, | 0:24:37 | 0:24:38 | |
which is where the family today, still congregate. | 0:24:38 | 0:24:42 | |
And I'm not surprised, it's a lovely warm room with the 17th century panelling. | 0:24:42 | 0:24:47 | |
I've hunkered down here to show you something really special. | 0:24:47 | 0:24:51 | |
I want you to feast your eye on this treat, which has been slumbering | 0:24:51 | 0:24:57 | |
here at Doddington, I guess, for over 300 years. | 0:24:57 | 0:25:02 | |
It's an unusual form, it has to be said, | 0:25:02 | 0:25:05 | |
it's a wee chest of drawers as you can see, | 0:25:05 | 0:25:09 | |
two short and two long drawers. | 0:25:09 | 0:25:11 | |
It's veneered in walnut, and I guess that this thing was made | 0:25:11 | 0:25:15 | |
around about 1700 to 1710. | 0:25:15 | 0:25:20 | |
It's called a bachelor's chest, traditionally. | 0:25:20 | 0:25:24 | |
Why bachelor's chest? I'm not too sure. | 0:25:24 | 0:25:27 | |
Perhaps bachelors didn't have very many possessions and therefore they didn't need | 0:25:27 | 0:25:32 | |
great big thumping chests of drawers, but there is one characteristic, | 0:25:32 | 0:25:37 | |
and one characteristic alone, that always applies to a bachelor's chest. | 0:25:37 | 0:25:43 | |
It always has some sort of folding top, | 0:25:43 | 0:25:46 | |
which is what we have here. | 0:25:46 | 0:25:48 | |
If I take this rectangular top and fold it back for you, | 0:25:48 | 0:25:53 | |
it comes back in two parts and you can see inside some baize inset. | 0:25:53 | 0:26:00 | |
I can't let it go completely flat because that cloth is under a tension | 0:26:00 | 0:26:06 | |
and if I were to allow the flaps to go down, I'd split the cloth, which I don't want to do. | 0:26:06 | 0:26:11 | |
It's become so taut as a result of various spillages. | 0:26:11 | 0:26:17 | |
Because when the top's shut, if you were to spill a glass of port | 0:26:17 | 0:26:22 | |
or a cup of coffee or tea or whatever, it would ooze down | 0:26:22 | 0:26:25 | |
through that central crack, which is what's happened. | 0:26:25 | 0:26:28 | |
Some would say, "oh, that's horrible, I'd soon get that changed". | 0:26:28 | 0:26:31 | |
Actually, it should be left exactly as it is, because this is | 0:26:31 | 0:26:35 | |
part of the history and story of this piece of furniture. | 0:26:35 | 0:26:40 | |
Underneath the hinged top is a bolection moulding, | 0:26:40 | 0:26:43 | |
and most unusually the sides are fitted with drawers. | 0:26:43 | 0:26:48 | |
And if I open this one, you can see it's as dry as a bone, inside. | 0:26:51 | 0:26:57 | |
Look at that, little steel lock, original and just pinned in | 0:26:57 | 0:27:03 | |
with four copper nails. And...ooh! Look, a piece of moulding. | 0:27:03 | 0:27:08 | |
Now is that the piece of moulding that's missing from the side? | 0:27:10 | 0:27:15 | |
Let's see if we can fit it. | 0:27:15 | 0:27:17 | |
Oh, yes, it is. | 0:27:17 | 0:27:19 | |
Look at that, that probably fell off about 250 years ago, | 0:27:19 | 0:27:23 | |
they said, "We'll get that fixed one day. | 0:27:23 | 0:27:26 | |
"Let's stick it in the drawer and leave it till somebody's got some glue". | 0:27:26 | 0:27:31 | |
And here it is today, marvellous. | 0:27:31 | 0:27:34 | |
Yep, it's a real treasure. | 0:27:34 | 0:27:36 | |
The big question is today, are we going to find any similar treasures over at the auction? | 0:27:36 | 0:27:42 | |
We're in Mackworth, on the outskirts of Derby, at Charles Hanson's Sale. | 0:27:52 | 0:27:57 | |
-Charles, good morning. -Good morning. | 0:27:57 | 0:27:59 | |
-Well, we've got a mixed bag here, Heather and Laura, they've gone with the little pillbox here. -Yes. | 0:27:59 | 0:28:05 | |
-Which I suppose came from some souk in Cairo, did it. -It's likely to. | 0:28:05 | 0:28:09 | |
It's lively, we can see the enamel, is in fairly good condition. | 0:28:09 | 0:28:13 | |
It is marked on the base of the box, 925, so it is Sterling, | 0:28:13 | 0:28:17 | |
and it's, I suppose one would consider, a fairly nice souvenir. | 0:28:17 | 0:28:23 | |
£32 they paid for that. | 0:28:23 | 0:28:25 | |
Its valuation would be around £20. | 0:28:25 | 0:28:28 | |
-£15 to £25. -Do you really, as much as that? | 0:28:28 | 0:28:30 | |
-Tim, I hope so. -Charles, you're very optimistic, that's great. | 0:28:30 | 0:28:34 | |
Their second item, Charles, is this putative Russell Flint, what do you think? | 0:28:34 | 0:28:38 | |
Yes, Tim, it is an original pastel sketch, obviously signed | 0:28:38 | 0:28:41 | |
by the artist, but we consider it to be "in the manner of" | 0:28:41 | 0:28:44 | |
or "bears the signature of", | 0:28:44 | 0:28:46 | |
so not by the actual artist named, William Russell Flint. | 0:28:46 | 0:28:50 | |
Well, that's interesting, isn't it? Because lots of people copy other artist's work. | 0:28:50 | 0:28:56 | |
Sometimes they use materials that closely resemble the original work. | 0:28:56 | 0:29:00 | |
-Yes. -The team paid £100, do you think they're going to get their money back? | 0:29:00 | 0:29:06 | |
Our guide price, Tim, is really between £30 and £40. | 0:29:06 | 0:29:09 | |
I think it's interesting that they've taken a punt with this. | 0:29:09 | 0:29:13 | |
They're not going to know one way or the other, | 0:29:13 | 0:29:16 | |
and it is incredibly difficult with these things. | 0:29:16 | 0:29:18 | |
-So, exciting for us to find out. -It is. | 0:29:18 | 0:29:20 | |
Lastly, we've got this little scent bottle. | 0:29:20 | 0:29:22 | |
Cut glass, bit of silver on it, what they used to call bog standard. | 0:29:22 | 0:29:27 | |
-Yes. -Is it going to make £30? | 0:29:27 | 0:29:29 | |
It's pretty...but they are bog standard. | 0:29:29 | 0:29:31 | |
-What's your estimate? -Guide price is between £20 and £30. | 0:29:31 | 0:29:34 | |
They paid £30 so they might just get out of trouble with that. | 0:29:34 | 0:29:38 | |
The secret here, is how will the Russell Flint do? | 0:29:38 | 0:29:41 | |
If it does well, they won't need the bonus buy. | 0:29:41 | 0:29:44 | |
Let's be optimistic and go and have a look at it anyway. | 0:29:44 | 0:29:48 | |
-Now, Heather and Laura, how are you, all right? -Fine. | 0:29:48 | 0:29:50 | |
-Fine, thank you. -Are you looking forward to seeing your bonus buy? | 0:29:50 | 0:29:53 | |
Cos you did give David £138, which is quite a whizz really, and we want to find out what he spent it on. | 0:29:53 | 0:30:00 | |
-David... -All right, on a drop dead gorgeous... | 0:30:00 | 0:30:04 | |
water jug. | 0:30:04 | 0:30:05 | |
Oh, my God. | 0:30:05 | 0:30:07 | |
-They sell them up in the garden centre. -Do they? | 0:30:09 | 0:30:11 | |
-Yeah, I'm sure they do. -Well, all right, maybe misdescribed | 0:30:11 | 0:30:17 | |
-as drop dead gorgeous. -Right. -He's not to everybody's taste. | 0:30:17 | 0:30:21 | |
-Just drop it. -Ah, that is awful! But he's funny, he's quirky. | 0:30:21 | 0:30:25 | |
He's an iced-water jug, you fill him with ice, | 0:30:25 | 0:30:28 | |
cold water, then when you pour him of course the ice doesn't come out. | 0:30:28 | 0:30:32 | |
How much would you pay for it? | 0:30:32 | 0:30:34 | |
Two quid. | 0:30:34 | 0:30:36 | |
-That's a sound estimate, yes. Mother? -£10 -We're going £10. | 0:30:36 | 0:30:40 | |
Oh, dear, OK. £28. | 0:30:40 | 0:30:42 | |
£28. | 0:30:42 | 0:30:44 | |
Let's find out what the auctioneer thinks about David's little water jug. | 0:30:44 | 0:30:48 | |
Right then, Charles, here's something to excite you. | 0:30:48 | 0:30:52 | |
Tim, I'm a great fan of all the experts and Mr Harper, | 0:30:52 | 0:30:55 | |
-but this really is something I would not really touch. -No. | 0:30:55 | 0:30:59 | |
I'm sure David's bought it for its decorative appeal, for its moment of being in the majolica style, | 0:30:59 | 0:31:04 | |
but just from the noise it makes, we know it's late... | 0:31:04 | 0:31:09 | |
probably even Far Eastern rather than being majolica and Continental. | 0:31:09 | 0:31:13 | |
-Is it worth a £5 note? -Yes. | 0:31:13 | 0:31:15 | |
-It is. -It is. -Is it worth £20? | 0:31:15 | 0:31:18 | |
On a good day, with two collectors who want a nice decorative jug, | 0:31:18 | 0:31:22 | |
-and decorative being the operative word. -All right, fine. | 0:31:22 | 0:31:25 | |
£28 David paid for that, and he rates it as a bonus buy. | 0:31:25 | 0:31:29 | |
We shall see. Next for the Blue team, first is the Poole bowl, is that any good? | 0:31:29 | 0:31:36 | |
Of course, it is the Delphis pattern and importantly we know | 0:31:36 | 0:31:40 | |
with any good decorative art, condition is all-important. | 0:31:40 | 0:31:43 | |
So my guide price is again between £20 and £30. | 0:31:44 | 0:31:47 | |
-£35 paid, so they're out of the frame with that one. -Yes. | 0:31:47 | 0:31:51 | |
Next is the silver bullet, is that any good, that pendant? | 0:31:51 | 0:31:54 | |
Do you like it? | 0:31:54 | 0:31:56 | |
-Not my style, I'm afraid. -No. | 0:31:56 | 0:31:57 | |
No. It's quite a heavy pendant really, isn't it? | 0:31:57 | 0:32:00 | |
-It's a good lump of silver, an ingot almost. -Yes, almost. How much then? | 0:32:00 | 0:32:03 | |
-£10 to £15. -Great, they only paid £10. -Fine. | 0:32:03 | 0:32:06 | |
So that's got some potential. | 0:32:06 | 0:32:07 | |
And then our third item, which is old Clarice Cliff's Crocus bowl. | 0:32:07 | 0:32:11 | |
The Bizarre range, 1928-1932. | 0:32:11 | 0:32:15 | |
This is a bit later, probably mid-30s, great name, great design. | 0:32:15 | 0:32:19 | |
It's Clarice Cliff at her very best. | 0:32:19 | 0:32:22 | |
Good. Well, what's your estimate? Between £50 and £70. | 0:32:22 | 0:32:25 | |
£70 paid. So we're just on the edge of frame there, Charles. | 0:32:25 | 0:32:29 | |
-Yes, we are. -So there's one or two holes for these Blues, they'll need the bonus buy, I reckon. | 0:32:29 | 0:32:34 | |
Let's go and have a look at it. | 0:32:34 | 0:32:36 | |
Now, Toto, Ricardo, you've spent £115, which was a very conservative amount. | 0:32:36 | 0:32:42 | |
You gave £185 to James to blow, | 0:32:42 | 0:32:46 | |
and this could be a table here, James, are you going to reveal all? | 0:32:46 | 0:32:51 | |
Here we go. It's quite a lot of table. | 0:32:51 | 0:32:55 | |
Cor. Look at that. | 0:32:55 | 0:32:56 | |
-Oh... steady. -You've done your back. | 0:32:56 | 0:32:59 | |
There we are, it's quite a weight. Marble and, what do they call it? | 0:32:59 | 0:33:04 | |
Blackwood. Is it called blackwood? | 0:33:04 | 0:33:06 | |
The Chinese call it huanghuali actually. | 0:33:06 | 0:33:09 | |
Ricardo, how does that grab you? | 0:33:09 | 0:33:11 | |
-Yeah, it's a lump isn't it? -It certainly is. | 0:33:11 | 0:33:13 | |
-Toto, how does that grab you? -Yeah, I like it. | 0:33:13 | 0:33:15 | |
It's a nice piece of furniture. | 0:33:15 | 0:33:17 | |
I think you'll agree, this is an exquisitely made piece of Chinese furniture. | 0:33:17 | 0:33:21 | |
-Yeah, I love this sort of stuff. -It would date from when do you think, James, | 0:33:21 | 0:33:25 | |
-About 1910, 1920, or something like that? -Exactly. | 0:33:25 | 0:33:28 | |
There's one thing we do need to ask here, isn't there, Toto? | 0:33:28 | 0:33:31 | |
That's right, yes. Price. | 0:33:31 | 0:33:33 | |
Price, £65. | 0:33:33 | 0:33:35 | |
-That wasn't the first instalment then? -No, it's the whole price. | 0:33:35 | 0:33:38 | |
Let's find out what the auctioneer thinks about the huanghuali stand. | 0:33:38 | 0:33:44 | |
Well, Charles, I'm not carting that thing about. I mean that is heavy. | 0:33:44 | 0:33:49 | |
Even by closing your eyes and lifting it, you just feel the fact it's period. | 0:33:49 | 0:33:54 | |
And we can see the carving is superb, the stylised cabriole leg and | 0:33:54 | 0:33:58 | |
the scrolling on the stretcher below, has a good patination about it. | 0:33:58 | 0:34:03 | |
Well, that cunning monkey Braxton only paid £65 for it, his bonus buy. | 0:34:03 | 0:34:07 | |
-Did he really? -Do you think this could make £150? | 0:34:07 | 0:34:10 | |
I think our realistic cautious guide price would be between £100 and £150. | 0:34:10 | 0:34:15 | |
-Still not bad on a £65 purchase, is it? -Very good. -Thank you, Charles. | 0:34:15 | 0:34:18 | |
Now, Heather and Laura, are you feeling at all nervous? | 0:34:21 | 0:34:25 | |
-No, excited. -Excited. | 0:34:25 | 0:34:28 | |
A mother and daughter at a high pitch of excitement, what could be better? | 0:34:28 | 0:34:31 | |
First item, though, is the Egyptian box, and here it comes. | 0:34:31 | 0:34:35 | |
Modern pillbox, 133, cover enamelled with a camel. | 0:34:35 | 0:34:42 | |
Look at it, do I see £5 for it? | 0:34:42 | 0:34:45 | |
I'll take £5, five, eight, ten... | 0:34:45 | 0:34:48 | |
12, 15... one more? | 0:34:48 | 0:34:51 | |
Go on. | 0:34:51 | 0:34:52 | |
12 there. Do I see 15 down here, the lady at 15...18? | 0:34:52 | 0:34:57 | |
One more. I'll take £16 if it helps you. | 0:34:57 | 0:35:00 | |
16, 18, 20, | 0:35:00 | 0:35:02 | |
I'll take 20 now surely? £18 bid. | 0:35:02 | 0:35:07 | |
£18 all out? Yes, we are. | 0:35:07 | 0:35:10 | |
-He sold for £18, two shy of twenty. That's minus £14. -OK. | 0:35:10 | 0:35:14 | |
Now the Russell Flint drawing. | 0:35:14 | 0:35:16 | |
-It all hangs on this, darling. -Yes. | 0:35:18 | 0:35:21 | |
I have got some interest, and I am bid £25. | 0:35:21 | 0:35:26 | |
Do I see eight? £25. | 0:35:26 | 0:35:30 | |
Do I see eight now? I've got 25. | 0:35:30 | 0:35:33 | |
28, 30, two, five, eight, 40... | 0:35:33 | 0:35:37 | |
Go on. | 0:35:37 | 0:35:39 | |
Do I see two now? 40 I'll take. Two surely? | 0:35:39 | 0:35:43 | |
£40, fair warning. All done. | 0:35:43 | 0:35:45 | |
-Yeah. -£40, we say sale. All out. -Ooh! | 0:35:45 | 0:35:48 | |
-Oooh! -£40, that's a killer that. -Robbed! | 0:35:48 | 0:35:50 | |
That's minus 60. £74 that is, minus 74. | 0:35:50 | 0:35:55 | |
Now the scent bottle. Gosh, this has got to do well. | 0:35:55 | 0:35:59 | |
Where do we start, a number of bids here, I will start £20. | 0:35:59 | 0:36:03 | |
Do I see two now? 20. I'll take two, two Miss White. | 0:36:03 | 0:36:07 | |
-25, 28 Miss White. -Go on, Miss White! | 0:36:07 | 0:36:11 | |
30, do I see two? | 0:36:11 | 0:36:14 | |
I'm out at £32. Do I see five now, come on. | 0:36:14 | 0:36:19 | |
Five, 38. One more! 38! Well done. | 0:36:19 | 0:36:24 | |
40. One more? 40, yes. | 0:36:24 | 0:36:26 | |
Two? | 0:36:26 | 0:36:28 | |
Thank you. | 0:36:28 | 0:36:29 | |
£40, the lady in the scarf, it's yours, fair warning all done. | 0:36:29 | 0:36:32 | |
We say sale, at £40 it's going, it's going. It's gone. | 0:36:32 | 0:36:36 | |
Well done, that's perfect. | 0:36:36 | 0:36:38 | |
That's a profit of £10 on that, which is great, | 0:36:38 | 0:36:41 | |
-which means you are minus £64. -Oh, right. | 0:36:41 | 0:36:44 | |
£64. What are we doing about this water jug? | 0:36:44 | 0:36:47 | |
-Oh, gosh. -Go on. -We'll go for it. | 0:36:47 | 0:36:49 | |
You are minus 64, are you going to go with it? | 0:36:49 | 0:36:51 | |
-It can't be any worse. -We'll go. -OK. | 0:36:51 | 0:36:53 | |
Just look at it. | 0:36:53 | 0:36:55 | |
It's a delightful, very stylish, | 0:36:55 | 0:36:59 | |
majolica-style water jug, | 0:36:59 | 0:37:03 | |
-pottery. -Rare. | 0:37:03 | 0:37:05 | |
Very, very nice. | 0:37:05 | 0:37:07 | |
Where do we start? I'm bid nothing. | 0:37:07 | 0:37:10 | |
Argh! | 0:37:10 | 0:37:12 | |
Do I see £5? | 0:37:12 | 0:37:14 | |
Surely for a very stylish jug, do I see £5 to start me off? | 0:37:14 | 0:37:19 | |
£5 ma'am, I'm out. Obviously I'm out! £5. | 0:37:19 | 0:37:22 | |
-Do I see eight? -Come on. -At £5... | 0:37:22 | 0:37:26 | |
Come on, it's cheap at that, £5 bid. Do I see eight now? Come on. | 0:37:26 | 0:37:29 | |
Five, eight, ten, | 0:37:29 | 0:37:31 | |
-12. One more, 15. 18? -Oh! | 0:37:31 | 0:37:37 | |
£15 I am bid. | 0:37:37 | 0:37:38 | |
Do I see 18? At £15 once, twice... | 0:37:38 | 0:37:41 | |
I'll take 18, no, fair warning at £15, the lady, it's yours. | 0:37:41 | 0:37:48 | |
Oh, well done. | 0:37:48 | 0:37:49 | |
You're minus £77, kids. | 0:37:49 | 0:37:52 | |
-Minus £77 could be winning score, you never know. -Fingers crossed. | 0:37:52 | 0:37:55 | |
-Could be. -Don't talk to the Blues. -No. | 0:37:55 | 0:37:58 | |
-Thank you. -OK. | 0:37:58 | 0:38:00 | |
-Now, Tony and Richard, do you know how the Reds got on? -Not at all. -No. | 0:38:03 | 0:38:08 | |
-You've not been talking to them? -No, not a clue. -No. | 0:38:08 | 0:38:10 | |
Great, because we don't want you to know. | 0:38:10 | 0:38:12 | |
Anyway, first up is the Poole bowl and here it comes. | 0:38:12 | 0:38:16 | |
I am bid straight in at 12... | 0:38:16 | 0:38:18 | |
15, 18, 20, 22. Do I see five now? 22. | 0:38:18 | 0:38:22 | |
Do I see five? Surely it's a good object for that. | 0:38:22 | 0:38:25 | |
I don't see it, so we sell at £22. | 0:38:25 | 0:38:29 | |
£22, that's minus £13. I never liked that Poole stuff. | 0:38:29 | 0:38:33 | |
-Now the bullet. -It's a start! | 0:38:33 | 0:38:36 | |
Great object and I am bid ten. | 0:38:36 | 0:38:39 | |
-12, 15, £18... -Well, in profit. | 0:38:39 | 0:38:41 | |
..on commission. Do I see 20 now? 18. | 0:38:41 | 0:38:44 | |
Do I see 20 for it? 18. | 0:38:44 | 0:38:46 | |
Do I see 20? Come on. £18. We sell on commission at £18. | 0:38:46 | 0:38:53 | |
-All out, we are. -Well done, Jimmy. | 0:38:53 | 0:38:57 | |
-£18 is plus eight, which is very good. -That's all right. | 0:38:57 | 0:39:00 | |
-Minus five. -Minus five. | 0:39:00 | 0:39:01 | |
Here we go, Clarice Cliff. | 0:39:01 | 0:39:03 | |
I've got one, two, three, four bids. | 0:39:03 | 0:39:06 | |
-So I will start at £45. -That's a good start. | 0:39:06 | 0:39:11 | |
Do I see 50 now? 45, 50, | 0:39:11 | 0:39:14 | |
five, 60, sir? | 0:39:14 | 0:39:18 | |
-I'll take one more and be out, 55, sir. -Come on. | 0:39:18 | 0:39:21 | |
Nobody says. I am bid £55. | 0:39:21 | 0:39:25 | |
60, five. | 0:39:25 | 0:39:26 | |
70 I'm out, 70. I'll take five now. | 0:39:26 | 0:39:30 | |
One more surely? Fair warning and we'll sell to you in the doorway at £70. | 0:39:30 | 0:39:35 | |
At £70, all out. We go at 70. | 0:39:35 | 0:39:39 | |
-All out. -£70, it's wiped its face. | 0:39:39 | 0:39:42 | |
-Absolutely. -You are back to minus £5. -Minus a fiver. | 0:39:42 | 0:39:46 | |
Are you going to have a go at the old Chinese hardwood as your bonus? | 0:39:46 | 0:39:50 | |
-Absolutely. -Yes. -Yes. -Yes, yeah, yeah. | 0:39:50 | 0:39:53 | |
You're going to go with the bonus buy. | 0:39:53 | 0:39:55 | |
Definitely, definitely. | 0:39:55 | 0:39:57 | |
I've got one, two, three, four bids, and the phone line, Miss White. | 0:39:57 | 0:40:01 | |
-On the phone, there she is. -Hey! -Ooh, yes! Yes. | 0:40:01 | 0:40:04 | |
There we are, nice lot this. | 0:40:04 | 0:40:07 | |
Where do we start? | 0:40:07 | 0:40:09 | |
I will begin this lot at...£65. | 0:40:09 | 0:40:13 | |
-70, 80, 90. -Yeah. | 0:40:13 | 0:40:16 | |
-Yeah. -100, 110. -Yeah. | 0:40:16 | 0:40:19 | |
120. | 0:40:19 | 0:40:21 | |
-130. -130. -Yeah. | 0:40:21 | 0:40:22 | |
I am bid... | 0:40:22 | 0:40:25 | |
Do I see 140 in the room? 130 I am bid. | 0:40:25 | 0:40:28 | |
Do I see 140, do I see 140? | 0:40:28 | 0:40:31 | |
Otherwise we go to the phone. | 0:40:31 | 0:40:33 | |
140, 150, 160, 170, | 0:40:33 | 0:40:37 | |
-180, 190. -Wonder if we'll get to 200. | 0:40:37 | 0:40:40 | |
-200, 210, 220... -Hey! | 0:40:40 | 0:40:45 | |
230, 240 and I am out at £240. | 0:40:45 | 0:40:49 | |
-Keep it coming. -Do I see 250? | 0:40:49 | 0:40:51 | |
Or at 240 all done. | 0:40:51 | 0:40:53 | |
We say sell on the phone line, yours. | 0:40:53 | 0:40:55 | |
240 to Miss White! | 0:40:55 | 0:40:57 | |
-Yes! -Oh, yes! Absolutely. | 0:40:58 | 0:41:00 | |
Couldn't do much better than that, £240. | 0:41:00 | 0:41:03 | |
-Well, that makes you 235, that's all right. -It's not a bad day, Tim. | 0:41:03 | 0:41:07 | |
-Then you've got 65 off that, is that plus £170? -That's wonderful. | 0:41:07 | 0:41:14 | |
-That's £170 worth of profit. -Hey! | 0:41:14 | 0:41:16 | |
-Doesn't sound bad at all. -THEY ALL CHUCKLE | 0:41:16 | 0:41:19 | |
I think you should shake him by the hand. | 0:41:19 | 0:41:22 | |
-Oh, yeah. -We might buy him a lemonade. -We'll buy you a drink. | 0:41:22 | 0:41:25 | |
What excitement?! | 0:41:30 | 0:41:32 | |
-Been chatting at all between the teams? -No. -Not at all. | 0:41:32 | 0:41:35 | |
Well, in all my years on Bargain Hunt, | 0:41:35 | 0:41:37 | |
I don't think we've had two teams that are quite so poles apart. | 0:41:37 | 0:41:40 | |
Anyway, um... | 0:41:40 | 0:41:42 | |
-It should come as no surprise to the Reds that you are the runners-up today. -I know. | 0:41:42 | 0:41:48 | |
Minus £77 is a bit of a shocker. | 0:41:48 | 0:41:52 | |
The scent bottle made a profit of £10 but otherwise everything else | 0:41:52 | 0:41:57 | |
-sadly did not do as well as it might have done, right? -No. | 0:41:57 | 0:42:00 | |
You've had a really good go and we hope you've had a nice time. | 0:42:00 | 0:42:04 | |
-Brilliant. -We have. | 0:42:04 | 0:42:07 | |
But the winners today have a debt of gratitude | 0:42:07 | 0:42:10 | |
beyond the call of normal duty | 0:42:10 | 0:42:12 | |
in their expert because their expert produced a profit of £175. | 0:42:12 | 0:42:17 | |
£175! A maestro! | 0:42:17 | 0:42:21 | |
They were £5 down the drain and then along came Mr Braxton | 0:42:21 | 0:42:24 | |
with his £240 Chinese urn stand, which turned out to be an earner. | 0:42:24 | 0:42:30 | |
-There we go, isn't that brilliant? -Wonderful, thank you very much. | 0:42:30 | 0:42:33 | |
Richard, you are gripping £170 there, which is a red-letter day. | 0:42:33 | 0:42:39 | |
-What will you do with the cash? -It's going to Richard, he needs it. | 0:42:39 | 0:42:44 | |
I'm happy with that, I'm happy with that! | 0:42:44 | 0:42:46 | |
What more generous father could you have?! | 0:42:46 | 0:42:48 | |
Anyway, we've had a wonderful day, congratulations all round. | 0:42:48 | 0:42:51 | |
It's lovely to see you, in fact join us soon | 0:42:51 | 0:42:54 | |
-for some more Bargain Hunting. Yes? -YES!!! | 0:42:54 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:43:12 | 0:43:16 | |
E-mail [email protected] | 0:43:16 | 0:43:20 |