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We're at Ardingly, south of England Showground, famed for its agricultural fairs | 0:00:02 | 0:00:06 | |
where normally there are lots of beasties around here, | 0:00:06 | 0:00:10 | |
but today the whole place is stuffed up with antiques. | 0:00:10 | 0:00:14 | |
Hello, what's this? | 0:00:14 | 0:00:16 | |
A man in a white coat for me. | 0:00:16 | 0:00:18 | |
Best in show. Who, me? | 0:00:18 | 0:00:20 | |
That's all right. | 0:00:20 | 0:00:22 | |
Let's go bargain hunting. | 0:00:22 | 0:00:24 | |
Get your hands off me. What do you think I am? Some sort of bullock? | 0:00:24 | 0:00:28 | |
This is one of the largest antique fairs in the country | 0:00:54 | 0:00:58 | |
with literally hundreds of stalls to choose from, | 0:00:58 | 0:01:02 | |
but how will our teams cope? | 0:01:02 | 0:01:03 | |
For the Reds, Mandy and Chrissie are an expert's dream team. | 0:01:05 | 0:01:10 | |
I'm going to have the best day today and I'm going to win. | 0:01:10 | 0:01:13 | |
-Don't count your chickens yet, Catherine. -I'm struggling here. -We'll be fine. | 0:01:13 | 0:01:18 | |
For the Blues, former policewomen Sue and Julia have an arresting expert in a shiny helmet. | 0:01:18 | 0:01:26 | |
-Did you ever wear anything like that? -Fantastic! | 0:01:26 | 0:01:30 | |
And at the auction, our two teams are neck-and-neck. | 0:01:31 | 0:01:36 | |
But who will pull ahead to win? | 0:01:36 | 0:01:39 | |
Before all that, let's meet today's teams. | 0:01:39 | 0:01:42 | |
Welcome to Bargain Hunt. | 0:01:47 | 0:01:48 | |
Now, where did you two meet? | 0:01:48 | 0:01:50 | |
-We met at work. -Where do you work? | 0:01:50 | 0:01:52 | |
-At the Born Free Foundation. -Gosh. | 0:01:52 | 0:01:55 | |
Now, Born Free is the movie, to everybody, isn't it? | 0:01:55 | 0:01:58 | |
So Born Free is about lions, is it? | 0:01:58 | 0:02:03 | |
-It's about all wildlife. -Oh, all wildlife? -Yes, all wildlife. | 0:02:03 | 0:02:07 | |
And we look at captivity issues of animals in zoos and circuses and we also look at animals | 0:02:07 | 0:02:13 | |
in the wild and protecting them and the habitats they live in. | 0:02:13 | 0:02:17 | |
-Well, how wonderful. -Yes. | 0:02:17 | 0:02:18 | |
-Mandy, you're keen on collecting things? -I am. -It's in the blood? -Yes. -Why's that? | 0:02:18 | 0:02:24 | |
My father was an estate agent and auctioneer and sometimes people couldn't afford to pay the fees | 0:02:24 | 0:02:31 | |
and he used to be given all sorts of antiques and all sorts of items including, a pony, once, for me. | 0:02:31 | 0:02:38 | |
A pony! How nice! | 0:02:38 | 0:02:40 | |
Yes. But my mum wasn't so pleased with the pony. | 0:02:40 | 0:02:43 | |
No. And had you got somewhere to keep it? | 0:02:43 | 0:02:46 | |
We found somewhere pretty quickly, yeah. | 0:02:46 | 0:02:48 | |
I think the deal was done in a pub, so... | 0:02:48 | 0:02:52 | |
One of those deals. Now, Chrissie, what do you collect, darling? | 0:02:52 | 0:02:55 | |
-Sheep. -Do you? -I do. -Real ones? | 0:02:55 | 0:02:58 | |
No, mine are either soft toys or ornaments. | 0:02:58 | 0:03:02 | |
And how many sheep have you got? | 0:03:02 | 0:03:04 | |
-50. -Quite a flock, then. -Quite a flock, yes. | 0:03:04 | 0:03:07 | |
And what sort of things will you be looking out for, apart from sheep-related items today? | 0:03:07 | 0:03:12 | |
To buy to make a profit on Bargain Hunt? | 0:03:12 | 0:03:15 | |
-Something small and perfectly formed, I think. -Ah! Something like me? | 0:03:15 | 0:03:18 | |
Absolutely, Tim, yes. If only you were for sale. | 0:03:18 | 0:03:21 | |
If only I were small. Anyway, very, very good luck. | 0:03:21 | 0:03:26 | |
Now for the Blues. | 0:03:26 | 0:03:27 | |
How did you two girls meet? | 0:03:27 | 0:03:29 | |
We met 41 years ago. | 0:03:29 | 0:03:32 | |
No need to own up to that. | 0:03:32 | 0:03:33 | |
When we both applied for a job as police constables with Sussex police. | 0:03:35 | 0:03:40 | |
-You were both policewomen? -We were. -'Ello, ello! | 0:03:40 | 0:03:43 | |
We went to interviews together, | 0:03:43 | 0:03:45 | |
then we went training together and the friendship continued from there. | 0:03:45 | 0:03:51 | |
And did you get into any scrapes when you were on the beat? | 0:03:51 | 0:03:54 | |
Yes, we did. Yes. | 0:03:54 | 0:03:57 | |
One day, we were out in the policewomen's car, and went to a local park | 0:03:57 | 0:04:03 | |
and I think time overtook us, and when we went to drive | 0:04:03 | 0:04:09 | |
-out of the park they had locked the gates and we were locked in. -In our panda car. | 0:04:09 | 0:04:15 | |
-Which was very embarrassing. -Did you radio in, "BD to Zed Victor one, | 0:04:17 | 0:04:21 | |
"lost in the park". | 0:04:21 | 0:04:23 | |
Yes, we did. | 0:04:23 | 0:04:25 | |
And what did your sergeant have to say about that? | 0:04:25 | 0:04:28 | |
Quite a lot, the next day, I recall. | 0:04:28 | 0:04:31 | |
Julia, you're a great collector, what of exactly? | 0:04:31 | 0:04:34 | |
I collect thimbles and I collect royalty memorabilia. | 0:04:34 | 0:04:38 | |
Tell us about that. | 0:04:38 | 0:04:40 | |
That started when I was four and it was the Queen's coronation and my mum and dad bought me | 0:04:40 | 0:04:48 | |
a cup and saucer and a glass and all the rest of it and it developed from there, really. | 0:04:48 | 0:04:52 | |
-It is a rather nice thing to do, though, isn't it? -It is. -Reign by reign. | 0:04:52 | 0:04:56 | |
How do you think you'll get on today? | 0:04:56 | 0:04:58 | |
I think we'll do very well, because we're very competitive and we'll make a profit. | 0:04:58 | 0:05:02 | |
My gosh, that's fighting talk, isn't it? Anyway, the money moment. | 0:05:02 | 0:05:05 | |
Here we go, look, £300 apiece, just like that. | 0:05:05 | 0:05:09 | |
You know the rules, your experts await and off you go, and very, very good luck. | 0:05:09 | 0:05:15 | |
Well, I never did, two female rozzers. | 0:05:15 | 0:05:19 | |
But who exactly are our expert suspects today? | 0:05:19 | 0:05:22 | |
For the Reds it's Anita "Mad Dog" Manning. | 0:05:24 | 0:05:28 | |
And for the Blues, Catherine "Slippy Fingers" Southon. | 0:05:29 | 0:05:34 | |
What's our game plan? | 0:05:34 | 0:05:36 | |
Um, something small and perfectly formed. | 0:05:36 | 0:05:39 | |
-Just like us. -Just like us. | 0:05:39 | 0:05:41 | |
I quite like silver. Silver, tortoiseshell, jewellery. | 0:05:41 | 0:05:46 | |
Jewels for Jules! | 0:05:47 | 0:05:50 | |
Exactly! | 0:05:50 | 0:05:51 | |
We've got one hour. | 0:05:51 | 0:05:54 | |
We need to get going. | 0:05:54 | 0:05:55 | |
Come on then. | 0:05:55 | 0:05:57 | |
If we look and pull this out, it's a wee arts and crafts chair. | 0:06:06 | 0:06:12 | |
Very, very simple, | 0:06:12 | 0:06:14 | |
straightforward, and that's what the fashion is now. | 0:06:14 | 0:06:19 | |
People are going away from the ornate Victorian styles and are looking for something simpler. | 0:06:19 | 0:06:25 | |
And this is exactly the type of thing that they like - arts and crafts. | 0:06:25 | 0:06:29 | |
And if you look here, we have this lovely tooled leather seat, | 0:06:29 | 0:06:35 | |
with this galleon, which is Ruskin-like. | 0:06:35 | 0:06:40 | |
How old do you think it is? | 0:06:40 | 0:06:42 | |
It's probably 1900-1920s. | 0:06:42 | 0:06:46 | |
Is it a child's chair? | 0:06:46 | 0:06:48 | |
Yeah, I would say it's a little child's chair. | 0:06:48 | 0:06:51 | |
Something to sit beside the fireplace. Do you like it? | 0:06:51 | 0:06:55 | |
-Yes. -Yes. I think so. | 0:06:55 | 0:06:58 | |
Yes. I think that could be good. | 0:06:58 | 0:07:00 | |
It could sit in somebody's room and look quite decorative. | 0:07:00 | 0:07:03 | |
In a cottage situation, a small house. Shall we ask them? | 0:07:03 | 0:07:09 | |
-Yes. How much? -Excuse me? Your wee chair. | 0:07:09 | 0:07:12 | |
£30, best on that. | 0:07:12 | 0:07:14 | |
30? It's got some mud on it. | 0:07:14 | 0:07:20 | |
That's extra. | 0:07:20 | 0:07:22 | |
Is that extra? | 0:07:22 | 0:07:23 | |
-What about... -28? | 0:07:23 | 0:07:27 | |
Would you do 25? | 0:07:27 | 0:07:29 | |
Three women are asking you! | 0:07:29 | 0:07:31 | |
Nice women! | 0:07:31 | 0:07:33 | |
Could you do 25? | 0:07:33 | 0:07:35 | |
Lovely. Thank you very much. | 0:07:35 | 0:07:36 | |
So, the Blues are off in record time. | 0:07:36 | 0:07:40 | |
Seven minutes. | 0:07:40 | 0:07:42 | |
Right, Mandy, wait for me. | 0:07:44 | 0:07:46 | |
-While you were buying, Anita, so was Catherine. -Biscuits. | 0:07:46 | 0:07:50 | |
-Biscuit moulds. -They're very nice. | 0:07:50 | 0:07:53 | |
Biscuit moulds - they're very nice. | 0:07:53 | 0:07:56 | |
If you think about where we're selling, | 0:07:56 | 0:07:58 | |
quite nice in a country kitchen, country cottage. | 0:07:58 | 0:08:02 | |
But in my experience they don't always sell particularly well. | 0:08:02 | 0:08:06 | |
Depends how much it is, doesn't it? | 0:08:06 | 0:08:08 | |
Can I just ask you a price on this? | 0:08:08 | 0:08:10 | |
-£30. -£30. | 0:08:10 | 0:08:13 | |
If you think at auction you'll have a lot of dealers there, | 0:08:13 | 0:08:16 | |
really, this sort of thing's going to appeal to the private. | 0:08:16 | 0:08:20 | |
A dealer wouldn't buy it to have in their shop? | 0:08:20 | 0:08:23 | |
They might do. It's just in my experience, I have bought these before | 0:08:23 | 0:08:27 | |
and they haven't made huge profits. | 0:08:27 | 0:08:29 | |
With that in mind, £30 is not a lot. | 0:08:29 | 0:08:32 | |
On the other side, in a country kitchen, I think it's lovely. | 0:08:32 | 0:08:37 | |
Do you want to? I did see it and I thought... | 0:08:37 | 0:08:39 | |
That's the first thing I noticed. | 0:08:39 | 0:08:41 | |
I thought it was lovely. | 0:08:41 | 0:08:43 | |
Well, I like it. | 0:08:43 | 0:08:45 | |
-Shall we go for it? -Yes. -Do you want to see if you can try and get it a bit cheaper? | 0:08:45 | 0:08:49 | |
OK. | 0:08:49 | 0:08:51 | |
What's your very best on that? | 0:08:51 | 0:08:53 | |
-25. -25? | 0:08:53 | 0:08:55 | |
-25? -It's up to you, ladies, it's your money. | 0:08:55 | 0:08:57 | |
-I think so. -We both went for it. -It's the sort of thing I would put in my kitchen. | 0:08:57 | 0:09:01 | |
-You would buy it. -OK. That's lovely. That's a deal. Thank you very much. Thank you. | 0:09:01 | 0:09:06 | |
I like you two - you're very decisive! | 0:09:06 | 0:09:09 | |
-Girls! -We're coming. | 0:09:11 | 0:09:13 | |
These ladies are good. We bought the first item in seven minutes. | 0:09:13 | 0:09:17 | |
That's completely unheard of. They're so decisive. | 0:09:17 | 0:09:20 | |
I'm going to have the best day today and I'm going to win. | 0:09:20 | 0:09:23 | |
There's a wee bit of competitiveness there. | 0:09:23 | 0:09:25 | |
But whoever wins, we'll keep smiling and we are always happy. | 0:09:25 | 0:09:30 | |
That's Jungendstil? | 0:09:30 | 0:09:31 | |
Jungendstil? | 0:09:31 | 0:09:33 | |
Which is the, Jungendstil! Isn't my German good? | 0:09:33 | 0:09:36 | |
Oh, you're Dutch? | 0:09:36 | 0:09:38 | |
We've got the silver over there. | 0:09:40 | 0:09:43 | |
-Is it silver? -It's got a mark on it there. | 0:09:47 | 0:09:51 | |
OK, yes. We can see the little lion. | 0:09:51 | 0:09:54 | |
You picked it up - why did you like it? | 0:09:54 | 0:09:55 | |
I quite like the patterns on it. | 0:09:55 | 0:09:58 | |
The piercing on it makes it look attractive. And the twirly handle. | 0:09:58 | 0:10:05 | |
-And I think probably it could be a collector's piece, if we've got the right people in. -Yeah. | 0:10:05 | 0:10:09 | |
-It could be a collector's piece. -It's a girly thing. | 0:10:09 | 0:10:12 | |
It is. Is it for sugar? | 0:10:12 | 0:10:14 | |
It's for sugar. And it's not very dear. | 0:10:14 | 0:10:19 | |
The price on that is £12, but you do have a hallmarked silver piece. | 0:10:19 | 0:10:26 | |
Shall we get it? | 0:10:26 | 0:10:28 | |
I think so, don't you? | 0:10:28 | 0:10:30 | |
-Who's going to do the business? -Shall I go up? -You can do this one. | 0:10:30 | 0:10:33 | |
OK. | 0:10:33 | 0:10:35 | |
-Big smile. -He's down the end. | 0:10:35 | 0:10:38 | |
Catherine, what about that? | 0:10:38 | 0:10:40 | |
-That's replaced. -Is it? Oh, yes. | 0:10:40 | 0:10:43 | |
It's actually not... | 0:10:43 | 0:10:44 | |
Haven't got my glasses on. That's a shame. | 0:10:44 | 0:10:47 | |
Actually, it's not as old as one would think. | 0:10:47 | 0:10:49 | |
-Ten is his best price. -Go for it. | 0:10:51 | 0:10:54 | |
-Go for it. -OK. | 0:10:54 | 0:10:56 | |
Yes, you go for it, you industrious Blues. | 0:10:59 | 0:11:02 | |
Talking of industry, check out what I've found. | 0:11:02 | 0:11:06 | |
Have you ever worked in a factory? | 0:11:06 | 0:11:08 | |
Well, if you have, you'd be very comfortable in this stand | 0:11:08 | 0:11:12 | |
because everything in this selling space relates to industry. | 0:11:12 | 0:11:16 | |
In fact they're called industrial antiques. | 0:11:16 | 0:11:19 | |
And these things look brilliant in lofts, conversions from old buildings | 0:11:19 | 0:11:26 | |
that create large, open spaces that young people just love living in. | 0:11:26 | 0:11:31 | |
And what might they furnish that space with? | 0:11:31 | 0:11:33 | |
If you take these four chairs, the hint is in the base here because they're cast iron | 0:11:33 | 0:11:38 | |
cast with the word "Singer" so these would have come from a textile works and a whole array of women would | 0:11:38 | 0:11:45 | |
have probably sat at sewing machines going about their seamstress skills but sitting on these chairs. | 0:11:45 | 0:11:53 | |
And these, I guess, date from the 1930s. | 0:11:53 | 0:11:55 | |
But one of the most intriguing things I think is this. | 0:11:55 | 0:11:59 | |
It looks a bit like a bar stool, but if I spin it round like that, you see how long it keeps spinning? | 0:11:59 | 0:12:06 | |
Because this thing has come out of the decorating workshop of a Stoke-on-Trent factory. | 0:12:06 | 0:12:12 | |
And what you would have done is to put your undecorated vase here | 0:12:12 | 0:12:17 | |
and spun the base, and if you took a paint brush, and dipped it in some | 0:12:17 | 0:12:22 | |
gold paint and applied it to the edge of the vase, as it spun around on this base, | 0:12:22 | 0:12:29 | |
so you would get a clear and continuous gold line running around the piece of ceramics. | 0:12:29 | 0:12:36 | |
Pretty useless if you haven't got a ceramics factory except you could | 0:12:36 | 0:12:39 | |
use it in this modern interior, perhaps for putting a vase on. | 0:12:39 | 0:12:44 | |
Or, who knows? At a cocktail bar, just planting your bottom on it. | 0:12:44 | 0:12:48 | |
And if nostalgia is your thing, how about that lot? | 0:12:48 | 0:12:51 | |
School coat pegs. How evocative of a happy childhood are they? | 0:12:51 | 0:12:57 | |
What's all this stuff worth? | 0:12:57 | 0:13:00 | |
The set of pegs would cost you £140. | 0:13:00 | 0:13:04 | |
These chairs would cost you £240. Each. | 0:13:04 | 0:13:08 | |
And this little spinning fellow? | 0:13:08 | 0:13:10 | |
That would set you back £230. | 0:13:10 | 0:13:14 | |
So, you see, there's money in industrial antiques. | 0:13:14 | 0:13:17 | |
And there's also money to be made at the fair, girls. | 0:13:17 | 0:13:22 | |
-OK, girls, so you want to spend big money. -We do. | 0:13:22 | 0:13:25 | |
We don't have £380. | 0:13:25 | 0:13:29 | |
-We certainly don't. -Of course you can have a look. | 0:13:29 | 0:13:34 | |
-Ask the lady and see what price she's got on them, shall we? -Do you want to ask? | 0:13:39 | 0:13:43 | |
Yes. We're interested in the little button hook and the shoe horn. | 0:13:43 | 0:13:48 | |
They're on both sides and they're a pair, look. | 0:13:50 | 0:13:56 | |
Can I just have a look? Let's look at it. Beautifully made. | 0:13:56 | 0:13:59 | |
Beautiful quality. | 0:13:59 | 0:14:01 | |
Well known maker, silver, so we are appealing to silver buyers | 0:14:01 | 0:14:05 | |
also we've got that novelty aspect of the owls and the boot hook, the shoe horn... | 0:14:05 | 0:14:09 | |
-And the name of the maker. -Yes. | 0:14:09 | 0:14:11 | |
The absolute minimum would be 140. | 0:14:12 | 0:14:15 | |
-That really is the best. -I mean... | 0:14:15 | 0:14:18 | |
That cost me over 100 myself. | 0:14:18 | 0:14:20 | |
If you think that owls are very... | 0:14:20 | 0:14:23 | |
That's very fair. The owls are collectible, so collectible. Are you happy with that? | 0:14:23 | 0:14:30 | |
Yes, definitely, very happy. | 0:14:30 | 0:14:31 | |
I think they're great. | 0:14:31 | 0:14:34 | |
Now, will those owls be a wise buy, I wonder? | 0:14:34 | 0:14:37 | |
Hey, girls, you two used to be bobbies, didn't you? | 0:14:38 | 0:14:42 | |
-We did. -Did you ever wear anything like that? -Fantastic! | 0:14:43 | 0:14:47 | |
Chanel No 5! | 0:14:52 | 0:14:54 | |
There is some quality there. There is some quality. | 0:14:56 | 0:15:00 | |
It's so different. | 0:15:00 | 0:15:02 | |
-Yeah. -Double-ended. -You've got the double-ended one, you've got the condition, which is good. | 0:15:02 | 0:15:08 | |
You've got this little turquoise detail here. The catch | 0:15:08 | 0:15:14 | |
is in working order. | 0:15:14 | 0:15:17 | |
I think that is a very bonny little item. | 0:15:17 | 0:15:22 | |
And I don't think it's too dear at 120. | 0:15:22 | 0:15:27 | |
I just wonder, as we've only just walked round, whether we could just look at a few more stalls? | 0:15:27 | 0:15:32 | |
I think so. Why don't you ask him to keep it for you for 15 minutes? | 0:15:32 | 0:15:40 | |
-Yes. -I think you would be more satisfied if you kept on looking. | 0:15:40 | 0:15:43 | |
You've got plenty of time, ladies. And we won't be stuck. | 0:15:43 | 0:15:47 | |
-I'll ask him. -Go and have a look. | 0:15:47 | 0:15:49 | |
Yeah, can you hold onto it for us? | 0:15:49 | 0:15:51 | |
I'll put it back in there. I won't hold onto it. | 0:15:51 | 0:15:53 | |
15 minutes? | 0:15:53 | 0:15:54 | |
That'll be gone when you come back. You know what happens when people | 0:15:55 | 0:15:59 | |
-leave things behind. They're sold, aren't they? -Oh, girls! Oh, girls! It's up to yourself. | 0:15:59 | 0:16:03 | |
He who hesitates is lost. | 0:16:03 | 0:16:06 | |
-We'll keep looking. -Yeah. I think just a quick look, just to be sure. | 0:16:08 | 0:16:14 | |
All right. | 0:16:14 | 0:16:16 | |
You might need to listen to the dealer, girls. | 0:16:16 | 0:16:19 | |
Only 20 minutes left. | 0:16:19 | 0:16:21 | |
-Where's Catherine? -Figurative stuff. | 0:16:21 | 0:16:24 | |
Where have they gone? | 0:16:26 | 0:16:27 | |
I like that. | 0:16:27 | 0:16:29 | |
I don't think actually they need me. They're doing their own thing. | 0:16:30 | 0:16:34 | |
-I'm struggling here. -Oh no, we'll be fine. | 0:16:34 | 0:16:38 | |
Anything take your fancy, girls? | 0:16:38 | 0:16:39 | |
No, not there. | 0:16:39 | 0:16:41 | |
Where did you go? You left me! | 0:16:41 | 0:16:43 | |
You abandoned me! You abandoned ship. | 0:16:43 | 0:16:45 | |
-DOG BARKS -Hello! | 0:16:47 | 0:16:50 | |
Oi, Mutley - shut up! | 0:16:50 | 0:16:53 | |
You're footerin' girls, you're footerin'. | 0:16:53 | 0:16:56 | |
-Yes, I know. I know. -We are, we are. | 0:16:56 | 0:16:58 | |
-We're going to be panicking in a minute. -Don't panic. | 0:16:58 | 0:17:01 | |
That's nice, isn't it? With the Cunard white... | 0:17:01 | 0:17:03 | |
It's lovely actually. | 0:17:03 | 0:17:05 | |
-Dare we ask how much it is? -How much? -£20. | 0:17:05 | 0:17:08 | |
-The lid does come off. -Oh. -It's a fabric hinge. -British-made. | 0:17:08 | 0:17:15 | |
Yeah. It's lasted a hundred years, so I think we're doing all right. | 0:17:15 | 0:17:18 | |
-I think it's fantastic. I love it. -Not cheap. | 0:17:18 | 0:17:20 | |
-What about the lid coming off though? -How about we give you 15 for it? -I'm afraid not. | 0:17:20 | 0:17:25 | |
It's a good price that. Should have been 40. | 0:17:25 | 0:17:28 | |
It's the lid that worries me. | 0:17:28 | 0:17:30 | |
-Yeah. I think it's great. -It's lovely, isn't it? | 0:17:30 | 0:17:34 | |
It's my shabby chic again, Mandy. | 0:17:34 | 0:17:36 | |
It is. You are shabby! | 0:17:36 | 0:17:38 | |
And also very chic! | 0:17:38 | 0:17:41 | |
-£20... -£20, done. You're not going to budge on that price, are you? | 0:17:41 | 0:17:45 | |
-I'm sorry. -I mean, to be honest, I think that's a fair price, £20. | 0:17:45 | 0:17:50 | |
I can see that going into the auction at about 30-40, something like that. | 0:17:50 | 0:17:55 | |
You know to begin with you were really, really decisive when you bought your first item? | 0:17:55 | 0:17:59 | |
Can we end on being very decisive? | 0:17:59 | 0:18:01 | |
-We certainly can. -Are we going to go for this? -It's a deal. Definitely. -It's a deal! £20! | 0:18:01 | 0:18:05 | |
Well done. Cup of tea now? | 0:18:05 | 0:18:08 | |
We've only got 14 minutes left, so we won't footer, we'll go straight back. | 0:18:08 | 0:18:12 | |
But let's hope it isn't gone. | 0:18:12 | 0:18:14 | |
Then we'll be in big trouble! | 0:18:14 | 0:18:16 | |
Now, I warned you girls. | 0:18:18 | 0:18:20 | |
-HORN TOOTS -Oh, careful! | 0:18:20 | 0:18:23 | |
It's not there. Oh yes it is! | 0:18:25 | 0:18:28 | |
It is there, girls? | 0:18:28 | 0:18:30 | |
It is! No, it's not! | 0:18:30 | 0:18:33 | |
-It's a hundred now! -He's put it up! | 0:18:34 | 0:18:37 | |
There is a little dent in it actually. | 0:18:37 | 0:18:41 | |
-Just there. -Oh dear, we didn't see that earlier on. | 0:18:41 | 0:18:44 | |
-As we've just noticed it, do you think he'd re-deal it? -You can have a go. | 0:18:44 | 0:18:50 | |
We just noticed there's a little dent on the top there. | 0:18:50 | 0:18:55 | |
So, can we do a deal with you for 80? | 0:18:55 | 0:18:58 | |
Please? Pretty please? | 0:19:00 | 0:19:02 | |
I hope she ain't like that in her sale room! Go on then. | 0:19:02 | 0:19:05 | |
-Yes, 80. -Yes! | 0:19:05 | 0:19:07 | |
You're a star. Thank you very much. | 0:19:07 | 0:19:10 | |
I'll wrap it in the Daily Sport for you, all right? | 0:19:10 | 0:19:13 | |
Hurrah, rah! The shopping's over. | 0:19:13 | 0:19:15 | |
Now the experts can hunt for that extra item with any leftover lolly. | 0:19:15 | 0:19:20 | |
But remember, the bonus buy can mean a big profit or a big loss at auction. | 0:19:20 | 0:19:25 | |
Now, what did those reds buy again? | 0:19:27 | 0:19:31 | |
Mandy and Chrissie bought the biscuit mould for £25. | 0:19:34 | 0:19:37 | |
But will it take the biscuit? | 0:19:37 | 0:19:40 | |
They picked up this silver shoe horn and a boot hook for 140. | 0:19:40 | 0:19:44 | |
Ta-wit, ta-wooh! | 0:19:44 | 0:19:46 | |
And finally, they chose the travelling trunk at £20. | 0:19:46 | 0:19:50 | |
Now Mandy and Chrissie, you've been incredibly decisive, and we're very, very proud of you for that purpose. | 0:19:50 | 0:19:56 | |
I mean, decisive is marvellous, isn't it? | 0:19:56 | 0:19:58 | |
-Oh, it's wonderful. -It's the only way, isn't it? | 0:19:58 | 0:20:01 | |
Three girls together making their mind up quickly, is unbelievable! No, I don't mean it like that. | 0:20:01 | 0:20:06 | |
But it is incredibly difficult sometimes, isn't it? | 0:20:06 | 0:20:09 | |
-Yes. -But you've done very well. | 0:20:09 | 0:20:10 | |
-You've spent £185, I'm told. Is that right? -We did, yes. | 0:20:10 | 0:20:14 | |
So £115 of leftover lolly, please. | 0:20:14 | 0:20:17 | |
-There we are. -We've got that cash. That's super. | 0:20:17 | 0:20:19 | |
-That's going to go to Catherine now to find you a bonus buy. -Thank you. -I think you know our taste now. | 0:20:19 | 0:20:24 | |
I think you've given me a fair idea! | 0:20:24 | 0:20:27 | |
All she has to buy is something that's going to make a profit. | 0:20:27 | 0:20:30 | |
It doesn't matter whether you like it or not, remember that. It can | 0:20:30 | 0:20:33 | |
be ghastly from your point of view, as long as it's going to make cash. | 0:20:33 | 0:20:37 | |
-That's her challenge. And she's very good at doing this. -Excellent! | 0:20:37 | 0:20:41 | |
-Anyway... -Good luck. -Good luck, Catherine. | 0:20:41 | 0:20:43 | |
Go and have a cup of coffee, girls. | 0:20:43 | 0:20:45 | |
Why don't we find out what the blues have bought? | 0:20:45 | 0:20:47 | |
Sue and Julia went with Anita's stool for £25. | 0:20:49 | 0:20:54 | |
Then they picked up this silver sifter spoon for 10. | 0:20:54 | 0:20:58 | |
Their last buy was this double-ended scent bottle for 80. | 0:20:58 | 0:21:03 | |
-So, Sooze and Jools, did you have a good shop up? -Fantastic. | 0:21:03 | 0:21:06 | |
You certainly whipped around. | 0:21:06 | 0:21:07 | |
Now you can take the mickey, can't you, Anita? | 0:21:07 | 0:21:10 | |
-No, I'm a serious wee thing. -Och aye! I mean, centurion's helmet? | 0:21:10 | 0:21:13 | |
I don't know. | 0:21:13 | 0:21:15 | |
It's no way to carry on, is it? | 0:21:15 | 0:21:18 | |
-Quite becoming. -For serious members of the constabulary. | 0:21:18 | 0:21:22 | |
OK girls, how much did you spend again? | 0:21:22 | 0:21:24 | |
-£115. -£115. | 0:21:24 | 0:21:27 | |
-So what do I want? I want £185 back then, do I? -You do. | 0:21:27 | 0:21:33 | |
£185. It was hardly worthwhile giving you 300. You spent so little. | 0:21:33 | 0:21:38 | |
£185. There we go, Anita. That's a lot, isn't it? | 0:21:38 | 0:21:42 | |
A lot of money. I'm going to enjoy spending it. | 0:21:42 | 0:21:45 | |
But I will always, when buying items, box clever. | 0:21:45 | 0:21:50 | |
Good. | 0:21:50 | 0:21:52 | |
Yes. That is very enigmatic, isn't it? | 0:21:52 | 0:21:54 | |
That means we don't know whether you're going to spend the lot, only part of it... | 0:21:54 | 0:21:57 | |
But you are going to find something that will make a profit, aren't you? | 0:21:57 | 0:22:01 | |
-Of course. -Of course. Well, God bless you, girls. Have a lovely time. | 0:22:01 | 0:22:05 | |
For us though, we're going to whizz up the A23, round the M25, up the M4 and have a look at Chiswick. | 0:22:05 | 0:22:11 | |
That's if we don't just go up the A23 and go straight to Chiswick that way round. | 0:22:11 | 0:22:16 | |
Got it? | 0:22:16 | 0:22:17 | |
Chiswick House and Garden | 0:22:22 | 0:22:24 | |
are an oasis of calm in West London. | 0:22:24 | 0:22:28 | |
The house is also one of the finest examples | 0:22:32 | 0:22:35 | |
of neo-Palladian design in the country. | 0:22:35 | 0:22:38 | |
It was built by the third Earl Burlington, who | 0:22:42 | 0:22:44 | |
was inspired by the architecture of ancient Rome in 16th Century Italy. | 0:22:44 | 0:22:50 | |
But everywhere that you look in this exquisite villa, you find the standard of | 0:22:53 | 0:23:00 | |
finish is incomparable, and the proportion is just delicious. | 0:23:00 | 0:23:06 | |
Burlington hired the designer, William Kent, to collaborate on the villa. | 0:23:08 | 0:23:12 | |
No expense was spared. | 0:23:12 | 0:23:14 | |
Feast your eyes on this. | 0:23:17 | 0:23:19 | |
So what makes this room look so incredibly rich? | 0:23:24 | 0:23:28 | |
Well, it's the use of honey gilding. | 0:23:28 | 0:23:31 | |
You literally take a frightfully thin piece of gold leaf, and blow it, | 0:23:31 | 0:23:38 | |
because it's only a millionth of an inch thick, | 0:23:38 | 0:23:41 | |
onto a prepared surface which has honey painted on it. | 0:23:41 | 0:23:45 | |
The honey sticks the thinned gold to the carved area, | 0:23:45 | 0:23:50 | |
and you achieve this miraculous finish. | 0:23:50 | 0:23:54 | |
But for William Kent, by far the most important area in a typical Palladian room, is the ceiling. | 0:23:54 | 0:24:02 | |
Just look at that! | 0:24:02 | 0:24:05 | |
Isn't it glorious? | 0:24:05 | 0:24:06 | |
The first thing that strikes you are these massive brackets, | 0:24:06 | 0:24:11 | |
which are actually completely unnecessary. | 0:24:11 | 0:24:14 | |
They're entirely artificial. | 0:24:14 | 0:24:16 | |
They support the ceiling a bit, | 0:24:16 | 0:24:18 | |
but the ceiling doesn't actually need this massive bracket. | 0:24:18 | 0:24:22 | |
It's there for effect. | 0:24:22 | 0:24:24 | |
We have this large central square area, which is indented or coffered, | 0:24:24 | 0:24:31 | |
which is contained all the way around it by another six coffers. | 0:24:31 | 0:24:38 | |
William Kent painted the ceiling | 0:24:38 | 0:24:39 | |
with a figure emblematic of architecture. | 0:24:39 | 0:24:43 | |
And around and about there are a curious series of little gold dots, | 0:24:43 | 0:24:48 | |
which are supposed to represent mosaic. | 0:24:48 | 0:24:51 | |
Now, here is a real piece of mosaic. | 0:24:51 | 0:24:56 | |
Do you see that? | 0:24:56 | 0:24:57 | |
This was designed to be applied to a ceiling. | 0:24:57 | 0:25:01 | |
And within it we've got all these tiny pieces | 0:25:01 | 0:25:04 | |
of coloured glass, which have | 0:25:04 | 0:25:06 | |
been inset into a smooth surface, | 0:25:06 | 0:25:09 | |
so that when they were displayed up above in the ceiling, you get that | 0:25:09 | 0:25:15 | |
glorious reflected light and extreme richness, | 0:25:15 | 0:25:18 | |
which is exactly what you would have found in a Roman villa. | 0:25:18 | 0:25:23 | |
And that's why William Kent has painted it in imitation of mosaic. | 0:25:23 | 0:25:30 | |
Of course the big question is today, are our teams going to be feeling blue over at the auction? | 0:25:30 | 0:25:37 | |
40 now... 45. | 0:25:43 | 0:25:44 | |
Well, it's extremely nice to be at Bellmans Auctioneers at | 0:25:50 | 0:25:55 | |
Wisborough Green, West Sussex, just down the road from Ardingly | 0:25:55 | 0:25:58 | |
with our man of the moment, Jonathan Pratt. | 0:25:58 | 0:26:00 | |
-Thank you, Tim. -Very nice to see you again. -What an intro. | 0:26:00 | 0:26:03 | |
It was a thrill actually. I mean, for us to be here. | 0:26:03 | 0:26:06 | |
Mandy and Chrissie went with this gingerbread mould, | 0:26:06 | 0:26:11 | |
or pastry mould, or butter mould. | 0:26:11 | 0:26:14 | |
Mould what you like it in really. | 0:26:14 | 0:26:16 | |
Mould what you like in it - that's what I think! A multi-faceted mould. | 0:26:16 | 0:26:19 | |
Do you like it though - "kitchenalia"? | 0:26:19 | 0:26:22 | |
Yeah, I do actually. And that sort of thing does quite well here. | 0:26:22 | 0:26:25 | |
There's quite a lot of people who buy into this sort of very country cottage sort of look. | 0:26:25 | 0:26:30 | |
-So yeah, I do like it. -Good. How much? | 0:26:30 | 0:26:31 | |
-£20-£30. -£25 paid by Chrissie. | 0:26:31 | 0:26:34 | |
She loved it, so I think she's about spot on. | 0:26:34 | 0:26:37 | |
Next is this little owl-ended group. | 0:26:37 | 0:26:41 | |
I really like them. I'm quite a fan of novelty silver. They're not Sampson Mordan. | 0:26:41 | 0:26:47 | |
They're by a firm called Crispin & Norris, I think it is. | 0:26:47 | 0:26:51 | |
-But they are listed. -A known maker. | 0:26:51 | 0:26:54 | |
Exquisitely done. Complete with the eyeballs and everything. | 0:26:54 | 0:26:58 | |
-It's got what it takes, hasn't it? -Absolutely. | 0:26:58 | 0:27:00 | |
So, draw yourself up to your full height and give us an estimate. | 0:27:00 | 0:27:05 | |
Well I've put £60-£80 on it. | 0:27:05 | 0:27:09 | |
That will be severely depressing to them because they paid 140. | 0:27:09 | 0:27:13 | |
To get over a hundred, I think that would be pretty ambitious. | 0:27:13 | 0:27:16 | |
-But there you go, stranger things happen. -Stranger things happen. | 0:27:16 | 0:27:19 | |
Now talking about strange things, we've got this trunk here. | 0:27:19 | 0:27:22 | |
Apparently this went across the Atlantic several times. | 0:27:22 | 0:27:25 | |
-Well, so you're led to believe really. -Yeah. Do you believe everything you read? | 0:27:25 | 0:27:29 | |
No. I mean, I really don't like these two labels. | 0:27:29 | 0:27:32 | |
-What, these two? -Yes. | 0:27:32 | 0:27:34 | |
The other one, down at the bottom is very dirty and very black. | 0:27:34 | 0:27:37 | |
-Very dirty and very black. -And these are very clean. | 0:27:37 | 0:27:41 | |
-And very brown. -And sort of tea-stained. | 0:27:41 | 0:27:43 | |
And the writing on it, crikey, it looks like it was done just before Ardingly Fair! | 0:27:43 | 0:27:49 | |
Do you think a bit of Earl Grey has been dabbed on these then? | 0:27:49 | 0:27:52 | |
I'm suspicious. I really am suspicious. | 0:27:52 | 0:27:55 | |
I have catalogued as such that I don't want to draw too much attention to those. | 0:27:55 | 0:27:59 | |
-How much? -£10-£15. | 0:27:59 | 0:28:02 | |
-£20 they paid. -We might even get that. | 0:28:02 | 0:28:05 | |
You might even get that, might you? So, it's all a bit of a dodgy pattern really. | 0:28:05 | 0:28:08 | |
It all depends on whether the wise old owls perform. | 0:28:08 | 0:28:11 | |
And if they don't, | 0:28:11 | 0:28:12 | |
they're going to need, ta-wit, ta-wooh, their bonus buy. | 0:28:12 | 0:28:15 | |
Let's go and have a look at it. | 0:28:15 | 0:28:17 | |
Now, Mandy and Chrissie, you spent a magnificent £185. | 0:28:18 | 0:28:23 | |
You gave £115 to Catherine Southon. What did she spend the cash on? | 0:28:23 | 0:28:27 | |
-Well, you know you wanted glass? -Yes. | 0:28:27 | 0:28:30 | |
Well I bought you...this. | 0:28:30 | 0:28:33 | |
-Silver! -Silver! -Isn't that pretty? -Do you know what it is? | 0:28:33 | 0:28:38 | |
-Is this something to do with drinks? -A tea infuser? | 0:28:38 | 0:28:41 | |
Absolutely, spot on - a tea infuser. | 0:28:41 | 0:28:43 | |
That's pretty. I really like that. | 0:28:43 | 0:28:45 | |
-It's really beautiful. I know you two ladies really like silver. -Yes. | 0:28:45 | 0:28:48 | |
And I think this is really beautiful with this lovely egg form. | 0:28:48 | 0:28:51 | |
It's been pierced here with this lovely pattern. | 0:28:51 | 0:28:55 | |
What's the date on it? | 0:28:55 | 0:28:57 | |
It is actually hallmarked 1895. | 0:28:57 | 0:28:59 | |
-Goodness! -So late Victorian. | 0:28:59 | 0:29:02 | |
But nice that it has got this lovely bar rather than the chain. | 0:29:02 | 0:29:06 | |
And how much did you pay for it? | 0:29:06 | 0:29:08 | |
I paid £85. | 0:29:08 | 0:29:10 | |
-But these things are becoming more and more difficult to find at auction. -Lovely choice. Thank you. | 0:29:10 | 0:29:16 | |
Sorry it's not glass. | 0:29:16 | 0:29:17 | |
-But I just could not find that piece of glass for you. -No, I like that. -We like that. | 0:29:17 | 0:29:21 | |
-So Catherine, a success there, I think. -I hope so. -Let's hope it does well in the auction. | 0:29:21 | 0:29:27 | |
And for the viewers at home, let's find out what the auctioneer thinks about Catherine's little brewer. | 0:29:27 | 0:29:32 | |
-So Jonathan, one thing I can reassure you is that this is not medical! -Yes! | 0:29:32 | 0:29:38 | |
It's a painful shape, isn't it? | 0:29:38 | 0:29:40 | |
It is a strange shape for an infuser though. | 0:29:40 | 0:29:42 | |
I've never seen one with a solid bar handle. Usually they've got a chain, haven't they? Drizzle that in. | 0:29:42 | 0:29:47 | |
I did a bit of research. I found one or two examples. | 0:29:47 | 0:29:49 | |
Not a particularly common thing. | 0:29:49 | 0:29:52 | |
Hallmarked for Victoria 1895, Birmingham mark. You know, great. | 0:29:52 | 0:29:57 | |
-Yeah. And it's quite weighty. -It's the right side of 1900 for it. | 0:29:57 | 0:30:00 | |
-How much? -70 to 100. -Great. Catherine paid 85. | 0:30:00 | 0:30:03 | |
-Good. -Somebody might take a bit of a spin at it | 0:30:03 | 0:30:05 | |
and who knows what sort of a profit it might brew up. | 0:30:05 | 0:30:08 | |
So, that's it for the Reds, and now for the Blues. Sue and Julia. | 0:30:08 | 0:30:12 | |
First item Anita found, which is this little stool. | 0:30:12 | 0:30:16 | |
Looks like shed work to me. | 0:30:16 | 0:30:18 | |
It has an essence of the arts and crafts about it, doesn't it? | 0:30:18 | 0:30:21 | |
You know, workaday furniture. | 0:30:21 | 0:30:23 | |
-Yeah. -Very simply constructed. -By a bloke in a shed in 1900. | 0:30:23 | 0:30:28 | |
-Yeah. -Pretending he was Voysey. | 0:30:28 | 0:30:30 | |
You see these things often | 0:30:30 | 0:30:31 | |
with a little heart-shaped pattern in the back, like the Voysey would have. | 0:30:31 | 0:30:35 | |
-What's the little joker worth, then? -£15 to £20. | 0:30:35 | 0:30:38 | |
Anita paid £25. | 0:30:38 | 0:30:40 | |
Good. Now, the sifter spoon. | 0:30:40 | 0:30:43 | |
Has to be one of the dullest things. | 0:30:43 | 0:30:45 | |
-Yes. It's a bit weak isn't it? Kind of small... -Yes. | 0:30:45 | 0:30:47 | |
Apostle finial. | 0:30:47 | 0:30:49 | |
If it were a big sort of... Even just a fiddle pattern proper thing, pierced nicely... | 0:30:49 | 0:30:54 | |
-Yes. -Much stronger. -And who sifts sugar any more? | 0:30:54 | 0:30:58 | |
-I don't. I shake it out the packet. It's easier. -How much then? | 0:30:58 | 0:31:00 | |
-That little fellow there £10 to £15, I'm afraid. -OK, £10 paid. They paid the right price for it. | 0:31:00 | 0:31:05 | |
-Absolutely. -And they will make a small profit. -Sure. -No doubt. | 0:31:05 | 0:31:08 | |
The last of their three items is this spectacular two-division scent bottle. | 0:31:08 | 0:31:13 | |
-Yeah. -Which is, I think, just fab. | 0:31:13 | 0:31:15 | |
They always sell rather well. | 0:31:15 | 0:31:17 | |
Well, I rather like this turquoise set circlet in the top. | 0:31:17 | 0:31:21 | |
Is that something that you admire? | 0:31:21 | 0:31:23 | |
I'm a bit suspicious of that and I thought that looked like it had been applied later. | 0:31:23 | 0:31:26 | |
I didn't really... I thought that it just looked a bit out of place, I'm afraid. | 0:31:26 | 0:31:31 | |
Yes, because it is queer it's not on the other end. I hadn't noticed. | 0:31:31 | 0:31:34 | |
Yeah, you've got a gold inset patch there. | 0:31:34 | 0:31:35 | |
It makes me wonder whether it's been dropped. | 0:31:35 | 0:31:37 | |
And if you look at it, the way that... The proportions look a little bit strange. | 0:31:37 | 0:31:41 | |
I didn't quite like it for that reason. | 0:31:41 | 0:31:43 | |
That's a most interesting observation and I think it's probably absolutely correct. | 0:31:43 | 0:31:47 | |
-So full marks for that. -Thank you. -What's your estimate? | 0:31:47 | 0:31:49 | |
I still put £80 to £120 on it. | 0:31:49 | 0:31:51 | |
-£80 to £120. They paid 80. So it's about right, really. -Yeah. | 0:31:51 | 0:31:54 | |
Overall, then, they probably won't need their bonus buy, but let's go and have a look at it anyway. | 0:31:54 | 0:32:00 | |
-Now, Sue and Jules, you spent a miserable £115. -We did. | 0:32:00 | 0:32:05 | |
Can't believe that, really. | 0:32:05 | 0:32:06 | |
You gave Anita £185, who's grinning like a Cheshire cat. | 0:32:06 | 0:32:09 | |
Because I think she's got a big secret underneath here. | 0:32:09 | 0:32:12 | |
And I'm just going to whip this off, Anita, to help you. | 0:32:12 | 0:32:15 | |
Oh. | 0:32:15 | 0:32:17 | |
-Ooh. -That looks nice. | 0:32:17 | 0:32:19 | |
-It's what we call, in Scotland, a lovely wee kist. -Kist? | 0:32:19 | 0:32:22 | |
-A wee kist? -That's a new one. | 0:32:22 | 0:32:25 | |
It's a little pine box and if we lift the lid | 0:32:25 | 0:32:30 | |
we see this nice little compartment here. | 0:32:30 | 0:32:34 | |
We have a brass plaque on the front and it tells us that it belongs to | 0:32:34 | 0:32:41 | |
-D Girling in the village, and that's quite sweet. -Ooh, it is a nice box. | 0:32:41 | 0:32:46 | |
-How much did you pay for it? -I paid... Oh, how much? | 0:32:46 | 0:32:50 | |
Straight in there! | 0:32:50 | 0:32:52 | |
-I paid £30. -Oh, right, OK. | 0:32:52 | 0:32:54 | |
-Sue likes it. -I like it. | 0:32:54 | 0:32:57 | |
-You like it, Jules? Yeah, lovely. -We like it, Anita. | 0:32:57 | 0:33:00 | |
-You like it? Good, good. -Anyway, hold that thought. | 0:33:00 | 0:33:03 | |
You get your opportunity to choose it or not after the sale of your | 0:33:03 | 0:33:06 | |
first three items, but right now, let's find out what the auctioneer thinks about Anita's little box. | 0:33:06 | 0:33:12 | |
Right then, Jonathan. | 0:33:12 | 0:33:14 | |
The sweetest little pine workbox | 0:33:14 | 0:33:16 | |
you're likely to ever see in all your born days. | 0:33:16 | 0:33:18 | |
Isn't that just perfect? | 0:33:18 | 0:33:20 | |
It's rather cute, I think. | 0:33:20 | 0:33:22 | |
-Cute? -Yeah. -It's got it all. | 0:33:22 | 0:33:25 | |
Well, even... Look at this, the dovetailing on the edge. | 0:33:25 | 0:33:28 | |
-It's like this is his lifetime's work, isn't it? -Yeah. | 0:33:28 | 0:33:31 | |
He's been in his shed, he's done the necessary. | 0:33:31 | 0:33:33 | |
Another piece of shed work. No, I like that very much. | 0:33:33 | 0:33:37 | |
The plaque refers to a local village here, which I thought was quite sweet. | 0:33:37 | 0:33:40 | |
-Yes. -Putting that in the catalogue description, that'll get picked up. | 0:33:40 | 0:33:43 | |
-Yup. -£30 to £40, I've estimated it at. | 0:33:43 | 0:33:45 | |
£30 to £40? Well, that's brilliant. | 0:33:45 | 0:33:47 | |
-Anita will cover you in kisses because she only paid £30. -I was looking forward to that! | 0:33:47 | 0:33:51 | |
I thought you were. We're looking forward to you taking the sale. Are you taking the auction? | 0:33:51 | 0:33:56 | |
-Of course. -We're in safe hands. | 0:33:56 | 0:33:57 | |
65, now. | 0:33:58 | 0:33:59 | |
85, 87. | 0:34:03 | 0:34:05 | |
Anybody feeling nervous? | 0:34:06 | 0:34:08 | |
-Me. -Why? -I don't know. | 0:34:08 | 0:34:10 | |
-We'll be fine. -We'll be fine. | 0:34:10 | 0:34:12 | |
We'll be absolutely fine. | 0:34:12 | 0:34:13 | |
-You all right, Mandy? -I'm fine. -Are you? | 0:34:13 | 0:34:15 | |
-Yes. -Are you nervous because you think something's not going to go particularly well? -Oh, no. | 0:34:15 | 0:34:20 | |
-They're all going to be wonderful. They're going to make massive profits. -Massive profits? -Yes. | 0:34:20 | 0:34:24 | |
So you're not that nervous, then, are you? Quite confident. | 0:34:24 | 0:34:26 | |
First up, though, is the biscuit mould, and here it comes. | 0:34:26 | 0:34:31 | |
A butter or biscuit mould, carved with fish and a shell. | 0:34:31 | 0:34:36 | |
And I can start at 25. | 0:34:36 | 0:34:39 | |
35. | 0:34:39 | 0:34:42 | |
45. | 0:34:42 | 0:34:44 | |
-£50. -Wow! | 0:34:44 | 0:34:47 | |
-Well done. -Back of the room, 60. 65. | 0:34:47 | 0:34:50 | |
£65, Kate! | 0:34:50 | 0:34:52 | |
75. | 0:34:52 | 0:34:54 | |
£70 against you. Five anywhere else? | 0:34:54 | 0:34:56 | |
With me at £70. One more might do it, sir. | 0:34:56 | 0:34:58 | |
At £70, any more? At £70. | 0:34:58 | 0:35:00 | |
He's waving. | 0:35:00 | 0:35:02 | |
I can see him. At 75. £80. | 0:35:02 | 0:35:03 | |
-Yes. Excellent. -£80, then. | 0:35:03 | 0:35:05 | |
Against you at 80, and selling, if you're all done... | 0:35:05 | 0:35:07 | |
One more might do it this time. | 0:35:07 | 0:35:09 | |
It's £80. Selling at 80. | 0:35:09 | 0:35:12 | |
-£80. That is plus £55. -I'm so pleased. That is lovely. | 0:35:12 | 0:35:16 | |
-Brilliant! -We all liked that, didn't we? -That was fab! | 0:35:16 | 0:35:19 | |
-Dear, oh dear, oh dear. -Well done, ladies. | 0:35:19 | 0:35:21 | |
-I've gone all tearful. -Now, the shoehorn. | 0:35:21 | 0:35:24 | |
A silver shoehorn and boot hook, with owl figural handles, | 0:35:24 | 0:35:29 | |
and I can start at £40, £50. | 0:35:29 | 0:35:31 | |
No, come on! | 0:35:31 | 0:35:33 | |
£50, looking for five now. Who'll bid me five? £50. | 0:35:33 | 0:35:36 | |
Straight in at 50. 55, 60. | 0:35:36 | 0:35:39 | |
65, 70. 75, 80. | 0:35:39 | 0:35:42 | |
Come on. Come on, Jonathan. Keep going, keep going. | 0:35:42 | 0:35:44 | |
85 takes it now. Do I see 90? | 0:35:44 | 0:35:46 | |
-Yes. -90 standing. -Come on. | 0:35:46 | 0:35:49 | |
95. 100. 110. | 0:35:49 | 0:35:51 | |
They are good. | 0:35:51 | 0:35:53 | |
110. Do I see 20? | 0:35:53 | 0:35:55 | |
£110, then. It's selling. | 0:35:55 | 0:35:57 | |
Going at £110, all done. £110. | 0:35:57 | 0:36:01 | |
£110. | 0:36:01 | 0:36:03 | |
Better than we thought, wasn't it? | 0:36:03 | 0:36:05 | |
Minus 30, which means you are plus £25. | 0:36:05 | 0:36:09 | |
Now, the cabin trunk. | 0:36:09 | 0:36:11 | |
20th century travel trunk | 0:36:11 | 0:36:14 | |
with canvas-covered panels and you've got some labels on there. | 0:36:14 | 0:36:18 | |
Three bids I have. | 0:36:18 | 0:36:19 | |
Bad? | 0:36:19 | 0:36:21 | |
15, 20...35. | 0:36:21 | 0:36:25 | |
-At £35. -That's fine. | 0:36:25 | 0:36:28 | |
40, anyone? £35, 40 standing. 45. | 0:36:28 | 0:36:32 | |
Do they know the lid comes off? It's broken. | 0:36:32 | 0:36:35 | |
£50 to the gentleman, then. Standing at £50. Five anywhere else? | 0:36:35 | 0:36:38 | |
It's going to go at £50. It's going to take it away at £50. All done. | 0:36:38 | 0:36:41 | |
-Plus £30 on that. -Brilliant. -Well done. | 0:36:41 | 0:36:45 | |
Which means overall you're up £55. | 0:36:45 | 0:36:49 | |
-Wowee! -Plus £55. Now, what are you going to do about the tea infuser? | 0:36:49 | 0:36:53 | |
-We'll go for it. -Do you think? Are you sure? -Yep. | 0:36:53 | 0:36:56 | |
Because you've made a profit. | 0:36:56 | 0:36:57 | |
-We've made a profit. -Oh, I'm not saying anything. | 0:36:57 | 0:37:00 | |
Do you want to put it in the bank? | 0:37:00 | 0:37:02 | |
-What shall we do? -£85, it has to make. | 0:37:02 | 0:37:05 | |
Yes. That's right. Ooh, I don't know! | 0:37:05 | 0:37:08 | |
-£85 it has to make. -Let's stick with what we've got. -All right then, yes. -OK. | 0:37:08 | 0:37:12 | |
So we were going to go with it and now we're not, is that right? | 0:37:12 | 0:37:15 | |
Yes, that's right. Yes. Sorry, Tim. | 0:37:15 | 0:37:17 | |
-We're not doing it.? -No. -No, we're not going with the bonus buy. | 0:37:17 | 0:37:20 | |
Right. I think the die is cast. | 0:37:20 | 0:37:22 | |
We're not going with the bonus buy. And here it comes. | 0:37:22 | 0:37:24 | |
A Victorian silver tea infuser, of pierced egg form. | 0:37:24 | 0:37:28 | |
Birmingham, 1895. | 0:37:28 | 0:37:30 | |
A nice little lot, this. | 0:37:30 | 0:37:32 | |
And interest once again. | 0:37:32 | 0:37:34 | |
45. 55. With me at £55. | 0:37:34 | 0:37:37 | |
Who'll bid me 60 now. It is £55. | 0:37:37 | 0:37:39 | |
Who'll bid me 60? | 0:37:39 | 0:37:42 | |
At £55? Any more than £55? 60, 65? | 0:37:42 | 0:37:45 | |
70, 75. | 0:37:45 | 0:37:47 | |
£75 against you, then, at £75. | 0:37:47 | 0:37:49 | |
It's going at £75. | 0:37:49 | 0:37:52 | |
-Good call, girls. -Oh, brilliant! | 0:37:52 | 0:37:56 | |
Don't you love this programme? | 0:37:56 | 0:37:57 | |
I'm so glad that you didn't go with it. | 0:37:57 | 0:37:59 | |
-Are you glad that you didn't go with it? -Very glad. -Thank you. | 0:37:59 | 0:38:02 | |
I'm glad you didn't go with it. Even though you loved it. | 0:38:02 | 0:38:05 | |
It would have been minus £10. | 0:38:05 | 0:38:06 | |
As it is, you ring-fenced £55, which is what you're up. | 0:38:06 | 0:38:12 | |
But don't tell me the Blues a thing, all right? | 0:38:12 | 0:38:14 | |
-No, we won't, no. -Don't say a thing to them. | 0:38:14 | 0:38:16 | |
We won't breathe a word. | 0:38:16 | 0:38:18 | |
-Not a word, you girls. -That was like running a marathon! | 0:38:18 | 0:38:21 | |
Are you feeling nervous at all, you girls? | 0:38:26 | 0:38:28 | |
-No. -Yes. | 0:38:28 | 0:38:30 | |
Why are you nervous? | 0:38:30 | 0:38:31 | |
-We're nervous. -Very nervous. -Why? | 0:38:31 | 0:38:33 | |
I want to make a profit. | 0:38:33 | 0:38:35 | |
You really want to win, don't you? | 0:38:35 | 0:38:37 | |
-We do. We do. -Anyway, your first lot coming up is the arts and crafts stool. Here it comes. | 0:38:37 | 0:38:41 | |
Oak three-legged stool. | 0:38:41 | 0:38:44 | |
With the embossed seat. | 0:38:44 | 0:38:46 | |
Nicely embossed with a galleon. And £15 I'm bid. With me at £15. | 0:38:46 | 0:38:50 | |
-Oh, oh, come on. -Starting at £15. | 0:38:50 | 0:38:51 | |
£15. I'll take 20. At £15... | 0:38:51 | 0:38:54 | |
-20! -20, 25? | 0:38:54 | 0:38:56 | |
30, 35. | 0:38:56 | 0:38:58 | |
£35 against you. At £35. | 0:38:58 | 0:39:01 | |
Looking for 40, now. At £35. Are we all done at £35? | 0:39:01 | 0:39:03 | |
I'll sell it, then, at 35. All done. | 0:39:03 | 0:39:05 | |
It's going. Last chance. £35. | 0:39:05 | 0:39:09 | |
-Yes! -Excellent! -It's what we like. -Good start, girls. | 0:39:09 | 0:39:12 | |
Good start, isn't it? £10 up. | 0:39:12 | 0:39:14 | |
Now your sifter. | 0:39:14 | 0:39:16 | |
Silver sifting spoon with an apostle finial. I'm bid £10. | 0:39:16 | 0:39:21 | |
Oh, good start. | 0:39:21 | 0:39:22 | |
12. 15. £18 in the front row. | 0:39:22 | 0:39:25 | |
At £18. Looking for 20, now. | 0:39:25 | 0:39:27 | |
£18 here. Do I see 20? 20. | 0:39:27 | 0:39:30 | |
Sealing it now at £20. Two anywhere else? | 0:39:30 | 0:39:33 | |
Going slowly now. It's £20. | 0:39:33 | 0:39:35 | |
Do I see two? £20 on the right. I'll sell it to you, sir, for £20. | 0:39:35 | 0:39:39 | |
Are we all done? | 0:39:39 | 0:39:40 | |
-At £20 and going, all done at £20. -Yes! | 0:39:40 | 0:39:44 | |
Plus £10 on that. Lovely. | 0:39:44 | 0:39:46 | |
Now, your scent bottle. | 0:39:46 | 0:39:47 | |
Victorian clear glass and silver-mounted | 0:39:47 | 0:39:50 | |
double-ended scent bottle. | 0:39:50 | 0:39:51 | |
Someone start me at £40, please. | 0:39:51 | 0:39:53 | |
Start me at 40. It's a bid, thank you, at 40. | 0:39:53 | 0:39:55 | |
Straight in at 40. 45. 50. £50 it is, front row at 50. | 0:39:55 | 0:39:59 | |
Do I see five? 55. 60. | 0:39:59 | 0:40:03 | |
-Yes, come on. -65. | 0:40:03 | 0:40:06 | |
£65. Takes it now at £65. | 0:40:06 | 0:40:08 | |
Do I see 70? At 65, gentleman's bid, then, at 65, and selling. Well done. | 0:40:08 | 0:40:13 | |
£65. | 0:40:13 | 0:40:16 | |
-Oh, no! -That is minus £15. | 0:40:16 | 0:40:18 | |
Which means, overall, you are plus £5. | 0:40:18 | 0:40:20 | |
So, what are you going to do about the bonus buy? | 0:40:20 | 0:40:23 | |
-Yep, we're going to go with it. -We're going to go with it. | 0:40:23 | 0:40:25 | |
-You're going to go with that box? -Yes. -Yeah? -Yes. -Sure? -Yes. | 0:40:25 | 0:40:29 | |
They're determined. We're going with the pine box. | 0:40:29 | 0:40:31 | |
We trust Anita. | 0:40:31 | 0:40:34 | |
We're going with the bonus buy, and here comes the pine box. | 0:40:34 | 0:40:37 | |
Small pine box, circa 1921. This one from Ewhurst near Guildford. | 0:40:37 | 0:40:42 | |
And three bids once again. | 0:40:42 | 0:40:45 | |
I have interest to start me at 35. | 0:40:45 | 0:40:48 | |
-Two bids of 35. -Yes, yes, yes! | 0:40:48 | 0:40:50 | |
£55 on the book. At £55 straight in. Looking for 60, now. It's £55. | 0:40:50 | 0:40:54 | |
60 by the pillar. 65. | 0:40:54 | 0:40:57 | |
70, sir, thank you. | 0:40:57 | 0:40:59 | |
She's my girl. | 0:40:59 | 0:41:00 | |
£70. Five anywhere else? I'll sell it for 70. It's going. | 0:41:00 | 0:41:03 | |
It's your last chance, sir. At £70. | 0:41:03 | 0:41:05 | |
-£70. -Yes! -Yes! | 0:41:05 | 0:41:07 | |
So that is plus £40 on that, no trouble at all. | 0:41:07 | 0:41:10 | |
-Which means, overall, you are plus £45. -Brilliant. | 0:41:10 | 0:41:13 | |
Plus £45 is a very good score. Is that not good? | 0:41:13 | 0:41:16 | |
-That's really good. -Yes. -Delighted. | 0:41:16 | 0:41:18 | |
Well done. Don't say anything to the Reds, right? | 0:41:18 | 0:41:20 | |
This could be a winning score and we will reveal all in a moment. | 0:41:20 | 0:41:24 | |
Ooh, I do love it when we get two teams of winners. | 0:41:29 | 0:41:32 | |
Just a question of scale, isn't it? | 0:41:32 | 0:41:34 | |
-Have you been chatting to one another at all? -No! -No! | 0:41:34 | 0:41:37 | |
Well, both teams know that they're in the money, right? | 0:41:37 | 0:41:40 | |
But the team that is running up today...the Blues. | 0:41:40 | 0:41:46 | |
-Yes! -Oh! | 0:41:46 | 0:41:47 | |
Which is bad luck, isn't it? Because you made some lovely profits. | 0:41:47 | 0:41:51 | |
-Particularly Anita's bonus buy. -Yes. | 0:41:51 | 0:41:54 | |
Anyway, you are up £45. | 0:41:54 | 0:41:56 | |
Here is your £45. What are you going to spend it on? | 0:41:56 | 0:41:59 | |
We're going to give it to the Anthony Nolan Trust, because my husband's just | 0:41:59 | 0:42:03 | |
had a bone marrow transplant and they found his donor for him, and they're very good charity. | 0:42:03 | 0:42:09 | |
So we're going to donate it to them. | 0:42:09 | 0:42:11 | |
And we're delighted to give them a little plug. So that's very generous of you. | 0:42:11 | 0:42:14 | |
Lovely to be taking home some money to be able to make the donation, so congratulations on that. | 0:42:14 | 0:42:19 | |
Now, girls. £55. | 0:42:19 | 0:42:22 | |
So just a £10 note between you. | 0:42:22 | 0:42:25 | |
There's your £55. | 0:42:25 | 0:42:27 | |
-Thank you very much. -Chrissie, your gingerbread mould making £55 of profit was a real result. | 0:42:27 | 0:42:32 | |
-It was fantastic. -What are you going to spend the money on? | 0:42:32 | 0:42:36 | |
We're going to give it to the Born Free Foundation, the charity that | 0:42:36 | 0:42:39 | |
-I work for and Chrissie used to work for. -Well, isn't that lovely? For the lions? -Yes. | 0:42:39 | 0:42:43 | |
Well, there we go. A thoroughly charitable pair of teams we've had today, which is lovely. | 0:42:43 | 0:42:49 | |
Join us soon for some more bargain hunting, yes? | 0:42:49 | 0:42:51 | |
ALL: Yes! | 0:42:51 | 0:42:52 | |
Subtitles by Red Bee Media Ltd | 0:43:05 | 0:43:08 | |
E-mail [email protected] | 0:43:08 | 0:43:12 |