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Hello and welcome to Bargain Hunt. | 0:00:02 | 0:00:03 | |
This is the show where two teams have 300 smackers and one hour to find | 0:00:03 | 0:00:09 | |
those items which they later hope will make a profit at auction. | 0:00:09 | 0:00:13 | |
So, let's wish both teams, very, very good luck | 0:00:13 | 0:00:17 | |
and let's go bargain... | 0:00:17 | 0:00:19 | |
Oi, you, this is my job, let's go bargain hunting. | 0:00:19 | 0:00:24 | |
What a cheek. | 0:00:24 | 0:00:26 | |
We've got bargains galore for you today here | 0:00:49 | 0:00:52 | |
at the Royal Highland Centre in Edinburgh. | 0:00:52 | 0:00:55 | |
Look at what treats we've got coming up for you. | 0:00:55 | 0:00:59 | |
-Shall we just go? -We'll just go. | 0:00:59 | 0:01:02 | |
Paul keeps a close eye on mother and daughter, Ruth and Laura. | 0:01:02 | 0:01:05 | |
I just like what it says. | 0:01:05 | 0:01:07 | |
-No. -You're like, that's so wrong. -I don't want to touch it. He's like... | 0:01:08 | 0:01:13 | |
Look, it's all in the eye of the beholder. | 0:01:13 | 0:01:16 | |
And behold, the auction reveals all. | 0:01:16 | 0:01:20 | |
Kate had a job persuading father and son, Paul and Chris, to part with their cash. | 0:01:21 | 0:01:26 | |
He said £60 to me, which I think is... | 0:01:26 | 0:01:30 | |
-A lot. -I don't think that's too bad. | 0:01:30 | 0:01:32 | |
-Really? -No. | 0:01:32 | 0:01:35 | |
Let's hope they see a profit at auction. | 0:01:35 | 0:01:37 | |
There's so much to fit in today's show, so we'd better crack on | 0:01:40 | 0:01:45 | |
and meet today's eager beaver bargain hunters. | 0:01:45 | 0:01:50 | |
Now you two look like a formidable pair. | 0:01:50 | 0:01:53 | |
-Yes, we are, Tim. -We are, yes. | 0:01:53 | 0:01:55 | |
-Do you have high hopes of winning today? -Absolutely. | 0:01:55 | 0:01:58 | |
We're going to thrash the opposition. | 0:01:58 | 0:02:00 | |
-I don't know about that. -The boys are looking scared. | 0:02:00 | 0:02:03 | |
Is this because you're so similar? I mean, how does it work? | 0:02:03 | 0:02:08 | |
Basically, I say I'm the accelerator and Mum's the brake, | 0:02:08 | 0:02:12 | |
when it comes to buying and selling with antiques. | 0:02:12 | 0:02:14 | |
Ruth, you've a few unusual interests. | 0:02:14 | 0:02:17 | |
-Yes, I love spaghetti westerns, Clint Eastwood style. -Do you? | 0:02:17 | 0:02:23 | |
It's the clothes they wear. | 0:02:23 | 0:02:25 | |
-The tight jeans? -Yes, the tight jeans and the leather chaps. | 0:02:25 | 0:02:28 | |
-And the hat. -Do you ride at all? | 0:02:28 | 0:02:31 | |
I do ride a horse, occasionally. | 0:02:31 | 0:02:33 | |
I don't have one, but maybe one day. | 0:02:33 | 0:02:35 | |
Suffer from saddle sores? | 0:02:35 | 0:02:37 | |
Um, not yet, no. | 0:02:37 | 0:02:39 | |
Ever shot a rattlesnake? | 0:02:39 | 0:02:40 | |
-No. -Ah, you're really into this western stuff, aren't you? | 0:02:40 | 0:02:44 | |
-I'm a rookie. -You have a strong creative streak, don't you? | 0:02:44 | 0:02:48 | |
Yes, I've always loved art and drawing since I was a little girl. | 0:02:48 | 0:02:54 | |
I went to Glasgow School of Art. | 0:02:54 | 0:02:56 | |
Did my BA Honours in textile design and screen printing. | 0:02:56 | 0:03:01 | |
She's being very modest here. | 0:03:01 | 0:03:02 | |
You don't get into that place with just a bag of sweets, do you? | 0:03:02 | 0:03:06 | |
-You must have been good. -It was very hard work. -You must be very proud. -I am. | 0:03:06 | 0:03:10 | |
But how are you going to get on at Bargain Hunt? | 0:03:10 | 0:03:12 | |
That's what we want to know. Now to the boys, father and son duo. | 0:03:12 | 0:03:15 | |
How do you think you'll get on in Bargain Hunt today? | 0:03:15 | 0:03:19 | |
I think we'll do really well. | 0:03:19 | 0:03:21 | |
It's a battle of the sexes today, and the males will prevail. | 0:03:21 | 0:03:24 | |
That's fighting talk, Paul. | 0:03:24 | 0:03:26 | |
I wouldn't have expected you to come up with anything but that. | 0:03:26 | 0:03:31 | |
For a person who otherwise goes around as an impersonator, | 0:03:31 | 0:03:34 | |
I think it's a disgraceful process. | 0:03:34 | 0:03:37 | |
Anyway. Chris, you're really into sport, aren't you? | 0:03:37 | 0:03:40 | |
Yes. I used to play football, five-a-side and things. | 0:03:40 | 0:03:43 | |
I play golf with my dad. | 0:03:43 | 0:03:46 | |
I go to watch Hearts, the local team, every weekend when I can | 0:03:46 | 0:03:51 | |
when they're at home. I go to the pub before or after. | 0:03:51 | 0:03:53 | |
-That's called training, is it? -Weightlifting. | 0:03:53 | 0:03:57 | |
-Particularly for the right arm. -I'm going to the gym as well. | 0:03:57 | 0:04:01 | |
Paul, you've had one or two brushes with royalty I'm told? | 0:04:01 | 0:04:06 | |
One brush with royalty which I remember vividly. | 0:04:06 | 0:04:10 | |
I was 13 or 14. | 0:04:10 | 0:04:12 | |
I was selling programmes before our rugby international at Murrayfield, | 0:04:12 | 0:04:16 | |
when this large black limousine came down the lane and ran over my foot. | 0:04:16 | 0:04:22 | |
-Did it? -Absolutely. It was extremely painful. | 0:04:22 | 0:04:24 | |
I've two memories of the incident. One was the pain and the second | 0:04:24 | 0:04:28 | |
was of the waving gloved hand and forearm | 0:04:28 | 0:04:30 | |
out from the window as the limousine passed by. | 0:04:30 | 0:04:33 | |
-Who was it, actually? -It was HRH. | 0:04:33 | 0:04:36 | |
-Was it? So the Queen ran over your foot. -Absolutely. | 0:04:36 | 0:04:39 | |
Now the money moment. | 0:04:39 | 0:04:41 | |
Here is your £300 apiece. | 0:04:41 | 0:04:43 | |
300 smackeroos, you girls. | 0:04:43 | 0:04:45 | |
You know the rules. Your experts await. | 0:04:45 | 0:04:48 | |
Off you go and very, very, very good luck | 0:04:48 | 0:04:50 | |
and may the best bargain hunters win. | 0:04:50 | 0:04:54 | |
As ever there's help on hand from our experts. | 0:04:54 | 0:04:56 | |
For the Reds, picturesque Paul Laidlaw | 0:04:56 | 0:04:59 | |
and for the Blues, enigmatic Kate Bliss. | 0:04:59 | 0:05:02 | |
So, how do you think that two teams, | 0:05:04 | 0:05:07 | |
each with £300 and 60 minutes are going to cope? Let's find out. | 0:05:07 | 0:05:11 | |
And they're off. | 0:05:14 | 0:05:15 | |
Has Paul spotted a wise old buy already? | 0:05:17 | 0:05:20 | |
A Goebel owl, 1978. | 0:05:20 | 0:05:22 | |
I've not seen Goebel working in this medium before. | 0:05:22 | 0:05:25 | |
You think of the figures, don't you? | 0:05:25 | 0:05:27 | |
-I collect owls. -No, you don't, do you? | 0:05:27 | 0:05:30 | |
I do, I love owls. | 0:05:30 | 0:05:32 | |
That was so strange that was the first thing you picked up. | 0:05:32 | 0:05:35 | |
It's an omen. | 0:05:35 | 0:05:36 | |
And it's a glass owl, it's beautiful. | 0:05:36 | 0:05:39 | |
-It's marked. -You've got to say, it's Lalique-like. | 0:05:39 | 0:05:45 | |
We know it's an aesthetic that works, this frosted glass. | 0:05:45 | 0:05:47 | |
It's not badly executed and it does what it says on the tin, there. | 0:05:47 | 0:05:53 | |
I mean, there's no tremendous age to it. | 0:05:53 | 0:05:56 | |
-Copy written in 1978. -He's lovely. | 0:05:56 | 0:05:59 | |
He's in lovely condition. There's not a thing wrong with him. | 0:05:59 | 0:06:02 | |
-Do you want to go for it? -We need to get it down. | 0:06:02 | 0:06:06 | |
He's on the money at the moment. | 0:06:06 | 0:06:09 | |
Hi there, how are you doing, are you all right? | 0:06:09 | 0:06:11 | |
Over to you, girls. | 0:06:11 | 0:06:13 | |
Your little owl, we're just wondering what would be your best price on him? | 0:06:13 | 0:06:19 | |
-What price do we have on him? -£25? | 0:06:19 | 0:06:24 | |
-£20? -Could you do £18? | 0:06:24 | 0:06:25 | |
-Yes. -OK, thank you very much. | 0:06:25 | 0:06:29 | |
-Have you done a deal? -We have. -Not beating about the bush, are you? | 0:06:29 | 0:06:34 | |
-We've done a deal. -The price is? -£18. -Fair enough. | 0:06:34 | 0:06:38 | |
You can't go wrong with that. | 0:06:38 | 0:06:40 | |
-I'm happy with that. -You've got 59½ minutes left. | 0:06:40 | 0:06:44 | |
-That's brilliant. -And £282. Well, we'd better go. | 0:06:45 | 0:06:49 | |
A storming start for the ladies in red. | 0:06:49 | 0:06:51 | |
You'd better look lively, boys. | 0:06:51 | 0:06:54 | |
That's nice, it's in what's known as a rub-over setting. | 0:06:54 | 0:06:58 | |
Instead of the stone being held in a claw, | 0:06:58 | 0:07:00 | |
there's a band of metal which slightly overlaps the stone to hold it in place. | 0:07:00 | 0:07:06 | |
I quite like the pendant. | 0:07:06 | 0:07:08 | |
Coloured stones are very often priced | 0:07:08 | 0:07:11 | |
in how much colour saturation is in the stone. | 0:07:11 | 0:07:14 | |
Aquamarine gets its name from water. | 0:07:14 | 0:07:17 | |
This is typical, that very marine blue, if you like. | 0:07:17 | 0:07:22 | |
What sort of age do you think this dates from? | 0:07:22 | 0:07:25 | |
It's Edwardian period. | 0:07:25 | 0:07:28 | |
Very early 20th century. | 0:07:28 | 0:07:30 | |
The little gold bar here, | 0:07:30 | 0:07:32 | |
which suspends the pendant is what's known as a knife edge. | 0:07:32 | 0:07:36 | |
You can see it's very, very thin if you look at it straight on. | 0:07:36 | 0:07:40 | |
But, of course, it has to be strong enough to support the stone at the bottom. | 0:07:40 | 0:07:45 | |
So if you look at it sideways on, it's quite thick, | 0:07:45 | 0:07:48 | |
just like a knife edge. | 0:07:48 | 0:07:49 | |
But it's typical of that early 20th-century period. | 0:07:49 | 0:07:54 | |
Remind me of price again? | 0:07:54 | 0:07:55 | |
That, we could come down, I could take down...to say £90 for that one and £95 for the ring. | 0:07:55 | 0:08:03 | |
Which do you think is the more commercial? | 0:08:05 | 0:08:07 | |
Which do you think would do best? | 0:08:07 | 0:08:09 | |
That's a nicer stone, but possibly the pendent is more commercial. | 0:08:11 | 0:08:15 | |
-There's always a demand for the pendant. -What do you think? | 0:08:15 | 0:08:19 | |
I like the chain, the necklace. | 0:08:19 | 0:08:21 | |
-And that's £90? -Boys, you've good taste. | 0:08:24 | 0:08:26 | |
Could you take another £10 off? | 0:08:27 | 0:08:29 | |
That's probably getting close to what I paid, but say another £5. | 0:08:29 | 0:08:33 | |
So, £85, what do you think? | 0:08:33 | 0:08:36 | |
I think we should go for it. I really like that. | 0:08:36 | 0:08:38 | |
Great. Let's do a deal. | 0:08:38 | 0:08:40 | |
You're in touch with your feminine side, boys. | 0:08:40 | 0:08:45 | |
We're walking down the middle of the aisle - where we're going to see | 0:08:46 | 0:08:51 | |
nothing - rather than in front of the stalls. | 0:08:51 | 0:08:54 | |
With 20 minutes gone, Laidlaw's taking the lead. | 0:08:54 | 0:08:58 | |
Well, I'll tell you what I like in that cabinet | 0:08:58 | 0:09:01 | |
and it's traditional and yet I think contemporary. | 0:09:01 | 0:09:03 | |
I love the pendant with the peridot and sea pearl. | 0:09:03 | 0:09:08 | |
Can we have a look at it? | 0:09:08 | 0:09:10 | |
I'd like to have a little look at it. | 0:09:10 | 0:09:12 | |
-That's fine. -Perfect condition. -It's lovely condition. | 0:09:12 | 0:09:15 | |
-That's beautiful. -I love the chain. | 0:09:17 | 0:09:20 | |
-It's very delicate. -I've priced that at £160 because it is so absolutely perfect, but... | 0:09:20 | 0:09:26 | |
You have a look at it, Laura, and tell me what you think. | 0:09:26 | 0:09:29 | |
-It's very, very delicate. -It's beautiful. | 0:09:29 | 0:09:31 | |
-Look at that. -What does daughter say? "I'm keen on this." | 0:09:31 | 0:09:36 | |
I thought she'd have liked that, I'm surprised. What is it? | 0:09:36 | 0:09:40 | |
I go for things I would personally wear | 0:09:40 | 0:09:43 | |
and I wouldn't personally wear that. | 0:09:43 | 0:09:45 | |
My auction estimate, folks, and this is important, | 0:09:45 | 0:09:48 | |
bearing in mind an auctioneer would be prudently cautious, is £80 to £120 on that. | 0:09:48 | 0:09:53 | |
I would definitely wear it. | 0:09:53 | 0:09:55 | |
-I have to be honest. -Well, look, put it down. | 0:09:55 | 0:10:00 | |
-Will we come back? -I think I might want to come back. | 0:10:00 | 0:10:04 | |
- That's no problem, though. - We certainly tried. | 0:10:04 | 0:10:09 | |
You did try, Paul, | 0:10:09 | 0:10:10 | |
but Laura's not easy to please. What does she like? | 0:10:10 | 0:10:14 | |
I just like what it says. | 0:10:14 | 0:10:16 | |
No. He's like, he doesn't even want it touch it. | 0:10:16 | 0:10:20 | |
He's like... | 0:10:20 | 0:10:22 | |
Look, it's all in the eye of the beholder. | 0:10:22 | 0:10:25 | |
I can see the Red Team. | 0:10:25 | 0:10:29 | |
And it's pretty traditional. We've a hollow-knopped baluster stem. | 0:10:29 | 0:10:33 | |
That's £165. | 0:10:35 | 0:10:38 | |
That's the problem. | 0:10:38 | 0:10:39 | |
That's a great price. | 0:10:39 | 0:10:42 | |
-A really great price. -Funny you should say that. There's one over there. | 0:10:42 | 0:10:46 | |
This lady has a living to make, it's a really good price. | 0:10:46 | 0:10:50 | |
Somebody would pay £200 for that. | 0:10:50 | 0:10:53 | |
-Easily. More. -You've a flare for this, girls. | 0:10:53 | 0:10:56 | |
Get ye behind me, Satan! | 0:10:56 | 0:10:59 | |
A little less laughing and a bit more buying wouldn't go amiss, bargain hunters. | 0:10:59 | 0:11:05 | |
At least I'm on the ball. | 0:11:05 | 0:11:07 | |
They say that coursing through the veins of every true Brit | 0:11:07 | 0:11:11 | |
is a fair amount of salt water. | 0:11:11 | 0:11:15 | |
Our connection with our maritime past is extensive and is often | 0:11:15 | 0:11:20 | |
reflected in collectables that you can pick up in these fairs. | 0:11:20 | 0:11:24 | |
This object is called a diorama, which is a term that's used | 0:11:24 | 0:11:30 | |
for a model that's normally frozen behind a sheet of glass, that shows an activity. | 0:11:30 | 0:11:36 | |
In this case, a splendid three-masted, | 0:11:36 | 0:11:40 | |
fully-rigged sailing vessel. | 0:11:40 | 0:11:42 | |
The vessel is named, the Poseidon. These things are very often crafted | 0:11:42 | 0:11:47 | |
by the sailor who sailed on the vessel | 0:11:47 | 0:11:50 | |
and you've even got the ocean rushing by underneath, | 0:11:50 | 0:11:54 | |
which is made of papier-mache, mashed up paper, and coloured to make it look like the real ocean. | 0:11:54 | 0:12:01 | |
Except there's a problem. | 0:12:01 | 0:12:03 | |
Just ahead of the bow, is a socking great iceberg. | 0:12:03 | 0:12:07 | |
Not made of ice, of course, but made of moulded wax. | 0:12:07 | 0:12:11 | |
How would you date this vessel? | 0:12:11 | 0:12:13 | |
Well, I think it's relatively late | 0:12:13 | 0:12:16 | |
and I'd put it at around 1870 to 1890. What's it worth? | 0:12:16 | 0:12:22 | |
If it was cleaned up a bit, I'd have thought that in a marine sale, | 0:12:22 | 0:12:26 | |
a specialist auction, the thing would be worth about £1,200. | 0:12:26 | 0:12:31 | |
What could you buy it for? | 0:12:31 | 0:12:33 | |
Well, here, on a stall, it's £220. | 0:12:33 | 0:12:37 | |
Now that's what I call a Poseidon adventure. | 0:12:37 | 0:12:40 | |
How are the crews weathering the stormy Bargain Hunt seas? | 0:12:40 | 0:12:45 | |
You know what, I think we need to go back to that necklace now. | 0:12:45 | 0:12:49 | |
Now you want the necklace?! | 0:12:49 | 0:12:51 | |
I'm coming around to it. | 0:12:51 | 0:12:53 | |
-Now she wants the necklace. -Oh, I just saw somebody buy it. | 0:12:53 | 0:12:56 | |
-You're kidding? -Yeah. | 0:12:56 | 0:12:58 | |
Yeah, I'm kidding! | 0:12:58 | 0:13:00 | |
HE LAUGHS | 0:13:00 | 0:13:02 | |
With just 25 minutes to go, Laura's changed her tune. | 0:13:02 | 0:13:05 | |
Amazing how panic can focus the mind, eh? | 0:13:05 | 0:13:09 | |
-I've talked her into it. -I'm trusting Mum. | 0:13:09 | 0:13:11 | |
She knows her stuff. | 0:13:11 | 0:13:14 | |
-Exactly. -She knows her stuff and it's beautiful. | 0:13:14 | 0:13:19 | |
So, can I ask you what your best price on that would be? | 0:13:19 | 0:13:25 | |
We're going to go at £100 and that's the bargain of the day. | 0:13:25 | 0:13:31 | |
I'm going to say, I think you've got to | 0:13:31 | 0:13:34 | |
draw a line somewhere. That's the price, | 0:13:34 | 0:13:36 | |
don't go any further. If you want it, pay the lady. | 0:13:36 | 0:13:39 | |
Yes, we want it. | 0:13:39 | 0:13:41 | |
-Well done, then, we got there. -Thank you. | 0:13:41 | 0:13:45 | |
Two down and spent what? £118. | 0:13:46 | 0:13:50 | |
-Yes. -We've still got a budget. | 0:13:50 | 0:13:52 | |
But we've only got about 20 minutes. | 0:13:52 | 0:13:54 | |
OK, thank you very much. | 0:13:54 | 0:13:56 | |
Thank you very much. I really appreciate it. | 0:13:56 | 0:13:58 | |
That's a horrible looking thing, but... | 0:14:01 | 0:14:04 | |
..will it make us money? | 0:14:05 | 0:14:07 | |
Come on, Blues. We need some decisive action now. | 0:14:07 | 0:14:11 | |
What do you think? Are you sporting people? | 0:14:11 | 0:14:13 | |
-Yes, we like football and boxing. -A nice trophy. A few boxing matches. | 0:14:13 | 0:14:20 | |
Is it a trophy? | 0:14:20 | 0:14:22 | |
It could be a trophy, couldn't it? | 0:14:22 | 0:14:25 | |
But I think he's quite nicely modelled, his physique is quite good, he's all in proportion. | 0:14:25 | 0:14:31 | |
I think he's probably lightweight rather than heavyweight. | 0:14:31 | 0:14:34 | |
I could knock him over, anyway! | 0:14:36 | 0:14:39 | |
What would that base be made of, Kate, is it Bakelite? | 0:14:39 | 0:14:42 | |
No, I think it's just... | 0:14:42 | 0:14:44 | |
I think it's just a wooden base, actually, that's been what's known as ebonised. | 0:14:44 | 0:14:51 | |
It's made to look like ebony but it's just got a black coating on it. | 0:14:51 | 0:14:56 | |
-We have got a mark just down there, do you see that? -Yes. | 0:14:56 | 0:14:59 | |
Oh, yes, it is WMF. | 0:14:59 | 0:15:03 | |
-Have you heard of WMF? -It's a German factory, isn't it? | 0:15:03 | 0:15:07 | |
Exactly right, Paul, yes. Known for making all sorts of things, | 0:15:07 | 0:15:10 | |
useful items, utilitarian items like tea services and decorative items. | 0:15:10 | 0:15:16 | |
But I have to say, I wouldn't associate a sporting trophy | 0:15:16 | 0:15:19 | |
with the factory, so this is something a little bit different. | 0:15:19 | 0:15:22 | |
I like it, yeah. | 0:15:22 | 0:15:24 | |
How much are they looking for, for it? | 0:15:24 | 0:15:26 | |
-He said £60 to me, which I think is... -A lot. | 0:15:26 | 0:15:32 | |
I'm sure we could use some Edinburgh charm. | 0:15:32 | 0:15:36 | |
We'll try and haggle it down. | 0:15:36 | 0:15:38 | |
What do you think we could get at auction? | 0:15:38 | 0:15:40 | |
Well, I don't think that's too bad? | 0:15:40 | 0:15:43 | |
-Really? -I think it's quite nicely modelled. | 0:15:43 | 0:15:46 | |
-OK. -Yes, it is. | 0:15:46 | 0:15:47 | |
Do you want to have a word and see what you can do? | 0:15:47 | 0:15:50 | |
Let's see what he can do. | 0:15:50 | 0:15:52 | |
What's the really best you can do on that? | 0:15:52 | 0:15:55 | |
I can do it for £55. | 0:15:55 | 0:15:58 | |
What about a nice round 50? | 0:15:58 | 0:16:01 | |
I like that, for £50. I think that stands a chance. | 0:16:01 | 0:16:06 | |
-What do you think, Chris? -Yeah, I think we should. | 0:16:06 | 0:16:08 | |
Done. Thank you very much, £50. | 0:16:08 | 0:16:10 | |
-Great. Number two. -Second item. | 0:16:10 | 0:16:13 | |
Onwards and upwards. | 0:16:13 | 0:16:15 | |
I think he stands a fighting chance! | 0:16:15 | 0:16:18 | |
Oh, the Blues are battling back. | 0:16:18 | 0:16:21 | |
Quite a nice little chair. | 0:16:21 | 0:16:23 | |
Shall I take it over there? | 0:16:25 | 0:16:28 | |
Single chairs are about the last thing you should be looking at | 0:16:28 | 0:16:32 | |
in the antiques game at the moment. | 0:16:32 | 0:16:35 | |
What drew you to that? | 0:16:35 | 0:16:37 | |
Charm. It's strangely aesthetic. | 0:16:37 | 0:16:39 | |
What unusual turning there, with that square section stretcher and it's really unusual. | 0:16:41 | 0:16:48 | |
Rush seated. It's been tidied up. | 0:16:50 | 0:16:53 | |
This is from the second half of the 19th century. | 0:16:53 | 0:16:55 | |
Tiny bit of insect damage but I'm not worried about that. | 0:16:55 | 0:16:59 | |
-What kind of wood is it? -There's mahogany to it, a lot of mahogany. A bit of walnut. | 0:16:59 | 0:17:05 | |
So it's a mixture? | 0:17:05 | 0:17:07 | |
I have an instinct. I have this feeling. | 0:17:07 | 0:17:11 | |
People love that Scandinavian influence now, don't they? | 0:17:11 | 0:17:14 | |
-They love all that. -What's your best on that? | 0:17:14 | 0:17:17 | |
It was £25, you can have it for £20. | 0:17:17 | 0:17:19 | |
-That's great. -Is that sold to you? | 0:17:19 | 0:17:21 | |
-Yes, thank you. -Thank you very much. | 0:17:21 | 0:17:24 | |
-Just wrap it, yeah?! -I will do! | 0:17:24 | 0:17:26 | |
Oh, it's smiles all round for the Red Team who finish their hunt on a high. | 0:17:27 | 0:17:32 | |
But Kate's team are looking, well, a bit blue. | 0:17:32 | 0:17:34 | |
-Hi. OK, thank you. A bit under pressure. -Yes, we are. | 0:17:34 | 0:17:40 | |
Come on, cheer up, boys. | 0:17:40 | 0:17:42 | |
Five minutes! My goodness, what can you do us a good deal on, we've five minutes left? | 0:17:42 | 0:17:46 | |
Oh, panic! | 0:17:46 | 0:17:47 | |
A nice box there, can we see that? | 0:17:47 | 0:17:50 | |
That's quite nice. | 0:17:50 | 0:17:52 | |
-You like your boxes, don't you? -Yeah. | 0:17:52 | 0:17:54 | |
There's £55 on that. | 0:17:54 | 0:17:56 | |
A silver cigarette case, Birmingham, 1910. Nicely engraved. | 0:17:56 | 0:18:00 | |
-Do cigarette items sell nowadays? -What's your best? -£45. | 0:18:00 | 0:18:04 | |
-That's lovely. -How much could you do on that? | 0:18:04 | 0:18:07 | |
That'll be £60. You'd have to talk to Keith on that one. | 0:18:07 | 0:18:10 | |
That's gold plated as opposed to gold. | 0:18:10 | 0:18:15 | |
-You like that? -Very elegant. I love the bright white face. | 0:18:15 | 0:18:19 | |
The Lever is what it's known as, a Manchester maker. | 0:18:19 | 0:18:22 | |
A really good-looking thing. What did you say, £65? | 0:18:24 | 0:18:27 | |
£60, I think. | 0:18:27 | 0:18:30 | |
Can you do £50 just at a push for us? | 0:18:30 | 0:18:33 | |
I'll do £55 and cry! | 0:18:33 | 0:18:36 | |
£55 and cry. I'll lend you the handkerchief. | 0:18:36 | 0:18:38 | |
You can ring me and I'll tell you the time. | 0:18:38 | 0:18:40 | |
-I think that's a better bet than the cigarette case. -It is. | 0:18:40 | 0:18:43 | |
-Are you happy with that? -Yes, I'm happy with that. | 0:18:43 | 0:18:46 | |
-55? -Yes. | 0:18:46 | 0:18:48 | |
-We'll take it, please. -Thank you very much. | 0:18:48 | 0:18:50 | |
-Get lucky with it. -Oh, he's looked after you there. | 0:18:50 | 0:18:53 | |
-Thank you very much. -It's a pleasure. -Kate, wonderful. | 0:18:53 | 0:18:57 | |
I'm stopping the shopping. Time is up. | 0:19:00 | 0:19:03 | |
They haven't done too badly but will they need or even indeed like | 0:19:03 | 0:19:08 | |
the fourth item bought with the leftover lolly, known as the bonus buy? | 0:19:08 | 0:19:13 | |
More of that later, but let's find out what the Reds splashed their cash on. | 0:19:13 | 0:19:17 | |
Within minutes, Ruth's bird-spotting paid off | 0:19:17 | 0:19:21 | |
and the Reds bagged an owl for £18, dead. | 0:19:21 | 0:19:25 | |
Laura took some persuading, but finally, | 0:19:25 | 0:19:29 | |
gave in to the charms of an Edwardian necklace. | 0:19:29 | 0:19:32 | |
And they all agreed, £20 for this Fruitwood chair was a bargain. | 0:19:32 | 0:19:37 | |
-That good, yeah? -Amazing, really good. | 0:19:38 | 0:19:42 | |
I suppose you're feeling smug, you lot, right? Did you get the chair? | 0:19:42 | 0:19:46 | |
-We got the chair. -How much did you spend for it? | 0:19:46 | 0:19:48 | |
£20. | 0:19:48 | 0:19:50 | |
Even you're laughing with embarrassment at that, right, Laura, yes? | 0:19:50 | 0:19:54 | |
No, I'm not laughing with embarrassment. | 0:19:54 | 0:19:56 | |
-Are you laughing with joy? -Utter joy, yes. -£20. | 0:19:56 | 0:20:00 | |
I don't know. | 0:20:00 | 0:20:02 | |
Anyway, what did you spend overall? | 0:20:02 | 0:20:05 | |
£138. | 0:20:05 | 0:20:07 | |
That's 2 shy of £40. I want £162 of leftover lolly, please. | 0:20:07 | 0:20:13 | |
-You can have that. -There you go. | 0:20:13 | 0:20:16 | |
Have you had the most fab experience with Paul Laidlaw? | 0:20:16 | 0:20:19 | |
He's been amazing. | 0:20:19 | 0:20:21 | |
Keeping us on our toes. | 0:20:21 | 0:20:23 | |
Are you not endlessly impressed with where he leads you? | 0:20:23 | 0:20:25 | |
Yes. | 0:20:25 | 0:20:27 | |
You're a genius, man. There you go, another £162. | 0:20:27 | 0:20:30 | |
That's your wages. | 0:20:30 | 0:20:33 | |
What are you going to find to buy? | 0:20:33 | 0:20:34 | |
I've no idea at this juncture. | 0:20:34 | 0:20:37 | |
I've a budget and no idea. | 0:20:37 | 0:20:38 | |
These girls don't like spending much. That's for a fact. | 0:20:38 | 0:20:42 | |
We're on a shoestring budget. | 0:20:42 | 0:20:45 | |
So, you know, you just do your best, don't you? | 0:20:45 | 0:20:47 | |
All right, well have a great time, you girls, see you later. | 0:20:47 | 0:20:50 | |
For us, why don't we remind ourselves what the Blues bought? | 0:20:50 | 0:20:54 | |
The boys found a nine carat gold pendant for £85. Mmm. | 0:20:54 | 0:21:00 | |
Kate thought £50 was rather a good price for a half-naked WMF wrestler. | 0:21:00 | 0:21:06 | |
With just seconds to go, the Blues pocketed | 0:21:06 | 0:21:09 | |
a 1920s gold-plated watch and time was up. | 0:21:09 | 0:21:12 | |
-What are you doing, having a group hug? -Yes! | 0:21:14 | 0:21:17 | |
I love it when our teams get so close and personal. | 0:21:17 | 0:21:21 | |
It's all right for you, you're father and son. How has it all gone, Kate? | 0:21:21 | 0:21:24 | |
-Swimmingly. -Swimmingly? | 0:21:24 | 0:21:26 | |
It did. We got slightly panicked towards the end and then | 0:21:26 | 0:21:28 | |
found something which I think is really nice, right at the end. | 0:21:28 | 0:21:32 | |
I haven't seen that, but overall how much have you spent? | 0:21:32 | 0:21:36 | |
We've spent £180. | 0:21:36 | 0:21:38 | |
-£180? -£190. | 0:21:38 | 0:21:40 | |
You're undershaving this aren't you? £190. Please may | 0:21:40 | 0:21:45 | |
I have £110 leftover lolly, coming from the boy. | 0:21:45 | 0:21:50 | |
I won't count it because I trust you. | 0:21:50 | 0:21:52 | |
A nice Scottish tenner there. | 0:21:52 | 0:21:54 | |
-There's a bit of a task for you now, Kate. -It is, the trouble is... | 0:21:54 | 0:21:58 | |
Do you like finding the bonus buys, or do you find it a bore? | 0:21:58 | 0:22:02 | |
No, I love it. I can go in my own time. | 0:22:02 | 0:22:05 | |
The trouble is, all the nice things I've found, we've bought already! | 0:22:05 | 0:22:10 | |
-So I'd better start now. -And you're up against that cunning Laidlaw. | 0:22:11 | 0:22:15 | |
-He's very cunning. He knows how to shop around the edges. -Does he ever? | 0:22:15 | 0:22:20 | |
If you see that Paul Laidlaw, scratch his eyes out. | 0:22:20 | 0:22:24 | |
Good luck, lads. For us, we're heading off to a town | 0:22:24 | 0:22:27 | |
in Scotland where I'm going to p-p-p-pick up a Paisley. | 0:22:27 | 0:22:31 | |
Paisley, for many of us this iconic, twisted, teardrop pattern had its heyday in the Swinging Sixties, man. | 0:22:33 | 0:22:40 | |
It could be found everywhere from crockery to clothing. | 0:22:40 | 0:22:44 | |
Although the pattern is synonymous with the Scottish town of Paisley, | 0:22:44 | 0:22:49 | |
the design originates in India and the Middle East. | 0:22:49 | 0:22:54 | |
So how is it that the Scottish town has inherited this design? | 0:22:54 | 0:22:59 | |
By the late 18th century, Indian hand-made shawls like this | 0:22:59 | 0:23:04 | |
were the must-have accessory for the fashion conscious. | 0:23:04 | 0:23:07 | |
And by golly, those imported shawls weren't half expensive. | 0:23:07 | 0:23:12 | |
£200-300 apiece, which in today's money is over £10,000, | 0:23:12 | 0:23:17 | |
so it is no wonder that the entrepreneurial | 0:23:17 | 0:23:21 | |
weavers of Scotland stood up to the block, or should I say the loom. | 0:23:21 | 0:23:26 | |
By the early 1800s, local weavers had cornered the market, manufacturing shawls | 0:23:26 | 0:23:32 | |
and selling them at a tenth of the price of the luxury imports. | 0:23:32 | 0:23:36 | |
This put Paisley well and truly on the map. | 0:23:36 | 0:23:39 | |
This is unusual, isn't it? | 0:23:39 | 0:23:41 | |
A map of Paisley in 1839 inset into the linoleum | 0:23:41 | 0:23:46 | |
on the floor of the town's museum. | 0:23:46 | 0:23:50 | |
The interesting thing is that all these paint blobs | 0:23:50 | 0:23:54 | |
on the map on the floor, in 1839, represent weavers' cottages. | 0:23:54 | 0:24:00 | |
And each of those cottages would typically have a Jacquard loom in them | 0:24:00 | 0:24:05 | |
that looks like this. | 0:24:05 | 0:24:08 | |
In fact, they had to excavate the floors a bit to get the structure into the front room. | 0:24:08 | 0:24:13 | |
The joy of the Jacquard loom was it allowed a form of mass production. | 0:24:13 | 0:24:19 | |
Instead of having all that handwork, | 0:24:19 | 0:24:22 | |
effectively, a type of computer card, each of the holes determining | 0:24:22 | 0:24:28 | |
the mix of coloured threads and, of course, the design. | 0:24:28 | 0:24:32 | |
The reason for the Jacquard loom is that you could make the Paisley shawls so much less expensively. | 0:24:32 | 0:24:39 | |
One woman in Paisley who knows her weave from her weft is curator of textiles, Valerie Reilly. | 0:24:39 | 0:24:47 | |
Val, you have been looking after the Paisley shawls here at the Paisley Museum for how long? | 0:24:47 | 0:24:51 | |
-34 years. -34 years? | 0:24:51 | 0:24:55 | |
So what you don't know about Paisley shawls defies description. | 0:24:55 | 0:24:59 | |
For a kick-off, is that a genuine Paisley shawl? It belongs to me. | 0:24:59 | 0:25:04 | |
Yes, this is absolutely, definitely a genuine Paisley shawl. | 0:25:04 | 0:25:08 | |
For the audience at home, how did they determine at a glance | 0:25:08 | 0:25:14 | |
what is a Jacquard loom-made Paisley shawl? | 0:25:14 | 0:25:17 | |
You have to look at the back of the material, where you will see on the back, | 0:25:17 | 0:25:22 | |
there are all these hairy bits going in the same direction. | 0:25:22 | 0:25:25 | |
If it was an Indian shawl as opposed to a European shawl, it would look different again on the back. | 0:25:25 | 0:25:31 | |
It would have lines where the different colours met each other. | 0:25:31 | 0:25:36 | |
And how do you rate it as a shawl? | 0:25:36 | 0:25:38 | |
Medium to good quality. It's not the best but it's certainly not the worst. | 0:25:38 | 0:25:42 | |
Music to my ears. Thank you so much, Val. I'm off to the auction. | 0:25:42 | 0:25:47 | |
It's always lovely to be in Scotland but even lovelier | 0:25:53 | 0:25:56 | |
to be in Glasgow at Anita Manning's sale room. Anita, good morning. | 0:25:56 | 0:25:59 | |
Good morning. Lovely to have you here. | 0:25:59 | 0:26:01 | |
It is grand, I have to say. | 0:26:01 | 0:26:03 | |
Laura and Ruth, their first item | 0:26:03 | 0:26:05 | |
is this frosted glass Lalique-lookalike owl. | 0:26:05 | 0:26:09 | |
It's a paperweight and it's a charming owl. | 0:26:09 | 0:26:14 | |
Like every other wise old owl, I suppose it's got its price? | 0:26:14 | 0:26:17 | |
-I have estimated this at 30 to £40. -Have you really? -Yeah. | 0:26:17 | 0:26:22 | |
Next is the peridot pearl gold necklace. | 0:26:22 | 0:26:27 | |
Typical Edwardian piece of kit this. | 0:26:27 | 0:26:29 | |
I love their delicacy and their beauty and this one is in very good condition. | 0:26:29 | 0:26:35 | |
Lovely quality. How much do you think it is worth? | 0:26:35 | 0:26:38 | |
I would estimate that between 120 and 160. | 0:26:38 | 0:26:43 | |
£100 they paid. They may get away with that. | 0:26:43 | 0:26:46 | |
Perfect. | 0:26:46 | 0:26:48 | |
Their last item is this Biedermeier-y chair. | 0:26:48 | 0:26:51 | |
Is it something that appeals to you much, or not? | 0:26:51 | 0:26:55 | |
This is a country Biedermeier type of thing. | 0:26:55 | 0:26:58 | |
They paid £20. | 0:26:58 | 0:27:00 | |
I can't believe you could buy a seated chair. It is rush seated. | 0:27:00 | 0:27:05 | |
If you go and replace a rush seat like that, that will cost you | 0:27:05 | 0:27:08 | |
£60 of anybody's money, just for the seat. And it's all complete. | 0:27:08 | 0:27:13 | |
£20 I think is what they call a snip. | 0:27:13 | 0:27:16 | |
-What are you estimating on this? -20 to 30. | 0:27:16 | 0:27:18 | |
That has pricked my bubble! | 0:27:18 | 0:27:21 | |
Thank you very much(!) On that basis, they might need the bonus buy so let's go and have a look at it. | 0:27:21 | 0:27:27 | |
-Ruth and Laura, you spent £138, yes? -Yes. -Yes. | 0:27:27 | 0:27:31 | |
You gave £142 to Paul Laidlaw to go off and find you something fab. | 0:27:31 | 0:27:35 | |
What has he found? | 0:27:35 | 0:27:36 | |
Watch me scatter this all over the deck. | 0:27:36 | 0:27:40 | |
What do you think of that little charmer? | 0:27:40 | 0:27:43 | |
-Really like it. -That is lovely. | 0:27:43 | 0:27:46 | |
The medium - silver, the theme - golfing | 0:27:46 | 0:27:49 | |
and this absolutely delightful little lady's manicure set. | 0:27:49 | 0:27:55 | |
Golf club terminals, all slips into that little case there. | 0:27:55 | 0:28:01 | |
Find me another one of those. Isn't that a wee belter? | 0:28:01 | 0:28:05 | |
-But what did you pay for it? -What do you think I paid for it? | 0:28:05 | 0:28:10 | |
-In silver? -In silver. | 0:28:10 | 0:28:12 | |
Bought it in Edinburgh. | 0:28:12 | 0:28:14 | |
I would say definitely...over 100, if it's real silver. | 0:28:14 | 0:28:19 | |
-Come on, £55! -Wow! | 0:28:19 | 0:28:23 | |
-I love it. -Do you both seriously love it? -I would have that. | 0:28:23 | 0:28:27 | |
-You would pay £100 for it, wouldn't you? -I would pay 80. | 0:28:27 | 0:28:30 | |
You would pay £80 for it? Laura would pay £100. | 0:28:30 | 0:28:33 | |
He paid £55 for it. I think I am smelling a profit here. | 0:28:33 | 0:28:36 | |
The man is a genius. I've said it for years. | 0:28:36 | 0:28:38 | |
Only thing to do, for the audience at home, is to find out | 0:28:38 | 0:28:41 | |
what the auctioneeress thinks about Paul's little cuticle set. | 0:28:41 | 0:28:44 | |
Anita, how charming is that? Isn't that lovely? | 0:28:46 | 0:28:48 | |
It is just the trickiest wee item and I love it to bits. | 0:28:48 | 0:28:52 | |
It is this type of item that the market loves. | 0:28:52 | 0:28:56 | |
Something that's different, something that's a wee bit quirky. | 0:28:56 | 0:28:59 | |
There is this very cunning fellow, Laidlaw, | 0:28:59 | 0:29:02 | |
he paid £55 for this set. | 0:29:02 | 0:29:04 | |
Do you think you will turn a profit on that? | 0:29:04 | 0:29:06 | |
I have estimated 70-90. | 0:29:06 | 0:29:09 | |
It could make a ton, couldn't it? It could make a ton of money. | 0:29:09 | 0:29:12 | |
Lovely, well that is it for the Reds now, Anita. | 0:29:12 | 0:29:16 | |
Now for the jolly old Blues. | 0:29:16 | 0:29:17 | |
The Edwardian aquamarine pendant. | 0:29:17 | 0:29:20 | |
Very similar to the one here, isn't it? | 0:29:20 | 0:29:24 | |
I love aquamarines and I think they are beautiful, quite a simple wee thing, very pretty, very bonny. | 0:29:24 | 0:29:30 | |
Very bonny and what sort of bonny price will you come up with on that? | 0:29:30 | 0:29:34 | |
70-100. | 0:29:34 | 0:29:35 | |
£85 paid. | 0:29:35 | 0:29:38 | |
Now, the white metal figure of the boxer. | 0:29:38 | 0:29:41 | |
Do you think that's a trophy? | 0:29:41 | 0:29:43 | |
I think it has been a trophy at one point. There would have been | 0:29:43 | 0:29:48 | |
a little plaque or something. | 0:29:48 | 0:29:52 | |
Money wise? | 0:29:52 | 0:29:54 | |
It is only plate, isn't it? | 0:29:54 | 0:29:56 | |
It's only plate. 30-50. | 0:29:56 | 0:29:58 | |
£50 they paid, so they might be lucky to get away with that and not make a loss. | 0:29:58 | 0:30:02 | |
What about the watch - the plated, open-faced, keyless Lever watch? | 0:30:02 | 0:30:06 | |
Yeah, uh-huh. These watches are very common in the auction rooms. | 0:30:06 | 0:30:12 | |
This one is a very nice clean one and we like that. | 0:30:12 | 0:30:16 | |
It's ready to be taken by the purchaser and put into his waistcoat pocket to use immediately. | 0:30:16 | 0:30:24 | |
-What you call ready to go? -It's ready to go. -Yes, ready to go. | 0:30:24 | 0:30:27 | |
-Yeah. -So, how much? -40-60. | 0:30:27 | 0:30:30 | |
£55 paid. | 0:30:30 | 0:30:32 | |
I have to say I think £55 is quite a walloping price to pay. | 0:30:32 | 0:30:35 | |
We'll find out what it's really worth at auction in a moment. | 0:30:35 | 0:30:38 | |
But I fancy they're going to need their bonus buy, so let's go and have a look at it! | 0:30:38 | 0:30:43 | |
Now, Chris and Paul, bat and ball, father and son, | 0:30:43 | 0:30:48 | |
you spent £190. | 0:30:48 | 0:30:51 | |
£110 of leftover lolly went to Kate Bliss, | 0:30:51 | 0:30:53 | |
what did she spend her 110 on? | 0:30:53 | 0:30:56 | |
-It looks small. -It is fairly small, it's also quite feminine, actually. | 0:30:56 | 0:31:00 | |
But I know you guys have got commercial heads on, | 0:31:00 | 0:31:03 | |
so I've gone for a ring. | 0:31:03 | 0:31:05 | |
I've gone for aquamarine and diamonds, | 0:31:05 | 0:31:08 | |
and it's a good period ring too, it's not a modern ring. | 0:31:08 | 0:31:12 | |
When does it date from, do you think? | 0:31:12 | 0:31:15 | |
It's Edwardian period and you can tell that, typically, | 0:31:15 | 0:31:18 | |
by what's called a little milgrain setting around there. | 0:31:18 | 0:31:22 | |
-1910, 1915, something like that... -OK. -..in date. | 0:31:22 | 0:31:25 | |
So have a little look and see what YOU think. | 0:31:25 | 0:31:28 | |
-Would you like to try it on, Christopher? -No, thank you. | 0:31:28 | 0:31:31 | |
-It's a lovely colour. -Nice and bright, yeah. | 0:31:31 | 0:31:34 | |
And...I guess the question is, how much did you pay for it, Kate? | 0:31:34 | 0:31:39 | |
I knew you were going to ask that. | 0:31:39 | 0:31:42 | |
Well, um...I did blow the lot and spend £110. | 0:31:42 | 0:31:45 | |
Did you really? Wow! | 0:31:45 | 0:31:47 | |
Anyway, hold that thought, because for the audience at home, | 0:31:47 | 0:31:50 | |
let's find out what Anita thinks about Kate's ring. | 0:31:50 | 0:31:53 | |
-So, Anita, with this ring... -THEY LAUGH | 0:31:53 | 0:31:57 | |
So, what do you make of it? | 0:31:57 | 0:31:59 | |
Well, I'm delighted to see jewellery on the show | 0:31:59 | 0:32:02 | |
because I enjoy looking at jewellery and I enjoy buying it. | 0:32:02 | 0:32:06 | |
-And this is the sweetest little 1930s ring. -So, how much, then? | 0:32:06 | 0:32:12 | |
I've estimated at 70-100, | 0:32:12 | 0:32:15 | |
but I think it is of such charm that it could do a wee bit more than that. | 0:32:15 | 0:32:21 | |
Well, it's a bonus buy, as you know, | 0:32:21 | 0:32:23 | |
it's going to need to do more than £110 if it's going to do the team any good. | 0:32:23 | 0:32:27 | |
So that is slightly on the tight side, but not to worry | 0:32:27 | 0:32:31 | |
because we have Anita leaping to the plate any second now. | 0:32:31 | 0:32:35 | |
Thank you very much, Anita. | 0:32:35 | 0:32:37 | |
So, you two kids, are you excited? | 0:32:42 | 0:32:45 | |
Like, how excited are you, Ruth? | 0:32:45 | 0:32:47 | |
-Really excited. -Really excited. -Are you up there? | 0:32:47 | 0:32:49 | |
-Up there. -Lovely. -Can't wait. -Good. | 0:32:49 | 0:32:52 | |
Now, have you got any regrets at all, about what you bought? | 0:32:52 | 0:32:55 | |
-Um... -Anything you wished you hadn't bought? -No, nothing. | 0:32:55 | 0:32:59 | |
-Everything we're... -100% confident? -Yeah, 100%. | 0:32:59 | 0:33:02 | |
That is lovely. Anyway, first up is the wise old owl and here he comes. | 0:33:02 | 0:33:06 | |
'182 is a Goebel frosted-glass paperweight.' | 0:33:06 | 0:33:10 | |
£40. 40. | 0:33:10 | 0:33:12 | |
20? £20? 20 bid. | 0:33:13 | 0:33:16 | |
Any advance on 20? Any advance on 20? | 0:33:16 | 0:33:20 | |
30, with the lady at £30. | 0:33:20 | 0:33:23 | |
For the Goebel at 30. £30. | 0:33:23 | 0:33:26 | |
Any advance on 30? | 0:33:26 | 0:33:29 | |
40, on the phone at 40. | 0:33:29 | 0:33:32 | |
-Come on. -40, I'll take it in fives. | 0:33:32 | 0:33:36 | |
45, yes. 45. | 0:33:36 | 0:33:40 | |
-Do you want to go 50? -50. | 0:33:40 | 0:33:43 | |
On the phone at 50. I'll take it in fives. | 0:33:43 | 0:33:47 | |
-50, 55. -60? | 0:33:47 | 0:33:49 | |
60? 60 on the phone. On the phone at £60. | 0:33:49 | 0:33:56 | |
Any advance on £60? Any advance on £60? £60... | 0:33:56 | 0:34:00 | |
How good is that? That's 2 shy of 20. That is £42! 42 smackers up. | 0:34:01 | 0:34:08 | |
Perfect. | 0:34:08 | 0:34:09 | |
Now...your necklace. | 0:34:09 | 0:34:10 | |
Paid £100 for this. Look sharp. | 0:34:10 | 0:34:13 | |
Can we say 200? 200? | 0:34:13 | 0:34:17 | |
150. | 0:34:17 | 0:34:19 | |
Will you start me at 100? | 0:34:19 | 0:34:21 | |
100 bid. It's beautiful. | 0:34:21 | 0:34:25 | |
100. | 0:34:25 | 0:34:26 | |
110, 120, £120. | 0:34:26 | 0:34:31 | |
Any advance on 120? All done at 120. 120... | 0:34:31 | 0:34:35 | |
Perfect, plus £20 on that. | 0:34:36 | 0:34:39 | |
We're not crabbing it, on a roll. | 0:34:39 | 0:34:41 | |
Lot 184, start me at £20. | 0:34:41 | 0:34:44 | |
£20 for the Biedermeier chair. £20? | 0:34:44 | 0:34:48 | |
£10, then. £10, surely. | 0:34:48 | 0:34:53 | |
£10. 10 bid, 10 bid. Any advance on 10? | 0:34:53 | 0:34:57 | |
Any advance on £10? Seems very cheap at £10. | 0:34:57 | 0:35:00 | |
-No. -Any advance on £10? £10. | 0:35:00 | 0:35:05 | |
Oh! £10. Which, sadly, is minus £10. | 0:35:05 | 0:35:11 | |
You had 62, you've now got 52. | 0:35:11 | 0:35:14 | |
There's nothing the matter with 52. | 0:35:14 | 0:35:16 | |
That's a proud score. What are you doing about the manicure set, then? | 0:35:16 | 0:35:20 | |
You could park £52, walk away with pride and it might win you the show at £52. | 0:35:20 | 0:35:27 | |
Are you going to risk it and go with the old golf clubs? | 0:35:27 | 0:35:29 | |
-What do you think, Mum? -I want to go with it. -You want to go with it? | 0:35:29 | 0:35:33 | |
I'm happy to go for it. I want to go for it. | 0:35:33 | 0:35:35 | |
There's a wise head on those shoulders, isn't there? | 0:35:35 | 0:35:38 | |
-OK, fine. We're definitely going to go with it. -We're going for it. | 0:35:38 | 0:35:41 | |
We're going with the bonus buy. | 0:35:41 | 0:35:43 | |
Now, 188, can we say £100? | 0:35:43 | 0:35:48 | |
-Can we say £100? -Oh, come on. -100? | 0:35:49 | 0:35:54 | |
£80? £80 for the novelty item, wee bit different. 80? | 0:35:54 | 0:35:58 | |
50? 30 bid. Any advance on 30? Any advance on 30? | 0:35:58 | 0:36:04 | |
35, 40, | 0:36:04 | 0:36:05 | |
45, 50, | 0:36:05 | 0:36:07 | |
55? 55 with the lady. | 0:36:07 | 0:36:10 | |
60, fresh bidder. 60? £60. | 0:36:10 | 0:36:15 | |
You're in profit. | 0:36:15 | 0:36:17 | |
Any advance on £60? Any advance on £60? | 0:36:17 | 0:36:21 | |
Any advance on £60? £60... | 0:36:21 | 0:36:25 | |
Ah, £60. £60 is plus five. | 0:36:25 | 0:36:28 | |
Overall, then, you are plus 57. | 0:36:28 | 0:36:31 | |
You did the right pick. Perfect. | 0:36:31 | 0:36:33 | |
-You're happy? -Yeah, really happy. -57 smackers up. | 0:36:33 | 0:36:36 | |
-(Yes, yes!) -Don't say a thing to the Blues. | 0:36:36 | 0:36:40 | |
-No. -No, we won't. -Very, very quiet on that. Thank you. | 0:36:40 | 0:36:43 | |
Now, Chris and Paul, do you know how the Reds got on? | 0:36:49 | 0:36:52 | |
-No idea. -You haven't been talking to those women? -No. -No? | 0:36:52 | 0:36:55 | |
Right... how do you rate your chances? | 0:36:55 | 0:37:00 | |
-Fair to middling. -Fair to middling? | 0:37:00 | 0:37:02 | |
-I think we're going to do well. -You're going to do well. | 0:37:02 | 0:37:05 | |
You are feeling rather more confident, then, are you? | 0:37:05 | 0:37:08 | |
You're more confident than your dad. | 0:37:08 | 0:37:10 | |
Yes, at this point. | 0:37:10 | 0:37:11 | |
How are you feeling about it all, Kate? | 0:37:11 | 0:37:14 | |
I think we're going to duck and dive. I think it's going to be a mixture. | 0:37:14 | 0:37:17 | |
Yes, right. First up, then, is the pendant, here it comes. | 0:37:17 | 0:37:21 | |
204 is this superb pendant. | 0:37:21 | 0:37:25 | |
And I can start the bidding here at...£50. | 0:37:25 | 0:37:31 | |
50 with me. | 0:37:32 | 0:37:34 | |
-Any advance on 50 on the aquamarine pendant? 50? -Yep. | 0:37:34 | 0:37:40 | |
60, 70... | 0:37:40 | 0:37:41 | |
80? | 0:37:41 | 0:37:44 | |
80, 90... | 0:37:44 | 0:37:45 | |
-100? -100, I'm out. | 0:37:45 | 0:37:48 | |
Looking good. | 0:37:48 | 0:37:50 | |
With Lala on the phone at £100. | 0:37:50 | 0:37:52 | |
£100 on the phone. Any advance on 100? | 0:37:52 | 0:37:57 | |
-Come on! -All done at 100. | 0:37:57 | 0:37:59 | |
100. | 0:37:59 | 0:38:00 | |
£100, very good, plus 15. | 0:38:00 | 0:38:03 | |
Well, you'll be very pleased about that. And relieved, I fancy. | 0:38:03 | 0:38:07 | |
Yes! | 0:38:07 | 0:38:08 | |
Excellent. Now the boxer. | 0:38:08 | 0:38:10 | |
205, I'm holding bids on this lot, ladies and gentlemen, | 0:38:10 | 0:38:15 | |
and I can start the bidding at...30. | 0:38:15 | 0:38:19 | |
30? 30? Any advance on 30? | 0:38:19 | 0:38:23 | |
On the boxing trophy, any advance on £30? | 0:38:23 | 0:38:26 | |
-Any advance on 30? 35, 40... -She's got bids there. -..45, 50. | 0:38:26 | 0:38:31 | |
(Yes!) | 0:38:31 | 0:38:33 | |
The bid's with me at £50. | 0:38:33 | 0:38:35 | |
Any advance on £50? All done at £50. | 0:38:35 | 0:38:39 | |
-Wiped its face. -Wiped its face, that's OK. | 0:38:39 | 0:38:41 | |
-There we go, plus 15. You preserved your plus 15. -Lot 206. | 0:38:41 | 0:38:46 | |
That is a lovely clean watch and it is in perfect working order. | 0:38:46 | 0:38:52 | |
And I can start the bidding at £35. | 0:38:52 | 0:38:58 | |
35 with me. | 0:38:58 | 0:39:01 | |
40, 45, | 0:39:01 | 0:39:04 | |
50, 55, 60. | 0:39:04 | 0:39:07 | |
-£60. -Yes! Keep going. | 0:39:07 | 0:39:10 | |
I'm out on there and I'm out on there, 65. | 0:39:11 | 0:39:14 | |
70, fresh bidder. 70, it's the gentleman at 70. | 0:39:14 | 0:39:20 | |
Mr Shelley at £70. | 0:39:20 | 0:39:23 | |
Any advance on £70...? 75, fresh bidder again. 75. | 0:39:23 | 0:39:28 | |
80, 85... | 0:39:28 | 0:39:30 | |
-Lordy. -90...? -Oh, she's going, look! -90. With you, sir, at £90. | 0:39:30 | 0:39:35 | |
All done at £90. £90... | 0:39:35 | 0:39:39 | |
-For £90. -Well done! | 0:39:39 | 0:39:40 | |
Well, that's marvellous, isn't it? That's plus 35... | 0:39:40 | 0:39:44 | |
of anybody's money. Plus 35 of anybody's money. | 0:39:44 | 0:39:47 | |
Um, 35, 45. That's plus 50. You are £50 up. | 0:39:47 | 0:39:52 | |
-What could be better than that? -We can go home now. | 0:39:52 | 0:39:55 | |
You can't go home quite yet, cos you've got your bonus buy. | 0:39:55 | 0:39:58 | |
What are you going to do about this ring? It's £110 worth of ring. | 0:39:58 | 0:40:01 | |
You could just park the £50 in your back pocket, which could be a winning score, | 0:40:01 | 0:40:05 | |
that could absolutely cream away with those old Reds. | 0:40:05 | 0:40:10 | |
Bearing in mind how badly, I mean, how well they did. | 0:40:10 | 0:40:12 | |
On the other hand, you go with £110, yeah? | 0:40:12 | 0:40:17 | |
-Run with Kate's ring. Look how well the jewellery's been going. -Yes. | 0:40:17 | 0:40:21 | |
What are you going to do? | 0:40:21 | 0:40:23 | |
-I think we're trusting Kate's judgment. -You're going to park it? -No, we're going to go for it. | 0:40:23 | 0:40:27 | |
You're going to go with Kate's ring and here it comes. | 0:40:27 | 0:40:30 | |
Can we say £200? | 0:40:30 | 0:40:33 | |
£200? 150? | 0:40:33 | 0:40:37 | |
Start me at 100. | 0:40:37 | 0:40:39 | |
£100 for the diamond and aquamarine 1910 ring. | 0:40:39 | 0:40:44 | |
£50, then. 50 bid. | 0:40:44 | 0:40:46 | |
50 bid. Any advance on 50? | 0:40:46 | 0:40:51 | |
-Any advance on 50? -Yep. -60 on the phone. 70, Lala? | 0:40:51 | 0:40:56 | |
-80. -80, 90... -100? | 0:40:56 | 0:41:00 | |
100. | 0:41:00 | 0:41:03 | |
-105 with me, Lala. -110? | 0:41:03 | 0:41:07 | |
110, I'm out. I'm out at 110. I'll take five. | 0:41:07 | 0:41:12 | |
-110. -It's a bargain. -Come on, yeah. Keep going. | 0:41:12 | 0:41:16 | |
120. | 0:41:16 | 0:41:19 | |
120. It's with Lala on the phone at £120. | 0:41:19 | 0:41:24 | |
Any advance on 120? All done at 120. | 0:41:24 | 0:41:28 | |
-120... -GAVEL BANGS | 0:41:28 | 0:41:31 | |
-Yeah! -She's a happy girl. -Well done, Kate. | 0:41:31 | 0:41:33 | |
That is plus £10. | 0:41:33 | 0:41:35 | |
Which means over all, | 0:41:35 | 0:41:36 | |
you are plus £60 which could be a winning score. | 0:41:36 | 0:41:40 | |
Just don't talk to the Reds for a bit. | 0:41:40 | 0:41:42 | |
Well done, boys. | 0:41:42 | 0:41:43 | |
Well, what an extraordinary programme we've had today. | 0:41:49 | 0:41:52 | |
Amazing, isn't it? Two teams of winners. | 0:41:52 | 0:41:55 | |
Substantial winnings going both ways. | 0:41:55 | 0:41:57 | |
Have you been having a chat to each other? | 0:41:57 | 0:41:59 | |
ALL: No. | 0:41:59 | 0:42:01 | |
You have no idea who is ahead and who is marginally behind. | 0:42:01 | 0:42:04 | |
Because I can reveal that there is only £3 in difference... | 0:42:04 | 0:42:09 | |
-THEY GASP -..between the scores today. | 0:42:09 | 0:42:13 | |
£3 between them and they are both substantially up which is really interesting. | 0:42:13 | 0:42:19 | |
And I'm sorry to say that the team that is marginally behind... | 0:42:19 | 0:42:25 | |
are the Reds. | 0:42:25 | 0:42:27 | |
REDS GROAN | 0:42:27 | 0:42:29 | |
-BLUES LAUGH -You're behind by winning £57. | 0:42:29 | 0:42:36 | |
Which is never right, is it, really? | 0:42:36 | 0:42:38 | |
And these guys over here, | 0:42:38 | 0:42:39 | |
they're winning by only getting a miserable £60, | 0:42:39 | 0:42:43 | |
so they've got their 60, you've got your 57, | 0:42:43 | 0:42:45 | |
and there doesn't seem to be any real justice in all of this. | 0:42:45 | 0:42:48 | |
Cos you're both equally wonderful, I have to tell you. | 0:42:48 | 0:42:52 | |
And I'm going to give you £57, all right? | 0:42:52 | 0:42:54 | |
-Have you had a good time? -Yes, loved it. | 0:42:54 | 0:42:57 | |
Loved having you on the programme and we're missing you already. | 0:42:57 | 0:43:00 | |
-Now, Blues, Chris and Paul, C and P, 60 smackers. Are you happy? -Delighted. -Yeah. | 0:43:00 | 0:43:05 | |
We're thrilled too. Join us soon for some more bargain hunting, yes? | 0:43:05 | 0:43:09 | |
ALL: Yes! | 0:43:09 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:21 | |
E-mail [email protected] | 0:43:21 | 0:43:24 |